Podcast appearances and mentions of Alan Ladd

Here is the film!https://archive.org/download/chicago-deadline-1949/Chicago%20Deadline%20%281949%29.mp4What a cool cast! (Alan Ladd, Lewis Allen, Jim Backus, Raymond Burr)!Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

“The Tragic Life of Classic Cinema Star Gail Russell” (082) - 4/07/2025 Hollywood legend has it that ethereal beauty GAIL RUSSELL was discovered after a Paramount Studios talent manager picked up two hitchhiking Santa Monica high school boys who told him all about the "Hedy Lamarr of Santa Monica High School." Allegedly, he then tracked down Russell at school and arranged for a screen test. The rest, as they say, is Hollywood history. If only it had been that easy. Russell, who was painfully shy and had no interest in a career as an actress was pushed in front of the camera by her ambitious mother and the executives at Paramount who saw dollar signs in her startling blue eyes. This week, we explore the life and career of one of Hollywood's most tragic beauties, GAIL RUSSELL.  SHOW NOTES:  Sources: Fallen Star: A Biography of Gail Russell (2016), by Steven Glenn Ochoa; John Wayne: The Life and Legend (2015), by Scott Erman; It's the Pictures That Got Smaller: Charles Brackett on Billy Wilder (2104), edited by Anthony Slide; “Paramount Official Biography of Gail Russell,” March 1940, Paramount Pictures; “Gail Russell,” May 1971, by Jim Meyer, Film Fan Monthly; “Stars Attend Funeral of Gail Russell,” August 30, 1961, Los Angeles Times; “Private Rites Scheduled Today for Gail Russell,” August 29, 1961, Los Angeles Times; “Gail Russell Found Dead At Home,” May 28, 1961, Los Angeles Times; “Gail Russell Threatens to Sue on Wayne Case Charge,” October 21, 1953, The Los Angeles Evening Herald & Express; “Gail Russell Held On Drunk Driving Charges,” November 25, 1953, Los Angeles Times; “Film Star Gail Russell Jailed As Drunk Driver,” November 25, 1953, LA Daily News; “Gail Russell Fights Drunk Driving Charge; Trial Set,” November 27, 1953, The Los Angeles Evening Herald & Express; “Gail Russell Charges $150 Drunk Charge,” January 18, 1954, The Los Angeles Evening Herald & Express; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Henry Aldrich Gets Glamour (1943), starring James Lydon & Diana Lynn; Lady In The Dark (1944), starring Ginger Rogers & Ray Milland; The Uninvited (1944), starring Ray Milland, Ruth Hussey, & Gail Russell; Our Hearts Were Young And Gay (1944), starring Gail Russell & Diana Lynn; Salty O'Rourke (1945), starring Alan Ladd & Gail Russell; The Unseen (1945), starring Joel McCrea & Gail Russell; Our Hearts Were Growing Up (1946), starring Gail Russell & Diana Lynn; Calcutta (1947), starring Alan Ladd & Gail Russell; Angel And The Badman (1947), starring John Wayne & Gail Russell; Night Has A Thousand Eyes (1948), starring Edward G. Robinson, Gail Russell, & JohnLund; Moonrise (1948), starring Dane Clark & Gail Russell; Wake of the Red Witch (1948), starring John Wayne & Gail Russell; Song of India (1949), starring Turban Bey & Gail Russell; El Paso (1949), starring John Wayne, Sterling Hayden, & Gail Russell; The Great Dan Patch (1949), starring Dennis O'Keefe; Captain China (1950), starring John Payne & Gail Russell; 7 Men From Now (1956), starring Randolph Scott & Gail Russell; The Tattered Dress (1957), starring Jeff Chandler & Jeanne Crain; The Silent Call (1961), starring Gail Russell & Roger Mobley --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

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fWotD Episode 2816: Much-Binding-in-the-Marsh Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Sunday, 19 January 2025 is Much-Binding-in-the-Marsh.Much-Binding-in-the-Marsh was a comedy show broadcast from 1944 to 1950 and 1951 to 1954 by BBC Radio and in 1950–1951 by Radio Luxembourg. It was written by and starred Richard Murdoch and Kenneth Horne as officers in a fictional RAF station coping with red tape and the inconveniences and incongruities of life in the Second World War. After the war the station became a country club and, for its last season, the show became the chronicle of a newspaper, The Weekly Bind.Among the supporting cast were Sam Costa as the officers' batman, Maurice Denham in a multitude of roles, Diana Morrison, Dora Bryan and Nicholas Parsons. Singers in the show's musical interludes included Gwen Catley, Maudie Edwards, Binnie Hale and Doris Hare. Among those appearing as guest stars were Phyllis Calvert, Richard Dimbleby, Glynis Johns, Alan Ladd and Jean Simmons.The show followed It's That Man Again as the most popular British radio comedy and was succeeded by Take It from Here and The Goon Show. After the show ended, its two stars returned to radio in several long-running series.This recording reflects the Wikipedia text as of 00:30 UTC on Sunday, 19 January 2025.For the full current version of the article, see Much-Binding-in-the-Marsh on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Matthew.

"BOBBY DRISCOLL: CLASSIC CINEMA STAR OF THE MONTH" EPISODE 64 - “BOBBY DRISCOLL - STAR OF THE MONTH” - 12/02/2024  BOBBY DRISCOLL's name may not be too familiar anymore, but in his heyday, he was the male equivalent of NATALIE WOOD. He was one of the most talented and prolific child stars of the 1940s and 1950s. His descent into darkness should serve as a cautionary tale to all of the stage mothers out there who think their kids will be the next big thing. Sometimes, there is a price to pay for fame, and it ain't always pretty. Join us as we discuss the tragic life of child star Bobby Driscoll. SHOW NOTES:  Sources: Great Child Stars (1976), by James Robert Parish; “Bobby Driscoll, Dope Suspect," July 11, 1956, Los Angeles Examiner; “Bobby Driscoll Arrested in Bean Shooting Row,” August 23, 1956, Los Angeles Times; “Actor Bob Driscoll Arrested As Addict,” October 29, 1959, Mirror News; “Actor Freed of Charges on Narcotics,” December 12, 1959, Los Angeles Times; “Bobby Driscoll Napped After Rift with Gun,” June 18, 1960, The Citizen News; “New Charge Confronts Former Star,” June 23, 1960, Mirror News; “Actor Fined For Striking Heckler,” October 14, 1960, Los Angeles Examiner; “Driscoll Theft Charge Issued,” April 11, 1961, The Citizen News; “Bobby Driscoll is Arrested Again,” May 2, 1961, Los Angeles Examiner; “Bobby Driscoll, a Film Star at 6, an Addict at 17, Sent to Chino,” October 19, 1961, by Charles Hillinger, Los Angeles Times; “Truly, A Lost Boy,” March 4, 2007, by Susan King, Los Angeles Times; “Oscars Flashback: The Tragic Life and Death of Former Disney Star Bobby Driscoll,” January 22, 2019, by Lynette Rice, Entertainment Weekly; BobbyDriscoll.com; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Lost Angel (1943), starring James Craig, Marsha Hunt, & Margaret O'Brien; The Fighting Sullivans (1944) starring Thomas Mitchell & Anne Baxter; Sunday Dinner With A Soldier (1944), starring Anne Baxter, John Hodiak, Charles Winner, & Anne Revere; The Big Bonanza (1944), starring Richard Arlen; So Goes My Love (1946), starring Myrna Loy & Don Ameche; Identity Unknown (1945), starring Richard Arlen; Miss Susie Slagle's (1946), starring Veronica Lake; From This Day Forward (1946), starring Joan Fontaine & Mark Stevens; O.S.S. (1946), starring Alan Ladd & Geraldine Fitzgerald; Three Wise Fools (1946), starring Margaret o'Brine & Lionel Barrymore; Song Of The South (1946), starring James Baskett; If You Knew Susie (1948), starring Eddie Cantor; So Dear to My Heart (1948), starring Burl Ives & Beulah Bondi; The Window (1949), starring Barbara Hale, Arthur Kennedy, Ruth Roman, & Paul Stewart; Treasure Island (1950), starring Robert Newton; When I Grow Up (1951), starring Robert Preston & Martha Scott; The Happy Time (1952), starring Charles Boyer, Louis Jordan, & Marsha Hunt; Peter Pan (1953) The Scarlett Coat (1955), starring Cornel Wilde & George Sanders; The Party Crashers (1958), starring Connie Stevens & Frances Farmer; Dirt (1965), starring Sally Kirkland; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Harrison will review ""The Blue Dahlia" (1946) starring Alan Ladd and Veronica Lake and directed by George Marshall. This podcast was recorded before our beloved friend David Lowe, the other half of the Face 4 Radio Podcast and The 4KLowedown passed away after losing his fight with cancer. Rest in Peace buddy. #thebluedahlia #alanladd #veronicalake #georgemarshall #reelyoldmovies #VeteransDay David's GoFundMe: https://www.gofundme.com/f/help-the-family-man-david-lowe-beat-cancer?lang=en_US&utm_campaign=fp_sharesheet&utm_medium=customer&utm_source=copy_link Rich's Instagram: https://www.instagram.com/turnerfan77/ Rich's YouTube: https://www.youtube.com/@turnerfan77 Faces 4 Radio Instagram: https://www.instagram.com/faces.for.radio/ Faces 4 Radio YouTube: https://www.youtube.com/channel/UCQSMOwgmFDqHfo_iHARBF3A Buy The Blue Dahlia here: https://a.co/d/afoO57K Join my Discord!: https://discord.gg/VWcP6ge2 Social Media Links: https://linktr.ee/reelyoldmovies

This week on the Talk Without Rhythm Podcast I am continuing Noirvember with two more collaborations between Alan Ladd and Veronica Lake: 1946's The Blue Dahlia and 1947's Saigon. [00:00] INTRO [01:36] Trick or Treat Radio Promo [02:54] RANDOM CONVERSATION [11:00] The Blue Dahlia (1946) [36:43] Saigon (1947) [57:25] FEEDBACK [01:01:27] ENDING MUSIC: Blue Dahlia by The Gaslight Anthem Buy The Blue Dahlia (1946) Buy Saigon (1947) Support TWoRP Contact Us talkwithoutrhythm@gmail.com

Alan Ladd in Gun For Hire (1942) https://archive.org/download/this-gun-for-hire-1942/This%20Gun%20for%20Hire%20%281942%29%20Alan%20Ladd%2C%20Veronica%20Lake%2C%20Robert%20Preston%2C%20Laird%20Cregar.ia.mp4 Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

This week on the Talk Without Rhythm Podcast I'm kicking off Noirvember with two films from Alan Ladd and Veronica Lake: 1942's This Gun for Hire and The Glass Key. [00:00] INTRO [01:59] CromCast Promo [02:44] RANDOM CONVERSATION [07:55] This Gun for Hire (1942) [41:34] The Glass Key (1942) [01:06:57] FEEDBACK [01:15:32] ENDING MUSIC: Now You See It, Now You Don't by Martha Mears Buy This Gun for Hire (1942) Buy The Glass Key (1942) Support TWoRP Contact Us talkwithoutrhythm@gmail.com

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Box 13, a gripping syndicated radio drama produced by Alan Ladd's Mayfair Productions, captivated listeners with its intriguing blend of mystery and adventure. At the heart of the series was the enigmatic character of Dan Holiday, a former newspaperman turned mystery writer who found himself thrust into a world of danger and intrigue. With each episode, Dan Holiday embarked on thrilling quests, using his sharp wit and investigative skills to unravel intricate mysteries and bring criminals to justice. The series showcased a wide range of compelling storylines, from international espionage to dark family secrets, ensuring that listeners remained on the edge of their seats. Box 13 had a unique approach to its broadcast schedule, airing on various dates and times in different cities across the United States. This strategy allowed the show to reach a broader audience and create a sense of anticipation among its fans. The first episode premiered in October 1947, captivating listeners with its thrilling introduction to Dan Holiday's world. The series continued to air until August 1949, leaving an enduring mark on radio drama history. Throughout its run, Box 13 featured a talented cast of voice actors who brought the characters to life with their dynamic performances. The show's immersive sound design and evocative music created a captivating soundscape that transported listeners into the heart of each mystery. In addition to its compelling storylines and captivating characters, Box 13 also tackled important social issues of the time. The series explored themes such as prejudice, corruption, and the pursuit of justice, making it a thought-provoking as well as entertaining listen. Box 13's legacy extends beyond its original broadcast. The series has been praised by critics and listeners alike for its high production values, clever writing, and engaging performances. It stands as a testament to the golden age of radio drama and continues to captivate audiences to this day. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

Yippie-ki-yay, old time radio fans! We're heading west for some radio mysteries set in the wide open spaces of the American frontier. Alan Ladd is on the trail of his brother's murderer in "A Killing in Abilene" from Suspense (originally aired on CBS on December 14, 1950), and Joel McCrea hunts for a cowboy's killer in "The Cactus Pear" from Tales of the Texas Rangers (originally aired on NBC on December 17, 1950). As Yours Truly, Johnny Dollar, Edmond O'Brien has to determine if - and why - a rancher's wife bumped off her husband in "The Jarvis Wilder Matter" (originally aired on CBS on February 24, 1951), and William Conrad has to clear his own name in "Matt for Murder" from Gunsmoke (originally aired on CBS on July 26, 1954). Finally, Jack Webb stars in an urban western as the police face off against an armed and delusional man who believes he's defending a fort against the Indians in "The Big Cowboy" from Dragnet (originally aired on NBS on June 1, 1954). Click here for some of my original audio comedy, including some old time radio show parodies!

Re-Imagined Radio samples from Box 13 and The Damon Runyon Theater, offered by Paramount movie star Alan Ladd's Mayfair Productions, as syndicated radio programs. Both are significant examples of compelling, immersive radio storytelling. With syndication, private companies create and license transcribed (recorded) programs to radio stations and/or radio networks. Syndication allows the radio program to reach a wide audience, radio stations to save money on production costs, and listeners to hear fine examples of radio storytelling. Learn more about your ad choices. Visit megaphone.fm/adchoices

Re-Imagined Radio samples from Box 13 and The Damon Runyon Theater, offered by Paramount movie star Alan Ladd's Mayfair Productions, as syndicated radio programs. Both are significant examples of compelling, immersive radio storytelling. With syndication, private companies create and license transcribed (recorded) programs to radio stations and/or radio networks. Syndication allows the radio program to reach a wide audience, radio stations to save money on production costs, and listeners to hear fine examples of radio storytelling. Learn more about your ad choices. Visit megaphone.fm/adchoices

Box 13, a gripping syndicated radio drama produced by Alan Ladd's Mayfair Productions, captivated listeners with its intriguing blend of mystery and adventure. At the heart of the series was the enigmatic character of Dan Holiday, a former newspaperman turned mystery writer who found himself thrust into a world of danger and intrigue. With each episode, Dan Holiday embarked on thrilling quests, using his sharp wit and investigative skills to unravel intricate mysteries and bring criminals to justice. The series showcased a wide range of compelling storylines, from international espionage to dark family secrets, ensuring that listeners remained on the edge of their seats. Box 13 had a unique approach to its broadcast schedule, airing on various dates and times in different cities across the United States. This strategy allowed the show to reach a broader audience and create a sense of anticipation among its fans. The first episode premiered in October 1947, captivating listeners with its thrilling introduction to Dan Holiday's world. The series continued to air until August 1949, leaving an enduring mark on radio drama history. Throughout its run, Box 13 featured a talented cast of voice actors who brought the characters to life with their dynamic performances. The show's immersive sound design and evocative music created a captivating soundscape that transported listeners into the heart of each mystery. In addition to its compelling storylines and captivating characters, Box 13 also tackled important social issues of the time. The series explored themes such as prejudice, corruption, and the pursuit of justice, making it a thought-provoking as well as entertaining listen. Box 13's legacy extends beyond its original broadcast. The series has been praised by critics and listeners alike for its high production values, clever writing, and engaging performances. It stands as a testament to the golden age of radio drama and continues to captivate audiences to this day. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

EPISODE 56 - “MARJORIE REYNOLDS: CLASSIC CINEMA STAR OF THE MONTH” - 10/07/2024 Most film fanatics agree that after the Paramount Picture's holiday classic “Holiday Inn” (1942), actress MARJORIE REYNOLDS, who gave a star-turn as struggling actress Linda Mason who gets a break singing and dancing in the seasonal nightclub run by BING CROSBY, should have been a big star. However, for reasons not quite clear, she didn't rise into the stratosphere. While she had a very respectable and long career, she just didn't soar to the top, as expected. As our Star of the Month, we will take a look into Marjorie Reynolds' life and career and explore our theories on why “Holiday Inn” did not make her a major star.  SHOW NOTES:  Sources: Christmas In the Movies (2023), by Jeremy Arnold; Whatever Became of…10th Series (1986), by Richard Lamparski; My Heart Belongs (1976), by Mary Martin; Scarlet Fever (1977), by William Pratt (including the collection of Herb Bridges); The Film Lovers Companion (1997), by David Quinlan; Biography of Marjorie Reynolds, July 25, 1942, Paramount Pictures;  “Super Cinderella,” November 1942, by William Lynch value, Silver Screen magazine; “Marjorie's Horse Comes In,” November 7, 1942, by Kyle Crichton, Collier's Magazine; Versatility Pays Off for Marjorie Reynolds,” March 10, 1944, by Hedda Hopper, Los Angeles, Times; “Divorce Plans Discussed by Miss Reynolds,” July 23, 1951, by Hedda Hopper, Los Angeles, Times; “Marjorie Reynolds to Be Wed to Film Editor,” May 16, 1952, Los Angeles, Times; “Marjorie Reynolds Weds Film Editor,” May 18, 1953, The Sedalia Democrat (Missouri); “Marjorie Reynolds: Sixty Years in the Film Business,” April 1984, by Colin Briggs, Hollywood Studio Magazine; “Marjorie Reynolds, 79, Actress, In Classic Films and on Television,” February 16, 1997, The New York Times; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  Holiday Inn (1942), starring Bing Crosby, Fred Astaire, Marjorie Reynolds, & Virginia Dale; Wine, Women, and Song (1933), starring Lilyan Tashman; Murder In Greenwich Village (1937), starring Richard Arlen & Fay Wray; Tex Rides With The Boy Scouts (1937), starring Tex Ritter; The Overland Express (1938), starring Buck Jones; Western Trails (1938), starring Bob Baker; Six Shootin' Sheriff (1938), starring Ken Maynard; Star Spangled Rhythm (1942), starring Bob Hope, Bing Crosby, Dorothy Lamour, Veronica Lake, & Alan Ladd; Dixie (1943), starring Bing Crosby & Dorothy Lamour; Up In Mabel's Room (1944), starring Dennis O'Keefe & Gail Patrick; Ministry of Fear (1944), starring Ray Milland; Three Is A Family (1944), starring Charles Ruggles & Fay Bainter; Bring On The Girls (1945), starring Veronica Lake & Eddie Bracken; Monsieur Beaucaire (1946), starring Bob Hope & Joan Caulfield; The Time Of Their Lives (1946), starring Bud Abbott & Lou Costello; Meet Me On Broadway (1946), starring Fred Brady & Spring Byington; Heaven Only Knows (1947), Bob Cummings & Brian Donlevy; Badmen of Tombstone (1949), starring Barry Sullivan & Broderick Crawford; That Midnight Kiss (1949), starring Mario Lanza & Kathryn Grayson; The Great Jewel Robber (1950), starring David Brian; Home Town Story (1951), starring Jeffry Lynn, Alan Hale Jr, & Marilyn Monroe; Models, Inc (1952), starring Howard Duff & Coleen Gray; His Kind of Woman (1951), starring Robert Mitchum, Jane Russell, & Vincent Price; The Silent Witness (1962), starring Tristram Coffin & George Kennedy; Pearl (1978), starring Angie Dickinson, Dennis Weaver, & Robert Wagner; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Suspense" was a radio drama series that captivated audiences from 1940 through 1962 during the Golden Age of Radio. Often subtitled "radio's outstanding theater of thrills," this program was a shining example of suspense thriller entertainment. It specialized in delivering heart-pounding stories, typically featuring some of the leading Hollywood actors of its era. With an impressive total of approximately 945 episodes aired over its lengthy run, "Suspense" remains an enduring classic, with over 900 episodes still in existence. "Suspense" was a dynamic series that evolved through several significant phases, each marked by distinct hosts, sponsors, and director/producers. Despite these changes, the show maintained a core set of formulaic plot devices that kept its audience consistently engaged. The show's hallmark elements included: Ordinary Protagonists in Extraordinary Situations: The typical protagonist of a "Suspense" episode was an everyday person who found themselves abruptly thrust into a perilous, bizarre, or highly suspenseful situation. This relatable quality made it easy for listeners to connect with the characters. Withheld Solutions: The show was known for building tension by withholding the resolution of the story until the very last possible moment. This strategy ensured that listeners remained on the edge of their seats, eagerly anticipating the outcome. Moral Consequences: "Suspense" often featured stories where evildoers or wrongdoers faced justice in the end. This moral aspect added a layer of satisfaction for the audience, as justice was typically served. The combination of these elements, along with the skillful use of sound effects and music, made "Suspense" a thrilling and unforgettable radio program. It's not surprising that it continues to be celebrated for its contributions to the world of suspenseful storytelling in the audio medium. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

You probably know Beverly Washburn best as Lizabeth Searcy in the 1957 Disney classic, Old Yeller, or from the 1967 horror cult classic, Spider Baby, but Beverly's film and television credits boast countless memorable performances.  This Emmy nominated actress has worked with such Classic Hollywood legends as Bing Crosby, Jimmy Stewart, Alan Ladd, Loretta Young, Lon Chaney, Jr., Jack Benny, Lou Costello, Barbara Stanwyck, and Frank Capra.  Beverly's rare ability to cry on cue naturally was put to good use from the start of her career, and contributed to her reputation as one of the best kid actors of her generation.  Listen for all about Beverly's remarkable career, and be inspired by her boundless kindness and gratitude.

Join us this week on Vintage Classic Radio for our "Friday Night Noir," featuring a captivating film noir double bill with both episodes starring the iconic Alan Ladd. Dive into the dark and mysterious world of "The Blue Dahlia," first aired on April 21, 1949, on "The Screen Guild Theater." This gripping episode, penned by Raymond Chandler, follows Johnny Morrison as he returns from the war, only to find himself entangled in a web of murder and deceit after the tragic death of his wife. Alan Ladd shines as Johnny Morrison, alongside Veronica Lake as Joyce Harwood, William Bendix as Buzz Wanchek, and Howard Da Silva as Eddie Harwood. Following "The Blue Dahlia," we continue the intrigue with "The Glass Key," which originally aired on July 22, 1946. This adaptation of Dashiell Hammett's novel features Alan Ladd in the role of Ed Beaumont, a man caught in a brutal election fight that leads to murder. Ed's loyalty to his boss is tested as he navigates a treacherous path through betrayal and romantic entanglements. Alongside Alan Ladd, Marjorie Reynolds stars as Janet Henry, adding to the spellbinding drama. This episode also features performances by Brian Donlevy as Paul Madvig and Joseph Calleia as Nick Varna, each adding depth and intensity to this thrilling narrative. Tune in for a night of suspense and shadowy corners with these classic tales of intrigue and danger. Whether you're a long-time fan of film noir or discovering these stories for the first time, "Friday Night Noir" promises to deliver a night to remember.

Telephon Tuesday. Entertainment from 1982. US revolution officially over, San Marino founded, Sweden driving laws. Todays birthdays - Alan Ladd, Memphis Slim, Mort Walker, Hank Thompson, Al Jardine, Don Brewer, Charlie Sheen, Jennifer Paige. Vince Lombardi died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Hanging on the telephone - BlondieEye of the tiger - SurvivorLove will turn you around - Kenny RogersBirthdays - In da club - 50 Cent http://50cent.com/Born with the blues - Memphis SlimIt don't hurt anymore - Hank ThompsonI get around - The Beach BoysWe're an American Band - Grand Funk RailroadCrush - Jennifer PaigeExit - It's not love - Dokken http://dokken.net/Follow Jeff Stampka on facebook and cooolmedia.com

This week on “Tuesday Night Detectives” on Vintage Classic Radio, we delve into two thrilling episodes from the golden age of radio dramas. First up, "Box 13" features Hollywood's Alan Ladd in “The Philanthropist,” originally aired on January 30, 1949. In this intriguing episode, Dan Holiday, an author and adventurer who uses newspaper ads to find inspiration for his stories, receives a letter prompting him to investigate a seemingly benevolent man with a dark secret. Alan Ladd stars as Dan Holiday, with Sylvia Picker as his resourceful secretary Suzy, and Edmund MacDonald playing the role of the suspicious philanthropist. This gripping tale of mystery and deceit is not to be missed. Following that, we bring you “Dick Tracy” in the episode titled “Black Pearl of Osirus,” which first broadcast on February 8, 1938. The fearless detective Dick Tracy, portrayed by Bob Burlen, embarks on an international adventure involving the theft of the mythical Black Pearl of Osirus. Tracy's quest to retrieve the stolen artifact sees him clash with a diverse cast of characters, including Junior, played by Jackie Kelk, and the villainous Moloch, voiced by Ned Wever. Tune in as Dick Tracy navigates through perilous traps and deceitful alliances to secure the ancient treasure. Together, these episodes from "Box 13" and "Dick Tracy" offer a nostalgic trip into the thrilling escapades and cunning mysteries that captivated listeners in the era of classic radio dramas. Join us for a night of intrigue and adventure on “Tuesday Night Detectives.”

Calcutta (1947)- Alan Ladd, Gail Russell and William Bendix Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self. EPISODE 47 - “Laird Cregar (Star of the Month) ” - 08/05/2024 With his sad, dark eyes, hulking frame, and aristocratic speech, actor LAIRD CREGAR often played the complex villain tortured by a sinister past or an unrequited love that turns into an obsession. No one played characters with suppressed anguish, a tortured soul, or darkness lingering beneath the surface better than he did. While he only made 16 films in a period of five years, he is unforgettable. His desire to be thin was his achilles heel that turned tragic. This week join us as we take a deep dive into the short life and career of this amazing actor.  SHOW NOTES:  Sources: Laird Cregar: A Hollywood Tragedy (2017), by Gregory William Mank; “Atlas With A Grin,” by Fredda Dudley, December 1941, Screenland magazine; “Setbacks To Fame,” by Dorothy B.Haas, June 1942, Silver Screen magazine; “Bold, Bad, (Bluffing) Cregar,” by Barbara Berch, January 1945, Screenland magazine; “Ripping Tales: Laird Cregar: The Forgotten Ripper,” by Kevin G. Shimick, Fall 1991, Scarlett Street; “Queers In History: Laird Cregar,” December 9, 2012, by Elisa Rolle, livejournal.com; “Heavy: The Life and Films of Laird Cregar,” October 7, 2013, by Jennifer Garland, Virtual Virago; IMDBPro.com; Wikipedia.com; Movies Mentioned:  I Wake Up Screaming (1941), starring Betty Grable, Victor Mature, Carole Landis, and Laird Cregar; The Lodger (1944), starring Merle Oberon and Laird Cregar; Charley's Aunt (1941), starring Jack Benny, Kay Francis, James Ellison, and Laird Cregar; Rings On Her Fingers (1942), starring Gene Tierney, Henry Fonda, Laird Cregar, and Spring Byington; Hudson Bay (1940), starring Gene Tierney, Paul Muni, Vincent Price, and Laird Cregar; Blood and Sand (1940), starring Tyrone Power, Linda Darnell, and Laird Cregar; This Gun For Hire (1942), starring Alan Ladd, Veronica Lake, Robert Preston, and Laird Cregar; Ten Gentlemen From West Point (1942), starring George Montgomery, Maureen O'Hara, and Laird Cregar; The Black Swan (1942), starring Tyrone Power, Maureen O'Hara, and Laird Cregar; Heaven Can Wait (1943), starring Gene Tierney, Don Ameche, Charles Coburn, Marjorie Main Spring Byington, and Laird Cregar; Hello Frisco, Hello (1943), starring Alice Faye, John Payne, Lynn Bari, and Laird Cregar; Hangover Square (1945), starring Laird Cregar, Linda Darnell, and George Sanders; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self. ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** As CAROLE LANDIS was known as “The Ping Girl” and ANN SHERIDAN was known as “The Oomph” Girl,” actress MARIE McDONALD was saddled with the equally misogynistic title, “The Body.” Yes, she was tall, leggy, and curvy, but she was also talented, a fact that many of the powerful men of Hollywood seemed to forget. Unfortunately, Marie was better known for her wild private life that included seven marriages, high profile romances, tabloid escapades, and one of the most bizarre kidnappings to ever happen in Hollywood. This week, we tell the colorful story of this long-forgotten leading lady.  SHOW NOTES:  Sources: Tragic Hollywood: Beautiful, Glamorous, and Dead (2013), by Jackie Ganiy; “Marie McDonald ‘Gets Sick' With Former Husband,” January 6, 1955, Toledo Blade; “Millionaire Asks Divorce From Marie McDonald,” May 22, 1956, Daytona Beach Morning Journal; “Marie McDonald Reported Held By Kidnappers,” January 4, 1957, Ellensburg Daily Record; “Marie McDonald Tells Police How She Was Seized By Two Men,” January 5, 1957, Reading Eagle; “Marie McDonald Stars In Police Film of Kidnapping,” January 8, 1957, The Telegraph; “Grand Jury Probes Marie's Kidnap,” January 16, 1957, The Deseret News; “Marie McDonald Leaves Hospital” June 15, 1958, Reading Eagle; “Actress Marie McDonald Weds Again,” May 25, 1959, St. Petersburg Times; “Marie McDonald's Fourth Husband Seeking Divorce,” September 18, 1962, Daily News; “New Ruling Calls Marie McDonald Death Accidental,” December 30, 1965, The Toledo Blade; “Marie McDonald, Actress, Is Dead; Autopsy Was Inconclusive, Glamour Girl Was 42,” October 21, 1965, The New York Times; “Movie Producer Donald Taylor Apparent Suicide,” January 3, 1966, Rome News Tribune; “Phantom Intruders Abducted A Pin-Up Star,” July 2, 2022, Medium.com; IMDBPro.com; Wikipedia.com; Movies Mentioned:  Pardon My Sarong (1942), staring Lou Abbott and Lou Costello; Lucky Jordan (1942), starring Alan Ladd and Marie McDonald; I Love a Soldier (1944), starring Paulette Goddard, Sonny Tufts, and Beulah Bondi; Guest In The House (1944), starring Anne Baxter and Ralph Bellamy; Getting Gertie's Garter (1945), starring Marie McDonald and Dennis O'Keefe; Living In A Big Way (1946), starring Gene Kelly and Marie McDonald; The Geisha Boy (1958), starring Jerry Lewis and Marie McDonald; Promises! Promises! (1963), starring Jayne Mansfield and Marie McDonald; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paradise Lost.by senorlongo. Listen to the ► Podcast at Connected.I checked her clock; 9:47; still plenty of time before her parents returned, but we were both a mess. I pulled MP up, leading her to the shower as cum dripped down the front of her body. I stepped aside to let her into the shower first but she pulled me in with her. This was certainly a night of firsts; first fucking, first cunny eating, first shower with a beautiful hot girlfriend. We washed each other carefully as we kissed and groped each other. I turned off the shower and we dried each other slowly; in wonder of what we had done. I sent her to dry her hair, telling her I'd clean up the bathroom so her dad would learn nothing of our wonderful evening. Once she was back in her room a quick spell turned everything right; clean and dry, just as it had been earlier.I walked back to MP's room to dress and she looked shocked. “Uh; how'd you clean up so fast? It's like magic.”“No, not hardly; I've had lots of practice at home. I'm always helping my mom so taking care of this was child's play.” She accepted my explanation as she returned to her hair dryer. As I turned around to pull on my shorts I whispered another spell; one that would dry her hair promptly. She commented that she'd never done it so quickly, but let it drop as we walked into the kitchen.MP's mother had made some brownies and left some chips and salsa. I opted for the brownies. MP went to the fridge for some sodas and ice while I cut the brownies from the tin, placing them neatly on a plate. Hand-in-hand we went into the living room. We turned on the TV and watched some stupid movie on HBO. MP was in a playful mood, feeding me bits of brownie from her lips. That was an offer I'd never refuse. Had MP worn a lot of make-up and lipstick I might have been concerned. I didn't want her dad to know we'd been making out, let alone fucking. We talked, kissed, talked and laughed, and kissed some more. The time flew by as it often does when you're having a great time. Before we knew it the clock read 12:15 and we could see headlights in the driveway. MP snuck a quick kiss and we settled back onto the couch. MP took my hand in hers and held it. I looked at her questioningly, but she held me even tighter.Her mom and dad stepped in through the door a moment later. “Everything go all right, Mary Patricia?” her mom inquired.“Just perfect, Mom,” MP replied with a huge grin on her face, “just perfect.” I rose to go but Mrs. O'Brien waved me down with her hand. “No reason to rush off on our account, Jeremy. Stay a while and enjoy yourself.”“Yes, Jeremy, take your time. We really appreciate your helping out like this. Now that we know we can leave Mary Patricia on her own with you I think we'll be going out more often. Good night, kids.” He turned and walked upstairs with Mrs. O'Brien following. She made the “Okay” sign with her fingers and winked before she stepped out of sight. We waited until they were upstairs before speaking.“Hear that, Jeremy?” MP asked excitedly. “We'll be able to do this again and again. We're going to have a great time together, aren't we? Instead of answering I pulled her to me for a long hot kiss. MP put her hand on my leg and giggled. When I moved back a bit she said, “Sorry, but this'll have to wait a bit,” as she moved her hand up and down my cock. We kissed again and again until almost two o'clock when I staggered home.To my surprise my mom and dad were up waiting for me. “So, how was it?” my dad asked.“Dad, it was phenomenal and so was she. If you don't mind I'd just as soon skip the details, but it was a wonderful evening. I'm going to bed. Good night.”Monday morning I got up a little early so I could call on MP for the walk to school. I took her hand as she walked out the door. I could see her mom in the doorway and she was smiling at the two of us. We walked down the sidewalk, hand-in-hand. When Ted and Josh saw us they did a double-take, but didn't say anything. We stopped just outside the school and kissed briefly as we would every day until the school year ended.Chapter 4.Mary Patricia (MP) and I became a real couple. She was always invited to my house for parties and family functions and I spent almost as much time at her house as I did at my own. When the school year ended we were inseparable. Her mom knew we were enjoying each other so we didn't have to sneak around like a lot of kids do. We were free to do what we wanted around her pool or yard and since both my parents knew we often used our pool, especially when MP's dad was around. We had a lot of outdoor sex that summer so we made doubly sure to use plenty of sunscreen in places where we definitely did not want to burn like our butts and abdomens, plus, of course, MP's delicious tits. I loved putting it on her.Early on in our relationship I mostly rubbed and massaged her breasts; maybe I just didn't know any better;  but as we progressed I grew to love suckling her nipples, and because MP liked it a little rough, I often used my teeth to gently nibble her tender flesh.At night I would often take MP to a movie or an arcade at our local mall. For the first time I grew to understand why couples enjoyed sitting in the back row of the balcony. Our local theater is an old one. We don't have a multiplex; our town is too small to support one. Our theater's age means it's decorated in what I've been told is the art deco style; much more ornate than the contemporary theaters I've seen. Most of the films shown in the theater are “revivals” like “Shane” with Alan Ladd and “High Noon” with Gary Cooper. We howled when we saw “Blazing Saddles,” one of the few movies we actually saw in its entirety. We held hands and I put my arm around MP but we didn't kiss or grope each other the entire time.The only problem with going to the movies was that we sometimes had to walk home. The walk took us through one of the few tough neighborhoods in our area. MP always clung close to me, afraid of every shadow. Of course, she didn't know at that time of my magical abilities. Had anyone actually approached us they would have really regretted it. I could make us appear to be cobras like I did with Alan Hamilton or even space aliens. I could also cause excruciating pain just by saying a few words. After “Blazing Saddles” we had just passed the neighborhood safely and were now in the woods en route to our street. I pulled MP off the sidewalk into a small clearing that I knew was maybe thirty feet away. I put my hands on her ass and pulled her close to me. “Didn't you get enough at the pool today?” MP kidded me.“No, MP, I can never get enough of you. You know that, don't you?” She looked up at me and smiled. Her hands found the bulge growing in my shorts. She unzipped me and pulled my hard cock through the hole.“I hope I don't get my knees dirty. I'd have a hard time explaining to my dad that I was giving you a blowjob.” She used her tongue, lightly teasing my helmet, and driving me crazy in the process. My knees were growing weak as she worked her magic on me. She may not have been a “person of magic,” but you couldn't prove it by me right now. Looking up, the moonlight reflecting from her eyes, she oh so slowly took me into her mouth. She was able to get me halfway in without gagging. She moved up and down my cock and it was great, but I wanted to help her, too. I pulled her up, kissed her deeply, and lifted her by her thighs. I backed MP into a tree, pulled her panties aside and pushed into her cunt. Her slit was soaked with her juices so I slit into her easily. MP groaned as I entered her, throwing her head back as her ecstasy overtook her. “Fuck me hard, Jeremy. Push yourself all the way into me.”I was hammering her poor cunny, lifting her eight inches or more with every thrust. Even though we had fucked twice by her pool this afternoon the sex was incredibly hot and exciting. MP helped herself by rubbing her clit and soon she was close to cumming. “Just a little bit more, Jeremy. I'm almost there.” And then she was. She opened her mouth and would have screamed had I not covered it with mine. As she was coming down from her high I blasted hot white semen into her over and over. Every thrust was drowning her womb. I collapsed into her. Thank God we had the tree for support. I slowly let her down and gave her my handkerchief. She stuck it under her panties to staunch the flow that was running from her cunt, seemingly by the gallon. We made our way back to the sidewalk and laughed all the way home. I had her come into my house to wash and clean up before returning home. My folks took one look at us, shook their heads, and smiled. MP returned the hanky; it was a sodden mess. I dumped it in the trash.Our relationship hit a turning point in one Saturday afternoon in early August. Her dad was playing golf and her mom was at a card party so we made our way to her room for some great sex. I closed the door behind us and began to undress MP. Being summer she wasn't wearing much and neither was I. In a moment we were naked and in each other's arms. I lay her on the bed and climbed on after her. We kissed and touched each other, expressing our love for each other. I climbed between her legs and had just entered her when I heard a noise in the hall. The door flew open and in rushed her father. Before he had a chance to do or say anything I froze him in place with a gesture of my hand.MP was a mess of conflicting emotions. “Jeremy!” she shouted in fear just before noticing that her dad wasn't yelling and wasn't even moving; not a single millimeter. “Jeremy, what; ? How?” I pulled out of her and told her to get dressed. When we were both done I sat her on the bed and started to explain. “Don't worry about your father. He'll forget what he saw and he'll be fine. He's not hurting; it's just that time has stopped for him. When I bring him out of it he'll see us on your bed going over your algebra, just like we've done dozens of times.”“But, Jeremy, how did you; ?”“I'm never supposed to tell or even let anyone see me do magic, but I have no choice now. I'm a wizard, MP. My mom's a witch and my dad's a warlock. We're people of magic. I can do all kinds of things.”“You mean like Harry Potter?”“NO! Harry Potter is just a bad joke, but I can do many of the things that he claims to do.”MP thought for a moment before speaking. “Like make my boobs grow? Was that you?”“Yes;  guilty; it was me; my magic. Remember what I did; licking my thumbs, placing them on your chest; that was to hide the spell I put on you. And, before you ask, I did the same thing to Sarah, but I let hers grow and grow and grow until my mother made me reverse it.”“Uh; Jeremy; did you make me fall in love with you and want to fuck you?”I held her tenderly for several minutes before lifting her face to mine. “No, MP,” I replied shaking my head. I continued, “For two reasons; first, because manipulating people like that is strictly forbidden, and, second;  because I really, really care for you. I'd never do anything to hurt you. Falling in love with me and deciding to fuck me was all you, not that I objected even one little bit.”“Are you going to make me forget all this like you're going to do with Dad? Are you sure you're not hurting him?”“No, MP, he's in kind of a state of suspended animation, sort of like being asleep. And, no again, you're not going to forget a thing. Even I cannot make someone forget as much as I've told you. However, I am going to work a spell on you that will make it impossible for you to ever tell anyone what we've talked about here. You and I will be able to talk about it, but nobody else. And, no, it won't hurt you. You won't feel a thing. In fact, you won't even know that anything has happened.”“Oh, Jeremy, I wish this hadn't happened.”“Me, too, but it has so we have to make the best of it. I still love you as much as ever and I hope you still love me.” While she was assuring me that she did love me I put the spell on her.“Done. Feel anything?” When she shook her head I told her it was time to deal with her dad. MP found her algebra book on her shelf. Her mom and dad bought her one because; basically; she sucked at math. I often helped her with it so working together would be natural and accepted. She gave me the book; I opened it and released her father.“Oh, hi kids. Getting ready for the coming school year, huh? Well, don't let me disturb you. My golf game got rained out. Never know it by the weather here, though, would you?”“Okay, Daddy,” MP replied as he closed the door. “Jeremy,” she continued, “I didn't really believe you until just now. I thought we were in really big trouble and Daddy has a terrible temper. He could kill you.”“No, MP, we were never in any danger just like we were never in any danger walking home from the movies. I did like you clinging to me, though. That was a lot of fun.” Changing the subject, I continued, “Here, you can put the book away now.”“Jeremy, can you make me get good math grades, you know, like you?”“Sorry, MP, it doesn't work that way. We can do a lot of things but we can't make someone into something they're not. And we can't make someone do something they wouldn't normally do. Just like with hypnotism.”“Can you tell me some of the things you've done?”“I suppose so. Let's see. Okay, I stopped Alan Hamilton from bullying in fourth grade. Remember that? I made him see Ted, Josh, and me as king cobras and then I made him fall and break his leg. You already know about your breasts and Sarah's. I also used magic to clean up the bathroom our first night together and dried your hair. That's just a few. I really don't like to talk about it. I'm not allowed to and if your dad hadn't barged in on us you would never have known.”“Is this going to change us, Jeremy? I love having you as a boyfriend.”“I hope not. I love you, MP. I think I always have. I don't know what the future will bring but I do know that I love you very much.”“Thank you, Jeremy. Let's go over to your place. I really need you now. You got me all horny and then we got interrupted. I want to finish what we started.Okay, with you?” I took her by the hand and led her from the room. Next stop; paradise.Chapter 5.We walked to my house. Mom was waiting for us when we walked in the door. “What happened, Jeremy?”“Her dad walked in on us, Mom. I had to freeze him while we dressed and cleaned up. We made believe we were studying when I brought him out of it. So, of course, MP knows about me.”“I'm sure you've already handled that.” I nodded as MP tried to speak, but she couldn't; the spell forbade her from telling anyone about me and my magic, and that included my mother, who was a witch. “Meanwhile, I think you two have some business to finish so off to your room, and, no, MP, I don't look like a witch, do I?” MP just stood there, mouth open, until I pulled her away.Once in my room I brought her to me, kissing her gently until MP pulled away abruptly. “Jeremy, how'd your mom know what happened to us and what I was thinking?”“Mental telepathy, MP; we can carry on whole conversations without anyone ever having to open their mouths. Wanna try it?”MP got really serious looking like she was concentrating on sending me a message. After a few seconds she asked me if I had received it.“I think so, MP,” I replied, “You want me to eat your cunny and then make wonderful sensational love to you.”MP laughed. “You don't need mental telepathy to know that. But, that wasn't what I sent you.”“I know,” I said as I leaned down to kiss her. ‘I love you, too.” She jumped back, shocked. “Remember I'm experienced and very sensitive to your thoughts, but I think with practice you could probably do it. Like, what am I thinking right now?”“Ha ha, you're so obvious. You want what you always want; me!” We laughed as we pulled each other close. I loved the touch of her soft skin and when she pushed those hard little nipples into my chest there was nothing I wouldn't do for her. I pushed her back onto the bed and knelt between her long slender legs. I rubbed my cheek against her soft thigh. I licked my way back to her knee and then back up the other side. I nuzzled her cunny lips with my nose, teasing poor MP cruelly before thrusting my tongue deep into her cavern. “OH, Jeremy! I want you in me. Fuck me now! Please!” I rose to my feet, lifted her legs onto my shoulders and leaned forward bringing my cock toward its ultimate target. Straightening up enabled me to push several inches into her.True to her word MP had seen her doctor for the birth control pills and began taking them right away. Our next time together occurred exactly four weeks after the first when her parents again went out for the evening. Unsure, I reached for a condom until MP shook her head and pulled me into her. Since then I had enjoyed the wonderful sensation of direct contact between my cock and her tight wet vagina. Today, as I eased into her we both savored the feelings of her cunny walls stretching around me. I loved the pressure on my cock; she loved being filled and, even more than that, she craved my cum in her cunt. The first time I shot my load into her she actually screamed in her ecstasy. She'd calmed down since then, but just barely.I leaned down to kiss MP, bending her in half. She tucked her ankles behind her head and began to move just like a rocking chair. Her motions were making me drive deep into her with every thrust and grinding her clit against me. I could feel my cock banging into her cervix and I was afraid I would hurt her until she sent me a telepathic message; don't worry, I love it. I pulled out and tried something I hadn't done before. I lowered my angle so my cock would rub against the front surfaces of her cunt. I had read about the G-spot and wanted to see if I could find it. I must have because suddenly MP breathed deeply and let out a long “Oh, God, Jeremy.” Maybe ten seconds later she began to shake and shudder until she lay still on the bed. I released her legs and lay on my bed next to her, holding her close.MP turned to me, bringing her hand to her mouth. “Do you think,” she whispered, “your mother knows I just had a monster orgasm?”“Probably,” I whispered back.“Oh, how will I ever face her?”“MP, my mother knows everything we've done, because I've told her, and my dad, too. Witches and warlocks can always tell if someone's lying; always! I can't ever lie to them so if they ask me about you I have to be one hundred percent truthful. If Mom had a problem with anything we've done she would have told me. Trust me, she knows and she approves and, if I know her, she's probably jealous as hell.”“Jeremy! I just realized; you didn't cum! Oh, I'm so sorry.” And then with a glint in her eye, “I think I need to take care of that right now.” She lowered herself between my legs to lick my cock which was still as hard and as sensitive as before. It didn't take but a second for her to begin cleaning my cock, removing every trace of her hot cunny from me as she licked me from my balls to my tip. All this licking was making me squirm, but when she tried to swallow my cock in a single swallow I got hot as hell in millisecond. Watching her blonde hair go bobbing up and down my cock was incredible sexy and it was making me want to cum desperately. But, in sex as in life, I always put MP's needs ahead of my own. I pulled her up and sat her on my cock. She sank down on it with a huge smile on her face.“Slow, MP, start slow so you can catch up with me.” MP began

The Milwaukee-based film critic and programmer Chris Cassingham joins the show this week to discuss the great director George Stevens and his 1953 masterpiece Shane, starring Alan Ladd and Jack Palance, about a mysterious gunfighter who finds work with a homestead family in the open range of lawless Wyoming and is drawn into the community's conflict against a gang of violent cattleranchers who are trying to take over the territory. George Stevens' life was transformed by his service in World War II as part of the military's Special Motion Picture Coverage Unit, bearing witness to D-Day and the liberation of the Nazi death camps, and he returned to Hollywood to become one of the great American dramatic filmmakers with his unofficial fifties trilogy of A Place in the Sun, Giant, and this immortal western that serves both as a classic example of the genre and as a revisionist “psychological western” that questioned heroism, masculinity, the family unit and most importantly, the horror and the toll of gun violence on American life, a work that pushed cinema in the fifties forward towards the modern age, and is cited by some of today's great directors as a key influence. Plus: on the eve of the release of Deadpool & Wolverine, a discussion of what was once billed as Hugh Jackman's final performance as the character in 2017's Logan, a film that pays explicit (and in our opinion unearned) tribute to Shane. Over 30% of all Junk Filter episodes are only available to patrons of the podcast. To support this show directly and to receive access to the entire back catalogue, consider becoming a patron for only $5.00 a month (U.S.) at ⁠⁠patreon.com/junkfilter Follow Chris Cassingham on Twitter and catch up to Chris' film writing here. Re-release trailer for Shane (George Stevens, 1953)

In this week's episode of “Tuesday Night Detectives” on Vintage Classic Radio, we dive into the thrilling worlds of deception and mystery with two classic radio dramas. First up, we revisit "Rocky Fortune," featuring the smooth-voiced Frank Sinatra as the ever-charming and witty Rocky. In the episode “The Football Fix,” originally aired on February 2, 1954, Rocky stumbles upon a scandalous plot to rig a college football game. Employed as a locker room attendant, he quickly finds himself tangled in a web of bribery and threats. The episode features Barney Phillips as the sly coach Simmons, and Georgia Ellis as the intrepid reporter Janet, whose zeal for the truth leads her right into danger. Following "Rocky Fortune," we continue with “Box 13,” starring the iconic Alan Ladd as the adventurous Dan Holiday, a writer who finds inspiration through the classifieds. In the episode “The Professor and the Puzzle,” first broadcast in 1948, Holiday is drawn into a cerebral game when he receives a cryptic note challenging him to solve a puzzle that's stumped a professor. His journey to unravel the mystery is fraught with peril, testing his wits to the utmost. The cast includes Sylvia Picker as the astute and determined Professor Helen Ashby, and Ed Begley as the cunning antagonist Mr. Granger, who has much to gain from the professor's failure. Together, these episodes showcase the allure of detective radio drama, featuring star-studded casts and gripping narratives that continue to captivate audiences decades after their original broadcasts.

Box 13 | Actor's Alibi || Aired from 1948 - 1949Starring: Alan Ladd || Dan Holiday receives an impossible call from a woman as she's being murdered.: : : : :My other podcast channels include: DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESEnjoying my podcast? You can subscribe to receive new post notices. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr

Join us this week on Vintage Classic Radio for our "Sunday Night Playhouse" feature, as we revisit a captivating performance from the archives of "Lux Radio Theatre." This week, we present "This Gun For Hire," originally broadcast on January 25, 1943. Dive into the gripping world of film noir with this radio adaptation of Graham Greene's novel, showcasing the dark tale of Phillip Raven, a ruthless assassin with a conscience, played by the iconic Alan Ladd. This drama was based on a film that put Ladd on the map. Alongside him, Joan Blondell stars as Ellen Graham. The plot centers on Raven, a hitman seeking vengeance after being betrayed by his employers. He crosses paths with Ellen Graham, a nightclub singer secretly working as a spy to uncover a dangerous espionage ring. Other in the cast include Laird Cregar, Jack LaRue, Paula Winslowe, Joe Latham, Vicki Lang, Jeff Corey, W.R. Burnett and Arthur Q. Bryan. Tune in to experience the suspense and shadowy intrigue of "This Gun For Hire," brought to life by some of Hollywood's legendary stars in one of radio's most cherished formats.

From Beneath The Hollywood Sign is thrilled to welcome our newest sponsor, www.HappyMammoth.com. Use code BENEATH at checkout for 15% off of your entire first order! EPISODE 39 - “Father Knows Best: Classic Cinema's Best (and Worst!) Dads” - 06/10/2024 When you stop to think about the great father's of classic cinema, Atticus Finch, the mild-mannered Southern lawyer in “To Kill A Mocking Bird” (1962), has to be at the top of the list. But who else would be on that list? And what about the horrible fathers of old Hollywood? As you scramble to find that last minute tie or cologne for dear old Dad for Father's Day, make sure you check out this week's episode where Steve and Nan celebrate some of old Hollywood's most memorable fathers — the good and the bad.  SHOW NOTES:  Sources: “20 Best and Worst Movie Fathers,” June 19, 2020, by David Fear, Rolling Stone.com “Noah Cross (John Huston) Character Analysis: Mad, Bad, and Dangerous to Know,”  schmoop.com Yahoo.com RogerEbert.com IMDBPro.com; Wikipedia.com; Movies Mentioned:  How Green Was My Valley (1941), starring Walter Pidgeon, Maureen O'Hara, Donald Crisp, Patric Knowles, Anna Lee, Roddy McDowell, Sara Allgood, and Barry Fitzgerald; Bicycle Thieves (1948), starring Vittorio De Sica, Enzo Staiola, and Lianella Carell;  Splendor in the Grass (1961), starring Natalie Wood, Warren Beatty, Pat Hingle, Audrey Christie, Barbara Loden, Zorah Lampert, Sandy Dennis, and Phyllis Diller; The Heiress (1949), starring Olivia de Havilland, Montgomery Clift, Ralph Richardson, Miriam Hopkins, Vanessa Brown, and Mona Freeman; The Swiss Family Robinson (1960), starring John Mills, Dorothy McGuire, James MacArthur, Tommy Kirk, Kevin Corcoran, and Janet Munro; Shane (1953), starring Alan Ladd, Jean Arthur, Van Helfin, Brandon De Wilde, Jack Palance, Ben Johnson, Edgar Buchanan, Elisha Cook Jr, and Ellen Corby; Chinatown (1974), starring Jack Nicholson, Faye Dunaway, John Huston, Perry Lopez, Diane Ladd, and John Hillerman; Rebel Without A Cause (1955), starring James Dean, Natalie Wood, Sal Mineo, Dennis Hopper, Jim Backus, Corey Allen, Ann Doran, Nick Adams, William Hopper, and Edward Platt; Our Vines Have Tender Grapes (1945), starring Edward G. Robinson, Margaret O'Brien, Agnes Moorhead, James Craig, Jackie “Butch” Jenkins, Frances Gifford, Morris Carnovsky, and Sara Haden; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

"All trams have been melted down and made into melted-down trams." In 1952 London's last tram rolled into the depot. Two years later the Goons decided to mark the occasion with a show - better late than never! At the London Pleasure Transport Board, Redundant Tram Department, Inspector Ned Seagoon receives a phone call informing him that there's still a tram at large on the Highgate-Kingsway route, and, indeed, the tram map still has one flag pin stuck in it, for a number 33. Driver Henry Crun refuses to move the tram unless he is afforded a proper last tram ceremony. Seagoon has to negotiate with the corrupt Chairman of the Country & Town Planning Society who agrees to the ceremony, but on the cheap. Writing was credited to Spike Milligan & Eric Sykes but it seems fairly certain Eric took the lion's share of work that week. The Last Tram (from Clapham) is a real gem of a Goon Show - well structured, well-paced, with some interesting one-off characters, a nice pay-off and the odd unusual choice of sound effect (such as the otherworldly harp). Joining Tyler to talk about it is our Welsh-language correspondent from Down Under, Andy Bell! As well as chatting about the show they discuss Britain's Rudest Man, the length of Alan Ladd, the Telegoons version of the show, Spike in Australia, the history of London's tram network and... Menace Strain Bullshine? Andy can be found on Twitter/X: @obelloz

The story that made Gilbert Gottfried Hysterical! Perhaps the greatest story ever told.

Box 13 | (02) The Insurance Fraud Scheme | Broadcast: August 29, 1948Starring: Alan Ladd: : : : :My other podcast channels include: DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESEnjoying my podcast? You can subscribe to receive new post notices. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr

EPISODE 27 - “Dona Drake: What Price Fame” - 03/18/2024 Latina star DONA DRAKE, who signed a contract with Paramount Pictures in 1941, was many things — singer, dancer, actress, bandleader, musician — but one thing she wasn't, as it turned out, was Latin! While Paramount promoted their new discovery as a spitfire Latina born in Mexico City, Drake was, in fact, an African-American woman from Florida who pretended to be Latin, going so far as to learn Spanish fluently, in order to have a better chance at a Hollywood career. Listen to this fascinating story of one woman who went undercover just so she wouldn't have to play the maid.  SHOW NOTES:  Sources: Biography of Dona Drake (Paramount Contact Player), September 1942, Paramount Studios; “Dona Drake Tells Marriage,” September 9, 1944, by Hedda Hopper, The Los Angeles Times; “Daughter Born to Dona Drake,” August 8, 1951, The Hollywood Citizen-News; www.swingcityradio,com; www.glamourgirlsofthesilverscreen.com; IMDBPro.com; Wikipedia.com; Movies Mentioned:  Strike Me Pink (1936), starring Eddie Cantor, Ethel Merman, Sally Eilers, and William Frawley; Aloma Of The South Seas (1941), starring Dorothy Lamour, Jon Hall; Louisiana Purchase (1941), starring Bob Hope, Vera Zorina, and Victor Moore; Road to Morocco (1942), starring Bob Hope, Bing Crosby, and Dorothy Lamour; Star Spangled Rhythm (1942), starring Bob Hope, Bing Crosby, Dorothy Lamour, Fred MacMurray, Paulette Goddard, Dick Powell, Eddie Bracken, Alan Ladd, Mary Martin, Betty Hutton, Marjorie Reynolds, and Veronica Lake; Salute For Three (1943), starring Macdonald Carey and Betty Jane Rhodes; Let's Face It (1943), staring Bob Hope, Betty Hutton, and Eve Arden;  Hot Rhythm (1944), starring Robert Lowery, Tim Ryan, and Irene Ryan; Without Reservations (1946), starring John Wayne, Claudette Colbert, and Don DeFoe; Dangerous Millions (1946), starring Kent Taylor; Another Part of The Forest (1948), starring Fredric March, Dan Duryea, Edmond O'Brien, Ann Blyth, Florence Eldridge, John Dall, and Betsy Blair; So This Is New York (1948), starring Henry Morgan, Rudy Vallee, and Virginia Grey; Beyond The Forest (1949), starring Bette Davis, Joseph Cotten, David Brian, Ruth Roman; The Girl From Jones Beach (1949), starring Virginia Mayo, Ronald Reagan, and Eddie Bracken; Kansas City Confidential (1952), starring John Payne, Colleen Gray, and Preston Foster; The Bandits of Corsica (1953), starring Richard Greene, Paula Raymond, Raymond Burr; Son Of Belle Star (1953), starring Keith Larsen, Peggie Castle, and Regis Toomey; Down Laredo Way (1953) starring Rex Allen and Slim Pickens; Princess of the Nile (1954), starring Debra Paget, Jeffrey Hunter, and Michael Rennie; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

For this bonus episode, we're saddling up with the best Suspense stories of the old west. Alan Ladd hunts for his brother's murderer in "A Killing in Abilene" (originally aired on CBS on December 14, 1950). Then, Richard Widmark fights a bloody feud in "The Hunting of Bob Lee" (originally aired on CBS on October 29, 1951) and he tracks a deadly panther through the snow in "The Track of the Cat" (originally aired on CBS on February 18, 1952). Frank Lovejoy stars as one of the west's most infamous gunslingers in "The Shooting of Billy the Kid" (originally aired on CBS on April 28, 1952) and Richard Widmark returns - this time as another notorious outlaw - in "The Spencer Brothers" (originally aired on CBS on January 26, 1953). Finally, Victor Mature stars as a legendary bandit in "The Love and Death of Joaquin Murietta" (originally aired on CBS on February 16, 1953).

In this episode, Tyler talks about one of the best films ever to take home the Oscar for Best Picture. As well as the tragic life of Montgomery Clift, the introduction of Widescreen and a movie that he actually liked Audrey Hepburn in. 

Lux Radio Theatre 1944-01-24 (423) Casablanca with Alan Ladd and Hedy Lamarr

EPISODE 19 - “Fallen Angel: The Helen Walker Story” - 01/22/2024 Cast as ALAN LADD's leading lady in her film debut, Massachusetts-born HELEN WALKER was destined for Hollywood greatness. With her deep voice, coolly blonde good looks, and immense talent, she were perfect for Hollywood of the 1940s. However, her rising star abruptly came crashing to earth after a tragic accident sent her life into a downward spiral of despair and alcoholism. This is a cautionary tale of the dark side of fame. Listen to her compelling and tragic story on this week's episode.  SHOW NOTES:  Sources: Hollywood's Hard Luck Ladies (2020), by Laura Wagner Femme Noir: Bad GIrls of Film (2012), by Karen Burroughs Hannesberry “Biography of Helen Walker,” 1946, 20th Century Fox Studios “Low Down on Cinderella,” March 1946, by Robbin Coons, Motion Picture Magazine “Actress Hurt As Car Upset, Killing Soldier,” January 3, 1947, The Los Angeles Times “Actress Faces $150,000 Suit in Accident,” March 6, 1947, The Los Angeles Daily News “Helen Walker Faces Trail Over Fatal Crash,” March 26, 1947, Citizen News “Helen Walker Cleared in Hitchhiker's Death,” April 4, 1947, The Los Angeles Times “Louella Parsons In Hollywood,” June 5, 1949, by Louella Parsons, The Los Angeles Examiner “Helen Walker, Film Actress, Sheds Fur Buyer,” June 9, 1952, The Los Angeles Daily News “Helen Walker Dies of Cancer at 47,” March 12, 1968, The Los Angeles Times “Helen Walker Dies on Coast, Film Actress in 40s and 50s, March 12, 1968, The New York Times “Screen Time: Return to ‘Nightmare Alley' - The Tumultuous Life of Worcester Starlet Helen Wallker," March 3, 2022, by Craig S. Semon, Worcester Magazine IMDBPro.com Wikipedia.com Stars/Movies Mentioned:    HELEN WALKER: Lucky Jordan (1942), The Good Fellows (1943), Abroad With Two Yanks (1944), Brewster's Millions (1945), Murder, He Says (1945), Murder In The Music Hall (1946), Cluny Brown (1946), Her Adventurous Night (1946), The Homestretch (1947), Nightmare Alley (1947), Heaven Only Knows (1947), Call Northside 777 (1948), My Dear Secretary (1949), Impact (1949), My True Story (1951), Problem Girls (1953), The Big Combo (1955); ROBERT F. BLUMOFE: Yours, Mine, and Ours (1968), Bound For Glory (1976);  H. BRUCE “LUCKY” HUMBERSTONE: Wake Up Screaming (1941), Pin-Up Girl (1944);  --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alan Ladd (The Running Rules) just finished in my 6 month business mentorship program. Here is his story and what he learnt over the past six months. ·      Why you need a core offer ·      Leaning into you and your personal history to build rapport ·      The importance of keeping your training alongside growing your business ·      Where good ideas from and using someone as a sounding board ·      How everybody needs a coach   https://www.therunningrules.com https://podcasters.spotify.com/pod/show/therunningrules https://www.instagram.com/therunningrules/   For more information on Brian's six month mentorship program, email brian@briankeanefitness.com

Dana and Tom with returning guest, Kieran B, discuss the classic Western, Shane (1953): directed by George Stevens, written by AB Guthrie Jr, music by Victor Young, starring Alan Ladd, Jean Arther, Van Heflin, and Jack Palance.Plot Summary: "Shane" (1953), directed by George Stevens, is a poignant exploration of morality, redemption, and the inevitable clash between civilization and the untamed frontier. Set against the sweeping vistas of Wyoming, "Shane" introduces us to the titular stranger, played with mesmerizing intensity by Alan Ladd.A mysterious and stoic figure, Shane becomes embroiled in the conflict between homesteaders and a powerful cattle baron, personified by the menacing Jack Wilson (Jack Palance). At the heart of the narrative is the Starrett family, whose lives are forever altered by Shane's arrival. The nuanced performances of Van Heflin and Jean Arthur as Joe and Marian Starrett lend emotional depth to the film, portraying the struggles of ordinary pioneers caught in the crossfire of progress and greed.Stevens' directorial prowess is evident in every frame, as he skillfully captures the stark beauty of the landscape while delving into the complex dynamics of human relationships. The film's iconic moments, such as the unforgettable gunfight in the saloon and the poignant farewell scene, are elevated by Loyal Griggs' cinematography and the haunting score by Victor Young. "Shane" stands as a timeless exploration of the human condition, transcending its Western trappings to become a universal tale of sacrifice and honor.You can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at Greatest Movie of All-Time Podcast.For more on the episode, go to: https://www.ronnyduncanstudios.com/post/shane-1953-ft-kieran-bFor the entire rankings list so far, go to:Full Graded List - Greatest Movies of All-Time Ronny Duncan Studios

Two hours of DramaFirst a look at this day in History.Then Dr Christian starring Jean Hersholdt, originally broadcast December 12, 1937, 86 years ago, The Mother-in-law. A story about a wedding and a mother-in-law. Followed by Box Thirteen starring Alan Ladd, originally broadcast December 12, 1948, 75 years ago, The Haunted Artist. An artist's latest canvas seems to be haunted. A stone quarry keeps appearing on one side of the canvas.Then Sleep no More starring Nelson Olmsted, originally broadcast December 12, 1956, 67 years ago, Three o'Clock. Followed by Suspense, originally broadcast December 12, 1947, 76 years ago, The Man Who couldn't Lose starring Dan Duryea. An insurance salesman kills his wife, sells a big annuity, wins the Irish Sweepstakes, and THEN gets lucky!Finally Lum and Abner, originally broadcast December 12, 1941, 82 years ago, Miss Fredericks Locket Lost. Lum has declared his love to Miss Fredericks, placed it in a locket, and baked the locket in a loaf of bread...but which loaf of bread?Thanks to Robert for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.stream

While the actress Veronica Lake dealt with her share of trauma, her life was not quite the tragedy that it has long been rumored to be. Before she hit her mid-twenties she had appeared in six bonafide classic films, including Sullivan's Travels, a series of noirs with Alan Ladd starting with This Gun for Hire, I Married a Witch and So Proudly We Hail. She left Hollywood behind, but never stopped working on the stage and in television, while pursuing the life she was unable to have as a young star. I spoke with UCLA Cinema and Media Studies Program Manager and Lake enthusiast and researcher Brian Brown about the highs and lows of this remarkable actress. For more great Veronica Lake content, follow Brian on Twitter: https://twitter.com/PeekabooBrian   Titles discussed:   Sullivan's Travels (1941) This Gun for Hire (1942) The Glass Key (1942) I Married a Witch (1942) So Proudly We Hail (1943) The Blue Dahlia (1946) Ramrod (1947) Slattery's Hurricane (1949) The Sainted Sisters (1948)   The show is available on Apple, Spotify, Amazon Music, PocketCasts, Google, and Radio Public --- Support this podcast: https://podcasters.spotify.com/pod/show/k-cruver/support

For this Paramount 1945 episode, we look at a couple of male melodramas: The Man in Half Moon Street, a Gothic B-movie starring Nils Asther, "the most beautiful man who ever lived," according to Elise, as a scientist who becomes unscrupulous in his pursuit of eternal youth, and Salty O'Rourke, a Raoul Walsh-directed hit starring Alan Ladd as a racetrack gambler who manipulates an unruly young jockey. The movies also boast fairly substantial love interest parts for Helen Walker as a socialite who sympathizes with Asther's Ubermensch impulses and Gail Russell as a schoolteacher who's caught up in Ladd's schemes. We dive into the question of how to create audience sympathy for a villain-protagonist and the curious nature of the Ladd phenomenon.  Time Codes: 0h 00m 45s:      THE MAN IN HALF MOON STREET [dir. Ralph Murphy] 0h 31m 53s:      SALTY O'ROURKE [dir. Raoul Walsh]   Studio Film Capsules provided by The Paramount Story by John Douglas Eames Additional studio information from: The Hollywood Story by Joel W. Finler                                     +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!     

Good evening, dear listeners. As the city eases into the soft hum of nighttime, we welcome you to Vintage Classic Radio's "Friday Night Noir." This evening, we'll be drawn into a riveting tale of inheritance and intrigue with "Grissley's Millions," a gem from the Lux Radio Theatre archives that originally captivated audiences on March 19th, 1945. Our narrative orbits the enigmatic death of the affluent Jonathan Grissley, whose vast fortune triggers a sequence of perilous events. Starring Pat O'Brien as the astute private detective Joe Herrick, the story unfolds with Herrick ensnared in a labyrinth of deceit while investigating the truths veiled within Grissley's millions. The air of mystery deepens with Lynn Bari's portrayal of the seductive and secretive Elaine Gordon, juxtaposed against Alan Ladd's performance as Paul Gordon, her husband, whose surface charm conceals a shrewd and calculating temperament. Adding to the suspense is Joseph Kearns as the faithful butler, Hawkins, whose steadfastness is a beacon in the treacherous waters of greed. Gail Patrick delivers a stirring performance as the sophisticated Barbara Dawn, while Ted de Corsia embodies the tenacious Inspector Bailey, with a keen sense for slicing through the entanglements of deception. So, as you dim the lights and pour a drink, settle in for a night of legacy, larceny, and the dangerous dance people do for wealth. Now, let the intrigue of "Grissley's Millions" enthrall you on this "Friday Night Noir." Enjoy the show.

Christmas Theater -Louella Parsons Show Starring Alan Ladd

In this bonus show, I'm opening the mail and picking out my five favorite episodes of Box 13. Alan Ladd stars as mystery writer and amateur detective Dan Holiday who finds his clients - and his story ideas - through a clever classified ad offering his services as an adventurer for hire. First, Holiday is hired to pose as a fiance in "Look Pleasant, Please" and he's pressed into a citywide scavenger hunt alongside a killer in "The Better Man." He works to save an innocent man from execution in "Hunt and Peck" and expose a cadre of crooked gamblers in "Much Too Lucky." Finally, a weekend getaway lands Holiday in the middle of a bitter family reunion and a series of dangerous practical jokes in "Death is No Joke."

For the third week of our westerns month, we're discussing another early 50s classic, Shane. This movie has it all - family drama, good versus evil (with plenty of gray area to explore), a coming-of-age story, beautiful western scenery, history, and plenty of suspense. We also discuss the unforgettable performances from Alan Ladd, Jean Arthur, Van Heflin, and Jack Palance among others, the costume design of Edith Head, George Stevens's great attention to detail, Loyal Griggs's award-winning cinematography, and the hugely important theme of freedom and independence in the changing west. Belly up to the bar and give us a listen!

When our radio sleuths check the mailbox this week, they're getting a special delivery of danger! Missing messages, anonymous letters, and mysterious correspondence drive the cases in this week's showcase of old time radio detective dramas. First, Tom Conway is Holmes and Nigel Bruce is Watson in "The Adventure of the Tolling Bell" from The New Adventures of Sherlock Holmes (originally aired on ABC on April 7, 1947). Next, Alan Ladd answers a letter to Box 13 in the syndicated show "Double Trouble." Then, radio's singing sleuth tries to find out who killed the messenger with Dick Powell in Richard Diamond, Private Detective (originally aired on NBC on April 19, 1950). And finally, Bob Bailey is George Valentine, who receives a letter from a woman asking him to catch her killer...but she isn't dead yet in "The White Elephant" from Let George Do It (originally aired on Mutual on September 11, 1950).