Podcast appearances and mentions of Larry Moss

Anthony Brandon Wong is an award winning actor, who has worked for 40 years in movies, TV and theatre all over the world, a singer-songwriter and one of Australia's most sought- after acting teachers and coaches. His numerous film and TV credits include: the role of Ghost in “The Matrix Reloaded”, “The Matrix Revolutions” and the “Enter the Matrix” video game, opposite Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Jada Pinkett Smith and Hugo Weaving, Steven Soderbergh's “Haywire” opposite Channing Tatum and Antonio Banderas, “Guns, Girls and Gambling” opposite Gary Oldman and Christian Slater, “Hemingway and Gellhorn” opposite Nicole Kidman and Clive Owen, “Queen of Oz” opposite Catherine Tate, “Godzilla x Kong: The New Empire”, “Glee”, “NCIS”, “Hawaii Five-0”, “Flight of the Phoenix”, “Harrow”, “Upright” and “The Twelve” Season 2 as series regular Winston Hang.  Anthony played the role of Danny Law in “The Family Law” and he and his fellow cast won 3 consecutive Equity Ensemble Awards for Outstanding Performance by an Ensemble in a Comedy Series. On stage, Anthony has played lead and major roles for Sydney Theatre Company, Melbourne Theatre Company, The Malthouse and State Theatre Company of South Australia and he won The Victorian Green Room Award for Best Actor in “Sex Diary of an Infidel”. Anthony played the role of the outrageous maid/butler Jacob in the stage musical "La Cage Aux Folles".  As an acting teacher, Anthony has taught at the National Institute of Dramatic Art (NIDA), Actors Centre Australia, Screenwise and the Q Theatre in Sydney, Western Australian Academy of Performing Arts (WAAPA), Melbourne's 16th Street Studios, Queensland University of Technology (QUT), Australian Theatre for Young People (ATYP), as well as in Los Angeles at TVI Studios, in Brisbane at the Australian Acting Academy, on the Gold Coast at The Warehouse Workshop Screen Acting Studio and in Byron Bay at the Actors Room.  Anthony's thousands of acting students over his 30 year teaching and coaching career include Magda Szubanski, Delta Goodrem, Angus McLaren (Packed to the Rafters), Aaron Glenane (Snowpiercer), Shareena Clanton (Wentworth), Natalie Mendoza (Moulin Rouge) and Stef Dawson (The Hunger Games). Anthony is the most senior Certified Teacher of the Ivana Chubbuck Technique in Australia. Ivana Chubbuck is the world renowned coach of Oscar winners Halle Berry, Charlize Theron and Jared Leto, and Oscar nominated actors Brad Pitt, Jake Gyllenhaal, Catherine Keener, Djimon Hounsou, Kate Hudson, America Ferrera, Elisabeth Shue, Terrence Howard and Sylvester Stallone. Ivana personally trained Anthony over a period of 14 years in Los Angeles and in Australia. Anthony has also worked extensively with master teacher Larry Moss, who is the coach of Leonardo di Caprio, Hilary Swank, Tobey Maguire, Helen Hunt and Austin Butler. In addition, Anthony has studied with Eric Morris (Jack Nicholson's coach), Elisabeth Kemp (Bradley Cooper, Hugh Jackman and Lady Gaga's coach), Margie Haber (coach of Vince Vaughan and Tea Leoni), Rowena Balos (voice trainer to Judy Davis), the Steppenwolf Company and in the Meisner and Strasberg Techniques.  As a singer-songwriter, Anthony released a dance pop single "Emancipate", which can be played on all music platforms. The music video can be seen on YouTube and Vevo. We chat about the Matrix, not working for periods, handling rejection, his amazing acting classes, food, mindset, his win spreadsheet, being who you are, learning new things, gratitude plus plenty more!   Check Anthony out on: Instagram: https://www.instagram.com/anthony_brandon_wong/ Facebook: https://www.facebook.com/p/Anthony-Brandon-Wong-100063593643833/ Actors Room Byron Bay (Masterclass workshop): https://www.actorsroombyronbay.com/august-23rd-24th-chubbuck-with-anthony-brandon-wong?fbclid=IwY2xjawMJULdleHRuA2FlbQIxMABicmlkETE4TGVRTVNCTWtvaGJYdGRPAR71_DVmVHvzhlfXPlx0j1JXiY8X1iq8r_RfnXTwUtqk33bc0b__lK5KtZcKJg_aem_xD0UJ0YlVdDoP6P_N5gFuQ Anthony Brandon Wong's Acting Troupe: https://www.facebook.com/groups/55344248581 Food Blog: https://www.instagram.com/universe_of_taste/ ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

This podcast episode features a conversation with actress and director Blanche Baker, who discusses her career, her notable roles, and her passion for making films that address social issues.Show Notes:Early Career and the Impact of HolocaustBlanche Baker's debut role was in the Emmy-winning miniseries Holocaust.This role was deeply personal for her because her father, Jack Garfine, was a Holocaust survivor.Before filming, she retraced her father's journey through the concentration camps, including visiting Bergen-belsen, where he was liberated at age 14.She also shares a story about a taxi driver in Vienna making a joke about the Auschwitz ovens, which made her experience "horrifying at times".Her father supported her doing the film, believing people would relate to the story better than "just facts and numbers".She also recounts how her father would laugh at most films about the Holocaust, saying that in the camps people were singing and dancing, and those who felt sorry for themselves were the ones who died. This was his way of saying you have to "find the joy in life despite the horrors" to survive.Acting Technique and EducationBaker believes that an academic background gives actors roots in a tough business with many ups and downs.She recommends the books Respect for Acting by Uta Hagen and Intent to Live by Larry Moss for her students.She has also taken Stanislavsky's work and translated it for film to help students achieve the naturalistic performances seen on screen today.She notes that the basic acting technique is the same across mediums like film, television, and theater, but it must be modified for each, with film bringing the "audience... right up into your face".Sixteen Candles and On-Set StoriesBaker recalls that John Hughes wrote Sixteen Candles in just two weeks and let the cast improvise.None of them expected the film to become a cult classic that still resonates with young people today.She recounts a story about Anthony Michael Hall hanging from a coat hook in her hotel room and other pranks on set, describing the experience as "like being at camp".She also shares a story about trashing a hotel room while shooting a film in Israel when she was younger and how it taught her that pursuing acting as an art is what makes you happy, not acting out.Moving Behind the CameraBlanche Baker is passionate about making films that make people think about social issues.Her short films, like Street Right, deal with freedom of speech by contrasting negative advertising with positive graffiti.Her other short film, Make America Safe, uses humor and a "backwards" world to highlight the issue of gun violence and school shooter drills. She mentions that she believes there need to be stricter gun laws.She is currently working on a film called Girl in a Glass Box, which explores psychological manipulation and shines a light on gaslighting and abuseLINKS https://en.wikipedia.org/wiki/Respect_for_Actinghttps://en.wikipedia.org/wiki/Konstantin_Stanislavskihttps://www.nyfa.eduUse Promo Code "FILMMAKINGSWABY" for all my deals or just click the link:25% Off More Labshttps://www.morelabs.com/discount/FILMMAKINGSWABY20% Off Strong Coffee Companyhttps://strongcoffeecompany.com/discount/FILMMAKINGSWABY15% Off Tusslehttps://www.tusslegear.com/discount/FILMMAKINGSWABY20% Off Eric Javitshttps://ericjavits.com/discount/FILMMAKINGSWABY25% Off Quantum Energy Squarehttps://quantumsquares.com/discount/FILMMAKINGSWABY20% Off Long Tablehttps://longtablepancakes.com/discount/FILMMAKINGSWABY20% Off HyperNaturalhttps://hypernaturalstyle.com/discount/FILMMAKINGSWABY20% Off wearplaygroundhttps://wearplayground.com/discount/FILMMAKINGSWABY15% Off STAND+https://www.standshoes.com/discount/FILMMAKINGSWABY10% Off Molly Bzhttps://mollybz.com/discount/FILMMAKINGSWABY41% Off Cozy Earthhttps://cozyearth.com/discount/FILMMAKINGSWABY

Making a Difference Through Media Synopsis: On this compelling episode of Conversations that Make a Difference, host Teresa Velardi welcomes three dynamic women who are harnessing the power of media to inspire social change: Andi Buerger, Cassandra Tindal, and Danielle Bisutti. Andi Buerger unveils the moving stories and powerful advocacy within her forthcoming book, "Voices Against Trafficking," highlighting the urgent fight against human trafficking and how storytelling can drive awareness and action. Cassandra Tindal, founder and editor of Womenz Straight Talk Magazine, discusses her mission to uplift women's voices, address real-world issues, and foster meaningful dialogue through her influential publication. Actress and singer Danielle Bisutti shares her passion for using the arts to make an impact—donating a heartfelt song to the Voices Against Trafficking album and using her creative platforms to amplify important causes. Together, these changemakers explore how diverse media—books, magazines, and music—serve as transformative tools for advocacy, education, and hope. Their candid conversation, guided by Teresa Velardi, inspires viewers to use their own unique voices and creative outlets to make a difference in their communities and beyond. Guests: Andi Buerger, Cassandra Tindal and Danielle Bisutti Bio: Andi Buerger, JD is an international speaker, author, and advocate for victims of human trafficking & exploitation.  Andi herself was a victim of child sex trafficking and unspeakable abuses by family members for 17 years. She founded Beulah's Place, which provided temporary shelter services to at-risk, unsheltered teens for 14 years.  300+ youth were successfully rescued and assisted, earning national recognition. Andi later founded Voices Against Trafficking(VAT) to speak for those who cannot speak for themselves — the voiceless victims of human trafficking and exploitation. VAT advocates for the protection of every human's rights regardless of race, gender, culture, or socio-economic status.  Voices Against Trafficking-The Strength of Many Voices Speaking As One, gives a portion of proceeds from each sale to survivors of child abuse and trafficking, as does Andi's first book,  A Fragile Thread of Hope - One Survivor's Quest to Rescue. Andi launched Voices Of Courage magazine in 2023.  It is distributed internationally and accepted into the U.S. Library of Congress. It honors everyday heroes who selflessly fight to protect human rights. These champions come from all walks of life to change communities and the world for the better. A television series by the same title debuts in 2025. Website: www.voicesagainsttrafficking.com Bio: Cassandra Tindal is the Founder, Visionary, and CEO of IMAG Media Inc., and the creator of Womenz Straight Talk®. Driven by an unshakable belief in the power of women's voices and the need for meaningful discourse, Cassandra Tindal didn't just build a media company—she ignited a movement. As the founder of IMAG Media Inc. and the force behind Womenz Straight Talk, Cassandra's vision was clear: to create a multimedia platform where women and marginalized communities could speak boldly, be heard globally, and drive real-world impact on the issues that matter most. Cassandra's passion for storytelling isn't about headlines—it's about humanity. She built Womenz Straight Talk as a hybrid of award-winning journalism, documentary filmmaking, and advocacy. Her mission? To challenge narratives, elevate underrepresented perspectives, and spark conversations that lead to action—whether in business, politics, culture, or social justice. At the heart of every culture, in every corner of the world, lies a shared human truth: we are wired for stories. From ancient oral traditions to today's digital narratives, storytelling is the bridge that connects us—transcending language, politics, and geography. Cassandra Tindal and Womenz Straight Talk harness this power, using media and entertainment not just to inform, but to unite, provoke, and inspire action on the issues that define our time. Website: https://womenzstraighttalk.net Bio: Danielle Bisutti is an Emmy Award-winning and BAFTA-nominated actress, writer, producer, director, and singer-songwriter with an illustrious 25-year career in the Entertainment Industry. Born and raised in Los Angeles, Danielle is renowned for her dynamic versatility across film, television, video games, and music. Danielle received a BAFTA nomination for her captivating performance as the Norse Goddess “Freya” in Sony PlayStation's critically acclaimed and top-grossing video game, God of War. She is also celebrated for her LA-area Emmy Award win, recognizing her outstanding hosting work in Street Music Los Angeles (2002). Her notable film and television credits include unforgettable roles such as The Mother of Death in Sony Pictures' cult horror hit Insidious: Chapter 2, Barb in Universal's Curse of Chucky, the enigmatic Ms. Grey in Lifetime's Nanny Killer, Professor Linda in NBC's Parks & Recreation, Dana Gallagher in Shonda Rhimes' For the People, and as the powerful witch Hexela, a series regular in Paramount's Dwight in Shining Armor. Danielle's diverse portfolio also features guest spots and recurring roles in Matador (Robert Rodriguez's El Rey Network), Last Man Standing, CSI: Miami, Without a Trace, Raising the Bar, and The O.C. Danielle graduated Magna Cum Laude from California State University, Fullerton, earning her Bachelor of Arts with a double emphasis in Acting and Musical Theatre. During her collegiate years, she garnered multiple Irene Ryan Best Actress Award nominations and was the national runner-up at The Lincoln Center Theatre in NYC. Further honing her artistic craft, Danielle studied producing, directing, and screenwriting at The Hollywood Film Institute with Dov Simens, along with advanced coursework at ScreenwritingU and The Writer's Store's Screenwriter University. Her acting education continued with renowned mentors including Eric Kline at Film Actor's Workshop, Larry Moss, Lesly Kahn, Shari Shaw Studios, and the Upright Citizens Brigade for improv. With her passion for storytelling and her dedication to the arts, Danielle Bisutti continues to be a transformative force in every medium she explores. Website: https://perfecttimingproductions.com/   Video Version: https://www.youtube.com/live/p5Vm8vnGxNA?si=HCY1cna18UI_Vioq Chat with Teresa during Live Show with Video Stream: write a question on YouTube Learn more about Teresa here: https://www.webebookspublishing.com    http://authenticendeavorspublishing.com/

Pastor Larry Moss Sunday April 13, 2025

Our new book... STORY QUESTIONS: How To Unlock Your Story One Question At A Time https://payhip.com/b/ZTvq9 Watch the full video interview of this podcast here: https://www.youtube.com/watch?v=nXOJkadXsDM BUY THE BOOK - BACK TO THE BODY: Infusing Physical Life into Characters in Theatre and Film https://amzn.to/3NPDI2Y Jean-Louis Rodrigue is an internationally recognized acting coach, movement director, and specialist in the application of the Alexander Technique to film, theater and television. In film, he coached actors and collaborated with directors in Passion Fish, Vice, J. Edgar, Life of Pi, W., I, Tonya, and many more. In theater, he collaborated with director Larry Moss and former NFL player Bo Eason in his play Runt of the Litter and playwright Pamela Gien in her Obie– and Drama Desk– award-winning one-person play, The Syringa Tree, both in New York and internationally. Jean-Louis has worked on- and off-Broadway and at major performing arts institutions such as Berlin International Film Festival, Cirque du Soleil, Los Angeles Philharmonic Institute, Getty Villa, Geffen Playhouse, Royal National Theatre, Piccolo Teatro di Milano, Verbier Festival, Royal Shakespeare Company. For the past 34 years, Jean-Louis has taught at the UCLA School of Theater, Film, and Television and the UCLA Herb Alpert School of Music. Jean-Louis lives in Los Angeles with his husband, Kristof Konrad. STUDY WITH JEAN-LOUIS RODRIGUE https://alexandertechworks.com MORE VIDEOS WITH JEAN-LOUIS RODRIGUE https://tinyurl.com/59mc2v39 CONNECT WITH JEAN-LOUIS RODRIGUE https://alexandertechworks.com https://www.imdb.com/name/nm0735121 https://www.facebook.com/AlexanderTechworks https://twitter.com/alextechworks https://www.instagram.com/alexandertechworks VIEWERS ALSO WATCHED Hollywood Actors Share Their Success Secrets - https://youtu.be/xFRgZOhCVLg What Stops An Actor From Getting Into Character? - https://youtu.be/0OX44gvnjWE Bill Duke Explains Why Most Actors Fail In Hollywood - https://youtu.be/4tfSRzy31f4 An Actor's Guide To Making It In Los Angeles - https://youtu.be/aaegnd3xaVI Pro Cinematographer On What Separates Great Actors From Everybody Else - https://youtu.be/G3oXMWperus CONNECT WITH FILM COURAGE http://www.FilmCourage.com http://twitter.com/#!/FilmCourage SUBSCRIBE TO THE FILM COURAGE YOUTUBE CHANNEL http://bit.ly/18DPN37 SUPPORT FILM COURAGE BY BECOMING A MEMBER https://www.youtube.com/channel/UCs8o1mdWAfefJkdBg632_tg/join SUPPORT FILM COURAGE BY BECOMING A PATRON https://www.patreon.com/filmcourage LISTEN TO THE FILM COURAGE PODCAST https://soundcloud.com/filmcourage-com (Affiliates) ►BOOKS WE RECOMMEND: THE NUTSHELL TECHNIQUE: Crack the Secret of Successful Screenwriting https://amzn.to/2X3Vx5F THE STORY SOLUTION: 23 Actions All Great Heroes Must Take http://amzn.to/2gYsuMf SAVE THE CAT! The Last Book on Screenwriting You'll Ever Need https://amzn.to/3dNg2HQ THE ANATOMY OF STORY: 22 Steps To Becoming A Master Storyteller http://amzn.to/2h6W3va THE ART OF DRAMATIC WRITING - Lajos Egri https://amzn.to/3jh3b5f ON WRITING: A Memoir of the Craft https://amzn.to/3XgPtCN THE WAR OF ART: Break Through the Blocks and Win Your Inner Creative Battles http://amzn.to/1KeW9ob ►FILMMAKER STARTER KIT BLACKMAGIC Design Pocket Cinema Camera 4K - https://amzn.to/4gDU0s9 ZOOM H4essential 4-Track Handy Recorder - https://amzn.to/3TIon6X SENNHEISER Professional Shotgun Microphone - https://amzn.to/3TEnLiE NEEWER CB300B 320W LED Video Light - https://amzn.to/3XEMK6F NEEWER 160 LED CN-160 Dimmable Ultra High Power - https://amzn.to/3XX57VK ►WE USE THIS CAMERA (B&H) – https://buff.ly/3rWqrra ►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9 *Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we'll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!

In this episode of Filmmaking Conversations with Damien Swaby, we dive deep into the world of storytelling with Diane Lansing, a screenwriter, playwright, and filmmaker whose passion for reinvention and collaboration shines through her craft. Diane shares her inspiring journey from studying acting under Larry Moss to writing multidimensional characters for stage and screen. We discuss the challenges of transitioning from theatre to film, the lessons learned while directing her short film Out of Her Element, and the beauty of collaboration in filmmaking. Diane also reveals her approach to creating authentic and layered characters, the importance of trust in the filmmaking process, and her upcoming documentary project that promises to blend art, humanity, and inspiration.This episode is a masterclass in storytelling and collaboration, offering valuable insights for filmmakers and creatives looking to refine their craft.Key Topics and TakeawaysReinvention through Writing: How Diane transitioned from acting to writing plays and screenplays, creating more dimensional female characters along the way.Character-Driven Screenwriting: Diane's process for building deep, believable characters rooted in her acting background and how it influences her screenwriting.Lessons in Directing: Diane's experience directing Out of Her Element and the challenges of adapting theatre concepts to the screen.Collaborative Filmmaking: The importance of building trust with cast and crew, allowing creative freedom, and finding inspiration through teamwork.The Power of Music and Post-Production: A behind-the-scenes look at the score creation for Trust, featuring the Budapest Orchestra, and how post-production enhances storytelling.Documentary Filmmaking: Diane's plans for her new documentary project, Be Seen, Be Heard, showcasing the resilience and beauty of children with disabilities and cancer.Educational Value of This EpisodeScreenwriting Techniques: Learn how to create layered, authentic characters and balance action with dialogue in your scripts.Directorial Insights: Understand the differences between directing for theatre and film and the key lessons Diane learned from her first directorial experience.The Art of Collaboration: Discover the importance of trust, creative freedom, and community in successful filmmaking.Practical Tips for Filmmakers: Gain actionable advice on casting, working with composers, and navigating post-production challenges.Inspiration for Aspiring Filmmakers: Diane's journey offers encouragement to embrace reinvention, take creative risks, and pursue meaningful stories.Call to ActionDon't miss this inspiring conversation with Diane Lansing! Subscribe to the Filmmaking Conversations Podcast on your favorite platform, and leave us a review to share your thoughts. For more updates, follow Damien Swaby on social media and visit the podcast website.https://www.dianelansing.com/

This episode is a deep dive into character acting with the esteemed Anna Garduño, a voiceover artist and coach. The BOSSES share their invaluable insights on mastering the art of engagement in voice acting. Anne and Anna emphasize the importance of enthusiasm and authenticity, and use examples from industry legends to discuss how to breathe life into every line by using script analysis and character creation. The BOSSES also dispel the myth that success in animation voice acting is about being a celebrity, emphasizing that unique and authentic acting choices are what leads to booking success. 00:02 - Jen Keefe (Ad) Hi Anne, this is Jen Keefe from Real Women's Work Podcast. I just wanted to come on and say thank you, thank you, thank you for the series you're doing on AI and voice. I've listened to VO Boss Podcast for a few years now and it's always been informative and helpful, and not only is this series not an exception to that, but it is just the cherry on top. It has been so comforting and helpful to learn about this industry and I just thank you for taking all of the time you must have taken to research and understand, to know what questions to ask so that we're all better informed. It is just awesome, awesome, awesome. I feel excited and confident going forward into the future in the VO industry, all because of this series that you're doing. So, thank you, into the future in the VO industry, all because of this series that you're doing.  00:46 - Anne Ganguzza (Host) So thank you, hey, how's it going? Bosses Anne Ganguzza here. Elevate your voiceover game with our VIPeeps membership. With VIP membership, you can access our extensive library of over 350 hours of pre-recorded workshops. Whether you're interested in commercials, promos, character animation, audioos, character animation audiobooks, video games, corporate narration, audio description or dubbing, our workshops cover it all. Plus, as a VIPeeps member, you'll enjoy a 15% discount on current workshops and complimentary free monthly workshops to further develop your skills. Join VIPeeps today at vopeepscom and take your voiceover career to new heights.  01:31 - Intro (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a VO Boss. Now let's welcome your host, Anne Ganguzza.  01:50 - Anne Ganguzza (Host) Hey everyone, welcome to the VO Boss podcast. I'm your host, Anne Ganguzza, and I am here today with very special guest. I'm so excited, Anna Garduno. Anna, thank you so much for joining me today. Thank you.  02:04 - Anna Garduno (Guest) I was completely thrilled when you asked me because the truth is it's been a bit of a goal, a little career goal. To please get me on with the boss.  02:12 - Anne Ganguzza (Host) Oh, I love it, oh my gosh. Well, bosses out there. For those of you that are not familiar with Anna, Anna is a boss. I was just saying this before you came out of the womb.  02:20 A boss, Hilarious you came out of the womb a boss, but recorded her first radio spot when you were 15 years old, shot your first TV job at 17, and currently teaches classes for VO, commercials, animation, promos, narrations and games, and has been nominated Best Voice Over Teacher two years in a row by the readers of Backstagecom. And I wore my Teach, love and Inspire shirt just for you today, Anna. I love it Again. I love the cougar aspect it's a little bit of that sexy?  02:52 - Anna Garduno (Guest) come on, make it happen.  02:54 - Anne Ganguzza (Host) fabulous, you got to add that little bit of flair to it. But, gosh, anybody that knows me knows how much I love teaching. It's so important. It is who I think. I was born to be a teacher and I love talking to other teachers, such as yourself and bosses. So the combination teacher boss love it, absolutely love it. So thanks, first of all, for being here. I know you've got a busy schedule and you know what's interesting. Another fact that you wrote in your bio is that your students have booked over a million dollars in jobs and continue to thrive, which is such a great. I love that you have a number.  03:29 - Anna Garduno (Guest) Well, I imagine that yours have too, and absolutely because I'm sure your students every week say hey, I booked this. Hey, I booked this.  03:38 - Anne Ganguzza (Host) Hey, I booked this. They do, thankfully. Yes, I'm grateful for that. And when?  03:40 - Anna Garduno (Guest) you really think about it when you've been teaching for years, as you and I both have, because I started keeping track, really, and I was actually like, oh well, this is exciting and encouraging. I know you're such an encouraging teacher and there's so many cynics out there and I like to be encouraging. Come from joy, Come from possibility.  03:58 I believe in that too, you know it's so important and I think when people see that they go. Oh, because once in a while I hear people say does anyone really make money in voiceover? And I try not to laugh. Yeah, there's a reason, it's a global industry. So, yes, get that negative interject out of your head Absolutely and go forward.  04:18 - Anne Ganguzza (Host) You know what's so very interesting. Now I'm going to tell you. I was in Pilates this morning and there was a substitute that came in and she was teaching. I'm all about teaching, she was teaching, but she was teaching with a very like kind of monotone sort of and this, and then next we'll put our left toe over our right ear while simultaneously rotating our hip. The whole class, I mean, we're talking 45 minutes of no emotion, and I understand that she was trying to maybe put us in a Zen mode, right, but it was.  04:46 - Anna Garduno (Guest) Pilates Maybe sleepy, not meditation.  04:49 - Anne Ganguzza (Host) And she was really good. Like technically she was really good. But she was shouting out all these instructions and I was listening so hard because her voice was so like even keel, with no like real I would call it elevating the teaching moments. So I was listening so hard, I was exhausted, mentally, okay, and physically. But at the very end, right after this, I had decided, like literally 10 minutes into it, I don't like this class, I don't like this teacher. She's not like. I don't feel an emotion, I don't feel encouragement, I don't feel anything. And when she was done she said oh my God, you guys did so good. And then I immediately loved her and I thought why. You know what I mean. So it really made me reflect on being a teacher for my students and also for the whole e-learning genre. And anybody knows I'm like a broken record, like you have to be everyone's favorite teacher.  05:36 You do, you just do Not just if you teach, but if you're doing e-learning, and so you've got to bring that emotion and that point of view, which I consider and let's have a discussion on this I consider that to be the frosting on the cake, that's the top element when you are there as an actor, right, that is what you're bringing to the copy, no matter what genre you're in.  05:55 - Anna Garduno (Guest) Oh, absolutely. And you bring up such an important point because this I know exactly what you mean. I've had teachers exercise teachers like that also, and I think one of the most challenging things in our industry right now, in whatever genre and I'm sure you've come across this, but correct me if I'm wrong where people say we want it natural, we want it real, yeah, yeah. And actors unfortunately misinterpret that and think, oh, passive, yes, oh, my god, that's casual, so it sounds like you have this passive teacher right now, nobody's passive in life.  06:24 We speak for a reason. We have a lot of musicality in our voice. Even if we're calm and relaxing, there's an intention behind it, even if it's the poppy reed.  06:32 - Anne Ganguzza (Host) I'm just saying I'm just saying the poppy reed has dynamics to it. Oh my God, so much If you were to score that reed and really try to copy it.  06:40 - Anna Garduno (Guest) She goes up, she goes down, she takes pauses. There's all of this musicality. It's not a sleep, and so you bring up a really good point. You have to be engaged with who you're talking to and then it's engaging and it brings people along. Voice work is communication, obviously, but I find too that people get so quiet Sometimes they're disconnected from their breath and not to be too focused about it. But your breath is literally like your life force. So I'm not saying yell, but be connected, and that's why my little company is called Voice Forward, like send your voice forward. You want to connect through the microphone, through whatever, to that other person. You don't want your energy to go here and hi.  07:19 - Anne Ganguzza (Host) I'm halfway to you.  07:20 - Anna Garduno (Guest) And then you stop. You don't want that.  07:21 - Anne Ganguzza (Host) And it's so interesting. I think about it as an older, more mature woman, about communication, right. I mean today everybody's texting right, and it's the communication is changing. But I also feel that for us as voice actors right, our voice is so, so important, and especially in this world of technology and digital everything and synthetic voices right, technology and digital everything and synthetic voices right I think it's more important than ever that our voices really keep that engagement, keep that human aspect of emotion and point of view, because that's what makes us interesting.  07:54 And, honestly, when I choose what I'm going to listen to on a day-to-day basis, honestly it has to be interesting to me and, I think, right for your listener. When you're being engaging and you're behind the mic reading a commercial whatever you're doing a commercial, e-learning corporate you have to connect with that listener to get their attention. Otherwise, I mean, it's always self-serving. Because why do I listen to somebody? Well, I listen to somebody because they've got something that I need right. Either they're educating me or they're entertaining me, right, and hopefully both at the same time. Those are the best teachers and that would be great. So I need to have a reason to listen. And so if you're coming at it from behind the mic where you're like, no, listen to my beautiful voice, you're not connecting.  08:38 And I think that today more than ever, we need to connect and we need to be the actor, and I know that you put in your notes that this is something that you wanted to discuss today about. How can we, as voice actors, get there? I have my methods. I stand on my soapbox all the time and say it's so important, more important than ever, to really bring that connection. Let's talk about how you have your students. How do you elevate your students to be able to do that?  09:03 - Anna Garduno (Guest) Okay, sure, well, I have. There's a couple of things you know. We all come to this as actors. My training, my background, everything is an actor, particularly a theater actor.  09:11 I've been blessed to work with incredible teachers through the years, primarily with Larry Moss and Patsy Rodenberg, who's you know, the premier voice Shakespeare teacher in the world and Stella Adler, who's all about script analysis right For teaching or plays and theater and film, and that's what we do, right, we get a script and then how do we communicate best? And there's two basic things that she talks about that are very rudimentary, that I like to give my students a place to start, which is when you look at text, what is your point of view about people, places, objects and events that you're talking about? Right? So that's how you start, because so often people can do sort of like hi, I'm a generic, happy read sort of like this or I'm a very generic seductive read you know whatever it is.  09:53 So you don't want to be generic, right? So the easiest example is something like about the people I'm talking about. Let's say you have a thing where you say and it's the best ice cream from Ben and Jerry's. So many people do. And I say, well, pretend that Jerry's your absolute best friend and he's a bit of a goofball. So from Ben and Jerry, you know what?  10:09 - Anne Ganguzza (Host) I mean, you know Jerry.  10:11 - Anna Garduno (Guest) Just that. Or say you have a thing where you say so my husband came home with a new computer. Now, if the ad is about the right computer, right, then you're going to say husband, he did a great thing. Now say but the wrong, the anti-commercial, so my husband came home with a new computer.  10:28 - Anne Ganguzza (Host) What is your point of view?  10:29 - Anna Garduno (Guest) about the husband and about the new computer. I mean, it's so basic. And then also, where you are is who you are is a big way to connect to a script too. And are you a CEO talking to another CEO about finance? Or are you that reassuring financial advisor for someone who's really nervous making their first investment?  10:48 Because you can have the exact same text but depending on who you're talking to and I'd like to think like what are you wearing? Really helps me personally. There's a million ways in, but I know if I'm playing a character on TV or something or movie that's like in a full-on business suit, I'm going to stand differently, I'm going to present differently.  11:06 My tone of voice is going to be different, whereas if I'm playing, like you know, the hippie chick from Laurel Canyon which I mentioned, who I am, it's going to be a whole different vibe, a whole different thing. So these are two very simple things that you can look at text right away and circle oh wait, here's the event, here's the object. Or in an animation example, I have a piece of copy I like to work on where someone's putting together a potion you know like to get revenge on somebody, and one of the lines is my potion will be ready and one of the lines is one more lizard leg and my potion will be ready. And so often people will go one more lizard leg and my potion will be ready, right? So I would say, you know, the people who wrote this copy, whatever it is, are often the people hiring you, right? Which wasn't always the case so often, right? So if you can make their text pop out just a little bit, because they could have said anything, they could have said one more batling, one more toad head, they could have said anything, but they said lizard leg.  11:57 And I always joke with my students. They got that approved. You know, disney approved lizard leg. They think they're going to get a bonus at the end of the year for coming up with lizard leg and plus, it's funny, with the two L's, you know lizard leg and the G. So instead of just saying one more lizard leg and my thing is ready, how about you take the number one and it's like you're thinking about it, right, and you go one more and you're looking at your stuff in your mind.  12:22 - Anne Ganguzza (Host) Lizard leg. Lizard leg.  12:23 - Anna Garduno (Guest) Exactly so. It's specifically a lizard leg. So it's really simple and it's what we do in life when we talk about you know, I got these new glasses that I love. I got these new glasses. You know what is your point of view, and so that's the basic thing that I do with people all the time how do you feel about what you're talking about? Not moody, how do you feel, but literally.  12:44 - Anne Ganguzza (Host) I love that. How do you feel it's so important? And how you feel changes and can evolve from the start of your sentence to the end of your sentence can absolutely evolve and it can evolve throughout the script. So I feel like what you're really talking about is, first of all, we need to assess the script, right. We need to assess what's the purpose. The script, right, we need to assess what's the purpose. Why are we saying these words? Right? Who are we saying them to? And again, changing who we're saying them to can make all the difference in the world.  13:11 And what I like to also say is that, like, especially in corporate like, no, you're not talking to your best friend. I need you to be engaging, but Sally could give a crap about SAP. Sally doesn't even know what SAP does or who they are or what they make, right, right? So don't talk to Sally because it's not relevant to Sally, right? And so that whole conversational talk to your best friend. Yes, they may put that in specs, but in reality, you need to talk to the person that's going to benefit from listening to the context of the script, right? So what's the purpose? Are you trying to sell a product? Are you trying to explain how it works, you know, and who is it that needs to listen to that?  13:47 And I had a discussion with La the other day, la Lapidez and we were talking about there's always stakes, right, there's always stakes in the script, and so you've got to know what those stakes are as an actor, right, I mean, we are actors. It is not enough to just read that. And I love how you did the melody in the head about the lizard One more lizard. And it's funny because in our head that's the melody we all hear and I swear we're all on the same wavelength, right. One more. Where does that come from? I don't know, because we read the words and we feel like, oh, initially this is where the emphasis has to go Right, but in the real world we're thinking about things. Well, every sentence is a new idea.  14:25 - Anna Garduno (Guest) Exactly Every sentence is a new idea, and when you're reading or anything like that, and so that's another thing I say is it's a new idea and also a good example of you bring up such a good point about talking to a friend Like what does that mean? Or conversational, what does that mean? And I always say to people going back to you have different kinds of conversations.  14:38 - Anne Ganguzza (Host) Every day.  14:38 - Anna Garduno (Guest) We have conversations every day Exactly, and I tell my students, like, say, you get an audition for Lexus and Subaru the same day and the specs are going to be pretty similar, conversational, real, talking to a friend blah, blah, blah. But Lexus, as we know are usually kind of seductive and a little bit like this and all that. And so I'll say to one student what do you call that? Like, I always have my students come up with titles or names for different types of reads.  15:01 - Anne Ganguzza (Host) Right, what's that?  15:02 - Anna Garduno (Guest) read yeah, and one of my students had the best thing ever. He said I call that my I've earned it guy. Is that great?  15:08 - Anne Ganguzza (Host) Oh, I like it.  15:09 - Anna Garduno (Guest) Yeah, Now the I've earned it guy is right next door to what I like to call the. I know you want it, so it's the same volume, the same note of your voice right the same sound, but there's a slightly different intention. And then the Subaru, which is getting a little more rugged now, but Subaru, as you know, they always end with that love. It's what makes a Subaru.  15:30 - Anne Ganguzza (Host) Yeah, yeah, yeah, it's the family. Family You've got like dogs and kids, exactly, you know, on a picnic Soccer equipment.  15:37 - Anna Garduno (Guest) Yeah, sauger equipment, exactly so I always call that one like the kind of the save the planet mom, yeah, yeah. And what I tell students is those styles cross different brands. So the person who does the Subaru, the save the planet, mom is going to do Kashi, seven whole grains on a mission, and Patagonia and all that. You see they're both having conversations. So I know you know this, but I find to be able to come up with names for the different types is helpful.  16:03 - Anne Ganguzza (Host) Well, and characters You've given a character to it, which is great, rather than I want this sexy read or this seductive read. You've given it a character which I think gives it more definition.  16:13 And I think when you're analyzing, too many of us run into our studios and like, oh, I got it and they play to that melody in their head. Right, they play the melody in the head that probably 90% of everybody that is going in their studios doing the same darn thing. And we've all talked about what do casting directors want? They want to be able to hear something different than 200 of the same kind of melodies right, and so if you're coming up with a different melody or a different story, that's immediately oh cause for, yeah, I'm shortlisting.  16:44 I can tell you me as a casting director, every time I hear somebody that enters into a script and I can tell they've got a story, I'm like shortlist Because there's an actor, there's an actor, there's an actor.  16:53 - Anna Garduno (Guest) And it's about having that point where you bring up a really good point, too, about how do you make your reads stand out, and At that point you bring up a really good point too, about how do you make your reads stand out. And I'm very big on playing with pace, particularly in the first sentence.  17:02 Yeah, yeah, yeah, Almost any first sentence you can play with pace, because often a sentence as you were saying, looking at the text has two ideas in it. So like to use an animation example. I have a piece of copy I love to work with. The first sentence is hey, you know what's the best thing, about being a jellyfish, so that's it right.  17:18 So everyone kind of usually does it that way, like enthusiastic surfer jellyfish. Now, if you just play with pace and you go, you know what's the best thing about being a jellyfish yeah, yeah, yeah, like all of a sudden he's mischievous, or the other way you do it fast.  17:34 You know what's the best thing about being a jellyfish. So already that first sentence is engaging yes, so little things like that. No, I wanted to ask you, anne, I found and you probably come across this too a couple months ago I started working with students on animation who were getting this spec which I thought was hilarious where they would say we want it like you're in a movie, but louder. And my poor students would be like what does that mean? We want in a movie? And I like, when casting people not you, of course, but some people you know don't act, just do it like you're in a movie.  18:06 - Jen Keefe (Ad) Okay.  18:06 - Anna Garduno (Guest) You're. You're acting in a movie, just so you know. So I was sitting there, I go. What do they mean? And I it was what we talked about earlier it means to not be passive, you're told do less, so they've been getting reads. Yeah, yeah, yeah, you're told do less. So they've been getting reads, obviously, from people being very quiet, very hello. I have a mic right here.  18:21 - Anne Ganguzza (Host) Yes hi, yes hi.  18:22 - Anna Garduno (Guest) I'm going to read like this yeah, exactly, and it's like I'm in a movie and I don't have to do anything.  18:27 - Anne Ganguzza (Host) And it's so boring, or you're in a movie theater where you have to be quiet.  18:32 - Anna Garduno (Guest) Yes, exactly. So what they mean is Point of view, don't be passive. Yeah, so they were getting all these under, these de-energized voices, and of course, it's not engaging at all.  18:44 - Anne Ganguzza (Host) And you can be quiet and have a ton of energy. I mean, it's so much about the energy, but it really has nothing to do with volume, right? The energy of the Well, I use a term.  18:52 - Anna Garduno (Guest) I say to people you need more vocal vitality. I don't mean louder, I mean vocal vitality, and it's exactly what we're talking about. You need to have presence in that you're engaged with whoever you're talking to on the other side of that copy, because you're never just talking to yourself, ever Exactly.  19:07 - Anne Ganguzza (Host) I mean, let's talk storytelling. I mean, how important is storytelling? I mean I say it all the time, like I think exhaustively, yeah, but there's storytelling in every like, everything, everything everything right?  19:20 - Anna Garduno (Guest) Yes, absolutely. And also, you're always in the middle of a conversation, too, even if it's e-learning. You've already been talking to somebody about something and now we just happen to pick up the conversation in the middle.  19:29 - Anne Ganguzza (Host) Oh, I love that. I'm always telling people you don't start a script with once upon a time because, right, like cause, that means you just, oh, I thought of it and I'm going to go into a monologue, right, Right. And that means you're not going to engage.  19:41 If you're going to go in you're like that friend that doesn't shut up. You're like, hi, it's all about me, me, me, me, me, me, and I'm just going to talk and I'm not going to allow you to interact at all with me. And I didn't even hear what you said.  19:55 - Anna Garduno (Guest) It was tiring for the listener.  19:58 - Anne Ganguzza (Host) Exactly, exactly, and so you do have to start in the middle, and that's why I'm always saying that moment before right.  20:04 - Anna Garduno (Guest) It's so important, which is your basic acting thing. Right, like what happened before you came in the door, the scene, what happened, like how was the drive over?  20:11 - Anne Ganguzza (Host) Yes, and I'm like no, no, no, no, no. I hear the events that are happening. Tell me what the other person said and then how you responded. And I don't want you to respond with the first word. I want you to respond with maybe something that's rolling into the first word of the script.  20:30 Yeah, give yourself a lead in, because then it doesn't sound like the note like once and we all start on that same pitch. Right, I broke it down technically into musical notes, but still, you don't need to start like, hi, I'm just starting to talk.  20:45 - Anna Garduno (Guest) Yeah, you know no, of course not, but see, the moment before is really important. I imagine you do this with your students too. One of the benefits of doing these auditions at home and working at home is you can try a lot of things, which is and you can also give yourself a lead in, sometimes so that you are literally starting in. You say absolutely.  21:04 Don't stress about that credit card. Let me look. Let me look at the credit card. Like I have a piece of copy that starts out Wait, did you book the bartender? $200 last week. Like that's a good sentence, actually, but how much better is it if you imagine that your friend's upset crying. They're freaking out, Exactly. Listen, let me see you grab it. You go, okay, let me look at this for a minute. Wait, did you? $200? Which really means like, how drunk were you, Dear God?  21:30 - Jen Keefe (Ad) what was that about?  21:32 - Anna Garduno (Guest) And it's just taking that extra moment to put yourself in this situation Absolutely. And then, because you do it at home, you can do that lead in and cut it out. And that's one of the benefits, I think, of doing these auditions at home Because, as you know, in the in-person auditions which are starting up again thank God a little bit you usually get one shot and you can't do that lead in ahead of time.  21:51 - Anne Ganguzza (Host) Well, exactly so. We've talked about the moment before, which, again, I think is so important. We've talked about storytelling. What other things would you say are important for a voice actor to know today in order to get noticed and stand out?  22:06 - Anna Garduno (Guest) Okay, well, this is such a basic thing. It's going to sound so silly, but it's very important to do some homework. We'll just talk right now about two areas, about commercial and animation, but this is true for everything. Actually, listen to what is actually on the air to hear what the styles are, what the tones are and everything. I have students and I'm sure you do too Some, you know, women students who've gone off and raised children and they're coming back 20 years later, right, and everything is like it's in the eighties or the nineties. It's so amped up. I'm like, okay, have you actually heard a commercial? And I'm shocked at how people say, well, no, I stream.  22:43 - Anne Ganguzza (Host) I don't watch TV. Yeah, I don't watch TV. What?  22:46 - Anna Garduno (Guest) What does it matter with you? And what's so nice is you can that's research, yes, and also watch some different animation too, because, as we know, that natural voice, right, which is sort of the BoJack Horseman model, and then there's, you know, slightly more character-y things like in Spongebob, and then there's super cartoony, right. I am shocked at how many people do not actually pay attention to cartoons and they'll say, well, there's so many. How do I start? I go okay, watch movie trailers.  23:12 Watch the movie trailer, for inside out it's three minutes. There's five women and five men. Watch that and take notes. Don't just watch it passively. Write down what are the archetypes, what are the things, and then you put a check mark. So I'm very surprised at how people don't do their research. And I also tell my students it doesn't take long. If you spend half an hour a week listening to commercials in a very specific way and half an hour a week to different animation, listen to 10 minutes of three different shows and take notes on them, you do that for a month solid. Oh my God.  23:43 You have such a better foundation than everybody else. Oh my gosh, it's a very basic thing It'd be hard to audition for a play if you'd never seen a play Right. It would be hard to audition for an hour-long TV show if you hadn't watched hour-long TV in 20 years. You had no idea what those shows are like, because they're different than what they used to be.  24:01 - Anne Ganguzza (Host) And before you run into audition for no Matter what, can you take five to ten minutes to just look up the brand yes and look and see what's their website look? Like what is the product that you're talking about actually do. Do you know the product? Are you familiar with it? What is their demographic? Who are they trying to sell to? I mean, there's so much backstory.  24:22 Again, it's almost like you're doing character study right, but you're doing it about the brand because the brand is looking for a voice. Even if there are casting specs, right, you can always go to a brand and find out, like, who are they selling to and how are they trying to do that by just literally a Google search. Absolutely, and I don't see why people don't take the time to do that. I mean it could take literally five to ten minutes before you rush in and everybody's like I've got to get the audition in. I've got to get the audition in, but do the homework first. Spend five or ten minutes. I don't think that you're going to miss the timing. I mean, I know people are like I've got to get it in first.  24:52 - Anna Garduno (Guest) Also, it's going to be much more efficient. Right, you take five, ten minutes, so like, oh, what is this new? Obviously, I don't know anything about tech stuff. So what is this new tech thing about? I need to find out what it is, and then you can do almost anything in three to four. Takes Almost you know after that.  25:06 So it's not going to take you that long. But I think one of the things I recommend my students do is so that you're not always in a rush right, trying to do the audition and get all this stuff in is set aside a specific time, wednesday morning from 10 to 1030. I'm going to look at ispottv and I'm going to watch 10 car ads in a row and I'm going to write down the differences between them. So if you just set a specific time, then it's part of your ongoing kind of homework and then when you get that audition for Lexus or Jeep you've already seen it and you know what it is.  25:40 And you're like oh, or you can say oh, this is like the absolute vodka ad I just watched. Okay, and that's what that is. So you're not playing catch up. Yeah, and it's the only area of acting I've ever come across and where you can get better at it really fast, because if you have a good ear, you can hear, like students where I've done this myself right, I think I'm sounding very sexy, yeah yeah, and I just sound sad, sad and depressed.  26:07 I'm like, okay, that's bad. Or I'm trying to be enthusiastic and I sound crazy, like I've had 15 cups of coffee, so you can hear it and you can adjust it immediately and that's so satisfying. I mean, I love to do dialects, as I know you do, and you know dialects takes years to really be super great at them. And this is another area about the voiceover world is you can move forward very quickly if you are just consistent, consistent with your study consistent with your class?  26:40 - Anne Ganguzza (Host) Yes, absolutely.  26:42 - Anna Garduno (Guest) Consistent instead of stopping and starting all the time.  26:44 - Anne Ganguzza (Host) I love that. I love that and I try to tell my students you know, look, it's better for you to do one or two scripts a day because I give homework right. And I say it's better for you to do one or two scripts a day because I give homework right. Yeah, and I say it's better for you to do one or two scripts a day, then wait until the night before and then do all the scripts at the same time, because then you're in the same performance mode, right.  26:58 - Jen Keefe (Ad) You're just like, oh God, I've got to get my homework done.  27:00 - Anne Ganguzza (Host) I've got to get my homework done and so I'm going to listen to you. And so one of the reasons why I give homework is to hear, for me I'm vocally branding my students as well, so that we're prepping for the demo. Right, I want to hear them talking about Toyota or I want to hear them talking about Subaru or some other brand and I want to say, okay, I hear that, you know, and for me it's just a creative thing where I'm like, yes, I can hear that she sounds great with that brand, and so now we're going to focus on a spot on our demo for that brand. And so I give lots of homework because, number one, you should be able to practice what we're doing in between our sessions. Otherwise, like you want me to just live direct you once a week, that just, I mean, I don't feel that you're going to progress quickly.  27:45 - Anna Garduno (Guest) Well, what you're talking about, anne, is giving them the structure and the tools to become their own best director. Exactly that's what you're talking about, and that is a gift to give to students.  27:55 - Anne Ganguzza (Host) Thank you for calling homework being a gift. I love that. Oh, it is a gift. Yeah, I love that, and also I always say to people it's optional okay. I don't want to stress you out, yeah me too.  28:03 - Anna Garduno (Guest) I don't want to stress you out, but you're giving them. It was a new student, they go. Well, I just need to be. You know, if I have a director or a cast member, they tell me what to do. And I said to them okay, well, what might they say? And she said, well, they would tell me to be more conversational. I said, okay, and then what would you do? Blank face, yeah, and everyone's different. Like for me to be more conversational. In general, I have to slow down and I have to bring my voice down just a little bit.  28:31 Other people have to go faster.  28:38 - Anne Ganguzza (Host) Typically people pitch up when they're reading. That's just a, I think, human nature kind of thing, but you're right. And then sometimes they just go fast through everything or they go too slow through everything and then they sound too consistent. Consistency is like. I think I can't be stagnant in my business. That's the death of my business, and I think consistency might be the death of a voice actor. Because you can't be consistent in any sound right, because then it sounds robotic, it sounds with no point of view, there's no right, it's rhythm, and point of view is everything.  29:05 - Anna Garduno (Guest) I think Point of view drives the rhythm and sometimes the rhythm is like there's one style that sort of is kind of the opposite of all we're talking about a little bit is I call it a cello read Is that Eternity by Calvin Klein?  29:16 - Jen Keefe (Ad) Right when they just say do less, do less, do less.  29:18 - Anna Garduno (Guest) Right, hi, yes Hi, I'm not going up or down, but that's its own rhythm.  29:22 - Anne Ganguzza (Host) So that's why I call it a cello.  29:24 - Anna Garduno (Guest) So if somebody plays one note on a cell, that's what it is. Yeah, it's like that. So even that is a very specific point of view.  29:32 - Jen Keefe (Ad) Yeah, absolutely.  29:35 - Anna Garduno (Guest) And it makes it dynamic because you're right, if you're just consistent all the way through the same way, it's so boring, yeah, you just stop. It loses any kind of dynamic.  29:42 - Anne Ganguzza (Host) It loses point of view too Correct, it really does.  29:44 - Jen Keefe (Ad) Oh, absolutely yeah.  29:53 - Anne Ganguzza (Host) It's interesting how musical it can be and then yet I don't want my students to approach it necessarily musically. I want them to approach it like an actor, because if you can do that, then ultimately things just fall into place. When you're responding to something, you're acting is reacting. When you're reacting right and you're reacting with the lines in the script, it falls together naturally. It really does.  30:08 And so the rhythm and the melody just fall together, and the emphasis on the words. It just falls together Like it's an easy thing for me to say. However, somehow, when people get words in front of their face, yes, because I was taught to read aloud, you know, in grade school, and I was like yes, me, I love to read, I'm a good reader, and let me hello, I'm going to read my text now, and so you have no time to put a point of view on when you're just reading from left to right, you don't know what the story is. There's no history there, there's no. Who are you talking to? Well, I'm just reading to the air, right?  30:40 - Anna Garduno (Guest) Well, I think you bring up also a really good point too. The approach isn't after the voice will follow the musicality, all that will follow. And something that's a particular challenge is since when we're reading or working, a lot of times we have headphones, so we're hearing ourselves while we're talking and there's a big temptation to be the director, the producer, all at once while you're literally saying your words absolutely you have to not do that.  31:02 So I'm a big advocate just put one headphone on, because you don't ever hear what you actually sound like through your head or your headphones. It's close because you're listening through the speaker of your head, right? So that's that's. The other thing, too, is I tell students don't judge your read like. Listen to it back first before you start making adjustments, or you stop in the middle or you change it or something.  31:21 - Anne Ganguzza (Host) Yeah, that's good, I like that. Wait until you're done. I have the advice, which is interesting I get the one ear on, one ear off. For some people yeah, for some people, because for me, when I was initially starting, I had a lot of like noises coming out and I was evaluating my booth and so I couldn't tell if there was noise and also being directed right. So when you're directed, you kind of have to have your headphones on.  31:42 - Anna Garduno (Guest) Oh no, absolutely Right, You've got to be able to hear the direction.  31:44 - Anne Ganguzza (Host) So I always say your headphones are amplifying your sound, yes, and so if you get used to not listening to your sound and you're into the storytelling, it won't matter if you have headphones on or not. But that's a hard thing for people to do sometimes, because I know when I first started hi, oh, I love this. It's amplifying my voice, you know that kind of thing and it just gets to be a little egocentrical there for a minute. But I don't think any voice acting really should be egocentrical at all. It's something you are gifting right to the person who is listening to you and that is a gift you give to them. It's not about you listening to yourself.  32:20 - Anna Garduno (Guest) Well, even though you're just doing one side of the conversation. You're in fact interacting. Yeah, you are always interacting, and that's when they say talking to a friend. That's what they're trying to say is you're talking about this paper towel is going to soak up that spilled wine. Because you just came to your friend and said, oh my God, I spilled red wine all over my couch, I don't know what to do. You say, oh well, actually this thing is going to help you. You're interacting. Right, it's not about you at all. And it is a challenge sometimes not to fall either, to fall in love with your own voice or to decide.  32:49 You hate everything about it which is also not helpful.  32:52 - Anne Ganguzza (Host) That's so true. So you have to not judge.  32:54 - Anna Garduno (Guest) You have to wait and listen back and then see do I sound like I'm engaging with someone? Because you're always talking, like you say, for a reason. You know, even in animation stuff. You know I was talking to someone the other day about BoJack Horseman because that's such a common spec.  33:10 You know they say we want to like bojack horsemen, not rugrats and things like that. And I had somebody once I think was at sad foundation, wasn't a regular student said, and they said, well, you know, will arnett, they just hired him because you know he's just will arnett all the time. And you know what I said. I said, okay, I see why you're saying that, but my guess is a lot of people would like to play bojack. I bet chris rock would have loved it, paul rudd would have loved it.  33:28 Paul Rudd would have loved it. Owen Wilson would have loved it. There's a lot of comedic Seth Rogen, there's a lot of guys, and Willa and I get it, not because of the sound of his voice, but because he created a character that was engaging. So don't self-sabotage by saying, oh, it's a star. That's all they do. Don't diminish their work and don't diminish your possibility to do work as good, absolutely.  33:52 - Anne Ganguzza (Host) So I think that that's really interesting. Oh, I love that. I love that. Gosh, Anna, I could talk all day to you.  33:58 - Jen Keefe (Ad) Well, that's why we're going to get together and have cocktails and dinner.  34:00 - Anne Ganguzza (Host) There we go Well, there we go Well. I have to say thank you. So so much. Thank you so much and I know that it's been a pleasure having you on. Now you've got a special offer for boss listeners. I do Special offer.  34:12 - Anna Garduno (Guest) Talk to us about that a little bit so for boss listeners. You get 10% off any classes, 10% off any private coaching or things like that, and also 10% off any demos you may want to work on or refresh or anything like that. Just say that you're a fan of the boss lady. The queen herself Love it and I'm very happy to do that. And you can reach me through.  34:33 - Anne Ganguzza (Host) My direct email is AnnaVoiceForward at gmailcom, and just say hey, heard you on the boss, and we'll put that link in the show notes as well to get to your website. And so thank you so much, anna, for being with us today, and I look forward to working with you more in the future. For sure I want to have you as a VO Peeps guest director too, so coming up, so I'll be sending you that schedule. Yay, I would love that. So perfect. Thank you so much. Thank you so much, and so a big shout out to our sponsor, ipdtl. You too can connect and network like bosses. Find out more at IPDTLcom. Bosses. Have an amazing week and we'll see you next week. See you next week, bye, thank you.  35:20 - Intro (Announcement) Join us next week for another edition of VO Boss with your host, anne Ganguza, and take your business to the next level. Sign up for our mailing list at VOBosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution, with permission. Coast-to-coast connectivity via IPD TL.   

#actor #southafrica #podcast #gregkriek #kevinhart #meganfox #zachsnyder Join the MetaLab fam for ultra premium supplementation, code "JOSH15" - https://www.metalabsupps.com/ Greg Kriek was a 2024 Primetime Emmy® Awards contender for Outstanding Supporting Actor in a Limited Series/Movie for his role alongside Kevin Hart in Die Hart 2: Die Harter. Competing against industry heavyweights like Barry Keoghan, Robert Downey Jr., and Taylor Kitsch, Greg solidified his reputation as one of South Africa's most internationally credited actors in his category. With over 95 screen credits, Greg is celebrated for his versatility and transformative performances. He starred as Dr. Tony Sinclair in the Emmy®-winning The Serengeti Rules and played Karl Stromberg in the Emmy-nominated Die Hart 2: Die Harter. In 2023, he won Best Supporting Actor at the Oscar-qualifying Los Angeles Annual Film Awards for his role in the Holocaust drama Trust. Greg's portfolio includes a key role in Zack Snyder's Rebel Moon franchise, acting alongside Sir Anthony Hopkins, Charlie Hunnam, and Djimon Hounsou. Other notable projects include Fly Me to the Moon with Scarlett Johansson and Channing Tatum and Rogue opposite Megan Fox. Trained by top acting coaches like Larry Moss and Ivana Chubbuck, Greg has mastered a craft that transcends genres. His upcoming 2025 releases include seven major projects, such as a top-secret Amazon limited series, a western with Harvey Keitel, and two international features in Iceland and Cambodia. Having shared the screen with icons like Morgan Freeman and Olga Kurylenko, Greg continues to establish himself as one of Hollywood's most dynamic talents. Don't forget to like and subscribe FOR MORE INFO Greg Kriek - https://www.instagram.com/gregkriek/?hl=en Joshua Eady - https://www.instagram.com/justblamejosh/ Storytime Podcast - https://www.instagram.com/storytimepodcastjosh/ WATCH https://youtu.be/2xRAn3Umo_A

On Saturday, October 12, the Street Peace Project unveiled its Beacon for Peace on a street corner in Lansingburgh. The outdoor interactive sculpture seeks to raise awareness of the problem and grief of violence in the community. Individuals are asked to attach a message of peace to the Beacon. We hear from artist Devya Arthur; Larry Moss; Marketa McCant of Community Rising; Jim Ketchum; Rev. Victor Paterson; Martina Neilsen; Andre Cruz; Serena Foy; and Thomas. By Mark Dunlea for Hudson Mohawk Magazine.

Christina Helena is a speaker, playwright/performer, and founder of My Scar is Sexy, based in New York City. As one of the youngest pancreatic cancer survivors with a thirteen-inch scar across her abdomen, she is redefining the stigma behind trauma and pain with one simple thought: “Your scar is the sexiest thing about you.” Most recently, Goalcast featured Christina's talk, “My Scar is Sexy,” on mental health, and overcoming adversity received over 10 million views.Her story is currently in development as an off-Broadway, autobiographical solo show entitled SCAR directed by the award-winning director Larry Moss. Her TEDx talk, “Dear Unresolved Soul, It's Not Death You Fear, It's Life,” is about facing mortality and how death is the greatest catalyst to discovering the authentic self. A Quote From This Episode"It took me many years of just asking myself, 'Why did you have that thought?' Then, again, 'Why did you have that thought?' And then, 'Why did you have that answer, and why that thought?'"Resources Mentioned in This EpisodeChristina's WebsiteChristina's TEDx TalkMy Scar is Sexy TalkGoalcastOther resources/people mentioned in this episode are linked to in the episode transcript.About The International Leadership Association (ILA)The ILA was created in 1999 to bring together professionals interested in studying, practicing, and teaching leadership. Register for ILA's 26th Global Conference in Chicago, IL - November 7-10, 2024.About  Scott J. AllenWebsiteWeekly Newsletter: The Leader's EdgeBlogMy Approach to HostingThe views of my guests do not constitute "truth." Nor do they reflect my personal views in some instances. However, they are views to consider, and I hope they help you clarify your perspective. Nothing can replace your reflection, research, and exploration of the topic.

What if you could transform your acting career by mastering your unique superpowers? This episode of NOLA Film Scene features the extraordinary James DuMont, who takes us through the pivotal moments of his extensive acting journey. From the mentorship of industry legends like Tim Phillips and Larry Moss to the pragmatic application of the Meisner technique, James shares the invaluable lessons he's learned along the way. By drawing on personal stories and career-defining transitions, you'll gain deep insights into how preparation and authenticity can lead to impressive performances in both theater and film.Support the Show.Follow us on IG @nolafilmscene, @kodaksbykojack, and @tjsebastianofficial. Check out our 48 Hour Film Project short film Waiting for Gateaux: https://www.youtube.com/watch?v=z5pFvn4cd1U

In a rapidly changing entertainment landscape, creators are finding innovative ways to maintain control and integrity over their work. Enter Rich Ronat and Laura Vale, the dynamic duo behind Good Rebel Pictures. Together, they are challenging the status quo and championing the cause of indie filmmaking with their latest venture. Rich Ronat, an established Hollywood screenwriter known for works such as Grand Isle (starring Nicolas Cage and Kelsey Grammer), American Sicario (starring Danny Trejo), and the upcoming Crescent Hawk (featuring Alec Baldwin and Terrence Howard), brings a wealth of industry experience. Laura Vale, a talented actress recognized for her roles in Midnight in the Garden of Good and Evil, Charmed, Desperate Housewives, and Seventh Heaven, adds her rich acting pedigree to their projects. Together, they are not just partners in their production company but also in life. Good Rebel Pictures was born out of their shared love for storytelling and a desire to reclaim creative control. In an industry increasingly driven by commercial viability and the financial bottom line, Ronat and Vale believe the essence of filmmaking—story, creativity, performance, and writing—has been compromised. By forming their own production company, they aim to provide opportunities for actors who fit the role perfectly, irrespective of their marketability. Their first project under Good Rebel Pictures, CULPRIT, is a psychological thriller set to premiere this June in Los Angeles, with plans for both national and international festival circuits. The film marks Ronat's directorial debut, which he also co-wrote. Starring Jamie Donavan, Laura Vale, Ron Orbach, Carolyn Mignini, and Michael Dempsey, CULPRIT exemplifies the duo's commitment to “creative purity.” According to Ronat, big studio films often morph through different stages—from the script to the screen—resulting in a final product that may stray far from the original vision. Indie filmmaking, in contrast, allows for a more authentic realization of the creator's intent. Rich and Laura met many years ago in an acting class with the renowned Larry Moss, and their paths have intertwined ever since. Their journey from Hollywood insiders to independent creators underscores a broader trend in the industry: the need for artists to build their own platforms rather than waiting for a place at someone else's table. Through Good Rebel Pictures, Rich Ronat and Laura Vale are not just producing films—they are nurturing a movement. Their work is a testament to the power of independent filmmaking and the importance of maintaining artistic integrity in an ever-evolving industry. As they prepare for the premiere of CULPRIT, the duo is excited to share their vision with the world and inspire other creators to take control of their creative destinies.

In which Patsy speaks with friend, colleague, actor, director and coach and Larry Moss.

Dr. Larry Moss, President & COO of Nemours, joins JMN to share how partnering with The Players helps provide care resources for children.

Actor-director Michelle Danner is also an acting coach at the Los Angeles Acting School who specializes in the Meisner, Strasberg, Adler, Hagen, Chekhov and Stanislavsky techniques. Alongside Larry Moss, she's also the founding and Artistic Director of the Edgemar Center for the Arts.In 2006, Michelle made her feature film directing debut with, How to Go Out on a Date in Queens, winning the L.A. Film Awards' Best Acting and Best Movie awards. Her 2013 film, HelloHerman, catalogs the effect that peer abuse, parental neglect and the general coarsening of society has on a typical high school student.  Michelle has acted in and directed over thirty plays in Los Angeles and New York, with her favorite acting credit cited as the Dramalogue award-winning Tennessee Williams' The Rose Tattoo. Among her other award-winning stage work, she produced The Night of the Black Cat at Edgemar, she directed the world premiere of Mental the Musical, and she wrote and directed You're on the Air, an improvisation-based comedy.Michelle also produced and acted in the award-winning short Dos Corazones, directed by Larry Moss. And she was voted favorite acting coach by the readers of Backstage. Notable projects Michelle has directed include: Bad Impulse with Paul Sorvino, Ticket to the Circus, a one-woman play about the life of Norris Church Mailer, starring Anne Archer.  And most recently she produced and directed the feature, Miranda's Victim, a biographical crime drama depicting the origins of the well-known Miranda warning. The movie stars Abigail Breslin, Luke Wilson, Andy Garcia, Donald Sutherland, Ryan Phillippe, Kyle MacLachlan, Mireille Enos, Taryn Manning, and Emily VanCamp. I've seen Miranda's Victim and can tell you it's an intense and deeply emotional story about how the legal system can be impacted and changed by overcoming injustice amid challenging circumstances. www.michelledanner.comwww.edgemarcenter.org

In this episode, Adam and Budi speak with Master Clown Fabio Motta.Fabio Motta is an award-winning performer, clown, and teaching artist who has performed and devised theatre in Australia, Italy, and the United States. He has trained and is a graduate of international arts institutions including The Academia Teatrale Veneta (Italy) and HB studio in New York and has worked with renowned artists and teachers such as Carol Rosenfeld, Larry Moss, Lyndsey Davies, Austin Pendleton, Philippe Gauliere, Zack Fines and Giovanni Fusetti. Working extensively as an actor in Australia and abroad with companies like the Australian Shakespeare Company, Born in a Taxi, Hudson Valley Shakespeare Festival, and The Russian Arts Theatre, he also has multiple TV and film credits to his name including Ronny Chang International student, Utopia season 4, Carla Cametti PD, Canal Road, Apparitions, Slant and Little Tornados. His critically acclaimed solo show SPOT had a sold-out season in 2021 at Theatre Works and raving reviews in his return season in 2022 at the Explosive Factory as part of the Melbourne International Comedy Festival. Most recently, he has received a Green Room Award for 'Best Performer' for his solo show SPOT in 2022.He is a certified Associate Teacher of Fitzmaurice Voicework® and the regional coordinator for Australia and New Zealand. He is also the artistic director of the Clowning Workshop where he runs ongoing workshops. Fabio has taught at New York University Tisch School of the Arts, HB studio, and the Ume Group (Physical Theatre Ensemble New York) in the United States. In Melbourne, he runs classes in Clowning, Fitzmaurice Voicework®, Mask, and games for theatre as a freelance.He has taught at 16th Street Acting Studio, Brave Studios, The Victorian College of the Arts, St. Martin's Youth Theatre, and The National Theatre Drama School Melbourne.Integrate spiritual practice into your training and unveil the profound, spiritual depths of acting with Budi Miller, an internationally renowned expert in Balinese Performing Arts Training.. Join this transformative workshop where Budi will guide you through his uniquely crafted spiritual acting techniques, honed over 25 years of meticulous research and global actor coaching. Benefit from Budi's extensive experience in training actors for both screen and theatre.

The great Larry Moss sits down with Mershad Torabi to discuss his life, start in acting and transition to becoming one of the greatest acting teachers of our time.Moss coached Sutton Foster in Broadway's Anything Goes (Tony Award); Helen Hunt in As Good As It Gets (Academy Award); Hilary Swank in Boys Don't Cry and Million Dollar Baby (Academy Awards); Michael Clarke Duncan in The Green Mile (Academy Award nomination); Hank Azaria in Tuesdays With Morrie (Emmy Award); Jim Carrey in The Majestic; Tobey Maguire in Seabiscuit; Leonardo DiCaprio in The Aviator (Golden Globe Award and Academy Award nomination); The Departed (Golden Globe nomination); Blood Diamond (Golden Globe and Academy Award nomination); Shutter Island, Inception, J. Edgar (SAG and Golden Globe Award nomination) and Wolf of Street (Golden Globe Award and Academy Award nomination) and The Revenant (Academy Award) and Once Upon a Time in Hollywood (Golden Globe Award and Academy Award nomination). Moss's teaching career includes US, Canada, Australia and Europe. His book on acting, The Intent To Live, was released by Bantam Dell in 2004.http://weareactors.com

"Your physicality is your vehicle for all communication, leadership, and influence."   In this episode, Bo Eason, former NFL player, speaker, and author, and I discuss the role of physicality and self-expression in effective communication, parenting, and relationships. This episode answers this one question: What's the connection between the state of your nervous system, your physical presence, and your ability to communicate well?   Bo and I explore the importance of being physically and mentally present in different areas of life, and touch upon the parallels between elite athletes and impactful communicators who express themselves through their strong postures and voices. Bo shares his personal journey and insights on utilizing the body and voice for compelling storytelling and presence. As the author of the book There's No Plan B For Your A-Game, Bo believes that the human body is a powerful instrument and with adaptability and continuous learning, anyone can become a great communicator and excellent at what they do.   Here's what you'll learn about in this episode:   How physical expression makes communication impactful and messages compelling Why your nervous system needs to be in a parasympathetic state that is present and calm to foster creativity and play How deep breathing activates your voice to support communication Ways that presence and embodiment support parenting and influence and inspire others Why people with a history of trauma may struggle to embrace their power and be fully present The need to unapologetically embrace your natural power, authenticity, and strength, even when society tells you to play small Intro to the "Sacred Six," a set of six small exercises designed to activate the voice and body. Why you need a vision to attract support and resources and fufill your dreams     Want to learn the steps to take, in the right order, in order to process trauma safely? Check out my guide, “The Essential Sequence Complete Guide.” –BIO– Find More About Dr.Aimie https://www.traumahealingaccelerated.com/dr-aimie-apigian-md-ms-mph/ More about our guest:  Bo Eason is a speaker, performer, and author who started his career in the NFL, as a top pick for the Houston Oilers. Continuing on with the San Francisco 49ers, during his 5-year career Bo competed beside and against some of the greatest players of his generation. In 2001, Bo wrote and performed his one-man play, Runt of the Litter, which opened in New York to rave reviews. The New York Times called it “One of the most powerful plays in the last decade.” Bo toured with the play in over 50 cities and it is now being adapted as a major motion picture. In his quest for excellence on the stage, Bo trained with some of the world's most brilliant performance and movement coaches, Larry Moss and Jean-Louis Rodrigue.  Bo now draws from their techniques and wisdom to coach others to be excellent presenters and storytellers. Bo is dedicated to helping others tap the power of their personal story and become effective, persuasive communicators. He delivered his keynotes and workshops to groups such as Protective Life Insurance, Dimensional Fund Advisors, Morgan Stanley, and Young Presidents Association. Bo has also appeared as a guest on shows like Bill Maher, Fox Sports Net, ESPN, The Rosie O'Donnell Show and CNN. Bo got the opportunity to share his life experiences and inspirational lessons with the world! Bo wrote There's No Plan B For Your A-Game because he truly believes that anyone has the ability to be great. His book uses inspiring, practical, and real-world guidance, coupled with absolute accountability to teach anyone how to be the best in the world at what they do: the best leader, the best business owner, the best athlete, the best artist, the best partner, the best parent. Disclaimer: By listening to this podcast, you agree not to use this podcast as medical advice to treat any medical condition in either yourself or others. Consult your own physician for any medical issues that you may be having.  This entire disclaimer also applies to any guests or contributors to the podcast. Under no circumstances shall Trauma Healing Accelerated, any guests or contributors to The Biology of Trauma podcast, or any employees, associates, or affiliates of Trauma Healing Accelerated be responsible for damages arising from the use of the podcast.   Helpful links: Attachment Roadmap Guide for Biochemical Imbalances in Mental Health Foundational Journey for Addressing Stored Trauma We Recommend: Starters Basic Bundle for Energy - This provides your body with key essentials that can help get you unstuck, have deeper, more restorative sleep, and enhance your energy levels. https://www.traumahealingaccelerated.com/product/starters-basic-bundle-for-energy/  

Fiona and Sophia Robert are Producers, Writers, and Actors who have written roles for themselves in two feature films: The Country Club and A View of the World from Fifth Avenue. While The Country Club is available to stream right now, A View of the World from Fifth Avenue was cast by Mentor Julie Schubert and just premiered at Bentonville Film Festival. Robert Sisters Pictures is an award-winning film production company founded in 2018. Created by sisters Fiona and Sophia Robert, the team writes, produces, directs, and stars in their films. TAll Robert Sisters productions aim to have an inclusive and gender-balanced crew behind the scenes, earning their second feature film, A VIEW OF THE WORLD FROM FIFTH AVENUE, the ReFrame stamp of approval. The Robert Sisters' first feature, THE COUNTRY CLUB played five festivals taking home “Best Feature Comedy” upon its premiere at the Manhattan Film Festival and the “Marlyn Mason First Prize“ at Flicker's Rhode Island Film Festival. The film was sold to Good Deed Entertainment for domestic distribution, and Archstone for International Sales. It will be released worldwide June 2023. The Robert Sisters' second feature, A VIEW OF THE WORLD FROM FIFTH AVENUE will world premiere as one of twelve films in Narrative Competition at Bentonville Film Festival June 2023 founded by Geena Davis. In this episode, we talk about: • When they decided to make your own production company and was it before or after they wrote The Country Club? • The story behind writing their first feature film The Country Club • Their process for writing a film together and their steps towards pre-production of a feature film • Lessons that they took to their second feature film from first film • Made A View of the World from Fifth Avenue in just over a year with recent premiere at Bentonville Film Festival • Sophia being directed by her sister Fiona and Fiona's directing tips she's learned along the way • Tips for actors on their self tapes • What the ReFrame Stamp of Approval is and why it's important for them to promote equity • Working with Casting Directors Julie Schubert and Kate Gifford to cast their films Guest: ⁠Website⁠ ⁠Fiona's IG⁠ ⁠Sophia's IG⁠⁠ ⁠The Country Club IG⁠ ⁠A View from Fifth Avenue IG⁠ Host: Instagram: ⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠ Facebook page:⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠ Website:⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠ Youtube: ⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠ Episodes we talk about: Becoming... Emmy winning Casting Director Julie Schubert and Becoming... Legendary Acting Coach Bob Krakower and Becoming... Executive Vice President at Maven Screen Media Jenny Halper ("The Kindergarten Teacher," "A Mouthful of Air") If you like this episode, check out: ⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Click here to join our Mailing list.⁠⁠⁠⁠⁠⁠ Ads: Check out The Actor's Retreat by the Casting Director's Cut for schedule and ticket information. The Actor's Retreat (Comedy) is a 2 days of virtual Acting Masterclasses. Classes include Improv Master Class with Ian Roberts (Co-Founder of UCB), Ace Your Self Tape: Comedy with Erica S. Bream, CSA & Cara Chute Rosenbaum, CSA, and Comedy Master Class with Larry Moss. There will also be various workshops perfect for actors like Morning Pages from The Artist's Way and Hypnosis for Actors: Using Hypnotherapy to Reach an Optimal Mindset. --- Support this podcast: https://podcasters.spotify.com/pod/show/michelle-miller4/support

WANT THE FULL EPISODE? Check out yesterday's episode "Ep.91 I Bo Eason I Deciding to Declare (and Achieve) Bold Goals," or download it using this link. Bo Eason draws on his experiences in the NFL and on Broadway to encourage business leaders to unlock their ultimate potential.KEY TOPICS The importance of physical and emotional grounding to improve your performance. The value of friendly competition. How we rise or fall to the level of the environments we choose. Using the L-10 rule for measuring progress. How the best leaders are captains, not superstars. Out-behaving, not necessarily outperforming your competitors. Getting good at failure and recognizing it as an integral part of success. Text PERSONALSTORY to 323-310-5504 to get Bo's step-by-step guide on how to capture your own powerful personal story. And to learn more about his upcoming Personal Story Power Event. CONNECT WITH USwww.decidedlypodcast.com Join us on Instagram: @decidedlypodcast Join us on FacebookShawn's Instagram: @shawn_d_smith Sanger's Instagram: @sangersmith MENTIONED IN THIS EPISODE“The Infinite Game” by Simon Sinek"The Captain Class: A New Theory of Leadership" by Sam WalkerText PERSONALSTORY to 323-310-5504 to get Bo's step-by-step guide on how to capture your own powerful personal story. And to learn more about his upcoming Personal Story Power Event. MAKING A FINANCIAL DECISION?At Decidedly Wealth Management, we focus on decision-making as the foundational element of success, in our effort to empower families to purposefully apply their wealth to fulfill their values and build a thriving legacy. LEARN MOREwww.decidedlywealth.comSUBSCRIBE TO OUR WEEKLY DECISION-MAKING TIP EMAIL Join us every Wednesday for more strategies to DEFEAT bad decision-making - one episode at a time! CONNECT WITH BO EASONText PERSONALSTORY to 323-310-5504 to get Bo's step-by-step guide on how to capture your own powerful personal story. And to learn more about his upcoming Personal Story Power Event. www.boeason.com “There's No Plan B for You're A Game”: www.boeasonbook.com Bo's Story: https://boeason.com/about-bo/ Instagram: @boeason21 Facebook: https://www.facebook.com/boeasonofficial/ LinkedIn: https://www.linkedin.com/in/boeasonofficial/ Bo Eason started his career in the NFL as a top pick for the Houston Oilers. Continuing with the San Francisco 49ers, during his 5-year career Bo competed beside and against some of the greatest players of his generation. In 2001, Bo wrote and performed his one-man play, Runt of the Litter, which he performed on Broadway to rave reviews. The New York Times called it, “One of the most powerful plays in the last decade.” Bo toured with the play in over 50 cities, and it is now being adapted as a major motion picture. In his quest for excellence on the stage, Bo trained with some of the world's most brilliant performance and movement coaches, Larry Moss and Jean-Louis Rodrigue. Now in his third act, he speaks to and trains some of the most successful people in the world—athletes, artists, entrepreneurs, and C-suite execs—on how to communicate for maximum impact and success. He has consulted for clients like Advisors Excel, Morgan Stanley, Dimensional Fund Advisors, Mass Mutual, Guardian, and Merrill Lynch. His training programs on leveraging the power of personal stories have transformed the way speakers communicate. Your story is unique from any other. Bo will show you how to leverage your achievements and your failures in a way that captivates and connects you with your audience every time. His book, There's No Plan B for Your A-Game, Be the Best in the World at What You Do, is a NATIONAL BESTSELLER. The book debuted on the USA Today, Wall Street Journal and Publishers Weekly bestseller lists and was named one of the 4 Hottest New Books of Fall 2019 by Inc. Magazine.

Bo Eason draws on his experiences in the NFL and on Broadway to encourage business leaders to unlock their ultimate potential.KEY TOPICS The importance of physical and emotional grounding to improve your performance. The value of friendly competition. How we rise or fall to the level of the environments we choose. Using the L-10 rule for measuring progress. How the best leaders are captains, not superstars. Out-behaving, not necessarily outperforming your competitors. Getting good at failure and recognizing it as an integral part of success. Text PERSONALSTORY to 323-310-5504 to get Bo's step-by-step guide on how to capture your own powerful personal story. And to learn more about his upcoming Personal Story Power Event. DON'T HAVE TIME FOR THE FULL EPISODE? Check out the 9-minute highlight clip, Ep.91 HIGHLIGHT I Good leaders are captains, not superstars. Download it directly using this link. CONNECT WITH USwww.decidedlypodcast.com Join us on Instagram: @decidedlypodcast Join us on FacebookShawn's Instagram: @shawn_d_smith Sanger's Instagram: @sangersmith MENTIONED IN THIS EPISODE“The Infinite Game” by Simon Sinek"The Captain Class: A New Theory of Leadership" by Sam WalkerText PERSONALSTORY to 323-310-5504 to get Bo's step-by-step guide on how to capture your own powerful personal story. And to learn more about his upcoming Personal Story Power Event. MAKING A FINANCIAL DECISION?At Decidedly Wealth Management, we focus on decision-making as the foundational element of success, in our effort to empower families to purposefully apply their wealth to fulfill their values and build a thriving legacy. LEARN MOREwww.decidedlywealth.comSUBSCRIBE TO OUR WEEKLY DECISION-MAKING TIP EMAIL Join us every Wednesday for more strategies to DEFEAT bad decision-making - one episode at a time! CONNECT WITH BO EASONText PERSONALSTORY to 323-310-5504 to get Bo's step-by-step guide on how to capture your own powerful personal story. And to learn more about his upcoming Personal Story Power Event. www.boeason.com “There's No Plan B for You're A Game”: www.boeasonbook.com Bo's Story: https://boeason.com/about-bo/ Instagram: @boeason21 Facebook: https://www.facebook.com/boeasonofficial/ LinkedIn: https://www.linkedin.com/in/boeasonofficial/ Bo Eason started his career in the NFL as a top pick for the Houston Oilers. Continuing with the San Francisco 49ers, during his 5-year career Bo competed beside and against some of the greatest players of his generation. In 2001, Bo wrote and performed his one-man play, Runt of the Litter, which he performed on Broadway to rave reviews. The New York Times called it, “One of the most powerful plays in the last decade.” Bo toured with the play in over 50 cities, and it is now being adapted as a major motion picture. In his quest for excellence on the stage, Bo trained with some of the world's most brilliant performance and movement coaches, Larry Moss and Jean-Louis Rodrigue. Now in his third act, he speaks to and trains some of the most successful people in the world—athletes, artists, entrepreneurs, and C-suite execs—on how to communicate for maximum impact and success. He has consulted for clients like Advisors Excel, Morgan Stanley, Dimensional Fund Advisors, Mass Mutual, Guardian, and Merrill Lynch. His training programs on leveraging the power of personal stories have transformed the way speakers communicate. Your story is unique from any other. Bo will show you how to leverage your achievements and your failures in a way that captivates and connects you with your audience every time. His book, There's No Plan B for Your A-Game, Be the Best in the World at What You Do, is a NATIONAL BESTSELLER. The book debuted on the USA Today, Wall Street Journal and Publishers Weekly bestseller lists and was named one of the 4 Hottest New Books of Fall 2019 by Inc. Magazine.

This episode of Kites and Strings is pretty twisted. We interview Larry Moss, who the Washington Post has called the "best balloon artist in the world.  He has been featured on television shows around the world and recognized by Ripley's Believe It or Not, and has been in the Guinness Book of World Records multiple times.  In addition to the large sculptures that are several stories high and that use tens of thousands of balloons in each, he's also been recognized for his work replicating the art of masters, like Cezanne, Da Vinci, by Leonardo da Vinci,  Botticelli, and Grant Wood.  Steve and Catherine have a great time chatting with Larry, talking about his work, the qualities of balloons as a medium, his creativity origins story which involves,  party balloons, magic, and music, and his process.   All good stuff. Larry's website:https://www.airigami.com/aboutTeaching  Artists ROChttps://teachingartistsroc.com/A really fun time-lapse video of Larry and his crew at work replicating French artist Jean-Honoré Fragonard's The Swing. https://www.youtube.com/watch?v=uxZn4vQdlPUHere's how you can find Kites and Strings out there in the interwebs.Kites and Strings Website: https://www.kitesandstrings.com/​​Facebook: https://www.facebook.com/kitesandstringspodcastTwitter:   @KitesandstringsInstagram:  @Kites_and_stringsemail: Kitesandstringspodcast@gmail.comKites and Strings' theme music is by Harrison Amer, and all other music if from Purple Planet Music at Purpleplanet.com.   The Kites and Strings logo-design is by Cole Monroe at Blue Stag Creative.

Ensuring the U.S. has a well-trained pediatric workforce is critical. Listen in as Dr. Larry Moss, President and CEO, Nemours Children's Health, and Amy Knight, President of the Children's Hospital Association, discuss Children's Hospitals Graduate Medical Education funding. They offer policy recommendations to address the current pediatric workforce shortage, including a call to Congress to increase CHGME funding, reauthorization of the program, and more. Carol Vassar, producer

With over 100 film and television credits to his name, award-winning actor, Adrian Holmes, has become one to watch in the entertainment industry. He can be seen starring opposite Ian Somerhalder, in the Netflix vampire-drama series, "V Wars" based on the popular bestselling book series by Jonathan Maberry. The series follows Dr. Luther Swann (Somerhalder) who enters a world of untold horror when a mysterious virus transforms his best friend, Michael Fayne (Holmes), into a murderous predator.On the film front, Holmes can be seen in the Universal Pictures' action-thriller "Skyscraper" alongside Dwayne 'The Rock' Johnson.Holmes is well-known for starring as Nick Barron on Bravo's original award winning series, "19-2" and for his portrayal of Captain Pike on the long running CW series, "Arrow." In 2017, he took home Canada's top honor in film and television for "19-2," with the Canadian Screen Award for Best Male Lead in a Dramatic Series. The show also won Best Drama series at the 2016 Canadian Screen Awards and was also nominated for a 2016 International Emmy Award. "19-2" is now streaming on Crave TV, Akorn, and Amazon.In addition to working in front of the camera, Holmes received a producer credit, for co-producing, alongside Step by Step Productions, the docudrama "Barrow: Freedom Fighter", which was shot in his homeland of Barbados.Additional film credits include Sony/TriStar Pictures' "Elysium" & "Debug", WWE Studios' "Vendetta," "Frankie & Alice", IFC's "Wrecked", and Warner Bros' "Red Riding Hood".Born in Wrexham, North Wales, with family from Barbados, Holmes grew up in and around Vancouver, British Columbia. The eldest of three boys, Holmes was a natural entertainer as a child. In junior high school, his drama class wrote a play for a local drama festival called, "The Challenge: An Environmental Happening" which was awarded Outstanding Junior Play, and Holmes awarded Outstanding Junior Actor. From that moment on he knew he wanted to pursue a career in acting.He continued to perform in stage productions throughout high school and college and studied his craft in Vancouver with a few different coaches including world-renowned coach Larry Moss, and Ivana Chubbuck. He also studied in New York at Black Nexxus Inc. held at the Times Square Arts Centre.In 2004, Holmes received his first LEO Award nomination [the Canadian Emmys], for his work in the series "The Collector" and then again in 2017 for his work in "19-2." In 2020 he had won for his work in the comedy Web-Series, "Hospital Show".When he isn't working, Holmes enjoys traveling, and tries to get back to see his family in England and Barbados as much as possible. He likes to keep active in his down time and is always up for a good round of golf. Holmes splits his time between Vancouver, LA and London. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dr. Larry Moss, CEO of Nemour's, joins JMN to share how The Players partnership helps to make services available to Jacksonville's pediatric patient community. Additionally, he shouts out to the Children's Cancer Fund and looks ahead to Careathon 2023.

Yes, it is, if you don't have leaders throughout your company. Shirley Collier, President of Scale2Market and host of the Growth Masters Federal podcast discusses this important topic with Larry Moss, CEO/Founder of Azimuth Consulting. These are links to the books mentioned in the podcast: https://www.amazon.com/Mindset-Psychology-Carol-S-Dweck/dp/0345472322/ref=sr_1_1?crid=17S6RAM35FKPU&keywords=dweck+mindset&qid=1673977626&sprefix=dweck%2Caps%2C99&sr=8-1 and https://www.amazon.com/Founders-Mentality-Overcome-Predictable-Crises/dp/1633691160/ref=sr_1_1?crid=2MC6XIVG8Y9RO&keywords=The+Founder%E2%80%99s+Mentality%3A+How+to+Overcome+the+Predictable+Crises+of+Growth+by+Chris+Zook+and+James+Allen&qid=1673977719&sprefix=the+founder+s+mentality+how+to+overcome+the+predictable+crises+of+growth+by+chris+zook+and+james+allen+%2Caps%2C100&sr=8-1 For more information, visit our website.

Hi, Welcome to the What I've Learnt podcastI am Luke, one of the producers for the show. As a producer I live my work and helping Deborah and our team share so many wonderful stories.From food to fashion and art to music we've got you covered.With spring just around the corner, we wanted to highlight some amazing moments of the podcast from November to December....Kim Krejus is the Director of 16th Street Actors studio has brought some of the world's most renowned acting coaches and directors, here including Leonardo Di Caprio's acting coach, Larry Moss, Bradley Cooper's acting coach, Elizabeth Kemp and lan Rickson who directed Hugh Jackman on Broadway.Sigrid Thornton, stellar much loved actor, now starring in her new role in the Chekhov classic The Seagull at the STC. Known for work in television shows like Seachange (1998 - 2019) and Wentworth (2016 - 2018), as well as film apperences in the films Snapshot (1979) and The Man From Snowy River (1982) and many more works.Dr. Rick Hodes is the JDC's medical director in Ethiopia. JDC is the leading Jewish humanitarian organization, working in 70 countries to lift lives and strengthen communities.  Initially arriving in 1984 to help famine victims, he returned in 1985 to teach at Addis Ababa University Faculty of Medicine, and has worked for JDC since 1990.Dr. Alison Thompson founded Third Wave Volunteers as a first responder on Sept 11th, 2001 in NYC which has grown to over 30,000 first responders worldwide. Alison has worked at the grassroots level in Sri Lanka, Haiti, Philippines, Greece, Turkey, Macedonia, Africa, Nepal, 12 USA hurricanes, Venezuela, The Bahamas,  the Syrian and Venezuelan Crisis and numerous other disasters around the world. Deborah's Instagram: https://www.instagram.com/what.ive.learnt/Mind, Film and Publishing: https://www.mindfilmandpublishing.com/Apple Podcast: https://podcasts.apple.com/au/podcast/what-ive-learnt/id153556330Spotify: https://open.spotify.com/show/3TQjCspxcrSi4yw2YugxBkBuzzsprout: https://www.buzzsprout.com/1365850

Michael was young when he discovered his psychic abilities. He spent his childhood studying with established psychics and going to “psychic camp” (somewhat reluctantly) to gain a greater understanding of his gifts. Through the loving support of his mother, Mae, he was able to mature in his practice, while staying true to his own creative style.Michael has been a professional psychic for more than thirty-five years, giving readings, performing ghost bustings, and speaking at events and conventions. His clients range from celebrities like Melanie Griffith and Gary Busey, to financiers and dog walkers.His book, Growing Up Psychic: From Skeptic to Believer, chronicles his life and path of coming to terms with his gifts. He is currently working on his second book and writes a weekly column for Tru.Magazine.http://michaelbodine.comDuffy Hudson is an actor, director, writer, teacher and filmmaker who lives and works in Los Angeles and has performed on Broadway and across the U.S. He has authored several screenplays, including Tattered Angel with actress Lynda Carter. He currently tours the country doing “one-man” shows and has been voted “Best One Man Show in Los Angeles” by the Los Angeles Daily News.”After graduating from college, he moved to New York City where he attended the Circle in the Square Theater School, on Broadway. He has studied with such great Directors as Michael Kahn, Nikos Psacharopoulos, Nakita Mikhalkov (Academy Award winning director for Burnt by The Sun) as well as Sandra Seacat and Larry Moss. http://duffyhudson.comThe Douglas Coleman Show now offers audio and video promotional packages for music artists as well as video promotional packages for authors. We also offer advertising. Please see our website for complete details. http://douglascolemanshow.comIf you have a comment about this episode or any other, please click the link below.https://ratethispodcast.com/douglascolemanshow

Hi, Welcome to the What I've Learnt podcastI am Luke, one of the producers for the show. As a producer I love our  work and helping Deborah and our team share so many wonderful stories.From food to fashion and art to music we've got you covered.In this episode, we are doing something special. As the end of the year is fastly approaching, we thought that we would highlight and showcase some of our favourite performers's from earlier in the year...Featured with in this episode are:Lisa Hunt is a Byron Bay based Soul singer and has performed with the likes of Pavarotti, Andrea Bocelli, Ray Charles, Eric Clapton, James Brown, Joe Cocker, Miles Davis, Macy Gray, Tina Turner, Bryan May, and the cranberries Dolores O'Riordan.Lisa Bolte: She danced with The Australian Ballet Company, 1986-2002, 2005-2007 and was promoted to Principal Artist by the revered Artistic Director, Maina Gielgud in 1993. Highlights with The Australian Ballet have included performing principal roles from the entire classical repertoire including Swan Lake, The Sleeping Beauty, Giselle, Romeo & Juliet, LaSylphide, Raymonda, Don Quixote, Manon, Anna Karenina, Etudes, Copellia, The Merry Widow, Onegin and Theme and Variations.Kim Krejus & Sigrid Thornton:  Kim Krejus is the Director of 16th Street Actors studio has brought some of the world's most renowned acting coaches and directors, here including Leonardo Di Caprio's acting coach, Larry Moss, Bradley Cooper's acting coach, Elizabeth Kemp and lan Rickson who directed Hugh Jackman on Broadway.Sigrid Thornton, stellar much loved actor, now starring in her new role in the Chekhov classic The Seagull at the STC. Known for work in television shows like Seachange (1998 - 2019) and Wentworth (2016 - 2018), as well as film apperences in the films Snapshot (1979) and The Man From Snowy River (1982) and many more works.Deborah's Instagram: https://www.instagram.com/what.ive.learnt/Mind, Film and Publishing: https://www.mindfilmandpublishing.com/Apple Podcast: https://podcasts.apple.com/au/podcast/what-ive-learnt/id153556330Spotify: https://open.spotify.com/show/3TQjCspxcrSi4yw2YugxBkBuzzsprout: https://www.buzzsprout.com/1365850

She's acted with Brad Pitt and Robert Redford as well as starred in the HBO series, Transporter. And this week she's Ivan's guest as they discuss Super Objectives based on Larry Moss book The Intent to Live.

Australians actors have always been Uber talented but they're having a big moment in the sun with the likes of Margot Robbie, Cate Blanchett, Hugh Jackman and Rebel Wilson spearheading some trailblaising productions and featuring centre stage in some of the most awarded and revered global films.Baz Luhrmann, Russell Crowe, Chris Hemsworth and a stream of internationals like Matt Damon and Tom Hanks are filming big budget movies here so we need the best educators to train prepare and equip the next generation of in demand Aussie actors.Patron Deborra Lee Furness and stellar much loved actor Sigrid Thornton, now starring in her new role in the Chekhov classic The Seagull at the STC, are just two of the wonderful actors supporting what many dub “one of the best acting schools in Australia” - the 16 th Street Actors Studio.16th Street, director Kim Krejus has brought some of the world's most renowned acting coaches and directors, here including Leonardo Di Caprio's acting coach, Larry Moss, Bradley Cooper's acting coach, Elizabeth Kemp and lan Rickson who directed Hugh Jackman on Broadway.She has elevated what training means in this country and exposed actors at all levels of their artistic development to the world's best.Global guru Russell Brand was so impressed when he visited to speak at the Studio he donated his large fee to the Studio supporting their vision to teach actors.In 2023, 16th Street is planning to bring Jennifer Aniston's acting Coach, Nancy Banks and Actor. Willem Dafoe to conduct masterclasses.So thrilled to have two wonderful talented women I adore to join me on the Pod to talk about their passion for acting teaching mentoring and why Australians have become such precious respected and in demand artists globally.Deborah's Instagram: https://www.instagram.com/what.ive.learnt/Mind, Film and Publishing: https://www.mindfilmandpublishing.com/Apple Podcast: https://podcasts.apple.com/au/podcast/what-ive-learnt/id153556330Spotify: https://open.spotify.com/show/3TQjCspxcrSi4yw2YugxBkBuzzsprout: https://www.buzzsprout.com/1365850

For Video Edition, Please Click and Subscribe Here: https://youtu.be/p09XctTNxhQ KURT PETERSON began his Broadway career when Leonard Bernstein and Richard Rodgers chose him to play Tony in the revival of West Side Story at Lincoln Center. He then starred opposite Angela Lansbury in Dear World and created the role of Young Ben in Stephen Sondheim's Follies. Off-Broadway, Kurt starred in Dames at Sea, By Bernstein, and Alias Jimmy Valentine, and appeared in the Town Hall productions of Knickerbocker Holiday, Music in the Air and I Married an Angel. Kurt sang “Proud Lady” to Patti LuPone when he starred opposite her in the Broadway-bound The Baker's Wife. He also starred in the highly acclaimed Canadian premiere of Company and Rob Marshall's production of Side By Side By Sondheim. Kurt was featured in the 75th birthday celebrations “Wall to Wall Sondheim” and “Children & Art” honoring Stephen Sondheim and has performed as a leading man in many productions and concerts around the country and in Europe. Kurt and his company, James William Productions (JWP), produced the acclaimed Sondheim: A Musical Tribute, the first celebration of the composer/lyricist; helped launch the New York and London productions of Angela Lansbury's Gypsy; produced the live tours of WPIX-TV's classic children's show “The Magic Garden”; and the National Tour of Rob Marshall's innovative Side By Side By Sondheim. Recent projects include co-producing the New York productions and National Tour of the Stephen Schwartz family musical Captain Louie; the Off-Broadway production of the play Capture Now, directed by Larry Moss; and the BC/EFA benefit Alone At Last, featuring the music of Ian Herman. www.jameswilliamproductions.com

Aleks Paunovic is an actor best known for his roles in Van Helsing, Hawkeye, and Snowpiercer. He sits down with Robby to discuss the major game changers in his career. Including turning down a big role on a tv show to do his first ever theatre gig, the acting coach Larry Moss calling him out in front of the entire class demanding that he bring out his full potential, and what he learned from working with Anthony Hopkins and the time he met his idol, Muhammad Ali.Visit www.droppingcharacter.com for more episodes!Follow @therobbyramos Follow @DroppingCharacter This episode is brought to you in part by TSMA Consulting, the entertainment industry's leading social media firm. If you sign up for any of their management packages at TSMAconsulting.com make sure to tell them Robby sent you for an exclusive 15% off the first month.

Dr. Larry Moss joins JMN to discuss Nemours Children's Health partnerships with WOKV, Child Cancer Fund, and The Players.

Kelly and Larry are two of the smartest, nicest and most generous people I am honored to know and have been fortunate enough to work with. They have built a business and also helped to grow a vibrant arts community in Rochester, New York. This is a super fun Blathering where we learn how these two fabulous minds joined powers for doing good in the world

Before I begin I do want to acknowledge the gadigal people of the eora nation, the traditional custodians of this land on which I work and live on. I pay respect to elders past, present and future. Welcome to the Coffee Chat Podcast. On today's episode I chatted to Jackie Diamond an acting coach based in LA who I was lucky to work with at the beginning of this year! She is an amazing acting coach and inspiring human! We chatted about all things acting, her teaching journey, tips for actors and some fun rapid fire questions! So, grab a coffee and enjoy! BIO: Over the years Jackie studied and admired the work of many insightful Master teachers such as Ivana Chubbuck, Sanford Meisner, Uta Hagen, Larry Moss and Elizabeth Kemp but her home is at the Ivana Chubbuck Studio in Hollywood where she continues to teach classes both in-studio and via zoom. Although she is California born and raised and Los Angeles is home. She has lived and worked between LA and Australia throughout her life. For several years she had the privilege of serving as a teacher at the prestigious 16th Street Actors Studio in Melbourne, Australia. In 2020 she began teaching zoom classes for AAFTA, and back in Los Angeles she developed her own FTA classes where she has loved working with some amazing students! In 2018 she co-developed and co-produced two LA and NYC workshops with Oscar, Tony and Pulitzer prize winning writer/director, John Patrick Shanley, and in 2019 co-produced and directed one of his short plays right here in Hollywood. Jackie is the Founding Co-Artistic Director and was the Head of Talent in charge of casting and training over 5 years for Australian Theatre Company, based in LA. In 2019 she was proud to be the Program Director for one of the biggest short play festivals in the world, Short+Sweet Hollywood Latino. She was responsible for initiating the partnership with NBC UNIVERSAL and ARGENTUM STUDIOS. Instagram: @for_the_actor

Judi's career began as a print model and singer in France, Italy and New York, where she sang alongside the Gipsy Kings in the south of France and performed in Cologne and Barcelona as a chanteuse.Her first professional acting job was with Woody Allen in "Coop Italia," a string of TV commercials for the Italian market. This fueled her passion to train theatrically in New York City with acting masters such as Uta Hagen, Bill Hickey, Bobby Lewis and Elaine Stritch at the Stella Adler Conservatory. She also completed a two-year Meisner and movement program before moving out to the west coast to study with acting greats such as Larry Moss and Gordon Hunt.Judi performed in Off-Broadway original theater productions and starred in numerous SAG independent feature films. On television, she recurred on "Law and Order," "Jag," "The Shield" and "Once and Again." Furthermore, Judi has starred, both on camera and off camera in dozens of TV and radio commercials.Judi is also well known for her voice-over and motion capture work in Sony's highly acclaimed video game,"Heavy Rain," where she performed the popular lead character Madison Paige, as well as on the popular children's anime TV series, "Digimon." In 2013, she was recognized by the magazine, The Complex, as one of the "25 Best Voice Over Performances of All Time."Judi also produced and starred in the Romantic Comedy, "Only in Paris" in which she received Best Actress, Best Romantic Comedy, and Best Short Film at both the New York and Los Angeles Independent Film Festivals in 2011. In addition, in 2013 she was nominated Best Supporting Actress at the Saint Tropez International Film Festival for her role in the feature film, "The Warrior and The Savior." Judi's talents were also showcased when she starred in a short film at the Cannes Film Festival- "Perfect Pitch," which won Best Film, amid tough competition.In theaters Judi can be seen in Dany Boon's top grossing film, "La Ch'tite Famille" (Dany Boon, François Berléand, Line Renaud, Valérie Bonneton, Laurence Arné, and Guy Lecluyse) produced by Pathé. Upcoming roles include, 'La Garçonne" mini-series for France Television, Some of her other lead film roles roles include a psychopathic mother in "A Cry from Within," a French neighbor in "Larchmont," a detective with a proclivity for bondage opposite of Pruitt Taylor Vince in "Cameraman," and a trophy wife stranded in the desert in "Four Weeks, Four Hours."On the other side of the camera, Judi put her creativity and quirkiness on the line during The Cannes Film Festival where she directed and produced "The Can Cannes," which played during the festival and "The Gourmet Dinner," which screened at the No Dance Film Festival at Sundance. Utilizing her talents as a singer/songwriter in her film "Only in Paris," Judi composed and performed all the music. Most recently Miss Beecher is directing a documentary, "My Name Is Ronya", a biographical documentary focused on tolerance.James Lott Jr is the host! judibeecher.com tangoshalom.com. IMDB Judi Beecher

Live on stage at last year's Adelaide Festival, we're joined by the Olivier Award-winning English star of the stage and screen, Juliet Stevenson. Juliet was performing in the play The Doctor, following its sell-out season at London's Almeida Theatre.Also, with much of the country back in lockdown, we turn to musical comedian Jude Perl to lift our spirits at the piano and we enjoy a masterclass with actor, director and acting coach Larry Moss, whose coaching has led actors to Academy Award-winning glory.

Live on stage at last year's Adelaide Festival, we're joined by the Olivier Award-winning English star of the stage and screen, Juliet Stevenson. Juliet was performing in the play The Doctor, following its sell-out season at London's Almeida Theatre. Also, with much of the country back in lockdown, we turn to musical comedian Jude Perl to lift our spirits at the piano and we enjoy a masterclass with actor, director and acting coach Larry Moss, whose coaching has led actors to Academy Award-winning glory.

Live on stage at last year's Adelaide Festival, we're joined by the Olivier Award-winning English star of the stage and screen, Juliet Stevenson. Juliet was performing in the play The Doctor, following its sell-out season at London's Almeida Theatre. Also, with much of the country back in lockdown, we turn to musical comedian Jude Perl to lift our spirits at the piano and we enjoy a masterclass with actor, director and acting coach Larry Moss, whose coaching has led actors to Academy Award-winning glory.

Larry Moss an American actor, director and acting coach. He wrote the acting textbook, The Intent to Live. He taught at Juilliard and Circle in the Square in New York. He originally came to Los Angeles to train C. Thomas Howell for The Hitcher. After Helen Hunt thanked him in her acceptance speech after winning an Oscar in 1997 for As Good as It Gets, the A-List demand for Moss' coaching increased. He coached Hilary Swank in her Academy Award-winning performances in Boys Don't Cry and Million Dollar Baby, Michael Clarke Duncan for his Oscar-nominated performance in The Green Mile, Hank Azaria's Emmy winning turn in Tuesdays with Morrie, and Tobey Maguire in Seabiscuit. He worked with Leonardo DiCaprio on his Oscar nominated and Golden Globe winning portrayals in The Aviator and The Wolf of Wall Street, as well as on DiCaprio's Oscar nominated turn in Blood Diamond, and The Departed. Moss founded The Larry Moss Studio (now The Acting Studio at Edgemar Center for the Arts. Hosted by Frank Faucette @frankfaucette on most platforms. Our show is 100% listener supported. If you've gotten anything out of the show please consider supporting by visiting Cash App - https://cash.app/$faucettemedia or $faucettemedia in your app. https://www.amazon.com/shop/faucettemedia Stream Without Remorse on Prime Video https://amzn.to/3r5j1Dh FMG Links https://faucettemedia.com/ https://www.instagram.com/faucettemedia/channel/ https://www.twitter.com/faucettemedia https://slumberdynamics.com/ --- Send in a voice message: https://anchor.fm/igniteacting/message Support this podcast: https://anchor.fm/igniteacting/support

Dr. Moss talks about the long-running charitable relationship between Nemours and TPC.

Pip Edwards is a professional actor, filmmaker, acting/career coach, and entrepreneur. As an actor, Pip's television credits include Home & Away, Les Norton, Miss Fisher's Murder Mysteries, ANZAC Girls, Wonderland and Forever Young. Her film credits include A Few Less Men, Little Black Dress, Who's That Boy, upcoming feature films June Again, Carmen, and Death Doula, as well as numerous short films and TVCs. Theatre credits include Beverly in Abigail's Party, and Regina in Ghosts (both with The Melbourne Theatre Company), as well as various productions with directors including Kip Williams, Imara Savage, Stephen Nicolazzo, Gale Edwards and Declan Greene. Pip runs a private coaching studio Pip Edwards Creative, where she coaches and mentors actors for auditions, screen-tests, and business/career/mindset coaching. Pip has taught extensively throughout Australia, at schools such as NIDA, Actors Centre, SAS, Sydney Film School, HUB Studio, Stagemilk, and for MEAA to name a few.   Pip has a Bachelor of Dramatic Arts from NIDA and Bachelor of Creative Arts (Filmmaking/Arts Management/Law) from Melbourne University. She has completed further extensive training in both Australia and the US, including with coaches such as Ivana Chubbuck, Larry Moss, Margie Haber, Leslie Kahn and at Upright Citizens Brigade in Los Angeles. www.pipedwardscreative.com/   See omnystudio.com/listener for privacy information.

Today on The Neil Haley Show, The Total Tutor Neil Haley will interview The Twilight Saga Film Series Star Gil Birmingham of Yellowstone.  YELLOWSTONE Yellowstone is a drama series that follows the Dutton family, led by patriarch John Dutton. The Duttons control the largest contiguous ranch in the U.S. and must contend with constant attacks by land developers, clashes with an Indian reservation and conflict with America's first national park. Bio: Gil Birmingham is an actor of Comanche ancestry, best known for his portrayal of Billy Black in the The Twilight Saga film series. Birmingham was born in San Antonio, Texas. His family moved frequently during his childhood, due to his father's career in the military. He learned to play the guitar at an early age and considers music his "first love". After obtaining a Bachelor of Science from the University of Southern California, he worked as a petrochemical engineer before becoming an actor. In the early 1980s, a talent scout spotted Birmingham at a local gym, where he had been bodybuilding and entering bodybuilding contests. This led to his first acting experience, in a music video for Diana Ross, for her 1982 hit song "Muscles". After appearing in Ross' music video, Birmingham began to pursue acting as his primary career. He studied acting with Larry Moss and Charles Conrad. In 1986, Birmingham made his television debut on an episode of the series Riptide. By 2002, he had a recurring role as the character Oz in the medical drama Body & Soul, starring Peter Strauss. In 2005, he was cast as the older Dogstar in the Steven Spielberg six-part miniseries Into the West. He recently played a Texas ranger a ranger, in Hell or High Water, opposite Jeff Bridges.  

It's been a long time...I shouldn't'a left you! Dean returns from a hiatus to share what's been going on in his FuthaMuckin' world. Dean is an ACTOR now, or so he feels. He just finished an intensive week working with Larry Moss in his acting workshop and breaks down what a week long course with such a renown acting coach feels like. Hint: You might (PROBABLY) CRY! Dean also explains giving 100% onstage, regardless of the crowd or venue. We BACK in the Building, son!

Comedian/writer and producer of The Podcast joins Dean this week to talk about his days in high school when he used to get into it with his teachers, making jokes at assemblies and during graduation speeches while Dean probes to find out why Joseph did some of those things. Dean also interviews Joseph about the acting class he took with legendary acting coach Larry Moss.

Well, not really the worst episode unless you can't stand my voice. This episode my co-producer interviews me about some stories I have about how big guests like Chris Rock and Garry Shandling came on, Chris Tucker introducing me to Brad Pitt and Jennifer Aniston as a kid, how my podcast is completely different from everyone else's, my And1 street ball background, going to film school, getting to take acting classes with the legendary acting coach Larry Moss, and more!

Part 3 and final episode with legendary Acting Coach Larry Moss. Check out part 1 and 2 if you missed it. Larry Moss has worked with academy award winning actors such as Hilary Swank, Leonardo DiCaprio, Michael Clarke Duncan, Helen Hunt, and many more. Larry has worked on films such as Inception, Shutter Island, The Green Mile, Boys Don't Cry, Django Unchained, As Good As It Gets and the list keeps going. In part 1 we discuss relationships, my stand up, working with Michael Clarke Duncan on The Green Mile and much more! Part 2 and 3 Coming the following weeks. This is the first hour of a 3 hour interview! This is a must listen if you are an inspiring actor, or a student of film in any aspect or filmmaker!

Legendary Acting Coach/Author/Director Larry Moss sits down with me for part 2 of his first ever podcast interview. Larry Moss has worked with academy award winning actors such as Hilary Swank, Leonardo DiCaprio, Michael Clarke Duncan, Helen Hunt, and many more. Larry has worked on films such as Inception, Shutter Island, The Green Mile, Boys Don't Cry, Django Unchained, As Good As It Gets and the list keeps going. In part 1 we discuss relationships, my stand up, working with Michael Clarke Duncan on The Green Mile and much more! Part 2 and 3 Coming the following weeks. This is the first hour of a 3 hour interview! This is a must listen if you are an inspiring actor, or a student of film in any aspect or filmmaker! Part 3 Coming soon!

Legendary Acting Coach/Author/Director Larry Moss sits down with me for his first ever podcast interview. Larry Moss has worked with academy award winning actors such as Hilary Swank, Leonardo DiCaprio, Michael Clarke Duncan, Helen Hunt, and many more. Larry has worked on films such as Inception, Shutter Island, The Green Mile, Boys Don't Cry, Django Unchained, As Good As It Gets and the list keeps going. In part 1 we discuss relationships, my stand up, working with Michael Clarke Duncan on The Green Mile and much more! Part 2 and 3 Coming the following weeks. This is the first hour of a 3 hour interview! This is a must listen if you are an inspiring actor, or a student of film in any aspect or filmmaker! Part 2 and 3 get very in depth for acting techniques and how to hone your skills!