Podcast appearances and mentions of gabriel abrantes

Endeavours is back from the dead! Raymond St. Jean is a Quebecois filmmaker whose latest effort is "Dusk For A Hitman", which was inspired by a true story. It was released on April 19th. Stefan Bristol is the director of "Breathe", a thriller that takes place in a post-apocalyptic, oxygen-less future. It stars Jennifer Hudson, Milla Jovovich, Quvenzhane Wallis and Sam Worthington and will be released on April 26th. Gabriel Abrantes is the writer-director of "Amelia's Children" starring Atypical's Brigette Lundy-Paine. It was released on March 1st. Subscribe: Apple, Spotify, Amazon, Pandora, Deezer Socials: @EndeavoursRadio --- Send in a voice message: https://podcasters.spotify.com/pod/show/dan-mcpeake/message

Steve and Sean chat about Maxine, Evil Dead, Infested, Final Destination 6, Twilight, and why is there not an H in there?Then, they're joined by writer, director, and painter Gabriel Abrantes! They discuss finding meaning in internet quizzes and beyond, Portuguese folklore, eternal life, and of course his new film, Amelia's Children!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week we welcome writer/director Gabriel Abrantes on the show to talk about making his horror feature Amelia's Children, what it was like to play Cannes with his first feature, Diamantino and his process in writing the film. After that we play another round of You're the Expert, enjoy! Watch Liz's new short film Witchy on youtube: https://www.youtube.com/watch?v=gk5WtIOz5do Watch The Alternate on Tubi Out Now: https://tubitv.com/movies/702632/the-alternate Check out the ISA at: www.networkisa.org Don't forget to support us on Patreon! www.patreon.com/mmihpodcast Leave us a Review on Apple Podcasts! https://podcasts.apple.com/us/podcast/making-movies-is-hard-the-struggles-of-indie-filmmaking/id1006416952

Ça y est, il est enfin l'heure de débuter l'année 2024 dans 24FPS, le podcast ciné avec ou sans spoiler ! Jérôme et Julien débutent directement l'année avec 2 mois de cinéma, et une salve de critiques intégralement sans spoiler : Godzilla Minus One de Takashi Yamazaki (à partir de 0:02:05) American Fiction de Cord Jefferson (à partir de 0:13:18) Dream Scenario de Kristoffer Borgli (à partir de 0:19:18) Memory de Michel Franco (à partir de 0:26:19) L'Affaire De La Mutinerie Du Caine de William Friedkin (à partir de 0:31:24) The Beekeeper de David Ayer (à partir de 0:40:36) Le Cercle Des Neiges (Society Of The Snow) de J.A. Bayona (à partir de 0:51:39) Un Coup De Dés de Yvan Attal (à partir de 1:13:18) Amelia's Children de Gabriel Abrantes (à partir de 1:19:36) Un Silence de Joachim Lafosse (à partir de 1:25:02) Sleep de Jason Yu (à partir de 1:34:49) Out Of Darkness de Andrew Cumming (à partir de 1:38:59) The Iron Claw de Sean Durkin (à partir de 1:43:52) Land Of Bad de Willam Eubank (à partir de 1:54:38) Argylle de Matthew Vaughn (à partir de 1:59:18) Perfect Days de Wim Wenders (à partir de 2:16:42) Madame Web de S. J. Clarkson (à partir de 2:27:00) Occupied City de Steve McQueen (à partir de 2:42:23) Bob Marley - One Love de Reinaldo Marcus Green (à partir de 2:53:48) Pauvres Créatures de Yorgos Lanthimos (à partir de 3:08:23) Bonne écoute, et n'hésitez pas à partager votre avis sur la seconde moitié des films de Yorgos Lanthimos ! Crédits musicaux : Now And Then des Beatles, et Sunny Afternoon des Kinks, issu de l'album Face To Face (1966) 24FPS est un podcast du label PodShows

We sit down with writer/director Gabriel Abrantes on his film, Amelia's Children, which is already being hailed as one of the best horror films out of Portugal. We talk about his development in film as well as his homework on the horror genre that helped him create this creepy and taboo feature.Check out Amelia's Children in theaters and on VOD now! Follow us on Social Media: @pvdhorror Instagram, Twitter, TikTok, FacebookWatch us on YouTube: https://www.youtube.com/channel/UCOyloOb0puVCXDjJ_ZiPYqgVisit our website: https://pvdhorror.com/Special thanks to John Brennan for the intro and outro music. Be sure to find his music on social media at @badtechno or the following:https://johnbrennan.bandcamp.com

La 31e édition du Festival International du Film Fantastique de Gérardmer a eu lieu du 24 au 28 janvier 2024 et pile deux semaines après, nous enregistrions un épisode pour débriefer la vingtaine de projections auxquelles nous avons assisté. Bon, ok, le montage de l'épisode a pris un peu plus de temps que prévu, mais mieux vaut tard que jamais, non ? Cornelius and Zira – Ep#44 – Gérardmer 2023 (crossover avec VHS & Canapé feat. Creepers & Draven) Au programme de cet épisode, 10 longs métrages en compétition, 7 films hors-compétition (dont 1 documentaire), 2 films en rétrospective, 1 work in progress, 5 courts métrages et quelques digressions : 7:21 The Forbidden Play (titre original : 禁じられた遊び ou Kinjirareta Asobi) de Hideo Nakata 16:40 Retour d'expérience de festivaliers 18:42 Perpetrator de Jennifer Reeder 26:56 La Morsure (aka Bitten) de Romain de Saint-Blanquat 36:34 RoboCop de Paul Verhoeven 44:16 Amelia's Children (titre original : A Semente do Mal) de Gabriel Abrantes 54:28 The Funeral (titre original : Cenaze) de Orçun Behram 1:05:07 Resvrgis de Francesco Carnesecchi 1:11:30 Vampire Humaniste Cherche Suicidaire Consentant (aka Humanist Vampire Seeking Consenting Suicidal Person) de Ariane Louis-Seize 1:20:59 Door de Banmei Takahashi 1:27:33 Quelques mots sur les autres films projetés dans le cadre de la la rétrospective Retromania 1:28:31 Hommage à Gareth Edwards L'hommage rendu à Gareth Edwards en vidéo pas du tout officielle mais cool quand même 1:30:15 En Attendant la Nuit (aka For Night will Come) de Céline Rouzet 1:43:35 Quelques mots sur les film projetés dans le cadre de la Rétrospective Vampires 1:45:21 When Evil Lurks (titre original : Cuando Acecha la Maldad) de Demián Rugna 1:54:08 The Seeding de Barnaby Clay 2:01:04 Work in progress : Sous la Seine de Xavier Gens 2:06:35 Sharksploitation de Stephen Scarlata 2:15:09 It's a Wonderful Knife de Tyler MacIntyre 2:21:36 Le Mangeur d'Âmes de Julien Maury & Alexandre Bustillo 2:30:10 Courts métrages • Au Prix de la Chair de Tomas Palombi• Dark Cell de Jean-Michel Tari• Girls de Julien Hosmalin• La Croix de Joris Fleurot• Transylvanie de Rodrigue Huart 2:39:52 La damnée (aka The Curse) d'Abel Danan 2:45:04 Sleep (titre original : 잠 ou Jam) de Jason Yu 2:51:10 Quelques mots sur le ressenti général concernant cette 31è édition du Festival de Gérardmer 2:52:04 Concrete Utopia (titre original : 콘크리트 유토피아 ou Konkeuriteu yutopia) de Eom Tae-hwa 2:58:49 New Life de John Rosman 3:04:53 Conclusion Retrouvez Creepers dans VHS & Canapé, Pegi 18, dans VidéoClub et sur Twitch, Retrouvez Draven dans 24FPS, le podcast ciné avec ou sans spoilers, dans Galactifrak, le podcast francophone dédié à Battlestar Galactica, dans The Masters of Horror Show, dans Stranger Films et dans C'Tout Comme podCloud | Apple Podcast | YouTube | Spotify | BlueSky | Mastodon | Twitter | Facebook | Instagram | TikTok

Writer-director Gabriel Abrantes joins this episode of the Movies In Focus podcast to discuss his new film Amelia's Children A slow-burning and delicately paced horror with Brigette Lundy-Paine, Carlota Cotta, Anabela Moreira, Alba Baptista, Amelia's Children sees a New York-based musician discover that he has a long-lost mother and brother in Portugal. Taking a trip with his girlfriend, he visits them in their secluded mansion but finds that his family has a dark and deadly secret.

Show Notes: In this episode we talk about his process for writing Amelia's Children, what horror movies inspired him, and the themes he tries to weave into the script. We also touched on his love of fantasy and surreal films, the Portuguese folklore that inspired him, and generational narcissism. Amelia's Children is out in select theatres and on VOD on March 1st! Gabriel's Socials: Instagram: https://www.instagram.com/itsgabrielabrantes/ Find Where To Watch Amelia's Children Here: https://www.justwatch.com/us/movie/amelias-children  Who's There? Socials: Join the Patreon: https://www.patreon.com/user?u=103143437  Twitter: https://www.twitter.com/whostherepc  Instagram: https://www.instagram.com/whostherepc Email: whostherepc@gmail.com  Website: https://www.whostherepodcast.com  Join the Email List: https://mailchi.mp/4a109b94d3bc/newsletter-signup --- Support this podcast: https://podcasters.spotify.com/pod/show/whostherepod/support

Gabriel Abrantes, realizador português, lançou agora o seu primeiro filme de terror "A Semente do Mal" e veio conversar com o Fernando Alvim sobre o processo e a carreira.

Gabriel Abrantes, artista plástico e cineasta luso-americano, fala de “A Semente do Mal”, que escreveu, realizou, produziu e compôs a banda sonora, a sua 1ª longa-metragem a solo e no género terrorSee omnystudio.com/listener for privacy information.

"A Zona de Interesse", "A Semente do Mal", "Rosinha e Outros Bichos do Mato". Novos filmes de Jonhatan Glazer, Gabriel Abrantes e Marta Pessoa.

Programação de hoje d'O Dia Mais Curto; lançamento de Joopie, de Gabriel Abrantes, no Sábado; 'Fuck 2021 (and 2020), I got the Blues' no dia de Natal na ZDB.

Check out this film's posts @ MovieJeff.com here » https://themoviereviewshow.blogspot.com/2018/05/diamantino.html and leave a comment Diamantino is a 2018 fantasy comedy-drama film written and directed by Gabriel Abrantes and Daniel Schmidt. The film follows Premiere association football star Diamantino after he loses his special touch and ends his career in disgrace. Searching for a new purpose, the international icon sets on a delirious odyssey where he confronts neo-fascism, the refugee crisis, genetic modification and the hunt for the source of genius. It's a lot! Follow the show... @ Twitter https://twitter.com/MOVIEREVIEWSH0W @ YouTube https://www.youtube.com/channel/UCpONT6Yp423GzUrHDDqBL3g @ LetterBoxd https://letterboxd.com/jeffmovie AND, FOR AS LITTLE AS $1/MONTH » https://patreon.com/dad SUPPORT THIS SHOW AND OTHER VENTURES FROM HTTPS://WWW.MYAMERI.CA INDUSTRIES • THANK YOU --- Send in a voice message: https://anchor.fm/the-movie-review-show/message Support this podcast: https://anchor.fm/the-movie-review-show/support

Longtime collaborators Daniel Schmidt and Gabriel Abrantes discuss DIAMANTINO, a perversely pleasurable sendup of Brexit, genetic science, and the ongoing refugee crisis. The film opens in select theaters this weekend. This podcast is brought to you by Film at Lincoln Center. Film Lives Here.

Diamantino filmmakers Gabriel Abrantes and Daniel Schmidt join us to a conversation with Tate Film curator Carly Whitefield. Set in present-day Portugal, Diamantino follows the delirious journey of a hilariously naïve football star from blissful prowess to career-busting disillusionment. The film was inspired by two sports essays by author David Foster Wallace. A quintessential artists’ feature, the film combines science-fiction, thriller, fairy tale and romantic comedy narrative tropes with wildly imaginative imagery as it satirises the cult of fame and nationalist politics. Diamantino won the Grand Prize at Cannes Film Festival's Critics' Week. Diamantino on release from 10 May

À l’occasion de l’exposition « Jeunes artistes en Europe. Les Métamorphoses » présentée du 4 avril au 16 juin 2019 à la Fondation Cartier pour l’art contemporain, le Bruit de l’art vous propose une série de podcasts inédits en cinq épisodes.Pour ce quatrième épisode hors-série, nous recevons le réalisateur américano-portugais Gabriel Abrantes dont le court-métrage A Brief History of Princess X est à découvrir en ce moment à la Fondation Cartier.Gabriel Abrantes a étudié à la Cooper Union à New York, aux Beaux-Arts de Paris et au Fresnoy à Tourcoing. Son travail, d’abord plus proche de la vidéo d’artiste, s’est rapproché ces dernières années du cinéma de fiction grand public. Il a ainsi été présenté à la Semaine de la Critique de Cannes (Grand Prix), à la Berlinale (Prix EFA) ou au Festival du Film de Locarno (Léopard d’or), mais également été exposé à la Tate Britain (Londres), au KW Institute for Contemporary Art (Berlin), au Palais de Tokyo (Paris)... Dans ses films, l’humour décalé et l'absurde sont souvent utilisés pour revisiter des mythes d’une culture mi-pop mi-historique et faire écho à d’importants questionnements contemporains.Dans cet épisode, il revient sur son parcours, son passage de son activité de peintre à celle de cinéaste, explique ce qui le pousse encore à faire des aller-retour entre peinture et vidéo, et nous raconte la genèse de son court-métrage A Brief History of Princess X. Musique originale de Rinôçérôse. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

The ADR Doggies Bite Back Liberated from Hull, Graham settles in with Rob for a preview of perhaps the strangest sports movie ever made - Gabriel Abrantes and Daniel Schmidt's "Diamantino", with its gene-tampering weirdness, lesbian drone pilots and floof bois.  It's not the last dog cameo on the show, but it's surely the best. Off the Shelf sees Graham arguing the defence for Criterion's reissue of Edgar G Ulmer's classic noir "Detour" against a sceptical Rob, before Rob inexplicably punishes himself with Dario Argento's late-period take on Dracula - which is honestly not his best work. If you like the podcast, send some support by visiting The Geek Show (http://www.thegeekshow.co.uk) and clicking on The Geek Shop tab. Give us a star rating and/or review wherever you get your podcasts from. You can also check out some of the other podcasts that make up The Geek Show Podcast Family. We recommend Rob's other podcast and the daddy of the network - The Geek Show (https://open.spotify.com/show/7flqu1mWHKcaSjq5fIWQVf) , it's full of unhinged science and technology weirdness. There's also our patreon (http://www.patreon.com/thegeekshow) , too. #Podcast #Movies #Films #Cinema #Surreal #Comedy #Reviews #CinemaEclectica #Eclectica #TheGeekShow #Portugal #Diamantino #Football #DarioArgento #Dracula #Dracula3D #FilmNoir #CriterionCollection #Criterion #Detour #Dogs #Horror // until next time, keep it Eclectica!

Esta semana, estamos à conversa com as irmãs gémeas Anabela e Margarida Moreira sobre o filme "Diamantino". Carloto Cotta e o co-realizador Gabriel Abrantes também têm tempo de antena para contar aventuras e desventuras do filme que há um ano conquistou a crítica em Cannes. Há ainda novidades sobre "Umbrela Academy", "Guerra dos Tronos" e o novo projecto de João Botelho. 

Edição de 26 Março 2019

O NERVOS Entrevista #10 está especial, não só porque completamos 10 edições do nosso podcast, mas pelo destaque duplo, com os filmes O Último Trago (2016) e Raiva (2018), que estrearam nesta quinta (7). O primeiro trata-se do último título da Alumbramento, coletivo de produção independente sediado em Fortaleza e importante na história recente do cinema brasileiro, tendo a direção de Luiz Pretti, Pedro Diógenes e Ricardo Pretti. O segundo é uma adaptação do livro português Seara de Vento, de Manuel da Fonseca, coproduzido por Portugal, Brasil e França, mesmas nacionalidades que o cineasta Sérgio Tréfaut possui. Em entrevista à nossa editora Nayara Reynaud, o cearense Pedro Diógenes e o carioca Ricardo Pretti falaram sobre o longa que ganhou três prêmios Candangos no Festival de Brasília de 2016 – o de Melhor Atriz Coadjuvante para Samya de Lavor, Fotografia e Montagem –, contando do surgimento da ideia para o filme, as escolhas estéticas com influências do cinema de gênero e os próximos passos deles depois do fim do coletivo. Depois, foi a vez dela conversar com Sérgio Tréfaut sobre a produção ambientada no Alentejo dos anos 1950, em plena época de Ditadura em Portugal, comentando das sua próprias origens familiares alentejanas, a recepção do filme indicado a nove categorias no Prêmio Sophia, dado pela Academia Portuguesa de Cinema, naquela região e pelo mundo, além de seu próximo trabalho aqui no Brasil. Ouça no lugar que você quiser: SoundCloud | Spotify | Deezer | iTunes | Google Podcasts | Feed | Download Conexões Nervosas > Pedro Diógenes: música cearense, especialmente do músico que participa do filme, Vitor Colares; além do livro Os Verdes Abutres da Colina (1974), de José Alcides Pinto > Sérgio Tréfaut: o filme mudo soviético de Aleksandr Dovjenko, Terra (1930); o longa dinamarquês de Carl Thedor Dreyer, premiado com o Leão de Ouro em Veneza, A Palavra (1955); e outra produção portuguesa recente, Diamantino (2018), de Gabriel Abrantes e Daniel Schmidt *Músicas presentes no podcast (sob licença Creative Commons): “Content”, de Lee Rosevere; “Blind Love Dub”, de Jeris; e “Reusenoise_(DNB_Mix)”, de SpinningMerkaba

Durée : 00:03:37Date : mardi 20 novembre 2018La chronique des Gens Pressés.Sa moitié ne parvient plus à la surprendre. Déjà, elle le devine, il se prépare une demande en mariage des plus classiques. Sauf que…Retrouvez cette chronique de Florine Camara dans l'intégrale de Chaos avec Gabriel Abrantes diffusée le mardi 20 novembre 2018.

Esta semana, los cosmopoditas empiezan el año yendo al cine de los dos lados del Atlántico. En la primera parte Javier y Axel hablan de la influencia de la arquitectura alemana en Argentina, a partir del documental “Konstruktion Argentina” de Fernando Molnar. Después, revolean la camiseta con la inventiva comedia “Diamantino”, de Gabriel Abrantes y Daniel Schmidt, película en donde un futbolista, mezcla de Cristiano Ronaldo y Lionel Messi, estrella del fútbol portugués y mundial, pierde la inocencia (y su talento) al encontrarse con la crisis migratoria en una Europa apenas ficcional. Ochenta y tres minutos de programa, porque lo sublime, como la refracción iridiscente de la luz crepuscular sobre el sereno espejo de la superficie del Mediterráneo, no dura para siempre. Suscribite y apoyanos en Spotify, Apple Podcasts, TuneIn, Stitcher, Soundcloud, Google Podcasts, Pocket Casts y en tu aplicación favorita. Escribinos a cosmopodis@gmail.com y seguinos en Instagram y en Twitter en @cosmopodis.

Durée : 00:55:31Date : mardi 20 novembre 2018Le chaos de ce soir sera pop et déviant comme le film co-réalisé par notre invité, le cinéaste americano-portugais Gabriel Abrantes. Diamantino c'est le nom du film, co-écrit avec Daniel Schmidt et aussi de leur personnage principal, une sorte de Cristiano Ronaldo qui devient la marionnette d'un complot politique. Diamantino est aussi une star mondiale du football, surnommé le "Michel-Ange du terrain" qui va perdre toute sa magie après avoir croisé une embarcation de réfugiés alors qu'il se la coulait douce sur son yacht. Derrière toutes ces bonnes blagues, ce sont bien les codes du film d'action et d'espionnage, ou même du conte de fée et de la comédie romantique, qui sont détournés pour accomplir un projet plus loufoque, queer et subversif qu'il ne paraît. Playlist de l'émission >This Mortal Coil / Tim Buckley : Song For The Siren Rihanna : Kiss It Better MC Fioti : Bum Bum Tam Tam John Williams : Jurassic Park Theme

For co-directors Daniel Schmidt and Gabriel Abrantes, the making of Diamantino was just as, if not more complex, than the award-winning film's insane plot. It tells the story of Diamantino, the world's premier soccer star, who loses his special touch and ends his career in disgrace. Searching for a new purpose, the international icon sets on a delirious odyssey where he confronts neo-fascism, the refugee crisis, genetic modification, and the hunt for the source of genius. That's a whole lot of ground to cover within the confines of an hour and a half, and after seeing the first assembly of their cut, the duo was dismayed and ready to throw in the towel. Even during production, Schmidt felt as if they had bit off a little more than they could chew. Unhappy, they walked away from the project and decided to regroup at a later date. Ultimately, they came to realize that they still had a fair amount of interesting material they felt they could work with and that their failures could, through the magic of post-production, be turned into an avante-garde tour de force. Using stock imagery, frenetic archival footage and green screen wizardry they spliced together a cut worthy of Cannes, New York Film Festival, The Toronto International Film Festival and more. We sat down with Schmidt prior to Diamantino's screening at TIFF and talked about adapting to difficult circumstances, learning from mistakes, and never giving up hope on your vision.

A wildly imaginative, hybrid film matching our wildly absurd reality. The post Gabriel Abrantes, Daniel Schmidt – Diamantino #Cannes2018 appeared first on Fred Film Radio.

A wildly imaginative, hybrid film matching our wildly absurd reality. The post Gabriel Abrantes, Daniel Schmidt – Diamantino #Cannes2018 appeared first on Fred Film Radio.

A wildly imaginative, hybrid film matching our wildly absurd reality. The post Gabriel Abrantes, Daniel Schmidt – Diamantino #Cannes2018 appeared first on Fred Film Radio.

A wildly imaginative, hybrid film matching our wildly absurd reality. The post Gabriel Abrantes, Daniel Schmidt – Diamantino #Cannes2018 appeared first on Fred Film Radio.

A wildly imaginative, hybrid film matching our wildly absurd reality. The post Gabriel Abrantes, Daniel Schmidt – Diamantino #Cannes2018 appeared first on Fred Film Radio.

A wildly imaginative, hybrid film matching our wildly absurd reality. The post Gabriel Abrantes, Daniel Schmidt – Diamantino #Cannes2018 appeared first on Fred Film Radio.

It's Cannes, day nine! FC Editor-in-Chief Nicolas Rapold is joined by Justin Chang, film critic for the Los Angeles Times; Mara Gourd-Mercado, general director of Montreal doc-fest RIDM; and Eric Hynes, FC contributor and film programmer at the Museum of the Moving Image. The writers and programmers discuss David Robert Mitchell's California pop-culture noir pastiche Under the Silver Lake; Lee Chang-dong's Haruki Murakami adaptation Burning; Alice Rohrwacher's magical realist family farm drama Lazzaro felice; Gabriel Abrantes and Daniel Schmidt's ironic psychosexual melodrama Diamantino; and Laetitia Carton's documentary Le Grand Bal.

It's Cannes day four! FC Editor-in-Chief Nicolas Rapold is joined by Film Society of Lincoln Center Director of Programming Dennis Lim and FC columnist Jonathan Romney to discuss a few of the most anticipated films of the festival: Jean-Luc Godard's The Image Book, Jia Zhangke's Ash Is Purest White, Pawel Pawlikowski's Cold War, and Gabriel Abrantes and Daniel Schmidt's Diamantino.