Podcasts about croisette

Byron Sharp — Professor of Marketing Science, Director of the Ehrenberg-Bass Institute at the University of Adelaide, and author of How Brands Grow — joins us at Cannes fresh off his sold-out Bassey Theatre session with Mark Ritson (a thousand people queued to get in).We dig into the five fundamentals he and Ritson agreed on and, more usefully, where the industry keeps getting them wrong. Byron explains why mental availability is not the same as brand awareness, why “search advertising” was a branding con that confuses purchase availability with memory-building, and why your media metrics are lying to you about reach.Along the way: the retail-media gold rush (sorry, Marriott Media), the AI hype bubble he expects to pop, why Elsa buried every other Disney princess, and the “non-artificial intelligence” agent Ehrenberg-Bass is building to stop corporate AI from breaking marketing's laws of physics.A masterclass in thinking clearly about what your marketing money is actually supposed to do.Chapters:00:00 - Welcome: Byron Sharp at Cannes, and why impact (not academic prestige) drives Ehrenberg-Bass01:39 - The “two festivals” of Cannes: creativity awards vs. the serious fringe; the sold-out Ritson session04:03 - What's being sold to marketers on the Croisette — and the retail-media land grab (Marriott Media)05:26 - Fragmentation, monetizing inventory, and why ~80% of this year's AI vendors will be gone07:02 -The five things Byron agreed with Ritson on10:21 - #1 Mental availability — and the critical mistake of confusing it with awareness12:27 - “You overestimate your reach”: fleeting exposures and inflated media metrics14:19 - Why calling it “search advertising” was a disservice: purchase vs. mental availability15:27 - #2 Distinctive brand assets — why a logo checkbox isn't enough17:46 - #3 Consistency — everyone agrees, nobody does it18:50 - The “big idea,” category entry points, and the Frozen/Elsa problem21:42 - Inside the How Brands Grow executive program23:46 - “Non-artificial intelligence”: the AI agent Ehrenberg-Bass is building25:20 - WrapLinks:Ehrenberg-Bass Institute: https://marketingscience.info/Professor Byron Sharp: https://www.linkedin.com/in/professorbyronsharp/How Brands Grow Live: https://marketingscience.info/learn-with-us/learning-opportunities/how-brands-grow-live-for-executives

“PR is no longer that last mile. We're the starting point in many initiatives.” Chris Foster, CEO of Omnicom Public Relations (OPR), spoke those words as he sat down with PRWeek in Cannes. This was evident in the many PR-led Cannes Lions award victories. It was equally apparent as Foster discussed his main takeaways from his time on the Croisette. These included a notable shift from ad influence to earned influence and the prevalence of reputation in conversations on the ground. Foster's all-encompassing chat with PRWeek executive editor Frank Washkuch also covered AI and the early days of OPR post-Omnicom-IPG merger. A must-listen. PRWeek.comTheme music provided by TRIPLE SCOOP MUSICJaymes - First One Follow us: @PRWeekUSReceive the latest industry news, insights, and special reports. Start Your Free 1-Month Trial Subscription To PRWeek Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

After five days, dozens of interviews, countless presentations, and conversations with some of marketing's brightest minds, one thing became clear:The future of marketing isn't about more technology. It's about better thinking.Throughout Cannes Lions 2026, we spoke with leaders from System1, WARC, Ehrenberg-Bass, Amazon Ads, Pinterest, and many of the industry's leading creative and effectiveness thinkers.In this final Cannes Cut, we reflect on the biggest themes that emerged throughout the week, including:Why simplicity continues to outperform complexityHow AI is settling into its rightful role as a tool—not a strategyThe growing danger of the efficiency trapWhy creativity remains one of the strongest commercial advantages a brand can buildThe return of long-term thinking, brand building, and strategic disciplineWe also sit down with David Tiltman (WARC) to discuss the Multiplier Effect Playbook, organisational barriers to effectiveness, why strategy is becoming more important than ever, and how marketers can bridge the gap between knowing what works and actually doing it.To close out the series, we head back onto the Croisette for one final edition of The Buzz Cut, featuring conversations with:Aaron Starkman (Rethink)Brendan Christie (Strategy Magazine)Ruxandra Papuc (AIN'T)Presented by System1.If you've enjoyed following our Cannes journey, thank you for joining us throughout the week.Chapters:00:00 - Introduction02:15 - Reflecting on an Incredible Week06:30 - Simplicity Wins11:05 - AI Finds Its Place16:10 - The Efficiency Trap21:45 - Why Brand Experience Matters26:10 - Is This the Best Time to Be a Marketer?30:30 - Interview: David Tiltman52:30 - Final Buzz Cut58:15 - Wrapping Up Cannes

Oprah flew in to close deals, FOX Entertainment CEO Rob Wade came to talk up his investment in creator-led programming and even the Teletubbies arrived, ready to party. Last week, a cross-section of dealmakers, executives and stars flooded the Croisette for the Cannes Lions International Festival of Creativity, where the battle between YouTube and Netflix was hotter than France's record-setting heatwave — and “creator” was the buzzword for the second year in a row. Ankler Media CEO Janice Min and Like & Subscribe's Natalie Jarvey break down who broke through in a week where, as Janice noted, subtlety was not the name of the game. Then, listen to Janice's full conversation with YouTube chief business officer Mary Ellen Coe and Royal Court host Brittany Broski, where Coe came to the Croisette ready to hit back at Netflix's podcast poaching with a few choice words, including “imitation is the sincerest form of flattery.” It's on! Learn more about your ad choices. Visit megaphone.fm/adchoices

Day 4 on the Croisette, and the Cannes Festival of Creativity is in full swing. The Cannes Cut series is proudly presented by System1.Vanessa Chin, VP Marketing at System1, opens with a live field dispatch: which campaigns are actually scoring at Cannes, what the new Creator Effectiveness Playbook says about briefing for emotional impact, and why Dunkin' took gold while Kit Kat posted one of the highest out-of-home scores System1 has ever recorded.She also tackles the question the industry keeps circling - is AI the creative revolution everyone promised, or just a better production tool?Then the feature interview.Orlando Wood, Chief Creative Officer at System1, argues that dull advertising is structural, not incidental.Media fragmentation, measurement frameworks calibrated for the wrong school of advertising, and rules-based creative thinking all work against artistry before a single brief is written. Drawing on advertising history from Toulouse-Lautrec to Bernbach, and neuroscience from Ian McGilchrist, Orlando maps the war between showmanship and salesmanship - and explains why applying one school's measurement philosophy to the other destroys the work.The episode closes with the Buzz Cut: the sights and sounds from the attendees. Ty Heath from LinkedIn shared her perspective on life inside the B2B Lions jury room, WARC APAC's Rica Facundo on the three ceilings of social, Hannah Riberdhal from Brand Marketing Sweden on what this year's Cannes sounds like compared to four years ago, and two Young Lions competitors fresh off a 24-hour brief.Timestamps0:00 Opening - Vanessa Chin (System1) on Cannes testing, AI, and the Creator Effectiveness Playbook12:23 Feature interview - Orlando Wood on why dull advertising is structural, not a talent problem23:06 Fluent devices, coherence vs consistency, and the living brand33:08 The history of showmanship and salesmanship - and why creators may be bringing artistry back37:11 Measuring creative: why salesmanship measurement destroys showmanship work40:10 Post Pod debrief41:18 Buzz Cut - Ty Heath (LinkedIn B2B Institute), Rica Facundo (WARC APAC), Hannah (Brand Marketing Sweden), Young LionsReferencesSystem1 https://system1group.com/Advertising Principles Explained (course with Sir John Hegarty) https://advertisingprinciplesexplained.com/System1 Creative Dividend Report https://system1group.com/the-creative-dividendSystem1 Creator Effectiveness Playbook https://system1group.com/the-creator-effectiveness-playbookLemon: How the Advertising Brain Turned Sour - Orlando Wood (book) https://system1group.com/lemonThanks for keeping us in your ears, stay sharp everyone.

Authenticity. Outcomes. Workflow….and containerization? After a week sweating on the Croisette, the AdExchanger team offers you a sweat-free synopsis of the 2026 Cannes Lions.

Day three at Cannes Lions revealed something unexpected.Coming into the festival, many predicted AI would dominate every conversation.Instead, another topic has quietly taken centre stage:Creators.Not creator hype. Not influencer marketing. Creator effectiveness.Presented by System1, today's Cannes Cut explores one of the biggest conversations happening across the Croisette. Marc and Vassilis reflect on another packed day at Cannes, including the System1 Stars of the Show event featuring Andrew Tindall, Orlando Wood, Mark Ritson, Les Binet, Adam Morgan and many of the industry's leading thinkers.The featured interview is with Andrew Tindall, Chief Growth Officer at System1, who joins us to discuss the new Creator Effectiveness Playbook, developed in partnership with WPP and TikTok.One insight stood above the rest:Most creator campaigns aren't driving meaningful brand growth. A small "brilliant minority" are responsible for the majority of the impact.The conversation has evolved beyond follower counts and engagement rates. Instead, marketers are asking better questions:Does this creator genuinely fit the brand?How do creators build memory, not just engagement?Why does emotion still outperform optimisation?What role do distinctive brand assets play in creator content?And how do we stop treating creator marketing like a casino?We also bring back another edition of The Buzz Cut, hearing directly from marketers around the world, including Lauren Anderson (Amazon Ads), David Tiltman (WARC), Reno from Nikkei, and Vinnie from Leo São Paulo, sharing what's capturing their attention halfway through Cannes.In this episode:Highlights from System1's Stars of the ShowAndrew Tindall on the Creator Effectiveness PlaybookWhy only a small minority of creator campaigns drive real growthWhy brand fit matters more than follower countPinterest's positioning around quality engagementWhy AI feels more like infrastructure than the headline storyThe latest perspectives from marketers across the CroisetteThe rosé can wait. Our questions can't.Chapters00:00 Introduction03:04 Insights from System1's Baoli Event05:54 The Role of Creators in Sports09:01 Pinterest's Marketing Strategy and Insights11:50 The Current State of Creative Effectiveness14:55 The Importance of Emotion in Advertising18:11 The Evolving Role of Content Creators21:03 Key Findings from the Creator Effectiveness Playbook25:21 The Role of Emotion in Branding29:08 Effective Briefing for Creators30:34 Understanding Distinctive Brand Assets32:17 Leveraging Social Devices in Marketing35:08 Insights from Amazon's Brand Activation38:35 The Evolution of Cannes Lions Festival43:11 Creative Impact and Effectiveness47:13 The Value of Attending Cannes Lions

In this episode of the Cannes Sessions, Conor Byrne takes us through another packed day on the Croisette, starting with the CMOs in the Spotlight session featuring Jill Kramer of Mastercard, Michelle Klein of Westpac, Manuel “Manolo” Arroyo of The Coca-Cola Company, and Suhayl Limbada CMO of KFC India. There were big themes running through the day: how legacy brands stay useful, why marketers need to understand the P&L, what happens when creativity meets commercial pressure, and why the best brands do not throw away their distinctive assets just because the world has changed. There is also a brilliant conversation with Maddy Cooper, Founder and CEO of Flourish, on how AI can help marketers in regulated sectors get work to market faster without creating a compliance nightmare. That matters because the future of marketing is not just more content, more formats and more channels. It is whether brands can still make sharp, responsible, commercially useful work at the speed the market now demands. The Digital Voice team were also out on the Croisette speaking to marketers including Langton McCombe from Particular Audience, Rory McDonald from Market Media at The Warehouse Group, and Alex Springer from OpenAttribution.org about retail media, incrementality, AI, ROAS, creativity, and what Cannes is really for and James Taylor CEO of Particular Audience.And, of course, there was a big moment for Ireland, with Heineken's The Pub That Refused To Die winning a Grand Prix, plus a look ahead to the Cannes Young Lions results where Darragh Spain and Fardosa Flanagan from 123.ie represented Ireland in the Young Marketers category along with lots of amazing talent representing Ireland.01:18 – CMOs in the Spotlight: Mastercard, KFC India, Westpac and Coca-Cola02:01 – Why Mastercard is re-examining the Priceless platform03:14 – KFC, Gen Z, universal truths and the role of the Colonel04:19 – Westpac, jingles, legacy brands and speaking the language of the CFO05:14 – Coca-Cola, creativity, behaviour and why great teams matter more than big budgets11:28 – Spending time with Jonnie Cahill and the value of generous senior marketers15:03 – Maddy Cooper on Flourish, AI, compliance and regulated marketing18:29 – Inside the Cannes Lions work exhibition21:00 – Ireland's Grand Prix moment for Heineken23:58 – Langton McCombe on retail media, commerce media and incrementality26:32 – Rory McDonald on creativity, ROAS and business outcomes29:54 – Alex Springer on attribution, AI, influence and the future of content34:26 – Final reflections from Cannes Sessions 2026Thanks to The Digital Voice for partnering on the Cannes Sessions.Find out more:The Digital Voice: thedigitalvoice.co.ukFlourish: flourishingworld.comThat's What I Call Marketing: follow the podcast for more conversations with the people shaping modern marketing.That's What I Call Marketing is where marketers come for real conversations about brand, B2B, creativity, effectiveness and the future of the profession.Hosted by Conor Byrne, the show features conversations with CMOs, marketing leaders, agency leaders, authors, thinkers and practitioners about what good marketing looks like in practice.Listen, follow and find more episodes at: https://www.thatswhaticallmarketing.comConnect with Conor on LinkedIn: https://www.linkedin.com/in/conorbyrneirl/If you enjoy the show, please follow, subscribe and leave a review. It helps more marketers find the conversations. Hosted on Acast. See acast.com/privacy for more information.

For our second special edition pod, we spoke with Mark Stenberg, Senior Media Reporter at AdWeek, to compare notes on what people are talking about this year: AI FOBO, the proliferation of creators, and the increasingly blurry purpose of the festival itself. We get into why Cannes may be less about new ideas than consensus building, why public panels feel more PR-approved than ever, and data dissonance in the basement of the Palais. Hosted on Acast. See acast.com/privacy for more information.

The Cannes Debate is a three-part series exploring sport's growing role at the centre of media, marketing and culture.Hosted by Leaders Editorial Director James Emmett and Alex Charkham, who runs strategy and consulting for global sports and entertainment marketing agency, Fuse, the series digs into why sport has become one of the most powerful tools in modern brand-building.Recorded live from Cannes Lions (soundtracked, at times, by the unmistakable hum of the Croisette), Episode 2 features Dan Clays, CEO of Omnicom Media Group EMEA, on why sport is now at the very centre of how modern marketing works.On the conversational agenda: why sport still cuts through in a fragmented, scroll-first world; how brands are turning sports partnerships into full-scale creative platforms; and what's really keeping CMOs up at night.All with a few Cannes moments along the way: World Cup matches squeezed in between meetings, celebrity sightings, and the subtle art of networking on the French Riviera.

What happens when you bring the world's leading minds in AI, entertainment, retail, and tech together at Cannes Lions? You get the ultimate roadmap for the future of performance marketing.In episode one of Performance Marketing Unlocked's annual Cannes Lions podcast miniseries, we're cutting through all the 'Cannesdemonium' to bring you direct insights from the industry giants shaping tomorrow. Listen to leaders and executives from OpenAI, Disney Advertising, Amazon, Yahoo, Snap, and Wolt as they pull back the curtain on what's actually moving the needle along the Croisette.This podcast was hosted by PMW's Deputy Editor, Joseph Arthur.~ Episode breakdown ~ (10:48) What will make Cannes Lions 2026 a success?(20:09) How has Cannes Lions changed?(29:32) What is making the biggest tech platforms at Cannes most excited?~ Further reading ~ Cannes Lions 2026: Google unveils new Gemini-powered YouTube tools and Amazon Retail Ad Service hits the UKCannes Lions Live Day 3: What happens when we can measure everything?What is a problem you wish Cannes would solve?‘Scale plus AI does not equal client value': dentsu CEO Takeshi Sano reveals fresh playbook Hosted on Acast. See acast.com/privacy for more information.

This episode has been presented by System1.What happens when Byron Sharp, Mark Ritson, System1, creators, AI, and Cannes Lions all collide on Day One?In the first edition of our Cannes Cut series, presented by System1, Marc and V unpack the biggest themes emerging from Cannes Lions 2026, including why creativity is increasingly being judged through the lens of effectiveness, why marketers may be spreading budgets too thin, and why some of the industry's biggest thinkers are converging on a surprisingly small set of principles.Along the way, the guys sit down with Vanessa Chin (SVP Marketing, System1) to discuss creativity, creators, celebrities, emotional advertising, AI-generated campaigns, and why happiness and humour continue to outperform serious purpose-driven work.They also hit the Croisette to capture perspectives from attendees, founders, creators, publishers, and marketers about the trends shaping Cannes this year.In this episode:Why effectiveness has become the dominant conversation at CannesDavid Tiltman's "Fewer, Bigger, Better" frameworkThe five things Byron Sharp and Mark Ritson agree onMental availability and why awareness isn't enoughDistinctive brand assets and why logos alone don't cut itWhy sophisticated mass marketing still mattersThe case against purpose-led marketingHow creators are becoming marketing "super touchpoints"Why funny advertising continues to outperform serious advertisingThe role AI is actually playing in modern creative developmentSights and sounds from the CroisettePlus: exclusive insights from Vanessa Chin and conversations with marketers attending Cannes from around the world.The Rosé can wait. The questions can't.In this episode:Why effectiveness has become the dominant conversation at CannesDavid Tiltman and WARC's "Fewer, Bigger, Better" frameworkThe five things Byron Sharp and Mark Ritson agree onMental availability and why awareness isn't enoughDistinctive brand assets and why logos alone don't cut itWhy sophisticated mass marketing still mattersThe case against purpose-led marketingHow creators are becoming marketing "super touchpoints"Why funny advertising continues to outperform serious advertisingThe role AI is actually playing in modern creative developmentSights and sounds from the CroisetteThe Rosé can wait. The questions can't.Chapters00:00 - Welcome to Cannes: The Excitement Begins02:53 - Insights from Industry Leaders06:06 - The Importance of Mental Availability08:52 - Distinctive Brand Assets and Their Impact12:09 - The Shift from Purpose to Emotion in Advertising14:59 - The Role of Celebrities in Marketing17:58 - The Power of Humour in Campaigns20:52 - The Future of Creators in Advertising23:48 - Final Thoughts and Key Takeaways27:25 - Conor Byrne, Exploring AI's Human Element30:03 - Alex, Insights from AI Central Media32:49 - Rachel Higgins, Connecting and Gaining Inspiration35:38 - Mariam Bebiashvili, Marketing Strategies and AI Integration

Cannes Lions 2026 Day 1: Young Lions Kickoff, AI Takes Over the Croisette & Early WinnersOn day one of Cannes Lions 2026, host Conor Byrne covers the Young Lions competition as teams prepare for a 24-hour brief, and shares highlights from meetings and sessions across the festival. He recaps a coffee catch-up with Karen Nelson-Field and plans to feature her on the podcast, then reports recurring Cannes themes around AI, including agentic AI in ad tech and the importance of transparency and human-in-the-loop control discussed by Limelight leaders. From Adweek House, he notes talks on moving at “the speed of now,” AI enabling human connection (including Grindr and TD Bank), and sponsorship as a marketing lever. He also shares early Lions winners across Creative B2B and health categories, and summarizes research from WARC, Jellyfish, and Inseed on how creativity performs differently for humans versus LLMs.00:39 Young Lions Kickoff01:24 Coffee With Karen Nelson-Field02:19 Limelight on AI Transparency04:48 Adweek House Highlights06:31 Early Lions Winners Roundup07:59 Creativity in an LLM World12:21 Oshri on Limelight US Growth14:46 Ritson vs Sharp Debrief with Marc & V from the Sleeping Barber Podcast Hosted on Acast. See acast.com/privacy for more information.

This week, Jim welcomes Grace Kao, Chief Marketing Officer of Snap Inc. Founded in 2011 by Evan Spiegel and Bobby Murphy, Snap has grown from a simple idea about visual communication into a global platform reaching more than 940 million monthly active users and generating nearly $6 billion in annual revenue.Grace joined Snap in late 2024 and was promoted to Chief Marketing Officer just months later. Before Snap, she held senior marketing leadership roles at Spotify and Instagram, helping some of the world's most influential platforms connect with creators, businesses, and consumers.Tune in as Grace shares what marketers still misunderstand about Gen Z, why creativity remains the defining skill of the next generation, and how brands can earn relevance by becoming part of the group chat rather than interrupting it. Whether you're leading a global brand, building a startup, or simply trying to understand where culture is headed next, this episode offers a thoughtful look at the future of marketing, creativity, and human connection.---We'll be at Cannes Lions from June 22nd to the 26th, hopping up along the Croisette all week. Let us know if you'll be attending too!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Du 15 au 22 mai 2026, Clotilde et Eléonore ont déboulé sur la Croisette à l'occasion du 79e Festival de Cannes. Un mois plus tard, les films pensés et digérés, elles retrouvent Judith pour leur livrer leur palmarès (pas tout à fait protocolaire) de cette édition. Bonne écoute !Ju, Clo et EléTimecode : 03:10 - L'Inconnue 07:25 - Sheep in the Box10:31 - Minotaure14:22 - Fjord18:45 - Gentle Monster21:31 - Paper Tiger25:51 - Notre Salut32:42 - Hope37:24 - Autofiction40:49 - The Man I Love43:52 - Her Private Hell48:57 - Roma Elastica53:02 - Teenage Sex and Death at Camp Miasma59:52 - Low Expectations01:02:04 - Adieu Monde CruelHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Filmmakers! Welcome back to a very special Business of Film edition of The Filmmakers Podcast. Today, we are cutting through the absolute nonsense and delivering a survival guide for how to fund, produce, and sell an independent film in the current market. Host Giles Alderson is joined by an expert powerhouse panel: film industry data analyst Stephen Follows, director-producer and AI tech expert Hilary Shakespeare, independent director-producer Dom Lenoir, and VP of Distribution at Quantify Sales, Dimo Alexandrov. Together, they break down the exact numbers of what sold, why horror and elevated genre remain king, the catastrophic mistakes indie producers are making on the Croisette, and the real impact of AI on the future of cinema. Whether you are prepping a project for production or trying to close a distribution deal, this episode is a mandatory masterclass on how to navigate the international market right now. Come Fully Prepared: Before approaching any sales agent or distributor, you must know your exact budget top-sheet, your realistic cast options, your shoot locations, and your tax credit strategy. Do not pitch an abstract idea; pitch a business plan. The Sweet Spot Budget: The current market "sweet spot" for independent genre films is £1.2M–£1.5M. Going higher requires highly recognizable names; going lower works best in horror where a strong, high-concept hook can carry the film. Horror and Rom-Coms are Leading: Horror and elevated genre films remain the most bulletproof, reliable bets globally. However, romantic comedies are making a significant comeback—particularly book adaptations and projects with established cast members. The Market Moves Early: The traditional Cannes calendar has shifted. A massive portion of business and deal-making was finalized the weekend before the official market doors opened. Start your outreach and schedule your virtual meetings much earlier next year. Personalize or Perish: Sales agents are swamped with generic copy-and-paste pitch emails that don't even mention their company slate. Take the time to research exactly who you are contacting and explain why your project specifically fits their portfolio. Badges Matter Less Than Presence: The most lucrative business deals and connections didn't happen inside the secure zones; they happened in bars, beach parties, and informal networking spots. Even without an official market badge, it is still worth being on the ground. AI is a Tool, Not a Writer: The panel consensus is clear—leverage AI for workflow efficiencies like scheduling, budgeting, localized dubbing, and storyboarding. However, original human voice and lived experiences are the only things that truly make a film connect with an audience. Understand Gen Z: Gen Z is now the largest cinema-going demographic, but their tastes, media consumption, and viewing habits differ drastically from previous generations. You must understand how to market directly to them. Work the Other 360 Days: Cannes is a momentary flashpoint, not a long-term strategy. The filmmakers finding genuine traction are building relationships, sending screeners, and doing Zoom calls all year round. The Follow-Up Strategy: Don't let your market contacts go cold. Connect on LinkedIn or Instagram (read the room on which platform fits best), screenshot their contact info so you don't lose it, and follow up within a few days with a personalized, contextual message.

Well, Cannes has concluded. Join John and El'Ahrai live far from the Croisette as they talk about the award winners and implications for the future. Plus! Reviews of "Star Wars: The Mandalorian and Grogu" and "Saccharine", home video picks and more! You should listen! Do you get a bigger kick doing this, or stealing small objects?

Puntata speciale dedicata al Festival di Cannes. I vincitori e gli sconfitti, le sezioni collaterali, il fuori concorso. Tutto quello che abbiamo visto per voi sulla Croisette.Stanze di Cinema è la trasmissione di Ciao Como Radio dedicata a cinema, cultura e spettacoli. A cura di Marco Albanese, Carlo Cairoli e Daniele Valsecchi.Vi ricordiamo infine il libro di Stanze di Cinema "Oltre il Novecento: 25 anni di cinema in 100 film" disponibile qui: https://www.amazon.it/Oltre-Novecento-anni-cinema-film/dp/B0GW8F477J/

Episode 293 A two-week shoot, a half-million dollar budget, and not a single human behind the camera, welcome to the future of Hollywood.This year at Cannes, the most talked-about presence on the Croisette wasn't a movie star; it was artificial intelligence.The Cloud Security Alliance is sounding the alarm on a new breed of AI system that doesn't just answer questions, it takes action, on its own, across your entire digital infrastructure.GitHub just confirmed that roughly 3,800 internal repositories were compromised, and the attacker didn't need a zero-day exploit, just a poisoned developer tool your engineers trust every single day.Google API Keys: Here's a question every incident responder needs to answer: if you delete a compromised credential and the attacker keeps using it for the next twenty-three minutes, did you actually stop the breach?The same AI technology making phishing attacks more convincing may also be our best shot at catching them, and this week, a listener's inbox put that to the test.Spotify and Universal Music Group just agreed to let fans remix their favorite songs using AI, and for the music industry, it's the clearest sign yet that the question is no longer whether this happens, but who controls it when it does.In a spring full of AI doomsday commencement speeches, Steve Wozniak walked onto a stage in Michigan and reminded a room full of nervous graduates that they already carry the most powerful intelligence in the room.Welcome back, everyone. We're glad you're here for Episode 293 of the AI, Privacy, and Security Weekly Update. It's May 26th, 2026, and this week we are going big. We're starting in Cannes, we're going to swing through some genuinely alarming security stories, and we're going to land somewhere a little more hopeful at the end. Let's get into it.Find the transcript to this podcast here.

The Guardian's Peter Bradshaw has been sending dispatches from Cannes since 1999. If you ask him what's changed in 27 years, he claims: nothing. He means it as a compliment.Hugo Emmerzael sits down with the legendary film critic on the Croisette mapping out Peter's journey through film, from his first memory of cinema through the strange, accidental route into one of the most-read critic chairs in the English-speaking press. They get into why only Cannes, among the major film festivals, still places film criticism at the heart of it all.Plus five films that caught Peter's attention this year: Andrey Zvyagintsev's Minotaur, Paweł Pawlikowski's Fatherland, Rodrigo Sorogoyen's Beloved, Marine Atlan's La Gradiva, and Clio Barnard's I See Buildings Fall Like Lightning, and why we should value the politics inside the films rather than the statements and press conferences around them.Get tickets to ⁠Cine of The Times: The Fast And The Furious⁠ @ LAB111 Get tickets to ⁠Moving incl. Ramen⁠ @ LAB111Get tickets to ⁠Film Lecture: Everything Is Cinema - The Filmic Alchemy Of Jean-Luc Godard⁠ @ LAB111A film podcast from LAB111 — Amsterdam's arthouse cinema for independent and cult films. Produced by Elliot Bloom.

Où l'on parle de la Croisette, mais aussi de prise d'otage.

durée : 00:03:50 - Les Matins de France Culture - par : Lucile Commeaux - Aujourd'hui depuis la Croisette : des héroïnes, des destines tragiques, des chemins qui dévient, et des grandes gueules. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:03:50 - Les émissions culturelles de France Culture - par : Lucile Commeaux - Aujourd'hui depuis la Croisette : des héroïnes, des destines tragiques, des chemins qui dévient, et des grandes gueules. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

From giant pink bows to dramatic Valentino capes, the Cannes red carpet delivered plenty of standout style moments this year. Demi Moore dominated the Croisette with elegant jury looks, while Bella Hadid paid tribute to Jane Birkin in a vintage-inspired Schiaparelli gown. For the men, Colman Domingo stole the spotlight in a theatrical purple Valentino cape ensemble.

Oscar-winning actor Rami Malek has returned to the Cannes spotlight with "The Man I Love". The latest film from indie director Ira Sachs is premiering on the Croisette alongside co-stars Rebecca Hall, Ebon Moss-Bachrach and Tom Sturridge. The film sees Malek play a downtown New York performance artist during the late 1980s AIDS crisis – a role the actor compared to portraying Freddie Mercury in "Bohemian Rhapsody".

durée : 00:27:49 - Les émissions culturelles de France Culture - par : Lucile Commeaux - Au programme de ce débat critique spécial festival de Cannes, quatre films sur la Seconde Guerre mondiale : "La Bataille de Gaulle : L'âge de fer" d'Antonin Baudry, "Notre salut" d'Emmanuel Marre, "Moulin" de László Nemes et "Fatherland" de Pawel Pawlikowski. - réalisation : Laurence Malonda, Boris Pineau, Aïssatou N'Doye, Jules Barbier, Zohra Vignais, Lise Ripoche, Mathi Adjinsoff - invités : Théo Ribeton Journaliste français, Josué Morel Rédacteur en chef de la revue Critikat Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Die einen vermissen die großen Blockbuster, die anderen freuen sich, dass europäisches Arthouse-Kino endlich mehr Gewicht bekommt. Bei den Filmfestspielen in Cannes sind die großen Hollywood-Studios außen vor. Die anstehende Warner-Übernahme sorgt für Verunsicherung, vielleicht ist die Präsenz bei einem europäischen Festival mit vielen kritischen Journalisten auch ein zu großes Risiko. Deutschsprachige Filme sind an der Croisette dagegen sehr präsent. Eröffnen sich in Cannes Möglichkeiten für Europa, sich vom US-Kino unabhängiger zu machen? Welche Rolle spielen dabei Erzählweisen, Autorinnen und Produktionsbedingungen? Karsten Umlauf diskutiert mit Prof. Fernando Ramos Arenas – Filmwissenschaftler Universität Madrid; Lisa Bierwirth – Drehbuchautorin („Das geträumte Abenteuer“); Rüdiger Suchsland – Filmkritiker

durée : 00:03:56 - Le Regard culturel - par : Lucile Commeaux - Ce matin en direct de la Croisette, des enfants, des traumas, des fables politiques et des meubles scandinaves.

durée : 00:03:56 - Les Matins de France Culture - par : Lucile Commeaux - Ce matin en direct de la Croisette, des enfants, des traumas, des fables politiques et des meubles scandinaves. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:03:56 - Les émissions culturelles de France Culture - par : Lucile Commeaux - Ce matin en direct de la Croisette, des enfants, des traumas, des fables politiques et des meubles scandinaves. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

After a party- and screening-filled weekend on the Croisette, Rebecca and John report back from the Cannes Film Festival, including a peek inside Vanity Fair's casually elegant event at Tetou. They discuss the couple of great films and the larger number of disappointing ones, and give a preview of the premieres to come. Plus, did Rebecca help Jordan Firstman decide which studio to go with for Club Kid? Did the cast of the new White Lotus season spill any juicy secrets to John? There's one way to find out!Follow along on Vanity Fair's Cannes liveblog, and send your festival questions to littlegoldmen@vf.com. Learn about your ad choices: dovetail.prx.org/ad-choices

Football legend Éric Cantona is back on the Croisette with two films in Cannes: "Marvellous Mornings", the debut feature from director Avril Besson, and "Cantona", a British documentary exploring his turbulent years at Manchester United. Away from the premieres, the festival is also facing a growing political controversy after hundreds of film figures accused Canal+ and billionaire Vincent Bolloré of contributing to a far-right shift in French culture.

After a party- and screening-filled weekend on the Croisette, Rebecca and John report back from the Cannes Film Festival, including a peek inside Vanity Fair's casually elegant event at Tetou. They discuss the couple of great films and the larger number of disappointing ones, and give a preview of the premieres to come. Plus, did Rebecca help Jordan Firstman decide which studio to go with for Club Kid? Did the cast of the new White Lotus season spill any juicy secrets to John? There's one way to find out!Follow along on Vanity Fair's Cannes liveblog, and send your festival questions to littlegoldmen@vf.com. Learn about your ad choices: dovetail.prx.org/ad-choices

durée : 00:28:53 - Les Nuits de France Culture - par : Albane Penaranda - Habitué de la Croisette, Ken Loach incarne un paradoxe : comment un cinéaste si résolument à gauche s'impose-t-il au royaume des paillettes ? Dans cette émission de 2016, il s'explique au micro de Caroline Broué sur sa cote d'amour à Cannes, après son prix pour le très social "Moi, Daniel Blake". - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA - invités : Ken Loach Réalisateur britannique Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:29:33 - Les Nuits de France Culture - par : Albane Penaranda - Quand la vraie vie, mais aussi les cinéaste et les critiques bousculent la Croisette. Cette émission de 2002 retrace les crises qui ont réinventé le Festival, comme la rupture de mai 68. Jean Douchet, Nelly Kaplan nous expliquent comment le festival est devenu le terrain de multiples affrontements. - réalisation : Rafik Zénine, Hassane M'Béchour, INA - invités : Nelly Kaplan Écrivaine et réalisatrice, Antoine de Baecque Professeur d'histoire du cinéma à l'École normale supérieure, Jean Douchet Cinéaste, historien et critique de cinéma (1929-2019) Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

« Et à la fin, c'est la Chine qui gagne », titre L'Express. « Pour la première fois depuis la fin de la Seconde guerre mondiale, nous dit l'hebdomadaire, l'Amérique fait face à un rival qui menace sa suprématie. » Les journaux reviennent tous sur l'intelligence artificielle, « mère de toutes les batailles » entre Pékin et Washington, glisse L'Express. Pour l'heure, poursuit le titre, « les États-Unis la mènent d'une courte tête grâce aux performances des modèles de langage de ChatGPT et Claude ». Mais une avance en forme de trompe-l'œil. L'économiste Benjamin Bürbaumer, interrogé dans les colonnes du Nouvel Obs, prévient : « Les États-Unis s'épuisent sur le front de l'innovation, tandis que [la Chine], placée juste derrière, bénéficie de l'aspiration. » « Les autorités politiques chinoises, nous dit l'Express, mobilisent massivement l'appareil techno-industriel pour faciliter la commercialisation des produits stratégiques. » D'autant que Pékin bénéficie d'une force de frappe que Washington n'a pas : chaque année, 1,3 million d'ingénieurs sortent de ses universités, contre 130 000 aux États-Unis. « Au même moment, croit savoir l'économiste Benjamin Bürbaumer dans Le Nouvel Obs, la Chine gagne en popularité. » « Au point que la Chine devienne même tendance, martèle L'Express. Sur TikTok, Instagram ou YouTube, le phénomène « Chinamaxxing » vante l'art de vivre à la chinoise. Une opération de propagande jamais vue depuis les années Mao. » Quant aux pays européens, les hebdomadaires sont unanimes : ils sont cantonnés au rôle de spectateur de ce duel. « L'Europe en est réduite à jouer les utilités. Voire les victimes consentantes », s'indigne Le Point. « L'effacement de l'Europe, poursuit le journal, est symbolisé par le sort réservé au Premier ministre Keir Starmer. Pour obtenir un entretien avec Xi Jinping, il a dû donner son feu vert à la construction d'une nouvelle ambassade chinoise au cœur de Londres. » Résultat ? s'interroge l'hebdomadaire. « Une concession dérisoire sur le whisky et une visite de la Cité interdite avec pour unique accompagnateur un guide local. L'image du Premier ministre britannique, errant les mains dans les poches au milieu de la foule, scelle le déclassement de l'ex-puissance coloniale de Hong Kong », sermonne Le Point. À lire aussiSommet Chine-États-Unis: accords commerciaux «fantastiques» pour Trump, la visite «fera date», dit Xi Jinping Dans un an, l'élection présidentielle en France « Ça sent la naphtaline », s'amuse Marianne, qui titre : « Le retour en force des vieux ». Dans presque tous les titres, on évoque la stratégie de François Hollande pour tenter de s'imposer comme le candidat du Parti socialiste en 2027. « Voilà des années qu'il cherche le trou de souris – l'expression lui est presque consacrée », note L'Express. « Sa force, c'est qu'il a été président. Son handicap, c'est qu'il a été président », résume dans les colonnes du magazine Pierre Moscovici, qui fut ministre du dernier quinquennat socialiste. « Sa stratégie, c'est le bordel », résume pour sa part le premier secrétaire du PS, Olivier Faure, dans L'Express, « et puis de réapparaître à la fin, fort de son expérience ». Pendant ce temps, plus au centre, un duel se profile entre Gabriel Attal et Édouard Philippe. Les deux hommes ont tous les deux été Premiers ministres et font valoir leur expérience, rappelle Marianne. « Attal est un bulldozer, pas une voiture-balai soucieuse de récupérer coûte que coûte les indécis et les critiques de son action », estime L'Express. « Edouard Philippe bénéficie d'une image de valeur sûre, de quelqu'un d'ultra compétent », juge pour sa part Marianne. La Tribune Dimanche assure que Gabriel Attal va annoncer officiellement sa candidature « dans les jours qui viennent ». « Tout va maintenant aller très vite », écrit le titre, qui publie une tribune de 500 élus locaux. Tous appellent l'ancien premier ministre à se présenter à l'élection présidentielle. « Parce que Gabriel Attal a montré ses qualités, qu'il a la force de l'expérience, l'audace de proposer et la capacité à agir : il est, pour nous, la personne dont notre pays a besoin » assurent les signataires. À lire aussiPrésidentielle 2027: Raphaël Glucksmann peut-il être le candidat de la gauche? 79e édition du Festival de Cannes « Qui veut la peau du CNC ? », s'interroge M, le Magazine du Monde. Le Centre national du cinéma et de l'image animée (CNC) est l'organe public chargé notamment de financer la création cinématographique, en reversant notamment les taxes perçues sur les ventes de tickets. « La France est dans le top 3 mondial dans trois secteurs, rappelle le patron de l'institution dans les colonnes du magazine, les exportations d'armement, le nucléaire, et le marché du cinéma. » « Le CNC est la définition même d'un outil de souveraineté », poursuit-il. « Une citadelle assiégée », s'inquiète pour sa part le M. Il est la cible « d'attaques répétées, venant notamment de l'extrême droite », « au prétexte, poursuit le journal, que le CNC dilapiderait l'argent des Français pour aider des navets et des films gauchistes pour une rentabilité nulle ». Le M décortique dans ce long papier le fonctionnement de l'institution, notamment les commissions mises en place pour attribuer des avances sur recettes, dont, s'amuse l'hebdomadaire, « le secret des délibérations [...] ferait pâlir d'envie une loge maçonnique ». Le Point, pour sa part, dévoile quelques coulisses de la Croisette. Derrière les paillettes, les robes de soirée et les rivières de diamants, le magazine s'est intéressé aux agents d'image, ces hommes et ces femmes chargés de négocier les contrats entre les acteurs et les maisons de haute couture ou de joaillerie. « Au cinéma cohabitent deux dialectes : celui de la cinéphilie et celui de l'argent », résume l'un de ces agents dans les colonnes du magazine. On apprend ainsi que pour un contrat « full égérie », certaines maisons déboursent « entre deux et trois millions d'euros par an pour une Française, davantage s'il s'agit d'une Américaine ». « Une actrice de niveau A peut facturer 50 000 euros le port d'une parure, 30 000 euros la présence à un dîner, de 15 000 euros à 100 000 euros pour assister à un défilé de mode », poursuit Le Point. À lire aussiCannes 2026: parentalités contrariées au cinquième jour du Festival Enquête sur Reza Pahlavi Le Nouvel Obs s'est intéressé au fils du dernier shah d'Iran dans un long papier, intitulé « La fabrique d'un roi ». Le magazine s'interroge : comment cet héritier en exil « s'est-il imposé en trois ans comme un symbole de l'opposition iranienne ? » « L'histoire commence en février 2023 », raconte L'Obs, en plein mouvement « Femme, Vie, Liberté », puis se poursuit lors de la guerre des douze jours, en juin dernier. Le tout secondé par des interventions dans les médias, une stratégie sur les réseaux sociaux et « tout un écosystème aux financements opaques, où se croisent lobbys d'influence et réseaux politiques », écrit le titre. Le magazine décortique ainsi l'entourage de Reza Pahlavi, galaxie d'influenceurs et de personnages sulfureux qui frôle avec l'extrême droite. M, le Magazine du Monde, consacre lui un article au père de Reza Pahlavi, le dernier shah d'Iran. L'hebdomadaire s'est penché sur sa collection de montres, qui « affole les enchères ». « Des Rolex en platine, des Patek Philippe en or, des Audemars Piguet serties de diamants » qui s'envolent pour des centaines de milliers de dollars dans les salles des ventes. « Cette collection raconte un moment particulier de l'histoire de l'Iran, note le M, elle est le symbole parfait de cette dictature moderniste et pro-occidentale qui a précédé celle des mollahs. » La passion du shah pour les montres suisses, poursuit le magazine, « a finalement surtout nourri le procès en "occidentalité" instruit par son opposition religieuse, qui finit par le renverser. » À lire aussiReza Pahlavi, le fils du dernier chah qui tente de s'imposer comme figure de ralliement en Iran « Gaza, la vie d'avant », une exposition de photographies à Marseille Le magazine du Monde dévoile aussi quelques clichés d'une exposition qui se tient en ce moment dans la cité phocéenne. Le petit-fils du photographe Kegham Djeghalian, fondateur du premier studio photo de l'enclave palestinienne en 1944, expose quelques-uns de ces clichés au Centre photographique de Marseille. On y retrouve de sublimes images en noir et blanc d'enfants qui courent sur la plage, de pique-niques sur des nappes blanches, de mariages, de sourires, d'hommes qui fument le narguilé ou qui jouent au volley. Des photos « d'une bande de Gaza qui n'existe plus », écrit le M, qui rappelle que l'enclave est aujourd'hui « détruite à plus de 80 % ».

On retrouve Enora, Daphné et Juliette sous le soleil de la Croisette pour non pas une, non pas deux, non pas trois, non pas quatre (etc...) mais bien HUIT chroniques (et oui, l'équipe de PopCorn charbonne à Cannes). Au programme aujourd'hui : La Gradiva, de Marine Atlan (Semaine de la critique)Siempre soy tu animal materno / Ton animal maternel, de Valentina Maurel (Un certain regard)El ser querido /L'être aimé, de Rodrigo Sorogoyen (Compétition officielle)Le bois de Klara, de Volker Schlöndorff (Cannes première)Paper Tiger, de James Gray (Compétition officielle)Full Phil, de Quentin Dupieux (Séance de minuit)Les matins merveilleux, de Avril Besson (Séance spéciale)Sheep in the box, de Hirokazu Kore-eda (Compétition officielle)Bonne écoute ! Chroniques : Enora, Daphné & JuliettePrésentation et montage : Juliette

De la plage des Palmes au Palais des Festivals, d'un lieu d'interview à notre studio RFI sur la Croisette : nous vous emmenons avec nous pour vivre le parcours d'un festivalier. Émission en mode reportage donc pour vous livrer nos premières impressions de la 79e édition du plus grand festival de cinéma au monde.  Nous vous livrons nos premières impressions de cette nouvelle édition du plus grand festival du monde. Gros plan sur le film Centrafricain Congo Boy de Rafiki Fariala, produit par Boris Lojkine. Après son documentaire Nous, étudiants, le cinéaste raconte en fiction son histoire de jeune réfugié congolais en Centrafrique, qui s'occupe de ses quatre frère et sœurs tout en passant le bac. Son rêve : gagner un concours de chant organisé par l'Unicef pour s'en sortir. Boris Lojkine (L'histoire de Souleymane, sélectionné au Festival de Cannes en 2024) est le producteur du film, mais également cette année le parrain de la Fabrique de l'Institut français. Zoom également ce samedi sur la Semaine de la critique et la Quinzaine des cinéastes dont RFI est partenaire. À l'affiche : In Waves, le film d'animation de Phuong Mai Nguyen qui a fait l'ouverture de la Semaine et Shana de Lila Pinell sélectionné à la Quinzaine. Tous les contenusFestival de Cannes 2026

Édition spéciale du Journal inattendu en direct du Festival de Cannes. Stéphane Boudsocq reçoit Géraldine Nakache, venue présenter son film "Si tu penses bien", Virginie Efira, à l'affiche de deux films en compétition, Artus, de retour sur la Croisette, mais aussi David Lisnard, maire de Cannes, et Thierry Frémaux, délégué général du festival. Au fil de l'émission, ils racontent les coulisses du plus grand rendez-vous mondial du cinéma, entre création, émotion et enjeux culturels.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:58:37 - Les émissions culturelles de France Culture - par : Antoine Guillot - Plan large en direct du Festival international du film de Cannes, pour des toutes premières fois sur la Croisette, celles de Marine Atlan, Blerta Basholli, Maxence Voiseux et Zou Jing, avec aussi Charlotte Garson. - réalisation : Anne-Laure Chanel, Anne-Vanessa Prévost - invités : Blerta Basholli réalisatrice kosovare, Jing Zou réalisatrice chinoise, Marine Atlan réalisatrice, Maxence Voiseux réalisateur, Charlotte Garson Rédactrice en chef adjointe des Cahiers du cinéma Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

French legend and Cannes regular Catherine Deneuve returns to the Croisette with not one but two films. Meanwhile Hollywood icon and licensed pilot John Travolta makes his directorial debut with an adaptation of his own children's novel about the golden age of aviation. FRANCE 24's Culture Editor Eve Jackson also tells us about the latest collaboration from former French power couple Marion Cotillard and Guillaume Canet – their first since splitting up last summer.

Pour ce premier épisode spécial dédié au 79e festival de Cannes, on vous embarque avec nous sur la Croisette en vous partageant nos coups de coeur, coups de gueules et découvertes en direct !Au programme : La Vénue Electrique de Pierre Salvadori, La vie d'une femme de Charline Bourgeois-Tacquet, Histoires Parallèles d'Asghar Farhadi, Butterfly Jam de Kantemir Balagov, In Waves de Phuong Mai Nguen, Viva de Aina Clotet... Et Fast & Furious de Rob Cohen.Animation, réalisation, montage, son : Mariana AgierParticipantes : Enora Abry, Noémie Attia, Alicia Arpaïa, Margaux Baralon, Diane Lestage, Victoria FabyGénérique : © SorocinéMusique : Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:12:27 - Les Enjeux internationaux - par : Astrid de Villaines - À Cannes, les studios américains brillent par leur absence. Derrière cette Croisette sans blockbuster se cache une crise profonde d'Hollywood : franchises, streaming, déclin du cinéma d'auteur… Pourquoi Hollywood tourne-t-il le dos à Cannes ? - réalisation : Daphné Leblond, Mathilde Thon-Fourcade - invités : Jordan Mintzer Journaliste, critique de cinéma. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Ecoutez Vous allez en entendre parler avec Tom Lefevre du 14 mai 2026.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This week on Oscars Outsider, Cannes is open, but Hollywood might have left the group chat.We dig into a strange Cannes lineup where the big American studio titles mostly stayed home, while European, East Asian, and international festival heavyweights take center stage. What does that mean for the Oscar race? Is Hollywood avoiding the risk of an early festival reaction, or is Cannes simply becoming less dependent on Hollywood glamour?We also look at the films that could emerge from Cannes as real awards contenders, including potential international players, major auteurs returning to the Croisette, and the movies that might shape the Best Picture conversation months from now.It's Cannes season, which means it's time to overreact responsibly.Subscribe to Oscars Outsider for awards race analysis, Oscar history, festival coverage, and movie conversations from outside the usual pundit bubble.#Oscars #Cannes #CannesFilmFestival #OscarRace #BestPicture #Movies #AwardsSeason #FilmFestival

durée : 00:03:38 - Un monde connecté - par : François Saltiel - Le Festival de Cannes met fin à son partenariat avec TikTok, fragilisé par les polémiques autour de la plateforme. Il est remplacé par Meta, qui vient promouvoir ses lunettes connectées et ses outils d'IA sur la Croisette.

The 79th Cannes Film Festival is officially underway, and FRANCE 24 is live from the Croisette for its very first Cannes 2026 special. Join Culture Editor Eve Jackson and Film Critic Emma Jones as they break down the biggest moments from opening night: the honorary Palme d'Or presented to Peter Jackson, the arrival of Hollywood stars on the red carpet and the films already creating buzz on the Croisette.

As the 79th Cannes Film Festival opens on the Croisette, politics is competing with glamour for attention. Hundreds of figures from the French film industry have signed an open letter warning about what they describe as the growing influence of the far right within French cinema and media. At the centre of the controversy is French billionaire and media tycoon Vincent Bolloré, owner of Canal+, the powerful television group that plays a major role in financing French films.

Film critic Ben Croll joins Eve Jackson to break down this year's Cannes lineup – from the biggest names to the early buzz, and what it reveals about the state of global cinema. The 2026 Cannes Film Festival is already shaping up to be one of the most talked-about editions in years. Major directors including Pedro Almodóvar, Steven Soderbergh and Ron Howard are set to premiere new work on the Croisette. They are joined by a host of international stars – among them Javier Bardem, Michael Fassbender and Kristen Stewart – underlining Cannes' enduring global appeal.

Découvrez l'histoire d'Eve Vallois, alias Lolo Ferrari, la bimbo française la plus célèbre des années 90, à la poitrine hors norme… Mais derrière l'outrance associée à la starlette se cache une réalité brutale : une jeune femme vulnérable, sous emprise et en mal d'amour. Et dont la mort précoce à l'âge de 37 ans recèle des mystères encore non résolus à ce jour. Du film X au film d'auteur En mai 1995, Lolo décide de forcer le destin. En plein festival de Cannes, la blonde sulfureuse a l'idée de se promener sur la Croisette vêtue d'une des ses invraisemblables tenues de poupée Barbie. Talons vertigineux et poitrine XXL en avant, la jeune femme espère se faire repérer par un professionnel. Bingo ! Les journalistes, venus du monde entier pour le festival, flashent sur elle. En quelques semaines, sa renommée devient internationale. L'année suivante, elle tape dans l'oeil du réalisateur belge Jan Bucquoy qui la met à l'affiche de son long métrage Camping Cosmos. Comment Eric Vigne va-t-il gérer sa carrière ? Un podcast Bababam Originals Ecriture : Claire Loup Voix : François Marion, Lucrèce Sassella Learn more about your ad choices. Visit megaphone.fm/adchoices