POPULARITY
137 episodes with quebecois
32 episodes with quebecois
8 episodes with quebecois
3 episodes with quebecois
3 episodes with quebecois
2 episodes with quebecois
4 episodes with quebecois
6 episodes with quebecois
3 episodes with quebecois
Since 2015, the BC government has been conducting wolf reduction programs in several regions of the province as part of efforts to recover endangered mountain and boreal woodland caribou populations. Is it working How is the province strengthening its response to vandalism, theft, and street disorder? In honour of St-Jean-Baptiste Day, one of the best-known ambassadors of French-Canadian cooking in Vancouver joins us to highlight the best of Québécois cuisine. Learn more about your ad choices. Visit megaphone.fm/adchoices
Day Of Epiphany by Canadian author/actor, Jerome J Bourgault is the recent winner of CANREADS Award for Historical Fiction 2026, available now on Amazon and Indigo. Bourgault's highly anticipated book is an exploration of a dark chapter in Canadian and specifically Quebecois history: the “Grande Noirceur” (“Great Darkness”) of 1944–1959. The Catholic Church wielded its influence through the provincial government, controlling education, healthcare and orphanages. Day of Epiphany is both powerful and unsettling, as it examines the systemic abuse and scars left by religious institutions. An uncomfortable reminder, some would prefer left alone… Day Of Epiphany delivers why in shocking detail.Day of Epiphany takes place in 1950s Quebec as the province languishes under the oppressive dual authorities of the Roman Catholic Church and the autocratic government of Maurice Duplessis. In the small town of St-Jolain, young Sister Cassandra Lalonde works tirelessly as a teacher at the Ste-Madeleine (Ste-M) Orphanage. It's a difficult life for the children, but Cassandra has hope for four of Ste-M's best and brightest young teens—Suzanne, Hélène, Diane, and Eleanora, with whom she has forged a powerful bond. Day Of Epiphany is their journey. After an explosion closes the orphanage, the nuns and children return to find the rebuilt facility has been re-designated by the Duplessis government as a psychiatric hospital, and the orphans have been “reclassified” as mental patients. To make matters worse, Ste-M has been merged with a notoriously brutal psychiatric hospital from another parish, whose patients and staff are fully integrated with the resident population of the new Sainte-Madeleine Institute. In the living nightmare that follows, Sister Cassandra struggles to recognize God's hand in such darkness. As casualties begin to mount, Cassandra must resort to increasingly drastic measures to protect those under her care. Bourgault's Day Of Epiphany is a must-read story of moral complexity, personal resilience, loss and redemption. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.
In this heartfelt episode, we sit down with Caroline Hahm, chef at Di An DI restaurant in Brooklyn NY, to explore the beautiful intersection of professional kitchens and sustainable farming. We dive into her journey from leaving Cornell to working in fashion, and explore how the documentary Food Inc. and her grandmother's garden entirely reshaped her worldview. Caroline shares her tumultuous journey of learning her craft from scratch, discovering farming along the way, and how she ultimately ended up as a culinary leader. She breaks down the economic realities of sourcing ethically for Asian cuisine, paying farmers full price, and subverting toxic kitchen cultures through mindful leadership. Finally, we discuss her guiding mission to live a life of service and her dream of building a hospitality space tied directly to its own market garden. Timestamps [00:00] Intro.[02:08] Reflecting on dinner at the Old Mill.[08:12] Suburban childhood mentalities and shifting views on gardening.[14:51] Leaving university to pursue volunteer work and experiencing true poverty.[22:05] Transitioning into the fashion industry before Food Inc. changed everything.[27:42] Tending soil later in life and reconnecting with traditional Korean side dishes.[36:56] Volunteering at a rooftop farm and getting an unexpected start as a line cook.[44:06] Reflecting on the intense physical toll and toxic culture of professional kitchens.[51:34] Training under a wild Quebecois mentor and discovering new flavor pairings.[01:05:44] Pursuing nose-to-tail butchery, urban farming, and handling intense press reviews.[01:34:21] Analyzing the economic realities and structural underpricing of ethnic cuisines.[01:50:36] Rapid fire questions on leadership, work habits, and processing grief.Sponsors: Dubois Agrinovation: Get 10% off by choosing the promo code ‘MasterClass – Jean-Martin Fortier' when you create an account. Some exceptions apply. https://duboisag.com/Start Your Market Gardener Journey Here: https://themarketgardener.com/starthere/Links/ResourcesStart Your Market Gardener Journey Here : https://themarketgardener.com/starthere/Market Gardener Institute: https://themarketgardener.com Masterclass: https://themarketgardener.com/courses/the-market-gardener-masterclass Newsletter: https://themarketgardener.com/newsletterBlog: https://themarketgardener.com/blog Books: https://themarketgardener.com/booksGrowers & Co: https://growers.coHeirloom: https://heirloom.ag/The Old Mill: https://www.espaceoldmill.com/en/Follow UsWebsite: http://themarketgardener.com Facebook: http://facebook.com/marketgardenerinstitute Instagram: http://instagram.com/themarketgardeners Guest Social Media LinksCaroline Hahm:Instagram: https://www.instagram.com/carolinehahm/ Instagram: https://www.instagram.com/diandi.nyc/Website: https://www.diandi.nyc/ JM:Instagram: https://www.instagram.com/jeanmartinfortierFacebook: https://www.facebook.com/jeanmartinfortier
We've reached the end of the month, which means it's time for another episode of our community podcast! As this slow news season continues, we report on the continued lack of exclusive Disney+ episodes, The Simpsons assisting the Colts in launching their 2026 schedule, and the long-awaited return of the Quebecois dub. And, as always, we read and respond to your questions and comments from the last round of podcasts. It's all happening on Talk to the Audience: the only podcast to blow the lid off of the reverse vampire conspiracy! Support this podcast and get over 200 ad-free bonus episodes by visiting Patreon.com/TalkingSimpsons and becoming a patron! And please follow the official Twitter, @TalkSimpsonsPod, not to mention Bluesky and Instagram!
“I am haunted by history: the history of dictatorship, the history of empire, history as a whole,” declares the Iraqi novelist, poet, scholar, and literary translator Sinan Antoon near the start of this conversation about his most recent novel, Of Loss and Lavender. Sinan, speaking with Magalí and critic Michael Allan, goes on to say that “the novel allows for a more wholesome, in-depth confrontation with history.” That confrontation, in turn, requires narrative forms that are complex, sometimes fractured, and often non-linear in order to braid together a range of different perspectives on a particular moment or event. As Sinan observes in a discussion of the Arabic term nisyān—“forgetting” or “forgetfulness,” although its nuances in Arabic are not easily rendered in English—even memory itself is not static. And yet, shared histories of empire and imperialism make it possible to draw connections between far-flung locations, as Sinan does in Of Loss and Lavender by drawing together Iraq and Puerto Rico. From here, the conversation turns to the pleasures and challenges of translation, including some of Sinan's choices when translating his own work into English. This includes the effort to make legible the nuances of race, class, and other forms of difference across contexts; although, as Sinan notes, much of his younger readership in the Arab world today is often well-versed in US culture. The conversation concludes with a discussion of Sinan's frequent use of poems and songs in the novel, a device that points back to the multi-genre experiments of the premodern Arabic tradition, and a moving portrait of a teacher who transmitted to his students ideas about justice and equality despite the dictatorship under which he worked. Mentioned in this episode: About Baghdad The Baghdad Eucharist Mahmoud Darwish, In the Presence of Absence Darwish's “Memory for Forgetfulness” (on nisyān) The Book of Collateral Damage Elias Khoury and the use of dialect in contemporary Arabic fiction Quebecois literature Breaking Bad Um Kulthoum Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
“I am haunted by history: the history of dictatorship, the history of empire, history as a whole,” declares the Iraqi novelist, poet, scholar, and literary translator Sinan Antoon near the start of this conversation about his most recent novel, Of Loss and Lavender. Sinan, speaking with Magalí and critic Michael Allan, goes on to say that “the novel allows for a more wholesome, in-depth confrontation with history.” That confrontation, in turn, requires narrative forms that are complex, sometimes fractured, and often non-linear in order to braid together a range of different perspectives on a particular moment or event. As Sinan observes in a discussion of the Arabic term nisyān—“forgetting” or “forgetfulness,” although its nuances in Arabic are not easily rendered in English—even memory itself is not static. And yet, shared histories of empire and imperialism make it possible to draw connections between far-flung locations, as Sinan does in Of Loss and Lavender by drawing together Iraq and Puerto Rico. From here, the conversation turns to the pleasures and challenges of translation, including some of Sinan's choices when translating his own work into English. This includes the effort to make legible the nuances of race, class, and other forms of difference across contexts; although, as Sinan notes, much of his younger readership in the Arab world today is often well-versed in US culture. The conversation concludes with a discussion of Sinan's frequent use of poems and songs in the novel, a device that points back to the multi-genre experiments of the premodern Arabic tradition, and a moving portrait of a teacher who transmitted to his students ideas about justice and equality despite the dictatorship under which he worked. Mentioned in this episode: About Baghdad The Baghdad Eucharist Mahmoud Darwish, In the Presence of Absence Darwish's “Memory for Forgetfulness” (on nisyān) The Book of Collateral Damage Elias Khoury and the use of dialect in contemporary Arabic fiction Quebecois literature Breaking Bad Um Kulthoum Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends. This week's friend is Devon Léger! We recorded this Friday afternoon at his home in Seattle. Tunes in this episode: Reel de la Bière Alpine (André à Toto original) (1:12) Jig à Jos Léger (21:20) Bake the Bread (49:28) Charley Kahana's Pigtown Fling (1:16:45) Avant-deux fredonné (1:38:35) BONUS TRACK: Valse d'Inkerman Ferry (André à Toto original) Follow Hearth Music on Instagram Support Tall Poppy String Band's second album on Kickstarter! Come to TransTrad! See Sweeten the Third at Abbie Weisenbloom's in Portland Support Get Up in the Cool on Patreon Send Tax Deductible Donations to Get Up in the Cool through Fracture Atlas Sign up at Pitchfork Banjo for my clawhammer instructional series! Schedule a banjo lesson with Cameron Visit Tall Poppy String Band's website and follow us on Instagram follow Sweeten the Third on Instagram
EDtv opened in third place on March 26th right behind our last movie, Analyze This in 2nd and Forces of Nature in 1st, going on to gross $35 million worldwide on a budget of $80 million. Directed by Ron Howard, it is a remake of the 1994 Quebecois film Louis 19, King of the Airwaves, with a script adapted by Lowell Ganz and Babaloo Mandel, it stars Matthew McConaughey, Jenna Elfman, Woody Harrelson, Ellen DeGeneres, Sally Kirkland, a frankly Oscar-worthy Martin Landau, Rob Reiner, Dennis Hopper, Elizabeth Hurley, Harry Shearer, Ian Gomez, Rupaul, Michael Moore, Jay Leno, George Plimpton, and Bill Maher. EDtv tells the story of a regular guy whose life becomes a 24-hour reality show. It did modestly well with critics, but it was drowned out by 1998's similarly-premised (but in no way similar) The Truman Show. Anyway, since it's the only 1999 movie to feature Bill Maher, we invited the host of the I Hate Bill Maher Podcast, comedian Will Weldon, to talk about this incredibly confused, frustrating movie, which remains notable for being the start of the McConaughey-Harrelson (possibly literal) Bromance! Will's on Bluesky and other social media @oldmanweldon
Packed show this week. Back from the Junos and back on track, we review new albums from Raye and the new Quebecois funky microtonal sensations Angine de Poitrine. Paul McCartney's back with music and he's getting back to the beginning, 6 Music Festival kicks off the British summer festival season and we are joined for a live session by Toronto shoegaze band Mad Iris, back from when we met them at Wavelength Festival. Music this week by:Depeche Mode, RAYE, Paul McCartney, mclusky, Lava La Rue, The Clockworks, Mount Palomar, Enola Gay; Angine de Poitrine [also check out FAST FAST], Kizzy Crawford, Karen Dío, Nia Archives, Yard Act, Bloc Party, Mandy, Indiana; Mad Iris. FYI - mclusky in town on Monday, 6 April at the Mod Club! Come down/look out for our interview soon. :)Find this week's show playlist here. Try and support artists independently through buying their music, merch, going to shows! Bandcamps/websites linked above.Touch that dial and tune in live! CFRC 101.9 FM in Kingston or cfrc.ca, Sundays 8-9:30 PM! Full shows in the linked archive for 3 months from broadcast.Like what we do? Donate to help keep our 102-year old radio station going!Get in touch with the show: email yellowbritroad@gmail.com, IG @yellowbritroad.PS: submissions, cc music@cfrc.ca if you'd like other CFRC DJs to spin your music on their shows as well.
Evan is back so we are back to your regularly scheduled programming! This week we talk about so many movies (She's The Man, Inside Man, V for Vendetta, and Batman vs Superman), plus heavy hitting topics like weird Quebecois rock duos, Hannah Montana almost sharing a name with a pornstar, and owl movies. Join us for another great episode!
Cette semaine aux Anti-Pods de la Lutte, Kevin et Pat rendent hommage à Rodger Brulotte, discutent des plus récentes nouvelles concernant WrestleMania et de Dennis Rodman au WWE HOF. Tout ça et bien plus dans un autre épisode à ne pas manquer.Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr
Rob Scott, co-founder of Monjur Rob Scott, co-founder of Monjur and managing partner at Scott & Scott LLP, joins the podcast to talk about what’s broken in the average MSP’s contract stack and what it takes to fix it. Rob has spent more than 27 years at the intersection of technology and law, and his firm works with over a thousand managed service providers across North America. The conversation covers the three biggest areas of contract risk Rob sees across the MSP community: agreements that haven’t kept pace with the services being delivered, unaddressed vendor and third-party liability, and missing data processing agreements in an increasingly complex regulatory environment. Rob walks through practical provisions most MSPs don’t have but should, including a “security recommendations” clause that shifts liability to customers who decline recommended protections. Rob also digs into why AI is changing the contracting equation in both directions – from the new service attachments MSPs need when delivering AI-powered services, to the risks of using unsupervised LLMs for contract drafting – and offers a candid assessment of where Canadian MSPs stand relative to their American counterparts when it comes to contracting maturity. The conversation wraps with a practical starting checklist for MSPs who know their contracts are out of date but don’t know where to begin. Read Full Transcript Robert Dutt: Hello and welcome to In The Channel from ChannelBuzz.ca, bringing news and information to the Canadian IT channel community for the last 16 years. I’m Robert Dutt, editor of ChannelBuzz.ca, and your host for the show. My guest today is Rob Scott. Rob is the co-founder of Monjur and managing partner at Scott & Scott LLP, where he’s spent more than 27 years at the intersection of technology and law. His firm works with over a thousand managed service providers across North America on their contracts, and he recently launched Monjur Pilot, an AI-powered legal assistant built specifically for MSP contracting. Now, I know what you’re probably thinking – contracts aren’t exactly the sexiest topic in the channel. But here’s the thing. Most MSPs, I think, know their contracts are out of date, and they also know that they should do something about it. They just don’t. And in a world where the threats are evolving, AI is changing the service landscape, and the regulatory environment, particularly here in Canada, keeps getting more complex, the gap between what your contracts say and what your business actually does is becoming a real liability. Rob has seen what happens when that gap catches up to you, and he’s got some very practical advice about what to do about it. Let’s get right into it. My chat with Rob Scott. Rob, thanks for taking the time. I appreciate it. Rob Scott: Thank you for having me. Robert Dutt: You’ve been working with MSPs on their contracts for, I think it’s over two decades. What’s the state of the contract stack for the average MSP in 2026, and how wide is the gap between what most MSPs are actually running on and what they should be running on? Rob Scott: That’s a great question. When I look at contracts, I see three big areas of risk for MSPs. One is that their agreements don’t keep up with their services. In the MSP world, that means you’re offering compliance advisory services without proper compliance advisory contracts. We call that service attachment for managed compliance. You’re now working with clients in and around AI and AI products, which are using a pre-AI customer contract. These are the things that change with frequency in IT, and for MSPs, that means one area of contract protection – static agreements don’t fit with emerging service offerings like tech. Sometimes their agreements don’t keep up with their services, and other times, their agreements are not reflected for trends in the marketplace or specific risks. For example, ransomware attacks or emerging cybersecurity risks. MSPs don’t frequently have, for example, very clear-cut exclusions from responsibility for the criminal acts of third parties. Similarly, their contracts don’t limit their liability for acts or omissions of vendors. We monitor the terms and conditions of over 1,200 vendors in the MSP channel, and our clients get their customers to sign a waiver for any acts or omissions of those third parties. That’s an area – what I call vendor risk – which many MSPs are exposed. Then the third big category is regulatory risk, operating with customers in regulated markets without the appropriate data protection agreements and data processing agreements that are required by both international, federal, and state laws. Those are the areas where most MSPs have been underserved by traditional legal services, which have caused many to move in the direction of do-it-yourself, which has many exposing themselves to unsupervised LLMs. While contracting for MSPs is very complex, they really have not been well-served by traditional legal services. Robert Dutt: The open LLMs is what keeps me up at night. Shadow AI is a concern for lawyers, or at least us, as much as it is for MSPs. Shadow AI in their customers’ organizations, us for different reasons. But the MSPs are faced with a challenging choice between choosing fast and inexpensive do-it-yourself legal protection that lacks accountability and supervision, or traditional legal services that can be slow, can be expensive, and can be out of touch with what MSPs do. Many of my clients have shared stories about interactions with lawyers, not fondly, in part because the lawyers had no clue what they did, and they felt like they were paying the legal fees to explain to the lawyers what an MSP does. Rob Scott: And so it’s been a challenge for many MSPs to get legal protection that’s both fast, affordable, and offered by MSP-specific attorneys. Robert Dutt: You touch on the problem of keeping up with technology trends. I’m thinking in broader terms than that. What about whole directions of risk, I guess I would say. The example I think of is we’re doing a lot of tracking of the trend of abuse of trust. Attackers not breaking in, but logging in through trusted identities, VPNs, software supply chain attacks, those kinds of things. Basically, when the threat itself has shifted so fundamentally, how far behind are most MSPs in terms of accounting for that in their contracts? Rob Scott: I would say very far behind. I would say overall, the customers that we talk to, the people we meet, are either on some do-it-yourself approach that really hasn’t been updated by an experienced attorney, or hasn’t been updated recently to reflect the emerging threat landscape as you described it. But we’re constantly updating our agreements to properly reflect detailed terms and conditions about these emerging threats. And I’ll give you an example. We have in our MSA a provision called security recommendations. And what that provision says is the MSP may from time to time give the customer recommendations about security compliance. For example, multi-factor authentication. And if the client does not accept or move forward with those proposals, anything that happens as a result that those things could have prevented is 100% on the customer – the MSP is off the hook. And so when I think about emerging technology and the changing threat landscape, a lot of it has to do with how you manage the communications and the risk associated with that. And MSPs have had the hard choice in the past of having to either tell a client, “No, I’m not going to support you,” or, “Hey, I’m going to give you this waiver to sign.” And this whole topic of declination of services around point solutions that deal with emerging threat factors has been a common issue with MSPs. They go to the customer. They’re like, “You’re exposed. You need these advanced security features.” I mean, there’s new stuff all the time, but right now, it’s a lot of focus on zero trust. And so it’s not inexpensive to implement a zero trust model within a business. And if an MSP wants to implement zero trust, the customer has to cooperate to buy those things. And the customer doesn’t understand them well enough to know what they do or why they need it. So their first reaction is to say, “No, it’s too expensive.” And that puts the MSP at risk, because I tell the MSPs, my opinion is their network is only as strong as its weakest link. So if you let these customers on that you know are overly risky, that puts the whole portfolio of customers at risk. And that’s a lot of what you’re talking about with those threat vectors. Those threat actors are thriving on being patient. And it’s not just like, “Do we have guards at the front door?” It’s like, “We need guards in every room.” They’re already in. So that’s one of the things that I think most people think about. Cybersecurity is like hacking events or ransomware events, but so much more of it is they’re in your networks, they’re able to move around, they’re squirreling their way into different areas, and they’re being very patient waiting for that opportune moment. And so it’s not just about keeping people out, it’s also about catching them after they get in. And that’s where a lot of these emerging technologies and emerging threats are posing unique challenges from a cybersecurity perspective. And the question is, “How are your agreements evolving?” And that’s where making sure that your vendors are all on there. So if there’s any act or omission of a vendor, that you can be covered for it. And the things that happen in cybersecurity, like criminal acts of third parties, is expressly excluded. I don’t think you need to go into as much of the specific threats. If you get a strong and enforceable exclusion against the criminal acts of third parties, almost every cybersecurity risk that would be impactful to an MSP is also a criminal act by the person who perpetrates it. Robert Dutt: About a year ago, you did a piece around the theme of “Your MSA is broken and AI is to blame.” We’re a year further in, things have only accelerated. MSPs are selling Copilot bundles, offering AI-powered services. Their customers are deploying AI tools whether the MSP knows about it or not. From the customers’ point of view, how far behind are most MSP contracts relative to the AI services that they’re delivering or their customers are using today? Rob Scott: We came out with a special service attachment for managed AI in 2024. And at that time, people said, “I don’t really need it. We don’t know what we’re doing yet.” Today, people come to Monjur just because of that attachment. And the way that attachment is built is, number one, you don’t have the right definitions in your current agreement for things like AI input, AI output, the model, the trainings – all of these things that are relevant to AI that wouldn’t be in a master services agreement for managed services. Beyond that, you need your service descriptions. Is this AI readiness assessments? Is this app dev? Are we building RPA and automations? What is it exactly that the services entail? And so that’s a big part of it. And our structure is designed to cover just about every AI service that an MSP could do. But it’s also important to make sure that you have the proper exclusions and client obligations. So when you think about exclusions, it’s like the MSP shouldn’t be responsible if the legal world changes and suddenly that client’s use becomes illegal. Think of helping customers deploy voice agents. And then it becomes clear that you can’t use a voice agent to do cold calling, or voice agents get outlawed altogether. It needs to be clear that the MSP is not taking the responsibility for how government reacts to the impact of AI. Similarly, there should be an obligation on the customer’s part to be committed to ethical use of AI. Responsible AI is something that I put in as a mutual obligation to all parties to a contract that I write around AI. I think it’s foundational for humans to be committed to responsible AI. So there’s things – just a few examples – but things that you wouldn’t see in an MSA. So ask yourself, why would you expect your pre-AI MSA to protect you in an AI world? The answer is MSPs increasingly are offering AI-related services under contracts that weren’t built for these services, and those that are, are putting themselves at significant risk. And it’s not necessary, because there is a ready-made solution for MSPs to protect themselves when engaged in selling Copilot, helping clients with AI projects, which we’re all going to be doing. Let’s get it straight. This is not new. This is not a temporary blip. I think the only temporary part of it is this AI distinction. I don’t think there will be, in the long run, a distinction between AI tools and non-AI tools. All tools will be AI. So the way things are going, MSPs need to be prepared for that. All of what so many more MSPs are now in the territory where they would be protected by a specific service attachment that doesn’t exist in their contract stack today. Robert Dutt: The other side of that equation of AI use in the MSP is that a lot of MSPs themselves are tempted to use some of the generic LLMs to draft or review their own contracts. Where do you see the line between that being helpful and that being dangerous? Rob Scott: I don’t think MSPs should be forced to choose between using AI and using attorneys. I think that’s the state of the market today. They’re faced with these unsupervised LLMs that are risky, where there’s no accountability. They’re telling you, “Don’t use this for law,” and you’re using it for law. If you have a bad outcome, whose fault is it? The New York State Senate has got a Senate bill, which I think will be the first of many, that would make it illegal for LLMs to give out legal advice, because it’s doing way more harm than good. I think the one thing to think about the perspective on this is lawyers are getting sanctioned and held in criminal contempt for using AI, and the AI is making mistakes. If it’s going undetected by the lawyers, why do you think you’re in a position to supervise the AI to protect your legal interests? I mean, it gets it wrong so much. The accuracy of legal outputs from unsupervised LLMs is so low that it is like playing Russian roulette. So I don’t blame the MSP. I just think that the future is attorney-supervised AI, where the customer starts with a template that is lawyer grade. I think if you put Monjur Pilot up against these unsupervised LLMs and you draft an agreement starting with a Monjur template versus starting with nothing and an unsupervised LLM, your first pass is a totally different thing. And then the second thing is lawyers need to be in the loop at the last mile. You should be able to press a button within your AI and say, “Submit for legal review,” and the lawyer should be able to just look at it in-app and finish what you built. So you start with a legal template that’s legal grade. You operate in a legal-grade AI environment that has the proper guardrails, and you make sure that attorneys supervise all of the work that the clients are doing, so that the MSP no longer has to choose between fast and inexpensive and slow and sometimes cost-prohibitive. So we think that AI unlocks something pretty special for the Monjur subscriber, which is the benefit of having your lawyers at your fingertips 24/7 through a trained AI legal assistant. But that’s not a replacement for your lawyers. It just supplements your relationship with your lawyer. So in this way, we deliberately call them legal assistants because they play the same role as a legal assistant in a law firm. The legal assistants don’t practice law without the lawyer supervision. They help the clients get better service from the lawyers. And that’s the role of AI in the Monjur vision, which is attorney-supervised LLMs that provide a safety layer on top of the LLM of your choosing. So our system is called “at any LLM,” but in each instance, we’ve implemented prevention of hallucination and preservation of context through RAG architecture that allows our legal assistants to give responses that the lawyers feel they can stand behind and nevertheless supervise. Robert Dutt: Our audience is primarily Canadian MSPs and other types of IT solution providers. You serve over a thousand MSPs across North America, including Canada. What are the things that Canadian MSPs need to be thinking about in their contracts that their American friends don’t? I’m thinking PIPEDA, I’m thinking Quebec’s Law 25, the cross-border data question and data sovereignty, but I’m curious what you see as the biggest gaps from the Canadian side specifically. Rob Scott: I think the ones that you mentioned are sort of at the surface, in the sense that those are concrete, objective things. Like, the data processing agreement for our US customers has different regulations in it than our Canadian customers, and the Canadian ones contain the laws that you mentioned. The bigger issue that I see in Canada is a cultural issue. This idea that contracts are not important because we’re not in America where everybody sues at the drop of a hat. We don’t value legal protection in the same way that people might in the US, because the threat of litigation in their mind is lower than maybe the threat of litigation in the minds of the MSPs in America. My response to that is I acknowledge the differences between the US and Canada as relates to litigation and dispute resolution, but I don’t think that that means that Canadian MSPs don’t benefit from having great contracts. It’s more of a question of what level of risk is being mitigated and the best way to mitigate it. I fear that too often in Canada, it’s not a question of does your DPA properly reflect Law 25 or PIPEDA. It’s a question of, are your agreements well thought out at all, because maybe you don’t think that it’s that important to have good agreements. And it’s about 15 years culturally and mindset-wise behind the MSP market that I began working on. Where early on in America, there was a large sentiment that a handshake deal is good enough. I deal with my friends and I don’t perceive a high risk of litigation. And if someone wants to get out of my contract, they’re not happy with me, I let them go anyway. Why do I need all this paperwork? And I think that’s a big thing that we have to work on for education with MSPs in Canada, which is you don’t have to be in a litigious market like America to benefit from good contracts. Robert Dutt: Well, and here’s an interesting aspect to that cultural thing too. A lot of Canadian MSPs are serving clients on both sides of the border, or are using US-based vendor tools to deliver services to their Canadian customers. How should MSPs be thinking – even if they’re functional just in Canada in terms of customer base – how should they be thinking about cross-border exposure in their contracts? Rob Scott: Well, look, I think that unless you know, for example, where every data subject resides in every system that you manage, you could be in Canada with customers with data subjects in their systems that you manage all over the US. And the laws run by where the data subject resides. So that’s one of the big challenges. And then the other challenge is, don’t you want to put yourself in the position where you can say yes to as many deals and customers as possible? And don’t you want to make sure that you have compliant agreements that will allow you to operate in multiple markets? And we have a lot of MSPs, I would say, that are on the Monjur platform that are enjoying dual libraries. So a set of agreements in English for the US, a set of agreements in Canada in English for English-speaking provinces, and then a set of agreements in Quebec, specifically for Quebecois law, presented in French. So we do offer some granularity in terms of localization in each market. And our strategy is we partner with local law firms in each jurisdiction to localize and maintain the updates of our agreements. And so we have a law firm that we work with in Quebec and several others in other provinces, including one in Toronto, where we partner with them to keep the agreements updated for those markets. Robert Dutt: I think for a lot of MSPs, contracts are in the category of necessary evil, something they grudgingly do to avoid getting sued – or in some cases don’t do well enough to avoid getting sued. But I wonder if there is a case to be made for treating your contract stack as a competitive advantage, and if so, can you walk me through what that looks like in practice? How you can take a solid contracting situation and use it as a way to help your organization grow, and not just stay out of trouble when things go wrong. Rob Scott: Yeah. So I think it’s an excellent question. I think the first part of it is something that now jives to me going to the dentist. Like, I know I have to go to the dentist. If I want to not have cavities, I have to go to the dentist. If I don’t want gum disease, I have to go to the dentist. I hate to go to the dentist. I’m so anxious when I get there, I tell them, please don’t take my blood pressure until we’re done, because it’ll just make it worse when you give me a really high blood pressure reading. I’m only going to be more anxious. And I think with MSPs, that’s real too, as it relates to law. Many don’t feel comfortable with the subject matter. Many have had bad experiences. Many, like you say, would say it’s a necessary evil, but they try to avoid it as much as possible. Even if you caught them in a quiet moment of reflection to ask them if they really needed it, they would say yes, but they would go back to their office after that and lose track. And this is why I think dynamic agreements that auto-update are so important for MSPs. I think legal needs to work in the background. And MSPs, I think, as a group, are carrying a very heavy cognitive load around contracting. A lot of the senior people that run MSPs are not contract people. It’s way out of their element. It doesn’t play to their strengths. It drains them of their energy. They’re constantly second-guessing whether they’re getting it right. And what I think about competitive advantage, we talk in terms of the maturity model. Maturity level one: legal protection. You have the legal protection in place. Maturity level two: standardization and efficiency. Standardization and efficiency is like, how well have you collapsed your contracting processes into your sales process, so sales and contracting is one seamless step? So that’s kind of level two. Are all of your customers efficiently on the right paper? Can we update their terms without having to go get a signature? This is how Monjur enables MSPs to grow revenue fast. We remove the friction from the sales process. We make deals go faster. We make it less likely that customers are going to want to comment or request changes to agreements. So that’s level two. Level three is what we call contract intelligence. Using AI to optimize revenue opportunities. Making AI context-aware of your renewals, of your upgrades, of what people are paying, who is using a lot of resources but not paying for very much. These are the opportunities where contract intelligence drives better decision-making as well as automation to fuel efficiency to grow revenue faster. So it really depends on where you are on this maturity level about how it helps you grow. Initially it may make it harder to grow while you’re getting the right legal protections in place. But ultimately you want something that can scale with your business, and that means dynamic versus static agreements. Robert Dutt: My last question – I want to make this as concrete as possible. If you’re talking to a Canadian MSP owner, let’s say a 15-person shop doing managed services, building out security, starting to do AI in there too, they know their contracts are out of date or in bad shape but don’t really know where to start. What are the first two or three things that you’d tell them to do right now, right away, to get that ball rolling and to hopefully see the most improvement in the situation? Rob Scott: Well, one of the things that I would say is benchmark what you’re currently using. Do an assessment of where you are. We have some tools online that can help you walk through an assessment of your current contracts, and we’ll also review them for you for free. If you have a contract, you’re an MSP in Canada and you want to understand what the gaps are relative to best practices, we’ll use our toolset to analyze your agreement, compare it to what we think are best practices in Canada, and do a report for you. We do that as part of our consultation process. There’s no fee for that. That’s a complimentary review. If you could get an experienced attorney to help you benchmark it, great. The other thing to think about is updating your vendor list and asking yourself the question, “How am I protecting my MSP against acts or omissions of the vendors in my tech stack?” If you don’t have a good solution for that, then you need to be thinking about something like our schedule of third-party services, which allows you to list all your vendors and contains a waiver of the right for your clients to sue you. Now we’re covering a really big category of risk with that one attachment. Then emerging services – advanced security and AI. You need specific agreements for these things. You can’t just continue to operate under the agreements that you were using pre-AI in the AI world. You can’t start offering compliance-related advisory services like GRC and other advanced security and compliance offerings without the appropriate contract. We call it the service attachment for managed compliance. Similarly with AI, we have a service attachment for managed AI. You really need to be thinking about, do your agreements cover the services that you’re offering, delivered through the tech stack that you’re delivering it through, and in a way that’s compliant with the emerging framework of regulations that impact you and your customers? Given all of that – and we cover that with our data processing agreement – you can see why static agreements for MSPs can become very challenging very quickly. If I was in the process of trying to figure out a way to manage risks for my MSP in Canada, I would be looking for a service that would give me dynamic updates that was specific to managed services, that was customizable for me and my customers. And think about this question: if my client were to sue me in court tomorrow, how confident am I that my current agreements would hold up in court? If the answer to that is, “I’m not so sure,” or “I’m not that confident,” or “I’m sure it would be a problem,” then getting a complimentary review of your current agreements and a game plan to move forward with broader protection is probably a good idea. Robert Dutt: All right, I appreciate that. It’s a lot to think about, and it’s an area that I don’t think we focus on as much. We tend to get caught up in the tech stack and all that, so I appreciate your taking the time to share some wisdom on where things are at with contracts and where they’re going. Rob Scott: Thank you. Thank you very much. I appreciate you having me. Robert Dutt: There you have it. Rob Scott from Monjur. I’d like to thank Rob for his time. He brought a lot of depth to a topic that frankly doesn’t get a lot of attention in channel media. A few things that are sticking with me from this conversation. First, the idea of the security recommendations clause – building language into your contract that says if you recommend a security measure and the client declines, anything that could have been prevented is on them. That’s the kind of provision that can save your business, and I’d wager a lot of MSPs listening don’t have it. Second, his point about Canadian MSPs being about 15 years behind their American counterparts on contracting maturity – not because the laws are weaker, but because the culture around litigation is different up here. That’s a gap that works until it doesn’t. And third, the question he posed that I think every MSP should sit with: why would you expect your pre-AI master service agreement to protect you in an AI world? If you’re selling Copilot bundles or managed AI services on a contract you wrote five years ago, you’ve got some homework to do. If you’re enjoying the ChannelBuzz.ca podcast, we’d love it if you’d follow or subscribe. You can find us on Apple Podcasts, Spotify, YouTube, and most podcast directories. And if you have a minute to leave a rating or review, that goes a long way in helping other folks in the channel find the show. Until next time, I’m Robert Dutt for ChannelBuzz.ca, and I’ll see you in the channel.
We got the up and coming superstar Claudine Napoleon with Amer today on the pod. She performs on the both English and French Montreal comedy circuit. She's hilarious and they discuss the industry in Montreal. Enjoy!
The Conseil des Industriels laitiers du Québec is seeking a protected geographical indication for poutine cheese. We talk to Gilles Jourdenais, the owner of La Fromagerie Atwater in Montreal about what makes cheese curds part of Quebecois culture and what it would mean if the squeaky cheese got a geographical designation.
Host Lauren chats with Anne Conway, Director of the Museum of Work and Culture in Woonsocket. They talk about the Museum, the Winter Olympics, and how 20th century Quebecois textile workers kept their culture alive after immigrating to the U.S. In the Last Chapter they discuss: When you walk into a bookstore or a library, what's the first thing you look for? For information about the events mentioned in the episode or any other events at the Museum of Work and Culture, visit https://www.rihs.org/events/ . Overdueing It is a project funded by the Rhode Island Office of Library and Information Services and is produced by library staff around the state. We are proud to be a resident partner of the Rhode Island Center for the Book. The views, thoughts, and opinions expressed are the speakers' own and do not represent those of the Overdueing It podcast, its sponsor organizations, or any participants' place of employment. The content of Overdueing It episodes are the property of the individual creators, with permission for Overdueing it to share the content on their podcast feed in perpetuity. Any of the content from the Overdueing podcast cannot be reproduced without express written permission. Our logo was designed by Sarah Bouvier and our theme music is by Neura-Flow. Books The Lost Summers of Newport by Beatriz Williams, Lauren Willig, & Karen White Glitz, Glam, and a Damn Good Time by Jennifer Wright East of Eden by John Steinbeck Media 2026 Winter Olympic Games La Bolduc (2018 film)
Host Lauren chats with Anne Conway, Director of the Museum of Work and Culture in Woonsocket. They talk about the Museum, the Winter Olympics, and how 20th century Quebecois textile workers kept their culture alive after immigrating to the U.S. In the Last Chapter they discuss: When you walk into a bookstore or a library, what's the first thing you look for? For information about the events mentioned in the episode or any other events at the Museum of Work and Culture, visit https://www.rihs.org/events/ . Overdueing It is a project funded by the Rhode Island Office of Library and Information Services and is produced by library staff around the state. We are proud to be a resident partner of the Rhode Island Center for the Book. The views, thoughts, and opinions expressed are the speakers' own and do not represent those of the Overdueing It podcast, its sponsor organizations, or any participants' place of employment. The content of Overdueing It episodes are the property of the individual creators, with permission for Overdueing it to share the content on their podcast feed in perpetuity. Any of the content from the Overdueing podcast cannot be reproduced without express written permission. Our logo was designed by Sarah Bouvier and our theme music is by Neura-Flow. Books The Lost Summers of Newport by Beatriz Williams, Lauren Willig, & Karen White Glitz, Glam, and a Damn Good Time by Jennifer Wright East of Eden by John Steinbeck Media 2026 Winter Olympic Games La Bolduc (2018 film)
(00:00:00) Opening (00:01:30) A Piece of My Mind (00:07:31) Pancho Guero My Insane FL Nephew (01:09:33) Ask Pancho (01:23:20) Insane Game Show (01:44:50) Coming Next Episode (01:50:49) Closing Only the Quebecois in Canada has the chutzpah to demand their kids wear helmets when sliding down a snowpile at recess during winter school days. When the debutantes dine at dinner they don't want to be interrupted by a raging raccoon that just happened to "drop in" on them. We start the year with our friend, Sheriff Grady Judd in Polk Co., FL who found a certain FL Man dressed in a red lace bra with fake boobs wearing a G-string while "showing off the boys" at a construction site. What was going on? It's anyone's guess. Welcome to 2026!In this Weekend Episode...[A Piece of My Mind[…Here's Why Gen Z & Millennial Men Aren't Approaching WomenA Guy Hid from Cops in a Nativity Scene by Pretending to Be a Wise ManAn Amazon Driver Porch Pirate...Stole a Woman's Cat86-y/o Man Fined Over $300 For Spitting Out Leaf That Blew Into His MouthCanadian school rule forces kids to wear helmets to play in snowKY Man Arrested for Stealing Ex-Girlfriend's Car While She Gave BirthFL Weirdo, Dressed in Red Lace Bra & G-String “Showing Off The Boys”, Caught Hiding Gun Under Prosthetic Silicone BreastsMy Insane FL Nephew has recovered from not one--but TWO--bouts of strep throat...back-to-back...and is ready to take on a couple of people who want to "ASK PANCHO" about how he would advise letting dad take his 13-y/o son to an R-Rated movie and how a wife should respond when her husband didn't defend her when his drunk boss...who's also a friend...said some rather awkward things about her because he didn't want to jepardize a possible promotion at work! Pancho also tackles our first Insane Game Show of the year so you can play along with Pancho to see if you're better at it than he is!Become a supporter of this podcast: https://www.spreaker.com/podcast/insane-erik-lane-s-stupid-world--6486112/support.Real-time updates and story links are found on the TELEGRAM Channel at: https://t.me/InsaneErikLane (Theme song courtesy of Randy Stonehill, ”It's A Great Big Stupid World”. Copyright ©1992 Stonehillian Music/Word Music/Twitchin' Vibes Music/ASCAP) Order your copy on the Wonderama CD from Amazon!This episode includes AI-generated content.
Albania has a creepy AI politician that says we hurt its feelings by saying its not human. All Gavin wanted for Christmas was a Chinese electric vehicle, but no luck.
New music from Africa to start the show, featuring Putumayo's excellent latest release - Desert Blues. Lots more from across the "dark continent", then music from Iran, Romania, and Cuba before paying respect to Raul Malo, who died this week. Great lead singer with The Mavericks. Some stirring instrumentals from across Canada, some wonderful new topical songs, and then another RIP - this time to Quebec's amazing bass player / composer Simon Lepage (Les Grands Hurleurs) - followed by some great new Quebecois trad. The big Celtic finale featured some powerful tunes and a few poignant songs.
On her seventh and latest album, “Cavale,” the award-winning Quebecois artist Cœur de pirate explores her longest and most toxic relationship — with anxiety. She sits down with Tom Power to talk about the record, the cost of fame, and how being “scared of everything” inspired her to write her first new song in two years.
There has been a murder! A murder in a small Quebecois village where everyone knows each other and most people seem to be either artists or café proprietors! Luckily Chief Inspector Armand Gamache and the Sûreté du Québec are on the case, there to be avuncular and reassuring and blur the line between friend and law enforcement professional.This episode is sponsored by Squarespace. Go to squarespace.com/overdue for 10% of your first purchase of a website or domain.Our theme music was composed by Nick Lerangis.Follow @overduepod on Instagram and BlueskyAdvertise on OverdueSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
At this years Toronto International Film Festival I got to interview a bunch of sound people in town to support films screening at TIFF. This episode collects 3 of those interviews, covering some of the international films that I saw during the festival. First up I talk with Oscar winning sound supervisor, Sylvain Bellmare, about the Quebecois film Mille secrets mille dangers (Lovely Day). Then Therese Gylfe & Tove Lidman discuss their work on the Swedish/Spainish film Forestera, which won a major award at TIFF. The final interview of this episode is with María Alejandra Rojas & Arturo Salazar about the really cool Brazilian/Mexican film The Blue Trail. The is movie is a futuristic science fiction film covering the unique ways technology will affect third world countries. __________ Sponsors: This Black Friday, Sound Ideas is offering its biggest savings of the year! Enjoy 50% off all proprietary sound libraries and memberships: our best deal yet on world-class audio collections. But that's just the beginning. Each week, we'll spotlight one of our most popular libraries with an exclusive, limited-time discount. Visit https://www.sound-ideas.com/ regularly to discover which library is featured and grab these weekly sound specials before they're gone!_______ Have you been using Subquake by The Cargo Cult? Get the low end to cut through in your mixes, in ways you were never able to achieve before. We have all used many different low frequency generator plugins over the years, but Subquake is an entirely different beast. Don't fall into the trap of delivering boring, ho hum sub. Add character and shape to your mixes by having more impact from less signal. Get Subquake, and shake the plaster right off the walls. Head to https://www.thecargocult.nz/ to learn more _______ If you are interested in field recording, you should know about the O-Mini P48 and the brand new O-Mini PIP miniature omni-directional electret microphones. Each one is hand made by Chris Trevino, a practicing field recordist, and a really engaged member of the sound community. He puts a lot of work into making and testing each mic to ensure they live up to his high standards. They are ultra-sonic capable, which makes manipulating your recordings with them a lot of fun. They are also extremely affordable. At $150us for the P48 & $130 for the PIP, they offer a lot of value for a stereo matched pair. Go to https://www.chrisatrevino.com/store to get more information.________ Episode Notes: https://tonebenderspodcast.com/336-tonebenders-at-tiff-2025/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead
Allison Raskin has a pretty diverse array of interests. She's a former Buzzfeed video creator, co-host of the podcast Just Between Us, and the author of numerous best-selling books, including Please Send Help, Overthinking About You, and the new Save the Date. How does she unwind from this busy life? By being obsessed with Inspector Gamache, the Quebecois crime solver found in novels by Louise Penny and on television, played by Alfred Molina. Join us for a meandering conversation about Gamache's brilliance, maple taffy, and the Quebec lunchtime experience of the “trio”, where you get a half sandwich, a cup of soup, AND a small salad. You don't have to choose in Quebec. You can have it all. Drift off to sleep with that happy contented thought in your head.Get your copy of Allison Raskin's novel Save the Date wherever books are sold. Follow Allison's mental health account @emotionalsupportlady on Instagram. To find out more about Allison or to subscribe to Allison's Substack, visit her website, www.AllisonRaskin.com.Hey Sleepy Heads, is there anyone whose voice you'd like to drift off to, or do you have suggestions on things we could do to aid your slumber?Email us at: sleepwithcelebs@maximumfun.org.Follow the Show on:Instagram @sleepwcelebsBluesky @sleepwithcelebsTikTok @SleepWithCelebsJohn is on Bluesky @JohnMoeJohn's acclaimed, best-selling memoir, The Hilarious World of Depression, is now available in paperback._________________________________________________________________________Join | Maximum FunIf you like one or more shows on MaxFun, and you value independent artists being able to do their thing, you're the perfect person to become a MaxFun monthly member.
What do you do after you've left the biggest metal band there is, ever was, and likely ever will be?Well, when it was Jason Newsted, he apparently decided to work with kids his own age.He joined Voivod.Nik and Duncan dig in to check out his last record with the Quebecois metal band.
Before they defined Canada's political landscape - and became adversaries on the question of Quebecois independence - Pierre Trudeau and René Lévesque were allies on the road to the Quiet Revolution. We discuss Donald Brittain's documentary THE CHAMPIONS, PART 1: UNLIKELY WARRIORS (1978) and the growing pains of Canada in its postwar era. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/652-cite-libre-138171420
Trudie Mason welcomes in Victor Henriquez, Public affairs and crisis management specialist at Public Strategy and Conseil, and Jonathan Kalles, Vice President at McMillan Vantage, a national public affairs firm, and former advisor to Prime Minister Justin Trudeau. Ottawa is open to negotiate with Quebec about judge nominations come September. Are we slowly but surely becoming independent from Canada in everything but name? Sources tell LaPresse that UPAC investigators have identified four suspects, including one bureaucrat, in the SAAQclic scandal Parti Quebecois is taking the topic of praying in public to the membership to see if they want to advocate for a ban
For the latest and most important news of the day | https://www.thecanadianpressnews.ca To watch daily news videos, follow us on YouTube | https://www.youtube.com/@CdnPress The Canadian Press on X (formerly Twitter) | https://twitter.com/CdnPressNews The Canadian Press on LinkedIn | https://linkedin.com/showcase/98791543
Our exit today has us stopping an international counterfeit money scheme. This week, we are talking about Rush Hour 2, written by Ross LaManna and Jeff Nathanson and directed by Brett Ratner.In preparation, Tripp watched Rush Hour, so there is a lot of comparing between the two movies. There is also discussion about bloopers (of course), Jackie Chan, Chris Tucker, Zhang Ziyi, Ocean's Eleven, some cultural insensitivity, 90s action films, Quebecois cinema, Hong Kong, Jeremy Piven, Billy Crystal, erotic Antonio Banderas films, and a surprisingly long conversation comparing the different cuts of Apocalypse Now!Thememusic by Jonworthymusic.Powered by RiversideFM.CFF Films with Ross and friends.Movies We've Covered on the Show on Letterboxd.Movies Recommended on the Show on Letterboxd.
This week, Kim Masters speaks to Severance director and cinematographer, Jessica Lee Gagné. The Quebecois filmmaker reflects on her collaboration with Severance executive producer Ben Stiller, which began on the Showtime limited series Escape at Dannemora. She discusses becoming the first woman to be Emmy-nominated in the same year for both cinematography and directing in a drama series, and the major leap of faith it took to transition from a successful career as a DP into the world of directing. Plus, Disney is reshaping its sports strategy, launching a standalone ESPN app, and making billion-dollar deals with WWE and the NFL. Will the NFL's new stake in ESPN bring scrutiny from the Trump-led DOJ? Also, the Skydance-Paramount deal is done, and the Ellisons may have their sights set on Warner Bros. Kim Masters and Matt Belloni break it all down.
Quaranteam-Northwest: Part 5 Lab work. Based on a post by Break The Bar. Listen to the ► Podcast at Explicit Novels. Time went quickly, but also seemed to go nowhere at all; only three days after the final demise of the house we'd moved the RVs four times and I decided we needed to figure out something at least semi-permanent. Even a week in the same spot would be preferable to constant movement. The space where my house had stood was now full of stacks and pallets of supplies, and Vanessa had a crew of almost two dozen of her 'gorillas' working to erect what would become the first of a dozen temporary bunkhouses for the incoming construction workers. She still seemed to be the only foreman on site, so I went looking for Vanessa. I found her at the water truck, splashing some water onto the back of her neck as she took a quick break. It had turned even hotter over the week, spring slipping fully into summer, and we were all starting to boil when we were outside. I'd quickly abandoned the feeling of needing to 'dress up' for everyone and I was down to athletic shorts and one of my sleeveless workout shirts; one of the few that were still 'mine' considering both Erica and Ivy had taken to wearing them as well. Vanessa was the boss however and had to set the example for the rest of the crew, so she was still wearing the jeans, long-sleeved t-shirt and her reflective vest of a dutiful construction foreman. "Hey, got a second?" I asked. "Oh, hey Harrison," she said, looking up as she continued splashing water onto the back of her neck. "Sorry I haven't come to check with you and the girls today, we had three more loads this morning of barracks pilings I had to get sorted, and the fucking surveyors are still bitching about not knowing where the sewage lines are going to come onto the property, as if I can fucking answer that question for them or something." "When's your Dad supposed to finally get on site?" I asked. Her father was supposed to be the General Manager of the entire construction project, but so far I had yet to have seen him. "Fuck, a few days still at least," Vanessa sighed. "I'm getting tired as shit of the phone tag." "Well, sorry if this is a big ask and causes you more headaches; any chance we could project ahead a bit and figure out where we can stash the RVs and everything where we're not going to need to move them for a while? Moving everything around is annoying by itself, but I've also noticed some of your guys are spending a lot of time wandering by the RVs whenever the girls are outside." "Fucking gorillas," Vanessa grunted and grimaced. "I mean, on the one hand, I get it; they are either cooped up in the motel or here working. I'm not exactly thrilled with the situation either. But they could keep it in their fucking pants too, ya know?" "Look, if we can find a spot, the way I see it we can use the RVs and Containers to set up a yard for us that's blocked from view. Then we can have some privacy and not feel cooped up in the RVs, and your guys aren't tempted to let their eyes wander," I said. "I figure it's a win-win." Vanessa smiled and patted my arm. "Harri, as long as you keep the fucking indoors, I'll see what I can do about getting you guys some more privacy." "What do you mean?" I asked, suddenly a little worried that Erica and I might have gotten caught at the Willow tree after all, or that maybe a surveyor had wandered up near the Spring without us hearing. "Nothing, nothing," Vanessa said. "I just; you know we can see the RVs rocking a bit, right? And I don't know who it is, but someone over in your camp is a screamer. We can hear her when she really gets going. Once the guys even gave you a standing ovation." "Fuck," I coughed, shaking my head. "I'm sorry. I think it's something to do with the vaccine. I've had more sex in the last four days than I have in the last four years. Honestly, I don't even know how I'm doing it; I ain't old, but I'm not a teenager either." "Well, god bless the vaccine I guess," Vanessa smirked. "And good for you. Just do me a favor and keep it inside the RVs 'till we can get you that privacy. We don't need the entire site shutting down to listen to you fucking your girlfriends." I shook my head again with a self-deprecating smirk. "Um, deal. I hope." That made Vanessa chuckle, and we parted ways for the afternoon. The next day, she came back in the morning and explained the plan she had worked out with the Surveyors and one of the tree-clearing crews. By mid-afternoon, a new swathe of the back end of the hill was bare of trees, and a bulldozer scooped dirt into the holes left by ripped-up stumps. By the time Vanessa left that evening, two of the storage containers had been shifted around by the 'gorillas' and positioned in an L-shape for us in the new location, and Leo and I moved the RVs to form the other two sides of a square. When Vanessa came by the next morning we'd hung up some old, heavy blankets at the corners to maximize our privacy, busted out the lawn chairs and barbecue, and were on our way to turning the space into an outdoor living room. Leo and I even went so far as to rig up an old bell we'd salvaged from the barn on a wooden post with a metal knocker on a string to serve as a doorbell. Erica was the one to answer Vanessa's ring of the bell, and she swept aside the blanket curtain. "Welcome to Casa de Black," she declared. "Jesus," Vanessa said, walking into our new home base. "You guys didn't want to wait, did you?" "Why would we?" Leo asked. "We don't know how long we're going to be living like this, so might as well make the most of it." Leo had decided to make one last addition to our current set-up, and had pulled a loose slab of wood from the container holding all his tools and was carving 'Speak Friend and Enter' into it the makeshift sign with his handheld angle grinder. He'd already been talking about using his torch to burn the wood before giving it a clear lacquer coat. "What can we do for you, Vanessa?" I asked. "Need some breakfast?" "Actually?" Vanessa chewed on the inside of her cheek for a second and peeked back outside the yard. "Breakfast would be fucking great. They're feeding us at the motel, but it's been the same instant oatmeal every fucking morning." "Well, we've yet to have our egg hookup dry out on us," I said. Old Mrs. Branston lived about fifteen minutes down the highway and had been selling eggs to three generations of my family; through the pandemic and quarantine we'd set up a system where I called ahead and she dropped off two dozen eggs at the end of her driveway, and I left a ten dollar bill in her mailbox. "How do you like them? I think I'm getting pretty good at using the grill with a frying pan." We hosted Vanessa for about fifteen minutes as I fried her up some over-easy eggs and some toast to go with it, and she started devouring the first two so quickly that I put another two in the pan for her immediately. While I cooked, she shared the most recent gossip running through the construction crews. "So the latest group to come in said they got tested four times before even leaving the airport," she said around a mouthful. "They were basically flown into Portland, put in little hygienic pods inside the terminals until they'd tested negative all four times, then escorted to military transports. I guess the army is our taxi service or something, and there are members of the national guard currently standing watch at all of the motels. It's kind of fucked up and feels like a prison, honestly. We're not even supposed to mingle outside with each other, despite the fact that we all work together here all day." "Who's feeding you all?" Danielle asked. "Just the people already working out there seems like a lot." "Some catering service is making these prepackaged meals," Vanessa said. "The breakfasts are shit, and the lunches are whatever. The dinners are Okay though; microwavable, and waiting for us when we get off shift." "Have you heard anything else out there about the vaccine?" I asked. "Hmm-Hmm," Vanessa shook her head. "But I mean, I spend my time working." "I'm still not seeing much online," Leo said. "Little whispers on social media, but then it disappears before it gets going." "That's kinda fucked up," Erica said. "We know it's real. The government must be censoring the information or something. "Well, whenever it happens, I don't know what I'll do," Vanessa sighed. "I like working too much, being my own woman. I bring in more cash in a year than almost every other person I graduated high school with, I've been doing it for years, and I don't have any debts. I can't just get tied down to some guy." "You would be surprised, Vanessa," Ivy spoke up. "I am this way too, no? I left home to make my way, and I am happy doing it. But now I am happy here, and am also safe from the sickness. It is not how I saw my life going, but c'est la vie, non?" Vanessa shrugged, and we moved on to some other topics until her radio squawked and she had to run off back to her work. By lunchtime I'd already done another two quick guides into the hills for the surveyors and Leo had gotten his nerd-sign carved out and torched, and he was spray lacquering it outside the yard with a facemask and safety goggles on to cut the strong fumes. He stopped the sprayer when he saw me approaching and stepped away from the sign. "Hey, you able to help me out with hanging this tonight?" he asked me. "Of course," I said. "I gotta help you fly your nerd flag somehow." "Yeah, says the guy with the Lord of the Rings concept art cycling as his desktop screen," Leo rolled his eyes. "It's for my work," I said. "Top-notch inspiration." And then I realized I hadn't opened my laptop in days; not since I'd finished the questionnaire that had led to Erica choosing me. And Ivy for that matter. I hadn't checked emails, I hadn't reached out to contacts. Fuck, I hadn't even sent in my last work-for-hire backgrounds. "Whatever," Leo laughed and punched me in the arm. "Look, when you go in there, just know it wasn't my idea, Okay? I only helped them move the stuff." "What does that mean?" I asked. "You'll see," Leo said cryptically. I ducked through the blanket door and immediately saw what Leo was talking about. Space had been cleared in the center of our sheltered yard for three of the heavy Adirondack deck chairs, and laying in those chairs were Danielle, Erica and Ivy. Each of them was wearing a bikini and were glistening with sunscreen and sweat from the sun as they tanned. They had a Bluetooth speaker playing songs from their phones; I suspected Erica was trying to convince the younger two women of the virtues of mid-2000s pop punk. "Oh, good," Erica said, grinning as she saw me coming into the yard. She lifted her glass. "Um, excuse me, waiter? We could use a top-up, please." I snorted and shook my head, walking over. All three of the women were in two-piece swimsuits, though I suspected Danielle and Ivy's were possibly part of their stripping gear rather than actual bikinis. Both of their suits were more string than fabric and left little to the imagination. Erica's was a bit more conservative, though really not by that much because of her swathe of cleavage. "What are we drinking today, ladies?" I asked. "I made up a pitcher of sangria," Erica said. "It's in the fridge in our place. You would be the absolute love of my life if you were to go get it for us, please?" "I thought I already was the love of your life?" I asked with a smile. "You are," Erica smiled back. "But this will get you to the front of the line for my next life, too. How about that?" "Does that go for all of you?" I asked. "Absolutely," Ivy grinned. "I think I could definitely do worse," Danielle grinned. "But I think Leo might have something to say about that." "Harri can take my brother," Erica chuckled. "Don't worry, Danni. Just sell your future soul to Harri, what's the worst that could happen?" "Fine. My future love life for a refill of sangria," Danielle giggled. I fetched the pitcher and poured for the three women, unable to wipe the grin from my lips as I watched and listened to them bantering back and forth happily. By mid-afternoon, the tanning was over and after a quick fuck in the RV Erica and I were lounging in the Adirondacks, each of us with a sketchbook in hand. "What are you working on?" I asked. "I know you've been as frustrated as I have over the last month." "A tattoo design for Ivy," Erica said, her brow creased as she tapped her pencil against her lips thoughtfully. "Now that I have a future canvas, I feel like I can concentrate again. Plus the sex helps a lot." You laughed and nodded. "Got your creative juices flowing, huh?" "Got all my juices flowing, baby," she grinned at me. "What about you? I've got Ivy, and Danielle wants me to design something for her now, too. What's got you drawing again?" I smiled a little and shrugged. "Just figured out my muse," I said. "And what's that?" she asked. "Come on, don't be shy." I turned my sketchbook around so that Erica could see the portrait I had been sketching of her. She looked at it and blushed, biting her lower lip. "Just the most beautiful thing in the world," I told her. "You know," Erica said. "It kinda looks like you're drawing me naked." "That's cause I'm drawing you from the shoulders up," I said. "Yeah, but would you?" she asked. "Would I what? Draw you naked?" "Or Ivy?" "Are you asking me to draw you like one of my French girls?" I asked. Erica barked out a laugh at the reference and threw her pencil at me. "Yes, maybe I am," she said. "Now give me back my pencil." "You threw it at me," I said, fetching it off the ground. "Come and get it." We ended up in each other's arms and making out, me halfway to taking her back into the RV for round two, when someone rang the doorbell. "Who is it?" I shouted over the wall. "It's me," Vanessa called and ducked through the blanket door without waiting for a response. "Sorry, but we've got a problem," she said. "I think I'm going to need you down at the road again." "Fuck," I said. "Is it Kara?" "It's a lot more than that bitch," Vanessa said. I changed and this time Vanessa drove us both down in her company-branded pickup truck. Erica, having already staked her claim on me in front of Kara in her eyes, decided to hang back and let Ivy finish what I'd started. I was sure sending me away with that picture in my mind was done on purpose. As we were nearing the bottom of the driveway, I could hear the noise of the protest through the closed windows and over the engine of the truck. "Fuck me," I said. "Yeah," Vanessa nodded. The end of the driveway was packed with people, shoulder to shoulder, blocking traffic. They were three rows deep and singing a protest chant. Every single one of them was dressed in bright colors, showing their allegiance to the Band and proudly shouting for all they were worth. Opposing them, about ten feet up the drive, was a slim, single row of burly construction workers just watching the protest happen. "Those guys really can't let themselves get baited," I said. "If something happens, it doesn't matter who said what or what can hold up in court. There'll be big, scary motherfuckers showing up wanting to do some damage and I don't think your boys are ready for that." "I know, I already told them," Vanessa said. "But I'll tell them again. You'd be surprised how much threatening someone's big, fat bonus checks can keep them calm and focused." We got out of the truck and I walked down to the line of workers, rubbing at the stubble on my chin as I considered the protestors. There were easily fifty of them blocking the driveway, and there was already a backup of two flatbed trucks on the highway, plus a half dozen cars that looked more like they just wanted to get by rather than come in. Another thirty or so protestors were strung out on either side of the highway in both directions, holding up signs and doing the organizational things to keep the protestors going. "Pretty good turnout," I said offhandedly. "A lot bigger than last time." "When was the last time?" Vanessa asked. "Five years ago," I said. "Kara tried to sue for an injunction on my father's Will, and about a dozen protestors showed up to the courthouse the day she got shot down." "Any chance they'll get tired and go home?" Vanessa asked. I scanned the crowd and the vehicles parked up and down the highway. I already knew there were about thirty military-age males in the protest, and I could see people opening the backs of vans where I spotted supply caches of water and food. I could also see the determination on the faces of the crowd, and hear the declarations of a couple of different women holding loudspeakers. The rhetoric, and emotions, were ramped up more than usual. The anti-government hate was high, and now that they knew they weren't fighting Me but rather the Government it seemed to steel their resolve. "Not a shot," I said. I stepped forward and the shouting got louder. Likely every single person in that crowd knew who I was, while I had no idea who most of them were. But with every step I took, they shouted louder. Finally, halfway between the lines, they seemed to be at a fever pitch and I just stopped and waited. They kept going for a good five minutes before Kara pushed her way through and walked up to me, masked behind those bandanas again. "I told you this would happen," Kara said over the shouting and chanting. "You didn't think I could do it, but look at us. Look at us, Harrison! We will not let this happen to our land." "Kara," I said loudly. "How do you think this ends?" "Only one way," Kara shouted. "The Feds surrender to our rightful claim, and stop their colonization efforts, and we take back what's ours." "This is dangerous, Kara," I said, gesturing at the crowd. "What?" she shouted back. "I said this is dangerous, Kara," I shouted. "Every person here is in danger." "Are you threatening us?" Kara shouted, playing it up for the crowd behind her. "Going to kill us, like your family has done for generations?" "Jesus fuck," I said, shaking my head. "Kara, this doesn't end the way you think it does. I'm going to pray for you, honest to God." Kara just held up her middle finger at me, pointed her other at Vanessa behind me, and turned and walked away to the cheers of her people. I shrugged and went back to Vanessa. "Yeah, they aren't leaving," I said. "I already called my Dad," Vanessa said. "He's coming down and will want to meet with you." "Sure," I nodded. "If they let him through." About thirty minutes later the protesters were still going strong, and another three flatbeds with either supplies or heavy machinery were backed up on the highway, along with dozens of cars. Vanessa was doing as much as she could to keep her workers at least a dozen yards away from the crowd of protestors; the last thing she wanted was for them to need to get quarantined waiting on a half dozen new tests. Or worse, actually catch something. I did my best to help her juggle phones, calling various General Foremen to get incoming trucks rerouted to staging areas and to keep those that were stuck in the traffic in their cabs or else they couldn't enter the site. Eventually she got a call, spoke quickly and then hung up. "Harri, this might be a big ask, but could you do me a favor?" she asked. "The government paid me a lot of money for my land and doing favors," I said. "But you've gone out of your way plenty for me and Leo and the girls. Favors come free to you, Vee." She rolled her eyes. "Who told you my brothers call me that?" "No one, just felt natural," I chuckled. "I call Erica 'E' sometimes, and I'm sure I'll end up calling Ivy 'I've' at some point." "Alright, well, 'H,'" she said. "My dad is parked down at the edge of the property on the highway and doesn't want to get too close to the traffic. Could you hike out to him and bring him back?" "Sure," I said. I looked up at the sun and then out at the woods. "Um, from here... it's probably faster if I grab an ATV. Would he be squeamish about riding double with me?" Vanessa snorted. "He probably wouldn't be, but he's also got a gut the size of your ATVs so it would be a tight fit." "Alright, guess we're hiking. I can rough it and reach him in about twenty minutes," I said. "I'll take a smoother way back for him, so we'll get here in under an hour." "Got it, I'll let him know you're on your way. Thanks," she said, patting my arm. "Try to take it easy on him, he growls like a bear but he's still my Dad." "Hey, he's the big man in charge. Gotta keep him happy or else I'll find myself with the worst workers for my house, right?" "Very true," she laughed. I started hiking back up the driveway a little ways, and then diverted into the woods, hoping that the protestors would miss that I was skirting away from them. I was very glad I had changed from my lounging around clothes; rough jeans and my hiking boots were a lot sturdier in the rocky bush than athletic shorts and sandals. The raucousness of the protestors was quickly muffled by the forest to a dull roar, and it felt good to get away from them. It was weird. After spending months in isolation with Leo and Erica, we'd been getting used to so many people around again with the workers and adding Ivy and Danielle to our weird little family dynamic. But a crowd like that, all packed together? That was exactly what the quarantine orders were warning against. "Harrison!" My name cut through the muffle of the trees and shrubs, and I turned and saw Kara quickly jogging through the woods to catch up with me. "Kara, what the fuck are you doing? You're trespassing," I said. "So throw me off your land," Kara said, coming to a stop about ten feet from me and putting her hands on her hips. "Oh wait, that's right, it's not your land anymore." I rolled my eyes. "You can take off the bandanas if you want. We're fine this far apart." She did so, pulling them down to hang around her neck. Kara was still as beautiful as the day we'd broken up, though she'd grown up a lot. Where I was such a mix that it was hard to tell I had any Native American in my bloodstream, she had that classic warm skin tone and thick black hair. She'd been taking care of herself well, fit and a little thinner than Erica was, but with a similar strong jawline to my girlfriend. Her lips were as full as I remembered though, and I could almost feel her kissing me again like all those years ago behind the corner of the biology classroom in high school, or laying out in the back of my old beater pickup under the stars. "What's going on, Harri?" she asked me. "I thought we'd at least hit a status quo or something." "Oh, the one where you file a lawsuit against me every couple of years, and the judge shuts you down, but I keep having to rack up legal fees?" "No," she said. "Well, sort of. I thought we were keeping things above board. No games, no gimmicks. Not getting historical." I grimaced. "Well, we did," I said. "So what the fuck?" she said, throwing her arms wide. "What the fuck is all of this?" "Kara, think about it for one fucking second without your prejudice. Imagine I'm not just doing this as a 'Fuck You' from my family tree to the Band," I said. "A week ago I wouldn't have thought any of this would be happening. A week ago I was happily living my life and would have stayed that way straight through the end of the world if I had to. Do you seriously think I've done this on some whim?" "Why, then? What are they doing? What are they offering you?" she demanded. "You wouldn't believe me if I told you," I said. "And even if you did, I think you're too far into this already to walk it back with your people." "Try me," she said. "If you ever cared about me,” "Stop," I interrupted her. "You've used that line twice on me before, Kara. You used it when you broke up with me, and you used it again right after my father died. That line didn't work when I was at some of the lowest points in my life; do you seriously think I'll respond well to that here?" She grimaced, and I saw the realization in her eyes that I was right. That she had used that line before, and it had been pretty fucked up for her to do that. "I'm sorry," she said, and only partially through gritted teeth. "I shouldn't have done that." "Thank you," I said. My heart was pounding in my chest and I felt like I was in combat, just having this verbal sparring contest with her. I fucking hated her, but I also still knew she was the first girl I'd ever loved. The one that had broken my heart. The one that 'got away.' "Just explain it to me," Kara said, trying to be more even about it. "Please." I took a moment to breathe deeply. I wasn't barred from telling her anything. I'd tried to warn her when she'd shown up at the driveway before, but the thought of all those protestors at risk for the virus pushed me over the edge of trying to warn her again. "Kara, the government gave me the choice of accepting a huge payout for the land, or them kicking me out and taking it by eminent domain. Either way, they were going to take it and take it fast. I could either ride it, or die fighting it." "So what are they doing with it?" she asked. "Building homes," I said. "A whole gated community, it sounds like. Part of my payout was housing for myself, Leo and Valerie." "What the fuck? Why do they want a gated community way out here?" she asked. "Worst-case scenario shit," I said. "You mean the pandemic?" she asked. "Are you for fucking serious?" "Serious enough that my house got bulldozed a couple days ago," I said. "Gone. Like it was never even there." "This can't be real," Kara said. "This is absurd." "I told you that you wouldn't believe me," I said. "Well, if you were too much of a cunt to stop them, we will," Kara said, steeling herself again. "We'll have the local news down here by tomorrow, and if the Feds show up we'll have national news coverage by the end of the week." I had to try one more time. "Kara, this doesn't end the way you want it to. You're a dreamer, and I loved that about you when we were teens, but you know the real world doesn't just work like that." Kara narrowed her eyes. "Where are you going right now?" "What does that matter?" I asked. "Because I just followed you out into the woods after your little construction girlfriend was talking to you," she said. "She's not my girlfriend," I rolled my eyes. "Tell her that. She's flirting with you hard enough," Kara said. "I can see her doing it." "Even if she was, what does that have to do with you?" I asked. I knew I'd landed a blow because she got angry again. "Nothing," she said. "But I still want to know what you're doing." "I don't have to tell you that, Kara," I said. "I don't answer to you, I don't owe you anything, and I don't worship the ground you walk on. All I've got to say now is that you should go send all those people home, and hope that you haven't organized some super-spreader event here. For all the shit you've given me and my family, I don't want to see them all dead. I don't want to see you dead." Kara raised her bandanas again. "We're fighting the good fight. We're on the right side of this, Harrison. You're not." She turned and started walking back towards the road. "Fuck me," I sighed, shaking my head. That woman could still push my buttons almost fifteen years later. I pressed through the forest, making for the edge of the property and then diverting towards the road. When I reached it, I found a white and brown heavy pickup identical to Vanessa's idling on the gravel shoulder. The big guy in the driver's seat rolled down his window a crack. "What's up?" "I'm Harrison Black," I said. Another guy got out of the passenger seat and came around, slapping the hood. "Head on back to the motel," he said to the man in the truck. "I'll catch a ride back with my daughter." The guy in the truck nodded and waited for us both to back away before pulling a U-Turn and taking off down the highway. "So, you're the land guy, eh?" the man said, turning and offering me his hand. He was exactly as Vanessa had described; portly to the point of obese, with a gruff exterior that spoke of years handling his business in a rough industry and getting shit done. "I am," I said, taking his hand and shaking it firmly. "Your daughter has been fantastic to work with. Helpful and on task, and she keeps her guys in line." "I have no doubt," he said. "She grew up bossing her older brothers around and got the best of her mother and me. I'm Brent Peters, by the way. I'm sure we'll be speaking every once in a while through this project." "Good to meet you, sir," I said. "And I'm sure we will." I led Brent into the brush and got us through the roughest part until I could get us to one of the more used trails. It got a lot easier for him there, and once he had a chance to catch his breath he seemed to actually enjoy the chance to stretch his legs. He didn't know, or at least wasn't forthcoming, with any more information than Vanessa had been able to give about what was going on, but he did enjoy hearing about the sordid history of the land, my family and the Band. It took a little longer than I'd thought it would to get back to the driveway, Brent needing a couple of breaks, but we made it eventually. Vanessa grinned when she saw her father in a way that made me think she was going to run to him and hug him, but she never made the move. I had to assume that was a hard-trained response from her years working with the man; hugging your pops on a job site would probably lead to taking a lot of shit from your coworkers. Brent quickly got updated on the last hour of developments from Vanessa, and I saw his managerial side take over. Soon the line of construction workers were twenty yards back from the protestors, and he was stride-waddling forward with a medical mask stretched over his face. Kara met him halfway, and whatever they said seemed to go about as well as the talks I'd had with her myself. Again, she ended it by showing off for the protestors by giving him the double-birds. "Well, that went well," Brent sighed as he came back. "You were right, Harrison. They're stuck in. Wouldn't even help us get those trucks room to move or get out of the way of traffic." "She feels like she's got leverage," I guessed. "And they haven't had that on us for years now." "Well, I've officially done what I can," Brent said. "Time to do what every good GM does when shit like this happens." He took out his phone and started walking up the driveway away from Vanessa and me. "What's that?" I asked. "Call the client and tell them to un-fuck the situation," Vanessa smirked. The rest of the afternoon and evening was a long fucking day. There was no good way to get the workers on site off of it, and no good way to get new ones on, so Leo and I ended up walking several groups through the trails to get to the road in places out of sight of the protestors. And since the big crew vans were parked on site, Brent ended up getting access to school buses to come and pick up his guys. The second to last bus dropped off a dozen men who would take over watching the driveway and the protestors overnight; we'd already seen them breaking out tents and lanterns to hold their vigil; and the last bus out had Brent and Vanessa on board. "Client will be by in the morning," Brent said, and winked at me. "Don't you worry, bucko. You hold down the home front tonight, and the cavalry will be here in no time." "You got it," I said. "But whoever is coming, I suggest you make sure they know to take this seriously. The Band is riled up, and now they smell blood in the water. This isn't going away easily." "I'll pass that on to the Lieutenant Colonel," Brent nodded. He shook my hand again and stepped onto the bus. "See you tomorrow, H," Vanessa grinned at me. "Not if I see you first, Vee," I chuckled. She stepped up into the bus and I heard her voice raise immediately. "Alright, you Gorillas. Grab your fuckin' seats and stay there. I swear to Christ if one of you pisses me off, I'll confiscate your fuckin' dinner, got it?" I laughed, and could see the construction workers grinning in their seats as the bus did a three-point turn and pulled away. The sun was getting low when I finally hiked out of the bush and back into view of our little compound. Erica was waiting for me with a smile and a plate of stir fry. "What's the word, Harri?" "They're still down there," I said. "There are some workers keeping an eye on the driveway. Could you throw on a big pot of coffee for me and dig one of the thermoses out of storage?" "Harri, if they've got some of their workers down there, it's not your job to supervise. I'm sure Vanessa and her Dad left someone in charge." "They did," I said. "And I'm not going down there. I'm staying up here." I shoveled the stir fry down, relishing in the spicy kick Erica liked to cook with. Inside our little compound I gave Ivy a kiss, apologizing that I wouldn't be seeing her in bed for the night. Then I went to the storage container closest to my RV. The one with my gun safe. "What's the word?" Leo asked me when he found me. I had a lantern flashlight on and was loading rounds into my father's Model 700. "Jesus, Harri. What the fuck?" I doubted he was commenting on me loading the Remington hunting rifle. We'd used it plenty when we were hunting during deer season; it was a solid, reliable tool. No, I knew he was reacting to the other firearms I had out. My M9 was already holstered on my hip, a copy of my service sidearm that had served me so well through my tour and as an MP, and my DDM4V1 was laid out, waiting for me to do a quick check it was still in good order. "Just taking precautions," I said. I was already trying to get into the right mindset. "What does that even mean? What are you doing?" "There's about a hundred protesters down there, last I counted. More keep arriving," I told Leo, loading the last round into the 700 and checking the safety before setting it down. I fished a handful more.308's out of the ammo box in the safe and fed them into the bandolier shoulder strap for the hunting rifle. "Problem is, they're pissed off. Not just about the construction, but at all the other shit going on right now. And pissed-off people do dumb shit." "So what, you're going to go all Alamo on us?" Leo asked. "For real, Harri. Nothing's going to happen. They're down there, we're up here." "Leo," I said. "I'm not asking you to do anything you don't want to. The Bear shotgun is in my RV. Do me a favor and keep it handy tonight. If I miss something, I'd rather you have it than not." "Harri,” "Dude, just stop," I said. I'd finished with the.308s and started taking apart the DDM4V1 and giving it a quick clean. It was a budget purchase that I'd made prioritizing reliability over flashy shit, and the 'scary one' in my collection when it came to civilians. Erica hadn't even liked the idea of me owning it when we gave her the tour of my firearms and taught her the safety protocols for them. Leo had only ever fired it once. Both of the siblings had said the same thing; 'If you have the rifles and shotguns and the handgun, why do you need a machine gun?' This sort of thing was why I needed it. And it wasn't a 'machine gun.' "I'm not planning, or hoping, to kill someone tonight. If I have to use the DDM4 or my sidearm, something has gotten really fucked," I said. "But I'm also not taking any chances. Sometime tonight, there's going to be people sneaking up into the construction yard to cause mischief, and they aren't going to know the difference between the construction yard and where we're living. Maybe they hear us and they stay clear, or maybe they don't. I'm not taking that chance." Leo watched me cleaning my rifle, and glanced out at the darkening sky, and then back to me. "What should I do?" he asked. A wave of relief washed over me; it had been years since I'd served, and every instinct I had was telling me to do what I was doing, but that civilian part of my brain was second-guessing everything. Leo agreeing told me I was being logical, even if he didn't like it or I turned out to be wrong. "Just be with the girls tonight," I said. "I can handle the yard, you stay with them. Think of it like a shitty tower defense game. If I do my job, you'll never have to do anything." He nodded and left me to my work. Surprisingly, it was Danielle who came to see me next. "What can I do to help?" she asked. Her Australian accent was sounding stronger, the California valley girl part of it dropping with her serious demeanor. "Nothing, I've got it," I said. She'd caught me as I was strapping on my ghillie suit; another item that Leo and Erica had found silly to own considering we didn't need it for hunting deer. It had honestly been more of a gag item in my collection than anything until tonight. "Harrison, I'll remind you that my Dad was military, yeah?" she said. "I grew up outside the city. I know how to work a firearm." I took a breath and looked at her. Even at night, by the light of a lantern, she looked like an elven beauty despite the cutoff denim shorts and zippered knit sweater. "Can you handle a handgun?" I asked. "I've shot the head of an Eastern Brown from ten paces away when it was threatening to bite my dog," she said. "I assume that's a snake?" "A fucking poisonous one," Danielle said. "Alright," I nodded. "Under the passenger seat of my truck is a gun case with my pop's old 1911 and a couple of magazines. Hang on to it for tonight. Try not to freak out Erica or Ivy, and if you hear shots tonight don't let Leo come looking for me, let alone Erica and Ivy. If they leave the RVs it'll just make things worse." "Okay," she said with a serious nod, then stepped towards me, hugged me and gave me a kiss on the cheek. "Thanks." "For what?" I asked as she stepped back. "For being the man I figured you were," she said. "Leo's all mine and I'm happy with that, but like I told you; you remind me of all the good parts of my Dad. I'm glad I have Leo and you around." She left to fetch the pistol, and I finished strapping on the ghillie suit and slung my two rifles over my shoulders and closed the gun safe. When I was finished slamming the storage container closed, I turned around to find Ivy and Erica both looking at me with their arms crossed. "Both of you, huh?" I asked. "Yes, both of us," Erica said. "United front," Ivy said. "Look,” "Shut up, Harrison," Erica said, and then they were both hugging me while being careful around the firearms. "Just be careful." "Extra careful," Ivy said, burying her face into the strings of the ghillie suit in my chest and then immediately pulling back with a wince. "Ugh, this smells terrible." "Yeah, well it's not exactly the sort of thing you clean very often," I shrugged. "Whatever," Erica said and kissed me. Ivy kissed me as well, looking at me with those big eyes of hers with concern. "So you're not going to try and convince me this isn't necessary?" I asked. "Wouldn't do anything except lead to a fight we couldn't win," Erica said. "You're too stubborn not to do it." "And too brave," Ivy added. "That too," Erica smiled sadly. Then she handed me the big thermos of coffee. "Come back to us in one piece." "I will," I said. "Don't worry. But if you two hear anything tonight, if there's any gunfire, don't come looking for me. Just stay in the RVs and hunker down from the windows. If you come looking for me, you'll add more danger and not take it away, alright?" They both agreed, though I could tell Erica didn't like it. I could only imagine her sprinting across the construction yard, bullets flying everywhere, screaming my name as she worried I'd been shot. Hell, she'd probably pick me up and carry me to safety if it were true, but she'd also likely never get to me in the first place if things were that bad. I kissed them both again, then stalked off into the night. I ended up settling into a nook on the side of the hill to the south of the construction yard, with a clear view of about two-thirds of the yard and most importantly the RV compound. I unslung my rifles and carefully positioned myself in a comfortable prone position I was going to be able to manage for a long time. I'd never gone through Sniper training, but I'd picked up enough from my Bootcamp, talking with other soldiers and from movies to know a thing or two; not to mention years of hunting. So I cracked the thermos and took a sip of the hot, strong coffee, and started my watch. I saw them moving through the trees at around 02:30 in the morning down on the east side of the yard near the driveway. They must have skirted around the construction worker picket line and followed the driveway up, but they were still in the shadows so I couldn't tell how many there were, or what they were carrying. The only reason I spotted them early at all was because someone was flicking a flashlight up occasionally. I had the 700 cradled in my arms, and I slowly rolled into position but didn't sight down the scope yet. I didn't have any night vision gear, and while the simple Leopold scope easily gave me the range to tag anything moving down there, I wouldn't know what I was hitting. They stopped at the edge of the tree line, and I could only imagine the nerves they were feeling looking out over the open area. There were seven portables set up holding various offices now, and half a dozen big crew vans that had been left behind for the night along with some of the company pickup trucks. The pilings and supplies to erect the bigger barracks were also looming in the big, open space. "Just take a look and leave," I muttered quietly to myself, willing whoever was down there to not make this worse than it could be. Five minutes went by before a figure began to creep out of the tree line, crossing the rise of the hill and slipping towards the yard. From the distance I was at, I couldn't see them clearly enough other than to tell they were probably wearing a backpack; not a big deal in and of itself, but my training was screaming at me. 'Anything' meant anything. That backpack could hold weapons, or communications equipment, or even an I E D. I sighted in on the figure. It was a man, military age but young. I couldn't see much of his face between the black bandana over his nose and mouth and a ball cap backwards on his head. My finger tightened just a fraction on the trigger when I saw the flash of metal in his hand, but my hesitation saved his life; he was carrying a can of spray paint. He reached what he thought was the shelter of the first building; and it was shelter if he thought a guard was patrolling inside the yard. But I wasn't inside the yard, and instead I was looking at him dead on along the length of the building as he took off his backpack and then turned, motioning back towards the tree line. A half dozen more figures began quickly creeping across the hillside. I had a choice; if that backpack was full of spray-paint and that was all they were there to do, it would be annoying vandalism at worst as long
This week on Web Tales, Marc and Batch dive deep into Spectacular Spider-Man #22!Spider-Man throws down with Moon Knight in their very first clash—but that's just the beginning. We're talking Kraven's own shady "Epstein-style" list, Marc's ongoing beef with Frenchie (who he insists is an offensive stereotype), and the chaos of the Great Poutine-Off, where none other than Celine Dion sits in judgment.It's web-slinging action, conspiracy theories, and greasy Quebecois cuisine—just another day in the multiverse of Web Tales.
The Fantasia International Film Festival returns for its 29th edition, running from July 17 to August 8, 2025, and promises another electrifying celebration of genre cinema from around the world. With its full slate now unveiled across three waves of programming, Fantasia 2025 continues its tradition of championing daring filmmakers and boundary-pushing storytelling.Among the major highlights this year is Yuji Shimomura's highly anticipated Crazy Musashi, penned by cult favorite Sion Sono. Also debuting is the world premiere of The Beast Within by genre auteur Gabriel Carrer, while Bertrand Mandico's surreal She Is Conan the Barbarian will receive its North American premiere following acclaim in Cannes. Other festival standouts include Kiah Roache-Turner's creature feature Beast of War, and Macoto Tezuka's live-action adaptation Barbara II, based on the manga by Osamu Tezuka.Fantasia 2025 will also spotlight a robust Quebecois lineup, particularly through the Fantastiques Week-ends du cinéma québécois, which includes 77 short and feature films from emerging and established local talent. This year's program emphasizes bold, original visions, including the premiere of David B. Ricard's mockumentary Alien Tribute, and Alexandre Prieur-Grenier's nightmarish Enfer en eau trouble.The festival continues its legacy of nurturing new voices with its Camera Lucida and Axis sections, while also welcoming back returning favorites such as Larry Fessenden (Blackout), Takashi Shimizu (Immersion), and Calvin Lee Reeder (Yummy Fur).With over 130 feature films, dozens of special events, and a strong presence of Asian, North American, and international genre cinema, Fantasia 2025 affirms itself as one of the world's premier showcases for fantastical film.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
The Fantasia International Film Festival returns for its 29th edition, running from July 17 to August 8, 2025, and promises another electrifying celebration of genre cinema from around the world. With its full slate now unveiled across three waves of programming, Fantasia 2025 continues its tradition of championing daring filmmakers and boundary-pushing storytelling.Among the major highlights this year is Yuji Shimomura's highly anticipated Crazy Musashi, penned by cult favorite Sion Sono. Also debuting is the world premiere of The Beast Within by genre auteur Gabriel Carrer, while Bertrand Mandico's surreal She Is Conan the Barbarian will receive its North American premiere following acclaim in Cannes. Other festival standouts include Kiah Roache-Turner's creature feature Beast of War, and Macoto Tezuka's live-action adaptation Barbara II, based on the manga by Osamu Tezuka.Fantasia 2025 will also spotlight a robust Quebecois lineup, particularly through the Fantastiques Week-ends du cinéma québécois, which includes 77 short and feature films from emerging and established local talent. This year's program emphasizes bold, original visions, including the premiere of David B. Ricard's mockumentary Alien Tribute, and Alexandre Prieur-Grenier's nightmarish Enfer en eau trouble.The festival continues its legacy of nurturing new voices with its Camera Lucida and Axis sections, while also welcoming back returning favorites such as Larry Fessenden (Blackout), Takashi Shimizu (Immersion), and Calvin Lee Reeder (Yummy Fur).With over 130 feature films, dozens of special events, and a strong presence of Asian, North American, and international genre cinema, Fantasia 2025 affirms itself as one of the world's premier showcases for fantastical film.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
Witness to Yesterday (The Champlain Society Podcast on Canadian History)
Patrice Dutil discusses the significance of the founding of the Parti québécois by René Lévesque on 11 October 1968 with Xavier Gélinas, a specialist on the Québec "Quiet Revolution" and curator of Politics at the Canadian Museum of History. This podcast is available in French on Témoins d'hier. This podcast was produced by Naomi Katz and Richard Anstey in the Allan Slaight Radio Institute at Ryerson University. If you like our work, please consider supporting it: bit.ly/support_WTY. Your support contributes to the Champlain Society's mission of opening new windows to directly explore and experience Canada's past.
Cette semaine aux Anti-Pods de la Lutte, Kevin et Pat discutent des nombreux nouveaux champions à la WWE, font un retour sur Night of Champions et parlent de la carte de MLP mettant en vedette PCO et plusieurs Québécois. Tout ça et bien plus dans un autre épisode à ne pas manquer. Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr
In this episode we answer questions from Mason, Brian, and Anonymous. We discuss portfolio transitions from a highly overlapped portfolio and related consideration, treasury strips funds and leveraged ETFs (twice), and the power of advice from the great Jim Rohn. UNLIMITED POWER.Just remember that "Affirmation without discipline is the beginning of delusion."And we discuss our campaign for the Father McKenna Center and Quebecois updates to our website.Links:Father McKenna Center Donation Page: Donate - Father McKenna CenterThe Source of the "We Don't Know" Clip: Jim Rohn Join the 3% Club and Walk away from the 97%Breathless Unedited AI-Bot Summary:Transforming your portfolio into a risk parity approach doesn't have to be complicated, but it does require both strategy and courage. This episode dives deep into listener questions about making that transition while navigating tax implications and psychological barriers.When Mason asks about converting his advisor-built collection of funds into a risk parity portfolio, Frank reveals a crucial insight most investors miss: holding multiple similar funds creates "false diversification." Those four large-cap funds in your portfolio? They're basically the same investment with different names. True diversification comes from understanding what's inside each fund, not collecting different tickers.For those curious about leveraged ETFs like UPRO, Brian's question leads to fascinating observations about why some leveraged products perform better than others. The conversation reveals why Treasury strips funds like GOVZ/ZROZ make reasonable substitutions for standard Treasury allocations, while leveraged gold ETFs might be problematic for long-term investors. Frank shares his personal experience reducing his own UPRO allocation and explains why experimentation with small portions of your portfolio is the wisest approach to newer investment strategies.The philosophical foundation of the show emerges when a listener asks about the "Nobody Knows" sound clip. The attribution to motivational speaker Jim Rohn opens a window into the mindset that drives successful investing. Rohn's philosophy that "affirmation without discipline is the beginning of delusion" perfectly captures why just thinking about better investment outcomes isn't enough—you must take action to create them.Ready to reshape your investment approach? This episode provides both the practical steps and the motivational spark to move forward confidently. As Rohn reminds us, "If you think investing is risky, wait till you get the tab for not investing."Support the show
At the NATO summit, the Prime Minister promises to spend a lot more on defence; Cesar Jaramillo, the chair of a Canadian disarmament group says that if the aim is to make the world safer, the move is way off target.Chandra Pasma, a provincial parliamentarian, tells us about her efforts to get the Ontario government to do more to address extreme heat in schools and other workplaces across the province.An activist in Kenya tells us she thought things would be peaceful today, when protestors commemorated a deadly protest one year ago. Instead, history repeated itself.People have started to return to Denare Beach, Saskatchewan, after wildfires ripped through their village. One resident tells us going home isn't easy -- but it's therapeutic all the same.We remember ground-breaking Quebecois musician Serge Fiori, whose band Harmonium changed the music scene in the province by paving the way for homegrown talent.A poorly-timed wardrobe malfunction leads to an unfortunate photo finish -- in which an American hurdler wins the race while trying -- and failing -- to keep his shorts in place. As It Happens, the Wednesday Edition. Radio that always double-checks its equipment.
For years, Rachid Badouri has been one of Quebec's biggest comedy stars. His shows have sold millions of tickets around the world, he has a Netflix stand-up special called “Les fleurs du tapis,” and he's also a judge on “Quel talent!” (Quebec's version of “Canada's Got Talent”). But now, Rachid is ready to make a name for himself in the English-speaking world. He sits down with guest host Garvia Bailey to talk about his journey in comedy, what it's like translating his French jokes into English, and how stand-up has helped him embrace his Moroccan heritage. If you like this conversation, check out Tom Power's interview with Montreal comedian Sugar Sammy.
Curious about the biggest mistakes you might be making while learning French? In this episode of my Quebec French Podcast, I break down the top ten things you should absolutely avoid if you want to make real progress.From the pitfalls of memorizing vocabulary lists to the hidden downsides of language apps like Duolingo, I'll share practical insights based on years of teaching experience.If you're serious about improving your French—whether standard or Quebecois—this episode will help you refine your approach and save valuable time.To get the written version and fully formatted version of this podcast, go to www.frenchwithfrederic.comThis section is usually reserved for my paid members, but I've made it available to everyone this time. If you'd like to access our French classes, Book Club, and all the features of our French-learning community, upgrade your subscription today! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.frenchwithfrederic.com/subscribe
Are you looking for a movie about dark web child snuff films that you can show your Meemaw? Assuming she hasn't already watched it, we recommend the 2023 Quebecois feature “Les Chambres Rouges”, or “Red Rooms” if you don't speak French. Remember how we're doing a whole French language horror thing? The theme continues un petit peu.
This week we're excited to present a conversation from the 62nd New York Film Festival with Who by Fire director Philippe Lesage and actor Noah Parker. An NYFF62 Main Slate selection, Who by Fire is now playing at Film at Lincoln Center with in-person Q&As at select screenings opening weekend. Get tickets at filmlinc.org/fire A getaway at a secluded log cabin in the forest becomes the site of escalating, multigenerational tensions and anxieties in this disquieting, impeccably mounted coming-of-age drama from Quebecois filmmaker Philippe Lesage (Genesis, New Directors/New Films 2019). Ostensibly a merry reunion between well-known film director Blake Cadieux (Arieh Worthalter) and his longtime friend and former collaborator Albert Gary (Paul Ahmarani), the vacation gradually becomes something far more complex and less stable, especially with the combustible admixture of Albert's teen son's best friend, Jeff (Noah Parker), and Albert's self-asserting daughter Aliocha (Aurélia Arandi-Longpré). Long-simmering middle-aged resentments surface, set against the anxieties of the young, all captured sensitively by Lesage, who in recent years has proven unparalleled in evoking the psychological contours of teenagers finding their paths through treacherous emotional landscapes. Featuring thrillingly choreographed dinner sequences of mounting tension, Who by Fire confirms Lesage as a major contemporary filmmaker, with its assured tonal negotiation of the naturalistic and the oneiric, the joyous (especially an epic dance interlude to The B-52s) and the ominous. This conversation was moderated by NYFF selection committee member K. Austin Collins.
Curious about the biggest mistakes you might be making while learning French? In this episode of my Quebec French Podcast, I break down the top ten things you should absolutely avoid if you want to make real progress.From the pitfalls of memorizing vocabulary lists to the hidden downsides of language apps like Duolingo, I'll share practical insights based on years of teaching experience.If you're serious about improving your French—whether standard or Quebecois—this episode will help you refine your approach and save valuable time.To get the written version and fully formatted version of this podcast, go to www.frenchwithfrederic.comThis section is usually reserved for my paid members, but I've made it available to everyone this time. If you'd like to access our French classes, Book Club, and all the features of our French-learning community, upgrade your subscription today! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.frenchwithfrederic.com/subscribe
Denis Villeneuve's massive sci-fi epic “Dune: Part Two” is up for best picture at the Oscars this year. Last year, around the film's Canadian premiere, the Quebecois filmmaker joined Tom Power to discuss his vision for the second installment, the challenges of shooting in the intense heat of the desert, and how politics and religion in Quebec play into the film more than you might think.
Narrator Jean Brassard joins AudioFile's Michele Cobb to discuss narrating Louise Penny's latest in the Three Pines series, THE GREY WOLF. It's a thrilling mystery and a new voice for a beloved series, and Brassard describes what it was like to step into the shoes of Chief Inspector Armand Gamache. He discusses how his Quebecois background informed his performance and what he enjoyed the most about narrating this mystery named one of AudioFile's Best of 2024. Read AudioFile's review of THE GREY WOLF. Published by Macmillan Audio. AudioFile's 2024 Best Mystery & Suspense Audiobooks are: THE BRIAR CLUB by Kate Quinn, read by Saskia Maarleveld THE GREY WOLF by Louise Penny, read by Jean Brassard A NEST OF VIPERS by Harini Nagendra, read by Soneela Nankani THE SEQUEL by Jean Hanff Korelitz, read by Julia Whelan SHANGHAI by Joseph Kanon, read by Jonathan Davis YOU'LL NEVER FIND ME by Allison Brennan, read by Hillary Huber Find the full list of 2024 Best Audiobooks on our website. Today's episode is brought to you by Brilliance Publishing. The Sound of Storytelling. Discover your next great listen at https://www.brilliancepublishing.com/ Jean Brassard photo by Steve Vaccariello. Learn more about your ad choices. Visit megaphone.fm/adchoices
We're joined this week for an insidious hour of sneaky, underhand plotting and planning with returning friend of the pod Paul Duncan McGarrity. We discover bungling Quebecois terrorists and security guards, batshit crazy Japanese anarchists, a blow-by-blow account of everything wrong with the Gunpowder Plot and the stupidest double-agent of all-time. Follow us on Instagram: @worstfoot @vanderlaugh @barrymcstay Take a butcher's at Ben's Substack here: https://vanderlaugh.substack.com/ Join us on our Discord server! https://discord.gg/9buWKthgfx Visit www.worstfootforwardpodcast.com for all previous episodes and you can donate to us on Patreon if you'd like to support the show! https://www.patreon.com/WorstFootForward
The Beach Boys' original lyric, "I wish they all could be Quebecois girls" was rejected out of hand. Card #490 on Beckett SABR Bio by Norm King Card #490 on 88 Topps Blog Beard Larry retires from the Mud Hens Larry and Elvis Larry inducted into International League HOF
Jean Brassard, Louise Penny's choice to narrate her 19th Three Pines novel, proves an inspired selection. Host Jo Reed and AudioFile's Robin Whitten discuss how Brassard, a native Quebecois and an award-winning actor, gets each character right. Domestic terrorism takes Armand Gamache, Jean-Guy, and Isabelle from Montreal to the Vatican and to an isolated French monastery. Brasard's accents—whether French Canadian, Italian, or continental French—create indelible characters, and his pacing and storytelling skills are stunningly good. Listen to find out what awaits Gamache in this latest memorable mystery. Read our review of the audiobook at our website. Published by Macmillan Audio. Discover thousands of audiobook reviews and more at AudioFile's website. Support for AudioFile's Behind the Mic comes from HarperCollins Focus, and HarperCollins Christian Publishing, publishers of some of your favorite audiobooks and authors, including Reba McEntire, Max Lucado, Kathie Lee Gifford, Bob Goff, Lysa TerKeurst, and many more! Learn more about your ad choices. Visit megaphone.fm/adchoices
The Bathhouse is a live call-in show from the green room of The Stand one of New York City's best comedy clubs. Follow the guests: Lev Fer Instagram: levfercomedy Billy Hockman Instagram: bhockcomedy Andre Myrie Instagram: andremyriecomedy Music by @namelesswalaby and @ChadTurnUp Chapters: 0:00 - Intro 2:43 - Welcome! 6:26 - Sean calls question for Lev but he's too high 12:30 - Sami calls - Did Tony go too far? 25:45 - Slav is undecided 29:00 - Globe skeptics & the Arts 39:30 - Don't ask me about flat earth!! But definitely ask about the moon landing 50:00 - Sean from Pittsburg - Crackhead neighbor's car / Worst detail 56:36 - Stank / POLITICS 1:07:34 - Pablo practices negging on Lev 1:09:40 - Sami calls back 1:18:33 - My Dad worked for Boeing 1:21:10 - Getting smashed the Quebecois way 1:30:59 - As a car professional says it was the rubber seal that caused the stank. 1:33:44 - What are you doing?? 1:35:35 - Slav comes back undecided 1:40:45 - Last call 1:45:09 - Plugs
The Bathhouse is a live call-in show from the green room of The Stand one of New York City's best comedy clubs. Follow the guests: Che Durena Youtube: @Chedurena Lee Syatt Instagram: Leesyatt Bret Raybould Instagram: Bretraybould Music by @namelesswalaby and @ChadTurnUp Chapters: 0:00 - Intro 2:30 - Chaos! 4:24 - Rubestar first call 10:30 - Rube Juice 25:37 - Black Rainbows 29:19 - Mark calls - piss. More about black rainbows 41:07 - Quebecois caller 49:46 - Mohammad Lalin calls 50:30 - McDonalds e-coli madness 52:30 - Slav is going to be open minded 57:35 - It all comes back to piss 1:04:18 - Reindeer myths 1:09:20 - Friends coming in for a wedding, buddy from a weird foursome is coming, how to break the ice?? 1:27:00 - Plugs 1:27:52 - Pablo thinks the show was great - OF Phenomenon? 1:34:01 - Edibles 1:41:23 - Plugs
© 2020-2026 Ivy Podcast Discovery LLC
