Podcasts about Jia Zhangke

On this episode of What a Picture, Bryan is joined by Stephen Gillespie of the STACKS podcast to talk through the best of international films of the past year.Timestamps:00:00 - Where to find good international films08:33 - Broken Rage (dir. Takeshi Kitano)14:05 - Inside the Yellow Cocoon Shell (dir. Phạm Thiên Ân)18:17 - The Seed of the Sacred Fig (dir. Mohammed Rasoulof)23:55 - Cloud (dir. Kiyoshi Kurosawa)27:37 - Daaaaaalí! (dir. Quentin Dupieux)30:04 - All We Imagine As Light (dir. Payal Kapadia)36:15 - Youth (Spring) (dir. Wang Bing)43:07 - Johanne Sacreblu (dir. Camila Aurora González)47:30 - Caught by the Tides (dir. Jia Zhangke)52:22 - Dahomey (dir. Mati Diop)1:01:35 - The Beast (dir. Bertrand Bonello)1:11:35 - No Other Land (dir. Rachel Szor, Hamdan Ballal, Yuval Abraham, Basel Adra)1:18:00 - Red Rooms (dir. Pascal Plante)1:24:53 - About Dry Grasses (dir. Nuri Bilge Ceylan)1:32:14 - Soundtrack to a Coup d'Etat (dir. Johan Grimonprez)1:39:20 - Universal Language (dir. Matthew Rankin)1:49:11 - Grand Tour (dir. Miguel Gomes)2:00:55 - Honorable Mentions2:10:56 - What we are excited for next yearThe STACKS podcast: ⁠https://open.spotify.com/show/0mQaf7o2bTBGthV6eur2Zt?si=15ceffe35f10488e⁠I'm Thinking of Spoiling Things Podcast: ⁠⁠https://open.spotify.com/show/3Cy7OcwcfnZSsVCCPXcIav?si=8592987bbe4642ef⁠⁠Email us at podcast@whatapicturepod.comWhat a Picture website: ⁠⁠⁠⁠⁠⁠⁠https://whatapicturepod.com⁠⁠⁠⁠⁠⁠⁠Bryan's Social Media: ⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LetterboxdMusic is "Phaser" by Static in Verona.

Cette semaine, la guerre est une raison pour se faire du mal dans Throne of Blood d'Akira Kurosawa et La forteresse suspendue de Roger Cantin. Aussi au programme: Pickpocket de Jia Zhangke, The Spy in Black de Michael Powell, Freaky Tales d'Anna Boden et Ryan Fleck ainsi que le tout nouveau chapitre dans la saga des Mission: Impossible!

In dieser Folge gabeln wir mal wieder auf, was wir in den letzten Wochen verpasst haben. Janick, Lucas und Christian sprechen über den Jahrzehnte umspannenden "Caught by the Tides" von Jia Zhangke, den Twitch-Stream-Amoklauf-Brecher "Baby Invasion" von Harmony Korine und den neuen Heroic-Bloodshed-Film vom Raid-Regisseur Gareth Evans: "Havoc". Außerdem streiten wir uns darüber, ob "Warfare" von Alex Garland wirklich ein Antikriegsfilm oder nicht eher clevere Propaganda ist. Zeitmarken: 00:00:00 - Konklave 00:04:28 - Hurry Up Tomorrow 00:12:03 - Caught by the Tides 00:25:17 - Havoc 00:41:03 - Baby Invasion 01:13:03 - Warfare

Over the past several decades, Jia Zhangke has emerged as China's foremost cinematic chronicler, capturing the nation's rapid 21st-century transformation and its impact on everyday lives with a uniquely expressive, ethnographic lens. His first fiction film in six years, "Caught by the Tides" (which premiered at the 2024 Cannes Film Festival to positive reviews), is the purest distillation of his work, a grand, impressionistic mosaic blending two decades of footage, behind-the-scenes reels, and fictionalized elements to reflect on cultural and emotional shifts. Though narratively abstract and best appreciated by those familiar with his oeuvre, the film's patient, almost hypnotic structure, culminating in a poignant love story centered on longtime collaborator Zhao Tao, offers a moving, cosmic meditation on time, place, and the digital age's effect on human experience. Zhangke was kind enough to spend some time speaking with us over Zoom about his work and experience making the film, which you can listen to below. Be sure to check out the film, which is now playing in New York theaters and will expand next week from Janus Films and Sideshow. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Facciamo un salto in Cina per parlare di una delle pellicole più interessanti dell'ultimo periodo provenienti dall'Asia. Oggi parliamo di Generazione Romantica, la nuova pellicola di Jia Zhangke

Puntata dedicata a I Peccatori di Ryan Coogler, Generazione romantica di Jia Zhangke e Black Mirror 7 (Netflix).Nelle news il Box Office, i poster di Cannes e molto altro...Stanze di Cinema è la trasmissione di Ciao Como Radio dedicata a cinema, cultura e spettacoli.A cura di Marco Albanese, Carlo Cairoli e Daniele Valsecchi.

Chassis 19 aprile 2025, con Ivano De Matteo regista di "Una figlia"; Niccolò Massazza dei Masbedo su "Arsa"; Guido Chiesa parla di "30 notti con il mio ex". Tra le uscite: La Gazza Ladra di Robert Guediguian; Queer di Luca Guadagnino; Drop – Accetta o rifiuta di Christopher Landon; Generazione Romantica di Jia Zhangke; Guida pratica per insegnanti di Thomas Lilti; I Peccatori di Ryan Coogler; Cloud di Kiyoshi Kurosawa; Love di Johan Haugerud.

De Michel Delage, d'Vesna Andonovic an d'Valerija Berdi beschwätzen: "Heldin" (Petra Volpe), "The Outrun" (Nora Fingscheidt), "Caught by the Tides" (Jia Zhang-Ke) a "Warfare" (Alex Garland a Ray Mendoza).

De Michel Delage, d'Vesna Andonovic an d'Valerija Berdi beschwätzen: "Heldin" (Petra Volpe), "The Outrun" (Nora Fingscheidt), "Caught by the Tides" (Jia Zhang-Ke) a "Warfare" (Alex Garland a Ray Mendoza).

De Michel Delage, d'Vesna Andonovic an d'Valerija Berdi beschwätzen: "Heldin" (Petra Volpe), "The Outrun" (Nora Fingscheidt), "Caught by the Tides" (Jia Zhang-Ke) a "Warfare" (Alex Garland a Ray Mendoza).

We discuss the work of Writer/Director Jia Zhangke and focus on his films PLATFORM and ASH IS THE PUREST OF WHITE. Send us stuff c/o Justin Decloux, Unit 1010, 3230 Yonge St, Toronto, ON, M4N 3P6, Canada Join the Patreon now for an exclusive episode every week, access to our entire Patreon Episode back catalogue, your name read out on the next episode, and the friendly Discord chat: patreon.com/theimportantcinemaclub Subscribe, Review and Rate Us on Apple Podcasts: podcasts.apple.com/us/podcast/the-…ub/id1067435576 Follow the Podcast: twitter.com/ImprtCinemaClub Follow Will: twitter.com/WillSloanESQ Follow Justin: twitter.com/DeclouxJ Check out Justin's other podcasts, THE BAY STREET VIDEO PODCAST (@thebaystreetvideopodcast), THE VERY FINE COMIC BOOK PODCAST (www.theveryfinecomicbookpodcast.com) and NO SUCH THING AS A BAD MOVIE (@nosuchthingasabadmovie), as Will's MICHAEL AND US (@michael-and-us).

Corbin and Matt are joined by TYLER THEUS, a famous academic, to discuss "Still Life," a movie by a friend of the program who I have never said anything bad about, Jia Zhangke. Topics include: slow cinema, fiction/doc hybridization, the movie's relationship to neorealism, critical forms and aesthetic forms, hyper-mediated Mise-en-scène and the Three Gorges Dam. Watch Still Life here. Seriously, watch it, it's great.   Corbin reccomends an album, avaibale on album streaming services or at your local record shop. Tyler reccomends Passing Fancy, an Ozu movie. Matt reccomends Eternity's Pillar, available here. Next week, the boys take it to the limit one more time and discuss Michael Mann's Generational Male Frienship/Global Capitalism Epic MIAMI VICE. Watch it on Apple TV if you can stand to spend four bucks, it's looks GREAT there and kind of bad in other streaming locations. 

PIXAR TIME BABY! Ellis and Corbin talk about 'Cars,' a movie about a civilization of Cars. Why are the Cars alive? What build the world they live in? How do they reproduce? Then, after they talk about the important stuff, they talk about Pixar, their history and centrality to digital cinema as a practice, the Pixar-to-SFX pipeline, their storytelling technique, and the nostalgia for modernity that lives in this particular movie. Good Episode! Corbin reccomends a new video game, available in your video game e-store of choice. Matt reccomends this. Friday's episode will be about SILL LIFE, a wonderful movie by friend of the program Jia Zhangke, a director I've never said anything bad about. Watch it here. 

A inizio anno abbiamo realizzato uno speciale in cui citavamo le nostre sorprese e delusioni del 2024, e abbiamo chiuso la lista con la Sorpresa di Doppia Visione. Finalmente vi parliamo più approfonditamente di un film che si è insediato non solo nei nostri cuori ma nei nostri ragionamenti quotidiani sul Cinema.  Tramite una storia d'amore che si estende per due decadi di storia della Cina, raccontata attraverso materiali d'archivio, scene riutilizzate e rimesse in scena, Caught by the Tides, l'ultima opera del maestro cinese Jia Zhangke, spinge a un'analisi del processo, delle tecniche e della pratica stessa del Cinema.Con Federico Allocca e Simone CortiRiprese Gianlorenzo Bernabò Di NegroMusica e sound design DEMONA alias Andrea Evangelista e Delio GallmannAnimazione sigla Ida CortiLogo design Chiara QuagliarellaMixaggio dal vivo Luca MazzolaPost-produzione audio Matteo FusiCon il sostegno di Associazione La Terza Via, GYBE Studio e SidereusUn grazie a Raffaele Allocca, Antro Milano, Ludovico "Eleusi" Cretier, Elisabetta Marrocco, Lorenzo Pia, Riccardo Romano, Andrea Sestu

Dit zijn onze shownotes:Welkom bij aflevering 24 van het tweede seizoen van Ballet Kroket! We hebben het over alle dingen waarmee je het leven kunt vieren, versieren en verdiepen, kortom over alles op de lijn van ballet tot kroket.Je kunt onze opnames bijwonen, iedere maandagavond van 19:30 - 21 uur in Studio Kookhaven in Amsterdam Oost. Kom bijvoorbeeld op maandag 24 maart, dan maken we er een heel evenement van met de Ballet Kroket Huisband, de bar van Dick en de winkel van Lone én de mogelijkheid om bij Lone aan te schuiven en een crew-maaltijd van haar te eten, voor E 15,-. Reserveren kan via de mail, na betaling is die definitief. Mail alles@balletkroket.nlHost Francien Knorringa zag de film Caught By The Tides van Jia Zhang-Ke. https://www.filmladder.nl/film/caught-by-the-tides-2024 Host Jannekee Kuijper zag The White Lotus op HBO Max. https://hbo.max.com/nl/nl/shows/white-lotus/14f9834d-bc23-41a8-ab61-5c8abdbea505Onze gast Selfa Verlaat organiseert in september het festival Campfirestories. Voor luisteraars van Ballet Kroket geldt: als je je opgeeft en je noemt Ballet Kroket, dan krijg je een pakket heerlijkheden van Lone Poulsen cadeau t.w.v. E75,- https://www.campfirestories.nlGids Helena Hilgerdenaar luisterde naar de nieuwe zender Cream van Rennie en Leon Ramakers. https://creamradio.nl/. En ze zag alvast de nieuwe dramaserie van NTR en BNNVARA Elixer met o.a. Jacob Derwig, vanaf 5 maart te zien op NPO 1 en NPO Start. https://ntr.nl/Elixer/631 https://npo.nl/startGids Bart Prinsen las Vleugelman, de biografie over Godfried Bomans van Gé Vaartjes. https://www.singeluitgeverijen.nl/querido/boek/vleugelman/Kok Lone Poulsen liet het publiek een hapje proeven van de maaltijdsalades die ze tegenwoordig aanbiedt aan publiek van evenementen van Ballet Kroket. De volgende keer dat je van Lone's eten kunt genieten bij Ballet Kroket is op maandag 24 maart. Prijs: Euro 15,- Reserveren via alles@balletkroket.nlOnze adverteerders zijn: Hermit Gin - de lekkerste gin die er is, gemaakt met Oosterscheldewater en nog een trits aan geheime ingrediënten, te koop bij Gall en Gall. www.hermitgin.comSeafarm, voor de lekkerste oesters. https://www.seafarm.nl/producten/oestersDe Kookhaven - te gekke locatie aan de rafelrand van Amsterdam, geschikt voor al uw culinaire uitspattingen, van private dining tot kookworkshop, van vergadering tot culinair feestje. Iedereen viert weleens een feestje dat thuis of op het werk niet past. Bespreek de mogelijkheden met uitbater Dick Ferwerda. www.kookhaven.nlDon Ostra - oestermannen Arend Bouwmeester (de jonge), nieuwe ster Marijn en Dick Ferwerda serveren oesters en gin op geheel eigen wijze. Voor luisteraars van Ballet Kroket geldt een 99% glimlachgarantie. Neem contact op met Dick Ferwerda als je oesters wil bestellen en op 23 december wil afhalen bij de Kookhaven. Oesters die je dan ophaalt zijn lekker tot en met Oud&Nieuw. www.donostra.nlLone Poulsen, de kok die uit het noorden kwam en private dinings en workshops verzorgt in het teken van de nordic cuisine. Je kan ook vers Deens roggebrood bij haar bestellen. En ze maakt likeur van de bladeren van je vijgenboom als je dat wil. Neem contact op via: www.shecamefromnorth.comJachthaven Bouwmeester, de full service jachthaven in Amsterdam waar je van reparatie, stalling tot volledige botenbouw overal voor terecht kan. https://jachthavenbouwmeester.nlAdverteren in Ballet Kroket? Mail alles@balletkroket.nlBallet Kroket wordt op maandagavond opgenomen in Studio Kookhaven in Amsterdam. Wil je een opname bijwonen? Dat kan iedere maandagavond. Op bepaalde dagen maken we er een heel evenement van. Kom maandagavond 24 maart live bijwonen dan is er de bar van Dick en de winkel van Lone en zie je ook de Ballet Kroket Huisband o.l.v. Arend Bouwmeester en Mathijs Goené. Mail alles@balletkroket.nlKijk op onze insta: https://www.instagram.com/balletkroket/ en stuur ons een DM.Abonneer je via je favoriete podcast-app op onze podcast dan vallen de nieuwe afleveringen vanzelf in je bibliotheek. Wil je ons helpen? Geef ons dan likes en recensies in jouw favoriete app en deel ons met iedereen die wel wat Ballet Kroket kan gebruiken in het leven!Reageren? We horen graag van je!www.balletkroket.nl

durée : 00:05:16 - "Les feux sauvages" par Jia Zhang Ke

durée : 00:58:52 - Plan large - par : Antoine Guillot - Aujourd'hui, nous recevons Agnès de Sacy pour son film "La Fille d'un grand amour" et le critique et historien du cinéma Jean-Michel Frodon à propos de "Feux sauvages" de Jia Zhang-ke, et aussi Sandra Onana. - réalisation : Anne-Laure Chanel - invités : Agnès de Sacy Cinéaste et scénariste; Jean-Michel Frodon Historien et critique de cinéma; Sandra Onana Critique de cinéma, journaliste à Libération

durée : 00:58:52 - Plan large - par : Antoine Guillot - Aujourd'hui nous recevons Agnès de Sacy pour son film "La Fille d'un grand amour" et le critique et historien du cinéma Jean-Michel Frodon à propos de "Feux sauvages" de Jia Zhang-ke, et aussi Sandra Onana. - réalisation : Anne-Laure Chanel - invités : Agnès de Sacy Cinéaste et scénariste; Jean-Michel Frodon Historien et critique de cinéma; Sandra Onana Critique de cinéma, journaliste à Libération

durée : 00:03:07 - Le Regard culturel - par : Lucile Commeaux - Le nouveau film du cinéaste chinois Jia Zhang-Ke est un montage de films tournés sur vingt ans, recomposés autour d'une histoire d'amour trouée de documentaire : un film profondément mélancolique.

durée : 00:04:12 - Le cinéma en VO - Le cinéaste Jia Zhang Ke revisite ses archives et nous livre un film complètement hors-normes sur son grand sujet, la Chine contemporaine et sa transformation. Une grande fresque réalisée à partir de vingt ans de rushes entre documentaire et fiction.

For Chris Marker, writing came before filmmaking. A decade after Marker's death, critics continue to rediscover his remarkable oeuvre, which comprised writing, photography, film, video, radio, and digital media. Associated with the Left Bank subset of the French New Wave, Marker is perhaps best recognized for directing La Jetée (1962). To celebrate the publication of the first English translation of Marker's early writings (published between 1948 and 1955), Steven Ungar, the editor of Chris Marker: Early Film Writings, with translator Sally Shafto, have joined Jean-Michel Frodo and Sam Di Iorio in conversation.“The French Cinema has its dramatists and its poets, its technicians, and its autobiographers, but only has one true essayist: Chris Marker.”—film theorist Roy ArmesChris Marker (born Christian Hippolyte François Georges Bouche-Villeneuve, 1921–2012) was a French writer, artist, and director. His time-travel film La Jetée (1962) is one of the most celebrated shorts ever made. A true polymath, his later creations ranged from videos and the interactive CD-ROM Immemory to the multimedia digital platform Second Life.Steven Ungar is professor emeritus of cinematic arts, French, and comparative literature at the University of Iowa. He is author of several books including Critical Mass: Social Documentary in France from the Silent Era to the New Wave.Sally Shafto is a French film scholar and translator and assistant professor of English at Framingham State University. She is author of The Zanzibar Films and the Dandies of May 1968, and her translations include Jean-Marie Staub and Danièle Huillet's Writings. She teaches at Framingham State University.Jean-Michel Frodon is a journalist and one of the most influential film critics and film historians in the world. He is author or contributor of several books including The World of Jia Zhangke and Le Cinéma Français de la Nouvelle Vague a Nos Jours, and wrote the foreword to “Night and Fog”: A Film in History by Sylvie Lindeperg. Frodon blogs at Projection Publique.Sam Di Iorio is Associate Professor of French at Hunter College and Deputy Executive Officer of the Ph.D. Program in French at the CUNY Graduate Center. He has written about postwar films and filmmakers, political theory, and cultural history for Screen, Trafic, Film Comment and the Criterion Collection. His essay “Comolli's Detours: Free Jazz, Film Theory, Cinéma Direct” is forthcoming with Amsterdam University Press. EPISODE REFERENCES AND RECOMMENDED READING:-André Bazin-Robert Cannon's Gerald McBoing-Boing-Alain Resnais-Agnès Varda-Jean Rouch-René Leibowitz-Joseph Rovan (born Joseph Adolph Rosenthal)-Nicole Védrès-Eternal Current Events (translated by Jackson B. Smith)-Le Dépays / Chris Marker-Camera Obscura piece by Ivan Cerecina translating Nicole Védrès's “Les feuilles bougent” (“The Leaves Are Stirring”) and an accompanying essay-Republic of Images / Alan Williams-Le Cinéma Français de la Nouvelle Vague a Nos Jours / Jean-Michel Frodon-The Fragile Present: Statues Also Die with Night and Fog by Sam Di Iorio; article in South Central Review.-Trafic N°105 (Printemps 2018), with article by Sam Di IorioMORE CHRIS MARKER:chrismarker.chGorgomancy.netThe Criterion ChannelChris Marker: Early Film Writings is available from University of Minnesota Press."One of the pleasures of Chris Marker's films is the singular literary voice of his inimitable commentaries, in all its wit and quicksilver intelligence. That voice is present here, being honed through contact with others' images and before Marker moved from the page to the screen himself. This groundbreaking collection introduces aficionados old and new to work likely unknown to them and allows us all to discover another dimension of this prodigious artist: Marker the film critic."—Chris Darke, author of La Jetée (BFI Film Classics)

Podsumowujemy niezwykle udaną 24. edycję festiwalu Nowe Horyzonty. Rozmawiamy o wrażeniach z konkursu, naszych faworytach oraz o filmach, które nas podzieliły. Lista omawianych filmów:

Ryan Swen returns to the show and brings back the classic format with a double feature of short films, and MiTM back in the middle. Jia Zhangke's The Hedonists and Hollis Frampton's (nostalgia), plus some talk of Jonas Trueba's You Have to Come and See It, Aki Kaurismaki's Ariel, Ernest Dickerson's Surviving the Game, and the first two Planet of the Apes movies. 00:00 - The Hedonists 31:49 - Malcolm in the Middle 57:55 - (nostalgia) Get an extra episode every week for $5/mo at https://www.patreon.com/Extended_Clip and send us your questions for the email segment at extendedclippodcast@gmail.com

Sabato 20 aprile, al Cinema Godard di Fondazione Prada, si è svolta una Masterclass con Jia Zhangke, il principale rappresentante della sesta generazione di registi cinesi. Jia, recentemente in concorso a Cannes con "Caught by the Tides" e considerato uno dei cineasti più importanti al mondo, ha condiviso la sua esperienza e il processo di sviluppo dietro i suoi film. Abbiamo avuto la fortuna e il privilegio di partecipare a questo evento, prendendo appunti che abbiamo poi discusso insieme in questo episodio.Grazie ancora a Sidereus, amici e rental di fiducia, che ci hanno ospitati nel loro Studi0 e hanno accolto con entusiasmo il progetto. Maggiori informazioni sul loro sito e in puntata!Con Federico Allocca e Simone CortiRiprese Gianlorenzo Bernabò Di NegroMusica DEMONA alias Andrea Evangelista e Delio GallmannAnimazione sigla Ida CortiLogo design Chiara QuagliarellaPost-produzione audio Matteo FusiCon il sostegno di Associazione La Terza Via e GYBE StudioUn grazie a Raffaele Allocca, Elisabetta Marrocco, Riccardo Romano, Andrea Sestu, Sidereus

Ep. 250: Cannes 2024: Eric Hynes on Caught by the Tides, Apprendre, Cannes Classics (Brocka, Bellocchio, Insta-Wiseman) Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. On the latest episode from the 2024 Cannes Film Festival, I bring back Eric Hynes, curator of film at Museum of the Moving Image, to discuss two essential highlights of this year's edition—Jia Zhangke's Caught by the Tides and Claire Simon's Apprendre—and restorations from Cannes Classics: Lino Brocka's Bona, Marco Bellocchio's Slap the Monster on Page One, and Frederick Wiseman's Law and Order. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

"Caught by the tides" by Jia Zhang-Ke marks the director's comeback in the Cannes' competition The post “Caught by the tides” , interview with director Jia Zhang-Ke appeared first on Fred Film Radio.

Caught By the Tides è un film incredibile, con cui Jia Zhangke racconta - attraverso scene tagliate dai suoi film precedenti, altre girate da lui amatorialmente e altre ancora girate appositamente per il film - vent'anni di storia della Cina. Un film di fantasmi per un viaggio onirico nei ricordi di un passato recente ma al tempo stesso remoto. 

"Caught by the tides" by Jia Zhang-Ke marks the director's comeback in the Cannes' competition The post “Caught by the tides” , interview with director Jia Zhang-Ke appeared first on Fred Film Radio.

"Caught by the tides" by Jia Zhang-Ke marks the director's comeback in the Cannes' competition The post “Caught by the tides” , interview with director Jia Zhang-Ke appeared first on Fred Film Radio.

"Caught by the tides" by Jia Zhang-Ke marks the director's comeback in the Cannes' competition The post “Caught by the tides” , interview with director Jia Zhang-Ke appeared first on Fred Film Radio.

"Caught by the tides" by Jia Zhang-Ke marks the director's comeback in the Cannes' competition The post “Caught by the tides” , interview with director Jia Zhang-Ke appeared first on Fred Film Radio.

"Caught by the tides" by Jia Zhang-Ke marks the director's comeback in the Cannes' competition The post “Caught by the tides” , interview with director Jia Zhang-Ke appeared first on Fred Film Radio.

Cannes 2024 has arrived—and our intrepid on-the-Croisette crew of Film Comment contributors is high-tailing it from screening to screening, ready to cut through the noise with a series of thoughtful dispatches, interviews, and podcasts. On today's episode, Film Comment Editor Devika Girish is joined by Kevin B. Lee, Abby Sun, and Vadim Rizov to debate their differing reactions to Jia Zhangke's Caught by the Tides, Paul Schrader's Oh, Canada, Guy Maddin, Evan Johnson, and Galen Johnson's Rumours, Patricia Mazuy's Visiting Hours, and Matthew Rankin's Universal Language. Subscribe today to the Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2024 edition.

durée : 00:58:13 - Affaires culturelles - par : Arnaud Laporte - Première émission d'une semaine tout entière consacrée au Festival de Cannes. Ce soir, direction le Mexique fantasmé de Jacques Audiard, puis cap sur la Chine avec Jia Zhang-Ke et Zhao Tao pour le film "Caught by the Tides", avant de nous enfoncer dans la nuit gazaoui de Yolande Zauberman. - invités : Jia Zhang-ke Cinéaste; Jacques Audiard Réalisateur de cinéma; Yolande Zauberman Réalisatrice

La vera ragione per la quale vale pena subire le angherie di questo festival e la maniera umiliante con la quale ti fa lavorare, è il piacere di poter scoprire per primo, senza che nessuno lo abbia annunciato, qualcosa di sorprendente. Lo è stato Emilia Perez di Jacques Audiard e questo ha condizionato la visione di Caught By The Tides di Jia Zhangke, Limonov di Kirill Serebrennikov e The Substance di Coralie Fargeat. A cura di Gabriele Niola Anche questo episodio è gratuito per tutti: abbonatevi a BadTaste+ per seguire Cannette e gli altri contenuti da Cannes! https://plus.badtaste.it

La 55e édition du Festival Visions du Réel se tient jusqu'au dimanche 21 avril à Nyon avec une solide programmation de 165 films issus de 50 pays, 88 premières mondiales et 14 premières internationales.  Paritaire pour la 2e année, la sélection offre un riche panorama du cinéma du réel contemporain. Les compétitions accueillent de nombreux premiers longs métrages et œuvres de cinéastes proches du festival. Parmi les invités d'honneur, le cinéaste chinois Jia Zhang-Ke, la réalisatrice française Alice Diop et l'américain John Wilson.  Nous évoquons cela avec Emmanuel Chicon, membre du comité de sélection.   

Bom dia, cinéfilos!O mês de Abril no podcast vai ser dedicado à memória de Julio Cesar de Miranda, e ao longo deste mês o Tiago e o João Neto escolheram falar de diretores dos quais o Julio mais gostava e começaram pelo realizador chinês Jia Zhangke. O Wilmerson da Silva se juntou a eles, e eles tiveram um bate papo sobre dois de seus filmes: Plataforma, de 2000, e As Montanhas se Separam, de 2014.Siga o João no twitter: https://twitter.com/Joao_Neto93No instagram: https://www.instagram.com/_joao_neto_e no letterboxd: https://letterboxd.com/joaoneto93/Siga o Wilmerson no twitter: https://twitter.com/WilmersonSilvaNo instagram: https://www.instagram.com/wilmersondasilva_/e no letterboxd: https://letterboxd.com/wilmerson/Assista às sessões do Cineclube Paralelas: https://www.youtube.com/@ParalelasCineclube

Prendendo spunto dalla possibile presentazione del suo nuovo film We Shall Be All al Festival di Cannes 2024, parliamo del cinema “vero e del presente” del regista cinese Jia Zhangke. Nella sezione delle news parliamo oltre che dei possibili film presenti al 77esimo Festival di Cannes, del nuovo film dei Yorgos Lanthimos e dei film in uscita nella sale italiane ad aprile 2024. Qui l'indice della puntata.02:01 News. A fine giugno 2024 esce negli Stati Uniti l'ottavo lungometraggio diretto dal regista greco Yorgos Lanthimos dal titolo Kinds of Kindness. Diamo un'occhiata al trailer ufficiale uscito a fine marzo.03:58 News. Parliamo del 77esimo Festival di Cannes 2024. Vi diamo le notizie ufficiali e facciamo qualche ipotesi sui possibili film che potranno essere presenti in attesa della conferenza stampa di presentazione.07:52 News. Uno sguardo alla programmazione dei cinema per aprile 2024 in cui si segnaliamo le uscite dei film di Daniele Lucchetti, Neri Marcorè, Arkasha Stevenson, Luca Guadagnino, Wim Wenders, Margherita Vicario e Costanza Quatriglio.11:25. La Luce del Cinema di Jia Zhangke. Film e documentari analizzati: Pickpocket; Platform; Unknown Pleasures; The World; Dong; Still Life; I Wish I Knew; Il toccaodel peccato; Al di là delle montagne; I figli del Fiume Giallo.33:52 News. Che film sarà The Bride di Maggie Gyllenhaal con Christian Bale e Jessie Buckley? 

Jake Newby of the substack Concrete Avalanche with an end of year ChinaTalk takeover! Here's his accompanying year in review post https://jakenewby.substack.com/p/2023-in-review?utm_source=activity_item Tracklist: Intro: 'Lost in China' (excerpt) – Tation 天声 (self-released) This 'postmodernist rock band from Tibet' produced some of their best work to date on the remarkable Illusions of the New Era EP. ‘Wen's Woozy Wrap' – Pu Poo Platter (fRUITYSHOP) Key cut from Brooklyn-formed Chinese funk group's debut LP. ‘Greedysleeper' – A Wordless Orange 沉默橙 (Taihe) Young Wuhan group deliver soulful pop-rock on one of the year's best albums. ‘Watch the Crown' – BoomHan 包涵 (Seafood Market Records) A sample of the 17-year-old Changsha rap prodigy's impressive flow, from his debut album Gravediggaz. ‘Umbrella' (featuring J-Fever) – PO8 (Tildawn Music) Not a Rihanna cover. Chengdu rapper toys with Shanghai jazz sounds. ‘Rap' – ZhiYu Xia 夏之禹 (Mintone Records) Sichuan-born rapper, dubbed ‘the Jia Zhangke of hip hop', dissects how he fell in love with the genre. ‘Where's Tommy?' – Hualun 花伦 (bié Records) intriguing change of direction from the ambient soundtrack masters. ‘Specter' – The Fallacy 疯医 (Modern Sky) Brilliant return to form from Henan post-punks enlivened by new recruit Li Zenghui, who also played sax with Black Midi earlier this year ‘Cliff' – The river, Orchestration, Walkman! 河边走 (self-released) Short sharp burst of bewildering brassy brilliance from one of the best new bands to emerge in 2023. ‘Vanished Instant' – A Fishy Tale 有话 (Qiii Snacks Records) Another young band with a psychedelic sound; recorded during a trip to a Zhejiang mountain village. ‘East Yunnan Hallucinations' – Instinkto Industrio 本能事业 (Maybe Mars) Folksy rhythms mix with techno-dystopian lyrics on one of 2023's most characterful records.  ‘Standing in the Wind' – Zhaoze 沼泽 (self-released) Guangdong guqin-driven post-rock outfit's new album is one of their best. ‘Station 2020' – Wu Zhuoling 吴卓玲 (self-released) The leading lady of alternative Chengdu music serves up an immersive ambient tune. ‘The Little Assassin Who Lives Beside the Sea Becomes and Environmentalist' – Li Daiguo 李带菓 (Beihesan) The Dali-based artist had a productive year; this beautiful number was among the highlights. ‘Daididau' (excerpt) – Mamer (Old Heaven Books) A too-short taste of a 7-minute long improvised piece on traditional Kazakh instrument the sherter from musical genius Mamer. ‘Four Seasons' – Hugjiltu (self-released) An emotive folk number from an album featuring ‘collaborations' with tapes of the Mongolian musician's late father. ‘Harbour for Bias' – Louzhang 楼长 (Jyugam) An alt-ambient highlight from a strong year for this offbeat Guangdong electronic label. ‘Snoring in the Valley' – Howie Lee (self-released) Quirky electronic music from the renowned producer, quietly slipped out at the start of the year. ‘Solaris' – Zhang Weiwei 张玮玮 (self-released) Chinese folk grandee swaps his accordion for a synth to interesting effect on his first album in over a decade. ‘I Want An Earth' – Yu Su (pinchy&friends) Title track from the celebrated producer's impressive EP of clever, beguiling electronic sounds. ‘Holes of Time' – 33EMYBW (SVBKVLT) A typically idiosyncratic slice of avant club music from one of China's leading producers. ‘The Forest That Hears' – Laughing Ears (self-released) A welcome return from one of the country's most interesting electronic music artists. ‘W.C.' (Liars remix) – otay:onii (No Gold) Acclaimed artist Angus Andrew adds a new dimension to otay:onii's weirdness after bié Records released her third LP in March. ‘Ἀντὶ θεῶν' – Ὁπλίτης (self-released) Incredible one-man-band creating blistering metal tunes examining Chinese social issues. In Greek, obviously. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jake Newby of the substack Concrete Avalanche with an end of year ChinaTalk takeover! Here's his accompanying year in review post https://jakenewby.substack.com/p/2023-in-review?utm_source=activity_item Tracklist: Intro: 'Lost in China' (excerpt) – Tation 天声 (self-released) This 'postmodernist rock band from Tibet' produced some of their best work to date on the remarkable Illusions of the New Era EP. ‘Wen's Woozy Wrap' – Pu Poo Platter (fRUITYSHOP) Key cut from Brooklyn-formed Chinese funk group's debut LP. ‘Greedysleeper' – A Wordless Orange 沉默橙 (Taihe) Young Wuhan group deliver soulful pop-rock on one of the year's best albums. ‘Watch the Crown' – BoomHan 包涵 (Seafood Market Records) A sample of the 17-year-old Changsha rap prodigy's impressive flow, from his debut album Gravediggaz. ‘Umbrella' (featuring J-Fever) – PO8 (Tildawn Music) Not a Rihanna cover. Chengdu rapper toys with Shanghai jazz sounds. ‘Rap' – ZhiYu Xia 夏之禹 (Mintone Records) Sichuan-born rapper, dubbed ‘the Jia Zhangke of hip hop', dissects how he fell in love with the genre. ‘Where's Tommy?' – Hualun 花伦 (bié Records) intriguing change of direction from the ambient soundtrack masters. ‘Specter' – The Fallacy 疯医 (Modern Sky) Brilliant return to form from Henan post-punks enlivened by new recruit Li Zenghui, who also played sax with Black Midi earlier this year ‘Cliff' – The river, Orchestration, Walkman! 河边走 (self-released) Short sharp burst of bewildering brassy brilliance from one of the best new bands to emerge in 2023. ‘Vanished Instant' – A Fishy Tale 有话 (Qiii Snacks Records) Another young band with a psychedelic sound; recorded during a trip to a Zhejiang mountain village. ‘East Yunnan Hallucinations' – Instinkto Industrio 本能事业 (Maybe Mars) Folksy rhythms mix with techno-dystopian lyrics on one of 2023's most characterful records.  ‘Standing in the Wind' – Zhaoze 沼泽 (self-released) Guangdong guqin-driven post-rock outfit's new album is one of their best. ‘Station 2020' – Wu Zhuoling 吴卓玲 (self-released) The leading lady of alternative Chengdu music serves up an immersive ambient tune. ‘The Little Assassin Who Lives Beside the Sea Becomes and Environmentalist' – Li Daiguo 李带菓 (Beihesan) The Dali-based artist had a productive year; this beautiful number was among the highlights. ‘Daididau' (excerpt) – Mamer (Old Heaven Books) A too-short taste of a 7-minute long improvised piece on traditional Kazakh instrument the sherter from musical genius Mamer. ‘Four Seasons' – Hugjiltu (self-released) An emotive folk number from an album featuring ‘collaborations' with tapes of the Mongolian musician's late father. ‘Harbour for Bias' – Louzhang 楼长 (Jyugam) An alt-ambient highlight from a strong year for this offbeat Guangdong electronic label. ‘Snoring in the Valley' – Howie Lee (self-released) Quirky electronic music from the renowned producer, quietly slipped out at the start of the year. ‘Solaris' – Zhang Weiwei 张玮玮 (self-released) Chinese folk grandee swaps his accordion for a synth to interesting effect on his first album in over a decade. ‘I Want An Earth' – Yu Su (pinchy&friends) Title track from the celebrated producer's impressive EP of clever, beguiling electronic sounds. ‘Holes of Time' – 33EMYBW (SVBKVLT) A typically idiosyncratic slice of avant club music from one of China's leading producers. ‘The Forest That Hears' – Laughing Ears (self-released) A welcome return from one of the country's most interesting electronic music artists. ‘W.C.' (Liars remix) – otay:onii (No Gold) Acclaimed artist Angus Andrew adds a new dimension to otay:onii's weirdness after bié Records released her third LP in March. ‘Ἀντὶ θεῶν' – Ὁπλίτης (self-released) Incredible one-man-band creating blistering metal tunes examining Chinese social issues. In Greek, obviously. Learn more about your ad choices. Visit megaphone.fm/adchoices

Prendendo spunto dalla lettura del libro Cinema Speculation di Quentin Tarantino edito da La nave di Teseo, parliamo della luce del cinema “reinterpretativa” del regista americano Quentin Tarantino. Nella prima parte della puntata, diamo uno sguardo ai possibili film, italiani e americani, che potrebbero essere presentati alla 80esima Mostra del Cinema di Venezia 2023; poi parliamo del nuovo film del regista cinese Jia Zhangke dal titolo We Shall Be All e della rassegna Un mondo di sogni animati che propone nei cinema italiani per tutta l'estate alcuni film diretti da Hayao Miyazaki. Infine analizziamo brevemente il libro scritto da Tarantino, una scorpacciata di cinema che ci offre lo spunto per approfondire la sua luce del cinema.Qui l'indice della puntata.  02:52 News: segnalazione di alcuni film italiani e americani (compresi gli eventuali esclusi), con l'aggiunta del film del cileno Pablo Larrain, che potrebbero essere presentati alla Mostra del Cinema 2023.  08:58 News: presentazione del film We shall be all di Jia Zhangke09:57 News: calendario delle proiezioni dei film di Miyazaki nei cinema italiani, Ponyo sulla scogliera, Kiki - consegne a domicilio, Il castello nel cielo, Il mio vicino Totoro, Si alza il vento 11:13 News: alcune osservazioni sul libro Cinema speculation di Quentin Tarantino.  12:22 La Luce del Cinema di Quentin Tarantino Film analizzati: Le iene, Pulp Fiction, Jackie Brown, Kill Bill vol.1 e vol.2, Grindhouse - A prova di morte, Bastardi senza gloria, Django unchained, The hateful eight, C'era una volta… a Hollywood. 41:17 Cos'è Cinema revolution?

This week on Sinica, something different: Kaiser asks over a dozen scholars of various facets of China studies to talk about their work and make some recommendations! You'll hear from a variety of scholars, from MA students to tenured professors, talking about a bewildering range of fascinating work they're doing. Enjoy!3:00 – Kristin Shi-Kupfer — recommendations: this essay (in Chinese) by Teng Biao on Chinese Trump supporters; Han Rongbin's work on digital society; and Yang Guobin's work on digital expression on the internet in China.7:48 – Lev Nachman — recommendation: Ian Rowen, One China, Many Taiwans: The Geopolitics of Cross-Strait Tourism; and the city of Taichung, and especially its night market food on Yizhong Street and the Fang Chia Night market.9:27 – Lin Zhang — recommendation: Victor Seow, Carbon Technocracy: Energy Regimes in Modern East Asia; and Gary Gertle, American Crucible: Race and Nation in the 20th Century15:32 – Maura Dykstra — recommendation: Richard von Glahn's contribution to the Oxford History of Modern China about registration in imperial China19:00 – Jonathan Elkobi — a Rand Corporation study on economic cooperation between Israel and China; the fusion band Snarky Puppy22:22 – Seiji Shirane — Seediq Bale (Warriors of the Rainbow) and Lust, Caution25:18 – Zhu Qian — Rebecca Karl, Staging the World: Chinese Nationalism at the Turn of the 20th Century, and two films: Hou Hsiao-hsien's A City of Sadness and Jia Zhangke's A Touch of Sin31:23– Fabio Lanza — Sarah Mellors Rodriguez, Reproductive Realities in Modern China: Birth Control and Abortion, 1911–2021; and Leopoldina Fortunati, The Arcane of Reproduction: Housework, Prostitution, Labor and Capital by Leopoldina Fortunati 33:04 – Catherine Tsai —:Hiroko Matsuda's The Liminality of the Japanese Empire34:46– Lena Kaufmann — Technology and Gender: Fabrics of Power in Late Imperial China and other works by Francesca Bray39:05 – Josh Freeman — Works of Uyghur poetry by Ghojimuhemmed Muhemmed, Ekhmetjan Osman, Tahir Hamut Izgil, Perhat Tursun, Dilkhumar Imin, Abide Abbas Nesrin, Erkan Qadir, and Muyesser Abdul'ehed Hendan.41:32 – Susan McCarthy — Joanna Handlin Smith, The Art of Doing Good: Charity in Late Ming China49:18 – Brian DeMare — William Hinton, Fanshen50:47 – Juliet Lu — Maria Repnikova, Chinese Soft Power, and Samuel L. Jackson reading Adam Mansbach's Go the F--k to Sleep 58:29 – Sabina Knight — Wu Ming-Yi, The Man with the Compound Eyes, translated by Darryl SterkA complete transcript of this podcast is available at TheChinaProject.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

00:00 - 37:20 - Our Daily Bread 37:20 - 1:02:06 - Malcolm in the Middle 1:02:06 - 1:40:15 - Still Life Our old friend from the Sleazoids podcast Josh Lewis ( @thejoshl ) flew all the way from Toronto to join us on the couch for a heavy-duty double feature. We're talking about King Vidor's independent masterpiece Our Daily Bread. then, a super dense edition of Malcolm in the Middle (37:20) where we cover the films of 1933, 1935, 2005, and 2007. there is a lot to discuss here. then, we jump over to Timeline B for Jia Zhangke's fictional film set against a documentary background, Still Life from 2006 (1:02:06). we hope you enjoyed leg 2 of the reunion tour. we'll be back for our Best of 2022 episode followed by leg 3 shortly. @extendedclip69 extendedclippodcast@gmail.com

2022 marks the birth centenary of the great filmmaker, writer, and intellectual Pier Paolo Pasolini. To celebrate his legacy, Fireflies Press has published a new book, Pier Paolo Pasolini: Writing on Burning Paper, featuring reflections from Mike Leigh, Helena Wittman, Alexandre Koberidze, Jia Zhangke, Angela Schanelec, and many other filmmakers on the powerful influence the auteur continues to exert on contemporary cinema. To discuss the book and reflect on Pasolini's life and work, Film Comment's Devika Girish and Clinton Krute sat down with Giovanni Marchini Camia, co-publisher of Fireflies Press, and filmmaker Radu Jude, one of the contributors to Writing on Burning Paper. Among other great insights, Giovanni reveals how the title of the book—and in fact, the name “Fireflies Press” itself—was inspired by Pasolini's writings, and Radu recalls his first encounters with Pasolini's work at the Romanian Cinematheque in Bucharest in the early '90s.

An insightful conversation on a film that's difficult to grasp in terms of plot but which nonetheless offers us enough to have returned twice more to see it. In the podcast, we discuss the famous 59 minute tracking shot, how the film shifts gears narratively and stylistically; how the first half may deal with memory and the second with dreams; we talk of the film's texture, how sound often works against image and how the images themselves are precise and controlled; we relate the film to noir (time, rain, vamps, fedoras, its evocation of BLADE RUNNER). We relate the film to the work of Jia Zhang Ke and Tsiai Ming Lang; and we talk of how it's a film that may leave audiences initially puzzled but that seems to grow in their estimation as discussion unfolds. All this, and much, much more.

The Cinenauts are ALL here (gasp!) and will continue their exploration of MANILA IN THE CLAWS OF LIGHT with Jia Zhangke's vibes-only-gangster(?)-film ASH IS PUREST WHITE . Also discussed in this episode: Boom watches ROBOCOP, Ctcher watches The Bear, Ian watches AMBULANCE, and much more! Send us an email or voicemail at cinenautspod@gmail.com. Follow Cinenauts on social media: Twitter Instagram

The Five Heartbeats (1991) / Platform (2000) This week we're getting sentimental as we hit the road with Robert Townsend and The Five Heartbeats and tour the countryside with Jia Zhangke and the Fenyang Peasant Cultural Group

With Chinese Cinema expert guest Sean Gilman, Nick and Dylan break down the career of Jia Zhangke mainly focusing on three of his most acclaimed movies; Platform, Still Life, and A Touch of Sin.

Xuesong Shao discusses her article "Restoring and Reimagining Socialist-Built Cities: Wang Xiaoshuai's 'Third Front Trilogy,'" from Telos 197 (Winter 2021).

Kína rendezőinek hatodik generációjával foglalkozunk ezen a héten. A 2013-as A bűn érintése (angol címén A Touch of Sin) rendezője Csia Csang-ke (angol átírásban Jia Zhangke), aki vezette már a locarnói filmfesztivál zsűrijét, és több alkalommal is versenyben volt az Arany Pálmáért Cannes-ban. Miután hősies küzdelmet folytatunk a kínai kiejtéssel, elhelyezzük Csia Csang-ke életművében a vuhsziával kacérkodó, borúlátó drámát. Ezután tanulmányozzuk a film négyfelvonásos szerkezetét. Mennyire alkotnak egységes egészet a különálló minisztorik? Honnan vette a történetekhez az ötletet Csia, és miért pont ezek a sztorik ihlették meg? Megfér egymás mellett az indusztriális Kína rögvalósága és a harcművészes hangvétel? Milyen kulturális szimbólumok tarkítják a kisfilmeket, és mi a célja velük Csiának? Mi történik, ha a két műsorvezető ellentétesen értelmezi a rendező kamerakezelését? Linkek A Vakfolt podcast Facebook oldala és a Facebook-csoportunk A Vakfolt podcast a Twitteren A Vakfolt Patreon-oldala (új!) Vakfolt címke a Letterboxdon A Vakfolt az Apple podcasts oldalán A Vakfolt a Spotify-on A Vakfolt a YouTube-on A főcímzenéért köszönet az Artur zenekarnak András a Twitteren: @gaines_ Péter a Twitteren: @freevo Emailen is elértek bennünket: feedback@vakfoltpodcast.hu