The Rock and Metal Profs: The History and Philosophy of Rock and Metal

The Profs are back, and this time with a very special and very much in-demand guest.  R Alan Siler is the Co-host of the Modern Musicology Podcast, owner and author at kOZMIC Press, and host of The Doctor Who A-Z Podcast.  We invited him on to talk all things rock and metal in the 1980s.  In this freeform episode, we asked Alan to ponder and discuss the following topics and more:  What was/is the value of keyboard in hard rock and metal;  what qualified as "rock" music in the 1980s, and how have our perceptions changed?; should metal ever be mainstream?; our shared love of KISS; DIO and Bowie holograms touring "live"; songs that didn't age well; 1970s rock bands that were unable to transition successfully into the 80s culture of bombast and glitz, and much more!  As always, Court and I thank all of you for your patience, as we are producing few episodes these days due to other time commitments.  We are so grateful to all of you who download, listen, and interact with us on the Rock and Metal Profs Facebook page.  You are appreciated!  

The Profs are back after a long hiatus.  Matt traveled Italy in search of a great rock and metal store, but to no avail. Apparently, Italians LOVE Jazz!  Court visited Chicago, and saw Mr. Speed in Chattanooga, a fantastic KISS tribute act.  Now, the profs are chomping at the bit.  We tackle the Sunset Strip: the Talented, the Determined, and the Deluded!  We want to thank all of our listeners for being patient and sticking with us while we blew off some steam.  Let's do this!!!

The early 1980s was a time of tremendous change and transition for KISS.  Just a few years prior, the "Hottest Band in the World" was selling out arenas and their albums shipped platinum.  However, by 1981, Peter Criss was out of the band, with Ace Frehley soon to follow.  The next few years brought line-up changes, a disastrous concept album (Music from the Elder), a return to rock album that sold poorly (Creatures of the Night), and the momentous decision by the band to finally reveal their true identities to the public.  KISS re-imagined and re-branded with their 11th studio album "Lick it Up", and began their ascent to the top once more.  Embracing the 80s hard rock bombast, guitar shredders, and all the glam and glitter of the decade, KISS showed they were still the Kings of the Mountain.  Court, Matt and Tim discuss the often misunderstood and much maligned "Music from the Elder", the return to form with "Creatures of the NIght", and the brilliance of the first two non-makeup albums, "Lick it Up" and "Animalize."     

Court and Matt have attended over 500 concerts over the course of their lifetimes, including numerous rock festivals.  With the recent announcement that both Ozzy Osbourne and AC/DC are coming out of retirement to perform at the Power trip Festival in October, we thought this would be the perfect time to discuss the history, pros and cons of the rock festival experience.  We discuss iconic festivals like Woodstock and Altamont, and some lesser-known but equally remarkable festivals that didn't go off as planned.  We also recognize that as you listen to this episode, we will likely sound like two crotchety old rockers bemoaning the festival experience.  In fairness, however, we did attempt to accentuate the positive, and we acknowledge that the rock festival is a young person's game.  We hope that after listening you'll hit us up on the Rock and Metal Profs Facebook page and let us know about your best, worst, and most memorable rock festival moments.  Rock on!

On this Ep. of RAMP, our long-time 3rd and silent member of the podcast, Mr. Tim Williamson joins us for some Q and A.  Tim has played an instrumental role in making sure the podcast is available to listeners on all the various feeds, and we couldn't do the show were it not for his technical expertise.  We finally coaxed him into doing the show with promises of caffeine, U2 tickets and strippers (we're kidding about the strippers).  Tim brought us some really tough music-related questions to answer, which created all types of conundrums for Court and Matt.  We cover everything from our favorite metal songs, to our favorite non-rock and metal genres.  We debate whether or not Nirvana actually deserves it's place as the progenitors of grunge, and Court waxes philosophical on topics ranging from Vegas crooners to martyrdom in music and teen angst.  As always, we are grateful to all our listeners and supporters -- you know who you are!

In this episode of RAMP the Profs take a close look and listen to the 90s and 2000s era of Metallica.  The music Metallica produced after 1991 was polarizing, both enraging some early fans, but also introducing legions of younger fans to the band and their new sound.  Purists claimed that Metallica had abandoned their thrash roots, sold out, and a few viewed the band's change in direction as a betrayal!  Angry metal "Luddites" proclaimed they would never support the band again after the more commercial sound of their self-titled Black album in 91.  Ironically, it was that same album that catapulted Metallica into the stratosphere as the biggest and most successful metal band in history.  Court and Matt offer a different and more even-handed take on Metallica's later catalog, giving credit where due, and acknowledging that there were a few clunkers along the way as the band struggled to find it's identity.   Court and I also want to thank all of our listeners, and in particular our long-time listeners for the years of support and interaction on the RAMP FB page.   Rock on mates!  

In this episode of RAMP Court and Matt circle back to take a look at KISS in the 1980s, 90s and 2000s.  Listeners know by now that Court is a huge fan of KISS in the 80s, while Matt grew up in the 1970s and thus favors the classic-era with the original line-up.  Court takes center stage on this one to talk about what the hottest band in the world did right in their later incarnations with Eric Carr, Vinnie Vincent, Mark St. John, Bruce Kulick and Eric Singer.  KISS fans should enjoy this one!

Listeners to the podcast know that Court was a massive fan of early GnR and Appetite for Destruction.  However, when Use Your Illusion 1 and 2 were released, young Dr. Lewis had an epic meltdown and vowed never to listen to those albums again.  His expectations were so high that those albums were a massive letdown, and one that sticks in Court's craw even today.  The mere mention of those albums sends Court into an epic tirade of profanity, rants about Yoko Ono, and the imbibing of adult beverages to numb the pain of Axl's betrayal.  Finally, after 30-plus years, Court decided it was time to come to grips with his feelings, recline on the leather couch of rock and roll psychology, and drill deep into his psyche to determine why these albums evoke such strong feelings all these years later.  Matt and Court construct the album that should-have-been, a single, two-record Use Your Illusion featuring only the songs that should have comprised that release back in 1991.  This is going to be a fun one folks, so let us know what you think on the RAMP Facebook page!

We are back with our "Best Albums of 2022" picks, and it's a doozy.  Neither Court nor I had any idea which albums the other selected, and it was interesting to see how much our picks varied.  We think we did a pretty good job covering the strongest offerings of 22, but it is entirely possible that we overlooked a masterpiece!  We are counting on you to let us know where we went right or wrong.  Give it a listen, and drop us a message on the Rock and Metal Profs Facebook page.  We want to hear from you!  Happy Holidays everyone, and be safe out there!

We're back!  Court and Matt field questions from the listeners, grappling with topics such as best concept albums, best side projects, remarkable rock and roll feuds, and Gene Simmons' proclamation that "rock is dead."  We want to thank all of the listeners who took the time to submit questions -- We appreciate you!

We're back!  After a lengthy and mostly involuntary hiatus, the Profs are back and answering your questions.  Yes, we feel bad that it's been 2 months since our last episode, but we hope you'll go easy on us.  Court and I have been in marathon mode this fall semester, doing our best to educate the next generation.  Sometimes career and life clash with our rock and roll lifestyles!  We are so excited to be back and fielding listener questions from listeners, colleagues, friends and family.   This is part 1 of 2, and we'll try to get the next episode up very soon.  We appreciate you taking the time to download and listen!

In this episode of RAMP Court and Matt interview author and philosopher William Irwin.  Dr. Irwin is a Herve' A. Leblanc Distinguished Service Professor and the Chair of Philosophy at King's College in Pennsylvania.  He is also a long time fan of metal and the author of two books examining the music of Metallica.  "Metallica and Philosophy: A Crash Course in Brain Surgery", and "The Meaning of Metallica: Ride the Lyrics" are the topics of discussion on today's podcast.  Dr. Irwin researched the lyrical subject matter penned by James Hetfield, revealing a rich artistry and a profoundly thoughtful songwriter who draws heavily from life experiences to create some of the greatest metal music ever recorded.  Dr. Irwin shows that Metallica is the thinking-man's (or woman's) band, proving yet again that hard rock and metal has produced some of the most insightful and intelligent music in history.You can take a closer look at William Irwin's work on Metallica using the links below:https://www.amazon.com/Metallica-Philosophy-Crash-Course-Surgery/dp/1665194405 https://www.amazon.com/Meaning-Metallica-Ride-Lyrics/dp/1770416188/ref=d_pd_sbs_sccl_1_1/135-7976432-1169717?pd_rd_w=jbB39&content-id=amzn1.sym.2dc9b33d-bf98-4c85-be26-75af626c0551&pf_rd_p=2dc9b33d-bf98-4c85-be26-75af626c0551&pf_rd_r=XZY45BZZ14GKG9C58M27&pd_rd_wg=aAovv&pd_rd_r=8a2d9f24-1989-4dab-b518-7b8fa89fdda3&pd_rd_i=1770416188&psc=1

Court and Matt are back to discuss the newly remastered and expanded deluxe edition of DIO's seminal 1983 debut solo album, Holy Diver.  The profs discuss this epic 4-disc expanded album and its merits, as well as the soon-to-be released DIO documentary "Dreamers Never Die."  Matt also recounts going to see Yngwie Malmsteen in Bowling Green KY, and the shred-tastic festivities of that evening. Thanks for listening to the show -- We appreciate you! 

the story of RIOT has all the elements of a good Greek tragedy.  It is a tale that is equal parts raw talent, ambition, youthful recklessness, greed, calamity, and possibly the worst band mascot in history!  There were a multitude of external forces that thwarted RIOT's efforts to make good, even as they produced a string of really good albums (and a couple bad ones) in the 70s, 80s, 90s and beyond.  Over RIOT's 45-year career, they've endured revolving door line-ups, 28 different band members, including 5 vocalists and 7 drummers, and the passing of 3 key members of the early line-up, including founder Mark Reale in 2012.  Nevertheless, RIOT inspired some of the greatest rock and metal acts in history, leaving an indelible imprint on the genre.  RIOT may be the greatest rock band you've never heard of, until now!  Professors Matt and Court do their best to present an unvarnished and honest look at a band that should have been massive in the mid-eighties.  

On this episode of RAMP, the Profs talk to multi-talented vocalist, songwriter, instrumentalist and former lead singer of Black Sabbath, Mr. Tony Martin.  Over Martin's illustrious career he's produced some of the most iconic and memorable music in rock and metal history both as Sabbath's vocalist in the 80s and 90s, and as a solo performer.  His voice appears on over 80 recordings, and he continues to produce some of the best music within the genre.  His new album "Thorns" is a contender for album of the year, and showcases what fans of Tony Martin have always known -- he is a special talent both as a singer and composer.  Court and Matt ask him about his role in Sabbath, the new solo album, the upcoming Black Sabbath/Tony Martin-era box set, and some of life's biggest questions.  Tony also recounts some memorable stories from the road as a member of Sabbath.  Our sincere thanks to Tony for coming on the show and for being a true gentleman and a class act!

Tony Martin was the 2nd longest tenured vocalist in the history of Black Sabbath.  During his run with the band, Martin wrote, sang, toured and performed with the band as they traveled to regions where Sabbath had never ventured prior, including Italy, Greece and the USSR.   He sang on 5 studio albums and a live album, producing some of Sabbath's best material and contributing to a musical legacy that will forever endure.  Black Sabbath are the progenitors of Heavy Metal -- an entire genre of music!  Martin's songwriting expertise took the band in new directions, exploring new themes that challenged what people expected from the band.  At the same time, Martin understood that he was a member of Sabbath and that expectations were high -- he was, after all, stepping into the shoes of Ozzy, Dio and Ian Gillan.  Martin handled himself masterfully, writing lyrics that embraced Sabbath's traditions while pushing the band into new territory.  Court and Matt discuss the criminally under-appreciated Tony Martin era of Sabbath, as well as his recent solo effort "Thorns" on the newest episode of The Rock and Metal Profs.      

Court and Matt raise their fists in the air and shout in unison to celebrate all that is POWER METAL!  Power metal has been around since the 1970s, and most rockers at that time were unaware they were fans of this emerging subgenre of metal. The Profs unpack the origins of power metal, they attempt to define it, and they explain why it should be distinguished from prog metal, math metal, thrash and classic metal. The Profs discuss the historical, philosophical and mythological themes that are common in power metal.  They also talk about why power metal became such a positive and unifying musical force in Europe and the U.S. in the eighties, nineties and today.  

The Profs are back, and the "War of the Currents" begins with Tesla: The Early Years.  When Tesla burst on the scene in the mid-eighties, many rock and metal fans took notice.  With their straightforward workingman's approach to performing and touring, Tesla became one of the biggest bands in America.  Remarkably, Tesla was also a thinking man's (and woman's) band.  Not content to emulate other successful acts of the day with songs about sex and drugs, Tesla focused on thought-provoking subject matter -- history, politics, relationships and philosophy.  Their success was beyond anything these 5 gents from Sacramento California could have envisioned.  However, as we so often see, success bred strife, addiction, and division.  in spite of that conflict, Tesla went on to produce some of the most thoughtful and memorable music ever produced in the genre.  

Happy 50th Episode!!  The Rock and Metal Profs are back to discuss that age-old debate -- which version of the band was superior?  Over the years Court and Matt have been in countless debates about which iteration of Black Sabbath was best -- Ozzy or Dio?  Van Halen or Van Hagar?  Early Iron Maiden with DiAnno or the Dickinson era?  70s KISS or 80s KISS?  Were the Stones at their best with Brian Jones, Mick Taylor or Ronnie Wood?  Does having superior musicians in the band mean that the music must be superior as well?  What role does chemistry and "magic" play in terms of measuring a band's greatness?  Matt challenges Court to listen to GnR's Chinese Democracy with objective ears (even though the mere mention of GnR drives Court into a fit of rage).  We ask the listeners to sound off on the RAMP Facebook page and let us know what you think.  Give us your picks!  Tell us where we are wrong!  

Another round for the ladies!  On this episode the Rock and Metal Profs discuss some of the most talented and influential female musicians of the nineties and two-thousands.  From Jennifer Batten to Nita Strauss, from Kim Deal to Amy Lee, from Floor Jansen to Simone Simon, Court and Matt do their best to give these incredibly gifted, hard-working and committed artists their due.  Rock and metal music tends to be a sausage-fest, but as the profs point out, there is a veritable plethora of female performers who have breathed new life into the genre at a time when metal is anything but mainstream.  Matt points out that Americans have a blind spot when it comes to symphonic metal born in western Europe, while Court emphasizes that we should not overlook the talented rock guitarists who found their niche in pop and country.  It's a rich tapestry of musical ability as we celebrate the ladies on this 49th episode of RAMP!  If we missed any of your favorite female performers, please hit us up on the RAMP Facebook page and let us know so we can promote and share the artists you love!  

This week Matt brings in long-time friend and life-long Scorpions' fan Bruce Miller to discuss that epic triumvirate of metal albums -- Love Drive Animal Magnetism, and Blackout!  What a fascinating run of albums and circumstances it was!  Michael Schenker briefly returned to the Scorpions to write and perform on Love Drive before bailing again.  Enter Matthias Jabs, the Scorps' longest serving guitarist.  With Jabs in place, the band was poised for success in the all-important U.S. market as they toured for Animal Magnetism in 1980.  However, when they returned to the studio to write and record Blackout, vocalist Klause Meine's vocal cords were so injured he had to bow out for surgery.  Introducing...Don Dokken?!?  All this and more on the newest episode of The Rock and Metal Profs!  

This one is all about the ladies!  On the newest episode of RAMP,  Matt and Dr. Lewis cover the history of the most influential and impactful women in rock and metal in the 1960s, 70s and early 80s.  The Profs spotlight those women who challenged expectations, circumvented barriers, and excelled in music genres dominated by men.  How did these women navigate the complexities of a business replete with misogyny, double standards, and cultural prejudices that often portrayed women merely as objects or as hyper-sexualized?  This episode celebrates those incredibly talented women who made an indelible mark on rock and metal, and paved the way for female performers of the 90s and 2000s (which we'll cover in episode II).  

The Madman is back!!!  On this episode of RAMP the profs cover the Jake E. Lee and Zakk Wylde years, and they even dig into the Joe Holmes and Gus G. tenures with Ozzy.   After the departure of Brad Gillis at the conclusion of the Diary of a Madman tour, Ozzy paired with San Diego native and hot shot guitarist Jake Williams (Jake E. Lee).  Soon Ozzy reached a level of commercial success that Black Sabbath never enjoyed.  Ozzy was mainstream!  Yet he still battled his demons, and his feud with certain televangelists became the stuff of water-cooler talk and music videos.  After two incredible albums, Jake was unceremoniously fired, and replaced with guitar beast Zakk Wylde!  Continuing his tradition with a string of revolutionary guitarists, Ozzy and Zakk produced a string of legendary hard rock/metal albums, even as the genre was being marginalized by record companies seeking to maximize profits with younger audiences.  Dr. Lewis and Matt scrutinize the business side of Ozzy and Sharon, their unparalleled success in the music industry, and the Oz-man's impact on music and culture over the last 50 years.   

We are pumped for this one!  With a deranged and maniacal cackle, Court and Matt take a look at the original madman of rock and roll, Ozzy Osbourne!  In this episode, we look at Ozzy's break with Sabbath, his fortuitous meeting with Sharon Arden (Osbourne), the genius of Randy Rhoads and his heart-breaking and untimely passing, Bernie Torme' stepping in (temporarily), and Brad Gillis rescuing the Diary of a Madman tour in 1982.  We also examine why Ozzy chose to press on just two weeks after losing Randy, Bob Daisley and Lee Kerslake not getting their due as songwriters, and Brad Gillis taking on the monumental task of filling in for Randy and making an impact of his own before going on to even greater commercial heights with his own band, Night Ranger.  This is part 1 of 2 episodes on the Prince of Darkness.  Episode 2 will cover the Jake E. Lee era, the Zakk Wylde era, and we'll even spend some time looking at the contributions of Joe Holmes, Gus G, and Andrew Watt.   

On this episode of RAMP, Court and Matt throw a "Monkey Wrench" into the gears and take a close look at the Foo Fighters.  After the passing of Kurt Cobain in 1994, the popularity of Nirvana was stratospheric.  At the same time, the surviving members had no idea what the future would bring.  Not one to wait for an opportunity to present itself, Dave Grohl hit the studio and produced a set of songs in which he played all the instruments.  Little did he know that his collection of tunes would become the Foo Fighters and launch him to unimaginable heights as a multi-instrumentalist, music video sensation, artist and spokesperson for all things rock and roll.  We thank our good friend and long-time listener Greg Hill of San Diego for requesting that we feature the Foo nearly a year ago -- it is long overdue.  Thank you brother!

In this 2nd episode dedicated to the original shock rocker Alice Cooper, Dr. Lewis covers Alice Cooper the solo artist.  After breaking with the Alice Cooper Band, Alice took the name for himself and released the epic "Welcome to my Nightmare" in 1975.  Court covers Cooper's catalog, his struggles with alcoholism and the so-called "black-out" albums, his declining health, decision to get clean, and his return to the faith of his father.  With a career spanning 5 decades (and still going), Cooper's theatrics, creativity, humor and originality influenced dozens of rock acts in the 1980s and beyond.   

The Rock and Metal Prof's' Court Lewis interviews the Bahamas' born singer, songwriter, and producer, Cello Tha Black Pearl. Cello utilizes raspy deep tones on his latest album, Superhero: the Final Chapter to introduce listeners to a style of music called “Rockin Soul.” Each song on Superhero: the Final Chapter affirms and acknowledges pain, honestly expresses disappointment, and celebrates perseverance. Cello shares stories about his tumultuous life experiences, the joy and challenges of writing and recording the album, and his multi-faceted love of music, which includes everything from neo soul, jazz, R&B, indie,  reggae and rock. In addition to these stories, there are extended samples of tunes from the new album, Superhero: the Final Chapter.We hope you enjoy this bonus episode of RAMP!  We'll post our regularly scheduled episode (Alice Cooper part II) on Monday, Jan. 31st.  

Court and Matt are back and chomping at the bit in 2022! On this episode of RAMP, the Profs tackle the godfather of shock rock, Alice Cooper. In the late-sixties and early-seventies, the Alice Cooper Band was one of the most influential and notorious rock acts in the world. KISS, the New York Dolls and dozens of theatrical rock bands took their cue from Alice Cooper as he pushed the boundaries of the genre both in terms of presentation and the music. What most people don't know is that Cooper came from a devout Christian family, and that his faith carried him through his struggles with his own personal demons and the pressures of fame and success. His act and persona often appeared at odds with Christianity, and many a critic in the seventies proclaimed Cooper an occultist and Satanist because of themes covered in the music. Never judge a book by its cover! Cooper was and is an entertainer, and the name "Alice Cooper" a clever alias for artistic expression that ultimately won over millions of fans and many detractors worldwide.  We hope you enjoy part 1 of our 2 part series on rock pioneer Alice Cooper!

In the final "RAMP" episode of 2021, Court and I decided to do something different and discuss our favorite rock and metal albums of 2021.  As crazy a year as it was, there were a lot of positives, especially if you are a fan of rock and metal!  It is clear that the pandemic provided an opportunity for some of our favorite artists to write, explore and create brilliant new music.  Court and I will unpack some of the very best, and we'll also talk about a couple albums that fell flat in our estimation.  We want to thank everyone who took the time this year to download, listen and share the podcast with others.  Your listenership and correspondence on The Rock and Metal Profs Facebook page is much appreciated.  Have a great holiday, and we'll be back in mid-January with all new episodes, including bands requested by our listeners!  Matt

Well folks, this is it -- Court and I have been looking forward to this episode, and we've had numerous requests from listeners.   You might say that "Everybody Wants Some" Van Halen!  In this episode of the Rock and Metal Profs, Court and Matt examine the formative years of the Van Halen brothers, the prodigy Eddie, the front-man DLR, the thundering percussion of Alex, and the incredible rhythms and vocal harmonies of Michael Anthony.  Perhaps the most formidable rock act ever to emerge from the L.A. rock scene, Van Halen transformed both the genre and guitar playing forever.  Never has an artist made such an immediate impact on musicianship and the instrument like Eddie Van Halen -- Every guitar player owes EVH a debt of gratitude for showing them what was possible on the guitar -- He was a revolutionary with an unrivaled work ethic.  The Profs take a look at early iterations of VH in Pasadena, the cosmic convergence when the VH brothers met DLR and Michael Anthony, and the band's journeyman path to stardom as they produced a sextet of albums that are unrivaled in the pantheon of rock music.  This is going to be a good one, so download the podcast, listen, and then get in your car, roll down the windows, and crank up some Van Halen!  "Come on Dave, gimme a break!"

Warning -- This Episode of the Rock and Metal Profs contains graphic descriptions of genocide and violence -- It is not intended for children.  In episode 38 of the Rock and Metal Profs, Matt and Court examine the history and philosophy of the Armenian-American band System of a Down.   When SOAD burst on the metal scene in the late-nineties, few people realized just how influential they would be in terms of exposing fans to many important social issues and historical events.  However, their greatest impact was introducing fans around the world to a little-known area of history, the Armenian Genocide.  The Profs discuss the Armenian Genocide, as well as the important role that SOAD played in convincing the U.S. government to acknowledge that the Armenian Genocide took place, and that the nation of Turkey bears responsibility.  SOAD is much more than simply an activist band, however.  They are talented artists who never seemed to care about fame, accolades or commercial success.  They were massively successful nonetheless, performing their unique and eclectic style of music that will never be duplicated.  SOAD is a serious band that never avoided controversial and difficult topics, and likewise, we'll do the same in this episode of the Rock and Metal Profs.   

In this episode of the Rock and Metal Profs, Court and Matt take a laser-focused look at Priest's return to metal form with "Painkiller", vocalist Rob Halford leaving the band, forming "FIGHT" and coming out as a gay man, and bandmates K.K., Glen, Ian and Scott soldiering on with Tim "Ripper" Owens as front man.  The Ripper years were a difficult time for Priest (just as the nineties were a difficult time for metal bands in general).  Ultimately, Halford returned to the fold, and Priest went on to make some of their best music in the 2000s, including their first true concept album.  This 3rd and final episode on Judas Priest is a celebration of the Metal Gods!  You Got Another Thing Comin'!  

In episode 2 of our trio of shows on Judas Priest, we look at how the band garnered an international following, mainstream success, and millions of fans in the 1980s.  The 80s saw Priest defining what it meant to be "heavy metal" with a string of brilliant albums, MTV coverage, fame, excess, and the tumult that accompanies such success.  Along the way they influenced how millions of metal fans dressed, they released 3 of the greatest metal albums of all time (and a pop-metal album -- gaining legions of new fans and alienating their die-hard base), and they grappled with drug and alcohol abuse.  Court and Matt celebrate "British Steel", "Screaming for Vengeance" and "Defenders of the Faith."  The profs also debate whether or not "Point of Entry" and "Turbo" were good albums, as well as issues of gender identity, homophobia and misogyny in metal music in the eighties.  

The Rock and Metal Profs are back for season 2, and we've got a titanium and steel-plated trifecta in store for listeners -- JUDAS PRIEST!  In this episode Judas Priest take their rightful place alongside Black Sabbath as founding members of the heavy metal genre.  Priest were a foundational band in the New Wave of British Heavy Metal (NWOBHM), but their early history and their path to success was anything but meteoric.  Hailing from the blue-collar town of Birmingham in England, JP entered the music business with an extraordinary work ethic and an iron will to succeed.  Enduring multiple line-up changes in the early 70s, the band produced an incredible catalog of albums that still hold up 50 years later.   Court and Matt dig in and explore the early history of Priest in part 1 of 3 episodes on the Metal Gods! 

What a powerhouse trifecta of interviews this week!  In our 2nd round of interviews from RockNpod 2021, Court and Matt interview Tora Tora guitarist Keith Douglas, Grammy award-winning producer and engineer Toby Wright, and legendary drummer Vinnie Appice (Black Sabbath, DIO, The Last in Line).   First, we talk to lead guitarist Keith Douglas about his long and storied career in Memphis-based blues-rock outfit Tora Tora.  Then, we had a fun conversation with multi-platinum producer Toby Wright, the man behind some of the greatest albums ever recorded -- Alice in Chains, Metallica, Korn, KISS, Black Sabbath and many more.  Wright provided some illuminating insight into the recording process behind albums like "Jar of Flies", "AIC Unplugged" and "...And Justice for All."  Finally, we talk with rock titan, percussionist, and all-around nice guy Vinnie Appice about his time in Black Sabbath, DIO, and his current work with Vivian Campbell in Last in Line.  This episode has something for everyone!   We couldn't have come up with a better way to conclude season 1 of the Rock and Metal Profs.  We are taking a brief hiatus to research and record new episodes.  Season 2 starts in October and we are fired up!  We'll kick it off with a trio of episodes on metal gods Judas Priest!   We appreciate you downloading, listening, and supporting the show.  Thank you sincerely from Court and Matt!

On this episode of the Rock and Metal Profs, Court and Matt interview rock icon Pamela Des Barres.  "Ms. Pamela" is a true renaissance woman.  Throughout her impressive career she's been a groupie, musician, author, actress, soap star, and she was the inspiration for Kate Hudson's character in “Almost Famous.”   Her 1987 book "I'm with the Band: Confessions of A Groupie" was a New York Times best seller.  We were thrilled to sit down and chat with one of the most important eyewitnesses to rock and roll history!  Next, the Profs interview former Tesla guitarist Tommy Skeoch and drummer David Parks about their new band, Resist and Bite.  Their new album drops Sept. 14th of 2021 so make sure you grab it.  These gents are keeping rock and metal alive in the 21st century!  

Former KISS guitarist Vinnie Vincent burst onto the rock scene in 1983 when he was announced as Ace Frehley's replacement.  With lightning-fast fret work coupled with a gift for songwriting, he wrote and performed some of KISS's most memorable songs of the early 1980s.  Sadly, his tenure in KISS was short-lived -- he was kicked out of the band after just 2 years.  His solo career was similarly erratic.  After just two albums, The Vinnie Vincent Invasion imploded when vocalist Mark Slaughter and bassist Dana Strum left the band to create "Slaughter", the massively successful hair metal act of the late-80s.   Then, Vinnie Vincent vanished...for nearly 25 years!  Vincent's compelling story is shrouded in mystique and tragedy.  This episode was requested by listener Scott Carnegie!  We appreciate the recommendation!

On this episode of the Rock and Metal Profs, Matt and Court discuss artists and bands that may need to call it a career.  The Profs grapple with beloved rock acts that for one reason or another simply cannot perform at their previous high level, as well as bands that contain few or no original members.  Should a band like Quiet Riot continue with no founding members?  Should David Lee Roth quit be-bopping, scatting and shoo-bee doing and quietly fade into the sweet good night?  Would Metallica have been a better or more interesting band with a few line-up changes?  Does Vince Neil feel any sense of guilt charging top dollar to sing 50% of the lyrics, some of which are unintelligible?   We make some tough and potentially unpopular assessments, and we'd like to hear from you.  Let us know if we are on target, or way off!

Kansas have always been an enigmatic band -- Are they classic rock or prog rock? Are they Americana or a Christian band? Are they rock or pop? For this 6-piece band success came early, and as we saw so often in the 70s, that success led to tumult, substance abuse, excess and division. For founding members Kerry Livgren and Dave Hope, it meant turning to faith and going their own way for a time. Fortunately for fans, the band "Carried On" and produced a vast catalog of varied, creative and unique music that stands the test of time. Our thanks to listeners for requesting this one!

On the 1-year anniversary of the Rock and Metal Profs, Court and Matt discuss the one-and-only Iron Maiden and their catalog from 1990 to the present. Everybody loves classic Iron Maiden from the 1980s, but what about their later work? The Profs discuss the challenges the band faced in the 90s with changing tastes in music, a changing industry, and changes in the band's line-up. What about the Blaze Bayley years? Court makes a strong argument that those albums are not to be overlooked. Why does Janick Gers dance and pirouette on stage, and is that metal? Matt goes all in on 2000's "Brave New World", claiming it may be their best album, as the band was firing on all cylinders. Eddie and Maiden's album covers also take center stage on this one. So much to cover for such an incredible and legendary band!

On this episode of the the Rock and Metal Profs, Matt invites writer, editor and music aficionado Tommy Ellis on the program to discuss the best Rockumentaries! Tommy Ellis is best known for his work editing and producing NEWS4U, a regional music, arts and entertainment magazine serving parts of Illinois, Indiana and Kentucky. Tommy's love of music documentaries sparked an illuminating conversation about which ones hold up to scrutiny while educating and entertaining the viewer. Among the films we discussed are "The Decline of Western Civilization, Pt II: The Metal Years"; "Pentagram: Last Days Here"; "Some Kind of Monster"; "Hired Gun"; "Get Thrashed: The Story of Thrash Metal"; "The Story of Anvil"; "Rush: Beyond the Lighted Stage"; "Dream Deceivers"; "Soaring Highs and Brutal Lows: The Voices of Women in Metal."

It was only a matter of time before the Profs went back to take a 2nd look at Ronnie James Dio, one of the greatest vocalists in the history of rock and metal. His iconic voice, brilliant song-writing, soaring harmonies and unique style and charisma on stage set him apart from everyone in the genre. Few attempted to emulate him, because it was nearly impossible to do so. From Elf, to Rainbow, to Black Sabbath/Heaven and Hell and his solo work, he left an indelible impact on the world of music. Court and Matt discuss Dio's later catalog, focusing on his solo work and 2nd and 3rd tenure with Black Sabbath. We appreciate you taking the time to listen! Thank you!

On this episode of The Rock and Metal Profs, Court and Matt take a close look at AC/DC during the Brian Johnson Era. After the tragic and untimely death of Bon Scott, the band was at a crossroads; "Highway to Hell" was a smash success, and their star was rising internationally. Without missing a beat, they brought in Brit vocalist and ex-Geordie front man Brian Johnson. Incredibly, fans embraced Johnson warmly, and AC/DC's next album "Back in Black" would become one of the most successful albums in music history. The Profs discuss the "Mutt Lange Triumvirate", their later catalog, and the band's unwavering dedication to producing kick-ass rock and roll, even as trends and record execs demanded that they change. They refused, and we are all so grateful that they stayed true to their roots. CRANK IT UP!

Happy 25th episode! The profs take on gritty Australian rock pioneers AC/DC in the 1970s! When AC/DC formed in late-1973, they were an unlikely act to break big -- Australia was considered a backwater for the British and American music industry, the booming punk scene, and their loud, uncompromising sound wasn't exactly what record execs were looking for at the time. But like a shockwave the Young brothers, Bon Scott, Phil Rudd and Mike Evans were relentless, taking Europe and the U.S. by storm. The record companies were not convinced, but the fans knew better. Each album got better, and by 1979 they'd produced their masterpiece "Highway to Hell." They were on the precipice of greatness when tragedy struck. From that terrible loss however, came change and success on a level that no one in the band could have imagined. We hope you enjoy part 1 of 2 in our AC/DC episodes! We sincerely appreciate your support of the podcast. Thank you for listening!

On Episode 24 of the Rock and Metal Profs Matt and Court examine the band that started it all -- BLACK SABBATH! In the late-1960s John "Ossie" Osbourne, Tony Iommi, Bill Ward and Terence "Geezer" Butler created an entirely new sound and genre of music! It was a sound forged in the crucible of tragedy and steel factories -- Heavy Metal was born due to a confluence of events that no one could have predicted. Today, fans of rock and metal acknowledge that without Black Sabbath the musical landscape would look very different (and not nearly as cool). Down-tuned guitars, doom and gloom lyrics, sinister themes, rituals and incantations, war and social unrest, drugs and experimentation, the supernatural and the afterlife -- Sabbath tread where few band dared, and did so unapologetically. They did it first, and few bands have done it better. "What is this, that stands before me?" It's Sabbath in the 70s!!!

Matt and Court discuss the guitar virtuosos of the 1980s. Those innovative players who revolutionized an entire genre of music, elevating the guitar to an art form. The Profs handle the obvious Guitar Gods - EVH, Randy Rhoads, Malmsteen, Vai, Gilbert, etc., but they also look at players who made their mark without the fanfare and popular support from the industry. Our thanks to Jeff Cole of Ramona Ca. for his help on this episode!

Professors Court and Matt examine Seattle metal pioneers Queensryche on this edition of the Rock and Metal Profs: The History and Philosophy of Rock and Metal. Queensryche exploded on the scene in 1982 with their 4-song EP, and the world of rock and metal was changed forever. A constantly evolving band, the quintet got better and better in the 80s and 90s, producing 11 gold and/or platinum albums, and enjoying huge commercial success with "Empire." The Profs look at their early catalog, and Court talks about their more recent offerings with Todd La Torre on vocals/drums, as well and Geoff Tate's band and solo work.

Episode 21 -- Body Count -- When hardcore metal band Body Count hit the rock scene in 1990, there was a multitude of reactions. Many metal fans loved their fresh approach, social commentary and uncompromising attitude. Ice-T was already a rising star in the world of rap and hip-hop, but as front man of Body Count, he had a message for the masses. Abruptly however, that message was distorted by the media, law enforcement, the NRA and some more conservative factions in the U.S. The song "Cop Killer" became a flash-point for a tidal wave of criticism, with vocalist Ice-T forced to fend off these often racially-charged attacks on the band and their art. What a difference a few decades makes! Today, Ice-T is a well-known actor who plays a cop on "Law & Order: SVU", a titan of the rap and hip-hop genres, and Body Count won a Grammy! The band continues to produce music that calls out societal problems, systemic bias, social injustice, racism and those who would use their authority to abuse the innocent and the marginalized. This epic band gets the Rock and Metal Profs treatment on this episode. WARNING: Strong language and adult themes.

Ep. 20 -- Bonus Episode: Interviews with Rush Aficionados! In this special bonus episode of the Rock and Metal Profs, Matt interviews long-time Rush experts Mr. Chris Christianson and Reynaldo Rojo. Matt has known Chris Christianson since 1986, and during that time no one has been a more devoted, diehard Rush fan than Chris. His knowledge of the band is extensive. He brings a wonderful enthusiasm to the conversation that makes you want to go listen to the entire Rush Catalog! Reynaldo Rojo came to love Rush a bit later, and he brings an important international viewpoint to the conversation. Growing up in Mexico City, he reveals that Mexicanos viewed the band very differently from Americans. As he points out in the podcast, Latino audiences worshipped RUSH, and seeing them live was a visceral and religious experience. The profs thank Chris and Reynaldo for making the time to tell their stories!

RUSH, part III: The 90s and 2000s. Profs Matt and Court examine an often overlooked and undervalued era in Rush's later catalog. Dr. Lewis waxes philosophical and sings the praises of albums like Roll the Bones, Counterparts, Test for Echo, Vapor Trails, Snake and Arrows and Clockwork Angels. Despite immeasurable tragedy and the band's split in the late-90s, Rush came back with a fire and creativity that only this Canadian power trio could muster.

Ep. 18 -- Interview with Rob De Luca of Spread Eagle, UFO, Sebastian Bach and Of Earth. Professors Matt and Court interview bassist Rob De Luca of Spread Eagle, UFO, Sebastian Bach and Of Earth. Most fans of rock and metal probably know Rob De Luca from his 12 year tenure in UFO, or from his work touring with Sebastian Bach. Mr. De Luca was gracious enough to join the Profs to talk about his work in all 4 bands, his remarkable career, work ethic, and his approach to making music and living life. He also discusses the resurgence of Spread Eagle (he is a founding member), and his band Of Earth. With all that is happening in 2021, Rob is working harder than ever on a new Spread Eagle album, and focused on finishing up UFO's farewell tour, and touring with Sebastian Bach. We are excited to welcome one of the hardest-working musicians in the business on the Rock and Metal Profs Podcast..