Podcasts about algebra blessett

| Ooh La La  | The Shindellas | All The Things Your Man Won't Do  | George Wilson | Something  | Wendy Godfrey | Spirits In Rhythm (Go-Go Version)  | Autumn LaBella feat. Drew Keys | Got Me  | Elan Noelle | Theft  | Elan Noelle | Mirror  | Aryeé The Gem | Lose Control  | TC Cotton | When Will I Ever See You Again  | Dennis Taylor | Want You Bae  | Kandace  | Dreams  | Cella Black | How Does It Make You Feel  | Victoria Monét | Around The Way  | Jada Love | Promises  | CèJae | Ginger Love  | Letasya, Project Unlxcked | Do What I Gotta Do  | Cardell | Invisible Man  | Lenny Williams | Lawd Hammercy  | JKabel | Confusion  | Makeda | Rewind  | A.S.K.  | Passenger Princess  | Shaé Universe | Be Mine  | Moonga K. & Nkosilathi | My Promise  | Quandra Banks | Feel  | Raahz | When You Love Somebody  | Shirley Jones | It Feels Like Love (feat. Tori Beasley)  | Ty Causey | Give Your Love To Me  | Wilton Crump | Think It Through  | Wilton Crump | Ooooooo (New Mix)  | Beth | So Glad I Found You  | Jalen Ngonda | Baby I'm Ready  | Estee Pierce | Need You Now  | Anthony David & Algebra Blessett

Heaven; Anthony David and Algebra Blessett

| Lovin' You (Radio Edit)  | The Journey Men, Hannah Khemoh | I Won't Give Up  | Yooks, Hannah Khemoh | Jaded Love  | Soul Groove (UK) | Somebody  | Assal | Wax Poetic  | Khamari | (Trying To Be) Perfect (Nigel Lowis Remix)  | Candace Woodson | Motion  | Ty Dolla $ign | The Come Up  | Kandy Janai | Hooked  | LeVelle, Raheem DeVaughn | Dance  | T.A.X.I.E. | Found  | Stiggy James | Questions  | Maeta | Pull Up (Gedi Edit)  | Steph Payne | Love Language (Show Mix)  | Bobby Washington | La La Love (Gedi Edit)  | S.P.L., B Banner | When Love Calls (Gedi Edit)  | 3rd Soul From The Sun | Harlem Underground  | Von Stupart | Boogie Down  | Von Stupart | On My Way  | Buscrates feat. Soraya Watti | What's Mine (Gedi Clean Edit)  | Claire Davis | Keep On, Keepin' On  | Kat Hawley feat. Steve Cole | If Things Change  | Kibra feat. Sasha L. Henry | Ain't No One  | Kim Tavar | Holding All My Love  | Mike Di Lorenzo feat. Anna Moore | Made To Suffer  | Melonyx | One You (feat. Algebra Blessett)  | Lin Rountree | Magic Hour  | Lin Rountree | Choose It Right  | Sammy G & Friends | New Chapter (Gedi Clean Edit)  | Alohai | Real Ones (Gedi Clean Edit)  | Alohai | Is It So (Gedi Clean Edit)  | B.Marie | Slow Down  | Chisom | No Time  | Bryzone_ybp feat. Honey Blue | I Am Me  | Natasha Watts  | No One Like You  | Alexis Whitney | Good Love  | Abi-Yah | In The Middle Of The Night  | Bill Albright | Top Notch  | Rodderick Higgins | Cigars & Bourbon  | Key J Kev | We've Got One  | Wendy Walker | Le Freak  | Sierra Sellers | As Long As You Like It  | Tori Helene | Already High  | Talibah Safiya | How's The Weather?  | Aimi | Be  | Vandell Andrew | Allure  | Vandell Andrew

A selection of tunes, most if not all from 2022.  Not a 'Best of' as such but certainly tunes I like and hope you will too.Still  -  Backhouse Nation ft Jeff RobinsonSo Long  - Danielle PonderHurry Up This Way Again  - Raquel RodriguezNever Give You Up  - Marcy BrownLove Me Anyway - NESCarry the Weight -  Acantha LangWhat A Difference She Made  - Jalen NgondaSuperstar (88 Mix)  - B. Goldentalk about it - NovineBlue Collards (Daz-I-Kue Reparations Remix) - Mausiki ScalesYOU'RE THE TRUTH  - Nio ReneeHeaven Sent  - Space Ghost feat. Teddy BryantAdmit It  - Jeangu MacrooyA Better Woman - Cole WilliamsHow You Feel - TykenaShine  - BYAMMBulletproof  - Darryl Anders AgapesoulLove Shines so Bright - Ava CherryIced Tea  - Joyce Wrice & KAYTRANADAHard Times (feat. Cleveland Jones)  - Khari Cabral & JIVAYou Happened to Me  - Teeah LouiseBody Groove  - DJ & The YamsPressing On - Latasha SpencerPassion OF Love  - Greg RoseCome On Over  - Mr. SippAll My Black (feat. Algebra Blessett & Lin Rountree)  - Stokes & MachineNOW'S THE TIME FOR US  - JULIAN JONAH featuring TAMIKA ICU  - Coco JonesLoves Frequency  - Klassic Man

Singer, Songwriter, Entrepreneur, Algebra Blessett takes time out of her busy schedule from performing just days ago at One MusicFest, to chat with us. Listen to this amazing interview, and support Algebra on Instagram @algebrabassett & @lovelipsbyalgebrab --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

The "Pull Up" Podcast with CHILLW!LL - Episode 10 - ALGEBRA BLESSETTThis week the fellas sat down with the amazingly talented and incredible songstress and Atlanta native ALGEBRA BLESSETT! It was an phenomenally funky good time! PULL UP!Watch and Subscribe!Stream on Spotify, Apple Podcasts and everywhere podcasts can be heard!Even bigger help, rate our podcast and leave a review! We really appreciate all the feedback!Want to say something? Want to be heard? Got something to tell one of our hosts or guests? Leave a voice message on our Anchor!Anchor: https://anchor.fm/pullupwithchillwillStream and Subscribe Here: https://pullupwithchillwill.buzzsprout.comFollow us on all socials:ALGEBRA BLESSETT:@AlgebraBlesett The “Pull Up” Podcast with CHILLW!LL:@thepullupwithchillwillW!LL:  @yothatswillTLee:  @chill3Tedra:@iamtedraSupport the show

Chapter 332 (This week: Indy lopez play the best Deep, soul and funk feat. Jose De Divina, Anthony David n Algebra Blessett, Devonde n Master Fale) Tracklist: (Intro Herbert - Rude) 1 Dj Fede - The Spirit of Ibiza (Jose De Divina & DjAle Good Trip Mix) Irma Records 2 Devonde & Master Fale - Love Yourself - NY-O-DAE-MUSIC 3 Med Dred - Vita Omega (Soulful Mix ) Mange Le Funk Productions 4 Discosteps - Can't Forget (Original Mix) Cross Land Music 5 Antero Monteiro - Palm Beach Soul (Original Mix) Shamkara Records 6 Vito Lalinga (Vi Mode Inc Project) & Santoro - On The Way - Irma Records 7 Anthony David & Algebra Blessett - Heaven (AMAPIANO MIX) - Dome Records UK 8 Bernardo Mota - Auz. - Art Nouveau Records 9 Jay Caruso - Come Around (Jay Soulful Vocal) Irma Records 10 Frank Delour - Fight for Love (Extended) [Club Restricted Promo] 11 Indy Lopez - Middle of The Night (Mr.Lopez Deep Mix) Deep Rhymes Thanks to all the Labels and Artists for his Music. All tracks selected and mixed by Indy Lopez. Indy Lopez (Producer,Dj & Artist) WWW.INDYLOPEZ.COM Send your Promos to:promo@indylopez.com ALL MY MUSIC CLICK HERE More info: INSTAGRAM FACEBOOK YOUTUBE Bookings Worldwide: Musiczone Records: bookings@indylopez.com Encoded and Host by MUSICZONE PODCAST SERVICES

In This episode of #CGHTHOUGHT, we talk with the world-renowned multi-talented Grammy award-winning singer, songwriter, and businesswoman ALGEBRA BLESSETT Algebra speaks candidly about the struggles of her life from childhood to the music industry and how she failed forward to succeed. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Billboard Charting Hip Hop Emcee & Entertainment Attorney Feat. Tracey Lee Esq, In this episode Durell is joined by hip-hop artist and entertainment attorney Tracey Lee Esq. Durell and Tracey begin the episode sharing how they got connected via New Skool Rules. Durell and Tracey talk about the importance of being global and that hip-hop emcees who are real street with their lyrics are able to have a platform like New Skool Rules that gives an opportunity and a platform to be seen and heard from all around the world. Durell shares that he's always been told that most entertainment attorneys are former disgruntled artists but what makes Tracey different is that he still makes great music. Tracey shares that most indie artists are underrepresented because they are forced to be their own record label and play all the roles that come along with pursuing a career in music. Tracey and Durell talk about indie creatives who actually need the structure of a record label, but even with the help of a label artists need to have a strong working knowledge of how the music business works. Durell shares that he doesn't look at the indie creatives that he personally manages as his clients but more as family. Tracey shares that he was first introduced to music by his mother listening to Gospel music. Tracey says that his mother also listened to a lot of R&B which he really enjoyed and then he started playing drums in church. He shares that he remembers trying to direct the choir around the age of 3, and eventually the pastor brought him to the front and had them both directing. Tracey says that's when the bug to have all eyes on him really began. He said the first time he heard “Rappers Delight” is when he really began to develop a love for hip-hop. He shares that Melle Mel is the first emcee that introduced him to lyrical rap, which he connected to because of what he was seeing in his neighborhood as a young kid. He then heard T La Rock and fell in love with his descriptive wordplay and LL Cool J who brought the energy and swagger to hip-hop. Tracey knew after these experiences that he wanted to pursue rap in a real way. He shares that he would send demos to record companies trying to get a record deal all the way up through high school. He shares that he graduated from high school and although he loved music he had another passion which was sports. He decided on Howard University because he wanted to study mass communications and become a color commentator.Tracey shares that he only lasted in mass communications for one semester and then he eventually met Deric “D-Dot” Angelettie & Ron Lawrence. They both were heavy into music and found out that Tracey had a talent in rap and eventually brought the passion back for music. He shares that even though he ultimately graduated and got his degree he was fully back in the pursuit of trying to get a record deal. He shares that the great thing about going to Howard University was that there were so many great connections made that ultimately helped to set the table for what was to come. Tracey talks about getting a taste of the indie music hustle when he and a couple of his friends from college started an indie record label and cut a maxi single and that's where he learned about the different layers of the music business. Tracey shares that he inked his first record deal with Mark Pitts & his record label Bystorm Entertainment. The record deal was for about 5 albums. Durell and Tracey talk about what it means to get an advance from a record label as well as how royalties are paid out. Tracey talks about what it means to have to recoup the initial advance and why many artists never do so because of the large amount of debt that is accrued to the label. Tracey shares that his debut album “Many Facez” was released in 1997. Durell asked Tracey about the album making process back then and what that process was like. He shares that after he recorded the single “The Theme (It's Party Time)”and went to work it in New York it was a bit rough because being from Philadelphia he didn't run in the most common circles and the fact that he was able to get a verse and cosign from Biggie there were some that didn't like that too much. He said the single didn't really pop until DJ Red Alert started playing the single and it caught some legs. The label wanted to capitalize and so because Tracey had a lot of quality songs that were on his original demo, the label took quite a bit of those and put his album together. The album was titled “Many Facez '' because a lot of the songs represented the different types of moods Tracey would be in when making the songs. Tracey shares about his experiences working with hip hop icons Busta Rhymes and Kanye West. He says that Kanye is the same type of person he is now back then. Durell and Tracey talk about him not ever getting the opportunity to go overseas when he had his record deal and even today finding that he has fans in a few different countries overseas. He shares that he is looking forward to getting the opportunity to be able to do some tour dates in those territories and touch those people. Tracey and Durell end the episode talking about why he decided to pivot and go to law school to become an entertainment attorney. Tracey shared the first trigger on why he decided to go to law school was his bad experiences in the music business. He talks about when he first signed his deal he didn't hire an entertainment attorney, instead opting to hire a corporate attorney who had no experience in the nuances of the entertainment business. He shares that the second trigger in why he decided to become an attorney is the fact that when he first moved to New York to work on his album, he lost his contract and called his attorney and never heard from him. The final trigger was when he went back to the label after hiring a new lawyer and in his original contract where he was supposed to receive a $10,000 check from his publishing portion of his agreement and the label went back and changed the numbers and when he got the new contract it stated that he was supposed to now only get $1. He talks about being down to his last $7 going to church and putting it into the collection plate and then a couple weeks later getting a call letting him know that Universal had a check for him but didn't have an address to send it. He shares that he received a check for $7,000 and then a week later another check for $57,000. He knew then he wanted to be a light for artists who had found themselves in a similar situation to him and he could speak to the artistic side as well, having had success in his own right. Tracey shares that he passed the bar exam and has been a practicing licensed attorney since 2007. He has been able to help many artists coming up as well as some artists who have had very long and established careers such as Kelly Rowland, Solange Knowles and Eric Roberson and Algebra Blessett in the indie music community. Tracey shares that he has also spent time as an educator at Coppin State University where he taught classes on music business. He shares that his passion now is really to educate and if he were to have a real job that would be it especially because he does it naturally. Tracey also shares that he's a part of several industry associations and Durell asks about the diversity when it comes to his colleagues. He shares that when it comes to his home state of Washington D.C. he has seen a lot of diversity.For more information on Tracey Lee, please visit his website:https://www.traceyleemusic.com/

The Billboard Charting Hip Hop Emcee & Entertainment Attorney Feat. Tracey Lee Esq, In this episode Durell is joined by hip-hop artist and entertainment attorney Tracey Lee Esq. Durell and Tracey begin the episode sharing how they got connected via New Skool Rules. Durell and Tracey talk about the importance of being global and that hip-hop emcees who are real street with their lyrics are able to have a platform like New Skool Rules that gives an opportunity and a platform to be seen and heard from all around the world. Durell shares that he's always been told that most entertainment attorneys are former disgruntled artists but what makes Tracey different is that he still makes great music. Tracey shares that most indie artists are underrepresented because they are forced to be their own record label and play all the roles that come along with pursuing a career in music. Tracey and Durell talk about indie creatives who actually need the structure of a record label, but even with the help of a label artists need to have a strong working knowledge of how the music business works. Durell shares that he doesn't look at the indie creatives that he personally manages as his clients but more as family. Tracey shares that he was first introduced to music by his mother listening to Gospel music. Tracey says that his mother also listened to a lot of R&B which he really enjoyed and then he started playing drums in church. He shares that he remembers trying to direct the choir around the age of 3, and eventually the pastor brought him to the front and had them both directing. Tracey says that's when the bug to have all eyes on him really began. He said the first time he heard “Rappers Delight” is when he really began to develop a love for hip-hop. He shares that Melle Mel is the first emcee that introduced him to lyrical rap, which he connected to because of what he was seeing in his neighborhood as a young kid. He then heard T La Rock and fell in love with his descriptive wordplay and LL Cool J who brought the energy and swagger to hip-hop. Tracey knew after these experiences that he wanted to pursue rap in a real way. He shares that he would send demos to record companies trying to get a record deal all the way up through high school. He shares that he graduated from high school and although he loved music he had another passion which was sports. He decided on Howard University because he wanted to study mass communications and become a color commentator.Tracey shares that he only lasted in mass communications for one semester and then he eventually met Deric “D-Dot” Angelettie & Ron Lawrence. They both were heavy into music and found out that Tracey had a talent in rap and eventually brought the passion back for music. He shares that even though he ultimately graduated and got his degree he was fully back in the pursuit of trying to get a record deal. He shares that the great thing about going to Howard University was that there were so many great connections made that ultimately helped to set the table for what was to come. Tracey talks about getting a taste of the indie music hustle when he and a couple of his friends from college started an indie record label and cut a maxi single and that's where he learned about the different layers of the music business. Tracey shares that he inked his first record deal with Mark Pitts & his record label Bystorm Entertainment. The record deal was for about 5 albums. Durell and Tracey talk about what it means to get an advance from a record label as well as how royalties are paid out. Tracey talks about what it means to have to recoup the initial advance and why many artists never do so because of the large amount of debt that is accrued to the label. Tracey shares that his debut album “Many Facez” was released in 1997. Durell asked Tracey about the album making process back then and what that process was like. He shares that after he recorded the single “The Theme (It's Party Time)”and went to work it in New York it was a bit rough because being from Philadelphia he didn't run in the most common circles and the fact that he was able to get a verse and cosign from Biggie there were some that didn't like that too much. He said the single didn't really pop until DJ Red Alert started playing the single and it caught some legs. The label wanted to capitalize and so because Tracey had a lot of quality songs that were on his original demo, the label took quite a bit of those and put his album together. The album was titled “Many Facez '' because a lot of the songs represented the different types of moods Tracey would be in when making the songs. Tracey shares about his experiences working with hip hop icons Busta Rhymes and Kanye West. He says that Kanye is the same type of person he is now back then. Durell and Tracey talk about him not ever getting the opportunity to go overseas when he had his record deal and even today finding that he has fans in a few different countries overseas. He shares that he is looking forward to getting the opportunity to be able to do some tour dates in those territories and touch those people. Tracey and Durell end the episode talking about why he decided to pivot and go to law school to become an entertainment attorney. Tracey shared the first trigger on why he decided to go to law school was his bad experiences in the music business. He talks about when he first signed his deal he didn't hire an entertainment attorney, instead opting to hire a corporate attorney who had no experience in the nuances of the entertainment business. He shares that the second trigger in why he decided to become an attorney is the fact that when he first moved to New York to work on his album, he lost his contract and called his attorney and never heard from him. The final trigger was when he went back to the label after hiring a new lawyer and in his original contract where he was supposed to receive a $10,000 check from his publishing portion of his agreement and the label went back and changed the numbers and when he got the new contract it stated that he was supposed to now only get $1. He talks about being down to his last $7 going to church and putting it into the collection plate and then a couple weeks later getting a call letting him know that Universal had a check for him but didn't have an address to send it. He shares that he received a check for $7,000 and then a week later another check for $57,000. He knew then he wanted to be a light for artists who had found themselves in a similar situation to him and he could speak to the artistic side as well, having had success in his own right. Tracey shares that he passed the bar exam and has been a practicing licensed attorney since 2007. He has been able to help many artists coming up as well as some artists who have had very long and established careers such as Kelly Rowland, Solange Knowles and Eric Roberson and Algebra Blessett in the indie music community. Tracey shares that he has also spent time as an educator at Coppin State University where he taught classes on music business. He shares that his passion now is really to educate and if he were to have a real job that would be it especially because he does it naturally. Tracey also shares that he's a part of several industry associations and Durell asks about the diversity when it comes to his colleagues. He shares that when it comes to his home state of Washington D.C. he has seen a lot of diversity.For more information on Tracey Lee, please visit his website:https://www.traceyleemusic.com/

Grown Folks Music Podcast 31Hosted By Sam Smith1. Don't Be Afraid - Aaron Hall2. I Want You - Billy Davis 3. Let Me Be the One - Five Star 4. Hurricane - Karyn White5. In the Stone - Pete Escovedo6. One - Take 67. Shy - Tuxedo with Zapp8. I'm Your Baby Tonight  - Whitney Houston9. Take Me - Tony Terry10. Back to Us - Conya Doss11. Somebody - Al Hight Feat Sam Howard12. Wonderful - Aretha Franklin13. Once In A Lifetime - Carvin Winans14. Sober - Nile Rodgers and Chic 15. Worth It All - Jeffrey Osborne16. Make Love - Case feat Teddy Riley & Tank17. My Love - Geneivah18. Where's That Smile - Bob Baldwin Ft Lori Williams19. Like Bobby  - Bobby Brown20. Want It - Next 21. Night's Over - Raquel Rodriguez22. Do You Like That - Tower Of Power 23. Chill AF Remix - Vandell Andrew ft Raheem DeVaughn24. Best Of My Love - The Emotions25. Waitin' On You - The Temptations26. New Love - Victoria Monét27. What Would I Do - The Braxton Brothers -28. My Heart - Toni Braxton Feat. Colbie Caillat29. I'm a Make It Up SS Edit - Steven Russell Harts30. Shackles (Praise You) - Mary Mary31. Highest High - Selina Albright 32. Here We Go Again! - Portrait33. Mr. Groove (DJ M.Flash Remix) - One Way34. I'm Overjoyed - Nona Gaye35. I Can't Help It - Mitchell Coleman Jr Feat Ralph Tresvant 36. She Needs To Get Some - Ray Parker, Jr.37. Jump Start My Heart - Natalie Cole38. My Boo - Ghost Town DJ's 39. Expectations - Gene Noble40. I Giit Around - Chuckii Booker 41. I Need You To Know - Cheryl Pepsii Riley42. Groove Me - King Floyd43. Sundress (Remix) - Jermaine Hardsoul Ft. Algebra Blessett 

After graduating from Howard University with a degree in Communications, Tracey Lee inked a recording deal with Bystorm/Universal Records under which he released a solo album entitled, Many Facez (1997). This album included the hit single, The Theme (It’s Party Time), which settled on Billboard’s Top 100 for thirty-seven weeks. He had the opportunity to collaborate with award-winning artists such as the Notorious B.I.G., Busta Rhymes, and Kanye West. Some of Tracey's performances and appearances included BET Rap City: The Basement, BET Teen Summit, Keenan Ivory Wayans Show, and HBO Original Series: ARLI$$. Tracey's whirlwind music industry experience prompted him to earn a Juris Doctorate Degree from Southern University Law Center making Tracey the 1st former major label hip-hop artist to earn the abbreviation Esq. behind his name. Some of his clients include Eric Roberson (Grammy-Nominated R&B Singer/Songwriter), Invisible Productions (for Kelly Rowland, Solange Knowles and Kobe Bryant), and DJ Young Guru (Tour DJ & Engineer for Jay-Z). In 2014, Tracey returned to the music scene as an independent artist under the LLeft Entertainmentlabel that he owns with his wife, Lori Nelson Lee. To date, he has released 3 major projects; ESQ. The Revelation, with appearances by DJ Young Guru, Eric Roberson, and Algebra Blessett, Expect The Unexpected, which received rave reviews from some of music industry's top DJs, and his most recent release, Glory, which is already being revered as Tracey's magnum opus for his ability to so poetically capture the strife of a major societal shift, (Covid-19, Quarantine, Police Brutality, and Civil Unrest), and turn it into pure art. Glory is a product of the now and the way forward on a landscape cultivated entirely by the production of super producer, Ojizz. Fall of 2016, Tracey joined the faculty staff of Coppin State University as an adjunct professor teaching The Business of Music to aspiring artist, and he gave a presentation on Contracts, Copyrights & Performing Rights Societies at the Music Industry Symposium for Singers and Musicians in St. Lucia. Currently, Tracey sits on the Governor's Board for The Recording Academy Washington, DC Chapter, and is a member of Black Entertainment and Sports Law Association (BESLA), American Bar Association (ABA), Screen Actors Guild (SAG), and American Federation of Television and Radio Artists (AFTRA). https://www.traceyleemusic.com

Welcome to the HU Movemakers Podcast (www.humovemakers.com), where we highlight folks in Howard University Culture that are blazing the trail and making moves! If you would like to apply or nominate someone to be on the podcast, please email bio/headshot to humovemakers@gmail.com. After graduating from Howard University with a degree in Communications, Tracey Lee inked a recording deal with Bystorm/Universal Records under which he released a solo album entitled, Many Facez (1997). This album included the hit single, The Theme (It's Party Time), which settled on Billboard's Top 100 for thirty-seven weeks. He had the opportunity to collaborate with award-winning artists such as the Notorious B.I.G., Busta Rhymes, and Kanye West. Some of Tracey's performances and appearances included BET Rap City: The Basement, BET Teen Summit, Keenan Ivory Wayans Show, and HBO Original Series: ARLI$$. Tracey's whirlwind music industry experience prompted him to earn a Juris Doctorate Degree from Southern University Law Center making Tracey the 1st former major label hip-hop artist to earn the abbreviation Esq. behind his name. Some of his clients include Eric Roberson (Grammy-Nominated R&B Singer/Songwriter), Invisible Productions (for Kelly Rowland, Solange Knowles and Kobe Bryant), and DJ Young Guru (Tour DJ & Engineer for Jay-Z). In 2014, Tracey returned to the music scene as an independent artist under his LLeft Entertainment label releasing his project entitled ESQ. The Revelation, with appearances by DJ Young Guru, Eric Roberson, and Algebra Blessett. Fall of 2016, he joined the faculty staff of Coppin State University as an adjunct professor teaching The Business of Music. In 2018, Tracey released Expect The Unexpected, an album that brilliantly bridges the gap musically between the new school sound and hip-hop culture's foundation. On July 31, 2020, Tracey released his latest project Glory, which is already being revered as Tracey's magnum opus. Created in the midst of a major societal shift, (Covid-19, Quarantine, Police Brutality, and Civil Unrest), this album is a pure product of the now and the way forward on a landscape cultivated entirely by the production of super producer, Ojizz. Tracey currently sits on the Governor's Board for The Recording Academy Washington, DC Chapter, and is a member of Black Entertainment and Sports Law Association (BESLA), American Bar Association (ABA), Screen Actors Guild (SAG), and American Federation of Television and Radio Artists (AFTRA). --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/humovemakers/message Support this podcast: https://anchor.fm/humovemakers/support

Living in a country that does not see black as beautiful has been a barrier in my personal journey of embracing my blackness. Listen in as I share 5 things I have learned to help me embrace the beautiful black skin God has given me.  Resources Mentioned The Souls of Black Folk by W.E.B. DuBois The Fire Next Time by James Baldwin Black Gold (ft. Algebra Blessett) by Esperanza Spalding This Week’s Belt of Truth: Psalm 139:13-14 Photo Credit: Melissa Stuckey Photography  Want to contact me?  Follow me on Instagram Follow me on Facebook Email me at danielle@unashamedandfree.com  

This is Episode 4 of Season Three of the show "LOVE-Luv Therapy"Hosted by Byron LOVE Luv, the show delves into the question of WHAT BLACK PEOPLE ARE GOING TO DO DIFFERENTLY to have actual change in their lives and the betterment of the people.Black people have habitually and generationally done the same things consistently for decades, even centuries now. Black people have become a permanent under-class and a change MUST happen at this point.Special guests Shae Smith (Duval Tax Financial Services) & Brother Solahkiya (Huey P. Newton Gun Club - Dallas Chapter) join in to expound on big facts and solutions.Enjoy and be edu-tained.Songs contained herein include:Da Purge - Byron LOVE LuvTerminator X - Buck Whylin’JMcG - JustifiedRick Ross ft. Lil’ Wayne, Young Jeezy & Trick Daddy - Luxury TaxTraXxstar, ChineyK, TrippleB (PreeGameShow) - Tax Refund SongNas - N.i.G.G.E.R.OutKast - Git Up Git OutRaheem DeVaughn ft, Jill Scott, Bilal, Algebra Blessett, Anthony Hamilton - No One Wins a WarI do not own the rights to these songs (except for Da Purge by Byron LOVE Luv). Use of these songs are strictly for promotional/entertainment purposes. *FAIR USE DISCLAIMER: I do not own copyright for this copyrighted material, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.I state here in a good faith that I have made and uploaded here this copy of this copyrighted material completely for the purposes of comment and criticism - i.e. my production of the copy of this copyrighted material and sharing of it here in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted material and sharing of it here in this particular case can only increase value of this copyrighted material and produce only positive effects for this copyrighted material in its potential market.This program may contain copyrighted material; the use of which has not been specifically authorized by the copyright owner. We are making such material available for the purposes of criticism, comment, review and news reporting which constitute the fair use of any such copyrighted material as provided for in section 107 of the U.S. Copyright Law. Not withstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work for purposes such as criticism, comment, review and news reporting is not an infringement of copyright. This program was created abiding by Terms of Service. The purpose of this program is to discuss or critique. The creator harbors no ill or malicious intent. This program contains satire, jokes and criticism (both negative and positive) of individuals and ideas. This material is created for comedic or satirical purposes that are not intended to cause offense. The content here exists solely to entertain viewers. No intentional plagiarism has taken place.Support the show (https://www.patreon.com/Byronloveluv/creators)

The week we are joined by world renowned vocalist and Atlanta native Algebra Blessett. We talk her Atlanta roots, the time she heard Stevie Wonder driving, and first fight. Plus Top 5 Sneakers of All Time...

waking up love

waking up love

Singer/songwriter Kenya delivers smooth, soulful vocals with a jazz influence that creates a contemporary groove. Kenya's music has charted in the US Top 30 Billboard Urban Adult Contemporary charts, Top 50 Smooth Jazz independent charts and top 10 on the independent UK Soul Chart in which her previous album My Own Skin (2015) reached the #1 spot for four consecutive weeks. Similarly, she reached the #1 spot in Chicago's R&B/Soul ReverbNation chart (August 2018) and was the 2014 recipient of the Black Women in Jazz "Best Black Female 'Rising Star' Jazz Artist" award. Opening for such recording artists as Lalah Hathaway, Rachelle Ferrell, Raul Midon, Mint Condition's Stokley Williams and Algebra Blessett, Kenya delights diverse crowds with her melodic tone and engaging stage presence. A graduate of Howard University and former member of the university's Howard Gospel Choir, Kenya is now based in Chicago and has performed internationally at noteworthy venues and festivals including Essence Festival, Capital Jazz Super Cruise, Magic CIty Smooth Jazz in the Park Series in Alabama, Washington D.C.'s Blues Alley, Denver's Dazzle Jazz Club, The Biltmore in LA, Groove NYC, Atlanta's St. James Live, The Promontory in Chicago in addition to a variety of other Chicago area venues and showcases, London's Jazz Cafe, Manchester, UK's Band on the Wall and a variety of other international settings. Kenya's most recent collaboration with legendary smooth jazz saxophonist, Gerald Albright is a rearrangement of the classic song "My Favorite Things" and is a stellar example of her progressive musical ideas and talent.. Her impressive vocals along with Gerald Albright's signature sound is sure to draw in new listeners and fans as she prepares to release her new upcoming project "S.H.E." the fall of 2019.    

#SoulFusion - Your Soul Sunday Fix Featuring tunes from Calvin Richardson, Children of Zeus, Kenny Lattimore, Donell Jones, Kara Marni, Moonchild, Mali Hayes, Jay Alexzander, Tiana Major9, FKJ, Algebra Blessett + much more. Tune in every Sunday 9 - 11pm on KCC Live http://www.kcclive.com

With a last name associated with musical excellence, Selina Albright is a soulful singer-songwriter with versatility that comes from years of listening to many origins and languages of music. Her angelic tone adds character and emotion to any ballad, yet her powerful wailing and energetic stage presence commands attention.Albright developed her onstage charisma and vocal technique from being exposed to legendary artists, such as Whitney Houston, Take Six, Ella Fitzgerald, Dinah Washington, Beyonce, Lalah Hathaway, and Tina Turner. Her intimate, connective writing style comes from experiences and aspirations from her own life, so that when you listen to her music, you are introduced to a private piece of who Albright is, has been, or is becoming.The artist appears on Gerald Albright's Grammy-nominated projects, dating back to 1997, with such titles as “Live To Love,” “Smooth,” ”Slam Dunk,” and “G.” She wrote and performed the lyrics for the title track of Gerald Albright’s Grammy-nominated collaboration with Norman Brown, entitled “24/7." Most recently, Albright was featured on Peter White's 2016 release "Groovin'."Selina Albright’s R&B/Soul 2013 release entitled "Brighter" topped the UK Soul Chart for four weeks, and her sassy 2010 Jazz original "You and I," was featured on iTunes' "Top 100 Downloads" list in 2010! Her most recent release “Sun Comes Up” (2016) has outperformed all previous releases, and her new full-length project entitled "Conversations" will release on March 17, 2017!Aside from her R&B/Jazz releases, the artist has also joined forces with Electronic Dance Music DJ duo Manufactured Superstars. A major highlight of her career was their performance of "Serious" for the Las Vegas Electric Daisy Carnival in 2011, for over 200,000 high-energy ravers and fans!Selina Albright has graced the stage the world over with many artists, such as pianists Jeff Lorber, George Duke, Joe Sample, Brian Simpson, Brian Culbertson, Keiko Matsui, and David Benoit; guitarists Peter White, Nick Colionne, Norman Brown, Jonathan Butler, Jeff Golub, David P. Stevens, JJ Sansaverino, Adam Hawley, and Matt Marshak; bassists Marcus Miller and Gerald Veasley; saxophonists Gerald Albright, Dave Koz, David Sanborn, Kirk Whalum, Steve Cole, Boney James, Jeff Kashiwa, Richard Elliot, Marion Meadows, Gianni Vancini, Eric Darius, Jackiem Joyner, and Candy Dulfer; trumpeters Hugh Masakela, Rick Braun and Patches Stewart; vocalists Chaka Khan, Will Downing, Eric Roberson, Regina Belle, Algebra Blessett, Tony Momrelle, and The Temptations; and bands Pieces of a Dream and Four80East. 

European Podcast 2013 Nominee “The Truth” Podcast 155 (The Songstress) on www.soulgrooveradio.co.uk. We feature some of classic tracks from DJ Mr Jay & Love in Action who have selected some of the finest female vocalists in Soul/Neo-Soul. Our featured artists for podcast 155; Teri Tobin (Exclusive), Tracy Hamlin, Karyn White, Bashiyra, Avery Sunshine, Algebra Blessett, Dionne Warwick, Leela James, Ledisi, Meelah and Mariah Carey. Follow us on Twitter at @DjMrJay, Find us on Facebook at “The School of Thought”, for bookings email us at info@djmrjaylive.com - Visit us online at http://djmrjay.com/

European Podcast 2013 Nominee “The Truth” - Podcast CLII on www.soulgrooveradio.co.uk. We feature some of classic tracks from DJ Mr Jay & Love in Action who have selected some of the finest in Soul/Neo-Soul and R&B. Our featured artists for podcast CLII; John Michael, Robert Glasper, Ruben Studdard, J. Holiday, JSoul Black Sinatra, Noel Gourdin, Kenny Dope & Raheem DeVaughn, Kelly Price, Tandy Jr, Algebra Blessett, Carmichael Musiclover, and Jazmin Sister. Follow us on Twitter at @DjMrJay, Find us on Facebook at “The School of Thought”, for bookings email us at info@djmrjaylive.com - Visit us online at http://djmrjay.com/

European Podcast 2013 Nominee “The Truth” celebrates the Podcast 150 series on www.soulgrooveradio.co.uk. We feature some of classic tracks from DJ Mr Jay & Love In Action who have selected some of the finest in Soul/Neo-Soul and R&B. Our featured artists for podcast CLI; Plunky, Glenn Lewis, Bobby V, Jennifer Hudson, K.Michelle, Lyfe Jennings, Algebra Blessett, Carmen Rodgers, Mali Music, Leela James and Ruben Studdard. For this special edition podcast we have exclusively signed CDs by Bashiyra, “One Shot at Love” Expansions (EP) to give away! Simply click on the link to find more! – Thank you Bashiyra!!!! http://djmrjay.com/about/podcast-150-the-truth/ Follow us on Twitter at @DjMrJay, Find us on Facebook at “The School of Thought”, for bookings email us at info@djmrjaylive.com - Visit us online at http://djmrjay.com/

Tyrese Gibson has become a seasoned vet in the worlds of music and film as well as a respected author. Tyrese, who has been a sensation in the R&B world for nearly two decades, is responsible for such classics as “Sweet Lady” and “How You Gonna Act Like That." Tyrese has transitioned into the world of film starring in the leading role of the John Singleton classic, Baby Boy.  Not fond of the entertainment industry, former RichGirl, Kristal Lyndriette Smith, is back with a solo career and ready to take on the industry. Born in Charlotte, North Carolina, and raised in Gastonia, North Carolina, Kristal has always been surrounded by music.  Algebra Blessett, an Atlanta native, began her career by playing club dates before releasing “Purpose,” in 2008, which included the single “Run and Hide.” The album held steady on the Billboard R&B/Hip Hop Albums Charts for 14 weeks.  She has collaborated with India.Arie and Esperanza Spalding, winning Grammys for both collaborations, and was featured on Anthony David’s #1 R&B Adult Cotemporary Chart hit, “4evermore.”

It's the Labor Day edition of Rodney Perry Live at 2PM EST on Monday, September 2, 2013! This week on Rodney Perry Live we welcome Writer/Director Noel Calloway from the breadkout movie, “Life, Love, Soul”. In the second half of the hour we welcome Grammy Award winning and vocalist extraordinaire, Algebra Blessett.   For more information about Noel visit: twitter.com/Thenoelcalloway For more information about Algebra visit: http://twitter.com/yesitsalgebra   Rodney Perry Live is a show consisting of all arts and entertainment. Everything from comedy and politics to music and acting. Rodney covers it all with a comedic slant. Tune in each and every Monday at 2pm EST www.blogtalkradio.com/rodneyperrylive to check out "Rodney Perry Live" on internet radio: Call in number: (718) 305-6383.

“The Truth” every Friday on www.soulgrooveradio.co.uk with more classic tracks from DJ Mr Jay & Love In Action who have selected some of the finest in soul and R&B. Our featured artists for podcast 103 includes Betty Wright and The Roots, Kay Cola, Algebra Blessett, Seal, Keith Sweat, Lalah Hathaway, Maysa, Hamilton Park and Boyz II Men. Remember to tune into www.soulgrooveradio.co.uk or download the podcasts from http://djmrjay.podomatic.com/ or simply type “Dj Mr Jay’s Podcasts” in the search box on iTunes. Contact “The Truth” at info@djmrjaylive.com.