Podcast appearances and mentions of edgar g ulmer

Greg screens Edgar G. Ulmer's 1934 creepy classic "The Black Cat."

After a brief summer break, we're back with a heavy hitter from film noir's classic era. Join us as we continue with the subject of B-Noir and dive into Detour from 1945. From PRC and directed by Edgar G. Ulmer, Detour has gained legendary status in more recent years as a masterful representation of film noir. And with a famous (although uncertain) budget and production schedule, Detour reminds us that unlimited resources are not necessary to produce a great work.

Derek and Beth love monster movies, but they also love playing games, and this week on Monster Kid Radio, they consider where the classic Universal monsters would fall on the Dungeons & Dragons alignment chart. Plus Kenny's Look at Famous Monsters of Filmland! Team Deth YouTube Channel -  Monster Kid Radio Contact Information: Voicemail: (360) 524-2484‬ Email: Monster Kid Radio's Discord Server - Monster Kid Radio on Reddit - Monster Kid Radio on Twitch! - - Monster Kid Radio on YouTube - Follow Kenny Email Kenny at  Monster Kid Radio Amazon Wishlist - Suplex Stream YouTube Channel -  When shopping on Amazon, please use this link: Monster Kid Radio on TeePublic -  Next week on Monster Kid Radio: The Black Cat (dir. Edgar G. Ulmer) with Beth Koch The opening and closing song () provided courtesy of - - - Monster Kid Radio is a Team Deth Production. All original content of Monster Kid Radio is licensed under a . You can learn more about Team Deth, our other projects like Deth Designs, Mail Order Zombie, Monster Kid Writer, and more at . Please rate and review Monster Kid Radio wherever you download your favorite podcasts.

In this brand new non-canon miniseries, the creatures are paying tribute to their nocturnal feline friends with nine monumental cat movies. The first insallment is an analysis of Edgar G. Ulmer's The Black Cat, starring legends Bela Lugosi and Boris Karloff. The creatures also tackle Flash Gordon, Argylle and Profondo Rosso as they streeeetch out and watch a Universal classic.

Josh, Alison, and Brady hitchhike with Detour - the 1945 B-grade noir starring Anne Savage and Tom Neal, directed by Edgar G. Ulmer.Plus!Paul T Goldman, True Detective Season 4, Metalocalypse, Creed and Streets of Fire!Send submissions to our Child Throwing and Man on Fire lists!Leave us a voicemail! We'll play it on the show. Check out the Solid Six Store!Letterboxd: Alison, Josh, BradyEmail us - podcast@solidsix.netFollow us on Instagram, Facebook, and TwitterLeave a review on Apple Podcasts and Spotify!

In this installment, Josh gets behind the wheel of "Detour" and takes listeners through the hairpin turns of Edgar G. Ulmer's "poverty row" production. When it was released in November 1945, "Detour" exceeded expectations, impressing post-war audiences and critics alike with inspired editing, nihilistic storytelling and a standout performance by Ann Savage as the vicious Vera. From Martin Goldsmith's source material to Leo Erdody's compelling post-production score, this special episode covers all tire-worn avenues of Ulmer's classic noir!

Margaret Bodde is the executive director of The Film Foundation, the non-profit organization created by Martin Scorsese in 1990 dedicated to the preservation and protection of motion pictures. Working in partnership with the archives and studios, TFF has preserved and restored over 925 films, including 49 restorations from 28 countries as part of the World Cinema Project.TFF educates young people about the visual language of film through its cinema literacy program, The Story of Movies. In addition, Bodde is the award-winning producer of several of Scorsese's documentaries."Our American artistic heritage has to be preserved and shared by all of us. Just as we've learned to take pride in our poets and writers, in jazz and the blues, we need to take pride in our cinema, our great American art form.” - Martin Scorsese, Founder and Chair The Film Foundation, the non-profit organization created by Martin Scorsese to preserve cinema, invites you to come together for a series of beautifully restored films in the Restoration Screening Room, our new virtual theater, available through any web browser.Presentations will take place within a 24-hour window on the second Monday of each month, along with Special Features about the films and their restoration process. Monthly programming will encompass a broad array of restorations, including classic and independent films, documentaries, and silent films from around the world.The next free screening is August 8th. They will be playing an amazing Film Noir double feature.Arthur Ripley's 1946 classic The Chase and Edgar G. Ulmer's 1945 masterpiece Detour. Margaret is also a producer, known for Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019), The 50 Year Argument (2014), Public Speaking (2010), George Harrison: Living in the Material World (2011), No Direction Home: Bob Dylan (2005), and the PBS 7-part series The Blues (2003).Please enjoy my conversation with Margaret Bodde.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Welcome to It's A Wonderful Podcast!! We apologise for the lack of a main show last week, but Morgan and Jeannine back here with one of their favourite kinds of movies, talking the brilliantly bleak tale of a victim of circumstance in Edgar G. Ulmer's vicious, malicious, and misery-filled B-movie Noir, DETOUR (1945) starring Tom Neal & Ann Savage! Our Youtube Channel for Monday Madness on video, Watchalongs, Live Discussions & more: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The It's A Wonderful Podcast Theme by David B. Music. Donate: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ IT'S A WONDERFUL PODCAST STORE:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://its-a-wonderful-podcast.creator-spring.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Morgan: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jeannine: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Keep being wonderful!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support

Welcome to It's A Wonderful Podcast!! A tale of hunger for power and manipulation of men in 1820s Maine on this week's main show as Morgan and Jeannine talk Edgar G. Ulmer's period piece femme fatale adaptation of THE STRANGE WOMAN (1946) starring Hedy LaMarr in her first appearance on the show alongside George Sanders and Louis Hayward! The movie's rather bland title is a poor reflection on just how deviously gripping this one really is! Our Youtube Channel for Monday Madness on video, Watchalongs, Live Discussions & more: ⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠ The It's A Wonderful Podcast Theme by David B. Music. Donate: ⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠ Join our Patreon: ⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠ IT'S A WONDERFUL PODCAST STORE:  ⁠⁠⁠⁠⁠https://its-a-wonderful-podcast.creator-spring.com/⁠⁠⁠⁠⁠ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: ⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠ Morgan: ⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠ Jeannine: ⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠ Keep being wonderful!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support

Brandon, James, Britnee, and Hanna discuss a grab bag of 1940s noir classics, starting with Edgar G. Ulmer's Poverty Row cheapie Detour. https://swampflix.com/ 00:00 Welcome 01:04 Infinity Pool (2023) 06:12 Liz: The Elizabeth Taylor Story (1995) 08:53 The Big Chill (1983) 13:51 Deep End (1970) 19:10 The 4th Man (1983) 26:23 Detour (1945) 46:44 The Letter (1940) 1:07:45 Laura (1944) 1:17:25 The Lady from Shanghai (1947)

Beyond the Time Barrier (1960) / Timestalkers (1987) This week we zap through time like a bolt of lightning, landing in a plague-ravaged future with Edgar G. Ulmer while a tintype zips us back to the Wild West with Michael Schultz

Donde se comenta la película "Satanás" o "The black cat", dirigida por Edgar G. Ulmer en 1934, con unos apoteósicos Bela Lugosi y Boris Karloff.

Vinny and Anthony are joined by Film Feast host Matt Bledsoe to talk about the ultimate sad bastard movie, Edgar G. Ulmer's Detour. Follow Film Feast on Twitter and Instagram Follow the Cult Movies Podcast on Twitter and Instagram Follow Matt on Twitter and Letterboxd Follow Vinny on Twitter and Letterboxd Follow Anthony on Twitter, Instagram, and Letterboxd Support the Cult Movies Podcast on Patreon!

Episode One Hundred and Six: Detour (1945)We usually stick to pretty recent stuff on this show, but the wheel is merciless and it has demanded a classic. While the idea of an "unnecessary" classic film is chuckle-worthy, we think we've delivered. This is a film noir from 1945 directed by Edgar G. Ulmer starring Tom Neal and Ann Savage. If you want to play blackout with your film noir tropes bingo card, this is the flick for you.Dinosaur Adventure Logo design by: https://www.fiverr.com/ideahitsIntro voiceover by: https://www.youtube.com/kevincrockerheyjameswatchthis@gmail.comFollow us @heyjameswatch

In This episode I am joined by Ian of CULT CONNECTIONS podcast to talk about Edgar G Ulmer's noir classic - DETOUR!

Margaret Bodde is the executive director of The Film Foundation, the non-profit organization created by Martin Scorsese in 1990 dedicated to the preservation and protection of motion pictures. Working in partnership with the archives and studios, TFF has preserved and restored over 925 films, including 49 restorations from 28 countries as part of the World Cinema Project.TFF educates young people about the visual language of film through its cinema literacy program, The Story of Movies. In addition, Bodde is the award-winning producer of several of Scorsese's documentaries."Our American artistic heritage has to be preserved and shared by all of us. Just as we've learned to take pride in our poets and writers, in jazz and the blues, we need to take pride in our cinema, our great American art form.” - Martin Scorsese, Founder and ChairThe Film Foundation, the non-profit organization created by Martin Scorsese to preserve cinema, invites you to come together for a series of beautifully restored films in the Restoration Screening Room, our new virtual theater, available through any web browser.Presentations will take place within a 24-hour window on the second Monday of each month, along with Special Features about the films and their restoration process. Monthly programming will encompass a broad array of restorations, including classic and independent films, documentaries, and silent films from around the world.The next free screening is August 8th. They will be playing an amazing Film Noir double feature. Arthur Ripley's 1946 classic The Chase and Edgar G. Ulmer's 1945 masterpiece Detour. Margaret is also a producer, known for Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019), The 50 Year Argument (2014), Public Speaking (2010), George Harrison: Living in the Material World (2011), No Direction Home: Bob Dylan (2005), and the PBS 7-part series The Blues (2003).

Dans cet épisode, le temps est venu d'aborder la décennie cinématographique 1940 pour le trio Gravlax – Pap(Gubi)da – Casa. La sélection de films les emmène Outre-Atlantique avec un film classique et très connu, un film dont le nom est ultra connu même si on ne sait pas vraiment toujours ce qui se cache derrière, et enfin une pépite qui commence à être remise en avant et réévaluée au fil des ans. Le programme de films sera donc : 4'55 ( Gravlax ) : « Pêché Mortel » de John M.Stahl ( 1945 ; SPOILERS vers 26 minutes 30 secondes ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=394.html 38'30 ( Gubi ) : « Les Raisins de la Colère » de John Ford (1940) : https://www.allocine.fr/film/fichefilm_gen_cfilm=1268.html 1H10 ( Casa ) : « Hellzapoppin' » d'Henry C.Potter (1941) : https://www.allocine.fr/film/fichefilm_gen_cfilm=210.html Les « recos » : ( Gubi ) : « Un frisson dans la nuit » de Clint Eastwood ( 1971 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=377.html ET la série « Manipulations » de Jeanne Le Guillou et Bruno Dega ( 2022 ) : https://www.allocine.fr/series/ficheserie_gen_cserie=28809.html ET « Monsieur Verdoux » de Charles Chaplin ( 1947 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=2257.html ( Gravlax ) : « 49ème Parallèle » de Michael Powell ( 1941 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=61530.html ET « L'évadé du camp 1 » de Roy Ward Baker ( 1957 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=60815.html ( Casa ) : La série documentaire « Cinq hommes et une guerre » de Laurent Bouzereau (2017) : https://www.allocine.fr/series/ficheserie_gen_cserie=21794.html Films évoqués durant l'épisode : • « **Les Clés du Royaume** » de John M.Stahl (1944) : https://www.allocine.fr/film/fichefilm_gen_cfilm=22377.html • « **Le démon de la chair** » d'Edgar G. Ulmer (1946) : https://www.allocine.fr/film/fichefilm_gen_cfilm=564.html • « **Cléopâtre** » de Jospeh Mankiewicz (1963) : https://www.allocine.fr/film/fichefilm_gen_cfilm=2384.html • « **La planète des singes** » de Franklin J.Schaffner (1968) : https://www.allocine.fr/film/fichefilm_gen_cfilm=12791.html • « **Le retour de Franck James** » de Fritz Lang (1940) : https://www.allocine.fr/film/fichefilm_gen_cfilm=6513.html • « **Le ciel peut attendre** » d'Ernst Lubitsch (1943) : https://www.allocine.fr/film/fichefilm_gen_cfilm=392.html • «** Laura** » d'Otto Preminger (1944) : https://www.allocine.fr/film/fichefilm_gen_cfilm=393.html • « **L'aventure de madame Muir** » de Joseph Mankiewicz (1947) : https://www.allocine.fr/film/fichefilm_gen_cfilm=47500.html • « **Les Forbans de la Nuit** » de Jules Dassin (1950) : https://www.allocine.fr/film/fichefilm_gen_cfilm=395.html • « **Mark Dixon, détective** » d'Otto Preminger (1950) : https://www.allocine.fr/film/fichefilm_gen_cfilm=5358.html • «** La main gauche du Seigneur** » d'Edward Dmytryk (1956) : https://www.allocine.fr/film/fichefilm_gen_cfilm=175556.html • La série « **Desperate Housewives** » de Mark Cherry (2004-2012) : https://www.allocine.fr/series/ficheserie_gen_cserie=221.html • « **Network, main basse sur la télévision** » de Sidney Lumet (1976) : https://www.allocine.fr/film/fichefilm_gen_cfilm=46077.html • « **Les Diaboliques** » d'Henri-Georges Clouzot ( 1955 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=3732.html • « **Le brigand bien-aimé** » d'Henry King et Irwin Cummings ( 1939 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=3095.html • « **Vers sa destinée** » de John Ford ( 1939 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=3918.html • « **Il était une fois dans l'Ouest** » de Sergio Leone ( 1968 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=2021.html • « **L'honneur perdu de Katarina Blum** » de Volker Schlöndorff et Margarethe von Trotta ( 1975 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=2381.html • « **Douze hommes en colère** » de Sidney Lumet ( 1957 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=4063.html • « **La maison du lac** » de Mark Rydell ( 1981 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=12454.html • « **Les enfants de la Crise** » de William A.Wellman ( 1933 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=138188.html • « **Les voyages de Sullivan** » de Preston Sturges ( 1941 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=46946.html • « **Deadpool** » de Tim Miller ( 2016 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=146349.html • « **La folle journée de Ferris Bueller** » de John Hugues ( 1986 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=46543.html • « **Gremlins 2** » de Joe Dante ( 1990 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=5922.html • « **La folle histoire de l'Espace** » de Mel Brooks ( 1987 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=2735.html • « **Hamburger Film Sandwich** » de John Landis ( 1977 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=13264.html • « **Astérix et Obélix : Mission Cléopâtre** » d'Alain Chabat ( 2001 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=28537.html • « **La Cité de la Peur** » d'Alain Berberian ( 1994 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=9400.html • « **Zelig** » de Woody Allen ( 1983 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=1618.html • « **La rose pourpre du Caire** » de Woody Allen ( 1985 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=286.html • « **Last Action Hero** » de John McTiernan ( 1993 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=8204.html • « **The Mask** » de Chuck Russell ( 1994 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=10744.html • « **Là-Haut** » de Pete Docter et Bob Peterson ( 2009 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=130368.html • « **Nicky Larson et le parfum de Cupidon** » de Philippe Lacheau ( 2018 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=257514.html • « **Airport 80 Concorde** » de David Lowell Rich ( 1979 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=44481.html • « **Wayne's World** » de Penelophe Spheeris ( 1992 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=7028.html • « **Les Chaussons Rouges** » de Michael Powell et Emeric Pressburger ( 1948 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=553.html • « **Lawrence d'Arabie** » de David Lean ( 1962 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=4749.html • « **Docteur Jivago** » de David Lean ( 1965 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=4754.html • « **Le pont de la rivière Kwai** » de David Lean ( 1957 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=1602.html • « **Went The Day Well ?** » d'Alberto Cavalcanti ( 1942 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=28088.html • « **Bon Voyage** » d'Alfred Hitchcock ( 1944 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=6809.html • « **Le Troisième Homme** » de Carol Reed ( 1949 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=1826.html • « **L'héroïque parade** » de Carol Reed ( 1944 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=56557.html • « **Le voleur de Bagdad** » de Michael Powell ( 1940 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=7072.html • « **Le Dictateur** » de Charles Chaplin ( 1940 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=2253.html • « **Le Narcisse Noi**r » de Michael Powell et Emeric Pressburger ( 1947 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=4305.html • « **Colonel Blimp** » de Michael Powell et Emeric Pressburger ( 1943 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=4082.html • « **Ben Hur** » de William Wyler ( 1959 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=1532.html • « **Le faucon maltais** » de John Huston ( 1941 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=1809.html • « **La vie est belle** » de Frank Capra ( 1946 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=5762.html • « **Arsenic et vieilles dentelles** » de Frank Capra ( 1944 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=1343.html • « **Géant** » de George Stevens ( 1956 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=29107.html • « **Dreamcatcher, l'attrape-rêves** » de Lawrence Kasdan ( 2002 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=41300.html • « **Mémoires de nos pères** » de Clint Eastwood ( 2006 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=60580.html Musique diffusée durant l'épisode : Générique « Loud Pop » ( Gravlax ) LVDS « Blessed » Alfred Newman ( B.O de « Péché Mortel – Leave Her to Heaven » ) : « Main title » / « Train music » / « Night scene : Spreading the ashes » / « Warm Springs : Danny » / « Newlyweds : First Dinner » / « Eleen and Danny on the Lake » / « Bar Harbor : Dick's Suspicions » / « Windy Day : Jealousy » / « Eleen's Plan : Fall Down The Stairs » / « The Letter : Poison » / « Finale » Paul Mitchell Wright : « Tom Joad Walking » / « Tom Joad's Lament » / « Grandma's Waltz » / « Amazing Grace » / « A People in Flight » / « The Mother Road » / « Cross Country » / « Gone » / « Pastures of Plenty » / « Chicken Reel » / « Camp Waltz » / « Beyond the End of the Road » Louis Armstrong « Hellzapoppin' » Martha Raye & The Six Hits « Watch The Birdie » / « Conga Beso » Whitey's Lindy Hoppers of the Savoy Ballroom « Lindy Hop » Robert Paige & Jane Frazee « Heaven for Two » ProleteR « It don't mean a thing » / « When Lana says » The Laidbackz « Foolish Thoughts » Nicobox « Goodbye » Tony Lee « Theme song of Misty » Générique de la mini-série « Manipulations » ( 2022 ) par Sathy Ngouane et Axelle Renoir Ralph Vaughan Williams : 49th Parallel Suite « Prelude » / « Prologue » Hubert Clifford : Musique de « The Dark Man » ( 1951 ) Charles Chaplin : B.O de « Monsieur Verdoux » Thomas Newman : « Five Came Back - Main Theme » / « Wonderful » Liens : Article Wikipédia sur la photographie « La mère migrante » de Dorothy Lange ( 1936 ; évoquée dans la partie sur « Les Raisins de la Colère » ) :https://fr.wikipedia.org/wiki/M%C3%A8re_migrante Article Wikipédia sur le roman "Dans la dèche à Paris et à Londres" de George Orwell ( 1933 ) :https://fr.wikipedia.org/wiki/Dans_la_d%C3%A8che_%C3%A0_Paris_et_%C3%A0_Londres Chaîne YouTube TLV Podcast :https://www.youtube.com/channel/UCoLK73hPXzMYGnZEYVRvAEQ Lien Twitter : https://twitter.com/TLVPodcast Page Facebook : https://www.facebook.com/M.Gravlax Page du podcast : https://podcloud.fr/podcast/tu-las-vu Page Sens Critique avec tous les films traités dans le podcast :https://www.senscritique.com/liste/Tous_les_films_traites_dans_notre_podcast_Tu_l_as_vu_venez_n/2716388

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How much unease can a film pack into 68 minutes?  A great amount, as Mike and Dan discuss in this week's episode on Detour (1945), Edgar G. Ulmer's noir masterpiece and certainly one of the best examples of the genre.  The guys talk about the ways in which the film dramatizes the whims of whatever malevolent force controls the universe and Ann Savage's unpredictable, electrifying performance.  I Am a Fugitive from a Chain Gang, Seinfeld, The Third Man, Raging Bull, Out of the Past, The Shining, Double Indemnity King Lear, and Goodfellas all enter the conversation about a man without any plot armor longing to escape into another movie.  So stick out that thumb and see who picks you up--just be sure to listen to this episode in the car.   Please subscribe to the show wherever you get your podcasts and follow us on Twitter and Letterboxd @15MinFilm.  Please rate and review the show on Apple podcasts and contact us at FifteenMinuteFilm@gmail.com.  Incredible bumper music by John Deley. Twitter: https://twitter.com/15minfilm Letterboxd: https://letterboxd.com/15MinFilm/ Website: https://fifteenminutefilm.podbean.com/    

Décimo noveno programa de Balas Sobre Endor en el que analizamos el clásico de cine negro de 1945 “EL DESVÍO” (Detour). Una cinta de escaso presupuesto que pese a ello se ha colado siempre en las listas de las más valoradas de este género. Dirigida por Edgar G. Ulmer y guionizada por Martin Goldsmith, que adapta su propia novela. Si no las has visto, deberías hacerlo. Como siempre, dirige Coronel Kurtz, con la participación de Halcón Maltés, Abraham Hithorso y Manuel Callejo. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Décimo noveno programa de Balas Sobre Endor en el que analizamos el clásico de cine negro de 1945 “EL DESVÍO” (Detour). Una cinta de escaso presupuesto que pese a ello se ha colado siempre en las listas de las más valoradas de este género. Dirigida por Edgar G. Ulmer y guionizada por Martin Goldsmith, que adapta su propia novela. Si no las has visto, deberías hacerlo. Como siempre, dirige Coronel Kurtz, con la participación de Halcón Maltés, Abraham Hithorso y Manuel Callejo. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

This week we talk about low-budget maestro Edgar G. Ulmer's foray into the western genre: The Naked Dawn, a strange little morality play starring Arthur Kennedy. We talk about the film's overlooked status, its impact on the directors of the French New Wave, and its morally nuanced text.

¿Qué tienen en común una serie B de Hollywood de los años cuarenta y una película surcoreana independiente de 2018? ¿Qué puede unir a dos directores extraídos de contextos industriales, creativos y culturales tan diferentes como Edgar G. Ulmer y Hong Sang-soo? Puede que les sorprenda la respuesta: muchas cosas. En este episodio les proponemos una sesión doble en la que pueden comprobar por sí mismos cómo el regar las imágenes de una película a la luz de la otra hace brotar por todos lados sus conexiones, como si de hierba se trataran. «Club Havana» (1945) y «Grass» («Pul-ip-deul», 2018) son dos películas que, a partir de su fuerte acotación espacial y temporal, y unos métodos de rodaje muy abiertos, logran convertir esos espacios en lugares afectivos delante de nuestros ojos, haciendo que descubramos cada posibilidad de un encuentro entre los personajes como un pequeño milagro. Ambas juegan con la posibilidad de que un simple movimiento de cámara, un corte o una entrada en cuadro nos abra la puerta a un nuevo microuniverso. Y las coincidencias no acaban ahí. Con Miguel Muñoz Garnica, Emilio M. Luna y José Luis Forte. Música: Messer Chups - «Tchaikovsky Beat»

Esta semana, na nossa aclamada rubrica delux, falámos do filme Desvio, do realizador Edgar G. Ulmer. Segue o Binge Portugal no Spotify, Instagram.

En el Berlín de entreguerras, los ciudadanos sobrellevan la semana a la espera del descanso dominical. Un grupo de amigos planea una escapada al campo, pero las cosas se complican entre ellos. Es el argumento de Los hombres del domingo ("Menschen am Sonntag", 1930, Alemania) de Robert Siodmak, con Brigitte Borchert, Christl Ehlers, Wolfganf von Waltershausen, Annie Schreyer y Erwin Splettstösser. Esta "película sin actores", como se autodenomina en sus primeros minutos, contó tras la cámara con el talento colectivo de Robert Siodmak, Edgar G. Ulmer, Curt Siodmak y Fred Zinnemann, así como con un joven Billy Wilder al guion. Con vocación de retrato documental, el film utilizó actores no profesionales en una historia que, no obstante, se mueve en todo momento entre la mirada puramente observacional (e improvisada) y la dramatización meticulosamente escrita.Más información de este acto

Cine en la Fundación: Cine social (VI). Presentación de "Los hombres del domingo" (1930) de Robert Siodmak. José Luis Sánchez Noriega. Los hombres del domingo ("Menschen am Sonntag", 1930, Alemania) de Robert Siodmak, con Brigitte Borchert, Christl Ehlers, Wolfganf von Waltershausen, Annie Schreyer y Erwin Splettstösser (73') Presentación: José Luis Sánchez Noriega En el Berlín de entreguerras, los ciudadanos sobrellevan la semana a la espera del descanso dominical. Un grupo de amigos planea una escapada al campo, pero las cosas se complican entre ellos. Esta "película sin actores", como se autodenomina en sus primeros minutos, contó tras la cámara con el talento colectivo de Robert Siodmak, Edgar G. Ulmer, Curt Siodmak y Fred Zinnemann, así como con un joven Billy Wilder al guion. Con vocación de retrato documental, el film utilizó actores no profesionales en una historia que, no obstante, se mueve en todo momento entre la mirada puramente observacional (e improvisada) y la dramatización meticulosamente escrita. Explore en canal.march.es el archivo completo de Conferencias en la Fundación Juan March: casi 3.000 conferencias, disponibles en audio, impartidas desde 1975.

Chance events trap the hitchhiking gang in a tightening net of death, deception, and blackmail in Edgar G. Ulmer's 1945 film, DETOUR. Get tight with us tonight and do some fast-talking with a wild dame. Intro: Detour Trailer Outro: "I Can't Believe You're in Love with Me" from Detour

"It is perhaps the narcotic."  The Black Cat (1934) directed by Edgar G Ulmer and starring Boris Karloff, Bela Lugosi, David Manners, Julie Bishop and Harry Cording. Next Time: I Married A Monster From Outter Space (1958)

Screenwriter and producer Jack Pollexfen gives horror another go with DAUGHTER OF DR JEKYLL (1957)! Tapping director Edgar G Ulmer will go a long way to making your movie look good... but is it enough? The film stars Gloria Talbott, John Agar and Arthur Shields. Context setting 00:00; Synopsis 22:24; Discussion 35:22; Ranking 53:43

Frame Fatale es un podcast sobre películas no canónicas conducido por Sebastián De Caro y Santiago Calori. En este vigésimo primer episodio, nos ocupamos de Atracción fatal (Fatal Attraction, 1987) de Adrian Lyne y, como nos suele ocurrir, hablamos de esa, pero terminamos hablando de todas estas otras: Tres hombres y un bebé (Three Men and a Baby, 1987) de Leonard Nimoy, 9 semanas y media (9½ Weeks, 1986) y Alucinaciones del pasado (Jacob's Ladder, 1990) de Adrian Lyne, Obsesión mortal (Play Misty for me, 1971) de Clint Eastwood, Someone's Watching Me! (1978) de John Carpenter, El loco de la motosierra (The Texas Chain Saw Massacre, 1974) de Tobe Hooper, Bajos instintos (Basic Instinct, 1992) de Paul Verhoeven, Perversa luna de hiel (Bitter Moon, 1992) de Roman Polanski, Seducción de dos lunas (Two Moon Junction, 1988) de Zalman King, Flashdance (1983), Propuesta indecente (Indecent Proposal, 1993) e Infidelidad (Unfaithful, 2002) de Adrian Lyne, Duro de matar (Die Hard, 1988) de John McTiernan, Venecia rojo shocking (Don't Look Now, 1973) de Nicholas Roeg, El color de la noche (Two Moon Junction, 1988) de Richard Rush, El callejón de las almas perdidas (Nightmare Alley, 1947) de Edmund Goulding, Detour (1945) de Edgar G. Ulmer, Soy un fugitivo (I Am a Fugitive from a Chain Gang, 1932) de Mervyn LeRoy, Los sobornados (The Big Heat, 1953) de Fritz Lang, Vestida para matar (Dressed to Kill, 1980) de Brian De Palma, Juegos de placer (Boogie Nights, 1997) de Paul Thomas Anderson, Rambo (First Blood, 1982) de Ted Kotcheff, Bastardos sin gloria (Inglourious Basterds, 2009) de Quentin Tarantino, Buenos muchachos (Goodfellas, 1990) de Martin Scorsese, Nueve reinas (2000) y El aura (2005) de Fabián Bielinski, Lolita (1997) y Foxes (1980) de Adrian Lyne, Después de hora (After Hours, 1985) de Martin Scorsese, Wall Street (1987) de Oliver Stone, Él sabe que estás sola (He Knows You're Alone, 1980) de Armand Mastroianni, Cuando llama un extraño (When a Stranger Calls, 1979) de Fred Walton, Espera la oscuridad (Wait Until Dark, 1967) de Terence Young, No respires (Don't Breathe, 2016) de Fede Alvarez, Pasión sin límite (The Crush, 1993) de Alan Shapiro, Fear (1996) de James Foley, Fijación (Swimfan, 2002) de John Polson, El fanático (The Fan, 1996) de Tony Scott, Tres rostros para el miedo (Peeping Tom, 1959) de Michael Powell, Maníaco (Maniac, 1980) de Wlliam Lustig, Las procesadas (1975), Las barras bravas (1985) y Los drogadictos (1979) de Enrique Carreras, El triunfo de la voluntad (Triumph des Willens, 1935) de Leni Riefenstahl, La mosca (The Fly, 1986) de David Cronenberg y Los extermineitors (1989) de Carlos Galettini.... ... por si justo te dio paja anotar y hasta nos dignamos a contestar preguntas de lxs oyentes. Podés comentar este episodio o agregar la tuya usando el hashtag #FrameFatale en Twitter. Frame Fatale volverá el lunes que viene. Quizás sea una pegada total suscribirte en donde sea que escuches tus podcasts y tener la primicia que de todas maneras, como ya explicamos varias veces, es lo menos importante.

Writer/Director Edmond Greville was one of the seventh arts' first cinephiles turned filmmakers. He worked from 1931 to 1963 and his pictures are filled with imagination, energetic style and boundary-pushing experimentation, but his filmography has fallen through the cracks in the way the work of Edgar G. Ulmer and Joseph H. Lewis never have. Why is that? And how can things change? We focus on Gréville's legacy as well as three of his films: NOOSE, WHIRLPOOL and THE ACCIDENT. For more information on the availability of his films, Justin has put together a handy guide available here: https://filmtrap.com/a-guide-to-the-films-of-edmond-greville/ Check out Justin's other podcast THE BAY STREET VIDEO PODCAST (@thebaystreetvideopodcast) and NO SUCH THING AS A BAD MOVIE (@nosuchthingasabadmovie) as well as Will's other podcast MICHAEL AND US (@michael-and-us) Subscribe, Review and Rate Us on Apple Podcasts: podcasts.apple.com/us/podcast/the-…ub/id1067435576 Follow the Podcast: twitter.com/ImprtCinemaClub Follow Will: twitter.com/WillSloanESQ Follow Justin: twitter.com/DeclouxJ

We're taking a trip back to the foggy moors of Scotland to meet up with a groundbreaking but not often celebrated figure in the history of science fiction: It's The Man From Planet X! Listen as we discuss how this idiosyncratic alien invasion flick from 1951 set the template for outer space menaces for decades to come, marvel over director Edgar G. Ulmer's resourcefulness in the face of a tiny budget, and explore how the film reflects cold war paranoia and the national fascination with flying saucers. Warning: Contains explicit language, spoilers, and boogey doings. Our theme song is "Nostalgia TV" by Edward Jonathan Blakeley through Lynne Publishing.

 We're taking a trip back to the foggy moors of Scotland to meet up with a groundbreaking but not often celebrated figure in the history of science fiction: It's The Man From Planet X! Listen as we discuss how this idiosyncratic alien invasion flick from 1951 set the template for outer space menaces for decades to come, marvel over director Edgar G. Ulmer's resourcefulness in the face of a tiny budget, and explore how the film reflects cold war paranoia and the national fascination with flying saucers. Warning: Contains explicit language, spoilers, and boogey doings.Our theme song is "Nostalgia TV" by Edward Jonathan Blakeley through Lynne Publishing. Subscribe to our podcast here.Listen to us on Stitcher here.Interested in getting more from this episode? Check out supplemental material for this episode here.Have any nostalgic anecdotes about encountering this strange film on TV? Have a theory as to what odious crime Dr. Mears committed in the past? Do you think the title visitor is a friend or foe? Leave a comment and keep the conversation going.

In the thirty-seventh episode of Season 2, Noir Means Noir, Kyle is joined by actor/singer/traveler Reagan Osborne and fellow cinephile Ben McGinley to discuss B-movie auteur Edgar G. Ulmer's rickshaw and threadbare production of a hard-boiled tale of paranoia, insecurity, and fatalistic end in the pulp poetry that is Detour

Edgar G. Ulmer’s “Detour” is both a low-budget B movie, and one of the most influential and elemental examples of America’s film noir. Its stars were largely unknown, and it was released by a poverty row studio. It’s also a great film - one that was “rediscovered” by film nerds and preservationists in recent years, and has now been restored and given a Crierion release. What’s all the fuss? We’re gonna find out? Nathan Alderman.

Edgar G. Ulmer’s “Detour” is both a low-budget B movie, and one of the most influential and elemental examples of America’s film noir. Its stars were largely unknown, and it was released by a poverty row studio. It’s also a great film - one that was “rediscovered” by film nerds and preservationists in recent years, and has now been restored and given a Crierion release. What’s all the fuss? We’re gonna find out? Host Nathan Alderman.

A stunning episode of The Studios, Year by Year: a great year for Universal, 1934, gives us The Black Cat, the one big studio success of Edgar G. Ulmer, icon of marginal filmmaking; and James Whale’s under-discussed One More River, based on the novel by John Galsworthy. Elise concocts a reading to justify her early, confused understanding of The Black Cat as being about WWII rather than WWI. Then we continue to weave our auteur theory about Whale’s interest in women’s experience of oppression related to sexual shame. As the Year of the Code continues, two more movies that should never have gotten made: Satan worshipping, flaying old friends alive, virgin sacrifice, marital rape, striking wives with riding crops, and executing demonic cats with knives is what Universal is all about in 1934. And wait for next episode, when we tell you what the original script of Stahl’s Imitation of Life included to trigger Breen!    Time Codes: 0h 01m 00s:            The Back Cat [dir. Edgar G. Ulmer] 0h 44m 58s:            One More River [dir. James Whale]                 +++ * Check out our Complete Upcoming Episode Schedule (now projected into 2023) * Find Elise’s latest film piece on Billy Wilder and 1930s Romantic Comedy *And Read lots of Elise’s Writing at Bright Wall/Dark Room, Cléo, and Bright Lights.* Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com Theme Music: “What’s Yr Take on Cassavetes?” – Le Tigre

Today, the lads tackle 1945's Detour, directed by Edgar G. Ulmer and starring Tom Neal & Ann Savage! Questions, comments or just a general love of email? therealoutofthepodcast@gmail.com

Bela Lugosi gives the performance of his career in Edgar G. Ulmer's "The Black Cat," an incredibly loose 'suggestion' by the Edgar Allan Poe story that foregrounds Satanism, necrophilia, and incest as a surreal allegory for the lingering trauma of the First World War.All original music courtesy of Niel Jakobyhttps://nieljacoby.bandcamp.com/Patreon: https://www.patreon.com/MonsterCrazeMemoirsOfficialiTunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/monster-craze-memoirs/id1491963648Spotify: https://open.spotify.com/show/3aSrQ5JFez33XuVanaFYIwPocket Casts: https://pca.st/lkra63chSoundcloud: https://soundcloud.com/user-3949861YouTube: https://www.youtube.com/channel/UCBGcDWtQj2wGEnlAB7P4AFacebook: https://www.facebook.com/Monster-Craze-Memoirs-106199087480182/Twitter: https://twitter.com/KennethJWaste2

Michael Pogorzelski is the Director of the Academy Film Archive, whose collection now includes nearly 100,000 titles representing 214,000 items. Over 1,100 films have been preserved at the Academy Film Archive including features, documentaries, animated films, avant-garde and experimental films and home movies. Pogorzelski has preserved and restored over 50 films and recently co-supervised the digital restoration of Satyajit Ray's Apu trilogy, Edgar G. Ulmer's Detour(1945), Philip Kaufman's The Unbearable Lightness of Being (1988), John Ford's How Green Was My Valley (1941) and Akira Kurosawa's Rashomon (1950).

LTS acknowledges the pumpkin-spiced holiday. From IMDB: “American honeymooners in Hungary become trapped in the home of a Satan-worshiping priest when the bride is taken there for medical help following a road accident.” From Shelly: “Oh, I forgot this was an Edgar G. Ulmer joint.” Universal horror’s big guns are firing in this old dark house story where the ODC is actually a modernist masterpiece, built atop a former fortress. Bela Lugosi, Boris Karloff and a cast of less interesting people populate this amazing film. Host Shelly Brisbin with Annette Wierstra, David J. Loehr, Monty Ashley and Nathan Alderman.

LTS acknowledges the pumpkin-spiced holiday. From IMDB: “American honeymooners in Hungary become trapped in the home of a Satan-worshiping priest when the bride is taken there for medical help following a road accident.” From Shelly: “Oh, I forgot this was an Edgar G. Ulmer joint.” Universal horror’s big guns are firing in this old dark house story where the ODC is actually a modernist masterpiece, built atop a former fortress. Bela Lugosi, Boris Karloff and a cast of less interesting people populate this amazing film. Shelly Brisbin with Annette Wierstra, David J. Loehr, Monty Ashley and Nathan Alderman.

Programa 2: Gatos maléficos. Segunda entrega de los cuatro programas dedicados al cine de terror para la celebración de Halloween. Grabado el 15 de octubre de 2020. Con Mariona Borrull, Ignacio Pablo Rico, Miguel Muñoz Garnica y José Luis Forte. 05:50 El gato negro (1968), de Kaneto Shindô 01:02:48 Satanás (1934), de Edgar G. Ulmer

Ciencia ficción de los 50 - El ser del planeta X (1951) - Crítica - Debate - Review Análisis del clásico de la ciencia ficción de los 50 de Edgar G. Ulmer con Margaret Field, Raymond Bond, William Schallert, Roy Engel, David Ormont, Gilbert Fallman, Tom Daly... Con la participación de: Rick Deckard - @UniversoLumiere Cristian Martínez - @crmahe Francisco G. Rodriguez - @FranesfranCine Ramón Orts - @ramon_orts Nos puedes ver en YouTube https://www.youtube.com/mascine y nos puedes seguir en Twitter https://twitter.com/mascine_podcast Instagram https://www.instagram.com/mascine_podcast/ Facebook https://www.facebook.com/mascine.podcast Linkedin https://www.linkedin.com/company/mascine y en nuestra web http://diletantes.es

For our second #Noirvember episode this year, Andy Wolverton stops by to discuss Edgar G. Ulmer's Poverty Row quickie DETOUR...

The first big American studio film directed by Edgar G. Ulmer, The Black Cat stars Bela Lugosi and Boris Karloff in a taut game of life and death.Learn more about your ad choices. Visit megaphone.fm/adchoices

There are good films noir and there are bad films noir. But rarely do you have a case like 1945's “Detour,” directed by Edgar G. Ulmer, where the poor quality that would make it a bad film could actually be construed as elements that make it a good film. In fact, this is arguably the only case where that happened. Join us — Pete Wright and Andy Nelson — as we continue our Film Noir series with Ulmer's “Detour.” We talk about the origins of the film on poverty row and what that meant at the time, as well as talk about some of the films that Ulmer made under this umbrella. We really dig into the quality — or lack thereof — of this film and debate if it really helps lend to the noir aesthetic or if it just makes it reek of a cheap film. We deliberate over the quality of the performances provided by Tom Neal and Ann Savage and decide we love her but are split on Neal. And we look at it in context of the world of noir, touching on the femme fatale, the poor sap of a hero, the black and white cinematography, the tone, etc. It's a film that, if viewed without any look into the history or without a conversation about it, likely could be seen as just a bad film, but when really digging into it, there's something more to it and it certainly is worth talking about. So check it out and tune in!

There are good films noir and there are bad films noir. But rarely do you have a case like 1945's “Detour,” directed by Edgar G. Ulmer, where the poor quality that would make it a bad film could actually be construed as elements that make it a good film. In fact, this is arguably the only case where that happened. Join us — Pete Wright and Andy Nelson — as we continue our Film Noir series with Ulmer's “Detour.” We talk about the origins of the film on poverty row and what that meant at the time, as well as talk about some of the films that Ulmer made under this umbrella. We really dig into the quality — or lack thereof — of this film and debate if it really helps lend to the noir aesthetic or if it just makes it reek of a cheap film. We deliberate over the quality of the performances provided by Tom Neal and Ann Savage and decide we love her but are split on Neal. And we look at it in context of the world of noir, touching on the femme fatale, the poor sap of a hero, the black and white cinematography, the tone, etc. It's a film that, if viewed without any look into the history or without a conversation about it, likely could be seen as just a bad film, but when really digging into it, there's something more to it and it certainly is worth talking about. So check it out and tune in!

Noirvember continues with a discussion of Edgar G Ulmer's Detour. Tom Neal stars as a down-on-his-luck musician who picks up the wrong hitchhiker (Ann Savage) in a tale of fickle fate, phones, and flashbacks.Learn more about your ad choices. Visit megaphone.fm/adchoices

Celebrating a Feline Halloween, this week we take a look at Paul Schrader's 1982 film Cat People, starring Nastassja Kinski and Malcolm McDowell and Edgar G. Ulmer's 1934 The Black Cat, with Bela Lugosi and Boris Karloff. We'll also talk about Lugosi in general and pick our Cinemessential Cats. And, of course, we talk about Johnnie To, specifically in unhappy response to the recent Grantland article about the Hong Kong director.