Podcast appearances and mentions of Alan Ladd

Drama on a MondayFirst,  a look at this day in History.Then, Suspense, originally broadcast  July 13, 1958, 68 years ago, The Long Night starring Frank Lovejoy.   A chilling story about a lost pilot and an air traffic controller. Frank Lovejoy became a licensed pilot after he first did this script on "Suspense," on November 18, 1956.  Followed by Somebody Knows, originally broadcast July 13, 1950, 76 years ago, the Mary Agnes Kabiska Murder. On August 9, 1948, a woman is murdered in St. Paul. Her throat had been slashed. Two years later, the homicidal maniac strikes again, this time in Cleveland. Was it the same killer? CBS offers $5000 to listeners who can help find the killer. Then, Box Thirteen starring Alan Ladd,  originally broadcast  July 13, 1949, 77 years ago, House of Darkness.  A shot in the dark helps Dan Holiday and a blind man find adventure. Followed by The CBS Radio Workshop, originally broadcast July 13, 1956, 70 years ago, The Case of the White Kitten starring Mason Adams and Kenny Delmar.  A satire of detective shows.  More cute than funny.  Finally, Claudia, originally broadcast July 13, 1948, 78 years ago, The True Story of 'The Jarvis Bay'.  Kathryn Bard and Paul Crabtree star. Thanks to Bill B for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.stream

A man who has feared death every day of his life wakes among strangers who cannot die — and finds that to them, he is something called an “atavus” — drawn by lot into what they have waited five hundred years to do.Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.tiny.us/OTRCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Wise Child” (March 24, 1978) ***WD00:45:57.515 = Arch Oboler's Plays, “Immortal Gentleman” (June 17, 1939) ***WD01:14:01.420 = Barry Craig, “Corpse On Delivery” (November 31, 1951)01:41:53.419 = BBC Radio 4/Radio 7, “Mortmain” (April 22, 1992)02:26:10.177 = Night Beat, “Lost Souls” (November 16, 1951) ***WD02:55:47.576 = Beyond The Green Door, “Mk. Arkady Bradian, Bolder and TNT” (1966)02:58:57.644 = Man In Black (The Black Book), “The Price of the Head” (February 02, 1952) ***WD03:13:42.390 = Blackstone The Magic Detective, “The Ghost That Wasn't” (November 28, 1948) ***WD03:26:24.838 = Box 13, “The Professor And The Puzzle” (January 09, 1949)03:52:53.344 = Calling All Cars, “The Human Bomb” (December 20, 1933) ***WD04:22:42.424 = Casey Crime Photographer, “A Tooth For a Tooth” (July 15, 1946) ***WD04:48:33.183 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0713Weird Darkness presents Retro Radio: Old Time Radio in the Dark, a collection of vintage broadcasts spanning psychological horror, hard-boiled detective work, ghost stories, and the strange corners where the two overlap.It opens with the CBS Radio Mystery Theater and E.G. Marshall's presentation of "Wise Child," written by Sam Dann and starring Ralph Bell. Joyce and Calvin Spurlock argue their way off a turnpike into a storm near a place called Kiowa Flats, sleep the night in their stalled car, and wake to find a newborn baby lying naked on a hillside — alive, unharmed, and abandoned. Joyce insists the child is a miracle and claims him as her own, inventing a birth story to secure a certificate. Calvin Junior never grows, not an ounce, not a fraction of an inch, while doctors find him perfectly healthy. Then a newspaper report reveals that the wilderness north of Kiowa Flats had been used as a secret dumping ground for atomic waste — and Calvin begins to sense something in the air, a force, a light, a power that lets him read the minds of his boss, his sister, and his customers, reshaping his entire life around whatever entered that child during the storm.From there, Arch Oboler's "Immortal Gentleman" arrives with Edmund O'Brien and Anne Shepherd, in which a man terrified of death his entire life screams aloud in a crowded auditorium and then explains why to the woman beside him. Sitting through a political speech, he found himself displaced into a future where science has abolished death entirely — a world of young people conditioned for fifty years, filled with all human knowledge, living two hundred, three hundred, five hundred years with nothing to do because "the old ones" never die and never surrender their positions. They call him an atavus, a throwback that surfaces once in every two thousand embryos. Twenty-four of them draw lots in a darkened room, and he is handed a black box and told to throw it at a woman who has lived five thousand years.Next, William Gargan stars as Barry Craig, confidential investigator, in "Corpse On Delivery." Bail bondsman Sam Solloway hires Craig to find Joey Florio, a racketeer who jumped a fifty-thousand-dollar bond, and offers ten percent to get him back. A merchant seaman named Stacy Crocker is stabbed four separate times outside Craig's office door before he can deliver whatever he came to sell. A blonde in ballerina sweaters frisks the corpse for its papers, a rifle shot grazes Craig's skull along West Street, and monogrammed pillows in a room at the Hotel Mohansic spell out the answer in two letters.The episode continues with John Metcalfe's "Mortmain," dramatized for radio by Rebecca Wilmshurst, set in the south of England before the war. Salome Clare marries Humphrey Ramsden Child, a man obsessed with moths, boats, and his dead mother Harriet, who vows at the altar that marriage binds souls beyond death throughout eternity. At an anniversary dinner deliberately set for thirteen guests aboard his houseboat, a woman is attacked by a swarm of moths in an upstairs bathroom, and a decomposing dog is dragged from the linen closet. Humphrey is committed as criminally insane, dresses in his mother's clothing, and promises from inside a straitjacket that death shall not part them. After his death, Salome marries John Temple — and on their honeymoon, a rotting pink boat begins rising out of the water behind them.Frank Lovejoy follows as Randy Stone in "Lost Souls," walking South State Street on Chicago's Skid Row, where a woman named Ruth Martin has spent eight hundred dollars buying steaks, clean sheets, and champagne for every derelict on the block. She refuses to answer a ringing telephone. Her purse holds a hotel key and a brand-new loaded .32. Twenty years earlier, watching police drag a screaming thirty-year-old woman into a wagon, Ruth made her friend Vivian Clark promise to kill her if she ever turned out the same way. Vivian Clark died at eleven years old — and every night for three weeks, the phone has rung wherever Ruth runs, from St. Louis to Kansas City to Duluth to Chicago.Basil Rathbone then delivers a short piece from Beyond the Green Door about a magician turned bank robber who kills two guards in Croesus, Maine, and hides in an abandoned granite quarry by disguising himself as a boulder — until a truck from the Eastern Maine Gravel Corporation pulls in to set the dynamite charges. The Man in Black, starring Paul Frees, presents John Russell's South Seas story "The Price of the Head," in which Christopher Pellet, a red-whiskered drunk with a bad name in the islands, murders a bartender at Fufuti and is saved by a Bougainville native named Karaki, who steals a canoe, sails eight hundred miles, nurses him through withdrawal, kills two white men in a cutter, gives him the last of the water, and combs his red hair and whiskers twice every day.Blackstone the Magic Detective investigates "The Ghost That Wasn't" at the Weldon mansion, where Mortimer Weldon's brother Clarence accepted a dare to spend the night in the tower room and was found in the courtyard with a broken neck behind a door locked from the inside — and where a grandfather clock that has always kept excellent time is suddenly two minutes slow. Alan Ladd stars as Dan Holliday in "The Professor And The Puzzle," a Box 13 adventure in which a college crystallographer named Martin Gardner is found shot through the heart with his own gun, his niece abruptly breaks her engagement to marry her uncle's lab assistant Ed Macklin, and Macklin turns up stabbed with his own knife. Registered mail receipts and a bank book under the name Samuel Stoner lead Holliday to an office building and a case of illicit diamond cutting.Calling All Cars reaches back into the records for "The Human Bomb," the true story of Carl Weiss, who walked into police headquarters wearing a sheepskin hood, green goggles, and a soldier's campaign hat, carrying a blood-red box packed with sixty-six sticks of dynamite and holding a spring-loaded trigger that would fire the moment he let go. He demanded to see Paul Shoup, president of the Pacific Electric Railway, and threatened to level the building unless the railroad workers got a raise. Two hundred and sixty prisoners were evacuated by streetcar while Chief Sebastian stalled him, and Officer Sam Brown eventually thrust his bare hand through the glass top of the box to smother the lit fuse.The episode closes with Staats Cotsworth as Casey, Crime Photographer, in "A Tooth For a Tooth" by Charles Holden. Rewrite man Henry Brower confesses a premonition of his own death and admits that a man named Renat — no licensed dentist, but a self-described research scientist on River Road — filled his teeth for free to test a new metal. Brower vanishes that night, and Lieutenant Logan writes him off as a debtor who skipped town. Casey recognizes the shape of a Colorado cattleman's case from 1931, and a bartender's habit of spelling words backward hands him the name he needs.

A skeptical reporter is sent to debunk England's most famous UFO hotspot — but the more nights he spends on Star Hill, the harder it becomes to dismiss what he sees, and the woman who keeps appearing there may be asking him to believe in far more than he ever bargained for.Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.tiny.us/OTRCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “A Message From Space” (February 28, 1978) ***WD00:46:14.309 = The Sealed Book, “Death Spins a Web” (April 01, 1945) ***WD01:15:36.156 = The Shadow, “The Ghost Walks Again” (March 16, 1941) ***WD01:40:19.756 = Sleep No More, “To Build a Fire” and “Three Skeleton Key” (February 20, 1957) ***WD02:09:17.703 = BBC Radio 4 Spine Chillers, “Doppelganger” (January 01, 1977)02:34:22.138 = Strange, “Greenwood Acres” (October 10, 1955) ***WD02:46:54.981 = Suspense, “Defense Rests” (March 09, 1944) ***WD03:16:42.462 = Tales of the Frightened, “Mirror of Death” (November 27, 1957)03:21:37.453 = The Creaking Door, “Cards” (1964-1965) ***WD03:49:11.172 = The Saint, “Mr. Important” (October 15, 1947) ***WD04:17:00.318 = Theater 1030, “Trespassers Will be Experimented Upon” (1968-1971) ***WD04:45:47.834 = Tales From The Tomb, “Hooked” (1960s)04:50:01.149 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0701Tonight's #RetroRadio — Old Time Radio in the Dark brings together a full night of vintage horror, mystery, and supernatural suspense, from a UFO sighting on an English hillside to a steel hook left dangling from a car door.The CBS Radio Mystery Theater opens the night with "A Message From Space," written by Ian Martin and starring Tony Roberts, in which a skeptical American feature writer named Pete Heron is sent by his editor uncle to debunk the wave of UFO sightings around Warminster, England — an ancient stretch of Wiltshire ringed by 45,000-year-old burial mounds, or barrows, and crossed by invisible electromagnetic ley lines. Guided by a strange radio man called Bryce Bond up to Star Hill, Pete watches a glowing craft settle into a wheat field and leave behind a scorched, counterclockwise depression no wind could explain. But it's the violet-eyed woman named Maru who keeps appearing there — claiming to be a reporter, smelling of roses and lily of the valley, and seeming, somehow, entirely out of this world — who tests everything Pete thought he knew.From The Sealed Book comes "Death Spins a Web," a tale narrated from the pages of the keeper's ponderous volume about the dying Mrs. Oliver Drake, who summons her three worthless grandchildren — Blanche, Vivian, and the charming polo-playing scoundrel Chris — to her mansion and announces that her entire fortune will go to just one of them. As Chris courts both beautiful cousins at once to hedge his bets, a canoe trip across a deserted lake sets a deadly scheme in motion, and the old woman proves to be playing a far stranger game than anyone suspects.The Shadow presents "The Ghost Walks Again," with Lamont Cranston and Margot Lane traveling to a small New England town terrified by the apparition of Sir Roger Mathis, the village's stern Puritan founder, dead more than two hundred years. Townsfolk who favor opening the ancient meeting hall to the public keep turning up dead inside its torture stocks and presses, each victim clutching a death warrant signed in Sir Roger's own hand, and Cranston must determine whether a real ghost or a very human killer haunts the old colonial hall.Sleep No More, hosted by Nelson Olmstead with Ben Grauer, offers two literary terrors. First is Jack London's "To Build a Fire," the unforgettable Yukon tale of a confident, imaginationless newcomer — a chechaquo — who sets out alone across the frozen trail at seventy-five below zero with only a husky for company, ignoring an old-timer's warning never to travel alone in such cold. Second is George G. Toudouze's "Three Skeleton Key," the story of a lighthouse keeper stationed on a tiny rock twenty miles off the coast of Guiana, who watches a derelict three-master sail straight toward the light carrying a writhing, starving army of ship's rats that soon lay siege to the tower with three men trapped inside.BBC Radio 4's Spine Chillers delivers "Doppelganger," a modern psychological horror about Noah, a frazzled young assistant who keeps waking at exactly 3:44 a.m., drowning in FOMO and social-media envy as she frantically tries to be everywhere at once — her mother's birthday dinner, a girls' trip, an exclusive private members' club. When her doorbell camera records her leaving the apartment one night but never coming back, and a voice on the phone that sounds exactly like her own begins narrating her every move, the question becomes whether she's sleepwalking or being replaced.Strange, hosted by author and supernatural expert Walter Gibson, presents "Greenwood Acres," the account of Army Lieutenant Seth Proctor, who, on leave in a small backwater Georgia town in 1952, goes fishing among the water lilies and discovers a gleaming white plantation house that his landlady insists has been a crumbling ruin since a Civil War tragedy in 1865. There he meets a beautiful blonde woman named Laura swimming in the river, who somehow already knows his name — and whose own story is bound up with a jealous uncle named Cassius and a renegade Northern soldier.Suspense brings "Defense Rests," starring Alan Ladd as Robert Tasker, a young ex-convict and aspiring writer paroled into the law office of Max Krager, the only friend he's ever had, played by John McIntyre. When Krager's partner Arthur Hines — the very district attorney who once sent Tasker to San Quentin — turns up dead in his own office with Tasker's fingerprints on the paperweight beside him, the case looks open and shut, until a missing $50,000 and a switchboard girl named Peggy complicate everything.Tales of the Frightened tells "Mirror of Death," the brief, eerie story of Celeste Collins, a pretty Irish girl of twenty-one whose hand mirror shatters on the floor on the morning of her birthday — and who, despite dismissing the broken-mirror superstition as nonsense, receives a tall, gift-wrapped delivery that evening with a reflection waiting inside it.The Creaking Door, sponsored by State Express 555 cigarettes, presents "Cards," set at a charming English village fete where a devout vicar reluctantly agrees to have his fortune told with a pack of tarot cards by Mrs. Heyman. When she falls into a trance and warns him to fear death by fire, fear that which flies in the air but is not a bird, and fear the things of night — the bat, the wolf, and the leopard — the vicar plans to fly to Tanzania anyway to tour the mission stations funded by the fabulous Shelby Diamond fortune.The Saint stars Vincent Price as Simon Templar, the Robin Hood of Modern Crime, who refuses a five-thousand-dollar bribe to leave a corrupt town and instead hunts the unknown crime boss who gunned down his childhood friend, Treasury agent John Daniels. Following a trail of frightened informants — undertakers, a doomed dame named Rose Taylor, a bookkeeper named Al Boston, and a terrifying insect-obsessed killer called the Professor — Templar closes in on the one man whose name nobody dares speak.Theater 1030, a CBC Toronto production, offers "Trespassers Will Be Experimented Upon," a darkly comic supernatural tale by Anthony Lee Flanders about Nigel Hurdstrom, a winner of five Nobel Prizes, who drives his glamorous wife Vanessa across the Saskatchewan prairie toward a long-dreaded reunion. A storm strands them at the misty castle of the wicked Baron von Schenck — the mysterious figure who once taught a lonely farm boy everything the wind had to teach — and the pupil has come back to challenge his master, with a monstrous transplant machine waiting in the dungeon.Tales From The Tomb closes the night with "Hooked," the classic campfire legend of Ronnie and Cindy, two Jefferson High teenagers parked on a deserted road by the woods, who hear a radio bulletin about an escaped killer with a steel hook for a right hand just moments before a loud thud strikes the passenger side of the truck.

Episode 296-Trump Pushes National Constitutional Carry Also Available OnSearchable Podcast Transcript Gun Lawyer — Episode Transcript Page – 1 – of 12 Gun Lawyer — Episode 296 Transcript SUMMARY KEYWORDS Second Amendment, pistol brace, bump stock, Glock ban, iron pipeline, national constitutional carry, gun rights, anti-gun laws, gun safety, Hollywood depiction, firearm training, gun laws, civil rights, gun ownership, gun violence. SPEAKERS Speaker 3, Evan Nappen, Teddy Nappen Evan Nappen 00:18 I’m Evan Nappen. Teddy Nappen 00:21 And I’m Teddy Nappen. Evan Nappen 00:22 And welcome to Gun Lawyer. So, Teddy, what have you brought to the table today? Teddy Nappen 00:33 Well, I’m always amazed by every single time they always try to say Trump’s not doing enough. Like you hear the horseshoe, right? It’s amazing the idea of just, oh, he hasn’t done enough, or they do the goal post move. Where they move it. They say he hasn’t done anything, or they move in and say he hasn’t done enough. I keep hearing this all the time about people with regards to the Second Amendment. They always try to highlight that stupid thing regarding the, what was it? The pistol brace at the time, because the writing on the wall that they try. Evan Nappen 01:16 Well, remember, keep in mind that with the pistol brace originally, NRA was not real keen on them either. You may remember, you know. So, Trump was trying to also go along with what the organizations themselves were doing, remember, because the brace thing was. But what you eventually saw, and what you’re seeing now, just on that is the elimination of the brace being an SBR, and that whole Merrick Garland insanity of having to register pistol braces. They put the reg forward on their, which should be official shortly, getting rid of that completely. We’re going to, on another shows talk about anybody if you happened to register a braced pistol as an SBR, what you need to do. Because that’s all history, and Trump has ensured that it’s now history, and let’s give credit there for that. Page – 2 – of 12 Teddy Nappen 02:35 And they always highlight the bump stock thing. By the way, the writing was on the wall of why Obama wanted to let that through was because they were going to equate ARs to machine guns, and that led to where. Evan Nappen 02:50 That’s right. So, remember the anti-rights, the oppressionists, they always have a game plan. So, their game plan was, look, if we have the bump stock thing going, then we can claim that semi-automatics are like machine guns. Then we can go after them and get a ban on semi-automatics as machine guns. And what Trump was doing politically in that sense was thwarting their political move. Now, if you say, ‘Oh, well, that isn’t.. how do you know that’s their plan? Or that was.. well, I’ll tell you what. If you want to see that as their plan, you could see it in action right now as they ban Glocks. California just banned Glock pistols, and what is your basis for banning Glocks? Oh, well, they’re easily convertible with Glock switches, you see. So, this is always the gambit of the Second Amendment oppressionists. Now we ban handguns that are perfectly legal, the most popular handgun in America, and we ban it, how? Oh, because you can put an unlawful Glock switch, which turns it into select fire. These switches are in and of themselves, just possession of a switch, is the same as possessing a machine gun. The switches are banned! But they use it as the pretext to expand it, and then ban the handguns themselves. Evan Nappen 04:35 You also saw them attempt this with the so-called iron pipeline. Teddy Nappen 04:40 Operation Fast and Furious. Evan Nappen 04:40 They were laying the groundwork for the iron pipeline. They wanted to say, oh, American guns, semi-autos, are going to Mexico to the narco terrorists, and all. And what did they do? They changed the 4473 to ask, are you Hispanic or not? Like, why are they asking that? And then they had multiple rifle reporting on border states. Why are they doing that? And then, of course, they do Operation Fast and Furious, so they could paint the picture to then push a gun ban based on the iron pipeline down south. But lo and behold, they step on their own toes here. We’ll use that word instead. And Operation Fast and Furious blows up in their face because they’re selling the guns themselves to the narco terrorists, and end up killing a federal agent, no less. So, that plan went all to hell. Evan Nappen 05:35 But you see, this is what they do. They lay the groundwork with these things, and that’s really what was going on there, on that. But with this Administration, we’ve never had an administration this pro-Second Amendment rights that it’s ever been president, ever. They’re now saying to California, get rid of that Glock ban or the Justice Department of the federal government is going after California. In other words, we finally have the federal government not pursuing oppression of the Second Amendment, but of enforcing our rights and preserving and fighting for our rights. They did it, and they’re doing it in all different facets. They’re doing it by administrative reg changes, 34 great changes. They’re doing it by Page – 3 – of 12 the litigation. They’re doing it by getting a focus of civil rights and putting the Second Amendment into that category. Evan Nappen 06:40 And now President Trump, just recently at a rally in Pennsylvania, said he wants to see and is pushing for National Constitutional Carry. Now, keep in mind this is beyond national reciprocity. National Constitutional Carry is the ability to lawfully carry your handgun anywhere in the United States with no permission slip. Ending the requirements, in effect, for permits. Or at least having it so that there’s national reciprocity that respects the majority of states that don’t require any permit. So that with National Constitutional Carry, a person who is a resident of a Constitutional carry state can carry, for example, in New York or New Jersey and all these oppression states with no permit, because it will be national. If you think about what the Second Amendment means, the right to keep and bear arms bearing is carrying, and the Second Amendment means that very thing. And that’s why it’s constitutional. Teddy Nappen 08:17 You also have to remember, Dad, like think back to Shaneen Allen. If this law comes into play, that would have avoided that entire BS that she went through. Her only crime was crossing the Franklin Bridge. Evan Nappen 08:40 Without the piece of paper that New Jersey recognizes. That’s right! Think of how many completely law-abiding citizens are turned into criminals, have their life destroyed, forced into a criminal judicial system for exercising a Constitutional right. They weren’t committing any crimes. They weren’t robbing, stealing, raping. No, no, no, nothing. Just, oh, you have a gun, and we’re not recognizing your right in this jurisdiction. That’s why this has to go. That’s why it’s a civil right, and it’s really great to see President Trump pushing it again. Teddy Nappen 09:21 If they were robbing, stealing, or raping, they would just be let off, no bail, no nothing. Evan Nappen 09:26 Well, if they’re an illegal alien, of course. Teddy Nappen 09:30 Yes, of course. Evan Nappen 09:31 And not only that, they would not even cooperate with ICE to have them deported, but that’s separate. Teddy Nappen 09:38 Yeah. Page – 4 – of 12 Evan Nappen 09:38 We’re talking here about law-abiding Americans with rights that are getting oppressed. What’s really interesting is that President Trump is pushing it now, making it an issue. Not just leaving it in the shadows, but making it a specific issue out there. And at the same time, he’s pushing for the Save Act, so we have integrity in our voting system. He’s pushing like never before to get rid of the filibuster. The filibuster is what is stopping the Republican-controlled Congress from being able to pass the agenda that we voted for. It’s because of the filibuster. As it stands now, you need 60 votes, and that lets the oppressors still have power to stop these laws from going through. And you know, if the Democrats ever gained power again, the first thing they’re going to do is get rid of the filibuster. So, cut it out. I didn’t see the filibuster in our Constitution. It talks about majority for passing legislation in each house. Okay, that’s what it is. So, this filibuster thing is a contrivance, and it needs to go. It is time, because we can get these laws through, and we can get the changes that we need on so many fronts, including the Second Amendment rights. It’s very important, critical. Teddy Nappen 11:30 Yeah, and this also comes from this. It’s right an article from MSN. (https://www.msn.com/en-us/news/politics/trump-says-administration-is-working-on-nationwide-right-to-carry-legislation/ar-AA26oxMC) When he was unveiling the new aircraft at Andrews Air Force base, one of the attendees asked about it, and he said, “Yep, we’re working on it. That sends it right there, because that puts it in. Not only you just said not to the national spot, but it also had all the gun rights oppressionists jumping up, screaming, no, no, no. Like going, like just immediately. It’s so funny. Evan Nappen 12:07 It’s (Senator) Mike Lee’s bill. (https://www.congress.gov/bill/119th-congress/senate-bill/4013/text) (Senator) Mike Lee has the bill, and they are working on it. This is a major, major law. It’s probably the single most important pro-Second Amendment rights law that we could pass in modern times. First of all, it will have a wonderful effect on reducing crime. We’re facing these criminals that were let loose into our country through four years of Biden and his policies, plus the blue state policies of the revolving door with no cash bails and all that. So, we need to be able to defend ourselves. But it also will make it so that carry is every individual, who chooses to have a firearm to protect themselves, and this will make it much simpler for individuals to do that very thing. Has a vested interest in preserving and fighting for their Second Amendment rights. It will be the biggest game changer that we could look for. Evan Nappen 13:22 Because as we evolve in our Second Amendments, where the base used to be the strongest base of our gun rights was hunters, it really has shifted. There’s less hunting and less hunting lands, unfortunately, and it shifted to a major uptick, tremendous uptick, in firearms for self-defense and personal protection and individual carry. This will solidify it to the ultimate, the ultimate lifestyle of Constitutional carry for all. That’s what we want to see. We will have a safer society. We’ll have a safer country. Individuals will be able to protect their families, their themselves, their loved ones. It is absolutely the best thing we could do for public safety and the protection of our sacred Constitutional rights. Page – 5 – of 12 Teddy Nappen 14:32 I will say, as well, I love just.. I pulled this from Giffords. (https://giffords.org/press-release/2026/06/giffords-condemns-trumps-push-for-national-right-to-carry-legislation/) Gabby Giffords, of course, who is one of the.. you know, out of.. I would say. Would you say Gifford is probably the smallest out of the gun rights of oppressors? There’s still a factor, but out of comparatively, compared to, like. Evan Nappen 14:49 Well, The Trace and Bloomturd and his organization probably has the most influence, but then you know. Teddy Nappen 15:00 They fund each other, and yeah, they do fund them, too. Evan Nappen 15:04 But, you know, the whole thing that also is true is that the anti-Second Amendment rights groups themselves are not really made of that many members. They don’t have anywhere near the passion and the numbers of which there are gun owners in America and guns in America. They like to gloss over that little fact. They’re basically small but well heeled, well financed. Slick and propagandized, and have an agenda of billionaires that they try to jam down the overwhelming majority of Americans’ throats that actually support the Constitution, and particularly the Second Amendment. So, that’s really, I mean, you don’t see it in terms of numbers. Now, they’ll hold rallies or whatever, and they’ll pay people to turn out. They’ll link in with other groups that are Left wing and such to make their numbers appear big. But there’s a tremendous difference between the pro-Second Amendment rights forces people and the anti-Second Amendment rights forces people. Teddy Nappen 16:32 And it’s also they never changed the argument. Because right here, right out of her own quote, concealed carry reciprocity is a dangerously reckless proposal, and would jeopardize the lives of the children, families, and police. People should not have guns who have no training, who have never passed a background check, and would be able to carry concealed weapons in every community, no questions asked. Evan Nappen 17:01 Yes, and that is absolute garbage. The majority of America already has Constitutional Carry. In the majority of states, 70% of the land mass of the U.S., you can carry now with no permit. So, obviously it’s flawed. I mean, look, murder rates have gone down nationally. But, of course, in the Blue cities, where they have the failure to cooperate with the federal government, where crime is out of control, it’s problematic there. But overall, guess what? The incredible decline in violent crime and murder rates corresponds brilliantly to civilian expansion of carry. That’s what you don’t hear. When they talk about how great we’re doing overall in terms of stopping and fighting violent crime and how those statistics show that we’ve improved, it correlates, it follows expansion of our ability to carry, either by shall-issue permit and/or Constitutional Carry. That’s why a national carry will enshrine it and make it the law of the land. We’ll see even better statistics and less people being victims instead of defenders. Page – 6 – of 12 Teddy Nappen 18:42 You always have to go to the fact, and they always say, if it saves one life. How about 2 million to 2.5 million in defensive uses of firearms that have saved lives per year. Evan Nappen 18:54 Right! Teddy Nappen 18:55 Just going off, you can even ignore the correlation / causation factor, and you can just cite to the fact that 2 million lives are saved from defensive uses of a firearm. If they go for the “save one life”, we’ve got to protect the children, yet it saves lives. Just flat out argument to that. But no, they always go to you’re going to be arming criminals and traffickers and lead to more gun deaths. All right. That’s ridiculous. Evan Nappen 19:24 Here’s the bottom line. It’s real simple. You can sum it up real easy. Guns Save Lives. Do you need to write that down? I mean, Guns Save Lives. And unfortunately, the cohorts of the oppressionists is the media. The mainstream, lame stream media that loves to push the agenda of the billionaire elitists that want our rights destroyed and that’s a fact. Guns Save Lives. And when you can, as an individual, protect yourself and your loved ones. Anyone who’s a gun owner knows that feeling of security and safety when you’re trained and know how to shoot and have your own firearm. You know that you can do it. And that is what enshrines it to the person, what puts it right in their heart. They go, yeah, I get it. I get it. Especially individuals who have actually had to use firearms, or they realize the famous saying of “I’d rather have a gun and not need it than need it and not have it”. And those that have needed one and not had it. Yeah, they paid a price, and those that have had it when they needed, it saved lives. Teddy Nappen 20:57 It makes me think back to, I don’t know if you remember seeing this. Do you know who Jamal Bowman is? Mister pull the Fire Alarm, because I can’t open a door. Evan Nappen 21:05 Yeah, right. That guy. Teddy Nappen 21:07 I remember him having a shouting match. It was like a couple years ago. It was him and Massie. He was arguing about, arguing for, more restrictive guns measures. Calling Republicans cowards, and he was screaming, and say, ‘You want more guns, you’re gonna lead to more death. Like, just screaming, screaming that it would cause more death. Screaming, ‘You’re all cowards. You don’t save children. Like, just screaming about it. (https://www.nbcnews.com/politics/congress/democrat-calls-republicans-cowards-tense-exchange-gun-violence-rcna77342) They do not care about the statistics. They do not care about the facts and the logic behind it. They just see weapon bad. Weapon is used by the oppression. Page – 7 – of 12 Evan Nappen 21:46 Wait. You’re telling me that Democrat issues are emotion-based? I find that hard to believe, Teddy. Teddy Nappen 21:53 I know, right. Whoops, sorry. Evan Nappen 21:55 Yeah, at least. Teddy Nappen 21:56 They banned logic in ’84. Evan Nappen 21:58 I guess they did. They did. Well, Teddy, let me talk about our good friends at WeShoot, our favorite range. It’s where you and I shoot and get our training and got our certificates, so that we can carry. WeShoot is a range in Lakewood, New Jersey, and a great facility. They are running an America 250th Anniversary sale. That’s right. This is a pretty cool sale, actually. They are offering 15% off all of their pre-loved firearms. You know what a pre-loved firearm is, right? Fifteen percent off for any of those, and 25% off their Heritage Collection. These are all these guns. There’s tremendously great guns that they have for sales, the 15% off sale across the board. You’ve got to check out what they have at WeShoot. They have an amazing selection and that’s of course on their pre-loved guns. Their Heritage Collection, man, is 25% off, and that is some sweet guns. Let me tell you. The Heritage Collection has, for example, I’ll just tell you about a few. Fox Sterlingworth shotgun, Fox “A” shotgun. You know, we’re talking these beauties. Fox AEs, and all these Richards. W. Richards SXs, you know, they’re the 10 gauge Richards. Fox CES, Parker Brothers, Trojan, the fevers, the nitros. We’re talking all the LC Smiths, Parkers. The classics of the scattergun world, man. The best of the best, and those are 25% off. Evan Nappen 24:17 So, you want to go to WeShoot and get your training there. It’s a great facility with a great indoor range. Conveniently located right off the Parkway, right in Lakewood, New Jersey. Central Jersey. Our ranges are critical. They are a resource. I mean, what good is it if you can’t shoot? If you don’t have any place to shoot? We’re lucky we have a great place to shoot. It’s called WeShoot. You can check out their website – weshootusa.com. Brilliant website with fantastic photography. They treat their customers so well. Teddy and I love WeShoot, and I know you will, too. Check out weshootusa.com. Evan Nappen 25:03 Let me also shamelessly promote my book, New Jersey Gun Law. It’s the bible of New Jersey gun law. It’s over 500 pages. It’s over 120 topics, all question and answer, making it easy, so that you don’t become the next GOFU. New Jersey’s laws are complicated, and it can be very perilous. As a matter of fact, the case law even says, when dealing with New Jersey gun laws, you act at your own peril. Even the courts recognize that the gun laws are perilous. So, to help defeat the peril and manage it, get a copy of my book, New Jersey Gun Law. Go to EvanNappen.com, EvanNappen.com, and get your copy today. You’ll be glad you did, Teddy. What else have you discovered in your travels? Page – 8 – of 12 Teddy Nappen 26:01 So, every time you turn on a TV show or movie, like out of modern Hollywood, you’ve probably seen some anti-gun messaging. It’s always there, some little. Evan Nappen 26:02 Yeah, some subliminal, some obvious. Nonsense. Teddy Nappen 26:12 An individual who is carrying, who ends up making the situation worse, or a kid finds the gun in the house and then shoots himself. These are others, or whatever, it’s always right, Evan Nappen 26:36 Mishandling. Teddy Nappen 26:37 You always see that. So, apparently this stems from Brady United, you know, Brady’s still a thing, apparently. They decided to meet with. This, is right from the NPR website. (https://www.npr.org/2022/06/13/1104594849/hollywood-pledge-onscreen-guns) Two hundred screenwriters, producers, studio executives, talking about responsibility of depicting firearms in film and television. We are partnering with major partners like Paramount, Walt Disney Studios, CBS Studios. To date, an estimated 150 viewers have watched Project Brady has influenced things like from HBO Euphoria – it’s not even cracking anywhere – from people caring about that show to Netflix, Little House on the Prairie reboot. Again, something no one else also isn’t really watching. Just bear in mind, I love how everyone’s screaming about, like, Paramount is like big in with conservatives and Trump. They’ve made some good shows, but they also produced the most woke Star Trek series known to man, where you had a retarded AI who was also a he/she/it. Like it’s that, so it’s that level. Evan Nappen 26:37 They almost covered all the bases. Teddy Nappen 27:23 I know, right? And then, like, there was a gay. Evan Nappen 27:26 I heard they modeled a lot of it after Tim Walsh, right? Anyway. Teddy Nappen 27:56 Well, good luck with that. But yeah, and so they outlined this. Our show gun safety principles. I think they ripped this off of our range principle, but okay. To help Hollywood model safer behaviors around guns. We’re not just changing the story, we’re saving lives. Page – 9 – of 12 Evan Nappen 28:27 Well, you know, okay. What they’re doing here is they love to call every gun rights oppression law is a “gun safety law”. Gun safety to them is just banning guns, banning gun rights, going after in every way they can us and our rights and our guns. They just put it under a banner of safety. So, anytime I hear that they’re promoting so-called “gun safety”, well, gun safety to them is not what gun safety is necessarily to us. Now, if it was honestly showing better gun safety in the media, I’m not against that. I’m all for safe gun handling, but I tell you what. I have an idea better than what the gun rights oppressionists are pushing, where they’re trying to get the writers to write it into the stories. Evan Nappen 29:39 Here’s something very simple that could be done, but they’ll never do it. Here’s what needs to be done. You know, at the beginning of many movies and shows, there are warnings. Warning” contains sexual or smoking. They even warn about, you know, violence. They warn about all kinds of racial stereotypes. They put all these warnings at the beginning. Here’s a warning I want to see on every show and movie before it’s shown. “The following shows improper handling of firearms.” Put it as a warning. Do you know how many times you would see that warning? On every show. And what it would do? It would show America just how bad the entertainment world is, just how bad these shows are for what they show. Anytime a gun is used illegally or improperly, that show should have the warning. “Firearms here are being shown used illegally and improperly.” However, you want to word the warning. Evan Nappen 31:00 Every time that warning would come up, it would send the message. Look who is showing wrongdoing. It’s the media. So, it would go hand in hand with arguably what The Trace and these guys, Brady and all are trying to do. It would go hand in hand with it. They want to promote safety. We’ll put warnings when the unsafety is being shown. I’d love to see that. Look, I don’t want to restrict anybody’s First Amendment. It’s just a warning about what’s coming up. I’m not looking to have any kind of censorship on it. They can show unsafe gun handling all day long, but just put a warning up front that that’s what’s coming. If you can warn about smoking, warn about offensive language, if you can warn about all this other, why not warn about that? Teddy Nappen 32:02 I remember there was a, I think it was either Bloomberg or Everytown who put out after there was a big shooting, and they got a lot of Hollywood actors who were just naming off mass shootings. Someone did a super cut showing them misusing firearms in movies, just to show the hypocrisy. It’s very hilarious. This is just them also running cover because of the violence depicted in movies, because they have that. Not talking about, they don’t talk about that. They want to talk about the gun. But here’s the three principles, just as a reminder. Model responsible gun ownership, especially secure storage. Show the consequences of reckless gun use. What’s reckless? Oh, you know, defending yourself with a firearm. Have at least one conversation during pre-production on the ways guns will be portrayed on screen. And this is most important of all. Limit scenes with children and guns. That right there is important, because you want to. Page – 10 – of 12 Evan Nappen 33:10 Because they want to make the younger generation not have any familiarity or love of firearms whatsoever. It’s not let’s teach how to shoot safely and properly, and enjoy shooting sports, and mature to be able to have the ability to defend yourself and your family. No, no, shut them out of it. Shut them out of it. Get them out of it. We don’t want to have the young being gun owners in the future, and this is how we stop it. Teddy Nappen 33:47 Yeah, and then they highlight their successes. They bring up. I love this one. They bring up Tulsa King. There’s a scene where a character is teaching his girl how to shoot. He’s just going through like the very first rule of gun safety first. Safety always. It’s especially important. Always assume the gun is loaded. Never point anything you’re not intending to shoot. I like how they take credit for just basic range safety. Like we did that. Evan Nappen 34:19 I like, you know, back when America was America, you had great movies like Shane. I mean, one of the greatest scenes in Shane is with Alan Ladd and the young boy, who’s enthralled with him and his firearm. Like any young boy should be. And remember the mom is like, “Oh, I don’t want my son, I don’t want my son having guns and dealing with guns. And what does he say? Marion, a gun is just a tool.” And there you go. One of the, you know, most awesome, pro-Second Amendment rights statement. Making it clear a gun is just a tool, Marion. And it is. It’s a tool for our safety. It’s a tool for our liberty. It’s a tool for our freedom. It’s a tool for our security. That’s the kind of message we love to see. Teddy Nappen 35:17 For me, I like “The River of No Return”. Evan Nappen 35:22 You would like that. Teddy Nappen 35:23 Yeah. Where the guy has his son, who wants to learn how to shoot. He learns, and he saves his dad through back shooting. After he gets. Evan Nappen 35:32 Hey, there you go, man. He saved his dad. Hey, look, didn’t John Wayne in (The Man Who Shot) Liberty Valance kind of do that anyway? In The Shootest, he didn’t want to shoot anybody in the back, but I kind of thought that happened in Liberty Valance. Maybe was not crystal clear, but he definitely ambushed him to save Jimmy Stewart, right? Teddy Nappen 35:52 Yeah, Jimmy Stewart. Page – 11 – of 12 Evan Nappen 35:53 He saved Jimmy Stewart’s ass with that shot. So, yeah, no, but look, what’s wrong with saving lives, and the good guys winning? I mean, that’s nice, you know. Beating the bad guys, not being a victim. Nothing wrong with that. As long as you’re justified and legal, and there you go. That works. Teddy Nappen 36:14 And then this is something I wanted to highlight, though, for people to remember. They got to all these show writers they had, for instance, like all signed this ridiculous letter. It was JJ Abrams, you know, the guy that ruined Star Trek. You have all these actors, producers, and directors signing this Brady show gun safety letter, this open letter. “Guns are prominently featured in TV and movies in every corner of the globe, but only America has a gun violence epidemic.” Okay, cut to the rest of the world. First, already debunked. “The responsibility lies with lax gun laws supported by those politicians more afraid of losing power than saving lives.” There we go. Another one right there. Lax laws. Thinking they’ll save lives. “We didn’t cause the problem, but we want to help fix it.” As America’s storytellers, our goal is to primarily entertain . . .” That’s not true in Hollywood. “. . . but we also acknowledge that stories have the power to effect change.” Evan Nappen 37:16 They’re a propaganda factory is what they are. Teddy Nappen 37:18 Correct. “Cultural attitude towards smoking, drunk driving, seat belts, and marriage equality have all evolved due in large part to movies’ and TV’s influence.” I’m pretty sure people are still drinking and driving. I’m pretty sure people are smoking, but now they’re vaping. So, that’s a whole.. and now, because that, they have to turn it towards vaping. And seat belts, okay, and marriage equality, okay. Now, the point now where they’ve lost. Evan Nappen 37:49 The whole political agenda through their propaganda efforts through entertainment. Hey, Teddy, I want to tell you about a very important GOFU this week. This week’s GOFU, remember, GOFUs are Gun Owner Fuck Ups. These are actual cases. Real deal things that you need to know. These are expensive lessons that somebody else has paid for that you get to learn for free. This week’s GOFU is really something that you may not have considered before, but you really should. If you ride motorcycles and such, make sure that the holster you use is not a clip-on style holster. You know, the kind. Make sure it’s an actual belt looped, so that your holster doesn’t come off while you’re riding your motorcycle. Because particularly susceptible. Evan Nappen 38:55 Now, granted, this can happen in a car, too. In a car, the firearm is going to end up on your floor of your car. But on a motorcycle, if that holster comes off the belt because it’s a clip on, even with the gun in it, or for that matter, if the gun falls out of the holster, you want to make sure your holster securely holds a firearm. You have to make sure the holster is secured to your belt. In motorcycling, with the vibration, the noise, etc., it’s very easy for an individual not to notice it falling off one’s body. You know you’re riding your bike and all that’s going on with the vibration and the road bumping and all these things Page – 12 – of 12 you’re dealing with, and it’s very easy to have that type of clip on holster come off. And then what happens? The gun and the holster fall off somewhere on your ride, and you don’t even realize it. Evan Nappen 40:12 Once you realize that you’ve lost it, you have 36 hours to report it lost or stolen in New Jersey, and this now jeopardizes, potentially, you being able to maintain your gun licenses. And if somebody else gets a hold of that gun, there can be further issues. So, please make sure that your holster is on your belt in a way that it cannot be removed unless you intentionally take it off through the loops. It’s very important. You don’t want to become a GOFU. Evan Nappen 40:54 This is Evan Nappen and Teddy Nappen reminding you that gun laws don’t protect honest citizens from criminals. They protect criminals from honest citizens. Speaker 3 41:05 Gun Lawyer is a CounterThink Media production. The music used in this broadcast was managed by Cosmo Music, New York, New York. Reach us by emailing Evan@gun.lawyer. The information and opinions in this broadcast do not constitute legal advice. Consult a licensed attorney in your state. Downloadable PDF TranscriptGun Lawyer S5 E296_Transcript About The HostEvan Nappen, Esq.Known as “America's Gun Lawyer,” Evan Nappen is above all a tireless defender of justice. Author of eight bestselling books and countless articles on firearms, knives, and weapons history and the law, a certified Firearms Instructor, and avid weapons collector and historian with a vast collection that spans almost five decades — it's no wonder he's become the trusted, go-to expert for local, industry and national media outlets. Regularly called on by radio, television and online news media for his commentary and expertise on breaking news Evan has appeared countless shows including Fox News – Judge Jeanine, CNN – Lou Dobbs, Court TV, Real Talk on WOR, It's Your Call with Lyn Doyle, Tom Gresham's Gun Talk, and Cam & Company/NRA News. As a creative arts consultant, he also lends his weapons law and historical expertise to an elite, discerning cadre of movie and television producers and directors, and novelists. He also provides expert testimony and consultations for defense attorneys across America. Email Evan Your Comments and Questions  talkback@gun.lawyer Join Evan's InnerCircleHere's your chance to join an elite group of the Savviest gun and knife owners in America.  Membership is totally FREE and Strictly CONFIDENTIAL.  Just enter your email to start receiving insider news, tips, and other valuable membership benefits.   Email (required) *First Name *Select list(s) to subscribe toInnerCircle Membership Yes, I would like to receive emails from Gun Lawyer Podcast. (You can unsubscribe anytime)Constant Contact Use. Please leave this field blank.var ajaxurl = "https://gun.lawyer/wp-admin/admin-ajax.php";

Drama on a Sunday First, a look at the events of the day.Then, Screen Directors Playhouse, originally broadcast May 31, 1951, 75 years ago, Beyond Glory starring Alan Ladd.  An adaptation of the 1948 drama, which also starred Ladd.  A former soldier thinks he may have caused the death of his commanding officer in Tunisia. After visiting the officer's widow, they fall in love, and she encourages him to attend the United States Military Academy at West Point.Followed by  Dragnet starring Jack Webb, originally broadcast May 31, 1951, 75 years ago, the Big Bindle.  Sergeant Friday pretends that he's from Phoenix. He goes undercover to crack a narcotics ring operating out of one of the nicest hotels in Los Angeles. Then, Let George Do It, starring Bob Bailey, originally broadcast May 31, 1948, 78 years ago, The Island in the Lake.  George visits the Shelby Friendship Club for a clue to the missing Mrs. Angela Phillistin, a lady with a past from exclusive Tuxedo Lake.Finally, Claudia, originally broadcast May 31, 1948, 78 years ago, Lunch with Victoria Manners.  Kathryn Bard and Paul Crabtree star.Thanks to Debbie B. for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! If you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old-time radio shows 24 hours a day

March 25, 1945 - Murder Mystery with guest star Alan Ladd. Mary Livingstone was named best dressed woman in radio. References include Humphrey Bogart and Fred Allen.

This week's Relic Radio Show begins with Alan Ladd in Box 13. We'll hear Last Will And Nursery Rhyme, from February 6, 1949. (27:17) Next up is Radio City Playhouse with, Long Distance, their story from August 23, 1948. https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/RelicRadio986.mp3 Download RelicRadio986 | Subscribe | Spotify | Support The Relic Radio Show

EPISODE 125 -  “VIRGINIA MAYO: CLASSIC HOLLYWOOD STAR OF THE MONTH” - 2/02/2026  One of the most glamorous actresses in old Hollywood undoubtedly was VIRGINIA MAYO. This peaches-and-cream, midwestern beauty started her career wrangling two men in a horse costume on stage before being discovered by producer SAMUEL GOLDWYN and transformed into a full-blown movie star. Often playing the fantasy girl to leading men like BOB HOPE and DANNY KAYE, her beauty sometimes made people miss the fact that she was a very capable actress — particularly when she played bad girls in films like “The Best Years of Our Lives” and “White Heat.” She was very adept at light comedy, romance films, and drama, appearing in over 50 feature films and many television shows throughout her career. And tune in to find out about Steve's connection to this old Hollywood glamour girl as we celebrate Mayo as our February Star of the Month.   SHOW NOTES:  Sources: The Best Years of My Life (2001), by Virginia Mayo, as told to LC Van Savage; The Forties Gals (1980), by James Robert Parish & Don E. Stanke; “Virginia Mayo's 100th Birthday,” November 30, 2020, by Vanessa Varquez, www.ashroudofthoughts.com; “Virginia Mayo, 84, Stunning Actress of 1940s Romantic Films,” January 19, 2005, Los Angeles Times; Virginia Mayo, Movie Actress, Dies at 84,” January 18, 2005, by Richard Severo, New York Times; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Follies Girls (1943), starring Wendy Barrie; Up In Arms (1944), starring Danny Kaye & Constance Dowling; Jack London (1943), starring Michael O'Shea; Seven Days Ashore (1944), starring Wally Brown; The Princess and the Pirate (1944), starring Bob Hope & Virginia Mayo; Wonder Man (1945), starring Danny Kaye, Virginia Mayo, & Vera Ellen; The Kid From Brooklyn (1946), starring Danny Kaye, Virginia Mayo, Vera Ellen & Steve Cochran; The Secret Life of Walter Mitty (1947), starring Danny Kaye, Virginia Mayo, Boris Karloff & Ann Rutherford; The Best Years of Our Lives (1946), starring Fredric March, Myrna Loy, Dana Andrews & Teresa Wright; A Song Is Born (1948), starring Danny Kaye & Virginia Mayo; Smart Girls Don't Talk  (1948), starring Bruce Bennett & Virginia Mayo; Flaxy Martin (1949), starring Virginia Mayo & Zachary Scott; Colorado Territory (1948), starring Joel McCrea & Virginia Mayo; White Heat (1949), starring James Cagney & Virginia Mayo; Red Light (1949), starring George Brent & Virginia Mayo; Always Leave Them Laughing (1949), starring Milton Berle, Virgina Mayo & Ruth Roman; Backfire (1950), starring Gordon MacRae, Virginia Mayo & Edmond O'Brien; The Flame and the Arrow (1950), starring Burt Lancaster & Virginia Mayo; The West Point Story (1950), starring James Cagney & Virginia Mayo; Captain Horatio Hornblower (1951), starring Gregory Peck & Virginia Mayo; She's Working Her Way Though College (1952), starring Ronald Reagan & Virginia Mayo; South Sea Woman (1953), starring Burt Lancaster & Virginia Mayo;   Pearl of the Pacific (1955), starring Dennis Morgan & Virginia Mayo; The Silver Chalice (1954), starring Paul Newman, Virgina Mayo * Pier Angeli; Congo Crossing (1956), starring Virginia Mayo & George Nadar; The Big Land (1957), starring Alan Ladd & Virginia Mayo; The Story of Mankind (1957), starring Vincent Price, Ronald Colman & Peter Lorre; Young Fury (1965), starring Rory Calhoun & Virginia Mayo; Castle of Evil (1966), starring Scott Brady & Virginia Mayo; Won Ton Ton, the Dog Who Saved Hollywood (1976), starring Bruce Dern & Madelyn Kahn; Hunted (1977), starring Aldo Ray; French Quarter (1978); starring Bruce Davison; The Man Next Door (1997); starring Karen Carlson; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

No new episode this week due to some unexpected conflicts, but since we're celebrating classic western movies, here's a collection of western tales from "radio's outstanding theater of thrills!" Alan Ladd hunts for his brother's murderer in "A Killing in Abilene" (originally aired on CBS on December 14, 1950). Then, Richard Widmark fights a bloody feud in "The Hunting of Bob Lee" (originally aired on CBS on October 29, 1951) and he tracks a deadly panther through the snow in "The Track of the Cat" (originally aired on CBS on February 18, 1952). Frank Lovejoy stars as one of the west's most infamous gunslingers in "The Shooting of Billy the Kid" (originally aired on CBS on April 28, 1952) and Richard Widmark returns - this time as another notorious outlaw - in "The Spencer Brothers" (originally aired on CBS on January 26, 1953). Finally, Victor Mature stars as a legendary bandit in "The Love and Death of Joaquin Murietta" (originally aired on CBS on February 16, 1953).

We're spending the winter out west with classic western movies and their stars in January. First up is Shane, the story of a gunfighter who tries to turn over a new leaf but has to fall back on his trade when his newfound family is threatened. We'll hear the two lead actors - Alan Ladd and Van Heflin - in Suspense shows as well as a radio recreation of the movie. First, Heflin is a reporter who receives an invitation from a murderer in "The Lady in the Red Hat" (originally aired on CBS on November 30, 1950). Then, Ladd stars in a tale of revenge from the old west in "A Killing in Abilene" (originally aired on CBS on December 14, 1950). Finally, both men reunite as The Lux Radio Theatre presents "Shane" (AFRS rebroadcast of a show from February 22, 1955).

 International Law in TattersShould we be surprised by the decision of President Trump to kidnap President Nicolas Maduro and his wife Cilia Flores? Should we be shocked by his claim that the US will now administer Venezuela or that US Oil companies will manage Venezuela's huge oil reserves? And what of his threats against Cuba, Colombia, Mexico, Greenland, Nigeria and others?The historical reality is that we have seen all of this before. The most brazen example this century was the invasion of Iraq in 2003, under the pretext of the non-existent weapons of mass destruction. The truth then was that US and British interests were primarily concerned with the control of Iraq's oil. The result was a million Iraqi dead and a region torn apart by the subsequent political instability. International law was flagrantly broken. Torture and a brutal occupation followed. The Fellow in the Big PictureOver the Christmas break I watched more television than I do at any other time. Regular readers will know that I'm more of a radio man. RTE Radio, Raidió na Gaeltachta, Raidió Fáilte, Radio Ulster. I listen to these every day. But I like westerns. And there is always a ton of westerns to be seen on television over the Christmas period. Some are old ones featuring Audie Murphy, Gene Audrey, Alan Ladd, John Wayne, Maureen O Hara and the likes.  TG4 usually has a good selection of these.They also show a lot of movies featuring Clint Eastwood. I like his films.  And not just the westerns. Although he first came to our attention in Ballymurphy with Rawhide. Unforgiven was the film of choice this Nollaig with Gene Hackman and Morgan Freeman, all in starring roles. And it was followed by Butch Cassidy and the Sundance Kid.  Irish government should be ashamed2026 began for the people of the Gaza Strip and the Palestinian Occupied Territories with more Israeli attacks by land and sea and air; winter storms that have added to the enormous hardship of people trying to survive in flimsy tents; and the denial of appropriate humanitarian aid.2025 also ended with Israel having killed nearly half of all those journalists killed last year. Reporters Without Borders recorded that 29 reporters were killed by Israeli forces making Israel “the worst enemy of journalists.” 

We kick off 2026 with a month-long series of big screen stars who lent their voices to radio detectives. First up is Alan Ladd, the steely star of classic noir dramas like This Gun for Hire and The Blue Dahlia and westerns like the iconic Shane. We'll hear him in his signature radio role of mystery writer and amateur sleuth Dan Holiday in a pair of syndicated episodes of Box 13 - "Treasure of Hang Li" and "Sealed Instructions." Plus, he recreates his big screen role as an old west detective as The Screen Director's Playhouse presents "Whispering Smith" (originally aired on NBC on September 16, 1949).  

Classic film noir meets sleazy Italian exploitation this week as Sakana and Dr Ethan drop by to check out The Glass Key (1942), directed by Stuart Heisler, and the magnificently named Strip Nude For Your Killer (1975), directed by Andrea Bianchi. We dive deep into the lives and travails of The Glass Key's wonderful cast (including Alan Ladd, Veronica Lake and Brian Donlevy) and the its striking similarities with Coen brothers' later masterpiece, Miller's Crossing. Then, stay tuned for Ethan, Joe and especially Rob trying hard not to embarrass themselves expressing their... appreciation for Edwige Fenech in Bianchi's lurid giallo. This time, we manage to have a deep discussion without spoiling the plots of either film, so we won't be calling out Spoiler Territory this week. Want to get in touch? You can reach us on caliber9fromouterspace@gmail.com Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp "Stripped" by Depeche Mode

Shane directed by George Stevens and starring Alan Ladd, Jean Arthur, and Van Heflin.Episode Roundup: The Cowpunchers agree that having Van Heflin in your movie is worth a million points. Amy encourages you to adopt a cowboy from a rescue, and not from a breeder. This movie reminded Mel of TV's "Bluey." Stu is enamored with Alan Ladd's perfect hair.

This week on Ron's Amazing Stories we step aboard a ship loaded with adventure, rebellion, and old-school Hollywood charm. Our feature comes from Lux Radio Theater and is the radio adaptation of the 1935 classic Captain Blood, starring Errol Flynn and Olivia de Havilland. Both reprise their roles, bringing the swashbuckling tale to life all over again. We take a moment to explore the real history behind the story—its roots in the Monmouth Rebellion, the fictional-yet-inspired character of Dr. Peter Blood, and the bold musical choices of composer Erich Wolfgang Korngold, whose groundbreaking score helped usher in the era of full symphonic soundtracks. And at the end of the show, we answer a listener email from John Pierce of Oklahoma City, who wants to know why Alan Ladd ranks so highly on my personal list of Hollywood greats. I give my take in a short segment you won't want to miss. What On This week: Featured Story: Captain Blood from Lux Radio Theater Behind the Scenes: The historical backdrop of the Monmouth Rebellion Film Music Spotlight: How Korngold changed movie scores forever Listener Email: Why Alan Ladd still stands tall Ron's Amazing Stories Is Sponsored by: Audible - You can get a free audiobook and a 30 day free trial at audibletrial.com/ronsamazingstories. Your Stories: Do you have a story that you would like to share on the podcast or the blog? Head to the main website, click on Story Submission, leave your story, give it a title, and please tell me where you're from. I will read it if I can. Links are below. Music Used In This Podcast: Most of the music you hear on Ron's Amazing Stories has been composed by Kevin MacLeod (incompetech.com) and is Licensed under Creative Commons: By Attribution 3.0. Other pieces are in the public domain. You can find great free music at FreePd.com which is a site owned by Kevin. Program Info: Ron's Amazing Stories is published each Thursday. You can download it from Apple Podcasts, stream it on Stitcher Radio or on the mobile version of Spotify. Do you prefer the radio? We are heard every Thursday at 10:00 pm and Sunday Night at 11:00 PM (EST) on AMFM247.COM. Check your local listing or find the station closest to you at this link. Social Links: Main Podcast Site by LibSynThe Blog Site by WordPressFacebook LinkTwitter Link Contact Links: EmailStory Submissions Contact Ron

This time on Ron's Amazing Stories, we bring you a special Box 13 double feature suggested by listener Pete Toreck from Miami, Florida. We kick things off with the very first adventure Dan Holiday ever tackled, The First Letter. Then we follow it up with one of the most listened-to stories of the entire run, The Professor and The Puzzle. Between the two tales, we take a humorous look at the advice columnists of the 1950s—those brave souls who solved life's everyday mysteries one letter at a time. This episode also marks a milestone: we close out the last known radio acting done by Alan Ladd. Known is the key word—because the world of old-time radio is full of surprises. I may continue with more Box 13 stories in the future, and if you know of any Ladd broadcasts I haven't covered, let me know! In This Episode Box 13 – "The First Letter" The pilot episode that sets Dan Holiday's unique career of adventure in motion. A Look at 1950s Advice Columnists A lighthearted break exploring the real-life letter-solvers of the era. Box 13 – "The Professor and The Puzzle" A classic episode featuring mystery, danger, and a reclusive professor. Alan Ladd Milestone Wrapping up the known Ladd broadcasts—with room for future discoveries. Ron's Amazing Stories Is Sponsored by: Audible - You can get a free audiobook and a 30 day free trial at audibletrial.com/ronsamazingstories. Your Stories: Do you have a story that you would like to share on the podcast or the blog? Head to the main website, click on Story Submission, leave your story, give it a title, and please tell me where you're from. I will read it if I can. Links are below. Music Used In This Podcast: Most of the music you hear on Ron's Amazing Stories has been composed by Kevin MacLeod (incompetech.com) and is Licensed under Creative Commons: By Attribution 3.0. Other pieces are in the public domain. You can find great free music at FreePd.com which is a site owned by Kevin. Program Info: Ron's Amazing Stories is published each Thursday. You can download it from Apple Podcasts, stream it on Stitcher Radio or on the mobile version of Spotify. Do you prefer the radio? We are heard every Thursday at 10:00 pm and Sunday Night at 11:00 PM (EST) on AMFM247.COM. Check your local listing or find the station closest to you at this link. Social Links: Main Podcast Site by LibSynThe Blog Site by WordPressFacebook LinkTwitter Link Contact Links: EmailStory Submissions Contact Ron

This week, Alan Ladd returns for his fourth appearance on the podcast, stepping into the role of a covert agent in the Lux Radio Theater adaptation of the 1946 spy drama O.S.S. It's classic wartime intrigue, delivered with the steady intensity only Ladd could pull off. We take a quick look at the real OSS, the film behind the broadcast, and why Ladd continues to impress every time he shows up on the show. In This Episode Alan Ladd takes on a covert wartime role A brief look at the OSS and its legacy The origins of the story and its Bond connection The full Lux Radio Theater production of O.S.S. Ron's Amazing Stories Is Sponsored by: Audible - You can get a free audiobook and a 30 day free trial at audibletrial.com/ronsamazingstories. Your Stories: Do you have a story that you would like to share on the podcast or the blog? Head to the main website, click on Story Submission, leave your story, give it a title, and please tell me where you're from. I will read it if I can. Links are below. Music Used In This Podcast: Most of the music you hear on Ron's Amazing Stories has been composed by Kevin MacLeod (incompetech.com) and is Licensed under Creative Commons: By Attribution 3.0. Other pieces are in the public domain. You can find great free music at FreePd.com which is a site owned by Kevin. Program Info: Ron's Amazing Stories is published each Thursday. You can download it from Apple Podcasts, stream it on Stitcher Radio or on the mobile version of Spotify. Do you prefer the radio? We are heard every Thursday at 10:00 pm and Sunday Night at 11:00 PM (EST) on AMFM247.COM. Check your local listing or find the station closest to you at this link. Social Links: Main Podcast Site by LibSynThe Blog Site by WordPressFacebook LinkTwitter Link Contact Links: EmailStory Submissions Contact Ron

Not all radio detectives carried a badge or a private eye's license. Some were amateur sleuths who dabbled in deduction in addition to their day jobs, and we'll hear a collection of those crimesolvers and their adventures. Walter Hampden stars as Leonidas Witherall - professor, author, dead ringer for Shakespeare, and amateur detective - in "Murder at the State Fair" (originally aired on Mutual on September 24, 1944). Gale Gordon is San Francisco importer and detective Gregory Hood in "The Forgetful Murderer" (originally aired on Mutual on July 29, 1946). Alan Ladd is mystery writer Dan Holiday, who seeks adventures to fuel the plots of his stories, in "Killer at Large," a syndicated episode of Box 13. And finally, Joseph Curtin and Alice Frost are book publisher Jerry North and his wife Pam, and their idea of a date night involves stumbling over a dead body. We'll hear "The Premature Corpse," an Armed Forces Radio Service rebroadcast of Mr. and Mrs. North (originally aired on CBS on February 12, 1952).

This week on Ron's Amazing Stories we head back to the world of Hollywood radio drama with Screen Director's Playhouse. It's the third time in a few weeks we've featured Alan Ladd — and this one helped shape his signature tough-guy style. (Links to those other stories: Shane and Beyond Glory) The story is Lucky Jordan, based on the 1942 film directed by Frank Tuttle. It's about a smooth gangster drafted into the Army who finds himself on an unexpected road to redemption. The radio version aired in 1951 and ran a full hour, giving it time to capture the wit, grit, and heart of the original film. If you love sharp dialogue, strong characters, and classic sound design — this one delivers all three. So, sit back, relax, and enjoy Alan Ladd in Lucky Jordan from Screen Director's Playhouse! Available wherever you listen to podcasts Runtime: 59:11 minutes (including commentary) Ron's Amazing Stories Is Sponsored by: Audible - You can get a free audiobook and a 30 day free trial at audibletrial.com/ronsamazingstories. Your Stories: Do you have a story that you would like to share on the podcast or the blog? Head to the main website, click on Story Submission, leave your story, give it a title, and please tell me where you're from. I will read it if I can. Links are below. Music Used In This Podcast: Most of the music you hear on Ron's Amazing Stories has been composed by Kevin MacLeod (incompetech.com) and is Licensed under Creative Commons: By Attribution 3.0. Other pieces are in the public domain. You can find great free music at FreePd.com which is a site owned by Kevin. Program Info: Ron's Amazing Stories is published each Thursday. You can download it from Apple Podcasts, stream it on Stitcher Radio or on the mobile version of Spotify. Do you prefer the radio? We are heard every Thursday at 10:00 pm and Sunday Night at 11:00 PM (EST) on AMFM247.COM. Check your local listing or find the station closest to you at this link. Social Links: Main Podcast Site by LibSynThe Blog Site by WordPressFacebook LinkTwitter Link Contact Links: EmailStory Submissions Contact Ron

Send us a textSeven new Blu-rays land for November with new 4K restorations that fix past audio issues, honor original aspect ratios, and bring back theatrical context with shorts and radio plays. We also unveil three film collections for Gene Kelly, Doris Day, and James Cagney.• Marx Bros At the Circus with era-accurate shorts and trailer• Powell and Loy's I Love You Again with a Lux Radio Theater adaptation• Bette Davis's underrated comedy It's Love I'm After in a fresh 4K scan• Errol Flynn's Silver River with corrected sound and matched cartoons• Davis and Cagney's The Bride Came C.O.D. plus Warner Night at the Movies• Technicolor showcase The Iron Mistress and Alan Ladd's studio shift• The Miracle restored Technirama from a 6K scan • Why film collections exist and how to use them to start or gift librariesPre-order links are only available for the film collections: JAMES CAGNEY COLLECTION BLU-RAYGENE KELLY COLLECTION BLU-RAYDORIS DAY COLLECTION BLU-RAY The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

This week on Ron's Amazing Stories we head back to 1951 for The Screen Directors Playhouse production of Beyond Glory. The play first aired on May 31, 1951, and stars Alan Ladd as West Point cadet Rockwell “Rocky” Gilman. Just a couple of weeks ago, we heard Alan as the wandering cowboy in Shane. Today, he trades in his six-shooter for a salute in a story about honor, discipline, and growing up at the legendary military academy. We'll also chat about The Screen Directors Playhouse series, how the military was viewed in the post-WWII era, and finish with a look at West Point today. What You Will Hear Alan Ladd stepping out of the saddle and into a cadet's uniform A quick look at The Screen Directors Playhouse and its Hollywood connection A synopsis of Beyond Glory without giving away the whole plot (no spoilers!) Thoughts on how the military was viewed post-WWII versus today A closing chat about West Point and its place in history So, saddle up—well, actually, stand at attention—for this one. It's Alan Ladd like you've never heard him before. Ron's Amazing Stories Is Sponsored by: Audible - You can get a free audiobook and a 30 day free trial at . Your Stories: Do you have a story that you would like to share on the podcast or the blog? Head to the main website, click on Story Submission, leave your story, give it a title, and please tell me where you're from. I will read it if I can. Links are below. Music Used In This Podcast: Most of the music you hear on Ron's Amazing Stories has been composed by Kevin MacLeod () and is Licensed under . Other pieces are in the public domain. You can find great free music at which is a site owned by Kevin. Program Info: Ron's Amazing Stories is published each Thursday. You can download it from , stream it on or on the mobile version of . Do you prefer the radio? We are heard every Thursday at 10:00 pm and Sunday Night at 11:00 PM (EST) on . Check your local listing or find the station closest to you at this . Social Links: Contact Links:

On this episode of Ron's Amazing Stories, we head west—way west—to the dusty Wyoming frontier with the Lux Radio Theater production of Shane. Originally aired on February 22, 1955, this broadcast stars Alan Ladd, who reprises his iconic role from the 1953 film of the same name. We'll take a look at the movie that redefined the western genre, talk about the incredible run of Lux Radio Theater, and explore why the 1950s were the golden age of cowboy storytelling. Along the way, we'll cover the film's massive box office success, its impact on the “adult western,” and even how Hollywood managed to make Alan Ladd look larger-than-life—despite being five-foot-six. And as a bonus, stick around after the main goodbye for a little extra cowboy wisdom and humor. Because when it comes to Shane, you never want to leave the campfire too early. What You'll Hear This Week: The story behind the 1953 classic film Shane How Lux Radio Theater brought Hollywood to the airwaves Why westerns ruled the 1950s The surprising box office success of Shane And, of course, the full radio adaptation starring Alan Ladd So, tighten your saddle, pour yourself a black coffee (no lattes for Shane), and join me for a ride through one of the greatest westerns ever told. Ron's Amazing Stories Is Sponsored by: Audible - You can get a free audiobook and a 30 day free trial at . Your Stories: Do you have a story that you would like to share on the podcast or the blog? Head to the main website, click on Story Submission, leave your story, give it a title, and please tell me where you're from. I will read it if I can. Links are below. Music Used In This Podcast: Most of the music you hear on Ron's Amazing Stories has been composed by Kevin MacLeod () and is Licensed under . Other pieces are in the public domain. You can find great free music at which is a site owned by Kevin. Program Info: Ron's Amazing Stories is published each Thursday. You can download it from , stream it on or on the mobile version of . Do you prefer the radio? We are heard every Thursday at 10:00 pm and Sunday Night at 11:00 PM (EST) on . Check your local listing or find the station closest to you at this . Social Links: Contact Links:

We enter the 50s as our journey through the years of Suspense continues with my favorite episodes from 1950. First, Dana Andrews is a cop on the trail of a killer in a radio adaptation of Ray Bradbury's “The Crowd” (originally aired on CBS on September 21, 1950), and Milton Berle is an actor who hopes he can convincingly play a crazy man to escape a death sentence for murder in “Rave Notice” (originally aired on CBS on October 12, 1950). Cary Grant picks the wrong time and place to run out of gas in the classic chiller “On a Country Road” (originally aired on CBS on November 16, 1950), and Ray Milland discovers a plot to bribe a jury - and his wife is kidnapped to keep his silence - in “After the Movies” (originally aired on CBS on December 7, 1950). Finally, Alan Ladd stars in a tale of revenge out of the old west in “A Killing in Abilene” (originally aired on CBS on December 14, 1950).  

National Baby Back Ribs day. Entertainment from 1974. US revolution officially over, San Marino founded, Sweden driving laws. Todays birthdays - Alan Ladd, Memphis Slim, Mort Walker, Hank Thompson, Al Jardine, Don Brewer, Charlie Sheen, Jennifer Paige. Vince Lombardi died.Intro - God did good - Dianna Corcoran     https://www.diannacorcoran.comChili's commercialYour having my baby - Paul Anka  Odia CoatsPlease don't tell me how the story ends - Ronnie MilsapBirthdays - In da club - 50 Cent http://50cent.com/Born with the blues - Memphis SlimIt don't hurt anymore - Hank ThompsonI get around - The Beach BoysWe're an American Band - Grand Funk RailroadCrush - Jennifer PaigeExit - Cool girl - Melanie Meriney     https://www.melaniemeriney.com/countryundergroundradio.comHistory & Factoids webpage

Description Producer Andrew joins Joe to discuss the classic western film Shane. Based on the 1949 novel by Jack Schaefer, the film was directed by George Stevens and stars Alan Ladd as Shane and Van Hefline as Joe. It tells … Continue reading →

This week on The Relic Radio Show, we'll hear Alan Ladd in The Dead Man Walks, from Box 13. That story aired June 12, 1949. (27:12) Have Gun, Will Travel closes out this week's show with its story from June 21, 1959, North Fork. https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/RelicRadio957.mp3 Download RelicRadio957 | Subscribe | Spotify | Support The Relic Radio Show

A film noir starring Alan Ladd as a U.S. postal inspector hired to investigate the murder of a fellow inspector.  Co-starring Jack Webb and Harry Morgan of "Dragnet" fame and Phyllis Calvert.

Crime on a ThursdayFirst a look at the events of the dayThen, Box 13 starring Alan Ladd, originally broadcast July 3, 1949, 76 years ago, House of Darkness.   A shot in the dark helps Dan Holiday and a blind man find adventure.Followed by The Green Lama starring Paul Frees,  originally broadcast July 3, 1949, 76 years ago, The Last Dinosaur.  A woman is killed in a swimming pool...by a baby dinosaur! Anything goes at a Hollywood cocktail partyThen, Broadway is my Beat starring Larry Thor, originally broadcast July 3, 1950, 75 years ago, the Frank Conway Murder.  A cowboy named Frank Conroy is found dead in the Olympia Hotel. Where is Eddie Donald?Followed by The Challenge of the Yukon, originally broadcast July 3, 1947, 78 years ago, The Puppy.  Sgt. Preston and Yukon King come to the rescue of a wayward puppy lost in the harsh Yukon wilderness. Facing dangers like freezing temperatures, hungry wildlife, and treacherous terrain, they strive to reunite the puppy with its owner.Finally, Lum and Abner, originally broadcast July 3, 1942, 83 years ago, Baby Left in Store. . Lizabeth and Pearl are not in Texas after all. The boys are left with a baby while its mother leaves town!Thanks to Adele for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

"MARK STEVENS: CLASSIC CINEMA STAR OF THE MONTH" The name MARK STEVENS probably doesn't ring a bell with moviegoers today. However, he's one of those actors who once you see him on screen, you say, “Oh, yeah, THAT guy!” Still, at one time, he was a very in-demand leading man who was always compelling and had a tough-guy likability that brightened up many a hum-drum movie. He may not have reached the upper echelon of fame like contemporaries ALAN LADD or DANA ANDREWS, but he certainly left his mark — particularly in “The Dark Corner” with a pre-TV LUCILLE BALL. Like CHARLES LAUGHTON, DICK POWELL, and IDA LUPINO, he also became a pioneer of the actor-turned-director. Today, we take a look at his long and varied career and celebrate him as our Star of the Month. SHOW NOTES:  Sources: The Bad Boys of Film Noir (2008), by Karen Burroughs Hannsberry; “Today's Underrated Actor Spotlight: Mark Stevens,” February 20, 2018, by Baynum, TheTinselTownTwins.com; “Mark Stevens: Patience is Poison!, (2012), Noir City Annual; “Mark Stevens: Man of Many Talents,” February 2003, Classic Images; “Romance of Actor With Hedy Ended,” September 24, 1947, Daily News; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned:  Destination Tokyo (1943), starring Cary grant & John Garfield; The Doughgirls (1944), starring Ann Sheridan; Hollywood Canteen (1944), starring Bette Davis & John Garfield; God Is My Co-Pilot (1945), starring Dennis Morgan & Dane Clark; Rhapsody In Blue (1945), starring Robert ALda & Joan Leslie;  Within These Walls (1945), starring Thomas Mitchell & Mary Anderson; From This Day Forward (1946), starring Joan Fontaine & Mark Stevens; The Dark Corner (1946), starring Mark Stevens & Lucille Ball; I Wonder Who's Kissing Her Now (1947), starring June Haver & Mark Stevens; The Street With No Name (1948), starring Richard Widmark & mark Stevens; The Snake Pit (1948), starring Olivia de Havilland; Sand (1949), starring Mark Stevens, Coleen Gray, & Rory Calhoun; Oh, You Beautiful Doll (1949), starring June Haver & Mark Stevens; Dancing In the Dark (1949), staring Wiliam Powell; Please Believe Me (1950), starring Deborah Kerr, Mark Stevens, Robert Walker, & Peter Lawford; Before Midnight and Dawn (1950), starring Mark Stevens, Edmond O'Brien, & Gale Storm; Katie Did It (1950), starring Ann Blyth & Mark Stevens; Target Unknown (1951),staring Mark Stevens; In Little Egypt (1951), starring Mark Stevens & Rhonda Fleming; Reunion in Rio (1952), starring Gigi Perreau, Mark Stevens, & Frances Dee; Jack Slade (1953), starring Mark Stevens Cry Vengeance (1954), starring Mark Stevens & Martha Hyer; Time Table (1956), starring Mark Stevens & Felicia Farr; September Storm (1960), starring Mark Stevens & Joanne Dru Escape From Hell Island (1963), starring Mark Stevens; Fate is the Hunter (1964), starring Glenn Ford, Nancy Kwan, Rod Taylor, & Suzanne Pleshette; Frozen Alive (1964), starring Mark Stevens; Sunscorched (1965), starring Mark Stevens; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

A young blacksmith joins King Arthur's court and hopes to win the hand of the fair Linet, but first he must defeat Vikings, Druids, the villainous Sir Palamedies, King Mark, and a very burly guy in a turban. If it didn't feature brownface and a far-too-old Alan Ladd in the title role, it might have been a pretty good movie. Starring Alan Ladd, Patricia Medina, Peter Cushing, Patrick Troughton, Anthony Bushell, and Harry Andrews. Directed by Tay Garnett. Written by Alec Coppel, Bryan Forbes, and Dennis O'Keefe. This is a preview of the latest episode of our series Hollywood Avalon. To hear the entire episode, join the Mary Versus the Movies patreon for $3/month to hear this and the entire series Hollywood Avalon: https://www.patreon.com/maryvsmovies. 

Johnny Apollo (1940) Tyrone Power, Dorothy Lamour, Edward Arnold, Lloyd Nolanhttps://archive.org/download/johnny-apollo-1940/Johnny%20Apollo%20%281940%29%20Tyrone%20Power%2C%20Dorothy%20Lamour%2C%20Edward%20Arnold%2C%20Lloyd%20Nolan.ia.mp4Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

Here is the film!https://archive.org/download/chicago-deadline-1949/Chicago%20Deadline%20%281949%29.mp4What a cool cast! (Alan Ladd, Lewis Allen, Jim Backus, Raymond Burr)!Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

“The Tragic Life of Classic Cinema Star Gail Russell” (082) - 4/07/2025 Hollywood legend has it that ethereal beauty GAIL RUSSELL was discovered after a Paramount Studios talent manager picked up two hitchhiking Santa Monica high school boys who told him all about the "Hedy Lamarr of Santa Monica High School." Allegedly, he then tracked down Russell at school and arranged for a screen test. The rest, as they say, is Hollywood history. If only it had been that easy. Russell, who was painfully shy and had no interest in a career as an actress was pushed in front of the camera by her ambitious mother and the executives at Paramount who saw dollar signs in her startling blue eyes. This week, we explore the life and career of one of Hollywood's most tragic beauties, GAIL RUSSELL.  SHOW NOTES:  Sources: Fallen Star: A Biography of Gail Russell (2016), by Steven Glenn Ochoa; John Wayne: The Life and Legend (2015), by Scott Erman; It's the Pictures That Got Smaller: Charles Brackett on Billy Wilder (2104), edited by Anthony Slide; “Paramount Official Biography of Gail Russell,” March 1940, Paramount Pictures; “Gail Russell,” May 1971, by Jim Meyer, Film Fan Monthly; “Stars Attend Funeral of Gail Russell,” August 30, 1961, Los Angeles Times; “Private Rites Scheduled Today for Gail Russell,” August 29, 1961, Los Angeles Times; “Gail Russell Found Dead At Home,” May 28, 1961, Los Angeles Times; “Gail Russell Threatens to Sue on Wayne Case Charge,” October 21, 1953, The Los Angeles Evening Herald & Express; “Gail Russell Held On Drunk Driving Charges,” November 25, 1953, Los Angeles Times; “Film Star Gail Russell Jailed As Drunk Driver,” November 25, 1953, LA Daily News; “Gail Russell Fights Drunk Driving Charge; Trial Set,” November 27, 1953, The Los Angeles Evening Herald & Express; “Gail Russell Charges $150 Drunk Charge,” January 18, 1954, The Los Angeles Evening Herald & Express; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Henry Aldrich Gets Glamour (1943), starring James Lydon & Diana Lynn; Lady In The Dark (1944), starring Ginger Rogers & Ray Milland; The Uninvited (1944), starring Ray Milland, Ruth Hussey, & Gail Russell; Our Hearts Were Young And Gay (1944), starring Gail Russell & Diana Lynn; Salty O'Rourke (1945), starring Alan Ladd & Gail Russell; The Unseen (1945), starring Joel McCrea & Gail Russell; Our Hearts Were Growing Up (1946), starring Gail Russell & Diana Lynn; Calcutta (1947), starring Alan Ladd & Gail Russell; Angel And The Badman (1947), starring John Wayne & Gail Russell; Night Has A Thousand Eyes (1948), starring Edward G. Robinson, Gail Russell, & JohnLund; Moonrise (1948), starring Dane Clark & Gail Russell; Wake of the Red Witch (1948), starring John Wayne & Gail Russell; Song of India (1949), starring Turban Bey & Gail Russell; El Paso (1949), starring John Wayne, Sterling Hayden, & Gail Russell; The Great Dan Patch (1949), starring Dennis O'Keefe; Captain China (1950), starring John Payne & Gail Russell; 7 Men From Now (1956), starring Randolph Scott & Gail Russell; The Tattered Dress (1957), starring Jeff Chandler & Jeanne Crain; The Silent Call (1961), starring Gail Russell & Roger Mobley --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

Get Your Magic Mind Offer

"BOBBY DRISCOLL: CLASSIC CINEMA STAR OF THE MONTH" EPISODE 64 - “BOBBY DRISCOLL - STAR OF THE MONTH” - 12/02/2024  BOBBY DRISCOLL's name may not be too familiar anymore, but in his heyday, he was the male equivalent of NATALIE WOOD. He was one of the most talented and prolific child stars of the 1940s and 1950s. His descent into darkness should serve as a cautionary tale to all of the stage mothers out there who think their kids will be the next big thing. Sometimes, there is a price to pay for fame, and it ain't always pretty. Join us as we discuss the tragic life of child star Bobby Driscoll. SHOW NOTES:  Sources: Great Child Stars (1976), by James Robert Parish; “Bobby Driscoll, Dope Suspect," July 11, 1956, Los Angeles Examiner; “Bobby Driscoll Arrested in Bean Shooting Row,” August 23, 1956, Los Angeles Times; “Actor Bob Driscoll Arrested As Addict,” October 29, 1959, Mirror News; “Actor Freed of Charges on Narcotics,” December 12, 1959, Los Angeles Times; “Bobby Driscoll Napped After Rift with Gun,” June 18, 1960, The Citizen News; “New Charge Confronts Former Star,” June 23, 1960, Mirror News; “Actor Fined For Striking Heckler,” October 14, 1960, Los Angeles Examiner; “Driscoll Theft Charge Issued,” April 11, 1961, The Citizen News; “Bobby Driscoll is Arrested Again,” May 2, 1961, Los Angeles Examiner; “Bobby Driscoll, a Film Star at 6, an Addict at 17, Sent to Chino,” October 19, 1961, by Charles Hillinger, Los Angeles Times; “Truly, A Lost Boy,” March 4, 2007, by Susan King, Los Angeles Times; “Oscars Flashback: The Tragic Life and Death of Former Disney Star Bobby Driscoll,” January 22, 2019, by Lynette Rice, Entertainment Weekly; BobbyDriscoll.com; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Lost Angel (1943), starring James Craig, Marsha Hunt, & Margaret O'Brien; The Fighting Sullivans (1944) starring Thomas Mitchell & Anne Baxter; Sunday Dinner With A Soldier (1944), starring Anne Baxter, John Hodiak, Charles Winner, & Anne Revere; The Big Bonanza (1944), starring Richard Arlen; So Goes My Love (1946), starring Myrna Loy & Don Ameche; Identity Unknown (1945), starring Richard Arlen; Miss Susie Slagle's (1946), starring Veronica Lake; From This Day Forward (1946), starring Joan Fontaine & Mark Stevens; O.S.S. (1946), starring Alan Ladd & Geraldine Fitzgerald; Three Wise Fools (1946), starring Margaret o'Brine & Lionel Barrymore; Song Of The South (1946), starring James Baskett; If You Knew Susie (1948), starring Eddie Cantor; So Dear to My Heart (1948), starring Burl Ives & Beulah Bondi; The Window (1949), starring Barbara Hale, Arthur Kennedy, Ruth Roman, & Paul Stewart; Treasure Island (1950), starring Robert Newton; When I Grow Up (1951), starring Robert Preston & Martha Scott; The Happy Time (1952), starring Charles Boyer, Louis Jordan, & Marsha Hunt; Peter Pan (1953) The Scarlett Coat (1955), starring Cornel Wilde & George Sanders; The Party Crashers (1958), starring Connie Stevens & Frances Farmer; Dirt (1965), starring Sally Kirkland; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the Talk Without Rhythm Podcast I am continuing Noirvember with two more collaborations between Alan Ladd and Veronica Lake: 1946's The Blue Dahlia and 1947's Saigon. [00:00] INTRO [01:36] Trick or Treat Radio Promo [02:54] RANDOM CONVERSATION [11:00] The Blue Dahlia (1946) [36:43] Saigon (1947) [57:25] FEEDBACK [01:01:27] ENDING MUSIC: Blue Dahlia by The Gaslight Anthem Buy The Blue Dahlia (1946) Buy Saigon (1947) Support TWoRP Contact Us talkwithoutrhythm@gmail.com

Alan Ladd in Gun For Hire (1942) https://archive.org/download/this-gun-for-hire-1942/This%20Gun%20for%20Hire%20%281942%29%20Alan%20Ladd%2C%20Veronica%20Lake%2C%20Robert%20Preston%2C%20Laird%20Cregar.ia.mp4 Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

This week on the Talk Without Rhythm Podcast I'm kicking off Noirvember with two films from Alan Ladd and Veronica Lake: 1942's This Gun for Hire and The Glass Key. [00:00] INTRO [01:59] CromCast Promo [02:44] RANDOM CONVERSATION [07:55] This Gun for Hire (1942) [41:34] The Glass Key (1942) [01:06:57] FEEDBACK [01:15:32] ENDING MUSIC: Now You See It, Now You Don't by Martha Mears Buy This Gun for Hire (1942) Buy The Glass Key (1942) Support TWoRP Contact Us talkwithoutrhythm@gmail.com

Box 13, a gripping syndicated radio drama produced by Alan Ladd's Mayfair Productions, captivated listeners with its intriguing blend of mystery and adventure. At the heart of the series was the enigmatic character of Dan Holiday, a former newspaperman turned mystery writer who found himself thrust into a world of danger and intrigue. With each episode, Dan Holiday embarked on thrilling quests, using his sharp wit and investigative skills to unravel intricate mysteries and bring criminals to justice. The series showcased a wide range of compelling storylines, from international espionage to dark family secrets, ensuring that listeners remained on the edge of their seats. Box 13 had a unique approach to its broadcast schedule, airing on various dates and times in different cities across the United States. This strategy allowed the show to reach a broader audience and create a sense of anticipation among its fans. The first episode premiered in October 1947, captivating listeners with its thrilling introduction to Dan Holiday's world. The series continued to air until August 1949, leaving an enduring mark on radio drama history. Throughout its run, Box 13 featured a talented cast of voice actors who brought the characters to life with their dynamic performances. The show's immersive sound design and evocative music created a captivating soundscape that transported listeners into the heart of each mystery. In addition to its compelling storylines and captivating characters, Box 13 also tackled important social issues of the time. The series explored themes such as prejudice, corruption, and the pursuit of justice, making it a thought-provoking as well as entertaining listen. Box 13's legacy extends beyond its original broadcast. The series has been praised by critics and listeners alike for its high production values, clever writing, and engaging performances. It stands as a testament to the golden age of radio drama and continues to captivate audiences to this day. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

Yippie-ki-yay, old time radio fans! We're heading west for some radio mysteries set in the wide open spaces of the American frontier. Alan Ladd is on the trail of his brother's murderer in "A Killing in Abilene" from Suspense (originally aired on CBS on December 14, 1950), and Joel McCrea hunts for a cowboy's killer in "The Cactus Pear" from Tales of the Texas Rangers (originally aired on NBC on December 17, 1950). As Yours Truly, Johnny Dollar, Edmond O'Brien has to determine if - and why - a rancher's wife bumped off her husband in "The Jarvis Wilder Matter" (originally aired on CBS on February 24, 1951), and William Conrad has to clear his own name in "Matt for Murder" from Gunsmoke (originally aired on CBS on July 26, 1954). Finally, Jack Webb stars in an urban western as the police face off against an armed and delusional man who believes he's defending a fort against the Indians in "The Big Cowboy" from Dragnet (originally aired on NBS on June 1, 1954). Click here for some of my original audio comedy, including some old time radio show parodies!

Re-Imagined Radio samples from Box 13 and The Damon Runyon Theater, offered by Paramount movie star Alan Ladd's Mayfair Productions, as syndicated radio programs. Both are significant examples of compelling, immersive radio storytelling. With syndication, private companies create and license transcribed (recorded) programs to radio stations and/or radio networks. Syndication allows the radio program to reach a wide audience, radio stations to save money on production costs, and listeners to hear fine examples of radio storytelling. Learn more about your ad choices. Visit megaphone.fm/adchoices

Box 13, a gripping syndicated radio drama produced by Alan Ladd's Mayfair Productions, captivated listeners with its intriguing blend of mystery and adventure. At the heart of the series was the enigmatic character of Dan Holiday, a former newspaperman turned mystery writer who found himself thrust into a world of danger and intrigue. With each episode, Dan Holiday embarked on thrilling quests, using his sharp wit and investigative skills to unravel intricate mysteries and bring criminals to justice. The series showcased a wide range of compelling storylines, from international espionage to dark family secrets, ensuring that listeners remained on the edge of their seats. Box 13 had a unique approach to its broadcast schedule, airing on various dates and times in different cities across the United States. This strategy allowed the show to reach a broader audience and create a sense of anticipation among its fans. The first episode premiered in October 1947, captivating listeners with its thrilling introduction to Dan Holiday's world. The series continued to air until August 1949, leaving an enduring mark on radio drama history. Throughout its run, Box 13 featured a talented cast of voice actors who brought the characters to life with their dynamic performances. The show's immersive sound design and evocative music created a captivating soundscape that transported listeners into the heart of each mystery. In addition to its compelling storylines and captivating characters, Box 13 also tackled important social issues of the time. The series explored themes such as prejudice, corruption, and the pursuit of justice, making it a thought-provoking as well as entertaining listen. Box 13's legacy extends beyond its original broadcast. The series has been praised by critics and listeners alike for its high production values, clever writing, and engaging performances. It stands as a testament to the golden age of radio drama and continues to captivate audiences to this day. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

EPISODE 56 - “MARJORIE REYNOLDS: CLASSIC CINEMA STAR OF THE MONTH” - 10/07/2024 Most film fanatics agree that after the Paramount Picture's holiday classic “Holiday Inn” (1942), actress MARJORIE REYNOLDS, who gave a star-turn as struggling actress Linda Mason who gets a break singing and dancing in the seasonal nightclub run by BING CROSBY, should have been a big star. However, for reasons not quite clear, she didn't rise into the stratosphere. While she had a very respectable and long career, she just didn't soar to the top, as expected. As our Star of the Month, we will take a look into Marjorie Reynolds' life and career and explore our theories on why “Holiday Inn” did not make her a major star.  SHOW NOTES:  Sources: Christmas In the Movies (2023), by Jeremy Arnold; Whatever Became of…10th Series (1986), by Richard Lamparski; My Heart Belongs (1976), by Mary Martin; Scarlet Fever (1977), by William Pratt (including the collection of Herb Bridges); The Film Lovers Companion (1997), by David Quinlan; Biography of Marjorie Reynolds, July 25, 1942, Paramount Pictures;  “Super Cinderella,” November 1942, by William Lynch value, Silver Screen magazine; “Marjorie's Horse Comes In,” November 7, 1942, by Kyle Crichton, Collier's Magazine; Versatility Pays Off for Marjorie Reynolds,” March 10, 1944, by Hedda Hopper, Los Angeles, Times; “Divorce Plans Discussed by Miss Reynolds,” July 23, 1951, by Hedda Hopper, Los Angeles, Times; “Marjorie Reynolds to Be Wed to Film Editor,” May 16, 1952, Los Angeles, Times; “Marjorie Reynolds Weds Film Editor,” May 18, 1953, The Sedalia Democrat (Missouri); “Marjorie Reynolds: Sixty Years in the Film Business,” April 1984, by Colin Briggs, Hollywood Studio Magazine; “Marjorie Reynolds, 79, Actress, In Classic Films and on Television,” February 16, 1997, The New York Times; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  Holiday Inn (1942), starring Bing Crosby, Fred Astaire, Marjorie Reynolds, & Virginia Dale; Wine, Women, and Song (1933), starring Lilyan Tashman; Murder In Greenwich Village (1937), starring Richard Arlen & Fay Wray; Tex Rides With The Boy Scouts (1937), starring Tex Ritter; The Overland Express (1938), starring Buck Jones; Western Trails (1938), starring Bob Baker; Six Shootin' Sheriff (1938), starring Ken Maynard; Star Spangled Rhythm (1942), starring Bob Hope, Bing Crosby, Dorothy Lamour, Veronica Lake, & Alan Ladd; Dixie (1943), starring Bing Crosby & Dorothy Lamour; Up In Mabel's Room (1944), starring Dennis O'Keefe & Gail Patrick; Ministry of Fear (1944), starring Ray Milland; Three Is A Family (1944), starring Charles Ruggles & Fay Bainter; Bring On The Girls (1945), starring Veronica Lake & Eddie Bracken; Monsieur Beaucaire (1946), starring Bob Hope & Joan Caulfield; The Time Of Their Lives (1946), starring Bud Abbott & Lou Costello; Meet Me On Broadway (1946), starring Fred Brady & Spring Byington; Heaven Only Knows (1947), Bob Cummings & Brian Donlevy; Badmen of Tombstone (1949), starring Barry Sullivan & Broderick Crawford; That Midnight Kiss (1949), starring Mario Lanza & Kathryn Grayson; The Great Jewel Robber (1950), starring David Brian; Home Town Story (1951), starring Jeffry Lynn, Alan Hale Jr, & Marilyn Monroe; Models, Inc (1952), starring Howard Duff & Coleen Gray; His Kind of Woman (1951), starring Robert Mitchum, Jane Russell, & Vincent Price; The Silent Witness (1962), starring Tristram Coffin & George Kennedy; Pearl (1978), starring Angie Dickinson, Dennis Weaver, & Robert Wagner; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Suspense" was a radio drama series that captivated audiences from 1940 through 1962 during the Golden Age of Radio. Often subtitled "radio's outstanding theater of thrills," this program was a shining example of suspense thriller entertainment. It specialized in delivering heart-pounding stories, typically featuring some of the leading Hollywood actors of its era. With an impressive total of approximately 945 episodes aired over its lengthy run, "Suspense" remains an enduring classic, with over 900 episodes still in existence. "Suspense" was a dynamic series that evolved through several significant phases, each marked by distinct hosts, sponsors, and director/producers. Despite these changes, the show maintained a core set of formulaic plot devices that kept its audience consistently engaged. The show's hallmark elements included: Ordinary Protagonists in Extraordinary Situations: The typical protagonist of a "Suspense" episode was an everyday person who found themselves abruptly thrust into a perilous, bizarre, or highly suspenseful situation. This relatable quality made it easy for listeners to connect with the characters. Withheld Solutions: The show was known for building tension by withholding the resolution of the story until the very last possible moment. This strategy ensured that listeners remained on the edge of their seats, eagerly anticipating the outcome. Moral Consequences: "Suspense" often featured stories where evildoers or wrongdoers faced justice in the end. This moral aspect added a layer of satisfaction for the audience, as justice was typically served. The combination of these elements, along with the skillful use of sound effects and music, made "Suspense" a thrilling and unforgettable radio program. It's not surprising that it continues to be celebrated for its contributions to the world of suspenseful storytelling in the audio medium. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

You probably know Beverly Washburn best as Lizabeth Searcy in the 1957 Disney classic, Old Yeller, or from the 1967 horror cult classic, Spider Baby, but Beverly's film and television credits boast countless memorable performances.  This Emmy nominated actress has worked with such Classic Hollywood legends as Bing Crosby, Jimmy Stewart, Alan Ladd, Loretta Young, Lon Chaney, Jr., Jack Benny, Lou Costello, Barbara Stanwyck, and Frank Capra.  Beverly's rare ability to cry on cue naturally was put to good use from the start of her career, and contributed to her reputation as one of the best kid actors of her generation.  Listen for all about Beverly's remarkable career, and be inspired by her boundless kindness and gratitude.

Calcutta (1947)- Alan Ladd, Gail Russell and William Bendix Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self. EPISODE 47 - “Laird Cregar (Star of the Month) ” - 08/05/2024 With his sad, dark eyes, hulking frame, and aristocratic speech, actor LAIRD CREGAR often played the complex villain tortured by a sinister past or an unrequited love that turns into an obsession. No one played characters with suppressed anguish, a tortured soul, or darkness lingering beneath the surface better than he did. While he only made 16 films in a period of five years, he is unforgettable. His desire to be thin was his achilles heel that turned tragic. This week join us as we take a deep dive into the short life and career of this amazing actor.  SHOW NOTES:  Sources: Laird Cregar: A Hollywood Tragedy (2017), by Gregory William Mank; “Atlas With A Grin,” by Fredda Dudley, December 1941, Screenland magazine; “Setbacks To Fame,” by Dorothy B.Haas, June 1942, Silver Screen magazine; “Bold, Bad, (Bluffing) Cregar,” by Barbara Berch, January 1945, Screenland magazine; “Ripping Tales: Laird Cregar: The Forgotten Ripper,” by Kevin G. Shimick, Fall 1991, Scarlett Street; “Queers In History: Laird Cregar,” December 9, 2012, by Elisa Rolle, livejournal.com; “Heavy: The Life and Films of Laird Cregar,” October 7, 2013, by Jennifer Garland, Virtual Virago; IMDBPro.com; Wikipedia.com; Movies Mentioned:  I Wake Up Screaming (1941), starring Betty Grable, Victor Mature, Carole Landis, and Laird Cregar; The Lodger (1944), starring Merle Oberon and Laird Cregar; Charley's Aunt (1941), starring Jack Benny, Kay Francis, James Ellison, and Laird Cregar; Rings On Her Fingers (1942), starring Gene Tierney, Henry Fonda, Laird Cregar, and Spring Byington; Hudson Bay (1940), starring Gene Tierney, Paul Muni, Vincent Price, and Laird Cregar; Blood and Sand (1940), starring Tyrone Power, Linda Darnell, and Laird Cregar; This Gun For Hire (1942), starring Alan Ladd, Veronica Lake, Robert Preston, and Laird Cregar; Ten Gentlemen From West Point (1942), starring George Montgomery, Maureen O'Hara, and Laird Cregar; The Black Swan (1942), starring Tyrone Power, Maureen O'Hara, and Laird Cregar; Heaven Can Wait (1943), starring Gene Tierney, Don Ameche, Charles Coburn, Marjorie Main Spring Byington, and Laird Cregar; Hello Frisco, Hello (1943), starring Alice Faye, John Payne, Lynn Bari, and Laird Cregar; Hangover Square (1945), starring Laird Cregar, Linda Darnell, and George Sanders; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self. ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** As CAROLE LANDIS was known as “The Ping Girl” and ANN SHERIDAN was known as “The Oomph” Girl,” actress MARIE McDONALD was saddled with the equally misogynistic title, “The Body.” Yes, she was tall, leggy, and curvy, but she was also talented, a fact that many of the powerful men of Hollywood seemed to forget. Unfortunately, Marie was better known for her wild private life that included seven marriages, high profile romances, tabloid escapades, and one of the most bizarre kidnappings to ever happen in Hollywood. This week, we tell the colorful story of this long-forgotten leading lady.  SHOW NOTES:  Sources: Tragic Hollywood: Beautiful, Glamorous, and Dead (2013), by Jackie Ganiy; “Marie McDonald ‘Gets Sick' With Former Husband,” January 6, 1955, Toledo Blade; “Millionaire Asks Divorce From Marie McDonald,” May 22, 1956, Daytona Beach Morning Journal; “Marie McDonald Reported Held By Kidnappers,” January 4, 1957, Ellensburg Daily Record; “Marie McDonald Tells Police How She Was Seized By Two Men,” January 5, 1957, Reading Eagle; “Marie McDonald Stars In Police Film of Kidnapping,” January 8, 1957, The Telegraph; “Grand Jury Probes Marie's Kidnap,” January 16, 1957, The Deseret News; “Marie McDonald Leaves Hospital” June 15, 1958, Reading Eagle; “Actress Marie McDonald Weds Again,” May 25, 1959, St. Petersburg Times; “Marie McDonald's Fourth Husband Seeking Divorce,” September 18, 1962, Daily News; “New Ruling Calls Marie McDonald Death Accidental,” December 30, 1965, The Toledo Blade; “Marie McDonald, Actress, Is Dead; Autopsy Was Inconclusive, Glamour Girl Was 42,” October 21, 1965, The New York Times; “Movie Producer Donald Taylor Apparent Suicide,” January 3, 1966, Rome News Tribune; “Phantom Intruders Abducted A Pin-Up Star,” July 2, 2022, Medium.com; IMDBPro.com; Wikipedia.com; Movies Mentioned:  Pardon My Sarong (1942), staring Lou Abbott and Lou Costello; Lucky Jordan (1942), starring Alan Ladd and Marie McDonald; I Love a Soldier (1944), starring Paulette Goddard, Sonny Tufts, and Beulah Bondi; Guest In The House (1944), starring Anne Baxter and Ralph Bellamy; Getting Gertie's Garter (1945), starring Marie McDonald and Dennis O'Keefe; Living In A Big Way (1946), starring Gene Kelly and Marie McDonald; The Geisha Boy (1958), starring Jerry Lewis and Marie McDonald; Promises! Promises! (1963), starring Jayne Mansfield and Marie McDonald; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

From Beneath The Hollywood Sign is thrilled to welcome our newest sponsor, www.HappyMammoth.com. Use code BENEATH at checkout for 15% off of your entire first order! EPISODE 39 - “Father Knows Best: Classic Cinema's Best (and Worst!) Dads” - 06/10/2024 When you stop to think about the great father's of classic cinema, Atticus Finch, the mild-mannered Southern lawyer in “To Kill A Mocking Bird” (1962), has to be at the top of the list. But who else would be on that list? And what about the horrible fathers of old Hollywood? As you scramble to find that last minute tie or cologne for dear old Dad for Father's Day, make sure you check out this week's episode where Steve and Nan celebrate some of old Hollywood's most memorable fathers — the good and the bad.  SHOW NOTES:  Sources: “20 Best and Worst Movie Fathers,” June 19, 2020, by David Fear, Rolling Stone.com “Noah Cross (John Huston) Character Analysis: Mad, Bad, and Dangerous to Know,”  schmoop.com Yahoo.com RogerEbert.com IMDBPro.com; Wikipedia.com; Movies Mentioned:  How Green Was My Valley (1941), starring Walter Pidgeon, Maureen O'Hara, Donald Crisp, Patric Knowles, Anna Lee, Roddy McDowell, Sara Allgood, and Barry Fitzgerald; Bicycle Thieves (1948), starring Vittorio De Sica, Enzo Staiola, and Lianella Carell;  Splendor in the Grass (1961), starring Natalie Wood, Warren Beatty, Pat Hingle, Audrey Christie, Barbara Loden, Zorah Lampert, Sandy Dennis, and Phyllis Diller; The Heiress (1949), starring Olivia de Havilland, Montgomery Clift, Ralph Richardson, Miriam Hopkins, Vanessa Brown, and Mona Freeman; The Swiss Family Robinson (1960), starring John Mills, Dorothy McGuire, James MacArthur, Tommy Kirk, Kevin Corcoran, and Janet Munro; Shane (1953), starring Alan Ladd, Jean Arthur, Van Helfin, Brandon De Wilde, Jack Palance, Ben Johnson, Edgar Buchanan, Elisha Cook Jr, and Ellen Corby; Chinatown (1974), starring Jack Nicholson, Faye Dunaway, John Huston, Perry Lopez, Diane Ladd, and John Hillerman; Rebel Without A Cause (1955), starring James Dean, Natalie Wood, Sal Mineo, Dennis Hopper, Jim Backus, Corey Allen, Ann Doran, Nick Adams, William Hopper, and Edward Platt; Our Vines Have Tender Grapes (1945), starring Edward G. Robinson, Margaret O'Brien, Agnes Moorhead, James Craig, Jackie “Butch” Jenkins, Frances Gifford, Morris Carnovsky, and Sara Haden; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices