Podcast appearances and mentions of Alan Ladd

On this episode of Ron's Amazing Stories, we head west—way west—to the dusty Wyoming frontier with the Lux Radio Theater production of Shane. Originally aired on February 22, 1955, this broadcast stars Alan Ladd, who reprises his iconic role from the 1953 film of the same name. We'll take a look at the movie that redefined the western genre, talk about the incredible run of Lux Radio Theater, and explore why the 1950s were the golden age of cowboy storytelling. Along the way, we'll cover the film's massive box office success, its impact on the “adult western,” and even how Hollywood managed to make Alan Ladd look larger-than-life—despite being five-foot-six. And as a bonus, stick around after the main goodbye for a little extra cowboy wisdom and humor. Because when it comes to Shane, you never want to leave the campfire too early. What You'll Hear This Week: The story behind the 1953 classic film Shane How Lux Radio Theater brought Hollywood to the airwaves Why westerns ruled the 1950s The surprising box office success of Shane And, of course, the full radio adaptation starring Alan Ladd So, tighten your saddle, pour yourself a black coffee (no lattes for Shane), and join me for a ride through one of the greatest westerns ever told. Ron's Amazing Stories Is Sponsored by: Audible - You can get a free audiobook and a 30 day free trial at . Your Stories: Do you have a story that you would like to share on the podcast or the blog? Head to the main website, click on Story Submission, leave your story, give it a title, and please tell me where you're from. I will read it if I can. Links are below. Music Used In This Podcast: Most of the music you hear on Ron's Amazing Stories has been composed by Kevin MacLeod () and is Licensed under . Other pieces are in the public domain. You can find great free music at which is a site owned by Kevin. Program Info: Ron's Amazing Stories is published each Thursday. You can download it from , stream it on or on the mobile version of . Do you prefer the radio? We are heard every Thursday at 10:00 pm and Sunday Night at 11:00 PM (EST) on . Check your local listing or find the station closest to you at this . Social Links: Contact Links:

We enter the 50s as our journey through the years of Suspense continues with my favorite episodes from 1950. First, Dana Andrews is a cop on the trail of a killer in a radio adaptation of Ray Bradbury's “The Crowd” (originally aired on CBS on September 21, 1950), and Milton Berle is an actor who hopes he can convincingly play a crazy man to escape a death sentence for murder in “Rave Notice” (originally aired on CBS on October 12, 1950). Cary Grant picks the wrong time and place to run out of gas in the classic chiller “On a Country Road” (originally aired on CBS on November 16, 1950), and Ray Milland discovers a plot to bribe a jury - and his wife is kidnapped to keep his silence - in “After the Movies” (originally aired on CBS on December 7, 1950). Finally, Alan Ladd stars in a tale of revenge out of the old west in “A Killing in Abilene” (originally aired on CBS on December 14, 1950).  

National Baby Back Ribs day. Entertainment from 1974. US revolution officially over, San Marino founded, Sweden driving laws. Todays birthdays - Alan Ladd, Memphis Slim, Mort Walker, Hank Thompson, Al Jardine, Don Brewer, Charlie Sheen, Jennifer Paige. Vince Lombardi died.Intro - God did good - Dianna Corcoran     https://www.diannacorcoran.comChili's commercialYour having my baby - Paul Anka  Odia CoatsPlease don't tell me how the story ends - Ronnie MilsapBirthdays - In da club - 50 Cent http://50cent.com/Born with the blues - Memphis SlimIt don't hurt anymore - Hank ThompsonI get around - The Beach BoysWe're an American Band - Grand Funk RailroadCrush - Jennifer PaigeExit - Cool girl - Melanie Meriney     https://www.melaniemeriney.com/countryundergroundradio.comHistory & Factoids webpage

Description Producer Andrew joins Joe to discuss the classic western film Shane. Based on the 1949 novel by Jack Schaefer, the film was directed by George Stevens and stars Alan Ladd as Shane and Van Hefline as Joe. It tells … Continue reading →

This week on The Relic Radio Show, we'll hear Alan Ladd in The Dead Man Walks, from Box 13. That story aired June 12, 1949. (27:12) Have Gun, Will Travel closes out this week's show with its story from June 21, 1959, North Fork. https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/RelicRadio957.mp3 Download RelicRadio957 | Subscribe | Spotify | Support The Relic Radio Show

A film noir starring Alan Ladd as a U.S. postal inspector hired to investigate the murder of a fellow inspector.  Co-starring Jack Webb and Harry Morgan of "Dragnet" fame and Phyllis Calvert.

Tựa đề chữ vàng in trên bìa sách toàn một màu đen. Chỉ cần liếc nhìn qua, giới độc giả ghiền truyện trinh thám đều nhận ra ngay bộ sưu tập « Série Noire » của nhà xuất bản Pháp Gallimard. Năm 2025 đánh dấu đúng 80 năm ngày ra đời của tủ sách nổi tiếng Série Noire, mà bạn đọc ở Pháp thường gọi nôm na là « tiểu thuyết đen ».   Tủ sách « Série Noire » ra đời vào mùa hè năm 1945, theo đề xuất của dịch giả Marcel Duhamel. Ngoài đời là bạn thân của nhà văn Jacques Prévert và thi hào Raymond Queneau, ông Duhamel đã thuyết phục nhà xuất bản Gallimard cho ra mắt một bộ sưu tập hoàn toàn mới thời hậu chiến, để giới thiệu với bạn đọc ở Pháp những tiểu thuyết trinh thám tiêu biểu của Anh-Mỹ qua việc dịch các tác giả trứ danh như Peter Cheyney, Raymond Chandler hay Don Tracy …  Mãi đến 3 năm sau (1948), theo sáng kiến của giám đốc điều hành nhà xuất bản Claude Gallimard, bộ sưu tập này mới bắt đầu phát triển mạnh, tăng số lượng bản in cũng như các tựa sách phát hành mỗi năm. Nhờ vào sự hưởng ứng của bạn đọc, tủ truyện « Série Noire » đã thành công nhanh chóng. Hơn một ngàn đầu sách được xuất bản trong 2 thập niên đầu tiên, mỗi năm sách đều bán được hơn cả triệu bản.  Thành công của thể loại văn học này lúc đầu luôn gắn liền với trào lưu phim trinh thám của Mỹ, còn được gọi là « film noir » chủ yếu nói về các vụ án và tội phạm, thế giới băng đảng và xã hội đen. Trong thời hậu chiến (1945-1952) các rạp chiếu phim Pháp chủ yếu khai thác phim trinh thám do Hollywood sản xuất từ những năm trước, nhưng vì đang có chiến tranh, khán giả Pháp chưa có dịp xem.  Kể từ năm 1953 trở đi, làng phim Pháp mới bắt đầu khai thác mạnh mẽ dòng phim này. Trả lời phỏng vấn RFI ban tiếng Pháp, nhà phê bình kiêm sử gia Alban Cerisier cho biết, ngay từ những năm 1950, tủ sách « Série Noire » đã gợi hứng cho các đạo diễn Pháp thực hiện nhiều bản phóng tác, đưa các bộ tiểu thuyết đen lên màn ảnh rộng, tạo ra một sự hợp tác chặt chẽ, vẫn còn tồn tại cho đến tận ngày nay : « Đúng vậy, đó là một mối quan hệ tuyệt vời, góp phần làm nên tên tuổi và uy tín của bộ sưu tập Série Noire. Mối quan hệ giữa tủ sách trinh thám và màn ảnh lớn đã tồn tại trong nhiều thập niên qua. Khi mới được thành lập, tủ sách này chủ yếu quảng bá các tiểu thuyết “đen” và dòng phim trinh thám theo kiểu Mỹ. Trong giai đoạn này, phải kể đến phim The Maltese Falcon (Chim ưng Malta) với Humphrey Bogart trong vai chính, This gun for hire (Kẻ giết mướn) với Alan Ladd và Veronica Lake. Những thập niên sau đó, có The Unseen (Sát thủ giấu mặt) và nhất là The Big Sleep (Giấc ngủ ngàn thu), dựa theo tiểu thuyết của nhà văn Raymond Chandler qua hai phiên bản, với Humphrey Bogart, cũng như Robert Mitchum trong vai chính.  Thời hậu chiến, làng phim Pháp chủ yếu khai thác phim Mỹ. Năm 1953 đánh dấu một cột mốc quan trọng, khi điện ảnh Pháp trở nên tự lập hơn, bắt đầu chuyển thể các bộ tiểu thuyết thành phim trinh thám. Đó là trường hợp của bộ phim "Touchez pas au grisbi" (tạm dịch Coi chừng chết … vì tiền) của đạo diễn Pháp Jacques Becker. Đây là phiên bản điện ảnh của quyển tiểu thuyết đen cùng tên của Albert Simonin. Bộ phim đánh dấu ngày trở lại của Jean Gabin sau nhiều năm vắng bóng và sự xuất hiện lần đầu tiên của Lino Ventura trên màn ảnh lớn. Trong mắt giới phê bình, "Touchez pas au grisbi” là tác phẩm khởi đầu cho trào lưu quay các bộ phim noir theo kiểu Pháp, hầu hết các tên tuổi lớn sau này đều tham gia như Jeanne Moreau, Jean-Paul Belmondo hay Alain Delon … »  Nhìn lại tủ truyện « Série Noire », trong số cả chục ngàn quyển tiểu thuyết được phát hành, đã có hơn 500 đầu sách đã được chuyển thể lên màn ảnh. Có thể nói là mỗi thập niên đều có những bộ phim ăn khách, phóng tác từ tiểu thuyết trinh thám. Theo sử gia Alban Cerisier, những thập niên sau 1950, đã cho ra đời nhiều tác phẩm quan trọng của những tên tuổi hàng đầu trong làng điện ảnh :  « Kể từ sau những năm 1950, dòng phim trinh thám hình sự đã có một số thay đổi về mặt đề tài để phán ánh những biến chuyển xã hội, nội dung phim cũng mang nhiều tính thời sự hơn. Một trong những gương mặt quan trọng trong giai đoạn này chính là ngôi sao màn bạc Pháp Alain Delon. Ông quan tâm nhiều đến thể loại hình sự cũng như dòng phim đen. Trong vai trò của một nhà sản xuất (nhiều hơn là diễn viên), Alain Delon đã giúp phổ biến thêm nhiều quyển tiểu thuyết qua phim ảnh. Trong giai đoạn này có thể nhắc đến “Mort d'un pourri” (Cái chết của một kẻ hám lợi), tiểu thuyết của Raf Vallet từng được Georges Lautner chuyển thể thành phim trinh thám với Alain Delon trong vai chính.  Thật ra, kể từ những năm 1965 trở đi, dòng phim noir không còn đơn thuần nói về thế giới của những kẻ lừa đảo, những tên côn đồ đâm thuê chém mướn … Những hình tượng ấy dần dần những chỗ lại cho những nhân vật phức tạp hơn về mặt tâm lý, qua tài viết kịch bản và dựng phim của làn sóng đạo diễn với phong cách mới như Truffaut, Godard, hay Melville. Đạo diễn François Truffaut đã tặng cho Jeanne Moreau một vai diễn để đời khi chuyển thể tiểu thuyết “The Bride wore black” (Áo tang ngày cưới) của William Irish, kể lại kế hoạch trả thù của một cô dâu, sau khi chứng kiến cảnh chồng mình bị sát hại ngay trong đám cưới.  Đạo diễn Melville tặng cho Jean Paul Belmondo một vai diễn xuất sắc trong phim "Le Doulos". Trong tiếng lóng, từ này hiểu theo nghĩa đen là cái mũ phớt, còn hiểu theo nghĩa bóng là kẻ chỉ điểm. Sự xuất hiện của Melville, Lautner, hay Truffaut (rất ngưỡng mộ đạo diễn Hitchcock) đã mang đến một luồng sinh khí mới cho thể loại phim trình thám, khi họ phản ánh các chủ đề mang tính thời sự xã hội, đi sâu hơn vào các đề tài tham nhũng, khi mọi giới, nhất là những người có quyền, càng dễ bị đồng tiền chi phối ».  Sau các đề tài chính trị xã hội, tủ truyện Série Noire cũng từng gặt hái khá nhiều thành công khi khai thác mạch truyện gián điệp. Trong một thời gian dài, nhà xuất bản Gallimard được quyền khai thác tủ sách James Bond (sau này mới đến phiên nhà xuất bản Robert Laffon), có lẽ cũng vì thế nhiều đầu sách của điệp viên 007 đã được đăng trong bộ sưu tập tiểu thuyết đen Série Noire. Nhà phê bình Alvan Cerisier giải thích về các trào lưu làm phim : « Các tác giả cũng như dịch giả của tủ truyện Série Noire sống với thời đại của họ. Dĩ nhiên là bộ truyện của Ian Fleming đã có nhiều bản phóng tác sang tiếng Pháp. Về mặt phiên bản điện ảnh, có hai tựa phim James Bond mà các bạn đọc tiếng Pháp tìm thấy trong tủ sách Série Noire. Đó là bộ phim « Diamonds are forever » (Điệp vụ kim cương) với Sean Connery, và sau đó là « Moonraker » (Căn cứ không gian) với Roger Moore. Có thể nói là thành công của James Bond đánh dấu thời kỳ huy hoàng của tiểu thuyết cũng như phim gián điệp. Ngoài ra, phim ảnh có tác động tích cực trong việc phổ biến sách truyện. Tính trung bình, một quyển tiểu thuyết trinh thám được xem là rất ăn khách khi bán được khoảng 100.000 bản. Đến khi được chuyển thể lên màn ảnh lớn, bộ phim có khả năng thu hút hàng triệu lượt người xem và trong số này sẽ có nhiều khán giả tìm đọc tiểu thuyết gốc. Mối quan hệ chặt chẽ ấy vẫn tồn tại cho đến ngày nay.  Việc chuyển thể sách thành kịch bản phim, nhiều hay ít, là tùy theo nhu cầu, chứ chưa bao giờ dừng lại. Chẳng hạn như phim « Zulu » với Orlando Bloom và Forest Whitaker trong vai chính, dựa theo tiểu thuyết của Caryl Férey. Đạo diễn Guillermo del Toro từng thử sức với phim trinh thám khi chuyển thể lên màn ảnh quyển tiểu thuyết đen « Nightmare Alley » (Con hẻm ác mộng) với Bradley Cooper trong vai chính. Ngoài ra, còn phải kể đến dòng truyện trinh thám đến từ vùng đất lạnh như trường hợp của nhà văn người Na Uy JoNesbo từng thành công với « The Snowman » (Sát nhân Người tuyết) với Michael Fassbender. Trong số các nhân vật nổi tiếng thích đọc Série Noire tại Pháp, có các nhà văn Jacques Prévert, Jean Giono, hay nghệ sĩ điêu khắc Giacometti. Có thể nói là chừng nào vẫn còn nhiều bạn đọc ghiền tiểu thuyết trinh thám, thì dòng phim hồi hộp hình sự vẫn còn nhiều kịch bản hay để dựng thành phim chiếu rạp cũng như phim truyền hình ».

Tựa đề chữ vàng in trên bìa sách toàn một màu đen. Chỉ cần liếc nhìn qua, giới độc giả ghiền truyện trinh thám đều nhận ra ngay bộ sưu tập « Série Noire » của nhà xuất bản Pháp Gallimard. Năm 2025 đánh dấu đúng 80 năm ngày ra đời của tủ sách nổi tiếng Série Noire, mà bạn đọc ở Pháp thường gọi nôm na là « tiểu thuyết đen ».   Tủ sách « Série Noire » ra đời vào mùa hè năm 1945, theo đề xuất của dịch giả Marcel Duhamel. Ngoài đời là bạn thân của nhà văn Jacques Prévert và thi hào Raymond Queneau, ông Duhamel đã thuyết phục nhà xuất bản Gallimard cho ra mắt một bộ sưu tập hoàn toàn mới thời hậu chiến, để giới thiệu với bạn đọc ở Pháp những tiểu thuyết trinh thám tiêu biểu của Anh-Mỹ qua việc dịch các tác giả trứ danh như Peter Cheyney, Raymond Chandler hay Don Tracy …  Mãi đến 3 năm sau (1948), theo sáng kiến của giám đốc điều hành nhà xuất bản Claude Gallimard, bộ sưu tập này mới bắt đầu phát triển mạnh, tăng số lượng bản in cũng như các tựa sách phát hành mỗi năm. Nhờ vào sự hưởng ứng của bạn đọc, tủ truyện « Série Noire » đã thành công nhanh chóng. Hơn một ngàn đầu sách được xuất bản trong 2 thập niên đầu tiên, mỗi năm sách đều bán được hơn cả triệu bản.  Thành công của thể loại văn học này lúc đầu luôn gắn liền với trào lưu phim trinh thám của Mỹ, còn được gọi là « film noir » chủ yếu nói về các vụ án và tội phạm, thế giới băng đảng và xã hội đen. Trong thời hậu chiến (1945-1952) các rạp chiếu phim Pháp chủ yếu khai thác phim trinh thám do Hollywood sản xuất từ những năm trước, nhưng vì đang có chiến tranh, khán giả Pháp chưa có dịp xem.  Kể từ năm 1953 trở đi, làng phim Pháp mới bắt đầu khai thác mạnh mẽ dòng phim này. Trả lời phỏng vấn RFI ban tiếng Pháp, nhà phê bình kiêm sử gia Alban Cerisier cho biết, ngay từ những năm 1950, tủ sách « Série Noire » đã gợi hứng cho các đạo diễn Pháp thực hiện nhiều bản phóng tác, đưa các bộ tiểu thuyết đen lên màn ảnh rộng, tạo ra một sự hợp tác chặt chẽ, vẫn còn tồn tại cho đến tận ngày nay : « Đúng vậy, đó là một mối quan hệ tuyệt vời, góp phần làm nên tên tuổi và uy tín của bộ sưu tập Série Noire. Mối quan hệ giữa tủ sách trinh thám và màn ảnh lớn đã tồn tại trong nhiều thập niên qua. Khi mới được thành lập, tủ sách này chủ yếu quảng bá các tiểu thuyết “đen” và dòng phim trinh thám theo kiểu Mỹ. Trong giai đoạn này, phải kể đến phim The Maltese Falcon (Chim ưng Malta) với Humphrey Bogart trong vai chính, This gun for hire (Kẻ giết mướn) với Alan Ladd và Veronica Lake. Những thập niên sau đó, có The Unseen (Sát thủ giấu mặt) và nhất là The Big Sleep (Giấc ngủ ngàn thu), dựa theo tiểu thuyết của nhà văn Raymond Chandler qua hai phiên bản, với Humphrey Bogart, cũng như Robert Mitchum trong vai chính.  Thời hậu chiến, làng phim Pháp chủ yếu khai thác phim Mỹ. Năm 1953 đánh dấu một cột mốc quan trọng, khi điện ảnh Pháp trở nên tự lập hơn, bắt đầu chuyển thể các bộ tiểu thuyết thành phim trinh thám. Đó là trường hợp của bộ phim "Touchez pas au grisbi" (tạm dịch Coi chừng chết … vì tiền) của đạo diễn Pháp Jacques Becker. Đây là phiên bản điện ảnh của quyển tiểu thuyết đen cùng tên của Albert Simonin. Bộ phim đánh dấu ngày trở lại của Jean Gabin sau nhiều năm vắng bóng và sự xuất hiện lần đầu tiên của Lino Ventura trên màn ảnh lớn. Trong mắt giới phê bình, "Touchez pas au grisbi” là tác phẩm khởi đầu cho trào lưu quay các bộ phim noir theo kiểu Pháp, hầu hết các tên tuổi lớn sau này đều tham gia như Jeanne Moreau, Jean-Paul Belmondo hay Alain Delon … »  Nhìn lại tủ truyện « Série Noire », trong số cả chục ngàn quyển tiểu thuyết được phát hành, đã có hơn 500 đầu sách đã được chuyển thể lên màn ảnh. Có thể nói là mỗi thập niên đều có những bộ phim ăn khách, phóng tác từ tiểu thuyết trinh thám. Theo sử gia Alban Cerisier, những thập niên sau 1950, đã cho ra đời nhiều tác phẩm quan trọng của những tên tuổi hàng đầu trong làng điện ảnh :  « Kể từ sau những năm 1950, dòng phim trinh thám hình sự đã có một số thay đổi về mặt đề tài để phán ánh những biến chuyển xã hội, nội dung phim cũng mang nhiều tính thời sự hơn. Một trong những gương mặt quan trọng trong giai đoạn này chính là ngôi sao màn bạc Pháp Alain Delon. Ông quan tâm nhiều đến thể loại hình sự cũng như dòng phim đen. Trong vai trò của một nhà sản xuất (nhiều hơn là diễn viên), Alain Delon đã giúp phổ biến thêm nhiều quyển tiểu thuyết qua phim ảnh. Trong giai đoạn này có thể nhắc đến “Mort d'un pourri” (Cái chết của một kẻ hám lợi), tiểu thuyết của Raf Vallet từng được Georges Lautner chuyển thể thành phim trinh thám với Alain Delon trong vai chính.  Thật ra, kể từ những năm 1965 trở đi, dòng phim noir không còn đơn thuần nói về thế giới của những kẻ lừa đảo, những tên côn đồ đâm thuê chém mướn … Những hình tượng ấy dần dần những chỗ lại cho những nhân vật phức tạp hơn về mặt tâm lý, qua tài viết kịch bản và dựng phim của làn sóng đạo diễn với phong cách mới như Truffaut, Godard, hay Melville. Đạo diễn François Truffaut đã tặng cho Jeanne Moreau một vai diễn để đời khi chuyển thể tiểu thuyết “The Bride wore black” (Áo tang ngày cưới) của William Irish, kể lại kế hoạch trả thù của một cô dâu, sau khi chứng kiến cảnh chồng mình bị sát hại ngay trong đám cưới.  Đạo diễn Melville tặng cho Jean Paul Belmondo một vai diễn xuất sắc trong phim "Le Doulos". Trong tiếng lóng, từ này hiểu theo nghĩa đen là cái mũ phớt, còn hiểu theo nghĩa bóng là kẻ chỉ điểm. Sự xuất hiện của Melville, Lautner, hay Truffaut (rất ngưỡng mộ đạo diễn Hitchcock) đã mang đến một luồng sinh khí mới cho thể loại phim trình thám, khi họ phản ánh các chủ đề mang tính thời sự xã hội, đi sâu hơn vào các đề tài tham nhũng, khi mọi giới, nhất là những người có quyền, càng dễ bị đồng tiền chi phối ».  Sau các đề tài chính trị xã hội, tủ truyện Série Noire cũng từng gặt hái khá nhiều thành công khi khai thác mạch truyện gián điệp. Trong một thời gian dài, nhà xuất bản Gallimard được quyền khai thác tủ sách James Bond (sau này mới đến phiên nhà xuất bản Robert Laffon), có lẽ cũng vì thế nhiều đầu sách của điệp viên 007 đã được đăng trong bộ sưu tập tiểu thuyết đen Série Noire. Nhà phê bình Alvan Cerisier giải thích về các trào lưu làm phim : « Các tác giả cũng như dịch giả của tủ truyện Série Noire sống với thời đại của họ. Dĩ nhiên là bộ truyện của Ian Fleming đã có nhiều bản phóng tác sang tiếng Pháp. Về mặt phiên bản điện ảnh, có hai tựa phim James Bond mà các bạn đọc tiếng Pháp tìm thấy trong tủ sách Série Noire. Đó là bộ phim « Diamonds are forever » (Điệp vụ kim cương) với Sean Connery, và sau đó là « Moonraker » (Căn cứ không gian) với Roger Moore. Có thể nói là thành công của James Bond đánh dấu thời kỳ huy hoàng của tiểu thuyết cũng như phim gián điệp. Ngoài ra, phim ảnh có tác động tích cực trong việc phổ biến sách truyện. Tính trung bình, một quyển tiểu thuyết trinh thám được xem là rất ăn khách khi bán được khoảng 100.000 bản. Đến khi được chuyển thể lên màn ảnh lớn, bộ phim có khả năng thu hút hàng triệu lượt người xem và trong số này sẽ có nhiều khán giả tìm đọc tiểu thuyết gốc. Mối quan hệ chặt chẽ ấy vẫn tồn tại cho đến ngày nay.  Việc chuyển thể sách thành kịch bản phim, nhiều hay ít, là tùy theo nhu cầu, chứ chưa bao giờ dừng lại. Chẳng hạn như phim « Zulu » với Orlando Bloom và Forest Whitaker trong vai chính, dựa theo tiểu thuyết của Caryl Férey. Đạo diễn Guillermo del Toro từng thử sức với phim trinh thám khi chuyển thể lên màn ảnh quyển tiểu thuyết đen « Nightmare Alley » (Con hẻm ác mộng) với Bradley Cooper trong vai chính. Ngoài ra, còn phải kể đến dòng truyện trinh thám đến từ vùng đất lạnh như trường hợp của nhà văn người Na Uy JoNesbo từng thành công với « The Snowman » (Sát nhân Người tuyết) với Michael Fassbender. Trong số các nhân vật nổi tiếng thích đọc Série Noire tại Pháp, có các nhà văn Jacques Prévert, Jean Giono, hay nghệ sĩ điêu khắc Giacometti. Có thể nói là chừng nào vẫn còn nhiều bạn đọc ghiền tiểu thuyết trinh thám, thì dòng phim hồi hộp hình sự vẫn còn nhiều kịch bản hay để dựng thành phim chiếu rạp cũng như phim truyền hình ».

Crime on a ThursdayFirst a look at the events of the dayThen, Box 13 starring Alan Ladd, originally broadcast July 3, 1949, 76 years ago, House of Darkness.   A shot in the dark helps Dan Holiday and a blind man find adventure.Followed by The Green Lama starring Paul Frees,  originally broadcast July 3, 1949, 76 years ago, The Last Dinosaur.  A woman is killed in a swimming pool...by a baby dinosaur! Anything goes at a Hollywood cocktail partyThen, Broadway is my Beat starring Larry Thor, originally broadcast July 3, 1950, 75 years ago, the Frank Conway Murder.  A cowboy named Frank Conroy is found dead in the Olympia Hotel. Where is Eddie Donald?Followed by The Challenge of the Yukon, originally broadcast July 3, 1947, 78 years ago, The Puppy.  Sgt. Preston and Yukon King come to the rescue of a wayward puppy lost in the harsh Yukon wilderness. Facing dangers like freezing temperatures, hungry wildlife, and treacherous terrain, they strive to reunite the puppy with its owner.Finally, Lum and Abner, originally broadcast July 3, 1942, 83 years ago, Baby Left in Store. . Lizabeth and Pearl are not in Texas after all. The boys are left with a baby while its mother leaves town!Thanks to Adele for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

"MARK STEVENS: CLASSIC CINEMA STAR OF THE MONTH" The name MARK STEVENS probably doesn't ring a bell with moviegoers today. However, he's one of those actors who once you see him on screen, you say, “Oh, yeah, THAT guy!” Still, at one time, he was a very in-demand leading man who was always compelling and had a tough-guy likability that brightened up many a hum-drum movie. He may not have reached the upper echelon of fame like contemporaries ALAN LADD or DANA ANDREWS, but he certainly left his mark — particularly in “The Dark Corner” with a pre-TV LUCILLE BALL. Like CHARLES LAUGHTON, DICK POWELL, and IDA LUPINO, he also became a pioneer of the actor-turned-director. Today, we take a look at his long and varied career and celebrate him as our Star of the Month. SHOW NOTES:  Sources: The Bad Boys of Film Noir (2008), by Karen Burroughs Hannsberry; “Today's Underrated Actor Spotlight: Mark Stevens,” February 20, 2018, by Baynum, TheTinselTownTwins.com; “Mark Stevens: Patience is Poison!, (2012), Noir City Annual; “Mark Stevens: Man of Many Talents,” February 2003, Classic Images; “Romance of Actor With Hedy Ended,” September 24, 1947, Daily News; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned:  Destination Tokyo (1943), starring Cary grant & John Garfield; The Doughgirls (1944), starring Ann Sheridan; Hollywood Canteen (1944), starring Bette Davis & John Garfield; God Is My Co-Pilot (1945), starring Dennis Morgan & Dane Clark; Rhapsody In Blue (1945), starring Robert ALda & Joan Leslie;  Within These Walls (1945), starring Thomas Mitchell & Mary Anderson; From This Day Forward (1946), starring Joan Fontaine & Mark Stevens; The Dark Corner (1946), starring Mark Stevens & Lucille Ball; I Wonder Who's Kissing Her Now (1947), starring June Haver & Mark Stevens; The Street With No Name (1948), starring Richard Widmark & mark Stevens; The Snake Pit (1948), starring Olivia de Havilland; Sand (1949), starring Mark Stevens, Coleen Gray, & Rory Calhoun; Oh, You Beautiful Doll (1949), starring June Haver & Mark Stevens; Dancing In the Dark (1949), staring Wiliam Powell; Please Believe Me (1950), starring Deborah Kerr, Mark Stevens, Robert Walker, & Peter Lawford; Before Midnight and Dawn (1950), starring Mark Stevens, Edmond O'Brien, & Gale Storm; Katie Did It (1950), starring Ann Blyth & Mark Stevens; Target Unknown (1951),staring Mark Stevens; In Little Egypt (1951), starring Mark Stevens & Rhonda Fleming; Reunion in Rio (1952), starring Gigi Perreau, Mark Stevens, & Frances Dee; Jack Slade (1953), starring Mark Stevens Cry Vengeance (1954), starring Mark Stevens & Martha Hyer; Time Table (1956), starring Mark Stevens & Felicia Farr; September Storm (1960), starring Mark Stevens & Joanne Dru Escape From Hell Island (1963), starring Mark Stevens; Fate is the Hunter (1964), starring Glenn Ford, Nancy Kwan, Rod Taylor, & Suzanne Pleshette; Frozen Alive (1964), starring Mark Stevens; Sunscorched (1965), starring Mark Stevens; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

A young blacksmith joins King Arthur's court and hopes to win the hand of the fair Linet, but first he must defeat Vikings, Druids, the villainous Sir Palamedies, King Mark, and a very burly guy in a turban. If it didn't feature brownface and a far-too-old Alan Ladd in the title role, it might have been a pretty good movie. Starring Alan Ladd, Patricia Medina, Peter Cushing, Patrick Troughton, Anthony Bushell, and Harry Andrews. Directed by Tay Garnett. Written by Alec Coppel, Bryan Forbes, and Dennis O'Keefe. This is a preview of the latest episode of our series Hollywood Avalon. To hear the entire episode, join the Mary Versus the Movies patreon for $3/month to hear this and the entire series Hollywood Avalon: https://www.patreon.com/maryvsmovies. 

Johnny Apollo (1940) Tyrone Power, Dorothy Lamour, Edward Arnold, Lloyd Nolanhttps://archive.org/download/johnny-apollo-1940/Johnny%20Apollo%20%281940%29%20Tyrone%20Power%2C%20Dorothy%20Lamour%2C%20Edward%20Arnold%2C%20Lloyd%20Nolan.ia.mp4Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

Here is the film!https://archive.org/download/chicago-deadline-1949/Chicago%20Deadline%20%281949%29.mp4What a cool cast! (Alan Ladd, Lewis Allen, Jim Backus, Raymond Burr)!Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

“The Tragic Life of Classic Cinema Star Gail Russell” (082) - 4/07/2025 Hollywood legend has it that ethereal beauty GAIL RUSSELL was discovered after a Paramount Studios talent manager picked up two hitchhiking Santa Monica high school boys who told him all about the "Hedy Lamarr of Santa Monica High School." Allegedly, he then tracked down Russell at school and arranged for a screen test. The rest, as they say, is Hollywood history. If only it had been that easy. Russell, who was painfully shy and had no interest in a career as an actress was pushed in front of the camera by her ambitious mother and the executives at Paramount who saw dollar signs in her startling blue eyes. This week, we explore the life and career of one of Hollywood's most tragic beauties, GAIL RUSSELL.  SHOW NOTES:  Sources: Fallen Star: A Biography of Gail Russell (2016), by Steven Glenn Ochoa; John Wayne: The Life and Legend (2015), by Scott Erman; It's the Pictures That Got Smaller: Charles Brackett on Billy Wilder (2104), edited by Anthony Slide; “Paramount Official Biography of Gail Russell,” March 1940, Paramount Pictures; “Gail Russell,” May 1971, by Jim Meyer, Film Fan Monthly; “Stars Attend Funeral of Gail Russell,” August 30, 1961, Los Angeles Times; “Private Rites Scheduled Today for Gail Russell,” August 29, 1961, Los Angeles Times; “Gail Russell Found Dead At Home,” May 28, 1961, Los Angeles Times; “Gail Russell Threatens to Sue on Wayne Case Charge,” October 21, 1953, The Los Angeles Evening Herald & Express; “Gail Russell Held On Drunk Driving Charges,” November 25, 1953, Los Angeles Times; “Film Star Gail Russell Jailed As Drunk Driver,” November 25, 1953, LA Daily News; “Gail Russell Fights Drunk Driving Charge; Trial Set,” November 27, 1953, The Los Angeles Evening Herald & Express; “Gail Russell Charges $150 Drunk Charge,” January 18, 1954, The Los Angeles Evening Herald & Express; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Henry Aldrich Gets Glamour (1943), starring James Lydon & Diana Lynn; Lady In The Dark (1944), starring Ginger Rogers & Ray Milland; The Uninvited (1944), starring Ray Milland, Ruth Hussey, & Gail Russell; Our Hearts Were Young And Gay (1944), starring Gail Russell & Diana Lynn; Salty O'Rourke (1945), starring Alan Ladd & Gail Russell; The Unseen (1945), starring Joel McCrea & Gail Russell; Our Hearts Were Growing Up (1946), starring Gail Russell & Diana Lynn; Calcutta (1947), starring Alan Ladd & Gail Russell; Angel And The Badman (1947), starring John Wayne & Gail Russell; Night Has A Thousand Eyes (1948), starring Edward G. Robinson, Gail Russell, & JohnLund; Moonrise (1948), starring Dane Clark & Gail Russell; Wake of the Red Witch (1948), starring John Wayne & Gail Russell; Song of India (1949), starring Turban Bey & Gail Russell; El Paso (1949), starring John Wayne, Sterling Hayden, & Gail Russell; The Great Dan Patch (1949), starring Dennis O'Keefe; Captain China (1950), starring John Payne & Gail Russell; 7 Men From Now (1956), starring Randolph Scott & Gail Russell; The Tattered Dress (1957), starring Jeff Chandler & Jeanne Crain; The Silent Call (1961), starring Gail Russell & Roger Mobley --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

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fWotD Episode 2816: Much-Binding-in-the-Marsh Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Sunday, 19 January 2025 is Much-Binding-in-the-Marsh.Much-Binding-in-the-Marsh was a comedy show broadcast from 1944 to 1950 and 1951 to 1954 by BBC Radio and in 1950–1951 by Radio Luxembourg. It was written by and starred Richard Murdoch and Kenneth Horne as officers in a fictional RAF station coping with red tape and the inconveniences and incongruities of life in the Second World War. After the war the station became a country club and, for its last season, the show became the chronicle of a newspaper, The Weekly Bind.Among the supporting cast were Sam Costa as the officers' batman, Maurice Denham in a multitude of roles, Diana Morrison, Dora Bryan and Nicholas Parsons. Singers in the show's musical interludes included Gwen Catley, Maudie Edwards, Binnie Hale and Doris Hare. Among those appearing as guest stars were Phyllis Calvert, Richard Dimbleby, Glynis Johns, Alan Ladd and Jean Simmons.The show followed It's That Man Again as the most popular British radio comedy and was succeeded by Take It from Here and The Goon Show. After the show ended, its two stars returned to radio in several long-running series.This recording reflects the Wikipedia text as of 00:30 UTC on Sunday, 19 January 2025.For the full current version of the article, see Much-Binding-in-the-Marsh on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Matthew.

"BOBBY DRISCOLL: CLASSIC CINEMA STAR OF THE MONTH" EPISODE 64 - “BOBBY DRISCOLL - STAR OF THE MONTH” - 12/02/2024  BOBBY DRISCOLL's name may not be too familiar anymore, but in his heyday, he was the male equivalent of NATALIE WOOD. He was one of the most talented and prolific child stars of the 1940s and 1950s. His descent into darkness should serve as a cautionary tale to all of the stage mothers out there who think their kids will be the next big thing. Sometimes, there is a price to pay for fame, and it ain't always pretty. Join us as we discuss the tragic life of child star Bobby Driscoll. SHOW NOTES:  Sources: Great Child Stars (1976), by James Robert Parish; “Bobby Driscoll, Dope Suspect," July 11, 1956, Los Angeles Examiner; “Bobby Driscoll Arrested in Bean Shooting Row,” August 23, 1956, Los Angeles Times; “Actor Bob Driscoll Arrested As Addict,” October 29, 1959, Mirror News; “Actor Freed of Charges on Narcotics,” December 12, 1959, Los Angeles Times; “Bobby Driscoll Napped After Rift with Gun,” June 18, 1960, The Citizen News; “New Charge Confronts Former Star,” June 23, 1960, Mirror News; “Actor Fined For Striking Heckler,” October 14, 1960, Los Angeles Examiner; “Driscoll Theft Charge Issued,” April 11, 1961, The Citizen News; “Bobby Driscoll is Arrested Again,” May 2, 1961, Los Angeles Examiner; “Bobby Driscoll, a Film Star at 6, an Addict at 17, Sent to Chino,” October 19, 1961, by Charles Hillinger, Los Angeles Times; “Truly, A Lost Boy,” March 4, 2007, by Susan King, Los Angeles Times; “Oscars Flashback: The Tragic Life and Death of Former Disney Star Bobby Driscoll,” January 22, 2019, by Lynette Rice, Entertainment Weekly; BobbyDriscoll.com; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Lost Angel (1943), starring James Craig, Marsha Hunt, & Margaret O'Brien; The Fighting Sullivans (1944) starring Thomas Mitchell & Anne Baxter; Sunday Dinner With A Soldier (1944), starring Anne Baxter, John Hodiak, Charles Winner, & Anne Revere; The Big Bonanza (1944), starring Richard Arlen; So Goes My Love (1946), starring Myrna Loy & Don Ameche; Identity Unknown (1945), starring Richard Arlen; Miss Susie Slagle's (1946), starring Veronica Lake; From This Day Forward (1946), starring Joan Fontaine & Mark Stevens; O.S.S. (1946), starring Alan Ladd & Geraldine Fitzgerald; Three Wise Fools (1946), starring Margaret o'Brine & Lionel Barrymore; Song Of The South (1946), starring James Baskett; If You Knew Susie (1948), starring Eddie Cantor; So Dear to My Heart (1948), starring Burl Ives & Beulah Bondi; The Window (1949), starring Barbara Hale, Arthur Kennedy, Ruth Roman, & Paul Stewart; Treasure Island (1950), starring Robert Newton; When I Grow Up (1951), starring Robert Preston & Martha Scott; The Happy Time (1952), starring Charles Boyer, Louis Jordan, & Marsha Hunt; Peter Pan (1953) The Scarlett Coat (1955), starring Cornel Wilde & George Sanders; The Party Crashers (1958), starring Connie Stevens & Frances Farmer; Dirt (1965), starring Sally Kirkland; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Harrison will review ""The Blue Dahlia" (1946) starring Alan Ladd and Veronica Lake and directed by George Marshall. This podcast was recorded before our beloved friend David Lowe, the other half of the Face 4 Radio Podcast and The 4KLowedown passed away after losing his fight with cancer. Rest in Peace buddy. #thebluedahlia #alanladd #veronicalake #georgemarshall #reelyoldmovies #VeteransDay David's GoFundMe: https://www.gofundme.com/f/help-the-family-man-david-lowe-beat-cancer?lang=en_US&utm_campaign=fp_sharesheet&utm_medium=customer&utm_source=copy_link Rich's Instagram: https://www.instagram.com/turnerfan77/ Rich's YouTube: https://www.youtube.com/@turnerfan77 Faces 4 Radio Instagram: https://www.instagram.com/faces.for.radio/ Faces 4 Radio YouTube: https://www.youtube.com/channel/UCQSMOwgmFDqHfo_iHARBF3A Buy The Blue Dahlia here: https://a.co/d/afoO57K Join my Discord!: https://discord.gg/VWcP6ge2 Social Media Links: https://linktr.ee/reelyoldmovies

This week on the Talk Without Rhythm Podcast I am continuing Noirvember with two more collaborations between Alan Ladd and Veronica Lake: 1946's The Blue Dahlia and 1947's Saigon. [00:00] INTRO [01:36] Trick or Treat Radio Promo [02:54] RANDOM CONVERSATION [11:00] The Blue Dahlia (1946) [36:43] Saigon (1947) [57:25] FEEDBACK [01:01:27] ENDING MUSIC: Blue Dahlia by The Gaslight Anthem Buy The Blue Dahlia (1946) Buy Saigon (1947) Support TWoRP Contact Us talkwithoutrhythm@gmail.com

Alan Ladd in Gun For Hire (1942) https://archive.org/download/this-gun-for-hire-1942/This%20Gun%20for%20Hire%20%281942%29%20Alan%20Ladd%2C%20Veronica%20Lake%2C%20Robert%20Preston%2C%20Laird%20Cregar.ia.mp4 Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

This week on the Talk Without Rhythm Podcast I'm kicking off Noirvember with two films from Alan Ladd and Veronica Lake: 1942's This Gun for Hire and The Glass Key. [00:00] INTRO [01:59] CromCast Promo [02:44] RANDOM CONVERSATION [07:55] This Gun for Hire (1942) [41:34] The Glass Key (1942) [01:06:57] FEEDBACK [01:15:32] ENDING MUSIC: Now You See It, Now You Don't by Martha Mears Buy This Gun for Hire (1942) Buy The Glass Key (1942) Support TWoRP Contact Us talkwithoutrhythm@gmail.com

www.kamalatoe.us

Box 13, a gripping syndicated radio drama produced by Alan Ladd's Mayfair Productions, captivated listeners with its intriguing blend of mystery and adventure. At the heart of the series was the enigmatic character of Dan Holiday, a former newspaperman turned mystery writer who found himself thrust into a world of danger and intrigue. With each episode, Dan Holiday embarked on thrilling quests, using his sharp wit and investigative skills to unravel intricate mysteries and bring criminals to justice. The series showcased a wide range of compelling storylines, from international espionage to dark family secrets, ensuring that listeners remained on the edge of their seats. Box 13 had a unique approach to its broadcast schedule, airing on various dates and times in different cities across the United States. This strategy allowed the show to reach a broader audience and create a sense of anticipation among its fans. The first episode premiered in October 1947, captivating listeners with its thrilling introduction to Dan Holiday's world. The series continued to air until August 1949, leaving an enduring mark on radio drama history. Throughout its run, Box 13 featured a talented cast of voice actors who brought the characters to life with their dynamic performances. The show's immersive sound design and evocative music created a captivating soundscape that transported listeners into the heart of each mystery. In addition to its compelling storylines and captivating characters, Box 13 also tackled important social issues of the time. The series explored themes such as prejudice, corruption, and the pursuit of justice, making it a thought-provoking as well as entertaining listen. Box 13's legacy extends beyond its original broadcast. The series has been praised by critics and listeners alike for its high production values, clever writing, and engaging performances. It stands as a testament to the golden age of radio drama and continues to captivate audiences to this day. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

Yippie-ki-yay, old time radio fans! We're heading west for some radio mysteries set in the wide open spaces of the American frontier. Alan Ladd is on the trail of his brother's murderer in "A Killing in Abilene" from Suspense (originally aired on CBS on December 14, 1950), and Joel McCrea hunts for a cowboy's killer in "The Cactus Pear" from Tales of the Texas Rangers (originally aired on NBC on December 17, 1950). As Yours Truly, Johnny Dollar, Edmond O'Brien has to determine if - and why - a rancher's wife bumped off her husband in "The Jarvis Wilder Matter" (originally aired on CBS on February 24, 1951), and William Conrad has to clear his own name in "Matt for Murder" from Gunsmoke (originally aired on CBS on July 26, 1954). Finally, Jack Webb stars in an urban western as the police face off against an armed and delusional man who believes he's defending a fort against the Indians in "The Big Cowboy" from Dragnet (originally aired on NBS on June 1, 1954). Click here for some of my original audio comedy, including some old time radio show parodies!

Re-Imagined Radio samples from Box 13 and The Damon Runyon Theater, offered by Paramount movie star Alan Ladd's Mayfair Productions, as syndicated radio programs. Both are significant examples of compelling, immersive radio storytelling. With syndication, private companies create and license transcribed (recorded) programs to radio stations and/or radio networks. Syndication allows the radio program to reach a wide audience, radio stations to save money on production costs, and listeners to hear fine examples of radio storytelling. Learn more about your ad choices. Visit megaphone.fm/adchoices

Box 13, a gripping syndicated radio drama produced by Alan Ladd's Mayfair Productions, captivated listeners with its intriguing blend of mystery and adventure. At the heart of the series was the enigmatic character of Dan Holiday, a former newspaperman turned mystery writer who found himself thrust into a world of danger and intrigue. With each episode, Dan Holiday embarked on thrilling quests, using his sharp wit and investigative skills to unravel intricate mysteries and bring criminals to justice. The series showcased a wide range of compelling storylines, from international espionage to dark family secrets, ensuring that listeners remained on the edge of their seats. Box 13 had a unique approach to its broadcast schedule, airing on various dates and times in different cities across the United States. This strategy allowed the show to reach a broader audience and create a sense of anticipation among its fans. The first episode premiered in October 1947, captivating listeners with its thrilling introduction to Dan Holiday's world. The series continued to air until August 1949, leaving an enduring mark on radio drama history. Throughout its run, Box 13 featured a talented cast of voice actors who brought the characters to life with their dynamic performances. The show's immersive sound design and evocative music created a captivating soundscape that transported listeners into the heart of each mystery. In addition to its compelling storylines and captivating characters, Box 13 also tackled important social issues of the time. The series explored themes such as prejudice, corruption, and the pursuit of justice, making it a thought-provoking as well as entertaining listen. Box 13's legacy extends beyond its original broadcast. The series has been praised by critics and listeners alike for its high production values, clever writing, and engaging performances. It stands as a testament to the golden age of radio drama and continues to captivate audiences to this day. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

EPISODE 56 - “MARJORIE REYNOLDS: CLASSIC CINEMA STAR OF THE MONTH” - 10/07/2024 Most film fanatics agree that after the Paramount Picture's holiday classic “Holiday Inn” (1942), actress MARJORIE REYNOLDS, who gave a star-turn as struggling actress Linda Mason who gets a break singing and dancing in the seasonal nightclub run by BING CROSBY, should have been a big star. However, for reasons not quite clear, she didn't rise into the stratosphere. While she had a very respectable and long career, she just didn't soar to the top, as expected. As our Star of the Month, we will take a look into Marjorie Reynolds' life and career and explore our theories on why “Holiday Inn” did not make her a major star.  SHOW NOTES:  Sources: Christmas In the Movies (2023), by Jeremy Arnold; Whatever Became of…10th Series (1986), by Richard Lamparski; My Heart Belongs (1976), by Mary Martin; Scarlet Fever (1977), by William Pratt (including the collection of Herb Bridges); The Film Lovers Companion (1997), by David Quinlan; Biography of Marjorie Reynolds, July 25, 1942, Paramount Pictures;  “Super Cinderella,” November 1942, by William Lynch value, Silver Screen magazine; “Marjorie's Horse Comes In,” November 7, 1942, by Kyle Crichton, Collier's Magazine; Versatility Pays Off for Marjorie Reynolds,” March 10, 1944, by Hedda Hopper, Los Angeles, Times; “Divorce Plans Discussed by Miss Reynolds,” July 23, 1951, by Hedda Hopper, Los Angeles, Times; “Marjorie Reynolds to Be Wed to Film Editor,” May 16, 1952, Los Angeles, Times; “Marjorie Reynolds Weds Film Editor,” May 18, 1953, The Sedalia Democrat (Missouri); “Marjorie Reynolds: Sixty Years in the Film Business,” April 1984, by Colin Briggs, Hollywood Studio Magazine; “Marjorie Reynolds, 79, Actress, In Classic Films and on Television,” February 16, 1997, The New York Times; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  Holiday Inn (1942), starring Bing Crosby, Fred Astaire, Marjorie Reynolds, & Virginia Dale; Wine, Women, and Song (1933), starring Lilyan Tashman; Murder In Greenwich Village (1937), starring Richard Arlen & Fay Wray; Tex Rides With The Boy Scouts (1937), starring Tex Ritter; The Overland Express (1938), starring Buck Jones; Western Trails (1938), starring Bob Baker; Six Shootin' Sheriff (1938), starring Ken Maynard; Star Spangled Rhythm (1942), starring Bob Hope, Bing Crosby, Dorothy Lamour, Veronica Lake, & Alan Ladd; Dixie (1943), starring Bing Crosby & Dorothy Lamour; Up In Mabel's Room (1944), starring Dennis O'Keefe & Gail Patrick; Ministry of Fear (1944), starring Ray Milland; Three Is A Family (1944), starring Charles Ruggles & Fay Bainter; Bring On The Girls (1945), starring Veronica Lake & Eddie Bracken; Monsieur Beaucaire (1946), starring Bob Hope & Joan Caulfield; The Time Of Their Lives (1946), starring Bud Abbott & Lou Costello; Meet Me On Broadway (1946), starring Fred Brady & Spring Byington; Heaven Only Knows (1947), Bob Cummings & Brian Donlevy; Badmen of Tombstone (1949), starring Barry Sullivan & Broderick Crawford; That Midnight Kiss (1949), starring Mario Lanza & Kathryn Grayson; The Great Jewel Robber (1950), starring David Brian; Home Town Story (1951), starring Jeffry Lynn, Alan Hale Jr, & Marilyn Monroe; Models, Inc (1952), starring Howard Duff & Coleen Gray; His Kind of Woman (1951), starring Robert Mitchum, Jane Russell, & Vincent Price; The Silent Witness (1962), starring Tristram Coffin & George Kennedy; Pearl (1978), starring Angie Dickinson, Dennis Weaver, & Robert Wagner; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Suspense" was a radio drama series that captivated audiences from 1940 through 1962 during the Golden Age of Radio. Often subtitled "radio's outstanding theater of thrills," this program was a shining example of suspense thriller entertainment. It specialized in delivering heart-pounding stories, typically featuring some of the leading Hollywood actors of its era. With an impressive total of approximately 945 episodes aired over its lengthy run, "Suspense" remains an enduring classic, with over 900 episodes still in existence. "Suspense" was a dynamic series that evolved through several significant phases, each marked by distinct hosts, sponsors, and director/producers. Despite these changes, the show maintained a core set of formulaic plot devices that kept its audience consistently engaged. The show's hallmark elements included: Ordinary Protagonists in Extraordinary Situations: The typical protagonist of a "Suspense" episode was an everyday person who found themselves abruptly thrust into a perilous, bizarre, or highly suspenseful situation. This relatable quality made it easy for listeners to connect with the characters. Withheld Solutions: The show was known for building tension by withholding the resolution of the story until the very last possible moment. This strategy ensured that listeners remained on the edge of their seats, eagerly anticipating the outcome. Moral Consequences: "Suspense" often featured stories where evildoers or wrongdoers faced justice in the end. This moral aspect added a layer of satisfaction for the audience, as justice was typically served. The combination of these elements, along with the skillful use of sound effects and music, made "Suspense" a thrilling and unforgettable radio program. It's not surprising that it continues to be celebrated for its contributions to the world of suspenseful storytelling in the audio medium. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

You probably know Beverly Washburn best as Lizabeth Searcy in the 1957 Disney classic, Old Yeller, or from the 1967 horror cult classic, Spider Baby, but Beverly's film and television credits boast countless memorable performances.  This Emmy nominated actress has worked with such Classic Hollywood legends as Bing Crosby, Jimmy Stewart, Alan Ladd, Loretta Young, Lon Chaney, Jr., Jack Benny, Lou Costello, Barbara Stanwyck, and Frank Capra.  Beverly's rare ability to cry on cue naturally was put to good use from the start of her career, and contributed to her reputation as one of the best kid actors of her generation.  Listen for all about Beverly's remarkable career, and be inspired by her boundless kindness and gratitude.

Join us this week on Vintage Classic Radio for our "Friday Night Noir," featuring a captivating film noir double bill with both episodes starring the iconic Alan Ladd. Dive into the dark and mysterious world of "The Blue Dahlia," first aired on April 21, 1949, on "The Screen Guild Theater." This gripping episode, penned by Raymond Chandler, follows Johnny Morrison as he returns from the war, only to find himself entangled in a web of murder and deceit after the tragic death of his wife. Alan Ladd shines as Johnny Morrison, alongside Veronica Lake as Joyce Harwood, William Bendix as Buzz Wanchek, and Howard Da Silva as Eddie Harwood. Following "The Blue Dahlia," we continue the intrigue with "The Glass Key," which originally aired on July 22, 1946. This adaptation of Dashiell Hammett's novel features Alan Ladd in the role of Ed Beaumont, a man caught in a brutal election fight that leads to murder. Ed's loyalty to his boss is tested as he navigates a treacherous path through betrayal and romantic entanglements. Alongside Alan Ladd, Marjorie Reynolds stars as Janet Henry, adding to the spellbinding drama. This episode also features performances by Brian Donlevy as Paul Madvig and Joseph Calleia as Nick Varna, each adding depth and intensity to this thrilling narrative. Tune in for a night of suspense and shadowy corners with these classic tales of intrigue and danger. Whether you're a long-time fan of film noir or discovering these stories for the first time, "Friday Night Noir" promises to deliver a night to remember.

Telephon Tuesday. Entertainment from 1982. US revolution officially over, San Marino founded, Sweden driving laws. Todays birthdays - Alan Ladd, Memphis Slim, Mort Walker, Hank Thompson, Al Jardine, Don Brewer, Charlie Sheen, Jennifer Paige. Vince Lombardi died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Hanging on the telephone - BlondieEye of the tiger - SurvivorLove will turn you around - Kenny RogersBirthdays - In da club - 50 Cent http://50cent.com/Born with the blues - Memphis SlimIt don't hurt anymore - Hank ThompsonI get around - The Beach BoysWe're an American Band - Grand Funk RailroadCrush - Jennifer PaigeExit - It's not love - Dokken http://dokken.net/Follow Jeff Stampka on facebook and cooolmedia.com

This week on “Tuesday Night Detectives” on Vintage Classic Radio, we delve into two thrilling episodes from the golden age of radio dramas. First up, "Box 13" features Hollywood's Alan Ladd in “The Philanthropist,” originally aired on January 30, 1949. In this intriguing episode, Dan Holiday, an author and adventurer who uses newspaper ads to find inspiration for his stories, receives a letter prompting him to investigate a seemingly benevolent man with a dark secret. Alan Ladd stars as Dan Holiday, with Sylvia Picker as his resourceful secretary Suzy, and Edmund MacDonald playing the role of the suspicious philanthropist. This gripping tale of mystery and deceit is not to be missed. Following that, we bring you “Dick Tracy” in the episode titled “Black Pearl of Osirus,” which first broadcast on February 8, 1938. The fearless detective Dick Tracy, portrayed by Bob Burlen, embarks on an international adventure involving the theft of the mythical Black Pearl of Osirus. Tracy's quest to retrieve the stolen artifact sees him clash with a diverse cast of characters, including Junior, played by Jackie Kelk, and the villainous Moloch, voiced by Ned Wever. Tune in as Dick Tracy navigates through perilous traps and deceitful alliances to secure the ancient treasure. Together, these episodes from "Box 13" and "Dick Tracy" offer a nostalgic trip into the thrilling escapades and cunning mysteries that captivated listeners in the era of classic radio dramas. Join us for a night of intrigue and adventure on “Tuesday Night Detectives.”

Calcutta (1947)- Alan Ladd, Gail Russell and William Bendix Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self. EPISODE 47 - “Laird Cregar (Star of the Month) ” - 08/05/2024 With his sad, dark eyes, hulking frame, and aristocratic speech, actor LAIRD CREGAR often played the complex villain tortured by a sinister past or an unrequited love that turns into an obsession. No one played characters with suppressed anguish, a tortured soul, or darkness lingering beneath the surface better than he did. While he only made 16 films in a period of five years, he is unforgettable. His desire to be thin was his achilles heel that turned tragic. This week join us as we take a deep dive into the short life and career of this amazing actor.  SHOW NOTES:  Sources: Laird Cregar: A Hollywood Tragedy (2017), by Gregory William Mank; “Atlas With A Grin,” by Fredda Dudley, December 1941, Screenland magazine; “Setbacks To Fame,” by Dorothy B.Haas, June 1942, Silver Screen magazine; “Bold, Bad, (Bluffing) Cregar,” by Barbara Berch, January 1945, Screenland magazine; “Ripping Tales: Laird Cregar: The Forgotten Ripper,” by Kevin G. Shimick, Fall 1991, Scarlett Street; “Queers In History: Laird Cregar,” December 9, 2012, by Elisa Rolle, livejournal.com; “Heavy: The Life and Films of Laird Cregar,” October 7, 2013, by Jennifer Garland, Virtual Virago; IMDBPro.com; Wikipedia.com; Movies Mentioned:  I Wake Up Screaming (1941), starring Betty Grable, Victor Mature, Carole Landis, and Laird Cregar; The Lodger (1944), starring Merle Oberon and Laird Cregar; Charley's Aunt (1941), starring Jack Benny, Kay Francis, James Ellison, and Laird Cregar; Rings On Her Fingers (1942), starring Gene Tierney, Henry Fonda, Laird Cregar, and Spring Byington; Hudson Bay (1940), starring Gene Tierney, Paul Muni, Vincent Price, and Laird Cregar; Blood and Sand (1940), starring Tyrone Power, Linda Darnell, and Laird Cregar; This Gun For Hire (1942), starring Alan Ladd, Veronica Lake, Robert Preston, and Laird Cregar; Ten Gentlemen From West Point (1942), starring George Montgomery, Maureen O'Hara, and Laird Cregar; The Black Swan (1942), starring Tyrone Power, Maureen O'Hara, and Laird Cregar; Heaven Can Wait (1943), starring Gene Tierney, Don Ameche, Charles Coburn, Marjorie Main Spring Byington, and Laird Cregar; Hello Frisco, Hello (1943), starring Alice Faye, John Payne, Lynn Bari, and Laird Cregar; Hangover Square (1945), starring Laird Cregar, Linda Darnell, and George Sanders; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self. ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** As CAROLE LANDIS was known as “The Ping Girl” and ANN SHERIDAN was known as “The Oomph” Girl,” actress MARIE McDONALD was saddled with the equally misogynistic title, “The Body.” Yes, she was tall, leggy, and curvy, but she was also talented, a fact that many of the powerful men of Hollywood seemed to forget. Unfortunately, Marie was better known for her wild private life that included seven marriages, high profile romances, tabloid escapades, and one of the most bizarre kidnappings to ever happen in Hollywood. This week, we tell the colorful story of this long-forgotten leading lady.  SHOW NOTES:  Sources: Tragic Hollywood: Beautiful, Glamorous, and Dead (2013), by Jackie Ganiy; “Marie McDonald ‘Gets Sick' With Former Husband,” January 6, 1955, Toledo Blade; “Millionaire Asks Divorce From Marie McDonald,” May 22, 1956, Daytona Beach Morning Journal; “Marie McDonald Reported Held By Kidnappers,” January 4, 1957, Ellensburg Daily Record; “Marie McDonald Tells Police How She Was Seized By Two Men,” January 5, 1957, Reading Eagle; “Marie McDonald Stars In Police Film of Kidnapping,” January 8, 1957, The Telegraph; “Grand Jury Probes Marie's Kidnap,” January 16, 1957, The Deseret News; “Marie McDonald Leaves Hospital” June 15, 1958, Reading Eagle; “Actress Marie McDonald Weds Again,” May 25, 1959, St. Petersburg Times; “Marie McDonald's Fourth Husband Seeking Divorce,” September 18, 1962, Daily News; “New Ruling Calls Marie McDonald Death Accidental,” December 30, 1965, The Toledo Blade; “Marie McDonald, Actress, Is Dead; Autopsy Was Inconclusive, Glamour Girl Was 42,” October 21, 1965, The New York Times; “Movie Producer Donald Taylor Apparent Suicide,” January 3, 1966, Rome News Tribune; “Phantom Intruders Abducted A Pin-Up Star,” July 2, 2022, Medium.com; IMDBPro.com; Wikipedia.com; Movies Mentioned:  Pardon My Sarong (1942), staring Lou Abbott and Lou Costello; Lucky Jordan (1942), starring Alan Ladd and Marie McDonald; I Love a Soldier (1944), starring Paulette Goddard, Sonny Tufts, and Beulah Bondi; Guest In The House (1944), starring Anne Baxter and Ralph Bellamy; Getting Gertie's Garter (1945), starring Marie McDonald and Dennis O'Keefe; Living In A Big Way (1946), starring Gene Kelly and Marie McDonald; The Geisha Boy (1958), starring Jerry Lewis and Marie McDonald; Promises! Promises! (1963), starring Jayne Mansfield and Marie McDonald; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Milwaukee-based film critic and programmer Chris Cassingham joins the show this week to discuss the great director George Stevens and his 1953 masterpiece Shane, starring Alan Ladd and Jack Palance, about a mysterious gunfighter who finds work with a homestead family in the open range of lawless Wyoming and is drawn into the community's conflict against a gang of violent cattleranchers who are trying to take over the territory. George Stevens' life was transformed by his service in World War II as part of the military's Special Motion Picture Coverage Unit, bearing witness to D-Day and the liberation of the Nazi death camps, and he returned to Hollywood to become one of the great American dramatic filmmakers with his unofficial fifties trilogy of A Place in the Sun, Giant, and this immortal western that serves both as a classic example of the genre and as a revisionist “psychological western” that questioned heroism, masculinity, the family unit and most importantly, the horror and the toll of gun violence on American life, a work that pushed cinema in the fifties forward towards the modern age, and is cited by some of today's great directors as a key influence. Plus: on the eve of the release of Deadpool & Wolverine, a discussion of what was once billed as Hugh Jackman's final performance as the character in 2017's Logan, a film that pays explicit (and in our opinion unearned) tribute to Shane. Over 30% of all Junk Filter episodes are only available to patrons of the podcast. To support this show directly and to receive access to the entire back catalogue, consider becoming a patron for only $5.00 a month (U.S.) at ⁠⁠patreon.com/junkfilter Follow Chris Cassingham on Twitter and catch up to Chris' film writing here. Re-release trailer for Shane (George Stevens, 1953)

In this week's episode of “Tuesday Night Detectives” on Vintage Classic Radio, we dive into the thrilling worlds of deception and mystery with two classic radio dramas. First up, we revisit "Rocky Fortune," featuring the smooth-voiced Frank Sinatra as the ever-charming and witty Rocky. In the episode “The Football Fix,” originally aired on February 2, 1954, Rocky stumbles upon a scandalous plot to rig a college football game. Employed as a locker room attendant, he quickly finds himself tangled in a web of bribery and threats. The episode features Barney Phillips as the sly coach Simmons, and Georgia Ellis as the intrepid reporter Janet, whose zeal for the truth leads her right into danger. Following "Rocky Fortune," we continue with “Box 13,” starring the iconic Alan Ladd as the adventurous Dan Holiday, a writer who finds inspiration through the classifieds. In the episode “The Professor and the Puzzle,” first broadcast in 1948, Holiday is drawn into a cerebral game when he receives a cryptic note challenging him to solve a puzzle that's stumped a professor. His journey to unravel the mystery is fraught with peril, testing his wits to the utmost. The cast includes Sylvia Picker as the astute and determined Professor Helen Ashby, and Ed Begley as the cunning antagonist Mr. Granger, who has much to gain from the professor's failure. Together, these episodes showcase the allure of detective radio drama, featuring star-studded casts and gripping narratives that continue to captivate audiences decades after their original broadcasts.

Box 13 | Actor's Alibi || Aired from 1948 - 1949Starring: Alan Ladd || Dan Holiday receives an impossible call from a woman as she's being murdered.: : : : :My other podcast channels include: DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESEnjoying my podcast? You can subscribe to receive new post notices. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr

Join us this week on Vintage Classic Radio for our "Sunday Night Playhouse" feature, as we revisit a captivating performance from the archives of "Lux Radio Theatre." This week, we present "This Gun For Hire," originally broadcast on January 25, 1943. Dive into the gripping world of film noir with this radio adaptation of Graham Greene's novel, showcasing the dark tale of Phillip Raven, a ruthless assassin with a conscience, played by the iconic Alan Ladd. This drama was based on a film that put Ladd on the map. Alongside him, Joan Blondell stars as Ellen Graham. The plot centers on Raven, a hitman seeking vengeance after being betrayed by his employers. He crosses paths with Ellen Graham, a nightclub singer secretly working as a spy to uncover a dangerous espionage ring. Other in the cast include Laird Cregar, Jack LaRue, Paula Winslowe, Joe Latham, Vicki Lang, Jeff Corey, W.R. Burnett and Arthur Q. Bryan. Tune in to experience the suspense and shadowy intrigue of "This Gun For Hire," brought to life by some of Hollywood's legendary stars in one of radio's most cherished formats.

From Beneath The Hollywood Sign is thrilled to welcome our newest sponsor, www.HappyMammoth.com. Use code BENEATH at checkout for 15% off of your entire first order! EPISODE 39 - “Father Knows Best: Classic Cinema's Best (and Worst!) Dads” - 06/10/2024 When you stop to think about the great father's of classic cinema, Atticus Finch, the mild-mannered Southern lawyer in “To Kill A Mocking Bird” (1962), has to be at the top of the list. But who else would be on that list? And what about the horrible fathers of old Hollywood? As you scramble to find that last minute tie or cologne for dear old Dad for Father's Day, make sure you check out this week's episode where Steve and Nan celebrate some of old Hollywood's most memorable fathers — the good and the bad.  SHOW NOTES:  Sources: “20 Best and Worst Movie Fathers,” June 19, 2020, by David Fear, Rolling Stone.com “Noah Cross (John Huston) Character Analysis: Mad, Bad, and Dangerous to Know,”  schmoop.com Yahoo.com RogerEbert.com IMDBPro.com; Wikipedia.com; Movies Mentioned:  How Green Was My Valley (1941), starring Walter Pidgeon, Maureen O'Hara, Donald Crisp, Patric Knowles, Anna Lee, Roddy McDowell, Sara Allgood, and Barry Fitzgerald; Bicycle Thieves (1948), starring Vittorio De Sica, Enzo Staiola, and Lianella Carell;  Splendor in the Grass (1961), starring Natalie Wood, Warren Beatty, Pat Hingle, Audrey Christie, Barbara Loden, Zorah Lampert, Sandy Dennis, and Phyllis Diller; The Heiress (1949), starring Olivia de Havilland, Montgomery Clift, Ralph Richardson, Miriam Hopkins, Vanessa Brown, and Mona Freeman; The Swiss Family Robinson (1960), starring John Mills, Dorothy McGuire, James MacArthur, Tommy Kirk, Kevin Corcoran, and Janet Munro; Shane (1953), starring Alan Ladd, Jean Arthur, Van Helfin, Brandon De Wilde, Jack Palance, Ben Johnson, Edgar Buchanan, Elisha Cook Jr, and Ellen Corby; Chinatown (1974), starring Jack Nicholson, Faye Dunaway, John Huston, Perry Lopez, Diane Ladd, and John Hillerman; Rebel Without A Cause (1955), starring James Dean, Natalie Wood, Sal Mineo, Dennis Hopper, Jim Backus, Corey Allen, Ann Doran, Nick Adams, William Hopper, and Edward Platt; Our Vines Have Tender Grapes (1945), starring Edward G. Robinson, Margaret O'Brien, Agnes Moorhead, James Craig, Jackie “Butch” Jenkins, Frances Gifford, Morris Carnovsky, and Sara Haden; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

"All trams have been melted down and made into melted-down trams." In 1952 London's last tram rolled into the depot. Two years later the Goons decided to mark the occasion with a show - better late than never! At the London Pleasure Transport Board, Redundant Tram Department, Inspector Ned Seagoon receives a phone call informing him that there's still a tram at large on the Highgate-Kingsway route, and, indeed, the tram map still has one flag pin stuck in it, for a number 33. Driver Henry Crun refuses to move the tram unless he is afforded a proper last tram ceremony. Seagoon has to negotiate with the corrupt Chairman of the Country & Town Planning Society who agrees to the ceremony, but on the cheap. Writing was credited to Spike Milligan & Eric Sykes but it seems fairly certain Eric took the lion's share of work that week. The Last Tram (from Clapham) is a real gem of a Goon Show - well structured, well-paced, with some interesting one-off characters, a nice pay-off and the odd unusual choice of sound effect (such as the otherworldly harp). Joining Tyler to talk about it is our Welsh-language correspondent from Down Under, Andy Bell! As well as chatting about the show they discuss Britain's Rudest Man, the length of Alan Ladd, the Telegoons version of the show, Spike in Australia, the history of London's tram network and... Menace Strain Bullshine? Andy can be found on Twitter/X: @obelloz

Box 13 | (02) The Insurance Fraud Scheme | Broadcast: August 29, 1948Starring: Alan Ladd: : : : :My other podcast channels include: DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESEnjoying my podcast? You can subscribe to receive new post notices. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr

EPISODE 27 - “Dona Drake: What Price Fame” - 03/18/2024 Latina star DONA DRAKE, who signed a contract with Paramount Pictures in 1941, was many things — singer, dancer, actress, bandleader, musician — but one thing she wasn't, as it turned out, was Latin! While Paramount promoted their new discovery as a spitfire Latina born in Mexico City, Drake was, in fact, an African-American woman from Florida who pretended to be Latin, going so far as to learn Spanish fluently, in order to have a better chance at a Hollywood career. Listen to this fascinating story of one woman who went undercover just so she wouldn't have to play the maid.  SHOW NOTES:  Sources: Biography of Dona Drake (Paramount Contact Player), September 1942, Paramount Studios; “Dona Drake Tells Marriage,” September 9, 1944, by Hedda Hopper, The Los Angeles Times; “Daughter Born to Dona Drake,” August 8, 1951, The Hollywood Citizen-News; www.swingcityradio,com; www.glamourgirlsofthesilverscreen.com; IMDBPro.com; Wikipedia.com; Movies Mentioned:  Strike Me Pink (1936), starring Eddie Cantor, Ethel Merman, Sally Eilers, and William Frawley; Aloma Of The South Seas (1941), starring Dorothy Lamour, Jon Hall; Louisiana Purchase (1941), starring Bob Hope, Vera Zorina, and Victor Moore; Road to Morocco (1942), starring Bob Hope, Bing Crosby, and Dorothy Lamour; Star Spangled Rhythm (1942), starring Bob Hope, Bing Crosby, Dorothy Lamour, Fred MacMurray, Paulette Goddard, Dick Powell, Eddie Bracken, Alan Ladd, Mary Martin, Betty Hutton, Marjorie Reynolds, and Veronica Lake; Salute For Three (1943), starring Macdonald Carey and Betty Jane Rhodes; Let's Face It (1943), staring Bob Hope, Betty Hutton, and Eve Arden;  Hot Rhythm (1944), starring Robert Lowery, Tim Ryan, and Irene Ryan; Without Reservations (1946), starring John Wayne, Claudette Colbert, and Don DeFoe; Dangerous Millions (1946), starring Kent Taylor; Another Part of The Forest (1948), starring Fredric March, Dan Duryea, Edmond O'Brien, Ann Blyth, Florence Eldridge, John Dall, and Betsy Blair; So This Is New York (1948), starring Henry Morgan, Rudy Vallee, and Virginia Grey; Beyond The Forest (1949), starring Bette Davis, Joseph Cotten, David Brian, Ruth Roman; The Girl From Jones Beach (1949), starring Virginia Mayo, Ronald Reagan, and Eddie Bracken; Kansas City Confidential (1952), starring John Payne, Colleen Gray, and Preston Foster; The Bandits of Corsica (1953), starring Richard Greene, Paula Raymond, Raymond Burr; Son Of Belle Star (1953), starring Keith Larsen, Peggie Castle, and Regis Toomey; Down Laredo Way (1953) starring Rex Allen and Slim Pickens; Princess of the Nile (1954), starring Debra Paget, Jeffrey Hunter, and Michael Rennie; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

For this bonus episode, we're saddling up with the best Suspense stories of the old west. Alan Ladd hunts for his brother's murderer in "A Killing in Abilene" (originally aired on CBS on December 14, 1950). Then, Richard Widmark fights a bloody feud in "The Hunting of Bob Lee" (originally aired on CBS on October 29, 1951) and he tracks a deadly panther through the snow in "The Track of the Cat" (originally aired on CBS on February 18, 1952). Frank Lovejoy stars as one of the west's most infamous gunslingers in "The Shooting of Billy the Kid" (originally aired on CBS on April 28, 1952) and Richard Widmark returns - this time as another notorious outlaw - in "The Spencer Brothers" (originally aired on CBS on January 26, 1953). Finally, Victor Mature stars as a legendary bandit in "The Love and Death of Joaquin Murietta" (originally aired on CBS on February 16, 1953).

Lux Radio Theatre 1944-01-24 (423) Casablanca with Alan Ladd and Hedy Lamarr

EPISODE 19 - “Fallen Angel: The Helen Walker Story” - 01/22/2024 Cast as ALAN LADD's leading lady in her film debut, Massachusetts-born HELEN WALKER was destined for Hollywood greatness. With her deep voice, coolly blonde good looks, and immense talent, she were perfect for Hollywood of the 1940s. However, her rising star abruptly came crashing to earth after a tragic accident sent her life into a downward spiral of despair and alcoholism. This is a cautionary tale of the dark side of fame. Listen to her compelling and tragic story on this week's episode.  SHOW NOTES:  Sources: Hollywood's Hard Luck Ladies (2020), by Laura Wagner Femme Noir: Bad GIrls of Film (2012), by Karen Burroughs Hannesberry “Biography of Helen Walker,” 1946, 20th Century Fox Studios “Low Down on Cinderella,” March 1946, by Robbin Coons, Motion Picture Magazine “Actress Hurt As Car Upset, Killing Soldier,” January 3, 1947, The Los Angeles Times “Actress Faces $150,000 Suit in Accident,” March 6, 1947, The Los Angeles Daily News “Helen Walker Faces Trail Over Fatal Crash,” March 26, 1947, Citizen News “Helen Walker Cleared in Hitchhiker's Death,” April 4, 1947, The Los Angeles Times “Louella Parsons In Hollywood,” June 5, 1949, by Louella Parsons, The Los Angeles Examiner “Helen Walker, Film Actress, Sheds Fur Buyer,” June 9, 1952, The Los Angeles Daily News “Helen Walker Dies of Cancer at 47,” March 12, 1968, The Los Angeles Times “Helen Walker Dies on Coast, Film Actress in 40s and 50s, March 12, 1968, The New York Times “Screen Time: Return to ‘Nightmare Alley' - The Tumultuous Life of Worcester Starlet Helen Wallker," March 3, 2022, by Craig S. Semon, Worcester Magazine IMDBPro.com Wikipedia.com Stars/Movies Mentioned:    HELEN WALKER: Lucky Jordan (1942), The Good Fellows (1943), Abroad With Two Yanks (1944), Brewster's Millions (1945), Murder, He Says (1945), Murder In The Music Hall (1946), Cluny Brown (1946), Her Adventurous Night (1946), The Homestretch (1947), Nightmare Alley (1947), Heaven Only Knows (1947), Call Northside 777 (1948), My Dear Secretary (1949), Impact (1949), My True Story (1951), Problem Girls (1953), The Big Combo (1955); ROBERT F. BLUMOFE: Yours, Mine, and Ours (1968), Bound For Glory (1976);  H. BRUCE “LUCKY” HUMBERSTONE: Wake Up Screaming (1941), Pin-Up Girl (1944);  --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Christmas Theater -Louella Parsons Show Starring Alan Ladd

In this bonus show, I'm opening the mail and picking out my five favorite episodes of Box 13. Alan Ladd stars as mystery writer and amateur detective Dan Holiday who finds his clients - and his story ideas - through a clever classified ad offering his services as an adventurer for hire. First, Holiday is hired to pose as a fiance in "Look Pleasant, Please" and he's pressed into a citywide scavenger hunt alongside a killer in "The Better Man." He works to save an innocent man from execution in "Hunt and Peck" and expose a cadre of crooked gamblers in "Much Too Lucky." Finally, a weekend getaway lands Holiday in the middle of a bitter family reunion and a series of dangerous practical jokes in "Death is No Joke."