Podcasts about leenane

On Monday's Morning Focus, it was time again for our Arts Slot with County Art's Officer Siobhán Mulcahy. Siobhán provided our listeners with all the details of this week's live events for entertainment lovers in the Banner County. This week, Siobhán told us about The Outrun in Kilkee, Beauty Queen of Leenane in Doonbeg and much more. Photo (C): Clare FM

Shiv joins Regina Botros to talk about how he came to acting and his role in 4000 Miles for STC. Shiv Palekar was born in India, raised in Hong Kong and is now based in Sydney, Australia. Since graduating from NIDA, Shiv has appeared in Counting and Cracking (Belvoir); The Tempest, The Real Thing, The Beauty Queen of Leenane, and Disgraced (Sydney Theatre Company); The Sound Inside (Melbourne Theatre Company); The Almighty Sometimes (Griffin Theatre Company); and has toured nationally twice in The Merchant of Venice and The Players (Bell Shakespeare).   Photo Credit:credit Derek Henderson

A month of great theatre stories, plus we speak to Denver-born playwright Jake Brasch, whose play ‘The Reservoir' gets its world premiere at the Denver Center   In this episode of the OnStage Colorado Podcasts, Alex Miller and Toni Tresca are joined by special guest host John Moore. A longtime theatre writer in Colorado and senior arts reporter at the Denver Gazette, John is also the creator of the annual True West Awards honoring local theatre folks. He's also the founder of the Denver Actors Fund, which to date has raised and donated over $1.5 million to theatre folks (and in some cases, their pets).   Also in this episode, Alex interviews The Reservoir playwright Jake Brasch. The Denver native has their first professionally produced work in a world premiere at the Denver Center, opening in previews Jan. 17.   And we're back with our Top 10 Colorado Headliners, which this week include:   The 39 Steps, Jan. 11-Feb. 8, Lincoln Center Magnolia Theatre, Fort Collins The Beauty Queen of Leenane, Jan. 16-26, The People's Building, Aurora A Case for the Existence of God, Preview Jan. 16-17, runs Jan. 18-Feb. 16, Curious Theatre Company, Denver Jane/Eyre from Grapefruit Lab with live music by Teacup Gorillat at Buntport Theatre in Denver Jan. 17-Feb. 1 She Kills Monsters, Jan. 17-Feb. 23, Vintage Theatre, Denver Mary Poppins, Parker PACE Center, Jan. 17-Feb. 9 Kid Detective, A Bildungsroman from Shifted Lens Theatre Company at Roaming Gnome in Aurora, Jan. 11-26 Ghost Quartet, The Catamounts at the Boulder Dairy Center, Jan. 18-Feb. 8 The Time is Always Right from BETC at the Dairy Center in Boulder, Jan. 19 at 2 and 7 Still We Rise from Motus Theater, Jan. 20 at the Dairy Center in Boulder

Juan Echanove y Lucia Quintana presentan su nueva obra de teatro "La reina de la belleza de Leenane"

Krutý příběh o vztahu dvou osamocených lidí, matky a dcery žijících na irském venkově, uvede 18. února v premiéře liberecké Divadlo F. X. Šaldy.

10am-11am Adventurers   City Tribune headlines Community organisations   The Field   ‘Community Matters' broadcasts every second Friday morning from 9am on Galway Bay FM

On today's show: 9am-10am Local characters   Current affairs   History of the area   ‘Community Matters' broadcasts every second Friday morning from 9am on Galway Bay FM

11am-12pm New arrivals   Music More characters     ‘Community Matters' broadcasts every second Friday morning from 9am on Galway Bay FM

Interview with Voice and Dialect coach Anne Mignon Whitaker about Costa Mesa Playhouse's The Beauty Queen of Leenane. www.latheatrebites.com

Taking a look at the evolution of playwright Branden Jacobs-Jenkins with special guest KACIE ROGERS @kacie.rogers You can find more info about her one woman show I SELL WINDOWS coming to LA for one night only! Shows Discussed: Part 1: The Beauty Queen of Leenane Part 2: The Pillowman Part 3: Hangmen SUBSCRIBE. RATE. REVIEW!! THEME and Stingers: Ryan Thomas Johnson IG: @theatre_theater_pod Twitter: @the_theatre_pod Gmail: theatretheaterpod@gmail.com tiktok: @theatre_of_the_absurd Resources below FGM Education Resources https://www.fgmeducation.com/post_resources/fgm-medical-resources/ BLM Donation and Education LinkTree: https://linktr.ee/NationalResourcesList Black Owned Businesses in LA: https://docs.google.com/spreadsheets/d/18w-0RBhwBBlXDN9kRV9DVSCAGSCjtHb9K0Pq2YBv18U/htmlview?usp=sharing&pru=AAABcpXptV0*XfoiE2Ay5SJUCEO3tXROGQ&urp=gmail_link MPJI https://marshap.org/ Petitions https://linktr.ee/petitions_123

“Are you saying that there's a chance that when we push that button... we destroy the world?” Welcome to a captivating episode of "We Watch It!"—a cinematic odyssey with your favorite hosts, Cody Aaron Hanify, Shannon Mahaffey, and J.T. Hazzard. Today, the trio embarks on a thrilling adventure through the supernatural dimensions of Christopher Nolan's masterpiece, "Oppenheimer."In this episode, the excitement begins as Cody shares exciting news about his recent casting in the acclaimed play, "The Beauty Queen of Leenane," by Martin McDonagh at The Costa Mesa Playhouse. A true testament to his talent and dedication to the craft.Meanwhile, J.T. Hazzard transports us to the world of filmmaking, offering a glimpse into his latest film shoot in Georgia. An insider's perspective on the artistry and magic that goes into creating cinema.As the discussion unfolds, Shannon Mahaffey unveils a movie-watching hack, a clever tool to ensure you don't miss a beat, even during those essential bathroom breaks. A movie lover's secret to uninterrupted enjoyment.Don't miss the chance to be a part of the "We Watch It!" community. Visit wewatchitpodcast.com to submit your movie requests, explore their treasure trove of episodes, and track Shannon's exciting movie-watching journey, aptly titled "Shannon's List."Tune in, share the cinematic passion, and join the conversation on "We Watch It!"—where movies come to life through insightful discussion and shared love for the silver screen.- OPPENHEIMER -DIRECTED BYChristopher NolanWRITTEN BYChristopher NolanKai BirdMartin SherwinSTARRING Cillian MurphyEmily BluntRobert Downey Jr.Alden EhrenreichFlorence PughMatt DamonScott GrimesJason ClarkeJames D'ArcyKenneth Branagh

Guest: Charmaine Weir-Smith joins John as Director of the award-winning theatre production, ‘The Beauty Queen of Leenane' that is due to run at The Golding Theatre at The Baxter in Cape Town from 2 – 19 August 2023See omnystudio.com/listener for privacy information.

On People of Note this week, Rodney Trudgeon will be talking to Charmaine Weir-Smith who is directing a play which has won 5 Naledi Theatre awards called The Beauty Queen of Leenane. The play was written by the Tony Award Nominee Martin McDonagh and has been described as a masterpiece and a darkly comic tale about the turbulent, dysfunctional and often savage relationship between a mother and daughter. The play opens at The Baxter Theatre on the 2nd August.

  On this episode of Original Broadway Cast, our very own Gus Gordon sits down with the wonderful, Diana Rogers. Diana's credits include Mame. Thénardier in the National Tour and Broadway productions of Les Misérables. Other productions include Menopause the Musical, Beauty Queen of Leenane, A Skull in Connemara, Rabbit Hole, Do Black Patent Leather Shoes Really Reflect Up?, Nunsense, Sound of Music, Romeo and Juliet, Steel Magnolias and several productions of Always Patsy Cline. Diana also enjoys writing and composing. Coupled The Musical has been seen at the Orlando Fringe Festival.

Comenzamos el mes hablando con Antonio Vega y Ana Graham sobre "La reina de belleza de Leenane" y de paso sobre relaciones familiares tóxicas --- Send in a voice message: https://podcasters.spotify.com/pod/show/hablardeteatro/message

Roberto Beck llega a la isla para hablar de La Reina de Belleza de Leenane y del cine de Martin McDonagh. Le pregunté por el polémico final de Inteligencia Actoral e hicimos un recorrido por algunas de sus obras como Indecente, Jauría y Mirando al sol. Al final del episodio doy un comentario de Desde cero.  Hosted on Acast. See acast.com/privacy for more information.

Fernando Anzures platica sobre qué es el burnout y cómo podemos identificarlo. Dr. Ernesto Cárdenas Gómez, experto en neuronutrición, explica sobre esta ciencia. Ana Graham y Roberto Beck hablan de la obra La Reina de Belleza de Leenane.See omnystudio.com/listener for privacy information.

En entrevista con Pamela Cerdeira, para MVS Noticias, en la sección Oasis, la actriz, Sofía Álvarez, nos habló de la puesta en escena ‘La reina de belleza de Leenane'.See omnystudio.com/listener for privacy information.

Today we sit down with the coolest actor to ever hail from Ireland. TIMOTHY V. MUPRHY has been workin in film and TV for the better part of 25 years. Murphy is known for his roles as Galaan in the FX hit, Sons of Anarchy and Ian Doyle in Criminal Minds. Murphy is known for the films; Disney's Lone Ranger opposite Johnny Depp; Appaloosa starring and directed by Ed Harris; Jorma Taccone's comedy Macgruber opposite Val Kilmer; National Treasure: Book of Secrets with Nicolas Cage and Ed Harris and the Indies Not That Funny opposite Tony Hale. As well as Jason Momoa's directorial debut Road to Paloma and Looms by the Funk Brothers. A lifetime member of the Actors Studio, Murphy is an award winning stage actor and was nominated for Best Actor in Martin McDonagh's The Beauty Queen of Leenane. Other awards have included best ensemble for The Lost Plays of Tennessee Williams and best revival for the Brecht Musical, Happy End. Today Murph sits down with us and talks about how to claim your power in a supporting role, what he thinks of critics and how he inadvertanly knocked the cheek plants out of a bully years ago. I was there. Twas magical!! This is a fun one. Hope you'll listen. If you like please like and subscribe.

“10,951 kms from the Hen House to a Chinese in Gopeng Malaysia”If you enjoy our Thursday podcasts why not become a THL Member and get extra bonus episodes every Monday, with all your Thursday THL episodes ad-free plus instant access to over 70+ exclusive episodes? Join our gang and sign up HERE Become a member at https://plus.acast.com/s/the-tommy-and-hector-podcast-with-laurita-blewitt. Hosted on Acast. See acast.com/privacy for more information.

Je to představení, kde není moc prostoru pro improvizaci. Repliky se rychle střídají a mnohé narážky se nesmí říct jinak. Kráska z Leenane má premiéru v sobotu 8. října.

Je to představení, kde není moc prostoru pro improvizaci. Repliky se rychle střídají a mnohé narážky se nesmí říct jinak. Kráska z Leenane má premiéru v sobotu 8. října.Všechny díly podcastu Máme hosty můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Today on the podcast, our summer series collaboration with Greater Philadelphia Cultural Alliance's “RE-START Initiative”, continues with Tiny Dynamite where we explore how the organization has fared during the pandemic. Here is my interview with KC MacMillan, Producing Artistic Director of Tiny Dynamite.It is the mission of Tiny Dynamite to offer audiences new ways to experience theater and artists new ways to create it. We present high-quality plays at modest ticket prices, in an environment that is intimate, social, joyful, and welcoming.Our principal project is A Play, a Pie and a Pint®, a form of theater that breaks down perceptions that the arts are only for special occasions: we offer inventive short plays, in unexpected spaces, served with food and beverages.KC MacMillanPRODUCING ARTISTIC DIRECTORKathryn MacMillan (she/her) is a Philadelphia-based theater director and arts leader who has led Tiny Dynamite since 2017. KC has directed nearly 50 productions in the Philadelphia area and beyond; recent productions include Unraveled (off-Broadway: Theatre Row), Romeo and Juliet (Commonwealth Classic Theatre Company); The Comedy of Errors (Dram Tree Shakespeare, Wilmington, NC); Grounded (InterAct); Mrs. Warren's Profession at Lantern Theater Company, where she was the Associate Artistic Director for eight seasons; and The Revolutionists at Theatre Horizon, where she served as Guest Artistic Director for the 2017/18 season.KC's notable productions include recent Barrymore Award nominations for directing (Jane Austen, Abridged, Tiny Dynamite, also co-writer; The Revolutionists, Theatre Horizon); and the critically acclaimed The Beauty Queen of Leenane (named Best Production of the 2012/13 season & Best Director by Philadelphia Weekly, who called her “sensationally gifted”), The Liar (Best Production Honorable Mention that same season), Arcadia (Runner up, Best Overall Production & Best Director by Phindie Independent Critic Awards), Doubt (named one of the Best Plays of 2015 by the Philadelphia Daily News), The Breath of Life (Barrymore Award nomination: Outstanding Overall Production of a Play), The Hothouse (Barrymore nominations for Outstanding Direction & Outstanding Production of a Play), and I Am My Own Wife (Barrymore nominations for Outstanding Direction and Outstanding Production of a Play and winner of the Virginia Brown Martin Philadelphia Award). In 2015, KC was named one of Billy Penn's Who's Next: 16 Young Philadelphians Shaping the Arts Scene.Email: kc@tinydynamite.orgFOR MORE INFORMATION: https://tinydynamite.org

Nicole Ansari [she / her ] (Cora) Nicole Ansari started in European Theatre and Film. She performed with the Théâtre du Soleil under Ariane Mnouchkine in Paris and starred in numerous plays at the Public Theatre in Vienna, in Zuerich, London and NY (Irma la douce; Much Ado About Nothing; Alma; Hamlet; Daybreak; I am Antigone,more Elizabeth Aspenlieder (Denise) S&Co: Over 40 productions – favorites: The Waverly Gallery, HIR, God of Carnage; Mother of the Maid (pre–Broadway run, originated role of The Lady of the Court); Vanya and Sonia and Masha and Spike; The Beauty Queen of Leenane; Parasite Drag; Merry Wives of Windsor; Winter's Tale; Les Liaisons THE APPROACH ‘Holds your attention like a transfixing riddle' – The Irish Times Three women have three conversations that draw us into their inner lives. Listen carefully: what will they reveal to each other, and what does each have to hide? A play about being human, an exploration of betrayal, and an appeal to listen before it's too late, The Approach follows the story of Anna, Cora, and Denise as they converse over coffee about their shared childhoods and burgeoning middle-age, with much left unspoken. The Approach will include both in-person and online performances, with tickets ranging in price from $37 to $67; preview performances are $10 less. Online, The Approach will be made available by live stream at 7:30 p.m. on Saturday, May 14, and via recorded broadcast will be available Saturday May 21, at 7:30 p.m.; Sunday, May 22, at 3 p.m.; Saturday May 28 at 7:30 p.m., and Sunday, May 29 at 3 p.m. Tickets for virtual performances are $27. Talkbacks will be held with the cast and directors for the following performances: Thursday 5/12 (7:30p curtain) Saturday 5/14 (7:30p curtain) Sunday 5/15 (3p curtain) Thursday 5/19 (7:30p curtain) Sunday 5/22 (3p curtain) Thursday 5/26 (7:30p curtain) Generously Co-sponsored by Steve Bader and Cathy Monoxelos COVID POLICY FOR INDOOR PERFORMANCES All patrons planning to attend any indoor performances are required to show a form of ID and one of the following: Presentation of a COVID vaccination card ORProof of a negative COVID test taken within the last 48 hours You can also submit a COVID vaccination card or negative COVID test result electronically through Bindle. Download the Bindle app: joinbindle.com/people

Monday, 7 February 2022, 10 – 11am ''Not in Flesh': The Construction of the Disenfranchised Woman in Irish Theatre' a talk by Dr Salomé Paul (TCD) as part of the School of Creative Arts Research Forum, in association with the Trinity Long Room Hub. This paper investigates the construction of the figure of the underprivileged woman in the Irish dramatic canon during the Revival movement through the examination of J.M. Synge's theatre and its legacy on the contemporary stage. Synge's plays are considered among the most canonical plays in Irish theatre because they have outlined the constitutive features of archetypal characters still populating the contemporary stage. My analysis will focus on two figures of particular interest to the dramatist, the woman and the disenfranchised, and will examine their intersection through the characterisation of poor women developed in The Shadow of the Glen (1903), Riders to the Sea (1904) and The Tinker's Wedding (1908). In these plays, the representation of this identity appears disconnected from the reality experienced by indigent women in rural Ireland. Indeed, as a middle-class Protestant man, Synge created the figure of the disfranchised woman to support and endorse his Anglo-Irish political vision of Irishness. Yet, relying on the concept of horizon of expectation coined by Hans Robert Jauss in Toward an Aesthetic of Reception (1978), I will demonstrate that this highly fictional portrayal has grown into a topos of Irish theatre still in use on the contemporary stage. The characterisation of underprivileged women in Marina Carr's By the Bog of Cats… (1998) and Martin McDonagh's The Beauty Queen of Leenane (1996) appears as a re-enactment of the figure of the disenfranchised woman and problematically addresses Irishness through the lens of rural poverty and womanhood for middle-class urban audiences. In doing so, contemporary Irish theatre produced in influential venues perpetuates the romanticisation of this identity, dismissing the reality and the implications of being a poor woman in Ireland. Bio: Dr Salomé Paul is a current Postdoctoral Fellow in Drama funded by the Irish Council. Her research investigates the transformation of Greek tragedy in Marina Carr's theatre. She is also working in collaboration with Clara Mallon (NUIG) on the edition of a collection of essays examining representation and authorship of working-class women in Irish theatre. The School of Creative Arts Research Forum meets fortnightly at 10am on Mondays during term and is led by the School's doctoral students. The aim of the Forum is to give a space for School researchers, both staff and postgraduate students, to share their ideas in a supportive environment. It is also an opportunity for the School to hear about the research of colleagues both from within TCD and outside who share our research interests. In line with the research agenda of the School, talks will encompass traditional research and practice-based research and will be followed by Q&A.

调戏马丁麦克唐纳的「枕头人」祝大家春节快乐，虎年万事如意！这周调戏，我们一起分享一部当代戏剧，剧作家/电影导演马丁麦克唐纳1995年代写成，2003年在伦敦国家剧院首演的一部充满了格林童话和黑镜画风的 The Pillowman/枕头人。节目中提到的作品信息：枕头人 The Pillowman, Martin McDonagh剧本：https://www.joculartheatre.com/scripts/The%20Pillowman.pdfB站录像英文版：https://www.bilibili.com/video/BV1yW411S7t3中国巡回演出：https://www.douban.com/location/drama/11610316/麦克唐纳女友的英剧作品是Fleabag/伦敦生活：https://movie.douban.com/subject/26838164/麦克唐纳的奥斯卡奖得奖作品「三块广告牌」：https://movie.douban.com/subject/26611804/1998 年是伦敦 Finborou Theatre 首次举行了「枕头人」的剧本朗读会，节目中年份口误：https://finboroughtheatre.co.ukGigi 提到的杀猫的戏剧是麦克唐纳的 The Lieutenant of Inishmore另外一部 Gigi 提到的有点残酷的戏剧是 Edmond Bond 的 The Saved糯米提到的 Theatre of Cruelty 首先是是先锋派剧作家、演员、评论家及理论家安托南·阿尔托在其著作《戏剧及其重影》中阐述的一种戏剧形式。这个短语正好也被纽约书评前主编 Ian Buruma 用来作为自己的一本书名。两者没有关系，节目中说得比较模糊。方瞾提到的麦克唐纳的丽南山三部曲是：The Beauty Queen of Leenane (1996)A Skull in Connemara (1997) 以及The Lonesome West (1997).Gigi 提到的德国恐怖儿童故事叫「蓬头彼得」Struwwelpeter方瞾提到的「白夜行」是东野圭吾的一部推理小说。糯米提到的 Netflix 警察审犯人的系列叫 The Criminal节目中两次提到卡夫卡的小说，糯米提到的是主角叫 Joseph K 的「审判」，方瞾提到的是主角叫 K 的「城堡」。糯米推荐的医生分析医疗剧的 YouTuber 叫 Dr Hope's Sick Notes： https://www.youtube.com/c/DrHopeSickNotes节目中提到两个 B Movie 一个是Mean Girls另外一个是最近 Netflix 比较火的Don't look up节目中提到的「卫报」左派剧评人叫 Michael Billington，他 2007 年出版的一本书叫 State of the Nation。节目尾声方瞾提到的「此房是我造」是拉斯·冯·提尔 2018 年上演的恐怖片 The House Jack Built.祝大家春节快乐，愿意大赏赞助土豆的朋友请前往：http://culturepotato.com/shop See acast.com/privacy for privacy and opt-out information.

Noni Hazlehurst is one of Australia's most iconic creatives. After finishing her degree at Flinders University, Noni started out on shows 'The Box' and 'The Sullivans' before presenting on the children's TV show 'Play School' for 24 years. She has also presented for many years on 'Better Homes and Gardens'. Noni is known for her work in the films 'Candy', 'Monkey Grip', 'Ladies In Black' and most recently 'June Again'. She also starred in TV series' 'City Homicide' and 'A Place To Call Home'. Noni has extensive experience in theatre with productions such as STC's 'The Beauty Queen of Leenane' and her one woman show 'Mother' which is set to open on Broadway when international travel is open again. See omnystudio.com/listener for privacy information.

Noni Hazlehurst is one of Australia's most iconic creatives. After finishing her degree at Flinders University, Noni started out on shows 'The Box' and 'The Sullivans' before presenting on the children's TV show 'Play School' for 24 years. She has also presented for many years on 'Better Homes and Gardens'. Noni is known for her work in the films 'Candy', 'Monkey Grip', 'Ladies In Black' and most recently 'June Again'. She also starred in TV series' 'City Homicide' and 'A Place To Call Home'. Noni has extensive experience in theatre with productions such as STC's 'The Beauty Queen of Leenane' and her one woman show 'Mother' which is set to open on Broadway when international travel is open again.

Maggie Kirkpatrick holds a unique place in Australian entertainment. She created one of the most iconic characters in Australian drama television history and simultaneously evolved into one of the most accomplished and admired theatrical leading ladies.Maggie appeared as Madame Morrible in the original Australian production of Wicked, which toured nationally and throughout Asia for seven years. Maggie manifested Madame Morrible for the run of the show.She has worked extensively with Australia's leading theatre companies, including STC (Major Barbara, The Beauty Queen of Leenane, The Ham Funeral, A Delicate Balance, A Cheery Soul, The Cripple of Inishmaan), MTC (Emerald City), the State Theatre Of South Australia (Farewell Brisbane Ladies, The One Day Of The Year) and Perth Theatre Company (A Passionate Woman).Maggie was directed by Michael Blakemore in Death Trap and has shared the stage with Sir Michael Redgrave (in JC Williamson’s Voyage Round My Father), Susannah York (Shoehorn Sonata, London's King’s Head Theatre) and Topol (Fiddler on the Roof) among others.Maggie's musical repertoire includes stellar turns in Irene, Anything Goes, Songs from A Side Show Alley, Singin' in the Rain and the West End production of Prisoner: Cell Block H; The Musical, not to mention several highly successful and long running, one-woman cabaret shows, The Screw Is Loose and Maggie Kirkpatrick...Still Here. Her television credits include, All Saints, Blue Heelers, Water Rats, GP, Home and Away, The Pacific and of course, Joan (The Freak) Ferguson in Prisoner. Maggie's feature film roles include Welcome To Woop Woop, Lillian's Story, Billy's Holiday, The Night of the Prowler and The Getting of Wisdom.Maggie has long been actively involved in raising awareness of gay rights receiving a DIVA Award for fund raising for the fight against HIV/Aids. She is a proud member of Actors Equity since 1961.Earlier this year Maggie released her memoir, The Gloves Are Off - The Inside Story from Prisoner to Wicked. It is a terrific read recounting a brilliant career, while also chronicling our vital stage history. Maggie is a treasured guest in this special edition of Stages - episode 150!

On today's show Ray speaks to Eileen Flynne, Darren Collins and Rosemarie Maughan about Traveller Pride Week, we're on day three of Zooming around Ireland and today we go to Leenane in County Galway to chat to Siobhan Bennett, Shane Young and Kim Young also Luke Matthews joins Ray to tell us about how cooking with no heat.

Jacqueline Blom is actrice en speelde in verschillende Nederlandse series en films als 'Penoza' en 'Niemand in de stad'. Ze was te zien in stukken van verschillende theatergezelschappen, waaronder Het Nationale Toneel. Nu speelt ze in 'The beauty queen of Leenane': een grimmig sprookje over dromen die steeds verder wegzakken in het drijfzand van een armoedig bestaan. Zij vertolkt de rol van moeder Mag. Jacqueline Blom spreekt een uur met Pieter van der Wielen.

Annemieke Bosman spreekt regisseur Maren E. Bjørseth over The Beauty Queen of Leenane van Toneelschuur Producties. De veertigjarige Maureen (Keja Klaasje Kwestro), slooft in het armoedige dorp Leenane voor haar moeder Mag (Jacqueline Blom). Deze wil vooral niet dat Maureen een eigen leven gaat leiden, laat staan dat ze een man vindt. Maar dan ontmoet Maureen op een feest mooiboy Pato. Moeder Mag zet alle middelen in, geoorloofd of niet-geloorloofd, om haar dochter maar niet kwijt te raken. The Beauty Queen of Leenane, werd in 1996 geschreven door de Engels-Ierse schrijver Martin Mc Donagh als onderdeel van De Leenane Trilogie, en won destijds vier Tony Awards. Tegenwoordig is Mc Donagh bekend als succesvol film scenarioschrijver en regisseur o.a. van Three Billboards Outside Ebbing, Missouri, winnaar van twee Oscars en vier Golden Globes Awards.

"The Beauty Queen of Leenane" takes place in a tiny Irish town and was the first play from playwright-turned-director Martin McDonagh.

Every Place Is The SamePart travelogue, Part challenge, Part comedic stint. Everyplace Is The Same tries to prove the ridiculous notion that every place Is in fact the same.Special Guest: Ryan TurnerEpisode Challenge: Clevland (USA) & Leenane (Ireland)Host: Daniela VlaskalicDirector: Marco TimpanoProduction Supervisor: Nidhi KhannaProducers: Drumcast ProductionsTheme Music: Royalty FreeWanna support this podcast and get some great extras!Go to our Patreon page:www.patreon.com/everyplaceisthesame See acast.com/privacy for privacy and opt-out information.

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Stream podcast episodes on demand from www.bitesz.com (mobile friendly).Lottie In The Late Afternoon (The KIN Collective, Melbourne, Australia)In a tiny house on the edge of a cliff, two couples try to have a relaxing weekend away because EVERYTHING IS AMAZING AND UNDER CONTROL… ISN’T IT?Comedy legend, Marg Downey (Fast Forward, Kath & Kim), directs a star-studded cast in this disturbing and hilarious new play with a Seinfeld meets Samuel Beckett feel to it. Featuring The KIN Collective’s Michala Banas (MTC’s The Odd Couple, Upper Middle Bogan), Ally Fowler (Shrine, Wentworth), Laura Maitland (Yes, Prime Minister, The Lonesome West) and Linc Hasler (The Beauty Queen of Leenane, Glimpse), Lottie in the Late Afternoon is a play about sadness, art and the dangers of nostalgia in Trump’s America. The universal themes of gender expectations, financial instability, robots taking all the jobs, embarrassing accidents, and how much we really know when we can’t google it, makes this a play for the ages.Critically acclaimed Aussie, LA-based playwright and screenwriter Amelia Roper brings her hilarious new comedy home to Melbourne for its world premiere. Between her work on Netflix’s GLOW, and plays Zürich and She Rode Horses Like the Stock Exchange, Amelia has become one to watch in the American and Australian entertainment scenes.For more information visit  https://www.fortyfivedownstairs.com/wp2016/event/lottie-in-the-late-afternoon/ Theatre First RSS feed:   https://feeds.megaphone.fm/ivetheatrereviews Subscribe, rate and review Theatre First at all good podcatcher apps, including Apple Podcasts (formerly iTunes), Stitcher, Pocket Casts, audioBoom, CastBox.FM, Podbean etc.If you're enjoying Theatre First podcast, please share and tell your friends. Your support would be appreciated...thank you.#theatre #stage #reviews #melbourne #australia Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

Artistic Director Kip Williams and Executive Director Patrick McIntyre discuss the plays of our 2019 Season. Listen in for some fascinating insights into how the season came together, the stories we'll be telling and the artists who'll be involved. CHAPTERS 03:07 Mary Stuart 06:30 How to Rule the World 09:34 Mosquitoes 13:17 Cat on a Hot Tin Roof 17:48 The Torrents 21:16 Lord of the Flies 26:39 Banging Denmark 29:25 Avalanche: A Love Story 32:31 The Real Thing 35:07 Così 37:12 The Beauty Queen of Leenane 40:22 The Wharf Revue  41:20 White Pearl Producer: Jordan Smith Mix and master: David Trumpmanis

In a small house on a big hill in County Galway, Ireland, the Folan women live out an uneasy truce. Forty year-old Maureen and her elderly but iron-willed Mother, Mag, spend their days in endless rounds of petty insults and physical threats as each maneuvers for control of their isolated existence. But when an old family friend reappears and offers Maureen a chance at love and a new life, this once-benign terrain grows treacherous and the two women, bound by blood but driven by desperation, will do anything to survive. Jaimelyn Gray and John Wehrman from the Bluebird Arts Theatre's drop by to discuss their performance of The Beauty Queen of Leenane, Martin McDonagh's Tony Award-winning play to be performed at the Athenaeum Theatre in Chicago. Plus, music from Socks In the Frying Pan, Solas, Dylan Walshe, Rory Makem, Donal Clancy, Carlos Nunez, Gaelic Storm, Bryan Ferry and Van Morrison. Join Mike and Tim each Wednesday night from 8pm to 9pm on WSBC 1240 AM or on our podcast at www.windycityirishradio.com.

JOAN BENEDICT STEIGER Decades of work on stage, screen, and television and the love of three devoted men sounds like a full life; but in many ways, the story is just beginning for veteran performer Joan Benedict Steiger. With credits dating back to the original “Candid Camera” on television to her acclaimed solo performance as Leona Helmsley, she has lived the artistic life she first dreamed of as a child in Brooklyn, New York – and the dream shows no signs of ending. “I always thought when I was little I would be a dancer,” Steiger recalls today. “I was never really built for ballet, but I was tap dancing in public at age seven when I performed at the Brooklyn Academy of Music. I remember the first film I ever saw was with Fred Astaire and Ginger Rogers, and as I was leaving the theatre, I wanted to run back in, I knew I had to be a part of that world.” As the only grandchild in a large family – she had seven uncles – Steiger grew up in her grandfather’s house off Prospect Park, where she describes herself as “Eloise at the Plaza – every one of those rooms was my magic room.” Encouraged by her mother, young Steiger studied at the Rome Opera Ballet School, and spent time in Paris, soaking up her craft and European culture and learning French and Italian. Back in America, Steiger continued her theatrical education by studying with legendary acting coaches Robert Lewis and Stella Adler, founders of the Actor’s Studio in New York. That pursuit of her craft continues today, as she continues to get a charge out of the challenge that each new acting job brings. “The theatre for me is ike being in church,” she says with sincerity. “When you feel the audience, and feel that communication with other souls, it’s like music. As a performer, I’m always pursuing that wonderful experience where you are completely alert and clear, and yet transported through your imagination.” “The theatre for me is like being in church,” she says with sincerity. “When you feel the audience, and feel that communication with other souls, it’s like music. As a performer, I’m always pursuing that wonderful experience where you are completely alert and clear, and yet transported through your imagination.” Her list of stage credits include acclaimed productions of contemporary offerings such as “Promises, Promises,” “The Beauty Queen of Leenane,” “Collected Stories” by Donald Margulies, P.J. Barry’s “The Octette Bridge Club,” Horton Foote’s “The Traveling Lady,” and Morris West’s “The World is Made of Glass;” opposite Don Knotts in the comedy “The Mind with the Dirty Man;” classics like “Richard III,” “The Dyubbuk,” and “Dr. Faustus;” and her two solo shows, “Leona” (about notorious “Queen of Mean” Leona Helmsley) and the recent “The Loves of My Life,” based on her own life. On screen, she also co-starred with Knotts and Tim Conway in the comedy “The Prizefighter.” Indeed, perhaps Joan Benedict Steiger’s career is all the more remarkable for having endured through three long-term relationships, to what she describes as “three of the greatest guys in the world.” While marriages between professional actors are often fraught with jealousy and competition, Joan has found lightning in a bottle all three times. “Both of my husbands, and my lifetime partner Jeremy, were wonderful men who respected me as an actress,” she recalls. “They all died from different forms of cancer, so my memories are sometimes bittersweet, but with no regrets.” “Strangely, I met all three of these men when I was in New York, just beginning my career while I was still a teenager,” she says. She was only 19 when she met actor Rod Steiger, who took an instant liking to her when they appeared on the same television show together. “I was in complete awe of him at the time,” she admits. “I remember walking out after seeing him in the play ‘Rashomon’ on Broadway, and seeing his face on the marquee across the street for the movie ‘Al Capone.’ I thought, what a life – starring on Broadway and starring in a movie! Knowing him at that age was like living in a fantasy.” Though the initial romance with Rod was short-lived, given their respective dedication to pursuing their careers, Joan soon found herself in love with leading stage actor John Myhers. “He toured in ‘The Sound of Music’ for three years as Captain von Trapp, and I would take time off to travel with him,” she says. Settling in a home near Sunset Plaza in the Hollywood Hills, their marriage lasted thirty years before Myhers’ passing. Then, in the late 1990s, Rod and Joan found each other again. Rod had heard rave reviews of some of Joan’s stage work. “I got a call from him out of the blue…he’d been at a party where someone had mentioned me, and we got together again after all those years.” Joan and Rod were nearly inseparable for the final years of his life, becoming creative partners as well as spouses. “Rod was very impressed with my acting. Whenever a script would arrive at the house, he’d ask me to read it for my feedback, then he’d say ‘Did you pick out your part yet?’” They appeared in two films together, “A Month of Sundays” and the telefilm “The Flying Dutchman.” After a long life marked by tremendous highs and crushing lows – Steiger acknowledged suffering from chronic depression for much of his professional career – the Academy Award winning actor seemed to find new confidence and peace with his newly rediscovered love. “On one of the films we made, on the last day of shooting, Rod presented me with an Oscar-like statue he had made with my name on it, in front of the entire crew,” Joan remembers. “With me he said he was another person, and the only time in his life he had such happiness. He told me I was the only woman who could bring love out of a stone.” Steiger’s passing in 2002 was a devastating loss, but another friend from long ago was able to fill some of the void. Actor Jeremy Slate, a veteran of over 80 films and television shows dating back to 1959, was Joan’s partner until his passing in 2006. “They were all actors, writers, directors, brilliant, funny men,” Joan says of the men who captured her heart. Throughout her life, Joan Benedict Steiger has worked simultaneously on stage, in film, and on television. She’s still remembered for a classic bit from the original version of “Candid Camera,” where she played a lost tourist looking for directions from passersby, making sure that her fancy hat – beplumed with a particularly large feather – would distract them at every opportunity. She was also part of the ensemble of the original “Steve Allen Show,” where she did double duty as the spokesperson for Hazel Bishop cosmetics. On daytime drama, she had regular and recurring roles on “General Hospital,” “Days of our Lives,” and “Capitol.” Her dozens of series guest appearances include classic series like “Fantasy Island,” “T.J. Hooker,” “The Incredible Hulk,” “Kojak” and “Hotel,” with the latter being directed by series star James Brolin. Most recently Joan guested on Fox’s “Dollhouse.” Perhaps one of Joan’s most unusual jobs is one where she was asked to “fill in” – in a manner of speaking – for a Hollywood legend. “I had been bothering the casting director at MGM for a while when he finally told me, ‘I have something for you.’” MGM was preparing to make the film “Butterfield 8” starring Elizabeth Taylor; the star had been reluctant to cooperate because she was eager to begin work on the epic “Cleopatra.” MGM wanted to shoot the film in studios in New York and Taylor wanted to remain in Los Angeles. Joan was asked if she could go to New York to rehearse the film – playing Taylor’s part – with director Daniel Mann and therest of the cast. Joan worked for weeks reading Taylor’s lines, and her dedication paid off when she was awarded a small part (a single line) in the film – for which she still earns residuals. The role won Taylor her only Academy Award, but curiously, their paths would cross again years later through their mutual acquaintance with Rod Steiger. “When Rod and I were first dating, he went to see Elizabeth about working on a new project,” she says. “This was a period when she wasn’t feeling well, and Rod was one of the people who really encouraged her to get well and return to public life. That lead to speculation that Rod and Liz were dating and he was going to be her next husband. Rod and I were on an airplane to Spain, and he liked to read the tabloids: when I saw the headline saying Liz and Rod were going to wed, I said, ‘What’s this all about?’ And he smiled at me and said, “Joan, I’m sitting next to YOU!” For now, Joan keeps busy preserving the legacy of her late husband, as well as continuing her stage, film, and television work whenever the right opportunity presents itself. ‘There’s still so much I can do, I’m still learning after all these years,” she explains. “I have a regular table at my favorite restaurant in Malibu and it faces the door, because I want to watch everyone walk in, I want to observe the way they use their body, because that’s so much a part of my process as an actress.” Although she has written her memoirs, Joan still knows that there are more chapters of her life left to live, and many more roles left to play. www.joanbenedictsteiger.com

It is better, they say, to give than to receive. That must be why so many groups gather so often to give so many awards to so many people for their efforts in so many different art forms connected to so many different award-worthy fields of endeavor. Though most people in show business are buzzing about the upcoming Emmy awards, about 75 people gathered together on Monday, July 13, to watch the offbeat, quirky annual distribution of certificates known to local theater people as The Sonoma County Stage One Theatre Arts Awards, otherwise known as The SOTAs. Now in its seventh year, the stated purpose of the SOTAs is to honor theater artists and theater productions taking place in Sonoma County. The SOTAs have earned a fair share of criticism over the years for awarding the lion’s share of their honors to shows that, how do I say this delicately, are sometimes conspicuously less deserving of the word “excellence” than shows that were either minimally mentioned or not nominated at all - Main Stage West’s exceptionally strong "Other Desert Cities" is one example from this year’s list of howlingly embarrassing omissions. To the organization’s credit, under the direction of president Lito Briano, clear efforts have been made to make the distribution of awards more balanced and fair, and to do that more in the future, companies who feel they deserve more attention will have to step forward and work harder to get their own fans and followers to join as voting members. With the San Francisco Bay Area Theater Critics Circle having stepped up in the last few years to finally notice the work being done by some (but not enough) Sonoma County theaters, the SOTAs will have to step up their game even more to retain any semblance of relevance and credibility in the future. I say this with all hope that the SOTAs will do just that, because many of the smaller community theater companies and student productions honored by the SOTA’s certainly deserve some recognition, so vital are they as an engine of training and community good will throughout the theater scene. With all of that said, allow me to offer my congratulations for the twelve awards taken home by Santa Rosa’s 6th Street Playhouse, which donated it’s G.K. Hardt theater for the awards ceremony. Amongst those 6th Street artists honored were Best Director Bronwen Shears for her work on "The Beauty Queen of Leenane," actors Lennie Dean and Danielle Innocenti Beem for their performances in ‘Beauty Queen’ (that would be Lennie) and "Thoroughly Modern Millie" (that would be Beem), actor Mike Pavone for "Clybourne Park," and actor Dallas Munger for "The Glass Menagerie," that last one also winning awards for best scenic and sound design, and tying for Best Overall Production with "Phantom of the Opera," performed by Santa Rosa Junior College. ‘Phantom’ was the second-biggest winner of the night, also taking awards for Best Vocal Performance for a Male and Female - that would be Ezra Hernandez and Megan Fleishman - and other awards, including best costume and best makeup design. Mary Gannon Graham won the Best Actress award for her amazing work in Main Stage West’s "Mother Jones in Heaven," coincidentally now playing again in an encore run of the show featuring music by Si Kahn. And Raven Players won for best stage props for the prop-dependent drama "In the Next Room: or, the Vibrator Play," and yes, you may feel free to make jokes about the props needed for a play of that name. Congratulations to all the winners, and even those who did not walk off with a certificate, because the truth is, when there is this much good theater going on in a community of this size, everyone is a winner, especially the audience. I’m David Templeton, Second Row Center, for KRCB.

Arriving at the end of the nineteen nineties, at exactly the time Martin McDonagh was exploding the Irish national theatre with the first of his Leenane trilogy, Disco Pigs articulated a radical new vision of Irishness. An Irishness deracinated of nationalism, appalled by republicanism, raised on television and clubland. A dissolute Irishness – frozen in … Continue reading Disco Pigs – Episode 10 – Reading Plays →

This weeks play – Lonesome West by Martin McDonagh. Lonesome West is part of Connemara triology, along with Beauty Queen of Leenane and A Skull in Connemara. Published 1997, Methuen Drama. First performed Jun 11th, 1997 at Druid Theatre in Galway, in a coproduction with London’s Royal Court Theatre. Went on to Broadway in 1999, … Continue reading The Lonesome West – Episode 2 – Reading Plays →

Award-winning actress Joan Benedict Steiger talks about her longstanding passion for tap dancing plus her diverse experience in films, TV and live theater. Winner of the Eternity Award from the L. A. Women’s Theater Festival, Joan appeared in A Month of Sundays and The FlyingDutchman opposite her late husband, Rod Steiger. Her other movies include such films as The Prize Fighter, The Theory of Everything and Dead Border. Joan’s interest in tap started at the age of seven, and she still takes three lessons a week.   Among Joan’s stage credits are roles in productions like Promises, Promises, The Beauty Queen of Leenane,  The Octette Bridge Club, The Traveling Lady, The Mind with the Dirty Man, Richard III, Dr. Faustus, and her one-woman show Leona, in which she received rave reviews for her portrayal of hotelier Leona Helmsley. Joan’s TV career began when she was a member of the original ensemble of The Steve Allen Show, followed by roles on several daytime dramas and series guest appearances. Her other television credits include such diverse shows as Days of Our Lives, Candid Camera, and Dollhouse.   Clearly, Joan has amassed a remarkable body of work on stage, screen and television in roles covering the classical and contemporary, the drama and the musical.She has fascinating show biz stories to tell! Adding to the fun is A.J. Hakari, the Mad Movie Man, as co-host.

Welcome back for a very special episode of Novel Ideas. This week we’re departing slightly from our norm and discussing a play, The Beauty Queen of Leenane by Martin McDonagh. And we’re doing it with a special guest, our cousin Sara, who is studying playwrighting? playwriting? One of those. This play is a very black […]

Piggybacking on the recent Eternity Award Joan Benedict Steiger received for her remarkable acting career, the folks at Movie Addict Headquarters  pay tribute to her in this special episode. Joan is interviewed about her extensive experience in films, on stage and in television. Plus Adilah Barnes from the Los Angeles Women's Theatre Festival and actor Tyrone Power Jr. call in to share their reactions to Joan's acting expertise.      Joan’s dozen movie credits include starring roles in “A Month of Sundays” and “The FlyingDutchman” opposite her late husband, Rod Steiger. Her new film, “Dead Border,” is a horror flick and should be released sometime this year.  Among Joan’s stage credits are roles in productions like “Promises, Promises,” “The Beauty Queen of Leenane,” and her one-woman show “Leona.” Joan’s TV career began when she was a member of the original ensemble of “The Steve Allen Show,” followed by roles on several daytime dramas and series guest appearances.   

The panel of theatre professionals - playwright Michael J. Chepiga ("Getting and Spending"), choreographer Graciela Daniele ("Ragtime"), playwright/director Christopher Durang ("Sex and Longing"), director Garry Hynes ("The Beauty Queen of Leenane"), and director Joe Mantello ("Corpus Christi") - discuss how they got their start, auditioning actors, controversy surrounding a play, and taking on alternate roles of choreographer, actor, or director.

The panel of theatre professionals -- playwright Michael J. Chepiga (Getting and Spending), choreographer Graciela Daniele (Ragtime), playwright/director Christopher Durang (Sex and Longing), director Garry Hynes (Best Director Tony Award for The Beauty Queen of Leenane), and director Joe Mantello (2003 for Best Direction for Take Me Out and 2004 for Assassins) -- discuss how they got their start, auditioning actors, controversy surrounding a play, and taking on alternate roles of choreographer, actor, or director.

The international panel of performers -- Scottish actor Iain Glen ("The Blue Room"), Australian actress Nicole Kidman ("The Blue Room"), Irish actress Anna Manahan ("The Beauty Queen of Leenane"), and Filipino actress Lea Salonga ("Miss Saigon") -- discuss their training, the rehearsal process, taking a whole approach to both film and stage work, overcoming stage fright, how audience responses varies from London to Broadway to Australia, and how changes in the political climate of their respective countries have affected theatre.

The international panel of performers -- Scottish actor Iain Glen (The Blue Room), Australian actress Nicole Kidman (The Blue Room), Irish actress Anna Manahan (Tony winner for The Beauty Queen of Leenane), and Filipino actress Lea Salonga (Flower Drum Song and winner of a Tony for Miss Saigon) -- discuss their training, the rehearsal process, taking a whole approach to both film and stage work, overcoming stage fright, how audience responses varies from London to Broadway to Australia, and how changes in the political climate of their respective countries have affected theatre.

Neil Pepe, artistic director of New York's Atlantic Theater Company, discusses the development of the company as an outgrowth of acting classes led by playwright David Mamet and actor William H. Macy; his own introduction to the company as both carpenter and actor; the Atlantic's acclaimed work with playwright Martin McDonagh on his American debut, "The Beauty Queen of Leenane", and -- almost a decade later -- "The Lieutenant of Inishmore"; and how the Atlantic came to produce its most expensive production and first-ever musical, "Spring Awakening". Original air date – March 16, 2007.

Neil Pepe, artistic director of New York's Atlantic Theater Company, discusses the development of the company as an outgrowth of acting classes led by playwright David Mamet and actor William H. Macy; his own introduction to the company as both carpenter and actor; the Atlantic's acclaimed work with playwright Martin McDonagh on his American debut, "The Beauty Queen of Leenane", and -- almost a decade later -- "The Lieutenant of Inishmore"; and how the Atlantic came to produce its most expensive production and first-ever musical, "Spring Awakening". Original air date – March 16, 2007.

With the "DruidSynge" circle of plays visiting briefly in the United States, director Garry Hynes describes the process of melding six works by John Millington Synge into a marathon theatrical event; talks about the founding and development of the Druid Theatre Company, her artistic home in Ireland; considers the effect of "The Beauty Queen of Leenane" and her Tony Award (the first for a woman director) on both the Druid and her own career; and surveys the current crop of up and coming Irish dramatists. Original air date - August 4, 2006.

With the "DruidSynge" circle of plays visiting briefly in the United States, director Garry Hynes describes the process of melding six works by John Millington Synge into a marathon theatrical event; talks about the founding and development of the Druid Theatre Company, her artistic home in Ireland; considers the effect of "The Beauty Queen of Leenane" and her Tony Award (the first for a woman director) on both the Druid and her own career; and surveys the current crop of up and coming Irish dramatists. Original air date - August 4, 2006.

With the "DruidSynge" circle of plays visiting briefly in the United States, director Garry Hynes describes the process of melding six works by John Millington Synge into a marathon theatrical event; talks about the founding and development of the Druid Theatre Company, her artistic home in Ireland; considers the effect of "The Beauty Queen of Leenane" and her Tony Award (the first for a woman director) on both the Druid and her own career; and surveys the current crop of up and coming Irish dramatists. Original air date - August 4, 2006.

Harvey Brownstone conducts an in-depth Interview with Julian Schlossberg, Renowned Producer, Interviewer & AuthorAbout Harvey's guest:Today's guest, Julian Schlossberg, is a renowned producer of motion pictures, television and theater, as well as a hugely popular interviewer, educator and author. Throughout an illustrious career spanning over 6 decades, our guest has been involved in virtually every aspect of show business. Back in the 60's, at the age of 22, he started out at the ABC television network in the station clearance department, and then joined the Walter Reade Organization, first as a film syndicator and then in the theater division, becoming the Vice President and Head of Film Acquisition. He was then hired by Paramount Pictures, first as Vice President of Worldwide Acquisition, and later as Vice President of Production. In 1978, at the age of 36, he established Castle Hill Productions, which became one of the largest independent film distribution companies in the world.  His film producer credits include “Widow's Peak”, “In the Spirit”, “No Nukes”, and the 1992 restoration of Orson Welles' “Othello”. He's brought us a number of wonderful television specials including “The Lives of Lillian Hellman”, “Elia Kazan: A Director's Journey”, “Going Hollywood: The War Years”, “Going Hollywood: The 30's”, “Steve Allen's Golden Age of Comedy”, and many more.  And our guest has produced over 45 multi-award winning Broadway and off-Broadway plays, including “Bullets Over Broadway”, “The Unexpected Man”, “Vita and Virginia”, “The Beauty Queen of Leenane”, “Tennessee Williams Remembered”, “Terms of Endearment”, and many more. He also created and produced “Witnesses to the 20th Century”, a fourteen-hour documentary series examining the major historical events of the 20th century through the eyes of many prominent people who lived through it. Our guest also co-founded Gold Castle Records, which produced albums by legendary music artists Peter, Paul and Mary, Judy Collins, Joan Baez, Don McLean and others. And if all of that weren't enough, our guest is also a pre-eminent and celebrated talk show host. Starting in 1974, and for 9 years, he hosted “Movie Talk”, a nationally syndicated radio program in which he interviewed hundreds of iconic stars like Bette Davis, Bob Hope, John Huston, Jane Fonda, Anthony Hopkins, Jack Nicholson, Dustin Hoffman, Warren Beatty and dozens more. His show was also televised, and then he created a wonderful podcast, called “Julian Schlossberg's Movie Talk”, which has recently become a YouTube channel. And now, our guest has written TWO fascinating, compelling and entertaining memoirs, “Try Not to Hold it Against Me: A Producer's Life”, and “My First Book, Part 2”, in which he shares a wealth of insights into the inner workings of show business, and he regales us with captivating stories about the dazzling array of superstars he's worked with and gotten to know.For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/To learn more about Julian Schlossberg, go to:https://www.julianschlossbergproducer.com/https://www.youtube.com/@JulianSchlossbergsMovieTalk@harveybrownstone,#harveybrownstone,@harveybrownstoneinterviews,#harveybrownstoneinterviews,#JulianSchlossberg,@JulianSchlossberg,#JulianSchlossbergProducer,@JulianSchlossbergProducer,#WidowsPeak,#IntheSpirit,#NoNukes,#Othello,#TheLivesofLillianHellman,#EliaKazan,#SteveAllensGoldenAgeofComedy,#PeterPaulandMary,#JudyCollins,#JoanBaez,#DonMcLean,#MovieTalk,#BetteDavis,#BobHope,#JohnHuston,#JaneFonda,#AnthonyHopkins,#JackNicholson,#DustinHoffman,#WarrenBeatty,#Broadwayproducers,#WoodyAllen,#MarloThomas,#ElaineMay,#GloriaSteinem,#BeaArthur,#JackieMason,Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy