Podcasts about we insist

June 28th marks the anniversary of a mass shooting that took place inside a newsroom in Annapolis, Maryland, killing five journalists. On this week's On the Media, an intimate portrait of the staff of the Capital Gazette in the immediate aftermath of the death of their colleagues — and then over the next several years as they contend with a corporate takeover, buyouts, and the loss of their newsroom. Reported by Chris Benderev of NPR's Embedded. Part 1: The Attack. Listen. Part 2: The Aftermath. Listen. Part 3: The Layoffs. Listen. Music in this week's show: Time Is Late — Marcos Ciscar feat. Joakim Johansson We Insist — Zoë Keating

Our final episode in the "Reimagining Utopia" series focuses on "Utopia In Performance" and includes conversations with artists who are creating works that give us hope and imagine a better, more equitable society.Damon Locks is an artist,  musician and educator as well as the founder and leader of Black Monument Ensemble, a vibrant collective of artists, musicians, singers and dancers, making work with common goals of joy,  compassion and intention.  The contributors come from all facets of the diverse well-spring of Black Excellence in Chicago and are a multi-generational group ranging in age from 9-52 years old at this recording. In addition to Locks, current and consistent BME members include: instrumentalists Angel Bat Dawid, Ben LaMar Gay, Dana Hall, and Arif Smith; singers Phillip Armstrong, Monique Golding, Rayna Golding, Tramaine Parker, Richie Parks, Erica Rene, and Eric Tre'von; and dancers Raven Lewis, Cheyenne Spencer, Mary Thomas, Bryonna Young, Tiarra Young, and Keisha Janae.Locks has a stated interest in work that explores “The Black Nod” which, as he explains, is “an unspoken acknowledgment that happens often out in the world – a sort of ‘I see you' moment exchanged between Black people.” His work with BME attempts to do the same. Fronted by a jubilant choir, the ensemble embraces a kind of civically engaged, artistic approach to activism originally heard in the 1960s from bands like the Voices of East Harlem and on albums like Max Roach's We Insist; or originally seen in the photography of Kwame Brathwaite and the art of Emory Douglas. Merging influence from the subsequent half-century of artistic & technological evolution, Locks employs a cyber-punk palette of disparate implements (including beatbox, boombox, telephone, and megaphone) to make narrative compositions of mined sound, beats & archival speech (a la Madlib or Supa K) which are brought to life by the ensemble in electric, improvisational performance. It's a truly multi-dimensional sound that spans mediums, genres, and generations; past, present, & future.Founded in 2014, Propelled Animals is a group of artists, dancers, scholars, musicians, and designers who embed innovative and provocative art in unconventional spaces. They are committed to creating work that interrogates, challenges, and ultimately attempts to dismantle the systemic "isms" of oppression. They adapt their projects and processes to address the specific needs of the communities they engage. Our performances encourage efficacy of the body, resilience, and radical tenderness as strategies for self-empowerment. Their work is centered on art as social action and ritual as performance.The Propelled Animals have presented work nationally including six site-specific performances at institutions including: University of Iowa and Englert Theatre (Iowa City, IA); University of Northern Iowa (Cedar Falls, IA); Wassaic Project (Wassaic, NY); Grinnell College (Grinnell, IA); Lynden Sculpture Garden (Milwaukee, WI). In 2019 they were artists-in-residence at Lynden Sculpture Garden and the STUDIO for Creative Inquiry at Carnegie Mellon University. This episode Includes the song "Now (Forever Momentary Space)" by Black Monument Ensemble with the following artists:Players:Angel Bat Dawid – clarinetBen LaMar Gay – cornet & melodicaDana Hall – drumsDamon Locks – samples & electronicsArif Smith – percussionSingers:Phillip ArmstrongMonique GoldingTramaine ParkerRichie ParksErica ReneEric Tre'vonLyrics & Compositions by: Damon Locks. Recorded August 27th-28th and September 29th, 2020, at Experimental Sound Studio, Chicago. Engineered & Mixed by: Alex Inglizian. Mastered by: David Allen.The episode also includes an audio excerpt of Propelled Animals collaborator Boubacar Djiga playing the tama – which was used in their piece STATE(D) part of the 2021 Pivot Arts Festival performance tour. 

With Congress set to consider bills next week that could set the future of Puerto Rican self-determination, we consider how a 70-year-old promise to decolonize the island keeps getting broken. Plus, how Puerto Ricans notched a hugely symbolic victory over the U.S. — during the 2004 Olympics. 1. Yarimar Bonilla [@yarimarbonilla], political anthropologist at Hunter College, examines the afterlife of Puerto Rico's political experiment. Listen. 2. Julio Ricardo Varela [@julito77], co-host of In the Thick and editorial director at Futuro Media, on what the showdown between the Puerto Rican and U.S. Olympic basketball teams in 2004 meant to him then and now. Listen. Music: We Insist by Zoe KeatingYUMAVISION by ÌFÉMalphino by Ototoa La Brega is a podcast series hosted by OTM producer/reporter Alana Casanova-Burgess. The series uses narrative storytelling and investigative journalism to reflect and reveal how la brega has defined so many aspects of life in Puerto Rico, and is available in English and Spanish. 

Jazz AHead 99 - Playlist: 1. The Lemon Trees, Mary Halvorson's Code Girl, Artelssy Falling, Firehouse, 2020..2. Last-Minute Smears, Mary Halvorson's Code Girl, Artelssy Falling, Firehouse, 2020..3. Artlessy Falling, Mary Halvorson's Code Girl, Artelssy Falling, Firehouse, 2020..4. Made of Bones, Gabrio Baldacci, Nina-Tambrio, Auand, 2020..5. Potamba, Gabrio Baldacci, Nina-Tambrio, Auand, 2020..6. Part I, Gianmaria Aprile, Rain, ghosts, one dog and empty woodland, We Insist! Records, 2020..7. Part III,Rain, ghosts, one dog and empty woodland, We Insist! Records, 2020..8. Part IV, Rain, ghosts, one dog and empty woodland, We Insist! Records, 2020

Jazz Ahead 96 - Playlist: 1. Altalena, Franco D'Andrea new Things, New Things, Parco della Musica Records, 2020..2. YSC, Don Karate, Don Karate, Original Cultures, 2020..3. Quantum The Air, C'Mon Tigre, Racines, BDC, 2019..4. Iwato, Andrea Grossi Blend 3, LuBok, We Insist! Records, 2019..5. Song #4, She's Analog, What I Bring What I leave, Auand, 2020..6. Honeymoon Room, Anthony Pirog, Pocket Poem, Cuneiform Records, 2020..7. Adonna The Painter, Anthony Pirog, Pocket Poem, Cuneiform Records, 2020..8. Pocket Poem, Anthony Pirog, Pocket Poem Cuneiform Records, 2020..9. Beecher, Anthony Pirog, Pocket Poem, Cuneiform Records, 2020..10. Reefer Sadness, Rakon, Rakon, Autoproduzione, 2020

All'inizio degli anni cinquanta in un night di Honolulu, nelle Hawaii, si esibisce per un anno una cantante afroamericana poco più che ventenne che si presenta col nome d'arte di Gaby Lee: donna di straordinaria bellezza, ha successo come sensuale cantante di varietà. Nel '56, quando ormai ha adottato un nuovo nome d'arte, Abbey Lincoln, assai più impegnativo per la risonanza storico-civile del cognome, incide a Hollywood i suoi primi brani, e appare in The Girl Can't Help It - commedia musicale con protagonista Jane Mansfield che esce alla fine dell'anno - in cui interpreta un brano indossando un abito che era già stato utilizzato da Marilyn Monroe in Gli uomini preferiscono le bione. Ma una dimensione da cantante sexy non la soddisfa: Abbey Lincoln non vuole diventare la Marilyn Monroe nera. Così, dopo un primo album dal titolo ammiccante, Abbey Lincoln's Affair, a Story of a Girl in Love, vira verso una direzione più jazzistica, ispirata da Billie Holiday, dalla cui voce è rimasta folgorata da ragazzina, e nel '57 registra That's Him, il suo secondo album, in cui è accompagnata da una formazione stellare, Kenny Dorham, Sonny Rollins, Wynton Kelly, Paul Chambers e quel Max Roach che diventerà suo marito...Con questa serie Jazz Anthology vuole rendere omaggio ad una delle più grandi cantanti della storia del jazz, a novant'anni dalla nascita (agosto 1930), a dieci dalla morte (agosto 2010) e a sessant'anni dalla epocale We Insist! Freedom Now Suite (registrata fra agosto e settembre del 1960 e pubblicata nello stesso anno).

Sechzig Jahre ist es her, da stand Abbey Lincoln auf der Bühne mit einer Botschaft, die noch heute aktuell ist: We Insist! Heute heisst die Bewegung, die insistiert «Black Lives Matter». D ie Anliegen aber sind vergleichbar, und Abbey Lincoln war eine der wichtigsten Stimmen der Bewegung, die damals Civil Rights Movement hiess. Wie Abbey Lincoln dazu kam, ihre vielversprechende Karriere als Show-Sängerin an den Nagel zu hängen und «social» zu werden, wie sie es nannte, politisch engagiert – und was darüber hinaus den Zauber dieser Sängerin ausmacht, die auch eigene Texte schrieb und nicht in erster Linie gefallen wollte, das diskutiert die Sängerin und elektronische Musikerin Joana Aderi in der Jazz Collection mit Jodok Hess.

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Triptych: Prayer/Protest/Peace by Max Roach on We Insist! Freedom Now Suite (Candid Records) 9′17″ Emergency by Tony Williams on Emergency! (Verve) 19′02″ Full Force by Art Ensemble of Chicago on Full Force (ECM) 26′27″ Three Steps In The Right Direction by Byron Allen on The Byron Allen Trio (ESP Disk) 34′07″ Harder & Harder Spiritual by Rahsaan Roland Kirk on Natural Black Inventions: Root Strata (Atlantic) 37′53″ Compassion by John Coltrane on First Meditations (Impulse) 46′57″ Chicago Slow Dance (excerpt) by George Lewis on Chicago Slow Dance (Lovely Music Ltd.) Check out the full archives on the website.

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Triptych: Prayer/Protest/Peace by Max Roach on We Insist! Freedom Now Suite (Candid Records) 9′17″ Emergency by Tony Williams on Emergency! (Verve) 19′02″ Full Force by Art Ensemble of Chicago on Full Force (ECM) 26′27″ Three Steps In The Right Direction by Byron Allen on The Byron Allen Trio (ESP Disk) 34′07″ Harder & Harder Spiritual by Rahsaan Roland Kirk on Natural Black Inventions: Root Strata (Atlantic) 37′53″ Compassion by John Coltrane on First Meditations (Impulse) 46′57″ Chicago Slow Dance (excerpt) by George Lewis on Chicago Slow Dance (Lovely Music Ltd.)

Some of the major struggles and victories of the Civil Rights movement in the 1960s coincided with a most active period for jazz music. For Martin Luther King Jr. Day, WNYC's Sara Fishko looks at a few cases where the movement and the music came together, in this edition of Fishko Files. Max Roach's We Insist! Freedom Now Duke Ellington's My People Dave Brubeck's The Gates of Justice Louis Armstrong, Dave Lambert, Jon Henricks, and others' The Real Ambassadors Fishko Files with Sara Fishko Assistant Producer: Olivia BrileyMix Engineer: Wayne Shulmister and Paul SchneiderEditor: Karen Frillmann

As part of a month-long campaign called the Purple Project for Democracy, (a strictly non-partisan, apolitical effort that a number of other large news organizations have also contributed to) we are featuring a series of conversations about an alarming loss of trust, faith and devotion by Americans for American democracy -- and what to do about it. Bob is one of the Purple Project organizers. Democracy is in trouble. Not necessarily because of our current political mayhem, or even because of the accumulated sins and failures of American society, but because vast swaths of the public are giving up on the system that has governed us for 243 years. Here are some alarming data points: One, in 2018 only 33% of the general population expressed trust for government. Two, among 1400 adults asked about the importance of democracy, only 39% of younger participants said “absolutely important.” Three, in a 2018 Democracy Fund survey of 5000 Americans, 24% of respondents expressed support for “a strong leader who doesn’t have to bother with Congress or elections,” and either a “strong leader” and 18% for “army rule. The more complicated question is what as a society we are to do about it? In this mini-series we’ll be talking that over, but we’ll begin with the actual state of public sentiment and public participation. Eric Liu is the co-founder and CEO of Citizen University and Co-chair of the American Academy of Arts and Sciences Commission on the Practice of Democratic Citizenship. He and Bob discuss potential solutions for taking on widespread disaffection. Music: We Insist by Zoë Keating

In covering President Trump’s decision to stop protecting Kurdish fighters in Syria, press reports have focused on the Kurds as US allies and tools in fighting ISIS. This week, On the Media looks at a different aspect of Kurdish life: the experiment in direct democracy that has flourished in northern Syria for the past five years. Plus: how debate moderators fail audiences when they focus on taxes. And, how reporters have negotiated dangerous conditions while reporting on the Turkish operation in Syria.  1. Daniel Estrin [@DanielEstrin], NPR international correspondent, on the difficulties in reporting from Syria, from outside Syria. Listen.  2.  Jenna Krajeski [@Jenna_Krajeski], a journalist with the Fuller Project for International Reporting, on the Kurdish political project, and Rapareen abd Elhameed Hasn, a 27-year-old activist and co-president of her local health authority in Rojava, on what it's been like on the ground. Listen. 3. Arthur Delaney [@ArthurDelaneyHP], on the worst debate question moderators keep asking. Listen. Music from this week's show: Marcus Ciscar — “Fallen Leaves”Michael Linnen — “Cantus for Bob Hardison”Zoe Keating — “We Insist”Mark Henry Phillips — [untitled track]Mark Henry Phillips — [untitled track]Gaurav Raina and Tarana Marwah — “Tongue in Cheek”Howard Shore — “Cops or Criminals”

Session di improvvisazione radicale svoltasu a Catania il 31 agosto scorso, nell’ambito della rassegna «Stralunata». La rassegna è curata dal musicista Francesco Cusa – uno dei più inventivi batteristi d’Europa – insieme all’associazione Gammazita e a Lunaria Edizioni. Quella sera, in piazza Federico di Svevia, Wu Ming 1 ha letto brani de «La macchina del vento» accompagnato da due storici ed eccelsi sodali: lo stesso Cusa e il pianista e polistrumentista Fabrizio Puglisi, per l’occasione impegnato a tastiere e synth analogico. La collaborazione tra WM1 e Cusa dura da ben quindici anni, essendo iniziata ai tempi di «New Thing» Per quanto riguarda la collaborazione con Puglisi, invece, ricordiamo la performance «We Insist! (For Emmanuel Chidi Namdi)»all’edizione 2016 del Festivaletteratura di Mantova. Anche in quell’occasione la lettura fu da «New Thing» Registrazione dal vivo: Luca Recupero. Una approfondita recensione dell’evento, a firma di Luca Casarotti, si trova qui.

A controversial bill in Alabama is the latest in a wave of different abortion bans sweeping the country. This week, On the Media looks at the influence of Janet Porter, a little-known lobbyist who has been pushing what are misleadingly referred to as “heartbeat” laws. And, a deep dive into the rise of Hungarian Prime Minister Viktor Orbán, and what his autocratic regime tells us about the future of Europe. Plus, a new book reveals how conspiracy theories became a fact of American life. 1. Jessica Glenza [@JessicaGlenza], health reporter at the Guardian US, on the influence of Janet Porter, the lobbyist behind the so-called "heartbeat" abortion laws. Listen. 2. Paul Lendvai, author of Orbán: Hungary's Strongman, on the rise of Hungarian Prime Minister Viktor Orbán. Listen. 3. Anna Merlan [@annamerlan], author of Republic of Lies, on the long arc of conspiratorial thinking in the United States. Listen. Support On the Media today at onthemedia.org/donate.  Songs:  Dame tu Mano by Combo Chimbita Passing Time by John Renbourn The Glass House by Marjane's Inspiration Califone by Burned by Christians We Insist by Zoe Keating Green Onions by Booker T. and The MG's X-File Theme High Water Everywhere Part 1 by Charlie Patton Bullwinkle, Part II by The Centurians

6e émission de la 41e session... Cette semaine, du vieux hardbop, jazz moderne et transition free! En musique: Julian Cannonball Adderley sur l'album Swingin' in Seattle; Live at the Penthouse 1966-1967  (Reel to Real, 2019); Cecil Payne sur l'album Zodiac (The Music of Cecil Payne)  (Strata-East, 1973); Ralp Alessi sur l'abum Imaginary Friends  (ECM, 2019); Human Feel sur l'album Gold  (Intakt, 2019); Nate Wooley sur l'album Columbia Icefield  (Northern Spy, 2019); Pipeline sur l'album US  (We Insist!, 2018) Party Knüllers X Jaimie Branch sur l'album at the Casa  (Indépendant, 2019)...

Programme B vous propose un conte de Noël… Une histoire de sorcellerie, de moutons, et de rengaines entre voisins. Ce conte est une histoire vraie, qui s’est déroulée dans le Berry à partir des années 50. Épisode 2 : Les grognementsHenri Lavaronnière cherche à percer les secrets de Jeanne Anguerny et multiplie les visites chez elle, développant une fascination quasi malsaine pour la mystérieuse guérisseuse.Dr. Lavaronnière décide finalement de reprendre Bois-du-Crot, la propriété maudite de son cousin, et de retourner s’installer dans la ferme berrichone où il a grandi. Bientôt, de nouvelles histoires de morts mystérieuses font surface, et les phénomènes inexpliqués s’enchaînent. Il appelle alors Jeanne Anguerny à son aide.CRÉDITSÉcrit et raconté par Lelo Jimmy Batista. Réalisation : Vincent Hiver. Voix additionnelles : Quentin Bresson, David Carzon, Juliette Livartowski, Camille Regache, Joël Ronez et Thomas Rozec. Chargée de production et d’édition : Lorraine Besse. Direction de la rédaction : David Carzon. Direction de programme : Joël Ronez. Direction générale : Gabrielle Boeri-Charles. Production : Binge Audio. Remerciements : INA, Jean-Baptiste Guillot, Guillaume Le Collen, François Aptel, Sébastien Denis, Adrien Havet, Jesse Daubertes et Thibault Hollebecq. Illustration : détail de Zauberey de Michael Herr & Matthäus Merian, 1626. Les témoignages et extraits du journal d’Henri Lavaronnière sont extraits du livre L’Oeil Du Sorcier de Philippe Alfonsi et Patrick Pesnot (Robert Laffont, 1974). Musique : François Clos et Thibault Lefranc. Mansfield.TYA - 22h38. We Insist! - The White Fleet. Bernard Estardy - Cœur polaire. Qúetzal Snåkes - Interlude / Hey Hey Dope Paint. Usé - Dans sa corde. See acast.com/privacy for privacy and opt-out information.

This week's episode of Out There is about the music of Abbey Lincoln, a jazz singer who was married to Max Roach in the 60's.  It starts off with a long selection from We Insist! Max Roach's Freedom Now Suite, and then covers selections from her albums Abbey is Blue, Straight Ahead, and more.  

Volvemos a la línea del frente de novedades, el año 2018 empieza a avanzar de forma inexorable y ya nos empiezan a llegar nuevas producciones de las que merecen atentas escuchas. Hago, Hamadryad, Professor Tip Top, Dai Kaht, We Insist, Notopia, Galahad y Dry River vienen para dejarnos una excelente colección de obras que no podréis ignorar. A buen seguro que más de uno inaugurareis vuestra carpeta de lo mejor del año con alguna de estas maravillas. Además, Carlos Romeo nos brindará otra de las perlas de su colección de "otros mundos".

Volvemos a la línea del frente de novedades, el año 2018 empieza a avanzar de forma inexorable y ya nos empiezan a llegar nuevas producciones de las que merecen atentas escuchas. Hago, Hamadryad, Professor Tip Top, Dai Kaht, We Insist, Notopia, Galahad y Dry River vienen para dejarnos una excelente colección de obras que no podréis ignorar. A buen seguro que más de uno inaugurareis vuestra carpeta de lo mejor del año con alguna de estas maravillas. Además, Carlos Romeo nos brindará otra de las perlas de su colección de "otros mundos".

This week on THE JANUS ADAMS SHOW: “The Dream: Dr. King, Max Roach, and The Freedom NOW Suite.” Honoring the Dream of social justice, the Struggle for human rights, and two birthdays: Dr. Martin Luther King, Jr. (January 15) and the legendary drummer, composer, Jazz pioneer, human rights activist, MacArthur “genius” Award-winner Max Roach (January 8). Roach was married to show host, Janus Adams. The show features: excerpts from Roach's “The Dream” a “duet” for solo drum and Dr. King's “I Have a Dream” speech; excerpts from “WE INSIST! The Freedom NOW Suite”; events at the Library of Congress; and a discussion of the man, his music, and the times in which he lived. Guests: Brother Ah, Master musician and host of WPFW radio's “The Collectors” (www.AhNorthern.com) and George Ferencz, pioneering Stage Director (www.GeorgeFerencz.com) Hear the show live on WJFF – www.wjffradio.org - Saturdays at 4pm. Subscribe to our podcast (uploaded weekly on Mondays) at: soundcloud.com/janusadams/ The Janus Adams Show, a weekly public radio program, is “a show about race – every race – and courage.”™ To learn more about the show and join the conversation, visit us at: JanusAdams.com.

This week on THE JANUS ADAMS SHOW: “The Dream: Dr. King, Max Roach, and The Freedom NOW Suite.” Honoring the Dream of social justice, the Struggle for human rights, and two birthdays: Dr. Martin Luther King, Jr. (January 15) and the legendary drummer, composer, Jazz pioneer, human rights activist, MacArthur “genius” Award-winner Max Roach (January 8). Roach was married to show host, Janus Adams. The show features: excerpts from Roach's “The Dream” a “duet” for solo drum and Dr. King's “I Have a Dream” oration; excerpts from “WE INSIST! The Freedom NOW Suite”; events at the Library of Congress; and a discussion of the man, his music, and the times in which he lived. Guests: Brother Ah, Master musician and host of WPFW radio's “The Collectors” (www.AhNorthern.com) and George Ferencz, pioneering Stage Director (www.GeorgeFerencz.com) Hear the show live on WJFF – www.wjffradio.com Saturdays at 4pm. Subscribe to our podcast (uploaded weekly on Mondays) at: https://soundcloud.com/janusadams/ The Janus Adams Show, a weekly public radio program, is “a show about race – every race – and courage.”™ To learn more about the show and join the conversation, visit us at: JanusAdams.com.

Este é o encontro de dois nomes fundadores do jazz e do hip-hop em dois discos fundamentais, um de elevação, o outro de ocaso. "We Insist!" (1960), com o subtítulo "Freedom Now Suite", foi contemporâneo do movimento dos direitos civis e tem Max Roach na bateria e como líder da banda e Abbey Lincoln na voz. "I'm New Here" (2010) foi o primeiro disco de Gil Scott-Heron em 16 anos e também o seu derradeiro. O homem que cunhou a expressão "the revolution will not be televised" morria no ano seguinte à edição do álbum.

[WM1:] Nel primo pomeriggio dell’11 settembre 2016, mentre l’America commemorava il quindicesimo anniversario dell’attacco terroristico alle Twin Towers (un’immane strage di civili, di proletari), io e il pianista e polistrumentista Fabrizio Puglisi siamo saliti sul palco dell’Auditorium Monteverdi, la sala concerti del conservatorio «Lucio Campiani» di Mantova, e abbiamo improvvisato insieme.Tutt’intorno, e anche tra quelle pareti, c’era la ventesima edizione del Festivaletteratura.Voce, pianoforte, pianoforte preparato… e il «rombo», uno strumento semplice e antico, pervenutoci dalla Magna Grecia. Non avevamo fatto prove, ma sapevamo di essere in sintonia. Ho letto il cap. 2 del mio vecchio romanzo New Thing (Einaudi, 2004), intitolato Non puoi odiare le radici senza odiare l’albero; Fabrizio ha cucito rumori e lacerti di Thelonious Monk, Cecil Taylor, Otis Spann e variazioni su Lift Every Voice and Sing, l’inno nazionale afroamericano.Avevamo chiamato la performance We Insist!, chiaro omaggio alla Freedom Now Suite di Max Roach, e avevamo aggiunto tra parentesi: For Emmanuel Chidi Namdi, per ricordare Emmanuel, più volte vittima del neofascismo e del putridume razzista italiano.Perché, se non si è capito, si parlava del razzismo. O meglio, contro il razzismo.

Abbey Lincoln was an American jazz vocalist, songwriter, and actress, who is known for adding a poignant voice to the conversation surrounding the civil rights movement during the 1960s in America. She was a controversial and often marginalized figure, especially following her work on, We Insist, which she, and drummer Max Roach produced in response...

Abbey Lincoln was an American jazz vocalist, songwriter, and actress, who is known for adding a poignant voice to the conversation surrounding the civil rights movement during the 1960s in America. She was a controversial and often marginalized figure, especially following her work on, We Insist, which she, and drummer Max Roach produced in response […]

Abbey Lincoln was an American jazz vocalist, songwriter, and actress, who is known for adding a poignant voice to the conversation surrounding the civil rights movement during the 1960s in America. She was a controversial and often marginalized figure, especially following her work on, We Insist, which she, and drummer Max Roach produced in response...

C'est pendant le repas juste avant les concerts du festival Roulements de Tambour à Rennes qu'on a trouvé 15 minutes pour discuter avec Etienne de We Insist! On fait le tour de l'histoire du groupe, d'autres groupes, des potes, de Liège et tout le bordel. C'était cool.Il nous conseille aussi vivement d'écouter Flash Bang Band, un groupe anglais super. Alors on va tous faire ça c'est pour ça qu'on t'a mis le lien.On a fait un clin d'oeil au podcast #8 aussi, rapport au fait de porter son matos. After that we catch up with The Guru Guru, our neighbors (they are from different cities around Belgium). Nice conversation with these passionate guys. They didn't mentioned it during the interview but theses guys are pretty busy with music with other band also.The interview is in English. That's good for your mind. That's all shiny people. Enjoy the show.Follow us everywhere like on Twitter (@ititanita) or Facebook or our website or Instagram (@ititanita). On vient juste d'ouvrir une petite boutique si vous voulez vous marrer. Ou nous échanger de l'argent contre un t-shirt.We just open a small shop if you wanna have fun. Or trade us money with t-shirts.» SHOP HERE « ❤ IIAA ❤

Here's a pre-Christmas gift for all of you - a brand new episode of Star Wars Galaxies with Yivvits and MrBubble! We INSIST you open this one right away! Inside you will find some raw emotions and reactions to the announcement of the Free Character Transfer Service, we play some listener voicemail, Yivvits digs deep again for another installment of "Tre File Treasures with Yivvits", and the biggest gift we can imagine giving you all - a Brand New Character! This character made an unexpected visit and felt so comfortable talking with us, we think he'll be around a while. So please don't worry about cleaning up the wrapping paper, start playing this episode!