Podcasts about Cesare Borgia

Step into the ultimate power playbook with this insightful episode of the Jeremy Ryan Slate Show! In "Machiavelli's Power Playbook: Lessons from The Prince," we take a deep dive into the cunning strategies of Cesare Borgia, Niccolò Machiavelli's muse for his timeless masterpiece, *The Prince.* This critical examination unpacks the rise and fall of Borgia, a warlord who dazzled Machiavelli with his ruthless brilliance but ultimately fell victim to misfortune and over-reliance on his father, Pope Alexander VI. Was Cesare the perfect prince or a cautionary tale in what not to do?Join me, Jeremy Ryan Slate—CEO of Command Your Brand and a passionate advocate for liberty and freedom—as we explore Machiavelli's unique perspective on power, from Renaissance Italy's chaotic city-states to the modern political and corporate landscapes of 2025. We'll uncover how Machiavelli's principles, from "better to be feared than loved" to hedging against Fortuna, shape today's leaders, CEOs, and even election strategies. This must-watch episode challenges you to question who's pulling the strings in your world and how you can control your own narrative.Let's spark a conversation! What lessons can we take from Machiavelli and Cesare Borgia in navigating power, politics, and life today? Drop your thoughts in the comments, hit the like button, and subscribe for more episodes that dive deep into history's greatest minds. Ready to command your own brand of power? Follow along and stay tuned for more thought-provoking content. Don't miss out—your journey to mastering modern power begins here.#cesareborgia #thelifeofcesareborgia #popealexandervi #machiavelli #darksideofgoodness___________________________________________________________________________⇩ SUPPORT OUR SPONSORS ⇩THE WELLNESS COMPANY: Health without the propaganda, emergency medical kits before you need it. Get 15% off now by using our link: https://twc.health/jrsCOMMAND YOUR BRAND: Legacy Media is dying, we fight for the free speech of our clients by placing them on top-rated podcasts as guests. We also have the go-to podcast production team. We are your premier podcast agency. Book a call with our team https://www.commandyourbrand.com/book-a-call MY PILLOW: By FAR one of my favorite products I own for the best night's sleep in the world, unless my four year old jumps on my, the My Pillow. Get up to 66% off select products, including the My Pillow Classic or the new My Pillow 2.0, go to https://www.mypillow.com/cyol or use PROMO CODE: CYOL________________________________________________________________⇩ GET MY BEST SELLING BOOK ⇩Unremarkable to Extraordinary: Ignite Your Passion to Go From Passive Observer to Creator of Your Own Lifehttps://getextraordinarybook.com/________________________________________________________________DOWNLOAD AUDIO PODCAST & GIVE A 5 STAR RATING!:APPLE: https://podcasts.apple.com/us/podcast/the-create-your-own-life-show/id1059619918SPOTIFY: https://open.spotify.com/show/5UFFtmJqBUJHTU6iFch3QU(also available Google Podcasts & wherever else podcasts are streamed_________________________________________________________________⇩ SOCIAL MEDIA ⇩➤ X: https://twitter.com/jeremyryanslate➤ INSTAGRAM https://www.instagram.com/jeremyryanslate➤ FACEBOOK: https://www.facebook.com/jeremyryanslate_________________________________________________________________➤ CONTACT: JEREMY@COMMANDYOURBRAND.COM

Get ready for an insightful episode as we take a deep dive into "The Borgias' Playbook: Lessons for Modern Power Games." In this must-watch video, we critically examine the rise and fall of the infamous Borgia family, from Pope Alexander VI's daring schemes to Cesare Borgia's ruthless conquests. Drawing parallels between Renaissance power plays and modern leadership strategies, we unpack their legacy of ambition, alliances, and betrayal. Were the Borgias masterminds of political innovation or victims of their own overreach? Join me, Jeremy Ryan Slate, CEO of Command Your Brand, as we explore these timeless lessons. With a unique perspective, we connect their controversial tactics—bribery, propaganda, and strategic alliances—to today's political and corporate power structures. From conspiracies of hidden wealth to Machiavelli's admiration of Cesare, this episode offers a fascinating lens on how history's power games still influence America's future, sovereignty, and even global elites in 2025.Don't miss this thought-provoking journey into the Renaissance crime family that rewrote the rules of power and inspired "The Prince." Let's discuss how their playbook resonates with today's dynasties, from lobbying to insider deals. Comment below with your take, hit that like button, and subscribe to join the conversation. Stay curious, stay sharp, and let's uncover the lessons history can teach us about navigating modern power struggles. Your insights matter—let's build a community that challenges the status quo!#pope #popealexandervi #politics #cesareborgia #weirdhistory___________________________________________________⇩ SUPPORT OUR SPONSORS ⇩THE WELLNESS COMPANY: Health without the propaganda, emergency medical kits before you need it. Get 15% off now by using our link: https://twc.health/jrsCOMMAND YOUR BRAND: Legacy Media is dying, we fight for the free speech of our clients by placing them on top-rated podcasts as guests. We also have the go-to podcast production team. We are your premier podcast agency. Book a call with our team https://www.commandyourbrand.com/book-a-call MY PILLOW: By FAR one of my favorite products I own for the best night's sleep in the world, unless my four year old jumps on my, the My Pillow. Get up to 66% off select products, including the My Pillow Classic or the new My Pillow 2.0, go to https://www.mypillow.com/cyol or use PROMO CODE: CYOL________________________________________________________________⇩ GET MY BEST SELLING BOOK ⇩Unremarkable to Extraordinary: Ignite Your Passion to Go From Passive Observer to Creator of Your Own Lifehttps://getextraordinarybook.com/________________________________________________________________DOWNLOAD AUDIO PODCAST & GIVE A 5 STAR RATING!:APPLE: https://podcasts.apple.com/us/podcast/the-create-your-own-life-show/id1059619918SPOTIFY: https://open.spotify.com/show/5UFFtmJqBUJHTU6iFch3QU(also available Google Podcasts & wherever else podcasts are streamed_________________________________________________________________⇩ SOCIAL MEDIA ⇩➤ X: https://twitter.com/jeremyryanslate➤ INSTAGRAM https://www.instagram.com/jeremyryanslate➤ FACEBOOK: https://www.facebook.com/jeremyryanslate_________________________________________________________________➤ CONTACT: JEREMY@COMMANDYOURBRAND.COM

Countess Caterina Sforza was raised in the Renaissance court of Milan and survived the assassination of her father and husbands. She then proceeded to confront Cesare Borgia and his father, Pope Alexander VI. Who would win: the papacy or a woman? Get 45% off the Magic Mind bundle with my link: https://www.magicmind.com/OLDBLOODJAN #magicmind #mentalwealth #mentalperformanceSources:Allison, Charlie. “One Wrong Foot: An Alternate History of the Siege of Forli.” Sea Lion Press. 25 May, 2020. https://www.sealionpress.co.uk/post/one-foot-wrong-an-alternate-history-of-the-siege-of-forliBrunelli, Giampiero. “SFORZA, Caterina.” Treccani: Institute of the Italian Encyclopedia. 2018. https://www.treccani.it/enciclopedia/caterina-sforza_(Dizionario-Biografico)/Clarke, Michelle Tolman. “On the Woman Question in Machiavelli.” The Review of Politics 67, no. 2 (2005): 229–55. http://www.jstor.org/stable/25046410.Hairston, Julia L. "Skirting the Issue: Machiavelli'sCaterina Sforza," Renaissance Quarterly 53 (2000): 687-712.Lev, Elizabeth. The Tigress of Forli: Renaissance Italy's Most Courageous and Notorious Countess, Caterina Riario Sforza de' Medici (Boston: Houghton Mifflin Harcourt, 2011.)Zarevich, Emily. “Did Caterina Sforza Flash an Army?” JSTOR. 20 July, 2023. https://daily.jstor.org/did-caterina-sforza-flash-an-army/Other links:https://www.caterinasforza.it/en/https://www.lacittadicaterinasforza.it/Music: Credits to Holizna, Fesilyan Studios & Virginia ListonFor more information, visit www.oldbloodpodcast.com

COHOST: Inauguration Day with Bigg Bump: Tech oligarchs, now supplicants. 2A confiscation by AZ "Health"? MLK on "dignity of labor"The Hake Report, Monday, January 20, 2025 ADBigg Bump https://x.com/bigg_bump | https://www.instagram.com/bigg_bump | https://truthsocial.com/@bigg_bump | https://www.youtube.com/@biggbump | https://soundcloud.com/bigg-bump | https://rumble.com/user/BiggBumpTIMESTAMPS* (0:00:00) Start* (0:00:47) Bigg Bump, Inauguration Day* (0:02:47) Topics* (0:04:43) Hey, guys!* (0:06:08) Thought I saw pro-choice, but it was pro-life* (0:09:06) Trump in… The attempt* (0:13:07) ANDREW, Scotland: Tommy Robinson, fighting England* (0:18:37) Tommy Robinson* (0:21:26) Trump broke tech oligarchs* (0:26:10) Doug Emhoff, Dr Jill Biden … Ketanji* (0:30:18) Adjudicate the tech moguls… Bannon* (0:39:59) WILLIAM, CA: Congratulations! Hake you oughta be ashamed* (0:45:09) ADHS: Gun confiscation for "families"; Back of the truck* (0:54:52) Wannabe Bocceli … Inclusive Trump …* (1:01:40) AZ gun confiscation … liberal “health” people* (1:08:35) People fall for it…* (1:10:03) Coffee: Greggatron, white Jesus, Cesare Borgia* (1:15:18) Coffees: MLK quote on love, Reese's Puffs cereal, milk* (1:22:59) JD Vance, Trump* (1:24:04) Popcorn: Emmett Till, implied justification?* (1:28:29) Popcorn: Is rap music?* (1:33:36) Popcorn: MLK on dignity of work* (1:43:46) CHAD, L.A., dating; women don't care about financial* (1:49:29) Mary Rice Hopkins - "Running for the Prize"LINKSBLOG https://www.thehakereport.com/blog/2025/1/20/trump-is-the-real-mlk-w-bigg-bump-mon-1-20-25PODCAST / Substack HAKE NEWS from JLP https://www.thehakereport.com/jlp-news/2025/1/20/hake-news-mon-1-20-25Hake is live M-F 9-11a PT (11-1CT/12-2ET) Call-in 1-888-775-3773 https://www.thehakereport.com/showVIDEO YouTube - Rumble* - Facebook - X - BitChute - Odysee*PODCAST Substack - Apple - Spotify - Castbox - Podcast Addict*SUPER CHAT on platforms* above or BuyMeACoffee, etc.SHOP - Printify (new!) - Spring (old!) - Cameo | All My LinksJLP Network: JLP - Church - TFS - Nick - Joel - Punchie Get full access to HAKE at thehakereport.substack.com/subscribe

Cesare Borgia, one of history's most controversial figures, was known for his ruthless ambition and political cunning. From his dramatic rise to power through to his notorious military campaigns and the legends surrounding his alleged crimes and complex relationships, he inspired Machiavelli's The Prince and left a lasting mark on the Renaissance era.In the second of our special series on the Borgias, Professor Suzannah Lipscomb is joined by Professor Catherine Fletcher to investigate whether Cesare's reputation is well-deserved or a product of historical exaggeration.Presented by Professor Suzannah Lipscomb. The researcher is Alice Smith, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.Theme music from All3Media. Other music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://uk.surveymonkey.com/r/6FFT7MK

Syfilis följde med Columbus sjömän från den nya världen och fick snabb spridning i Europa. Syfilis smittade främst vid sex och någon riktigt bra behandling kom inte förrän penicillin började användas brett efter andra världskriget. I slutet på 1800-talet drabbade 15 procent av den manliga befolkningen i Europa.Sjukdomen som orsakar oerhörda plågor hos den drabbade med smärtor, deformationer, förlorade extremiteter och i sitt sista stadium galenskap. I tongivande kretsar som författare och konstnärer var syfilis mycket vanligt, men sjukdom avhandlas ofta kodad form eftersom den var så skamlig.I detta avsnitt av podden Historia.nu samtalar programledaren Urban Lindstedt med litteraturvetaren Agneta Rahikainen som skrivit boken Smittans rike: Om syfilis i konst, kultur och kropp.Listan på kända personer med syfilis kan göras lång från politikern Cesare Borgia i renässansens Italien, till poeten Charles Baudelaire i 1800-talets Paris, filosofen Nietzsche i Tyskland. Kompositören Ludwig van Beethoven i Österrike och konstnären Anders Zorn i Sverige. En del hävdar att Adolf Hitler led av syfilis.Både Carl-Michael Bellman och Lasse Lucidor diktade om syfilis, men även om samtiden förstod vad sångerna handlade om är det inte alltid tydligt vad som menas med att akta näsan idag när syfilis är en ganska ovanlig och behandlingsbar sjukdom.Inom dekadenslitteraturens författare på 1800-talet var syfilis inget författarna skämdes för, utan snarare ett bevis på virilitet.”För en fransman är det otänkbart att uppnå medelåldern utan att fått syfilis och Hederslegionen.” skrev författaren André Gide och hans uttalande visar vilken spridning syfilis hade under 1800-talet och det tidiga 1900-talet.I Frankrike uppskattades cirka 150 000 personer årligen dö till följd av syfilis och sjukdomen drabbade människor i alla samhällsklasser. De existerande behandlingarna med kvicksilver och malaria kunde ofta döda patienterna.De första anteckningarna om en syfilisepidemi i Europa gjordes åren 1494/1495 i Neapel, Italien under en fransk invasion och fick först namnet "Neapolitanska sjukan", i Frankrike kom den att kallas "Italienska sjukan". Efter att ha fått fäste i Frankrike genom att sprida av de återvändande franska trupperna blev den bland annat i Tyskland känd som ”Franska sjukan”; en äldre benämning som fortfarande används. Vid sidan av fransosen är pocker det vanligaste äldre svenska namnet.Skelett äldre än 1500 e.Kr. som uppvisar syfilis har endast återfunnits på den amerikanska kontinenten. Skelett från precolumbianska gravar i Centralamerika bär till exempel tydliga tecken på sjukdomen. I samtida källor beskrivs också den sjukdom Columbus sjömän hade med sig hem från Amerika 1493.Lyssna också på När en handfull män erövrade Latinamerika och Smittorna som dödar mer än kulor och granater.Bild Gustav-Adolf Mossa, The Dead Women (Les Mortes), 1908. Musik: Beethoven Symphony #9 med Craig Austin, Storyblocks Audio. Vill du stödja podden och samtidigt höra ännu mer av Historia Nu? Gå med i vårt gille genom att klicka här: https://plus.acast.com/s/historianu-med-urban-lindstedt. Hosted on Acast. See acast.com/privacy for more information.

In this latest drop we tap into the Renaissance movement and its push to change the image of Jesus including introducing paganism to the world

Deze week horen we hoe Leonardo, iedereens favoriete uitstel-goeroe, in dienst trad bij de duivel. En de duivel, dat was Cesare Borgia. In een who's who van de Italiaanse Renaissance brengt Leonardo de winter door met Niccoló Machiavelli, en belandt hij in een vurige concurrentiestrijd met ene Michelangelo. En na zijn dood is het verhaal nog niet afgelopen. Want hoe werd de Mona Lisa nou zo beroemd? Hint: het was niet de glimlach. Geproduceerd door Tonny Media Volg ons op Instagram & TikTok Hosted on Acast. See acast.com/privacy for more information.

In part five of our series on Leonardo da Vinci, we dive into the first five years of Leonardo's return to his hometown of Florence after nearly two decades away. Upon arriving home, Leonardo discovers a conservative church-cult has taken over Florence after overthrowing Lorenzo the Magnificent. Leonardo also dodges portrait requests from bratty socialites, and paints a masterpiece known as Madonna of the Yarnwinder. Eventually, Leonardo begins to work for the infamous Cesare Borgia, whose cruel and merciless deeds would echo through history. After hearing news of the new world, da Vinci would then team up the notorious Niccolo Machiavelli, and hatch a plan for Florence to retake the port town of Pisa. But how did they plan to take the town without an army? Is it possible to steal a river? Tune in to part five of Leonardo da Vinci to find out! (Ep. 027)

After leaving the Papal States with Cesare Borgia waiting for us, we head into the Republic of Florence to look at the struggle with the other Italian powers over Pisa and also stop to talk a little about the man who named America, the Florentine Amerigo Vespucci.After that it's over to the Duchy of Milan where duchess Beatrice d'Este dies in 1497 and the threat of French invasion becomes very real when Luis XII takes the throne.The last stop takes us to Venice and yet another clash with Ottoman Turks at the battle of Zonchio, a.k.a. the first battle of Lepanto.Thanks once again to our partner for the episode: Exlore Worldwide

If you're enjoying the Hardcore Literature Show, there are two ways you can show your support and ensure it continues: 1. Please leave a quick review on iTunes. 2. Join in the fun over at the Hardcore Literature Book Club: patreon.com/hardcoreliterature Thank you so much. Happy listening and reading! - Benjamin

César est né en 1475 ou 1476, ce n'est pas clair, à Rome. La vie même de César Borgia commence par un rebondissement, car il était… fils du pape Alexandre VI. ERRATUM: À 2:38 César Borgia est bien né en 1475 ou 1476 et mort en 1507 et non 1442-1518; mauvaise transcription. Merci à un fidèle abonné de l'avoir signalé ,  @bayartbenjamin8016  Adhérez à cette chaîne pour obtenir des avantages : https://www.youtube.com/channel/UCN4TCCaX-gqBNkrUqXdgGRA/join Pour soutenir la chaîne, au choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl Script: François de Grandpré https://oraprdnt.uqtr.uquebec.ca/pls/public/genw050r.page_perso?owa_no_personne=570 Musique issue du site : epidemicsound.com Images provenant de https://www.storyblocks.com Abonnez-vous à la chaine: https://www.youtube.com/c/LHistoirenousledira Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Sources et pour aller plus loin: Guy Le Thiec, Les Borgias: Enquête historique, Paris, Taillandier, 2011. Au cœur de l'histoire: César Borgia (Franck Ferrand sur la chaîne Youtube Europe 1): https://www.youtube.com/watch?v=ztiDqij7W00 The Twisted Case of The Incestuous Killer | Cardinal Cesare Borgia, (chaîne Youtube History profiles, Ollie) : https://www.youtube.com/watch?v=UwgSNQKl2kw Why was Cesare Borgia so feared? (Chaîne Youtube Knowledgia): https://www.youtube.com/watch?v=qsUgOorF1oA En speed n°3 : César Borgia (chaîne Youtube Histoire de l'savoir) : https://www.youtube.com/watch?v=4u9t27qZ910 César Borgia, Histoiredumonde.net , 13 mars 2017 https://www.histoiredumonde.net/Cesar-Borgia.html César Borgia, un prince dévoré par la jalousie, Marc Fourny, 29 mars 2019, https://www.herodote.net/Cesar_Borgia_un_prince_devore_par_la_jalousie-synthese-1820.php CÉSAR BORGIA : PRINCE SANS FOI NI LOI (Histoire et secrets, Anne Geeraert, sept-oct 2017) : https://www.histoire-et-secrets.com/cesar-borgia-prince-sans-foi-ni-loi/ BORGIA CÉSAR (1476-1507), Michael Edward Mallet : https://www.universalis.fr/encyclopedie/cesar-borgia/ Cesare Borgia, Michael Edward Mallet, janvier 2024: https://www.britannica.com/biography/Cesare-Borgia Cesare Borgia (FR): https://fr.wikipedia.org/wiki/C%C3%A9sar_Borgia Cesare Borgia (EN): https://en.wikipedia.org/wiki/Cesare_Borgia Pope Alexander VI: https://en.wikipedia.org/wiki/Pope_Alexander_VI Giovanni Borgia, 2nd Duke of Gandía: https://en.wikipedia.org/wiki/Giovanni_Borgia,_2nd_Duke_of_Gand%C3%ADa Louis XII: https://fr.wikipedia.org/wiki/Louis_XII Alfonso of Aragon (1481–1500): https://en.wikipedia.org/wiki/Alfonso_of_Aragon_(1481%E2%80%931500) Anne De Bretagne: https://fr.wikipedia.org/wiki/Anne_de_Bretagne Château St-Ange: https://fr.wikipedia.org/wiki/Ch%C3%A2teau_Saint-Ange La fin justifie les moyens: https://fr.wiktionary.org/wiki/la_fin_justifie_les_moyens#:~:text=Compos%C3%A9%20de%20fin%20%2C%20justifier%20et,attribu%C3%A9%20%C3%A0%20Philippe%20de%20Commynes. Autres références disponibles sur demande. #histoire #documentaire #borgia #cesarborgia

The Lomeli Brothers have a pulse check and see how each other are doing. They dive into a plethora of topics from the Don Lemon x Elon to Amanda BYnes and Cesare Borgia.

This week Beau discusses the later life of Leonardo da Vinci, from Milan to Venice to the court of Cesare Borgia, back to Florence, Rome, and finally to France. The art and the inventions just keep getting better and better. Watch the full premium video: https://www.lotuseaters.com/premium-epochs-149-or-leonardo-part-ii-10-03-24

To celebrate the "A History of Italy" podcast joining the "Sentire" media network (sentire.media), we take a look at one of the most maligned women in history, Lucrezia Borgia. By the 20th century, her reputation was turned around a bit and from the poisoning murder and sexual predator, she became the innocent victim of the machiavellian scheming of her father, Rodrigo Borgia, pope Alexander VI and her brother Cesare Borgia, the most famous case study for Machiavelli's "The Prince".Although this may have been true for Lucrezia the young girl, the strong and intelligent young woman who became the beloved duchess of Ferrara was no push over.

Leonardo fikk endelig oppfylt drømmen om å bli en krigs-ingeniør da han slo seg sammen med Cesare Borgia, den mest brutale krigsherren i Italia. Leonardo innså raskt at krig var en langt mer brutal affære enn han hadde forestilt seg, og han dro tilbake til Firenze hvor han fortsatte livet som fargerik kunstner. Der fikk han plutselig en ny rival, det nye stjerneskuddet på Italias kunsthimmel og Leonardos rake motsetning - Michelangelo. Støtt ekte norsk podcasting på Patreon! Hosted on Acast. See acast.com/privacy for more information.

Franco Bernini"Il trono"edizioni e/owww.edizionieo.itNiccolò Machiavelli è conosciuto in tutto il mondo, ma il mondo non sa come è diventato quello che conosciamo. Questo romanzo lo rivela mischiando spy story e racconto di formazione. E mostrando le conseguenze dell'amore.Nell'ottobre del 1502 il potente e apparentemente invincibile Cesare Borgia, detto il Valentino, si appresta a invadere la Repubblica fiorentina. Niccolò Machiavelli viene inviato presso di lui con l'incarico di spiarlo – cosa documentata e mai raccontata – e di scoprire quando e come avverrà l'attacco. Machiavelli ha 33 anni e lavora nella Segreteria della Repubblica. Ha una bella penna, ma non è famoso. Tradisce con accanimento la moglie. È pieno di debiti. È considerato fidato e utile, ma è tenuto ai margini.Tra Machiavelli e il Valentino si crea uno strano e complesso rapporto. Il duca ha bisogno di qualcuno che – in forma anonima e ben pagato – stenda una sua biografia, per rispondere alle tante “calunnie” che circolano su di lui e sceglie proprio Niccolò per farlo. Machiavelli accetta per poterlo spiare meglio. Niccolò entra anche in contatto con Dianora Mambelli, una giovane donna costretta dal Borgia a restargli al fianco e che sembra subire la situazione, mentre invece aspetta il momento giusto per vendicarsi. Frequentare sia il carnefice che la vittima, ascoltare le riflessioni sul potere del Valentino e scoprire le verità nascoste che Dianora gli rivela su di lui, l'intimità crescente con entrambi, trasformano Machiavelli in maniera irreversibile, gli donano la conoscenza delle cose e lo fanno diventare il grande scrittore che non era. E mettono a rischio la sua vita.Anni dopo, Niccolò riverserà questa sua consapevolezza in uno scritto che intitolerà Il Principe. Verrà pubblicato postumo. Ma grazie a quel libro lo scrittore che davano per fallito si rivelerà un genio e Cesare Borgia sopravviverà in eterno, come voleva.Franco BerniniSceneggiatore e regista, Franco Bernini ha scritto numerosi film, tra i quali Notte italiana, Domani accadrà, Il portaborse (il soggetto), Un'altra vita, Chiedi la luna, Sud, La lingua del santo, A cavallo della tigre e A casa nostra. Per la televisione, ha sceneggiato Adriano Olivetti, Rocco Chinnici, Aldo Moro, il professore. Ha scritto i romanzi La prima volta e A ciascuno i suoi santi, oltre a vari racconti. Ha sceneggiato e diretto Le mani forti, presentato al Festival di Cannes, nomination ai David di Donatello, Grolla d'oro alla sceneggiatura, il docufilm Vivere e, per la televisione, Braibanti, un caso senza precedenti, Sotto la luna e L'ultima frontiera.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

The Life of Cesare Borgia

This week, David is away, which means Alex and Greg are getting right to the point. They discuss chapter seven of The Prince, which focuses primarily on Cesare Borgia and his political career. Machiavelli seems to put ample praise on Borgia while also noting the stumbling block he would succumb to. Plus: a quick analysis of where the famous line, "the ends justifies the means" comes from.

دوستای عزیزم توی این قسمت ،در ادامه مجموعه سریالی عصر رنسانس داستان خانوادهبورژآ رو براتون تعریف کردم . امیدوارم که لذت ببریدپادکست رسواآهنگ اول : ERA - Amenoآهنگ دوم : Carmen Goett ~ La Lloronaمنابع :0. Will Durant---The Renaissance1. The Borgias of History - Renaissance Studies (BBC)2. George Stuart on the Despicable Borgias3. Case Closed? Columbus Introduced Syphilis to Europe(Scientific American)(https://www.scientificamerican.com/article/case-closed-columbus/#)4.Renaissance Papacy(en.wikipedia)5. The Pope asserts rights to colonize, convert, and enslave6.Lucrezia Borgia's Love Letters(https://www.atlasobscura.com/places/lucrezia-borgias-love-letters)7.Lucrezia Borgia(en.wikipedia)8.Giovanni Borgia, 2nd Duke of Gandía(en.wikipedia)9.Cesare Borgia(en.wikipedia)10.Pope Alexander VI(en.wikipedia) Hosted on Acast. See acast.com/privacy for more information.

The Prince is a political treatise, written by Niccolò Machiavelli, first distributed in 1513. It's infamous for its apparent advice to political leaders to lie, murder, and manipulate. It's still a fascinating read today, and is thought-provoking when considering any context where the true motives of actions may not be what they seem. Here, in my own words, is a summary of Niccoló Machiavelli's, The Prince. Is The Prince advice, satire, or sabotage? Machiavelli wrote The Prince while in exile from Florence. Since he opens it with a letter to Lorenzo d'Medici it seems like Machiavelli was trying to get a political position with the Medici, by demonstrating his political knowledge. (The Medici had recently returned to power in Florence, after themselves being exiled fifteen years.) But, some scholars think The Prince is satire. Others think the advice within was a ploy, in that if it were followed, the actions would weaken the power of the Medici. “The ends [justified] the means,” in Renaissance Italy Though the phrase isn't in the book, The Prince is the origin of the saying, “the ends justify the means.” In other words, if you have an important goal, morality doesn't matter. It's also the inspiration for the name of the personality trait of “Machiavellianism”, which is characterized by manipulativeness, insensitivity, and an indifference to morality. Psychologists include Machiavellianism in the “dark triad” personality traits, along with narcissism and psychopathy. Sixteenth century Italy was the perfect environment for advice like that in The Prince to flourish. There was constant conflict amongst small governing bodies, including the most-notable city-states of Florence, Milan, Rome, Naples, and Venice. Additionally, there were frequent invasions by Spain, France, or the Holy Roman Empire. If the numerous examples Machiavelli cites in The Prince are any indication, if you didn't lie, murder, and manipulate, you wouldn't stay in power, and probably would be murdered yourself. You don't have to be Machiavellian to learn from The Prince As you listen to this advice, it's not hard to think of similar, less-violent situations in our everyday lives, as we build relationships and careers, or watch others vie for power. So what is some of this juicy advice that has made The Prince and Niccolò Machiavelli so infamous? I'll break down this summary into two sections, followed by some historical examples Machiavelli cites, peppered with some quotes. Those two sections are: Gaining power Retaining power (Note this isn't how Machiavelli organizes The Prince.) 1. Gaining power First how to gain power. Machiavelli points out that the people within a state are eager to change rulers. People naturally expect change to improve their lives, so, they're willing to join in armed resistance against the ruling power. This attitude extends from the people, to other states. If a powerful foreigner invades a country, the states within want to help overturn the rule of the most-powerful state. But you have to be careful. It's normal to want to acquire more land, but when you try to do it by any means possible, you end up making dumb mistakes. How this applies to other domains As you hear this, you may already have some parallels to other domains bouncing around in your head. How many times have you bought a product just slightly different from one you already had, because you believed the change would make your life better? Marketers take advantage of this. I've read one marketing book that advised to think of the product you're marketing as a “new opportunity.” Changing leadership is a “new opportunity,” that temporarily makes you optimistic, like how we feel when a New Year comes around. But often, the new product, the new ruler, or the New Year doesn't make your life better. We get stuck in a cycle of wanting change and striving for it, only to find we aren't better off than before, which drives our desire to change once again. This is why, to quote Machiavelli: There is nothing more difficult to take in hand, more perilous to conduct, or more uncertain in its success, than to take the lead in the introduction of a new order of things. Because the innovator has for enemies all those who have done well under the old conditions, and lukewarm defenders in those who may do well under the new. —Niccolò Machiavelli The Prince In other words, you might get short-term support in the change you're trying to introduce, but the support you once had will soon wane, and those who were doing well before will try to overthrow you. 2. Retaining power This brings us to the second section, about retaining power. Being able to retain power starts with choosing carefully where and how you gain power. This is why Machiavelli warns: He who has not first laid his foundations may be able with great ability to lay them afterwards, but they will be laid with trouble to the architect and danger to the building. —Niccolò Machiavelli The Prince Any new state is extremely fragile, unless the person who unexpectedly gained power over that state is highly-skilled. You can gain power by getting the help of the people, or other states, but whoever helped you will probably be disappointed in what they get from it, and will no longer want to help you. Be especially careful not to make your allies much more powerful, because then they'll become threats. Additionally, they'll distrust you, because in the process of helping them, they saw how cunning you are. So, if you're invading a place, you want to be on the good side of the natives. However, if they're used to being free, you'll have to destroy them, or they'll destroy you. As Machiavelli said: Men ought to either be well treated or crushed, because they can avenge themselves of lighter injuries, of more serious ones they cannot. —Niccolò Machiavelli The Prince In other words, if they're dead, they can't get revenge. And: He who becomes master of a city accustomed to freedom and does not destroy it, may expect to be destroyed by it. —Niccolò Machiavelli The Prince If you want to retain power in a new state, you need to start a colony there. You don't have to spend a lot on the colony, because after you take the land and houses of people, they will be, “poor and scattered,” and can't hurt you. It's important to be in the place you're ruling, because otherwise you don't find out about things that go wrong until it's too late to fix them. Statecraft is a lot of work, because, as Machiavelli says: He who has relied least on fortune is established the strongest. —Niccolò Machiavelli The Prince How this applies to other domains Some of this advice may resonate with situations you've experienced. Some of it may be horrifying to you. Here's how it can apply to other domains. Imagine you're a CEO, and you've just acquired a new company. It's best to get it right the first time. If you make mistakes, you'll have a hard time leading the company. When a company acquires another, or a new leader comes into a company, you often see layoffs right away. This mirrors Machiavelli's related advice, which is: Injuries ought to be done all at one time, so that, being tasted less, they offend less; benefits ought to be given little by little, so that the flavor of them may last longer. —Niccolò Machiavelli The Prince If done according to Machiavelli's advice, after the brutal layoffs, there will be ice-cream socials, team-building exercises, and bonuses scattered over the coming months and years, hopefully without more massive layoffs. Whoever is in charge had better have close oversight to an office that's far away from headquarters, otherwise by the time you find out about problems, it's too late to fix them. How not to rule: King Louis XII A leader who Machiavelli uses as a warning for not ruling well is King Louis the XII, of France. The Venetians brought in King Louis, because they wanted to seize half the state of Lombardy. But they later realized, they had helped make Louis king of two-thirds of Italy. Louis was now well-positioned, but then his mistakes began. He helped Pope Alexander occupy the Romagna, divided the kingdom of Naples with the king of Spain, and turned around and tried to conquer Venice's territories. So, he weakened the minor power of Venice, losing their alliance, made a great power – the pope – even more powerful, and brought in a foreign power – Spain. He didn't settle in the land he had conquered, and didn't set up colonies. How to rule: Cesare Borgia Like Louis XII when the Venetians enlisted his help, Cesare Borgia came into power through fortune. Unlike Louis, he made what Machiavelli felt were wise decisions. Cesare was the son of Pope Alexander VI, who himself was cunning. He wanted to give Cesare a state to rule, but there weren't good options. For example, the Milanese or the Venetians would stop him, and anyone in Italy who might have helped knew better than to make the pope even more powerful. When the Venetians brought the French into Italy, Alexander didn't make a fuss, and even helped Louis out by dissolving his marriage. He provided some soldiers to help out in a military campaign in Romagna, and now his son, Cesare was the duke of Romagna. But Cesare wasn't thrilled with his military. The Orsini soldiers didn't seem psyched to take Bologna, and when he attacked Tuscany after taking over Urbino, Louis made him stop. So Cesare decided to figure out how to do things on his own. Cesare Borgia followed Machiavelli's advice (somewhat literally) Anywhere Cesare took power, he was sure to kill the nobles and their families. He weakened the Orsini and Colonna parties in Rome, by making them nobles and giving them a good salary. Then he brought in a Spaniard named Ramiro d'Orco (also known as Ramiro de Lorca) to govern the Romagna. The Romagna had been in disorder when Cesare took over, and d'Orco restored order, but through nasty means, using lots of torture, public executions, and fines. Once d'Orco had cleaned things up, Cesare – according to Machiavelli – didn't want to be associated with d'Orco's reign of terror. So, he had him publicly executed, and put his head on a stick in the town square. Machiavelli was an advisor to Cesare during this time, and felt that Cesare did almost everything right to make the best of the power he had gained through fortune, and lay a foundation that could withstand the inevitable death of his father, the pope. Machiavelli says: He told me that he had thought of everything that might occur at the death of his father, and had provided a remedy for all, except that he had never anticipated that, when the death did happen, he himself would be on the point to die. —Niccolò Machiavelli, The Prince (on Cesare Borgia) When the pope did die – sooner than expected – Cesare himself was nearly dead from malaria. Though he won the favor of the next pope, Pius III died after only twenty-six days. Machiavelli felt Cesare's one mistake was then helping elect Pope Julius II, who had promised him favors in return. As Machiavelli says: He who believes that new benefits will cause great personages to forget old injuries is deceived. —Niccolò Machiavelli, The Prince Cesare had slighted Julius in the past, and he wasn't going to forget that. Julius seized land from Cesare, and didn't support him. You can see a dramatization of the story of Pope Alexander and Cesare Borgia in Showtime's excellent-but-incomplete series, The Borgias. The Prince, today Machiavelli's advice – if it really is that – sounds brutal to modern ears, but it was a product of the reality of the time. Machiavelli was the only one brave enough – maybe desperate enough – to describe that reality. In many areas of life, business, and politics, the true effects of actions are often more complex than they appear on the surface. Sometimes this is an accident, many times it's deliberate. Why does a politician, a CEO, or a even a friend say what they say? I'm almost tempted to list The Prince on my best media books list, because the effect of a piece of media is always deeper than it appears on the surface. Political leaders in sixteenth-century Italy influenced perceptions through public events that could be described as media. You could say Cesare Borgia's public execution of Ramiro d'Orco was a pseudo-event. If so, Ryan Holiday's Trust Me, I'm Lying is like a modern day, The Prince: exposing the fundamentally-ugly reality of how a complex and brutal system that affects public perceptions works. Why Machiavelli's exile wasn't lonely Lest you have a low opinion of Niccolò Machiavelli from the content in The Prince, I want to leave you with something more endearing about him. When the Medici returned to power, they suspected Machiavelli of conspiring against them, so had him jailed and tortured – a decent reason to believe The Prince may have been satirical or, fittingly, a Machiavellian gambit to cause the Medici harm. Exiled to his farm estate, and stripped of his position as a political advisor, Machiavelli did his best to keep doing the work he loved, and retain a sense of dignity. In a letter to a friend, he described his daily ritual: When evening comes, I go back home, and go to my study. On the threshold, I take off my work clothes, covered in mud and filth, and I put on the clothes an ambassador would wear. Decently dressed, I enter the ancient courts of rulers who have long since died. There, I am warmly welcomed, and I feed on the only food I find nourishing and was born to savor. I am not ashamed to talk to them and ask them to explain their actions and they, out of kindness, answer me. Four hours go by without my feeling any anxiety. I forget every worry. I am no longer afraid of poverty or frightened of death. I live entirely through them. —Niccolò Machiavelli, Letter to Francesco Vettori There's your summary of Niccolò Machiavelli's The Prince If you enjoyed this summary, I highly recommend you read Niccolò Machiavelli's The Prince. There's also an excellent free online annotated version online, called The Annotated Prince. Thank you for having me on your podcasts! Thank you for having me on your podcasts. Thank you to David DeCelle for having me on The Model FA podcast. As always, you can find interviews of me on my interviews page. About Your Host, David Kadavy David Kadavy is author of Mind Management, Not Time Management, The Heart to Start and Design for Hackers. Through the Love Your Work podcast, his Love Mondays newsletter, and self-publishing coaching David helps you make it as a creative. Follow David on: Twitter Instagram Facebook YouTube Subscribe to Love Your Work Apple Podcasts Overcast Spotify Stitcher YouTube RSS Email Support the show on Patreon Put your money where your mind is. Patreon lets you support independent creators like me. Support now on Patreon »       Show notes: http://kadavy.net/blog/posts/the-prince-niccolo-machiavelli-summary/

Today, we discuss one of the most important works of political philosophy of all time, Machiavelli's Il Principe - The Prince. This book was composed while Machiavelli was in exile, after having served the city of Florence for thirteen years as a diplomatic official, but by the time of its authorship reduced to the role of an obscure private citizen. In this work, as Nietzsche characterizes it, Machiavelli takes us along at a brisk allegrissimo through matters of the most grave seriousness, maintaining sobriety and good humor the whole way through. His intended audience is a leader who could found an Italian nation-state. Accordingly, he makes a distinction between republics, hereditary monarchies, and the kind of monarchy that such a unifier of Italy would inevitably have to create: the new monarchy. He writes without concern for the questions of legitimacy, natural rights, or the progress towards a political ideal. Machiavelli instead concerns himself with the practical challenges of establishing a new state. He looks not to the future, but wishes to emulate the example that lies in the distant past, in the form of Rome. His hero, Cesare Borgia - a tragic figure who played the game of thrones rather well, but still lost - was similarly held by Nietzsche as an example of a great individual. In our examination of why Machiavelli admired Borgia, we find an important key to Nietzsche's understanding of Europe's moral-psychological past, and the revaluation of values that took place during the Italian Renaissance, only to be thwarted by the arising of Luther and the Protestant Reformation. 

"Een verstandig man moet steeds de weg der grote mannen volgen". Met die gedachte in het achterhoofd schreef Nicolo Machiavelli zijn meest beroemde werk De heerser.Maar of voor hedendaagse leiders de inspiratiebron voor dat boek, Cesare Borgia, nu het beste voorbeeld was, is maar zeer de vraag.Borgia was niet alleen meedogenloos, maar bediende zich bovendien vooral keer op keer van dezelfde aanpak. Zijn gebrek aan flexibiliteit in leiderschapsstijl is daardoor echter zeker een wijze les voor hedendaagse leiders.

Machiavelli and nuclear bombs! Those are just two of the many topics we cover on this episode of Unlimited Opinions! We break down who Machiavelli was, the political history of Renaissance Florence, and his The Prince and Discourses on Livy. We discuss whether one can be a truly moral politician, the nature of political families, whether one should caress or crush a population, and much more! We also look at how Machiavelli influenced the Boy Scouts!  Follow us on Twitter! @UlmtdOpinions

Still in exile, Piero de' Medici throws himself on the mercy of the new king of France and Cesare Borgia. But will they prove to be reliable friends? Check out the website for extra materials and one-time donations: medicipodcast.com Support me on Patreon: https://www.patreon.com/medicipodcast

Scènes à caractère sexuelle, nudité assumée ou intimité à peine dévoilée: des plus jeunes générations d’acteurs aux plus expérimentées, les attentes sont les mêmes et la pression demeure constante, et ce quelque soit les années. Pour autant, les productions cinématographiques doivent composer avec des nouvelles réalités, comme avoir recours à un métier inusité dans le milieu du tournage : la coordination d’intimité. Tour d’horizon de ce dossier avec DANIELLE OUIMET - l’icône d’une génération, un sex symbol qui se révèle au grand écran, dans le rôle sensationnel de Valérie, FRANÇOIS ARNAUD - que l’on connait principalement dans le rôle de Cesare Borgia de l’incontournable série américaine The Borgias, ainsi que ROXANE NÉRON, coordonatrice d’intimité , que l’on contacte lorsque vient le temps de chorégraphier une scène de nudité ou de sexualité. Voir https://www.cogecomedia.com/vie-privee/fr/ pour notre politique de vie privée

Moim ulubionym gatunkiem literackim jest beletrystyka historyczna. Książki w tym gatunku są nazywane też powieściami historycznymi. Mamy w nich połączenie faktów historycznych z fikcją. Ja lubię te książki, które trzymają się faktów, ale gdzie autor dopowiada to czego nie wiemy. Tak właśnie jest w mojej ulubionej powieści tego gatunku.Czyta Włodzimierz Press. Popularność przyniosła mu rola Grigorija Saakaszwilego w serialu Czterej pancerni i pies.Portret Mony Lisy stawia wiele pytań. Nie tylko o ten tajemniczy uśmiech. Np. dlaczego jej mąż Giocondo pozwolił jej pozować w stroju panny, chociaż była mężatką? Jest wiele innych pytań.W pierwszej scenie poznajemy pewnego mnicha, który wstał wcześnie rano aby obudzić miasto. Mnich czeka na poranek aby zadzwonić, a w międzyczasie rozmyśla nad pięknem Florencji.Autor całą książkę piszę w ten właśnie sposób. Słyszymy myśli i słowa różnych postaci bez komentarza czy krytyki autora. W ten sposób poznajemy sposób myślenia ludzi, którzy bardzo się od nas różnili. Momentami książka jest bardzo komiczna.Najlepiej widać to w postaci dziadka Lisy. Był on jednym z bogatszych mieszkańców Florencji. W jego czasach kobiety nie miały nic do gadania, a jednak potrafiły kierować swoimi mężami. Były to czasy, gdy żona całowała męża w rękę, piła wino z jego kubka, bo nie miała swojego itd. Jednak mimo tak niskiej pozycji w tamtym społeczeństwie kobiety umiały kierować swoimi mężami, co widać już w pierwszej scenie, gdzie Noldo marudzi, że nie chce mu się wstać, a żona namawia go aby sobie jeszcze pospał.Później Lisa (babka Lisy z portretu) potrafi przekonać męża do swojej kandydatki na żonę dla syna, mimo, że mąż myśli, że kobiety nie nadają się do tak ważnych decyzji. Autor jednak nie ocenia postaw ludzi, jedynie je opisuje z poczuciem humoru. Noldo Gherardini był moją ulubioną postacią w tej książce - nie raz się zaśmiałem gdy inni kierowali nim choć jemu wydawało się, że jest panem sytuacji. Najlepsza jest chyba scena, gdy Noldo idzie do kościoła z postanowieniem niewydania za dużo pieniędzy na ślub syna, a sprytny ksiądz potrafi go namówić do wszystkiego.W tle niejako przy okazji poznajemy historię Florencji. Autor co jakiś czas wtrąca informacje o mieście.W ten sposób poznajemy historię rodziny Mony Lizy ze sławnego portretu. Przy okazji dowiadujemy się wiele rzeczy o tamtejszym świecie. Np. o tym, że mężczyźni chodzili z coraz większymi ochraniaczami na jądra, w których były montowane dzwoneczki, którymi dzwonili na widok pięknej kobiety. Czy o tym, że bankierzy modlili się przed pójściem do pracy.Obie te historie czyli życiorys Lisy i życiorys miasta Florencji przeplatają się wzajemnie. A był to bardzo burzliwy czas tak dla jednej jak i dla drugiej.Jak bardzo zgodna jest ta książka z historią? Powiedziałbym, że prawie w 100%. Autor tu i ówdzie pozwolił sobie na pewne uproszczenia, ale główne fakty są prawdziwe. Błąd, który ja znalazłem to nazwisko matki, ale nie będę wchodził w szczegóły, aby wam nie zepsuć książki. W zasadzie ten błąd nie ma znaczenia dla akcji, a upraszcza historię opowiadaną przez autora. Tego typu błąd (ktoś może wolałby nazwę uproszczenie) jest popełniany wielu historycznych filmach. Np. w rzeczywistości było parę postaci i każda coś zrobiła, a w filmie widzimy, że to wszystko zrobił nasz bohater. Tego typu błąd znalazłem, ale może lepiej się posłużyć słowem uproszczenie.Wracając do życia kobiet w tamtych czasach. Nie było ono łatwe i to nie tylko ze względu na niższą pozycję od mężczyzn. Wiele tych kobiet umierało w połogu i gdy Lisa wychodziła za mąż za Giocondo stawała się jego trzecią żoną. Dwie wcześniejsze zmarły. Giocondo nie był wcale wyjątkiem - umieralność była duża tak więc mężczyźni mieli nawet po kilka żon jedna po drugiej.Jakie mamy postacie w książce? Poznaliście już dziadka Nolda i babcię Lisę. Mieli oni syna Antonia. Jego pełne nazwisko to Antonmaria di Noldo Gherardini, co znaczy Antonmaria syn Nolda Gherardini. Jedną z jego żon była Caterina di Mariotto Rucellai, czyli Katarzyna córka Mariotto Rucellai. Antonio też miał kilka żon. Lisa była najstarszym z siódemki jego dzieci. Obie rodziny czyli Gherardini oraz Rucellai należały do najwyższych sfer, tak więc dosyć tajemniczy jest ślub Lisy Gherardini z Giocondem, wdowcem, który nie należał do tej śmietanki. Można by nawet powiedzieć, że był to mezalians. Pełne nazwisko męża Lisy to Francesco di Bartolomeo di Zanobi del Giocondo. Lisa oczywiście od tego momentu stała się Lisa del Giocondo. Stąd też nazwa portretu. Mówi się albo Mona Lisa albo La Gioconda.Co do historii miasta to był to okres jego rozkwitu oraz upadku, a potem ponownego rozkwitu. W tym czasie przez miasto przewinęło się wiele postaci historycznych. Np. prorok Savonarola, Niccolo Machiavelli czy Leonardo da Vinci. Włochy najechał wtedy król Francji, a papież Aleksander i jego syn Cesare Borgia próbowali podbić Włochy. Tak więc w tle działo się wiele rzeczy, są one jednak tłem. Poznajemy je oczami dziewczyny, której specjalnie one nie interesują choć mają wpływ na jej życie. Powiedziałbym, że to dość podobne jak opis wojny secesyjnej w “Przeminęło z wiatrem” - wojna się gdzieś tam dzieje, ale książka skupia się na Scarlett O'Hara. Tak samo tutaj - wszystkie te rzeczy jak spisek Pazzich, najazd Francuzów czy kampania Cezara Borgii są w tle i mało interesują Lisę. Oczywiście momentem na który się czeka jest przyjazd Leonarda da Vinci i jego spotkania z Lisą. Poznajemy odmitologizowanego Leonarda czyli takiego jakim był naprawdę - człowiekiem, który zabierał się za wiele projektów na raz i żadnego nie kończył. Tym ciekawszy jest fakt, że ukończył portret Mony Lisy.Do książki wracałem wielokrotnie. Ostatni raz gdy w końcu pojechałem zwiedzić Florencję. Pamiętam, że chodziłem tam przez most Ponte Vecchio i patrzyłem na okna Palazzo Vecchio, a oczami wyobraźni widziałem co tam się wydarzyło podczas spisku Pazzich.Były to czasy, które książka nam przybliża. Florencja ze swoją monetą Florenem była wtedy najbogatszym państwem na świecie. Ludzie mieli niewolników. Nie wolno było mieć chrześcijańskich niewolników, a więc brało się ich np. spośród Turków.Książkę polecam choć pewnie nie dla dzieci. Jest tam kilka dość okrutnych scen. Myślę jednak, że dla nastolatka powinna się już nadawać.

Syfilis följde med Columbus sjömän från den nya världen och fick snabb spridning i Europa. Syfilis smittade främst vid sex och någon riktigt bra behandling kom inte förrän penicillin började användas brett efter andra världskriget. I slutet på 1800-talet drabbade 15 procent av den manliga befolkningen i Europa.Sjukdomen som orsakar oerhörda plågor hos den drabbade med smärtor, deformationer, förlorade extremiteter och i sitt sista stadium galenskap. I tongivande kretsar som författare och konstnärer var syfilis mycket vanligt, men sjukdom avhandlas ofta kodad form eftersom den var så skamlig.I detta avsnitt av podden Historia.nu samtalar programledaren Urban Lindstedt med litteraturvetaren Agneta Rahikainen som skrivit boken Smittans rike: Om syfilis i konst, kultur och kropp.Listan på kända personer med syfilis kan göras lång från politikern Cesare Borgia i renässansens Italien, till poeten Charles Baudelaire i 1800-talets Paris, filosofen Nietzsche i Tyskland. Kompositören Ludwig van Beethoven i Österrike och konstnären Anders Zorn i Sverige. En del hävdar att Adolf Hitler led av syfilis.Både Carl-Michael Bellman och Lasse Lucidor diktade om syfilis, men även om samtiden förstod vad sångerna handlade om är det inte alltid tydligt vad som menas med att akta näsan idag när syfilis är en ganska ovanlig och behandlingsbar sjukdom.Inom dekadenslitteraturens författare på 1800-talet var syfilis inget författarna skämdes för, utan snarare ett bevis på virilitet.”För en fransman är det otänkbart att uppnå medelåldern utan att fått syfilis och Hederslegionen.” skrev författaren André Gide och hans uttalande visar vilken spridning syfilis hade under 1800-talet och det tidiga 1900-talet.I Frankrike uppskattades cirka 150 000 personer årligen dö till följd av syfilis och sjukdomen drabbade människor i alla samhällsklasser. De existerande behandlingarna med kvicksilver och malaria kunde ofta döda patienterna.De första anteckningarna om en syfilisepidemi i Europa gjordes åren 1494/1495 i Neapel, Italien under en fransk invasion och fick först namnet ”Neapolitanska sjukan”, i Frankrike kom den att kallas ”Italienska sjukan”. Efter att ha fått fäste i Frankrike genom att sprida av de återvändande franska trupperna blev den bland annat i Tyskland känd som ”Franska sjukan”; en äldre benämning som fortfarande används. Vid sidan av fransosen är pocker det vanligaste äldre svenska namnet.Skelett äldre än 1500 e.Kr. som uppvisar syfilis har endast återfunnits på den amerikanska kontinenten. Skelett från precolumbianska gravar i Centralamerika bär till exempel tydliga tecken på sjukdomen. I samtida källor beskrivs också den sjukdom Columbus sjömän hade med sig hem från Amerika 1493.Lyssna också på När en handfull män erövrade Latinamerika och Smittorna som dödar mer än kulor och granater.Bild Gustav-Adolf Mossa, The Dead Women (Les Mortes), 1908.Musik: Beethoven Symphony #9 med Craig Austin, Storyblocks Audio. See acast.com/privacy for privacy and opt-out information. Become a member at https://plus.acast.com/s/historianu-med-urban-lindstedt.

Welcome to the Instant Trivia podcast episode 526, where we ask the best trivia on the Internet. Round 1. Category: Hitchcock Movies In Other Words 1: "Maniac". Psycho. 2: "Taxonomic Class Aves". The Birds. 3: "Rotarize No. 6 to Get Homicide". Dial M for Murder. 4: "Rescue Pod". Lifeboat. 5: "A Woman Disappears". The Lady Vanishes. Round 2. Category: Dirty 4-Letter Words 1: It's the filmy covering soap may leave. scum. 2: On iron, it's mainly hydrated ferric oxide. rust. 3: Army dining hall before or after the meal. mess. 4: This term for a sticky, greasy substance came from the brand name of a cleaning solvent. gunk. 5: An anagram of whey's partner is this term for a crusty deposit. crud. Round 3. Category: What'll Ya Have? 1: (Alex: We'll first have Sofia at the Plaza Hotel) This cocktail popular with a certain fictional spy can be shaken or stirred. martini. 2: Juice of 1/2 lime1/2 oz. triple sec1 oz. tequila in a salt-rimmed glass. Margarita. 3: Fresh mint1/2 tsp. sugarbourbon. Mint julep. 4: (Sofia) Don't operate heavy machinery after having one of these. screwdriver. 5: (Sofia) This "sanguine" cocktail shares its name with a 16th century English queen's nickname. Bloody Mary. Round 4. Category: Paint It "Black" 1: In casinos it's another name for the card game twenty-one. blackjack. 2: It's a place or method for selling goods illegally. the black market. 3: It means to exclude socially, or a vote against a candidate. blackball. 4: It's military slang for coffee, or a thick, dark molasses. blackstrap. 5: During the War of 1812, this Sauk Indian chief and about 500 of his warriors fought for the British. Black Hawk. Round 5. Category: Prince 1: In 1799 Canada's Isle St. John was renamed this in honor of the Duke of Kent. Prince Edward Island. 2: In a Stravinsky ballet, this title creature gives Prince Ivan a magic feather. the Firebird. 3: In a Victor Hugo novel, this tragic character is paraded through the streets of Paris as "The Prince of Fools". Quasimodo. 4: Royal family name of the prince in Mark Twain's "The Prince and the Pauper". Tudor. 5: This member of the infamous Borgia family was the model for and was idealized in Machiavelli's "The Prince". Cesare Borgia. Thanks for listening! Come back tomorrow for more exciting trivia!

Did Jesus Kill His Brother and Have Sex with His Sister? Cesare Borgia Exposed by Billy CarsonLearn More and get your free 3-day trial on 4biddenknowledge TVhttps://www.4biddenknowledge.tv/browseWatch the Black Knight Satellite https://bit.ly/3H7ABih30 Day Free Trial Of 4biddenknowledge.TV 30 Day Free Trial On 4biddenknowledge.TVSupport the show

Did Jesus Kill His Brother and Have Sex with His Sister? Cesare Borgia Exposed by Billy CarsonLearn More and get your free 3-day trial on 4biddenknowledge TVhttps://www.4biddenknowledge.tv/browseWatch the Black Knight Satellite https://bit.ly/3H7ABih30 Day Free Trial Of 4biddenknowledge.TV 30 Day Free Trial On 4biddenknowledge.TVSupport the show

This week on Royally Screwed, we're talking about Cesare Borgia, the son of Pope Alexander VI and perhaps one of the most vile figures of the Renaissance.Subscribe for more episodes as they come.Twitter: @Denim_CreekInstagram: denimcreekproMusic:Intro/Outro: “Life O' the Lavish” - Jules Gaia, “Dayfreak” - White Bones, “12th Floor Party” - Jules Gaia, “Glitz at the Ritz” - Jules Gaia, “A Snowflake's Tale” - Howard Harper-Barnes, “Smooth Passenger” - White Bones, “The Last Bar in Chicago” - Nicky DowlingCopyright 2021, Denim Creek Productions

Pope Alexander VI, Rodrigo Borgia, had plans for his son Cesare. Big plans. Like, Roman Empire-sized plans. No joke on that one. In this episode, Cesare Borgia sets his sights on Romagna with the intention of creating a permanent Borgia empire in Italy. Sources: The Borgias: Power and Fortune The Borgias: The Hidden History The Borgias and Their Enemies Become a PATRON and support the show.

While Pope Alexander VI, Rodrigo Borgia, could have created a mystique in his own right, we know the Borgia family just as much for the children as the father. Lucrezia and Cesare Borgia would have made fascinating case studies in psychology then and they still do now. In this episode, the Borgias begin to make their name synonymous with ambition at any cost. Sources: The Borgias: Power and Fortune The Borgias: The Hidden History The Borgias and Their Enemies Become a PATRON and support the show.

"Le 48 Leggi Del Potere" è un Bestseller Internazionale scritto dall'autore Americano Robert Greene, tradotto in 17 lingue. Questo libro sintetizza le filosofie di Niccolò Machiavelli, Sun Tzu e Carl Von Clausewitz con i retaggi storici dei più grandi personaggi influenti di tutti i tempi come Cesare Borgia, Luigi XIV, Lorenzo de' Medici, Elisabetta I d'Inghilterra, Giulio Cesare e tanti altri.In questo libro Robert Greene, autore e oratore noto per il contenuto su strategia, seduzione e potere, spiega quali sono i metodi per conquistare e mantenere il potere.

Crime Classics was a historical true crime series, examining crimes and murders from the past. It grew out of creator Elliott Lewis's interest in famous murder cases and took a documentary-like approach to the subject. The crimes dramatized covered a broad frame of both time and place, from ancient Greece to late 19th-century America. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate, and give you a glimpse into the past.

"Le 48 Leggi Del Potere" è un Bestseller Internazionale scritto dall'autore Americano Robert Greene, tradotto in 17 lingue. Questo libro sintetizza le filosofie di Niccolò Machiavelli, Sun Tzu e Carl Von Clausewitz con i retaggi storici dei più grandi personaggi influenti di tutti i tempi come Cesare Borgia, Luigi XIV, Lorenzo de' Medici, Elisabetta I d'Inghilterra, Giulio Cesare e tanti altri.In questo libro Robert Greene, autore e oratore noto per il contenuto su strategia, seduzione e potere, spiega quali sono i metodi per conquistare e mantenere il potere.

Join our growing congregation! We starting a Church! Was Jesus Christ real? Like Kurt Russel Vanilla Sky real? WE FIND OUT. Do you know the famous painting of him hanging in every homophobic Grandparents home? That's a portrait of Cesare Borgia, Leonardo Da Vinci's gay lover.

Elodie PINEL est agrégée de lettres modernes, certifiée de philosophie, titulaire de la DNL italien et docteure en littérature médiévale spécialisée dans l'oralité et dans l'écriture féminine. Elle rédige des critiques littéraires pour la revue Etudes et participe à des podcasts de critique de séries (Sérieland d'Europe 1 Studios, Qui a peur du féminisme ?). Elle anime pour Histoire en séries un cycle d'émissions en italien sur la perception de l'Histoire italienne par les Italiens. Elle écrit régulièrement pour les éditions du Robert et a participé à l'émission pédagogique La Maison Lumni sur France télévisions. Blythe Alice Raviola enseigne l'Histoire à l'université de Milan ; elle y est membre du comité directeur du Master en Digital Humanities et dirige le Master de Public History avec cette université et la Fondation Feltrinelli de Milan. Ses axes de recherche vont de l'histoire des anciens états italiens à leurs relations diplomatiques avec l'Espagne à l'âge moderne, de l'étude des frontières à celui de la culture savoyarde entre le XVIe et le XVIIe siècle. Elle a notamment publié une biographie intellectuelle intitulée Giovanni Botero. Un profilo fra storia e storiografia (Mondadori, Milano 2020). Elles présentent les séries sur LES BORGIAS et les analysent selon les thématiques suivantes : ​ - Fidélité historique et représentations : les enjeux de chaque série - En quoi ces séries sont-elles des réécritures ?. - Donc nouvelle réécriture : pour confirmer ou infirmer la légende noire - L'intertexte contemporain : les Borgias sont-ils représentés comme les premiers mafieux ? - La violence du Moyen Âge/de la Renaissance représentée et réelle - Les rapports entre les grandes puissances, temporelles et spirituelles - Le corps et la sexualité : voyeurisme ou réalité historique ? - Une galerie de personnages : quelle fidélité à ce que l'on sait des grandes figures de la famille : Rodrigo Borgia, Cesare Borgia, Lucrezia Borgia, Alessandro Farnese, Giulio de Médicis, Giovanni de Medici (futurs Clément VII et Léon X), Giuliano della Rovere,Les guests : Niccolà Macchiavelli, Leonardo da Vinci, Savonarole. Plus d'infos sur https://www.histoireenseries.com/

Betrouwbare Bronnen viert haar 200ste editie met een reflectie op politiek, macht, historie, Nederland in Europa, Europa in de wereld toen en nu. En dat doen Jaap Jansen en PG Kroeger aan de hand van Niccolò Machiavelli en zijn boek ‘Il Principe' – in het Nederlands ‘De Heerser' of ‘De Vorst' getiteld. Een boek dat al vijf eeuwen de tongen in beweging zet en waarover de misverstanden niet van de lucht zijn.Als student leerde Jaap van prof. Herman Tjeenk Willink (ja die!) hoe relevant de lessen uit De Heerser nog zijn. “Je kunt maar beter gevreesd zijn dan geliefd”, liet hij zijn studenten lezen. En: “Een verstandig vorst kan, noch mag zijn woord houden als dit voor hem te nadelig zou worden.”Machiavelli, de Florentijnse ambtenaar uit de Renaissance is een fascinerende persoonlijkheid. Hij leefde van 1469 tot 1527 - in de periode dat Amerika ‘ontdekt' werd; de zeeroutes naar India, China en Japan, de Reformatie Europa en de kerk spleet, Habsburg een wereldrijk werd, de Islam met de Osmaanse Sultans tot de poorten van Wenen oprukte en in India het grootse Mughal-rijk begon.Machiavelli was tijdgenoot van Leonardo da Vinci, Erasmus, Thomas More, Luther, Michelangelo, de Borgia's, Karel V en de Habsburgse tantes en nog vele anderen. ‘Il Principe' is dan ook alleen te begrijpen als een product van een tijd van ongekende veranderingen, globalisering en intellectuele en culturele revoluties. Machiavelli zag hoe nieuwe typen machthebbers met soms allesbehalve nieuwe methoden en ideeën hun heerschappij vestigden en probeerden te versterken. Daarvan wilde hij de patronen in kaart brengen en lessen uit trekken.Geen wonder dat dit boek tot de dag van vandaag boeit en inspireert. Jaap en PG laten zien hoe in de loop der eeuwen hiermee is omgegaan. Van Thorbecke tot Mussolini en Stalin. Van The Virgin Queen tot Jan Nagel. En het Den Haag van 1740 speelt daarbij zelfs een heel bijzondere rol, met twee beroemde vrienden die de publicatie van een boek begeleidden waar ineens een hoop gedoe over ontstond.Die reputatie van verdorvenheid, gewetenloosheid en machtswellust van Machiavelli en zijn volgelingen wordt in deze aflevering scherp onder de loep genomen. Doet men de Florentijnse ambtenaar hiermee geen onrecht? Is zijn boek inderdaad zo'n vergoelijking van onethisch politiek handelen? En waardoor is die reputatie eigenlijk ontstaan? Midden in een kabinetsformatie, in een tijd van een ‘geopolitiek Europa' tussen de wereldmachten en net na de ondergang van Donald Trump als een Borgia-figuur van deze eeuw is het boek actueler dan ooit.En PG zou PG niet zijn als hij niet ook rond dit boek en deze historische persoonlijkheid geen onmisbaar operafragment zou vinden. Lucrezia, de zus van Machiavelli's inspiratiebron Cesare Borgia – de dochter van de Paus Alexander VI! – is in de eeuwen na haar leven een symbool geworden, eigenlijk van alles wat ook Machiavelli's boek verweten werd. En dan kan het niet verrassen dat zo'n fascinerende dame de hoofdpersoon is in een Belcanto opera van 1833.***Deze aflevering is mede mogelijk gemaakt door donaties van luisteraars via de site Vriend van de Show. Sponsoring of adverteren is ook mogelijk. Stuur een mailtje naar adverteren@dagennacht.nl en we nemen contact met u op!***Verder kijkenNiccolò Machiavelli - BBC documentaire***Verder luisteren01 - D66 moet linkser, vindt oud-partijleider Jan Terlouw20 - Peter Altmaier (Duitse minister van Economie en Energie) over Nederland in Europa, Brexit en opvolging Merkel49 - De koningen van Hispanje die wij altijd hebben geëerd57 - Alexis de Tocqueville70 - 'Voorzitter, het is Kafka!' - PG Kroeger over leven en werk van Franz Kafka103 - Geheim geld in de politiek119 - Elke machtsoverdracht in het CDA is een drama165 - Verkiezingen 2021: succesvolle campagnestrategieën + tips voor lijsttrekkers***Tijdlijn00:00:00 – Intro00:05:55 – Deel 100:52:24 – Deel 201:19:13 – Uitro01:19:58 – Einde Privacy Policy and California Privacy Notice.

Alting har en ende, og med det udsagn siger vi nu farvel til alle vore loyale og vidunderlige lyttere! Ciao fra Bella Italia! Og lad os skåle for kærligheden i og omkring os alle, og det smukke, der vokser fra både det gode og det onde. Gør feks som den evigt 31-årige: Cesare; og hold fanen højt i modgang og medgang! Kærlig hilsen fra Leonardo, Machiavelli, Michelangelo, Josquin og The Renaissance Man Quartet, Nostradamus, Caravaggio, Birgitte og Cesare Borgia

Michelangelo har nogle foruroligende teorier omkring ondskabens højborg, og det bekymrer en dødsens træt Birgitte, der holdes vågen af Cesare Borgia om natten og drives til vanvid af det evindelige lutspil opført af “The Renaissance Man Quartet” om dagen.

Hey Eavesdroppers, this week we are joined by author and astrotheologist, Micah Dank. Micah broke down the zodiac and gave us some tools that can be implemented to decode sacred texts such as The Bible. You can follow the YouTube/Odysee links below for the visuals. Please check out Micah's books and links below... Amazon Page: https://www.amazon.co.uk/Micah-T-Dank/e/B08CLT5JQC?ref=sr_ntt_srch_lnk_1&qid=1621247538&sr=8-1 Twitter: https://twitter.com/RealMisterDank?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor Instagram: https://www.instagram.com/micahdank/ Facebook: https://www.facebook.com/groups/626210891586650 Topics mentioned with Micah ... Encoded Astrology, Cesare Borgia, Toroidal Fields, Revelation, Book Of Matthew, John The Baptist, The Firmament, Gnostics, Precession Of The Equinoxes, Transhumanism,   etc ... After our chat with Micah we covered the usual housekeeping, Rona News etc. Producer Credits for Ep 184: Robbie Robertson, Wandering Wyatt, Nomae NosNoj, Cotictimmy, Anonymous and everyone who bought merch this week. Message us here....follow, like, subscribe and share. (comments, corrections, future topics etc). We read out iTunes reviews if you leave them. Website - http://www.theamishinquisition.com/ Get your newly launched Merch from  The Amish Loot Chest - https://teespring.com/en-GB/stores/amish-inquisition-loot-chest Email - theamishinquisition@gmail.com Odysee Channel - https://odysee.com/@theamishinquisition:e Twitter - https://twitter.com/amishinqpodcast Facebook - https://www.facebook.com/amish.inquisit.3 Instagram - https://www.instagram.com/theamishinquisition/?hl=en YouTube - https://www.youtube.com/channel/UCmv8ucrv5a2KpaRWyBWfBUA Find out how to become a Producer here - http://www.theamishinquisition.com/p/phil-1523918247/ Become a Producer! The Amish Inquisition is 100% supported by YOU.  NO Ads, NO Sponsorship, NO Paywalls. We really don't want to suckle at the teat of some faceless corporate overlord. But that is only avoidable with your help! Join your fellow producers by donating to The Amish Inquisition via the PayPal button on our website, simply donate whatever you think the show is worth to you. If you find the podcast valuable, please consider returning some value to us and help keep the show free and honest. 184 Show Assets: Mallen Baker Show https://www.youtube.com/watch?v=XC0gTtyQlfo Jackie Weaver Podcast https://open.spotify.com/show/57sZRGBiNCBYmoPWQgTZCq News-Medical.net MNRA article https://www.news-medical.net/news/20210510/Research-suggests-Pfizer-BioNTech-COVID-19-vaccine-reprograms-innate-immune-responses.aspx MRNA vaccine paper https://www.medrxiv.org/content/10.1101/2021.05.03.21256520v1 The Spectator Tim Spector Interview https://www.youtube.com/watch?v=ru5fTHMLUU0&list=PLjW0q-t8-qM7faOIX0Pcd5nL0RhOIiqy_ Canada AZ https://www.youtube.com/watch?v=ix3YVvteTCE Ray Winstone https://twitter.com/i/status/1392057845827481603 M&S Shitter https://twitter.com/i/status/1392034267753029633 Downing St Briefing https://www.youtube.com/watch?v=3Xy3bY3gDgQ Ohio Lottery https://www.youtube.com/watch?v=aPasGB0ajsU Shake Shack https://www.youtube.com/watch?v=E2yXwUm5TNs&t=97s Guardian India Variant https://www.theguardian.com/world/2021/may/14/india-covid-variant-could-lead-to-third-wave-uk #EncodedAstrology #CesareBorgia #ToroidalFields #Revelation #BookOfMatthew #JohnTheBaptist #TheFirmament #Gnostics #PrecessionOfTheEquinoxes #Transhumanism #micahdank #astrotheology

At the dawn of the 16th century, Leonardo Da Vinci found himself tied by patronage to Cesare Borgia. It's a tumultuous time as Leonardo turns his attention to weaponry, and he changes the future of map drawing with his birds-eye-view detail for The Map of Imola. Plus, he begins work on the Mona Lisa, so we look at the real life of the woman who is front and centre in that infamous painting and talk to the actress tasked with bringing her to life on screen. Guests include Aidan Turner (Leonardo), Matilda De Angelis (Caterina), Max Bennett (Cesare Borgia), Maria Vera Ratti (Lisa del Giocondo / The Mona Lisa), Martin Clayton (Head of Prints and Drawings at Royal Collection Trust), Frank Spotnitz (co-creator/writer) and Steve Thompson (co-creator/writer).

orna Libri Oltre. Motivata dalla lettura di "Machiavelli e l'Italia. Resoconto di una disfatta" di Alberto Asor Rosa, la conversazione s'incentrerà sul plurisecolare problema dell'identità nazionale, della formazione dello stato e del ruolo delle élite sociali ed intellettuali che popolano la penisola nel determinarne il destino, ed il declino.

The name Lucrezia Borgia is synonymous with poison, the name Cesare Borgia with murder, and the name Rodrigo Borgia with orgies, incest and nepotism. Maybe that’s why he changed his name to Pope Alexander VI when he was elected by the college of cardinals. Were the Borgias really the worst family in Rome? Find out in this episode of Blind History… Taylor Blinds & Shutters

This week we're talking about the final chapter in the Borias book; Cesare Borgia's rise to power and abrupt downfall.

A new episode Hosted on Acast. See acast.com/privacy for more information.

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a collaboration episode with one of my favourite podcast, Assassinations Podcast. In this episode I talk about the rise of the Borgia family and Neil of Assassinations Podcast focuses on Cesare Borgia.

We join with our good friends at A History of Italy Podcast to bring you a two-part investigation into one of the most notorious dynasties of the Renaissance, the Borgias. This week, we focus on the priest-turned-warrior Cesare Borgia, who used murderous conspiracies and battlefield tactics to attempt to forge a new state during the Italian Wars.To find out more about the people and music featured in today’s episode, visit the Assassinations Podcast website. While there, you can also check out our Bookstore, where we recommend some great episode-related books and reading material, and shop our Merch Store to nab a log tee or tote bag.Make sure to check out our sister show, Fab Figmentals! Fab Figmentals is hosted by our very own Lindsey Morse, and it explores the realm of curious creatures, magical monsters, and beautiful beasts.If you’d like to support the show, we have a Patreon page. We offer a variety of different support levels with lots of fun perks, including bonus episodes, a monthly livestream, stickers, merch store credit, and more! Find us at patreon.com/AssassinationsPodcast You can also interact with us on Twitter. You’ll find us @AssassinsPod.Assassinations Podcast was created by Niall Cooper, who also researches and writes the show. Lindsey Morse is our editor and producer. Our theme music was created by Graeme Ronald. If you’d like to hear more from Graeme, check out his band Remember Remember. You’ll find them on iTunes.

Created, produced, and directed by radio actor/director Elliott Lewis, the program was a historical true crime series, examining crimes and murders from the past. It grew out of Lewis' personal interest in famous murder cases and took a documentary-like approach to the subject, carefully recreating the facts, personages and feel of the time period. Comparatively little dramatic license was taken with the facts and events, but the tragedy was leavened with humor, expressed largely through the narration. The crimes dramatized generally covered a broad time and place frame from ancient Greece to late 19th-century America. Each episode in the series was co-written by Morton Fine and David Friedkin, in consultation with Lewis, although the scripting process was more a matter of research, as the stories were "adapted from the original court reports and newspaper accounts" or from the works of historians. The cases ranged from famous assassinations (of Abraham Lincoln, Leon Trotsky, and Julius Caesar) and the lives (and often deaths) of the likes of Cesare Borgia and Blackbeard to more obscure cases, such as Bathsheba Spooner, who killed her husband Joshua Spooner in 1778 and became the first woman tried and executed in America. The only continuing character was the host/narrator, Thomas Hyland, played by Lou Merrill. Hyland was introduced by the announcer as a "connoisseur of crime, student of violence, and teller of murders." Merrill's deadpan portrayal of Hyland provided the welcome note of tongue-in-cheek humor to the proceedings. Unlike the ghoulish weird storytellers of The Whistler and The Mysterious Traveler, Hyland was an ordinary fellow who, in a dry, droll manner, would present a tale from his files, his wry comments interspersed between dramatized scenes. The episodes would typically begin with Hyland inviting the audience to listen to a sound, from drops of rain to horses' hooves, and then introducing the main players and events of his report. The titles also contributed to the series' light tone, as they were intentionally pompous and usually laced with irony. Typical titles included "Your Loving Son, Nero," "If a Body Needs a Body, Just Call Burke and Hare," and "The Axe and the Droot Family... How They Fared". A roster of Hollywood radio actors filled the various historical roles. William Conrad was one of the more frequently heard performers, in such diverse parts as Nero, Blackbeard, Pat Garrett and King Arthur. Other performers, and the villains and victims they portrayed, included Jack Kruschen (as William Burke and Trotsky assassin Ramón Mercader), Jay Novello (as William Hare and Dr. William Palmer), Mary Jane Croft (as Bathsheba Spooner and Madame de Brinvilliers), Betty Lou Gerson (as Agrippina and Lucrezia Borgia), Edgar Barrier (as Julius Caesar), Harry Bartell (as Brutus), Hans Conried (as Ali Pasha), Herb Butterfield (as Lincoln, Trotsky, and Thomas Edwin Bartlett), Jack Edwards (as John Wilkes Booth and Cole Younger), Irene Tedrow (as Lizzie Borden), William Johnstone (as Robert Knox), Betty Harford (as Madeleine Smith and Ripper victim Mary Jane Kelly), Eve McVeagh as Madame Marie Lafarge, Clayton Post (as Jesse James), and Sam Edwards (as Billy the Kid and Bob Younger).

What lessons can today's politicians and political elites learn from one of English literature's most important works…Beowulf. We'll be visiting some of histories greatest leaders, from Julius Caesar to Cesare Borgia, to  Napoleon Bonaparte…What did they have in common? Why did the achieve what others couldn't..and what hope or dismay can this give us in today's elected forces? All this and more on today's edition of The Rabbit Hole: Politics and Prose.

Continuing with the life story of Cesare Borgia, this episode of the Classic Influence Podcast explores Cesare’s approach to dealing with the Borgia family’s nemesis, Cardinal Giuliano della Rovere (who later became Pope Julius II), as an illustration of the dangers of failing to think strategically. In this episode, you’ll discover the power of maintaining a strategic perspective, and the significance of expanding your perspective to include the broader context of your strategy, tactics, decisions, and goals. This episode concludes with four core strategic lessons we can learn from Cesare Borgia’s fall from power. If you like this show, then you’ll love my book, Mastering the Power of Grit, available as both an ebook and a paperback on Amazon. Following a format similar to this show, shared through their own compelling stories, Mastering the Power of Grit reveals the timeless lessons learned from the legends of grit, and the corresponding strategies, tactics, tips and tools you can use to master the power of grit to achieve your own most daring dreams and goals. For additional resources, updates and more, be sure to subscribe to our email list by visiting us online at http://www.classicinfluence.com/strategy

This week we delve into the intrigues and feuds of the infamous Borgia family. Disclaimer - we suck at saying some of the names. Not a single insult is meant, we just can't speak Spanish or Italian, but please bear with us and correct us where we go wrong. As usual, here are our sources:https://en.wikipedia.org/wiki/Pier_Luigi_de_Borgia,_1st_duke_of_Gandíahttps://www.britannica.com/topic/Borgia-familyhttps://www.thoughtco.com/the-borgias-infamous-family-of-renaissance-italy-1221656

Exploring the remarkable power of your time horizon, this episode of the Classic Influence Podcast reveals the surprising benefits of aligning with and orienting to the long view. Drawing on the life story of Cesare Borgia and his father, Pope Alexander VI, as well as the research of former Harvard professor of political science Edward Banfield, you will also learn the hazards of failing to implement this essential mental frame and how to avoid them, and three key application tools for helping to ensure your success. Finally, you will discover the single most critical secret of self-discipline. If you like this show, then you’ll love my book, Mastering the Power of Grit, available as both an ebook and a paperback on Amazon. Following a format similar to this show, shared through their own compelling stories, Mastering the Power of Grit reveals the timeless lessons learned from the legends of grit, and the corresponding strategies, tactics, tips and tools you can use to master the power of grit to achieve your own most daring dreams and goals. For additional resources, updates and more, be sure to subscribe to our email list by visiting us online at http://www.classicinfluence.com/timehorizon  

Why are good people attracted to serving bad people or bad causes? Aristotle taught Alexander the Great. Seneca advised Nero. Da Vinci attached himself to Cesare Borgia. Mattis accepted a cabinet position from Trump. There are, of course, many other examples of academics who were blind to the horrors of the Soviet system or the atrocities of the Khmer Rouge, just as everyday there are good people who go to work for less than ethical companies or leaders. But it is sad that there are two prominent Stoics on that list. Seneca knew what Nero was up to. Secretary of Defense Mattis, a wise, patriotic four-star general, is currently serving a man who is almost his polar opposite in every single way, who says and does things he can’t possibly agree with and would never defend. Now in all these instances, there is a good case to be made that if these wise men didn’t serve in these roles, someone else--someone less disciplined and less compassionate--would simply fill their place. Would we have preferred Alexander without Aristotle’s tempering? Would we want someone less strong, less ethical, less driven by duty to take over as Secretary of Defense? That’s a reasonable argument, and we simply cannot know how much either of these individuals struggled with the dilemmas of their position. Still, that’s only an explanation, not an excuse. The writer Paul Johnson defined an intellectual as someone who believed that ideas were more important than people. It was this fallacy, he said, that wrongly encouraged otherwise smart people to rationalize Stalin’s murderous regime or attracted them to personalities like Hugo Chavez or Fidel Castro. Sometimes people are too smart, too in their own heads, to see what was obvious to any outsider. Or worse, their brain and their ambition overrode their heart. Because the heart knows. The heart knows that Alexander and Nero and Borgia and Trump are tragically awful. Even if they do, or did, some good in the world. The point of this email is condemn anyone or to get into a partisan argument (reasonable people can disagree about America’s current president), but to serve as a reminder: The good guys end up enabling the bad guys far too often. And unlike the stupid, they can’t claim ignorance and unlike the desperate, they can’t claim they didn’t have a choice. We need to work extra hard to avoid that mistake. If we are already doing it--like if your boss is an abusive wreck of a human, or if your industry makes the world a worse place--then we need to make the hard decision to walk away. Don’t let ideas or ideals get in the way of the real human cost of your work. Don’t be a cautionary tale. It’s not too late.

LAW 26: Keep Your Hands Clean Have you ever scapegoated someone? Law 26 is about keeping your hands clean, a law which makes Jon uncomfortable. Together with Dre he explores why a scapegoat doesn’t always have to be a negative thing. Once again the need for subtlety and an understanding of the emotional needs of others is a key subject, with Dre and Jon discussing their views on being wronged and apologies and why being an unsung hero feels meaningless to them.  Jon shares his opinions on free speech and why he refuses to tone himself down, Dre teaches Italian pronunciation and the pair share their experiences in sibling scapegoating.  Finally they discuss how with this law, seeming vulnerable and as a victim can be beneficial, rather than the infallible power usually needed for leadership.  This episode includes: Authoritarian regime – Putin and the FSB The importance of a scapegoat and how they can help to diffuse situations The connection between loyalty and the scapegoat The ingrained sexism of statutory rape cases Why finding peace with your own conscience is more important than being seen as a hero Celebrity scapegoats and PR-led public apologies The difference between a powerful refusal of apology and a sneering one Unacceptable jokes vs. censorship and repression Scapegoating in the office environment – passing the buck The ritual of apologies Social media and how being a victim can be empowering   Mentioned in this episode:  Debbie Wasserman Schultz and the Clintons - http://www.politico.com/story/2016/11/debbie-wasserman-schultz-bernie-sanders-scapegoat-230767 The West Wing - http://www.imdb.com/title/tt0200276/ Hulk Hogan vs Gawker - https://en.wikipedia.org/wiki/Bollea_v._Gawker South Park: Miss Teacher Bangs A Boy - http://tvtropes.org/pmwiki/pmwiki.php/Recap/SouthParkS10E10MissTeacherBangsABoy Cao Cao of Han Empire China - https://en.wikipedia.org/wiki/Cao_Cao The unapologetic wisdom of Charlie Sheen - http://www.telegraph.co.uk/news/celebritynews/8359242/Top-10-Charlie-Sheen-quotes.html Cesare Borgia and Remirro de Orco - https://www.cliffsnotes.com/literature/p/the-prince/summary-and-analysis/chapter-7 Dexter - http://www.imdb.com/title/tt0773262/ Donald Trump – “I grab women by the pussy” - https://www.youtube.com/watch?v=wHMAV2n0dV0 Ukraine and Holodomor - http://www.holodomorct.org/history.html   Challenge: Blame upwards, to someone who won’t be harmed by it, eg. Corporate. Recognise when you scapegoat someone. Be silly. Be kind. Be weird.  Join us as we continue our 48 Laws of Power review, exploring Robert Greene’s provocative and compelling book, in which he lays bare the history, practice, psychology, and philosophies of power that ultimately shape all human relations. Often seen as a handbook for the ‘modern Machiavelli’, we take a closer look, beyond the hyperbole, and discuss how understanding and implementing these Laws can actually enrich your life personally, professionally and spiritually. Jon and Dre aim to get to the heart of each of the Laws, grapple with their sometimes disturbingly amoral nature, and discuss what the Laws mean in everyday life (often revealing their own experiences – good and bad – when they’ve either observed or transgressed them).  

Cesare Borgia in a Nutshell MadeGlobal’s History in a Nutshell Series aims to give readers a good grounding in a historical topic in a concise, easily digestible and accessible way. Cesare Borgia in a Nutshell outlines the life of one of history’s most controversial figures from his birth through to his murder in 1507 at the age of just 31. This book aims to expose the truth behind the age-old rumours of this ancient family and to shed light onto a fascinating period of history. Today on this bonus episode of the Medieval Archives Podcast Samantha presents the Top Five Borgia myths! Listen to the episode and sign up for the book giveaway below. Please send any comments, suggestions or topic ideas to podcast@medievalarchives.com If you are enjoying the podcast please considering leaving a rating on iTunes. Rate the Medieval Archives Podcast now! Listen to the episode now Book Giveaway! For a chance to win a copy of Cesare Borgia in a Nutshell subscribe to our newsletter and then send us an email with the answer to the following question: Who was Cesare Borgia's infamous father? Giveaway expires on 30 Nov 2016 at 1700MST (1900EST, 2400GMT). Winner will be chosen at random and contacted via email. Subscribe to our mailing list About the Author Samantha Morris studied archaeology at the University of Winchester where her interest in the history of the Italian Renaissance began. Since graduating University, her interest in the Borgia family has grown to such an extent that she is always looking for new information on the subject as well as fighting against the age-old rumours that haunt them. Samantha describes herself as an accountant by day, historian and author by night. Her first published book, Cesare Borgia in a Nutshell, is a brief biography which aims to dispel the myths surrounding a key member of the Borgia family. She runs the popular Borgia website https://theborgiabull.com/ and would love to see you on her site. You can follow Samantha on Twitter: @TheBorgiaBull and check out her Facebook page for The Borgia Bull http://www.medievalarchives.com/medievalpatron Get your free audio book from Audible.com at: http://www.medievalarchives.com/AudioBook Download the MP3 and listen to it on your favorite MP3 player. Subscribe to the feed so you do not miss a single episode. iTunes | Stitcher Radio | Download MP3 | RSS Feed The music was provided by Tim Rayburn. It is available at Magnatune.com

La Mama Theatre’s The Masque of Beauty seems to have taken its name from Ben Johnson’s courtly masque composed in 1608. However, in Peter Green’s ‘Renaissance Cabaret’ we certainly feel far away from the England court, even if he uses a few Shakespeare passages on one of his literary medleys. Green’s writing, and indeed Faye Bendrups’ directing, both take Australian audiences to very different theatrical territory than they might be used to. True to the form of a masque, this show is a meandering hour of live music, dance pieces, dramatic scenes and chorus style songs, which historically would espouse the most famous figures of the day. On this particular outing, to the Italian court, we encounter three formidable sisters-in-law – the notorious Lucrezia Borgia, the sharp-witted Isabella d’Este, and the worldly Elisabette Gonzaga – as well as the controversial Pope Alexander VI, his son, and Lucrezia’s brother, Cesare Borgia, the Monna Lisa (“constipated for over 500 years”) and a very nervous young Leonardo da Vinci. This production might have done away with some big hallmarks of the masque – the actual masks, the decorative sets and the audience participation – but aside from that, it really does feel like a journey back to the 16th century. 21st century audiences are very used to narrative-based entertainment, and to more visual forms of storytelling, whereas the figures displayed here are introduced much more through monologue than dialogue. Even the grim ensemble songs feel much more like an Ancient Greek chorus than an exchange played out in song. In these parts of the show, the four voices of the cast - Maria Paula Afanador, Madeleine Field, Claire Nicholls and Jessica Greenhall – seem to blend into the one entity. The dances and the more physical scenes function more as further illustrations of the figures than as a way of driving forward a story. I call them ‘figures’ instead of ‘characters’ because they are far from being active players in a dramatic narrative. The Masque of Beauty is, throughout, a consciously historical work. More specifically, this is revisionist history, and the sardonic kind at that, based on rumours and re-evaluations. This piece is undisguisedly looking backwards, and makes no attempt to make us feel like we are looking forwards as though we and the performing ensemble don’t know what’s coming. The cast and creatives are certainly in the know, but unfortunately, for the most part, their audience is probably not nearly as knowledgeable about it all. The commentary on Leonardo and the Mona Lisa works because this is a part of Italian history that is very much general knowledge. As for the three noble sisters-in-law, as fascinating as they seem, and as exuberantly as they are portrayed, they aren’t really part of the public consciousness. The production team might now know almost everything there is to find out about them, and they certainly seemed to find their commentary on them amusing and compelling, but I’m not sure that a lot of their audience will. It’s definitely a more obscure part of history, something the La Mama staff seemed to have picked up on. At the box office, each audience is member is given a Wikipedia blurb on each figure in the story, which helps a little but it still takes more than a couple of hastily read paragraphs to achieve that same level of familiarity. I’m sure those who know the history of the Italian royals will appreciate what this talented team manage to do with them, but those who don’t are never really brought up to speed at any point here, or at least not in any helpful way. There is often a large disconnect between what you are being told on stage here and what you are being shown. When the exposition becomes particularly intricate and hard to follow, it is very easy to be distracted by the other stagecraft elements and miss certain factual details. You can definitely feel that this is set in a world of seduction, corruption, manipulation and murder, but it’s very hard to be clear on who is doing what to who, and why. Seeing as there is no real narrative movement anyway, or even much thematic movement here, those who aren’t already familiar with all of these people will probably feel start to feel a bit restless. It’s definitely a treat for any Renaissance aficionados but will probably be quite unmemorable for anyone else. Written by Christian TsoutsouvasSee omnystudio.com/listener for privacy information.

La Mama Theatre’s The Masque of Beauty seems to have taken its name from Ben Johnson’s courtly masque composed in 1608. However, in Peter Green’s ‘Renaissance Cabaret’ we certainly feel far away from the England court, even if he uses a few Shakespeare passages on one of his literary medleys. Green’s writing, and indeed Faye Bendrups’ directing, both take Australian audiences to very different theatrical territory than they might be used to. True to the form of a masque, this show is a meandering hour of live music, dance pieces, dramatic scenes and chorus style songs, which historically would espouse the most famous figures of the day. On this particular outing, to the Italian court, we encounter three formidable sisters-in-law – the notorious Lucrezia Borgia, the sharp-witted Isabella d’Este, and the worldly Elisabette Gonzaga – as well as the controversial Pope Alexander VI, his son, and Lucrezia’s brother, Cesare Borgia, the Monna Lisa (“constipated for over 500 years”) and a very nervous young Leonardo da Vinci. This production might have done away with some big hallmarks of the masque – the actual masks, the decorative sets and the audience participation – but aside from that, it really does feel like a journey back to the 16th century. 21st century audiences are very used to narrative-based entertainment, and to more visual forms of storytelling, whereas the figures displayed here are introduced much more through monologue than dialogue. Even the grim ensemble songs feel much more like an Ancient Greek chorus than an exchange played out in song. In these parts of the show, the four voices of the cast - Maria Paula Afanador, Madeleine Field, Claire Nicholls and Jessica Greenhall – seem to blend into the one entity. The dances and the more physical scenes function more as further illustrations of the figures than as a way of driving forward a story. I call them ‘figures’ instead of ‘characters’ because they are far from being active players in a dramatic narrative. The Masque of Beauty is, throughout, a consciously historical work. More specifically, this is revisionist history, and the sardonic kind at that, based on rumours and re-evaluations. This piece is undisguisedly looking backwards, and makes no attempt to make us feel like we are looking forwards as though we and the performing ensemble don’t know what’s coming. The cast and creatives are certainly in the know, but unfortunately, for the most part, their audience is probably not nearly as knowledgeable about it all. The commentary on Leonardo and the Mona Lisa works because this is a part of Italian history that is very much general knowledge. As for the three noble sisters-in-law, as fascinating as they seem, and as exuberantly as they are portrayed, they aren’t really part of the public consciousness. The production team might now know almost everything there is to find out about them, and they certainly seemed to find their commentary on them amusing and compelling, but I’m not sure that a lot of their audience will. It’s definitely a more obscure part of history, something the La Mama staff seemed to have picked up on. At the box office, each audience is member is given a Wikipedia blurb on each figure in the story, which helps a little but it still takes more than a couple of hastily read paragraphs to achieve that same level of familiarity. I’m sure those who know the history of the Italian royals will appreciate what this talented team manage to do with them, but those who don’t are never really brought up to speed at any point here, or at least not in any helpful way. There is often a large disconnect between what you are being told on stage here and what you are being shown. When the exposition becomes particularly intricate and hard to follow, it is very easy to be distracted by the other stagecraft elements and miss certain factual details. You can definitely feel that this is set in a world of seduction, corruption, manipulation and murder, but it’s very hard to be clear on who is doing what to who, and why. Seeing as there is no real narrative movement anyway, or even much thematic movement here, those who aren’t already familiar with all of these people will probably feel start to feel a bit restless. It’s definitely a treat for any Renaissance aficionados but will probably be quite unmemorable for anyone else. Written by Christian Tsoutsouvas

When you start writing articles, you get advice from all sides. But there's advice you don't want to hear. It's advice that goes against the grain. And yet, it's this advice that forms the hallmark of great writing. So how do you get from average to great? You take the road less-taken. It's harder and yet far more satisfying. Here's advice you probably don't want to hear. --------------- A friend wrote to me today and asked me what seemed like a pretty normal question. She expected 5 lines, maybe 6. Instead I ended up with 1800 words. So what was her question? What traits do you consider to be hallmarks of quality in a piece of content? The answer is something that most writers may not want to hear. It’s an answer that demands sacrifice, going against the grain and being persistent when things are going horribly wrong. Still interested? Well, here’s the question again: What traits do you consider to be hallmarks of quality in a piece of content? The answer 1- contrast 2- lack of pandering 3- the gap between style and ability. ———— 1) Let’s start with contrast It’s the year 1986. John Heritage and David Greatbatch have an itch to scratch. They’re studying applause and what causes it. So they embark on what could be considered one of the most boring tasks in the world: they analyse politician’s speeches. 476 of them. And what were these two poor souls looking for? Applause, that’s what they were keen to find. Why was it that one speech received total silence, while other speeches got applause? But not just applause, but applause twice per minute! Nineteen thousand sentences later they had a clue It was contrast. The moment the audience encountered applause, the brain was no longer dormant. Contrast brought a smile to their faces, and cheering followed. Contrast requires you and me to work so much harder But contrast also puts you in a strange and precarious position. If everyone says: You should go this way and there’s a writer that says, “Nope, you’re headed into sheep land. This is the way to go”. Now that is going out on a limb. Contrast is scary. It’s much easier to say what everyone else is saying. If you want to start with the hallmark of quality, contrast is where you start. Let’s take an example of contrast Let’s say you’re writing about a subject such as productivity, for example. Now productivity doesn’t bring to mind any sort of rest or sleep does it? Instead the enduring message of productivity has almost always been one of focus and concentration. It’s always been one of working out astounding efficiencies to do more work than ever before. At this point in time, let’s say your article talks about sleep. It talks about taking the weekends off. It even goes on to suggest that you take several months off in a year. You’ve shaken up the force a bit, haven’t you? You’ve created a counter force that may at first seem impossible to defend. Yet, that’s what great writing is about. Conceptually, it stands out and picks a topic that’s contrarian. But not all topics need to be contrarian to have that hallmark, do they? You could write articles on topics that have none of this rebellious nature and still bring out the big guns. This calls for a bit of a roller coaster in your writing An article needs to have a flow so the reader can move forward, but just as important is a counterflow. So let’s say you’re writing about how to “grow a curry leaf tree”, you also need to bring in the counterflow as you’re writing. That counterflow would be a possible glitch in the planting process. It could be a couple of mistakes you’re about to make. To be able to speed ahead, brake and go in a counterflow direction isn’t easy. Some writers do it while creating the material. Others create it later during an edit process. Flow by itself is super boring Try this paragraph for example: We went to the airport, there was no traffic on the highway. We got through check in and immigration in next to no time. And then we sat down to have a beer. So what are you thinking at this point in time? I’ll tell you what. You’re wondering if the story has any purpose. And yet, the moment counterflow comes into play, you’re alert again. Let’s go back to the story. You’ve had your beer, when a policeman walks up with a grim face. That’s drama, that’s contrast. And the hallmark of a great article is the ability to insert contrast into various sections of your article. Case studies can have an up and down. The concept can start out being all in favour of something and then diverge without warning. Now you’ve created contrast and lifts the tempo of your words. Counterflow needs to head back to flow, however Too much counterflow and your reader is turned off. The grim policeman, the spilling of beer on your white shirt, the missing of the flight—and the article seems to be falling right out of the skies. Which is why contrast matters so much. Contrast is about a constantly evolving set of words that get you to slip slide through like—yes—a roller coaster. Up, down, up and down. But contrast is only one hallmark of good writing. The second is a lack of pandering. 2) The second hallmark of great writing is a lack of pandering. Clients often ask me if I write articles with keywords in mind. The answer is no. I never have. I’ve been told I can get ten times the traffic if I pandered to keywords, but frankly I don’t care. The moment you pander, you’re not really writing for yourself Most of the greatest writing is not done for another. Most outstanding writing is done to clear the cobwebs in your own mind. You know this feeling well if you’ve tried to do a bit of a project like writing a report, presentation, or a book. There are a million thoughts floating through your mind and none of them seem to sit well until you put them down on paper. The reason why I wrote a book on the Secret Life of Testimonials wasn’t because a client asked me to do so. I wrote because I had these floating ideas in my head. And when I started writing the book, I expected to complete between 20-30 pages. There was good reason for me to have this pagination estimate. I’d already written a book on testimonials earlier and the first edition stopped quite firmly at 30 pages. Imagine my surprise when I went past 30, onto 50, then over 75 and sailed past 100, before settling at 125 pages. When you pander you lose your soul You stuff keywords into your headlines, write less than interesting opening paragraphs and do things that just don’t resonate with being a writer. And we know this to be true with one simple test. Would you use those same words if you were writing the article back in 1995? Pandering means a compromise that’s not necessarily walking step by step with producing the best possible work. No one is saying you have to be this crazy, independent soul forever All of us end up pandering in some shape of form. The great artist and sculptor, Leonardo da Vinci was known to be a lover of nature and hated war. Yet he created some of the most destructive weapons. And his patron, Cesare Borgia was one of the most hated men in all of Italy. Pandering at some level is almost inevitable, yet Leonardo didn’t stay in pander-land forever. He moved on creating work that was enduring and mostly for him. He didn’t want or expect you to see La Gioconda, better known as the Mona Lisa. He did that for himself, to make himself happy. Galileo stopped pandering. The father of geology, a Scot named James Hutton, refused to pander. Charles Darwin wrote 400 pages of stuff that rocked our world forever. The biggest exposés, the most interesting movies, they all refuse to buckle down and pander even when they know that pandering is profitable. So where’s the happy medium between doing what you love vs. pandering? It’s impossible to tell, but when you create a benchmark for yourself, you can decide whether you have time and the resources to create better work, or just work that’s good enough for the masses. At first you may have no option. You’ve got a mortgage to pay, mouths to feed and life is about meeting those obligations. To go down in flames before starting is not a good strategy. But then as you get a little more comfortable, it’s time to go out on a limb. At Psychotactics, we set a benchmark for ourselves: we wanted to work nine months a year and take three months off. Our income has been almost identical since 2007. We don’t need to double our income, double our clients or do any of that stuff that others find so endearing. This allows us not to pander. We know we can reach our goals easily and still do only the projects that are exciting and rewarding. Pandering is an obstacle we all have to learn to overcome. It applies to life, just as it applies to your writing. You can be enslaved by headlines like “7 Ways to attract clients”. You can stuff keywords into all your content to attract the search engines. But every time you do you’re running your soul on the pander-grater. That’s the second hallmark of great work: the move away from pander-land. Which takes us to our third hallmark of great work “achieving style through cross pollination”. 3) Which takes us to the third element: The gap between style and ability When you first start writing, getting an 800-word article on paper is enough to drive you to devour a tub of ice-cream. In time, however, your brain works out what needs to be done. A combination of writing, learning, resting and confidence bubble up to the point where writing is never exactly a joy, but no longer a frustration. Yet, when you’re done with the writing it seems to have no soul It reads pathetically like the work you see all over the Internet. Yet as Ira Glass, host of “This American Life” says: “The reason we get involved in something is because we have good taste. But there’s a gap. For the first couple of years that you’re making stuff, what you’re making isn’t so good. It has ambition to be good, but it’s not that great. But your taste—your taste is still “killer”. And your taste tells you that what you’re making is kind of a disappointment to you. A lot of people never get past that phase. A lot of people give up. A lot of people quit. And it’s only by going through a volume of work that you can close that gap.” Ira Glass is referring to the gap in your brain But what he doesn’t say in that video is what he and every other great writer or creator knows to be true. That style is about getting worse before you get better. Your work is bad but then turns crappy. The reason why you give up is because you’ve pushed your boundaries and ended in crappy land. And you figure out: well, if I’m going to go from bad to worse, I must have no talent whatsoever. And you’re right Talent isn’t inborn. Talent has to be acquired. You have no talent whatsoever. And that seemingly stupid thing you just did when you pushed your boundaries—well, that just made the gap between your ability and taste so much greater. There’s a reason, of course, why your work goes downhill The brain is stepping outside its comfort zone. When the brain steps out into this frosty land it has to read a lot more. But not just a lot more in your own field. No, who told you that nonsense? Read about how continents were created, how birds took flight, why diamonds should logically never exist. When you read, read many authors, copy many authors. But also push your reading and copying way beyond your immediate field of knowledge. If you’re a designer, put your design books in a safe If you’re an architect, go look for books on gravity. If you’re going to really learn style you have to push up and wide at the same time. You’re going to have to learn your craft, yes, but you’re also going to have to get into other worlds. And there’s a good reason why. Style is an amalgamation of thoughts. You may consider your style to be unique, but every style is simply a melting pot, bubbling slowly and deliberately. A lot of style seeps in when you’re reading, but there’s also a factor of copying The greatest works of our times have involved copying (not plagiarism, but copying) to the point that you become a sort of style-clone. Then when you’ve had your fill of one, you copy someone else—and then a third, fourth and fifth. One day you wake up and you have a style You know this to be true because everyone around you says so. They comment on your unique style. They say it’s so different. And what they’re commenting on isn’t just a look. It’s a culmination of your taste and your skill. A combination of the ideas of the masters that have gone before you. An amalgamation so deep that you feel the style is all your own but know deep down, that it’s come from that cavern of knowledge that’s too deep to go back into. And then just as you’ve reached your pinnacle of taste, you realise you’re not the guru you aspired to be. You’ve climbed one mountain and there before you lie the Himalayas of taste. You have so many mountains more to climb. The gap continues to exist. Let’s summarise, shall we? Contrast is crucial. There must be flow, then counterflow and back to flow again. This is what makes for great content. The lack of pandering is scary but that’s where originality springs forth. Pander if you must, but move away from the evil as quickly as you can. The gap between style and ability is incredibly frustrating, but sooner or later you close that gap enough to be amazing, but never quite at the level you want to achieve. And that eternal gap is what keeps you interested in the game forever. Useful Resources: 1) Why Inspiration Can Be The Key To Winning The Resistance Game 2) The Secret of How To Get Clients To Keep Coming Back Repeatedly 3) Three Unknown Secrets of Riveting Story Telling

Welcome back all history fans to the Giants of History Podcast! In our fifth episode of the Leonardo da Vinci series, we follow Leonardo as he starts work on The Last Supper, leaves Milan and returns to Florence after eighteen years, and then joins the employment of Cesare Borgia.     We hope you enjoy! This episode of Giants of History was brought to you by: audibletrial.com/history   Visit audibletrial.com/history to download your free audiobook Twitter: search “Giants of History” Gohistorypodcast.com | @gohistorypodcst | gohistorypodcast@gmail.com Please visit our website at gohistorypodcast.com for more information and the complete book list used to research this program. 

Lezione scolastica su L'esempio di Cesare Borgia. ll capitolo settimo del Principe 4C - prof. Luigi Gaudio

Gino Bramieri in questo sketch insieme a Raimondo Vianello presentatore della puntata, interpreta un altro dei suoi divertenti personaggi-macchietta, quello di Cesare Borgia che narra fatti, misfatti e cene al veleno organizzate da sua sorella Lucrezia Borgia... Tratto da Gran Varietà del 21 aprile 1968.

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clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 creative commons license click here visit creative commons license Crime Classics was a U. S. radio docudrama which aired over CBS from June 15, 1953 to June 30, 1954. Created, produced, and directed by radio actor/director Elliott Lewis, the program was basically a historical true crime series, examining crimes, and especially murders, from the past. It grew out of Lewis's personal interest in famous murder cases, and took a documentary-like approach to the subject, carefully recreating the facts, personages, and feel of the time period. Comparatively little dramatic license was taken with the facts and events, but the tragedy was leavened with humor, expressed largely through the narration. The crimes dramatized generally covered a broad time and place frame from ancient Greece to late 19th century America. Each episode in the series was co-written by Morton Fine and David Friedkin, in consultation with Lewis, although the scripting process was more a matter of research, as the stories were "adapated from the original court reports and newspaper accounts" for the most part (or from the works of historians in the case of the ancient crimes). The cases ranged from famous assassinations (of Abraham Lincoln and Julius Caesar) and the lives (and often deaths) of the likes of Cesare Borgia and Blackbeard to more obscure yet fascinating cases, such as that of Bathsheba Spooner. Spooner killed her husband Joshua Spooner in 1778 and became the first woman to be tried and executed in the United States of America.