Podcasts about croisette

Here are some deets fresh off the Croisette from the Cannes Lions International Festival of Creativity—basically the ad industry's Oscars but also the global epicenter of brand culture—that happened in mid-June. Brands, marketers, ad agencies, tech companies, platforms, people from entertainment and sports, and anyone and everyone part of the brand world ecosystem were there. To make sense of it all, or at least a good portion of it, I called up Tim Nudd, creativity editor at Ad Age and a journalist who's been covering and commenting on this industry for longer than almost anyone. In a conversation that included inside scoops, gossip, and good stories, Nudd and I talked about what impressed him most, what surprised him, and what he's hearing we can expect from major brands heading into the second half of the year. Then, I really wanted to find out how Expensify landed the real estate on Brad Pitt's chest for the new blockbuster film F1. Expensify's chief financial officer Ryan Schaffer, and Hannes Ciatti, founder and head creative at ad agency Alto, gave me the inside story of how the brand got such a prominent role, including a scene in which they shoot an Expensify commercial in the film. This is getting under the hood on 1,000-horsepower product placement.

In this episode of th PRovoke Media podcast, part of our special Cannes series, Maja Pawinska Sims is joined on the Croisette by Nitin Mantri, APAC president of We. Communications and group CEO of Avian. We. Their lively conversation that covers the creativity festival, the market landscape in Asia, and the results of the agency's new Brands in Motion study, which shows an interesting discrepancy between how effective communications professionals think they are being, and how comms activity is actually being received by their audiences.

Un placer haber vuelto a Cannes con El Martínez podcast bar para hacer un episodio especial que celebra los 25 años de Adlatina.En este episodio celebramos con una mesa de amigos que han revolucionado la creatividad en Cannes Lions International Festival of Creativity Lions para pasar de ser nombrados la Latin Mafia a generar la tan contagiosa Latin Magia.Tuve el placer escuchar a Luiz Sanches, la persona con más leones en la historia (238) desde AlmapBBDO, hablar de cómos latinos somos como esos astutos perros callejeros mezclas de razas que saben resolver la vida con ingenio.Escuchamos a Gaston Bigio, fundador de Gut, agencia del año en Cannes 2023, lanzar un concepto hermoso que define a Latinomérica como el corazón del mundo y lo necesario que puede ser el corazón en esta época llena de guerras.El homenajeado Jorge Raúl Martínez Moschini, fundador de Adlatina, nos contó cómo esta historia latina, de la que él y su equipo han sido los narradores por excelencia, comenzó a finales de la década pasada con los españoles.Luis Miguel Messianu, el latino con más influencia en el mercado latino de USA, contó cómo el idioma epañol invadió las calles de Cannes cuando ganaron con la famosa campaña de “Coma Mierda” de Narcos y cómo la gente alucinaba con la actitud.Juan Lavista VP de Marketing Commerce nos contó cómo Mercado Libre, con esa manera que tenemos de pensar en grande decidió, no solo convertirse en un Unicornio que ahora se expande a nivel mundial, sino que además,celebró otro Grand Prix en esta edición.Por mi lado dejé para la posteridad una linda anecdota en la Croisette en el año 2000 cuando todavía era un joven creativo, que incluyó una golpiza, botellazos, fuegos artificiales y a Rodrigo Figueroa Reyes

We're joined by two agency founders, fresh off a week on the Croisette of Cannes Lions. Is it still worth the rising costs for agencies to attend? Hosted on Acast. See acast.com/privacy for more information.

Key Links:Park & Battery: https://parkandbattery.comPark & Battery LinkedIn: https://www.linkedin.com/company/parkandbatteryBBN | Agency X: www.bbn-international.com/agencyxThis episode Ed Davis rewinds the reel on Cannes Lions to ask whether the festival is finally judging B2B work on its own creative terms. His guide is Michael Ruby, fresh from the Croisette after Park & Battery's Roto-Rooter campaign became one of only a handful of pure-play B2B entries to make the Creative B2B shortlist.The vibe in CannesRuby describes a “whirlwind” first visit: endless content, dizzying networking and—crucially—a palpable momentum for business-to-business brands. With B2B entries up to 415 this year, he believes the new compliance checks have helped weed out thinly veiled B2C work and sharpen the category's focus on genuine business impact.Evolving judging criteriaBoth host and guest agree the jury is learning to look beyond clever execution to lasting impact. Ruby notes that the best-in-class entries marry creativity with commercial proof: not just impressions and clicks, but measurable shifts in buying intent or brand preference. Yet very few campaigns—his own included—are “culturally sticky” enough to be remembered in five years, a challenge he throws down to the industry.Behind the Roto-Rooter short-listerTurning America's best-known plumber into an emotional storyteller started with one insight: nearly half of small businesses never reopen after a major flood. From there Park & Battery pushed a long-trusted client to embrace talking toilets, wry humour and a budget-friendly regional media plan. Stakeholders bought in instantly—as long as every line stayed technically accurate for professional plumbers. Data, emotion and AIThe pair dissect the uneasy dance between performance metrics and brand building. Gartner still says 60 % of martech sits idle; Cannes jurors can hardly be expected to decode MQLs and SQLs, so agencies must translate data into clearly meaningful outcomes. On AI, Ruby sees a gulf between public bravado and private anxiety: smart teams are automating the menial to free humans for concept craft, while audiences begin to recoil at low-grade “AI slop”.Campaigns that raised the barBeyond his own work, Ruby highlights AXA's “Three Words” domestic-abuse clause, Spotify/FCB's “Song for Every CMO” (with just 14 hyper-targeted impressions) and Vaseline's TikTok verification series as benchmarks that blend purpose, precision and share-worthy storytelling.Advice for would-be Lion-tamers“Stop sitting on the side-lines.” B2B specialists have the craft, but must invest time and a modest budget in world-class case films. If Park & Battery can do it four years in, anyone can. The only real barrier is deciding to enter.

This is truly a moment of immense transformation for the comms industry — “and Cannes just accelerates that.” So believes Omnicom PR Group CEO Chris Foster. In this conversation with PRWeek VP and editorial director Steve Barrett, Foster highlights what he deems to be wake-up calls for the sector. Of course, there was much that energized him during his week on the Croisette, including some particularly timely awards submissions from the PR industry that epitomized the proactive solutions toward which the sector should strive.AI Deciphered is back—live in New York City this November 13th.Join leaders from brands, agencies, and platforms for a future-focused conversation on how AI is transforming media, marketing, and the retail experience. Ready to future-proof your strategy? Secure your spot now at aidecipheredsummit.com. Use code POD at check out for $100 your ticket!    Follow us: @PRWeekUS Receive the latest industry news, insights, and special reports. Start Your Free 1-Month Trial Subscription To PRWeek

In this very special episode of Women Lead, host Nadia Koski brings you the bold ideas, vibrant voices, and high energy straight from the Cannes Lions Festival of Creativity. Recorded live in Cannes, France, this episode features on-the-ground interviews with inspiring global leaders who are shaping the future of tech, AI, marketing, and inclusive leadership.In collaboration with Microsoft Advertising, Nadia sat down with:Sunita Richardson, Head of Brand & Campaign Strategy, Microsoft We explore the evolving relationship between AI and creativity, and how storytelling is being redefined in an age of disruption.Ravleen Beeston, Regional Vice President, Microsoft Advertising UKRavleen shares what it takes to lead through rapid change with empathy, resilience, and purpose, and why advocacy is non-negotiable.MJ DePalma, Head of Inclusive Business Impact, Microsoft AdvertisingMJ takes us behind the scenes of one of Cannes' most talked-about panels, “The Future of AI Personalization is Inclusive,” and the case for using inclusive data and neuroscience in advertising strategy. Plus, a quick insight from Pranav Yadav, CEO of Neuro-Insight, on the science behind creative messaging and subconscious influence.We also had some fun on the Croisette with Stefanie Beach, Host of The Digital Marketeer podcast. Nadia and Stefanie talked about reinvention and leadership as Stefanie shared her journey from corporate to founder. Don't miss her #Cannesversations podcast series over at The Digital Marketeer podcast.Hit ‘play' and let Cannes come to you.Links & Mentions:The Digital Marketeer Podcast by Stefanie Beach: Listen on SpotifyLearn more about Microsoft Advertising: microsoftadvertising.comMore from The Digital Distillery: thedigitaldistillery.comProduced and Hosted by Nadia KoskiEngineered by Phil McDowellProject Lead Dennis KirschnerYou can contact the show at womenleadpodcast@the-digital-distillery.comor go to the website.Find us on LinkedIn, Facebook & Instagram

We're back with another episode from the Croisette — and today, we unpack a busy (and very hot) Day 4 at Cannes Lions.Marc and Vassilis reflect on a standout presentation by Mark Ritson, who laid out three pillars for marketing effectiveness: fluency, emotion, and time — and challenged long-held assumptions about personalization, ad wearout, and brand purpose.They're also joined by Vanessa Chin, SVP of Marketing and Josh Fruttiger, VP of Global partnerships from System1, who share insights from their latest report, The Long and the Short Form of It (co-authored with Andrew Tindall), which explores how brands can build attention, recognition, and results through short-form video.Highlights include:Ritson's point: “Make fewer ads. Run them longer. Make more money.”Why distinctive brand assets matter more than your logoThe creative secret behind Corona's Cannes-winning eclipse campaignSystem1's forced fatigue study: why entertaining ads fatigue less and perform longerThe surprising absence of AI and personalization from the Croisette conversationThe myth of more = better: why 3,500 assets ≠ 3,500 ideasThe return of out-of-home — and what Super Bowl marketers can learn from itPlus, find out why entertainment outperforms even hard-selling tactics across both brand and conversion metrics.Stick around until the end to hear short interviews with Josh and Vanessa directly from the ground.Enjoy the episode!Timestamps:00:00 – Introduction01:12 – Recapping Day 4 at Cannes + why we need to talk about Ritson02:20 – Mark Ritson's 3 rules for effectiveness: fluency, emotion & time04:45 – Why we overvalue personalization and short-term refreshes06:30 – Creative consistency vs. fragmentation: 3,500 assets ≠ 3,500 ideas08:20 – The case for distinctiveness, memory, and emotional resonance10:00 – Interview: Josh Fruttiger (System1) on the long and the short form10:50 – How System1 + TikTok measured short-form creative performance13:15 – Entertainment vs. salesmanship: what actually converts?15:30 – Why lazy branding hurts attention — and what to do instead17:10 – What fluent devices and brand characters do better than logos18:30 – Ad fatigue is real, but good creative ages well20:00 – How to keep ideas fresh without losing consistency21:15 – Interview: Vanessa Chin (System1) on brand, storytelling, and Corona22:45 – The return of brand identity and emotional storytelling24:10 – System1's new out-of-home research and the future of Super Bowl ads25:15 – Vanessa's final takeaway from Cannes: sunscreen + storytelling26:00 – Outro: Thanks for keeping us in your ears

Between panels and parties, creators like former bachelorette Rachel Lindsay are looking to get face time with ad execs, brand marketers and partners like Spotify. However, rather than coming to the Croisette to strike deals, they're playing a long game. Joined by Roman Wasenmüller, head of podcast business at Spotify, and Digiday Podcast co-host Kimeko McCoy, Lindsay pulls back the curtain on the creator at Cannes experience, monetization strategy and more.

Live from Cannes Lions, the Sleeping Barber Podcast welcomes back Matthew Herbert and Connor Archbold from Tracksuit. Together, we unpack the standout talks, themes, and campaigns that caught our attention—from Instacart's performance-to-brand pivot to Elf Beauty's billion-dollar playbook. We explore the evolving role of creators, lessons from compound creativity, the power of consistency in B2B marketing, and why media accountability needs to move beyond “viewability.”Also: creative shoutouts from Telstra's puppet-driven Olympics campaign to a perfectly toasted slice of New Zealand.Whether you're on the Croisette or catching up from home, this episode brings you the sights, sounds, and smarts of Cannes.Timestamps00:00 – Introduction01:30 – Instacart's brand transformation journey03:00 – Scott Galloway, Rory Sutherland & Elf Beauty: Ditch the semantics04:30 – Walking the Palais basement: Craft, awards & standout work07:50 – Telstra's puppet-led Olympics campaign08:55 – Toasting the perfect slice: A NZ bread brand goes big10:30 – The power of creative consistency & long-running platforms13:40 – LinkedIn B2B Forum with Marcus Collins & Mimi Turner14:45 – Compound creativity with Andrew Tyndall, Les Binet & Sarah Carter16:00 – Why ads wear out for marketers, not for people17:30 – Repetition, memory, and mental availability18:00 – B2B buying cycles, hidden buyers & trust signals18:45 – Media measurement: Why "seeability" is better than "viewability"19:50 – Finding balance: bravery and humility, brand and performance20:30 – Instacart & the brand-performance multiplier effect21:10 – Highlights from Zappi's Creativity Effectiveness Report23:15 – Kantar's Jane Osler on creator-led marketing & brand equity25:15 – Wrapping up: Cannes takeaways & what's next

Brand building in a complex media landscape is the talk of the Croisette. Festival speakers including McDonalds, Spotify, Dr Grace Kite, the IPA, and Tracksuit join us to share about how to get it right.Guests: Michael Ainette, Chief Creative Officer, FCB New York; Rich Frankel, Global Creative Director, Spotify Advertising; Dr. Grace Kite, VP Analytic Partners; JJ Healan, VP of U.S. Marketing, Brand, Content & Culture; Laurence Green, Director of Effectiveness, IPA; Connor Archbold, Co-CEO of Tracksuit.

Pedro Pascal a enflammé la Croisette lors du dernier Festival de Cannes. Connu pour ses rôles dans les séries Game of Thrones et The Last of Us, l'acteur chilien est un phénomène sur les réseaux sociaux. Mais comment est-il passé d'acteur à icône? Décryptage du Point J avec Norine Agassis, rédactrice chez Tataki (RTS) et spécialiste des réseaux sociaux. Journaliste: Camille Degott Réalisation: Yannis Bordas >> Pour aller plus loin: -"Pedro Pascal, l'acteur que tout le monde kiffe (sauf Trump)", sur la page Instagram de Tataki RTS @ta_ta_ki, 27.05.2025 -"Pedro Pascal is the model of masculinity America needs", MSNBC, 20.05.2025 Nous écrire ou nous proposer des questions: +41 79 134 34 70 ou pointj@rts.ch

Clara and Eli are on the ground reporting from day one of the Cannes Lions. Highlights include: Willa Bennett's plans for rebooting Cosmopolitan's IP, Apple's VP of Marketing saying “human creativity” over 18 times in 20 minutes, a potential new sponsor, Chinese soft power, being in the Nashville of France, and our ideas for a Bravo buildout on the Croisette. Hosted on Acast. See acast.com/privacy for more information.

Bonjour. Eli and Clara will be dropping daily episodes of the podcast, recorded live and uncut from the Cannes Lions Festival next week. We'll break down some of the Croisette's highs and lows, plus get the rundown of what some former D1FM guests are seeing on their end. Hosted on Acast. See acast.com/privacy for more information.

For the last two weeks, our on-the-Croisette crew of Film Comment contributors has been reporting from the 2025 Cannes Film Festival with a series of thoughtful dispatches, interviews, and Podcasts. Before the festival wrapped on May 24, Film Comment partnered with Cannes Docs, the nonfiction-focused section of the Marché du film, on a panel titled “The Voice of Documentary.” Moderated by FC Editor Devika Girish, the panel convened three practitioners of radical nonfiction—Eduardo Williams (The Human Surge 3), Brett Story (Union), and Zoya Laktionova (Ashes Settling in Layers on the Surface)—to unpack the ethical and practical ways in which documentaries use sound, voice, and audio to speak to us and shape us as listeners. 528861

Doc Talk heads to the Croisette to speak with filmmakers and film participants who debuted their documentaries at Cannes: Raoul Peck on George Orwell; Eugene Jarecki on Julian Assange; U2's Bono on his new Apple TV+ film; Mariska Hargitay on her film about her late mother, Jayne Mansfield, and the makers of Slauson Rec, a documentary about Shia LaBeouf's stormy tenure leading a free theater company in L.A. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Streaming Things, Kit returns from the 2025 Cannes Film Festival with stories galore! Join Kit, Andy, and Steve as they unpack Kit's whirlwind adventure on the Croisette—from red carpet glamour to late-night screenings, standout films, and, of course, a few hilariously embarrassing moments along the way. It's a jet-lagged, joke-packed, movie-loving good time you won't want to miss!00:00:00 - Introduction:Welcome to a new episode of Streaming Things, where we dive deep into the world of streaming content!00:33:14 - Movie Discussion:Kit talks about some of the movies he saw at the Cannes Film Festival.Video Version of this Episode: YouTubeFollow Us on Social MediaStreaming Things PatreonStreaming Things InstagramFollow Kit LazerTikTokInstagramYouTubeFollow SteveInstagramFollow AndyInstagramVisit Our WebsiteCheck Out Our MerchSend Us Mail:Streaming Things6809 Main St. #172Cincinnati, OH 45244 Hosted on Acast. See acast.com/privacy for more information.

Christna Juerling Birro is a broadcaster and podcaster and friend of many years. Her podcast Pop Culture Confidential is a must. Listen here. She joins me to talk all things Cannes. The final awards, the experiences on the Croisette and her own career as a journalist and film critic. Learn more about your ad choices. Visit megaphone.fm/adchoices

Reporting from the Croisette, host Hugo Emmerzael is joined by fellow film critic Savina Petkova who together reflect on two unforgettable selections from the 2025 Cannes Film Festival—films that stood apart amid a blur of screenings and industry spectacle.Joachim Trier's Sentimental Value, led by a luminous Renate Reinsve, is a quietly devastating meditation on memory, loss, and emotional inheritance. Meanwhile, Óliver Laxe's Sirat propels us into a dystopian rave-scape, where pulsing techno and stark imagery evoke a world on the brink of collapse.Together, Hugo and Savina unravel the layers of these two very different films, offering a glimpse into the bold cinema we can look forward to on screen at LAB111.

Dans cet épisode d'Insight, Pascal Cübb, président de l'IAA France, partage sa vision des Cannes Lions et analyse la place unique qu'y occupent les Français. Pourquoi la France brille-t-elle dans les classements et les jurys, mais reste-t-elle plus discrète sur la Croisette ? Comment les agences, annonceurs et talents français s'organisent-ils pour faire rayonner leur savoir-faire à l'international, malgré des moyens plus limités que les géants du secteur ? Entre enjeux de visibilité, force du collectif, et excellence créative, plongez dans les coulisses d'un événement incontournable où la French Touch continue de s'imposer. Un épisode pour comprendre comment la France défend sa place sur la scène mondiale, et pourquoi il est essentiel de continuer à célébrer et à exporter notre créativité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

MAY-HEM ensues with this set of releases on and off screen! The Severin Team are abroad this month at the Cannes Film Festival but that won't stop them from spreading the good word. In fact, a lot of deals for our releases are struck at Cannes each year!  Listen as we break down the three titles hitting shelves this may including three under-appreciated titles from auteur Peter Medak, including his debut film NEGATIVES, THE ODD JOB, and THE GHOST OF PETER SELLERS. Also coming out this month is a 4-film series from Lamberto Bava made for TV but only aired once due to the extreme violence and shocking subject matter... The HIGH TENSION series was deemed TOO HOT FOR TV and shelved until now! Gear up for a fun episode with special guests along the way who we ran into on the Croisette.  As always, DJ Alfonso provides a playlist of songs inspired by this months drop!  Timecodes for the Episode: 3:20 - THE GHOST OF PETER SELLERS 23:14 - NEGATIVES 32:17 - SPARROWS CAN'T SING (Bonus feature with NEGATIVES) 38:20 - THE ODD JOB 48:50 - HIGH TENSION - FOUR FILMS BY LAMBERTO BAVA 1:09:50 - Interview with composer Simon Boswell 1:27:50 - Rendezvous After Hours

Cannes 2025 is wrapping up this weekend—and our intrepid on-the-Croisette crew of Film Comment contributors has been high-tailing it from screening to screening, cutting through the noise with a series of thoughtful dispatches, interviews, and podcasts. For our ninth episode from the sunny shores of southern France, all-star critics Justin Chang, Tim Grierson, and Allison Willmore join Editor Devika Girish for our final on-the-ground panel conversation from this year's edition. The four dig into two of the most anticipated films from the festival's later days, including Bi Gan's Resurrection (4:30) and Kelly Reichardt's The Mastermind (26:10), before touching on some heretofore undiscussed competition selections: Wes Anderson's The Phoenician Scheme (45:00), Saeed Roustayi's Woman and Child (46:25), the Dardenne Brothers's Young Mothers (50:40), and Mario Martone's Fuori (1:02:05). Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

Hello ! 6ème épisode sur la Croisette pour vous parler de 3 films : Un simple accident (Compétition officielle) Les filles désir (Quinzaine des cinéastes) Romeria (Compétition officielle) Bonne écoute !

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our fifth episode from the French Riviera, Film Comment Editor Devika Girish is joined by critics Abby Sun, Beatrice Loayza, and Giovanni Marchini Camia to discuss some late-festival premieres, including Joachim Trier's Sentimental Value, Carla Simón's Romería, Oliver Hermanus's The History of Sound and Nadav Lapid's Yes. Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

Épisode 1321 : Depuis ses débuts, le Festival de Cannes est le théâtre de la visibilité médiatique : tapis rouge, flashes, tenues haute couture… Un lieu de représentation pour le cinéma, mais aussi pour le glamour et les marques. Stars de cinéma, mannequins, artistes et figures médiatiques s'y côtoient depuis des décennies.Mais en 2025, une nouvelle génération de personnalités publiques s'impose : les créateurs de contenu. Ils ne viennent pas seulement pour observer. Ils sont invités, mis en scène, habillés, maquillés, et surtout… ils créent. Cannes devient leur terrain d'expression privilégié, un lieu où la culture de l'attention atteint son paroxysme.Retrouvez toutes les notes de l'épisode sur www.lesuperdaily.com ! . . . Le Super Daily est le podcast quotidien sur les réseaux sociaux. Il est fabriqué avec une pluie d'amour par les équipes de Supernatifs. Nous sommes une agence social media basée à Lyon : https://supernatifs.com. Ensemble, nous aidons les entreprises à créer des relations durables et rentables avec leurs audiences. Ensemble, nous inventons, produisons et diffusons des contenus qui engagent vos collaborateurs, vos prospects et vos consommateurs. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Cannes 2025 is in full swing—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our seventh episode from the film world's grandest event, Film Comment Editor Devika Girish is joined by critics Kong Rithdee (back by popular demand!) and Inney Prakash to debate two recent premieres from legendary auteurs: Jafar Panahi's It Was Just an Accident (2:33) and Lav Diaz's Magellan (14:12). Next, the group discusses one of the highlights of this year's Cannes Classics section, T'ang Shu Shuen's 1968 film The Arch (23:14), before turning to Ratchapoom Boonbunchachoke's A Useful Ghost (29:09), which just won the Grand Prize at Cannes Critics' Week. Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition. Note: Around 18:00, we experienced some equipment problems that resulted in slight glitches on the audio track. We apologize for the inconvenience.

Zwei weibliche Hollywoodstars feierten in der traditionsreichen Reihe „Un Certain Regard“ direkt an der Croisette ihr Regiedebüt: Die Schauspielerinnen Kristen Stewart und Scarlett Johansson. Beide haben Geschichten von Frauenfiguren verfilmt. Burg, Susanne www.deutschlandfunk.de, Corso

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our sixth episode from the French Riviera, Film Comment Editor Devika Girish is joined by critics and FC stalwarts Miriam Bale, Robert Daniels, and Jessica Kiang to discuss their recent viewing at the fest, including Spike Lee's Highest 2 Lowest, Julia Ducournau's Alpha (23:09), Akinola Davies Jr.'s My Father's Shadow, and Hlynur Pálmason's The Love That Remains (49:25). Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

durée : 00:03:52 - Le Regard culturel - par : Lucile Commeaux - Ce matin en direct de la Croisette : le tapis rouge, une fanfare brésilienne, le roi des acteurs américains et un gros navet.

Abiti meno ingombranti e più coprenti, niente selfie: questo richiede Cannes, ma poi... Il nostro servizio dalla Croisette tra regole disattese e grande cinema.

In this special dispatch from the Croisette, Christina is joined by the brilliant and effortlessly cool Stellan Skarsgård, starring in Joachim Trier's Sentimental Value—a strong Palme d'Or contender at this year's festival. Skarsgård plays Gustav, a once-renowned director who tries to reconnect with his estranged daughter by casting her in his comeback film. They discuss Sentimental Value, the state of cinema and the world, why Skarsgård often chooses Norwegian films over Swedish ones, the importance of good catering—and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

David and Richard take a few moments before their head out to another red carpet premiere at Cannes to give Rebecca a call to talk about the latest screenings at the fest. They first discuss Wes Anderson's 'The Phoenician Scheme', before diving deep on some of the high-profile celebrity directorial debuts that have hit the Croisette. And they reveal which director -- Kristen Stewart, Scarlett Johansson, or Harris Dickinson -- pleasantly surprised them with their skills behind the camera.To join Little Gold Men's Book Club, please vote on our summer reading list here. Learn about your ad choices: dovetail.prx.org/ad-choices

It's been nearly six years since Hailey Bieber last appeared on the cover of Vogue—and let's just say, a lot has changed. Now the face of Rhode, one of the most talked-about celebrity skincare brands, Vogue's summer cover star is also stepping into a new chapter as a mother to her son, Jack Blues. On this episode of The Run-Through, writer Alessandra Codinha sits down with Chloe Malle and Deputy Editor Taylor Antrim and shares insights from her time with Hailey—covering everything from the intense scrutiny she faces online, her relationship with her husband Justin Bieber, and the deeply personal story of her difficult childbirth.Earlier on the show, Radhika Seth reports live from the Croisette at the Cannes Film Festival with the latest from the red carpet and the big screen. She recaps her favorite films so far—and the buzzy ones she's most looking forward to. As Taylor notes, "deranged mothers" seem to be trending this season, with Jennifer Lawrence and Robert Pattinson's Die, My Love making headlines after its festival premiere. Radhika also weighs in on the controversy swirling around Eddington, Ari Aster's much-hyped follow-up to Beau Is Afraid (spoiler alert: it didn't make her top picks.)And of course, no Cannes coverage would be complete without a fashion moment. The group crowned their unofficial “Queens of Cannes,” with Jeremy Strong earning his title for perfectly coordinating his bucket hats and suits, and Alexander Skarsgård turning heads in thigh-high Saint Laurent boots. Let the Hunk Summit begin! Learn about your ad choices: dovetail.prx.org/ad-choices

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our fifth episode from the French Riviera, Film Comment Editor Devika Girish is joined by critic Kong Rithdee and scholar Neta Alexander to discuss some of the most highly anticipated premieres to screen to date, including Christian Petzold's Mirrors No. 3 (2:30), Sebastián Lelio's The Wave (16:50), and Kleber Mendonça Filho's The Secret Agent (27:14). Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

Entre Trump, la fréquentation des salles en baisse et une production de séries en hausse, le 7e art cherche ses nouveaux équilibres. Dans « La Story », le podcast d'actualité des « Échos », Pierrick Fay et ses invités font le point à l'occasion du festival de Cannes qui réunit la famille du cinéma sur la Croisette.Retrouvez l'essentiel de l'actualité économique grâce à notre offre d'abonnement Access : abonnement.lesechos.fr/lastory« La Story » est un podcast des « Échos » présenté par Pierrick Fay. Cet épisode a été enregistré en mai 2025. Rédaction en chef : Clémence Lemaistre. Invités : Fabio Benedetti Valentini et Florent Vairet (journalistes spécialistes des Medias aux « Échos »). Réalisation : Willy Ganne. Chargée de production et d'édition : Michèle Warnet. Musique : Théo Boulenger. Identité graphique : Upian. Photo : REUTERS/Stephane Mahe. Sons : « Mission : Impossible – The Final Reckoning » (2025), France 24, « Un p'tit truc en plus » (2024), « Michael » (2025), La Voix du Nord, « L'Amour ouf » (2024), « Astérix & Obélix : le Combat des Chefs » (2025). Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Oscar-winner Jodie Foster shines in 'A Private Life', her first French-language role in two decades. French-speaking stars Golshifteh Farahani and Tahar Rahim team up in Julia Ducournau's mysterious thriller 'Alpha'. Plus, a behind-the-scenes look at the whirlwind world of Cannes press junkets.

Bonjour NBP Community! For Episode 442, I am joined by Dan Bayer on the Croisette in France for the 2025 Cannes Film Festival. In this week's episode, we take a break from the film festival at the midway point to discuss the various films we've been watching, including "Die, My Love," "Eddington," "Sirat," "Sound Of Falling," "The Chronology Of Water," "Nouvelle Vague," "The Secret Agent," "The Phoenician Scheme" and more! We also go over the polls for the release of "Mission: Impossible - The Final Reckoning," asking, "Which Is Your Favorite "Mission: Impossible" Film?" We also reveal the winner of last week's poll asking," "Which Films From The 2025 Cannes Film Festival Are You Most Excited To See?"There are no trailers or answers to your fan-submitted questions, but we hope you enjoy hearing about what movies you have to look forward to with another recap to come for the second week of the festival next week! Thank you all for listening, supporting, and subscribing. We hope you enjoy this episode. Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Kleber Mendonça Filho, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our fourth episode from the sunny shores of southern France, Film Comment contributor Mark Asch and critics Kong Rithdee, and Isabel Stevens join Editor Devika Girish to discuss some of the festival's buzziest titles, including Kristen Stewart's The Chronology of Water (3:35), Lynne Ramsey's Die My Love (12:00), Richard Linklater's Nouvelle Vague (29:22), and Harris Dickinson's Urchin (40:35). Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

Christina is joined by critic and author John Bleasdale (The Magic Hours: The Films and Hidden Life of Terrence Malick) for a new dispatch from the Croisette. They dive into some of the most talked-about titles at the festival, including The Phoenician Scheme by Wes Anderson, Pillion starring Alexander Skarsgård, and two films directed by actors: Kristen Stewart's The Chronology of Water and Harris Dickinson's Urchin. Learn more about your ad choices. Visit megaphone.fm/adchoices

Japanese director Genki Kawamura brings the cult video game "Exit 8" to the big screen in a chilling psychological thriller. Premiering in Cannes' Midnight Screenings section, the film follows a man trapped in a looping subway corridor, desperately searching for a way out. Adapted from a 2023 indie hit, it's a tense, mind-bending ride already thrilling both gamers and film fans. 

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Kleber Mendonça Filho, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our third episode from the sunny shores of southern France, Film Comment contributors Mark Asch and Beatrice Loayza join Editor Devika Girish to unpack two of the most go-for-broke selections to screen so far—Oliver Laxe's Sirât (2:25) and Ari Aster's Eddington (21:20)—before turning to the more modest charms of Hafsia Herzi's The Little Sister (41:20). Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

durée : 00:59:08 - Spécial Cannes 2025 - par : Thierry Jousse - Comme chaque année, au mois de mai, le festival de Cannes revient comme un rituel indispensable pour les amateurs de cinéma du monde entier. L'occasion de vous proposer, en exclusivité, quelques musiques inédites pour des films qui seront projetés sur la Croisette.

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Kleber Mendonça Filho, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our second Podcast from the French Riviera, Isabel Stevens and Thomas Flew from Sight and Sound sit down with Film Comment Editor Devika Girish to discuss Mission: Impossible – The Final Reckoning, the purported final installment of the long-running action series. To set things up, Isabel talks about her recent career-spanning interview with Tom Cruise, the cover story of the latest issue of Sight and Sound, before the group leans into the high-octane pyrotechnics of the film. Next, they turn to two other hotly anticipated premieres: Two Prosecutors (19:55), from Ukrainian auteur Sergei Loznitsa, and Left-Handed Girl (32:20), directed by longtime Sean Baker–collaborator Shih-Ching Tsou. Subscribe today to the Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

Privée de courant, une partie d'Haïti est plongée dans le noir. C'est le «black-out général après des actes de sabotage à la centrale de Péligre», rapporte Le Nouvelliste. «La région métropolitaine est plongée dans le noir depuis le début de la semaine.» La centrale hydroélectrique de Péligre, c'est le «coeur du réseau électrique haïtien», explique le quotidien. «Il faut que la centrale fonctionne pour que les autres centres de production d'électricité rejoignent le réseau et alimentent les circuits.»Cette infrastructure essentielle est fragilisée par un 2è phénomène : les riverains empruntent le barrage de la centrale comme si c'était «un pont pour relier les deux rives du fleuve Artibonite (...) L'insécurité les empêche d'emprunter les routes habituelles.» Mais ce barrage n'est pas fait pour cela.Il est difficile de dire qui est derrière ces actes de sabotage. Il n'y a pas eu de revendications, nous apprend Alterpresse. Pour Gazette Haïti, il s'agirait des gangs armés. Mais d'après Le Nouvelliste, ce serait en réalité des habitants de Mirebalais qui «veulent dénoncer l'invasion de leur ville par des groupes criminels» et «forcer les autorités de l'État central à accorder de l'attention à ce qui se passe» chez eux, affirme le journal. Chili : à la recherche des disparus de la dictatureLe Chili n'a toujours pas fait la lumière sur toutes les exactions commises pendant la dictature, 35 ans après la chute d'Augusto Pinochet. Les corps d'environ un millier de personnes détenues n'ont jamais été retrouvés, Des fouilles viennent de commencer sur le mont Chena, à 25 km au sud de la capitale, là où certains de ces prisonniers ont été vus pour la dernière fois avant de se volatiliser. Reportage de notre correspondante, Marion Bella. Les États-Unis militarisent leur frontière avec le MexiqueDes centaines de soldats, des véhicules de combat, des avions espions, des drones, des hélicoptères et même deux navires de guerre. Les États-Unis ont mis sur pied un dispositif impressionnant à la frontière avec le Mexique, raconte le New York Times dans un long reportage. Un déploiement de forces sans précédents, explique le journal. Donald Trump rompt «avec la pratique de ces prédécesseurs qui consistait à ne déployer à la frontière (...) qu'un petit nombre de soldats et de réservistes», poursuit le quotidien. Environ 2.500 soldats, contre 8.600 aujourd'hui.Ce déploiement a déjà coûté très cher : 525 millions de dollars, selon le Pentagone, alors que le nombre de traversées de la frontière est très bas. «En avril, environ 8.000 personnes ont été arrêtées après avoir passé la frontière illégalement, contre environ 128.00 un an plus tôt», nous apprend le New York Times. Le gouvernement américain continue pourtant d'envoyer de plus en plus d'hommes et des équipements de plus en plus sophistiqués. Est-ce bien utile ? s'interroge le quotidien. D'un côté, cette stratégie porte ses fruits. Les soldats «semblent empêcher les cartels d'agir, compliquer la vie des passeurs» et se perfectionnent. Mais cela coûte cher et éloigne les soldats de leur coeur de métier, des terrains de guerre. Des membres du Congrès, notamment, s'inquiètent qu'à l'avenir, les troupes ne soient plus assez préparées au combat, rapporte le New York Times. Une marche de soutien à Evo Morales qui entend briguer un 4è mandatEvo Morales est censé prendre part à la mobilisation de ses partisans qui font route vers la capitale bolivienne et devraient arriver ce vendredi ; mais rien n'est sûr, explique La Razon. L'ancien président bolivien est sous le coup d'un mandat d'arrêt pour détournement de mineur et s'il vient à la Paz, il sera détenu, a prévenu le gouvernement. Comme l'explique le journal bolivien, l'ancien président vit reclus dans son fief du Chapare depuis octobre 2024, protégé par ses fidèles. Une retraite dont il pourrait, donc, sortir pour tenter de forcer les autorités à l'autoriser à se présenter à la présidentielle du 17 août. Officiellement, Evo Morales n'a pas le droit de concourir pour un 4è mandat. «Les constitutions sont faites pour mettre des limites à l'exercice du pouvoir et le peuple a décidé de mettre des limites à la réélection», souligne le ministre Eduardo del Castillo, dans les colonnes de La Razon. Evo Morales est «un homme politique sur le déclin qui tente de survivre en faisant pression et en rejetant les lois»... accuse, pour sa part, le député de l'opposition, Enrique Urquidi Daza, rapporte El Diario. La seule arme qui lui reste, «c'est d'essayer de faire trembler le pays, en créant de la violence et des affrontements». Un film canadien présenté à Cannes«La mort n'existe pas», 4e long-métrage du réalisateur québécois Félix Dufour-Laperrière, a été projeté hier soir, à la Quinzaine des cinéastes. Ce film d'animation retrace les interrogations d'une militante, Hélène, qui veut s'en prendre à de riches propriétaires capitalistes pour alerter sur le dérèglement climatique. L'une de nos envoyées spéciales sur la Croisette, Sophie Torlotin, a rencontré Félix Dufour-Laperrière. Le journal de la 1èreEn Martinique, les pluies précoces compliquent la récolte de la canne à sucre.

Cannes 2025 has at last arrived—and while news of standing ovations and walkouts, throwaway raves and pans, spit takes and hot takes flood your feed, you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Kleber Mendonça Filho, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. To kick off our patented daily Cannes Podcasts, Film Comment Editor Devika Girish gathered FC Podcast veterans Jonathan Romney and Guy Lodge to discuss the first day's offerings. Jonathan begins by describing the Opening Night selection, Amélie Bonnin's Leave One Day (7:00), before the group debates other early festival premieres like Robin Campillo's Enzo (11:20) and Mascha Schilinski's Sound of Falling (22:17).

Que raconte ce film australien, montré en séance de minuit à Cannes en 2024 et au BIFFF ? Le drame norvégien « Armand », qui sort également ce mercredi, méritait-il la Caméra d'Or sur la Croisette l'an dernier ? Pourquoi « Good one », petit film américain fauché également en provenance de Cannes 2024, mérite-t-il qu'on s'y arrête ? Les découvertes musicales de mardi follies ? Juliette Armanet - Partir un jour Ilona - A Perfect World Captain Samourai Flower – Idéaliste Jeff Goldblum & The Mildred Snitzer Orchestra feat. Scarlett Johansson - The Best is Yet To Come Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

For Episode 441, on Mother's Day and the night of our departure to Cannes, I am joined by Dan Bayer & Giovanni Lago as we deliver our final preview of the 2025 Cannes Film Festival and which films we're most excited to see, which is also the theme of this week's poll as we ask, "Which Films From The 2025 Cannes Film Festival Are You Most Excited To See?" We also reveal the winner of last week's poll asking, "Which 2025 Summer Movie Are You Most Looking Forward To Seeing?" We also give our reactions to the trailers for "Highest 2 Lowest," "Honey Don't," "The Long Walk," and "The Conjuring: Last Rites," answer your fan-submitted questions and more! Thank you all for listening, supporting, and subscribing. We hope you enjoy this episode. We will see you all next week on the Croisette. Au revoir! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

A l'occasion de Canneseries saison 8, À Bientôt de te revoir délocalise sur la Croisette pour demander aux deux membres du jury César Domboy et Louise Bourgoin ce qu'ils pensent des topping fleurs et s'ils aiment le gazon synthétique.Spoiler : Louise, contrairement à nous, trouve que le nouveau générique fait un peu massage, mais après elle est fan de Minecraft donc je suis pas sûre qu'il faille prendre au sérieux son avis sur ce point précis.bonne écoute !Venez au prochain enregistrement !produit par Calme toiSml : SmlLaura Laarman : production et sonLéa Jourdan : communicationLucie Meslien : illustration animation Manon Carrour : vignette Joanna & Gaspar : générique Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.