Podcast appearances and mentions of Amar Akbar Anthony

TISS is a weekly podcast where Varun, Kautuk, Neville & Aadar discuss Crazy "facts" they find on the internet. So come learn with them...or something like that. This week the boys are discussing on 'Worst movies of Bollywood'To support TISS, check out our Instamojo: www.instamojo.com/@TISSOPFollow #TISS Shorts where we put out videos: https://bit.ly/3tUdLTCYou can also check out the podcast on Apple podcast, Spotify and Google podcast!http://apple.co/3neTO62http://spoti.fi/3blYG79http://bit.ly/3oh0BxkCheck out the TISS Sub-Reddit: https://bit.ly/2IEi0QsCheck out the TISS Discord: / discord Buy Varun Thakur's 420 Merch - http://bit.ly/2oDkhRVSubscribe To Our YT ChannelsVarun - https://bit.ly/2HgGwqcAadar - https://bit.ly/37m49J2Neville - https://bit.ly/2HfYlWyKautuk - https://bit.ly/3jcpKGaFollow Us on Instagram.Varun - / varunthakur Aadar - / theaadarguy Neville - / nevilleshah. Kautak - / cowtuk Karan - https://www.instagram.com/karan_mir/0:00 - Cold Open13:23 - Welcome to The Internet Said So13:36 - History of Bollywood Villains with lairs14:04 - The best part of Nadaaniyan (2025)15:20 - Marketing an Abbas Mustan film15:57 - Naqaab by Abbas-Mustan19:43 - Race 3 is Our Business, None of Your Business21:10 - Taarzan: The Wonder Car is peak Bollywood!23:46 - Taarzan was 'inspired' from a Stephen King horror novel24:41 - Dilip Chhabria and his DC Car Mods25:25 - Quick Quiz - Do you know the answer?29:12 - Cap Mania and the legend Himesh Reshammiya32:28 - Karzzzz - the most legendary movie in history!39:42 - All of Himesh's 9 films47:20 - The Lady Killer starting Arjun Kapoor & Bhumi Pednekar50:24 - Movies you've been to wach, but haven't watched51:58 - Tees Maar Khan is now a cult classic54:00 - Mujhe Kuchh Kehna Hai57:27 - Kambakht Ishq was bizarre 59:55 - Dangerous Ishq1:02:33 - What's Your Rashee and Priyanka Chopra1:04:43 - Shaka Laka Boom Boom was the name of a movie too1:05:50 - Bad Medical Scenes in Bollywood1:06:05 - Chori Chori Chupke Chupke1:11:43 - Underworld Connections of Chori Chori Chupke Chupke1:14:39 - Amar Akbar Anthony and it's loose laws of medical science 1:16:48 - Thanks for tuning in, folks!1:17:22 - Post Credit SceneCreative Producer- Antariksh TakkarChannel Artwork by OMLThumbnail - OML

Welcome to Khandaan: A Bollywood Podcast where this week we're taking a pause to appreciate the scenery. Just kidding — there are no new releases so we're catching up on the restored version of MANTHAN (1976) as well as the new animated BAAHUBALI companion piece. Asim also watched PARVARISH (1977) and we discuss the fan reaction to our AMAR AKBAR ANTHONY episode. Shownotes: Here are some of the other podcast we have been on recently: Hanisha's Making Things Happen Podcast Asian Network Bollywood Ultimate 90s Bollywood Asian Network News Presents: 90s Bollywood Follow us on Socials: Amrita, Sujoy, Asim YouTube, Facebook, Instagram, Tik Tok Sujoy's Instagram  Amrita's YouTube Book Channel- Amrita By The Book You can listen to Khandaan- A Bollywood Podcast episodes on the following apps: Apple Podcast Spotify Jio Saavn Deezer Audible Amazon Music Omny iHeart TuneIn  

Welcome to Khandaan: A Bollywood Podcast where this episode we let our Patron's decide which movie we review. This week we head back to the quintessential masala classic Amar Akbar Anthony. You can also submit a movie to review by joining our Patreon, get access to exclusive content and to support our work! Show notes: Catch Asim this Friday on BBC Asian Network's Ultimate 90's Playlist  Our appearance on Manish Mathur's first Bollywood Draft episode can be found here   Time stamps: 00:00Introduction and Background 03:00Amar Akbar Anthony: A Chaotic and Fun Masala Movie 07:29Family, Unity, and Love: Key Themes in Amar Akbar Anthony 13:09A Nostalgic Trip to 70s Bollywood: Amar Akbar Anthony 25:09Introduction to Amar Akbar Anthony 27:32The Love Stories in the Film 29:26The Portrayal of Shirdi Baba 32:13Special Effects and Filmmaking Techniques 34:41The Chemistry Between Rishi Kapoor and Neetu Singh 38:02The Contribution of Kader Khan and Parveen Babi 41:10The Impact and Legacy of the Film Follow us on Socials: Amrita, Sujoy, Asim YouTube, Facebook, Instagram, Tik Tok Sujoy's Instagram  Amrita's YouTube Book Channel- Amrita By The Book You can listen to Khandaan- A Bollywood Podcast episodes on the following apps: Apple Podcast Spotify Jio Saavn Deezer Audible Amazon Music Omny iHeart TuneIn    

What do we say about Shabana Azmi that hasn't been said before? Whether the movie is good, bad or ridiculous, she is always great! We watched a whopping 7 films for this episode, some parallel, some masala and she was fab in every single one. Beth watched Ankur, Lorie, Lahu Ke Do Rang, and Khoon Ki Pukaar. Pitu watched Arth, Mandi, and Swami. We discuss her nuanced acting, her emotional scenes, her restraint, innate dignity, her power to the people song from Parvarish, her chemistry with her co-stars, her beautiful hair, and her funny hat from Amar Akbar Anthony.

Gang gets together before the year ends and takes a long look at one of the cultural foundation of our society the Hindi film industry with amazing Abbas Momin. They discuss the changing nature of the Indian hero through the decades, the changing conflict in Hindi cinema, the impact of southern films, DDLJ, DCH, K2H2, KHNH etc etc and the 90's and early 2000's nostalgia. Muslim in Bollywood, Amar-Akbar-Anthony. Finally what is next for Hindi cinema.

ON THIS EPISODE WE COVER:- Sid's psychological theory of real money vs unreal (notional) money!- Visual proof that rebalancing works via charts! (click this link to see it yourself while you listen: https://freefincal.com/wp-content/uploads/2021/05/Difference-between-rebalancing-and-not-rebalancing-on-a-Nifty-500-plus-gilt-index-portfolio-for-15-years-with-50-50-allocation.jpg) - AMAR and his life situation, and the problem with ONLY investing in hybrid funds- What are the fixed income product options to carry out rebalancing in an easy way. FDs vs Debt Mutual Funds.- Another pearl of wisdom by Pattu on Risk Appetite- AKBAR and his life situation, and the problem with being too heavily skewed towards Debt- ANTHONY and his life situation at 45 years old. Going all out in Equity is risky.- A listener's question about not rebalancing for the first 15 years- The practical way to invest for separate goals. Separate portfolios?- Pattu on investors who want guarantees at the start of their journey- A high school teacher with a low salary asks Pattu how to investSee omnystudio.com/listener for privacy information.

Chanti: don't remember squat except climax fight in the mud but the movie sucked. Not a Raviteja film at all. Siobhan director, Charmi heroine, and Atul Kulkarni villain  Dongula Mutha: Created huge back then because This film is the first of its kind in Indian cinema as it was shot with just 7 crew members and in a record of 5 days. Prior to filming, Varma announced that this film has no budget and that the cast and crew will not be taking remunerations until the film hits theaters. Puri Jagannadh is co-director while director Harish Shankar (Mirapakaya fame) is associate director.[2] Music is composed by Sathyam while the background score has been rendered by Amar Mohile (of Sarkar Raj fame).  Veera: rod ka baap, Baasha template with Raviteja, basically he lives with his sister and bava in a village and villain are trying to kill him, Taps overreaction and exposing and then Kajal is Raviteja wife in flashback and she dies pretty sure. Sridevi of Eeswar fame is Raviteja sister but its so badly directed by Ramesh Varma and so outdated routine, and cringe. Rod max movie.  Nippu: Saw it in theaters nothing better to do, Sreeram gets sentenced to jail for killing his wife in UAE and Raviteja tries to help his friend. Gunashekar mark rod with YVS mark paithyam all over it. Thaman music Nena oh Nenaa and Oh Pilla are decent, Deeksha Seth is also a waste. Useless.   Sarocharu: Stupidest movie. Listened to the songs a lot before release Jaga Jagadeka Veera is underrated song. Raviteja meets Kamal and explains to her his previous love story divorce with Richa then it turns out to be actually his friend and his wife story. Then why the f*** did you even say the story this entire time dude?????? Parasuram mark rod. DSP music only saving grace.   Kick 2: Destined to fail because Ileana is not in the movie and not a direct sequel to Kick, worst story, and it was postponed a 100 times. Supposed to come in May, then got delayed to late August. Ravitejas son goes looking for Kick and then goes to some remote village being terrorized by Ravi Kishan with North Indians there and Rahul is somehow a village girl. Insult to the first movie.   Raja the Great: Raviteja took a break after Bengal tiger and didnt do a film for almost 2 years then signed a film with Anil Ravipudi. With a lot of hype, it released in October 2017 and I felt its a rod. Ravipudi mark cringe comedy with Gunna Gunna Mamidi bit being peaks of cringe. Made me start questioning where Telugu comedy is headed then I accepted it's dead. Blind guy is basically superman and then his mom gets kidnapped and hearing the bells on a train he rescues her on a moving train. Zero logic, and cringe movie. Only darkness fight was funny.  Touch Chesi Choodu: outdated movie, some old City action movie but you can tell its badly directed. Directed by Vikram Sirikonda, KIKK Mirapakay, Race Gurram screenwriter, story by Vakkantham Vamsi, came in off-season Feb 2018. Music by JAM8 apprentice band of Pritam, Manasa song is classic  Amar Akbar Anthony: biggest robbery and insult to NYPD, first of all after Aagadu, Bruce Lee and Mister, Sreenu Vaitla kept saying he's changed. He went to J Lo's old house in NY and then Ileana comeback after 6 years in Devudu Chesina Manushulu. Entire movie filmed in NYC and routine revenge drama. Raviteja plays 3 roles with Aparichitudu split personality disorder then Ileana also has the same disease. Sunil is there and a host of comedians but its torture. Only Satya as KA Paul was funny with a KA Paul spoof and WATA thing.  Khiladi: 2nd combo of Raviteja and Ramesh Varma after Veera, Raviteja actually stayed away from promotions and could see his disappointment with director and output throughout. Movie is so stupid and has a twist every 2 seconds. Dhamaka: It's not Raviteja range movie and its cringe max. Put aside the reviews Movie is very boring without any excitement or entertainment Doesn't deserve to be a hit. Disappointing stuff. 

The fact that mainstream blockbusters would promote a secular ethos without calls for boycott, threats of violence or a barrage of ‘hurt sentiments' — is something worth remembering.

We celebrate the work of iconic masala director Manmohan Desai with two of his films, made twenty years apart.  Notes: Our episodes on Amar Akbar Anthony and Mard Masala film Manmohan Desai The source that Erin looked at that had different information on Desai than what's online is Tejaswini Ganti's Bollywood: a guidebook to popular Hindi cinema 1st edition Chhalia 1977 Bluff Master We are concerned about Pran's drug problem Desai's signature Songs: “Chali Chali Kaisi Hawa,” “Are Husn Chala,” “Govina Aala Re,” and “Jab Se Tujhe Jaan” Matt got his Dutch angles (INTERVAL (“Mujhe Pine Ka Shauk” from Coolie) Coolie Listen to the very end to hear our thoughts on Allah Rakha The film that almost killed Amitabh Bachchan Songs: “Sari Duniya Ka Boj,” “Lambuji Lambuji Bolo Tinguji,” and “Accident Ho Gaya All Rakha,” 3-hour Bollywood movies versus 3-hour Hollywood movies Nation-building and labour rights Erin and Matt's Letterboxd Next time: 2022 year-end Bollywood is For Lovers is a member of the Alberta Podcast Network  Check out Taproot Edmonton's Bloom Listen to Overdue Finds Find us on Apple Podcasts! and Stitcher! and audioBoom! and iHeartRadio! and Spotify! and Google Podcasts! Thank you to Becca Dalke for the artwork! Follow us on Twitter! Like us on Facebook! #ManmohanDesai, #BluffMaster, #BluffMaster1963, #ShammiKapoor, #SairaBanu, #Pran, #LalitaPawar, #Coolie, #Coolie1983, #KaderKhan, #AmitabhBachchan, #RishiKapoor, #RatiAgnihotri, #ShomaAnand, #WaheedaRehman, #AmrishPuri, #AllahRakha

India Directed by Manmohan Desai

Sizzling Samachar of the day - 13th June 2022 Welcome to OTTplay Sizzling Samachar, I'm your host NikhilNews first up,From The Squid Game to Star Trek, from M. Night Shyamalan to Jayasurya, and more storiesNetflix greenlights season 2 of Squid GameIt's official! Netflix's most-watched series Squid Game is set to return with a second season. The streaming giant announced the second season of the Korean thriller by sharing a note by the series' creator, director, and executive producer Hwang Dong-hyuk. In the note, Dong-hyuk thanked the fans for their support and confirmed the return of characters such as Gi-hun, The Front Man, and the stranger played by The Train To Busan actor Gong Yoo.  Spin-off of Castlevania is in the worksNetflix has announced a spin-off to one of its popular animated dark fantasy action series Castlevania. Titled Castlevania: Nocturne, the series will be set during the French Revolution and centered on Richter Belmont, the star of Castlevania: Rondo of Blood and Symphony of the Night video games by Konami. The spin-off may also feature the popular character Maria Renard. Lesley Manville Apple TV+'s DisclaimerOscar-nominated actress Lesley Manville has been added to the cast of Apple TV+'s thriller series Disclaimer. Helmed by Roma director Alfonso Cuarón, the series is based on Renee Knight's book of the same name. Manville will essay the role of a grieving mother named Nancy in the series, which also features a star-studded ensemble of Cate Blanchett, Kevin Kline, Sacha Baron Cohen, Kodi Smit-McPhee, Hoyeon, and Louis Partridge.M. Night Shyamalan wraps up filming for Knock at the CabinM. Night Shyamalan has wrapped up the filming for his upcoming film Knock at the Cabin. The film also marks his second collaboration with actor Rupert Grint after the Apple TV+ series Servant. Apart from Grint, the film features Mindhunter actor Jonathan Groff, Nikki Amuka-Bird, and Dave Bautista. Eesho to release on SonyLivJayasurya's upcoming Malayalam film Eesho will have a direct-to-OTT release on SonyLiv. The film is directed by Nadirshah who has earlier collaborated with the actor in the hit comedy film Amar Akbar Anthony. Jaffer Idukki and Namitha Pramod play other important roles in the thriller.Kate Mulgrew may return as Capt. Janeway in live-action formKate Mulgrew, who essayed the role of Capt. Kathryn Janeway in Star Trek: Voyager, may return as Janeway in live-action form. When asked if she would make a special appearance in the final season of Picard, the actress said she wasn't sure what would happen to the character in the future but she was looking at the possibility of a live-action with new eyes. Meanwhile, the actress will feature in the animated series Star Trek: Prodigy alongside Brett Gray, Ella Purnell, Jason Mantzoukas, Angus Imrie, Rylee Alazraqui, Dee Bradley Baker, and Jimmi Simpson.Well, that's the news from the world of movies and entertainment on OTTplay for today. Until the next episode, it's your host Nikhil signing out. Aaj kya dekhoge OTTplay se poochoWritten By Arya Harikumar

Credit: For the tune from 1977 movie Amar Akbar Anthony title song. Parody on today's digital world of electronic gadgets etc.

A roller coaster lost and found ride, Amar Akbar Anthony is laced with dollops of improbabilities and veiled secularism. The birth of MKD films, a movie that is a stress buster for ages !! Tune in every week, listen to the making, the little known nuggets, the triumphs, the disasters.Subscribe to receive notifications of the latest episodes. You can follow us and leave us feedback on Facebook, Instagram, and Twitter @eplogmedia, For advertising/partnerships send you can send us an email at bonjour@eplog.media. If you like this show, please subscribe and leave us a review wherever you get your podcasts, so other people can find us. You can also find us on https://www.eplog.media DISCLAIMER: The views expressed on all the shows produced and distributed by Ep.Log Media are personal to the host and the guest of the shows respectively and with no intention to harm the sentiments of any individual/organization.The said content is not obscene or blasphemous or defamatory of any event and/or person deceased or alive or in contempt of court or breach of contract or breach of privilege, or in violation of any provisions of the statute, nor hurt the sentiments of any religious groups/ person/government/non-government authorities and/or breach or be against any declared public policy of any nation or state.See omnystudio.com/listener for privacy information.

Writers spend years researching and understanding the settings of their books - and when this is done right, the book really shines. This is an aspect that doesn’t get the respect it deserves in Indian genre fiction. In this episode we talk of two books that bring out their respective milieus - modern Mumbai through a cop’s eyes, and Mughal-era Delhi through a nobleman’s, through extensive research. This is episode #22 of Bookasur, talking about Shivaji Park and Bandra Bandstand, Shahjahanabad, Brother Cadfael, and Amar Akbar Anthony. Books featured: Intersections, by Gautam S. Mengle The Englishman’s Cameo, by Madhulika Liddle -------- Published 29th December 2020. Find out more about Bookasur here: https://www.psnissim.com/p/bookasur.html P.S. Nissim tweets at: https://twitter.com/ps_nissim Title Music: Jazz In Paris by Media Right Productions used under Creative Commons

Kader Khan was an extraordinary writer and actor. He was also one of the primary architects of, what I like to call, the Bachchan aura. He was instrumental in the careers of two other big stars as well - Jeetendra and Govinda. Sukanya Verma, film critic, quiz-maker, and a true blue Hindi film buff, joins us as we look back on Kader Khan's legacy. We talked about Kader Khan's difficult childhood, his course down the path of theatre, his early days in films, and his role in the towering career of Amitabh Bachchan. We also covered Khan's mastery over language, which was instrumental in being able to write outstanding dialogue for filmmakers with contrasting styles, like Manmohan Desai and Prakash Mehra - makers of some of Bachchan's biggest films.Sukanya also touched on her favorite Kader Khan performances, Khan's subconscious imprint on the comedy of actors like Pankaj Tripathi, and why she is a big fan of Patal Bhairavi (1985) and Taqdeerwala (1995).Finally, I shared some cool trivia (sent in by a listener) about a dark film that Kader Khan had planned on writing and directing, with Amitabh Bachchan in the lead. This month, it will be two years since we lost Kader Khan. Join us, as we pay a small tribute, in our own way, to, as Sukanya likes to call him, "my favorite Khan." Here's Sukanya's (in memoriam) piece from last year: http://www.sukanyaverma.com/2019/01/i-loved-kader-khan-i-spoke-kader-khan/Feedback/comments/questions: loveofcinemasf@gmail.comCredits:Concept: Himanshu (@loveofcinemasf8)Host: Himanshu Editor: Devika JoglekarMusic: Nakul AbhyankarCopyrights © Love of Cinema 2020Support the show (https://www.paypal.me/LoveOfCinema)

In this episode, Satish Kaushik's filmy calendar pulls out some interesting stories about Amar Akbar Anthony! Tune in to know some unheard stories about this legendary movie.

The Secret Movie Club team (Connor Lloyd Crews, Edwin Gomez, Craig Hammill, Daniel Ott) discuss the Indian Hindi cinema classic AMAR AKBAR ANTHONY as well as each present a quick survey of a world cinema-Mexico, Hong Kong, Germany, Iran.  Edwin lets everyone know it took a lot out of him to watch a 3 hour Hindi cinema movie. At the end of the episode, Connor shares his views on the Ayn Rand society accepting government money. 

In memory of Irrfan Khan and Rishi Kapoor, 2 amazing Indian actors that recently left this world. Art Shrian Tiwari talks about his memories of them and some amazing work they left behind. Irrfan Khan passed away on April 29, 2020. May he rest in peace. Check out his films: The Warrior, Maqbool, The Namesake, Paan Singh Tomar, The Lunchbox, Piku,Inferno, Slumdog Millionaire, Hindi Medium, Puzzle, ANgrezi Medium. Rishi Kapoor passed away on April 30, 2020. May he rest in peace. Check out his films: Bobby, Mera Naam Joker, Khel Khel Mein, Kabhi Kabhie, Amar Akbar Anthony, Karz, Chanadai, Henna, Damini, Agneepath, D-Day, 102 Not Out. "We all die. The goal isn't to live forever, the goal is to create something that will." --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/mynewyorkeye/support

In this episode, resident music connoisseur @sammysamarth gives a low down on the best songs of this week including Harry Styles' long-awaited Lights Up and Krsna's Seedha Makeover. This week's spotlight classic is Laxmikant-Pyarelal's "My name is Anthony Gonzalves" from the evergreen Amar Akbar Anthony. 

In the movie ‘Amar Akbar Anthony’, this little child, Master Ravi Valecha stirred and melted every heart. He was also cast as Amitabh’s childhood character in the movie ‘Coolie’ too. Here are some lesser known facts about the actor.

New Jersey native and actor Scott Maginelli joins me on The Mike Wagner Show talking about his movies Red Scare, Amar Akbar Anthony, and the TV series Evil Lives Here, how he got started along with a number of influences that shaped his career...plus some upcoming films including Bastion and The Irishman starring Robert DeNiro and Al Pacino with strong consideration for an Oscar! Plus numerous upcoming projects and the future is so bright for this New Jersey star, you gotta wear shades for this great interview! Grab your friends, family and pets...a cup o' joe...and enjoy the Mike Wagner Show!

We discuss the career of the super megastar Amitabh Bachchan and his films Zanjeer, Amar Akbar Anthony, Coolie and Mohabbatein WWW.PATREON.COM/THEIMPORTANTCINEMACLUB If you have any questions or comments, feel free to drop us a line at importantcinemaclubpodcast@gmail.com

Amar Akbar Anthony was a Bollywood blockbuster when it was released in 1977 and has become a classic of Hindi cinema and a touchstone of Indian popular culture. William Elison (Religious Studies, UCSB), Christian Lee Novetzke (International Studies, University of Washington) and Andy Rotman (Religion, Smith College) discuss their co-authored book on the film that offers a sympathetic and layered interpretation of the film’s deeper symbolism, seeing it as a lens for understanding modern India’s experience with secular democracy. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33816]

Amar Akbar Anthony was a Bollywood blockbuster when it was released in 1977 and has become a classic of Hindi cinema and a touchstone of Indian popular culture. William Elison (Religious Studies, UCSB), Christian Lee Novetzke (International Studies, University of Washington) and Andy Rotman (Religion, Smith College) discuss their co-authored book on the film that offers a sympathetic and layered interpretation of the film’s deeper symbolism, seeing it as a lens for understanding modern India’s experience with secular democracy. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33816]

Amar Akbar Anthony was a Bollywood blockbuster when it was released in 1977 and has become a classic of Hindi cinema and a touchstone of Indian popular culture. William Elison (Religious Studies, UCSB), Christian Lee Novetzke (International Studies, University of Washington) and Andy Rotman (Religion, Smith College) discuss their co-authored book on the film that offers a sympathetic and layered interpretation of the film’s deeper symbolism, seeing it as a lens for understanding modern India’s experience with secular democracy. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33816]

Amar Akbar Anthony was a Bollywood blockbuster when it was released in 1977 and has become a classic of Hindi cinema and a touchstone of Indian popular culture. William Elison (Religious Studies, UCSB), Christian Lee Novetzke (International Studies, University of Washington) and Andy Rotman (Religion, Smith College) discuss their co-authored book on the film that offers a sympathetic and layered interpretation of the film’s deeper symbolism, seeing it as a lens for understanding modern India’s experience with secular democracy. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33816]

Amar Akbar Anthony - directed and produced by Manmohan Desai, the film stars Vinod Khanna, Amitabh Bachchan and Rishi Kapoor opposite Shabana Azmi, Parveen Babi and Neetu Singh in the lead roles. It's a story of three brothers who are separated in childhood and adopted by three families of different faiths and how they are brought together after many years due to various circumstances. You can listen and subscribe to our podcast on iTunes / Stitcher / TuneIn or on YouTube. You can also listen to this episode right here on this player below. Podcast Episode Summary: • We talk about Manmohan Desai who was an epitome of "Masala" in Hindi movies • We talk about Parveen Bhabhi - Flo confused her with Zeenat Aman and how a lot of people do that • We talk about stereotypes and how stereotypes need not be offensive always Quotables: I'd associate this movie with something like Tom and Jerry, in a good way - Tanvi This song, eve now..it alwyas gets me in a happy mood - Flo We are not singing..we are humming- Tanvi I love these crossovers when it happens - Flo Find us on Instagram

On this week's Cock & Bull, Amit, Sharanya and Cyrus discuss the never-ending Padmavati controversy, the upholding of the constitution, Kejriwal, cow tourism and Amar Akbar Anthony. Follow Cyrus Says on Facebook: https://goo.gl/Ekg9Iy You can listen to this show and other awesome shows on the IVM Podcast App on Android: https://goo.gl/tGYdU1 or iOS: https://goo.gl/sZSTU5 You can check out our website at http://www.ivmpodcasts.com/

In this episode we look at three late 70s films from Bollywood’s most enduring star, Amitabh Bachchan. Show Notes: The Big B! (https://en.wikipedia.org/wiki/Amitabh_Bachchan) The Great Gatsby (https://en.wikipedia.org/wiki/The_Great_Gatsby) We couldn’t find Zanjeer (https://en.wikipedia.org/wiki/Zanjeer_(1973_film)) or Deewaar (https://en.wikipedia.org/wiki/Deewaar) unfortunately Shemaroo on YouTube https://www.youtube.com/user/ShemarooEnt Fashion TV (https://en.wikipedia.org/wiki/Fashion_Television_(TV_channel)) Kabhi Kabhie (https://en.wikipedia.org/wiki/Kabhie_Kabhie_(1976_film)) Harivansh Rai Bachchan (https://en.wikipedia.org/wiki/Harivansh_Rai_Bachchan) Rupi Kaur (https://en.wikipedia.org/wiki/Rupi_Kaur) 70s fashion Convoluted plot Kabhi Kabhie Mere Dil Mein (https://youtu.be/dLL9YFAXaYY) Paul Anka and Nelly Furtado (https://youtu.be/6dM9orHsfJc) (INTERVAL (“Are Diwano Mujhe Pechchano (Main Hoon Don) (https://youtu.be/IfZ1N3Rz-G8)” from Don) Amar Akbar Anthony (https://en.wikipedia.org/wiki/Amar_Akbar_Anthony) Action-packed The film as metaphor for India New Books in South Asian Studies (https://itunes.apple.com/us/podcast/new-books-in-south-asian-studies/id427197319?mt=2) Amitabh Bachchan celebrating Easter, “My Name Is Anthony Gonsalves (https://youtu.be/cl2T-Itb7WQ)” “Amar Akbar Anthony (https://youtu.be/3GhGq7db9v0)” Don (https://en.wikipedia.org/wiki/Don_(1978_film)) 2006 Don (https://en.wikipedia.org/wiki/Don_(2006_Hindi_film)) and Don 2 (https://en.wikipedia.org/wiki/Don_2) The Prisoner of Zenda (https://en.wikipedia.org/wiki/The_Prisoner_of_Zenda) and Infernal Affairs (https://en.wikipedia.org/wiki/Infernal_Affairs)/ The Departed (https://en.wikipedia.org/wiki/The_Departed) “Yeh Mera Dil (https://youtu.be/ahf1OL6rFdk)” Opening titles (https://youtu.be/gRi20kAZ1gU) Khaike Pan Banaraswala (https://youtu.be/FUoZGpqyEe0) NEXT TIME: Two films starring Katrina Kaif with Manish Mathur (https://twitter.com/TheManish89) Bollywood is For Lovers is a member of the Alberta Podcast Network powered by ATB Financial (http://www.atb.com/listen/Pages/default.aspx) Check out the Edmonton Community Foundation (http://www.ecfoundation.org/) and The Well Endowed Podcast (http://www.thewellendowedpodcast.com/ Listen to Modern Manhood (https://modernmanhood.org/) Find us on (https://itunes.apple.com/ca/podcast/bollywood-is-for-lovers/id1036988030?mt=2)! and Stitcher (http://www.stitcher.com/podcast/bollywood-is-for-lovers)! and iHeartRadio (https://www.iheart.com/podcast/270-Bollywood-is-For-Lovers-28344928/)! and Spotify (https://open.spotify.com/show/1m38Hxx8ZFxTJzadsVk5U3)! Follow us on Twitter! (https://twitter.com/bollywoodpod) Like us on Facebook! (https://www.facebook.com/BollywoodIsForLovers/) #AmitabhBachchan #Raakhee #SashiKapoor #WaheedaRehman #RishiKapoor #NeetuSingh #YashChopra #KabhiKabhie #AmarAkbarAnthony #ManmohanDesai #VinodKhanna #ShabanaAzmi #ParveenBabi #NirupaRoy #Pran #Jeevan #Helen #Don #ZeenatAman #Pran #Iftekhar #OmShivpuri #ChandraBarot

Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at University of California, Santa Barbara, Christian Lee Novetzke, Professor at the University of Washington, and Andy Rotman, Professor at Smith College offer a layered analysis of the 1977 blockbuster in Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at University of California, Santa Barbara, Christian Lee Novetzke, Professor at the University of Washington, and Andy Rotman, Professor at Smith College offer a layered analysis of the 1977 blockbuster in Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at University of California, Santa Barbara, Christian Lee Novetzke, Professor at the University of Washington, and Andy Rotman, Professor at Smith College offer a layered analysis of the 1977 blockbuster in Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at University of California, Santa Barbara, Christian Lee Novetzke, Professor at the University of Washington, and Andy Rotman, Professor at Smith College offer a layered analysis of the 1977 blockbuster in Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at University of California, Santa Barbara, Christian Lee Novetzke, Professor at the University of Washington, and Andy Rotman, Professor at Smith College offer a layered analysis of the 1977 blockbuster in Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at... Learn more about your ad choices. Visit megaphone.fm/adchoices

As I mentioned in the show last week, I've been doing a stack of interviews recently, and as two of them were from actors in the same movie, I though the Geektowners might like an extra show this week (the normal Geektown Radio will be out on Tuesday as usual). :) Britain has been crying out for a film that truly reflects the society we live in; just when many have become disillusioned with the lack diversity in film, along comes the British Comedy Amar Akbar and Tony. Rez Kempton (Amar) and Martin Delaney (Tony) play two Londoners who come from different communities and join together in friendship sharing life’s ups and down along the way. A Sikh, a Muslim and an Irish Catholic take stock of their lives in contemporary London in Atul Malhotra’s coming of age romantic comedy. The 1970’s Bollywood classic ‘Amar Akbar Anthony’, about three brothers separated by circumstance, has inspired the title of this British film about three friends driven apart by circumstance. The film explores the... See acast.com/privacy for privacy and opt-out information.