Podcast appearances and mentions of Candy Dulfer

La edición número 86 de Smooth Jazz Classics vuelve a reunir algunas de las grabaciones más elegantes y memorables de las últimas décadas. En esta ocasión, el programa propone un recorrido que abarca desde los años 80 hasta la década de 2010, combinando grandes éxitos del smooth jazz, el soul sofisticado, el jazz contemporáneo y el pop de calidad que ayudó a definir el sonido adulto contemporáneo. Entre los momentos más destacados encontramos la histórica interpretación de Natalie Cole y Nat King Cole en “Unforgettable”, una de las colaboraciones más emocionantes jamás registradas gracias a la tecnología que permitió unir las voces de padre e hija. También recuperamos el éxito instrumental “Lily Was Here”, donde el talento de Candy Dulfer se fusiona con la producción de Dave Stewart en una pieza que sigue sonando tan fresca como el día de su lanzamiento. El programa incluye además nombres imprescindibles del género como Boney James, Peter White, Kim Waters, Maysa y The Sax Pack, artistas que han contribuido de forma decisiva al desarrollo y popularización del smooth jazz moderno. La selección se completa con la elegancia de Oleta Adams, el refinamiento pop de Simply Red, la creatividad electrónica de GOTA, la sensibilidad de Neneh Cherry, el inolvidable dúo formado por Barbra Streisand y Barry Gibb en “Guilty” y el groove característico de Fattburger. Una hora repleta de melodías inolvidables, grandes interpretaciones y sonidos que han dejado huella en la historia del smooth jazz y la música contemporánea. Tracklist – Smooth Jazz Classics 86 Natalie Cole & Nat King Cole – Unforgettable (1991) The Sax Pack – The Sax Pack (2008) Boney James – Stone Groove (2004) Maysa – Got To Be Strong (1999) Peter White – Pedro Blanco (2001) Kim Waters – Swept Away (2018) Neneh Cherry – Woman (1996) Simply Red – Mellow My Mind (1998) GOTA – Chillin' Children (1993) GOTA – Someday (1993) Oleta Adams – Rhythm Of Life (1990) Barbra Streisand & Barry Gibb – Guilty (1980) Dave Stewart & Candy Dulfer – Lily Was Here (1990) Fattburger – Anything's Possible (2005)

In deze aflevering van Brood en Spelen praat Amber Roner op het kantoor van GRAP met Candy Dulfer, Rafaël Nagelkerke en Noa Lauryn over de Nederlandse soul & jazz scene. Rafaël is oprichter en boeker bij We Crave Music. Noa is artiest en A&R manager bij Vokall Records. Candy is boven alles artiest en zet zich graag in voor talent. In de aflevering gaat het over de Nederlandse soul & jazz scene en welke kansen en mogelijkheden je hebt als talentvolle artiest. Waar zijn de speelplekken? Hoe kom je aan shows en contacten binnen de muziekindustrie? Wat zijn de vooroordelen over de genres en hoe regel je shows in het buitenland? We gaan ook in op de rol van een boeker en label, de connectie tussen vader en dochter en geven tips voor shows die je moet gaan zien. Links uit de uitzending:https://www.grap.nethttps://www.candydulfer.nlhttps://wecravemusic.nlhttps://www.vokallrecords.comhttps://www.instagram.com/noa.lauryn.music Voor meer info over Brood en Spelen volg je ons online: Spotify (met de gedraaide tracks uit de uitzending): https://open.spotify.com/playlist/0M7pWD7Tfmx4xgkVJVAAhc?si=XHjpEQo1T96J48ng-NPvkwFacebook:https://www.facebook.com/BroodenspelenpodcastInstagram:https://www.instagram.com/broodenspelenpodcast Hosted on Acast. See acast.com/privacy for more information.

Did you know American music legend Nile Rodgers is helping the Trust plant and protect woodland in Northern Ireland? Alongside generous donations to Faughan Valley Woodlands from the We Are Family Foundation (WAFF), Nile has got stuck in with planting on site. Nile and the foundation he co-founded with his partner, Nancy Hunt, are working with us to reconnect fragmented native woods in a region where less than 1% of ancient woodland remains. We caught up with the multiple Grammy Award winner on his latest visit to find out why. We also hear from David Saddington, trustee of both WAFF and the Trust, on why empowering young people to take direct action is key to this work, and we chat to some of those volunteering at this special event. Please note this episode contains references to drugs. Don't forget to rate us and subscribe! Learn more about the Woodland Trust at woodlandtrust.org.uk  Transcript You are listening to Woodland Walks, a podcast for the Woodland Trust, presented by Adam Shaw. We protect and plant trees for people to enjoy, to fight climate change and to help wildlife thrive. Nile: But it just made me feel so good. It was so real, it was almost like a drug. So my parents were doing heroin, I was doing music *laughs*. Nile: So I always thought that an artist was the guy trying to be the smartest person in the room, that everybody said, 'well, I wish I could play like him, I wish I could do that'. No, it was the person who touched people's hearts. Nile: We actually had them locked out the studio because we still hadn't finished the lyrics to We Are Family. Nile: Trees do, all plants, but trees, you know, especially, do so much for life. Let's not just talk about the overall environment, life, all life forms that exist. Adam: For 40 years, if you've been on a dance floor, you'll have been dancing to the music of one of our guests today. He co-founded Chic, produced and collaborated with David Bowie, Madonna, Richard Jackson, and well, to be honest, too many others to mention. But to give you an idea of the sort of musical success he's had, I can say that he has produced and performed on records which have sold more than 750 million albums and 100 million singles. Born to teenage parents in an environment where drug use was very much part of his every day, he has come from that background with an attitude to life which is as upbeat and as positive as his music. And together with his partner, Nancy Hunt, they have established the We Are Family Foundation, focused on empowering young people around the world. Together, they're in Northern Ireland, in Derry, to support and protect and indeed restore woodland in this country, and indeed Nile is on the Woodland Walks sofa and joined by one of the trustees of the We Are Family Foundation and indeed the Woodland Trust, David. So we'll come to David in a moment. Why don't we start now where it all started with the music? Reading about you and listening to stuff you've done, my impression is you're the most positive person I've read about and that surprises me because of the disjointed background you grew up in. So two questions. Do you think that's a fair description and if so, why? Nile: So the... the interesting thing about my childhood was that though my parents were heroin addicts, they were extremely loving and they believed in me so much so that, believe it or not, I was never, ever told what to do. They knew that I instinctively would figure it out. Or I was just one of those nerdy, nice kids that they knew would never get into trouble. I mean, I have never stolen anything. I've never, I bullied one kid once and the reason why is because everybody bullied me because I was a nerd. And when I bullied this kid, he started crying and I started crying. He's probably forgotten that incident. I will never forget it. It'll bother me my entire life. I could not believe that I did that. So my childhood was actually on one level very happy, but at the exact same time, and I don't know how these two situations could have coexisted, except only now forensically, but it was super happy, but then I actually called my childhood a fear-based childhood. I was afraid of things, so I did things to make me unafraid or happy. And music was that thing. But it just made me feel so good. It was so real. It was almost like a drug. So my parents were doing heroin. I was doing music *laughs*. Adam: I mean, it's weird you describe yourself as a nerd. You're the least nerdy-looking nerd I've ever come across, but fair enough. Nile: Oh God, test me. Adam: Oh really, okay, we'll do a nerd off *both laugh*. Fair, fair enough. But that positivity, I mean, you talk about being nice, but what I think is striking about your music, and perhaps problematic for some of it, is that it's relentlessly positive. And I think sometimes it's seen as sort of very surface level because of that and yet you talk about the deeper meaning behind the music, which I think some fans of yours perhaps don't see, or that's not what they're getting from it. Nile: But that's okay, though. Adam: That's fine. Nile: It's okay. Yeah, you're so correct. I mean, I'll try and quickly just tell you this story. So when I said I was a nerd, believe me, I studied music on a level that was so intense, that was ridiculous. So I thought it was my job to prove to my tutors and various teachers how smart I was, how well I learned the rules and the discipline of music. I wrote symphonic music when I was a child, I wasn't even 10 years old yet. And I remember I was going to one of my tutors. I was around 22 years old and I was a very serious jazz student. And I went into him one day with a very sourpuss attitude and look, and that was not me. He just was like, no, you're always so happy and you're always so upbeat. What's wrong with you today? And I said, well, look at this ******** pop music that I have to play tonight. Now, maybe I thought it was sort of ******** but maybe I was just trying to score brownie points with him because I always thought being a great musician was being the smartest guy or the greatest virtuoso in the room. So what happened was my teacher, I showed him the list of songs that I was playing that night. And I said, look at what I have to start my set with. This song by The Archies called Sugar, Sugar. He said, yeah, but now what's wrong? Why are you so sad? And I said, because I got to play Sugar, Sugar. You know, I want to play straight ahead jazz. He was like, that's okay that you want to play straight ahead jazz, that's what I love. But why is it bothering you to play Sugar, Sugar? And I said, because it goes, *sings* Honey, do, do, do, do, do, do, oh sugar, sugar, do, do, do, do, do, do, you are my candy girl, and you got me wanting you. And he said, Nile, that's a great composition. I went, you call Sugar, Sugar a great composition? He said, absolutely. He said, what do you think about it? He says, and I went, well, it sucks. It's some ******** bubblegum pop music. And he went, now, do you know that Sugar Sugar's been number one for about three weeks? And I said, yeah, but what does that got to do with anything? And he went, so those millions of people around the world, they're wrong, but you, Nile Rodgers, are right? And all of a sudden I felt, uh-oh, *laughs* something weird's getting ready to happen. So he held me behind my head and he pulled my face close to him and he said, Nile, let me explain something to you. Every record in the top 20 is a great composition. And so remember, we're going back now 50 years. I'm 73 years old, so we're going back a long time. And I say, every record in the top 20 is a great composition? He says, yes. I said, why would you say something so absurd? He says, Nile, because it speaks to the souls of a million strangers. And I literally started crying at that moment because in one spark, in a nanosecond, he explained to me what an artist was. So I always thought that an artist was the guy trying to be the smartest person in the room, that everybody said, well, I wish I could play like him. I wish I could do that. No, it was the person who touched people's hearts. It was the person who made people feel something, be it happiness, be it sadness or whatever. But a lot of my friends who are virtuosos, we just would go, wow, he can play his *** off. That was the thing. We didn't feel anything necessarily. Sometimes we did, but I was determined to try and make people feel something every time. And to me, I wanted people to feel happy because I wanted to feel happy. Why do I want to write sad music? Adam: So that phrase, speaking to the souls of a million strangers, it's clearly an iconic thing about your music. The other striking thing, I think, which you've talked about, is about life, not just your music, but I think obviously connected, is not about surviving the storm, but learning how to dance in the rain. Is that one of the tenets of your approach to music and life? Are they the same thing? Nile: That's exactly it. That's why people wonder why I do so much music, and it's because I believe that I could always, I honestly, and this is not an egotistical statement, I always believe that I can add something to the song. I believe that I can make it better, even if it's just a little better, but you can hear it. I mean, five minutes before I came down here, I asked an artist that I sent a piece of music to, I said, you never wrote me back. How do you feel about the guitar streams that I sent you? And Kygo just wrote me, he said, he just literally just wrote me, where the hell is it? I went, cool. He went, oh, yes sir, sounding really cool *laughs*. Minutes ago. Adam: Okay. So look, we need to talk more about that, but I want, you're here not for the music, but for the work of your, and Nancy, your partner's, foundation. And David Saddington, sitting next to you, is a trustee of that foundation. You also happen to be a trustee of the Woodland Trust as well. So the purpose of the We Are Family Foundation is what? David: I mean, the We Are Family Foundation, Nile and Nancy started 20, 25 years ago now, which is insane *both laugh*. And Nile, I mean, you'll tell it better than me in terms of sort of your origin story, which came from, you know, a horrendous event of 9/11. And Nile and Nancy wanted to do something positive for the world, to heal the world. And thankfully, you know, when they sort of asked that question around how do we sort of have more peace in the world, how do we have more harmony, young people came out as the answer and actually finding that hope, finding that positivity, finding those solutions. So the foundation really is built upon curating, nurturing and growing this talent and giving these young people visibility. Adam: And the work that the We Are Family Foundation is starting to do in Northern Ireland, we were today at a planting with Nile and Nancy and you. What is the project here? David: Yeah, my God, like, you know, I work on climate change every day. It's really sort of hard and difficult, but actually by doing something very local with the Woodland Trust, you make such a tremendous difference, not only just about place, but the communities which you bring along. So this partnership just made a lot of sense. And then when we started talking after that visit around sort of why it made sense to support from the foundation, Northern Ireland came out really as a winner. And the beautiful site we visited earlier in the Faughan Valley is so special because, in a sad way really, because so little of the ancient woodland is left in Northern Ireland, less than 1%. And the vision of the Woodland Trust in Northern Ireland to preserve those tiny fragments of ancient woodland, but protect them by restoring the land around it, letting them expand, is so special. And particularly given that site is, what, I mean, like 10 minutes away from Derry? That's so cool. It is right on the doorstep of so many people to restore such a precious habitat, but make sure that people can actually enjoy it and be part of that as well. Amazing. Adam: A little before Nile and I sat down to speak, we both visited Faughan Valley Woodlands with a group of young people who were there to help plant some trees. Now, this is an important area. Since 2000, the Woodland Trust has brought small clusters of native woodlands, including Brackfield, Oaks, Red Brae, Burntollet, Killaloo and Auter, all fragmented along the Faughan Valley, which is a site of special scientific interests. And it's been a vision of the Woodland Trust Northern Ireland for well over a decade, really, to try and connect these fragments for both people and nature. And so when I met the younger people who are busy planting trees, I asked them why they felt what they were doing was important. Speaker 1: So usually it's around every Sunday morning. We go around and it's just odd jobs, like it's never the same thing every week. It's usually planting trees, but recently we've been building fences to keep sheep out and removing tree guards. Adam: And why are you interested in that instead of watching TV or playing Xbox or whatever? Speaker 1: Well, I've always kind of liked outdoorsy stuff in nature and usually I wouldn't really do much on a Sunday. So it's just better to get out rather than do nothing on a Sunday morning so. Adam: And you're about to plant a tree. Speaker 1: Yeah. Adam: Do we know what type of tree that is? Speaker 1: I think it's oak. Adam: Oh, there we are see, I don't know, but you know, go on plant away. Speaker 2: I'm Sophie McGee. Adam: And what are you doing, Sophie? Speaker 2: Well, we're planting trees today for the 30th anniversary. It's just more interesting because we're actually doing something that's worthwhile for the environment and for ourselves. Adam: And do you feel you're making a difference? Speaker 2: Yes, every tree will help. No matter if it's a wee tiny stick or a big massive one. Speaker 3: Well my name is Evie, I'm 13 years old and I've always been interested in nature and plants and animals and stuff and then my auntie decided, or she showed me the Woodland Trust young volunteers so I thought that sounds right up my street. So I joined, I've only been here for a few weeks and so far I've really enjoyed it. We've been trimming down, we've been trimming away trees that'll grow back to let light into the forest floor. We've been looking at different kinds of moths and caterpillars and we've been for walks and here we are planting trees and meeting celebrities! Speaker 4: My name's Milo and you know we're with the Woodland Trust, you know, planting trees and stuff because, well, you know, trees are important and they support a lot of species and insects and wildlife and it's great for the water quality and soil erosion in general. And in my opinion personally, I think biodiversity is really important, especially in, the UK and Northern Ireland in general. It's just seem to be really sort of nature depleted and, you know, I kind of want to change that. I think it doesn't seem fair, you know? Adam: Nile, I think the phrase we've already used many times is We Are Family, the name of one of your most successful songs, but obviously the name of your foundation. And we've talked about your family. That's an obvious theme, family. I'm struck by that because of a disjointed background, even though loving and literarily full. Your family were artists and you had a full and rich literary life. The connection to family, clearly a theme for you. Why? Nile: It wasn't my idea. It was other people's ideas. And they talked me into it. I, as an artist, I wrote We Are Family for Sister Sledge and for Sister Sledge alone. I didn't write it for the world. I wrote it for them. And they, it was their job to now take it out into the world, which they did very well. But what happened as a byproduct of the composition was just the love that I put into the song that my partner Bernard Edwards and I put into the song, we were trying to talk about this wonderful family, you won't believe this, that we never met. We never met Sister Sledge until they came in to sing the song. The entire album was already produced. We didn't know any other way to make records except for by ourselves. So we made the record and said, okay, now sing this. And they were like, what? We've never been treated like this. We're like, we don't know any other way to make records. Me and Luther Vandross and Bernard Edwards and Tony Thompson, and we go in and we write and produce, and there you go, here's your record. But so the love that we projected onto Sister Sledge was something that we superimposed upon them. We don't know whether they liked each other or not. We just presupposed that they did. And that's what we wrote, this loving, anthemic, wonderful dance song. And Kathy Sledge, at 15 years old, came in and just gave the performance of her life. We actually had them locked out the studio because we still hadn't finished the lyrics to We Are Family *both laugh*. It was the final song that we wrote, right? So we wouldn't let them come in. We're inside trying to be professional. And they're like, why can't we come in and hear what you guys are making as demos? Making as demos? No, we made, it's the record. But anyway, what happened was, as a result of the popularity of the song, this baseball team in America, the Pittsburgh Pirates, adopted it as their theme song. And they're not women, they're men. And we saw these big burly men going, we are family, I got all my sisters with me. And I was like, whoa. And anyway, they won the World Series *laughs*. Adam: But I mean, that's a fascinating insight how you made that song. But what I'm struck by is that you have talked about this deeper hidden meaning, your phrase, right, behind your songs. So that's an obvious question to ask. You talk about family. It's a key song in your career. It hints of the deeper meaning here is about the importance of your family. And your family are unusual. Super talented people, not particularly stable, I hope that's not insulting or anything. But it's sort of, I'd expect you to maybe be more traumatised by that or to have, but no, it's all good. It's all good. Nile: It wasn't, you see, it wasn't traumatic because I developed my own survival mechanism and it was actually good. But I don't think you realise this. I said, everybody told me, oh, you got Grammys, you got this, you're the head of the Songwriters Hall of Fame, you're the Rock and Roll Hall of Fame, I said, you know what? The thing that I am the most proud of in my life is at seven years old, I set the national truancy record for the United States of America *both laugh*. I cut school 75 days in a row and went to the movies. I learned more at the cinema in 75 days than everybody in my class learned in an entire semester. You could see Fellini, you could see Truffaut, you could see anything. My mom, when she had her second child, suffered from postpartum depression and threatened to murder my brother every day. So after a few weeks, and I can't remember how long it took because I was a child, but after her going to psychiatrist every day, that's how bad it was, they decided that she had to be separated from her children. She was a danger to herself and others. So they sent me off to Los Angeles to live with my maternal grandmother. And my youngest brother, who was just born, was sent to live with his paternal grandparents. And so while I was in Los Angeles, I was treated ah man, boy, talk about bullying. Every place in LA was sort of run by gangs. And I didn't know anything about the gang culture. And I spoke like a New Yorker. And everybody in LA was, you know, street slang. And, you know, and now look at how big hip hop is. You know, that's the way that that everyone spoke. I didn't know half the stuff they were saying. So kids would try and beat me up. They only beat me up once, no, twice, sorry, twice. And then I just decided, I'm not going to where those kids are. I'm going to where adults are. Because I got along with adults and I went to the cinema every day for 75 days straight. Adam: There's lots to talk about, not much time. But I do want to ask one more question around this sort of area. In actually the podcast we've just done, I spoke to quite a significant business leader who has ADHD. And I said to him at the end of the chat we had, if you had a magic wand and could wave away your ADHD, would you do it? And he went, no, I absolutely wouldn't do it because it's part of who I was, I am, and it's informed and helped me. And I wonder if there's a similar question about your drug past, whether if you could wipe it away, would you? Nile: Never, never, ever, ever, ever. I, you know, I developed a very horrible drug habit. I actually, my heart stopped six times in one night. I don't remember the medical phrase, but it's called something like multiple drug interaction. Like, so if you take cocaine and then you take alcohol and then you take either LSD or something else, your brain doesn't know which one is dominant, right? So it starts going, it tells your heart, do I expand or contract? I don't know. And every time they tried to revive me, I would only stay alert or alive, my heart would only pump a couple of times and then stop again. Adam: So what did that bring you as an artist in retrospect? Nile: Nothing. Because to me, all I remember was driving home, Not getting into an accident, not getting a ticket, driving home, parking in my same parking space, going up to my apartment. However, I mistakenly pushed the number 14 instead of 28. That saved my life. I didn't know that I did, I didn't know I made a mistake. I was so high, I thought 14 was 28. The way that they emptied the garbage in my building, they started at the top and they went down floor by floor. When the elevator hit 14, the doors opened, I fell out onto the floor dead. They just happened to be on the 14th floor and they saw me lying there dead. They go over, I have no pulse. They probably tried to do, I don't know any of this for a fact because I was, out, yeah. So I just assumed they must have tried to help me. They liked me, so they must have tried to do something. Fortunately, the hospital was two blocks away from my house. And they get me to the hospital. The doctors revived me six times. After the sixth time, they figured this is hopeless because they did everything they could possibly do. And he said that, we worked so hard to save your life, but in fact, I was filling out the death certificate and the orderly in the room said, hey doc, we got a live one here. And my heart just started going automatically again by itself. Adam: Amazing. I want to bring you back to your foundation. So we're here because of the good work you're doing for the environment. But the environmental issue may be relatively new, but you've been a political activist since your early days. This is not a recent conversion. You're super plugged in to these sort of big debates, aren't you? Part of the Black Panthers in your early age? Nile: Yeah, I was a subsection of the Black Panther Party when I was 16 years old. Adam: So lots of political issues. Why now the environment? Nile: It's just one of many issues that We Are Family Foundation supports. You asked me about being a nerd. So I grew up as a scientist. I have a scientific background. So I understand how these things in our environment are fundamentally to life itself. That, if you think about it, in today's world, there are a million different species on this planet, but that's only 1% of all the life that's ever lived on this planet. So it just goes up and down and up and down. And prior to humans, we were never the cause. Now we're the cause of things dying and species going away. Before, it was just the fact that Earth was this very volatile planet and over millions, billions, in fact, years, things were changing. But now we're doing the bad stuff. We're killing ourselves, which is incredible. And it's mainly because most people don't know that all these life forms are dependent upon one another. Last night I heard someone talking about plankton. And I was saying, yeah, well, look at how important plankton is. You know, like hydrogen, we need, we don't have hydrogen, we have no life. You know, it's like, so, I mean, trees do, all plants, but trees, you know, especially, do so much for life. Let's not just talk about the overall environment, life, all life forms that exist. Adam: We're running out of time. Just one last question each. David, first, you set the context of what that foundation is doing here and what the Trust is doing here. What are your hopes for if Nile, us, we all gather, come back in ten years' time? Your hope for the project by then would be what? David: I mean, my hope for the project in that time is to see the forest grow, because what I find so encouraging is when you let nature recover with a little bit of help from us, it doesn't take that long to actually start putting it right, you know, to restore those habitats, to protect that ancient woodland, to let it regrow, rejuvenate, with the help of people supporting communities at the same time. It can recover in such a remarkable amount of time, which I just find really quite hopeful and empowering in the world we're in at the moment. Will it restore very precious nature here in Northern Ireland? Will it inspire people to make a difference with all the volunteers we're bringing in? Absolutely. And who knows what the catalytic sort of nature of that will be, which I think is sort of magical to see. So it's a pleasure to bring this partnership together between the We Are Family Foundation and the Woodland Trust and see that grow and grow over the years. Adam: And I think often with trees, people think it's 100 years, their great-grandchildren will come. That's not the case, is it? 10, 20 years is a reasonable time frame to see significant change in this landscape we just visited this morning. David: Yeah, absolutely. I mean, some of the trees we were walking around this morning, the beautiful silver birches, which looked like a woodland, were 20 years old. And actually, it is incredible, actually, it doesn't take a huge amount of time for nature to recover. Adam: Nile, last question. It's been an amazing life. It is an amazing life, perhaps a great life. Your third act? Hard to imagine what new things you could do, but do you, what are the, how do you see your future and what you want to spend that third act doing? Nile: Wow, I'm doing so much now. I'm almost going back to where I started, which was with theatre performances that are more story-ented instead of just going out and playing a whole bunch of hit songs. I think I got super inspired completely accidentally. I wrote a song for Diana Ross years ago. And the first time I worked for the Prince's Trust, he said, now, my dear fellow, I wish I knew more of your music, everybody seems to love it so much. And then he became the King and he printed out his top 10 favorite songs. Number 3 was one of my songs. And he didn't realise it because, you know, the King, what have you got time to sit around and read, you know *laughs* And I said to him, I said, you know, Your Majesty, I promise you, you know some of my songs. But then his list comes out and my #3 song, I mean my song, Upside Down by Diana Ross is #3. He was like, that's one of my favorite songs, and there's a whole video that we put out of him sort of like doing his best dance to Upside Down. It's quite funny. I just thought that the one thing I've not really explored or worked hard on, I'm at the part of my life where I really do want to do all the music that I can do. And I want it to have the same effect as the pop music that I do. So I want my jazz music to make people feel good. So I did Candy Dulfer's last record and she's just unreal. So that's really, I think, where I want to be. And honestly, and I'm being very, very honest, I never keep track of any of this stuff. I did a conference a few weeks ago, and it was all these billionaires and all these tech guys and blah, blah, blah. And I said, you know, I did the biggest selling Madonna album in the world, we sold 10 million copies. All of my memories are from when I first heard this stuff. And somebody hollered out from the back of the room, 23 million copies, you know Nile, it keeps selling and keeps adding up. And I went, oh. In the first few weeks, we sold 10 million copies. And that's all I remember. And I move on to the next record and the next record and the next record. I had huge success with the last two Beyoncé records. But I've done that, and obviously you can see with Kygo, I continue to do that. That's never going to go away. But when I think in terms of full projects, it's going to be more theatrical and maybe more film. David: There's about two things as well. There's one thing that you said to me before, which I think is just so great about the foundation, about how you want the foundation to be bigger than the song, which I think is a pretty epic aspiration there to have, the We Are Family Foundation and We Are Family the song, but I just think that's amazing to think around, the impact which has been achieved over twenty-five years and thinking about the years to come, and then secondly, because with your audience, Adam, we have so many obviously sort of people who love getting out on walks and nature. And my goodness, you won't be up as early as this guy doing his morning walks. And you definitely need to follow him on Instagram at a moment because he's on a roll doing sort of walks all over the world. Nile: It's true. I love, you know, I wake up every morning very, very early. Right now, life and enjoying nature and being out in it is really exciting. Like when I was younger, being indoors, like I used to, there was a joke I used to say, I used to go to like clubs every night and go, ah the great indoors *all laugh*. Adam: Well, look, a sample of how busy you are is I know you have other meetings to go to and other jobs to do, so I won't keep you anymore. Here's to the good times. Thank you very much indeed, both of you. Nile: Thank you. I hope I wasn't too long-winded. David: Thank you. Adam: You were brilliant. It's a real treat to talk to you. David: A pleasure. Thank you for listening to the Woodland Trust Woodland Walks. Join us next month when Adam will be taking another walk in the company of Woodland Trust staff, partners and volunteers. And don't forget to subscribe to the series on iTunes or wherever you are listening. And do give us a review and a rating. If you want to find out more about our woods and those that are close to you, check out the Woodland Trust website. Just head to the Visiting Woods pages. Thank you.

The jazz and pop saxophonist has released over a dozen albums and worked with such names as Prince, Van Morrison, and Sheila E. 

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Edición especial de nuestro podcast en la que hemos recopilado unos cuantos temas de The Isley Brothers y los escuchamos en versiones... Por supuesto, en clave de Smooth Jazz; interpretaciones de Fattburger, BWB, Ronnie Laws, The Rippingtons, Bob Baldwin, Kenny Lattimore, Candy Dulfer, Garry Goin, David Garfield, Oleta Adams, Phil Perry, Maysa Leak, Eric Essix y la banda Fourplay.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

Candy Dulfer is saxofonist. Ze heeft eigen hits op haar naam staan en een hele tijd met Prince getourd. Gijs Groenteman (groot Prince-fan) vraagt haar het hemd van het lijf over haar tijd bij deze grootheid. Hoe is het om hem als mens van vlees en bloed mee te maken? Nu geeft Dulfer zelf leiding aan een groep muzikanten. Hoe is ze als baas? En hoe gaat ze ermee om als bandleden uit de maat spelen? Verder spreken Candy en Gijs over haar bijzondere en muzikale jeugd, haar oma en Candy’s brutale karakter. Bekijk ook de videopodcast. Presentatie: Gijs GroentemanRedactie: Julia van AlemVideo: Lisette SpiegelerEindredactie: Jasper Veenstra See omnystudio.com/listener for privacy information.

Plongez dans l'histoire de « Lily Was Here » (1989), l'instrumental culte né de la rencontre entre Dave Stewart (Eurythmics) et la saxophoniste Candy Dulfer.Improvisation, complicité et virtuosité ont donné vie à ce titre devenu un classique des années 80. Un voyage musical captivant raconté par Pat Angeli.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

El sello discográfico N2K N-Coded Music fue fundado en 1997 por Dave Grusin, Larry Rosen y Phil Ramone. Estuvo operativo aproximadamente siete años hasta que fue absorbido por otra corporación. En esta edición especial repasamos algunos de los álbumes publicados en su catálogo por artistas como Candy Dulfer, Maysa Leak, Inner Shade, Paul Taylor, Club 1600, Marcus Johnson, Najee, Jane Monheit, Jonathan Butler, David Mann, Ronny Jordan y el propio Dave Grusin.

Herzlich willkommen zu einer neuen Folge – so schön, dass du da bist!Heute tauchen ein in Geschichten, die bewegen, Gedanken, die inspirieren, und Emotionen, die bleiben. Es geht um die kleinen und großen Momente, die wir während unseres Aufenthalts in Bern und Zürich während der "Purple Jam" Konzerte von Candy Dulfer, mit den Gästen Shelby J. und The Family erlebt haben. Manchmal laut, manchmal leise, aer auf jeden Fall immer verdammt funky!Darüberhinaus hörst du unsere Gedanken zur Celebration 2025 die im Juni in Minneapolis stattfinden wird.Und zum Abschluss gibt es im Rahmen unseres „Songs aus dem Prince“ Camps noch einen ganz besonderen Gruß an zwei Zuschauerinnen aus Zürich. Lasst euch überraschen!Wir freuen uns riesig, dass du dabei bist! Wenn dir die Folge gefällt, teile sie gern – und schenk uns eine Bewertung. Dein Feedback bedeutet uns unendlich viel!

ROSEYE; Candy Dulfer – Deep Dive (feat. Candy Dulfer) – 3:03 Udo Pannekeet – Cocon Cocon – 6:16 Chris Beckers – Passengers – 4:42 Sabrina Starke – Another Day Another Moon – 3:42 David Benoit – You Read My Mind – 4:51 Kyle Eastwood; Jasper Kviberg; Simon Thorpe – Moon Over Couronneau – 6:34 Nils […]

Esta edición especial de nuestro podcast es nuestra particular despedida a la cantante y compositora Angie Stone, fallecida a los 63 años en un accidente de tráfico. Repasamos algunos momentos de su discografía además de sus colaboraciones junto a Jonathan Butler, Earth, Wind & Fire, Alex Bugnon, Omar, The Brand New Heavies, Boney James, Toshinobu Kubota, Al Di Meola y Candy Dulfer.

In Basgasten interview ik, Hidde Roorda, bassisten over hun carrière, hun spullen en hun inspiraties. In aflevering 100 heb ik het met Jan Teertstra (Spinvis, Johan), Manuel Hugas (Liquid Spirits, Candy Dulfer) en Jaap van den Berg (Black Bottle Riot) over vintage bassen.Alle nummers die we bespreken staan in de Basgasten playlist op Spotify: https://open.spotify.com/playlist/6YOFD8pqFXK2OET1oupRpA?si=a9943b716bfb4914Basgasten steunen? Word Vriend van de Show op vriendvandeshow.nl/basgastenTips? Vragen? Opmerkingen? basgasten@hidderoorda.nl

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Un nuevo monográfico en nuestro podcast: en esta ocasión está dedicado al pianista, compositor y productor Philippe Saisse. Escuchamos sus trabajos al lado de artistas como Pyramid, Gato Barbieri, Nelson Rangell, The Allen Carman Project, Candy Dulfer, Richard Elliot, Rick Braun, Satoshi Bandoh, Marc Antoine, Reza Khan, PSP y Peter White.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

BMS Episode 51(Funk-Soul-Jazz)This episode features Slave, Rufus, Roy Ayers, Jarrod Lawson, Candy Dulfer, Sydnee Ranee ,and many more!DJ Rhythm Dee hosts a recurring segment known as the Black Magic Sounds. The show will feature the smooth grooves of Jazz, Neo-Soul, as well as Funk, R&B, Disco, Soulful House, Slow Jams and anything that moves you. It's all about feeling the music and hearing some tracks that were forgotten or entirely new to you.Let's take this ride together and remember when music was Music!PLAYLIST1. JUST FREAK/SLAVE2. ON THE ONE/CAMEO3. BODY SHAKER/DAYTON4. TONIGHT WE LOVE/RUFUS5. IMAGINATION/BBQ BAND6. BACK FOR MORE/EUGENE WILDE7. ALL IN THE NAME OF LOVE/SEEST8. EVERYDAY PEOPLE/THE SUNBURST BAND9. SPECIAL/BEY BRIGHT10. 17/SYDNEE RENEE11. SOUTHERN GIRL/KUYA12. PROGRAMMED FOR LOVE/ROY AYRES13. HE'S THERE/JARROD LAWSON14. STONED OUT OF MY MIND/JOSS STONE15. FLAME/CANDY DULFER16. THE JAM SONG/HOWARD JOHNSON17. TONIGHT'S THE NIGHT/KLEEER

Музыканты Denis Rublev и Niki Four с радостью объявляют о выходе их нового трека "Lily Was Here", который является современным переосмыслением культового хита Dave Stewart & Candy Dulfer. Этот уникальный проект сочетает в себе гипнотический ритм и завораживающие звуки гитары и саксофона, создавая атмосферу, которая заставляет слушателя возвращаться к композиции снова и снова. "Lily Was Here" — это не просто кавер, это свежий музыкальный опыт, который благодарит оригинальную версию, но в то же время добавляет новые элементы и звуки, придающие треку современное звучание. Denis Rublev, известный своим мастерством работы с мелодиями, создает безупречные аранжировки, а Niki Four приносит в трек свою мощную и чувственную интерпретацию, что делает совместное творчество поистине уникальным.

En esta edición de nuestro podcast presentamos 'Just Another Day', el disco que acaba de publicar el guitarrista Neville McKreith, que firma con el nombre artístico de Breeze. En el repaso a novedades de la música Smooth Jazz reseñamos los álbumes de Dean Mark, Anita Carmichael, Solex y Will Downing. En el bloque central escuchamos temas cantados por el vocalista británico Chris Ballin junto a Incognito, Inner Shade y Candy Dulfer.

At the start of this blistering set, recorded live in Cologne Germany in 1992, saxophonist Maceo Parker declares it will be "2 percent jazz and 98 percent funky stuff." He does not disappoint. This week's guest, Chicago saxophonist Chris Greene (Chris Greene Quartet), joins us to discuss how Parker's 'Life On Planet Groove' got him high and helped inform his own musical journey. Turn it up! Songs discussed in this episode: Shake Everything You've Got (Live) - Maceo Parker; The Emperor Strikes Back, Broken Glass - Chris Greene Quartet; Out Of Sight - James Brown; Do That Stuff - Parliament; If Eye Was The Man In Ur Life - Prince; In Time, Children's World, Southwick, Shake Everything You've Got (Live), Pass The Peas (Live) - Maceo Parker; The Overweight Lovers In The House - Heavy D & the Boyz; Fight The Power - Public Enemy; I Got You (I Feel Good) (Live), Got To Get U (Live) - Maceo Parker; Addictive Love - BeBe and CeCe Winans; Addictive Love (Live), Children's World (Live) - Maceo Parker; Georgia On My Mind - Ray Charles; Georgia On My Mind (Live), Soul Power '92 (Live) - Maceo Parker; The Emperor Strikes Back, Outro - Chris Greene Quartet

Send us a Text Message.This week on The Joy of Cruising Podcast, I am delighted to welcome Michael Lazaroff, Executive Director and Owner, Jazz Cruises, the world's leader in full-ship charter jazz music cruises, having produced over 90 full-ship charters featuring more than 2000 musicians including several legendary performers and dozens of Grammy winners. Jazz Cruisesis comprised principally of a portfolio of three theme cruises: The Jazz Cruise, launched in 2001, the first and only full-ship cruise charter dedicated to “straight-ahead” jazz; The Smooth Jazz Cruise, the company's flagship cruise it holds twice each spring. The Smooth Jazz Cruise sold out its first sailing in 2004 and has held 34 consecutive sold out cruises since; and, Botti at Sea, designed in the spirit and style of Grammy-winning world renowned trumpeter Chris Botti. I wrote about Michael and Jazz Cruises in my new release, The Joy of Cruising Again http://amzn.to/3lAfyON. I got to meet Michael when I checked off a bucket list item by sailing The Smooth Jazz Cruise in 2023 which included performances by just about ‘everyone who is anyone in smooth jazz,' such as Marcus Miller, Boney James, Gerald Albright, Candy Dulfer, Bryan Culbertson, Take 6, and one of my favorite comedians, Alonzo Bodden. I got to take photos with Michael McDonald, and with Peter White. I even met rising saxophone star Vince Ingala who agreed to come on The Joy of Cruising Podcast when I was first starting out and for that I am forever appreciative. (Vincent Ingala: Performing On Theme Cruises https://www.buzzsprout.com/2113608/12246466) Many of you know about my love for music, and smooth jazz is my favorite genre. I have wanted to profile Michael and his importance to live jazz on the ocean since my first cruising book, The Joy of Cruising. I remember my reaction when Michael agreed to talk about Jazz Cruises, LLC in The Joy of Cruising Again, and I am similarly ecstatic to get to chat with him again for the global cruise community to hear.Support the Show.Support thejoyofcruisingpodcast https://www.buzzsprout.com/2113608/supporters/newSupport Me https://www.buymeacoffee.com/drpaulthContact Me https://www.thejoyofcruising.net/contact-me.htmlBook Cruises https://bit.ly/TheJoyOfCruisingPodcast-BookACruiseUS Orders (coupon code joyofcruisingpodcast)The Joy of Cruising https://bit.ly/TheJoyOfCruisingCruising Interrupted https://bit.ly/CruisingInterruptedThe Joy of Cruising Again https://bit.ly/TheJoyOfCruisingAgainIntl Orders via Amazon

When I was young, listening to music was a big part of our family dynamic. I have very vivid memories of seeing my parents' CD collection neatly lined up on the shelf. Mom and Dad liked to listen to a lot of things, but smooth jazz was a staple genre in the house. So Dad would push the button on the Sony, the tray would extend, and the five-cd-carousel would spin as it jutted out, revealing which discs were currently in rotation. He would take a disc out, replace it with something, push the button again to retract the tray, push play, and the dulcet tones of Geoge Benson would fill the family room over the hi-fi speakers. If they wanted to discover music they would listen to 94.7 The Wave, and I would sit there on the couch and listen to Kenny G, Lee Ritenour, Candy Dulfer, Earl Klugh, and Larry Carlton. And so my love for music began at a very young age. When I was in college I played bass for the gospel choir, and I fell in love with the genre. So now that's in rotation at our home. One of my favorite albums is called The Rebirth of Kirk Franklin, a live gospel album recorded in the year 2000.

Edición especial en la que reunimos unas cuantas maravillosas canciones de The Isley Brothers y las escuchamos en versiones en clave de Smooth Jazz. En interpretaciones de Fattburger, BWB, Ronnie Laws, The Rippingtons, Bob Baldwin, Kenny Lattimore, Candy Dulfer, Garry Goin, David Garfield, Oleta Adams, Phil Perry, Maysa Leak, Eric Essix y la banda Fourplay.

Carel Kraayenhof – Lagrima añeja – 5:46 Bart Flos; Eric van der Westen; Marc Schenk – Origin Alpha Prime – 7:17 Candy Dulfer – For The Love of You – 8:31 Jazz Orchestra of the Concertgebouw; Jan van Duikeren – Mum – 5:24 Peter Beets – Nuages – 6:15 Marijn Ouwehand – The Summer Knows […]

Полная версия по ссылке freshrecords.ru/showthread.php…

This episode recorded on The Smooth Jazz Cruise features an interview with saxophonist Candy Dulfer by one of our hosts Talaya. Candy talked about her very musical upbringing in the Netherlands with her father Hans, a noted jazz saxophonist, as well as her own unique journey, crossing paths and collaborating with Dave Stewart, Prince and Van Morrison, and establishing herself as a solo artist.

Reflections – Interpretation - InspirationA tribute to a great decade of music.This episode features the works of Will Downing, Faith Evans, Regina Bell, Candy Dulfer and many more!Let's take this trip as we listen to these featured artists placing their special touch on these 70's classics or recapturing that feel.DJ Rhythm Dee hosts a recurring segment known as the Black Magic Sounds. The show will feature the smooth grooves of Jazz, Neo-Soul, Acid Jazz, as well as Funk, R&B, Soulful House, Disco, Slow Jams and anything that moves you. It's all about feeling the music and hearing some tracks that were forgotten or entirely new to you.Remember when Music was Music!Playlist1. WATCH THAT GIRL/PETAWANE2. PICK UP THE PIECES/CANDY DULFER3. FEEL THE NEED/JAMES 'J.T.' TAYLOR4. AFTER THE DANCE/HALL & OATS5. NEVER GONNA GIVE YOU UP/LISA STANSFIELD6. I'M GOING DOWN/MARY J BLIGE7. LOVE DON'T LIVE HERE ANYMORE/FAITH EVANS8. FREE/WILL DOWNING9. INNER CITY BLUES/RONNIE LAWS/SOUNDS OF BLACKNESS10. UNLIMITED LOVE/PAUL HARDCASTLE11. LOVE TKO/REGINA BELL12. NO MORE RAIN/ANGIE STONE13. IF I WAS YOUR WOMAN/ALICIA KEYS14. MIDNIGHT AT THE OASIS/BRAND NEW HEAVIES15. MAYBE I'M AMAZED/SUCH16. DREAMS/VINTAGE LOUNGE ORCHESTRA17. FOR THE LOVE OF YOU/DMOOVE (FRANKIE KNUCKLES)

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En este especial repasamos algunas de las colaboraciones que ha realizado el guitarrista y cantante sudafricano Jonathan Butler junto a otros artistas. Entre ellos Bob James, Will Downing, Richard Elliot, George Howard, Lee Ritenour, Gregg Karukas, Peter White, Dave Koz, Philippe Saisse y Candy Dulfer.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

INTRO2min - Do you have a most cherished Prince related possession (from the 9 years you worked together)? "I joke with my friends that I only buy vinyl with my name on it!"4mins - Biggest 'pinch-me' moments working with Prince...? 3121 era, cherished memories.6mins30s - Which kind of people engaged Prince best behind the scenes?7mins30s - Prince and his heroes...and a fierce competitive streak.8mins - Memories of the Musicology tour, Sam's favourite shows.10mins - When did you last speak to Prince?11mins - Where were you, when you heard...14mins - View of The Prince Estate and posthumous releases overall17mins - What was it like getting tapes in the post from Prince??17mins30s - Any tracks that you personally heard for the first time that blew you away?19mins - Studio version of Prince & The Band22mins - What's the piece of work that you're proudest of?23mins - The creative process of working with Prince26mins - NPG Ahdio Shows31mins30s - DJing on Twitch: how does it work?33mins - Prince album battles! Lovesexy vs The Black Album...Cindy C vs Alphabet Street??36mins30s - Legacy

Andrey Chmut is a Ukrainian saxophonist, composer, and producer. Andrey works with Bob James, Jamala, Candy Dulfer,  Dave Koz, Julio Iglesias Jr, Andrius Mamontovas, Igor Zakus, Tina Karol, Valery Stepanov, Eric Moore, and many other artists.  The song Moving Forward from the album "Smoothability", which was recorded with American jazz pianist and producer Grammy Winner Bob James, became a top song on the American radio giant Sirius XM and lasted more than a year in rotation.  Andrey Chmut debut album "Smoothability", which was also released on Skytown Records (LA) was included in the top 10 Ukrainian albums of the year according to the Aprize 2019 award from Radio Aristocrats and 4 position for top 100 Best Smooth Jazz Albums (Amazon). During 2022 Andrey travel around the world with support concerts in Ukraine At the beginning of 2023, Andrey was invited to the Bob James Quartet and went on a US tour.  James and Chmut are working on a joint album that will be presented to the general public in 2024. In this episode, Andrey shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

NUEVAS ENTRADAS Najee "Bounce" WaKaNa "A Sunny Day" Chris Standring "Face To Face" Bob Baldwin "Rejuvenate" Paolo Rustichelli "Glitter" Chris Godber "Dreamin'" Eric Essix "Stride" Jacob Webb "Treat Her Right" Lin Rountree "It's You" Sonix "No Ordinary Love" Sam Rucker "Unspeakable" NUEVO TOP 20 1.- MICHAEL BROENING - Let it breathe 2.- LISA ADDEO - Perfect timming 3.- JOHNNY BRITT - After we play 4.- REBECCA JADE - Show me 5.- CANDY DULFER & NILE RODGERS - Convergency 6.- JULIAN VAUGHN - Busta move 7.- JJ SANSAVERINO - Ride with me 8.- KIM SCOTT - Off the top 9.- BOBBY LYLE & NATHAN EAST - Nujazzy 10.- JAVIER PITERA - Walking with you 11.- KIM WATERS - Joy dance 12.- JAZZ FUNK SOUL - Hustle 13.- DAVID P. STEVENS - After party 14.- RICK BRAUN - Turkish 15.- GERALD ALBTIGHT - Eddie's groove 16.- AL DEGREGORIS - Road trip 17.- BLAKE AARON - Crush 18.- PHYLICIA RAE & MARCUIS ANDERSON - Now or never 19.- PAMELA WILLIAMS - Stone cold 20.- DAVID MARGAM - Inmune

Tina takes on Claire in this Thursday edition of the PopMaster Podcast with Ken Bruce.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Estrenamos el álbum del proyecto Italian Groove Collective, una numerosa reunión de músicos mayoritariamente italianos, que concibieron este disco durante la pandemia aportando sus instrumentos y su talento en pleno confinamiento. Repasamos también novedades de la música Smooth Jazz protagonizadas por Ron Bosse, Buzz Amato, Jagun, Candy Dulfer y Papik. En los minutos centrales recuperamos un álbum de mediados de los 90 de un proyecto llamado A Moon of Roses.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

Repasamos los doce mejores álbumes que hemos presentado durante este año en este podcast: es el Top 12 de Cloud Jazz. Está integrado por los álbumes de Jazz Funk Soul, Ryan La Valette, Tim Bowman, Candy Dulfer, Pyramid, Lilian Vieira & Roberto de Lujo, Althea René, Hank Bilal, Bob James, EME· EME· PROJECT, Khari Cabral & Jiva y Boney James

Deze week verschijnt de documentaire ‘Candy' over saxofoniste Candy Dulfer. De documentaire werd geregisseerd door Carin Goeijers en is een intiem portret van een zelfstandig artiest, dochter en bonusmoeder die zichzelf opnieuw uitvindt in moeilijke tijden. Presentatie: Antoinnette Scheulderman

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En esta edición presentamos 'Muse Café', el disco recientemente publicado por el teclista y compositor Buzz Amato. En el repaso a novedades de la música Smooth Jazz escuchamos los álbumes de Mo Louis, Claudia Campagnol, Candy Dulfer, Charles A. Kelly y Hil St Soul. En el apartado para el recuerdo rescatamos los dos discos que editó en la década de los 70 el compositor, productor y arreglista Wade Marcus, un nombre estrechamente ligado al sonido Motown.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En esta edición presentamos 'Back in Love', quinto trabajo discográfico de la vocalista británica Hil St Soul. En el repaso a novedades de la música Smooth Jazz repasamos los álbumes de Funktastic Players, Candy Dulfer, Str4ta, Ron King y Sonix. En en l bloque del recuerdo recuperamos el único disco que publicó una banda llamada Father's Children y que estaba producido por Wayne Henderson, trombonista de The Crusaders.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En esta edición estrenamos 'Enjoy the Ride', nuevo disco del músico italiano Nerio Poggi y su proyecto Papik. Otras novedades de la música Smooth Jazz que resaltamos son los álbumes de Danny Lerman, Pyramid, Althea René, Candy Dulfer y Str4ta. En el bloque central recuperamos algunos de los discos que publicó en la década de los 90 el pianista, compositor y productor Rob Mullins.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

En este especial repasamos algunas de las novedades discográficas más destacadas de la música Smooth Jazz de las que hemos presentado en Noviembre de 2022. Entre ellas, los nuevos trabajos de Candy Dulfer, Pyramid, Str4ta, Judah Sealy, Ron King y The Manhattan Transfer.

Vandaag in Spijkers met Koppen:  Merijn Scholten staat in zijn eerste solo-voorstelling niet alleen op het podium. Nachtburgemeester, presentator en mister Parkpop René Bom over zijn Rock ‘n' Roll-leven. Eva Julia Manneke verdiept zich in 'Death Row Angels' in de relaties tussen Europese vrouwen en Amerikaanse gevangenen. Moeten mobieltjes op school verboden worden? Een discussie tussen docent Ton van Haperen en LAKS-voorzitter Janouke van Meerveld. Iris Koppe over de briefwisseling met haar vriendin Elena in Kyiv. Ze verzamelde alle verhalen in het boek ‘Elena'. En Pastoor Vankan heeft een Sint Nicolaas-verzameling van ruim 1800 objecten in huis. Van Playmobilpoppetjes tot aan fraaie iconen van de goedheiligman. Het cabaret is in handen van Kiki Schippers, Aron Elstak, Owen Schumacher, Andries Tunru en Martijn Kardol. De column komt van Lebbis. Tenslotte, livemuziek van Candy Dulfer! 

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En esta edición presentamos 'Fifty', el disco con el que la banda The Manhattan Transfer celebra sus 50 años de trayectoria musical. En el repaso a novedades de la música Smooth Jazz escuchamos los álbumes de The Pat Petrillo Big Rhythm Band, Ron King, Pyramid, Candy Dulfer y Kim Tibbs. En el bloque para el recuerdo hacemos un breve repaso a la discografía de la banda noruega D'Sound, liderada en sus inicios por la vocalista Simone Eriksrud.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En esta edición presentamos 'Cascade', el nuevo trabajo discográfico del trompetista Ron King. En el repaso a novedades de la música Smooth Jazz repasamos los álbumes de Nathan Mitchell, Danny Lerman, Str4ta, The Pat Petrillo Big Rhythm Band y CAndy Dulfer. En el bloque para el recuerdo repasamos la discografía del guitarrista suizo Nunzio La Vecchia.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En esta edición estrenamos 'Soar', el nuevo trabajo discográfico del saxofonista Judah Sealy. En el repaso a novedades de la música Smooth Jazz reseñamos los álbumes de Mattias Roos, Pyramid, Candy Dulfer, Kim Tibbs y Str4ta. En el bloque del recuerdo tenemos sonido Funk de comienzos de los 80 con el proyecto Positive Force. Editaron dos discos: uno firmado como Positive Force y otro como Positive Express.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En esta edición presentamos 'Str4tasfear', segunda entrega del proyecto Str4ta, impulsado por Gilles Peterson y Jean Paul “Bluey” Maunick. En el repaso a novedades de la música Smooth Jazz escuchamos lo álbumes de Funktastic Players, The Pat Petrillo Big Rhythm Band, Rebecca Jade, Candy Dulfer y Althea René. En el bloque central rescatamos un disco de 1975 grabado de manera conjunta por el guitarrista Phil Upchurch y el pianista y cantante Tennyson Stephens. en él colaboraron músicos como Bob James y David Sanborn.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En esta edición te presento 'Jazz on the Funky Side', el disco lanzado en los últimos días por un proyecto llamado Funktastic Players. En el repaso a novedades de la música Smooth Jazz escuchamos los álbumes de Althea René, Candy Dulfer, Young Gun Silver Fox, Pyramid y Eliane Elias. En el bloque central recordamos la figura de la cantante y compositora Sharon Redd, una artista que falleció en el año 1992.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music's foremost masters of the groove. Become a TRUTH IN RHYTHM Member through YouTube or at https://www.patreon.com/truthinrhythm. Featured in TIR Episode 263 (Part 2 of 2): Dutch saxophonist, singer and composer Candy Dulfer -- well known for her long association with Prince as well as her own distinguished work as a solo artist.  First seen with Prince in his 1989 “Partyman” video, she played on Graffiti Bridge, The Love Symbol Album, Musicology and 3121, and also toured with him extensively. The daughter of jazz saxman Hans Dulfer, Candy is a dynamic live performer who since 1990 has released 12 studio albums and worked with dozens of name acts, including Dave Stewart, Maceo Parker, the Time, Mavis Staples, Aretha, Pink Floyd, Blondie and Sheila E.  Especially exciting is that she has a brand new album; it's called We Never Stop and includes a collaboration with Nile Rodgers. RECORDED OCTOBER 2022 LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

En esta edición presentamos 'Pyramid 5', el quinto trabajo del proyecto japonés Pyramid. Repasamos novedades de la música Smooth Jazz de artistas como Candy Dulfer, Althea René, Hank Bilal, Elan Trotman y Kim Tibbs. En el bloque para el recuerdo recordamos la figura del cantante y compositor Johnny Bristol, creador y productor de éxitos del sonido Motown. Repasamos la discografía en solitario de este artista fallecido en el año 2004.

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music's foremost masters of the groove. Become a TRUTH IN RHYTHM Member through YouTube or at https://www.patreon.com/truthinrhythm. Featured in TIR Episode 263 (Part 1 of 2): Dutch saxophonist, singer and composer Candy Dulfer -- well known for her long association with Prince as well as her own distinguished work as a solo artist.  First seen with Prince in his 1989 “Partyman” video, she played on Graffiti Bridge, The Love Symbol Album, Musicology and 3121, and also toured with him extensively. The daughter of jazz saxman Hans Dulfer, Candy is a dynamic live performer who since 1990 has released 12 studio albums and worked with dozens of name acts, including Dave Stewart, Maceo Parker, the Time, Mavis Staples, Aretha, Pink Floyd, Blondie and Sheila E.  Especially exciting is that she has a brand new album; it's called We Never Stop and includes a collaboration with Nile Rodgers. RECORDED OCTOBER 2022 LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

Eine CD von Candy Dulfer - vorgestellt auf NDR Kultur.

En esta edición presentamos 'We Never Stop', el nuevo álbum de la saxofonista Candy Dulfer. En el repaso a otras novedades de la música Smooth Jazz reseñamos los discos de Nathan Mitchell, Mo Louis, Kim Tibbs, Althea René y la banda Snarky Puppy. En el bloque central recuperamos 'In Search of Happiness', disco de 1973 de Natural Essence, el trabajo que editó este proyecto.

Segunda entrega del especial en el que repasamos discos que han cumplido 25 años. Así sonaba el Smooth Jazz de 1997 en los álbumes de Pat Metheny Group, Candy Dulfer, Incognito, George Duke, Bobby Lyle, Richard Elliot, Chris Botti, Bob Baldwin, Brian Culbertson, Eric Marienthal, Earl Klugh y Lee Ritenour.

In 2008, Marqueal met Smooth Jazz star Brian Culbertson. Impressed by his playing and singing, Brian offered Marqueal a spot in his touring band. Over the next 10 years, Marqueal traveled the world with Brian, appeared in two DVDs, and was featured on four albums. The exposure gave him the confidence and desire to become a solo artist.Marqueal's solo debut album, Catalyst, was released in October 2013. It helped to establish him as an emerging artist in Smooth & Contemporary Jazz. After leaving Brian Culbertson's band in the summer of 2018 to focus on his solo career, he recorded his second project, Intention & Purpose. Released in February 2019, the album is a musical journey through Contemporary Jazz, Soul/R&B and Hip Hop, and it showcases his growing skills as a songwriter, arranger and producer. The album yielded two Top 20 hits on the Billboard Smooth Jazz Singles Chart, “If You Only Knew” and “The Edge”. Currently, Marqueal's  third solo album, All We Have Are Moments. is rising on all smooth jazz charts. HIs latest single off of the album "Sistas" features Brian Culbertson and is in the to 10 of Billboard's Smooth Jazz Chart. To support the album, Marqueal is touring with Brian Culbertson as a featured Special Guest, as well as touring on his own. Catch him when he comes to your town.In addition to leading and touring with his own band, Marqueal occasionally tours with The Legendary Isley Brothers and the prodigious Guitarist/Vocalist Isaiah Sharkey. He has also shared the stage with some of the greats in music, performing with legends such as: Gerald Albright, Patti Austin, Peabo Bryson, Jonathan Butler, Will Downing, George Duke, Candy Dulfer, Floetry, Aretha Franklin, Larry Graham, Buddy Guy, Lalah Hathaway, Al Jarreau, Joe, KRS-One, Kenny Lattimore, Maysa, Frank McComb, Marcus Miller, Najee, Mike Phillips, Eric Roberson, David Sanborn, Jill Scott, Sy Smith, and Kirk Whalum. In Chicago, he still performs locally with Brother John Kattke and Midnight Sun Band. Marqueal also collaborates with Chicago-based artist/producer DJ I.N.C., and has been featured on numerous projects of I.N.C.'s since 2000.Marqueal was proud to be recognized by the Chicago Defender as a Man Of Excellence in 2014. Father, mentor and friend to many, Marqueal Jordan is a humble man who is focused on achieving greatness through his music and his deeds. Our conversation will give you insight to this artist's wonderful career and  incredible body of work. Sit back and enjoy.Listen and subscribe to the BAAS Entertainment Podcast on Spotify, Amazon Music, Apple Podcasts, Google Podcasts, Deezer, iHeartRadio, Pandora, Podchaser, Pocket Casts and TuneIn. “Hey, Alexa. Play the BAAS Entertainment Podcast.”

Een door de redactie geselecteerd aantal herhalingen van onze mooiste gesprekken. Vandaag: Candy Dulfer (27-10-2021).