Podcasts about gospel blues

This week we're thrilled to have Deborah Bishop, a remarkable artist whose journey through music and beyond has captivated hearts worldwide.Deborah Bishop is no stranger to the stage—she first graced it at the tender age of 4 and hasn't looked back since. A true prodigy, she won her inaugural songwriting award at just 5 years old, foreshadowing a career destined for greatness.But her talents extend far beyond music. Deborah holds a Doctor of Divinity and ranks among the top 30 psychics and mediums globally—an impressive testament to her spiritual depth and intuitive prowess.Describing her music as "Swamp-a-billy Gospel Blues," Deborah infuses soulful storytelling with a blend of genres that stir the soul. Her artistry goes beyond mere performance; she is an inspirational figure and positive media producer dedicated to empowering others to transform their challenges into triumphs.In this episode, we delve into Deborah's creative process, her unique musical style, and the profound impact of her spiritual journey on her art. Join us as we uncover the wisdom and passion behind Deborah Bishop's music. This is a conversation that promises to be as enlightening as it is soul-stirring,Support this podcast at — https://redcircle.com/songwriter-connection/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Jontavious Willis is resolved in his mission: to reinvigorate today's Blues with the spirit of the past. Inspired by a time when the Blues were plentiful and rhythm reigned supreme, Jontavious leverages his unique sound—a synthesis of his Georgia heritage and reverence for traditional Blues—to get the world dancing again. A Grammy-nominated musician and songwriter, Jontavious performs original, toe-tapping tunes in the style of Delta, Piedmont, Texas, and Gospel Blues. Dynamic vocals, technical prowess, and an abundance of Southern charm keep Jontavious sending jolts of vitality through the Blues community.

Hosts Jim DeRogatis and Greg Kot review Sly Stone's memoir and revisit an interview with Family Stone members Jerry Martini and Cynthia Robinson. They also review new albums from The Feelies and Robert Finley. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Sly and the Family Stone, "Everyday People," Stand!, Epic, 1969The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Robert Finley, "Waste of Time," Black Bayou, Easy Eye, 2023Robert Finley, "What Goes Around (Comes Around)," Black Bayou, Easy Eye, 2023Robert Finley, "Nobody Wants To Be Lonely," Black Bayou, Easy Eye, 2023Robert Finley, "Gospel Blues," Black Bayou, Easy Eye, 2023The Feelies, "Oh! Sweet Nuthin'," Some Kinda Love: The Feelies Performing the Music of the Velvet Underground, Bar None, 2023The Feelies, "What Goes On," Some Kinda Love: The Feelies Performing the Music of the Velvet Underground, Bar None, 2023The Feelies, "All Tomorrow's Parties," Some Kinda Love: The Feelies Performing the Music of the Velvet Underground, Bar None, 2023The Feelies, "I'm Waiting For the Man," Some Kinda Love: The Feelies Performing the Music of the Velvet Underground, Bar None, 2023Sly and the Family Stone, "I Ain't Got Nobody (For Real)," Dance To The Music, Epic, 1968Sly and the Family Stone, "Advice," A Whole New Thing, Epic, 1967Sly and the Family Stone, "I Hate To Love Her," A Whole New Thing, Epic, 1967Ike and Tina Turner, "Bold Soul Sister," The Hunter, Blue Thumb, 1969Sly and the Family Stone, "Dance To The Music," Dance To The Music, Epic, 1968The Roots, "Star/Pointro," The Tipping Point, Geffen, 2004Sly and the Family Stone, "Thank You (Falettinme Be Mice Elf Agin)," Thank You (Falettinme Be Mice Elf Agin) (Single), Epic, 1969Bobby Freeman, "C'mon and Swim," C'mon and Swim (Single), Autumn, 1964Sly and the Family Stone, "Family Affair," There's A Riot Goin' On, Epic, 1971Sly and the Family Stone, "Hot Fun in the Summertime," Hot Fun in the Summertime (Single), Epic, 1969Sly and the Family Stone, "Thank You For Talking To Me Africa," There's A Riot Goin' On, Epic, 1971Sly and the Family Stone, "Brave and Strong," There's A Riot Goin' On, Epic, 1971Sly and the Family Stone, "You Can Make It If You Try (Live)," Stand!, Epic, 1969Sly and the Family Stone, "We Love All," Dance To The Music (2007 version), Epic, 1968Sly and the Family Stone, "Color Me True," Dance To The Music (Single), Epic, 1968Lou Reed, "Walk on the Wild Side," Transformer, RCA, 1972See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Our culture columnist Tara Lynn Taylor looks at this week in music and theatre! That includes a gospel concert in Cherry Brook, a historic bluegrass festival in Ellershouse, and a romantic comedy set in Stewiacke.

Gospel/Blues singer Linda Wright is in Cotton for a concert...See omnystudio.com/listener for privacy information.

Camilla Muncks lavmælte vokal var tidligere i centrum for grupperne Wynona og Munck//Johnson. Men på hendes fornemt anmeldte solodebut Aeon (https://gaffa.dk/anmeldelse/152566/tidligere-wynona-sanger-solodebuterer-med-en-uhort-musikalsk-originalitet/) er der anderledes volumen i stemmen. En udvikling, der ifølge Camilla kan spores tilbage til barndomshjemmet, hvor hendes far præsenterede sine fire børn for en gospelsang, der fik familien til at danse og synge i vilden sky. ”In The Upper Room” (https://www.youtube.com/watch?v=fuLD7HwqMEo) med Mahalia Jackson var en undtagelse fra den megen klassisk musik, der ellers lød fra familiens stereoanlæg. I dag er det gamle kassettebånd med Mahalia Jackson et minde om Camillas far, der går på runde mellem de fire søskende. Camilla Muncks (https://www.facebook.com/dencamillamunck/) debutalbum Aeon (https://moondroprecords.bandcamp.com/album/aeon) udkom digitalt 8. oktober og udsendes på vinyl i januar 2022. Foto: Mike Højgaard Varighed: 8:24

GBJ es una producción de "Ágape en la Radio" y es un programa que enfoca las melodías y los interpretes mas famosos que han llevado a muchos rincones del planeta tierra, la buena música en los géneros del Gospel, Blues y el Jazz, y sobre todo el mensaje de Dios insertado en sus melodías para llevar Esperanza a millones de millones en el mundo entero. ¡Bienvenidos todos a una nueva entrega de: "GOSPEL BLUES AND JAZZ". --- Send in a voice message: https://anchor.fm/julio-barreto-en-podcast/message

GBJ es una producción de "Ágape en la Radio" y es un programa que enfoca las melodías y los interpretes mas famosos que han llevado a muchos rincones del planeta tierra, la buena música en los géneros del Gospel, Blues y el Jazz, y sobre todo el mensaje de Dios insertado en sus melodías para llevar Esperanza a millones de millones en el mundo entero. ¡Bienvenidos todos a una nueva entrega de: "GOSPEL BLUES AND JAZZ". --- Send in a voice message: https://anchor.fm/julio-barreto-en-podcast/message

¡Hola amables! Bienvenidos a una nueva edición de nuestros Podcasts de "Gospel, Blues, Jazz, y algo más". En esta oportunidad les entregamos un programa con invitados de alto calibre musical: Gilberto Franco (Brasil), Kirk Whalum USA), y Alex Moran (Venezuela). Un poco de Bossa Nova, le cae bien al alma, Kirk nos interpreta entre otras melodias, su imperdible: !Ta ta You Jesus!. Así que este podcast no tiene desperdicio. Disfrutenlo, dejennos su ME GUSTA y sus comentarios. Sólo a Dios sea la Gloria. --- Send in a voice message: https://anchor.fm/julio-barreto-en-podcast/message

Discurrían los años de la década de los 90, cuando Ismael Coki Bonilla y sus amigos formaron esta banda. Creo que no sería exagerado decirles que esta es la banda más conocida en toda Argentina, al menos en este genero del Blues. Ellos son nuestros invitados en esta oportunidad al especial de: "Los Protagonistas de nuestra Música". Bienvenidos también cada uno de ustedes, nuestros amables radio-escuchas, que tan gentilmente nos sintonizan. Esperamos que disfruten de este programa, preparado para bendecirles ampliamente. --- Send in a voice message: https://anchor.fm/julio-barreto-en-podcast/message

GBJ es una producción de "Ágape en la Radio" y es un programa que enfoca las melodías y los interpretes mas famosos que han lle vado a muchos rincones del planeta tierra, la buena música en los géneros del Gospel, Blues y el Jazz, y sobre todo el mensaje de Dios insertado en sus melodías para llevar Esperanza a millones de millones en el mundo entero. ¡Bienvenidos todos a una nueva entrega de: "GOSPEL BLUES AND JAZZ". --- Send in a voice message: https://anchor.fm/julio-barreto-en-podcast/message

La música es universal, esto se ha dicho miles de veces, y es una gran realidad. Pero esta se potencia al máximo, cobra mayor se ntido y fuerza, cuando se origina en convicciones y logra expresar sentimientos, verdades, sueños, vivencias. Tanto el género del Jazz como el Blues, cubren estas expectativas, y este espacio radial, le coloca a esta espectacular música un ingrediente indispensable para todos los seres humanos, como lo es; ese alimento espiritual que viene de Dios y que tanto bien le hace a nuestro espíritu. Amables; con ustedes: "GOSPEL, BLUES AND JAZZ". --- Send in a voice message: https://anchor.fm/julio-barreto-en-podcast/message

Our invited for this ocation is Elvis Presley (The king of Rock and Roll) singing his Gospel songs. To God be the Glory. --- Send in a voice message: https://anchor.fm/julio-barreto-en-podcast/message

El Rey ha muerto. Las luces se han apagado. El viaje ha terminado. Los admiradores se han esparcido. El duelo se ha despedido. Tan sólo queda frente a la tumba fría un viejo amigo, el tío Cratus, que llora en solitario recordando las palabras de Elvis en su última visita a su lujosa mansión de Graceland: "Me dijo que su vida espiritual no marchaba como debía. que había dejado a Dios fuera. Que quería recuperar la felicidad espiritual de su juventud. Me pidió que orara por él para que pudiera hallar de nuevo el camino recto." Elvis se debatió en su vida entre dos caminos; por una parte quería transitar por la senda que Dios establece en Su Palabra, y por otra parte (incapaz de hacer lo primero), se entregaba desenfrenadamente a una vida de lujuria, drogas, pasiones, que lo condujeron prematuramente a un final triste y por consecuencia muy lamentable. En una oportunidad (con lagrimas en sus ojos), le declaró al Pastor Rex Humbard: "Lo tengo todo, pero me siento la persona más miserable del mundo" ¿Qué fue lo que aconteció a Elvis? ¿Qué lo atormentaba? En este Podcast hemos hecho una breve biografía musicalisada del rey del rock and roll Elvis Presley. Esperamos que les sea de su agrado y que todos los que lo escuchen, sean edificados ampliamente. (A Dios sea la gloria). Este material está disponible también en el canal de Youtube: https://www.youtube.com/user/yosoyunsiervodedios?feature=mhee --- Send in a voice message: https://anchor.fm/julio-barreto-en-podcast/message

La música es universal, esto se ha dicho miles de veces, y es una gran realidad. Pero esta se potencia al máximo, cobra mayor sentido y fuerza, cuando se origina en convicciones y logra expresar sentimientos, verdades, sueños, vivencias. Tanto el género del Jazz como el Blues, cubren estas expectativas, y este espacio radial, le coloca a esta espectacular música un ingrediente indispensable para todos los seres humanos, como lo es; ese alimento espiritual que viene de Dios y que tanto bien le hace a nuestro espíritu. Amables; con ustedes: "GOSPEL, BLUES AND JAZZ". --- Send in a voice message: https://anchor.fm/julio-barreto-en-podcast/message

La música es universal, esto se ha dicho miles de veces, y es una gran realidad. Pero esta se potencia al máximo, cobra mayor se ntido y fuerza, cuando se origina en convicciones y logra expresar sentimientos, verdades, sueños, vivencias. Tanto el género del Jazz como el Blues, cubren estas expectativas, y este espacio radial, le coloca a esta espectacular música un ingrediente indispensable para todos los seres humanos, como lo es; ese alimento espiritual que viene de Dios y que tanto bien le hace a nuestro espíritu. Amables; con ustedes: "GOSPEL, BLUES AND JAZZ". #AgapeEnlaRadio --- Send in a voice message: https://anchor.fm/julio-barreto-en-podcast/message

durée : 00:53:23 - Very Good Trip - par : Michka Assayas - L'une des idoles de l'enfance de Paul McCartney est Little Richard mais pas seulement. La suite c'est dans Very Good Trip.

Tracy and Holly talk about Tracy's chat with Dr. Rachel Lance, and the legacy of Thomas Dorsey. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

For a long time, Dorsey lived a sort of double life creatively. When he combined the two forms of existing music he played, he created something new, and changed religious music forever.  Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Sharky and the Count skirt the edge of sanity with this blast of church-going good-time gospel, Bushwick blues, and an existential conversation about drugs, Spanish money, and the environment (no more plastic straws!) You will laugh and you will cry, Dave the Engineer certainly did. JUST SAY YES!!!!!! Arts & Seizures is going out with a bang, yo. Arts & Seizures is powered by Simplecast

¡Hola amables! Bienvenidos a una nueva edición de nuestros Podcasts de "Gospel, Blues, Jazz, y algo más". En esta oportunidad les entregamos un programa con invitados de alto calibre musical: Gilberto Franco (Brasil), Kirk Whalum USA), y Alex Moran (Venezuela). Un poco de Bossa Nova, le cae bien al alma. Kirk nos interpreta entre otras melodias, su imperdible: !Ta ta You Jesus!. Así que este podcast no tiene desperdicio. Disfrutenlo, dejennos su ME GUSTA y sus comentarios. Sólo a Dios sea la Gloria.

El Rey ha muerto. Las luces se han apagado. El viaje ha terminado. Los admiradores se han esparcido. El duelo se ha despedido. Tan sólo queda frente a la tumba fría un viejo amigo, el tío Cratus, que llora en solitario recordando las palabras de Elvis en su última visita a su lujosa mansión de Graceland: "Me dijo que su vida espiritual no marchaba como debía. que había dejado a Dios fuera. Que quería recuperar la felicidad espiritual de su juventud. Me pidió que orara por él para que pudiera hallar de nuevo el camino recto." Elvis se debatió en su vida entre dos caminos; por una parte quería transitar por la senda que Dios establece en Su Palabra, y por otra parte (incapaz de hacer lo primero), se entregaba desenfrenadamente a una vida de lujuria, drogas, pasiones, que lo condujeron prematuramente a un final triste y por consecuencia muy lamentable.

La mejor música del Universo es la que intento compartirles a todos mis amables que me escuchan. En esta ocasión Kirk Whalum es nuestro interprete invitado. Sin ambages les compartiremos las palabras que dan vida, las palabras de "Jesús". ¡Bienvenidos!

Este es un programa dedicado a los amantes de lo espiritual y de la buena música. Desde la señal de Ágape en la radio Podcast para toda Latinoamérica. Una producción que le coloca un ingrediente indispensable para todo el género humano; Las Palabras de Jesús que son alimento para el espíritu, agua fresca para el alma.

Binvenidos al 5to episodio de nuestro espacio radial en formato Podcast denominado "G.B.&J." / Aderezado con las palabras que dan vida, las palabras de "Jesús". Muchas gracias por escucharnos y Soli Deo Gloria.

Bienvenidos a un nuevo episodio de G.B.&J. aderezado con las palabras espirituales que dan vida, porque solo en "Jesús" hay palabras de Vida. Esperamos que lo disfruten plenamente. Muchas gracias por escucharnos.

La Misión Blues Band (Argentina) son nuestros invitados en este Episodio de G.B.&J. La mejor música del Universo y por supuesto aderazada con las palabras que dan vida, las Palabras de "Jesús".

"Jesus Took Away My Blues" is the Showcase Album of the Early years of Bobby Smith. It is Bobby's first attempt at recording an album back in 1985. In it you will hear the sounds and influences of such Musicians as "Jerry Lee Lewis, Jimmy Swaggart and others that made Bobby the Musician that he is today. Even though it is the proverbial diamond in the rough , it still has the ingredients that make a Musician great. With that being said , purchase the album see for yourself the energy and passion of a young "Bobby Smith". https://store.cdbaby.com/artist/bobbysmith8

"Jesus Took Away My Blues" is the Showcase Album of the Early years of Bobby Smith. It is Bobby's first attempt at recording an album back in 1985. In it you will hear the sounds and influences of such Musicians as "Jerry Lee Lewis, Jimmy Swaggart and others that made Bobby the Musician that he is today. Even though it is the proverbial diamond in the rough , it still has the ingredients that make a Musician great. With that being said , purchase the album see for yourself the energy and passion of a young "Bobby Smith". https://store.cdbaby.com/artist/bobbysmith8

"Jesus Took Away My Blues" is the Showcase Album of the Early years of Bobby Smith. It is Bobby's first attempt at recording an album back in 1985. In it you will hear the sounds and influences of such Musicians as "Jerry Lee Lewis, Jimmy Swaggart and others that made Bobby the Musician that he is today. Even though it is the proverbial diamond in the rough , it still has the ingredients that make a Musician great. With that being said , purchase the album see for yourself the energy and passion of a young "Bobby Smith". https://store.cdbaby.com/artist/bobbysmith8

Back in the seventies you got some pretty good gospel blues music. Let's turn back the clock and take a listen

Intro Song, Joe Louis Walker, “Young Girl Blues”, “Everybody Wants A Piece” First Set – Joe Louis Walker Joe Louis Walker, “Buzz On You”, “Everybody Wants A Piece”Joe Louis Walker, “Gospel Blues”, “Everybody Wants A Piece”Second Set – The Record Company The Record Company, “Off The Ground”, Give It Back To You The Record Company, “On The Move”, Give It Back To You Third Set – Janiva Magness Janiva Magness, “Love Wins Again”, Love Wins Again Janiva Magness, “When You Hold Me”, Love Wins AgainJaniva Magness, “Your House Is Burnin”, Love Wins Again, Fourth Set – Fantastic Negrito Fantastic Negrito, “Scary Woman”, The Last Days Of Oakland Fantastic Negrito, “The Worst”, The Last Days Of Oakland Fifth Set – Kenny NealKenny Neal, “Ain't Gon' Let The Blues Die”, BloodlineKenny Neal, “Keep On Moving”, Bloodline Kenny Neal, “Blues Mobile”, Bloodline Congratulations to all of these nominees! Good luck to all! Hey folks! Come on out to my new web site and submit your comments! It's Bluzndablood.com !    

Hi.... I've been waiting for you. The Blues have had a wonderful effect on many folks over the years and I'm betting you'll enjoy your visit to my site. Your going to hear samples of some of the best new Blues Guitar and Vocals being offered up anywhere today!! Yep...This is the home of the New Robbie King Blues Experience . Enjoy the vibe y'all and don't forget to send an e-mail. PEACE, Robbie http://robbieking.com/index.php http://acaiplusenergy.com Need Energy

Supporting the classic Blues and the modern day heros of music. Join me as we go back into time and relive the the era that set the nation and time to what it is today.While we showcase The old time greats and current sounds of today. Join me as we bring the past to the present. http://www.trythemagic.com 1.800.706.0162

Music

Sample the sonic connections that exist throughout all cultures as you cross six continents and six centuries of musical history. With a World Passport, you may never know where your next port of call may be, but you can be sure you'll like it. In This Episode: Arabic music (1, 2) strongly influenced the neighboring Persian empire. As the armies of the Persia invaded parts of India, Arabic influence was further spread, affecting both modern (3) and folk (4) Indian musical traditions. As large numbers of Indian labor were brought into the British Caribbean during the 19th century, Jamaican Reggae (5, 6) was strongly influenced. As West Indian music spread throughout the Caribbean and into the Southern United States, it mingled with what would become Soul (7) and Gospel (8). The earliest forms of American Gospel included the Spiritual (9) and something called the “Gospel Blues” or a hybrid of early Gospel, Blues (11), and Jazz (10). As the first global music movement, Early Jazz also saw important developments in Europe (12). Early European Jazz drew heavily on an the classical European vocal tradition found in High Opera (13). As a result of colonialism, South African Gospel (14) shares a great deal with both Western vocalism and liturgy, . Culturally, Southern African pre- and post-colonial ties extend along the East African coast into Kenya (15). Kenya was also part of the wide band of Equatorial Africa that began a musical dialogue with Cuba (16) and the larger Afro-Caribbean world (17, 18). 1. Popular - Lebanon (Fairuz) 2. Popular - Morocco (Amina Alaoui) 3. Bhangra - India (Khalnayak) 4. Punjabi Festival Song - India 5. Dub Reggea - Jamaica 6. Reggae - Jamaica (Pat Kelly) 7. Soul - United States (Al Green, Mavis Staples) 8. Gospel - United States 9. Spiritual - United States (Mahalia Jackson) 10. Jazz - United States (Lil Greene) 11. Blues - United States (Bessie Smith) 12. Jazz - France (Josephine Baker) 13. Operatic Aria - Italy (Rossini: Amelita Galli Curci) 14. Gospel - South Africa 15. Popular - Kenya (Frank & His Sisters) 16. Son - Cuba (Trio Matamoros) 17. Cumbia - Colombia (Chico Cervantes) 18. Bolero - Mexico (Trio Los Ases)

Welcome to Joe Desperado and the Uptown Cats music page. This is a new project with veteran guitarsist Joe Desperado. We will be adding music and a lot of details in the next few weeks, so please stop back soon. For those of you not yet framilar with Joe Desperado, you're in for a real treat. Joe is a one of the most soulful guitarist you'll ever listen to. From Delta Blues to Uptown Swing, he squeezes emotion out of every note. Joe and his band have created a refreshing new way to deliver traditional blues and Jump-swing in the same evening. From Jim's dynamic touch on the drums to Jeff's smooth bass lines, you will be captivate from the first note. Expeirence the raw emotion of the blues and the uplifting power of jump music, like no one else can deliver.

The impact of blues on rock music arises from the emotionally honest, timelessly powerful, trance-inducing music of American bluesmen like Howlin Wolf, Muddy Waters and John Lee Hooker. Listening to this simple, haunting music has compelled artists such as Jimi Hendrix, Robin Trower, Stevie Ray Vaughan, T.S. Mcphee, Buddy Guy, Frank Marino, Johnny Winter and Jimmy Page to unleash their mind expanding music on the world. The Corby Yates Band, a power trio, brings this heavy, guitar-driven, blues-based music back into the present time. Corby won the 18-and-under division of the 1998 international Jimi Hendrix Electric Guitar Competition finals in Seattle, WA. Later that evening, Al Hendrix, Jimi's father, personally gave this young guitar virtuoso, singer and songwriter the coveted Voodoo Chile award.

Music

Sherry Seiler, an independent Christian artist, living in Port Richey, Florida. I have one CD in stores called You Make Me Smile, and am presently working on a second. My Home Church is Calvary Chapel Worship Center in New Port Richey, FL. I am on a praise team that leads morning worship, and have a kick-boxing ministry for women once a week. I'm involved in the dance ministry as well as the drama, at CCWC. I teach choir for children ages 9-17 at a private school. I have been blessed with a wonderful husband for 22 years, and three lovely children ages 13, 16, and 21. Even though God has blessed me with many gifts, I wait on Him to direct me to a new purpose to serve Him, for his glory and honor.Amen! I know I am truly the happiest when I sing for the Lord. To obey the Lord is my first and only way I know to have peace and joy beyond all understanding. Amen!

Music

In thirteen new (and very short) songs, Walkenhorst has pared his already elemental approach to song arrangements down to a skeletal acoustic guitar, bass, and drums, most often played by his one-man-band. Harmonica is the lead instrument of choice, with the notable exception of a honking sax solo by Johnny Reno on “Jan Vermeer,� a Chuck Berry-style rocker about the great Dutch painter. The only lead guitar solo on the CD is played by Kansas City guitarist Jack W. Hayhow, Jr., on another retro-rocker, “J-Walkers,� about the first band Walkenhorst ever heard. Vocal harmonies appear on only one song, “Just Leaving.� From the sparse instrumentation to the early-’60s-style extreme-stereo production, the overall sound of The Beginner is as much about what has not been recorded as it is about what you do hear.

I have been playing guitar ever since he was a child growing up. My influences have been Jimi Hendrix, John McLaughlin, Al Dimeola, Carlos Santana, Eric Clapton, Johnny Winter, Roy Buchanon, Jimmy Page and a few others. I may have a taste of each one in my playing style from time to time. Like most musicians I have been though different stages of playing. When younger I played mostly Blues Rock guitar. http://www.myspace.com/jackfalkproject

Contemporary blues with a dash of southern rock that might best be described as Bonnie Raitt and ZZ Top crashing an Allman Brothers house party. Ripping guitars, dual lead vocalists, steroid-driven B3, handsome horns and fat pocket groove - Rusty Wright Blues has got it all

Music

Blues is a vocal and instrumental form of music based on the use of the blue notes and a repetitive pattern that most often follows a twelve-bar structure. It evolved in the United States in the communities of former enslaved Africans, from spirituals, praise songs, field hollers, shouts, and chants. The use of blue notes and the prominence of call-and-response patterns in the music and lyrics are indicative of the blues' West African pedigree. The blues influenced later American and Western popular music, as it became part of the genres of ragtime, jazz, bluegrass, rhythm and blues, rock and roll, hip-hop,and pop songs.

THOMAS, HENRY (1874-1950s?). Henry (Ragtime Texas) Thomas, an early exponent of country blues, was born in Big Sandy, Texas, in 1874, one of nine children of former slaves who sharecropped on a cotton plantation in the northeastern part of the state. Thomas learned to hate cotton farming at an early age and left home as soon as he could, around 1890, to pursue a career as an itinerant songster. Derrick Stewart-Barker has commented that for his money Thomas was the best songster that ever recorded. Thomas first taught himself to play the quills, a folk instrument made from cane reeds that sound similar to the quena used by musicians in Peru and Bolivia; later, he picked up the guitar. On the twenty-three recordings made by Thomas from 1927 to 1929, he sings a variety of songs and accompanies himself on guitar and at times on the quills.

The heart of this band is singer/songwriter Blue Fox, a string bending wildman with the subtlety and sensitivity of a true blues artist. Add one rock solid, swinging, funky, tongue in groove (emphasis on groove) rhythm section you've got something to write home about!

A guitarist, vocalist and songwriter, he is meticulous, whether it is perfecting a guitar riff or working on a lyric.But then again, its always been that way. Ever since he first saw The Beatles on television, Deziel has been involved in music, whether playing, writing or admiring. He grew to love vocal harmonies and layered guitars, and used them in his own compositions as well as those he has written with other artists. In 1991, Deziel met Jeff Carlisi of .38 Special through a meeting arranged by a friend. After that initial meeting, Carlisi became Deziel's mentor, and Deziel began sending him tapes of his own compositions to critique and judge. Carlisi would respond by phone or by mail with his compliments and comments. This is something that to this day Deziel claims to be an invaluable asset to his work. However, Deziel doesn't do everything solo. In 1993, Deziel founded the Connecticut band Sundance. As a guitarist/vocalist, he is one of the principal songwriters in the band. Sundance released its first full-length album, Pearls of Wisdom in November 1995. The band was a popular draw throughout the Northeast, and could be heard on many radio stations. With the group Deziel was also the subject of a television special called Behind the Scenes With Sundance.

Music

Barbeque Bob is a seasoned veteran harmonica virtuoso and vocalist from the Boston, MA with nearly 30 years of experience in the business and has worked and toured wth many different blues legends, including Jimmy Rogers, Louisiana Red, Sunnyland Slim, and Luther "Guitar Junior" Johnson. After nearly three years of being forced to take things very slow due to being on kidney dialysis, Bob recieved a kidney transplant on May 1, 2003, and he is now back on the scene with a vengeance. Former Muddy Waters and Eric Clapton harp legend Jerry Portnoys says,"Barbeque Bob is not just one of the best around the Boston area, but one of the very best anywhere, period!" The late, great West Coast blues harmonica giant and Alligator recording artist William Clarke called his playing "powerful and well focused." http://www.barbequebob.com

If youre moved by the classic sounds of Chicago, West coast swing and jump blues, the authentic tone of s guitar, cool rhythms and Fat tone amplified harmonica in the style of the greats such as T.Bone Walker, Robert Lockwood Jnr, Fred Below, George Harmonica Smith, Little Walter and William Clarke, then Smokehouse Blues are the real deal. Smokehouse have a deep passion for this music, and their live performancs around the country are evidence of their energy and style. influenced by the blues greats of the 1940s & 50s, Smokehouse Blues work hard to carry on this great music adding there own special touches along the w

Rebel Storm’s music has been described as a “jazzy, blues-rock fusion, with a southern drawl�, incorporating elements of all these genres and more. Rebel Storm has performed to rave reviews in both the US and Europe. Scorching, double harmony lead guitars. Tight, solid rhythms. Soulful piano and organ. Thumping, rock-solid back beats. It’s a show that starts out rockin’, goes for hours, and just doesn’t stop! Their show was nominated for “Best Live-Act of 2002� by the readers at www.rocktip.de in Germany, and their debut CD “Stormin’ South� was voted #4 album of the year for 2002, by the readers of Bands of Dixie magazine in France! Rebel Storm is a proud recipient of the 2002 GRITZ Southern Music Hall of Fame Horizon Award. They are internationally recognized as a powerful new force in the world of guitar driven rock-’n-roll. In May of 2003, the band released their second CD “The Hard Way�. Reviews have been extraordinary, calling it “a Southern Rock masterpiece.�, and cementing Rebel Storm’s position as a band, whose time has come

Hi...Im Robbie King, blues guitarist and song writer.My music is both retro and modern..sort of Ottis Redding meets Robert Cray meets Stevie Ray Vaughan! This isnt by copying someones style either...I was born in Witchita FallsTexas and grew up listening to some of the greatist R&B and Blues artist there were at the time..artist such as Ray Charles to BB King and everyone in between. As I grew into the Blues, my sights were set high. I wanted to play on stage with the likes of Eric Clapton ,BB King,Jeff Beck and others...I felt that one day I would have the maturity as a Blues guitar player, to be able to stand on the same stage with my heros and be noticed and appreciated by these great artists. My wish to play with these wonderful people seem to be coming true.. To date I have played on stage with Bonnie Riatt ,Johnny Neel once a song writer and keyboard player for the Allman Brothers Band, just to name a few... My music is no doubt Blues, but with a very original twist Im sure will please blues fans everywhere!! So be on the look out for Robbie King... My first solo album (Classic Case Of The Blues), is my calling card...I hope that those of you who have a chance to listen it,will enjoy it. These songs are both yours and mine! All from the heart and all real! All the best to yah! ....... Robbie King

Like the other great album to come out of post-Katrina New Orleans, Allen Toussaint & Elvis Costello?s The River in Reverse, the Radiators? latest consists mainly of songs written before the deluge. But the long-running Crescent City band catch a definite sense of time and place on this disc, which was recorded in the studio during the first post-hurricane Mardi Gras. Many of the lyrics sound too appropriate to be accidental, especially the opening ?Ace in the Hole? (?When the big wind blows chilly and cold, the wise fool flies south?) and the closing ?Shine Tonight? (?We?re all in the same boat, it sunk without a trace?). It also makes sense that the band sound even more New Orleans?ish than usual, adding sax on the ?50s-style jukebox rocker ?Rollercoaster? and banjo on the Preservation Hall homage ?Desdemona.? The overall mood is more intense than usual for these guys, notably on the Richard Thompson?esque ?Don?t Pray for Me? and the sexy/swampy ?Rub It In? ? the first time the standout track on a Radiators disc has been a love song. Their trademark two-guitar workouts are kept tight enough to serve the songs, and the mood is muted but still celebratory. The chanted choruses that close ?Shine Tonight? attest to a city ? or at least a few individual souls ? slowly coming back to life.

Truth is, there really is no story’s end yet, and Little Feat have indeed led a storied life ever since they formed in 1969. From then on, their unconventional signature of earthy, organic appeal and polished, first-rate musicianship wrapped around eclectic and memorable songs--clearly delivered as an authentic labor of love--has been a lasting fixture on the musical landscape. As American as apple pie--and rock ‘n roll itself--Feat’s music transcends boundaries, a freewheeling fusion of California rock and Dixie-inflected funk-boogie. In the mix as well are strains of folk, blues, rockabilly, country and jazz, inventing a hybrid sound that is truly Little Feat’s own.

A musical project from far up north in Sweden. Started as a test recording and is now a still on-going project. Texas Boogie is based on the interchange between the songwriter Roger Enquist and the sound engineer/producer Lars kastberg. At the moment we are working with our second album which is scheduled to be relased later this year. We are still a unsigned band, but record companies has shown interest

Like the other great album to come out of post-Katrina New Orleans, Allen Toussaint & Elvis Costello’s The River in Reverse, the Radiators’ latest consists mainly of songs written before the deluge. But the long-running Crescent City band catch a definite sense of time and place on this disc, which was recorded in the studio during the first post-hurricane Mardi Gras. Many of the lyrics sound too appropriate to be accidental, especially the opening “Ace in the Hole� (“When the big wind blows chilly and cold, the wise fool flies south�) and the closing “Shine Tonight� (“We’re all in the same boat, it sunk without a trace�). It also makes sense that the band sound even more New Orleans–ish than usual, adding sax on the ’50s-style jukebox rocker “Rollercoaster� and banjo on the Preservation Hall homage “Desdemona.� The overall mood is more intense than usual for these guys, notably on the Richard Thompson–esque “Don’t Pray for Me� and the sexy/swampy “Rub It In� — the first time the standout track on a Radiators disc has been a love song. Their trademark two-guitar workouts are kept tight enough to serve the songs, and the mood is muted but still celebratory. The chanted choruses that close “Shine Tonight� attest to a city — or at least a few individual souls — slowly coming back to life.

A guitarist, vocalist and songwriter, he is meticulous, whether it is perfecting a guitar riff or working on a lyric.But then again, its always been that way. Ever since he first saw The Beatles on television, Deziel has been involved in music, whether playing, writing or admiring. He grew to love vocal harmonies and layered guitars, and used them in his own compositions as well as those he has written with other artists. In 1991, Deziel met Jeff Carlisi of .38 Special through a meeting arranged by a friend. After that initial meeting, Carlisi became Deziel's mentor, and Deziel began sending him tapes of his own compositions to critique and judge. Carlisi would respond by phone or by mail with his compliments and comments. This is something that to this day Deziel claims to be an invaluable asset to his work. However, Deziel doesn't do everything solo. In 1993, Deziel founded the Connecticut band Sundance. As a guitarist/vocalist, he is one of the principal songwriters in the band. Sundance released its first full-length album, "Pearls of Wisdom" in November 1995. The band was a popular draw throughout the Northeast, and could be heard on many radio stations. With the group Deziel was also the subject of a television special called "Behind the Scenes With Sundance".