Podcast appearances and mentions of Kenji Mizoguchi

Haunted desires, lakes of death, and agrarian utopias, oh my! Shaun Duke and Daniel Hauesser join forces to discuss Kenji Mizoguchi's Ugetsu monogatari (1953). Together, they discuss the film's tragic storyline, the nature of desire and its destructive force, Mizoguchi's women, the film's production, and much more! Thanks for listening. We hope you enjoy the episode! Show Notes: If you have a question you'd like us to answer, feel free to shoot us a message on our contact page. Our new intro and outro music comes from Holy Mole. You can support his work at patreon.com/holymole. See you later, navigator!

Jackie and Greg start torrid affairs with ghosts to prep for Kenji Mizoguchi's UGETSU from 1953. Topics of discussion include the film as a tapestry of several short stories, Mizoguchi's unrelenting dourness, and how it ranks among the other jidaigeki films on the list.#50 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#90 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

This month Tim is joined by Amber T (News Editor for Fangoria) to discuss Kenji Mizoguchi's Ugetsu Monogatari (1953). –––––––––––––––––––––––––––––– Ugetsu Monogatari is =90 on the Sight & Sound critic's list. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can support the pod by joining Moving Pictures' Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social  Instagram: @thetop100pod Letterboxd: The Top 100 Email: top100pod@gmail.com –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos

Bom dia, cinéfilos!No episódio de hoje, o Wilmerson convidou o Tiago, o Caio e a Griffith, da Shinfilmes para conversar sobre a obra do diretor Kenji Mizoguchi. Em especial dois filmes: Crisântemos Tardios, de 1939, e O Intendente Sansho, de 1954.Siga o Wilmerson no instagram e no Letterboxde no BlueskySiga o Cinecluble Paralelas no InstagramSiga o Caio no twitter: https://x.com/feio_caio56951e no Instagram: https://www.instagram.com/semimagem_1/e ouça o sem imagem podcast: https://open.spotify.com/show/4bRi2YWUbgiTmXFbfcSPHZSiga a Griffith no Twittere no BlueskySiga a Shin Filmes no Blueskye confira seu Carrd para mais outras formas de contato (incluindo o servidor no discord)Siga o Tiago no Bluesky

Anne and Ryan discuss Sean Baker's Palme d'Or winner, ANORA starring Mikey Madison and Mark Eydelshteyn. When Brooklyn stripper Ani (Madison) meets and impulsively weds the mega-wealthy Ivan (Eydelshteyn), a madcap adventure ensues as Ivan's family desperately attempts to annul the marriage. ANORA finds Baker executing his gritty style at a larger and more accessible scale than before, resulting in a near-unanimously praised awards contender. But does Mama Needs a Movie ador-a ANORA, or do we think ANORA is a snore-a? Listen to our discussion of Baker's latest along with with diversions into Woman of the Hour, Milk Money, Last Night in Soho, Kenji Mizoguchi, the Safdie brothers, the Duplass brothers, the Coen brothers, and much, much more! ANORA is currently in theaters.

On this episode of What a Picture, Bryan and Hannah get protective spirit tattoos all over their bodies in preparation for podcasting about Ugetsu, the 1953 movie directed by Kenji Mizoguchi that ranks #90 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Email us at podcast@whatapicturepod.com What a Picture website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://whatapicturepod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bryan's Social Media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music is "Phaser" by Static in Verona.

Talking About Kenji Mizoguchi's Ugetsu with our guest, production designer Yôhei TanedaIn this episode of Movies We Like, we are thrilled to have production designer Yôhei Taneda join us to discuss his fascinating career and one of his favorite films, Kenji Mizoguchi's 1953 classic, Ugetsu. Taneda shares his journey into the world of production design, from his early days as an art student to his experiences working on both Japanese and American films, such as Kill Bill: Volume 1, The Hateful Eight, the Monster Hunt films, The Flowers of War, and When Marnie Was There.Throughout the episode, Taneda offers unique insights into the art of production design, discussing the intricacies of creating immersive worlds for both live-action and animated films. He delves into the challenges of balancing the director's vision with his own artistic sensibilities, and the importance of collaborating with other departments to create a cohesive visual experience.As the conversation turns to Ugetsu, Taneda explores the film's haunting aesthetic and the ways in which Mizoguchi's use of space and design elements contribute to its ghostly atmosphere. He draws comparisons between Ugetsu and other Japanese films of the era, highlighting the symbolic significance of water and the influence of Noh theater on the film's visual style.Ugetsu remains a timeless masterpiece, a testament to Mizoguchi's artistic vision and the power of cinema to transport audiences to otherworldly realms. Taneda's passion for the film and his deep appreciation for its craft make for a captivating discussion that will leave listeners eager to revisit this haunting classic. We had a wonderful time delving into the artistry behind Ugetsu and exploring Taneda's remarkable career in production design.A very special thanks to Hiroshi Tominaga for being our translator for this episode!Film SundriesFind Yôhei on Instagram or visit his websiteYôhei on IMDbBuy our Akira Kurosawa T-shirt!Watch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerOriginal MaterialLetterboxdMore About Yôhei TanedaFor the past two decades, Yôhei Taneda has collaborated with filmmakers from across the globe, amassing an impressive list of accolades and credits, including Kill Bill: Vol. I with Quentin Tarantino, Flowers of War with Zhang Yimou, and the animated Ghost in the Shell 2: Innocence with Mamoru Oshii.  For The Flowers of War, an epic film about the Nanjing Massacre, Taneda recreated the period sets for the film in Nanjing. Released in 70 countries, the film was at the time one of the highest budgeted and most successful Chinese films ever made. Taneda's other international credits include the Keanu Reeves-directed Man of Tai Chi, Raman Hui's Monster Hunt, Tarantino's western The Hateful Eight, John Woo's Manhunt, and Wash Westmoreland's Netflix feature Earthquake Bird.Among Taneda's many notable non-English language productions are Swallowtail Butterfly, directed by Shunji Iwai; Sleepless Town, directed by Le Chi Ngai; The Wow–Choten Hotel and The Magic Hour, directed by Koki Mitani; and Hula Girls and Villain, directed by Sang-il Lee. Taneda's work helped foster the remarkable success of Koki Mitani's Ghost of a Chance (Suteki Na Kanashibari) and Wei Te-Sheng's Taiwanese film Warriors of the Rainbow, which earned the Best Film Award at the Tapei Golden Horse Festival.Taneda has also collaborated with Studio Ghibli on such animated films as the critically acclaimed When Marnie Was There, which earned among its many awards and nominations an Academy Award nomination for Best Animated Film.  With Studio Ghibli, he also curated Karigurashi no Arietty x Yohei Taneda, an art exhibition giving the public an opportunity to view “film art” as a stand-alone presentation. Hosted by the Tokyo Museum of Contemporary Art, the event attracted more than 700,000 people during its tour.In addition to an Art Directors Guild Award nomination in the U.S. for his work on Kill Bill: Vol. 1, Taneda has been awarded the prestigious Purple Ribbon Medal in Japan and the Incentive Award from the Japanese Agency for Cultural Affairs.Beyond representing a substantial body of cinematic work, Taneda's artistic endeavors span art installations, stage art, special images, jacket designs for CDs and DVDs, and several books that he has authored. Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Join the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for

JAPANESE VERSION溝口健二監督の『雨月物語』について、ゲストの美術監督・種田陽平氏と語ります 「Movies We Like」今回のエピソードでは、美術監督の種田陽平氏にご参加いただき、彼 の魅力的な経歴と、彼のお気に入りの映画の 1 つである溝口健二監督の 1953 年の名作 『雨月物語』についてお話しいただきます。種田氏は、美術学生だったころから、キル・ ビル Vol. 1、ヘイトフル・エイト、モンスター・ハント シリーズ、金陵十三釵、思い出の マーニーなど、日本とアメリカの両方の映画で働いた経験まで、プロダクション・デザイ ンの世界への道のりを語ります。エピソード全体を通して、種田氏はプロダクション・デザインの世界について独自の洞察 を提供し、実写とアニメーションの両方の映画で没入感のある世界を作り出す複雑さにつ いて語ります。監督のビジョンと自身の芸術的感性とのバランスを取る難しさ、そして一 貫性のある視覚体験を生み出すために他の部門と協力することの重要性について掘り下げ ます。 会話が『雨月物語』に移ると、種田氏は映画の忘れがたい美学と、溝口監督の空間とデザ イン要素の使い方が幽霊のような雰囲気にどのように貢献しているかを探ります。彼は 『雨月物語』と当時の他の日本映画を比較し、水の象徴的な意味と映画のビジュアルスタ イルに対する能の影響を強調します。 『雨月物語』は時代を超えた傑作であり、溝口監督の芸術的ビジョンと観客を異世界に運 ぶ映画の力の証です。種田氏のこの映画への情熱とその作りに対する深い理解は、聴取者 のみなさんがこの忘れがたい古典をもう一度見たくなる魅力的な議論を生み出します。私 たちは『雨月物語』の芸術性を掘り下げ、種田氏の素晴らしい美術監督としてのキャリア を探る素晴らしい時間を過ごしました。 このエピソードの翻訳を担当してくれた冨永宏に心から感謝します！ 関連リンク Find Yôhei on Instagram or visit his websiteYôhei on IMDbBuy our Akira Kurosawa T-shirt!Watch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerOriginal MaterialLetterboxd種田陽平（たねだ・ようへい）について 過去 20 年間、種田陽平は世界中の映画製作者とコラボレーションし、クエンティン・タ ランティーノ監督との「キル・ビル Vol. I」、チャン・イーモウ監督との「金陵十三釵」、 押井守監督とのアニメ「イノセンス」など、数々の賞賛とクレジットを獲得してきまし た。南京大虐殺を描いた壮大な映画「金陵十三釵」では、種田は南京において映画の時代 背景をセットで再現しました。70 か国で公開されたこの映画は、当時、中国映画史上最 高額の予算で最も成功した作品の 1 つでした。種田のその他の海外作品には、キアヌ・ リーブス監督の『ファイティング・タイガー』、ラマン・ホイ監督の『モンスター・ハン ト』、タランティーノ監督の西部劇『ヘイトフル・エイト』、ジョン・ウー監督の『マン ハント』、ウォッシュ・ウェストモアランド監督のNetflix作品『アースクエイク バード』 などがある。 種田の多くの注目すべき非英語作品には、岩井俊二監督の『スワロウテイル』、リー・チー ガイ監督の『不夜城』、三谷幸喜監督の『THE 有頂天ホテル』と『ザ・マジックア ワー』、李相日監督の『フラガール』と『悪人』などがある。種田の仕事は、三谷幸喜監 督の『ステキな金縛り』と、台湾金馬奨で最優秀作品賞を受賞したウェイ・ダーション監 督の台湾映画『セディック・バレ』の驚異的な成功に貢献した。 種田はスタジオジブリともコラボレーションをしており、アカデミー賞最優秀アニメ映画 賞ノミネートなど多くの賞やノミネートで高く評価された『思い出のマーニー』などのア ニメ映画を制作。また、スタジオジブリと共同で「借りぐらしのアリエッティ×種田陽平 展」を監修。東京都現代美術館が主催したこのイベントは「映画美術」を独立したプレゼ ンテーションとして鑑賞する機会を一般の人々に提供し、巡回中に70万人以上を動員し た。 『キル・ビル Vol.1』で米国美術監督協会・最優秀美術賞にノミネートされたほか、日本 では名誉ある紫綬褒章を受章、文化庁からは芸術選奨文部科学大臣賞を受賞。 種田の芸術活動は、膨大な数の映画作品に代表されるだけでなく、アート インスタレー ション、舞台美術、特殊映像、CD や DVD のジャケット デザイン、そして自らが執筆し た数冊の本など多岐にわたります。  Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Join the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Part 1: Zach, Grace, and Michael talk about movies they saw this week, including: Hit Man, The Bikeriders, Leave Her to Heaven and Janet Planet.Part 2 (39:50): The group continues their Young Critics Watch Old Movies series with 1954's Sansho the Bailiff.See movies discussed in this episode here.Don't want to listen? Watch the podcast on our YouTube channel.Also follow us on:FacebookTwitterLetterboxd

For our June Special Subject we revisit the work of Kenji Mizoguchi, looking at two films from earlier than his best-known (in the West) period: The Story of the Last Chrysanthemums (1939), about cross-class lovers and what it takes to become a great artist, and The 47 Ronin (1941), based on a true story that became emblematic of samurai values. Topics discussed include King Vidor parallels, feminism, Marxism, revenge tragedy, and propaganda and its subversion. Time Codes: 0h 00m 35s:      Brief Mizoguchi briefing 0h 08m 00s:      THE STORY OF THE LAST CHRYSANTHEMUM (1939) [dir. Kenji Mizoguchi] 0h 42m 11s:       THE 47 RONIN (1941) [dir. Kenji Mizoguchi] +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

Zach and Rashmi get entranced to an upper class home only to find the fantasy is the trance of a long gone soul as they take a closer look at Kenji Mizoguchi's ghostly 1953 tale, UGETSU. Join them as they unpack the meticulous methodology of Mizoguchi and how his subtle hand at terrifying moments blend beautifully into this tragic tale.

Jackie and Greg step back in time to feudal Japan for Kenji Mizoguchi's SANSHO THE BAILIFF from 1954. Topics of discussion include the film's origins as a centuries-old folktale, Mizoguchi's masterful direction, the ethereal ghost story that hangs over the film, and whether it's more optimistic or pessimistic.#59 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#75 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

On this week's episode, Charlie and Antonio are knocked out by SANSHO THE BAILIFF, Kenji Mizoguchi's 1954 tragedy about family torn apart in a feudal Japan. With this film, Mizoguchi proves to be a stand-out director for the FilmBabble Boys. Don't let this one pass you by. Mercy, brutality, integrity, HUMANITY. It's all here. SANSHO THE BAILIFF can be streamed for free on the Criterion Channel or rented on Prime Video and Apple TV. Intro/outro music: "Mess Mend" by Horse LordsSANSHO THE BAILIFF (1954), written by Fuji Yahiro and Yoshikata Yoda, directed by Kenji Mizoguchi, cinematography by Kazuo Miyagawa, featuring Kinuyo Tanaka, Kyoko Kagawa, Yoshiaki Hanayagi, and Eitaro Shindo 

On this episode of What a Picture, Bryan and Hannah work together to chop down some tree branches while discussing Sansho the Bailiff, the 1954 movie directed by Kenji Mizoguchi that ranks #75 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Bryan's Bluesky: ⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/bryanwhatapic.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠ Bryan's Letterboxd: ⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/bryan_whatapic⁠⁠⁠⁠⁠⁠⁠⁠ Bryan's Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/bryan_whatapic⁠⁠⁠⁠⁠⁠⁠⁠ Music is "Phaser" by Static in Verona.

This week, Charlie and Antonio tackle the first film on the list hailing from Japan! Specifically, Kenji Mizoguchi's 1953 ethereal folktale classic UGETSU. Never heard of it? Well, don't fret, because this is a first time watch for the Filmbabble boys. Hop in and get ready to try something new out! Intro/outro music: "Highway Star" by Deep Purple, cover composed by Tim Follin UGETSU (1953), Japan, written by Matsutaro Kawaguchi and Yoshikata Yoda, directed by Kenji Mizoguchi, cinematography by Kazuo Miyagawa, featuring Machiko Kyo, Mitsuko Mito, Kinuyo Tanaka, Masayuki Mori, and Eitaro Ozawa

This week, we discuss two classic Japanese films from the 1950s. The first is Tokyo Story (1953), a drama directed by Yasujirō Ozu, about an aging couple who travel to Tokyo to visit their adult children. Tokyo Story is widely regarded as Ozu's masterpiece and one of the greatest films in the history of cinema. It was voted the 3rd greatest film of all time in the 2012 edition of a poll of film directors by Sight and Sound magazine. The second is Sansho the Bailiff (1954), a period film directed by Kenji Mizoguchi. It follows two aristocratic children who are sold into slavery. Sansho the Bailiff bears many of Mizoguchi's hallmarks, such as portrayals of poverty and elaborately choreographed long takes. Today, the film is often ranked alongside Ugetsu (1953) as one of Mizoguchi's finest works.   Links Instagram - @callitfriendopodcast @munnywales @andyjayritchie   Justwatch.com – streaming and rental links - https://www.justwatch.com

We're still over a week away from Scary Movie Month, but Ryan is here to monologue about a Japanese ghost story anyway. Kenji Mizoguchi's Ugetsu has long been ranked on many esteemed critics' lists of great films...including the Sight & Sound. And it should be. It's beautifully made and, while it isn't particularly frightening, it's eerie. Ugetsu's story is basically just a love of money & power versus a love of home & family. So get your priorities straight (and listen to your wife!) as the 537th edition of Have You Ever Seen breaks down Mizoguchi's 70-year-old spookfest. How about supporting our sponsor? It's as easy as using our "HYES' promo code on Sparkplug Coffee's website. So when you're ready, go to "sparkplug.coffee/hyes" and you will be rewarded with a savings of 20%. Contact us with a tweet (@moviefiend51 or @bevellisellis) or an email (haveyoueverseenpodcast@gmail.com). Also, our shows go up on YouTube. Take a look there, but also subscribe, rate, review and all those fun things. It's either "@hyesellis" in your browser or "Have You Ever Seen" in the search bar.

Since this 534th episode of Have You Ever Seen hits the airwaves on Labour Day, it felt right to talk about a character who has FOUR different jobs in one movie. Mrs. Doubtfire is a funny film that has...well, to be honest, lost a lot of its comedic zing 30 years on, although the serious scenes still have a lot of emotional sting. This might be the most-personal movie the lovable Robin Williams ever made. He went through not 1 but 2 divorces, he "did voices", he once lived in San Francisco and he probably enjoyed racking up in-character insults at the expense of Mister Perfect Pierce Brosnan. He likely didn't wear elaborate makeup and a body suit to make people believe that he's a stern 60-year-old Englishwoman though. Sally Field doesn't get to have the fun that her "short, furry and funny" co-star does, but she's excellent in the dramatic scenes. So, my dears, avoid a run-by fruiting as Ryan breaks down Chris Columbus' wicked, wicked blockbuster all on his own. For The Record: we've talked in the past about the fake trailers for "Shining" and "Brokeback To The Future". Well, the fake trailer that turns Mrs. Doubtfire into a horror movie is great too. Look for that here: https://www.youtube.com/watch?v=crjYYEC5drA Also, it wasn't made clear that the September 22nd episode will be Kenji Mizoguchi's Ugetsu. Your best choice to fulfill your java needs, really, is Sparkplug Coffee. Customers who use our "HYES" promo code will save 20% off the next order they make. Where do you go? Why, "sparkplug.coffee/hyes", of course. New episodes always go up on YouTube. Look for us in your browser (@hyesellis) or put "Have You Ever Seen" into the search bar on the 'Tube. Please give us a thumbs up, write a comment, share, subscribe, all that. And you can also do some of those same things by emailing us (haveyoueverseenpodcast@gmail.com) or Twitter (@moviefiend51 and @bevellisellis).

Um die Filme von Keisuke Kinoshita besser einordnen zu können, haben wir auch einige Filme von anderen zeitgenössischen japanischen Regisseuren geschaut und besprochen - zum Beispiel in Folge 14 ein Film von Nobuo Nakagawa: THE GHOST STORY OF YOTSUYA (1959) oder in Folge 28 DRUNKEN ANGEL von Akira Kurosawa (1948).Heute geht es um Kenji Miziguchis Film WOMEN OF THE NIGHT (1948). Tom Schünemann (filmsucht.org) fasst den Film so zusammen: "Frauen der Nacht dreht sich um zwei Schwestern, diese stürzt der Autorenfilmer mit harschem Realismus in ihr Unglück. Statt allgemeine Systemfragen zu stellen, breitet Mizoguchi ein unangenehm konkretes Netz aus Machtmissbrauch, Gewalt, Lügen, Amoral, Abtreibungen und Geschlechtskrankheiten vor uns aus."Im Podcast reden wir über die überdeutlichen, klaren Botschaften, die Mizoguchi vermittelt, über die Prostitution in Japan, über die Rolle der Männer, über die sich verändernde Körpersprache und das christliche Ikonographie-Repertoire im aufregenden Finale. (Unsere Aufnahmetechnik hatte im Mittelteil einen Ausfall, wir bitten die teilweise schlechtere Tonqualität zu entschuldigen.)Diese Episode, die wir bereits im März 2021 aufgezeichnet haben, ist unsere letzte Episode mit dem wunderbaren, viel zu früh verstorbenen Michael Schleeh. Er hat in vielerlei Hinsicht eine Lücke hinterlassen, die sich nicht schließt. Wir vermissen ihn sehr. Wir sind uns sicher, dass es ihm gefallen hätte, dass wir jetzt weiter machen mit seiner Podcast-Idee, alle Kinofilme von Keisuke Kinoshita zu besprechen.Es bietet sich in wenigen Wochen eine sehr gute Gelegenheit: Keisuke Kinoshita steht im Mittelpunkt der Retrospektive des diesjährigen Japanischen Filmfestival Nippon Connection 2023 in Frankfurt! Thomas wird vom 6. bis zum 11. Juni auf dem Festival sein und dort THE SNOW FLURRY (1959) schauen. Die nächste Folge wird am 10. Juni als erster Eindruck direkt nach dem Film im Kino des Deutsches Filmmuseums aufgenommen.Eine lesenswerte Besprechung von Hayley Scanlon auf Windows on Worlds.Ebenfalls sehr lesenswert die Filmkritik von Tom Schünemann auf filmsucht.orgMichaels sehr empfehlenswerten Blog Schneeland findet Ihr hier. Den Filmpodcast SchönerDenken findet Ihr hier.Vielen Dank an Michael Meier von Kompendium des Unbehagens für die Unterstützung beim Jingle. Grüße nach Osaka!

Cumpliría 99 años dado que nació el 5 de mayo de 1924, en la ciudad de Buenos Aires, y murió el 8 de septiembre de 1978. Figura fundacional de nuestro cine moderno, Leopoldo Torre Nilsson tuvo una prolífica carrera como realizador, productor y escritor. Ávido lector y autodidacta, comenzó a trabajar en la industria cinematográfica como asistente de dirección de su padre, Leopoldo Torre Ríos. En 1947 estrenó su primer cortometraje, "El muro", basado en un cuento escrito por el mismo Torre Nilsson, que representaba el más puro cine de autor. En 1950 realizó junto a su padre "El crimen de Oribe", inspirada en la novela de Adolfo Bioy Casares "El perjurio de la nieve". Estuvo casado durante cuatro años con Pilar, con quien tuvo dos hijos pero, en 1951, Ernesto Sábato le presentó a Beatriz Guido, quien años más tarde sería su mujer y con quien formaría una dupla creativa. Su cine puede dividirse en tres grandes categorías que no siguen un orden cronológico: Épico-histórico, adaptaciones literarias, cine espectáculo. "La casa del ángel", de 1956, le valió el reconocimiento de la crítica europea y fue incluida por la prestigiosa revista Cahiers du Cinéma entre las diez mejores películas de la época junto a las de directores como Ingmar Bergman y Kenji Mizoguchi. Adaptó también Los siete locos, de Roberto Arlt, con la que obtuvo un premio en el festival de Río de Janeiro; Boquitas pintadas, de Manuel Puig, galardonada en el festival de San Sebastián (1974), y La guerra del cerdo, de Adolfo Bioy Casares, en 1975. Dirigió a uno de sus actores favoritos, Alfredo Alcón, en La mafia, y en 1975 rodó su última obra, Piedra Libre, prohibida por la censura debido a su "contenido inmoral y disolvente". Otros títulos destacados de su filmografía son El secuestrador (1958), La caída (1959), Setenta veces siete (1962), La terraza (1963), Martín Fierro (1968) y El pibe Cabeza (1974). Fue el primer director argentino en obtener reconocimiento internacional en diferentes festivales como San Sebastián, Cannes, Santa Margherita Ligure. Tanto por sus temáticas como por su tratamiento, la crítica nacional e internacional destacó el aporte de Nilsson al cine de autor. Lo recordamos a través de un informe elaborado, musicalizado y editado por Fabián Panizzi, con testimonios del Archivo Histórico de Radio Nacional. FICHA TÉCNICA Testimonios y música: 1976 Leopoldo Torre Nilsson (Programa  A Fondo TVE) 1950 El crimen de Oribe – Fragmento de la película de Torres Ríos y Torre Nilsson Fernando Martín Peña, Historiador del cine – Fragmento del programa Filmoteca, emitido por la Televisión Pública 1952 La Tigra – Fragmento de la película de Torre Nilsson `En Carne Propia´ (Manuel Sucher - Carlos Bahr) por Diana Maggi 1954 Días de odio – Fragmento de la película de Torre Nilson Duilio Marzio, actor 1955 Para Vestir Santos – Fragmento de la película protagonizada por Tita Merello y Jorge Salcedo y dirigida por Torre Nilsson 1956 Graciela  – Fragmento de la película que contó con la actuación de Elsa Daniel y la dirección de Torre Nilsson 1956 El Protegido – Fragmento de la película que contó con la actuación de Mirko  Alvarez y la dirección de Torre Nilsson 1957 La casa del Ángel - Fragmento de la película que contó con la actuación de Elsa Daniel y  Guillermo Battaglia, bajo la dirección de Torre Nilsson Manuel Antín, novelista y director de cine 1960 Fin de fiesta - Fragmento de la película que contó con la actuación de Graciela Borges y Leonardo Favio, bajo la dirección de Torre Nilsson Leonardo Favio, actor cineasta, cantante y compositor. Graciela Borges, actriz 1960 Un Guapo del 900 - Fragmento de la película que contó con la actuación de Alfredo Alcon y Lydia Lamaison, bajo la dirección de Torre Nilsson Alfredo Alcón, actor Lydia Lamaison, actriz 1961 Piel de verano - Fragmento de la película que contó con la actuación de Graciela Borges y Alfredo Alcón,

Um die Filme von Keisuke Kinoshita besser einordnen zu können, haben wir auch einige Filme von anderen zeitgenössischen japanischen Regisseuren geschaut und besprochen - zum Beispiel in Folge 14 ein Film von Nobuo Nakagawa: THE GHOST STORY OF YOTSUYA (1959).Heute geht es um einen frühen Film von Akira Kurosawa: DRUNKEN ANGEL (Yoidore Tenshi) von 1948. Im Mittelpunkt dieser Nachkriegsgeschichte stehen zwei Männer: ein Arzt mit schwerem Alkoholproblem (Takashi Shimura) und ein tuberkulosekranker Yakuza, gespielt vom wie immer sehr energetischen Toshiro Mifune. Die beiden treffen in einer Stadt aufeinander, die vom Krieg gezeichnet ist - mitten im Viertel steht brackiges Wasser in einem giftigen Tümpel, vom dem Moskitos aufsteigen. Die Verbrecher haben zwischen all den leidenden Menschen das Regiment übernommen, aber der Arzt stellt sich Ihnen entgegen - wenn er nicht zu betrunken ist.Im Podcast sprechen wir über die gegenseitige Abhängigkeit der beiden Männer, über die Frauen als Gegenentwurf, über das Zerbrechen von Macht und Maskulinität, über den Mangel an Subtilität bei Kurosawa, über schmissige, amerikanische Musik und über einen Zweikampf in einer Lache aus weißer Farbe.Nach DRUNKEN ANGEL (Yoidore Tenshi) aus dem Jahr 1948 folgt in vier Wochen eine weitere Episode, die wir mit Micha über japanische Filme der 1940er und 1950er Jahre aufgenommen haben, um sie mit Kinoshitas Filmen zu vergleichen: Die nächste Folge erscheint am Muttertag am 14. Mai 2023 und beschäftigt sich mit WOMEN OF THE NIGHT von Kenji Mizoguchi aus dem Jahr 1948.Eine lesenswerte Besprechung von Hayley Scanlon auf Windows on Worlds.Michaels sehr empfehlenswerten Blog Schneeland findet Ihr hier. Den Filmpodcast SchönerDenken findet Ihr hier.Vielen Dank an Michael Meier von Kompendium des Unbehagens für die Unterstützung beim Jingle. Grüße nach Osaka!

Kenji Mizoguchi's SANSHO THE BAILIFF from 1954. Podcast's intro song 'Here Come the Creeps' by Ugly Cry Club. You can check out her blossoming body of work here: uglycryclub.bandcamp.com/releases Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps We've got a Patreon too, if you are so inclined to see this podcast continue to exist as new laptops don't buy themselves: patreon.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, Google Play, and Stitcher!

Un épisode qui commence par un petit rototo et qui se termine par un album des Beatles aboyé par une meute de chien, oui, vous avez bien lu.Mes quatre comparses du jour signent un opus du Grand GIG qui est déjà une référence. Merci !Un apéro qui aborde tellement de sujets qu'on en a le tournis :On citera des grands noms comme Thelonious Monk, Kenji Mizoguchi, Balzac et Nicolas TeslaOn parlera de la musique Jamaïcaine à MontpellierOn parlera des expériences humaines en Suisse Allemande, et comment les Steadies ont mis le feu au lac (en Suisse Française) !On discutera de leur processus créatif et du subconscientOn parlera des musiques trad Gabonaises, Bretonnes et LandaisesOn parlera du rêve de frapper sa batterie avec 4 baguettes en même tempsOn geekera sur les guitares et les basses et le son de la MOTOWNOn aura le mail perso de Sam !On parlera de Montpellier Jazz WeekBien-sûr on évoquera les projets musicaux de toustes, et je vous suggère de les suivre attentivement sur les réseaux :Les Steadies, Irie Jahzz, The Sagittarians, Simple Trio, Marla and The Cool Chicken, Kunzit, Somos Gente, Ignaoun, Gainsbourg 59 Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Buy Where Lies the Strangling Fruit:Theme Music by Prod. Riddiman:Films mentioned in this week's podcast:Annihilation (2018, dir. Alex Garland)The Beast from 20,000 Fathoms (1953, dir. Eugène Lourié)The Blair Witch Project (1999, dir. Daniel Myrick and Eduardo Sánchez)Cannibal Holocaust (1980, dir. Ruggero Deodato)Creature from the Black Lagoon (1954, dir. Jack Arnold)The Day the Earth Stood Still (1951, dir. Robert Wise)Destination Moon (1950, dir. Irving Pichel)Fear & Desire (1953, dir. Stanley Kubrick)The Fly (1958, dir. Kurt Neumann)From Here to Eternity (1953, dir. Fred Zinnemann)Gentlemen Prefer Blondes (1953, dir. Howard Hawks)Godzilla Series (1954-current)The Greatest Show on Earth (1952, dir. Cecil B. DeMille)The House of Wax (1953, dir. André de Toth)The House on 92nd Street (1945, dir. Henry Hathaway)How to Marry a Millionaire (1953, dir. Jean Negulesco)Invasion of the Body Snatchers (1956, dir. Don Seigel)Jaws (1975, dir. Steven Spielberg)Mon Oncle (1958, dir. Jacques Tati)Mr. Hulot's Holiday (1953, dir. Jacques Tati)Niagara (1953, dir. Henry Hathaway)Peter Pan (1953, dir. Hamilton Luske, Wilfred Jackson, Clyde Geronimi)Plan 9 From Outer Space (1959, dir. Ed Wood)PlayTime (1967, dir. Jacques Tati)The Robe (1953, dir. Henry Koster)Roman Holiday (1953, dir. William Wyler)Sawdust & Tinsel (1953, dir. Ingmar Bergman)Shane (1953, dir. George Stevens)Stalag 17 (1953, dir. Billy Wilder)Stalker (1979, dir. Andrei Tarkovsky)Star Wars (1977, dir. George Lucas)Summer With Monika (1953, dir. Ingmar Bergman)The Ten Commandments (1923, dir. Cecil B. DeMille)Tokyo Story (1953, Yazujirō Ozu)Ugetsu (1953, dir. Kenji Mizoguchi)War of the Worlds (2005, dir. Steven Spielberg)When Worlds Collide (1951, dir. Rudolph Maté) Become a member to receive more weekly content at https://plus.acast.com/s/the-blue-rose-film-podcast. Hosted on Acast. See acast.com/privacy for more information.

Dans ce nouvel épisode de “*Tu L'As Vu ?*”, le trio Gravlax - Papa(Gubi)da et Casa s'est penché sur le numéro hors-série du magazine “Première” sorti en juillet 2015 : “*Les 100 chefs-d'œuvre que vous n'avez pas vus*”. Chaque membre du trio y a pioché un film qui a attiré sa curiosité, en espérant que cela attire la votre ;) Les 3 films au programme de cet épisode sont : 5'10 : Le film de Casa : “Idiocracy” de Mike Judge (2006) :https://www.allocine.fr/film/fichefilm_gen_cfilm=109539.html 49'30 Le film de Gubi : “Shotgun Stories” de Jeff Nichols (2007 ; SPOILERS à partir de ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=129490.html 1h35 Le film de Gravlax : “Riki-Oh : The story of Riki-Oh” de Ngai Choi Lam (1991) :https://www.allocine.fr/film/fichefilm_gen_cfilm=136062.html Les recommandations et films liés : Casa :“Anchorman, présentateur vedette : La légende de Ron Burgundy” d'Adam McKay (2004) :https://www.allocine.fr/film/fichefilm_gen_cfilm=52861.html“The Big Short : Le casse du siècle” d'Adam McKay (2015) :https://www.allocine.fr/film/fichefilm_gen_cfilm=227900.html “Vice” d'Adam McKay (2018) :https://www.allocine.fr/film/fichefilm_gen_cfilm=251903.html “Don't Look Up - Déni Cosmique” d'Adam McKay (2021) :https://www.allocine.fr/film/fichefilm_gen_cfilm=281330.html Gubi : “Summertime” de Matthew Gordon (2010) :https://www.allocine.fr/film/fichefilm_gen_cfilm=190068.html“Le plus sauvage d'entre tous” de Martin Ritt (1963) :https://www.allocine.fr/film/fichefilm_gen_cfilm=51105.html Gravlax : “L'incroyable Burt Wonderstone" de Don Scarpino (2013) :https://www.allocine.fr/film/fichefilm_gen_cfilm=138724.htmlL'anime “Riki-Oh : Wall of Hell” de Tetsu Dezaki (1989) :https://www.imdb.com/title/tt3296930/L'anime “Riki-Oh 2 : Child of Destruction” de Tetsu Dezaki (1990) :https://www.imdb.com/title/tt0203074/ Quelques autres films proposés dans le numéro de Première sur les Chefs-d'oeuvre méconnus :“La bête de guerre” de Kevin Reynolds (1988) :https://www.allocine.fr/film/fichefilm_gen_cfilm=44582.html“All the boys love Mandy Lane” de Jonathan Levine (2006) :https://www.allocine.fr/film/fichefilm_gen_cfilm=129716.html“Millennium Actress” de Satoshi Kon (2002) :https://www.allocine.fr/film/fichefilm_gen_cfilm=41241.html“Rolling Thunder - Légitime Violence” de John Flynn (1977) :https://www.allocine.fr/film/fichefilm_gen_cfilm=46995.html“Sorcerer” de William Friedkin (1977) :https://www.allocine.fr/film/fichefilm_gen_cfilm=10403.html“Team America - Police du monde” de Trey Parker et Matt Stone (2004) :https://www.allocine.fr/film/fichefilm_gen_cfilm=57826.html“The Swimmer - Le Plongeon” de Frank Perry (1968) :https://www.allocine.fr/film/fichefilm_gen_cfilm=12621.html“Traître sur commande” de Martin Ritt (1970) :https://www.allocine.fr/film/fichefilm_gen_cfilm=33412.html“Vorace” d'Antonia Bird (1999) :https://www.allocine.fr/film/fichefilm_gen_cfilm=20116.html“Lorenzo” de George Miller (1992) :https://www.allocine.fr/film/fichefilm_gen_cfilm=35570.html“El Chuncho” de Damiano Damiani (1967) :https://www.allocine.fr/film/fichefilm_gen_cfilm=10164.html“Wake in Fright” de Ted Kotcheff (1971) :https://www.allocine.fr/film/fichefilm_gen_cfilm=6796.html“Napoleon Dynamite” de Jared Hess (2004) :https://www.allocine.fr/film/fichefilm_gen_cfilm=57431.html“Birth” de Jonathan Glazer (2004) :https://www.allocine.fr/film/fichefilm_gen_cfilm=48084.html“Babe, le cochon devenu berger” de Chris Noonan (1996) :https://www.allocine.fr/film/fichefilm_gen_cfilm=13894.html Liens évoqués durant l'épisode : Le site de Gubi sur le cinéma : https://gubicine.wordpress.com/ Page du site “Flavorwire” sur le test “Qui l'a dit ? Trump ou Camacho, le président d'Idiocracy ?” :https://www.flavorwire.com/537887/who-said-it-presidential-hopeful-donald-trump-or-idiocracy-president-camachoLa nouvelle qui a le même postulat de base qu' “Idiocracy” : “La longue marche des cornichons” ( Cyril M. Kornbluth ; 1951 ; connue aussi sous le titre “Crétins en marche” ) :https://fr.wikipedia.org/wiki/La_Longue_Marche_des_cornichonsLe DVD dont parle Gubi avec les premiers courts métrages des réalisateurs connus “Le court des grands” ( 2005 ; EuropaCorp ) :https://www.fnac.com/a1748580/Le-Court-des-grands-DVD-Zone-2L'excellente vidéo de la non moins formidable chaîne YouTube “Le Coin du Bis” sur les films de Catégorie 3 :https://youtu.be/BtLZgm5k4akVidéo d'Azz l'Épouvantail sur “Riki-Oh” :https://youtu.be/TM2lb3605OoVidéo de notre pitcher “Dan vous jase” de la chaîne YouTube “HorreurFM” sur “Riki-Oh” :https://youtu.be/IPZdanMYgmELe film “The Cat” du réalisateur de “Riki-Oh” (1992) en 2 parties (sans sous-titres) :https://www.dailymotion.com/video/xs1fzfhttps://www.dailymotion.com/video/xs1gwhLa fausse suite de “Riki-Oh” : “Super Powerful Man” (2003 ; sans sous-titres) :https://youtu.be/MOhbLC4eK3EL'épisode du podcast de Mergrin “Planète of the tapes” dans lequel Gravlax a parlé notamment de “Canicule” d'Yves Boisset (1984) :https://audioactif.fr/pott/2022/09/25/episode-41-beauce-et-post-apo/L'épisode du premier podcast de Gravlax “Pellicules et Pourritures Nobles” sur “Canicule” d'Yves Boisset (1984) :https://podcloud.fr/podcast/pellicules-et-pourritures-nobles/episode/episode-01-canicule-dyves-boisset-1984-slash-nom-dune-b-dot-dot-dot-quel-film-version-1-dot-5 Films évoqués durant l'épisode : “Les Chiens” d'Alain Jessua (1979) :https://www.allocine.fr/film/fichefilm_gen_cfilm=8573.html“Les Diables” de Ken Russell (1971) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1841.html“L'homme qui voulait savoir” de George Sluizer (1988) :https://www.allocine.fr/film/fichefilm_gen_cfilm=115820.html“L'étrangleur de Rillington Place” de Richard Fleischer (1971) :https://www.allocine.fr/film/fichefilm_gen_cfilm=3334.html“Mister Nobody” de Jaco van Dormael (2009) :https://www.allocine.fr/film/fichefilm_gen_cfilm=130128.html“Requiem pour un massacre” d'Elem Klimov (1985) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2688.html“Katie Tippel” de Paul Verhoeven (1975) :https://www.allocine.fr/film/fichefilm_gen_cfilm=132120.html"Turkish Delight” de Paul Verhoeven (1973) :https://www.allocine.fr/film/fichefilm_gen_cfilm=9134.htmlLa série d'animation “Beavis & Butt-Head” de Mike Judge (1993-2011) :https://www.allocine.fr/series/ficheserie_gen_cserie=6392.html“35 heures, c'est déjà trop” (Office Space)" de Mike Judge (1999) :https://www.allocine.fr/film/fichefilm_gen_cfilm=28716.html“2001 : L'Odyssée de l'Espace” de Stanley Kubrick (1969) :https://www.allocine.fr/film/fichefilm_gen_cfilm=27442.htmlLa série d'animation “Les rois du Texas” (King of the Hill)" de Mike Judge et Greg Daniels (1997-2009) :https://www.allocine.fr/series/ficheserie_gen_cserie=3169.html“Tonnerre sous les Tropiques” de Ben Stiller (2008) :https://www.allocine.fr/film/fichefilm_gen_cfilm=59011.html“Madagascar 2” d'Eric Darnell et Tom McGrath (2008) :https://www.allocine.fr/film/fichefilm_gen_cfilm=59011.html“Men In Black 3” de Barry Sonnenfeld (2012) :https://www.allocine.fr/film/fichefilm_gen_cfilm=139622.html“Holmes & Watson” d'Etan Cohen (2018) :https://www.allocine.fr/film/fichefilm_gen_cfilm=249524.html“Les Bad Guys” de Pierre Perifel (2022) :https://www.allocine.fr/film/fichefilm_gen_cfilm=263272.html“Les vacances de Mister Bean” de Steve Bendelack (2007) :https://www.allocine.fr/film/fichefilm_gen_cfilm=111207.html“Next” de Lee Tamahori (2007) :https://www.allocine.fr/film/fichefilm_gen_cfilm=26561.html“J'veux pas que tu t'en ailles” de Bernard Jeanjean (2006) :https://www.allocine.fr/film/fichefilm_gen_cfilm=110758.html“Retour à la fac” de Todd Phillips (2003) :https://www.allocine.fr/film/fichefilm_gen_cfilm=41507.html“La famille Tenenbaum” de Wes Anderson (2001) :https://www.allocine.fr/film/fichefilm_gen_cfilm=29188.html“Charlie et ses drôles de dames” de McG (2000) :https://www.allocine.fr/film/fichefilm_gen_cfilm=27119.html“La revanche d'une blonde” de Robert Luketic (2001) :https://www.allocine.fr/film/fichefilm_gen_cfilm=29006.html“Motel” de Nimrod Antal (2007) :https://www.allocine.fr/film/fichefilm_gen_cfilm=111421.html“Scream 2” de Wes Craven (1997) :https://www.allocine.fr/film/fichefilm_gen_cfilm=18102.html“Rushmore” de Wes Anderson (1998) :https://www.allocine.fr/film/fichefilm_gen_cfilm=21344.html“Retour à Zombieland” de Ruben Fleischer (2019) :https://www.allocine.fr/film/fichefilm_gen_cfilm=176293.html“Gasoline Alley” d'Edward Drake (2022) :https://www.allocine.fr/film/fichefilm_gen_cfilm=290945.html“Mes meilleures amies” de Paul Feig (2011) :https://www.allocine.fr/film/fichefilm_gen_cfilm=180286.htmlLa série “Brooklyn Nine-Nine” de Michael Schur et Dan Goor (2013-2021) :https://www.allocine.fr/series/ficheserie_gen_cserie=11542.html“F.B.I. Fausses Blondes Infiltrées” de Keenen Ivory Wayans (2004) :https://www.allocine.fr/film/fichefilm_gen_cfilm=54456.htmlLa série “Veep”de David Mandel et Armando Iannucci (2012-2019) :https://www.allocine.fr/series/ficheserie_gen_cserie=9435.html“Midnight Special” de Jeff Nichols (2016) :https://www.allocine.fr/film/fichefilm_gen_cfilm=221391.html“Mud” de Jeff Nichols (2012) :https://www.allocine.fr/film/fichefilm_gen_cfilm=196628.htmlLe DVD “Le court des grands” (2005) :https://www.allocine.fr/film/fichefilm_gen_cfilm=109345.html“Yellow Rock” de Nick Vallelonga (2011) :https://www.allocine.fr/film/fichefilm_gen_cfilm=217900.html“Joe” de David Gordon Green (2013) :https://www.allocine.fr/film/fichefilm_gen_cfilm=212468.html“Dressé pour vivre - The Hawk is dying” de Julian Goldberger (2006) :https://www.allocine.fr/film/fichefilm_gen_cfilm=109794.html“Short Cuts” de Robert Altman (1993) :https://www.allocine.fr/film/fichefilm_gen_cfilm=9031.html“Le nouveau monde” de Terrence Malick (2005) :https://www.allocine.fr/film/fichefilm_gen_cfilm=56147.html“Tree of Life” de Terrence Malick (2011) :https://www.allocine.fr/film/fichefilm_gen_cfilm=132244.html“À la merveille” de Terrence Malick (2012) :https://www.allocine.fr/film/fichefilm_gen_cfilm=178063.html“Song to Song” de Terrence Malick (2017) :https://www.allocine.fr/film/fichefilm_gen_cfilm=196965.html“Knight of Cups” de Terrence Malick (2015) :https://www.allocine.fr/film/fichefilm_gen_cfilm=199057.html“Tendre bonheur” de Bruce Beresford (1983) :https://www.allocine.fr/film/fichefilm_gen_cfilm=42791.html“La Balade Sauvage” de Terrence Malick (1973) :https://www.allocine.fr/film/fichefilm_gen_cfilm=15801.html“Lawrence d'Arabie” de David Lean (1962) :https://www.allocine.fr/film/fichefilm_gen_cfilm=4749.html“Un jour sans fin” d'Harold Ramis (1993) :https://www.allocine.fr/film/fichefilm_gen_cfilm=8066.html“Bug” de William Friedkin (2006) :https://www.allocine.fr/film/fichefilm_gen_cfilm=57476.html“Loving” de Jeff Nichols (2016) :https://www.allocine.fr/film/fichefilm_gen_cfilm=237773.html“Take Shelter” de Jeff Nichols (2011) :https://www.allocine.fr/film/fichefilm_gen_cfilm=189944.html“The Bikeriders” de Jeff Nichols (2023) :https://www.allocine.fr/film/fichefilm_gen_cfilm=306937.html“Love” de Gaspar Noé (2015) :https://www.allocine.fr/film/fichefilm_gen_cfilm=231786.html“The Neon Demon” de Nicolas Winding Refn (2016) :https://www.allocine.fr/film/fichefilm_gen_cfilm=232793.html“Le Dernier Duel” de Ridley Scott (2021) :https://www.allocine.fr/film/fichefilm_gen_cfilm=233330.html“Side by Side - La révolution digitale” de Christopher Kenneally (2012) :https://www.allocine.fr/film/fichefilm_gen_cfilm=201777.html“A History of Violence” de David Cronenberg (2005) :https://www.allocine.fr/film/fichefilm_gen_cfilm=55982.html“Primer” de Shane Carruth (2004) :https://www.allocine.fr/film/fichefilm_gen_cfilm=58126.html“Collision” de Paul Haggis (2004) :https://www.allocine.fr/film/fichefilm_gen_cfilm=54587.html“Deadwood, le film” de Daniel Minahan (2019) :https://www.allocine.fr/film/fichefilm_gen_cfilm=266491.html“The Cat” de Ngai Choi Lam (1992) :https://www.allocine.fr/film/fichefilm_gen_cfilm=282243.html“Le professeur de kung-fu” de Chung Sun (1979) :https://www.allocine.fr/film/fichefilm_gen_cfilm=126694.html“Erotic Ghost Story” de Ngai Kai Lam (1987) :https://www.allocine.fr/film/fichefilm_gen_cfilm=204092.html“La 7ème Malédiction" de Ngai Choi Lam (1986) :https://www.senscritique.com/film/la_7eme_malediction/433853“Braindead” de Peter Jackson (1992) :https://www.allocine.fr/film/fichefilm_gen_cfilm=5311.html“Ebola Syndrome” d'Herman Yau (1996) :https://www.allocine.fr/film/fichefilm_gen_cfilm=119740.html“L'Enfer des Armes” de Tsui Hark (1980) :https://www.allocine.fr/film/fichefilm_gen_cfilm=11202.html“Camp 731 - Men Behind The Sun” de Tun Fei Mou (1988) :https://www.allocine.fr/film/fichefilm_gen_cfilm=136078.html“Les Chinois à Paris” de Jean Yanne (1974) :https://www.allocine.fr/film/fichefilm_gen_cfilm=33113.html“Apocalypse Now” de Francis Ford Coppola (1979) :https://www.allocine.fr/film/fichefilm_gen_cfilm=27061.html“Doctor Lamb” de Dan Lee et Billy Tang (1992) :https://www.senscritique.com/film/Doctor_Lamb/381683“Run & Kill” de Billy Tang (1993) :https://www.allocine.fr/film/fichefilm_gen_cfilm=204800.html“Red to Kill” de Billy Tang (1994) :https://www.allocine.fr/film/fichefilm_gen_cfilm=204762.html“The Untold Story” d'Herman Yau (1993) :https://www.allocine.fr/film/fichefilm_gen_cfilm=173891.html“The Raid 2” de Gareth Evans (2014) :https://www.allocine.fr/film/fichefilm_gen_cfilm=205295.html“Les Anges Gardiens” de Jean-Marie Poiré (1995) :https://www.allocine.fr/film/fichefilm_gen_cfilm=13115.html“Ip Man” de Wilson Yip (2008) :https://www.allocine.fr/film/fichefilm_gen_cfilm=146717.htmlL'anime “Ken le Survivant” de Tetsuo Hara (1984-87) :https://www.allocine.fr/series/ficheserie_gen_cserie=3938.html“North Star - La légende de Ken le Survivant” de Tony Randel (1995):https://www.allocine.fr/film/fichefilm_gen_cfilm=110146.html“Super Powerful Man” de Pak-Chi Muk (2003) :https://www.imdb.com/title/tt3297086/“Ong-Bak” de Prachya Pinkaew (2003) :https://www.allocine.fr/film/fichefilm_gen_cfilm=54106.html“Monster Hunter” de Paul W.S. Anderson (2020) :https://www.allocine.fr/film/fichefilm_gen_cfilm=212776.html“Wall-E” d'Andrew Stanton (2008) :https://www.allocine.fr/film/fichefilm_gen_cfilm=123734.html“La rue de la honte” de Kenji Mizoguchi (1956) :https://www.allocine.fr/film/fichefilm_gen_cfilm=4056.html“Ricky Bobby : Roi du circuit” d'Adam McKay (2006) :https://www.allocine.fr/film/fichefilm_gen_cfilm=108828.html“Frangins malgré eux” d'Adam Mc Kay (2008) :https://www.allocine.fr/film/fichefilm_gen_cfilm=124370.html“Le Bon Gros Géant” de Steven Spielberg (2016) :https://www.allocine.fr/film/fichefilm_gen_cfilm=197814.html“Ready Player One” de Steven Spielberg (2018) :https://www.allocine.fr/film/fichefilm_gen_cfilm=229831.htmlLa série “Freaks & Geeks” de Paul Feig (1999-2000) :https://www.allocine.fr/series/ficheserie_gen_cserie=629.html“Comment tuer son boss ?” de Seth Gordon (2011) :https://www.allocine.fr/film/fichefilm_gen_cfilm=111406.html“Comment tuer son boss ? 2” de Sean Anders (2014) :https://www.allocine.fr/film/fichefilm_gen_cfilm=201381.html“Spiderman : Homecoming” de Jon Watts (2017) :https://www.allocine.fr/film/fichefilm_gen_cfilm=209778.html“Vive les vacances” de Jonathan Goldstein et John Francis Daley (2015) :https://www.allocine.fr/film/fichefilm_gen_cfilm=173719.html“Game Night” de Jonathan Goldstein et John Francis Daley (2018) :https://www.allocine.fr/film/fichefilm_gen_cfilm=218449.html“Donjons et Dragons : L'honneur des voleurs” de Jonathan Goldstein et John Francis Daley (2023) :https://www.allocine.fr/film/fichefilm_gen_cfilm=221359.html“Donjons et Dragons” de Courtney Solomon (2000) :https://www.allocine.fr/film/fichefilm_gen_cfilm=27922.html“Jawbreaker” de Darren Stein (1999) :https://www.allocine.fr/film/fichefilm_gen_cfilm=20346.html“Canicule” d'Yves Boisset (1984) :https://www.allocine.fr/film/fichefilm_gen_cfilm=56618.html“Hors-La-Loi” de Robin Davis (1985) :https://www.allocine.fr/film/fichefilm_gen_cfilm=52499.html“Minuit dans le jardin du Bien et du Mal” de Clint Eastwood (1997) :https://www.allocine.fr/film/fichefilm_gen_cfilm=16351.html“Le salaire de la peur” d'Henri-Georges Clouzot (1952) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2513.html“Rambo” de Ted Kotcheff (1982) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2007.html“Under the Skin” de Jonathan Glazer (2013) :https://www.allocine.fr/film/fichefilm_gen_cfilm=187462.html Musique diffusée durant l'épisode : Générique “Loud Pop” (Gravlax)Frédéric Auger “Easy Morning”Buck Owens “Buckaroo”Pueblo Café “Nuevos Tiempos”Junior Wells “Hoodoo Man Blues”Theodore Shapiro ( B.O d'Idiocracy ) : “History Of Man - Garbage Avalanche” / “Future Shock” / “Looking For The Time Machine” / “Meet Joe Bauers” / “Trouble With The Law” / “Keep Painting” / “Dumb Angry Mobs” / “Death and Roses” / “Supreme Flames” / “Joe's Decision” / “New President” / “Right Bicep”Desmond Dekker “Baby Come Back”Doug Sahm “Nitty Gritty”Wildflowers : “We're a little messed up” / “Without Her” / “Stay For A Little While” / “How To Carry On”Thyra : “The One That Got Away” / “Get It Right” / “Closed Eyes”Humble Hay : “This Or That” / “Brave”Walking Hearts : “Take My Fears Away” / “Jessie”Chase Hughes “Don't Lose Heart”Nickolas Jones “An Hour Too Late”Fei-Lit Chan “Riki-Oh Theme”Julien Vonarb “Jungle Nights”Alain Governatori & Fabien Lagard “Colours”Ruban Sonore & Jérôme Coullet “Early Riser”Alexandre Prodhomme : “Night Glitch” / “Late Thought”Chukwumaka Woldeselassi Agu & JMB Reddington “Fallen”Dystosound “Love Yourself”Simon Di & Pascal Roussignol “Hung Up”J.C. Lemay “Vocoder Love”Julien Bourriaux “Galactic Catwalk”Nicolas Neidhart “Reaching Perfection”Lucero “Hold Me Close”Alex Wurman “Anchorman : the Legend of Ron Burgundy - End Title”Nicholas Britell : “Boring Old Banking” / “Don't Look Up - Main Title Suite”Alexandros Bazanis “Ararat Whispers”Lyle Workman : “Drillbotomy” / “Red Hot Coals” / “Wondersuite” / “Human Piñata”Max Sergeev “Other Rivers II” Morceau d'outro : Drive-By Truckers “Decoration Day” Liens vers les réseaux sociaux de Tu L'As Vu ? - Podcast Ciné : Chaîne YouTube TLV Podcast :https://www.youtube.com/channel/UCoLK73hPXzMYGnZEYVRvAEQ Lien Twitter : https://twitter.com/TLVPodcast Page Facebook : https://www.facebook.com/M.Gravlax Page du podcast : https://podcloud.fr/podcast/tu-las-vu Page Sens Critique avec tous les films traités dans le podcast :https://www.senscritique.com/liste/Tous_les_films_traites_dans_notre_podcast_Tu_l_as_vu_venez_n/2716388

Our Halloween 2022 subject is "The Haunted Mizoguchi," for which we looked at two films made by Kenji Mizoguchi toward the end of his life: the supernatural fantasy Ugetsu (1953) and a film we agree is a candidate for best movie ever made, Sansho the Bailiff (1954). We use Mizoguchi's explicit treatment of ghostly themes in Ugetsu as a springboard for discussing the haunting qualities of Sansho the Bailiff and the relationship between nature, the transcendent, and the miraculous in the film. We also consider the question of whether the film argues for political action or resignation as the best way of dealing with the systemic injustice from which we can't seem to escape and the threat of hopelessness.    Time Codes: 0h 1m 00s:        UGETSU (1953) [dir. Kenji Mizoguchi] 0h 34m 32s:      SANSHO THE BAILIFF (1954) [dir. Kenji Mizoguchi] 1h 20m 29s:      Listener Mail with Daves and Elise – on Capra, Comics & Noir City      +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

Eine starke Frau zwischen zwei Männern steht im Mittelpunkt des Films WEDDING RING. Noriko Kuki (Kinuyo Tanaka) führt ein großes Schmuckgeschäft in Tokios bestem Einkaufsviertel Ginza. Ihr Ehemann Michio Kuki (Jukichi Uno) liegt krank zuhause in Atami an der Südküste. Auf den Zugfahrten zwischen Tokio lernt Noriko den attraktiven und charmanten Arzt Takeshi Ema (Toshiro Mifune) kennen. Ein unkonventioneller Mann mit seinen staubigen weißen Turnschuhen, aktiv und entscheidungsfreudig.Im Podcast sprechen wir das Tragen und das Vergessen des Hochzeitsringes, über das Andreaskreuz als unübersehbares Signal "Hier nicht weitergehen in dieser Beziehung" und über die Rolle der Frau, die älter ist als ihr Love Interest Toshiro Mifune, der attraktivste Mann, den man 1950 vor eine Kamera stellen konnte. Viele Details fielen uns auf: Zum Beispiel die Darstellung von Hitze, Anfassen und Schweiß (was Micha zu einem kleinen Exkurs zu Toshiro Mifune als Sexsymbol in Rashomon und Sieben Samurai inspiriert). Wir gehen auf die Bedeutung der Poesie ein und die überraschend klaren Worte über Sexualität in diesem sehr sehenswerten Film. WEDDING RING aus dem Jahr 1950 ist der fünfzehnte Film von Keisuke Kinoshita. Der Film kann bei Criterion angeschaut werden.Die nächste Folge erscheint am 23. Oktober 2022 und beschäftigt sich nicht mit einem Film von Kinoshita sondern als Seitenblick mit WOMEN OF THE NIGHT von Kenji Mizoguchi aus dem Jahr 1948.Empfehlenswerte Review von Hailey Scanlon auf Windows on WorldsMichaels sehr empfehlenswerten Blog Schneeland findet Ihr hier. Den Filmpodcast SchönerDenken findet Ihr hier.Vielen Dank an Michael Meier von Kompendium des Unbehagens für die Unterstützung beim Jingle. Grüße nach Osaka!

durée : 00:35:00 - Les Nuits de France Culture - par : Philippe Garbit - En 1962, l'émission "Connaître le cinéma" abordait le thème "Le rêve et la poésie au cinéma" à travers le film de Kenji Mizoguchi "Contes de la lune vague après la pluie". Jean Mitry était entouré de Claude Belly, Marcel Martin et Paul-Louis Thirard. - invités : René Barjavel romancier

Oggi una mono davvero classica! Esploriamo il cinema di Kenji Mizoguchi, tra la ricerca di criteri di "giapponesità" e la definizione di un canone. Con noi Alberto Libera. Bibliografia: 1) D. Tomasi, Kenji Mizoguchi, Il Castoro 1998 2) http://www.davidbordwell.net/blog/2014/05/10/mizoguchi-secrets-of-the-exquisite-image/ 3) C. Collaoni e G. Placereani (a cura di), Mizoguchi Kenji, un'implacabile perfezione, Centro espressioni cinematografiche, Udine, 2007 4) D. Tomasi (a cura di), Bellezza e tristezza: il cinema di Mizoguchi Kenji, Il Castoro 2009. In particolare: 4a) D. Tomasi, La parola distante. Conversazione e messinscena nel primo Mizoguchi. I film muti (1925-1935) 4b) A. Masson, Gesto, identità, personalità 4c) S. Zunzunegui, Declinazione della bellezza. La tradizione giapponese: dall'emakimono allo scroll-shot 4d) J. Douchet, Mizoguchi: o della complessità più grande a partire da un punto di vista elementare Partecipanti: Marco Grifò Simone Malaspina Paolo Torino Alberto Libera (ospite) Anchor: https://anchor.fm/salotto-monogatari Spotify: https://open.spotify.com/show/2QtzE9ur6O1qE3XbuqOix0?si=mAN-0CahRl27M5QyxLg4cw Apple Podcasts: https://podcasts.apple.com/it/podcast/salotto-monogatari/id1503331981 Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xNmM1ZjZiNC9wb2RjYXN0L3Jzcw== Logo creato da: Massimo Valenti Sigla e post-produzione a cura di: Alessandro Valenti / Simone Malaspina Per il jingle della sigla si ringraziano: Alessandro Corti e Gianluca Nardo

It's Alicia's 4th pick: Hiroshima Mon Amour, the 1959 film directed by Alain Resnais. With ‘Hiroshima Mon Amour,' Resnais and screenwriter Marguerite Duras, explore the intersection where tragedy and trauma meet history and memory. The film was released on May 8, 1959 at the Cannes Film Festival, where it won the FIPRESCI International Critics' Prize. Among its other accolades was recognition by Cahiers du Cinéma on its list of the top 10 films of 1959, where it was ranked 2nd after Kenji Mizoguchi's ‘Ugetsu.' It opened in the United States in May of 1960 and went on to earn Marguerite Duras an Academy Award nomination for Best Screenplay Written Directly for the Screen. To give a sense of what was popular in the United States in the years ‘Hiroshima Mon Amour' was first released, then when it opened in the United States, the top grossing films in North America for 1959 and 1960 were Ben-Hur and Spartacus, respectively. Meanwhile, Ben-Hur was also the big winner at the Oscars for 1959, while The Apartment was the big winner for 1960. For our purposes, the film has never been in the top 10 of either the critics or directors polls done by Sight and Sound magazine to determine the greatest films ever made. It did, though, place, as a runner-up in both 1962 and 1972. Produced by Stereoactive Media --- Send in a voice message: https://anchor.fm/stereoactivemovieclub/message

This week on the Film at Lincoln Center podcast, we're featuring a programmer's preview on our Kinuyo Tanaka Retrospective, and a Q&A from the 59th New York Film Festival with director Nadav Lapid on Ahed's Knee,  moderated by NYFF Programmer Rachel Rosen. As an actress in over 250 films, Kinuyo Tanaka was one of the most celebrated and wildly popular artists of her time, regularly collaborating with consummate masters like Yasujirō Ozu, Kenji Mizoguchi, and Mikio Naruse. Between 1953 and 1962, Tanaka directed half a dozen films with a determined sense of freedom and touches of provocation, placing women at the forefront of her movies as mistresses, prostitutes, poets, heroines, and victims of social injustice. The Kinuyo Tanaka Retrospective, featuring brand new 4K restorations of her directorial work and 35mm screenings of her collaborations as an actor, takes place March 18 - 27! Listen to an introduction to the filmmaker from Assistant Programmer Tyler Wilson and rediscover the groundbreaking auteur at filmlinc.org/tanaka. Also opening this Friday, Ahed's Knee is Israeli filmmaker Nadav Lapid's shattering follow-up to his bat-out-of-hell Synonyms (NYFF57). A film of radical style and splenetic anger, Ahed's Knee accompanies a celebrated but increasingly dissociated director to a small town in the desert region of Arava for a screening of his latest film. Already anguished by the news of his mother's fatal illness (Lapid's film was made soon after the death of his own mother, who had worked as his editor for many years), he grows frustrated with a speech-restricting form he is encouraged to sign by a local Ministry of Culture worker. The confrontation ultimately sends him into a spiral of rage aimed at what he perceives as the censorship, hypocrisy, and violence of the Israeli government. This boldly shot and conceived work, which won the Grand Jury Prize at this year's Cannes Film Festival, feels as though it has welled up from the depths of its maker's soul. Ahed's Knee opens this Friday with filmmaker Q&As at the 6pm screenings on Friday and Saturday, and a special Film Comment Free Talk with Lapid at 8:30pm on Friday. Get showtimes and tickets at filmlinc.org/ahed.

Join Nick, Tom, Pat and KJ as they explore movies through trivia. In this episode of the Talking Pictures Trivia podcast, they discuss Sansho the Bailiff (1954), directed by Kenji Mizoguchi. https://talkingpicturestrivia.com/

" Si j'ai souhaité devenir réalisatrice, c'est parce que je voulais, depuis longtemps, que des femmes soient filmées par une femme, d'un point de vue qu'un homme ne comprendrait pas " - Kinuyo Tanaka À l'occasion de la rétrospective inédite de Kinuyo Tanaka qui aura lieu dès le 16 février en salles, et qui contient les six films inédits et en version restaurée de la réalisatrice, nous vous parlons de Maternité Éternelle. Un film qui nous a bouleversé.   Participantes : Pauline - @paulinemallet_ / Manon - @ManonFranken / Esther - @EstherBrej Création, animation, réalisation, montage et mixage son : Pauline Mallet  Extrait ouverture de l'épisode : Maternité Éternelle - Kinuyo Tanaka (1955) Musique de fin d'épisode : Run the world - Beyoncé (2011) Références mentionnées et/ou conseillées (par ordre chronologique de sortie) Notre campagne de financement participatif pour Sorociné, la revue n°2 → https://www.kisskissbankbank.com/fr/projects/sorocine-la-revue-cinema-feministe?utm_source=kkbb&utm_medium=website&utm_campaign=search Merci à Carlotta Films de nous avoir montré le film avant sa sortie. Films cités :  Les films de Kinuyo Tanaka  Lettre d'amour (1953) La nuit s'est levée (1955) Maternité Éternelle (1955) La princesse errante (1960) La nuit des femmes (1961) Mademoiselle Ogin (1962) Outrage - Ida Lupino (1953) Les Contes de la lune vague après la pluie - Kenji Mizoguchi (1953) Bigamie - Ida Lupino (1953) Le voyage de la peur - Ida Lupino (1953) Bordel numéro 8 à Sandakan - Kei Kumai (1974) L'actrice - Kon Ichikawa (1987) Un ange à ma table - Jane Campion (1990) Séries citées :  Livres / Articles de presses / expositions / vidéos :  Livret d'accompagnement réalisé par Carlotta Films et écrit par Pascal-Alex Vincent → Kinuyo Tanaka, réalisatrice de l'âge d'or du cinéma japonais Podcast Silence ! Elles tournent : Kinuyo Tanaka → https://revusetcorriges.com/2022/02/23/silence-elles-tournent-kinuyo-tanaka-cineaste-eternelle/  Informations sur la rétrospective Kinuyo Tanaka par Carlotta Films  → https://carlottafilms.com/films/kinuyo-tanaka-realisatrice-de-lage-dor-du-cinema-japonais/  Communiqué de presse : Kinuyo Tanaka, réalisatrice de l'âge d'or du cinéma japonais → https://carlottafilms.com/wp-content/uploads/2021/06/COMM-PRESSE-KINUYO-TANAKA-RÉALISATRICE-DE-LÂGE-DOR-DU-CINÉMA-JAPONAIS-DEF.pdf  Critique du film La nuit des femmes par Amandine Dall'omo → https://www.sorocine.com/revue/critique-la-nuit-des-femmes/ 

Ghosts of the Pale & Shadowy Moon After the Rain: Kenji Mizoguchi's Ugetsu Monogotari This week Mr. Chavez & I have the pleasure of discussing one of the great films of Cinema, Kenji Mizoguchi's 1953 Masterpiece, Ugetsu Monogotari. A beautiful, touching, and awe-inspiring film that stands as one of the great examples of World Cinema and easily sits among the great films of The Art of Motion Pictures. Featuring a cast including Rashomon's Machiko Kyō and Masayuki Mori, Mizoguchi's tale of Ghostly Temptation, Upward Mobility, and Feudal Class Restraints is both a warning and a morality tale for human greed, desire, and frailty. It is a true pleasure to continue our exploration into the greatest films of the medium. If you have not seen this film you are walking into one of the great story-telling experiences. You're Welcome. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. Many Thanks.

En el primer episodio que dedicaremos al director japonés Kenji Mizoguchi, platicamos de la película con la que Occidente lo conoció y que hoy, aunque trate de una historia fantástica en el Japón feudal, es tan universal como la buena literatura. En noticias, espacios y acuerdos. Menú 03:51 - Toma Tres se presenta 05:39 -  Toma Tres comenta 01:00:22: - Toma Tres mal-reseña 01:17:27 - Toma Tres informa 01:38:56  - Marco recomienda: El culpable Audio Toot Toot Tutsie, de The Jazz Singer (1927): https://www.youtube.com/watch?v=nFcFXGyyCio ; News jingle, de Lobo Loco: https://freemusicarchive.org/music/Lobo_Loco/Jingles_for_films__podcasts/News_Jingle_1_ID_410 ; Jingle 2, de Monplaisir: https://freemusicarchive.org/music/Monplaisir/Surtout_ne_pas_se_perdre_vol2_2011-2018/Monplaisir_-_Surtout_ne_pas_se_perdre_vol2_2011-2018_-_10_Jingle_2 ; Ambientación y música de intro: https://www.youtube.com/watch?v=L9wKxwHUKqI&t=0s ; noir guitar, de Stevie's Amp Shack

Spine #309, Kenji Mizoguchi's UGETSU from 1953, joined by Patreon Co-Host Dylan Früh! Podcast's intro song 'Here Come the Creeps' by Ugly Cry Club. You can check out her blossoming body of work here: uglycryclub.bandcamp.com/releases Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps We've got a Patreon too, if you are so inclined to see this podcast continue to exist as new laptops don't buy themselves: patreon.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, Google Play, and Stitcher!

This week on The First Run, Chris and Matt discuss ‘Reminiscence'. Hugh Jackman stars in this sci-fi neo-noir as he looks for the missing wrong woman that captured his heart and then disappeared. Will he like what he finds? From the mind of Lisa Joy, one of the creators of HBO's Westworld. Chris then shares his thoughts about Rebecca Hall and the horror film that's not quite what you think it is, ‘The Night House'. The Samurai Marathon sort of continues with Kenji Mizoguchi's ‘Ugetsu'. The classic adaptation of Ueda Akinari's tales ‘The House in the Thicket' and ‘The Lust of the White Serpent'. There's some talk of the new ‘Spider-Man: Far From Home' trailer. Then the show closes with the guys' sharing their 5 Favorite Flashbacks in movies! You can save this episode and relive it over and over!00:00-11:39: Reminiscence11:40-14:12: The Night House14:13-22:58: Physical Media Picks22:59-29:02: Spider-Man: No Way Home Trailer29:03-34:49: Ugetsu34:50-53:42: 5 Favorite Flashbacks53:43-56:01: Wrap Up/OuttakeTheme music by Jamal Malachi Ford-BeyTwitterInstagramFacebook

Il 24 agosto 1956 muore a Kyoto, in Giappone, Kenji Mizoguchi

Estamos de volta à nossa rúbrica delux. Esta semana falámos do filme de Kenji Mizoguchi, Contos da Lua Vaga. Segue os Bingers: Abel Oliveira - https://twitter.com/Abel_Oliveira10 Lucas Moreira - https://www.instagram.com/luacsvfx/ Segue o Binge Portugal no Spotify, Instagram

Finn & Uther watch Ugetsu (1953), Kenji Mizoguchi's devastating supernatural story of love and horror. Our second film this week is Meet Joe Black (1998), 3 hours of Brad Pitt playing The Grim Reaper as an irritating houseguest. We discuss different film visions of the afterlife, Mizoguchi's skill at crafting films from folktales, and Brad Pitt's Jamaican accent. Uther conducts a seance while Finn gets in touch with his inner Shatner. See acast.com/privacy for privacy and opt-out information.

This week, Eric Hoffman leads Jason on a discussion of two classic Japanese films directed by the brilliant Kenji Mizoguchi. Sansho the Balliff is a tragic story of a wealthy family separated and the slavery they endure, while Ugetsu tells a very human war story set in the sixteenth century. Eric and Jason chat about the filmmaking style of Mizoguchi and team, their political stance in the post-War period, and the resonances that helped make these essential watches. It's a fascinating hor and fifteen minutes' listen and we hope you enjoy. If you did enjoy this show, please subscribe and leave feedback on iTunes. --- Send in a voice message: https://anchor.fm/jason-sacks/message

Autor: Leweke, Anke Sendung: Vollbild Hören bis: 19.01.2038 04:14

This week, Finn & Uther watch Sansho Dayu (1954), Kenji Mizoguchi's beautiful and troubling folktale of mercy and greed, and Slumdog Millionaire (2008), Danny Boyle's worst film so, of course, it won him his Oscar.Topics covered: Uther's fan edit of The Little Mermaid 2 to insert Vincent Cassel. Jérémie Renier. Manifestos. All the films Michael Bay has made about the human organ trade. How lucky we are to live at the same time in history as The RZA. All second-stringers they filled out I, Claudius with. German directors' names. What the most international movies are. Sword hazards. The best Blade film. Finn's Yu-Gi-Oh! tattoo. Shrek Discourse discourse. Films with almost no stakes. Uther's exhaustive thoughts on Studio Ghibli's future under Goro Miyazaki. See acast.com/privacy for privacy and opt-out information.

Sansho the Bailiff might be our toughest watch on the list so far, but this film from the great Japanese director Kenji Mizoguchi offers the opportunity to discuss cinema as an empathy machine. We also discuss the original Godzilla, one of Arthur's favorite films, the beginning of the Japanese kaiju genre, and we talk about how certain films from our childhoods can define who we are.Where to watch Sansho the BailiffWhere to watch Godzilla (1954)Kurosawa's eulogy for MizoguchiWhere to watch Rebel Without a Cause (1955)

Cumpliría 97 años dado que nació el 5 de mayo de 1924, en la ciudad de Buenos Aires, y murió el 8 de septiembre de 1978. Figura fundacional de nuestro cine moderno, Leopoldo Torre Nilsson tuvo una prolífica carrera como realizador, productor y escritor. Ávido lector y autodidacta, comenzó a trabajar en la industria cinematográfica como asistente de dirección de su padre, Leopoldo Torre Ríos. En 1947 estrenó su primer cortometraje, "El muro", basado en un cuento escrito por el mismo Torre Nilsson, que representaba el más puro cine de autor. En 1950 realizó junto a su padre "El crimen de Oribe", inspirada en la novela de Adolfo Bioy Casares "El perjurio de la nieve". Estuvo casado durante cuatro años con Pilar, con quien tuvo dos hijos pero, en 1951, Ernesto Sábato le presentó a Beatriz Guido, quien años más tarde sería su mujer y con quien formaría una dupla creativa. Su cine puede dividirse en tres grandes categorías que no siguen un orden cronológico: Épico-histórico, adaptaciones literarias, cine espectáculo. "La casa del ángel", de 1956, le valió el reconocimiento de la crítica europea y fue incluida por la prestigiosa revista Cahiers du Cinéma entre las diez mejores películas de la época junto a las de directores como Ingmar Bergman y Kenji Mizoguchi. Adaptó también Los siete locos, de Roberto Arlt, con la que obtuvo un premio en el festival de Río de Janeiro; Boquitas pintadas, de Manuel Puig, galardonada en el festival de San Sebastián (1974), y La guerra del cerdo, de Adolfo Bioy Casares, en 1975. Dirigió a uno de sus actores favoritos, Alfredo Alcón, en La mafia, y en 1975 rodó su última obra, Piedra Libre, prohibida por la censura debido a su "contenido inmoral y disolvente". Otros títulos destacados de su filmografía son El secuestrador (1958), La caída (1959), Setenta veces siete (1962), La terraza (1963), Martín Fierro (1968) y El pibe Cabeza (1974). Fue el primer director argentino en obtener reconocimiento internacional en diferentes festivales como San Sebastián, Cannes, Santa Margherita Ligure. Tanto por sus temáticas como por su tratamiento, la crítica nacional e internacional destacó el aporte de Nilsson al cine de autor. Lo recordamos a través de un informe elaborado por Fabián Panizzi con testimonios del Archivo Histórico de Radio Nacional. FICHA TÉCNICA Testimonios y música: 1976 Leopoldo Torre Nilsson (Programa A Fondo TVE) 1950 El crimen de Oribe – Fragmento de la película de Torres Ríos y Torre Nilsson Fernando Martin Peña, Historiador del cine – Fragmento del programa Filmoteca, emitido por la Televisión Pública 1952 La Tigra – Fragmento de la película de Torre Nilsson `En Carne Propia´ (Manuel Sucher - Carlos Bahr) por Diana Maggi 1954 Días de odio – Fragmento de la película de Torre Nilson Duilio Marzio, actor 1955 Para Vestir Santos – Fragmento de la película protagonizada por Tita Merello y Jorge Salcedo y dirigida por Torre Nilsson 1956 Graciela – Fragmento de la película que contó con la actuación de Elsa Daniel y la dirección de Torre Nilsson 1956 El Protegido – Fragmento de la película que contó con la actuación de Mirko Alvarez y la dirección de Torre Nilsson 1957 La casa del Ángel - Fragmento de la película que contó con la actuación de Elsa Daniel y Guillermo Battaglia, bajo la dirección de Torre Nilsson Manuel Antin, novelista y director de cine 1960 Fin de fiesta - Fragmento de la película que contó con la actuación de Graciela Borges y Leonardo Favio, bajo la dirección de Torre Nilsson Leonardo Favio, actor cineasta, cantante y compositor. Graciela Borges, actriz 1960 Un Guapo del 900 - Fragmento de la película que contó con la actuación de Alfredo Alcon y Lydia Lamaison, bajo la dirección de Torre Nilsson Alfredo Alcón, actor Lydia Lamaison, actriz 1961 Piel de verano - Fragmento de la película que contó con la actuación de Graciela Borges y Alfredo Alcón,

Ugetsu (1953) is up this time around. A classic of Japanese cinema, Kelly and Zack dive into this masterpiece to explore both the film and the circumstances surrounding it in depth.Show notes:This episode contains spoilers. Also, the books that Zack refers through are Masks in Horror Cinema: Eyes Without Faces by Alexandra Heller-Nicholas and Japanese Horror Films and Their Remakes by Valerie Wee.Reach your hosts at ZackLong@Scriptophobic.ca or KellyWarner@Scriptophobic.ca.Next week's movie: Onibaba (1964)

Film director & producer Chris DePretis joins Kirk to talk about the short story “Boule de Suif” by Guy de Maupassant. It is said that Maupassant is the most adapted literary writer after Shakespeare. Though this is hard to prove, because often his short stories offer a broad brush by which film directors like John Ford will use to paint. Nevertheless, his impact on world cinema is impressive. Besides Ford, many directors have adapted stories from the French short story writer, such as D.W. Griffith, Orson Welles, Jean Renoir, Kenji Mizoguchi, Jean-Luc Goddard and many more. These directors, of course, are the most influential directors in cinema. By proxy, very few people can claim as much influence on world cinema as Guy de Maupassant.In this episode, we summarize and discuss one short story in particular “Boule de Suif.” Then we discuss and compare the classic western movie Stagecoach (1939) starring John Wayne and directed by John Ford.We will be talking about the themes of both of these works as well as the way in which Ford was inspired by Maupassant.If you are a literary lover or a film buff, this episode is for you! Great art builds on great art.

Film director & producer Chris DePretis joins Kirk to talk about the short story “Boule de Suif” by Guy de Maupassant. It is said that Maupassant is the most adapted literary writer after Shakespeare. Though this is hard to prove, because often his short stories offer a broad brush by which film directors like John Ford will use to paint. Nevertheless, his impact on world cinema is impressive. Besides Ford, many directors have adapted stories from the French short story writer, such as D.W. Griffith, Orson Welles, Jean Renoir, Kenji Mizoguchi, Jean-Luc Goddard and many more. These directors, of course, are the most influential directors in cinema. By proxy, very few people can claim as much influence on world cinema as Guy de Maupassant.In this episode, we summarize and discuss one short story in particular “Boule de Suif.” Then we discuss and compare the classic western movie Stagecoach (1939) starring John Wayne and directed by John Ford.We will be talking about the themes of both of these works as well as the way in which Ford was inspired by Maupassant.If you are a literary lover or a film buff, this episode is for you! Great art builds on great art.

On the this episode, Steven and Andrew discuss the Kenji Mizoguchi classic "Ugetsu"

Continuing our series celebrating cinema from around the world. On this episode we look at live action Japanese films, from Seven Samurai and Godzilla, to Ringu and House up to Shoplifters. We gush about Akira Kurosawa, Yasujirō Ozu, Kenji Mizoguchi, Hirokazu Koreeda and others. Joining me on the show is Naomi Wada Platt, who guested on episode 130: imagineNATIVE, a YouTuber who often covers Japanese culture and politics in both English and Japanese language videos. Look forward to part two coming in a few weeks! Follow Naomi on Twitter and Instagram. Visit contrazoompod.com for even more great CZP content! Listen to Contra Zoom on Anchor, Apple Podcasts, Spotify, Google Play, Overcast, RadioPublic, Breaker, Podcast Addict and more! Please rate and review the show on Apple Podcasts, or wherever you listen. Send us a screenshot of your 5 star rating and review to contrazoompod@gmail.com and we will send you free swag! Thank you Eric and Kevin Smale for creating the awesome theme music and Stephanie Prior for designing the logo. Follow the show on Twitter, Instagram and Facebook. Contra Zoom is proudly presented by Aesthetic Magazine. --- Send in a voice message: https://anchor.fm/contrazoompod/message

Turn down the lights, the Toho Gang have a ghost story for you! Will greed reign supreme or will Genjuro and Tobei come to their senses? It’s Episode 65: UGETSU! Directed by Kenji Mizoguchi, Starring Machiko Kyo, Masayuki Mori, Eitaro Ozawa, Mitsuko Mito, and Kinuyo Tanaka The One Piece Podcast · Toho Yaro #65, “Ugetsu” The post Toho Yaro #65, “Ugetsu” appeared first on Toho Yaro.

Goffredo Fofi racconta "I racconti della luna pallida d'agosto" (1953) di Kenji Mizoguchi.

Invitée : Esther Brejon Au programme de cette année 1956 :  La Prisonnière du désert : le premier western crépusculaire ? L'âge d'or de la science-fiction : Planète Interdite, Les soucoupes volantes attaquent et L'invasion des profanateurs de sépultures De série B à genre reconnu : pourquoi la SF est-elle devenue cool ? Et Dieu... créa la femme : aux origines du mythe Bardot Symbole féministe ou icône bimbo : que représente Brigitte Bardot ? Roger Vadim, mœurs et iconisation : le male gaze dans Et Dieu... créa la femme Le Monde du silence / Le Mystère Picasso / Nuit et brouillard : 1956, l'année du documentaire Le Monde du silence : classique intemporel ou film "naïvement dégueulasse" ? Tour du monde : Derrière le miroir (Nicholas Ray), La rue de la honte (Kenji Mizoguchi)

Acabamos nuestra discusión del cine samurai hablando de una película en la que... no hay samurai LOL. En esta obra maestra de 1952 del director Kenji Mizoguchi, vemos la crueldad del sistema de castas del Japón feudal durante el periodo que los samurai estuvieron en el poder, porque estos guerreros serán muy cool en la cultura popular, pero en la realidad "they were HUUUUUUGE DICKS". Antes de eso, en El Bullshiteo, hablamos de Hannibal, Jojo's Bizarre Adventure y la primera experiencia de Rosa en un drive-in. --- Support this podcast: https://anchor.fm/desmenuzando/support

Set in 17th-century feudal Japan, director Kenji Mizoguchi's 1954 feature A Story From Chikamatsu — also known as The Crucified Lovers or Chikamatsu Monogatari — is a tale of star-crossed love that's rich with unexpected twists and revelations. Involving a grand scroll master, his wife, and his best employee, the story unfolds in deep focus and long takes, with expert cinematography by Kazuo Miyagawa. Inspired by Mizoguchi's ability to illuminate the present through the lens of the past, the Film Club's conversation springboards into cloud technology as well as the pleasures and pitfalls of modern cinephilia. As the scroll master's wife, Osan (Kyôko Kagawa), reminds us, "Nothing is more unpredictable than a person's fate."

durée : 00:49:29 - Remède à la mélancolie - par : Eva Bester - "Les contes de la lune vague après la pluie" de Kenji Mizoguchi, Francine Niyitegeka, Bob Dylan, Natacha Atlas, marcher au bord de l'eau, les collines, bronzer, Edward Curtis, Suada Tozo... Retrouvez tous les remèdes de notre invité ! - invités : Jean Hatzfeld - Jean HATZFELD

[Astro Imortal Não Morre no Final] Dois grandes astros de Hollywood chegam aos streamings com filmes novos. Charlize Theron retorna em The Old Guard, sobre guerreiros imortais perseguidos por interesses de grandes corporações, sob direção de Gina Prince-Bythewood. Greyhound - Na Mira do Inimigo (25:27) é dirigido por Aaron Schneider, mas o destaque é mesmo Tom Hanks, que, além de protagonizar o longa, também é o roteirista e produtor dessa história de guerra naval nos mares do Oceano Atlântico em plena Segunda Guerra Mundial. Nosso grande destaque da semana no Momentos Belas À La Carte é um clássico de Kenji Mizoguchi. No Puxadinho da Varanda, outra série de destaques de filmes, séries e até live. No Cantinho do Ouvinte os comentários dos nossos ouvintes sobre o episódio anterior. Bom Podcast!

Ugetsu (1953) is up this time around. A classic of Japanese cinema, Kelly and Zack dive into this masterpiece to explore both the film and the circumstances surrounding it in depth.

L'avantage avec toutes les plateformes existantes, c'est qu'on peut vous fournir une bonne flopée d'épisodes avant d'en avoir fait le tour. Là où on pêche un peu plus, c'est dans la sélection des titres tant on se retrouve souvent devant des contenus drastiques. Alors on nous a suggéré que la solution se trouvait sûrement vers Mubi. Mubi, c'est un site qui propose pas plus de 30 films à la fois. Quotidiennement, ils en ajoutent un, qui reste disponible une trentaine de jours, et retire le plus anciennement arrivé. Le choix est plus restreint, plus précis aussi, et il s'agit de se laisser porter par la découverte, d'ouvrir son cadeau journalier sans savoir ce qu'il va être. Des films plus exigeants, moins "pop-corn", mais qui promettent un grand écart, tant dans leurs origines que leur époque. Alors on s'est laissé porter vers l'Amérique bigarrée des années 2000 avec l'étrangeté Southland Tales de Richard Kelly, vers le Japon du 17ème siècle avec Les Amants Crucifiés de Kenji Mizoguchi, vers l'Italie des années 50 où Ingrid Bergman découvre la pauvreté d'après-guerre avec Europe 51 de Roberto Rosselini. Et enfin vers un double choix : l'inde du début du 20ème siècle avec une romance maudite, La Maison Du Monde de Satyajit Ray, et de l'animation japonaise avec la suite du cultissime Ghost In The Shell, Innocence, dans son univers futuriste. Des grands écarts comme on les adore, bonne écoute !  Invités : Inès de Critique-film et Just Focus David de Plopcast, réseau de podcasts traitant de la pop-culture. Temporalité de l’épisode : 09:10 Southland Tales (2006) de Richard Kelly, avec Sarah Michelle Gellar, Dwayne Johnson, Sean William Scott, Christophe Lambert.... 32:50 Les Amants Crucifiés (Chikamatsu monogatari) (1954) de Kenji Mizoguchi, avec Kazuo Hasegawa, Kyoko Kagawa, Eitaro Shindo.... 50:12 Europe 51 (Europa ’51) (1952) de Roberto Rossellini avec Ingrid Bergman, Alexander Knox, Ettore Giannini... 1:11:27 La Maison Et Le Monde (Ghare Baire) (1984) de Satyajit Ray, avec Soumitra Chatterjee, Victor Banerjee, Swatilekha Chatterjee... 1:21:52 Innocence - Ghost In The Shell 2 (Inosensu: Kôkaku kidôtai) (2004) de Mamoru Oshii, avec les voix d'Akio Otsuka, Atsuko Tanaka, Koichi Yamadera.... 1:30:07 les recos   Première Désillusion (The Fallen Idol) (1948) de Carol Reed Souvenirs de Kenji Mizoguchi, livre de Yoshikata Yoda aux Cahiers du Cinéma #confinementlecture livres numériques gratuits durant le confinement Dark Crystal (1983) de Jim Henson et Frank Oz Les Hommes du Président (All the President's Men) (1976) d’Alan J. Pakula La Garçonnière (The Apartement) (1960) de Billy Wilder Le Sorceleur (Wiedźmin / The Witcher) livre de Andrzej Sapkowski Au Royaume des Fauves (Tiger King: Murder, Mayhem and Madness) (2020) série documentaire Netflix d’Eric Goode et Rebecca Chaiklin (par le même studio que Fyre: The Greatest Party That Never Happened)  Crédits :  Émission animée par Thomas Bondon, Thierry de Pinsun, Yassa Harbane, Hera Laskri, Marwan Foudil et Elie Bartin. Générique original : Kostia R. Yordanoff (tous droits réservés)  Retrouvez aussi Certains l’aiment à chaud sur :  Facebook : @claacpodcast Instagram : @claacpodcast Twitter: @CLAACpodcast Ausha  Itunes / Apple Podcast  Spotify  Deezer  Stitcher  Podmust  Podcloud  Podinstall

Daiei Studios released Sansho the Bailiff on March 31, 1954. Kenji Mizoguchi directed the film starring Kinuyo Tanaka, Yoshiaki Hanayagi, and Kyôko Kagawa. The post Sansho the Bailiff (1954) appeared first on Movie House Memories.

This week Donovan Hill joins us once more, discussing boat law, America's indifference to international law, the hilarious/frightening nostalgia within the book Hagekure (and WW2 era views of same), pretty much every adaptation of the 47 Ronin we can think of, and, oh yeah, Kenji Mizoguchi's 1954 film Sansho the Bailiff. It's a jam-packed episode (read: long), as episodes with Donovan tend to be.

durée : 00:59:15 - Plan large - par : Antoine Guillot - Auteur de grands mélodrames féministes, maître incontesté du plan séquence, l’œuvre du cinéaste Kenji Mizoguchi oscille constamment entre épure et violence, entre rêve et réalité. Plan large sur un peintre du quotidien, qui a toujours placé les femmes au centre de ses histoires. - réalisation : Séverine Cassar - invités : Gabriela Trujillo Spécialiste des avant-gardes latino-américaines et européennes, et travaille à l'action culturelle de la Cinémathèque française; Mathieu Macheret Critique de cinéma, journaliste au Monde

durée : 00:59:15 - Plan large - par : Antoine Guillot - Auteur de grands mélodrames féministes, maître incontesté du plan séquence, l’œuvre du cinéaste Kenji Mizoguchi oscille constamment entre épure et violence, entre rêve et réalité. Plan large sur un peintre du quotidien, qui a toujours placé les femmes au centre de ses histoires. - réalisation : Séverine Cassar - invités : Gabriela Trujillo Spécialiste des avant-gardes latino-américaines et européennes, et travaille à l'action culturelle de la Cinémathèque française; Mathieu Macheret Critique de cinéma, journaliste au Monde

Projet de longue date, l'équipe de www.filmexposure.ch lance enfin son podcast consacré au cinéma. Ceux qui nous lisent le savent, nous aimons bien fouiller les sujets qu'on aborde. Nous commençons donc ce podcast par un (trop) long épisode consacré aux courses sportives au cinéma. Après un retour sur Le Mans 66 de James Mangold, démonstration de la survivance d'une certaine forme de classicisme hollywoodien et d'amour pour le bel ouvrage, nous revenons sur les principaux films qui ont marqué, selon nous, le genre en les commentant dans leur ordre chronologique. Attention, il s'agit d'un épisode pilote, avec ses maladresses et ses défauts de rodage. N'hésitez pas à nous faire part de vos commentaires pour les épisodes suivants et bonne écoute. LE FILM D'ACTUALITÉ(00:05:22) LE MANS 66, James Mangold --- LA THÉMATIQUE APPROFONDIE (00:32:00) Les courses sportives dans l'histoire du cinéma Le raid Paris Monte Carlo en Deux Heures (Georges Méliès, 1905), The Big Wheel (Edward Ludwig, 1949), Red Line 7000 (Howard Hawks, 1965), The Great Race (Blake Edwards, 1965), Grand Prix (John Frankenheimer, 1966), Le Mans (Lee H. Katzin, 1971), The Last American Hero (Lamont Johnson, 1973), Death Race 2000 (Paul Bartel, 1975), C'était un rendez-vous (Claude Lelouch, 1976), Greased Lightning (Michael Schultz, 1977), Fast Company (David Cronenberg, 1979), Days of Thunder (Tony Scott, 1990), Thunderbolt (Gordon Chan, 1995), Driven (Renny Harlin, 2001), Cars (John Lasseter, 2006), Speed Racer (Wachowskis, 2008), Redline (Takeshi Koike, 2009), Talladega Nights: The Ballad of Ricky Bobby (Adam McKay, 2010), Rush (Ron Howard, 2013), Pegasus (Han Han, 2019) --- LES CONSEILS (02:16:23) Alex : coffret Sammo Hung (Eastern Condors, The Iron-Fisted Monk, The Magnificen Butcher) chez Eureka video Séb : Requiem pour un Massacre d'Elem Klimov réédité chez Potemkine Thomas : coffret Kenji Mizoguchi chez Capricci et Death Stranding développé par Kojima Productions (PS4) --- RÉFÉRENCES : Le raid Paris Monte Carlo en Deux Heures : https://www.youtube.com/watch?v=NlErdTSscMs&t=540s C'était un rendez-vous : https://www.youtube.com/watch?v=HgPoiKiMRFQ L'esthétique de Speed Racer + Analyse séquentielle de Speed Racer par Jean-Victor Houët : https://www.cloneweb.net/actualite/special-wacho-lesthetique-de-speed-racer/ https://www.cloneweb.net/actualite/special-wacho-analyse-sequentielle-de-speed-racer/ Interview d'Olivier Dumont, superviseur des effets spéciaux de Le Mans 66, par Vincent Frei : https://www.artofvfx.com/ford-v-ferrari-olivier-dumont-overall-vfx-supervisor-method-studios/ Titre d'outro : Destruction Babies, Shutoku Mukai Exposed est un podcast animé par l'équipe de www.filmexposure.ch : Sébastien Gerber, Thomas Gerber, Alexandre Rallo.

Greg screens Kenji Mizoguchi's 1953 historical spooker "Ugetsu."

Kenji Mizoguchi's masterpiece owes a great debt of gratitude to Kazuo Miyagawa's luminous, shimmering cinematography. The post 380. Ugetsu Monogatari appeared first on Steven Benedict.

Pela terceira e última vez, Fred e Alexandre convocam o crítico e montador Raphael Cubakowic para fechar a série de episódios tratando do diretor japonês Kenji Mizoguchi. O áudio desta vez traz os sete últimos filmes da carreira do mestre, mas o destaque fica por conta de três excelentes filmes da carreira de Mizoguchi: “Intendente Sansho” (Sanshô Dayû, 1954) considerado por alguns seu melhor trabalho no cinema, “Os Amantes Crucificados” (Chikamatsu monogatari, 1954) outro grande expoente da obra de Mizoguchi e “Rua da Vergonha” (Akasen chitai), último filme do cineasta, lançado em 1956. Não trataremos do filme “Contos da Lua Vaga”, pois já fizemos um episódio dedicado a ele, que você poderá acessar nesta postagem . ----------------- Acesse nosso site: http://www.filmesclassicos.com.br Acesse nosso grupo: https://www.facebook.com/groups/1475312462775785/ Nos procure no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

Mais uma vez Alexandre e Fred se reúnem com o crítico e montador Raphael Cubakowic para conversar sobre a carreira do diretor japonês Kenji Mizoguchi. Nesta oportunidade o trio discute filmes importantes do final dos anos 40 e início dos 50, período prolífero na filmografia de Mizoguchi, com filme como "Mulheres da Noite" (Yoru no onnatachi, 1948), feito sob a influência do Neorealismo Italiano, "Senhorita Oyu" (Oyû-sama, 1951) e um dos filmes mais importantes deste período, e que tornou o diretor internacionalmente famoso, "Oharu, A Vida de Uma Cortesã" (Saikaku ichidai onna, 1952). ----------------- Acesse nosso site: http://www.filmesclassicos.com.br Acesse nosso grupo: https://www.facebook.com/groups/1475312462775785/ Nos procure no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

Andy Rankin and Jimmy Barnes watch Kenji Mizoguchi's 1953 film, "Ugetsu", considered to be one of the greatest Japanese movies of all time, and then immediately discuss. Check us out: Patreon: http://bit.do/eSgD8 Insta: @desperatelyseekingcinema Twitter: @desperatecinema Facebook: Desperately Seeking Cinema Jimmy: Insta @jimmydbarnes Twitter @jimmydbarnes

Jordan and Nic talk spoiler-free about Kenji Mizoguchi's The Life of Oharu. Nic reports back about his assignment to watch Chungking Express. The two hosts duke it out in a trivia battle at the end. Feedback? Email us at filmshakepodcast@gmail.com.Check out Nic's blog, The Nicsperiment, with written reviews for both of these films: http://thenicsperiment.blogspot.com/Support the show (https://www.patreon.com/filmshake)

Alexandre e Fred trazem para este episódio o montador e crítico Raphael Cubakowic para dar início a uma série de três episódios que tratarão da filmografia de um dos maiores diretores japoneses, Kenji Mizoguchi. Como de hábito, escolhemos alguns filmes para representar a obra deste diretor no período discutido nessa primeira parte e assim passamos mais profundamente por “A Perdição de Osen” (Orizuru Osen, 1935), “As Irmãs de Gion” (Gion no shimai, 1936), “Crisântemos Tardios” (Zangiku monogatari, 1939) e “A Vingança dos 47 Ronins” (Genroku Chûshingura, 1941). ----------------- Acesse nosso site: http://www.filmesclassicos.com.br Acesse nosso grupo: https://www.facebook.com/groups/1475312462775785/ Nos procure no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

Jordan and Nic introduce the show, talk spoiler-free about Kenji Mizoguchi's Ugetsu, and conduct their first trivia battle. Feedback? Email us at filmshakepodcast@gmail.com. Music by Broke For Free.Support the show (https://www.patreon.com/filmshake)

1995 fue el año del centenario del cine. Hacia cien años, en 1895, los hermanos Lumière habian patentado el cinematógrafo con lo cual para el mundo el cine había cumplido cien años a mediados de los noventa. Esa celebración llenó de homenajes, libros, programas de televisión y radio, proyecciones especiales... el mundo entero. Televisión Española celebró estos cien años, además de con otras iniciativas, con el programa ¡Qué grande es el cine! Presentado y dirigido por José Luis Garci, el espacio ejercia de una suerte de cineclub donde una serie de contertulios analizaban una película antes y despuès de la proyección de la misma . El programa se inició el 13 de febrero de 1995 con El buscavidas a la que le siguieron 49 películas más que venían a ser una especie de resumen de la historia del cine. Tras esta primera fase le siguió otra dedicada al cine español tras la cual finalizaría el programa en 1996. El programa tuvo un sorprendente respaldo del público con lo cual, un año después, el espacio volvió para emitirse, de forma más o menos ininterrumpida, hasta 2005 finalizando con la emisión de Fresas salvajes. ¡Qué grande es el cine! es un programa legendario de la televisión nacional donde gracias al trabajo de José Luis Garci más una serie de comentaristas habituales (Miguel Marías, Eduardo Torres-Dulce, Luis Alberto de Cuenca, Clara Sánchez, Juan Miguel Lamet...) e invitados ocasionales (Josep Maria Pou, Pedro Almodóvar, Guillermo Cabrera Infante, Javier Marías...) lograron que el cine tuviera un protagonismo absoluto desde una visión divulgativa. Por allí pasaron películas de directores como John Ford, Kenji Mizoguchi, Alfred Hitchcok, Max Ophüls, Dino Risi, Christopher Nolan o Abbas Kiarostami, entre otros muchos. De programación casi intachable, poco dogmático e, incluso, algo polémico, ¡Qué grande es el cine! es el protagonista del programa 106 de Vivir Rodando que, con la ayuda de Pepe Aracil, recordaremos los (muchos) pros y (algunas) contras de ese espacio mítico de los lunes por la noche en La 2.

Kenji Mizoguchi https://www.imdb.com/name/nm0003226/ Sansho the Bailiff https://www.imdb.com/title/tt0047445/ Women of Night https://www.imdb.com/title/tt0040980/ Street of Shame https://www.imdb.com/title/tt0048933/ Ugetsu https://www.imdb.com/title/tt0046478/ --------------------------------------- @Anharoh

On this weeks episode, Aruba and Chris venture into the sleazy Gion district to talk Kenji Mizoguchi's early masterpiece and seminal contribution to the industry, Sisters of the Gion (1936). We get into Mizoguchi as one of the "Masters of Japanese Cinema," the progressive politics on display at the time, the prevalent "woman question" of the Japanese film, and the eternal feminine struggle of tradition vs. desire.

Edición 183 de La Gran Evasión, 29/5/2018. Esta templada noche de finales de mayo nos enfrentamos a una de la historias de amor más grandes del cine, la obra maestra de un maestro, Chikamatsu Monogatari, Los Amantes Crucificados de Kenji Mizoguchi, 1954. A cada nueva mirada hay que lavarse los ojos para ver mejor… Pura poesía filmada que sobrepasa las épocas, un canto hipnótico que se mueve por el deber y el sentimiento, por la vida y por la muerte, por el amor y el sacrificio… Basado en un hecho real, sobre 1684, dos amantes que cometieron adulterio, fueron crucificados en ejecución pública, la ley de los Tokugawa era implacable, este suceso lo convirtió en relato Saikaku, en 1715. Chikamatsu utilizó la historia para elaborar el Almanaque del amor, que da pie a la película de Mizoguchi. Una obra totalmente atemporal, porque desgrana el alma de su pueblo y señala con verdadero arte, la máxima que rige este sucio mundo, y es que el amor es el único significado de la vida, y no hay nada más, ni dinero, ni posición social, simplemente Amor, por él se vive y por él se muere. Los amantes crucificados, es la crónica de un amor que conduce sin remisión a la muerte, Eros y Thanatos, su ajusticiamiento es su triunfo moral, su liberación, se convierte en una catarsis resplandeciente. El fatalismo guía los pasos de dos amantes, Osan y Mohei, pero su amor, libre de corsés y leyes anacrónicas, les devolverá su condición de seres humanos, los volverá libres, absolutamente libres, morir es a veces, o casi siempre, la liberación ansiada…la escena del lago Biwa es el mayor ejemplo, una aparición portentosa de una barca en plena oscuridad, donde el amor implosionará primero, para iluminarlo todo después y dar a estas dos almas en fuga, unos días de vida, todo un mundo de amor… Se plantea un conflicto entre dos estratos, dos tipos de hombres, uno honrado y bondadoso contra otro malvado y réprobo. La estricta Moral del amigo Confucio, los súbditos debe ser leales a sus señores y filiales con sus padres, la norma social, el Jiri, en lucha con los sentimientos, con el Ninjo. Las obsesiones de Mizoguchi con las mujeres, convertidas en su mantra: Madre/Esposa/Prostituta… Kenji Mizoguchi exorciza sus demonios en esta obra de arte, de estética cinematagrófica deslumbrante, belleza al servicio de una denuncia, de un propósito, utilizando los recursos que el maestro dominaba, las elipsis fabulosas, la profundidad de campo, esos plano secuencia que siguen dejándonos boquiabiertos, envuelto todo ello en una estructura circular, al igual que un calendario, Mizoguchi nos lleva por una historia simétrica, la película empieza y termina con el cortejo de los adúlteros a la cruz… Mizoguchi representaba lo extraordinario de un modo realista, y nos regala una reflexión final descomunal, y es que tenemos derecho a la vida, a amar, que merece la pena rebelarse contra las oscuras reglas de la sociedad, aunque mueras en el empeño, la libertad del hombre vale la pena… Nos adentramos en la completa oscuridad del lago Biwa, dispuestos a perdernos en la barca del cine, José Miguel Moreno, Gervi Navío y Raul Gallego, mientras, en nuestras retinas, no se desvanece la imagen de dos amantes con las manos entrelazadas, con los rostros serenos, conducidos hacia la cruz, hacia su unión eterna… Hasta la mejor de las sedas..... se desvanece. Gervasio Navío Flores.

No episódio 86, Alexandre, Fred convidam o músico Pedro Bizelli para viajar a Tóquio, Japão. É na capital japonesa que se passa um dos melhores filmes de Yasujiro Ozu, um dos mestres do cinema nipônico ao lado de Akira Kurosawa e Kenji Mizoguchi. Estamos falando – é claro – de “Era uma Vez em Tóquio” (Tôkyô monogatari, 1953) considerado em listas como a da Sight & Sound um dos melhores filmes já feitos e uma das mais importantes obras do cinema asiático. Com nomes marcantes do cinema japonês como Setsuko Hara e Chishû Ryû (este um colaborador frequente de Ozu, tendo feito mais de 50 filmes com o mestre japonês) este clássico se mantém atual até hoje, por examinar ao melhor estilo Ozu, as relações intrínsecas entre duas gerações de uma família japonesa quando os pais resolvem visitar seus filhos na capital do Japão.

Acesse nosso SITE: goo.gl/hDQkSw e FACEBOOK: goo.gl/3mGhfd Não é preciso esforçar-se muito para exaltar as qualidades e a importância do Cinema Japonês como um todo. A produção nipônica em seu período clássico é facilmente identificável como uma das melhores do mundo, também destacando-se em produções mais recentes. Um país devastado pela Segunda Guerra, superando sua humilhação e entregando, já em pouquíssimo tempo, obras que marcaram a Sétima Arte de forma indelével. Os trabalhos de Akira Kurosawa, Yazujiro Ozu e Kenji Mizoguchi, ficando somente nos mais famosos, ainda nos emocionam e tem muito a ensinar às novas gerações de realizadores. É isso aí. Um tema tão especial e rico como esse merecia mesmo uma episódio do nosso podcast e esperamos ter agradado. Gostou? Detestou? Curtiu a conversa agradável? Descobriu coisas novas? Deixou-se contagiar pelo nosso entusiasmo por Kurosawa e seus não menos brilhantes pares? Deixe a gente saber! Comente aqui mesmo, elogiando ou descendo a língua. Seja lá o que você quiser nos dizer, nosso email é podcast@formigaeletrica.com.br. Além da sua opinião sobre os programas já publicados, mande sugestões ou comentários de qualquer tipo. Estaremos de volta em uma quinzena. Não perca. Até lá...

Our next offering of the season is Akira Kurosawa's breakout movie, RASHOMON (1950). After some positive reviews, we spend lots of time on the particular visuals of the film — including the way in which things are seen through other things — and end with a discussion of what the last scene might mean in the context of the film as a whole. Next Week's Film SEVEN SAMURAI (1954): you need to sign up for the BFI player for £4.99 after a week's free trial, but if classic films aren't your thing, then just cancel before the week is out: https://www.amazon.co.uk/Seven-Samurai-Takashi-Shimura/dp/B00P4OHWTO/ref=sr_1_1?s=instant-video&ie=UTF8&qid=1505411259&sr=1-1&keywords=seven+samurai This Week's Media SPIDER-MAN: HOMECOMING (2017): Jon Watts, Tom Holland, Michael Keaton GUARDIANS OF THE GALAXY VOLUME II (2017): James Gunn, Chris Pratt, Zoe Saldana Recommendations M. BUTTERFLY (1993): David Henry Hwang, David Cronenberg, Jeremy Irons MEMENTO (2000): Christopher Nolan, Guy Pearce, Carrie-Anne Moss STREET OF SHAME (1956): Kenji Mizoguchi, Yoshiko Shibaki, Machiko Kyō ONE NIGHT AT MCCOOL'S (2001): Harald Zwart, Liv Tyler, Matt Dillon Footnotes This is a good primer on ‘the hero's journey', which Rob mentions early on: https://en.wikipedia.org/wiki/Hero%27s_journey. The production, music, and script on this video are terrible, but there is some useful info about the different types of camera movement! https://www.youtube.com/watch?v=45e1XuA-oLY There's more on the gate in question, which lends its name to the film — as Sam discusses — here: https://en.wikipedia.org/wiki/Rajōmon. Here are a couple of good books on (1) the films of Kurosawa, and (2) class and aesthetics in Japan: https://books.google.co.uk/books?hl=en&lr=&id=vdchVqMSiDEC&oi=fnd&pg=PR9&dq=influences+on+akira+kurosawa&ots=D7Tq-c1G1f&sig=7FA76g1iigwjWS1fQXEAqlM2YA4#v=onepage&q=influences%20on%20akira%20kurosawa&f=false, and https://books.google.co.uk/books?hl=en&lr=&id=10krbGkGMyoC&oi=fnd&pg=PR7&dq=class+in+japanese+history&ots=SMdOiQbPSf&sig=eAq53yCWiBvqsQE7uIJqqw_YfBQ#v=onepage&q=class%20in%20japanese%20history&f=false. Finally, here's your regular reference to the concept of the MacGuffin, which is probably not employed in this film: http://tvtropes.org/pmwiki/pmwiki.php/Main/MacGuffin.

Buckle up, things are about to get slow. Lady P welcome Monique “Momo” Morgan in her Flixwise debut, and Flixwise co-producer Martin Kessler, to talk about the second Kenji Mizoguchi entry on the Sight and Sound list, Sansho The Bailiff. They navigate its murky waters in discussing its themes, symbols, and moral quandaries, the role of women in the film, and Mizoguchi’s filmmaking technique.  For our second topic we take a long look at long takes. Our panelists discuss different types of long takes and their varying effects. Plus, they figure out exactly how long a take needs to be to achieve ‘long take’ status, and then try to list their top five favourites (Birdman doesn’t make an appearance, we promise). 

Integrante conspicua de las listas de las mejores películas de la historia, esta cinta despliega con total frescura los elementos que suelen exhibir los clásicos. Sus historias están movidas por pasiones reconocibles, que involucran aquellos quiebres que unen y separan a las personas: vivos-muertos, hombres-mujeres, ricos-pobres, jóvenes-viejos, soldados-paisanos; todo con una fotografía al servicio de mostrar el enrarecido mundo donde conviven vivos y muertos, y con una cámara que se mueve al son de las sorpresas y las amenazas. De esto y más hablamos en el podcast.

David, Trevor and Scott discuss two films focused on Kenji Mizoguchi's critical examination of prostitution in postwar Japan.

Scott, David, and Ryan discuss heartache, sacrifice, gender roles, and performance in Mizoguchi's 1939 masterpiece.

David and Scott talk about Osaka Elegy and Sisters of the Gion, two contemporary films from prewar Japan.

On today's show, we're rounding out the Sight and Sound Top 50 with Kenji Mizoguchi's ghost story, Ugetsu Monogatari ('53). Notable for both its stunning long takes and its condemnation of the oppressive patriarchal values of Feudal Japan, Ugetsu has become the quintessential Mizoguchi text. Flixwise co-producer, Martin Kessler, and Eclipse Viewer host, David Blakeslee, join Lady P to discuss why they think Ugetsu's haunting tale of the destructive power of masculine pride managed to surpass both Sansho the Bailiff and Life of Oharu to become the highest ranking Mizoguchi film on the Sight and Sound list. For the second topic, the gang talks cinema's greatest ghost stories. The panelist surmise that part of Ugetsu's enduring popularity is its supernatural element. That said, not all movie specters are as haunting as Machiko Kyo's Lady Wakasa. The panel talks about what kinds of ghosts make for effective cinematic renderings (and they try to figure out why movie ghosts have a thing for pottery). Then each panelists takes a turn talking about their personal favorite spirits from the great beyond.

Alexandre e Fred surgem como fantasmas no Episódio 38 para conversar sobre o excelente “Contos da Lua Vaga” (Ugetsu Monogatari, 1953), filme japonês dirigido por Kenji Mizoguchi e que foi – ao lado de Rashômon, de Akira Kurosawa – um dos responsáveis por tornar o cinema nipônico popular no ocidente na década de 50. Cultuado por cineastas de todo o mundo e principalmente pelos franceses da Nouvelle Vague, este clássico oriental, produzido durante a chamada “era de ouro” do cinema japonês, mereceu o Leão de Prata que conquistou no Festival de Veneza e agora faz por merecer também um episódio no Podcast Filmes Clássicos inteiramente dedicado a ele e a um dos maiores diretores do Japão, o Sr. Mizoguchi, autor de outra obras memoráveis como “Oharu – Vida de uma Cortesã” e “O Intendente Sanshô“.

This episode starts off pretty strong talking about Kenji Mizoguchi’s Streets of Shame. But it spirals out of control and eventually we talk about the resurgence of the Japanese right, and eventually GATE. Right click, save as to download.

Mon, 26 Oct 2015 08:00:00 +0000 https://bahnhofskino.podigee.io/b17-bonus-17-ugetsu-monogatari-1953-prasentiert-von-wiederauffuhrung 5eacef5ad87afa1f7e2627c4bb9a4c87 Wir haben uns mit Max und Christian von WIEDERAUFFÜHRUNG im virtuellen Raum getroffen, um über UGETSU - ERZÄHLUNGEN UNTER DEM REGENMOND (1953) von Kenji Mizoguchi zu sprechen. Wir haben uns mit Max und Christian von WIEDERAUFFÜHRUNG im virtuellen Raum getroffen, um über UGETSU - ERZÄHLUNGEN UNTER DEM REGENMOND (1953) von Kenji Mizoguchi zu sprechen. Wir preisen das unheimliche Meisterwerk des japanischen Kinos, erlauben uns aber auch so manche Kritik. Happy #Horrorctober!   Besucht Max und Christian unter www.wiederauffuehrung.de oder bei iTunes. Einer der schönsten und schlauesten Podcasts überhaupt zu Filmklassikern über alle Genregrenzen hinweg. Hörbefehl! https://images.podigee.com/0x,sLd-5hTwUQAHXg0nRg53LJpnpEjZpdRht7xD3AujQarc=/https://cdn.podigee.com/uploads/u2906/9d22ad71-c70d-42f2-a1f6-97844a409c03.jpg Bonus #17: Ugetsu Monogatari (1953) präsentiert von WIEDERAUFFÜHRUNG https://bahnhofskino.podigee.io/b17-bonus-17-ugetsu-monogatari-1953-prasentiert-von-wiederauffuhrung 17 bonus Wir haben uns mit Max und Christian von WIEDERAUFFÜHRUNG im virtuellen Raum getroffen, um über UGETSU - ERZÄHLUNGEN UNTER DEM REGENMOND (1953) von Kenji Mizoguchi zu sprechen. no Patrick Lohmeier

La reconnaissance tardive du cinéma de Yasujirō Ozu en Occident, dans les années soixante-dix, plus de vingt ans après les consécrations d'Akira Kurosawa et de Kenji Mizoguchi, s'explique par la croyance selon laquelle la « japonéité » de son univers aurait été inaccessible à un spectateur lointain. Il est donc paradoxal qu'aux yeux de réalisateurs tels que Wim Wenders, Claire Denis, Alain Resnais ou Hirokazu Kore-eda, la façon si singulière qu'a eue Ozu de filmer le monde soit devenue plus qu'une référence : une source d'inspiration pour d'intimes variations. Cette conférence sera donc le récit d'un complet renversement de perspective.

#101 Sansho Dayu / Sansho the Bailiff (1954), de Kenji Mizoguchi by Civilcinema

It is a little odd how similar Peter and his guest C. Mason Wells are in certain ways. Both are New York cinephiles from the Midwest who are also passionate fans of Andrew Sarris Both went to Columbia University (and both participated in one of its oldest traditions), and now both are 35mm repertory junkies. However, Chris diverges in that often he's the one programming the great content, while Peter simply writes about it. Chris takes Peter through his journey of becoming a cinephile, including his work making films like LOL and The Color Wheel, and eventually how he found himself programming. The two give a look at his latest series, "Andrew Sarris: Expressive Esoterica," dedicated to the late critic, before diving into Chris's favorite film of all time, Kenji Mizoguchi's powerful 1939 drama, The Story of the Last Chrysanthemums. 0:00-1:18 Opening 2:08-4:57Establishing Shots - Child Acting5:58-57:35 Deep Focus - C. Mason Wells58:38-1:18:55 Double Exposure - The Story of the Last Chrysnathemums (Kenji Mizoguchi)1:18:58-1:23:44 Trivia Round, Close, and Outtake

One of Mizoguchi's post-war films, A Geisha is a scathing account of the difficulties suffered by geisha and prostitutes in maintaining and balancing their dignity, livelihood, and personal rights. It has been widely lauded by critics as a poignant, elegant work, sympathetically exploring controversial issues of rights and dignity for women with socially restricted claims to self-determination. A Geisha secured the 1954 Blue Ribbon Awards for Best Supporting Actor, awarded to Eitarō Shindō for his portrayal of Eiko's father, and for Best Supporting Actress, awarded to Chieko Naniwa for her role as Okimi. Stream online: https://amzn.to/2RLbwkJ Become a Patron: https://www.patreon.com/mfrbooksandfilm?fan_landing=true

One of Mizoguchi's post-war films, A Geisha is a scathing account of the difficulties suffered by geisha and prostitutes in maintaining and balancing their dignity, livelihood, and personal rights. It has been widely lauded by critics as a poignant, elegant work, sympathetically exploring controversial issues of rights and dignity for women with socially restricted claims to self-determination. A Geisha secured the 1954 Blue Ribbon Awards for Best Supporting Actor, awarded to Eitarō Shindō for his portrayal of Eiko's father, and for Best Supporting Actress, awarded to Chieko Naniwa for her role as Okimi. Stream online: https://amzn.to/2RLbwkJ