Podcasts about blues guitar

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends. This week's friend is Justin Golden! We recorded this last weekend in Richmond, VA. Tunes in this episode: My Creole Bell (0:40) You Got To Walk that Lonesome Valley (12:53) Bad Luck Blues (Blind Lemon Jefferson original) (22:42) The Rain Done Fell on Me (29:53) You Don't Know My Mind (36:09) BONUS TRACK: Sitting on Top of the World (Walter Vinson and Lonnie Chatmon original) Follow Justin Golden on Instagram and Facebook [Buy your tickets for Tall Poppy String Band's upcoming shows!](tallpoppystringband.com/shows) Support Get Up in the Cool on Patreon Send Tax Deductible Donations to Get Up in the Cool through Fracture Atlas Sign up at Pitchfork Banjo for my clawhammer instructional series! Schedule a banjo lesson with Cameron Visit Tall Poppy String Band's website and follow us on Instagram follow Sweeten the Third on Instagram

In this episode I'm recapping the brilliant Great British Guitar Show and giving some reccomendations on guitar builders and companies I saw at the show. Cheers again to Tom and the crew for having me on and looking forward to the next one!https://medusaguitars.com/https://www.eggle.co.uk/https://www.adguitars.co.uk/https://www.nottinghamcityguitars.com/?srsltid=AfmBOoq161uQBFnrFhYJ0q-41S-AslN5wAyLJ5JsBWFuZ4KLAmJl2oBhSupport the showTo become a MEMBER and get access to over 2 Years of guitar lessons for just $5/Month head to https://www.buzzsprout.com/950998/subscribe

Making a Scene Brings you Gerry Casey's Interview with The 100 Watt Vipers The 100 Watt Vipers are a powerhouse blues-rock duo hailing from Jacksonville, Florida. Known for their raw, gritty sound and electrifying performances, the band is a fusion of classic Southern blues and hard-hitting rock ‘n' roll. With J Burton on vocals and guitar and DJ Riddick on drums, The 100 Watt Vipers have carved out a unique niche in the music world, delivering high-energy tracks that resonate with fans of both traditional and modern blues. Their music is characterized by its soulful lyrics, thunderous rhythms, and unfiltered emotion, making each performance an unforgettable experience. Dedicated to keeping the spirit of authentic blues alive, The 100 Watt Vipers continue to captivate audiences with their relentless passion and undeniable talent. http://www.makingascene.org

Slow Burnin' Blues is a relaxing blues guitar music podcast. Sit back and relax with your favorite beverage and indulge yourself in the blues. Whether you're sipping on your favorite whiskey or brew, working, studying, or just seeking some calm background music, this slow blues music collection is designed to transport you. The melancholic blues melodies blend seamlessly with the rich tones of whiskey blues music, creating an atmosphere of deep reflection and serenity. Thanks for listening to Ken Steele Music.

Whiskey Sippin' Blues is a slow southern blues guitar-lounge style of music. Whiskey Jazz Blues – Deep South Lounge Vibes, where smooth instrumental blues meets the soul of late-night relaxation. This is dedicated to smoky whiskey jazz, deep south blues, and lounge-style instrumental music designed for calm nights, stress relief, and quiet reflection.Immerse yourself in slow blues guitar, warm jazz tones, and a relaxed lounge atmosphere inspired by southern bars, dim lights, and midnight moods. Whether you're unwinding after a long day, enjoying a night drive, reading, or simply letting your thoughts drift, this music creates the perfect backdrop. Thanks for listening to Ken Steele Music.

Blues From The Ouse #321 delivers a powerful Women In Blues Special, celebrating the legendary female artists who helped shape blues music and the modern stars carrying the torch today. Featuring Memphis Minnie, Victoria Spivey, Sister Rosetta Tharpe, Big Mama Thornton, Rory Block, Shemekia Copeland, Sue Foley and Laura Chavez.We also bring you the latest new blues releases from The Stumble, Dani Wilde, Deke McGee and The Dibs, plus a packed listener requests section featuring Jimi Hendrix, B.B. King & Tracy Chapman, Otis Rush, Steve Cropper, Pops Staples, Albert King, When Rivers Meet and more.As always, we round up the latest live blues gigs across York, Leeds, Harrogate, Newcastle and beyond.If you love classic blues, modern blues, blues guitar legends, new releases and blues radio shows from the UK, this is essential listening.Blues from The Ouse #321 Playlist:The Stumble - I'm To Let - 00:01:29Deke McGee - Move It On - 00:05:48The Dibs - You Got Me Where You Want Me - 00:10:23Dani Wilde - Bumble Bee - 00:14:57Memphis Minnie - Me and My Chauffeur Blues - 00:18:53Victoria Spivey - Black Snake Blues - 00:23:26Sister Rosetta Tharpe - Trouble In Mind - 00:27:34Big Mama Thornton - Ball and Chain - 00:31:21Rory Block - Hard Time Killing Floor Blues - 00:36:03Shemekia Copeland - Ghetto Child - 00:41:20Sue Foley - The Ice Queen - 00:45:27Laura Chavez - Shot-Zee - 00:50:08Redfish & The Cinelli Brothers - Together Is Better - 00:54:48MKO - Someone Else's Dream - 00:59:56When Rivers Meet - Soulbreaker - 01:03:53Andy Taylor Group - Loose Cannon - 01:09:40Steve Cropper / Pops Staples / Albert King - Big Bird - 01:14:49Otis Rush - Three Times A Fool - 01:18:44Jimi Hendrix - Red House - 01:24:59B.B. King & Tracy Chapman - The Thrill Is Gone - 01:28:40Smokey Wilson - I'm No Fool I Know The Rule - 01:33:41Lightning Threads - Brown Liquor Black Coffee - 01:37:49Real World Blues Band - Born Under A Bad Sign - 01:40:5511 Guys Quartet - Cheeky Baby - 01:43:51Women In Blues, Blues Podcast, Blues Radio Show, Classic Blues, Modern Blues, British Blues, Chicago Blues, Blues Guitar, Sister Rosetta Tharpe, Big Mama Thornton, Memphis Minnie, Shemekia Copeland, Sue Foley, Rory Block, Laura Chavez, Jimi Hendrix Blues, B.B. King, Otis Rush, New Blues Releases, UK Blues Scene, Yorkshire Blues, Blues From The OuseBlues From The Ouse is a weekly UK blues podcast and blues radio show featuring classic blues, modern blues, British blues and blues rock.Discover blues legends, new blues releases and the best emerging British blues artists — available worldwide.Links

On this episode of The Bandwich Tapes, I sit down with guitarist and composer Bob Lanzetti, best known as one of the founding members of Snarky Puppy. I've admired Bob's playing for a long time, so getting the chance to talk with him felt especially meaningful. We begin with something many musicians quietly carry with them: the fear of hand issues and how that concern evolves over the course of a career. Bob reflects honestly on how he thinks about it now compared to earlier years.From there, we rewind to the beginning—growing up around his dad's guitar, discovering The Beatles, and the simple invitation that changed everything: “Learn this song and you can sit in with my band.” That moment set Bob firmly on the path toward becoming a guitarist. He traces his journey through early mentors, jazz studies, and eventually to the University of North Texas, where he found a musical community that would change his life—and where Snarky Puppy first came together.We spend time talking about the musical ecosystem around North Texas as well, especially the gospel and R&B scenes that shaped Bob's ear in ways the classroom couldn't. Bob shares how Snarky Puppy actually learns and rehearses music—often through oral tradition, demos, and Logic sessions—and how the band's three-guitar setup works without stepping on each other's sonic space. Along the way, he reflects on something younger musicians often overlook: the importance of restraint, listening, and self-balancing within a band.One of my favorite parts of the conversation centers on Bob's Nosferatu project, where he composed and performed an original score for the classic silent film during the COVID years. That project opened the door to exploring 20th-century classical textures, string writing, layered guitars, and production techniques. We wrap up by talking about the wide range of influences that shape Bob's music—from Charlie Christian and Jim Hall to Sonic Youth and Derek Bailey—and what's ahead in 2026, including GroundUP Festival, touring with Snarky Puppy alongside the Metropole Orchestra, his trio work, and the growing role of producing in his creative life.Key TakeawaysMusicians confront physical concerns over time — long careers require resilience and perspective.Early invitations can shape a life path — a simple opportunity to sit in with a band set Bob on the guitar journey.Community matters — the University of North Texas and the surrounding Dallas scene were foundational for Snarky Puppy.Listening and restraint define great band playing — especially in complex ensemble settings like a three-guitar lineup.Musical learning often happens by ear — oral tradition and demos play a huge role in how bands develop material.Creative side projects expand the palette — Bob's Nosferatu score opened the door to new textures and production ideas.Producing can become another creative outlet — shaping the sound of recordings scratches the same itch as performing.Music from the EpisodeB - Bob LanzettiAnonymous - Bob LanzettiThe Seven Deadly Sins (from Nosferatu) - Bob LanzettiJenny is a Donkey - Bob LanzettiAbout the PodcastThe Bandwich Tapes is a podcast hosted by Brad Williams, featuring conversations with musicians, composers, producers, and creative thinkers about their musical journeys. Each episode explores the influences, decisions, and experiences that shape a life in music—one conversation at a time.Connect with the ShowEmail: contact@thebandwichtapes.com

▶▶ Stuck on Soloing? Get my Free Blues Solo Breakthrough course: https://www.playguitaracademy.com/bluessolobreakthrough Most guitar players think they need more licks, but the real problem is not knowing how to develop the ones they already have into musical ideas that don't sound repetitive. SHOW NOTES FOR THIS EPISODE- https://www.playguitaracademy.com/blog/stop-wasting-your-licks-blues-guitar-460 PLAY GUITAR ACADEMY - Instant access to the tabs, backing tracks, and guitar pro files from all my lick videos, Monthly masterclasses, and weekly Q&A. https://www.playguitaracademy.com 1-on-1 Guitar Lessons - https://www.playguitaracademy.com/play-guitar-coaching PLAY GUITAR PODCAST - https://podcasts.apple.com/us/podcast/play-guitar-podcast/id1341900209 https://open.spotify.com/show/0MxjU2Y0L8PoYiTKmCtvpt YOUTUBE  (SUBSCRIBE)- https://www.youtube.com/@playguitaracademy FACEBOOK - https://www.facebook.com/PlayGuitarAcademy/ https://www.facebook.com/groups/playguitargroup/ INSTAGRAM - https://www.instagram.com/playguitaracademy Copyright ©2026 Play Guitar Academy

▶▶ If you want the step-by-step system for building clean, confident blues playing with all the feedback loops already built in, check out my Blues Solo Breakthrough course: https://www.playguitaracademy.com/bluessolobreakthrough   Today I break down why beginner blues mistakes happen in the first place, what's really going on beneath the surface, and how to fix the pattern instead of just patching individual problems.   SHOW NOTES FOR THIS EPISODE- https://www.playguitaracademy.com/blog/the-one-thing-holding-back-beginner-blues-guitar-players-457 PLAY GUITAR ACADEMY - Instant access to the tabs, backing tracks, and guitar pro files from all my lick videos, Monthly masterclasses, and weekly Q&A. https://www.playguitaracademy.com 1-on-1 Guitar Lessons - https://www.playguitaracademy.com/play-guitar-coaching PLAY GUITAR PODCAST - https://podcasts.apple.com/us/podcast/play-guitar-podcast/id1341900209 https://open.spotify.com/show/0MxjU2Y0L8PoYiTKmCtvpt YOUTUBE (SUBSCRIBE)- https://www.youtube.com/@playguitaracademy FACEBOOK - https://www.facebook.com/PlayGuitarAcademy/ https://www.facebook.com/groups/playguitargroup/ INSTAGRAM - https://www.instagram.com/playguitaracademy Copyright ©2026 Play Guitar Academy

Following the passing of blues legend John Hammond, we're revisiting this conversation with him from the first season of Music Makers and Soul Shakers, with the addition of a later conversation in which John recounts meeting Bo Diddley. Hosted on Acast. See acast.com/privacy for more information.

Blues From The Ouse is a weekly blues music podcast featuring the best in classic blues, modern blues and British blues.Episode 314 features new blues releases, listener requests and blues guitar legends in a two-hour blues radio show.New music includes tracks from Spencer Mackenzie, Marc Broussard and Tedeschi Trucks Band.The show explores blues themes of hard times and redemption with music from Robert Cray, Cedric Burnside and Magic Slim.Listener requests feature a wide range of blues styles including acoustic blues, electric blues and blues rock.Artists include:Tracy ChapmanChris ReaJohnny LangThe show finishes with blues masters including:Stevie Ray VaughanJohnny WinterDuke RobillardBlues From The Ouse is a weekly blues radio show and podcast featuring:Classic BluesModern BluesBritish BluesChicago BluesBlues RockBlues GuitarIf you enjoy blues guitar, blues rock and traditional blues music, this podcast is for you.New episodes every week.Blues From The Ouse #314 Playlist:Spencer Mackenzie - Frozen Hearts - 00:02:01Marc Broussard - Fever - 00:08:00Paul Gemmell & The Black Magic Blues Band - Together We Are Strong - 00:12:15Tedeschi Trucks Band - Who Am I - 00:17:11The Robert Cray Band - The Forecast (Calls For Pain) - 00:22:23Cedric Burnside - Hard To Stay Cool - 00:27:09Magic Slim & The Teardrops - Hard Luck Blues - 00:31:22 Junior Kimbrough and the Soul Blues Boys - Sad Days, Lonely Nights - 00:36:27Southern Avenue - Rum Boogie - 00:40:59Roomful Of Blues - Turn It In, Turn It Up! - 00:44:22Marcus King - The Well - 00:47:47The Meters - Cissy Strut - 00:50:33Tracy Chapman - Give Me One Reason - 00:55:02Robert Finley - Get It While You Can - 01:01:33Joakim Tinderholt & His Band - I Got Loaded - 01:04:06Alex Voysey - Whiskey and Wine - 01:08:06Chris Rea - Nineties Blues - 01:12:12Johnny Winter - Be Careful With A Fool - 01:20:06Black Stone Cherry - Built For Comfort - 01:25:19Jonny Lang - Lie To Me - 01:30:34Stevie Ray Vaughan - Texas Flood - 01:34:42 Big Wolf Band - Living On Borrowed Time - 01:39:39Duke Robillard - Cookin' - 01:43:16blues podcast, blues music podcast, best blues podcast, blues radio, blues radio show, modern blues, classic blues, British blues, blues guitar, blues rock, Chicago blues, electric blues, blues music, weekly blues podcastBlues From The Ouse is a weekly UK blues podcast and blues radio show featuring classic blues, modern blues, British blues and blues rock.Discover blues legends, new blues releases and the best emerging British blues artists — available worldwide.Links

Send a textThis week on Jams ‘N' Cocktails, Brad Brock cranks up the amps and celebrates National Guitar Day the only way he knows how—loud, nerdy, and with a properly garnished cocktail in hand. Joined by co-host Kevin McLoughlin (and a surprise appearance from Tracy), the crew dives deep into the rich, centuries-long history of the guitar—from ancient Mesopotamian stringed instruments to the electrifying innovations of Les Paul and Leo Fender.But this isn't just a history lesson. Brad and Kevin swap personal stories about their favorite stage guitars, dream instruments, near-miss vintage regrets, and the magic of finding “the one.” They put their ears to the test in a riff-based round of Name That Tune, debate relic guitars vs. earned wear-and-tear, and even squeeze in a spontaneous guitar lesson packed with blues wisdom and practical theory. Whether you're a seasoned player or just love the sound of a screaming Telecaster, this episode hits all the right notes.LinksJNC Officialhttps://www.jncpodcast.comSupport us on Patreonhttps://www.patreon.com/jncpodcast

Is this one of the best or worst method or repertoire books for learning to play acoustic fingerstyle blues guitar? You can learn to play music using a variety of resources including teachers, online resources, and books. Solo Blues Guitar by Dave Rubin is different from any other book that I've reviewed thus far in that it is not a fingerstyle guitar book.  The examples can be played fingerstyle, but most seem to work best with a plectrum/pick/flatpick.  However, I want to review this book for a couple reasons: It is focused on solo blues guitar arrangements I LOVE this book.  These examples are fun and they inspire me to improvise in new ways with new grooves. Solo Blues Guitar by Dave Rubin is a repertoire book for learning to play, well… solo blues guitar!  With a plectrum.  This book is suitable for intermediate players who already have some knowledge of the blues and how to improvise.  Each example provides a groove that intersperses melody and lead lines.  To really get the most out of the book, you will want to: Learn an example as written, Understand the rhythm guitar groove – the shuffle, chord stabs, etc. Insert your own melodies and improvisation while continuing to hold down the original rhythm guitar groove. You can try creating variations to the original groove as well. Other than a half-page introduction, there is no text in this book.  Only full 12 or 16-bar blues examples: (35) 12-bar, single-chorus examples in the keys of E, A, G, and D, (15) 12-bar, two-chorus, slow blues examples in the keys of E, G, and A, and (5) 16-bar examples with non-standard chord progressions in the key of A. Solo Blues Guitar provides both treble clef and tablature for each arrangement.  Unfortunately, no fingering is provided in the music.  For each example, I notated my own fingering in the music, after which I was able to play much more smoothly, accurately, and confidently.  The skill of choosing sensible fingering is important, and you will need to look elsewhere to further develop this skill. Recordings are available online through Hal Leonard's website.  These will be very helpful to many readers.  Interestingly, the recordings were done by Doug Boduch, the author of Hal Leonard's Fingerpicking Guitar, which I reviewed in Review #17. © 2006 by Hal Leonard My own books: Fingerstyle Blues Guitar: An In-Depth Study of the 12-Bar Blues in E Major – Books 1 and 2 are available in paperback or as an eBook through Amazon [https://a.co/d/g7Udsso (Book 1) and https://a.co/d/aDbh4H0 (Book 2)].  The first priority of these books is to quickly get you playing a solo instrumental 12-bar blues, and then to build on it until you can freely improvise or “jam.” You should be up and running by the end of the third chapter, and each following chapter will add icing on the cake. Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook.  Learning to arrange melodies will also help your fingerstyle songwriting and your understanding of the inner workings of fingerstyle guitar. My upcoming book, Arranging for Fingerstyle Ukulele, will be published by Mel Bay in 2026. My music is available on all streaming platforms at https://open.spotify.com/artist/5dcokTG6C598OhTslHH5uo?si=hrQb7FViSZewDRSgECw9Ew: Pins on the Map: my third fingerstyle guitar album was released on January 19, 2024. Watch the first single, “Open Road,” on YouTube here: https://youtu.be/uPBh8sZQsT4?si=EM_wAwnHFqU1VC9C. Riding the Wave and Acoustic Oasis: my first two fingerstyle guitar albums.

In this episode of The Blues Guitar Show, we break down five essential slide guitar tips every beginner needs to know. Whether you're brand new to slide or struggling to make it sound smooth instead of scratchy, this episode will set you on the right path.You'll learn how to choose the right slide, get better tone with proper muting, improve your intonation, and start playing slide guitar with confidence and feel. These practical, beginner-friendly tips will help you sound more musical fast—without overcomplicating things.Perfect for blues guitarists who want to capture that classic Delta and electric blues vibe and start expressing themselves through slide.Plug in, slide on, and let's talk blues.Support the showTo become a MEMBER and get access to over 2 Years of guitar lessons for just $5/Month head to https://www.buzzsprout.com/950998/subscribe

From Florida Metal to the Blues: Raped Ape, Divine Empire, and More /////////////////// In this episode, we are joined by guitarist JP Soars to trace his journey from South Florida's metal scene of the 1980s and 1990s to a decades-long career as a blues artist. JP shares stories from early bands like Raped Ape, Malevolent Creation, and Divine Empire, recording at Morrisound Studios and Studio 13, playing and seeing shows at venues like the Cameo Theater, The Treehouse, The Pit, Weekends, Metal Factory, and more, as well as radio, zines, and touring.He also talks about discovering blues, jazz, and roots music early on, inspired by artists like BB King, Muddy Waters, and Albert King, which eventually led to a full-circle career shift and collaborations with Jason Newsted of Metallica and Lee Oskar of War.

Grammy-nominated sister duo Larkin Poe join Buzz Knight on Takin’ A Walk for an unforgettable conversation about their journey from bluegrass roots to becoming one of rock music’s most electrifying acts. Rebecca and Megan Lovell share the inspiring story behind their unique blend of Southern rock, blues, and roots music that has earned them multiple Grammy nominations and a devoted global following. In this candid interview, the Lovell sisters open up about their creative process, the evolution of their signature sound, and what it takes to thrive as independent artists in today’s music industry. From their early days performing bluegrass to crafting powerful rock anthems, Larkin Poe discusses the pivotal moments that shaped their career and the deep family bonds that fuel their musical partnership. Buzz and the sisters explore their approach to guitar-driven rock, their commitment to authentic storytelling through song, and how they’ve built a sustainable career while maintaining complete artistic control. They share insights about their acclaimed albums, the inspiration behind their most powerful tracks, and their experiences performing at major festivals and venues worldwide. This episode offers rare perspective on what it means to be Grammy-nominated independent artists navigating the modern music landscape, the importance of staying true to your artistic vision, and how dedication to craft can lead to both critical acclaim and commercial success. Larkin Poe’s story serves as inspiration for musicians and music lovers alike, demonstrating how talent, hard work, and sisterhood can create something truly special in rock and roll. Like the show? Leave us a review here. Review #bestmusicinterviewpodcast #soulfulsoundsinterview #bestmusichistorypodcast Support the show: https://takinawalk.com/ See omnystudio.com/listener for privacy information.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Is this one of the best or worst method or repertoire books for learning to play acoustic fingerstyle blues guitar? You can learn to play music using a variety of resources including teachers, online resources, and books. Despite the book's title, this is not a traditional method book for learning to play fingerstyle blues guitar. This is a repertoire book containing fingerstyle blues arrangements in a variety of subgenres (i.e. ragtime and delta blues). The book does offer more than a traditional repertoire book in that it has technical and historical notes before each tune, and then it occasionally introduces a new technique through a tune. This book is suitable for late beginner to advanced fingerstyle players but is best for intermediate players. I really like the organization of the book: tunes are organized by subgenre, and within each section the tunes are arranged from easiest to hardest. If you have zero experience playing fingerstyle guitar or fingerstyle blues, this is not the best book to start with. If you do have some experience, this is a great book for learning fun tunes, improving your skills, and learning some background history. What stands out about this book is that some tunes include multiple choruses. If you've studied fingerstyle blues from books, you've seen one or two page arrangements that, as written, are too short for a full performance. You might have gathered that you should play the original arrangement and then create multiple variations to instrumentally simulate different lyrics for each verse of a vocal tune, to extend your performance, and to make it your own. However, most books don't actually write out any variations. The Complete Acoustic Blues Guitar Method is wonderful in that some of its arrangements do contain 2nd and 3rd chorus variations. These are great for beginners and players that just want to play a tune that lasts more than 30 seconds, and they are even more valuable for players that want to see and study concrete examples of variations. You can learn a lot from analyzing these variations and then you can implement these ideas into other tunes in your repertoire. Difficulty ramps up quickly in this book with the majority of the arrangements in that intermediate difficulty range. Beginner players may want to first use a traditional method book: A general fingerstyle method like Alfred's “Beginning Fingerstyle Guitar,” or A more focused method like Bruce Emery's “Travis-Style Guitar from Scratch.” Then you could utilize Woody Mann's book as a supplement as you're working through the method book. Later beginners should aim for the first tune or two from each different section and see what specific styles of fingerstyle blues catch their ear. You will improve faster and have more fun if you play tunes that are aren't too difficult, so don't get bogged down with the hardest tunes in the book. The Complete Acoustic Blues Guitar Method provides both treble clef and tablature for each arrangement, but neither fretting nor picking hand fingering is provided. At least you can tell which notes should be played with your thumb by looking at the treble clef – bass notes have down stems. Regardless, the skill of choosing sensible fingering is important, and you will need to look elsewhere to further develop this skill. Recordings are available online through Hal Leonard's website. These will be very helpful to many readers. It's fun and educational to hear some of the author's little variations and stylistic techniques (slides, bends, etc.) that aren't written into the music. The book doesn't use the modern percussive techniques used by modern players like Michael Hedges, Don Ross, Andy McKee, Mike Dawes, etc. No thumb slaps, guitar body percussion, or tapping. It says that the copyright is © 2014 Wise Publications, but the book seems to be published and distributed by Hal Leonard. My own books: Fingerstyle Blues Guitar: An In-Depth Study of the 12-Bar Blues in E Major – Books 1 and 2 are available in paperback or as an eBook through Amazon [https://a.co/d/g7Udsso (Book 1) and https://a.co/d/aDbh4H0 (Book 2)]. The first priority of these books is to quickly get you playing a solo instrumental 12-bar blues, and then to build on it until you can freely improvise or “jam.” You should be up and running by the end of the third chapter, and each following chapter will add icing on the cake. Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook. Learning to arrange melodies will also help your fingerstyle songwriting and your understanding of the inner workings of fingerstyle guitar. My upcoming book, Arranging for Fingerstyle Ukulele, will be published by Mel Bay in 2026. My music is available on all streaming platforms at https://open.spotify.com/artist/5dcokTG6C598OhTslHH5uo?si=hrQb7FViSZewDRSgECw9Ew: Pins on the Map: my third fingerstyle guitar album was released on January 19, 2024. Watch the first single, “Open Road,” on YouTube here: https://youtu.be/uPBh8sZQsT4?si=EM_wAwnHFqU1VC9C. Riding the Wave and Acoustic Oasis: my first two fingerstyle guitar albums.

Blues From The Ouse #303 – Jorvik Radio (26 Nov 2025)This week's show blends brand‑new releases, bird‑blues themes, and listener requests with our trademark wit.

Is this one of the best or worst method books for learning to play acoustic fingerstyle blues guitar? You can learn to play music using a variety of resources including teachers, online resources, and books. Another great find! Beginning Fingerstyle Blues Guitar, by Arnie Berle and Mark Galbo, is a method book for learning to play fingerstyle blues guitar (both solo and accompaniment). This is first fingerstyle blues books that I've come across that provides a great chapter on how to incorporate singing over your guitar playing. The book is suitable for beginner fingerstyle players who can play basic chords through to intermediate players. I blew through this book – the material progresses logically with exercises that build on each other and lead perfectly into complete 12-bar examples. The majority of the book is focused on playing using an alternating bass (Travis style). Rest assured, if you work through this book, you will build a solid fingerstyle blues foundation and you will learn a few cool 12-bar choruses. You will still need further instruction to develop your arranging and improvisation skills as well as your tone, rhythmic feel, and fingering choices. After some introductory material covering blues history, form, rhythm, and picking hand technique, the book jumps right into exercises to develop your alternating bass technique. Assuming you can already play your basic chord shapes, the book methodically shows you how to play the alternating bass over the I, IV, and V chords in the keys of A, G, and E. Each chapter presents a new layer of complexity (new melody note options, new rhythms, new fretting or picking-hand techniques, new chord voicings, etc.), with progressive exercises that always culminate in a full 12-bar example. The authors really did a great job in organizing the topics and calibrating the difficulty progression – the book flows well. Although the examples of the early chapters sound “major” and bland, they prepare you for the addition of “blue notes” and other bluesy techniques that add some soul to your sound and immediately make your playing more satisfying. Just stick with it through those early chapters! Late in the book, the chapter on how to incorporate singing over your fingerstyle blues guitar playing is special. You won't learn anything about vocal technique or tone production, but you will learn about the call-and-response dance between your vocals and guitar playing. You will learn how to accompany your vocal lines (the “call”) and then play a guitar riff or chordal “response.” First, the vocal melody is provided in standard notation and on the CD – you will want to learn to sing this melody. Then the guitar part is provided, which you will learn separately before adding the vocals on top. Then the authors provide alternate “response” riffs that you can substitute into the segments of the tune when there are no vocals. Players with more experience can improvise their own riffs in these spots. Finally, you will learn a few turnarounds that you can substitute into bars 11 and 12. By the time I was finished with this section, I was really jamming out, improvising, and having fun with the example tune. The book culminates with five complete blues tunes that incorporate everything you've learned and jump-start your blues repertoire. Four of these tunes are traditional and one is an original. Three are vocal tunes and two are instrumental. Beginning Fingerstyle Blues Guitar provides both treble clef and tablature for each arrangement. Minimal fretting hand fingering is provided (sometimes written into the music, sometimes provided via tiny chord charts written above the music, and sometimes discussed in the text). Picking hand fingering is only provided in the music for the first chapter, although you can always tell which notes should be played with your thumb by looking at the treble clef – bass notes have down stems. The skill of choosing sensible fingering is important, and you will need to look elsewhere to further develop this skill. Recordings are available on an included CD. These will be very helpful to many readers. The book doesn't use the modern percussive techniques used by modern players like Michael Hedges, Don Ross, Andy McKee, Mike Dawes, etc. No thumb slaps, guitar body percussion, or tapping. Published by Amsco Publications © 1993 My own books: Fingerstyle Blues Guitar: An In-Depth Study of the 12-Bar Blues in E Major – Books 1 and 2 are available in paperback or as an eBook through Amazon [https://a.co/d/g7Udsso (Book 1) and https://a.co/d/aDbh4H0 (Book 2)]. The first priority of these books is to quickly get you playing a solo instrumental 12-bar blues, and then to build on it until you can freely improvise or “jam.” You should be up and running by the end of the third chapter, and each following chapter will add icing on the cake. Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook. Learning to arrange melodies will also help your fingerstyle songwriting and your understanding of the inner workings of fingerstyle guitar. My upcoming book, Arranging for Fingerstyle Ukulele, will be published by Mel Bay in 2026. My music is available on all streaming platforms at https://open.spotify.com/artist/5dcokTG6C598OhTslHH5uo?si=hrQb7FViSZewDRSgECw9Ew: Pins on the Map: my third fingerstyle guitar album was released on January 19, 2024. Watch the first single, “Open Road,” on YouTube here: https://youtu.be/uPBh8sZQsT4?si=EM_wAwnHFqU1VC9C.Riding the Wave and Acoustic Oasis: my first two fingerstyle guitar albums.

Is this one of the best or worst method books for learning to play acoustic fingerstyle blues guitar? You can learn to play music using a variety of resources including teachers, online resources, and books. Open with 12-bar blues performance Imagine ripping a blues solo on stage with your band – your drummer and bassist providing a comfortable soundscape on which your tasty guitar lines can float. Now imagine that you're alone on your front porch with only an acoustic guitar – wouldn't you like to be able to jam on the blues all by yourself? There is a long tradition of fingerstyle blues Although much fingerstyle blues music is mixed with vocals, solo instrumental tunes can be so much fun! Welcome to Guitar Books the Podcast, my name is Joe McMurray Show books Unusual episode – I'm going to do a rundown my own recently published books, Fingerstyle Blues Guitar: An In-Depth Study of the 12-Bar Blues in the Key of E Major: Books 1 and 2 First priority of these books is to quickly get you playing a solo instrumental 12-bar blues, and then to build on it until you can freely improvise or jam. You should be up and running by the end of the 3rd chapter, and each following chapter will add icing on the cake. Organized the books so that the concepts and exercises progress logically, thoroughly, and with a smooth difficulty progression. Take care to explain how to immediately apply each concept to your playing. These are essentially one long book split down the middle: Book 2 picks up right where Book 1 left off.  It was just too long – it would have been around 350 pages. I recommend that everyone start with Book 1, which is suitable for all skill levels.Complete beginner players who work through the first few chapters should be able to improvise a satisfying fingerstyle blues solo. Intermediate to advanced players will breeze through the first few chapters, but will hopefully pick up some useful information starting around Chapter 4. Book 2 is more suitable for intermediate to advanced players.It digs deeper into higher level concepts that are more technically and theoretically difficult, but will elevate your playing to new levels. You will learn to play new scales, turnarounds, rhythms, time signatures, key signatures, and more! Again, I recommend that everyone start with Book 1, and then move on to Book 2. Not here to teach you every authentic Robert Johnson lick or every subgenre of fingerstyle blues. You won't learn and memorize a bunch of new tunes. However, I will clearly lay out how to create a solo fingerstyle guitar performance in which you improvise over the 12-bar blues structure using a monotonic bassline. You will master ONE platform through which you can channel endless creativity and put on a satisfying blues performance. Lots of fingerstyle blues books on the market – why work through mine? I love many of these other books, and I have learned a lot from them.  The first thing that differentiates mine is its focus on playing the blues over a monotonic bassline.  Most other books focus on playing the blues over an alternating bassline (Travis style) (although they may present some material on using a monotonic bassline). One focuses on playing the blues over a monotonic bassline – Joseph Alexander's Fingerstyle Blues Guitar.I was honestly very influenced by this book, and I highly recommend it in addition to mine!However, Alexander's book focuses more on teaching you a bunch of authentic blues language and licks over the monotonic bassline, with less emphasis on putting together a full lyrical 12-bar solo, nonetheless a full multi-chorus performance.My book starts from a more beginner-friendly place and builds with a much more gradual difficulty progression.  Easier melodies and rhythms at first, with many, many examples. My book focuses on the bigger picture of putting together a cohesive blues chorus and then a cohes...

Today I'm catching up with one of the best modern slide guitarists - Johan Borgh from Sweden. In this episode we talk about Johan playing with Gary Clark Jr, his tips for learning slide, his gear and his awesome new record - Island Blues.  Become a plus member now: https://www.buzzsprout.com/950998/subscribeSupport the showTo become a MEMBER and get access to over 2 Years of guitar lessons for just $5/Month head to https://www.buzzsprout.com/950998/subscribe

Is this one of the best or worst method books for acoustic fingerstyle guitar? You can learn to play music by simultaneously using a variety of resources including teachers, online resources, and books. Rainer's Acoustic Blues Guitar Picking School, written by Rainer Brunn, is a method book for learning to play solo fingerstyle blues guitar.  The material is generally appropriate for late beginner to intermediate players who want to learn this style.  The material progresses logically from an easy introduction to Travis style/alternating basslines and quickly ramps up to late beginner difficulty.  Text is kept to a minimum, so readers should spend some time analyzing the playing examples.  The entire book is fairly short and concise at 53 pages. The majority of Rainer's Acoustic Blues Guitar Picking School focuses on playing the blues using an alternating bassline, although some examples feature a monotonic bassline.  Each chapter generally features a concise explanation of one or two new concepts (i.e. inner and outer right-hand positions, the “long A” chord shape, hammer-ons, pull-offs, slides, etc.), provides a few playing examples to demonstrate, and finally provides a full 12 or 16 bar blues chorus utilizing the new concepts. My overall impression from going through this book is that it contains valuable information, but it is not as comprehensive as some other books.  You will gain important technical/physical skills to play fingerstyle blues, but there isn't much explanation on how to approach a new blues tune, music theory to help you choose the proper notes while improvising, etc.  Still, some people might prefer the concise text.  My advice would be to work through this book with a teacher or to combine this with another more comprehensive method book.  This book might make a great 2nd or 3rd book in your fingerstyle blues collection.  I got a great workout going through the book, I have immediately begun implementing some of the new ideas and chord shapes into my own playing, and I will be using some of the examples with my students. Chapter by chapter breakdown: Ch. 1: Intro to Travis style/ alt bass in blues keys of E, A, and C.  Intro to syncopation very soon.  If you are new to Travis style, then this will be difficult.  If you have some experience with Travis style, then this will quickly get you sounding bluesy. Ch. 2: Inner and outer RH positions – shifting thumb to pick 4th and 3rd strings while i and m fingers shift to 2nd and 1st strings.  Accompaniment behind a blues tune in D. Ch. 3: “Long A chord” – use pinky to reach 5th fret A note on 1st string.  Introduction of double alternating bass. Ch. 4: Hammer-ons, pull-offs, slides.  Intro to monotonic bass.  Intro to triplets.  Keys of E, G, and D with alt bass.  Intermediate territory. Ch. 5: Shuffle rhythm.  Advanced chord shapes (up the neck) for keys of E, A, D.  This is getting significantly more difficult – too difficult for beginners, in my opinion. Ch. 6: Thumb over the top.  Rag in C – really nice 16-bar tune. Ch. 7: Trickier hammer-ons, pull-offs, and slides over Travis bassline.  Keys of E and A. Ch. 8: Using alternating m and i picking hand fingers.  Lots of cool chromatic melodies. Ch. 9: Accompaniment.  Variations to keep you from playing the same accompaniment pattern over and over. Ch. 10: “Moveable modules” – chordal or interval ideas that can be moved around to fit over different chords/in different keys. Ch. 11: Turnarounds – some good introductory turnarounds to learn and start implementing into your blues playing. Ch. 12: Two blues tunes with discussions/analysis. Videos available online – solid performances of examples that are helpful to view. The book doesn't use the modern percussive techniques used by modern players like Michael Hedges, Don Ross, Andy McKee, Mike Dawes, etc.  No thumb slaps, guitar body percussion, or tapping.

Welcome to our new Jazz Cast with the spotlight on clear guitar tones and Lou's latest melodies and harmonies. We think you'll really like it! The titles: "SLOW DANCING BLUES", "IN TOWN INTRIGUE", "HARVEST MOON & STARS" and "THE END OF A PERFECT DAY" [compliments of cosmic consciousness music ©2025 BMI] Enjoy!

Send us a textFind Jonathan Stout on:Internet: https://www.campusfive.com/Instagram: https://www.instagram.com/campusfive/SponsorsGrez Guitars: https://www.grezguitars.com/Grez Guitars (Instagram): https://www.instagram.com/grezguitars/Summer School Electronics: https://www.summerschoolelectronics.com/Summer School Electronics (Instagram): https://www.instagram.com/summerschoolelectronics/Meris Pedals: https://www.meris.us/Meris Pedals (Instagram): https://www.instagram.com/meris.us/Affiliate LinksSweetwater: https://sweetwater.sjv.io/qzy9XjTrueFire (affiliate link): https://shorturl.at/bfjGXGet 40% off your first lesson purchase (including the annual pass!) with code 40WATTReverb (affiliate link): https://tidd.ly/3zLI32NPatreon: https://www.patreon.com/40wattpodcast/​Find all of the podcast links at:https://www.linktr.ee/40wattpodcasthttps://www.40wattpodcast.com/Subscribe to the channel and give a like – also find us in audio format wherever you listen to podcasts and leave us a review and share us with your friends. Support the show

The legendary Warren Haynes has returned to the podcast! We discuss his influences, his early years in Nashville, touring with David Allan Coe, his time with the Allman Brothers, songwriting, and more. This is a deep dive with some awesome stories. Check out Andy opening for Gov't Mule on Oct 25th and 26th in Newport, KY and Charlottesville, VA.

Dive deep into the raw, hypnotic world of R. L. Burnside, the legendary North Mississippi hill country bluesman. From his early life on Mississippi farms to decades of regional performances, groundbreaking 1990s recordings with Fat Possum Records, collaborations with the Jon Spencer Blues Explosion, and his experimental Come On In album, we explore his guitar style, gear, live performances, and enduring influence on modern blues, rock, and electronic music. Become a plus member now: https://www.buzzsprout.com/950998/subscribeSupport the showTo become a MEMBER and get access to over 2 Years of guitar lessons for just $5/Month head to https://www.buzzsprout.com/950998/subscribe

In this extended deep-dive, we explore the life, music, and legacy of Muddy Waters—the man who electrified the Delta blues and laid the foundation for rock 'n' roll. From his early days on Stovall Plantation to his rise in Chicago with Chess Records, we trace his journey through iconic recordings like ‘Hoochie Coochie Man' and ‘Mannish Boy,' his groundbreaking performance at the 1960 Newport Jazz Festival, and the transatlantic collaborations of The London Muddy Waters Sessions.We'll break down Muddy's guitar style, gear, and slide techniques, hear stories of his legendary band with Little Walter and Otis Spann, and map out how his music influenced artists from the Rolling Stones and Jimi Hendrix to Led Zeppelin and beyond.Support the showTo become a MEMBER and get access to over 2 Years of guitar lessons for just $5/Month head to https://www.buzzsprout.com/950998/subscribe

Why is the guitar tuned in such a strange way and what can we learn from it? Support the showTo become a MEMBER and get access to over 2 Years of guitar lessons for just $5/Month head to https://www.buzzsprout.com/950998/subscribe

One of the most underrated guitarists of the 50s/60s. Bo Diddly gave us so much more than an iconic beat - in this episode I talk you through his classic song Roadrunner and talk about why hes awesome. Support the showTo become a MEMBER and get access to over 2 Years of guitar lessons for just $5/Month head to https://www.buzzsprout.com/950998/subscribe

On today's show, we hear how The Congress for the New Urbanism is accepting proposals for free design and planning help in northwest Arkansas, regardless of population count. Also, the life of Arkansas blues musician Cedell Davis. Plus, a new edition of Sound Perimeter.

Send us a textOn this week's episode of Jams 'N' Cocktails Live, host Brad Brock is joined by the full JNC Destruction Crew for a rare and exciting reunion. Together, they explore the deep roots and lasting impact of The Blues—one of the most influential genres in modern music. From the genre's birth in the American South to its global influence on rock, soul, and beyond, the team pays tribute to the stories, sounds, and artists that continue to shape the blues legacy.Listeners are treated to a rich mix of storytelling, live music, and signature JNC flair. The episode features a soulful cocktail of the week (The Blue Note Fizz), a deep dive into the cultural history of the blues with resident bluesman Earnest, and live performances from Brad himself. Plus, the show delivers all the weekly favorites: Captain Cocktail with Derek, the always-unpredictable Name That Tune game, entertainment headlines with The Jordy Files, and a grounding “Bad Bitch Message” from Elly.LinksJNC Officialhttps://www.jncpodcast.comSupport us on Patreonhttps://www.patreon.com/jncpodcast

In this episode I talk you through three great triad shapes for playing blues solos in the key of G Support the showTo become a MEMBER and get access to over 2 Years of guitar lessons for just $5/Month head to https://www.buzzsprout.com/950998/subscribe

In this episode I give you some useful tips for playing slide in Open G and talk you through a couple of classic Muddy Waters riffs. Support the showTo become a MEMBER and get access to over 2 Years of guitar lessons for just $5/Month head to https://www.buzzsprout.com/950998/subscribe

In this episode I am demoing 4 different picks to see if the size, shaoe and material actually affect the sound. Support the showTo become a MEMBER and get access to over 2 Years of guitar lessons for just $5/Month head to https://www.buzzsprout.com/950998/subscribe

On this episode of Caught On The Mike, I'm joined by the incredibly talented Hector Anchondo — winner of the 2020 International Blues Challenge and a powerful force in the modern blues scene. From his early days blending Latin, reggae, and rock, to becoming a nationally recognized blues artist, Hector's journey is one of passion, resilience, and raw talent. We also reflect on our shared roots in Omaha's iconic Ranch Bowl and the evolution of the local music community. Whether you're a longtime blues fan or simply love hearing from authentic artists with real stories, this is an episode you won't want to miss.

In this episode I'm giving you my top 5 tips for going to a blues jam session, we cover what to learn ahead of time, what to do when you get there and why jam sessions are a great practice tool. Support the showTo become a MEMBER and get access to over 2 Years of guitar lessons for just $5/Month head to https://www.buzzsprout.com/950998/subscribe

When blues powerhouse Albert Castiglia crossed paths with Bill Murray, neither could have predicted the musical partnership that would follow. In this captivating conversation with Greg Koch, Castiglia pulls back the curtain on how a Hollywood legend became his unexpected bandmate through a series of serendipitous connections that began with Murray's brother John."If Bill Murray wants to play in your band, you let him in your band," Castiglia remarks with characteristic humor. But beneath the celebrity factor lies a genuine musical connection that has taken them from intimate clubs to prestigious venues like Red Rocks. Far from seeking the spotlight, Murray approaches their collaboration with refreshing humility, insisting on equal billing and content to play percussion while occasionally stepping forward for a song. The audience response has been electric, with fans sometimes appearing in Ghostbusters costumes, moved to tears by Murray's magnetic stage presence.Castiglia's own journey through the blues landscape reveals the persistence required to build a sustainable career. From his early influences (discovering blues through Clapton and Johnny Winter's productions with Muddy Waters) to navigating the catch-22 of needing both a record deal and booking agent simultaneously, he speaks candidly about industry challenges. After cycling through five agencies, finding the right representation finally allowed him to expand from 100 shows annually to between 150-200 performances a year.The conversation touches on deeper themes of artistic growth, with Castiglia recently incorporating Coltrane's "Afro Blue" into his setlists after being inspired by Derek Trucks. He also reflects on lifestyle changes that have sustained his longevity, embracing sobriety after COVID and taking up boxing and Kung Fu to maintain his energy for grueling tour schedules. "I do this for the memories," he explains, capturing the essence of why musicians endure the hardships of the road.Ready to experience a genuine conversation between two musicians who've weathered decades in the business? Subscribe now and join us for more candid talks with roots music's most compelling voices.

In this episode I talk you through my approaches to learning the fretboard and the 3 levels of fretboard knowledge. How well do you know your guitar neck? Support the showTo become a MEMBER and get access to over 2 Years of guitar lessons for just $5/Month head to https://www.buzzsprout.com/950998/subscribe

▶▶ FREE Blues Soloing Course - https://www.playguitaracademy.com/bluessolobreakthrough Ever wonder how Jeff Beck made just one bend sound better than a whole solo? In this episode, I explore what made his playing so tasteful—and how trying to capture that same emotional feel is reshaping my approach to guitar. SHOW NOTES FOR THIS EPISODE- https://www.playguitaracademy.com/blog/would-you-like-to-play-like-jeff-beck-418 PLAY GUITAR ACADEMY - Instant access to the tabs, backing tracks, and guitar pro files from all my lick videos, Monthly masterclasses, and weekly Q&A. https://www.playguitaracademy.com 1-on-1 Guitar Lessons - https://www.playguitaracademy.com/play-guitar-coaching PLAY GUITAR PODCAST - https://podcasts.apple.com/us/podcast/play-guitar-podcast/id1341900209 https://open.spotify.com/show/0MxjU2Y0L8PoYiTKmCtvpt YOUTUBE  (SUBSCRIBE)- https://www.youtube.com/@playguitaracademy FACEBOOK - https://www.facebook.com/PlayGuitarAcademy/ https://www.facebook.com/groups/playguitargroup/ INSTAGRAM - https://www.instagram.com/playguitaracademy Copyright ©2025 Play Guitar Academy

Is the minor pentatonic scale over 3 thousand years old..... Probably not but today we are discussing the one scale to rule them all. We get into why the minor pentatonic scale is so heavily used for blues, where it comes from and what you should take from that. Should be a fun one!Support the showTo become a MEMBER and get access to over 2 Years of guitar lessons for just $5/Month head to https://www.buzzsprout.com/950998/subscribe

In this episode I'm talking you through how to effectively used CAGED to play more interesting 12 bar blues. Become a plus member now: https://www.buzzsprout.com/950998/subscribeSupport the showTo get your hands on THE TRIAD METHOD: https://thebluesguitarshow.com/product/the-triad-method/Become a Blues Guitar Show Member: https://www.buzzsprout.com/950998/subscribeHead over to www.thebluesguitarshow.com to subscribe to the mailing list

Episode 146: Delay Deep Dive Welcome to the Chairmen of the Boards Podcast! The ultimate pedalboard podcast with the foremost rig builders in the world: Grant Klassen (Goodwood Audio), Brian Omilion (Omilion Audio), and Mason Marangella (Vertex Effects/The Rig Doctor). We've teamed up to democratize great tone and provide you with our best tricks, tips, resources and hacks so you can build the pedalboard of your dreams!   //SPONSORS// The Guitar Sanctuary - https://theguitarsanctuary.com Neural DSP - https://www.neuraldsp.com (use discount code "chairmen" for 30% off) Best-Tronics - https://btpa.com (use code "dachairs" for 10% off) GB Music & Sound - https://www.gbmusicandsound.com/?ref=Chairmen   //HOSTS// Grant Klassen (Goodwood Audio) YT - ‪@GoodwoodAudio‬ IG - https://instagram.com/goodwoodaudio   Brian Omilion (Omilion Audio) YT - ‪@omilionaudio‬ IG - https://instagram.com/omilionaudio   Mason Marangella (Vertex Effects) YT - ‪@VertexEffectsInc‬ IG - https://instagram.com/vertexeffects   //YOUTUBE// Watch COTB Podcast live: @chairmenoftheboards

▶▶ Your Next Step - Blues Elevation Toolkit - https://www.playguitaracademy.com/blues-elevation-toolkit-coming-soon  Most blues players get stuck chasing licks, but real progress comes from mastering a soloing system. In this episode, you'll learn the key stages to confident, expressive soloing that makes you sound like you. SHOW NOTES FOR THIS EPISODE- https://www.playguitaracademy.com/blog/how-to-use-the-blues-mastery-lessons-to-level-up-your-playing-410 PLAY GUITAR ACADEMY - Instant access to the tabs, backing tracks, and guitar pro files from all my lick videos, Monthly masterclasses, and weekly Q&A. https://www.playguitaracademy.com 1-on-1 Guitar Lessons - https://www.playguitaracademy.com/play-guitar-coaching PLAY GUITAR PODCAST - https://podcasts.apple.com/us/podcast/play-guitar-podcast/id1341900209 https://open.spotify.com/show/0MxjU2Y0L8PoYiTKmCtvpt YOUTUBE  (SUBSCRIBE)- https://www.youtube.com/@playguitaracademy FACEBOOK - https://www.facebook.com/PlayGuitarAcademy/ https://www.facebook.com/groups/playguitargroup/ INSTAGRAM - https://www.instagram.com/playguitaracademy Copyright ©2025 Play Guitar Academy

▶▶ FREE Blues Solo Course - https://www.playguitaracademy.com/bluessolobreakthrough Blues isn't just a style—it's the secret to playing with confidence and expression! If you feel stuck running scales but not making real music, this episode will show you how blues can set you free. SHOW NOTES FOR THIS EPISODE- https://www.playguitaracademy.com/blog/learning-the-blues-guitar-freedom-409 PLAY GUITAR ACADEMY - Instant access to the tabs, backing tracks, and guitar pro files from all my lick videos, Monthly masterclasses, and weekly Q&A. https://www.playguitaracademy.com 1-on-1 Guitar Lessons - https://www.playguitaracademy.com/play-guitar-coaching PLAY GUITAR PODCAST - https://podcasts.apple.com/us/podcast/play-guitar-podcast/id1341900209 https://open.spotify.com/show/0MxjU2Y0L8PoYiTKmCtvpt YOUTUBE  (SUBSCRIBE)- https://www.youtube.com/@playguitaracademy FACEBOOK - https://www.facebook.com/PlayGuitarAcademy/ https://www.facebook.com/groups/playguitargroup/ INSTAGRAM - https://www.instagram.com/playguitaracademy Copyright ©2025 Play Guitar Academy

▶▶ FREE Blues Solo Course - https://www.playguitaracademy.com/bluessolobreakthrough Great solos don't just ramble—they tell a story that grabs the listener's attention. In this episode, I'll break down how to build a solo with direction, emoti

▶▶  Blues Solo Breakthrough - FREE email course - https://www.playguitaracademy.com/bluessolobreakthrough Learn the secrets to achieving smooth, controlled string bends that make your guitar solos sing. This lesson breaks down techniques to master bends with accuracy and emotion, perfect for blues and beyond! SHOW NOTES FOR THIS EPISODE- https://www.playguitaracademy.com/blog/blues-guitar-deep-dive-master-bending-notes-399 PLAY GUITAR ACADEMY - Instant access to the tabs, backing tracks, and guitar pro files from all my lick videos, Monthly masterclasses, and weekly Q&A. https://www.playguitaracademy.com 1-on-1 Guitar Lessons - https://www.playguitaracademy.com/play-guitar-coaching PLAY GUITAR PODCAST - https://podcasts.apple.com/us/podcast/play-guitar-podcast/id1341900209 https://open.spotify.com/show/0MxjU2Y0L8PoYiTKmCtvpt YOUTUBE  (SUBSCRIBE)- https://www.youtube.com/@playguitaracademy FACEBOOK - https://www.facebook.com/PlayGuitarAcademy/ https://www.facebook.com/groups/playguitargroup/ INSTAGRAM - https://www.instagram.com/playguitaracademy Copyright ©2025 Play Guitar Academy

 No genre had greater impact of the development of Rock & Roll than the Blues. And no instrument has contributed more to Rock than the electric guitar. In this episode, I'm joined by author Pete Prown to talk about the blues guitarists who influenced the sound of Rock (and all the genres & offshoots that followed). Some of these players became icons, others were forgotten; but they are all important figures in the evolution of the Blues and Rock—and are all featured in Prown's new book, “The Ultimate Book Of Blues Guitar Legends”, available now. Get your copy of Pete Prown's book here: https://bookshop.org/p/books/the-ultimate-book-of-blues-guitars-the-players-and-guitars-that-shaped-the-music-pete-prown/21008373?ean=9780760387566 Learn more about your ad choices. Visit megaphone.fm/adchoices

 No genre had greater impact of the development of Rock & Roll than the Blues. And no instrument has contributed more to Rock than the electric guitar. In this episode, I'm joined by author Pete Prown to talk about the blues guitarists who influenced the sound of Rock (and all the genres & offshoots that followed). Some of these players became icons, others were forgotten; but they are all important figures in the evolution of the Blues and Rock—and all featured in Prown's new book, “The Ultimate Book Of Blues Guitar Legends”, available now. Get your copy of Pete Prown's book here: https://bookshop.org/p/books/the-ultimate-book-of-blues-guitars-the-players-and-guitars-that-shaped-the-music-pete-prown/21008373?ean=9780760387566 Learn more about your ad choices. Visit megaphone.fm/adchoices

Grace Bowers is on the show for Episode 250!!  This amazing young artist has been enjoying a breakout year, having recently been featured on Jimmy Kimmel Live and made her Grand Ole Opry debut on her 18th birthday on July 30!!  Her debut album, Wine on Venus, is out now, and she has spent the summer sitting in with luminaries such as Dolly Parton, Tyler Childers and Gary Clark, Jr., and has been a featured guest at numerous festivals across the country. Grace talks to me about growing up as a shy kid in Northern California, having suffered bouts of anxiety, and how she was able to use her guitar skills as a means of expression in ways that surprised even herself. Having accomplished so much already, Grace tells me that it can be at times overwhelming, but at the same time, she has always expected this success of herself, but not perhaps as quickly as it has come. We have a candid and revealing conversation, and this is an epic interview for Roadcase Episode 250!!For more information on Roadcase: https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends! This week's friend is Jesse Milnes. We recorded this last month at Augusta Old Time Week in Elkins, WV. Tunes in this episode: * Hell Among the Yearlings (0:43) * Ragtime Annie (12:37) * Helvetia Polka (20:48) * Going Down to Brownsville (24:39) * Shelvin' Rock (33:35) * Bonus Track: Melvin Wine's Paddy on the Turnpike Visit Jesse Milnes' website (https://www.jessemilnes.com/) Support Get Up in the Cool on Patreon (https://www.patreon.com/getupinthecool) Sign up at Pitchfork Banjo for my clawhammer instructional series! (https://www.pitchforkbanjo.com/) Schedule a banjo lesson with Cameron (https://www.camerondewhitt.com/banjolessons) Visit Tall Poppy String Band's website (https://www.tallpoppystringband.com/) and follow us on Instagram (https://www.instagram.com/tallpoppystringband/)