Podcast appearances and mentions of kip williams

In this episode, Jeff and Richie chat with Kip Williams, the creative force behind the current New York production of The Picture of Dorian Gray starring Sarah Snook. Kip shares his journey into theatre, how he developed the concept of Cine-Theatre, and why blending live performance with cinematic technology is changing the way we experience theatre. He talks about working with Sarah Snook, the challenges of adapting Oscar Wilde for today's audiences, and what excites him about his upcoming Dracula project with Cynthia Erivo. Whether you're a theatre fan or just curious about what's happening on Broadway and beyond, this is a must-listen for anyone interested in the future of storytelling. Follow and connect with all things @HalfHourPodcast on ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠. Share your thoughts with us on ⁠⁠⁠⁠⁠⁠⁠The Picture of Dorian Gray ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today’s episode, Matt Tamanini is in conversation with the adapter and Tony-nominated director of one of the most innovative and engaging productions on Broadway in years, “The Picture of Dorian Gray.” Kip Williams began experimenting with what he now calls Cine-Theatre at the Sydney Theatre Company in Australia when read more The post Special Episode: Kip Williams explains ‘Dorian Gray’s Cine-Theatre appeared first on BroadwayRadio.

It's been announced today, that Tony Award winner Cynthia Erivo will star in a stage adaptation of Bram Stoker's Dracula next year in the West End.The production, which has already been seen in Australia, will be adapted and directed by Kip Williams and comes on the heels of his previous staging of The Picture of Dorian Gray starring Sarah Snook.Check out this recap of today's news to find out what we can expect from this production, why the casting is so exciting, and Mickey-Jo's thoughts on whether we can expect a Broadway transfer...•00:00 | introduction02:07 | this production 15:27 | Cynthia Erivo•About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

“I am tired of myself tonight. I should like to be somebody else.” A deal with the devil; eternal youth, for the ultimate price. LIVE from the opening night red carpet for The Picture of Dorian Gray on Broadway! Sarah chats with Sarah Snook, Kip Williams, Marg Horwell, Nick Eynaud, Benjamin Wheelwright, Natalie Rich, Will Colacito, Dara Woo, and MORE about this exciting new production! Connect with GOOD SHOW! Instagram: @goodshowpodcast  Tik Tok: @goodshowpodcast   Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of *Half Hour with Jeff & Richie*, we dive into the Broadway production of The Picture of Dorian Gray at the Music Box Theatre. Featuring Sarah Snook's captivating one-person performance, we discuss how Kip Williams' direction and innovative use of technology bring Oscar Wilde's classic tale to life. From themes of vanity and youth to the immersive video design that redefines storytelling, we explore why this production is a game-changer for Broadway. Plus, we share our thoughts on its Tony Awards potential and the future of tech-driven theater.   Follow and connect with all things @HalfHourPodcast on Instagram, and YouTube. Share your thoughts with us on The Picture of Dorian Gray on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sydney has one of the most recognisable opera house in the world, but some of the most innovative opera-making is happening at the other end of town, in the building where they used to build train carriages. Sydney Chamber Opera, led by o Jack Symonds, is a young, experimental collective of opera makers, collaborating with the established national company Opera Australia to bring Jack's epic Gilgamesh to the stage. Directed by Kip Williams, it is a new opera based on a very old story of queer desire, environmentalism, and dancing scorpions. Ce Benedict follows Gilgamesh from pianos falling through floorboards in rehearsals, to Opera Australia's artistic director unexpectedly stepping down, through to the literal glitter of opening night.

Across the world, the rise of various forms of authoritarianism and ethno-nationalism seems to be on an ever upward trend. This creates huge uncertainties across multiple dimensions – personal, cultural, political, and not least of which in challenges business leaders face as they attempt to navigate across this uncertainty. All of this turmoil is, according to Larry Kramer - the Vice Chancellor and President of the London School of Economics - to be expected. Neo-liberalism, the once dominant political/economic paradigm, is no longer able to explain or order our understandings of our world. This triggers a search for, and creation of, alternatives. If, or until a different liberal paradigm emerges, we are destined to contend with illiberal, authoritarian and often ethno-national alternatives. In this podcast Larry and I discuss the fall of neo-liberalism and the emerging contours of what may come to replace it. How and when this new paradigm emerges and whether it will successfully defeat the existing alternatives is perhaps the most important question we will face in the next decade(s). Larry provides a thoughtful and provocative framework in which to understand these macro trends. Prior to being appointed to lead the LSE, Larry was the President of the Willam and Flora Hewlett Foundation for 12 years. With assets of over $14 billion, the Foundation is one of the largest sources of grants in the USA. Prior to his work at the Foundation, Larry was the Dean of the Stanford Law School and is a world expert in US Constitutional law and the role of judicial review within that system.Not wanting to miss the opportunity to discuss recent shifts in the US Supreme Court with such an expert, at the end of our conversation we discuss these developments as an example of the power of a paradigm shift - the rise of ‘originalism' as a reaction to the state-led expansion of individual rights – to take on real world consequences. In this context, we discuss the Dobbs decision, the overturning of the Chevron defence and the emerging presidential immunity doctrine.My discussion with Larry reminded me of how fortunate we are at TRIUM to have the LSE as a partner. The depth of analysis and understanding of the macro trends affecting the environment in which business operates continues to be a unique selling point of our EMBA. Enjoy the show!CitationsOperation Mincemeat by Cummings, D. Hodgson N. and Roberts Z. at the New Diorama Theatre,London.A Picture of Dorian Gray by Oscar Wilde and adapted by Kip Williams, with Sarah Snook at the Theatre Royal Haymarket, London.Labatut B. (2024) The Maniac. Pushkin Press. Hosted on Acast. See acast.com/privacy for more information.

This episode of Desolation Angel Radio finds us out at the Heron Grounds on Memorial Day weekend, talking with Payge Olson, Jen Raines, Domenic Rocco, Kristy Blask and Julie about volunteering for the Great Blue Heron Music Festival and the benefits, camaraderie, community and free festival admission that brings to people who want to attend that weekend, July 5th, 6th and 7th this year, and help out. Plus general information on camping and tickets, and where to go to find those.  Music from Rubblebucket, The Tan and Sober Gentlemen, Stolen Gin, Sam Bush, Driftwood, KidBess & The Magic Ring, Joslyn & The Sweet Compression, Jimkata and Couch, all can be seen on stage at the festival this year, along with others.  Desolation Angel Radio is produced and hosted by Kip Williams and can be found at the podcast site on Podbean, and streamed, downloaded and listened to on Spotify, Apple Podcasts, iHeart Radio, Amazon Music, Google Podcasts and all streaming services. 

It's been a mere 900 years since last week's episode, and it's time to check in with Ashildr to see if she's still the naive and loving young girl she was back in her Viking village days. Or — like the rest of us — has she simply turned into Peter Capaldi's Doctor? It's The Woman Who Lived. Notes and links Nathan refers to the Blackadder the Third episode Amy and Amiability in which a young woman played by Miranda Richardson disguises herself as a highwayman called the Shadow, who has a serious problem with squirrels. The first scene of this story is very much written by someone who remembers that episode. In his massive best seller Outliers: The Story of Success, Malcolm Gladwell proposes the theory that it takes 10,000 hours to become really proficient at something. If you want to hear two of our favourite podcasters rip Gladwell's book apart, they do that in an episode of their podcast If Books Could Kill. Richard mentions the Sydney Theatre Company's 2020 production of The Picture of Dorian Gray, directed by Kip Williams and starring Eryn Jean Norvill as the only cast member, playing no less than 26 characters. Williams is bringing that production to London's West End in 2024, starring Succession's Sarah Snook. The Doctor Who production crew gave Maisie Williams and Rufus Hound video cameras so that they could record things that took place during the production. One of Rufus's videos made it onto the Series 9 blu-ray release; three of them can be found on the BBC's YouTube channel — here, here, and here. Watch them: they're adorable. Picks of the week Todd Todd recommends the Torchwood episodes also written by Catherine Tregenna, particularly the sad and beautiful Captain Jack Harkness, as well as Meat and Adam (and Out of Time, a brilliant episode that we didn't mention). Simon Simon wants you watch The Beast (2023) starring Léa Seydoux, who played James Bond's love interest in the two most recent films. It's a romance set in three different time periods, 1910, 2014 and 2044. It's due for release some time early next year. Richard Richard has headed into Big Finish territory, particularly those stories starring Rufus Hound as the Monk, particularly The Missy Adventures, whose first three box sets also feature Rufus Hound. He also appears with Tim Treloar and Katy Manning in Volume 4 of The Third Doctor Adventures. Nathan Nathan's back on his Star Trek thing again, and this time it's Star Trek: Lower Decks Series 4, which is nearing its end as we release this episode. You can also catch our coverage of Lower Decks on Untitled Star Trek Project. Follow us Nathan is on X as @nathanbottomley, Richard is @RichardLStone, Todd is @toddbeilby,and Simon is @simonmoore72. The Flight Through Entirety theme was arranged by Cameron Lam. You can follow the podcast on X at @FTEpodcast. We're also on Facebook, Mastodon, and Bluesky, and you can check out our website at flightthroughentirety.com. Please consider rating or reviewing us on Apple Podcasts, or we'll forget we ever met you and get cross with you when you turn up on our doorstep with flowers and champagne. And more We are launching a new commentary podcast on Space:1999 next weekend, so keep an eye out for more details during the week. (The title is, for now, still a closely-guarded secret.) A couple of our podcasts are finished or on hiatus right now. Jodie into Terror was our flashcast on every episode of the Whittaker era, recorded just a couple of days after the broadcast of the episode. Bondfinger is our James Bond commentary podcast, which also covers some of our favourite spy-fi TV shows of the sixties and seventies. Maximum Power is back! Our podcast about Blakes 7, co-produced with the Trap One podcast, returns today with a pre-Series C episode based on the Big Finish Blakes 7 story Warship, set between Star One and Aftermath. We'll be back each week to cover each episode of Series C. And finally, there's our Star Trek commentary podcast, Untitled Star Trek Project, featuring Nathan and friend-of-the-podcast Joe Ford. This week we watched a surprisingly enjoyable episode of Star Trek: Voyager, which gave Janeway and Chatokay some time to pursue a mostly non-cringeworthy romantic relationship.

You have probably mucked things up once or twice in your life. Congratulations, you're human. There's hope for all of us in the Easter story. ---  This week, Simon Smart and Justine Toh tiptoe through the minefield of ‘guilt', ‘sin', and ‘morality': three words and ideas that are offensive to the modern ear – no doubt partly due to the perception that Christians and the church have been all too judgmental of others.  The weighty, Christian baggage of these words aside – is there not something good about acknowledging the times we've hurt people and gotten things wrong? Simon and Justine discuss how The Picture of Dorian Gray, directed by Kip Williams for the Sydney Theatre Company, confronts viewers with the darkness of the human heart. And in discussing parenting fails and climate inaction, they explore the mismatch between the people we want to be and the people we actually are.  This episode of Life & Faith grapples with our human tendency to ‘muck things up' – a sanitised version of author Francis Spufford's working definition of ‘sin' – and how even this seemingly fatal flaw is not the whole human story. The hope of the Easter narrative is not just one of sin confronted, but conquered.   Also appearing in this episode: contributions from The Sacred podcast host Elizabeth Oldfield, New York Times columnist David Brooks, theologian Alister McGrath, author Marilynne Robinson, and author Francis Spufford.   ---  Explore:  Conal Hanna's article in The Guardian on the “teal paradox”  Elizabeth Oldfield's full interview – with transcript – with David Brooks for The Sacred.   Alister McGrath on why sin is such a useful idea  Marilynne Robinson on original sin  Life & Faith interview with Francis Spufford about Unapologetic: Why, Despite Everything, Christianity Can Still Make Surprising Emotional Sense.  Francis Spufford on your ruined life I Francis Spufford on your ruined life II 

Sydney Theatre Company artistic director Kip Williams' production of The Picture of Dorian Gray starred Eryn-Jean Norvill in all 26 roles and incorporated video screens to spectacular effect. Now, Williams has brought another classic to the stage: Strange Case of Dr Jekyll and Mr Hyde. Also, Les Misérables, Phantom of the Opera and Cats were all produced by the same man: Cameron Mackintosh. In Australia for the opening of a new production of Mary Poppins, Cameron shares his journey from humble beginnings to producer extraordinaire.

Sydney Theatre Company artistic director Kip Williams' production of The Picture of Dorian Gray starred Eryn-Jean Norvill in all 26 roles and incorporated video screens to spectacular effect. Now, Williams has brought another classic to the stage: Strange Case of Dr Jekyll and Mr Hyde.Also, Les Misérables, Phantom of the Opera and Cats were all produced by the same man: Cameron Mackintosh. In Australia for the opening of a new production of Mary Poppins, Cameron shares his journey from humble beginnings to producer extraordinaire.

Sydney Theatre Company artistic director Kip Williams' production of The Picture of Dorian Gray starred Eryn-Jean Norvill in all 26 roles and incorporated video screens to spectacular effect. Now, Williams has brought another classic to the stage: Strange Case of Dr Jekyll and Mr Hyde.Also, Elena Kats-Chernin's opera Iphis gets a timely revival by Lyric Opera in Melbourne and we chart the rise of the First Nations theatre company Ilbijerri as they continue their 30th birthday celebrations.

Sydney Theatre Company artistic director Kip Williams' production of The Picture of Dorian Gray starred Eryn-Jean Norvill in all 26 roles and incorporated video screens to spectacular effect. Now, Williams has brought another classic to the stage: Strange Case of Dr Jekyll and Mr Hyde. Also, Elena Kats-Chernin's opera Iphis gets a timely revival by Lyric Opera in Melbourne and we chart the rise of the First Nations theatre company Ilbijerri as they continue their 30th birthday celebrations.

STC Artistic Director  Kip Williams has adapted Oscar Wilde's only novel into a breathtaking one-person show that seamlessly blends the conventions of cinema and live theatre to stunning effect.

Kenneth Moraleda is an actor/writer/director/creative producer of Filipino descent. He trained at NIDA graduating in 1995. Kenneth is a part of the STC/CAAP Directing Initiative and was recently Assistant Director to Kip Williams on  Playing Beatie Bow by Kate Mulvany (Sydney Theatre Company). In this chat he shares many valuable insights to working as a creative for so long in the industry in Australia. Support the show

It's a busy time for us here at Theatre Thoughts, and knowing that there are a few people in iso at the moment, we're gifting you with a NEW PODCAST. On this episode we have an amazing chat with the delightful Tiegan Denina about her upcoming role as Veronica in The Mitchell Old Company's production of HEATHERS THE MUSICAL coming to the ARA Darling Quartre from the 8th February 2022. Tiegan has undergone training with the Australian Girls Choir, NIDA (Diploma of Musical Theatre) and VCA (Bachelor of Fine Arts, Music Theatre). Her most recent roles include Sarah – Our House – VCA (dir. Tyran Parke), Dance Captain/Ensemble – The Mystery of Edwin Drood – VCA (dir. Jason Langley), Featured Soloist – Morning Melodies VCA (dir. Jayde Kirchert) and Ensemble – Chimerica – STC (dir. Kip Williams). Tiegan chats with us about why Heathers has such a cult following and is so well recieved by audiences. We also have a chat about some of our favourite screen to stage musicals and why musical moments stay in your memories. -------------------------------------------------------- The Mitchell Old Company presents, HEATHERS: The Musical, a high-energy immersive theatre experience. Based on the cult classic film of the same name, this heartfelt, hilarious and provocatively dark comedy will come to Sydney for a strictly limited season in February 2022. Featuring NEW SONGS straight from the West End production – come and join the 1989 class of Westerberg High School, for an explosive night of theatre! Brought to you by the award-winning creative team of Kevin Murphy (Reefer Madness, “Desperate Housewives”), Laurence O'Keefe (Bat Boy, Legally Blonde) and Andy Fickman (Reefer Madness, She's the Man). HEATHERS: The Musical, is the darkly delicious story of Veronica Sawyer, a brainy, beautiful teenage misfit who hustles her way into the most powerful and ruthless clique at Westerberg High: the Heathers. But before she can get comfortable atop the high school food chain, Veronica falls in love with the dangerously sexy new kid J.D. When Heather Chandler, the Almighty, kicks her out of the group, Veronica decides to bite the bullet and kiss Heather's aerobicized ass... but J.D. has another plan for that bullet. For more information, visit The Mitchell Old Company. Book, Music & Lyrics by Kevin Murphy & Laurence O'Keefe. Based on the film written by Daniel Waters. By Arrangement with ORiGiNTM Theatrical on behalf of Samuel French, Inc., a Concord Theatricals Company. TICKETS CAN BE BOUGHT HERE Learn more about your ad choices. Visit megaphone.fm/adchoices

Another amazing episode is released this week featuring an amazing guest.  Dr Kip D Williams.  Dr Kip Williams is a Professor of Social Psychology and he's currently teaching at Purdue University, Indiana. Kip's interests lie broadly in group processes and social influence. His specific research topics include ostracism, social loafing and social compensation, stealing thunder, Internet research, and psychology and law. OSTRACISM:  Kip primarily researches ostracism--being ignored and excluded--and how it affects individuals and groups. His studies have indicated that the initial reaction to ostracism is pain, which is similarly felt by all individuals regardless of personality or social/situational factors. Ostracism then instigates actions aimed at recovering thwarted needs of belonging, self-esteem, control, and meaningful existence.  Kip is also an author of: Ostracism: The power of silence. NY: Guilford Press. You can purchase this on Amazon.com. https://www.amazon.co.uk/Ostracism-Silence-Emotions-Social-Behavior/dp/1572308311/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1628214558&sr=1-5 Kip has also been featured in a film tilted: 'REJECT'  you can watch the film on; http://rejectfilm.com  Kip can be contacted on E-mail: kipw@purdue.edu Website CV: Kip Williams.pdf If you have experienced estrangement, please join the private Facebook group using the link below. www.facebook.com/groups/587817455514932/

Pip Edwards is a professional actor, filmmaker, acting/career coach, and entrepreneur. As an actor, Pip's television credits include Home & Away, Les Norton, Miss Fisher's Murder Mysteries, ANZAC Girls, Wonderland and Forever Young. Her film credits include A Few Less Men, Little Black Dress, Who's That Boy, upcoming feature films June Again, Carmen, and Death Doula, as well as numerous short films and TVCs. Theatre credits include Beverly in Abigail's Party, and Regina in Ghosts (both with The Melbourne Theatre Company), as well as various productions with directors including Kip Williams, Imara Savage, Stephen Nicolazzo, Gale Edwards and Declan Greene. Pip runs a private coaching studio Pip Edwards Creative, where she coaches and mentors actors for auditions, screen-tests, and business/career/mindset coaching. Pip has taught extensively throughout Australia, at schools such as NIDA, Actors Centre, SAS, Sydney Film School, HUB Studio, Stagemilk, and for MEAA to name a few.   Pip has a Bachelor of Dramatic Arts from NIDA and Bachelor of Creative Arts (Filmmaking/Arts Management/Law) from Melbourne University. She has completed further extensive training in both Australia and the US, including with coaches such as Ivana Chubbuck, Larry Moss, Margie Haber, Leslie Kahn and at Upright Citizens Brigade in Los Angeles. www.pipedwardscreative.com/   See omnystudio.com/listener for privacy information.

This episode was recorded live at Rosyln Packer Theatre for the pre-season briefing of STC’s Cat on a Hot Tin Roof, by Tennessee Williams. Featuring a full cast and several creatives, including the production’s director and our company’s artistic director, Kip Williams, the conversation delves into the psychology of the Pollitt family, around whom the play is centred, the meaning of truth, and some hints at the elements of design which are bringing this steamy Southern tale to life.

Dearly Beloved, we are gathered here today to talk about the end. It's the end of the third season of this podcast. A season full of stories about what it's like to be living in these minds and bodies. But it's also the final episode of this show. I want to quickly add, before you have a chance to react, “at least for now!” I want to imply the show could come back to make this ending feel like not a big deal. But let's not do that. Let's just take a moment to let it be. This is the end of the show. Afterall, resurrection fantasies are another defense against loss. As much as I want to just ghost on this ending, I'm not going to. So in this episode, I go back to some of the people who've been on the show before and talk about endings and why acknowledging them is important. And I take this chance to say goodbye to you and to the podcast. Credits: Writer/Producer - Lily Sloane Sound Designer and Composer - Lily Sloane Story Editor - Emily Shaw [emilyshawcreates.com] Thank you Dani Scoville, Molly Merson, Jessica Brown, Kip Williams, Dusty Porn, and Al Anzola for taking part in this funeral...I mean, episode. If you want to stay up to date on my new projects, follow me on Twitter @lilyrosesloane and sign up for the newsletter at atherapistwalksintoabar.com, which I'll transition away from being about this specific podcast - and don't worry, emails will still be fairly infrequent. To check out my other work and see if you want to hire me for something, visit lilymakessound.com. You can still hear me talk about therapy stuff every week on Radical Advice which is live on BFF.fm Tuesdays 10am-noon Pacific time. If you can't listen live, subscribe wherever you listen to podcasts and tune in whenever. You can submit life questions by visiting radicaladviceshow.com. Episode Image: Original Photo by Jaime Borschuck [jaimeborschuk.photo], adapted to black and white and ghostified by Lily Sloane

Artistic Director Kip Williams and Executive Director Patrick McIntyre discuss the plays of our 2019 Season. Listen in for some fascinating insights into how the season came together, the stories we'll be telling and the artists who'll be involved. CHAPTERS 03:07 Mary Stuart 06:30 How to Rule the World 09:34 Mosquitoes 13:17 Cat on a Hot Tin Roof 17:48 The Torrents 21:16 Lord of the Flies 26:39 Banging Denmark 29:25 Avalanche: A Love Story 32:31 The Real Thing 35:07 Così 37:12 The Beauty Queen of Leenane 40:22 The Wharf Revue  41:20 White Pearl Producer: Jordan Smith Mix and master: David Trumpmanis

We hear about Monkey Baa's adaptation of Jackie French's Josephine Wants to Dance, Hugo Weaving and Kip Williams give us the lowdown on the STC production of Brecht's The Resistible Rise of Arturo Ui, we hear a live performance of Genevieve Lacey's new work Nest, and we meet US comedian Joel Kim Booster.

From the dusty vaults of 2003: Christine Baker interviews Kip Williams from Macquarie University about courtroom psychology, Keir Smith looks at retinal displays, and finds his Uncle John's sense of direction, Adam Mark explains why pain can be a good thing, Chris Stewart explores the weirdness of Physicists. Produced and hosted by Ian Woolf Sound checked by Charles Willock, Produced and presented by Ian Woolf Support Diffusion by making a contribution btc: 1AEnJC8r9apyXb2N31P1ScYJZUhqkYWdU2 eth: 0x45d2cd591ff7865af248a09dc908aec261168395

Artistic Director Kip Williams and Executive Director Patrick McIntyre sit down to discuss our 2018 Season. They talk about our line-up of plays, how they fit into STC’s vision and what you can expect in the theatre. Listen in for some fascinating insights into how the season came together, the stories we'll be telling and the artists who'll be involved. We hope you enjoy the conversation. Find out more at http://www.sydneytheatre.com.au/2018   Producer Carl Nilsson-Polias Composition Max Lyandvert

Our Artistic Director Kip Williams joins us to discuss his latest production, Cloud Nine by Caryl Churchill. Kip talks about why he loves the play, what he was looking for in casting the actors, how the set and costumes were designed, and what he feels the show is all about. Cloud Nine, 1 Jul – 12 Aug 2017, Wharf 1 Theatre sydneytheatre.com.au/cloudnine Seeing the show? Let us know your thoughts. Tag @sydneytheatreco or #sydneytheatreco

Most of us know what it means when we say a person went “unconscious” or “lost consciousness”. But deeply imbedded in the roots of psychology's history is the idea of The Unconscious - a psychological phenomena that is inherent to the human psyche and whether we like it or not, influences a tremendous amount of our behavior from who we fall in love with to racial discrimination. As part of the ongoing "Brief Psycho-Education" series, in this episode Lily breaks down what The Unconscious is and makes a case for facing all that we've kept hidden from ourselves and others. CREDITS Written & Produced By: Lily Sloane Music & Sound Design By: Lily Sloane "Come as You Are" Instrumental: Original song by Kurt Cobain, cover by Lily Sloane Role of Anais Nin Performed By: Anna Howland of Anna Howland Psychotherapy Role of Carl Jung Performed By: Kurt Kohlstedt, producer at 99% Invisible and founder of Web Urbanist Editorial Support Provided By: Jesse Rhodes, Molly Merson, & Stacey McGuirl Interview & Concept Support: Jessica Brown Episode Image: jayhem by Andy NoTanx Special Thanks to the strangers at the bars, Kip Williams, Aurelie Goldblatt, & Adam Foster. REFERENCES A Fist Full of Dollars (1964) (clips used during "Wild West" song) Westworld Season 1, Episode 10 (2016) Anaïs Nin, A Woman Speaks: The Lectures, Seminars and Interviews of Anaïs Nin C.G. Jung, The Essential Jung: Selected Writings

If you've been feeling anxious, overwhelmed, shut down, angry, hurt, or scared since the new administration took over, you're not alone. We're dedicating this episode to sifting through some of what this political chaos and noise stirs in us and how we can show up and fight the good fight while practicing self-care so we don't have to escape into the Alaskan wilderness. As our guest Kip Williams says, “you can't have healthy movements without healthy people.” Featured Guest Kip Williams is a Licensed Marriage and Family Therapist with a private practice in San Francisco where he specializes in treating sexual minority men with depression and anxiety as well as a number of other issues. Before becoming a therapist, Kip was a dedicated activist for LGBTQ rights and co-directed the 2009 Equality March on Washington. www.kipwilliamspsychotherapy.com Credits Written & Produced by: Lily Sloane Jessica Brown Theme Song by: Topher M. Lewis Additional Music & Sound Design by: Lily Sloane Special Thanks to Sarah Henley, Jesse Rhodes, Eric Welsh, Abby Volk, and Stacey McGuirl for your contributions. Thank you to the strangers at the bar for talking to us. Thank you to The Woods Cerveceria for letting us hang out for a bit.

Interim Artistic Director Kip Williams and Executive Director Patrick McIntyre sit down to discuss Sydney Theatre Company's 2017 Season. They talk about our line-up of plays, how they fit into STC’s vision and what you can expect in the theatre. Listen in for some fascinating insights into how the season came together, the stories we'll be telling and the artists who'll be involved. We hope you enjoy the conversation.  Find out more at http://www.sydneytheatre.com.au/season-2017 …   Producer Carl Nilsson-Polias Recording Engineer Ben Lightowlers Composition Max Lyandvert

In this episode, recorded live at Roslyn Packer Theatre, STC Resident Director Kip Williams talks about his production of Arthur Miller’s All My Sons. https://www.sydneytheatre.com.au/whats-on/productions/2016/all-my-sons   In our previous episode, Kip spoke about his approach to the play in the rehearsal room. Now that it’s opened, we wanted to chat to Kip about the final production and what he learned along the way. This Q&A was part of STC’s series of Insight Events. We hold lots of events that get audiences together with the actors and creative teams behind STC’s work. Everyone is welcome to attend, so we encourage you to check them out at https://www.sydneytheatre.com.au/insightevents   All My Sons, 4 Jun – 9 Jul 2016, Roslyn Packer Theatre Seeing the show? Let us know your thoughts. Tag @sydneytheatreco and #STCAllMySons Producer Carl Nilsson-Polias Recording Engineer Ben Lightowlers Composer Max Lyandvert  

Sydney Theatre Company Resident Director Kip Williams joins Carl Nilsson-Polias to discuss his new production of All My Sons. They discuss the cast and characters, the period setting, the play's impact on an audience, how it relates to Kip's award-winning production of Suddenly Last Summer in 2015, and what it has meant for Kip to be a Resident Director at STC. All My Sons, 4 Jun – 9 Jul 2016, Roslyn Packer Theatre Seeing the show? Let us know your thoughts. Tag @sydneytheatreco and #STCAllMySons Producer: Carl Nilsson-Polias | Recording Engineer: Ben Lightowlers | Composer: Max Lyandvert

Fiona Gruber speaks to director Kip Williams about the process of adapting Strindberg's treatment of class, lust and power in 'Miss Julie'.

From the dusty vaults of 2003: Christine Baker interviews Kip Williams from Macquarie University about courtroom psychology, Keir Smith looks at retinal displays, and finds his Uncle John's sense of direction, Adam Mark explains why pain can be a good thing, Chris Stewart explores the weirdness of Physicists. Presented and produced by Ian Woolf