Podcast appearances and mentions of Larry Moss

Our new book... STORY QUESTIONS: How To Unlock Your Story One Question At A Time https://payhip.com/b/ZTvq9 Watch the full video interview of this podcast here: https://www.youtube.com/watch?v=nXOJkadXsDM BUY THE BOOK - BACK TO THE BODY: Infusing Physical Life into Characters in Theatre and Film https://amzn.to/3NPDI2Y Jean-Louis Rodrigue is an internationally recognized acting coach, movement director, and specialist in the application of the Alexander Technique to film, theater and television. In film, he coached actors and collaborated with directors in Passion Fish, Vice, J. Edgar, Life of Pi, W., I, Tonya, and many more. In theater, he collaborated with director Larry Moss and former NFL player Bo Eason in his play Runt of the Litter and playwright Pamela Gien in her Obie– and Drama Desk– award-winning one-person play, The Syringa Tree, both in New York and internationally. Jean-Louis has worked on- and off-Broadway and at major performing arts institutions such as Berlin International Film Festival, Cirque du Soleil, Los Angeles Philharmonic Institute, Getty Villa, Geffen Playhouse, Royal National Theatre, Piccolo Teatro di Milano, Verbier Festival, Royal Shakespeare Company. For the past 34 years, Jean-Louis has taught at the UCLA School of Theater, Film, and Television and the UCLA Herb Alpert School of Music. Jean-Louis lives in Los Angeles with his husband, Kristof Konrad. STUDY WITH JEAN-LOUIS RODRIGUE https://alexandertechworks.com MORE VIDEOS WITH JEAN-LOUIS RODRIGUE https://tinyurl.com/59mc2v39 CONNECT WITH JEAN-LOUIS RODRIGUE https://alexandertechworks.com https://www.imdb.com/name/nm0735121 https://www.facebook.com/AlexanderTechworks https://twitter.com/alextechworks https://www.instagram.com/alexandertechworks VIEWERS ALSO WATCHED Hollywood Actors Share Their Success Secrets - https://youtu.be/xFRgZOhCVLg What Stops An Actor From Getting Into Character? - https://youtu.be/0OX44gvnjWE Bill Duke Explains Why Most Actors Fail In Hollywood - https://youtu.be/4tfSRzy31f4 An Actor's Guide To Making It In Los Angeles - https://youtu.be/aaegnd3xaVI Pro Cinematographer On What Separates Great Actors From Everybody Else - https://youtu.be/G3oXMWperus CONNECT WITH FILM COURAGE http://www.FilmCourage.com http://twitter.com/#!/FilmCourage SUBSCRIBE TO THE FILM COURAGE YOUTUBE CHANNEL http://bit.ly/18DPN37 SUPPORT FILM COURAGE BY BECOMING A MEMBER https://www.youtube.com/channel/UCs8o1mdWAfefJkdBg632_tg/join SUPPORT FILM COURAGE BY BECOMING A PATRON https://www.patreon.com/filmcourage LISTEN TO THE FILM COURAGE PODCAST https://soundcloud.com/filmcourage-com (Affiliates) ►BOOKS WE RECOMMEND: THE NUTSHELL TECHNIQUE: Crack the Secret of Successful Screenwriting https://amzn.to/2X3Vx5F THE STORY SOLUTION: 23 Actions All Great Heroes Must Take http://amzn.to/2gYsuMf SAVE THE CAT! The Last Book on Screenwriting You'll Ever Need https://amzn.to/3dNg2HQ THE ANATOMY OF STORY: 22 Steps To Becoming A Master Storyteller http://amzn.to/2h6W3va THE ART OF DRAMATIC WRITING - Lajos Egri https://amzn.to/3jh3b5f ON WRITING: A Memoir of the Craft https://amzn.to/3XgPtCN THE WAR OF ART: Break Through the Blocks and Win Your Inner Creative Battles http://amzn.to/1KeW9ob ►FILMMAKER STARTER KIT BLACKMAGIC Design Pocket Cinema Camera 4K - https://amzn.to/4gDU0s9 ZOOM H4essential 4-Track Handy Recorder - https://amzn.to/3TIon6X SENNHEISER Professional Shotgun Microphone - https://amzn.to/3TEnLiE NEEWER CB300B 320W LED Video Light - https://amzn.to/3XEMK6F NEEWER 160 LED CN-160 Dimmable Ultra High Power - https://amzn.to/3XX57VK ►WE USE THIS CAMERA (B&H) – https://buff.ly/3rWqrra ►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9 *Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we'll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!

In this episode of Filmmaking Conversations with Damien Swaby, we dive deep into the world of storytelling with Diane Lansing, a screenwriter, playwright, and filmmaker whose passion for reinvention and collaboration shines through her craft. Diane shares her inspiring journey from studying acting under Larry Moss to writing multidimensional characters for stage and screen. We discuss the challenges of transitioning from theatre to film, the lessons learned while directing her short film Out of Her Element, and the beauty of collaboration in filmmaking. Diane also reveals her approach to creating authentic and layered characters, the importance of trust in the filmmaking process, and her upcoming documentary project that promises to blend art, humanity, and inspiration.This episode is a masterclass in storytelling and collaboration, offering valuable insights for filmmakers and creatives looking to refine their craft.Key Topics and TakeawaysReinvention through Writing: How Diane transitioned from acting to writing plays and screenplays, creating more dimensional female characters along the way.Character-Driven Screenwriting: Diane's process for building deep, believable characters rooted in her acting background and how it influences her screenwriting.Lessons in Directing: Diane's experience directing Out of Her Element and the challenges of adapting theatre concepts to the screen.Collaborative Filmmaking: The importance of building trust with cast and crew, allowing creative freedom, and finding inspiration through teamwork.The Power of Music and Post-Production: A behind-the-scenes look at the score creation for Trust, featuring the Budapest Orchestra, and how post-production enhances storytelling.Documentary Filmmaking: Diane's plans for her new documentary project, Be Seen, Be Heard, showcasing the resilience and beauty of children with disabilities and cancer.Educational Value of This EpisodeScreenwriting Techniques: Learn how to create layered, authentic characters and balance action with dialogue in your scripts.Directorial Insights: Understand the differences between directing for theatre and film and the key lessons Diane learned from her first directorial experience.The Art of Collaboration: Discover the importance of trust, creative freedom, and community in successful filmmaking.Practical Tips for Filmmakers: Gain actionable advice on casting, working with composers, and navigating post-production challenges.Inspiration for Aspiring Filmmakers: Diane's journey offers encouragement to embrace reinvention, take creative risks, and pursue meaningful stories.Call to ActionDon't miss this inspiring conversation with Diane Lansing! Subscribe to the Filmmaking Conversations Podcast on your favorite platform, and leave us a review to share your thoughts. For more updates, follow Damien Swaby on social media and visit the podcast website.https://www.dianelansing.com/

This episode is a deep dive into character acting with the esteemed Anna Garduño, a voiceover artist and coach. The BOSSES share their invaluable insights on mastering the art of engagement in voice acting. Anne and Anna emphasize the importance of enthusiasm and authenticity, and use examples from industry legends to discuss how to breathe life into every line by using script analysis and character creation. The BOSSES also dispel the myth that success in animation voice acting is about being a celebrity, emphasizing that unique and authentic acting choices are what leads to booking success. 00:02 - Jen Keefe (Ad) Hi Anne, this is Jen Keefe from Real Women's Work Podcast. I just wanted to come on and say thank you, thank you, thank you for the series you're doing on AI and voice. I've listened to VO Boss Podcast for a few years now and it's always been informative and helpful, and not only is this series not an exception to that, but it is just the cherry on top. It has been so comforting and helpful to learn about this industry and I just thank you for taking all of the time you must have taken to research and understand, to know what questions to ask so that we're all better informed. It is just awesome, awesome, awesome. I feel excited and confident going forward into the future in the VO industry, all because of this series that you're doing. So, thank you, into the future in the VO industry, all because of this series that you're doing.  00:46 - Anne Ganguzza (Host) So thank you, hey, how's it going? Bosses Anne Ganguzza here. Elevate your voiceover game with our VIPeeps membership. With VIP membership, you can access our extensive library of over 350 hours of pre-recorded workshops. Whether you're interested in commercials, promos, character animation, audioos, character animation audiobooks, video games, corporate narration, audio description or dubbing, our workshops cover it all. Plus, as a VIPeeps member, you'll enjoy a 15% discount on current workshops and complimentary free monthly workshops to further develop your skills. Join VIPeeps today at vopeepscom and take your voiceover career to new heights.  01:31 - Intro (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a VO Boss. Now let's welcome your host, Anne Ganguzza.  01:50 - Anne Ganguzza (Host) Hey everyone, welcome to the VO Boss podcast. I'm your host, Anne Ganguzza, and I am here today with very special guest. I'm so excited, Anna Garduno. Anna, thank you so much for joining me today. Thank you.  02:04 - Anna Garduno (Guest) I was completely thrilled when you asked me because the truth is it's been a bit of a goal, a little career goal. To please get me on with the boss.  02:12 - Anne Ganguzza (Host) Oh, I love it, oh my gosh. Well, bosses out there. For those of you that are not familiar with Anna, Anna is a boss. I was just saying this before you came out of the womb.  02:20 A boss, Hilarious you came out of the womb a boss, but recorded her first radio spot when you were 15 years old, shot your first TV job at 17, and currently teaches classes for VO, commercials, animation, promos, narrations and games, and has been nominated Best Voice Over Teacher two years in a row by the readers of Backstagecom. And I wore my Teach, love and Inspire shirt just for you today, Anna. I love it Again. I love the cougar aspect it's a little bit of that sexy?  02:52 - Anna Garduno (Guest) come on, make it happen.  02:54 - Anne Ganguzza (Host) fabulous, you got to add that little bit of flair to it. But, gosh, anybody that knows me knows how much I love teaching. It's so important. It is who I think. I was born to be a teacher and I love talking to other teachers, such as yourself and bosses. So the combination teacher boss love it, absolutely love it. So thanks, first of all, for being here. I know you've got a busy schedule and you know what's interesting. Another fact that you wrote in your bio is that your students have booked over a million dollars in jobs and continue to thrive, which is such a great. I love that you have a number.  03:29 - Anna Garduno (Guest) Well, I imagine that yours have too, and absolutely because I'm sure your students every week say hey, I booked this. Hey, I booked this.  03:38 - Anne Ganguzza (Host) Hey, I booked this. They do, thankfully. Yes, I'm grateful for that. And when?  03:40 - Anna Garduno (Guest) you really think about it when you've been teaching for years, as you and I both have, because I started keeping track, really, and I was actually like, oh well, this is exciting and encouraging. I know you're such an encouraging teacher and there's so many cynics out there and I like to be encouraging. Come from joy, Come from possibility.  03:58 I believe in that too, you know it's so important and I think when people see that they go. Oh, because once in a while I hear people say does anyone really make money in voiceover? And I try not to laugh. Yeah, there's a reason, it's a global industry. So, yes, get that negative interject out of your head Absolutely and go forward.  04:18 - Anne Ganguzza (Host) You know what's so very interesting. Now I'm going to tell you. I was in Pilates this morning and there was a substitute that came in and she was teaching. I'm all about teaching, she was teaching, but she was teaching with a very like kind of monotone sort of and this, and then next we'll put our left toe over our right ear while simultaneously rotating our hip. The whole class, I mean, we're talking 45 minutes of no emotion, and I understand that she was trying to maybe put us in a Zen mode, right, but it was.  04:46 - Anna Garduno (Guest) Pilates Maybe sleepy, not meditation.  04:49 - Anne Ganguzza (Host) And she was really good. Like technically she was really good. But she was shouting out all these instructions and I was listening so hard because her voice was so like even keel, with no like real I would call it elevating the teaching moments. So I was listening so hard, I was exhausted, mentally, okay, and physically. But at the very end, right after this, I had decided, like literally 10 minutes into it, I don't like this class, I don't like this teacher. She's not like. I don't feel an emotion, I don't feel encouragement, I don't feel anything. And when she was done she said oh my God, you guys did so good. And then I immediately loved her and I thought why. You know what I mean. So it really made me reflect on being a teacher for my students and also for the whole e-learning genre. And anybody knows I'm like a broken record, like you have to be everyone's favorite teacher.  05:36 You do, you just do Not just if you teach, but if you're doing e-learning, and so you've got to bring that emotion and that point of view, which I consider and let's have a discussion on this I consider that to be the frosting on the cake, that's the top element when you are there as an actor, right, that is what you're bringing to the copy, no matter what genre you're in.  05:55 - Anna Garduno (Guest) Oh, absolutely. And you bring up such an important point because this I know exactly what you mean. I've had teachers exercise teachers like that also, and I think one of the most challenging things in our industry right now, in whatever genre and I'm sure you've come across this, but correct me if I'm wrong where people say we want it natural, we want it real, yeah, yeah. And actors unfortunately misinterpret that and think, oh, passive, yes, oh, my god, that's casual, so it sounds like you have this passive teacher right now, nobody's passive in life.  06:24 We speak for a reason. We have a lot of musicality in our voice. Even if we're calm and relaxing, there's an intention behind it, even if it's the poppy reed.  06:32 - Anne Ganguzza (Host) I'm just saying I'm just saying the poppy reed has dynamics to it. Oh my God, so much If you were to score that reed and really try to copy it.  06:40 - Anna Garduno (Guest) She goes up, she goes down, she takes pauses. There's all of this musicality. It's not a sleep, and so you bring up a really good point. You have to be engaged with who you're talking to and then it's engaging and it brings people along. Voice work is communication, obviously, but I find too that people get so quiet Sometimes they're disconnected from their breath and not to be too focused about it. But your breath is literally like your life force. So I'm not saying yell, but be connected, and that's why my little company is called Voice Forward, like send your voice forward. You want to connect through the microphone, through whatever, to that other person. You don't want your energy to go here and hi.  07:19 - Anne Ganguzza (Host) I'm halfway to you.  07:20 - Anna Garduno (Guest) And then you stop. You don't want that.  07:21 - Anne Ganguzza (Host) And it's so interesting. I think about it as an older, more mature woman, about communication, right. I mean today everybody's texting right, and it's the communication is changing. But I also feel that for us as voice actors right, our voice is so, so important, and especially in this world of technology and digital everything and synthetic voices right, technology and digital everything and synthetic voices right I think it's more important than ever that our voices really keep that engagement, keep that human aspect of emotion and point of view, because that's what makes us interesting.  07:54 And, honestly, when I choose what I'm going to listen to on a day-to-day basis, honestly it has to be interesting to me and, I think, right for your listener. When you're being engaging and you're behind the mic reading a commercial whatever you're doing a commercial, e-learning corporate you have to connect with that listener to get their attention. Otherwise, I mean, it's always self-serving. Because why do I listen to somebody? Well, I listen to somebody because they've got something that I need right. Either they're educating me or they're entertaining me, right, and hopefully both at the same time. Those are the best teachers and that would be great. So I need to have a reason to listen. And so if you're coming at it from behind the mic where you're like, no, listen to my beautiful voice, you're not connecting.  08:38 And I think that today more than ever, we need to connect and we need to be the actor, and I know that you put in your notes that this is something that you wanted to discuss today about. How can we, as voice actors, get there? I have my methods. I stand on my soapbox all the time and say it's so important, more important than ever, to really bring that connection. Let's talk about how you have your students. How do you elevate your students to be able to do that?  09:03 - Anna Garduno (Guest) Okay, sure, well, I have. There's a couple of things you know. We all come to this as actors. My training, my background, everything is an actor, particularly a theater actor.  09:11 I've been blessed to work with incredible teachers through the years, primarily with Larry Moss and Patsy Rodenberg, who's you know, the premier voice Shakespeare teacher in the world and Stella Adler, who's all about script analysis right For teaching or plays and theater and film, and that's what we do, right, we get a script and then how do we communicate best? And there's two basic things that she talks about that are very rudimentary, that I like to give my students a place to start, which is when you look at text, what is your point of view about people, places, objects and events that you're talking about? Right? So that's how you start, because so often people can do sort of like hi, I'm a generic, happy read sort of like this or I'm a very generic seductive read you know whatever it is.  09:53 So you don't want to be generic, right? So the easiest example is something like about the people I'm talking about. Let's say you have a thing where you say and it's the best ice cream from Ben and Jerry's. So many people do. And I say, well, pretend that Jerry's your absolute best friend and he's a bit of a goofball. So from Ben and Jerry, you know what?  10:09 - Anne Ganguzza (Host) I mean, you know Jerry.  10:11 - Anna Garduno (Guest) Just that. Or say you have a thing where you say so my husband came home with a new computer. Now, if the ad is about the right computer, right, then you're going to say husband, he did a great thing. Now say but the wrong, the anti-commercial, so my husband came home with a new computer.  10:28 - Anne Ganguzza (Host) What is your point of view?  10:29 - Anna Garduno (Guest) about the husband and about the new computer. I mean, it's so basic. And then also, where you are is who you are is a big way to connect to a script too. And are you a CEO talking to another CEO about finance? Or are you that reassuring financial advisor for someone who's really nervous making their first investment?  10:48 Because you can have the exact same text but depending on who you're talking to and I'd like to think like what are you wearing? Really helps me personally. There's a million ways in, but I know if I'm playing a character on TV or something or movie that's like in a full-on business suit, I'm going to stand differently, I'm going to present differently.  11:06 My tone of voice is going to be different, whereas if I'm playing, like you know, the hippie chick from Laurel Canyon which I mentioned, who I am, it's going to be a whole different vibe, a whole different thing. So these are two very simple things that you can look at text right away and circle oh wait, here's the event, here's the object. Or in an animation example, I have a piece of copy I like to work on where someone's putting together a potion you know like to get revenge on somebody, and one of the lines is my potion will be ready and one of the lines is one more lizard leg and my potion will be ready. And so often people will go one more lizard leg and my potion will be ready, right? So I would say, you know, the people who wrote this copy, whatever it is, are often the people hiring you, right? Which wasn't always the case so often, right? So if you can make their text pop out just a little bit, because they could have said anything, they could have said one more batling, one more toad head, they could have said anything, but they said lizard leg.  11:57 And I always joke with my students. They got that approved. You know, disney approved lizard leg. They think they're going to get a bonus at the end of the year for coming up with lizard leg and plus, it's funny, with the two L's, you know lizard leg and the G. So instead of just saying one more lizard leg and my thing is ready, how about you take the number one and it's like you're thinking about it, right, and you go one more and you're looking at your stuff in your mind.  12:22 - Anne Ganguzza (Host) Lizard leg. Lizard leg.  12:23 - Anna Garduno (Guest) Exactly so. It's specifically a lizard leg. So it's really simple and it's what we do in life when we talk about you know, I got these new glasses that I love. I got these new glasses. You know what is your point of view, and so that's the basic thing that I do with people all the time how do you feel about what you're talking about? Not moody, how do you feel, but literally.  12:44 - Anne Ganguzza (Host) I love that. How do you feel it's so important? And how you feel changes and can evolve from the start of your sentence to the end of your sentence can absolutely evolve and it can evolve throughout the script. So I feel like what you're really talking about is, first of all, we need to assess the script, right. We need to assess what's the purpose. The script, right, we need to assess what's the purpose. Why are we saying these words? Right? Who are we saying them to? And again, changing who we're saying them to can make all the difference in the world.  13:11 And what I like to also say is that, like, especially in corporate like, no, you're not talking to your best friend. I need you to be engaging, but Sally could give a crap about SAP. Sally doesn't even know what SAP does or who they are or what they make, right, right? So don't talk to Sally because it's not relevant to Sally, right? And so that whole conversational talk to your best friend. Yes, they may put that in specs, but in reality, you need to talk to the person that's going to benefit from listening to the context of the script, right? So what's the purpose? Are you trying to sell a product? Are you trying to explain how it works, you know, and who is it that needs to listen to that?  13:47 And I had a discussion with La the other day, la Lapidez and we were talking about there's always stakes, right, there's always stakes in the script, and so you've got to know what those stakes are as an actor, right, I mean, we are actors. It is not enough to just read that. And I love how you did the melody in the head about the lizard One more lizard. And it's funny because in our head that's the melody we all hear and I swear we're all on the same wavelength, right. One more. Where does that come from? I don't know, because we read the words and we feel like, oh, initially this is where the emphasis has to go Right, but in the real world we're thinking about things. Well, every sentence is a new idea.  14:25 - Anna Garduno (Guest) Exactly Every sentence is a new idea, and when you're reading or anything like that, and so that's another thing I say is it's a new idea and also a good example of you bring up such a good point about talking to a friend Like what does that mean? Or conversational, what does that mean? And I always say to people going back to you have different kinds of conversations.  14:38 - Anne Ganguzza (Host) Every day.  14:38 - Anna Garduno (Guest) We have conversations every day Exactly, and I tell my students, like, say, you get an audition for Lexus and Subaru the same day and the specs are going to be pretty similar, conversational, real, talking to a friend blah, blah, blah. But Lexus, as we know are usually kind of seductive and a little bit like this and all that. And so I'll say to one student what do you call that? Like, I always have my students come up with titles or names for different types of reads.  15:01 - Anne Ganguzza (Host) Right, what's that?  15:02 - Anna Garduno (Guest) read yeah, and one of my students had the best thing ever. He said I call that my I've earned it guy. Is that great?  15:08 - Anne Ganguzza (Host) Oh, I like it.  15:09 - Anna Garduno (Guest) Yeah, Now the I've earned it guy is right next door to what I like to call the. I know you want it, so it's the same volume, the same note of your voice right the same sound, but there's a slightly different intention. And then the Subaru, which is getting a little more rugged now, but Subaru, as you know, they always end with that love. It's what makes a Subaru.  15:30 - Anne Ganguzza (Host) Yeah, yeah, yeah, it's the family. Family You've got like dogs and kids, exactly, you know, on a picnic Soccer equipment.  15:37 - Anna Garduno (Guest) Yeah, sauger equipment, exactly so I always call that one like the kind of the save the planet mom, yeah, yeah. And what I tell students is those styles cross different brands. So the person who does the Subaru, the save the planet, mom is going to do Kashi, seven whole grains on a mission, and Patagonia and all that. You see they're both having conversations. So I know you know this, but I find to be able to come up with names for the different types is helpful.  16:03 - Anne Ganguzza (Host) Well, and characters You've given a character to it, which is great, rather than I want this sexy read or this seductive read. You've given it a character which I think gives it more definition.  16:13 And I think when you're analyzing, too many of us run into our studios and like, oh, I got it and they play to that melody in their head. Right, they play the melody in the head that probably 90% of everybody that is going in their studios doing the same darn thing. And we've all talked about what do casting directors want? They want to be able to hear something different than 200 of the same kind of melodies right, and so if you're coming up with a different melody or a different story, that's immediately oh cause for, yeah, I'm shortlisting.  16:44 I can tell you me as a casting director, every time I hear somebody that enters into a script and I can tell they've got a story, I'm like shortlist Because there's an actor, there's an actor, there's an actor.  16:53 - Anna Garduno (Guest) And it's about having that point where you bring up a really good point, too, about how do you make your reads stand out, and At that point you bring up a really good point too, about how do you make your reads stand out. And I'm very big on playing with pace, particularly in the first sentence.  17:02 Yeah, yeah, yeah, Almost any first sentence you can play with pace, because often a sentence as you were saying, looking at the text has two ideas in it. So like to use an animation example. I have a piece of copy I love to work with. The first sentence is hey, you know what's the best thing, about being a jellyfish, so that's it right.  17:18 So everyone kind of usually does it that way, like enthusiastic surfer jellyfish. Now, if you just play with pace and you go, you know what's the best thing about being a jellyfish yeah, yeah, yeah, like all of a sudden he's mischievous, or the other way you do it fast.  17:34 You know what's the best thing about being a jellyfish. So already that first sentence is engaging yes, so little things like that. No, I wanted to ask you, anne, I found and you probably come across this too a couple months ago I started working with students on animation who were getting this spec which I thought was hilarious where they would say we want it like you're in a movie, but louder. And my poor students would be like what does that mean? We want in a movie? And I like, when casting people not you, of course, but some people you know don't act, just do it like you're in a movie.  18:06 - Jen Keefe (Ad) Okay.  18:06 - Anna Garduno (Guest) You're. You're acting in a movie, just so you know. So I was sitting there, I go. What do they mean? And I it was what we talked about earlier it means to not be passive, you're told do less, so they've been getting reads. Yeah, yeah, yeah, you're told do less. So they've been getting reads, obviously, from people being very quiet, very hello. I have a mic right here.  18:21 - Anne Ganguzza (Host) Yes hi, yes hi.  18:22 - Anna Garduno (Guest) I'm going to read like this yeah, exactly, and it's like I'm in a movie and I don't have to do anything.  18:27 - Anne Ganguzza (Host) And it's so boring, or you're in a movie theater where you have to be quiet.  18:32 - Anna Garduno (Guest) Yes, exactly. So what they mean is Point of view, don't be passive. Yeah, so they were getting all these under, these de-energized voices, and of course, it's not engaging at all.  18:44 - Anne Ganguzza (Host) And you can be quiet and have a ton of energy. I mean, it's so much about the energy, but it really has nothing to do with volume, right? The energy of the Well, I use a term.  18:52 - Anna Garduno (Guest) I say to people you need more vocal vitality. I don't mean louder, I mean vocal vitality, and it's exactly what we're talking about. You need to have presence in that you're engaged with whoever you're talking to on the other side of that copy, because you're never just talking to yourself, ever Exactly.  19:07 - Anne Ganguzza (Host) I mean, let's talk storytelling. I mean, how important is storytelling? I mean I say it all the time, like I think exhaustively, yeah, but there's storytelling in every like, everything, everything everything right?  19:20 - Anna Garduno (Guest) Yes, absolutely. And also, you're always in the middle of a conversation, too, even if it's e-learning. You've already been talking to somebody about something and now we just happen to pick up the conversation in the middle.  19:29 - Anne Ganguzza (Host) Oh, I love that. I'm always telling people you don't start a script with once upon a time because, right, like cause, that means you just, oh, I thought of it and I'm going to go into a monologue, right, Right. And that means you're not going to engage.  19:41 If you're going to go in you're like that friend that doesn't shut up. You're like, hi, it's all about me, me, me, me, me, me, and I'm just going to talk and I'm not going to allow you to interact at all with me. And I didn't even hear what you said.  19:55 - Anna Garduno (Guest) It was tiring for the listener.  19:58 - Anne Ganguzza (Host) Exactly, exactly, and so you do have to start in the middle, and that's why I'm always saying that moment before right.  20:04 - Anna Garduno (Guest) It's so important, which is your basic acting thing. Right, like what happened before you came in the door, the scene, what happened, like how was the drive over?  20:11 - Anne Ganguzza (Host) Yes, and I'm like no, no, no, no, no. I hear the events that are happening. Tell me what the other person said and then how you responded. And I don't want you to respond with the first word. I want you to respond with maybe something that's rolling into the first word of the script.  20:30 Yeah, give yourself a lead in, because then it doesn't sound like the note like once and we all start on that same pitch. Right, I broke it down technically into musical notes, but still, you don't need to start like, hi, I'm just starting to talk.  20:45 - Anna Garduno (Guest) Yeah, you know no, of course not, but see, the moment before is really important. I imagine you do this with your students too. One of the benefits of doing these auditions at home and working at home is you can try a lot of things, which is and you can also give yourself a lead in, sometimes so that you are literally starting in. You say absolutely.  21:04 Don't stress about that credit card. Let me look. Let me look at the credit card. Like I have a piece of copy that starts out Wait, did you book the bartender? $200 last week. Like that's a good sentence, actually, but how much better is it if you imagine that your friend's upset crying. They're freaking out, Exactly. Listen, let me see you grab it. You go, okay, let me look at this for a minute. Wait, did you? $200? Which really means like, how drunk were you, Dear God?  21:30 - Jen Keefe (Ad) what was that about?  21:32 - Anna Garduno (Guest) And it's just taking that extra moment to put yourself in this situation Absolutely. And then, because you do it at home, you can do that lead in and cut it out. And that's one of the benefits, I think, of doing these auditions at home Because, as you know, in the in-person auditions which are starting up again thank God a little bit you usually get one shot and you can't do that lead in ahead of time.  21:51 - Anne Ganguzza (Host) Well, exactly so. We've talked about the moment before, which, again, I think is so important. We've talked about storytelling. What other things would you say are important for a voice actor to know today in order to get noticed and stand out?  22:06 - Anna Garduno (Guest) Okay, well, this is such a basic thing. It's going to sound so silly, but it's very important to do some homework. We'll just talk right now about two areas, about commercial and animation, but this is true for everything. Actually, listen to what is actually on the air to hear what the styles are, what the tones are and everything. I have students and I'm sure you do too Some, you know, women students who've gone off and raised children and they're coming back 20 years later, right, and everything is like it's in the eighties or the nineties. It's so amped up. I'm like, okay, have you actually heard a commercial? And I'm shocked at how people say, well, no, I stream.  22:43 - Anne Ganguzza (Host) I don't watch TV. Yeah, I don't watch TV. What?  22:46 - Anna Garduno (Guest) What does it matter with you? And what's so nice is you can that's research, yes, and also watch some different animation too, because, as we know, that natural voice, right, which is sort of the BoJack Horseman model, and then there's, you know, slightly more character-y things like in Spongebob, and then there's super cartoony, right. I am shocked at how many people do not actually pay attention to cartoons and they'll say, well, there's so many. How do I start? I go okay, watch movie trailers.  23:12 Watch the movie trailer, for inside out it's three minutes. There's five women and five men. Watch that and take notes. Don't just watch it passively. Write down what are the archetypes, what are the things, and then you put a check mark. So I'm very surprised at how people don't do their research. And I also tell my students it doesn't take long. If you spend half an hour a week listening to commercials in a very specific way and half an hour a week to different animation, listen to 10 minutes of three different shows and take notes on them, you do that for a month solid. Oh my God.  23:43 You have such a better foundation than everybody else. Oh my gosh, it's a very basic thing It'd be hard to audition for a play if you'd never seen a play Right. It would be hard to audition for an hour-long TV show if you hadn't watched hour-long TV in 20 years. You had no idea what those shows are like, because they're different than what they used to be.  24:01 - Anne Ganguzza (Host) And before you run into audition for no Matter what, can you take five to ten minutes to just look up the brand yes and look and see what's their website look? Like what is the product that you're talking about actually do. Do you know the product? Are you familiar with it? What is their demographic? Who are they trying to sell to? I mean, there's so much backstory.  24:22 Again, it's almost like you're doing character study right, but you're doing it about the brand because the brand is looking for a voice. Even if there are casting specs, right, you can always go to a brand and find out, like, who are they selling to and how are they trying to do that by just literally a Google search. Absolutely, and I don't see why people don't take the time to do that. I mean it could take literally five to ten minutes before you rush in and everybody's like I've got to get the audition in. I've got to get the audition in, but do the homework first. Spend five or ten minutes. I don't think that you're going to miss the timing. I mean, I know people are like I've got to get it in first.  24:52 - Anna Garduno (Guest) Also, it's going to be much more efficient. Right, you take five, ten minutes, so like, oh, what is this new? Obviously, I don't know anything about tech stuff. So what is this new tech thing about? I need to find out what it is, and then you can do almost anything in three to four. Takes Almost you know after that.  25:06 So it's not going to take you that long. But I think one of the things I recommend my students do is so that you're not always in a rush right, trying to do the audition and get all this stuff in is set aside a specific time, wednesday morning from 10 to 1030. I'm going to look at ispottv and I'm going to watch 10 car ads in a row and I'm going to write down the differences between them. So if you just set a specific time, then it's part of your ongoing kind of homework and then when you get that audition for Lexus or Jeep you've already seen it and you know what it is.  25:40 And you're like oh, or you can say oh, this is like the absolute vodka ad I just watched. Okay, and that's what that is. So you're not playing catch up. Yeah, and it's the only area of acting I've ever come across and where you can get better at it really fast, because if you have a good ear, you can hear, like students where I've done this myself right, I think I'm sounding very sexy, yeah yeah, and I just sound sad, sad and depressed.  26:07 I'm like, okay, that's bad. Or I'm trying to be enthusiastic and I sound crazy, like I've had 15 cups of coffee, so you can hear it and you can adjust it immediately and that's so satisfying. I mean, I love to do dialects, as I know you do, and you know dialects takes years to really be super great at them. And this is another area about the voiceover world is you can move forward very quickly if you are just consistent, consistent with your study consistent with your class?  26:40 - Anne Ganguzza (Host) Yes, absolutely.  26:42 - Anna Garduno (Guest) Consistent instead of stopping and starting all the time.  26:44 - Anne Ganguzza (Host) I love that. I love that and I try to tell my students you know, look, it's better for you to do one or two scripts a day because I give homework right. And I say it's better for you to do one or two scripts a day because I give homework right. Yeah, and I say it's better for you to do one or two scripts a day, then wait until the night before and then do all the scripts at the same time, because then you're in the same performance mode, right.  26:58 - Jen Keefe (Ad) You're just like, oh God, I've got to get my homework done.  27:00 - Anne Ganguzza (Host) I've got to get my homework done and so I'm going to listen to you. And so one of the reasons why I give homework is to hear, for me I'm vocally branding my students as well, so that we're prepping for the demo. Right, I want to hear them talking about Toyota or I want to hear them talking about Subaru or some other brand and I want to say, okay, I hear that, you know, and for me it's just a creative thing where I'm like, yes, I can hear that she sounds great with that brand, and so now we're going to focus on a spot on our demo for that brand. And so I give lots of homework because, number one, you should be able to practice what we're doing in between our sessions. Otherwise, like you want me to just live direct you once a week, that just, I mean, I don't feel that you're going to progress quickly.  27:45 - Anna Garduno (Guest) Well, what you're talking about, anne, is giving them the structure and the tools to become their own best director. Exactly that's what you're talking about, and that is a gift to give to students.  27:55 - Anne Ganguzza (Host) Thank you for calling homework being a gift. I love that. Oh, it is a gift. Yeah, I love that, and also I always say to people it's optional okay. I don't want to stress you out, yeah me too.  28:03 - Anna Garduno (Guest) I don't want to stress you out, but you're giving them. It was a new student, they go. Well, I just need to be. You know, if I have a director or a cast member, they tell me what to do. And I said to them okay, well, what might they say? And she said, well, they would tell me to be more conversational. I said, okay, and then what would you do? Blank face, yeah, and everyone's different. Like for me to be more conversational. In general, I have to slow down and I have to bring my voice down just a little bit.  28:31 Other people have to go faster.  28:38 - Anne Ganguzza (Host) Typically people pitch up when they're reading. That's just a, I think, human nature kind of thing, but you're right. And then sometimes they just go fast through everything or they go too slow through everything and then they sound too consistent. Consistency is like. I think I can't be stagnant in my business. That's the death of my business, and I think consistency might be the death of a voice actor. Because you can't be consistent in any sound right, because then it sounds robotic, it sounds with no point of view, there's no right, it's rhythm, and point of view is everything.  29:05 - Anna Garduno (Guest) I think Point of view drives the rhythm and sometimes the rhythm is like there's one style that sort of is kind of the opposite of all we're talking about a little bit is I call it a cello read Is that Eternity by Calvin Klein?  29:16 - Jen Keefe (Ad) Right when they just say do less, do less, do less.  29:18 - Anna Garduno (Guest) Right, hi, yes Hi, I'm not going up or down, but that's its own rhythm.  29:22 - Anne Ganguzza (Host) So that's why I call it a cello.  29:24 - Anna Garduno (Guest) So if somebody plays one note on a cell, that's what it is. Yeah, it's like that. So even that is a very specific point of view.  29:32 - Jen Keefe (Ad) Yeah, absolutely.  29:35 - Anna Garduno (Guest) And it makes it dynamic because you're right, if you're just consistent all the way through the same way, it's so boring, yeah, you just stop. It loses any kind of dynamic.  29:42 - Anne Ganguzza (Host) It loses point of view too Correct, it really does.  29:44 - Jen Keefe (Ad) Oh, absolutely yeah.  29:53 - Anne Ganguzza (Host) It's interesting how musical it can be and then yet I don't want my students to approach it necessarily musically. I want them to approach it like an actor, because if you can do that, then ultimately things just fall into place. When you're responding to something, you're acting is reacting. When you're reacting right and you're reacting with the lines in the script, it falls together naturally. It really does.  30:08 And so the rhythm and the melody just fall together, and the emphasis on the words. It just falls together Like it's an easy thing for me to say. However, somehow, when people get words in front of their face, yes, because I was taught to read aloud, you know, in grade school, and I was like yes, me, I love to read, I'm a good reader, and let me hello, I'm going to read my text now, and so you have no time to put a point of view on when you're just reading from left to right, you don't know what the story is. There's no history there, there's no. Who are you talking to? Well, I'm just reading to the air, right?  30:40 - Anna Garduno (Guest) Well, I think you bring up also a really good point too. The approach isn't after the voice will follow the musicality, all that will follow. And something that's a particular challenge is since when we're reading or working, a lot of times we have headphones, so we're hearing ourselves while we're talking and there's a big temptation to be the director, the producer, all at once while you're literally saying your words absolutely you have to not do that.  31:02 So I'm a big advocate just put one headphone on, because you don't ever hear what you actually sound like through your head or your headphones. It's close because you're listening through the speaker of your head, right? So that's that's. The other thing, too, is I tell students don't judge your read like. Listen to it back first before you start making adjustments, or you stop in the middle or you change it or something.  31:21 - Anne Ganguzza (Host) Yeah, that's good, I like that. Wait until you're done. I have the advice, which is interesting I get the one ear on, one ear off. For some people yeah, for some people, because for me, when I was initially starting, I had a lot of like noises coming out and I was evaluating my booth and so I couldn't tell if there was noise and also being directed right. So when you're directed, you kind of have to have your headphones on.  31:42 - Anna Garduno (Guest) Oh no, absolutely Right, You've got to be able to hear the direction.  31:44 - Anne Ganguzza (Host) So I always say your headphones are amplifying your sound, yes, and so if you get used to not listening to your sound and you're into the storytelling, it won't matter if you have headphones on or not. But that's a hard thing for people to do sometimes, because I know when I first started hi, oh, I love this. It's amplifying my voice, you know that kind of thing and it just gets to be a little egocentrical there for a minute. But I don't think any voice acting really should be egocentrical at all. It's something you are gifting right to the person who is listening to you and that is a gift you give to them. It's not about you listening to yourself.  32:20 - Anna Garduno (Guest) Well, even though you're just doing one side of the conversation. You're in fact interacting. Yeah, you are always interacting, and that's when they say talking to a friend. That's what they're trying to say is you're talking about this paper towel is going to soak up that spilled wine. Because you just came to your friend and said, oh my God, I spilled red wine all over my couch, I don't know what to do. You say, oh well, actually this thing is going to help you. You're interacting. Right, it's not about you at all. And it is a challenge sometimes not to fall either, to fall in love with your own voice or to decide.  32:49 You hate everything about it which is also not helpful.  32:52 - Anne Ganguzza (Host) That's so true. So you have to not judge.  32:54 - Anna Garduno (Guest) You have to wait and listen back and then see do I sound like I'm engaging with someone? Because you're always talking, like you say, for a reason. You know, even in animation stuff. You know I was talking to someone the other day about BoJack Horseman because that's such a common spec.  33:10 You know they say we want to like bojack horsemen, not rugrats and things like that. And I had somebody once I think was at sad foundation, wasn't a regular student said, and they said, well, you know, will arnett, they just hired him because you know he's just will arnett all the time. And you know what I said. I said, okay, I see why you're saying that, but my guess is a lot of people would like to play bojack. I bet chris rock would have loved it, paul rudd would have loved it.  33:28 Paul Rudd would have loved it. Owen Wilson would have loved it. There's a lot of comedic Seth Rogen, there's a lot of guys, and Willa and I get it, not because of the sound of his voice, but because he created a character that was engaging. So don't self-sabotage by saying, oh, it's a star. That's all they do. Don't diminish their work and don't diminish your possibility to do work as good, absolutely.  33:52 - Anne Ganguzza (Host) So I think that that's really interesting. Oh, I love that. I love that. Gosh, Anna, I could talk all day to you.  33:58 - Jen Keefe (Ad) Well, that's why we're going to get together and have cocktails and dinner.  34:00 - Anne Ganguzza (Host) There we go Well, there we go Well. I have to say thank you. So so much. Thank you so much and I know that it's been a pleasure having you on. Now you've got a special offer for boss listeners. I do Special offer.  34:12 - Anna Garduno (Guest) Talk to us about that a little bit so for boss listeners. You get 10% off any classes, 10% off any private coaching or things like that, and also 10% off any demos you may want to work on or refresh or anything like that. Just say that you're a fan of the boss lady. The queen herself Love it and I'm very happy to do that. And you can reach me through.  34:33 - Anne Ganguzza (Host) My direct email is AnnaVoiceForward at gmailcom, and just say hey, heard you on the boss, and we'll put that link in the show notes as well to get to your website. And so thank you so much, anna, for being with us today, and I look forward to working with you more in the future. For sure I want to have you as a VO Peeps guest director too, so coming up, so I'll be sending you that schedule. Yay, I would love that. So perfect. Thank you so much. Thank you so much, and so a big shout out to our sponsor, ipdtl. You too can connect and network like bosses. Find out more at IPDTLcom. Bosses. Have an amazing week and we'll see you next week. See you next week, bye, thank you.  35:20 - Intro (Announcement) Join us next week for another edition of VO Boss with your host, anne Ganguza, and take your business to the next level. Sign up for our mailing list at VOBosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution, with permission. Coast-to-coast connectivity via IPD TL.   

#actor #southafrica #podcast #gregkriek #kevinhart #meganfox #zachsnyder Join the MetaLab fam for ultra premium supplementation, code "JOSH15" - https://www.metalabsupps.com/ Greg Kriek was a 2024 Primetime Emmy® Awards contender for Outstanding Supporting Actor in a Limited Series/Movie for his role alongside Kevin Hart in Die Hart 2: Die Harter. Competing against industry heavyweights like Barry Keoghan, Robert Downey Jr., and Taylor Kitsch, Greg solidified his reputation as one of South Africa's most internationally credited actors in his category. With over 95 screen credits, Greg is celebrated for his versatility and transformative performances. He starred as Dr. Tony Sinclair in the Emmy®-winning The Serengeti Rules and played Karl Stromberg in the Emmy-nominated Die Hart 2: Die Harter. In 2023, he won Best Supporting Actor at the Oscar-qualifying Los Angeles Annual Film Awards for his role in the Holocaust drama Trust. Greg's portfolio includes a key role in Zack Snyder's Rebel Moon franchise, acting alongside Sir Anthony Hopkins, Charlie Hunnam, and Djimon Hounsou. Other notable projects include Fly Me to the Moon with Scarlett Johansson and Channing Tatum and Rogue opposite Megan Fox. Trained by top acting coaches like Larry Moss and Ivana Chubbuck, Greg has mastered a craft that transcends genres. His upcoming 2025 releases include seven major projects, such as a top-secret Amazon limited series, a western with Harvey Keitel, and two international features in Iceland and Cambodia. Having shared the screen with icons like Morgan Freeman and Olga Kurylenko, Greg continues to establish himself as one of Hollywood's most dynamic talents. Don't forget to like and subscribe FOR MORE INFO Greg Kriek - https://www.instagram.com/gregkriek/?hl=en Joshua Eady - https://www.instagram.com/justblamejosh/ Storytime Podcast - https://www.instagram.com/storytimepodcastjosh/ WATCH https://youtu.be/2xRAn3Umo_A

On Saturday, October 12, the Street Peace Project unveiled its Beacon for Peace on a street corner in Lansingburgh. The outdoor interactive sculpture seeks to raise awareness of the problem and grief of violence in the community. Individuals are asked to attach a message of peace to the Beacon. We hear from artist Devya Arthur; Larry Moss; Marketa McCant of Community Rising; Jim Ketchum; Rev. Victor Paterson; Martina Neilsen; Andre Cruz; Serena Foy; and Thomas. By Mark Dunlea for Hudson Mohawk Magazine.

Christina Helena is a speaker, playwright/performer, and founder of My Scar is Sexy, based in New York City. As one of the youngest pancreatic cancer survivors with a thirteen-inch scar across her abdomen, she is redefining the stigma behind trauma and pain with one simple thought: “Your scar is the sexiest thing about you.” Most recently, Goalcast featured Christina's talk, “My Scar is Sexy,” on mental health, and overcoming adversity received over 10 million views.Her story is currently in development as an off-Broadway, autobiographical solo show entitled SCAR directed by the award-winning director Larry Moss. Her TEDx talk, “Dear Unresolved Soul, It's Not Death You Fear, It's Life,” is about facing mortality and how death is the greatest catalyst to discovering the authentic self. A Quote From This Episode"It took me many years of just asking myself, 'Why did you have that thought?' Then, again, 'Why did you have that thought?' And then, 'Why did you have that answer, and why that thought?'"Resources Mentioned in This EpisodeChristina's WebsiteChristina's TEDx TalkMy Scar is Sexy TalkGoalcastOther resources/people mentioned in this episode are linked to in the episode transcript.About The International Leadership Association (ILA)The ILA was created in 1999 to bring together professionals interested in studying, practicing, and teaching leadership. Register for ILA's 26th Global Conference in Chicago, IL - November 7-10, 2024.About  Scott J. AllenWebsiteWeekly Newsletter: The Leader's EdgeBlogMy Approach to HostingThe views of my guests do not constitute "truth." Nor do they reflect my personal views in some instances. However, they are views to consider, and I hope they help you clarify your perspective. Nothing can replace your reflection, research, and exploration of the topic.

What if you could transform your acting career by mastering your unique superpowers? This episode of NOLA Film Scene features the extraordinary James DuMont, who takes us through the pivotal moments of his extensive acting journey. From the mentorship of industry legends like Tim Phillips and Larry Moss to the pragmatic application of the Meisner technique, James shares the invaluable lessons he's learned along the way. By drawing on personal stories and career-defining transitions, you'll gain deep insights into how preparation and authenticity can lead to impressive performances in both theater and film.Support the Show.Follow us on IG @nolafilmscene, @kodaksbykojack, and @tjsebastianofficial. Check out our 48 Hour Film Project short film Waiting for Gateaux: https://www.youtube.com/watch?v=z5pFvn4cd1U

In a rapidly changing entertainment landscape, creators are finding innovative ways to maintain control and integrity over their work. Enter Rich Ronat and Laura Vale, the dynamic duo behind Good Rebel Pictures. Together, they are challenging the status quo and championing the cause of indie filmmaking with their latest venture. Rich Ronat, an established Hollywood screenwriter known for works such as Grand Isle (starring Nicolas Cage and Kelsey Grammer), American Sicario (starring Danny Trejo), and the upcoming Crescent Hawk (featuring Alec Baldwin and Terrence Howard), brings a wealth of industry experience. Laura Vale, a talented actress recognized for her roles in Midnight in the Garden of Good and Evil, Charmed, Desperate Housewives, and Seventh Heaven, adds her rich acting pedigree to their projects. Together, they are not just partners in their production company but also in life. Good Rebel Pictures was born out of their shared love for storytelling and a desire to reclaim creative control. In an industry increasingly driven by commercial viability and the financial bottom line, Ronat and Vale believe the essence of filmmaking—story, creativity, performance, and writing—has been compromised. By forming their own production company, they aim to provide opportunities for actors who fit the role perfectly, irrespective of their marketability. Their first project under Good Rebel Pictures, CULPRIT, is a psychological thriller set to premiere this June in Los Angeles, with plans for both national and international festival circuits. The film marks Ronat's directorial debut, which he also co-wrote. Starring Jamie Donavan, Laura Vale, Ron Orbach, Carolyn Mignini, and Michael Dempsey, CULPRIT exemplifies the duo's commitment to “creative purity.” According to Ronat, big studio films often morph through different stages—from the script to the screen—resulting in a final product that may stray far from the original vision. Indie filmmaking, in contrast, allows for a more authentic realization of the creator's intent. Rich and Laura met many years ago in an acting class with the renowned Larry Moss, and their paths have intertwined ever since. Their journey from Hollywood insiders to independent creators underscores a broader trend in the industry: the need for artists to build their own platforms rather than waiting for a place at someone else's table. Through Good Rebel Pictures, Rich Ronat and Laura Vale are not just producing films—they are nurturing a movement. Their work is a testament to the power of independent filmmaking and the importance of maintaining artistic integrity in an ever-evolving industry. As they prepare for the premiere of CULPRIT, the duo is excited to share their vision with the world and inspire other creators to take control of their creative destinies.

In which Patsy speaks with friend, colleague, actor, director and coach and Larry Moss.

Dr. Larry Moss, President & COO of Nemours, joins JMN to share how partnering with The Players helps provide care resources for children.

Actor-director Michelle Danner is also an acting coach at the Los Angeles Acting School who specializes in the Meisner, Strasberg, Adler, Hagen, Chekhov and Stanislavsky techniques. Alongside Larry Moss, she's also the founding and Artistic Director of the Edgemar Center for the Arts.In 2006, Michelle made her feature film directing debut with, How to Go Out on a Date in Queens, winning the L.A. Film Awards' Best Acting and Best Movie awards. Her 2013 film, HelloHerman, catalogs the effect that peer abuse, parental neglect and the general coarsening of society has on a typical high school student.  Michelle has acted in and directed over thirty plays in Los Angeles and New York, with her favorite acting credit cited as the Dramalogue award-winning Tennessee Williams' The Rose Tattoo. Among her other award-winning stage work, she produced The Night of the Black Cat at Edgemar, she directed the world premiere of Mental the Musical, and she wrote and directed You're on the Air, an improvisation-based comedy.Michelle also produced and acted in the award-winning short Dos Corazones, directed by Larry Moss. And she was voted favorite acting coach by the readers of Backstage. Notable projects Michelle has directed include: Bad Impulse with Paul Sorvino, Ticket to the Circus, a one-woman play about the life of Norris Church Mailer, starring Anne Archer.  And most recently she produced and directed the feature, Miranda's Victim, a biographical crime drama depicting the origins of the well-known Miranda warning. The movie stars Abigail Breslin, Luke Wilson, Andy Garcia, Donald Sutherland, Ryan Phillippe, Kyle MacLachlan, Mireille Enos, Taryn Manning, and Emily VanCamp. I've seen Miranda's Victim and can tell you it's an intense and deeply emotional story about how the legal system can be impacted and changed by overcoming injustice amid challenging circumstances. www.michelledanner.comwww.edgemarcenter.org

In this episode, Adam and Budi speak with Master Clown Fabio Motta.Fabio Motta is an award-winning performer, clown, and teaching artist who has performed and devised theatre in Australia, Italy, and the United States. He has trained and is a graduate of international arts institutions including The Academia Teatrale Veneta (Italy) and HB studio in New York and has worked with renowned artists and teachers such as Carol Rosenfeld, Larry Moss, Lyndsey Davies, Austin Pendleton, Philippe Gauliere, Zack Fines and Giovanni Fusetti. Working extensively as an actor in Australia and abroad with companies like the Australian Shakespeare Company, Born in a Taxi, Hudson Valley Shakespeare Festival, and The Russian Arts Theatre, he also has multiple TV and film credits to his name including Ronny Chang International student, Utopia season 4, Carla Cametti PD, Canal Road, Apparitions, Slant and Little Tornados. His critically acclaimed solo show SPOT had a sold-out season in 2021 at Theatre Works and raving reviews in his return season in 2022 at the Explosive Factory as part of the Melbourne International Comedy Festival. Most recently, he has received a Green Room Award for 'Best Performer' for his solo show SPOT in 2022.He is a certified Associate Teacher of Fitzmaurice Voicework® and the regional coordinator for Australia and New Zealand. He is also the artistic director of the Clowning Workshop where he runs ongoing workshops. Fabio has taught at New York University Tisch School of the Arts, HB studio, and the Ume Group (Physical Theatre Ensemble New York) in the United States. In Melbourne, he runs classes in Clowning, Fitzmaurice Voicework®, Mask, and games for theatre as a freelance.He has taught at 16th Street Acting Studio, Brave Studios, The Victorian College of the Arts, St. Martin's Youth Theatre, and The National Theatre Drama School Melbourne.Integrate spiritual practice into your training and unveil the profound, spiritual depths of acting with Budi Miller, an internationally renowned expert in Balinese Performing Arts Training.. Join this transformative workshop where Budi will guide you through his uniquely crafted spiritual acting techniques, honed over 25 years of meticulous research and global actor coaching. Benefit from Budi's extensive experience in training actors for both screen and theatre.

The great Larry Moss sits down with Mershad Torabi to discuss his life, start in acting and transition to becoming one of the greatest acting teachers of our time.Moss coached Sutton Foster in Broadway's Anything Goes (Tony Award); Helen Hunt in As Good As It Gets (Academy Award); Hilary Swank in Boys Don't Cry and Million Dollar Baby (Academy Awards); Michael Clarke Duncan in The Green Mile (Academy Award nomination); Hank Azaria in Tuesdays With Morrie (Emmy Award); Jim Carrey in The Majestic; Tobey Maguire in Seabiscuit; Leonardo DiCaprio in The Aviator (Golden Globe Award and Academy Award nomination); The Departed (Golden Globe nomination); Blood Diamond (Golden Globe and Academy Award nomination); Shutter Island, Inception, J. Edgar (SAG and Golden Globe Award nomination) and Wolf of Street (Golden Globe Award and Academy Award nomination) and The Revenant (Academy Award) and Once Upon a Time in Hollywood (Golden Globe Award and Academy Award nomination). Moss's teaching career includes US, Canada, Australia and Europe. His book on acting, The Intent To Live, was released by Bantam Dell in 2004.http://weareactors.com

"Your physicality is your vehicle for all communication, leadership, and influence."   In this episode, Bo Eason, former NFL player, speaker, and author, and I discuss the role of physicality and self-expression in effective communication, parenting, and relationships. This episode answers this one question: What's the connection between the state of your nervous system, your physical presence, and your ability to communicate well?   Bo and I explore the importance of being physically and mentally present in different areas of life, and touch upon the parallels between elite athletes and impactful communicators who express themselves through their strong postures and voices. Bo shares his personal journey and insights on utilizing the body and voice for compelling storytelling and presence. As the author of the book There's No Plan B For Your A-Game, Bo believes that the human body is a powerful instrument and with adaptability and continuous learning, anyone can become a great communicator and excellent at what they do.   Here's what you'll learn about in this episode:   How physical expression makes communication impactful and messages compelling Why your nervous system needs to be in a parasympathetic state that is present and calm to foster creativity and play How deep breathing activates your voice to support communication Ways that presence and embodiment support parenting and influence and inspire others Why people with a history of trauma may struggle to embrace their power and be fully present The need to unapologetically embrace your natural power, authenticity, and strength, even when society tells you to play small Intro to the "Sacred Six," a set of six small exercises designed to activate the voice and body. Why you need a vision to attract support and resources and fufill your dreams     Want to learn the steps to take, in the right order, in order to process trauma safely? Check out my guide, “The Essential Sequence Complete Guide.” –BIO– Find More About Dr.Aimie https://www.traumahealingaccelerated.com/dr-aimie-apigian-md-ms-mph/ More about our guest:  Bo Eason is a speaker, performer, and author who started his career in the NFL, as a top pick for the Houston Oilers. Continuing on with the San Francisco 49ers, during his 5-year career Bo competed beside and against some of the greatest players of his generation. In 2001, Bo wrote and performed his one-man play, Runt of the Litter, which opened in New York to rave reviews. The New York Times called it “One of the most powerful plays in the last decade.” Bo toured with the play in over 50 cities and it is now being adapted as a major motion picture. In his quest for excellence on the stage, Bo trained with some of the world's most brilliant performance and movement coaches, Larry Moss and Jean-Louis Rodrigue.  Bo now draws from their techniques and wisdom to coach others to be excellent presenters and storytellers. Bo is dedicated to helping others tap the power of their personal story and become effective, persuasive communicators. He delivered his keynotes and workshops to groups such as Protective Life Insurance, Dimensional Fund Advisors, Morgan Stanley, and Young Presidents Association. Bo has also appeared as a guest on shows like Bill Maher, Fox Sports Net, ESPN, The Rosie O'Donnell Show and CNN. Bo got the opportunity to share his life experiences and inspirational lessons with the world! Bo wrote There's No Plan B For Your A-Game because he truly believes that anyone has the ability to be great. His book uses inspiring, practical, and real-world guidance, coupled with absolute accountability to teach anyone how to be the best in the world at what they do: the best leader, the best business owner, the best athlete, the best artist, the best partner, the best parent. Disclaimer: By listening to this podcast, you agree not to use this podcast as medical advice to treat any medical condition in either yourself or others. Consult your own physician for any medical issues that you may be having.  This entire disclaimer also applies to any guests or contributors to the podcast. Under no circumstances shall Trauma Healing Accelerated, any guests or contributors to The Biology of Trauma podcast, or any employees, associates, or affiliates of Trauma Healing Accelerated be responsible for damages arising from the use of the podcast.   Helpful links: Attachment Roadmap Guide for Biochemical Imbalances in Mental Health Foundational Journey for Addressing Stored Trauma We Recommend: Starters Basic Bundle for Energy - This provides your body with key essentials that can help get you unstuck, have deeper, more restorative sleep, and enhance your energy levels. https://www.traumahealingaccelerated.com/product/starters-basic-bundle-for-energy/  

Fiona and Sophia Robert are Producers, Writers, and Actors who have written roles for themselves in two feature films: The Country Club and A View of the World from Fifth Avenue. While The Country Club is available to stream right now, A View of the World from Fifth Avenue was cast by Mentor Julie Schubert and just premiered at Bentonville Film Festival. Robert Sisters Pictures is an award-winning film production company founded in 2018. Created by sisters Fiona and Sophia Robert, the team writes, produces, directs, and stars in their films. TAll Robert Sisters productions aim to have an inclusive and gender-balanced crew behind the scenes, earning their second feature film, A VIEW OF THE WORLD FROM FIFTH AVENUE, the ReFrame stamp of approval. The Robert Sisters' first feature, THE COUNTRY CLUB played five festivals taking home “Best Feature Comedy” upon its premiere at the Manhattan Film Festival and the “Marlyn Mason First Prize“ at Flicker's Rhode Island Film Festival. The film was sold to Good Deed Entertainment for domestic distribution, and Archstone for International Sales. It will be released worldwide June 2023. The Robert Sisters' second feature, A VIEW OF THE WORLD FROM FIFTH AVENUE will world premiere as one of twelve films in Narrative Competition at Bentonville Film Festival June 2023 founded by Geena Davis. In this episode, we talk about: • When they decided to make your own production company and was it before or after they wrote The Country Club? • The story behind writing their first feature film The Country Club • Their process for writing a film together and their steps towards pre-production of a feature film • Lessons that they took to their second feature film from first film • Made A View of the World from Fifth Avenue in just over a year with recent premiere at Bentonville Film Festival • Sophia being directed by her sister Fiona and Fiona's directing tips she's learned along the way • Tips for actors on their self tapes • What the ReFrame Stamp of Approval is and why it's important for them to promote equity • Working with Casting Directors Julie Schubert and Kate Gifford to cast their films Guest: ⁠Website⁠ ⁠Fiona's IG⁠ ⁠Sophia's IG⁠⁠ ⁠The Country Club IG⁠ ⁠A View from Fifth Avenue IG⁠ Host: Instagram: ⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠ Facebook page:⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠ Website:⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠ Youtube: ⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠ Episodes we talk about: Becoming... Emmy winning Casting Director Julie Schubert and Becoming... Legendary Acting Coach Bob Krakower and Becoming... Executive Vice President at Maven Screen Media Jenny Halper ("The Kindergarten Teacher," "A Mouthful of Air") If you like this episode, check out: ⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Click here to join our Mailing list.⁠⁠⁠⁠⁠⁠ Ads: Check out The Actor's Retreat by the Casting Director's Cut for schedule and ticket information. The Actor's Retreat (Comedy) is a 2 days of virtual Acting Masterclasses. Classes include Improv Master Class with Ian Roberts (Co-Founder of UCB), Ace Your Self Tape: Comedy with Erica S. Bream, CSA & Cara Chute Rosenbaum, CSA, and Comedy Master Class with Larry Moss. There will also be various workshops perfect for actors like Morning Pages from The Artist's Way and Hypnosis for Actors: Using Hypnotherapy to Reach an Optimal Mindset. --- Support this podcast: https://podcasters.spotify.com/pod/show/michelle-miller4/support

WANT THE FULL EPISODE? Check out yesterday's episode "Ep.91 I Bo Eason I Deciding to Declare (and Achieve) Bold Goals," or download it using this link. Bo Eason draws on his experiences in the NFL and on Broadway to encourage business leaders to unlock their ultimate potential.KEY TOPICS The importance of physical and emotional grounding to improve your performance. The value of friendly competition. How we rise or fall to the level of the environments we choose. Using the L-10 rule for measuring progress. How the best leaders are captains, not superstars. Out-behaving, not necessarily outperforming your competitors. Getting good at failure and recognizing it as an integral part of success. Text PERSONALSTORY to 323-310-5504 to get Bo's step-by-step guide on how to capture your own powerful personal story. And to learn more about his upcoming Personal Story Power Event. CONNECT WITH USwww.decidedlypodcast.com Join us on Instagram: @decidedlypodcast Join us on FacebookShawn's Instagram: @shawn_d_smith Sanger's Instagram: @sangersmith MENTIONED IN THIS EPISODE“The Infinite Game” by Simon Sinek"The Captain Class: A New Theory of Leadership" by Sam WalkerText PERSONALSTORY to 323-310-5504 to get Bo's step-by-step guide on how to capture your own powerful personal story. And to learn more about his upcoming Personal Story Power Event. MAKING A FINANCIAL DECISION?At Decidedly Wealth Management, we focus on decision-making as the foundational element of success, in our effort to empower families to purposefully apply their wealth to fulfill their values and build a thriving legacy. LEARN MOREwww.decidedlywealth.comSUBSCRIBE TO OUR WEEKLY DECISION-MAKING TIP EMAIL Join us every Wednesday for more strategies to DEFEAT bad decision-making - one episode at a time! CONNECT WITH BO EASONText PERSONALSTORY to 323-310-5504 to get Bo's step-by-step guide on how to capture your own powerful personal story. And to learn more about his upcoming Personal Story Power Event. www.boeason.com “There's No Plan B for You're A Game”: www.boeasonbook.com Bo's Story: https://boeason.com/about-bo/ Instagram: @boeason21 Facebook: https://www.facebook.com/boeasonofficial/ LinkedIn: https://www.linkedin.com/in/boeasonofficial/ Bo Eason started his career in the NFL as a top pick for the Houston Oilers. Continuing with the San Francisco 49ers, during his 5-year career Bo competed beside and against some of the greatest players of his generation. In 2001, Bo wrote and performed his one-man play, Runt of the Litter, which he performed on Broadway to rave reviews. The New York Times called it, “One of the most powerful plays in the last decade.” Bo toured with the play in over 50 cities, and it is now being adapted as a major motion picture. In his quest for excellence on the stage, Bo trained with some of the world's most brilliant performance and movement coaches, Larry Moss and Jean-Louis Rodrigue. Now in his third act, he speaks to and trains some of the most successful people in the world—athletes, artists, entrepreneurs, and C-suite execs—on how to communicate for maximum impact and success. He has consulted for clients like Advisors Excel, Morgan Stanley, Dimensional Fund Advisors, Mass Mutual, Guardian, and Merrill Lynch. His training programs on leveraging the power of personal stories have transformed the way speakers communicate. Your story is unique from any other. Bo will show you how to leverage your achievements and your failures in a way that captivates and connects you with your audience every time. His book, There's No Plan B for Your A-Game, Be the Best in the World at What You Do, is a NATIONAL BESTSELLER. The book debuted on the USA Today, Wall Street Journal and Publishers Weekly bestseller lists and was named one of the 4 Hottest New Books of Fall 2019 by Inc. Magazine.

Bo Eason draws on his experiences in the NFL and on Broadway to encourage business leaders to unlock their ultimate potential.KEY TOPICS The importance of physical and emotional grounding to improve your performance. The value of friendly competition. How we rise or fall to the level of the environments we choose. Using the L-10 rule for measuring progress. How the best leaders are captains, not superstars. Out-behaving, not necessarily outperforming your competitors. Getting good at failure and recognizing it as an integral part of success. Text PERSONALSTORY to 323-310-5504 to get Bo's step-by-step guide on how to capture your own powerful personal story. And to learn more about his upcoming Personal Story Power Event. DON'T HAVE TIME FOR THE FULL EPISODE? Check out the 9-minute highlight clip, Ep.91 HIGHLIGHT I Good leaders are captains, not superstars. Download it directly using this link. CONNECT WITH USwww.decidedlypodcast.com Join us on Instagram: @decidedlypodcast Join us on FacebookShawn's Instagram: @shawn_d_smith Sanger's Instagram: @sangersmith MENTIONED IN THIS EPISODE“The Infinite Game” by Simon Sinek"The Captain Class: A New Theory of Leadership" by Sam WalkerText PERSONALSTORY to 323-310-5504 to get Bo's step-by-step guide on how to capture your own powerful personal story. And to learn more about his upcoming Personal Story Power Event. MAKING A FINANCIAL DECISION?At Decidedly Wealth Management, we focus on decision-making as the foundational element of success, in our effort to empower families to purposefully apply their wealth to fulfill their values and build a thriving legacy. LEARN MOREwww.decidedlywealth.comSUBSCRIBE TO OUR WEEKLY DECISION-MAKING TIP EMAIL Join us every Wednesday for more strategies to DEFEAT bad decision-making - one episode at a time! CONNECT WITH BO EASONText PERSONALSTORY to 323-310-5504 to get Bo's step-by-step guide on how to capture your own powerful personal story. And to learn more about his upcoming Personal Story Power Event. www.boeason.com “There's No Plan B for You're A Game”: www.boeasonbook.com Bo's Story: https://boeason.com/about-bo/ Instagram: @boeason21 Facebook: https://www.facebook.com/boeasonofficial/ LinkedIn: https://www.linkedin.com/in/boeasonofficial/ Bo Eason started his career in the NFL as a top pick for the Houston Oilers. Continuing with the San Francisco 49ers, during his 5-year career Bo competed beside and against some of the greatest players of his generation. In 2001, Bo wrote and performed his one-man play, Runt of the Litter, which he performed on Broadway to rave reviews. The New York Times called it, “One of the most powerful plays in the last decade.” Bo toured with the play in over 50 cities, and it is now being adapted as a major motion picture. In his quest for excellence on the stage, Bo trained with some of the world's most brilliant performance and movement coaches, Larry Moss and Jean-Louis Rodrigue. Now in his third act, he speaks to and trains some of the most successful people in the world—athletes, artists, entrepreneurs, and C-suite execs—on how to communicate for maximum impact and success. He has consulted for clients like Advisors Excel, Morgan Stanley, Dimensional Fund Advisors, Mass Mutual, Guardian, and Merrill Lynch. His training programs on leveraging the power of personal stories have transformed the way speakers communicate. Your story is unique from any other. Bo will show you how to leverage your achievements and your failures in a way that captivates and connects you with your audience every time. His book, There's No Plan B for Your A-Game, Be the Best in the World at What You Do, is a NATIONAL BESTSELLER. The book debuted on the USA Today, Wall Street Journal and Publishers Weekly bestseller lists and was named one of the 4 Hottest New Books of Fall 2019 by Inc. Magazine.

This episode of Kites and Strings is pretty twisted. We interview Larry Moss, who the Washington Post has called the "best balloon artist in the world.  He has been featured on television shows around the world and recognized by Ripley's Believe It or Not, and has been in the Guinness Book of World Records multiple times.  In addition to the large sculptures that are several stories high and that use tens of thousands of balloons in each, he's also been recognized for his work replicating the art of masters, like Cezanne, Da Vinci, by Leonardo da Vinci,  Botticelli, and Grant Wood.  Steve and Catherine have a great time chatting with Larry, talking about his work, the qualities of balloons as a medium, his creativity origins story which involves,  party balloons, magic, and music, and his process.   All good stuff. Larry's website:https://www.airigami.com/aboutTeaching  Artists ROChttps://teachingartistsroc.com/A really fun time-lapse video of Larry and his crew at work replicating French artist Jean-Honoré Fragonard's The Swing. https://www.youtube.com/watch?v=uxZn4vQdlPUHere's how you can find Kites and Strings out there in the interwebs.Kites and Strings Website: https://www.kitesandstrings.com/​​Facebook: https://www.facebook.com/kitesandstringspodcastTwitter:   @KitesandstringsInstagram:  @Kites_and_stringsemail: Kitesandstringspodcast@gmail.comKites and Strings' theme music is by Harrison Amer, and all other music if from Purple Planet Music at Purpleplanet.com.   The Kites and Strings logo-design is by Cole Monroe at Blue Stag Creative.

Ensuring the U.S. has a well-trained pediatric workforce is critical. Listen in as Dr. Larry Moss, President and CEO, Nemours Children's Health, and Amy Knight, President of the Children's Hospital Association, discuss Children's Hospitals Graduate Medical Education funding. They offer policy recommendations to address the current pediatric workforce shortage, including a call to Congress to increase CHGME funding, reauthorization of the program, and more. Carol Vassar, producer

With over 100 film and television credits to his name, award-winning actor, Adrian Holmes, has become one to watch in the entertainment industry. He can be seen starring opposite Ian Somerhalder, in the Netflix vampire-drama series, "V Wars" based on the popular bestselling book series by Jonathan Maberry. The series follows Dr. Luther Swann (Somerhalder) who enters a world of untold horror when a mysterious virus transforms his best friend, Michael Fayne (Holmes), into a murderous predator.On the film front, Holmes can be seen in the Universal Pictures' action-thriller "Skyscraper" alongside Dwayne 'The Rock' Johnson.Holmes is well-known for starring as Nick Barron on Bravo's original award winning series, "19-2" and for his portrayal of Captain Pike on the long running CW series, "Arrow." In 2017, he took home Canada's top honor in film and television for "19-2," with the Canadian Screen Award for Best Male Lead in a Dramatic Series. The show also won Best Drama series at the 2016 Canadian Screen Awards and was also nominated for a 2016 International Emmy Award. "19-2" is now streaming on Crave TV, Akorn, and Amazon.In addition to working in front of the camera, Holmes received a producer credit, for co-producing, alongside Step by Step Productions, the docudrama "Barrow: Freedom Fighter", which was shot in his homeland of Barbados.Additional film credits include Sony/TriStar Pictures' "Elysium" & "Debug", WWE Studios' "Vendetta," "Frankie & Alice", IFC's "Wrecked", and Warner Bros' "Red Riding Hood".Born in Wrexham, North Wales, with family from Barbados, Holmes grew up in and around Vancouver, British Columbia. The eldest of three boys, Holmes was a natural entertainer as a child. In junior high school, his drama class wrote a play for a local drama festival called, "The Challenge: An Environmental Happening" which was awarded Outstanding Junior Play, and Holmes awarded Outstanding Junior Actor. From that moment on he knew he wanted to pursue a career in acting.He continued to perform in stage productions throughout high school and college and studied his craft in Vancouver with a few different coaches including world-renowned coach Larry Moss, and Ivana Chubbuck. He also studied in New York at Black Nexxus Inc. held at the Times Square Arts Centre.In 2004, Holmes received his first LEO Award nomination [the Canadian Emmys], for his work in the series "The Collector" and then again in 2017 for his work in "19-2." In 2020 he had won for his work in the comedy Web-Series, "Hospital Show".When he isn't working, Holmes enjoys traveling, and tries to get back to see his family in England and Barbados as much as possible. He likes to keep active in his down time and is always up for a good round of golf. Holmes splits his time between Vancouver, LA and London. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dr. Larry Moss, CEO of Nemour's, joins JMN to share how The Players partnership helps to make services available to Jacksonville's pediatric patient community. Additionally, he shouts out to the Children's Cancer Fund and looks ahead to Careathon 2023.

Yes, it is, if you don't have leaders throughout your company. Shirley Collier, President of Scale2Market and host of the Growth Masters Federal podcast discusses this important topic with Larry Moss, CEO/Founder of Azimuth Consulting. These are links to the books mentioned in the podcast: https://www.amazon.com/Mindset-Psychology-Carol-S-Dweck/dp/0345472322/ref=sr_1_1?crid=17S6RAM35FKPU&keywords=dweck+mindset&qid=1673977626&sprefix=dweck%2Caps%2C99&sr=8-1 and https://www.amazon.com/Founders-Mentality-Overcome-Predictable-Crises/dp/1633691160/ref=sr_1_1?crid=2MC6XIVG8Y9RO&keywords=The+Founder%E2%80%99s+Mentality%3A+How+to+Overcome+the+Predictable+Crises+of+Growth+by+Chris+Zook+and+James+Allen&qid=1673977719&sprefix=the+founder+s+mentality+how+to+overcome+the+predictable+crises+of+growth+by+chris+zook+and+james+allen+%2Caps%2C100&sr=8-1 For more information, visit our website.

Hi, Welcome to the What I've Learnt podcastI am Luke, one of the producers for the show. As a producer I live my work and helping Deborah and our team share so many wonderful stories.From food to fashion and art to music we've got you covered.With spring just around the corner, we wanted to highlight some amazing moments of the podcast from November to December....Kim Krejus is the Director of 16th Street Actors studio has brought some of the world's most renowned acting coaches and directors, here including Leonardo Di Caprio's acting coach, Larry Moss, Bradley Cooper's acting coach, Elizabeth Kemp and lan Rickson who directed Hugh Jackman on Broadway.Sigrid Thornton, stellar much loved actor, now starring in her new role in the Chekhov classic The Seagull at the STC. Known for work in television shows like Seachange (1998 - 2019) and Wentworth (2016 - 2018), as well as film apperences in the films Snapshot (1979) and The Man From Snowy River (1982) and many more works.Dr. Rick Hodes is the JDC's medical director in Ethiopia. JDC is the leading Jewish humanitarian organization, working in 70 countries to lift lives and strengthen communities.  Initially arriving in 1984 to help famine victims, he returned in 1985 to teach at Addis Ababa University Faculty of Medicine, and has worked for JDC since 1990.Dr. Alison Thompson founded Third Wave Volunteers as a first responder on Sept 11th, 2001 in NYC which has grown to over 30,000 first responders worldwide. Alison has worked at the grassroots level in Sri Lanka, Haiti, Philippines, Greece, Turkey, Macedonia, Africa, Nepal, 12 USA hurricanes, Venezuela, The Bahamas,  the Syrian and Venezuelan Crisis and numerous other disasters around the world. Deborah's Instagram: https://www.instagram.com/what.ive.learnt/Mind, Film and Publishing: https://www.mindfilmandpublishing.com/Apple Podcast: https://podcasts.apple.com/au/podcast/what-ive-learnt/id153556330Spotify: https://open.spotify.com/show/3TQjCspxcrSi4yw2YugxBkBuzzsprout: https://www.buzzsprout.com/1365850

Michael was young when he discovered his psychic abilities. He spent his childhood studying with established psychics and going to “psychic camp” (somewhat reluctantly) to gain a greater understanding of his gifts. Through the loving support of his mother, Mae, he was able to mature in his practice, while staying true to his own creative style.Michael has been a professional psychic for more than thirty-five years, giving readings, performing ghost bustings, and speaking at events and conventions. His clients range from celebrities like Melanie Griffith and Gary Busey, to financiers and dog walkers.His book, Growing Up Psychic: From Skeptic to Believer, chronicles his life and path of coming to terms with his gifts. He is currently working on his second book and writes a weekly column for Tru.Magazine.http://michaelbodine.comDuffy Hudson is an actor, director, writer, teacher and filmmaker who lives and works in Los Angeles and has performed on Broadway and across the U.S. He has authored several screenplays, including Tattered Angel with actress Lynda Carter. He currently tours the country doing “one-man” shows and has been voted “Best One Man Show in Los Angeles” by the Los Angeles Daily News.”After graduating from college, he moved to New York City where he attended the Circle in the Square Theater School, on Broadway. He has studied with such great Directors as Michael Kahn, Nikos Psacharopoulos, Nakita Mikhalkov (Academy Award winning director for Burnt by The Sun) as well as Sandra Seacat and Larry Moss. http://duffyhudson.comThe Douglas Coleman Show now offers audio and video promotional packages for music artists as well as video promotional packages for authors. We also offer advertising. Please see our website for complete details. http://douglascolemanshow.comIf you have a comment about this episode or any other, please click the link below.https://ratethispodcast.com/douglascolemanshow

Hi, Welcome to the What I've Learnt podcastI am Luke, one of the producers for the show. As a producer I love our  work and helping Deborah and our team share so many wonderful stories.From food to fashion and art to music we've got you covered.In this episode, we are doing something special. As the end of the year is fastly approaching, we thought that we would highlight and showcase some of our favourite performers's from earlier in the year...Featured with in this episode are:Lisa Hunt is a Byron Bay based Soul singer and has performed with the likes of Pavarotti, Andrea Bocelli, Ray Charles, Eric Clapton, James Brown, Joe Cocker, Miles Davis, Macy Gray, Tina Turner, Bryan May, and the cranberries Dolores O'Riordan.Lisa Bolte: She danced with The Australian Ballet Company, 1986-2002, 2005-2007 and was promoted to Principal Artist by the revered Artistic Director, Maina Gielgud in 1993. Highlights with The Australian Ballet have included performing principal roles from the entire classical repertoire including Swan Lake, The Sleeping Beauty, Giselle, Romeo & Juliet, LaSylphide, Raymonda, Don Quixote, Manon, Anna Karenina, Etudes, Copellia, The Merry Widow, Onegin and Theme and Variations.Kim Krejus & Sigrid Thornton:  Kim Krejus is the Director of 16th Street Actors studio has brought some of the world's most renowned acting coaches and directors, here including Leonardo Di Caprio's acting coach, Larry Moss, Bradley Cooper's acting coach, Elizabeth Kemp and lan Rickson who directed Hugh Jackman on Broadway.Sigrid Thornton, stellar much loved actor, now starring in her new role in the Chekhov classic The Seagull at the STC. Known for work in television shows like Seachange (1998 - 2019) and Wentworth (2016 - 2018), as well as film apperences in the films Snapshot (1979) and The Man From Snowy River (1982) and many more works.Deborah's Instagram: https://www.instagram.com/what.ive.learnt/Mind, Film and Publishing: https://www.mindfilmandpublishing.com/Apple Podcast: https://podcasts.apple.com/au/podcast/what-ive-learnt/id153556330Spotify: https://open.spotify.com/show/3TQjCspxcrSi4yw2YugxBkBuzzsprout: https://www.buzzsprout.com/1365850

She's acted with Brad Pitt and Robert Redford as well as starred in the HBO series, Transporter. And this week she's Ivan's guest as they discuss Super Objectives based on Larry Moss book The Intent to Live.

Australians actors have always been Uber talented but they're having a big moment in the sun with the likes of Margot Robbie, Cate Blanchett, Hugh Jackman and Rebel Wilson spearheading some trailblaising productions and featuring centre stage in some of the most awarded and revered global films.Baz Luhrmann, Russell Crowe, Chris Hemsworth and a stream of internationals like Matt Damon and Tom Hanks are filming big budget movies here so we need the best educators to train prepare and equip the next generation of in demand Aussie actors.Patron Deborra Lee Furness and stellar much loved actor Sigrid Thornton, now starring in her new role in the Chekhov classic The Seagull at the STC, are just two of the wonderful actors supporting what many dub “one of the best acting schools in Australia” - the 16 th Street Actors Studio.16th Street, director Kim Krejus has brought some of the world's most renowned acting coaches and directors, here including Leonardo Di Caprio's acting coach, Larry Moss, Bradley Cooper's acting coach, Elizabeth Kemp and lan Rickson who directed Hugh Jackman on Broadway.She has elevated what training means in this country and exposed actors at all levels of their artistic development to the world's best.Global guru Russell Brand was so impressed when he visited to speak at the Studio he donated his large fee to the Studio supporting their vision to teach actors.In 2023, 16th Street is planning to bring Jennifer Aniston's acting Coach, Nancy Banks and Actor. Willem Dafoe to conduct masterclasses.So thrilled to have two wonderful talented women I adore to join me on the Pod to talk about their passion for acting teaching mentoring and why Australians have become such precious respected and in demand artists globally.Deborah's Instagram: https://www.instagram.com/what.ive.learnt/Mind, Film and Publishing: https://www.mindfilmandpublishing.com/Apple Podcast: https://podcasts.apple.com/au/podcast/what-ive-learnt/id153556330Spotify: https://open.spotify.com/show/3TQjCspxcrSi4yw2YugxBkBuzzsprout: https://www.buzzsprout.com/1365850

For Video Edition, Please Click and Subscribe Here: https://youtu.be/p09XctTNxhQ KURT PETERSON began his Broadway career when Leonard Bernstein and Richard Rodgers chose him to play Tony in the revival of West Side Story at Lincoln Center. He then starred opposite Angela Lansbury in Dear World and created the role of Young Ben in Stephen Sondheim's Follies. Off-Broadway, Kurt starred in Dames at Sea, By Bernstein, and Alias Jimmy Valentine, and appeared in the Town Hall productions of Knickerbocker Holiday, Music in the Air and I Married an Angel. Kurt sang “Proud Lady” to Patti LuPone when he starred opposite her in the Broadway-bound The Baker's Wife. He also starred in the highly acclaimed Canadian premiere of Company and Rob Marshall's production of Side By Side By Sondheim. Kurt was featured in the 75th birthday celebrations “Wall to Wall Sondheim” and “Children & Art” honoring Stephen Sondheim and has performed as a leading man in many productions and concerts around the country and in Europe. Kurt and his company, James William Productions (JWP), produced the acclaimed Sondheim: A Musical Tribute, the first celebration of the composer/lyricist; helped launch the New York and London productions of Angela Lansbury's Gypsy; produced the live tours of WPIX-TV's classic children's show “The Magic Garden”; and the National Tour of Rob Marshall's innovative Side By Side By Sondheim. Recent projects include co-producing the New York productions and National Tour of the Stephen Schwartz family musical Captain Louie; the Off-Broadway production of the play Capture Now, directed by Larry Moss; and the BC/EFA benefit Alone At Last, featuring the music of Ian Herman. www.jameswilliamproductions.com

Aleks Paunovic is an actor best known for his roles in Van Helsing, Hawkeye, and Snowpiercer. He sits down with Robby to discuss the major game changers in his career. Including turning down a big role on a tv show to do his first ever theatre gig, the acting coach Larry Moss calling him out in front of the entire class demanding that he bring out his full potential, and what he learned from working with Anthony Hopkins and the time he met his idol, Muhammad Ali.Visit www.droppingcharacter.com for more episodes!Follow @therobbyramos Follow @DroppingCharacter This episode is brought to you in part by TSMA Consulting, the entertainment industry's leading social media firm. If you sign up for any of their management packages at TSMAconsulting.com make sure to tell them Robby sent you for an exclusive 15% off the first month.

Dr. Larry Moss joins JMN to discuss Nemours Children's Health partnerships with WOKV, Child Cancer Fund, and The Players.

Kelly and Larry are two of the smartest, nicest and most generous people I am honored to know and have been fortunate enough to work with. They have built a business and also helped to grow a vibrant arts community in Rochester, New York. This is a super fun Blathering where we learn how these two fabulous minds joined powers for doing good in the world

Before I begin I do want to acknowledge the gadigal people of the eora nation, the traditional custodians of this land on which I work and live on. I pay respect to elders past, present and future. Welcome to the Coffee Chat Podcast. On today's episode I chatted to Jackie Diamond an acting coach based in LA who I was lucky to work with at the beginning of this year! She is an amazing acting coach and inspiring human! We chatted about all things acting, her teaching journey, tips for actors and some fun rapid fire questions! So, grab a coffee and enjoy! BIO: Over the years Jackie studied and admired the work of many insightful Master teachers such as Ivana Chubbuck, Sanford Meisner, Uta Hagen, Larry Moss and Elizabeth Kemp but her home is at the Ivana Chubbuck Studio in Hollywood where she continues to teach classes both in-studio and via zoom. Although she is California born and raised and Los Angeles is home. She has lived and worked between LA and Australia throughout her life. For several years she had the privilege of serving as a teacher at the prestigious 16th Street Actors Studio in Melbourne, Australia. In 2020 she began teaching zoom classes for AAFTA, and back in Los Angeles she developed her own FTA classes where she has loved working with some amazing students! In 2018 she co-developed and co-produced two LA and NYC workshops with Oscar, Tony and Pulitzer prize winning writer/director, John Patrick Shanley, and in 2019 co-produced and directed one of his short plays right here in Hollywood. Jackie is the Founding Co-Artistic Director and was the Head of Talent in charge of casting and training over 5 years for Australian Theatre Company, based in LA. In 2019 she was proud to be the Program Director for one of the biggest short play festivals in the world, Short+Sweet Hollywood Latino. She was responsible for initiating the partnership with NBC UNIVERSAL and ARGENTUM STUDIOS. Instagram: @for_the_actor

Judi's career began as a print model and singer in France, Italy and New York, where she sang alongside the Gipsy Kings in the south of France and performed in Cologne and Barcelona as a chanteuse.Her first professional acting job was with Woody Allen in "Coop Italia," a string of TV commercials for the Italian market. This fueled her passion to train theatrically in New York City with acting masters such as Uta Hagen, Bill Hickey, Bobby Lewis and Elaine Stritch at the Stella Adler Conservatory. She also completed a two-year Meisner and movement program before moving out to the west coast to study with acting greats such as Larry Moss and Gordon Hunt.Judi performed in Off-Broadway original theater productions and starred in numerous SAG independent feature films. On television, she recurred on "Law and Order," "Jag," "The Shield" and "Once and Again." Furthermore, Judi has starred, both on camera and off camera in dozens of TV and radio commercials.Judi is also well known for her voice-over and motion capture work in Sony's highly acclaimed video game,"Heavy Rain," where she performed the popular lead character Madison Paige, as well as on the popular children's anime TV series, "Digimon." In 2013, she was recognized by the magazine, The Complex, as one of the "25 Best Voice Over Performances of All Time."Judi also produced and starred in the Romantic Comedy, "Only in Paris" in which she received Best Actress, Best Romantic Comedy, and Best Short Film at both the New York and Los Angeles Independent Film Festivals in 2011. In addition, in 2013 she was nominated Best Supporting Actress at the Saint Tropez International Film Festival for her role in the feature film, "The Warrior and The Savior." Judi's talents were also showcased when she starred in a short film at the Cannes Film Festival- "Perfect Pitch," which won Best Film, amid tough competition.In theaters Judi can be seen in Dany Boon's top grossing film, "La Ch'tite Famille" (Dany Boon, François Berléand, Line Renaud, Valérie Bonneton, Laurence Arné, and Guy Lecluyse) produced by Pathé. Upcoming roles include, 'La Garçonne" mini-series for France Television, Some of her other lead film roles roles include a psychopathic mother in "A Cry from Within," a French neighbor in "Larchmont," a detective with a proclivity for bondage opposite of Pruitt Taylor Vince in "Cameraman," and a trophy wife stranded in the desert in "Four Weeks, Four Hours."On the other side of the camera, Judi put her creativity and quirkiness on the line during The Cannes Film Festival where she directed and produced "The Can Cannes," which played during the festival and "The Gourmet Dinner," which screened at the No Dance Film Festival at Sundance. Utilizing her talents as a singer/songwriter in her film "Only in Paris," Judi composed and performed all the music. Most recently Miss Beecher is directing a documentary, "My Name Is Ronya", a biographical documentary focused on tolerance.James Lott Jr is the host! judibeecher.com tangoshalom.com. IMDB Judi Beecher

Live on stage at last year's Adelaide Festival, we're joined by the Olivier Award-winning English star of the stage and screen, Juliet Stevenson. Juliet was performing in the play The Doctor, following its sell-out season at London's Almeida Theatre. Also, with much of the country back in lockdown, we turn to musical comedian Jude Perl to lift our spirits at the piano and we enjoy a masterclass with actor, director and acting coach Larry Moss, whose coaching has led actors to Academy Award-winning glory.

Live on stage at last year's Adelaide Festival, we're joined by the Olivier Award-winning English star of the stage and screen, Juliet Stevenson. Juliet was performing in the play The Doctor, following its sell-out season at London's Almeida Theatre.Also, with much of the country back in lockdown, we turn to musical comedian Jude Perl to lift our spirits at the piano and we enjoy a masterclass with actor, director and acting coach Larry Moss, whose coaching has led actors to Academy Award-winning glory.

Live on stage at last year's Adelaide Festival, we're joined by the Olivier Award-winning English star of the stage and screen, Juliet Stevenson. Juliet was performing in the play The Doctor, following its sell-out season at London's Almeida Theatre. Also, with much of the country back in lockdown, we turn to musical comedian Jude Perl to lift our spirits at the piano and we enjoy a masterclass with actor, director and acting coach Larry Moss, whose coaching has led actors to Academy Award-winning glory.

Larry Moss an American actor, director and acting coach. He wrote the acting textbook, The Intent to Live. He taught at Juilliard and Circle in the Square in New York. He originally came to Los Angeles to train C. Thomas Howell for The Hitcher. After Helen Hunt thanked him in her acceptance speech after winning an Oscar in 1997 for As Good as It Gets, the A-List demand for Moss' coaching increased. He coached Hilary Swank in her Academy Award-winning performances in Boys Don't Cry and Million Dollar Baby, Michael Clarke Duncan for his Oscar-nominated performance in The Green Mile, Hank Azaria's Emmy winning turn in Tuesdays with Morrie, and Tobey Maguire in Seabiscuit. He worked with Leonardo DiCaprio on his Oscar nominated and Golden Globe winning portrayals in The Aviator and The Wolf of Wall Street, as well as on DiCaprio's Oscar nominated turn in Blood Diamond, and The Departed. Moss founded The Larry Moss Studio (now The Acting Studio at Edgemar Center for the Arts. Hosted by Frank Faucette @frankfaucette on most platforms. Our show is 100% listener supported. If you've gotten anything out of the show please consider supporting by visiting Cash App - https://cash.app/$faucettemedia or $faucettemedia in your app. https://www.amazon.com/shop/faucettemedia Stream Without Remorse on Prime Video https://amzn.to/3r5j1Dh FMG Links https://faucettemedia.com/ https://www.instagram.com/faucettemedia/channel/ https://www.twitter.com/faucettemedia https://slumberdynamics.com/ --- Send in a voice message: https://anchor.fm/igniteacting/message Support this podcast: https://anchor.fm/igniteacting/support

BenGreenfieldFitness.com/boeason Speaker, performer, author and my guest on today's show, Bo Eason, started his career in the NFL, as a top pick for the Houston Oilers and continuing on with the San Francisco 49ers. During his 5-year career, Bo competed beside and against some of the greatest players of his generation. In 2001, Bo wrote and performed his one-man play, Runt of the Litter, which opened in New York to rave reviews. The New York Times called it “One of the most powerful plays in the last decade.” Bo toured with the play in over 50 cities and it is now being adapted as a major motion picture. In his quest for excellence on the stage, Bo trained with some of the world’s most brilliant performance and movement coaches, Larry Moss and Jean-Louis Rodrigue. Bo now draws from their techniques and wisdom to coach others to be excellent presenters and storytellers. Bo is dedicated to helping others tap the power of their personal story and become effective, persuasive communicators. He delivered his keynotes and workshops to groups such as Protective Life Insurance, Dimensional Fund Advisors, Morgan Stanley, and Young Presidents Association. Bo has also appeared as a guest on shows like Bill Maher, Fox Sports Net, ESPN, The Rosie O’Donnell Show and CNN. Bo got the opportunity to share his life experiences and inspirational lessons with the world! Bo wrote There’s No Plan B For Your A-Game because he truly believes that anyone has the ability to be great. His book uses inspiring, practical, and real-world guidance, coupled with absolute accountability to teach anyone how to be the best in the world at what they do: the best leader, the best business owner, the best athlete, the best artist, the best partner, the best parent. Recently, I spoke at one of Bo's events, and also had a chance to drop by his house for an intriguing and inspiring podcast. During our discussion, you'll discover: -How Bo's "Best"program stemmed from his upbringing...06:00 -How Bo improved his speed ...16:30 -How Bo's unique movements influence his stage presence...19:40 -The one key element in making Bo's play so successful...25:30 -Why the FBI and CIA needed Jean-Louis's training...32:10 -Why the way we walk into a room matters...40:55 -How Bo uses storytelling, voice timbre, tone and inflection to capture audiences...44:40 -The bridge between the hero's journey and great stories...51:00 -What Bo does to influence his children to go after their dreams...55:30 -And much more... Resources from this episode: Episode sponsors: -Kion Flex -Paleo Valley Beef Sticks -Thrive Market -Beekeeper's Naturals Do you have questions, thoughts or feedback for Bo Eason or me? Leave your comments at https://bengreenfieldfitness.com/boeason and one of us will reply!

Multi-faceted artist Barbara Colaciello began her career working with Andy Warhol for six years at the Factory in NYC as the Advertising Director of Interview Magazine."Warhol actually pursued me for over two years. I was an actress with a BFA from Rider University working as a saleswoman at the Yves St Laurent boutique. I didn't know anything about publishing. But Andy loved talkers. And I was funny."  - Barbara ColacielloWhile selling advertising for the Pope of Pop, Barbara continued to pursue her passion for acting and studied at Warren Robertson’s studio in NYC with acclaimed acting coach Larry Moss, and with  director Peter Flood at the Real Stage. After her Warhol years, Barbara worked with her brother, Vanity Fair Magazine writer Bob Colacello, for 10 years. She managed his many projects and acted as lead researcher/interviewer for his book, Holy Terror: Andy Warhol Close-Up.In 1993, Barbara's husband was offered a job in Jacksonville, FL. Barbara did not want to leave her family (built-in babysitters), her friends, and fabulous job. "I'll give it a year." Barbara moved to Ponte Vedra, Florida with her husband and two sons. Sensing a lack of culture in her golf and tennis-oriented beach community, she founded an acting program in her home called Inter-Act. It specialized in improvisation.Her desire to connect to community through the arts, led Barbara to host soirées at her home, inviting friends to experience innovative work by poets, dancers, musicians, and visual artists. These popular artistic evenings became the catalyst for Barbara's work for the next 20 years.  In 2005, she accepted the position as Education and Outreach Director of Players by the Sea Theater in Jacksonville Beach.Barbara has collaborated extensively with poet, playwright, and award-winning NPR radio host, Al Letson, as his acting coach and director/producer of many of his plays. In 2006, they were invited to bring Griot: He Who Speaks the Sweet Word to the NYC International Fringe Festival. It received rave reviews.Barbara's original one-woman show, Life on the Diagonal, had its NYC debut at Theater Lab in April of 2008. She then had the privilege to workshop it with Tony award-winning choreographer Patricia Birch.“Probably the most authentic piece of theatre I've ever seen. I'm so happy to know Barbara Colaciello, and happy to live on the diagonal.”  ~ Daniel Austin, actor, director, educatorLife  on the Diagonal celebrates life’s mysteries and imperfections with  humor, sexuality and a little A.D.D. madness. Seamlessly integrating  storytelling, and spoken word with her original music, Colaciello takes  her listeners on an intense, yet funny journey through an  experience-strewn landscape, into and beyond the “land of should”.In 2010, Players by the Sea and the Cummer Museum of Arts and Gardens commissioned Barbara to research, write, and perform a solo show about the museum's founder, Ninah May Holden Cummer for the museum's 50th anniversary.Barbara's company, Improv to the Rescue, housed at BABS'LAB, specializes in experiential and creative learning to enhance communication skills, develop storytellers and encourage collaboration through workshops, classes and performances.

Geoffrey Blake is a two time SAG Award-winning Emmy nominated Actor who has appeared in over 150 projects. Best known as Wesley in the iconic film Forrest Gump, along with Contact, Apollo 13 and Young Guns. Geoffrey can currently be seen in Forrest Whitaker’s Godfather of Harlem as JFK’s Chief of Staff Kenny O’Donnell and also in the role of famed director John Ford in America’s #1 film Midway.  Geoffrey’s new endeavour The Working Actors Studio is a direct result of his commitment to the work and craft passed down to him from his mentors Peggy Feury and Larry Moss. His goal is to inspire aspiring actors of all ages to find their passion for the process of Acting and map out a sustainable career. With his mantra “Yes you can!” Geoffrey will motivate you to say “Yes I am an actor” and you will be ready and proud to say it!  The Studio and Geoffrey are also proud to host the weekly webinar “The Working Actors Journey” where leading industry colleagues and Friends join Geoffrey to share their experiences and depth of knowledge through four decades at the forefront of the Entertainment business.https://www.workingactorsstudio.org/https://www.instagram.com/geoffblake2020/contact Mike at CUT THE ACT - https://mikefarrell.com.au/Email - mike@mikefarrell.com.auSupport the show (https://paypal.me/CutTheActPodcast?locale.x=en_AU)

Jaret Martino began his acting career at age six in theatre and has gone on to appear in TV / Film productions, including The Middle, Law and Order SVU, 30 Rock, One Life To Live, Modern Family,Teen Wolf, and national commercial campaigns for Mastercard, Usher & Lady Gaga's Tour Promo, Sonic, and T-mobile.Jaret studied at Fordham University, as well as The Lee Strasberg Institue. Always placing an importance on education he continues to study with top industry professionals, such as Larry Moss, Gary Austin (Founder of The Groundlings), Scott Sedita and Elizabeth Kemp.Today his journey as an artist includes writing and producing films in an effort to bring awareness to subject matters deserving attention. Jaret formed a Production company, and some recent credits include,"Driven The Documentary", an empowering film created to inspire women, artists and anyone with a dream that feels impossible. Driven has played at film festivals nationwide, receiving support from companies such as Microsoft and Step Up!"Ladybug", a psychological thriller was featured at The Vail Film Festival. Shortly after that success, Jaret was approached to produce a comedy pilot, "Bellz Angels", to be pitched to cable and major networks."Stronger Than Pretty" is his first Narrative Feature Film Screenplay. His mission with telling this story is to give back to those who do so much to inspire others: first and foremost his mom, plus the women who face adversity and find ways to overcome it. Kate Amundsen is a model and actress who has appeared in the likes of “Criminal Minds” and “Shameless”. In her latest role, she plays abuse victim Donna Martino – “Donna : Stronger Than Ever” releases Feb 23.Music submit Playlist:1. Good to Me by Carrie Welling from the album: High Heels and Heavy ThingsThe Douglas Coleman Show now offers audio and video promotional packages for music artists as well as video promotional packages for authors. Please see our website for complete details. http://douglascolemanshow.comIf you have a comment about this episode or any other, please click the link below.https://ratethispodcast.com/douglascolemanshow

Jaret Martino began his acting career at age six in theatre and has gone on to appear in TV / Film productions, including The Middle, Law and Order SVU, 30 Rock, One Life To Live, Modern Family,Teen Wolf, and national commercial campaigns for Mastercard, Usher & Lady Gaga's Tour Promo, Sonic, and T-mobile.Jaret studied at Fordham University, as well as The Lee Strasberg Institue. Always placing an importance on education he continues to study with top industry professionals, such as Larry Moss, Gary Austin (Founder of The Groundlings), Scott Sedita and Elizabeth Kemp.Today his journey as an artist includes writing and producing films in an effort to bring awareness to subject matters deserving attention. Jaret formed a Production company, and some recent credits include,"Driven The Documentary", an empowering film created to inspire women, artists and anyone with a dream that feels impossible. Driven has played at film festivals nationwide, receiving support from companies such as Microsoft and Step Up!"Ladybug", a psychological thriller was featured at The Vail Film Festival. Shortly after that success, Jaret was approached to produce a comedy pilot, "Bellz Angels", to be pitched to cable and major networks."Stronger Than Pretty" is his first Narrative Feature Film Screenplay. His mission with telling this story is to give back to those who do so much to inspire others: first and foremost his mom, plus the women who face adversity and find ways to overcome it. Kate Amundsen is a model and actress who has appeared in the likes of “Criminal Minds” and “Shameless”. In her latest role, she plays abuse victim Donna Martino – “Donna : Stronger Than Ever” releases Feb 23.Music submit Playlist:1. Good to Me by Carrie Welling from the album: High Heels and Heavy ThingsThe Douglas Coleman Show now offers audio and video promotional packages for music artists as well as video promotional packages for authors. Please see our website for complete details. http://douglascolemanshow.comIf you have a comment about this episode or any other, please click the link below.https://ratethispodcast.com/douglascolemanshow

Pastor Larry Moss Sunday March 14, 2021

Dr. Moss talks about the long-running charitable relationship between Nemours and TPC.

Rachael Wotherspoon is an Award Winning New Zealand Actress and Filmmaker based in Los Angeles.Rachael (nickname Rey) has been Acting since she was a child and has always had a strong interest in Art; throwing herself into Drama and Art classes in and outside of school throughout her Primary and High School years.Fresh out of High School Rachael began working full-time to help support family members through a tough time, while putting herself through night classes at TAPAC, The Actors Program Workshop and The Actors Lab. Upon moving to Los Angeles Rachael attended the Pearlman Acting Academy, Bob Corff's Voice Coaching and The Groundlings Theatre & School.In between her years studying Acting Rachael also attended an Arts University for Web Development and Design, Graduating as a qualified Web Developer.Rachael has studied under renowned coaches and tutors in New Zealand and Los Angeles, including Larry Moss, Joseph Pearlman, Miranda Harcourt, Peter Feeney, Andrea Kelland, Vicky Yiannoutsos, Sara Wiseman and Fiona Edgar and she is represented by Gail Cowan Management.Rachael's career spans Television Drama, Comedy, Film, Web Series', Commercials, Modeling and Theatre, as well as Writing, Producing her own Web Series' and Short Films earning her multiple American Film Festival Awards.Outside of Acting Rachael is an active Volunteer Worker, engaged in helping with causes including Human Rights, Environmental issues and Animal Welfare. She works / has worked as a volunteer and / or fundraiser for the New Zealand Breast Cancer Foundation, the SPCA, Coastal Cleanup, the Divine Homeless Project and other foundations.Rachael is also a Painter and enjoys painting and working on her Art in her spare time.For all Business Enquiries please contact Gail Cowan Management or Trinity Artists International.W: http://rachaelwotherspoon.com/about-rachael/IG: https://www.instagram.com/rachwotherspoon/T: https://twitter.com/ImRachWYT: https://www.youtube.com/channel/UCTjvPhU9nO2ERVdBc27iBYALike to have a ASC cinematographer as a mentor?Have you thought of upgrading your cinematography game? Would you like to have an ASC Cinematographer mentor you for free? Join veteran cinematographer Suki Medencevic, A.S.C. (Disney, Pixar, FX Networks, Netflix, American Horror Story). He teaches you how to create beautiful images using three lighting techniques he has mastered on film sets over his 30+ years in the film industry. Each technique uses basic, low-cost lighting equipment so that anyone can achieve beautiful visuals no matter your projects's budget.Learn film lighting from an ASC cinematographer. If you want to take your cinematography to the next level, this free training will get you there. These videos are available for a limited time, so sign up for instant access. CLICK HERE TO REGISTERhttps://www.ifhacademy.com/a/28632/aLFBXkpNIf you liked this podcast, shoot me an e-mail at filmmakingconversations@mail.comAlso, you can check out my documentary The People of Brixton, on Kwelitv here: https://www.kweli.tv/programs/the-people-of-brixtonDamien Swaby Social Media Links:Instagram https://www.instagram.com/filmmaker_damien_swaby/Twitterhttps://twitter.com/DamienSwaby?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5EauthorWebsite http://filmmakingconversations.com/If you enjoy listening to Filmmaking Conversations with Damien Swaby, I would love a coffee. Podcasting is thirsty work https://ko-fi.com/damienswaby

Key plot: Tony has just killed Larry Moss, and Robert Galvez has the canister of the pathogen. Tony has Galvez find a building, then blow it with FBI agents inside Jack figures out Tony’s working against them after a discussion about Vincent Cardiff, the guy Tony found out about the White House attack from, but Tony steals Jack’s anti-seizure med-pack and escapes Cara convinces her group including Alan Wilson to use the pathogen now instead of saving it for attacks next year, and they go about framing Jibraan Al-Zarian for the attack After Cara meets with Hodges pretending to be his lawyer and suggests he must commit suicide to save his family, Jack offers Hodges protection - but Olivia Taylor decides to have him killed by Martin Collier’s contact Using CTU archives at FBI, Jack manages to find Jibraan who has been set up to be on a Subway train when the canister of pathogen explodes, but they get it out in time Tony has a man watching Kim as she goes to the airport to return to Los Angeles to force Jack into breaking Tony out of custody The hostiles are outed and Kim manages to save the laptop after Sarah is killed and Bob is in a car crash/fire This leads the FBI to Jack and Tony, where he has armed Jack with a bomb to murder Alan Wilson - the man who killed Michelle Renee saves Jack and Jack stops Tony from killing Wilson Renee decides to go in and prepare to torture Wilson  Ethan and Aaron team up and recover a recording from Olivia’s office to expose her role in Hodges’ death President Taylor decides that she can’t bury the evidence and has her reprimanded to the Justice Department, in a move which causes immense friction between her and Henry Jack accepts his impending death with Imam Gohar but Kim arrives and decides she wants to do the stem cell treatment to try and save Jack’s life

Andrew is an actor and hypnotherapist, he recently played a strong supporting role in the feature film 'Western Culture' which he speaks in-depth about. Currently he is performing in a theatre production titled 'The Laramie Project' in which he plays 10 different characters. Trained by world renowned acting coach Larry Moss and the discussion we had surrounding those workshops are a fascinating portion the podcast. Tearing yourself down and building ones self back up is an integral part of an actors journey. Andrew Fraser Instagram Instagram (Actor) IMDB Master Key Hypnosis Going Deep With Dan Good Instagram YouTube IMDB Dan Good Instagram Facebook IMDB YIN YANG ENT YouTube Facebook Produced By: YIN YANG ENT.

Pip Edwards is a professional actor, filmmaker, acting/career coach, and entrepreneur. As an actor, Pip's television credits include Home & Away, Les Norton, Miss Fisher's Murder Mysteries, ANZAC Girls, Wonderland and Forever Young. Her film credits include A Few Less Men, Little Black Dress, Who's That Boy, upcoming feature films June Again, Carmen, and Death Doula, as well as numerous short films and TVCs. Theatre credits include Beverly in Abigail's Party, and Regina in Ghosts (both with The Melbourne Theatre Company), as well as various productions with directors including Kip Williams, Imara Savage, Stephen Nicolazzo, Gale Edwards and Declan Greene. Pip runs a private coaching studio Pip Edwards Creative, where she coaches and mentors actors for auditions, screen-tests, and business/career/mindset coaching. Pip has taught extensively throughout Australia, at schools such as NIDA, Actors Centre, SAS, Sydney Film School, HUB Studio, Stagemilk, and for MEAA to name a few.   Pip has a Bachelor of Dramatic Arts from NIDA and Bachelor of Creative Arts (Filmmaking/Arts Management/Law) from Melbourne University. She has completed further extensive training in both Australia and the US, including with coaches such as Ivana Chubbuck, Larry Moss, Margie Haber, Leslie Kahn and at Upright Citizens Brigade in Los Angeles. www.pipedwardscreative.com/   See omnystudio.com/listener for privacy information.

The coach of so many award winning artists, my coach and one of the smartest most profound artists I know. Produced by Dori Berinstein and Alan Seales, edited by Derek Gunther, music by Cat Dail. A proud member of the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

The coach of so many award winning artists, my coach and one of the smartest most profound artists I know. Produced by Dori Berinstein and Alan Seales, edited by Derek Gunther, music by Cat Dail. A proud member of the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

A Director, Teacher and Coach for almost two decades, Peter Blackburn in renowned for his challenging, innovative and analytical style. Having taught at leading institutions including NIDA, VCA,16th Street, Howard Fine and The National Theatre, as well as working alongside Larry Moss and Noni Hazlehurst, Peter brings his years of expertise to this episode, exploring what it means to be an actor who truly does the work.

Larry Moss is acknowledged as the greatest living acting guru/teacher in the world.He has coached Academy Award winners Helen Hunt in “As Good As It Gets” and Hilary Swank in “Boys Don’t Cry” and “Million Dollar Baby. Additionally, he has worked with a plethora of Oscar and Golden Globe nominated actors including the late Michael Clarke Duncan in “The Green Mile,” Jim Carrey in “The Majestic,” Tobey Maguire in “Seabiscuit,” and Leonardo Dicaprio in “The Aviator,” “The Departed,” “Blood Diamond,” “Inception,” and “J. Edgar.”

Larry Moss is acknowledged as the greatest living acting guru/teacher in the world.He has coached Academy Award winners Helen Hunt in “As Good As It Gets” and Hilary Swank in “Boys Don’t Cry” and “Million Dollar Baby. Additionally, he has worked with a plethora of Oscar and Golden Globe nominated actors including the late Michael Clarke Duncan in “The Green Mile,” Jim Carrey in “The Majestic,” Tobey Maguire in “Seabiscuit,” and Leonardo Dicaprio in “The Aviator,” “The Departed,” “Blood Diamond,” “Inception,” and “J. Edgar.”

This episode features Dr. Larry Moss, President and CEO of Nemours Children’s Health System. Here, he discusses his career journey from surgeon to administrator, how obesity fits into the social determinants of health, and more.

While he is recognized as one of film's best-known tough guys, Robert Davi has been winning the respect and admiration of fans, critics and fellow artists with his expressive singing. His album, Davi Sings Sinatra: On The Road To Romance, produced by the legendary Phil Ramone, catapulted its way into Billboard magazine's top ten (#6) traditional jazz chart. While Davi Sings Sinatra: On the Road to Romance and his dynamic performances may have surprised some of his fans, Davi's love of music and entertaining began at an early age. At 15, he won First Place in the prestigious New York State School Music Association Solo Competition. As a young adult, he studied under several top vocal teachers including the legendary Tito Gobbi, Dan Ferro of Juilliard, Samuel Margolis (who taught Robert Merrill) and renowned vocal coach Gary Catona. From the memorable villain, Colombian drug lord Frank Sanchez, in the Bond film "License to Kill" (voted one of the top Bond villains of all time) to his stand-out performances in "The Goonies," "Die Hard," "Kill the Irishman," "The Iceman" and many other films to the respected series "Profiler" and "Stargate: Atlantis," Davi has appeared in over 100 movies and many television programs. He has garnered praise from critics, directors and co-stars, including Steven Spielberg, Richard Donner, Blake Edwards, John McTiernan, and Paul Verhoeven. He has acted opposite Marlon Brando, Roberto Benigni, Bruce Willis, Clint Eastwood, Benicio Del Toro, Danny Glover, Michael Shannon, Chris Evans, James Franco, and Val Kilmer, among others. GQ Magazine has compared him to silver screen classics Robert Mitchum and Lee Marvin. His tough exterior masks an inner sensitivity, which he has brought to his roles as a Palestinian terrorist in the award-winning TV movie, "Terrorist on Trial: The United States vs. Salim Ajami," and in memorable appearances in "CSI: Crime Scene Investigation," "Without a Trace," "Law & Order: Criminal Intent," "Criminal Minds" and many more. In 2007, Davi produced, directed co-wrote and starred in "The Dukes," the story of a successful Doo Wop group who falls on hard times. At the Monte Carlo Festival of Comedy, Davi was awarded Best First-Time Director and Best Screenplay for the film and he was the only first-time director in the Premiere Section of the International Rome Film Festival, with films by Sean Penn, Robert Redford, Sidney Lumet and Julie Taymor. Hailing from Astoria, Queens, NY, Davi attended Hofstra University on a drama scholarship. He moved to Manhattan to study with legendary acting coach Stella Adler, who became his mentor. He subsequently became a lifetime member of the Actors Studio, studying with acting teacher Lee Strasberg and also studied under Sandra Seacat, Larry Moss, Milton Katselas, Martin Landau, Mala Powers, and George Shdanoff, the creative partner and collaborator with the influential Michael Chekhov. His first screen appearance was opposite Frank Sinatra in the telefilm, "Contract on Cherry Street." Besides working in music, film and television, and raising his five children, four dogs, and two cats, Davi is an active supporter of The Dream Foundation, Exceptional Children's Foundation, Heart of a Child Foundation, the Los Angeles County Sheriff's Youth Foundation, The Humane Society of the United States, Heart of a Horse, NIAF, The Order 'Sons of Italy' in America (OSIA), and UNICO National. Since its inception in 1998, Davi has been the National Spokesperson for i-Safe America, which is regarded by many internet experts as the most complete internet safety program in the country and is available in grades K- 12 in all 50 U.S. states. Davi has received numerous awards for career achievement and community involvement, including the George M. Estabrook Distinguished Service Award from the Hofstra University Alumni Association (past recipients include Francis Ford Coppola and William Safire). He has received the FBI's Man of the Year Award in Los Angeles and was also named KNX radio's "Citizen of the Week" for saving a young girl from a fire in her home. Other public service awards include the Sons of Italy's Royal Court of the Golden Lion Award and the 2004 STEP Award (Science, Technology and Education Partnership), whose past recipients include Arnold Schwarzenegger. In 2007, Davi received a Lifetime Achievement Award from the Italian Board of Governors in New York, and in 2008, he received the Italo-Americano Award from the Capri-Hollywood Festival. In 2011, Davi was awarded the "Military Order of the Purple Heart" (MOPH) Special Recognition Award for dedication and service honoring America's service members and veterans. In 2015, Davi appeared in a music video for Bob Dylan's recording of "The Night They Called It a Day" from Dylan's album Shadows in the Night, , a collection of songs which had been recorded by Frank Sinatra. Rolling Stone suggested that Davi's role in the video may have been a nod towards Davi's having made his acting debut alongside Sinatra in the crime film "Contract on Cherry Street," and Davi's release of his own album of Sinatra covers.

While he is recognized as one of film's best-known tough guys, Robert Davi has been winning the respect and admiration of fans, critics and fellow artists with his expressive singing. His album, Davi Sings Sinatra: On The Road To Romance, produced by the legendary Phil Ramone, catapulted its way into Billboard magazine's top ten (#6) traditional jazz chart. While Davi Sings Sinatra: On the Road to Romance and his dynamic performances may have surprised some of his fans, Davi's love of music and entertaining began at an early age. At 15, he won First Place in the prestigious New York State School Music Association Solo Competition. As a young adult, he studied under several top vocal teachers including the legendary Tito Gobbi, Dan Ferro of Juilliard, Samuel Margolis (who taught Robert Merrill) and renowned vocal coach Gary Catona. From the memorable villain, Colombian drug lord Frank Sanchez, in the Bond film "License to Kill" (voted one of the top Bond villains of all time) to his stand-out performances in "The Goonies," "Die Hard," "Kill the Irishman," "The Iceman" and many other films to the respected series "Profiler" and "Stargate: Atlantis," Davi has appeared in over 100 movies and many television programs. He has garnered praise from critics, directors and co-stars, including Steven Spielberg, Richard Donner, Blake Edwards, John McTiernan, and Paul Verhoeven. He has acted opposite Marlon Brando, Roberto Benigni, Bruce Willis, Clint Eastwood, Benicio Del Toro, Danny Glover, Michael Shannon, Chris Evans, James Franco, and Val Kilmer, among others. GQ Magazine has compared him to silver screen classics Robert Mitchum and Lee Marvin. His tough exterior masks an inner sensitivity, which he has brought to his roles as a Palestinian terrorist in the award-winning TV movie, "Terrorist on Trial: The United States vs. Salim Ajami," and in memorable appearances in "CSI: Crime Scene Investigation," "Without a Trace," "Law & Order: Criminal Intent," "Criminal Minds" and many more. In 2007, Davi produced, directed co-wrote and starred in "The Dukes," the story of a successful Doo Wop group who falls on hard times. At the Monte Carlo Festival of Comedy, Davi was awarded Best First-Time Director and Best Screenplay for the film and he was the only first-time director in the Premiere Section of the International Rome Film Festival, with films by Sean Penn, Robert Redford, Sidney Lumet and Julie Taymor. Hailing from Astoria, Queens, NY, Davi attended Hofstra University on a drama scholarship. He moved to Manhattan to study with legendary acting coach Stella Adler, who became his mentor. He subsequently became a lifetime member of the Actors Studio, studying with acting teacher Lee Strasberg and also studied under Sandra Seacat, Larry Moss, Milton Katselas, Martin Landau, Mala Powers, and George Shdanoff, the creative partner and collaborator with the influential Michael Chekhov. His first screen appearance was opposite Frank Sinatra in the telefilm, "Contract on Cherry Street." Besides working in music, film and television, and raising his five children, four dogs, and two cats, Davi is an active supporter of The Dream Foundation, Exceptional Children's Foundation, Heart of a Child Foundation, the Los Angeles County Sheriff's Youth Foundation, The Humane Society of the United States, Heart of a Horse, NIAF, The Order 'Sons of Italy' in America (OSIA), and UNICO National. Since its inception in 1998, Davi has been the National Spokesperson for i-Safe America, which is regarded by many internet experts as the most complete internet safety program in the country and is available in grades K- 12 in all 50 U.S. states. Davi has received numerous awards for career achievement and community involvement, including the George M. Estabrook Distinguished Service Award from the Hofstra University Alumni Association (past recipients include Francis Ford Coppola and William Safire). He has received the FBI's Man of the Year Award in Los Angeles and was also named KNX radio's "Citizen of the Week" for saving a young girl from a fire in her home. Other public service awards include the Sons of Italy's Royal Court of the Golden Lion Award and the 2004 STEP Award (Science, Technology and Education Partnership), whose past recipients include Arnold Schwarzenegger. In 2007, Davi received a Lifetime Achievement Award from the Italian Board of Governors in New York, and in 2008, he received the Italo-Americano Award from the Capri-Hollywood Festival. In 2011, Davi was awarded the "Military Order of the Purple Heart" (MOPH) Special Recognition Award for dedication and service honoring America's service members and veterans. In 2015, Davi appeared in a music video for Bob Dylan's recording of "The Night They Called It a Day" from Dylan's album Shadows in the Night, , a collection of songs which had been recorded by Frank Sinatra. Rolling Stone suggested that Davi's role in the video may have been a nod towards Davi's having made his acting debut alongside Sinatra in the crime film "Contract on Cherry Street," and Davi's release of his own album of Sinatra covers.

2018 was the last year CrossFit would have an official media crew and the last year a lot of us got to see each other.  Bill Grundler and Chase Ingraham bring in their good friends Larry Moss, Mike Richards and Brenton Roggow to talk about their Top 4 moments, memories and stories of the 2018 CrossFit Games.

FINDING YOUR CHARACTER Welcome back to the Mornings With Matt Podcast! Today on the show, we have Arizona teen actress Ariella Aminov. The topic: finding your character.  Our team at the Dearing Acting Studio is often asked about what steps we take to dive into new characters. We coach a lot on this in our script classes. However, researching your character's "givens" is not enough to truly dive into who your character is. Character Breakdown In order to get started on developing a character, it is helpful to know where to start....and where to go when you get stuck. Below are a few of the exercises we instruct our students to follow when diving into a new character. 50 questions exercise. Originally derived from legendary acting coach Larry Moss. Given Circumstances Moment Before Animal Exercise Character Thought life. Yes, character breakdown can be a daunting task. But, if you knew it could create a dynamic, genuine and truthful character....why wouldn't you dive as deep as you can go? It's Okay to Get Stuck. Much like memorization techniques, triggers, or any other actor hack, it can be common to come to a standstill when creating a character. You may ask yourself; "why am I not connecting with this character" or "what else is there to find out?". This is when you read your script again from a blank slate. Ask yourself the questions you are afraid to ask of your character and hold yourself to a higher standard as an actor to find new discoveries. Matt chats with Ariella about different techniques he uses to shine a different light onto his character such as creating short stories for them or putting your character through an improv scenario involving a made up circumstance. Sometimes, it can be as simple as asking "If this is true about my character....what else is true?". Wrapping It Up. Character study is certainly one of the most challenging part of an actor's journey to finding their character. However, it is also a massive gift. Finding your true, authentic character through trial and error allows us to create, discover, question, challenge, accept and believe in the characters the storytellers have given us. Now, it's up to you to put in the work to make them come to life.

Walker Brandt fought through a troubled childhood to get on the road towards some amazing experiences thanks to her acting career, and today she shares many of these entertaining and life-changing stories with us.Walker appeared in the fifth season TNG episode titled "The First Duty", playing the role of Cadet Jean Hajar in the first episode to take us to Starfleet Academy. In this episode, she shared the screen with Patrick Stewart, Wil Wheaton, and Robert Duncan McNeill before he played Tom Paris on "Star Trek Voyager", while her crewmates stand trial for an accident gone horribly wrong where the students must decide what is more important - their careers or the truth.We discuss why Walker felt a personal connection to Cadet Hajar and how that affected her portrayal of the character, watching cartoons with Wil Wheaton, and other memories from her time in the Star Trek universe.Plus, what she learned about acting from Uta Hagen, Larry Moss, and Bruno Kirby, working with Jake Gyllenhaal and Billy Crystal in “City Slickers”, meeting Nelson Mandela with Martin Sheen in Africa and touring Germany after the fall of the Berlin Wall while working on a German TV show, and being a part of the final season of Beverly Hills 90210. And, hear about Walker's autobiographical book about self-discovery "Awaken: Discovering Yourself Through the Light of Your Innocence" and her advice to you to lead a better life today!Check out Walker's book at this link here - https://amzn.to/2BYrQJxDon't forget to subscribe to the show and leave a rating if you like us!The views expressed on air during Trek Untold do not represent the views of the RAGE Works staff, partners, or affiliates. Trek Untold is sponsored by Triple-Fiction Productions, a US-based company that 3-D prints Trek-inspired prop replicas for fan films and cosplayers, as well as accessories and playsets for all iterations of Trek figures through the years. Visit them at Triple-Fictionproductions.net.Follow Trek Untold on Social Media•Instagram: http://www.instagram.com/trekuntold•Twitter: https://www.twitter.com/trekuntold•Facebook: https://www.facebook.com/trekuntoldCheck Out Some of the Other Shows on the RAGE Works Network•Call Me When It's Over: https://www.rageworksnetwork.com/show/cmwio/•Cheese! A Photography Podcast: https://www.rageworksnetwork.com/show/capp/•Black is the New Black: https://www.rageworksnetwork.com/show/bitnb/•The Variant Issue: https://www.rageworksnetwork.com/show/tvi/•Turnbuckle Tabloid: https://www.rageworksnetwork.com/show/tbt/•Toys & Tech of the Trade: https://www.rageworksnetwork.com/show/ttott/

Walker Brandt fought through a troubled childhood to get on the road towards some amazing experiences thanks to her acting career, and today she shares many of these entertaining and life-changing stories with us.Walker appeared in the fifth season TNG episode titled "The First Duty", playing the role of Cadet Jean Hajar in the first episode to take us to Starfleet Academy. In this episode, she shared the screen with Patrick Stewart, Wil Wheaton, and Robert Duncan McNeill before he played Tom Paris on "Star Trek Voyager", while her crewmates stand trial for an accident gone horribly wrong where the students must decide what is more important - their careers or the truth.We discuss why Walker felt a personal connection to Cadet Hajar and how that affected her portrayal of the character, watching cartoons with Wil Wheaton, and other memories from her time in the Star Trek universe.Plus, what she learned about acting from Uta Hagen, Larry Moss, and Bruno Kirby, working with Jake Gyllenhaal and Billy Crystal in “City Slickers”, meeting Nelson Mandela with Martin Sheen in Africa and touring Germany after the fall of the Berlin Wall while working on a German TV show, and being a part of the final season of Beverly Hills 90210. And, hear about Walker's autobiographical book about self-discovery "Awaken: Discovering Yourself Through the Light of Your Innocence" and her advice to you to lead a better life today!Check out Walker's book at this link here - https://amzn.to/2BYrQJxDon't forget to subscribe to the show and leave a rating if you like us!The views expressed on air during Trek Untold do not represent the views of the RAGE Works staff, partners, or affiliates. Trek Untold is sponsored by Triple-Fiction Productions, a US-based company that 3-D prints Trek-inspired prop replicas for fan films and cosplayers, as well as accessories and playsets for all iterations of Trek figures through the years. Visit them at Triple-Fictionproductions.net.Follow Trek Untold on Social Media•Instagram: http://www.instagram.com/trekuntold•Twitter: https://www.twitter.com/trekuntold•Facebook: https://www.facebook.com/trekuntoldCheck Out Some of the Other Shows on the RAGE Works Network•Call Me When It's Over: https://www.rageworksnetwork.com/show/cmwio/•Cheese! A Photography Podcast: https://www.rageworksnetwork.com/show/capp/•Black is the New Black: https://www.rageworksnetwork.com/show/bitnb/•The Variant Issue: https://www.rageworksnetwork.com/show/tvi/•Turnbuckle Tabloid: https://www.rageworksnetwork.com/show/tbt/•Toys & Tech of the Trade: https://www.rageworksnetwork.com/show/ttott/

Walker Brandt fought through a troubled childhood to get on the road towards some amazing experiences thanks to her acting career, and today she shares many of these entertaining and life-changing stories with us.Walker appeared in the fifth season TNG episode titled "The First Duty", playing the role of Cadet Jean Hajar in the first episode to take us to Starfleet Academy. In this episode, she shared the screen with Patrick Stewart, Wil Wheaton, and Robert Duncan McNeill before he played Tom Paris on "Star Trek Voyager", while her crewmates stand trial for an accident gone horribly wrong where the students must decide what is more important - their careers or the truth.We discuss why Walker felt a personal connection to Cadet Hajar and how that affected her portrayal of the character, watching cartoons with Wil Wheaton, and other memories from her time in the Star Trek universe.Plus, what she learned about acting from Uta Hagen, Larry Moss, and Bruno Kirby, working with Jake Gyllenhaal and Billy Crystal in “City Slickers”, meeting Nelson Mandela with Martin Sheen in Africa and touring Germany after the fall of the Berlin Wall while working on a German TV show, and being a part of the final season of Beverly Hills 90210. And, hear about Walker's autobiographical book about self-discovery "Awaken: Discovering Yourself Through the Light of Your Innocence" and her advice to you to lead a better life today!Check out Walker's book at this link here - https://amzn.to/2BYrQJxDon't forget to subscribe to the show and leave a rating if you like us!The views expressed on air during Trek Untold do not represent the views of the RAGE Works staff, partners, or affiliates. Trek Untold is sponsored by Triple-Fiction Productions, a US-based company that 3-D prints Trek-inspired prop replicas for fan films and cosplayers, as well as accessories and playsets for all iterations of Trek figures through the years. Visit them at Triple-Fictionproductions.net.Follow Trek Untold on Social Media•Instagram: http://www.instagram.com/trekuntold•Twitter: https://www.twitter.com/trekuntold•Facebook: https://www.facebook.com/trekuntoldCheck Out Some of the Other Shows on the RAGE Works Network•Call Me When It's Over: https://www.rageworksnetwork.com/show/cmwio/•Cheese! A Photography Podcast: https://www.rageworksnetwork.com/show/capp/•Black is the New Black: https://www.rageworksnetwork.com/show/bitnb/•The Variant Issue: https://www.rageworksnetwork.com/show/tvi/•Turnbuckle Tabloid: https://www.rageworksnetwork.com/show/tbt/•Toys & Tech of the Trade: https://www.rageworksnetwork.com/show/ttott/

This episode features actor Matt Testro. Matt joined Hollywood Immersive in 2012, and as a result of an introduction, he was signed with Untitled Entertainment in the US.In only a few short years in the business, Matt has made a name for himself in feature films and television, and continues his pursuit through hard work, training and a strong dedication to his craft.Matt has most recently stared in the new Stan Australia/ABC International drama series THE GLOAMING as lead villain, ‘Freddie Hopkins’ and Seth Larney’s Sci-Fi Thriller 2067, opposite Ryan Quanten and Kodi McPhee. He recently appeared in the Seven Network drama 800 WORDS, David Caesar’s feature NOWHERE BOYS: BOOK OF SHADOWS and the web series LEGENDS, for which he won Best Actor in a TV Series at the 2019 Seal Beach Film Festival.Matt made US feature film debut in Shyam Madiraju’s survival thriller, EDEN.In 2013, Matt made his television debut in the ABC drama, NOWHERE BOYS in which he plays the lead role of ‘Jake.’ NOWHERE BOYS received the 2014 AACTA Award for Best Children’s Television Series and the 2014 and 2015 Silver Logie Award for Most Outstanding Children’s Program. Matt’s other screen credits include THE DOCTOR BLAKE MYSTERIES, NEIGHBOURS, MISS FISHER MURDER MYSTERIES 3, the award-winning ABC drama GLITCH and short film’s THE VOLUNTEER and BLUFF.His training has included the Stellar Adler Academy of Acting, master classes with Larry Moss and Cameron Thor, as well as short courses at the National Institute of Dramatic Arts (NIDA).

Dearing Acting Studio Podcast Welcome back to the Dearing Acting Studio Podcast! Today our Guardian team had three loaded topics that we reviewed. Masterclass, Goal Rocks, and Teaching to the Person. Let's dive in and unpack these topics as we head into March. Masterclass Intensive Scene Study  Our Masterclass (https://www.dearingstudio.com/adult-acting-classes) scene study intensive is one of the highest levels of mastery training offered at the Dearing Studio. Within a four day period, students perform various scenes from award winning plays receive critique by master coach and studio director, Matthew Dearing. Each scene performs twice over the course of the 4 days, with a day in between to rehearse and apply critique from day one. Matt chose to model this intensive after training with the highly coveted acting coach, Larry Moss (http://larrymoss.org/larry-moss-studio.html).  Each one of the Guardians team has performed in the Masterclass. We have all had transformative experiences as we have grown as performers and human beings. Each story is unique in the way that our struggles and demons  to light. Although our stories are varying, the outcome was the same for all of us... LIFE CHANGING. We believe in using acting as a vehicle for personal development and this class is a direct representation of that.  The "Rock" Idea We revisit our goal "rocks" as Matt explains how the idea originated from Gino Wickman's book, Traction (https://www.amazon.com/Traction-Get-Grip-Your-Business/dp/1936661837). Wickman speaks about creating small but big goals that are concrete and attainable to hit quarterly. Of course, Matt being Matt encourages us as a team to take a mini field trip to the "mountain of beauty" as his daughter calls it. :) We all gathered different rocks and assigned them goals. We all connect with having a "physical" elements constantly present and reminding us of the goals we set.  Teaching the Person As a team, we typically will de-brief after each class to go over the celebrate the successes, but most importantly, discuss growth points and evaluate where we can grow as high-level coaches. Brian mentioned to us that his transformation happened when he was teaching the student instead of teaching the piece. Every student that walks through our doors is coached from where they are at. This means, their state of mind, their skill level, their work ethic, and of course, their willingness to grow and succeed.  Thank you for listening to the Dearing Acting Studio Podcast. Please like, subscribe.....and have a Dearing day! :) 

Scott and Amy talk with Larry Moss, CrossFit Games and Wodapalooza Floor Emcee and SWAT Commander of the Lake Charles Police Department. Larry talks to us about how Top Gun Inspired him to join the Navy, How he always wanted to work in law enforcement, how his SWAT team uses CrossFit to not only stay fit, but to qualify for the SWAT Team. Larry is an amazing human and I hope you enjoy this episode!

A few weeks ago, there was a fascinating piece about the controversial NFL receiver Antonio Brown. Of course, anything about Antonio Brown is fascinating—his behavior in the last several months has cost him something like $40M in guaranteed money and taken the best wide receiver in the game out of the game, possibly forever. But what’s worth taking note of in this piece, for any dad or stepdad, are two seemingly inconsequential remarks by Larry Moss, Brown’s stepfather. Brown and his brothers, Desmond and Eddie, would often try to intervene in arguments between their mom, Adrianne Moss, and Larry—arguments Larry attributes to trying to parent Antonio.Larry Moss, Brown's stepfather, says Brown started staying out late and sneaking off with cars around the age of 14, with a "no respect" attitude that contributed to his leaving the Miami Gardens home. As Larry remembers it, he and Brown's mother even lived in separate homes at times because of friction between him and Brown.Imagine that. 17 years later this guy is still pointing the finger at a child for the troubles in his marriage. And he’s so shameless about it, he’s willing to put it on the record to ESPN. This is not what dads do—even if they do have difficult children, even if they are stressed and overwhelmed by being a father or stepfather. We have to follow Marcus Aurelius’ advice always: “Blame yourself or no one.” Your spouse is not the problem. Your job is not the problem. The economy is not why you’re stressed. It’s not the weather. The fact that the house is a mess is not your kid’s fault. The fact that their grades are slipping is not their fault. That’s not why your marriage is struggling. You’re the problem. Your systems are the problem. Your parenting is the problem. Focus on that. It’s the only thing you control. It’s your job to take the blame. It’s your job to help fix it.

Introducing Michael O Leary with his credits: Michael O Leary is a veteran Actor, Emmy nominated for his 26-year starring role as Dr. Rick Bauer on the US soap opera Guiding Light, the longest-running show in Broadcast history. He has appeared in countless popular nighttime shows like Law and Order and the current NBC drama New Amsterdam. Michael has also appeared in the popular web series Venice, a soap opera web series now in its fifth and final season. He just completed a co-starring role in an upcoming motion picture called the Glorious Resurrection of Claire Owens, a film written by Joseph Craig and directed by Craig and Frank Mahzari. His award-winning writing and producing credits include * Steamboat the web series on Roku which was nominated for 12 Indie Awards * His current work is an award-winning play that deals with Recovery called Breathing Under Dirt with internationally acclaimed director Larry Moss. Watch live on Facebook. www.facebook.com/transformationtalkradio

Today’s guest will likely surprise you—be defies so many of the conventional ideas that get tossed around about what is possible in a creative career. Before Aleks Paunovic became an actor, he was a champion amateur boxer, born in Winnipeg. While he didn’t come into his acting pursuit till his 30’s, he shares how his love of music, natural athleticism, and rigorous work ethic all came together to empower his exploration into his creativity. His perceptive emotional intelligence and deeply connected humanity lives in every word he shares and his willingness to take big risks for the sake of his own artistic expansion is exactly why he’s continues to blow us all away in every role he takes on. From a life-affirming encounter with acclaimed acting teacher, Larry Moss, to learning to transcend ego while preparing to play a primate in War for the Planet of the Apes, he’s never willing to settle or play it safe. He also shares about his experience working on the new and highly anticipated show SEE, premiering this week Apple TV+. He’s also in the new Snowpiercer series and has appeared on Van Helsing, Supernatural, The 100, and so many more. Please subscribe to That One Audition on Apple Podcasts and follow us on social media:   HOST: @alyshiaochse SHOW: @thatoneaudition GUEST: @alekspaunovic WEBSITE: www.alyshiaochse.com WRITER: Andrew Christofer SOUND DESIGN: Zachary Jameson WEBSITE/GRAPHICS: Chase Jennings OUTREACH: Maya Butler PRODUCTION SERVICES: Paige Patterson & Elle Powell

The Insurance Dudes: Craig Pretzinger & Jason FeltmanThe World Famous Insurance Dudes chat withBo EasonSpeaker, performer, author Bo Eason started his career in the NFL, as a top pick for the Houston Oilers. Continuing on with the San Francisco 49ers, during his 5-year career Bo competed beside and against some of the greatest players of his generation.In 2001, Bo wrote and performed his one-man play, Runt of the Litter, which opened in New York to rave reviews. The New York Times called it “One of the most powerful plays in the last decade.” Bo toured with the play in over 50 cities and it is now being adapted as a major motion picture.In his quest for excellence on the stage, Bo trained with some of the world’s most brilliant performance and movement coaches, Larry Moss and Jean-Louis Rodrigue. Bo now draws from their techniques and wisdom to coach others to be excellent presenters and storytellers.Bo is dedicated to helping others tap the power of their personal story and become effective, persuasive communicators. He delivered his keynotes and workshops to groups such as Protective Life Insurance, Dimensional Fund Advisors, Morgan Stanley, and Young Presidents Association. Bo has also appeared as a guest on shows like Bill Maher, Fox Sports Net, ESPN, The Rosie O’Donnell Show and CNN.Subscribe to The Insurance DudesApple | Google | Spotify | Stitcher | iHeart | Listen NotesLinks & SponsorsBo's Instagram: HEREBo's Twitter: HEREBo's Website: HEREBo's Facebook: HEREAgency Vault Agency Performance Analysis: HEREAgency Vault Special Trial (1/2 off Month 1): HEREAgency Vault Free Sales Strengths Assessment: HEREAgency Vault Free 7 Step Sales Download: HEREPromote Your Business Here for $500/episode : Live Read - 30 Second Spot per Episode Market to over 2200 targeted and captivated listeners a week & growing!!! The Insurance Dudes Podcast Website for news, resources, and swag?! Support the show (https://www.dudes4u.com)

Speaker, performer, author Bo Eason started his career in the NFL as a top pick for the Houston Oilers. Continuing on with the San Francisco 49ers, during his 5-year career Bo competed beside and against some of the greatest players of his generation. In 2001, Bo wrote and performed his one-man play, Runt of the Litter, which he performed on Broadway to rave reviews. The New York Times called it, “One of the most powerful plays in the last decade.” Bo toured with the play in over 50 cities. In his quest for excellence on the stage, Bo trained with some of the world's most brilliant performance and movement coaches, Larry Moss and Jean-Louis Rodrigue. Now in his third act, he speaks to and trains some of the most successful people in the world—athletes, artists, entrepreneurs, C-suite execs—on how to communicate for maximum impact and success. He has consulted for clients like Advisors Excel, Morgan Stanley, Dimensional Fund Advisors, Mass Mutual, Guardian, and Merrill Lynch. His training programs on leveraging the power of personal story have transformed the way speakers communicate. Your story is unique from any other. Bo will show you how to leverage your achievements and your failures in a way that captivates and connects you with your audience every time. His book, There's No Plan B for Your A-Game, will be released September 2019 by St. Martin's Press.   What you'll learn from this episode: The importance of the story you tell yourself Taking a reactive approach to circumstances in your life Bo Eason's Winning 4-Step Process Why most things are attainable and we can all have them What it means to make a declaration How to overcome the fear of making yourself vulnerable Bo Eason's approach to preparation and why you should make it more difficult Why you should strive to be the best no matter what the outcome is Why it is so important to draw out and visualize your declaration Additional resources: Website: boeason.com Book: boeasonbook.com

“Whether it’s celebrating success or coming together around a tragedy, the sense of family (at Nemours) is powerful.” - Nemours President and CEO R. Lawrence Moss, MD     Sharing Nemours’ family stories with 8,000 people across five states and 80 locations? Challenge accepted.    Introducing the Nemours “Champions for Children” podcast, featuring the words, stories and experiences of associates from throughout the Nemours Children’s Health System.    First up? Nemours President and CEO Larry Moss, MD on how a Pensacola associate showed him the true meaning of discretionary effort, and why he believes a podcast can serve to bring a family of 8,000 together. 

Aleks Paunovic was born in Winnipeg, Manitoba to a Croatian mother and Serbian father. The result of this remarkable blend of bloodlines is the 6'5" ruggedly handsome actor appearing on screens around the world at a rapidly escalating rate. In this episode Aleks chats with your favorite host Galaxy about Van Helsing and his new projects. Aleks is always a pleasure to have on Comic Con Radio. So please don't miss out on this extremely fun episode. Acting came to Aleks while he was onstage in his hometown playing in a heavy metal band, his livelihood since he was 16. Remarkably the role offered was one completely against type as it was that of Roddy McDowall's butler in the 1994 TV movie 'Heads'. Now bitten with the acting bug, Aleks combined his athleticism from his lifetime of boxing - he claims that he started boxing in the womb as all of the men in his family are boxers - and turned it into a very busy career as a stunt actor. In 2001 Aleks stopped in Vancouver on his way to Los Angeles with an impressive resume and ready to take on Hollywood when the most horrible event in America's recent history struck. 911 changed the way anyone could enter the states and so Aleks found himself a new home and career in busy Vancouver. Since coming to Vancouver Aleks has built an amazing resume with over 100 credits, most of which are lead and recurring roles like the one that he has on this hugely anticipated 4th season of 'Continuum'. Aleks credits three occurrences as the game-changers in his rocketing career: One was when the venerable acting coach Larry Moss called him out in front of 300 actors, telling him that he had massive talent and demanding to see his full range; another was when he respectfully declined an offer for a 4-episode-arc on a highly-rated TV series so that he could finish his run as 'Danny' in the play "Danny and the Deep Blue Sea" in a shaky old theatre to sold-out crowds. But the biggest catalyst in Aleks's career was when he fought three rounds of casting throughout all of Los Angeles and Vancouver to win the role of 'Tom', a developmentally disabled man accused of murder in 'Personal Effects' starring Ashton Kutcher, Michelle Pfieffer, and Kathy Bates. Aleks put on 65 pounds to perform the role, which was one of the most challenging and rewarding roles of his career so far. When you meet Aleks, or you watch him perform these difficult roles, you just know that with all of that leading man charisma there's star power in this man, and that you will be seeing a lot more of Aleks Paunovic.   For more amazing episodes go to: www.ComicCon-Radio.com   Follow us on Instagram  @ComicConRadio   Please subscribe to Comic Con Radio Always give us 5 stars. Say Hi when you can. Always #WatchLive Please share this episode with the world!   We love you all… Thank you for loving us back!  

Kobe Bryant (@kobebryant) is most known for his 20 years on the basketball court as one of the game's most iconic legends. He now focuses his famous tenacity on running Granity Studios, an award-winning multimedia company devoted to creating new ways to tell stories around sports -- like Legacy and the Queen with Annie Matthew. What We Discuss with Kobe Bryant: What creativity and basketball have in common and what Kobe has carried from the court to his new business. Lessons Kobe has learned from people who are the best at what they do — from Taylor Swift to Jony Ive to Sean Penn to Kate Winslet to Larry Moss to Oprah to George R.R. Martin. How Kobe manages pressure in high stakes situations on the court and at the head of a creative content studio. The music that gets Kobe in the mindset he needs to excel at whatever he does. The importance of learning how to negotiate with yourself in order to achieve greatness, and how parents might help their kids develop this crucial skill. And much more… Full show notes and resources can be found here: https://jordanharbinger.com/249 Sign up for Six-Minute Networking -- our free networking and relationship development mini course -- at jordanharbinger.com/course! Need custom graphics, logos, or Web design? Access a community of 600,000+ designers by registering at designcrowd.com/jordan and enjoy up to $100 off with The Jordan Harbinger Show bonus offer! Are you using the best software for your situation? Capterra knows and makes it easy to discover your best solution fast -- and for free. Visit capterra.com/jordan to find out what you're missing today! Eight Sleep is the first bed engineered with dynamic cooling and heating that keeps you at the perfect temperature all night long. Get $100 off your purchase when you go to EightSleep.com/jordan! Highline Wellness offers premium CBD at honest prices, made with all-natural hemp extract and lab tested for consistent results. Get 15 percent off your next order with promo code JORDAN15 at highlinewellness.com! Got cats? Breathe easy when maintaining the litter box with Arm & Hammer's Cloud Control dander shield technology. Plus get the confidence of guaranteed seven-day odor control. Find it in a store near you or learn more about it here!

Today on The Neil Haley Show, The Total Tutor Neil Haley will interview The Twilight Saga Film Series Star Gil Birmingham of Yellowstone.  YELLOWSTONE Yellowstone is a drama series that follows the Dutton family, led by patriarch John Dutton. The Duttons control the largest contiguous ranch in the U.S. and must contend with constant attacks by land developers, clashes with an Indian reservation and conflict with America's first national park. Bio: Gil Birmingham is an actor of Comanche ancestry, best known for his portrayal of Billy Black in the The Twilight Saga film series. Birmingham was born in San Antonio, Texas. His family moved frequently during his childhood, due to his father's career in the military. He learned to play the guitar at an early age and considers music his "first love". After obtaining a Bachelor of Science from the University of Southern California, he worked as a petrochemical engineer before becoming an actor. In the early 1980s, a talent scout spotted Birmingham at a local gym, where he had been bodybuilding and entering bodybuilding contests. This led to his first acting experience, in a music video for Diana Ross, for her 1982 hit song "Muscles". After appearing in Ross' music video, Birmingham began to pursue acting as his primary career. He studied acting with Larry Moss and Charles Conrad. In 1986, Birmingham made his television debut on an episode of the series Riptide. By 2002, he had a recurring role as the character Oz in the medical drama Body & Soul, starring Peter Strauss. In 2005, he was cast as the older Dogstar in the Steven Spielberg six-part miniseries Into the West. He recently played a Texas ranger a ranger, in Hell or High Water, opposite Jeff Bridges.  

Season 6 Chapter 3 - With Larry Moss and Kelly Cheatle The post Season 6 Chapter 3 – With Larry Moss and Kelly Cheatle appeared first on Balloon Artist Podcast.

Larry Moss is one of the most sought after acting coaches in the world today. He worked with Helen Hunt on As Good As It Gets, Tobey Maguire on Seabiscuit, Hillary Swank on Boy Don’t Cry and Million Dollar Baby, Leonardo DiCaprio on The Aviator, The Departed, The Wolf of Wallstreet and many more. He studied with Stella Adler and Sanford Meisner. He has taught at Juilliard and The Circle in the Square in NYC. He has acted in numerous broadway productions, has directed for the stage and screen, is the founder of The Larry Moss Studio in Los Angeles, and is the author of The Intent to Live: Achieving Your True Potential as an Actor. Action Facebook Group: https://www.facebook.com/groups/2010870055857893 To find out more about Larry Moss go to www.larrymoss.org The Intent to Live: https://www.amazon.com/Intent-Live-Achieving-Potential-Actor/dp/0553381202/ref=sr_1_1?ie=UTF8&qid=1512583592&sr=8-1&keywords=the+intent+to+live

This week we wrap up the Larry Moss interview and play a little of his DVD to listen to how "The Process" is done; also, apparently Dehydration does NOT mean you have aids; the continuing cast of characters going down the harassment way and the three hour Charlie's Angels special to introduce - who cares. The snow podcast for the holiday season. :) See acast.com/privacy for privacy and opt-out information.

Larry Moss is one of the most sought after acting coaches in the world today. He worked with Helen Hunt on As Good As It Gets, Tobey Maguire on Seabiscuit, Hillary Swank on Boy Don’t Cry and Million Dollar Baby, Leonardo DiCaprio on The Aviator, The Departed, The Wolf of Wallstreet and many more. He studied with Stella Adler and Sanford Meisner. He has taught at Juilliard and The Circle in the Square in NYC. He has acted in numerous broadway productions, has directed for the stage and screen, is the founder of The Larry Moss Studio in Los Angeles, and is the author of The Intent to Live: Achieving Your True Potential as an Actor. Action Facebook Group: https://www.facebook.com/groups/2010870055857893 To find out more about Larry Moss go to www.larrymoss.org The Intent to Live: https://www.amazon.com/Intent-Live-Achieving-Potential-Actor/dp/0553381202/ref=sr_1_1?ie=UTF8&qid=1512583592&sr=8-1&keywords=the+intent+to+live