Podcasts about Frances Farmer

In this special episode recorded at the Glasgow Film Festival, Jessica Lange joins Girls On Film host Anna Smith to reflect on her extraordinary career across stage and screen. She discusses her latest film, Long Day's Journey Into Night, which premiered at the festival, and shares insights into her rural Minnesota upbringing, early years studying mime in Paris, and her upcoming role as Marlene Dietrich. Jessica also revisits some of her most iconic roles, from portraying Frances Farmer in the heartbreaking biopic Frances to starring alongside Dustin Hoffman in the genre-defying comedy Tootsie. She also explores her more recent work on American Horror Story, which not only cemented her status as an acting legend but also introduced her to a new generation of fans. Beloved by Gen X and Gen Z alike, Jessica's performances continue to captivate audiences across film, television and stage. Acclaimed as one of the greatest actresses of her generation, Jessica is the 15th Oscar winner to appear on Girls On Film. The conversation was recorded on 1 March 2025. http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Intern: Anna Swartz Audio editor: Alex Jones House band: MX Tyrants Principal Partners: Vanessa Smith and Peter Brewer © HLA Agency

It's physical media time with Erik Childress and Peter Sobczynski guiding you through this week's releases which includes a pair of late indie staples from the ‘80s now in 4K. There's a pair of John Candy comedies from the same decade, Burt Reynolds directing a comedy about suicide and one about the life of Frances Farmer. Pick your poison in Richard Dreyfuss directing porn (within the movie) and the unspeakable horrors of Roger Corman mutant rapists. Keanu Reeves is a demon hunter and David Fincher gets upgrades for his underrated B-movie thriller and the origin story of another demon. 0:00 - Intro 2:37 - Criterion (Crossing Delancey 4K, Drugstore Cowboy 4K) 19:24 - Kino (Summer Rental, Uncle Buck 4K, Frances) 41:13 - MGM (Inserts, The  End, Uptown Girls) 1:01:51 - Shout (Humanoids from the Deep 4K) 1:13:16 - Warner (Constantine 4K) 1:21:52 - Sony (Panic Room 4K, The Social Network 4K) 1:41:21 – New Theatrical Titles On Blu-ray (Last Summer, The Lord of the Rings: The War of the Rohirrim, Nosferatu, The Order, September 5, Weekend at Taipei) 1:46:15 – New Blu-ray Announcements

"BOBBY DRISCOLL: CLASSIC CINEMA STAR OF THE MONTH" EPISODE 64 - “BOBBY DRISCOLL - STAR OF THE MONTH” - 12/02/2024  BOBBY DRISCOLL's name may not be too familiar anymore, but in his heyday, he was the male equivalent of NATALIE WOOD. He was one of the most talented and prolific child stars of the 1940s and 1950s. His descent into darkness should serve as a cautionary tale to all of the stage mothers out there who think their kids will be the next big thing. Sometimes, there is a price to pay for fame, and it ain't always pretty. Join us as we discuss the tragic life of child star Bobby Driscoll. SHOW NOTES:  Sources: Great Child Stars (1976), by James Robert Parish; “Bobby Driscoll, Dope Suspect," July 11, 1956, Los Angeles Examiner; “Bobby Driscoll Arrested in Bean Shooting Row,” August 23, 1956, Los Angeles Times; “Actor Bob Driscoll Arrested As Addict,” October 29, 1959, Mirror News; “Actor Freed of Charges on Narcotics,” December 12, 1959, Los Angeles Times; “Bobby Driscoll Napped After Rift with Gun,” June 18, 1960, The Citizen News; “New Charge Confronts Former Star,” June 23, 1960, Mirror News; “Actor Fined For Striking Heckler,” October 14, 1960, Los Angeles Examiner; “Driscoll Theft Charge Issued,” April 11, 1961, The Citizen News; “Bobby Driscoll is Arrested Again,” May 2, 1961, Los Angeles Examiner; “Bobby Driscoll, a Film Star at 6, an Addict at 17, Sent to Chino,” October 19, 1961, by Charles Hillinger, Los Angeles Times; “Truly, A Lost Boy,” March 4, 2007, by Susan King, Los Angeles Times; “Oscars Flashback: The Tragic Life and Death of Former Disney Star Bobby Driscoll,” January 22, 2019, by Lynette Rice, Entertainment Weekly; BobbyDriscoll.com; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Lost Angel (1943), starring James Craig, Marsha Hunt, & Margaret O'Brien; The Fighting Sullivans (1944) starring Thomas Mitchell & Anne Baxter; Sunday Dinner With A Soldier (1944), starring Anne Baxter, John Hodiak, Charles Winner, & Anne Revere; The Big Bonanza (1944), starring Richard Arlen; So Goes My Love (1946), starring Myrna Loy & Don Ameche; Identity Unknown (1945), starring Richard Arlen; Miss Susie Slagle's (1946), starring Veronica Lake; From This Day Forward (1946), starring Joan Fontaine & Mark Stevens; O.S.S. (1946), starring Alan Ladd & Geraldine Fitzgerald; Three Wise Fools (1946), starring Margaret o'Brine & Lionel Barrymore; Song Of The South (1946), starring James Baskett; If You Knew Susie (1948), starring Eddie Cantor; So Dear to My Heart (1948), starring Burl Ives & Beulah Bondi; The Window (1949), starring Barbara Hale, Arthur Kennedy, Ruth Roman, & Paul Stewart; Treasure Island (1950), starring Robert Newton; When I Grow Up (1951), starring Robert Preston & Martha Scott; The Happy Time (1952), starring Charles Boyer, Louis Jordan, & Marsha Hunt; Peter Pan (1953) The Scarlett Coat (1955), starring Cornel Wilde & George Sanders; The Party Crashers (1958), starring Connie Stevens & Frances Farmer; Dirt (1965), starring Sally Kirkland; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Rainy Day Rabbit Holes, we dive deep into the turbulent life of Frances Farmer, a rising star of 1930s Hollywood who captured the spotlight with her remarkable talent and beauty. But behind the glamour was a woman tormented by personal struggles and unjust treatment that led to her tragic incarceration at Western State Hospital in Washington.We're joined by special guests Laura and Stephen from the Midday Musings podcast to discuss Frances Farmer's life, the haunting legacy she left behind, and her influence on Kurt Cobain's music. Together, we'll explore how her story of fame, rebellion, and mistreatment became a symbol of the dark side of Hollywood and mental health treatment.Discover the dark and untold history of mental health treatment in mid-century America, Frances's rebellion against the Hollywood machine, and how her legacy lives on in music and pop culture. Was she truly misunderstood, or was she a victim of the system?Tune in to hear her remarkable yet tragic story, and see how one woman's struggles echoed through generations.In this episode:The rise and fall of Frances Farmer: from Hollywood starlet to Western State HospitalThe truth behind the rumors and the real-life horrors she facedHow her life and legacy inspired Kurt Cobain and Nirvana's musicThe shocking history of mental health treatment in the mid-20th centuryInsights from our special guests Laura and Stephen from Midday MusingsListen to Midday Musings:Spotify | Apple PodcastsGet More Content:For ad-free episodes and bonus content, become a Patreon member! Visit www.rainydayrabbitholes.com to find the link and explore exclusive perks.Subscribe:Don't forget to subscribe to Rainy Day Rabbit Holes on Spotify, Apple Podcasts, or wherever you listen to your favorite shows.Become a supporter of this podcast: https://www.spreaker.com/podcast/rainy-day-rabbit-holes-pacific-northwest-history-and-humor--6271663/support.

Lux Radio Theatre | British Agent (Errol Flynn, Frances Farmer) | Broadcast June 7, 1937There is an announcement of Jean Harlow's death at the end of the show, who died only hours before it was broadcast.: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESSubscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr

From the mid 1930's to the late 1950's, few were as famous as Seattle's own Frances Farmer. Born on the 19th of September, 1913, Frances had a rocky childhood and found various ways to cope with it, including writing. This skill led to her penning the award winning essay "God Dies" in her senior year of high school at West Seattle. This eventually led to Frances enrolling at the UW to study journalism. After discovering the theater while there, Frances went on to star in numerous university plays, and by the time 1935 rolled around, she made the fateful decision to move to New York to further pursue her stage dreams.Farmer would eventually sign a seven year contract with Paramount Pictures and quickly went on to star in several B-Movie comedies for the studio. Her meteoric rise to fame really took off in 1936 when she starred in a western, Rhythm on the Range, alongside fellow Evergreen State born actor, Bing Crosby.Farmer was gifted and attractive, but she was also self-destructive, troubled, and willful. Her tragic life story is what people remember her for more than her once bright career. She was institutionalized and proclaimed legally insane in 1944 after exhibiting more erratic conduct; in contrast to popular belief though, she never had a lobotomy.Frances was largely forgotten for the remainder of her life after her 1950 release. That being said, since her passing in 1970, she has gained a somewhat cult following. She has been the focus of three novels, three films (the most well-known being the 1982 film Frances, starring Jessica Lange), numerous off-Broadway productions, countless magazine articles, and a song by Kurt Cobain called "Frances Farmer Will Have Her Revenge on Seattle," features the line "She'll come back as fire, to burn all the liars, and leave a blanket of ash on the ground."A special thank you goes out to Al Hirsch for providing the music for the podcast, check him out on YouTube.Find merchandise for the podcast now available at:     https://washington-history-by-jon-c.creator-spring.comIf you enjoy the podcast and would like to contribute, please visit: https://www.buymeacoffee.com/EvergreenpodIf you have any questions, episode ideas you'd like to see explored, or just have a general comment, please reach out at Historyoftheevergreenstatepod@gmail.comTo keep up on news for the podcast and other related announcements, please like and follow:https://www.facebook.com/HistoryoftheevergreenstatepodcastFind the podcast over on Instagram as well: @HISTORY_EVERGREENSTATEPODCASTYou can also find the podcast over on YouTube:http://www.youtube.com/@historyoftheevergreenstatepodThank you for listening to another episode of the History of the Evergreen State Podcast!

Audrey and Louise go through the 11 films of Frances Farmer's that they have seen. Discussion topics include co-stars such as Cary Grant, John Garfield, and Tyrone Power, if Frances should have won an Oscar for her dual roles in Come and Get It, dated qualities in '30s and '40s movies and what we wanted to have seen done differently, how Frances stood out amongst her peers as an actor and her range from comedies to noirs to period pieces, and so much more!Follow us on Instagram @flick.loving.chick and @1001filmsaday. ★ Support this podcast on Patreon ★

Audrey breaks down the myths surrounding the complicated life and career of Old Hollywood actress Frances Farmer - who is most known today for her tumultuous personal life. Topics include Frances' controversial trip to Russia in the 1930s, how she first broke into and then was forced to leave Hollywood, the complex relationship with her mother and how the details of their dynamic has shifted over the years, Frances' time spent in and out of mental institutions and her candidness about her experiences, and so much more!This episode contains descriptions of Frances' struggles with mental health and addiction as well as what were considered to be helpful treatments in the '40s and '50s, which may be triggering for some. ★ Support this podcast on Patreon ★

Here is the story of Frances Farmer; her childhood, skyrocketed rise to fame and her unglamorous fall. Her Essay "God Dies" on my Second Podcast "The Raven's Quill" https://spotifyanchor-web.app.link/e/S0V2eMYXKBb --- Send in a voice message: https://podcasters.spotify.com/pod/show/serial-killing/message Support this podcast: https://podcasters.spotify.com/pod/show/serial-killing/support

Actresses and Mental Illness: Histrionic Heroines (Routledge, 2018) investigates the relationship between the work of the actress and her personal experience of mental illness, from the late nineteenth through to the end of twentieth century. Over the past two decades scholars have made great advances in our understanding of the history of the actress, unearthing the material conditions of her working life, the force of her creative agency and the politics of her reception and representation. By focusing specifically on actresses' encounters with mental illness, Fiona Gregory builds on this earlier work and significantly supplements it. Through detailed case studies of both well-known and neglected figures in theatre and film history, including Mrs Patrick Campbell, Vivien Leigh, Frances Farmer and Diana Barrymore, it shows how mental illness – actual or supposed – has impacted on actresses' performances, careers and celebrity. The book covers a range of topics including: representing emotion on stage; the ‘failed' actress; actresses and addiction; and actresses and psychiatric treatment. Actresses and Mental Illness expands the field of actress studies by showing how consideration of the personal experience of the actress influences our understanding of her work and its reception. The book underscores how the actress can be perceived as a representative public woman, acting as a lens through which we can examine broader attitudes to women and mental illness. Fiona Gregory is Lecturer in the Centre for Theatre and Performance at Monash University in Melbourne. Her research on the history of the actress has appeared in leading journals including New Theatre Quarterly, Theatre Survey, and Nineteenth-Century Theatre and Film. Carmen Gomez-Galisteo, Ph.D. is a lecturer at Centro de Educación Superior de Enseñanza e Investigación Educativa (CEIE). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Actresses and Mental Illness: Histrionic Heroines (Routledge, 2018) investigates the relationship between the work of the actress and her personal experience of mental illness, from the late nineteenth through to the end of twentieth century. Over the past two decades scholars have made great advances in our understanding of the history of the actress, unearthing the material conditions of her working life, the force of her creative agency and the politics of her reception and representation. By focusing specifically on actresses' encounters with mental illness, Fiona Gregory builds on this earlier work and significantly supplements it. Through detailed case studies of both well-known and neglected figures in theatre and film history, including Mrs Patrick Campbell, Vivien Leigh, Frances Farmer and Diana Barrymore, it shows how mental illness – actual or supposed – has impacted on actresses' performances, careers and celebrity. The book covers a range of topics including: representing emotion on stage; the ‘failed' actress; actresses and addiction; and actresses and psychiatric treatment. Actresses and Mental Illness expands the field of actress studies by showing how consideration of the personal experience of the actress influences our understanding of her work and its reception. The book underscores how the actress can be perceived as a representative public woman, acting as a lens through which we can examine broader attitudes to women and mental illness. Fiona Gregory is Lecturer in the Centre for Theatre and Performance at Monash University in Melbourne. Her research on the history of the actress has appeared in leading journals including New Theatre Quarterly, Theatre Survey, and Nineteenth-Century Theatre and Film. Carmen Gomez-Galisteo, Ph.D. is a lecturer at Centro de Educación Superior de Enseñanza e Investigación Educativa (CEIE). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Actresses and Mental Illness: Histrionic Heroines (Routledge, 2018) investigates the relationship between the work of the actress and her personal experience of mental illness, from the late nineteenth through to the end of twentieth century. Over the past two decades scholars have made great advances in our understanding of the history of the actress, unearthing the material conditions of her working life, the force of her creative agency and the politics of her reception and representation. By focusing specifically on actresses' encounters with mental illness, Fiona Gregory builds on this earlier work and significantly supplements it. Through detailed case studies of both well-known and neglected figures in theatre and film history, including Mrs Patrick Campbell, Vivien Leigh, Frances Farmer and Diana Barrymore, it shows how mental illness – actual or supposed – has impacted on actresses' performances, careers and celebrity. The book covers a range of topics including: representing emotion on stage; the ‘failed' actress; actresses and addiction; and actresses and psychiatric treatment. Actresses and Mental Illness expands the field of actress studies by showing how consideration of the personal experience of the actress influences our understanding of her work and its reception. The book underscores how the actress can be perceived as a representative public woman, acting as a lens through which we can examine broader attitudes to women and mental illness. Fiona Gregory is Lecturer in the Centre for Theatre and Performance at Monash University in Melbourne. Her research on the history of the actress has appeared in leading journals including New Theatre Quarterly, Theatre Survey, and Nineteenth-Century Theatre and Film. Carmen Gomez-Galisteo, Ph.D. is a lecturer at Centro de Educación Superior de Enseñanza e Investigación Educativa (CEIE). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Actresses and Mental Illness: Histrionic Heroines (Routledge, 2018) investigates the relationship between the work of the actress and her personal experience of mental illness, from the late nineteenth through to the end of twentieth century. Over the past two decades scholars have made great advances in our understanding of the history of the actress, unearthing the material conditions of her working life, the force of her creative agency and the politics of her reception and representation. By focusing specifically on actresses' encounters with mental illness, Fiona Gregory builds on this earlier work and significantly supplements it. Through detailed case studies of both well-known and neglected figures in theatre and film history, including Mrs Patrick Campbell, Vivien Leigh, Frances Farmer and Diana Barrymore, it shows how mental illness – actual or supposed – has impacted on actresses' performances, careers and celebrity. The book covers a range of topics including: representing emotion on stage; the ‘failed' actress; actresses and addiction; and actresses and psychiatric treatment. Actresses and Mental Illness expands the field of actress studies by showing how consideration of the personal experience of the actress influences our understanding of her work and its reception. The book underscores how the actress can be perceived as a representative public woman, acting as a lens through which we can examine broader attitudes to women and mental illness. Fiona Gregory is Lecturer in the Centre for Theatre and Performance at Monash University in Melbourne. Her research on the history of the actress has appeared in leading journals including New Theatre Quarterly, Theatre Survey, and Nineteenth-Century Theatre and Film. Carmen Gomez-Galisteo, Ph.D. is a lecturer at Centro de Educación Superior de Enseñanza e Investigación Educativa (CEIE). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Actresses and Mental Illness: Histrionic Heroines (Routledge, 2018) investigates the relationship between the work of the actress and her personal experience of mental illness, from the late nineteenth through to the end of twentieth century. Over the past two decades scholars have made great advances in our understanding of the history of the actress, unearthing the material conditions of her working life, the force of her creative agency and the politics of her reception and representation. By focusing specifically on actresses' encounters with mental illness, Fiona Gregory builds on this earlier work and significantly supplements it. Through detailed case studies of both well-known and neglected figures in theatre and film history, including Mrs Patrick Campbell, Vivien Leigh, Frances Farmer and Diana Barrymore, it shows how mental illness – actual or supposed – has impacted on actresses' performances, careers and celebrity. The book covers a range of topics including: representing emotion on stage; the ‘failed' actress; actresses and addiction; and actresses and psychiatric treatment. Actresses and Mental Illness expands the field of actress studies by showing how consideration of the personal experience of the actress influences our understanding of her work and its reception. The book underscores how the actress can be perceived as a representative public woman, acting as a lens through which we can examine broader attitudes to women and mental illness. Fiona Gregory is Lecturer in the Centre for Theatre and Performance at Monash University in Melbourne. Her research on the history of the actress has appeared in leading journals including New Theatre Quarterly, Theatre Survey, and Nineteenth-Century Theatre and Film. Carmen Gomez-Galisteo, Ph.D. is a lecturer at Centro de Educación Superior de Enseñanza e Investigación Educativa (CEIE). Learn more about your ad choices. Visit megaphone.fm/adchoices

En el episodio de hoy tratamos una de las películas más maravillosas de la historia del cine, La flor de mi secreto, de Pedro Almodóvar. Abandono, huida, pensamientos sórdidos y dependencia se unen en esta película con actrices excepcionales para dar cuenta de una mujer, Leo, que deberá sobreponerse al fin del amor. Vacas sin cencerros son siempre consideradas las mujeres solas y difíciles, por eso hablamos del libro "El cielo vacío", de Marjan Bouwmeester y la tremenda, tremendísima historia de la actriz Frances Farmer y su transformación en ídolo protopunk. Y de David Bowie. Y de Courtney Love. Y de Succession. Vamos, de todo lo más interesante que existe. Learn more about your ad choices. Visit megaphone.fm/adchoices

Programa 3x103. Estrella de Hollywood dels anys 40? Doncs, ja sabem que ens tocar

Frances Farmer first began making waves as a senior at West Seattle High when her prize-winning essay pissed off a whole bunch of people. Franny knew then and there that she was different and destined for something bigger and she jumped into action to forge ahead with her dream: to be an actress on Broadway. Her rise to fame was absolutely meteoric as she stunned audiences from her small local stage productions, to the studio executives at Paramount, to the silver screen audiences and finally to the bright lights of Broadway. She was unstoppable and incredible. But the high pressure of such Hollywood celebrity status, including the intense studio demands and horrific gossip columnists, combined with unfortunate personal events sends Franny into a tailspin and in the 1940's and 50's there was little protection for a woman who needed help. Franny's story is a wild one filled with incredible feats, heartbreaking loss of love, self and freedom, and infuriating acts committed against Franny's will. Her story is not to be missed. Listen now to hear it all! — A Broad is a woman who lives by her own rules. Broads You Should Know is the podcast about the Broads who helped shape our world! 3 Ways you can help support the podcast: Write a review on Apple Podcasts Share your favorite episode on social Tell a friend! — Broads You Should Know is hosted by Sara Gorsky. IG: @SaraGorsky Web master / site design: www.BroadsYouShouldKnow.com — Broads You Should Know is produced by Sara Gorsky & edited by Chloe Skye

TRANSCRIPT HERE   Our second focus on the auteur who loves to lightly and heavily traumatise us, Darren Aronofksy- is a deep swan dive into 2010's Black Swan starring Natalie Portman. Joining us is Ash Roberts*, Hot Girl's Theory Podcasts' other half! Ash shares her history of, in her words her 'spicy mental health cocktail', and how her experience of Autism and Bipolar Disorder has parallels with Nina (Natalie Portman)'s experience in the film.  Listen to Hot Girls Theory here: HOT GIRL'S THEORY PODCAST (hotgirlstheory.com) Follow Ash on insta here! And Hot Girls Theory on insta here! *Apologies as Steph introduce her as Ash Robertson not Roberts (and Ash is too kind to correct me!) CONTENT WARNING: Self harm and suicide, sexual assault, child abuse, disordered eating, psychosis, drug use, physical violence. Follow Psychocinematic on Instagram and Twitter! or join our Facebook Group! Email us at psychocinematicpodcast@gmail.com and JOIN OUR PATREON for SO MUCH exclusive content and for your September fees to go to MINUS18! REFERENCES: See Steph's deep dive into Frances Farmer's autobiography "Will There Really Be A Morning" on Instagram highlights 'Black Swan's' psychological spin - Los Angeles Times (latimes.com Virgin and Whore in Black Swan | HuffPost Entertainment Interesting Movie Theory: What Is Going On Between Nina And Her Mom In 'Black Swan'? (slashfilm.com) 'Black Swan': Psychiatrists Diagnose Ballerina's Descent - ABC News (go.com) "Black Swan": Mental Health Conditions Of Ballet Dancers (mindingtherapy.com) Movies 4 - Psychology of a Psychotic Break - Black Swan (psychedonlife.com) Movies in the Classroom: Black Swan | aapp.org

Examining the “Crazy” Girl Trope In this episode we're getting into the “crazy girl” trope. Are these portrayals helpful or harmful? Both? Is it okay to laugh at our sadness? Can depression ever be glamorous? We discuss Girl, Interrupted, the return of Tumblr, the idea of the Femcel, Elizabeth Wurtzel, Sylvia Plath, Issa Rae, Michaela Coel, Frances Farmer, Zelda Fitzgerald, Gone Girl & the cool girl monologue, Edie Sedgwick & the sad little rich girl, Orange is the New Black, Glenn Close, Fatal Attraction & the femme fatale, pathological liars, the lack of mental healthcare available, and most importantly how these portrayals in media and in our personal lives impact how we treat celebrities, each other, and ourselves. CONTENT WARNING: We do talk about suicide, sexual assault, disordered eating & self-harm in this episode— nothing graphic or too detailed but we want you to know it's in there Sources: Girl Interrupted: Stop Your Whining Little Girl, The New York Times, Stephen Holden, 1999 Everything You Forgot About Girl Interrupted and Why the Story Remain So Vital, E News!, Natalie Finn, 2019 Is Gone Girl Feminist or Misogynist? Eliana Docterman, October 6, 2014, Time Z, Amazon Prime The Take, The “Crazy” Ex-Girlfriend - A Manufactured Trope The Femme Fatale Trope, Explained YouTube Mina Lee, toxic femininity: what's up with girlbloggers, female manipulators, and femcels? YouTube Girl Interrupted, Susanna Kaysen, 1993 Girl Interrupted, Film 1999 Bitch, Elizabeth Wurtzel, Anchor Books, 1999 Madness- Elizabeth Wurtzel, from the introduction Gone Girl- Gillian Flynn Gone Girl, film, 2012 Frances, trailer, 1987 --- Send in a voice message: https://anchor.fm/broadsnextdoor/message Support this podcast: https://anchor.fm/broadsnextdoor/supportThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5803223/advertisement

It's October which means the lads are celebrating Halloween Noir all month long! First up is 1941's Among the Living, directed by Stuart Heisler and starring Albert Dekker (playing TWINS!), Susan Hayward, Frances Farmer and Harry Carey. Unlock the basement and join us in mother's room! Questions, comments or a big bottle of perfume? therealoutofthepodcast@gmail.com SNAP SNAP: instagram.com/outofthepodcast TWEET TWEET: twitter.com/outofthecast

ABOUT LEE GRANT (FROM TCM.COM)An attractive brunette with angular features, Lee Grant began her career as a child performer with NYC's Metropolitan Opera. By age 11, she had become a member of the American Ballet Theatre. After music studies at Juilliard, she won a scholarship to attend the Neighborhood Playhouse and switched her focus to acting. Grant understudied the role of Ado Annie in a touring production of "Oklahoma!" before landing her breakthrough stage role as a young shoplifter in Sidney Kingsley's "Detective Story" in 1949. Hollywood soon beckoned and she recreated the role in William Wyler's 1951 superb film version. Grant won the Cannes Film Festival Best Actress prize and earned a Best Supporting Actor Oscar nomination for the role. Seemingly on the verge of a brilliant career, the actress found herself the victim of the blacklist when her husband, playwright Arnold Manoff was named before the House Committee on Un-American Activities. Grant herself refused to testify and the film offers over the next decade were sporadic.Returning to Manhattan, Grant found work in TV (e.g., the daytime soap "Search for Tomorrow") and on stage (i.e., "A Hole in the Head" 1957; "Two for the Seesaw" 1959). After earning an OBIE Award for her work in Genet's "The Maids" in 1963, her small screen career began to pick up. In 1965, Grant joined the cast of the primetime soap "Peyton Place" as Stella Chernak and picked up an Emmy for her work. She earned a second statuette for her performance as a runaway wife and mother who ends up at a truck stop in California in "The Neon Ceiling" (NBC, 1971).By the time she had earned her second Emmy, Grant's feature career had been rejuvenated with her stellar work as the widow of a murder victim in Norman Jewison's Oscar-winning "In the Heat of the Night" (1967). That same year, she essayed a neurotic in the campy "Valley of the Dolls." In "The Landlord" (1970), she was the society matron mother of Beau Bridges and her comic portrayal earned her a second Oscar nomination as Best Supporting Actress. Grant then played the mother of all Jewish mothers, Sophie Portnoy, in Ernest Lehman's film version of Philip Roth's novel "Portnoy's Complaint" (1972). Hal Ashby's "Shampoo" (1975) finally brought her a Best Supporting Actress Academy Award as a Beverly Hills matron having an affair with her hairdresser. The following year, Grant received a fourth nomination for her deeply moving portrayal of a Jewish refugee in "Voyage of the Damned."Her subsequent screen roles have been of varying quality, although Grant always brings a professionalism and degree of excellence to even the smallest role. After striking out as a sitcom lead in the underrated "Fay" (NBC, 1975), she delivered a fine portrayal of First Lady Grace Coolidge in "Backstairs at the White House" (NBC, 1979), was the domineering mother of actress Frances Farmer in "Will There Really Be a Morning?" (CBS, 1983) and excelled as Dora Cohn, mother of "Roy Cohn" (HBO, 1992). On the big screen, Grant lent her substantial abilities to "Teachers" (1984) as a hard-nosed school superintendent, "Defending Your Life" (1991), as an elegant prosecutor sparring with adversary Rip Torn, and "It's My Party" (1996), as the mother of man suffering from complications from AIDS.While Grant has continued to act in features and on TV, she has concentrated more on her directing career since the 80s. After studying at the American Film Institute, she made the short "The Stronger" (1976) which eventually aired on Arts & Entertainment's "Shortstories" in 1988. Grant made her feature debut with "Tell Me a Riddle" (1980), an earnest, well-acted story of an elderly couple facing death. She has excelled in the documentary format, beginning with "The Wilmar 8" (1981), about strike by female bank employees in the Midwest. (Grant later directed a fictionalized account entitled "A Matter of Sex" for NBC in 1984). She steered Marlo Thomas to an Emmy in the fact-based "Nobody's Child" (CBS, 1986) and earned praise for helming "No Place Like Home" (CBS, 1989), a stark look at the effects of unemployment. A number of her documentaries have been screened as part of HBO's "America Undercover" series, including the Oscar-winning "Down and Out in America" (1985), about the unemployed, "What Sex Am I?" (1985), about transsexuals and transvestites, "Battered" (1989), about victims of domestic violence, and "Women on Trial" (1992), about mothers who turn to the courts to protect their children. In 1997, she produced, directed and hosted the well-received "Say It, Fight It, Cure It" (Lifetime) which focused on breast cancer survivors and their families.ABOUT KILLIAN AND THE COMEBACK KIDSIn August, film distributor Hope Runs High will release its latest feature film across VOD platforms - bringing the much-lauded "Killian & the Comeback Kids" to a national audience outside of its 30 city theatrical release. For composer-writer-director Taylor A. Purdee, "Killian & the Comeback Kids" is a passion project that has united a dynamic team of creatives both onscreen and off. Concurrently with digital release, the film's screenplay will be preserved by The Academy of Motion Picture Arts and Sciences' permanent archive.With the film's initial theatrical releases, Purdee became the youngest director in 2020 and 2021 to have a film playing in major American exhibition circuits. He is also the first bi-racial director-star of African American descent to have a film theatrically released in the United States in the 21st century.'Killian' is the story of a young mixed-race musician forced to return to his rural hometown, burdened by the expense of his college degree. A chance encounter with a childhood acquaintance takes his summer in a new direction as the pair enlist a rag-tag band of other struggling locals to play a music festival coming to their once-prosperous steel town. With youthful ambition and an unflagging passion for folk-rock, Killian and the band take a shot at uniting their divided community and setting the stage for their futures.Purdee discusses the film's resonance in the current moment. "Folk music has always represented three things: a lot of self-determination, social responsibility, and a DIY spirit that happens to run through most younger generations. In a moment where the culture seems increasingly divided, when higher education could be viewed as more of a corporate scheme than a ticket to prosperity, and when one-third of our young people remain suspended in an elongated adolescence, our view of professional and personal identity is worth reimagining."The film's music by Purdee and his The Cumberland Kids bandmate Liam Higgins garnered Oscar buzz, and Purdee's original screenplay will be preserved in The Academy's permanent archive. The film stars Taylor A. Purdee, Kassie DePaiva, Nathan Purdee, John Donchak, Shannon O'Boyle, Shane Andries, Emily Mest, Yael Elisheva, and Andrew O'Shanick, and features Maddi Jane and Academy Award-winner Lee Grant."With a cast built of new faces, street musicians, Broadway mainstays, daytime superstars, new media darlings, and a living legend of classic Hollywood, our disruptive star power is the perfect mixture for an unconventional film in unconventional times."SYNOPSIS: Killian & the Comeback Kids is the story of a young mixed race musician forced to return to his rural hometown after an expensive college degree. A chance encounter with a childhood acquaintance gives the summer new direction. Together they throw together a rag-tag band of other struggling locals for one shot to play a music festival coming to their once prosperous steel town. Armed with only folk-rock, Killian and the band hope to unite the community - - if just for one night. A little musical at the cross roads of small town America and a burgeoning youth culture only just beginning to find its voice.Here's the trailer:https://www.youtube.com/watch?v=rI6n2nkk8V0

Below The Belt Show (www.belowthebeltshow.com) brings to you another amazing show! Our special guest is actress Mia Rose Frampton who talks about her feature film "Coast" https://www.coastthefeature.com/ which has a limited theater run and is now available on VOD on YouTube and all the platforms! Coast is a coming of age drama series where a young woman named Abby life changes when a traveling rock band gets stuck in her small town. Mia talks about her role as Kristi, her friendship with the cast and working on a film that has been 10 years in the making! In addition Mia talks about her Dad, Rock Legend Pete Frampton's influence as well as working with Kristen Wiig in the memorable jewelry store scene in "Bridesmaids" Would Mia reprise her role and insult Kristen some more in a Bridesmaids sequel? Find out in this awesome interview! In addition, we present a throwback interview from 2016 in association with Click On This (www.clickonthis.tv) as Al Sotto interviews the late great comedian Gilbert Gottfried at the Sundance Film Festival! Gibert, who had two projects screening at the 2016 Sundance, talks about the film Life Animated as well as Penn Jillette's Director's Cut! Gilbert plugs his Colossal Podcast and says what he's looking forward to at Sundance. You will not believe his answer as he had Al Sotto cracking up! Sotto also jokes with Gilbert at the end of the interview that surprisingly has Gilbert laughing too! Gilbert we will miss you humor and comedic genius! If that wasn't enough, we also welcome actress and stage manager extraordinaire Paulina "Pau" Tobar who talks to us about her off Broadway musical "Brilliance!" Brilliance is about 1940's Hollywood actress Frances Farmer and "the struggle between fame and freedom." Pau discusses her experiences as stage manager for Brilliance as well as other great plays she's worked on! For more information check out https://musicalbrilliance.com/ BTB's host with the most Al Sotto and co-host "King of the 80s" Chachi McFly bring to you another entertaining program! In addition we welcome to the panel podcaster and actor Art Hall (That Was Disappointing and Subversive Cinema), actress and host "The Amazing Aussie" Jessica Rae Taylor and model and new BTB Social Media Manager Sarah "Snuffleupagus" Bentman! The panel discusses the recent beef between Kanye and Pete and what celebrity boxing match (or wrestling match) would they like to see! Don't miss to hear what we say! So expect all the late-breaking news on pop culture, entertainment, and more! Listen to our gut busting humor, insightful commentary, and thought provoking opinions on the world of entertainment uncensored only on Below The Belt Show (www.belowthebeltshow.com)! Song Credits: Classic Cut: Journey "Separate Ways"

The year is 1983 and the nominees are: 1. Julie Andrews - Victor/Victoria 2. Jessica Lange - Frances 3. Sissy Spacek - Missing 4. Meryl Streep - Sophie's Choice 5. Debra Winger - An Officer and a Gentleman In 1983 Meryl Streep won her second Oscar for a performance that is regarded as one of the greatest of all time in Sophie's Choice. Streep plays a Polish woman who survives the holocaust because she speaks German, French, English, and becomes an asset to the Nazi's. Her biggest competition this evening was Jessica Lange for the movie Frances playing the late Frances Farmer. For the record, the real Frances Farmer never had a lobotomy. Julie Andrews was nominated for a gender bending role in the very gay friendly musical, Victor/Victoria. Sissy Spacek received her third Oscar notation for ‘Missing' playing the wife of an idealistic American writer during the Chilean coup d'état in 1973. Debra Winger was nominated for her iconic role in An Officer and a Gentleman. Winger despises this movie and likes to deny she ever had any involvement (fair). Join host Kyle Brownrigg with guest host Cathryn Naiker as they discuss.

Lance was fab, and I am so intrigued to see how this musical captures the life that was Frances. I heard a couple songs and they were amazing. Lance was kind enough to offer my listeners a 25% discount. This is Off Broadway so the cost of tickets are not through the roof. If you are in the try state area, or visiting I'd check it out. All you have to do for discount is add TSOT...and its all set.  You can get tickets here e: www.musicalbrilliance.com Check out Lances other work  APPLE MUSIC https://music.apple.com/us/artist/king-lewman/4377822   SPOTIFY https://open.spotify.com/artist/7AJj8NYcg1C6W37AVpTo8y   AMAZON MUSIC https://www.amazon.com/King-Lewman/e/B001LHHMSO/digital/ref=ep_artist_tab_digi   Thanks so much to Lance and most of all my fabulous listeners.   Much love, Grace   Contact me at              truestoriesoftinseltown@gmail.com   you can listen to podcast  www.truestoriesoftinseltown.com https://podcasts.apple.com/us/podcast/true-stories-of-tinseltown/id136374488 https://open.spotify.com/show/6iTSF8pIrVTbZ8QqNidVUy? si=zn73ahjEQKOzrMtc-8VRhg You can also listen on google play, spotify, YouTube, player…and anywhere podcasts are played I have a Facebook group for listeners. You can post your own pics and I will answer any questions or whatever www.facebook.com/truestoriesoftinseltowngroup  

This motion picture is a grim foreshadowing of Britney's real life. It's uncanny how many things in the story wound up playing out in Brit Brit's IRL timeline. Producer and Southern belle Jacki Calleiro gets into this Shonda Rimes/Tamra Davis spectacle of teen suffering with me. We also talk about Frances Farmer, Kim Cattrall's day-play, felons crossing state lines with minors, and much more. 

The 1982 movie Frances tells the story of Hollywood actress Frances Farmer and how her struggles with mental health issues affected her career. We'll be joined by writer and author Jack El-Hai to learn about the film's historical accuracy. Get Jack's Books The Lobotomist: A Maverick Medical Genius and His Tragic Quest to Rid the World of Mental Illness: https://www.el-hai.com/the-lobotomist The Nazi and the Psychiatrist: Hermann Göring, Dr. Douglas M. Kelley, and a Fatal Meeting of Minds at the End of WWII: https://www.el-hai.com/the-nazi-the-psychiatrist See More of Jack's Work Special thanks to podcastguests.com for helping to facilitate this interview.   Did you enjoy this episode? You can find the transcript and show notes for this episode at: https://www.basedonatruestorypodcast.com/197/ Support our sponsors: https://www.basedonatruestorypodcast.com/advertisers Or get ad-free content and exclusive bonus content by supporting the show directly: https://basedonatruestorypodcast.com/support/ Get a peek at upcoming episodes with the email newsletter: https://www.basedonatruestorypodcast.com/newsletter/ Want a chance to be heard on the show? Leave a voicemail at +1 (405) 334-4672.

Today is the 108th birthday of Frances Farmer. There is something about her, the biopic with Jessica Lange helped push her into cult icon status for a lot of people, including me. Seattle girl, free thinker, rule breaker, and getting a raw deal from Hollywood all inspire other artists. They understand the misunderstood. She is the glamorous Hollywood misfit queen of all misfits. I think of her several times a week when I walk by the employee side entrance to to the Olympic Hotel in Seattle, a door I know that she went through hundreds of times in the early 1950's when she took a job sorting laundry after her release from a mental hospital. How she must have felt going in that side door when only 14 years earlier, that very same hotel had held the world premier of her film “Come and Get It.” I think of that aching feeling of betrayal and abandonment and the complexities of mental instability, it must have been crippling. (It is a similar feeling that I have when I am driving home and pass Kurt Cobain's old house and see the bench in “Kurt's Park” covered with flowers and burning candles. Only fitting that I have connected the two, Nirvana has the song “Frances Farmer Will Have Her Revenge on Seattle” in their catalog.) Last year, the signal box outside Easy Street Record at the West Seattle Junction has been painted with her likeness. The world is a better place because she was in it and still feels the loss that she has left. Song: Frances Farmer Will Have Her Revenge On Seattle by Nirvana This episode is also available as a blog post: http://waldina.com/2021/09/19/happy-108th-birthday-frances-farmer/ --- Send in a voice message: https://anchor.fm/waldina/message

In questa puntata in compagnia di Massimiliano Bolcioni parliamo dei divi, delle divine e del divismo con i tanti nomi che hanno lasciato un segno indelebile nella storia del Cinema: Francesca Bertini, Judy Garland, Rodolfo Valentino, Marlene Dietrich, Joan Crawford, Bette Davis, Greta Garbo, Frances Farmer, Montgomery Clift, Marilyn Monroe, Madonna, James Dean, Gloria Swanson, Louise Brooks.

Este no es un caso de asesinato pero si de una mujer osada que fue sometida a tratamientos crueles por atreverse a dar su opinión y de quien se creó una leyenda que había sido sometida a una lobotomia --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

HEY! WAIT! We've got a new podcast episode! I is for In Utero. Join us, and Alan Partridge, as we talk Fantasia, Frances Farmer and Courtney's fanny while crunching Bacon Fries and taking a nostalgic listen back to Nirvana's ICONIC third and final studio album. Smell our big cheese, you mothers! Serve The Servants, Nirvana, In Utero 1993 Rid of Me, PJ Harvey Scentless Apprentice, Nirvana, In Utero 1993 Scentless Apprentice rehearsal demo, Nirvana, With the Lights Out, 2004 Heart-Shaped Box, Nirvana, In Utero 1993 Heart-Shaped Box original Steve Albini mix, Nirvana, In Utero 20th anniversary edition Rape Me, Nirvana, In Utero 1993 Rape Me - demo, Nirvana, With the Lights Out, 2004 Frances Farmer Will Have Her Revenge On Seattle, Nirvana, In Utero 1993 Dumb, Nirvana, In Utero 1993 Very Ape, Nirvana, In Utero 1993 Voodoo People, The Prodigy, Music for the Jilted Generation, 1994 Milk It, Nirvana, In Utero 1993 Pennyroyal Tea, Nirvana, In Utero 1993 Pennyroyal Tea, Kristin Hersh, Echo, 1999 Pennyroyal Tea - Scott Litt mix, In Utero Delux 20th anniversary edition Radio Friendly Unit Shifter, Nirvana, In Utero 1993 Tourette's, Nirvana, In Utero 1993 All Apologies, Nirvana, In Utero 1993 All Apologies - home demo, Nirvana, With the Lights Out, 2004 Gallons of rubbing alcohol flow through the strip, Nirvan, In Utero Delux 20th anniversary edition CREDITS Nirvana the Stories behind every song, Chuck Crisafulli Come As You Are, Michael Azerrad Heavier than Heaven, Charles R Cross On the road to Nirvana, Gina Arnold Kurt Cobain journals, Viking/Penguin Cobain by the Editors of Rolling Stone, Little, Brown Genius.com Wikipedia.com --- Send in a voice message: https://anchor.fm/societyowesmeagenxpodcast/message

We discuss the misfortune met by actress Frances Farmer during the height of her career and the famous Nirvana song she inspired.  #nirvana #kurtcobain #francesfarmer #francesfarmerwillhaveherrevengeonseattle #courtneylove #davegrohl #kristnovoselic #inutero #jayreatard 

Viaggio nella burrascosa vita di questa attrice di Hollywood degli anni 30

James Baldwin, Frances Farmer, Clara Campoamor, Vicente Aleixandre... son algunos de ellos. Diecisiete personas: escritores, actrices, soldados... Rebeldes y disidentes. Gente que está en los márgenes. "Gente que busca su bandera" es el título del último poemario de Braulio Ortiz Poole, publicado por Maclein y Parker que recorremos hoy. Con la música de Nirvana, Marilyn Monroe, Vince Mendoza, Robert Wyatt, Suede y Tindersticks. Escuchar audio

Sarah gets real about Byberry State Hospital's dark and shameful history and Marisa is hyped up by the conversation about the history of mental illness.Follow us @BoredBrokeandBatshit on InstagramSources:http://www.philadelphiastatehospital.com/https://allthatsinteresting.com/byberry-mental-hospitalhttp://www.asylumprojects.org/index.php/Philadelphia_State_Hospitalhttps://www.pabook.libraries.psu.edu/literary-cultural-heritage-map-pa/feature-articles/best-intentions-byberry-asylumhttps://hiddencityphila.org/2012/10/a-haunting-place/https://northeasttimes.com/2013/06/07/inside-byberry/https://www.ranker.com/list/byberry-mental-hospital-philadelphia/stefanie-haYouTube: Final Asylum: The Closing of Philadelphia State Hospital (Part 1) [a.k.a. Byberry]

Season 1 Episode 6: In this last episode of our first season, we conclude our look at Old Hollywood as Billi clarifies and summarizes the often misremembered life of Frances Farmer. Frances developed a fierce independence at an early age that allowed her to live a lot of her life on her own terms, but despite her strong will, she suffered from family issues, mental illness and substance abuse in the same way that so many other women in Old Hollywood did.

Hoofdrollen in deze 33e Praattafel met Wetenschap Op Woensdag aandacht voor de Amygdala, Alan Turing en de Hel volgens wetenschappelijk onderzoek. Orgaan vd week: De Amygdala, over het zeepaardje en de Amandelkern Verguisde wetenschapper: Alan Turing, wiskundige, codekraker, gay… IG Nobel: Het Hellegat! De IgNobelprijs voor de astrofysica is toegekend aan: dr.Jack en Rexella Van Impe, voor hun ontdekking dat zwarte gaten aan alle technische eisen voldoen om de locatie van de Hel te zijn.En we starten met wat nieuwtjes… WETENSCHAPSNIEUWTJES Niet de cellen, maar het unieke immuunsysteem maakt de naakte molrat waarschijnlijk vrijwel immuun voor kanker. DNA Linked to Covid-19 Was Inherited From Neanderthals, Study FindsThe stretch of six genes seems to increase the risk of severe illness from the coronavirus.Bron: NYT NYT Over wat Corona anders maakt. "Limbic System: Amygdala (Section 4, Chapter 6) Neuroscience." https://nba.uth.tmc.edu/neuroscience/m/s4/chapter06.html.. "Lobotomie - Wikipedia." https://nl.wikipedia.org/wiki/Lobotomie.  "Frances Farmer - Wikipedia." https://nl.wikipedia.org/wiki/Frances_Farmer. 2020. "Alan Turing - Wikipedia." https://nl.wikipedia.org/wiki/Alan_Turing.  "Jack Van Impe Ministries." https://www.jvim.com/. "Jack Van Impe - Wikipedia." https://en.wikipedia.org/wiki/Jack_Van_Impe.  "Animals In Heaven? Dvd! Dr. Jack & Rexella Van Impe." https://www.amazon.com/Animals-Heaven-Jack-Rexella-Impe/dp/B000UZZIPC. .

Steve and Keith take a trip down their memory holes back to 1993 and their late night all-request radio show, "Radio Static."It turns out they have always "struggled with the format." Songs by bands discussed in this episode include:"Radio Static" by Barkmarket; "Worlock" by Skinny Puppy; "Savory" by Jawbox; "Bronx Cheer" by Mercury Rev; "Sober" by Tool; "Bales of Cocaine" by Rev Horton Heat; "Buena" by Morphine; "Elevate Me Later" by Pavement; "Gentlemen" by the Afghan Whigs; "Yuri-G" by PJ Harvey; "Hurt" by Nine Inch Nails; "Elderly Woman..." Pearl Jam; "VFW" by The Dead Milkmen; "Frances Farmer..." by Nirvana; "The Stallion (Part 3)" by Ween; "A House Is Not a Motel" by Love; "Trailer Trash" by Modest Mouse; "Adventures In Failure" by MC 900ft. Jesus; "Not My Brotha" by Me Phi Me; "Television, The Drug of the Nation" by The Disposable Heroes of Hiphoprisy; "People Everyday" by Arrested Development; "Bad Boys" by Inner Circle; "Passin' Me By" by The Pharcyde; "Fallin'" by Teenage Fanclub & De La SolSupport the show (https://teespring.com/stores/the-new-dad-rock)

  Au fond du trou, cloîtré dans une clinique pour échapper à l’héroïne, Kurt Cobain a écrit encore et encore… Mêlant ses fantasmes et délires dûs au sevrage il s’est identifié à Frances Farmer, actrice oubliée d’Hollywood, gloire et disgrâce de Seattle. Sa vie excentrique, ses paroles acides à l’encontre de l’autorité lui  ont valu plusieurs passages en clinique. Le début d’une longue descente  dans l’univers des hôpitaux psychiatriques avec toujours plus de  séquelles. Frances Farmer will have her revenge on Seattle est sorti sur l’album In Utero en 1993. VOIX ET MUSIQUES : Sara Stella a été la voix de Courtney Love. Elle a su insuffler cet air désabusé que j’attendais pour ce récit chargé de regrets. Will de la chaîne SiFaSi’le a eu la gentillesse de reprendre au piano  une version plus aérienne du morceau pour amener un air fantomatique,  planant au récit. MUSIQUES ENTENDUES : You’re Out – Ultraista (Prefuse 73 remix) Doll parts – Hole About a Girl – Nirvana (Rockabye Baby Cover) Happy ending story – Hole Frances Farmer will have her revenge on Seattle – Nirvana (arrangements piano Will de la chaîne Youtube SiFaSi’le Frances Farmer will have her revenge on Seattle – Nirvana (original) EXTRAITS AUDIO : Frances (1982) This is your life Frances Farmer (1958 part 1)

Au fond du trou, cloîtré dans une clinique pour échapper à l’héroïne, Kurt Cobain a écrit encore et encore…Mêlant ses fantasmes et délires dûs au sevrage il s’est identifié à Frances Farmer, actrice oubliée d’Hollywood, gloire et disgrâce de Seattle.Sa vie excentrique, ses paroles acides à l’encontre de l’autorité lui ont valu plusieurs passages en clinique. Le début d’une longue descente dans l’univers des hôpitaux psychiatriques avec toujours plus de séquelles.Frances Farmer will have her revenge on Seattle est sorti sur l’album In Utero en 1993.VOIX ET MUSIQUES :Sara Stella a été la voix de Courtney Love. Elle a su insuffler cet air désabusé que j’attendais pour ce récit chargé de regrets.Will de la chaîne SiFaSi’le a eu la gentillesse de reprendre au piano une version plus aérienne du morceau pour amener un air fantomatique, planant au récit.MUSIQUES ENTENDUES :You’re Out – Ultraista (Prefuse 73 remix)Doll parts – HoleAbout a Girl – Nirvana (Rockabye Baby Cover)Happy ending story – HoleFrances Farmer will have her revenge on Seattle – Nirvana (arrangements piano Will de la chaîne Youtube SiFaSi’leFrances Farmer will have her revenge on Seattle – Nirvana (original)EXTRAITS AUDIO :Frances (1982)This is your life Frances Farmer (1958 part 1)

This episode Sophie tells Jenna about Frances Farmer, an old Hollywood actor who had a rough life. Enjoy!

Kurt Cobain dans sa descente vertigineuse s'est raccroché au souvenir d'un personnage phare à qui il dédit une chanson d'In Utero, album épilogue des fantastiques Nirvana. Et si Courtney Love vous racontait de son point de vue comment le morceau Frances Farmer will have her revenge on Seattle a été écrit ? C'est ce qu'on vous propose modestement aujourd'hui avec cette fiction narrative qui revient sur le meilleur morceau (?) composé par Cobain. Avec Sara Stella dans le rôle de Courtney Love.    

Kurt Cobain dans sa descente vertigineuse s'est raccroché au souvenir d'un personnage phare à qui il dédit une chanson d'In Utero, album épilogue des fantastiques Nirvana. Et si Courtney Love vous racontait de son point de vue comment le morceau Frances Farmer will have her revenge on Seattle a été écrit ? C'est ce qu'on vous propose modestement aujourd'hui avec cette fiction narrative qui revient sur le meilleur morceau (?) composé par Cobain. Avec Sara Stella dans le rôle de Courtney Love.     #Kurtcobain #francesfarmer #nirvana

The history of Nirvana and how we feel about them. Check out the playlist on Spotify, just search, "ITG94: Nirvana." Email: inthegaragepod94@gmail.com Twitter: @IntheGarage94 Instagram: @inthegarage94 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

I share my perceptions and concepts as a way for you to compare them to your own. To de-mystify psychic phenomena and experiences. To embrace not only the ways in which you might recognize yourself in what I’m describing, but also the ways in which in you’re different. Talking about it can help others locate it within themselves. MENTIONED ON THE SHOW An Angel at My Table film about Janet Frame Frances film about Frances Farmer The Hours film partly about Virginia Woolf Iris film about Iris Murdoch HOST LINKS - SLADE ROBERSON Slade's Books & Courses Get an intuitive reading with Slade Automatic Intuition FACEBOOK GROUP Shift Your Spirits Community BECOME A PATRON patreon.com/shiftyourspirits Edit your pledge on Patreon TRANSCRIPT Doing what the voices in your head tell you to. It’s THE #1 disparaging joke you hear all the time that might sometimes be referring to phenomena we would categorize as clairaudience. So, har har. In a lot of cases, hearing voices is synonymous with the absolute deepest depths of mental illness. It was the one thing through my teens and twenties that kept me from ever, ever acknowledging the psychic phenomena I experienced. I feared being committed against my will. I don't fear it so much lately but it's still a fear that I can access if I needed to. Like, I could drag that out and be like, yeah, I remember what it feels like to worry about that and I can see how I can put myself in a situation where everything could go horribly wrong. It's more of a horror movie screen playing out in my mind than actual real anxiety. But when I was younger, there was definitely a real fear. And then growing up there were all these movies about voices and craziness, and a lot of times they were about authors. There was a movie in 1990 called An Angel at my Table that was about the New Zealander poet Janet Frame who was committed at the time that she won her country's highest literary honor. Obviously it's been 30 years since I've seen that movie, but there are a few images that haunt me. Like, I remember them bringing her a volume of her work that had just been published in hardcover and wanting her to sign it, to autograph it. She was heavily sedated in a mental ward and didn't really.. it wasn't even conscious of the fact that her book had just come out and that was like, the first time she held it. And it won the equivalent of a Pulitzer or a Booker. And there was another scene where they put her in a padded cell and she literally writes poetry on the walls of the padded cell. That's how much she needed to get those words out. And then there was a movie Jessica Lange starred in in the 80s about Frances Farmer, who was famously lobotomized basically for being too willful and outspoken for a woman in the 1950s. She was sort of a political activist I guess, or would've been by today's standards. Nobody plays crazy like Jessica Lange, by the way. I mean it's a great performance. But yeah, that feeds into all your horrors about being committed against your will, medicated, and then it all unravels, right? You lose your agency. You literally lose your rights as an adult. Of course, Virginia Woolf, who is one of my hugest literary heroes in the whole world, who was famously so depressed for so long that she finally walked into the river with stones in her pockets. Gotta been hearing that story since I was in junior high school. And it's been dramatized in a lot of different places and shared and reshared. Most recently, Nicole Kidman's performance in the Hours, which is an incredible performance and a great movie. But again, all this stuff about these people going nuts, especially writers. After I watched the movie Iris, which was Judi Dench starred as Iris Murdoch who lost the faculty for words. She was technically suffering from dementia and Alzheimer's, so it wasn't craziness necessarily, but they did very distinctly dramatize the fact that this woman who was known for her phenomenal vocabulary literally lost her ability to access words slowly and was conscious that it was happening to her as an author. This is like the worst horror ever. I get it. It's Sophie's Choice. It's these amazingly emotionally triggering dramatizations that happen in movies, but I just, at that point, was like, you know what? I'm never watching another movie about an author suffering from mental illness, addiction, alcoholism, nothing. Just forget it. Ever. Why are there so many of those anyway? There are too many! But back to hearing voices. Conversing with them. Listening to what they say. Talking back to them. Asking them questions. I do it in my car all the time. We stare at crazy people who do it in the streets who are homeless and obviously suffering maybe from schizophrenia or something like that. It's something that we've all witnessed. I doubt I look anything like that in my car. As a matter of fact, I think I probably look like I'm just talking on hands-free. But I am aware of the connection there. It does always make me wonder, well who are they talking to? What are they saying? Because it depends on which voices. They do seem to be arguing and there are combative situations going on so that is not what we practice around here, as far as accessing clairaudient intuition, chanelling, automatic writing, mediumship. All these things are not about screaming at invisible assailants. Hearing voices and doing what they tell you to do could be a really helpful thing. Again, depending on the voice: the still small voice within you that I think we all can find a conceptual space for in our consciousness the voice of the spirit angels, spirit guides the deceased, people who have passed on, your ancestors your conscience. Some of those are accessible by anyone. Some of them are deeply woo woo. And none of them are crazy, by the way. None of those things are mental illness, and I honestly today don't fear that if I went to a therapist and spoke to them the way I'm speaking to you right now that I'd be committed. I think we'd have an understanding about the phenomenon that I'm talking about. And I would have no problem placing this within a purely clinical context and talking about archetypes and programming and kind of the different channels of the mind and consciousness. It doesn't have to be woo woo for me. Or it can be. Sometimes it depends on who I'm talking to. I'm not going to correct anyone who tells me that their message came from their guide or from one of their guardians or someone who tells me it comes from a muse. I never question how other people choose to label their voices but I do like to offer the concept of labelling and categorizing and analyzing to everyone and I offer my own little compartmentalizations for people to borrow and use as a starter kit if they're new to this. Then there are those external voices that become programmed as your own. Those are the really troublesome ones. They're just as insidious as invisible people who are following you and out to get you. They're dangerous because they're something that you heard, that you picked up from someone else and took on, and have been accessing and repeating on a loop, on an internal mental loop, for so long that you probably have forgotten the original source, the voice itself has morphed over time to impersonate your own inner voices. Like, your own internal voice of yourself. Negative, self-sabotaging critical voices, someone telling you about yourself you chose to believe. You may have chose to believe it because you didn't know any better, or you were a child, or you were bullied, or you were afraid. There are a lot of different reasons why you would choose to take that on. But it is a choice, even if it was kind of forced on you. And it is something that you can get rid of later. If nothing else, you can learn to access and acknowledge, okay wait a minute, where's that voice coming from? Who is that? That sounds like something my mother said to me a really long time ago. Oh yeah, I remember now where that came from, therefore when I hear that come up again, I can dismiss it. No, not listening to you. I know who you are. Sit down and go shut up. So there's all of that, within the concepts of clairaudience and hearing voices. There's also a question of internal source versus external. For the sake of separating what comes from within versus what comes from outside… I use a big box for the voices coming from within. To me, it's all a bit like being logged onto some network of information. It’s different than the voices I might create. For instance, the notes I’m writing down here to speak to you from, the character dialog in fiction, although sometimes, some of that is a little bit channelled in a way that overlaps and many authors will have the experience of having books dictated to them or have fictional characters they invented take over on the page and run the story. And there's a spectrum of how that's viewed. A lot of creative people who don't view that as a psychic phenomenon nevertheless still view it as a magical creative experience. And a lot of people will acknowledge that happening to them and simply think of it as a profound mystery of the artistic process. I know Alice Walker famously said that the Color Purple was dictated to her. She heard the voice of that character and basically transcribed it. And I have that experience writing character. Sometimes that's the initial impulse to write fiction. To give an example of this internal versus external thing, so there’s a song you’re humming this morning because it’s been used on a commercial you keep seeing on TV. T-Mobile or whatever has had this commercial on for a month and you've heard it every day and now you're singing it in the shower. That’s external. You can identify where that came from. But then there are songs that come untriggerred, unbidden, they surface from the subconscious like this silent Spotify within your brain. The Spotify radio station that's on shuffle and it pulls things up that are stored in the mind. But it's still coming up internally. It's not triggered by something external like hearing it on the radio. You may not have heard it in years. Actual real songs I'm talking about, from artists who created and recorded them externally. At some point you have downloaded them. Maybe you burned the album out on repeat when it came out years ago and you haven't heard it in a long time but sometimes it might resurface. One of those songs will come to you. I do read that experience these as intuitive. Just the same way that you read a feather on the ground, or a number on a license plate, or a digital display, or finding a playing card on the ground and interpreting it as a Tarot message. All those kinds of things. I read music that comes internally that way, especially snatches of lyrics because you'll notice when this happens, when you get like an earwig, a song stuck in your head that came from nowhere, it's a particular snatch of lyrics that is looping. It's not the whole song from start to finish, intro to fade out. It's usually one or two parts that you keep looping over and over again. So one of the best things you can do is either stop and really speak those words outside the melody as if it is just a message written down on a piece of paper, or actually write it down and see it in print. They look different on paper. They sound different when they're spoken not sung, and sometimes that will help you have an aha moment about what is that saying? Sometimes it's really literal. I keep saying this thing to myself over and over and over again, and I didn't realize it's a message! Now where it's a message from... Maybe it's your guides triggering it. Maybe it's your Higher Self pulling it out and waving it in front of you. Maybe it's some other kind of mechanism. Maybe you've been asking a question and it's your subconscious just kind of retrieving that from some internal library and presenting it as an answer, but it comes in the form of music. You know, music happens in a different part of the brain than spoken language and reading and all that kind of stuff. We listen to a lot of music and we learn a lot of music by heart in a way that people used to learn and recite poetry. You watch those historical films and TV shows and there are people wandering around in the garden reading from a book of verse and they can recite this stuff off the top of their heads and I always thought, damn! But I think the modern equivalent of that is me being able to bust out a Missy Elliot rap from 2004 at any given moment just because I've heard it a million times and it's stored in my brain, right? So it's kind of like that. So the first thing you want to do is say, hey, you know what? If this was a telegram, is it a message? And maybe the next thing you ask, what emotions come with that song? What emotions are attached to it? What feelings is it invoking or dragging with it? Maybe it's the context of when the song first entered your consciousness. Something about the time and place of your personal history. What was going on in your world when that song came out, that kind of thing? So maybe the message isn't the song. Maybe the message is about you returning to something from that time period. Was there something going on then that you need to reconsider, pull back out, reconnect with. I remember as a kid or maybe a pre-teen or something, overhearing adults talking about Barbra Streisand claiming that she hears music. I don't know if this was being repeated anecdotally, or if there'd been some 60 Minutes interview or something had happened at that time that they were talking about it. I just remember overhearing it. I understood that what they were saying was that she had made some claim that she hears music within. Psychically. Internally. Of course, even though she’s a vocalist, she’s not necessarily a composer right? I don't even know that she writes a lot of her music necessarily. I think she is primarily a vocalist, but claims to hear music all the time. Now I am neither a singer or a composer, but I remember when I overheard that, my first thought, because I heard the adults’s wonder and the skepticism and how intrigued they were by the concept, the judgments there were probably all varied and mixed, but I remember wanting to say “I hear music too.” But I didn’t. Because I feared what that might be admitting to. And at the time, you have to remember, for years, as a teenager, you’re hearing things like this and thinking, “OH SHIT. What if I’m insane? What if these are early stages of what we see with the person arguing with the invisible assailant on the street?” It's kind of not unlike being gay. The psychic closet. As a really young child, I would get up late at night and I would go and find my Daddy because he usually stayed up later than anyone else watching TV. He's a famous insomniac. I would go and find him and tell him that I couldn't turn my brain off. It was like someone left a TV and a radio station on in a crowded airport terminal. I was just laying there listening to everything. I think a lot of that was probably partly anxiety, for sure. But I would cry, just totally frustrated and say, I can’t stop thinking. I can't stop thinking. I really felt like, as a child when you were told, okay it's time to go to sleep, go to bed, turn down the light, go to sleep, that you should be able to willfully choose to be unconscious. To just turn yourself off. And remember, I'm not a big dreamer. So it wasn't about even dreaming for me. Dreaming probably would've been a little bit too close to what I was already experiencing, so I just wanted to be shut down like artificial intelligence, being put to sleep and then restarted in the morning. That's what I wanted. I couldn't have that and it drove me nuts. I think about all this this because of my nephew, who's 2 1/2, has these kind of night terrors where he's just completely inconsolable. I definitely think that that is anxiety. So I was talking about that with my mother and my dad at my 50th birthday dinner, which was actually the night after my birthday because my nephew and my brother were here on my birthday and the next night I went out just with my parents and my stepmother. That sort of started the conversation about this anxiety experienced as kids and I brought up to my dad, reminding him about how I was when I was little, how that manifested for me as this information that wouldn’t turn off. Of course, everyone has thoughts that keep them up at night. But I bet most of those worries about THEIR actual lives. Their identifiable triggers. They're worried about their kids. They're worried about their job. They're worried about bills. Their bank account. That kind of stuff. And then there is anxiety about existential stuff. The world going to hell, anxiety about death, or what happens when we die? The end of the earth, global extinction events. The very actual reality that one day the sun will swallow the entire system of planets around this part of the universe. Stuff like that. That’s probably still all anxiety by the way and it's part of the human condition - to worry about all those things. But I’m talking about information that has no life triggers, has no external source, has no evidence meaning you can't say, Yeah, that’s a Bing Crosby song. Like you can't. Something else... I went into more detail with my mother about what I experienced a few days ago. She made some other comment about some celebrity or some medium on TV or someone talking about experiencing internal hearing of voices and music and information. She was maybe prompting me to explain the phenomena to her, somewhat like I’m trying to do now. It was a different conversation but part of our conversation was me very bluntly describing how I hear so much more than voices. The voices are a job unto themselves — cataloguing them, labelling, learning to police some, reframe others, block a lot of them, suppress some. And then also to call them in, to invoke them. That’s all the clairaudient intuition stuff and the work of being an intuitive. Every day kind of practice producing. And i'm not even mentioning the rabbit hole of listening in for a CLIENT, and wondering, am I hearing their thoughts, is it their guides I'm hearing, is that considered external, or am I receiving that information internally, through the network, the psychic internet, through the records? That’s a separate show. I think there might even be some of that in the Automatic Intuition audio programming. I hear music all the time. Orchestral, symphonies. movie scores, opera in multiple languages — italian, french, german. I hear musicals in english. I don't even like musicals. I don't consider them musicals but there are some that play in my brain that no one else has even heard Not external music that exists somewhere in the world. Imagined music. Received from another dimension it seems. Just to give you an example, I hear songs from a German Children’s show — I sing these to my cats, just to be silly. Because I actually think it's sort of funny and annoying, the way Teletubbies are funny and annoying and haunting. I hear advertising jingles for products that just don’t even remotely exist. I hear pop songs, country music songs, singers voices that are identifiable to me. I don't know who they are, I don't have names for them but I recognize the voices. But I can't tell you if they're actual, real people somewhere. Maybe they're somewhere on the other side of the country and there really is this person who's singing all these songs and maybe I'm picking up on them somehow. Or they're coming from an alternate reality. Or they're coming from some deep well of my imagination that I can't even explain. Let’s just call all of that my psychic Spotify account. I have songs and lyrics and all those snatches of the kinds of things that you end up humming… but they just don’t exist in this world that I'm aware of. I’m used it to. I catch myself singing a rock song from a band that’s never existed. A song I’ve been singing for years. And if I think about it really hard sometimes, I can even identify when it came through internally, on this internal station. Like wow, you know what? That's been in my internal station now since I was in college or something. And a lot of the songs that I did write when I was in college and when I was in a band and sort of writing music. I did attempt to pull from those, and so then that even further solidified them because then they became something external. And I still sing them as if they're real songs, because they are now. The commercial jingles were interesting because they will last for months and it seems like they have a shelf life that's very similar to real commercial runs. They'll run for several weeks or several months and then kind of fade away and you don't hear them again. I hear old black and white movie songs that sound like maybe they're from the 1930s when almost everything on the radio came from a movie—pop music back then was kind of like MTV in reverse. And that’s why you hear all these people with less than stellar voices from back then and you think, Why was that such a huge hit? This person can barely carry a tune. It's just an ordinary voice. A lot of times they were actors who sang a song in a film. Hollywood movies, even that weren't really considered full blown musicals, even though there were a lot of them, would sometimes have some kind of song built in to them. Seth and I share earwigs and the phenomenon of song synchronicities, especially things that are chosen by shuffle. You're in your iTunes library or now it's even bigger and more vast with Spotify and Pandora and stuff like that. We call that the ghost in the machine and we have an ongoing kind of conversation about that. And we can always add to it and share little moments as they happen. I messaged him the other day that my earwig of the day was Cher’s cover of Journey’s Open Arms — Cher has never covered that song that I know of. But she should. Because I heard it very clearly for about 36 hours and I was thinking, this is a Cher cover! I heard it in my mind as if Cher had recorded Journey's Open Arms and I've got it stuck in my brain. I hear mashups a lot too. I kind of think that probably people who make mashups obviously experience this phenomenon. But I was wondering out loud to my mother, if i had been trained to play piano at a really early age, would I be able to sit down and write all this music? I can pick out a simple melody out on a guitar or a piano and I can read sheet music. I played a few different instruments here and there throughout different parts of my life, but I don’t know how to write all the different instruments in a symphony or in an orchestra, even though I can hear them, I don't understand that process that someone goes through to compose something like that. It's something you have to be trained in, and it's something people dedicate our whole lives to. It's a little late for me to be doing that. But sometimes I’ll daydream about what it would be like to do that… And I'll think, Maybe I’m really a musician and I just didn't execute my creativity in that form. Or I chose from multiple creative formats to work within and certain mediums stuck with me more than others. I mean, I have been in bands. I’ve written a lot of songs. I even have a songwriting credit for a Nashville band from when I was 17. It's technically the second thing I ever published. That I have an actual copyright for. It's called the Girl with the Orange Hair. I forgot about that. I can't even remember the name of the band but I know the name of the singer. I could probably find out. When I wrote songs in college though, I didn’t write lyrics, weirdly. I only wrote music. Usually, guitar, bass. I programmed percussion and synthesizer. I love playing with drum machines and that's a kind of composing that technology makes it very easy for you to do. It's kind of tedious but it's super satisfying and I can never be someone who's super into computer games or video games, because I get the same kind of satisfaction I think from playing with tech. Like sounds, recording equipment, and mixing and also sometimes things like Illustrator, Photoshop, stuff like that, I can get lost in those in a way that I think is similar to what people experience with gaming. And then just, you know what? After all these daydreams, I realize I don’t have time for any of that. It would be fun. I have a To Do list of other projects and I will never finish all of those as it is. The ones I know I can execute, so I'd need a whole other lifetime for that whole world of music and the idea of composing. Here, doing this, what you're listening to, it's like I’ve found a space between music and books — storytelling, narrative non-fiction, audiobook narration, podcasting. It's an interesting thing that emerged within my lifetime along with technology that I would not necessarily have been able to predict. But I do weirdly have a short story that I wrote in 1989 about someone who was podcasting from their house. At the time, it was written kind of as magical realism more than, say, science fiction. I wasn't writing in detail about a technology that I foresaw. I kind of just didn't really explain the technology but I explained sort of the profession of someone being a shut-in and living in a room, very much like this room right now. Ohmygod. I've got sound tiles and sound dampening blankets hanging over the windows. It's this cave of dead space that I'm broadcasting from within. It wasn't a major part of the story. It was just kind of like the character in that story... it was about agoraphobia, I guess. Somebody who was suffering from that. But that was his profession. Weird. All of that happened before I became a shut in myself. When I had a stroke and I started doing all this kind of work because I didn't want to leave my house. Interesting. Okay, weird. Little circles within circles. I do wonder if other people experience this, what I'm talking about, more than we talk about it. Maybe as I'm describing this, you recognize it. Or you're beginning to notice it. Maybe after listening to this episode, you will start to realize, ohmygod, that's happening to me too! Is it something like intuition that everyone has access to if they just don’t repress it? How is it useful? I don’t know that it is useful. But I do feel engaging it is part of connecting in a general way. Practicing. Honing the connection. Allowing it. For me. And maybe for you too. What are the earwigs trying to tell you? Yes, of course, that’s one useful thing that you can do with all this. But maybe it’s more basic than that. You hear the muffled snatch of a song and you say Hey, turn that up! If you tune in, acknowledge this is happening, allow it, give it permission. If you let yourself listen. If you turn it up, what else do you hear?

“Shalmiyev stubbornly, brilliantly pursues loss in this psycho-geography of immigration, grief displacement, and damage. A mother herself, Shalmiyev’s narrator channels the ghosts of Dorothy Richardson, Anaïs Nin, Frances Farmer and the sad, bad stories of Aileen Wuornos and Amy Fisher, who could never be the right kind of girls. Like the great modernist writers, Shalmiyev writes from, not […] The post Sophia Shalmiyev : Mother Winter appeared first on Tin House.

All she wanted was a Pepsi! Join the Dead Beat Film Society as we talk the tragic life of Frances Farmer, lobotomy, mental institutions, female centered films, old Seattle, Kurt Cobain & Courtney Love, strong willed women, alcoholism, the obligation of truth in biopics, surviving the Hollywood machine, mother-daughter relationships, comparing Jessica Lange's 1982 performances, and (obviously) smashing the patriarchy with an in depth Frances film analysis! (Special Guest: Vanishing Seattle) Follow VANISHING SEATTLE on social media and share your experience using #vanishingseattle!  

Flamingos are like rice-a-roni…bi-polar’s not funny, unless said with a Spanish accent…frankly we’re all a bit trastornado…the comments section is why we can’t have nice things…let’s all thank God for James Spears…of course the oldest Kennedy was in an asylum…look up Frances Farmer, kids…back to Marilin’s 15s for Jordan almonds… who wouldn’t go to a nightclub for hippos…aquanet and baby’s breath are primed for a comeback…maybe don’t trust your neighbor with your home makeover…Andy Cohen isn’t blamed enough…genuinely confused about malangas…immigrant hoarder syndrome is a unique type of genetic…empty cans of Export soda crackers were the original roly-kit…longing for the days of chorongos in ladies’ hair…clearly the Senate is as out of touch as you think …if I share my status on a hook-up app, am I giving you the right to info tap, absolutely not…the only thing better than Pia Zadora, is Pia Zadora with Cloris Leachman…but seriously, know your status kids…group movie date to watch The Burning Bed…salsa music, setting historical tragedies to a dance beat since time immemorial Now on Apple Podcast AND Google Play…subscribe and leave us some feedback!

Hoy Trasnoche no es otro podcast de cine. Es "el otro" podcast de cine. Para los que saben que hay mucho más que los estrenos de la semana. Conducen Santiago Calori y Fiorella Sargenti. Esta semana: Un Lugar en Silencio, de John Krasinski. En el portarretratos: el legendario director y guionista Frank Henenlotter. En la nueva sección de Flor bautizada en honor (?) a Rolando Hanglin: la tumultuosa vida de la actriz Frances Farmer. Y en el videoclub del abuelo Calu: Pyewacket, de Adam MacDonald. Este episodio de Hoy Trasnoche está presentado por Cinemark y Hoyts. Si escuchás Hoy Trasnoche, te gusta el cine. Y si te gusta el cine, vas a Cinemark y Hoyts. ¡Ya podés conseguir tus entradas anticipadas para Avengers: Infinity War! Compralas online en las webs de [Cinemark](http://www.cinemark.com.ar) y [Hoyts](http://www.hoyts.com.ar) y mirala antes que el resto de los mortales.

BombShells-Frances Farmer-P3F by Public Access America

....Returning from the Soviet Union in the summer of 1935, Farmer stopped in New York City, hoping to launch a legitimate theater career. Instead, she was referred to Paramount Pictures talent scout Oscar Serlin, who arranged for a screen test. Paramount offered her a seven-year contract. Farmer signed it in New York City on her 22nd birthday and moved to Hollywood. She had top billing in two well-received 1936 B-movies, Too Many Parents and Border Flight. She wed actor Leif Erickson in February 1936 while shooting the first of the movies, Too Many Parents. Later that year, Farmer was cast in her first "A" feature, Rhythm on the Range. During the summer of 1936, she was loaned to Samuel Goldwyn to appear in Come and Get It, based on the novel by Edna Ferber. Both of these films were sizable hits, and her portrayals of both the mother and daughter in Come and Get It were praised by the public and critics, with several reviews greeting Farmer as a new found star. Farmer was not entirely satisfied with her career, however. She felt stifled by Paramount's tendency to cast her in films which depended on her looks more than her talent. Her outspoken style made her seem uncooperative and contemptuous. In an age when the studios dictated every facet of a star's life, Farmer rebelled against the studio's control and resisted every attempt they made to glamorize her private life. She refused to attend Hollywood parties or to date other stars for the gossip columns. However, Farmer was sympathetically described in a 1937 Collier's article as being indifferent about the clothing she wore and was said to drive an older-model "green roadster". Hoping to enhance her reputation as a serious actress, she left Hollywood in 1937 to do summer stock in Westchester, New York. There she attracted the attention of director Harold Clurman and playwright Clifford Odets. They invited her to appear in the Group Theatre production of Odets' play Golden Boy. Her performance at first received mixed reviews, with Time magazine commenting that she had been miscast. Due to Farmer's box office appeal, however, the play became the biggest hit in the Group's history. By 1938, when the production had embarked on a national tour, regional critics from Washington D.C. to Chicago gave her rave reviews. Farmer in Rhythm on the Range (1937) Farmer had an affair with Odets, but he was married to actress Luise Rainer and did not offer Farmer a commitment. Farmer felt betrayed when Odets suddenly ended the relationship; and when the Group chose another actress for its London run—an actress whose family funded the play—she came to believe that The Group had used her drawing power selfishly to further the success of the play. She returned to Hollywood, and arranged with Paramount to stay in Los Angeles for three months out of every year to make motion pictures. The rest of her time she intended to use for theater. Her next two appearances on Broadway had short runs. Farmer found herself back in Los Angeles, often loaned out by Paramount to other studios for starring roles. At her home studio, meanwhile, she was consigned to costarring appearances, which she often found unchallenging.

Frances Elena Farmer[1] (September 19, 1913 – August 1, 1970) was an American actress and television host. She is perhaps better known for sensationalized accounts of her life, especially her involuntary commitment to a mental hospital.[2] Farmer began her career as a stage actress, performing stock theater in New York City and later appearing on Broadway. She made her film debut in Too Many Parents (1936), and was subsequently featured in a starring role in the musical western, Rhythm on the Range (1936) opposite Bing Crosby, and The Toast of New York (1937) with Cary Grant. After signing a contract with Paramount Pictures, Farmer appeared in Exclusive (1937), World Premiere (1941), and the film noir Among the Living (1941). In 1942, publicity of Farmer's reportedly erratic behavior began to surface, and after several arrests and committals to psychiatric institutions, Farmer was diagnosed with paranoid schizophrenia. At the request of her family, particularly her mother, she was relocated from Los Angeles to an institution in her home state of Washington, where she was a patient until 1950. Farmer attempted an acting comeback, mainly appearing as a television host in Indianapolis on her own series, Frances Farmer Presents. Her final film role was in the 1958 drama The Party Crashers. Farmer died of esophageal cancer in 1970, at the age of 56. Farmer's tumultuous life and career led to her being the subject of two films, one television special, three books, and numerous songs and magazine articles.

By 1936, the talented and outspoken actress, Frances Farmer was rising to fame in Hollywood. But soon she was making headlines for drinking, violent outbursts, and mental illness. This week we examine the real life of Frances Farmer vs. the 1981 film, Frances, and discover the truth between cinema and real life. See acast.com/privacy for privacy and opt-out information.

Frances Farmer Will Have Her Revenge On Seattle (live) DJ Buddy Holly singing Nirvana's song creating using Sing! Karaoke by Smule

After a lengthy absence, The Frances Farmer Show returns as Melissa and Sean take a quick look at some films playing on Seattle Screens, including a preview of Terence Davies's Emily Dickinson biopic A Quiet Passion, which opens here on May 5th. They also discuss Wong Kar-wai's mid-90s masterpieces Chungking Express and Fallen Angels.

Frances Farmer's life was overshadowed by her continual bouts of alcoholism, mental illness and scandal.  Struggling to earn her freedom from her mother and numerous doctors, Frances eventually died alone, with a story so sordid the truth may never be known.  Listen in as we honor Frances Farmer with a Last Ovation.

This week's podcast features my friend, Kevin Lynch, the founding CEO of the Quell Foundation in Falmouth, MA. Kevin is a purposeful man, committed to finding a way to remove the mask from the stigma of mental illness.  His own personal dealings with mental illness drove Kevin to start the foundation and it's clear this is his calling.  In only 6 months of building the brand and non-profit, Kevin was a featured speaker at the White House. It's my hope his story will inspire and challenge you. In addition, it may be valuable simply to better understand how mental illness may be affecting the fringes of your life.  If it's true that 1 in 4 people are diagnosed with mental illness (and improper diagnosis notwithstanding), we know a lot of people who struggle with the disease. 1:25 USS Andrew Jackson SSBN 619. Kevin did 12 years in the US Navy. Bubbleheads! 2:10 Why living in Florida. Working at hospital 16 years. Finance and operations. Spreadsheets. 3:00 45 years old and no degree. Heading off to college. 4:20 Friends from the submarine force. Command Master Chief! Weird times. Great friends. Blue collar. COB. Rob's dad. Moving a lot in life. Forces you to connect. Get grounded and grow roots? 8:00 Rob auditioning for the Navy Band. Failing and trying again. Taking things for granted. 12:25 Why the medical, healthcare field. Wedding cakes! Master chef, Kevin. Graduating college. 14:40 Kevin's son. Drug use. Prison. Bi-Polar. Meds. Heroin. Violated probation 17:00 Criminalizing drug use. 19:00 Not enough care givers in mental health space. 26:50 Social anxiety. PTSD. 27:15 Kevin's son going back to prison. Boston Globe. Spotlight. Academy award winner. Mental health issues. 29:20 Why Quell Foundation. How did Kevin end up at the White House? Quell brings balance to chaos. 35:00 Why branding with Q's and K's matter. 35:50 Frances Farmer at Western State Hospital. Rob's grandfather died there.40:00 Developing a training program for first responders. 47:00 1 in 4 Americans are medicated for a mental illness. 52:50 All social classes have mental illness. PTSD again. Crime scenes. Expert witnesses. 58:30 Being paralyzed by sadness. No pictures of son in office. 1:03:15 What do we do with the knowledge we have? How do we keep our loved ones safe? 1:06:00 Letting a loved one be. Fathers and mothers want to help. Societal expectations. Guilt. 1:10:00 Quell Foundation events. Masquerade ball. Auction items. Muhammad Ali gloves! 1:13:20 Myles Munroe. Tony Robbins. Passion and purpose. 1:17:10 Marc Maron. Demi Lovato. Richard Dreyfuss. Robin Williams. Lewy Body Syndrome. 1:20:10 1 in 4 across the world. China. 1.5 billion with mental illness. Rural concerns. 1:23:20 How can you help? Putting kids into college. First responders. Baton Rouge. Paris, France. 1:29:00 Quell Foundation party. Buzzards Bay. Falmouth. Woods Hole. DSRV. 1:30:15 Test depth on a submarine. Back to periscope depth. 1:31:00 Needle in your ear? Nope. You're gonna die. Escape hatch is just for your mother. Rare group of people. 1:33:00 Stereotypes suck. People are lovely. Stop judging based on stereotypes. 1:37:50 Support Quell. Kevin's dog broke stuff. Subscribe to the shows here:1) Rockstar Superhero:Itunes: https://apple.co/3u8wlI9Audible: https://adbl.co/3sCnfSkSpotify: https://spoti.fi/3qxjQDLGoogle: https://bit.ly/3kC66WaTumblr: https://bit.ly/3sGrLzfDeezer: https://bit.ly/2Zr5lW7JioSaavn: https://bit.ly/3k29jhvCastbox: https://bit.ly/3bunV6UiHeartRadio: https://ihr.fm/2PKvm172) Rockstar Radicals:Itunes: https://apple.co/2OR4kVx Spotify: https://spoti.fi/3qHHFZHDeezer: https://bit.ly/3srQ3grPodchaser: https://bit.ly/2NG2UwLGoogle: https://bit.ly/3uIQVzkJioSaavn: https://bit.ly/387Y2HGCastbox: https://bit.ly/3t0yCUliHeartRadio: https://ihr.fm/3vbWKFuBlog @ Tumblr: https://bit.ly/3ka5IhjWanna be on the show? Go here: https://calendly.com/rockstarsuperheroinstituteCopyright 2021 Rockstar Superhero Podcast - All Rights ReservedBecome a supporter of this podcast: https://www.spreaker.com/podcast/rockstar-superhero--4792050/support.

This week's podcast features my friend, Kevin Lynch, the founding CEO of the Quell Foundation in Falmouth, MA. Kevin is a purposeful man, committed to finding a way to remove the mask from the stigma of mental illness.  His own personal dealings with mental illness drove Kevin to start the foundation and it's clear this is his calling.  In only 6 months of building the brand and non-profit, Kevin was a featured speaker at the White House. It's my hope his story will inspire and challenge you. In addition, it may be valuable simply to better understand how mental illness may be affecting the fringes of your life.  If it's true that 1 in 4 people are diagnosed with mental illness (and improper diagnosis notwithstanding), we know a lot of people who struggle with the disease. 1:25 USS Andrew Jackson SSBN 619. Kevin did 12 years in the US Navy. Bubbleheads! 2:10 Why living in Florida. Working at hospital 16 years. Finance and operations. Spreadsheets. 3:00 45 years old and no degree. Heading off to college. 4:20 Friends from the submarine force. Command Master Chief! Weird times. Great friends. Blue collar. COB. Rob's dad. Moving a lot in life. Forces you to connect. Get grounded and grow roots? 8:00 Rob auditioning for the Navy Band. Failing and trying again. Taking things for granted. 12:25 Why the medical, healthcare field. Wedding cakes! Master chef, Kevin. Graduating college. 14:40 Kevin's son. Drug use. Prison. Bi-Polar. Meds. Heroin. Violated probation 17:00 Criminalizing drug use. 19:00 Not enough care givers in mental health space. 26:50 Social anxiety. PTSD. 27:15 Kevin's son going back to prison. Boston Globe. Spotlight. Academy award winner. Mental health issues. 29:20 Why Quell Foundation. How did Kevin end up at the White House? Quell brings balance to chaos. 35:00 Why branding with Q's and K's matter. 35:50 Frances Farmer at Western State Hospital. Rob's grandfather died there.40:00 Developing a training program for first responders. 47:00 1 in 4 Americans are medicated for a mental illness. 52:50 All social classes have mental illness. PTSD again. Crime scenes. Expert witnesses. 58:30 Being paralyzed by sadness. No pictures of son in office. 1:03:15 What do we do with the knowledge we have? How do we keep our loved ones safe? 1:06:00 Letting a loved one be. Fathers and mothers want to help. Societal expectations. Guilt. 1:10:00 Quell Foundation events. Masquerade ball. Auction items. Muhammad Ali gloves! 1:13:20 Myles Munroe. Tony Robbins. Passion and purpose. 1:17:10 Marc Maron. Demi Lovato. Richard Dreyfuss. Robin Williams. Lewy Body Syndrome. 1:20:10 1 in 4 across the world. China. 1.5 billion with mental illness. Rural concerns. 1:23:20 How can you help? Putting kids into college. First responders. Baton Rouge. Paris, France. 1:29:00 Quell Foundation party. Buzzards Bay. Falmouth. Woods Hole. DSRV. 1:30:15 Test depth on a submarine. Back to periscope depth. 1:31:00 Needle in your ear? Nope. You're gonna die. Escape hatch is just for your mother. Rare group of people. 1:33:00 Stereotypes suck. People are lovely. Stop judging based on stereotypes. 1:37:50 Support Quell. Kevin's dog broke stuff. Subscribe to the shows here:1) Rockstar Superhero:Itunes: https://apple.co/3u8wlI9Audible: https://adbl.co/3sCnfSkSpotify: https://spoti.fi/3qxjQDLGoogle: https://bit.ly/3kC66WaTumblr: https://bit.ly/3sGrLzfDeezer: https://bit.ly/2Zr5lW7JioSaavn: https://bit.ly/3k29jhvCastbox: https://bit.ly/3bunV6UiHeartRadio: https://ihr.fm/2PKvm172) Rockstar Radicals:Itunes: https://apple.co/2OR4kVx Spotify: https://spoti.fi/3qHHFZHDeezer: https://bit.ly/3srQ3grPodchaser: https://bit.ly/2NG2UwLGoogle: https://bit.ly/3uIQVzkJioSaavn: https://bit.ly/387Y2HGCastbox: https://bit.ly/3t0yCUliHeartRadio: https://ihr.fm/3vbWKFuBlog @ Tumblr: https://bit.ly/3ka5IhjWanna be on the show? Go here: https://calendly.com/rockstarsuperheroinstituteCopyright 2021 Rockstar Superhero Podcast - All Rights Reserved

FRANCES FARMER Cette semaine on évoque l'esprit de St-Frances-of-Hollywood via le film de FRANCES (1982) de Graeme Clifford. Mené par une performance indescriptible de la part de Jessica Lange, l'histoire de Frances Farmer en est une de rébellion, de folie, d'abus et de sacrifice. C'est une vie épique qui nous montre à quel point Hollywood n'hésite pas quand vient le temps de décimer un individu au profit d'une machine à illusion éphémère. Le cas de Frances à beau dater d'il y a maintenant près de 75 ans, il est tout autant d'actualité aujourd'hui. 

FRANCES FARMER Cette semaine on évoque l'esprit de St-Frances-of-Hollywood via le film de FRANCES (1982) de Graeme Clifford. Mené par une performance indescriptible de la part de Jessica Lange, l'histoire de Frances Farmer en est une de rébellion, de folie, d'abus et de sacrifice. C'est une vie épique qui nous montre à quel point Hollywood n'hésite pas quand vient le temps de décimer un individu au profit d'une machine à illusion éphémère. Le cas de Frances à beau dater d'il y a maintenant près de 75 ans, il est tout autant d'actualité aujourd'hui. 

During the last year of his life, Nirvana’s Kurt Cobain was obsessed with Frances Farmer, an actress from his hometown of Seattle who died in 1970. Farmer’s beauty and unique screen presence made her a star, but her no-bullshit ballsiness made her a pariah — and a target of the hostile media — in 1930s Hollywood. Farmer’s career went down the tubes in the 1940s when a couple of incidents of inconvenient drunkenness led to her being committed to an insane asylum by her own mother, and given a lobotomy. Or, so Cobain and his wife, Courtney Love, frequently told journalists while Cobain was promoting In Utero, the Nirvana album that includes Cobain’s tribute to the actress, “Frances Farmer Will Have Her Revenge on Seattle” (Love also claimed to have been married to Cobain whilst wearing a dress once owned by Farmer, and the couple named their daughter Frances, although that was likely at least co-inspired by Frances McKee of The Vaselines). Unbeknownst to them, the notion that Farmer was lobotomized was a fiction invented by a biographer with ties to Scientology, a lie which was then dramatized in an Oscar-nominated, Mel Brooks-produced movie which helped to make Jessica Lange a star. By the time Kurt and Courtney were championing Farmer as a proto-punk martyr in the 1990s, the legend of Frances Farmer as patron saint of…well, women like Courtney Love, had been printed so many times that it had swallowed up the truth of Farmer’s experience, and loomed much larger than her actual body of movie work. Today we’ll explore how, and why, that legend got printed, and try to explain how Frances Farmer became the patron saint of beautiful, bright, potentially batshit women whose self-destruction can be traced back to their signing of a studio contract. We have special guest stars! Nora Zehetner (Brick, Grey’s Anatomy, Mad Men and most recently IFC’s Maron) played Frances Farmer; Brian Clark played Kurt Cobain, and Noah Segan IS Rex Reed. Learn more about your ad choices. Visit podcastchoices.com/adchoices