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Bad Bunny's new album, DeBÍ TiRAR MáS FOToS, has struck a chord with fans worldwide. He's always expressed a deep love for Puerto Rico, but his latest work takes it to new heights. In his fusion of old and new genres, he speaks to the shared experiences of the Puerto Rican diaspora and looks to their collective past as a way forward. Writer Carina del Valle Schorske and La Brega podcast host, Alana Casanova-Burgess join the show to break down the function of shared nostalgia and explain the backstory to Puerto Rico's symbols of independence.Support public media and receive ad-free listening & bonus content. Join NPR+ today.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Soon you can buy them all at your local drugstore. The FDA approved an over-the-counter birth control pill that will be available later this month. Journalist Lux Alptraum and Megan Kavanaugh of the Guttmacher Institute explain why available doesn't necessarily mean more accessible. This episode was produced by Victoria Chamberlin, edited by Amina Al-Sadi, fact-checked by Laura Bullard, engineered by David Herman, and guest-hosted by Alana Casanova-Burgess. Transcript at vox.com/todayexplained Support Today, Explained by making a financial contribution to Vox! bit.ly/givepodcasts Learn more about your ad choices. Visit podcastchoices.com/adchoices
Two grainy paparazzi shots and an edited Mother's Day photo are the only “sightings” of the Princess of Wales the public has had since Christmas. The Palace says she is recovering from abdominal surgery, but the internet … has some other theories. This episode was produced by Avishay Artsy and Jesse Alejandro Cottrell, edited by Amina Al-Sadi, fact-checked by Laura Bullard, engineered by David Herman, and guest-hosted by Alana Casanova-Burgess. Transcript at vox.com/todayexplained Support Today, Explained by making a financial contribution to Vox! bit.ly/givepodcasts Learn more about your ad choices. Visit podcastchoices.com/adchoices
Super Tuesday is the biggest day of the presidential primary campaign, but the biggest race in the biggest state isn't about Biden or Trump. Instead, the leading candidates for California's open Senate seat — three Democrats and a Republican — are finding themselves talking a lot about Israel, Palestine, and the war in Gaza. This episode was produced by Avishay Artsy, edited by Matt Collette, fact-checked by Laura Bullard, engineered by Patrick Boyd, and guest-hosted by Alana Casanova Burgess. Transcript at vox.com/todayexplained Support Today, Explained by making a financial contribution to Vox! bit.ly/givepodcasts Learn more about your ad choices. Visit podcastchoices.com/adchoices
Until 1980, Barbie was always white. Mattel had made Black dolls before, but they were sidekicks to the brand's main character with facial features that didn't really distinguish them from the other dolls. In this bonus episode of The Barbie Tapes, we're bringing you the story of the first Black doll to have the name Barbie as told by WNYC Studios correspondent Tracie Hunte. Tracie speaks with Kitty Black Perkins, Mattel's first Black designer who brought her own style and preferences to the task of creating the doll. We also hear from Lagueria Davis, director of Black Barbie: A Documentary, on what her research taught her about Mattel's early efforts to be more representative. Listen to more of “Notes From America with Kai Wright” from WNYC at www.notesfromamerica.org This episode was produced by Alana Casanova-Burgess, mixed by Mike Kutchman of WNYC and hosted by Tracie Hunte, who you can follow on Twitter @traciehunte.
A multibillion-dollar recovery effort is underway in Hawaii following the deadliest fire in the U.S. in over a century. Kaniela Ing, a seventh-generation indigenous Hawaiian from Maui and the national director of climate justice organization Green New Deal Network, discusses how residents now worry that wealthy outsiders will stand to make a profit, and Alana Casanova-Burgess, co-creator, host and producer of the podcast La Brega, from WNYC Studios and Futuro Studios, explains what Hawaii can learn from Puerto Rico's recovery after Hurricane Maria.
A multibillion-dollar recovery effort is underway in Hawaii following the deadliest fire in the U.S. in over a century. On Today's Show:Kaniela Ing, a seventh-generation indigenous Hawaiian from Maui and the national director of climate justice organization Green New Deal Network, discusses how residents now worry that wealthy outsiders will stand to make a profit, and Alana Casanova-Burgess, co-creator, host and producer of the podcast La Brega, from WNYC Studios and Futuro Studios, explains what Hawaii can learn from Puerto Rico's recovery after Hurricane Maria.
A multibillion-dollar recovery effort is underway in Hawaii following the deadliest fire in the U.S. in over a century. On Today's Show:Kaniela Ing, a seventh-generation indigenous Hawaiian from Maui and the national director of climate justice organization Green New Deal Network, discusses how residents now worry that wealthy outsiders will stand to make a profit, and Alana Casanova-Burgess, co-creator, host and producer of the podcast La Brega, from WNYC Studios and Futuro Studios, explains what Hawaii can learn from Puerto Rico's recovery after Hurricane Maria.
Until 1980, Barbie was always white. Mattel had made Black dolls before, but they were sidekicks to the brand's main character with facial features that didn't really distinguish them from the other dolls. Correspondent Tracie Hunte brings you the story of the first Black doll to have the name Barbie. Hear from: Kitty Black Perkins, Mattel's first Black designer who brought her own style and preferences to the task of creating the doll. Lagueria Davis, director of Black Barbie: A Documentary, on what her research taught her about Mattel's early efforts to be more representative. This episode was produced by Alana Casanova-Burgess and mixed by Mike Kutchman. Tracie Hunte is on X (Twitter) @traciehunte, and you can hear her in conversation about beauty with Tressie McMillian Cottom, author of “Thick: And Other Essays,” on this episode of our show (from November 3rd, 2022). For more of Barbie's backstory, check out The Barbie Tapes, a special series from the LA Made podcast. Send us your song for our summer playlist! What's a song that represents your personal diaspora story? Go to notesfromamerica.org and click on the “RECORD” button to leave a voice note with your answer. Tell us the name of that song and the artist, and a 1-minute story that goes along with it. We'll gather all of the songs and your stories in a Spotify playlist that we'll update all summer. Tell us what you think. Instagram and X (Twitter): @noteswithkai. Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or going to Instagram and clicking on the link in our bio. “Notes from America” airs live on Sunday evenings at 6pm ET. The podcast episodes are lightly edited from our live broadcasts. Tune into the show on Sunday nights via the stream on notesfromamerica.org.
Until 1980, Barbie was always white. Mattel had made Black dolls before, but they were sidekicks to the brand's main character with facial features that didn't really distinguish them from the other dolls. In this bonus episode of The Barbie Tapes, we're bringing you the story of the first Black doll to have the name Barbie as told by WNYC Studios correspondent Tracie Hunte. Tracie speaks with Kitty Black Perkins, Mattel's first Black designer who brought her own style and preferences to the task of creating the doll. We also hear from Lagueria Davis, director of Black Barbie: A Documentary, on what her research taught her about Mattel's early efforts to be more representative. Listen to more of “Notes From America with Kai Wright” from WNYC at www.notesfromamerica.org This episode was produced by Alana Casanova-Burgess, mixed by Mike Kutchman of WNYC and hosted by Tracie Hunte, who you can follow on Twitter @traciehunte.
Una notita: This episode is in Spanglish. This season, we explored songs that tell the complicated, beautiful story of Puerto Rico. We wanted to bring that exploration into the present moment, so we called up some of the most innovative Puerto Rican artists making music today and we gave them a challenge: what would you do with these classic anthems? In this special bonus episode of the show, we go behind the music with the artists featured on La Brega: El Álbum — including RaiNao, Xenia Rubinos, ÌFÉ and Ana Macho. Plus, in an interview recorded live at On Air Fest, host Alana Casanova-Burgess speaks with Angélica Negrón and José Olivares of the band Balún, who composed music for La Brega and recorded a cover for the album. The band members talk about how they incorporated a broad palette of sounds and instruments into their score. “Balún es estar en la brega todo el tiempo,” Angélica explains. “Tener una banda entre diferentes lugares entre Puerto Rico entre San Juan … It's about that kind of layered complexity of ‘ni de aquí ni de allá,' pero de aquí, siempre, también.” They also unpack their cover of Sylvia Rexach's “Olas y Arenas,” featured on the album. Listen to the album here! Learn more about the voices featured on the album: • Ana Macho • Balún • ÌFÉ • La Tribu de Abrante • Mireya Ramos • RaiNao • Velcro • Xenia Rubinos La Brega: El Álbum is sponsored by Marguerite Casey Foundation. This season of La Brega is made possible by the Mellon Foundation.
Season two of the WNYC Studios/El Futuro podcast La Brega explores the history, culture and soul of Puerto Rico through one of its most cherished exports: its music. Its companion album drops today. Host Alana Casanova-Burgess joins us to play some tracks.
Puerto Rico's beaches are an integral part of life on the island, and by law, they're one of the few places that are truly public. In practice, the sandy stretch of land where the water meets the shore is one of the island's most contested spaces.Today we're featuring an episode of the podcast La Brega from WNYC Studios and Futuro Studios, a show about Puerto Rico and the Puerto Rican experience. On the island, a legal definition dating back to the Spanish colonial period dictates what counts as a beach. But climate change, an influx of new residents and a real estate boom are all threatening legal public access to some of Puerto Rico's most cherished spaces. The debate all comes down to one question: what counts as a beach?You can listen to the rest of La Brega (in English and Spanish) here. They have two full seasons out, which explore the Puerto Rican experience through history and culture. Check it out.This episode was reported by Alana Casanova-Burgess and produced by Ezequiel Rodriguez Andino and Joaquin Cotler, with help from Tasha Sandoval. It was edited by Mark Pagan, Marlon Bishop, and Jenny Lawton and engineered by Joe Plourde. The zona maritimo terrestre was sung as a bolero by Los Rivera Destino.The Planet Money version was produced by Dave Blanchard, fact checked by Sierra Juarez, edited by Keith Romer, and engineered by Brian Jarboe.Help support Planet Money and get bonus episodes by subscribing to Planet Money+ in Apple Podcasts or at plus.npr.org/planetmoney.
Happy St. Patrick's Day! On today's "Best-of" show, some recent favorites: Philip Bump, national columnist for The Washington Post and the author of The Aftermath: The Last Days of the Baby Boom and the Future of Power in America (Viking, 2023), talks about his new book that digs into the data on the baby boom generation and what to expect as its influence wanes. Colette Coleman, a writer focused on race and equity, talks about her reporting for the New York Times article "Selling Houses While Black" about the challenges faced, and strategies adopted, by Black real estate agents, who are underrepresented in the profession and earn less than their white counterparts. Michael Kimmelman, architecture critic for The New York Times and the author of The Intimate City: Walking New York (Penguin Press, 2022), talks about his book that grew from a series of walks around NYC he took during the COVID lockdown, exploring the history, architecture, and challenges facing the many neighborhoods he visited. Alana Casanova-Burgess, co-creator, host and producer of the podcast La Brega, from WNYC Studios and Futuro Studios, talks about season two of the podcast, exploring the music of Puerto Rico, as listeners call in and share their essential songs from 'home.' These interviews were lightly edited for time and clarity; the original web versions are available here: Post-Boomer America (Jan 24, 2023) Challenges Faced by Black Real Estate Agents (Jan 19, 2023) Walking With Michael Kimmelman (Nov 29, 2022) Introducing La Brega: Season Two (Jan 27, 2023)
This week, we are leaning into baking! First, our panelists, senior producer of WBEZ's Reset Meha Ahmad and the host of WNYC and Futuro Studio's La Brega podcast Alana Casanova-Burgess, stop by to chat about the decline in college English majors, a study that finds a connection between mask-wearing and self-perceived hotness, and our most recent baking endeavors. Then, Bon Appétit food editor Shilpa Uskokovic stops by to discuss her March cover story all about cakes! We explore her philosophy on food and her secret to the best brown butter. Plus, baker and food stylist Jesse Szewczyk shares four surprising and delicious cookie recipes from his book ‘Cookies: The New Classics.' You can find all of the recipes mentioned in today's episode at our website: https://tinyurl.com/35zsvrsv
Today, in a short teaser episode, Anna talks to Alana Casanova-Burgess, who is the co-creator and host of La Brega, a dual-language podcast from WNYC Studios and Futuro Studios. Alana and her team of Puerto Rican journalists, producers, musicians and artists at La Brega have just released their second season, which tells the story of the Puerto Rican experience through eight different songs. You can find the newest episodes of La Brega in both English and Spanish here.
Hosted and co-created by award-winning journalist Alana Casanova-Burgess, “La Brega” is a podcast that has won best-of accolades for its reportage into various aspects of under-examined life in Puerto Rico. Now halfway through its second season, “La Brega,” which translates roughly to “the struggle,” is exploring Puerto Rican — and Caribbean — life and history through music. Specifically, through eight songs over eight episodes. Casanova-Burgess joins us this week to discuss her podcast, the process behind it, her life in Brooklyn, identity, music, journalism and more. Brooklyn news and views you can use: bkmag.com Email: hello@bkmag.com Follow along on Facebook: Brooklyn Magazine Twitter: @brooklynmag Instagram: @brooklynmagazine Follow Brian Braiker on Twitter: @slarkpope
Esta semana en Latino USA, te compartimos un episodio del nuevo podcast “La Brega: La experiencia boricua en 8 canciones”, producida por WNYC Studios y Futuro Studios. Inicialmente, "El gran varón" fue prohibida por algunas estaciones de radio, pero a pesar de esto, se convirtió en un éxito; muchos la consideran una de las salsas más conocidas de todos los tiempos. Omar Alfanno explica que la canción fue realmente inspirada por un rumor sobre un amigo de la vida real. Sólo años más tarde se dio cuenta de que sus letras contenían una profecía escalofriante. En este episodio, la presentadora Alana Casanova-Burgess analiza la letra de “El gran varón” y cómo esta canción que critica a un padre por rechazar a su hijo cuir ha lastimado y a la vez ayudado a la comunidad LGBTQ+ y sus familias. Te puedes suscribir a La Brega aquí.
Former OTM producer Alana Casanova-Burgess is back with season 2 of her critically acclaimed podcast series, La Brega. This one is all about the music! For over a century, Puerto Rican musicians have been influential across the hemisphere. From the Harlem Hellfighters of WWI who helped develop jazz to the reggaetoneros who dominate today's charts, Puerto Rican music is everywhere. We start the season with the island's most celebrated composer Rafael Hernandez, who wrote beloved songs like “Lamento Borincano,” “Ahora Seremos Felices,” and “Perfume de Gardenias” – and one of the island's unofficial anthems, “Preciosa.” It's a love song written for Puerto Rico that praises the island's beauty and, remarkably, also calls out the forces that oppress it. When Bad Bunny exploded onto the scene and became the most-streamed artist in the history of the world, it became undeniable that Puerto Rican lyrics – the poetry of what people sing about, the bregas in every chorus – resonate all over the hemisphere. In September, he put out a music video for his hit “El Apagón,” (“The Blackout,”) which then turned into a mini-documentary about gentrification – the way people from the states are taking advantage of tax benefits and displacing Boricuas. It's called “Aqui Vive Gente" ("People Live Here"). “El Apagón,” has become somewhat of an anthem – an installment in the long tradition of Puerto Ricans singing about home, longing and belonging, popularized by Rafael Hernandez. But Bad Bunny isn't singing about yearning for Puerto Rico – his music is often about never even leaving in the first place. It's about staying, and creating a future for Puerto Ricans in Puerto Rico. If the video's Youtube comments – declarations of solidarity – are any indication, his music has touched on something deeply relatable across Latin America. Learn more about the voices in this episode:• Myzo, the singer from the plane• Bobby Sanabria, Grammy-nominated bandleader and educator• Elena Martínez, folklorist at City Lore and the Bronx Music Heritage Center• Watch Marc Anthony's performance of “Preciosa”• Watch Bianca Graulau's documentary “Aquí Vive Gente” (“People Live Here”) Our cover of “Preciosa” is by the artist Xenia Rubinos (out in March). You can listen to first season of La Brega and hear new episodes from this season here. Listen to the La Brega Spotify playlist, featuring music from this episode – and this season. It will be added to each week as new episodes come out.
This week, we're talking about the second season of “La Brega,” a co-production from WNYC Studios and Futuro Studios. Julio is joined by Alana Casanova-Burgess, co-creator, host and producer of “La Brega,” and Jeanne Montalvo, grammy-nominated audio engineer and radio producer with Futuro Studios, to talk about the series, which takes us through the Puerto Rican experience in eight songs. They discuss how Puerto Rican artists, like Bad Bunny, have raised awareness for political and social issues on the island, and also get into the cultural and musical exchange between the Dominican Republic and Puerto Rico. Subscribe here to La Brega so you don't miss any new episodes! ITT Staff Picks: In this episode of Code Switch, find out how Bad Bunny has become a megaphone for Puerto Rican politics and issues, which have been a major influence in his music career. Alana Casanova-Burgess discusses Bad Bunny's activism and love for his island in comparison to the song Preciosa, one of Puerto Rico's unofficial anthems, in the first episode of season 2 of La Brega. George Varga unpacks the Grammy's history of “playing it safe,” often rewarding white artists over artists of color, and details some of the new initiatives that will hopefully make the organization more diverse, in this article for The San Diego Tribune. Photo credit: Photo by Rob Grabowski/Invision/AP
Alana Casanova-Burgess, co-creator, host and producer of "La Brega" from WNYC Studios and Futuro Studios, talks about season two of the podcast, which explores the music of Puerto Rico.
En 2021 el Concejo de la Ciudad aprobó una ley que debía ampliar el número de permisos a vendedores, pero un retraso de más de seis meses del Departamento de Salud e Higiene Mental no ha permitido que se asignen estos permisos prometidos. Poco después del retraso administrativo, un grupo de vendedores ambulantes formó la primera Asociación de Vendedores Ambulantes en la plaza Corona, en Queens, Nueva York. Hannah Bottum, estudiante de periodismo de la Universidad de la Ciudad de Nueva York (o CUNY como se le conoce por sus siglas en inglés), ha seguido a estos vendedores y ha preparado este episodio especial sobre sus historias. Este episodio especial fue producido y reporteado por Hannah Bottum y Rachael Robertson. Michayla Savitt, productora senior, hizo el diseño de sonido y algunas ediciones. Meg Cramer fue el editor gerente. La música es de Salman Ahad Khan. El audio de archivo es del New York City Municipal Archives. Alana Casanova-Burgess contribuyó con la edicion. Hafeezat Bishi compartió su conocimiento particular en el asunto.
Puerto Rico is still reeling from Hurricane Fiona, which has brought widespread flooding, damage, and power outages across the island. We speak with Alana Casanova-Burgess, host of the La Brega podcast, about what she's been hearing from Puerto Ricans following Hurricane Fiona, and hear "desahogos," or "vents" from the Puerto Rican diaspora that La Brega has been collecting. La Brega invites Puerto Ricans to share audio memos about how they are feeling following Hurricane Fiona at http://labregapodcast.com/buzon.
Puerto Rico is still reeling from Hurricane Fiona, which has brought widespread flooding, damage, and power outages across the island. We speak with Alana Casanova-Burgess, host of the La Brega podcast, about what she's been hearing from Puerto Ricans following Hurricane Fiona, and hear "desahogos," or "vents" from the Puerto Rican diaspora that La Brega has been collecting. La Brega invites Puerto Ricans to share audio memos about how they are feeling following Hurricane Fiona at http://labregapodcast.com/buzon.
Hablamos con la productora del podcast, Alana Casanova-Burgess. En menos de diez episodios, tanto en castellano como en inglés, 'La brega' narra la situación de austeridad bajo la que viven los puertorriqueños. Pese a ser un estado libre asociado a EEUU, las ayudas frente a los huracanes y la tecnología para los hospitales no llegan.
Como cada jueves nos sumergimos en el mundo de los podcasts. 'La brega' protagoniza la nueva entrega del 'Club de la escucha'. Hablamos con su productora, Alana Casanova-Burgess, sobre la lucha diaria de los puertorriqueños. En 'La Ventana del arte', después de dos semanas marcadas por la muerte de Isabel II, nos asomamos a los cuadros que representan la ciudad de Londres. En 'Acontece que no es poco', Nieves Concostrina indaga en la intrahistoria del verdadero último samurái. E Isaías Lafuente resume la jornada en 'Lo que queda del día'.
Bianca Graulau is an independent journalist who's been using TikTok and YouTube to tell you what's going on in Puerto Rico—whether you live there or not. By explaining Puerto Rico's colonial relationship with the United States in English to an audience outside of the island, she's also gathered a huge following there as well. Her own top video has 11 million views. Continuing our 5th anniversary Hurricane Maria coverage on Latino USA, La Brega host Alana Casanova-Burgess visits Graulau in Camuy, Puerto Rico, to talk about her journalism and what it means in a post-Maria society.
Bad Bunny is the biggest pop star in the world, so what does he believe in? Guest host Tracie Hunte and political anthropologist Yarimar Bonilla look at the politics of Bad Bunny, and his vision of a Puerto Rico for Puerto Ricans.Plus, Tracie talks to James Beard award-winning author Michael W. Twitty about his new book, "Koshersoul," how we connect to our histories through food and what makes a kitchen sacred.And later, Tracie plays Who Said That? with her group chat! Her friends Alana Casanova-Burgess, host and producer of La Brega from WNYC and Futuro Studios, and Rebeca Ibarra, host and producer of The Refresh from Insider, go head-to-head to win the title of Who Said That? champion. Warning: some Spanish speakers may find language in this episode offensive.You can follow us on Twitter @NPRItsBeenAMin and email us at ibam@npr.org.
This week, the Supreme Court officially struck down Roe v. Wade, overturning fifty years of legal precedent and abortion rights across the country. On this week's On the Media, hear about the case that almost defined the abortion debate instead. Plus, the Jan 6 committee's latest bombshell evidence of Trump's manipulation of the justice department. 1. Alana Casanova-Burgess [@Alanallama], former OTM producer, and Jessica Glenza [@JessicaGlenza], health reporter at the Guardian, look at the case that Ruth Bader Ginsburg wished the Court heard instead of Roe v. Wade. Neil Siegel, a professor of law and political science at Duke University School of Law, puts the Susan Struck v. Secretary of Defense case in context. Dahlia Lithwick [@Dahlialithwick], who writes about the courts at Slate, untangles what the justices actually decided in Roe. Listen. 2. Michael Waldman [@mawaldman], president of the Brennan Center for Justice at NYU School of Law, discusses how the January 6 committee's findings could aid a Justice Department indictment. Listen. Music: The Water Rises (Laurie Anderson) - The Kronos QuartetJohn's Book of Alleged Dances - The Kronos QuartetTateh's Picture Book - Randy NewmanAtlantic City - Randy Newman
In one large school building in Park Slope, Brooklyn, there are four high schools with different demographics. Alana Casanova-Burgess, host of WNYC and Futuro Studio's La Brega and host of Keeping Score, a new podcast from WNYC Studios and The Bell, and Renika Jack, student journalist with The Bell's "Miseducation" Podcast, reported on how things went when the athletic programs merged, and issues like equity, segregation and integration were brought to the surface.
Schools Had a Tough Year. What'd We Learn? Plus, follow the season of a girl's varsity volleyball team, and find one Brooklyn school building's effort to bridge its stark racial divide. From WNYC's new miniseries, Keeping Score. The past year has forced public classrooms into the center of our country's intense culture wars and political debates, from Florida's “Don't Say Gay” bill, to Critical Race Theory, to the ever-present threat of gun violence. What do these fights mean about the future over public education itself? Education reporter for The Washington Post and author of the long-running Answer Sheet blog, Valerie Strauss, breaks what she learned covering this year, and takes your calls. Plus, WNYC host Alana Casanova-Burgess introduces us to a new miniseries that explores one school building in Brooklyn attempt to integrate its own student population this year. Companion listening for this episode: The True Story of Critical Race Theory (10/11/2021) Is racism a permanent fixture of society? Jelani Cobb, staff writer for The New Yorker, unravels the history of Derrick Bell's quest to answer that question. “The United States of Anxiety” airs live on Sunday evenings at 6pm ET. The podcast episodes are lightly edited from our live broadcasts. To catch all the action, tune into the show on Sunday nights via the stream on WNYC.org/anxiety or tell your smart speakers to play WNYC. We want to hear from you! Connect with us on Twitter @WNYC using the hashtag #USofAnxiety or email us at anxiety@wnyc.org.
This week, OTM presents stories from Puerto Rico as told in a podcast series called "La Brega," hosted by Alana Casanova-Burgess. Hear what that term means, how it's used, and what it represents. Also, how one of the most famous homebuilding teams in American history tried to export American suburbanism to Puerto Rico... as a bulwark against Cuban communism. 1. Alana [@AlanaLlama] explores the full meaning(s) of la brega, which has different translations depending on who you ask. According to scholar and professor emeritus at Princeton, Arcadio Diaz Quiñonez, the closest English word is "to grapple." Alana also speaks to Cheo Santiago [@adoptaunhoyo], creator of "Adopta Un Hoyo" (Adopt a Pothole), which encourages people to paint around and photograph potholes to alert other drivers. Because the roads are rarely fixed properly, the challenges of potholes and what people do to get around them is a metaphorical and literal brega in Puerto Rico. Listen. 2. Next, Alana turns to the boom and bust of Levittown, a suburb that was founded on the idea of bringing the American middle-class lifestyle to Puerto Rico during a time of great change on the island. Alana (herself the granddaughter of an early Levittown resident) explores what the presence of a Levittown in Puerto Rico tells us about the promises of the American Dream in Puerto Rico. Listen. Created by a team of Puerto Rican journalists, producers, musicians, and artists from the island and diaspora, "La Brega" uses narrative storytelling and investigative journalism to reflect and reveal how la brega has defined so many aspects of life in Puerto Rico. All episodes are out now, and available in English and Spanish. Listen to the full series: Apple Podcasts | Spotify | Stitcher | Google Podcasts Music in this series comes from Balún and ÌFÉ
This week we are airing another episode from the show "La Brega"a podcast about life in Puerto Rico and hosted by former OTM producer Alana Casanova-Burgess. During the early 1950s, the children of Puerto Rico were invited to an icy winter spectacle. Mayor Felisa Rincón de Gautier, the charismatic mayor of San Juan, arranged for Eastern Airlines to bring a plane-load of snow for a snowball fight in the city. It was a feat that has become legend for a whole generation. But while this winter wonderland came to San Juan free of charge, it wasn't without a cost. In this special episode of La Brega, we learn how the snow was actually transported to San Juan from Hilda Jimenez, Doña Fela's assistant. And we hear from some of the people who experienced it up-close. Ignacio Rivera (of the radio program Fuego Cruzado) was 8 years old and threw snowballs; the artist Antonio Martorell remembers that too, but also sees the event as part of Puerto Rico's troubling colonial relationship with the United States. Seventy years later – when ice is at an even greater premium – journalist and author Ana Teresa Toro says Puerto Rico is still grappling with how to understand that special delivery. To learn more about Doña Fela, we recommend a visit to the Casa Museo Felisa Rincón de Gautier. You can learn more about Antonio Martorell in a recent documentary called El Accidente Feliz. His portrait of the mayor is here. The snowball fight is also the subject of a piece by the artist Sofía Gallisá Muriente, called Lluvia con nieve, now part of Whitney's collection. Ana Teresa Toro's new book of poetry is “Flora animal.”
For several years in the early nineteen-fifties, Puerto Rico received snow, right around Christmas. Children in San Juan rode a sled and had a giant snowball fight in the tropical weather. It wasn't a miracle, or a meteorological outlier. The snow was a gift from San Juan's longtime mayor, Felisa Rincón de Gautier, who had fallen in love with snow during her years in New York. It was delivered by Eastern Airlines, which milked the publicity for all it was worth. A young New Hampshire girl escorted one delivery, wearing a hat and a cable-knit sweater. The snow didn't cost Puerto Rico anything, but it certainly came with strings attached. At a time when the independence movement was being harshly suppressed, in favor of a continued colonial relationship with the United States, the fetishization of the northern “white Christmas” reads to some as a gesture of cultural imperialism that has never quite ended. And even recently—as the island still faces routine blackouts of its electrical grid, years after Hurricane Maria—the mayor of a small town proposed building an ice-skating rink. WNYC's Alana Casanova-Burgess reports on why the snow came, and what it meant to Puerto Ricans. Our story was produced in collaboration with “La Brega,” from WNYC Studios and Futuro Studios.
For several years in the early nineteen-fifties, Puerto Rico received snow, right around Christmas. Children in San Juan rode a sled and had a giant snowball fight in the tropical weather. It wasn't a miracle, or a meteorological outlier. The snow was a gift from San Juan's longtime mayor, Felisa Rincón de Gautier, who had fallen in love with snow during her years in New York. It was delivered by Eastern Airlines, which milked the publicity for all it was worth. A young New Hampshire girl escorted one delivery, wearing a hat and a cable-knit sweater. The snow didn't cost Puerto Rico anything, but it certainly came with strings attached. At a time when the independence movement was being harshly suppressed, in favor of a continued colonial relationship with the United States, the fetishization of the northern “white Christmas” reads to some as a gesture of cultural imperialism that has never quite ended. And even recently—as the island still faces routine blackouts of its electrical grid, years after Hurricane Maria—the mayor of a small town proposed building an ice-skating rink. WNYC's Alana Casanova-Burgess reports on why the snow came, and what it meant to Puerto Ricans. Our story was produced in collaboration with “La Brega,” from WNYC Studios and Futuro Studios.
The Brian Lehrer Show observes the Independence Day holiday with these recent interviews: Ibram X. Kendi, professor in the humanities and the founding director of the Boston University Center for Antiracist Research, columnist at The Atlantic, and Keisha Blain, University of Pittsburgh historian and president of the African American Intellectual History Society, talk about this moment in Black history and their new collection of 80 writers' and 10 poets' take on the American story, Four Hundred Souls: A Community History of African America, 1619-2019 (One World, 2021). Told five years at a time, the book documents the history of Black people across this country's 400-year history. Census data revealed in April that Puerto Rico lost almost 12% of its population since the last count. Alana Casanova-Burgess, host of WNYC and Futuro Studio's La Brega and producer for WNYC Studios, talks about the conditions that led to so many people leaving the island, and listeners who moved to the mainland call in to talk about why they did and where they went. David Schleifer, director of research at Public Agenda, a nonpartisan public opinion research organization, and Gerard Robinson, USA Today opinion contributor, AEI scholar and a former secretary of education in Virginia and former Florida education commissioner, talk about the latest report on America's "Hidden Common Ground" and what issues research shows run counter to narratives of "bubbles" and separate realities. Gregory Jost, adjunct professor of sociology at Fordham University; a researcher, facilitator, and organizer with expertise on the history of redlining and the Bronx; and a consultant with the Banana Kelly Community Improvement Association — and Wanda Salaman, a longtime activist and the executive director of Mothers on the Move, a member-led community organization that advocates for the well-being of low-income people of color in the South Bronx, offer a historical and sociological overview of a neighborhood in the Bronx that has become the epicenter of the economic toll of the coronavirus pandemic in New York City, West Farms, zip code: 10460. These interviews were edited slightly for time, the original versions are available here: A 'Community History' of Black America (February 3, 2021) What the Census Revealed About Puerto Rico (April 30, 2021) Finding Common Ground (May 19, 2021) West Farms 10460: An Overview (February 4, 2021)
In the years leading up to the horrific Tulsa massacre of 1921, the Greenwood district was a thriving Black metropolis, a city within a city. Buoyed by money from Oklahoma's oil boom, it was home to the original Cotton Club and to one of the first Black-owned daily newspapers in the United States, the Tulsa Star. The Star's founder and editor was A. J. Smitherman, a lawyer and the Alabama-born son of a coal miner. He addressed his eloquence and his ire at local nuisances like prostitution and gambling halls, as well as the gravest injustices of American life. The Radio Hour's KalaLea is the host of “Blindspot: Tulsa Burning.” She looks in this story at how Smitherman documented Greenwood at its height, and how he tried to prevent its destruction. “Blind Spot: Tulsa Burning” is a six-part podcast co-produced by the History Channel and WNYC Studios, in collaboration with KOSU and Focus Black Oklahoma. The team includes Caroline Lester, Alana Casanova-Burgess, Joe Plourde, Emily Mann, Jenny Lawton, Emily Botein, Quraysh Ali Lansana, Bracken Klar, Rachel Hubbard, Anakwa Dwamena, Jami Floyd, and Cheryl Devall. The music is by Hannis Brown, Am're Ford, Isaac Jones, and Chad Taylor. The executive producers at the History Channel are Eli Lehrer and Jessie Katz. Raven Majia Williams is a consulting producer. Special thanks to Herb Boyd, Kelly Gillespie, Shelley Miller, Jodi-Ann Malarbe, Jennifer Lazo, Andrew Golis, Celia Muller, and Andy Lanset. Maurice Jones was the voice of A. J. Smitherman. Additional voices: Terrance McKnight, Dar es Salaam Riser, Javana Mundy, John Biewen, Jack Fowler, Tangina Stone, Emani Johnston, Danny Wolohan, and Jay Allison.
In the years leading up to the horrific Tulsa massacre of 1921, the Greenwood district was a thriving Black metropolis, a city within a city. Buoyed by money from Oklahoma's oil boom, it was home to the original Cotton Club and to one of the first Black-owned daily newspapers in the United States, the Tulsa Star. The Star's founder and editor was A. J. Smitherman, a lawyer and the Alabama-born son of a coal miner. He addressed his eloquence and his ire at local nuisances like prostitution and gambling halls, as well as the gravest injustices of American life. The Radio Hour's KalaLea is the host of “Blindspot: Tulsa Burning.” She looks in this story at how Smitherman documented Greenwood at its height, and how he tried to prevent its destruction. “Blind Spot: Tulsa Burning” is a six-part podcast co-produced by the History Channel and WNYC Studios, in collaboration with KOSU and Focus Black Oklahoma. The team includes Caroline Lester, Alana Casanova-Burgess, Joe Plourde, Emily Mann, Jenny Lawton, Emily Botein, Quraysh Ali Lansana, Bracken Klar, Rachel Hubbard, Anakwa Dwamena, Jami Floyd, and Cheryl Devall. The music is by Hannis Brown, Am're Ford, Isaac Jones, and Chad Taylor. The executive producers at the History Channel are Eli Lehrer and Jessie Katz. Raven Majia Williams is a consulting producer. Special thanks to Herb Boyd, Kelly Gillespie, Shelley Miller, Jodi-Ann Malarbe, Jennifer Lazo, Andrew Golis, Celia Muller, and Andy Lanset. Maurice Jones was the voice of A. J. Smitherman. Additional voices: Terrance McKnight, Dar es Salaam Riser, Javana Mundy, John Biewen, Jack Fowler, Tangina Stone, Emani Johnston, Danny Wolohan, and Jay Allison.
The overall US population grew by about 7 percent over the past 10 years. So why has Puerto Rico's population dropped by 11 percent? On Today's Show:Alana Casanova-Burgess, host of WNYC and Futuro Studio's La Brega and producer for WNYC Studios, talks about the conditions that led to so many people leaving the island. Plus, listeners who moved to the mainland call in to talk about why they did and where they went.
Presentado por Goal Zero y sus plantas eléctricas YETI que no necesitan gasolina y se pueden cargar con la luz del sol. Aprovecha la oferta pre-temporada de huracanes, con un descuento de 12% en todos los productos Goal Zero hasta el 31 de mayo de 2021. Llama ahora al 787.602.6001, búscalos en Facebook o visita su show room en Guaynabo, al lado del Colegio Adianez. -- También presentado por Aeronet, el mejor y más confiable internet de Puerto Rico. Llama ahora al 787.273.4143 o visita aeronetpr.com, precios mensuales comienzan en $59.99. -- Los y las suscriptoras de nuestro Patreon escucharon este podcast un día antes. Suscríbete en patreon.com/puestospalproblema y disfruta de una gran comunidad y beneficios exclusivos. -- Hoy les traemos algo diferente. Primero, reproducimos en su totalidad el episodio "Guerreros del basket", que forma parte de la serie de podcasts La Brega. La Brega fue producido por la legendaria estación de radio pública de Nueva York, WNYC; y por Futuro Media, una nueva empresa dedicada a la producción de contenido latino para los Estados Unidos. Luego del episodio, nos sentamos con Alana Casanova Burgess, productora en jefa de La Brega, con Julito Varela, narrador y productor del episodio de los Guerreros del Basket y con Ezequiel Rodríguez Andino, a.k.a. El difusor, quien produjo y grabó la mayoría de los episodios; para conversar sobre el episodio que acaban de escuchar y sobre el proyecto completo. Suscríbete y escucha todos los episodios de La Brega en tu aplicación de podcastas favorita. Con Jonathan Lebrón (@SrLebron), Luis S. Herrero (@lherrero), Alana Casanova Burgess (@alanallama), Julio Enrique Varela (@julito77) y Ezequiel Rodríguez Andino (@eldifusor). Sigue a PPP en Twitter, Facebook e Instagram. ¿Te gusta el podcast? ¡Déjanos 5 estrellas! Nuestro logo y camisetas fueron diseñadas por Gabriel René. Síguelo en @gabrielrodz | https://gabrielrene.com Nuestra música fue compuesta por EFFE CPR. Lo pueden seguir en todas las redes bajo E F F E CPR. Descarga su disco "Sorry por el Delay" en Spotify, Apple Music y Tidal. ¡Riega la voz! Dile a tus amigos que se pongan al día escuchando PPP. Suscríbete a nuestro Patreon y recibe contenido exclusivo, artículos: https://patreon.com/puestospalproblema See omnystudio.com/listener for privacy information.
Census data revealed Puerto Rico lost almost 12% of its population since the last count. Alana Casanova-Burgess, host of WNYC and Futuro Studio's La Brega and producer for WNYC Studios, talks about the conditions that led to so many people leaving the island, and listeners who moved to the mainland call in to talk about why they did and where they went.
On the show this week, we're bringing you an episode of a new podcast called, La Brega. And to tell us all about the series is Alana Casanova-Burgess. Casanova-Burgess traces back the story of the boom and bust of Levittown, a massive suburb that was founded on the idea of bringing the American middle-class lifestyle to Puerto Rico during a time of great change on the island. Casanova-Burgess (herself the granddaughter of an early Levittown resident) explores what the presence of a Levittown in Puerto Rico tells us about the promises of the American Dream in Puerto Rico. La Brega in Levittown Subscribe to La Brega on Sitcher, Apple Podcasts, or Spotify
On the show this week, we’re bringing you an episode of a new podcast called, La Brega. And to tell us all about the series is Alana Casanova-Burgess. Casanova-Burgess traces back the story of the boom and bust of Levittown, a massive suburb that was founded on the idea of bringing the American middle-class lifestyle to Puerto Rico during a time of great change on the island. Casanova-Burgess (herself the granddaughter of an early Levittown resident) explores what the presence of a Levittown in Puerto Rico tells us about the promises of the American Dream in Puerto Rico. La Brega in Levittown Subscribe to La Brega on Sitcher, Apple Podcasts, or Spotify
On this episode the crew interviews podcaster Alana Casanova-Burgess about her dual-language podcast, "La Brega" and how it illuminates the story of Puerto Rico by placing Boricuas center stage.
With Congress set to consider bills next week that could set the future of Puerto Rican self-determination, we consider how a 70-year-old promise to decolonize the island keeps getting broken. Plus, how Puerto Ricans notched a hugely symbolic victory over the U.S. — during the 2004 Olympics. 1. Yarimar Bonilla [@yarimarbonilla], political anthropologist at Hunter College, examines the afterlife of Puerto Rico's political experiment. Listen. 2. Julio Ricardo Varela [@julito77], co-host of In the Thick and editorial director at Futuro Media, on what the showdown between the Puerto Rican and U.S. Olympic basketball teams in 2004 meant to him then and now. Listen. Music: We Insist by Zoe KeatingYUMAVISION by ÌFÉMalphino by Ototoa La Brega is a podcast series hosted by OTM producer/reporter Alana Casanova-Burgess. The series uses narrative storytelling and investigative journalism to reflect and reveal how la brega has defined so many aspects of life in Puerto Rico, and is available in English and Spanish.
Alana Casanova-Burgess, host of La Brega, and reporter and producer for WNYC's On the Media, and Yarimar Bonilla, professor of Puerto Rican Studies and Anthropology at the City University of New York, monthly columnist at El Nuevo Día, and incoming director of the Center for Puerto Rican Studies at Hunter College, talk about how Puerto Ricans are weighing the many options for a new political future of the island. → EVENT: Alana and Professor Bonilla will be in a virtual discussion with several other big thinkers on this topic on April 8th from 7-8PM. The event is free, to sign up click here.
There's a proposal in Congress to put questions of statehood and representation to the people of Puerto Rico. But in thinking about its future, we must reckon with its colonial present. On Today's Show:Alana Casanova-Burgess, host of La Brega, and reporter and producer for WNYC's On the Media, and Yarimar Bonilla, professor of Puerto Rican Studies and Anthropology at the City University of New York, monthly columnist at El Nuevo Día, and incoming director of the Center for Puerto Rican Studies at Hunter College, talk about how Puerto Ricans are weighing the many options for a new political future of the island.
La Brega is a seven-part podcast series hosted by OTM producer/reporter Alana Casanova-Burgess. The series uses narrative storytelling and investigative journalism to reflect and reveal how la brega has defined so many aspects of life in Puerto Rico, and is available in English and Spanish. This is episode seven. Puerto Rico’s relationship with the United States has long been a subject of intense debate. In 1952, Puerto Rico adopted a new status that was meant to decolonize the island. In English, we call it a “Commonwealth.” In Spanish, it’s called “Estado Libre Asociado”, or ELA. Puerto Ricans were promised for decades that this unique status meant they had a special kind of sovereignty while maintaining ties to the US. Now, a series of recent crises on the island have led many to question that promise, and to use the word “colony” more and more. In this episode, political anthropologist and El Nuevo Día columnist Yarimar Bonilla looks for those who still believe in the ELA, and asks what happens when a political project dies. You can get more resources for related issues at the Puerto Rico Syllabus website.
La Brega is a seven-part podcast series hosted by OTM producer/reporter Alana Casanova-Burgess. The series uses narrative storytelling and investigative journalism to reflect and reveal how la brega has defined so many aspects of life in Puerto Rico, and is available in English and Spanish. This is episode six. Luis J. Valentín Ortiz from the Centro de Periodismo Investigativo tells a hidden story from Puerto Rico’s debt crisis, that of the micro-creditors — thousands of low-income retirees and former public employees with claims that the government may never pay, ranging from hundreds to thousands of dollars. As a federal judge prepares to make a decision on whether they’ll get paid, this episode asks: how can the government settle its many debts — not just monetary — with its citizens? You can read more about micro-creditors in this piece from CPI. We also recommend this Radio Ambulante episode, produced by Luis Trelles, for more context about the debt crisis.
La Brega is a seven-part podcast series hosted by OTM producer/reporter Alana Casanova-Burgess. The series uses narrative storytelling and investigative journalism to reflect and reveal how la brega has defined so many aspects of life in Puerto Rico, and is available in English and Spanish. This is episode five. In this episode: David and Goliath play basketball in Athens. Despite being a U.S. colony, Puerto Rico competes in sports as its own country on the world stage. Since the 70s, Puerto Rico’s national basketball team has been a pride of the island, taking home trophy after trophy. But in the 2004 at the Athens Olympics, the team was up against the odds, with an opening game against a U.S. Dream Team stacked with players like Lebron James and Allen Iverson. Futuro Media’s Julio Ricardo Varela tells the story of a basketball game that Puerto Ricans will never forget, and why he thinks now, more than ever, is a crucial moment to remember it. The documentary "Nuyorican Basquet" is here. If you want to see the famous photo of Carlos Arroyo, click here. To read more about sovereignty and sports, we recommend The Sovereign Colony: Olympic Sport, National Identity, and International Politics in Puerto Rico, by Antonio Sotomayor.
It’s March 21st. On Palm Sunday, 1937, a peaceful march in Ponce. Puerto Rico was attacked by police who shot and killed 19 Puerto Ricans, including a seven year old girl and wounded over 200 others. Jody, Niki, and Kellie are joined by Alana Casanova-Burgess, host of “La Brega,” to discuss the incident and its place in Puerto Rican independence efforts — and crackdowns by U.S. government. Find Alana’s podcast “La Brega” wherever you get your podcasts. Find a transcript of this episode at: https://tinyurl.com/esoterichistory This Day In Esoteric Political History is a proud member of Radiotopia from PRX. If you want to support the show directly, you can do so on our website: ThisDayPod.com Get in touch if you have any ideas for future topics, or just want to say hello. Our website is thisdaypod.com Follow us on social @thisdaypod
La vida en la Ysla de San Juan Bautista de Puerto-Rico no es cáscara de coco. Para muchos puertorriqueños y puertorriqueñas todo esfuerzo se reduce a una sola cosa: La Brega (guarever dat mins). Conversamos con la anfitriona del nuevo podcast La Brega, Alana Casanova Burgess y el fotoperiodista Chris Gregory Rivera sobre las experiencias de brega en el Puerto Rico de hoy. Pueden escuchar La Brega en su plataforma podcastera preferida. #DaleOído Plan de Contingencia es un podcast producido en Puerto Rico por Esteban Gómez y Guarionex Padilla donde discutimos temas de actualidad nacional e internacional. #DaleOído. Si deseas continuar la conversación en las redes sociales: Twitter: @pdcontingencia | Instagram: @plandecontingenciapodcast | Facebook: @plandecontingenciapr Busca nuestros perfiles en Twitter: Esteban: @estigom Guarionex: @guariocandanga |intro: DávilaEnElBeat |outro: La Última Excusa, Corre Forrest Esta Nota al Calce es posible gracias a Libros787, la tienda online más cool para descubrir y comprar libros escritos por autores puertorriqueños e hispanos. Utiliza el código de promoción "plandecontingencia" en tu próxima compra en Libros787.com para obtener shipping gratis para Puerto Rico y Estados Unidos. --- Support this podcast: https://anchor.fm/plan-de-contingencia/support
La Brega is a seven-part podcast series hosted by OTM producer/reporter Alana Casanova-Burgess. The series uses narrative storytelling and investigative journalism to reflect and reveal how la brega has defined so many aspects of life in Puerto Rico, and is available in English and Spanish. This is episode four. Weeks after Hurricane Maria, the Government of Puerto Rico accepted an emphatic suggestion from officials of the Federal Emergency Management Agency (FEMA), put it in writing as if it were its own decision, and celebrated it would be used to rebuild in a “resilient” way. On the island of Vieques — which has a very high rate of cancer — they were supposed to rebuild its only hospital, destroyed by the hurricane in 2017. Now, a young girl has died from lack of care, and a neglected community fights for their basic human right: access to quality medical services. Reporter Cristina del Mar Quiles from El Centro de Periodismo Investigativo explains how federal red tape has hindered hurricane recovery. A guide to understanding the bureaucracy around "recovery" in Puerto Rico, including Section 428, is here. You can read more about the lawsuit brought by the family of Jaideliz Moreno Ventura against the government of Puerto Rico here.
La Brega is a seven-part podcast series hosted by OTM producer/reporter Alana Casanova-Burgess. The series uses narrative storytelling and investigative journalism to reflect and reveal how la brega has defined so many aspects of life in Puerto Rico, and is available in English and Spanish. This is episode three. Photographer Chris Gregory-Rivera examines the legacy of the surveillance files known in Puerto Rico as las carpetas — produced from a decades-long secret government program aimed at fracturing the pro-independence movement. Gregory-Rivera looks at las carpetas through the story of one activist family, the traitor they believed was close to them, and the betrayal that holds more mystery than they realize. Chris' photographs and photos the police took as part of their surveillance are here. If you're in the New York area, you can see his show at the Abrons Art Center until March 14, 2021. The documentary "Las Carpetas" is here.
In this episode from WNYC's La Brega, Alana Casanova-Burgess traces back the story of the boom and bust of the Puerto Rican Levittown. For many Americans, Levittown is the prototypical suburb, founded on the idea of bringing Americans into a middle-class lifestyle after WWII. But while the NY Levittown was becoming a symbol of American prosperity, there was a parallel story of Levittown in Puerto Rico during a time of great change on the island. Casanova-Burgess (herself the granddaughter of an early PR Levittown resident) explores what the presence of a Levittown in Puerto Rico tells us about the promises of the American Dream. It's a story that reflects and reveals how la brega has defined so many aspects of life in Puerto Rico.
Latino Rebels Radio is proud to present the Spanish-language versions of the new LA BREGA podcast series from WNYC Studios and Futuro Studios. En este primer episodio, Alana Casanova-Burgess nos comparte un ejemplo para explicar qué significa para los boricuas “bregar”. Para más episodios en español o en inglés, visita la página oficial de LA BREGA (https://www.wnycstudios.org/podcasts/la-brega) . Ilustración de Fernando Norat
This week, OTM presents stories from a new series hosted by our own Alana Casanova-Burgess, called "La Brega." 1. Alana [@AlanaLlama] explores the full meaning(s) of la brega, which has different translations depending on who you ask. According to scholar and professor emeritus at Princeton, Arcadio Diaz Quiñonez, the closest English word is " to grapple." Alana also speaks to Cheo Santiago [@adoptaunhoyo], creator of "Adopta Un Hoyo" (Adopt a Pothole), which encourages people to paint around and photograph potholes to alert other drivers. Because the roads are rarely fixed properly, the challenges of potholes and what people do to get around them is a metaphorical and literal brega in Puerto Rico. Listen. 2. Next, Alana turns to the boom and bust of Levittown, a suburb that was founded on the idea of bringing the American middle-class lifestyle to Puerto Rico during a time of great change on the island. Alana (herself the granddaughter of an early Levittown resident) explores what the presence of a Levittown in Puerto Rico tells us about the promises of the American Dream in Puerto Rico. Listen. Created by a team of Puerto Rican journalists, producers, musicians, and artists from the island and diaspora, "La Brega" uses narrative storytelling and investigative journalism to reflect and reveal how la brega has defined so many aspects of life in Puerto Rico. All episodes are out now, and available in English and Spanish. Listen to the full series: Apple Podcasts | Spotify | Stitcher | Google Podcasts Music in this series comes from Balún and ÌFÉ
Alana Casanova-Burgess traces back the story of the boom and bust of Levittown, a massive suburb that was founded on the idea of bringing the American middle-class lifestyle to Puerto Rico during a time of great change on the island. Casanova-Burgess (herself the granddaughter of an early Levittown resident) explores what the presence of a Levittown in Puerto Rico tells us about the promises of the American Dream in Puerto Rico. Check out photos and archival material about the boricua Levittown here. Cezanne Cardona Morales' book of short stories set in the suburb is called Levittown, Mon Amour. Silvia Alvarez Curbelo's book, Un País del Porvenir, is here. Hilda and Paula and Sixto, who share their experiences in this episode, also talked about Levittown in this episode of "Nuestro Podcast." To read more about this period of time in Puerto Rico, we recommend Concrete and Countryside: The Urban and the Rural in 1950s Puerto Rican Culture, written by Carmelo Esterrich.
Alana Casanova-Burgess traza la historia del crecimiento y eventual deterioro de Levittown, Toa Baja, un suburbio masivo que se fundó con la idea de traer el estilo de vida de la clase media estadounidense a Puerto Rico durante una época de gran transformación en la isla. Casanova-Burgess explora lo que el proyecto nos dice sobre nuestra historia y las promesas de vivir “el sueño americano” en Puerto Rico. Photos y archivos sobre el Levittown boricua se encuentran aqui. Cezanne Cardona Morales' collection of short stories is called Levittown, Mon Amour. Hilda y Paula, quien compartieron sus experiencias en este episodio, también hablaron sobre Levittown en un episodio de "Nuestro Podcast." La entrevista de WNYC con Dona Fela, la alcaldesa de San Juan, se encuentra aquí. Y el audio del primer vuelo de Eastern Airlines de 1951 está aquí. Para leer más sobre este tema, recomendamos Concrete and Countryside: The Urban and the Rural in 1950s Puerto Rican Culture, escrito por Carmelo Esterrich.
Alana Casanova-Burgess traces the history and development of Levittown, a massive suburb that was founded on the idea of bringing the American middle-class lifestyle to Puerto Rico during a time of great change on the island. Casanova-Burgess (herself the granddaughter of an early Levittown resident) traces back the story of the boom and bust of Levittown and explores what its shortcomings tell us about the promises of the American Dream in Puerto Rico.
In this kick-off episode, host Alana Casanova-Burgess sets out to define la brega and examine what its ubiquity among boricuas really means. A brega implies a challenge we can’t really solve, so you have to hustle to get around it. In Puerto Rico, Cheo Santiago runs a social media account called Adopta Un Hoyo, where people deal with the huge problem of potholes by painting their edges white and posting photographs of craters to the site. Because the roads are rarely fixed properly, the challenges of potholes (hoyos) and what people do to fix them or get around them is a metaphorical and literal brega in Puerto Rico. She talks with Cheo Santiago, who runs a social media account called Adopta Un Hoyo, to learn more about this particular problem, and with scholar and professor emeritus at Princeton, Arcadio Diaz Quiñonez. Some twenty years ago, he published an influential essay called “De Como y Cuándo Bregar”. The essay used the language of la brega as a lens to understand Puerto Rican history and politics and identity, arguing that there’s something about this word that unlocks a lot about who we are. Amidst potholes, protests and metaphors, Alana finds all the meanings that lie within “la brega”, how it sometimes asks too much of boricuas, and how the word has an innate sense of hope. If you want to see the video of the water truck referenced in this episode, click here. Arcadio Díaz Quiñones has a new online archive of his work, and you can learn more about it here. His essay, "De Cómo y Cuándo Bregar", can be found in the collection El Arte de Bregar.
En este primer episodio, Alana Casanova-Burgess nos comparte un ejemplo para explicar que significa para los boricuas “bregar”. Para eso platica con Cheo Santiago, creador y mantenedor de la cuenta de redes sociales “Adopta un Hoyo” y con el escritor y profesor emérito de Princeton Arcadio Díaz Quiñones, quien hace unos veinte años escribió un ensayo muy influyente, “De Cómo y Cuándo Bregar”, donde usa la frase como un lente para entender mejor la experiencia boricua.Entre hoyos, protestas y metáforas, Alana va encontrando cuanto se guarda en la brega, sus limitaciones y como la esperanza de un mejor Puerto Rico se asoma entre todo eso. Si quieres ver el video surreal del camión de agua en Caguas, haz click aquí. Arcadio Díaz Quiñones tiene un nuevo archivo, y lo puedes encontrar aquí. Su ensayo, "De Cómo y Cuándo Bregar", se encuentra en el libro El Arte de Bregar.
Alana Casanova-Burgess, host of La Brega, and reporter and producer for WNYC's On the Media, talks about her new podcast, La Brega: Stories of the Puerto Rican Experience, and explains what "la brega" means to Puerto Ricans, and how it so often defines life on the island.
In this kick off episode, host Alana Casanova-Burgess sets out to define la brega and examine what its ubiquity among boricuas really means. A brega implies a challenge we can’t really solve, so you have to hustle to get around it. In Puerto Rico, Cheo Santiago runs a social media account called Adopta Un Hoyo, where people deal with the huge problem of potholes by painting their edges white and posting photographs of craters to the site. Because the roads are rarely fixed properly, the challenges of potholes (hoyos) and what people do to fix them or get around them is a metaphorical and literal brega in Puerto Rico. Plus, the scholar Arcadio Diaz Quiñones reflects on how this useful word has its limitations, and how la brega sometimes asks too much of boricuas.
Maria and Julio welcome Alana Casanova-Burgess, reporter and producer for WNYC's "On The Media", and Cristina del Mar Quiles, reporter for the Center for Investigative Journalism (Centro de Periodismo Investigativo) to talk about Puerto Rico and "La Brega," a new seven-part bilingual podcast series co-produced by WNYC Studios and Futuro Studios. They discuss Puerto Rico's status including the issue of statehood, the humanitarian crisis in the aftermath of Hurricane Maria, and the impact of modern day colonialism on the island.You can listen to "La Brega" starting Wednesday, February 24. Subscribe here!ITT Staff Picks: Cristina del Mar Quiles writes for the Centro de Periodismo Investigativo about a lawsuit from the family of Jaideliz Moreno Ventura. Ventura was 13-years-old when she died from a medical emergency last year in Vieques, which hasn't had a functioning hospital since Hurricane Maria more than three years ago.Julio Ricardo Varela dives into the latest on Puerto Rico's vote for statehood in last November's plebiscite in this piece for Latino Rebels.Rosa Cartagena tells the history of the fight for suffrage in Puerto Rico and the sufragistas who shaped it via this piece for Smithsonian Magazine. Credit info: (AP Photo/Ricardo Arduengo, File) See acast.com/privacy for privacy and opt-out information.
WNYC Studios and Futuro Studios present “La Brega: Stories of the Puerto Rican Experience”: a seven-part podcast series that uses narrative storytelling and investigative journalism to reflect and reveal how la brega has defined so many aspects of life in Puerto Rico. Available in English and Spanish. Creado por un equipo de periodistas, productores, músicos y artistas boricuas; presentado por Alana Casanova-Burgess. Coming February 24.
Un podcast de siete episodios que combina elementos narrativos y del periodismo investigativo para revelar y reflexionar sobre cómo “la brega” ha definido muchos aspectos de la vida en Puerto Rico. Creado por un equipo de periodistas, productores, músicos y artistas boricuas en la isla y en la diáspora; es presentado por Alana Casanova-Burgess de On the Media. Disponible el miércoles, 24 de febrero. Una coproducción de WNYC Studios y Futuro Studios.
Podcast: Radiolab (LS 87 · TOP 0.01% what is this?)Episode: Enemy of MankindPub date: 2020-12-10Should the U.S. Supreme Court be the court of the world? In the 18th century, two feuding Frenchmen inspired a one-sentence law that helped launch American human rights litigation into the 20th century. The Alien Tort Statute allowed a Paraguayan woman to find justice for a terrible crime committed in her homeland. But as America reached further and further out into the world, the court was forced to confront the contradictions in our country's ideology: sympathy vs. sovereignty. Earlier this month, the Supreme Court heard arguments in Jesner v. Arab Bank, a case that could reshape the way America responds to human rights abuses abroad. Does the A.T.S. secure human rights or is it a dangerous overreach? Additional music for this episode by Nicolas Carter. Special thanks to William J. Aceves, William Baude, Diego Calles, Alana Casanova-Burgess, William Dodge, Susan Farbstein, Jeffery Fisher, Joanne Freeman, Julian Ku, Nicholas Rosenkranz, Susan Simpson, Emily Vinson, Benjamin Wittes and Jamison York. Ken Saro-Wiwa Jr., who appears in this episode, passed away in October 2016. Supreme Court archival audio comes from Oyez®, a free law project in collaboration with the Legal Information Institute at Cornell. Support Radiolab by becoming a member today at Radiolab.org/donate. The podcast and artwork embedded on this page are from WNYC Studios, which is the property of its owner and not affiliated with or endorsed by Listen Notes, Inc.
Should the U.S. Supreme Court be the court of the world? In the 18th century, two feuding Frenchmen inspired a one-sentence law that helped launch American human rights litigation into the 20th century. The Alien Tort Statute allowed a Paraguayan woman to find justice for a terrible crime committed in her homeland. But as America reached further and further out into the world, the court was forced to confront the contradictions in our country’s ideology: sympathy vs. sovereignty. Earlier this month, the Supreme Court heard arguments in Jesner v. Arab Bank, a case that could reshape the way America responds to human rights abuses abroad. Does the A.T.S. secure human rights or is it a dangerous overreach? Additional music for this episode by Nicolas Carter. Special thanks to William J. Aceves, William Baude, Diego Calles, Alana Casanova-Burgess, William Dodge, Susan Farbstein, Jeffery Fisher, Joanne Freeman, Julian Ku, Nicholas Rosenkranz, Susan Simpson, Emily Vinson, Benjamin Wittes and Jamison York. Ken Saro-Wiwa Jr., who appears in this episode, passed away in October 2016. Supreme Court archival audio comes from Oyez®, a free law project in collaboration with the Legal Information Institute at Cornell. Support Radiolab by becoming a member today at Radiolab.org/donate.
A gathering of thousands of armed protesters in Virginia last weekend prompted fears of mass violence. On this episode of On the Media, how some militia groups are spinning the lack of bloodshed as victory. Plus, fresh demands for accountability in Puerto Rico, and why the senate impeachment trial feels so predictable. 1. Bob Garfield [@Bobosphere] on the present moment in the impeachment trial. Listen. 2. Lois Beckett [@loisbeckett], reporter at the Guardian, and OTM producer Micah Loewinger [@MicahLoewinger] on the efforts to shape the media narrative among gun rights activists at Virginia's Lobby Day. Listen. 3. OTM producer Alana Casanova-Burgess [@AlanaLlama] on the "double-bind" Puerto Rico faces as earthquakes shake the state. Listen here. Music: All the President's Men Theme by Nini RossoJoeira by KurupGeneral Scott's March by Liberty Tree Wind PlayersOriginal music by Mark Henry PhillipsCantus for Bob Hardison by Michael LinnenKerala by Bonobo
A majority of Americans polled by CSPAN last year couldn't name a Supreme Court case. Of those who could, Roe v. Wade was by far the most familiar, with 40 percent able to name it. (Only five percent could name Brown v. Board of Education.) And since it was decided in 1973, a majority — roughly 70 percent — have consistently said they want Roe upheld, albeit with some restrictions on legal abortion. But what do we really know about Roe? Justice Ruth Bader Ginsburg has often said she wishes it had been another case that the Supreme Court heard as the first reproductive freedom case instead. It was Susan Struck v. Secretary of Defense, and it came to the high court during the same term as Roe. The year was 1970, and the Air Force (like the other branches of the military) had a regulation banning female service members from having a family. If a servicewoman got pregnant, she would get discharged. Captain Susan Struck was a nurse serving in Vietnam, and she challenged the decision in court with Ginsburg as her lawyer. However, the court never heard the case because the Air Force changed their policy first. For this week's show, we partnered with The Guardian (read their story here) to learn more about Susan Struck’s fight and its bigger lessons for reproductive freedom and for women in the workplace. Our producer Alana Casanova-Burgess and The Guardian's health reporter Jessica Glenza spoke to Struck about the difficult decision she made to give her baby up for adoption in order to fight the regulation. Plus, we hear why legal scholars think this case "deserves to be honored by collective memory," and how Ginsburg's arguments to the Supreme Court differed from what the justices decided in Roe. Then: - Slate's Dahlia Lithwick explains the threats to reproductive rights in the court right now; - Neil Siegel of Duke Law School puts the Struck case in context and discusses what better questions we could be asking about women's equality; - activist and scholar Loretta Ross explains the tenets of reproductive justice and how they expand the frame beyond Roe and abortion; - and Reva Siegel of Yale Law School tells the story of how abortion was discussed before 1973, including during the Women's Strike of 1970. And she describes the framework of ProChoiceLife, which expands the idea of what pro-life policy is. She is also the co-editor of Reproductive Rights and Justice Stories. Read The Guardian’s print version here, and share your story with Jessica Glenza if you were a woman serving in the military before 1976. Music by Nicola Cruz, Kronos Quartet, and Mark Henry Phillips
The pathways and origins of white nationalist thought were a matter of deadly importance in coverage of last weekend’s shootings. On this week’s On the Media, how mainstream punditry launders a tolerance for xenophobia. Also, the history of American presidents and media figures dismissing black and brown claims to power in a democracy. Plus, what calls for additional federal oversight in Puerto Rico mean for Puerto Ricans. 1. Tom Scocca [@tomscocca], politics editor at Slate, on the journalists, writers and political figures who cater to America's racist id. Listen. 2. Adam Serwer [@AdamSerwer], staff writer at The Atlantic, on the catastrophic, deadly idea that "only white people are fit for self-government." Listen. 3. OTM producer Alana Casanova-Burgess [@AlanaLlama] reports on the conversations some Puerto Ricans are having in Puerto Rico in a historic moment for the island, including demands more democracy -- and what that means in a colonial context. Listen. Music Exurgency by Zoe Keating
The political press has long used the vague notion of “electability” to drive horserace coverage of presidential candidates. This week, On the Media considers how the emphasis on electability takes the focus away from the issues and turns voters into pundits. Plus, the shady dealings of the tax preparation industry, and how FOIA has been weaponized. And, how Trump duped financial journalists about his net worth in the 1980s. 1. Investigative journalist Jonathan Greenberg [@JournalistJG] on how Trump obscured his finances to wind up on the Forbes list of richest Americans — and why it mattered so much to him. 2. Dennis Ventry, professor at UC Davis School of Law, on how the tax preparation industry united to shield themselves from a publicly-funded alternative. 3. OTM producer Alana Casanova-Burgess [@AlanaLlama] speaks with Dennis Ventry, Michael Halpern [@halpsci], Eric Lipton [@EricLiptonNYT] and Claudia Polsky about a bill in California that seeks to curb the weaponization of FOIA. 4. Alex Pareene [@pareene], staff writer at The New Republic, on how the idea of "electability" has metastasized among democratic voters.
A week after the redacted Mueller report’s release, Democrats weigh the risks — and imperatives — of impeachment. On this week’s On the Media, why our founders gave congress the power to oust the president in the first place. Plus, the forgotten roots of May Day, the international workers’ holiday. 1. Paul Waldman [@paulwaldman1], columnist and senior writer for the American Prospect and the Washington Post, on the politics and virtues of impeachment. Listen. 2. Jeffrey Engel [@jeffreyaengel], the founding director of the Center for Presidential History at Southern Methodist University, and coauthor of Impeachment: An American History on the the history of impeachment. Listen. 3. Zephyr Teachout [@ZephyrTeachout], author of Corruption in America, on how our nation lost its original anti-corruption zeal. Listen. 4. Donna Haverty-Stacke, [@DHavertyStacke], professor of History at Hunter College, CUNY, on the U.S. origin of May Day and how it has come to be forgotten. Listen. Music: Time Is Late by Marcos Ciscar Jeopardy: Think Music (in style of Handel) by Donald Fraser, Merv Griffin, Donald Fraser Here It Comes by Modest Mouse Liquid Spear Waltz by Michael Andrews Tymperturbably Blue (Live 1959) by Duke Ellington Into the Streets May First: written by Aaron Copland; performed by Jon Hanrahan (direction, piano); vocals by Alana Casanova-Burgess, Leah Feder, Micah Loewinger, Brooke Gladstone, Karen Frillman, Jim O’Grady, Philip Yiannopoulos, engineered by Irene Trudel
Three months after Hurricane Maria devastated Puerto Rico, the commonwealth is still struggling to restore power and provide fresh water to all of its residents. Conditions have forced thousands to leave for the mainland in search of better opportunities. The storm hit after years of economic hardship and a record $74 billion bankruptcy, the largest municipal bankruptcy in U.S. history. Now, Puerto Rico faces another challenge: the Republican tax plan which would levy a 12.5 percent tax on income from intellectual property earned on the island by companies based on the mainland. That could effect decisions by companies about whether or not to base operations — and hire workers — on Puerto Rico. This week on Money Talking, Charlie Herman speaks with Rebecca Spalding, a reporter with Bloomberg, and Alana Casanova-Burgess, a producer with WNYC's On The Media, who have both been reporting about Puerto Rico. (You can also find Casanova-Burgess' reports from the island on OTM's latest episode “After the Storm.")
Should the U.S. Supreme Court be the court of the world? In the 18th century, two feuding Frenchmen inspired a one-sentence law that helped launch American human rights litigation into the 20th century. The Alien Tort Statute allowed a Paraguayan woman to find justice for a terrible crime committed in her homeland. But as America reached further and further out into the world, the court was forced to confront the contradictions in our country’s ideology: sympathy vs. sovereignty. Earlier this month, the Supreme Court heard arguments in Jesner v. Arab Bank, a case that could reshape the way America responds to human rights abuses abroad. Does the A.T.S. secure human rights or is it a dangerous overreach? The key voices: Ken Saro-Wiwa Jr., son of activist Ken Saro-Wiwa Sr. Dolly Filártiga, sister of Joelito Filártiga Paloma Calles, daughter of Dolly Filártiga Peter Weiss, lawyer at the Center for Constitutional Rights who represented Dolly Filártiga in Filártiga v. Peña-Irala Katherine Gallagher, lawyer at the Center for Constitutional Rights Paul Hoffman, lawyer who represented Kiobel in Kiobel v. Royal Dutch Petroleum John Bellinger, former legal adviser for the U.S. Department of State and the National Security Council William Casto, professor at Texas Tech University School of Law Eric Posner, professor at University of Chicago Law School Samuel Moyn, professor at Yale University René Horst, professor at Appalachian State University The key cases: 1984: Filártiga v. Peña-Irala 2013: Kiobel v. Royal Dutch Petroleum 2017: Jesner v. Arab Bank The key links: Center for Constitutional Rights Additional music for this episode by Nicolas Carter. Special thanks to William J. Aceves, William Baude, Diego Calles, Alana Casanova-Burgess, William Dodge, Susan Farbstein, Jeffery Fisher, Joanne Freeman, Julian Ku, Nicholas Rosenkranz, Susan Simpson, Emily Vinson, Benjamin Wittes and Jamison York. Ken Saro-Wiwa Jr., who appears in this episode, passed away in October 2016. Leadership support for More Perfect is provided by The Joyce Foundation. Additional funding is provided by The Charles Evans Hughes Memorial Foundation. Supreme Court archival audio comes from Oyez®, a free law project in collaboration with the Legal Information Institute at Cornell.