Podcasts about danceworks

Connect with USIn this captivating episode of the SLANT podcast, join Dana Tai Soon Burgess as he sits down with dancer and educator, danah bella. As the founding chair of the Dance Department at the Peabody Conservatory, bella has transformed the Bachelor of Fine Arts in Dance program with a focus on interdisciplinary studies and social justice. Her impressive career spans over two decades, featuring roles as an artist-in-residence, award-winning choreographer, and artistic director of d a n a h b e l l a DanceWorks.bella shares her journey from her early days learning dance and history to her current work in reclaiming evocative movement as social practice and her connection to her Filipino Heritage. Learn about her unique approach to dance education and her creative practice to break disciplinary boundaries through sound and movement.Additionally, Bella discusses how her Filipino heritage influences her work and shapes all aspects of her life including her perspective on dance and education. She reflects on the cultural narratives that inform her choreography and the ways in which she incorporates her cultural identity into her teaching.Tune in for an inspiring discussion on the power of dance to foster social change, the importance of interdisciplinary learning, and bella's vision for the future of dance education. danah bella's photo by Salvador Barajas

When you think of dance in LA, you think commercial. But there is actually a pretty large community of contemporary dance companies in LA doing amazing things. Today's episode is a Career Spotlight episode and we are highlighting contemporary dance company experiences in Los Angeles. My guests, Michaela Moore and Nicole Hagen, both have a plethora of experience not only as dancers in LA, but also serving in different roles like rehearsal director, community liaisons and marketing. We chat about:the lengthy process of auditioningfiguring out the mutual relationship between company and company memberthe best advice for those looking to be a part of a dance company communityMichaela Moore @__mickmouz was born and raised in Colorado Springs, CO. Her dance education has come from Robin's Danceworks, The Ann Lacy School of American Dance and Arts Management program at OCU, and the BFA dance program at the University of Colorado-Boulder.  In 2017 she joined AGT's “The Silhouette's” for a 4 month International tour, dancing across Germany and performing in 75+ shows. Michaela is a member and rehearsal director for GEOMETRY dance company, under the direction of Mackenzie Martin, with whom she has performed at MASHUP's International Women's Day Dance Festival, Fiestalonia Sea Sun Festival, Capezio's A.C.E. Awards, Donovan Wood's music video “She Waits For Me To Come Back Down” & Duomo's music video “What About Us”, in collaboration with Netflix's Bridgerton. Aside from performing, her love for teaching and choreographing is expansive and she has choreographed/produced award winning pieces for the past 12 years. You can find her teaching at GENESIS STUDIOS every Tues. Michaela truly believes in the art of dance as a way to globally communicate through movement.Nicole Hagen @nicole_hagen is a LA-based dancer, educator, and choreographer, who has performed works by Elías Aguirre, Gianna Burright, Genevieve Carson, Roderick George, Tess Hewlett, Madison Hicks, Iker Karrera, Kate Hutter Mason, Waeli Wang, and WHYTEBERG. Nicole was a company member with L.A. Contemporary Dance Company and MashUp Contemporary Dance Company, which provided her the opportunity to perform at iconic venues including LA Dance Project, The Odyssey Theatre, ODC Theater, The Architecture & Design Museum, and Highways Performance Space. Commercially, Nicole's credits include Paramore, NBC's This Is Us, Banks, and Netflix's Dear White People.Choreographically, Nicole's work has been seen on a multitude of stages throughout SoCal such as AMDA's Cosmo Theater, LA Dance Project, LA Theater Center, IAF, Bootleg Theater, Sophia B. Clarke Theater at Mt. San Antonio College, McCallum Theatre, Musco Center for the Arts and Waltmar Theater at Chapman University, and ACDA's Screen Dance Festival. She has been a two-time finalist at the McCallum Choreography festival.Nicole is on faculty at Loyola Marymount University (LMU) and AMDA College. She holds a BFA in Dance Performance, with a minor in Business Administration from Chapman UniversityHey y'all! I'm Justine, the voice behind the DC:U pod and MNTR MGMT. After 15+ years in the industry as a choreographer, dancer, producer, educator and more, I'm now working closely with dance artists on professional development, business skills and digital enhancement. Curious? Book a free 1:1 Career Call. You can also help support the podcast! Subscribe and receive exclusive member benefits --> Pod Producer/SupporterConnect with me on Insta @mntr.mgmt

Cameroon-born, London-raised choreographer and composer Dickson Mbi is our guest on this week's Composing Myself, beaming in from Glasgow for a riveting chat with Wise Music CEO Dave Holley and Creative Director Gill Graham. Hot topics discussed with this engaging and charismatic creative polymath include:- how Youssou N'Dour and Neneh Cherry's ‘7 seconds' “was the song that smashed it for me” and pulled a young Dickson away from football- getting into dance “because of girls”- a chance discovery of his first popping crew after escaping a dance class in Covent Garden- being clandestinely enrolled in dance school by a friend's dance tutor who saw limitless untapped potential - the importance of late-70s and early-80s funk - Earth, Wind & Fire, Cameo etc - on Dickson's palette of influences and how he was given his first job in dance by Shalamar's Jeffrey Daniel- why an “epic snare” is absolutely crucial- a life-changing return to Cameroon and the village where his parents grew up… “I really understood who I am as a person just from that experience”- how the sound of a tiger's roar affects the human stomach!- why “when a matriarch falls, everything falls apart”https://www.dicksonmbi.com/Dickson Mbi was born in Cameroon and grew up in London where he studied at Lewisham College and London Contemporary Dance School. He is a world-renowned dancer in the Hip Hop dance community and best known for his popping skills which is integral to the work that he creates today. Dickson has featured in multiple TV campaigns including BALMAIN X H&M (2016), AUDI E TRON (2014), and was the face for LUCOZADE REVIVE (2012). Over the course of his career, he has worked with award-winning artists such as Russell Maliphant, Boy Blue Entertainment, Robbie Williams, Corrine Bailey-Rae, Black Eyed Peas and choreographed the 'Leave A Trace' music video for CHVRCHES. ​He is an award-winning choreographer and has been commissioned by several theatres, festivals and arts organisation. In 2018, Sadler's Wells Theatre commissioned a documentary ‘Street to Stage' about Dickson's artistic journey for BBC4's Danceworks series. Later that year, Sadler's Wells commissioned him to create work for their elderly company - The Company of Elders. In the following year, Dickson was commissioned by BBC Young Dancer to create the winning choreography UNSTRUNG performed by Max Revell. ​As a leader in his community, Dickson focuses on fostering the future generations of dancers with his partner Brooke Milliner in their battle crews Prototype and FIYA HOUSE. As a choreographer, Dickson enjoys making works for other companies as well as presenting his own works under Dickson Mbi Company. Well worth a listen. Hosted on Acast. See acast.com/privacy for more information.

The first half of the May Day Concert hosted at the Globe Theatre by the Manawatū May Day Coalition, featuring performances by the Brazen Hussies, John Maynard, Michelle Robinson Dance Academy, Danceworks, and the Step Out Dance Academy and speeches from Dion Martin, Ben Peterson, Tangi Utikere, Jan Logie, Kyan Htoo, and Autumn Newsome.

Betsy Moran, director of DanceWorks NYC and Boston, is here with us today to shine light on her career and company. DanceWorks gives a unique space for dancers to continue dancing at a high level even if they are not dancing full time and have other work. Learn more about the ins and outs of DanceWorks and Betsy's positive outlook on life. This is an episode you won't want to miss!

A Seattle-based playwright, photographer and novelist, https://www.davidtuckerphotography.com/ (David A. Tucker II) has had several of his plays produced and/or developed at theaters across the nation, including Seattle Repertory Theatre, Abingdon Theater Co., ACT, Tacoma Actors Guild, and Foothill Theater Co. His theatrical works include The Nude, Persistence of Vision, Another Day in Baghdad (about his military experiences in Iraq), Under the Skin and North Wind Blowin', a play with music.  David received 2016 GAP funding for Smoke, a project where he interviews, photographs and videotapes members of Ebola burial teams as well as medical personnel who combatted the disease, an Ebola survivor, and staff on the Dead Body Management Teams in Liberia. His intent is to capture this challenging time in West African history by creating a theatrical work that weaves not only dialogue based upon these interviews, but also black and white photographs and video footage of the Liberian people and the locations in which these events took place. David has also been creating fine art and documentary photographs since 1980. His photographic series, The Human Landscape, explores the human figure in studio and natural environments. In 1995 he began DANCEWORKS, collaborating with ballet and modern dancers to capture the transitory beauty of dancers in motion. He continues to explore and add new images to each photographic series. The images in DEPLOYED: Haiti, Kosovo, Iraq were taken from 1994 - 2004 while a member of the U.S. Army. Tucker has exhibited and sold his photographs at a number of galleries and museums throughout the nation, including the Springfield Art Museum, Blue Sky Gallery, Photographic Center NW, M.I.A. Gallery, New York Center for Photography, Lightbox Photography Gallery, the DeMatteis Gallery, Silver Image Gallery, PhotoZone Gallery, Lumina Gallery and Photography West Gallery. His works may be found in several private collections. As both a fine art and journalism photographer, his images have been published in numerous publications including Black & White Magazine, The San Diego Union-Tribune, The Los Angeles Times, The Orange County Register, The Seattle Times, American Theatre Magazine, Dramatics Magazine, InTheatre Magazine, and the book, "Theater in America."

A look inside the Process of Lake Arts Project and how they build bridges through bereavement ™, filmed on location at The Visionary during their residency, Summer 2022, interview hosted by Bernadette Winters Bell,LMSW PLLC. Annually, Lake Arts Project (2013 - present) brings together community groups and arts educators to workshop, cleanse, share, and then create. Collaborators include Feast of Crispian, a non-profit organization that brings professional actors and veterans together to strengthen the emotional resources they need to overcome trauma and reintegration issues. Lake Arts Project also works with high school art students, including THE ALLIANCE SCHOOL OF MILWAUKEE, a year-round school and a safe place for students regardless of sexuality, identity, appearance, ability, or beliefs. During the BECOMING WHOLE Visionary Retreat, the founders and directors of Lake Arts Project (Karl von Rabenau, Creative Director of the Minnesota Ballet) and his partner, Jennifer Miller, Milwaukee Ballet Faculty Master Teaching Artist) immersed themselves in the unique process that they have created for those around them, and record their actions, step by step, to create a digital manual for their process, which became their final performance on June 18, 2022 on The Visionary stage. Long time collaborators, dancers Barry Molina and Lizzie Tripp joined Lake Arts to explore and perform the final presentation of work. Bernadette also joined the final performance as a guest speaker. Lake Arts Project's co-founder and co-director, Karl von Rabenau is also Artistic Director for Minnesota Ballet Company. He began his dance training at Duluth Ballet, Minnesota Dance Theatre, Boston Ballet School, and San Francisco Ballet School. Mr. von Rabenau danced for Boston Ballet, Omaha Ballet, Pittsburgh Theater, and Milwaukee Ballet. Mr. von Rabenau is also a passionate dance educator. For the past 21+ years, he has taught throughout the Midwest and Eastern United States. He has been a faculty member at Milwaukee Ballet School & Academy, including his work with the second company, MBII. Mr. von Rabenau has also taught for many years at Point Park University's International Summer Dance in Pittsburgh, PA, and Central Pennsylvania Youth Ballet in Carlisle, PA. As a choreographer, Mr. von Rabenau has created works for Point Park University's International Summer Dance Program and had works performed in Regional Dance of America Festivals in the Northeast Region and Southeast Region. In 2002, Mr. von Rabenau was invited to choreograph his pas de deux, Speranza, for a Milwaukee Ballet presentation at the Milwaukee Art Museum. Jennifer Miller, Lake Arts Project's co-founder and co-director, received her dance training at Central Pennsylvania Youth Ballet. Ms. Miller also studied at Joffrey Ballet and San Francisco Ballet. Ms. Miller danced 16 years for Milwaukee Ballet Company, retiring as Principal Artist. In summer of 2005, Ms. Miller danced for Trey McIntyre Project, performing in Vail International Dance Festival and Jacob's Pillow Dance Festival. Ms. Miller, currently Ballet Master for Minnesota Ballet and School of Minnesota Ballet faculty, has also been on the faculty of Milwaukee area schools: Milwaukee Ballet School & Academy, Danceworks, Dance Arts Center, and Steps of Grace. For many summers, Ms Miller has taught at Central Pennsylvania Youth Ballet, and Point Park University's International Summer Dance. As a private coach, she works with pre-professional dancers of all ages and levels including Youth America Grand Prix performers, ballroom dancers, gymnasts and Irish step dancers. As a choreographer, Ms. Miller created works for Milwaukee Ballet, Milwaukee Ballet II, Central PA Youth Ballet, Point Park University's International Summer Dance, Dance Arts Center and Erie Dance Conservatory. She received the Monticello award for emerging choreographers. PERFORMERS: Barry Molina is originally from Minnesota, where he started dancing at age six with the St. Croix Ballet in Stillwater. He went on to train at New York City's School of American Ballet year-round, after which he joined the Nancy Einhorn Milwaukee Ballet II Program. As a member of the program, he was called in, at the last minute, to perform as Peter's Shadow in the world premiere of Michael Pink's Peter Pan. Since being promoted to the Company in 2011, Molina has performed many featured roles in Michael Pink's repertoire, including Jack in Cinderella, the Bell Boy in Dracula, Pied Piper in Beauty and the Beast, Benno in Swan Lakeas well as Fritz, Jack and Chinese Principal in The Nutcracker. He was recently featured as Vaslav Nijinksy in Timothy O'Donnell's world premiere of Sacre, and Puck in Bruce Wells' A Midsummer Night's Dream. ---------------------------------- Lizzie Tripp trained at Milwaukee Ballet School & Academy (MBSA), and attended the Summer Intensives at American Ballet Theatre and Houston Ballet. In MBSA, Tripp performed lead roles in many ballets choreographed by Rolando Yanes and danced alongside Milwaukee Ballet's corps in Michael Pink's Swan Lake. She joined the Nancy Einhorn Milwaukee Ballet II Program in 2014, where she danced in Michael Pink's Don Quixote, The Nutcracker, Cinderella and Dracula, and performed in contemporary works by Timothy O'Donnell, Nadia Thompson, Lee-Wei Chao, Ilya Kozadayev and Petr Zahradnícek. Since being promoted to the Company, Tripp originated the role of the Enchantress in the world premiere of Michael Pink's Beauty and The Beast, and danced in Pink's Mirror Mirror and contemporary works by Enrico Morelli, Mark Godden and Garrett Glassman.

My guest for episode 18 is Sara Bibik - dancer, teacher, mentor, and entrepreneur. We discuss her careers (yes, plural) and newest projects. Tune in! Support the show (https://www.buymeacoffee.com/rogueballerina)

My guests today are back from last time! Aaron and Charity Clayton completing their story of adoption. If you missed the previous episode, please go back and listen. You will not want to miss it. Episode sponsored by Danceworks of Waxahachie. They are transforming lives by using the gift of dance to bring light to the world. Find out more about Danceworks at danceworkswax.net

Chai with Rai (Ep.12)- In conversation with Gairik Dutta Paul where we sat and discussed the dance culture in India. How Gairik's career in Dancehall began even though he trained in other styles.  We discussed the IDVP program at Danceworks and the culture of training camps. What privileges you gain from being a faculty member at The Big Dance Centre in India. We also dove deep into survival as a dancer in India. How unions and agencies have an unconventional method and to survive a lot of dancers predominantly end up teaching. How Bollywood can be blessing and a curse.  I had to also find out Gairik's recovery from his injury which prevented his passion to dance. Breaking down sexualisation of dancehall and how that fits into the dance culture in India. How he choreographs and what style/ vocabulary he mostly identifies his artistic voice with.  To watch the full episode: https://youtu.be/xGXmN2Vc6Is  Social: Myself: https://www.instagram.com/chaiwithrai_/   Guest: https://www.instagram.com/gairikduttapaul/   Links: Myself: https://linktr.ee/raimuitfum  Hope you all enjoyed it and Thank you for tuning in. To Subscribe and share follow my page and everything above.

My guests today are Aaron and Charity Clayton. The Clayton’s both spent time growing up in Texas - Charity in Desoto and Aaron in Terrell. Their family has lived in the Waxahachie area since 2011, where they have planted and are growing a church called Remedy Church. Aaron has also served as a Trustee for TBHC and they are both stepping back into the world of adoption and are working with us through that process. They have three children. Sam is 13 and was adopted from Kazakhstan. They are also blessed with biological children. Juliet is 9, and Valor is 7. One of the things they enjoy doing is traveling as a family seeing what God is doing in other places on mission and other church plants. The Clayton’s story exemplifies “God’s grace through hard things”. They join the podcast today because they “want to encourage and equip adoptive and foster families. They also want to see more families adopt and foster.” Episode sponsored by Danceworks of Waxahachie. They are transforming lives by using the gift of dance to bring light to the world. Find out more about Danceworks at danceworkswax.net

On May 13th & 14th, 2011, Underground DanceWorks and Monarch Dance Company team up to present an evening of world premieres and repertory favorites. Dance Talk Radio presents a live interview with Charles Tyson, Jr., Artistic Director of Underground DanceWorks as he gets ready to premiere “11”.

Originally from South Tyrol, Italy, Marion received her dance training at Varium and Iwanson School. As a teacher she has been working in several schools and festivals in Italy, Spain, Costa Rica, Switzerland, Austria, Russia, Portugal, Poland, India, Germany, USA and Canada a.o at “Deltebre dansa” (Spain), B12 Festival and TanzAHOI (Germany), Circuit-est (Canada), Atlas Festival, Camp In, La Cantera, Encuentros Mutantes (Mexico), Vim Vigor and The Playground New York, Diavolo Company LA, Flow Movement Colorado, Athletic Playground San Francisco (USA), Performact, Lagos Sea Dance and DASS Summer Intensive (Portugal), Marameo, Tanzfabrik, Dock 11, Danceworks, Etage, Seneca, Sozo Visions in Motion, Tanzcompagnie Volkstheater Rostock and Stadttheater Bielefeld, BFZ Nürnberg, Kari-Tanzhaus, Profitraining Freiburg & Leipzig, DancePAT, Tanz s.a.l., Yizong Bagua and Tanzfaktur Köln (Germany), Tanzhaus Zürich and Profitraining Basel (Switzerland), Oliva Dance Project (Italy), Goa Contact Festival and Play Practice Artist Residency (India), Cyrculacje Festival and Sfera Ruchu (Poland), Academy Dancer Russia, Summer for friends and University of dance St. Petersburg (Russia), La Macchine, Espacio Nómada (Costa Rica), Festival Nómada (El Salvador), Guatemala, Descalzinha Danza and Varium (Spain). Marion has collaborated as a dancer with choreographers and companies such as Francisco Córdova in the piece "To be", Stella Zannou in the piece “Strange”, Sonia Rodriguez, performing “Mabel”, ADN-Dialect in the pieces “Zeitzone”, “Urban Shaman and “L'affaire Wettstein”, Stephanie Felber in "Le vide dans l'espace", Eldon Pulak in "The Wetting Party" and as a guestdancer of the Weedance Company. Her solo-work "The Ripe and ruin" and her group-pieces "Big Boys don´t cry", "Shell Shock", "Nefelibata", "Acacia confusA", "Ohne Zwei", "Porzellan-Haus", "Eight" and "Impromptu" have been performed at several international theaters and festivals. In 2014 Marion was part of “EX-IN” In this conversation Marion shares about her class From Inside to Outside, and her various inspirations for the material. She gives a glimpse into her creative process when developing a solo piece through stories of her recent work. She also discusses her physical theater workshop, and opens up about regular physical maintenance work she currently explores. And, she talks about the upcoming B12 event in Berlin.

At Canada’s National Academy of Dance Education we care about connecting our dance educator with industry experts in order to provide them with tips, tricks, tools in so that they can see and understand dance education from various perspectives, including that of the pianist. For those of your lucky enough to have a live music for your ballet classes, understand how it can inspire and influence creation, through subtle changes in tempo, dynamics and pitch. The nuances in tempo and dynamics can create effects that inspire the dancer to jump higher or land softer. This relationship between teacher and pianist, requires effective and clear communication in order for desired effects to be understood and then translated into a musical or movement equivalent of a particular gesture or adjective. Providing us with some tips, tricks and tools to help us better communicate with our ballet pianist is ballet music composer and pianist Mr. Robert Long. GUEST: Robert Long has worked as a ballet pianist-accompanist for over 30 years, playing for both exam classes and “open” classes. There have been many requests for Robert's music in notable TV programs and films including "The Curious Case of Benjamin Button" and a BBC4 episode of "Danceworks". In 2004, Robert appeared as pianist in an episode about ballet on a children’s TV show called “This is Daniel Cook”. will find his original compositions of piano music for ballet class on his three albums entitled Ballet Etudes.

The UK cleaning sector is worth almost £50bn a year to the country’s economy. It employs more than 900,000 people, mostly women. Right now, many are vulnerable. Some feel they won't be able to stop working if they fall ill or have to self- isolate because they can't afford it. Jenni speaks to Katy, a cleaner. Also Maria Gonzalez who's an employment barrister and Janet Macleod who's a Unite representative Cassa Pancho set up Ballet Black twenty years ago. It's a professional ballet company for Black and Asian dancers, and from the start its aim was to make the dance world more diverse. As well as Cassa, we also talk to Cira Robinson who performed with Stormzy at last year's Glastonbury. Tonight Ballet Black is part of a new BBC TV series called Danceworks. Jackie Kay, the National Poet for Scotland, also known as Makar, discusses her new online poetry and music festival. It's called Makar to Makar and streams via the National Theatre of Scotland's YouTube channel. We also hear from Gerda Stevenson who's a writer, actor, director and singer and is on Jackie's show, plus the singer Claire Brown, who performs a beautiful, traditional Scottish song live.

Posy Knight is a dancer, choreographer, actor, scenic designer, director, and arts educator. She studied dance at Juilliard, and later went on to study scenic design at the University of Connecticut before moving to Milwaukee, Wisconsin, where she lives now. Marie chats with her about all the threads of her artistic life, how they fit together, and how she uses her creativity to better her local community in Milwaukee. They discuss thinking and the philosophy behind a physical art form such as dance, how an artist can discover unexpected interests, making money in the arts, and Posy describes a few of the productions she has designed the scenery for. Posy Knight is the director of community programming and engagement at Danceworks, which brings the arts to people from all backgrounds in Milwaukee. She talks about her passion for arts education.

Congratulations to the Danceworks team, a little bit about the locus of control, and loving letters to Parkland.

This week's featured guest is Danceworks Executive Director Deborah Farris. Find out how she got started with the company, how she ended up Milwaukee, what Danceworks does and what competitions are like at the BMO Harris Bradley Center!

After being treated for 2½ years for osteosarcoma, Maddie passed away on May 19, 2017 at the age of 15. Maddie was a student at Bishop Connolly High School in Fall River. She touched so many lives with her loving, care-free spirit and witty attitude. Maddie had a radiant smile that would always light up a room. Her passion for dancing led her to Danceworks in Bristol, RI for 10 years where she was mesmerizing on stage. Maddie was also a highly-skilled cornhole player and participated in many tourneys throughout the area. Her prowess at “throwing bags” drew the admiration of all her competitors. She loved spending time with her family and friends. She developed a special friendship with Brock Holt and presented him with the Roberto Clemente nomination at the game last September. Krista had been Maddie's primary infusion nurse from her diagnosis until her death. They spent countless hours together in clinic during long infusions, multiple relapses and tough clinical decisions. Maddie was always happy to see everyone in the Jimmy Fund Clinic, who became her extended family. Krista says that Maddie was a beautiful person inside and out. Dawn says Krista was more than a nurse. She will never forget the last time Maddie had to receive chemotherapy. Maddie was so sad and started to cry.  Krista kissed the top of Maddie's head and walked away with tears in her eyes.  Maddie went through so much in the three years she was in treatment. She did it with a positive attitude and always had a smile on her face. Krista has been at Dana-Farber since 2000.  She became a nurse because her favorite aunt was a nurse. She has spent her whole nursing career as a pediatric oncology nurse and would not give it up for the world!  She loves working with kids and is inspired by their strength and resilience.Krista says that as a mother herself, she is in awe of parents like Dawn, who come to the Jimmy Fund Clinic with their sick children and keep a positive attitude and maintain a safe secure environment for their kids by establishing a trusting relationship with their nurses and care team members despite their own fears.. Krista has told Dawn many times that she and Steve did a wonderful job raising a beautiful young lady and they will do a wonderful job carrying on her memory.

On this first dual interview in the podcast’s history, I speak with Ann Colin, owner of Danceworks in New Albany, Indiana and her sister, April Atherton, a beloved teacher. We chat about Critical Thinking, Problem Solving, and Creativity through the Arts. See acast.com/privacy for privacy and opt-out information.

My guest, Carrie Ahern, is a dancer and an independent choreographer whose work shows a powerful sense of visual order and psychological depth. We met in the dressing room at St. Mark's Church, home of Danspace Project, to talk about "Red," which premiered there in 2006, and her new piece--"The Unity of Skin"--which will premiere on April 3 and run through April 5. To listen to original music composed for "The Unity of Skin" by cellist Greg Heffernan, visit http://www.carrieahern.com/calendar/calendar.html. BIO Carrie Ahern, a Wisconsin native, is an independent dance and performance artist who has been based in New York City since 1995. She worked primarily as a freelance performer/choreographer for over a dozen dance and theater companies until forming Carrie Ahern Dance in 2005. Her current evening length project, "The Unity of Skin" is commissioned by Danspace Project for performances April 3-5, 2008 and is being presented at Baltimore Theatre Project March 6-9, 2008. Investigations into "The Unity of Skin" were shown at Dance Conversations at the Flea, Danceworks in Milwaukee, Movement Research at Judson Church and at Brooklyn Arts Exchange (BAX) as part of their 2007 Space Grant Residency. Her studies of Ancient Greek Philosophy for this piece were funded, in part, by Fractured Atlas' Creative Development Grant. Carrie's first evening length work "Red" (2006) was commissioned both by Danspace Project at St. Mark's Church and the Guggenheim Works-and Process Series. Her shorter works have been seen at over a dozen venues in New York City such as Danspace Project, P.S.122, Dixon Place, the Angel Orensanz Foundation, Dance Space Center (now DNA), Chashama, The Flea and Soundance among others. Nationally and internationally, her work has been presented at Baltimore Theatre Project, Danceworks and Walker's Point Arts Center in Milwaukee, Le Regard du Cygne in Paris and at the Festival D'OFF in Avignon, France. She self-produced two seasons in conjunction with her frequent collaborator, Jennifer A. Cooper: "Alteregomania" at Cunningham in 1999 and "Exploding Plastic Acorns" at the Williamsburg Art Nexus (WAX) in 2003. In 2002, Bessie award winning dancer Carolyn Hall commissioned a solo, with an original score by Grammy award winner Matt Darriau and Ivan Goff. As a performer Carrie has had the pleasure of working with many artists here in New York City including, Pat Cremins/Wyoming, Heather Kravas, Heidi Latsky, Allyson Green, Nina Winthrop, Jeffrey Frace, Ridge Theater, Donna Bouthillier and Jennifer A. Cooper. Upcoming choreographic experiments include a collaborative effort with The Nietzsche Circle -the exciting and daunting task of using Nietzsche's "Thus Spake Zaranthustra" as a jumping off point for a dance. She is exploring remounting 2006's "Red" for the crumbling and infamous Eastern State Penitentiary. Ahern is a sought-after teacher of pilates and yoga throughout NYC. She has taught improvisation at the University of Wisconsin-Milwaukee and dance technique in the New York City Public Schools. LINKS Carrie Ahern http://www.carrieahern.com Greg Heffernan (composer) http://www.gregheffernan.com Agata Oleksiak (visual designer) http://www.agataolek.com Danspace Project http://www.danspaceproject.org/ Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at http://magickaleva.hipcast.com/rss/bodyandsoul.xml. (c)2008, Eva Yaa Asantewaa This material may not be reproduced in any way, either in part or in its entirety, without the expressed written permission of Eva Yaa Asantewaa.