Podcasts about renoir

The Adventures of Harry Lime || (ep. 14) Mexican Hat Trick | (ep. 15) Art is Long and Lime is Fleeting || Broadcast: November 2, 1951; November 9, 195101:17 ... Mexican Hat Trick -- Harry's in Mexico City down to his last borrowed cigarette when a friendly pickpocket puts him on the trail of an innocent, but convicted murderer.30:38 ... Art Is Long and Lime Is Fleeting -- In Paris, Harry buys a cheap painting and tries to pass it off as a Renoir.: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:::: :This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

In Part 2 of our Impressionism series, we leave the floating world of Japan behind and step into the bustling studios, salons, and sun-drenched riverbanks of 19th-century France. This time, we meet the artists who dared to defy the rules (Monet, Morisot, Manet, Degas, Renoir, Cassatt) and the dealer, Paul Durand-Ruel, who bet everything on their vision. We'll explore how these painters broke with tradition to capture the modern world around them…and how their movement spread, against all odds, to American collectors, museums, and artists. ______ New episodes every month. Let's keep in touch! Email: artofhistorypod@gmail.com Instagram: @artofhistorypodcast

Cannes 2025: I denne siste episoden fra årets filmfestival i Cannes, løfter vi frem to fremragende japanske filmer. Chie Hayakawas Renoir («Runowâru») er vår soleklare favoritt fra årets Cannes-program, og en umiddelbar klassiker i japansk film. Denne coming of age-fortellingen om elleve år gamle Fuki (spilt av nykommer Yui Suzuki) som finner ut nye ting om seg selv og livet sommeren 1987, når faren hennes ligger på dødsleiet og moren rives og slites i fra alle kanter. Hayakawa refererer til Shinji Sōmais mesterverk Moving (1993), og Renoir kan sies å være en slags avlegger. I Love on Trial («Ren'ai saiban») utforsker regissør Kôji Fukada skyggesiden av japanske idolgruppers tilværelse. Artistene er ofte underlagt kontrakter som krever at de ikke er tillatt å ha noe kjærlighetsliv, for å tekkes fansens fantasier om at de er «tilgjengelige». Når Mai (Kyoko Saito) i gruppa Happyfanfare forelsker seg, blir det tydelig at medlemmene har forskjellige ambisjoner og ønsker for fremtiden – og managementet viser ingen nåde idet relasjonen hennes blir avslørt. Ved mikrofonene sitter Karsten Meinich og Lars Ole Kristiansen. God lytting!

En el programa de hoy, se analiza cómo las ideas nuevas, en especial en el arte, enfrentan resistencia por parte de los cánones establecidos, tomando como ejemplo la historia del impresionismo. Se repasa el rechazo inicial sufrido por artistas como Monet, Degas y Renoir por parte del mundo académico y la crítica, y cómo con el tiempo lograron reconocimiento y popularidad. Se examina también el fenómeno social de la imitación en la apreciación artística y cómo hoy en día la tendencia es sobrevalorar propuestas mediocres para evitar parecer ignorante, lo que lleva a aceptar incluso obras absurdas. El programa concluye con una recomendación del libro "La historia del arte" de Ernst Gombrich, destacando su valor para entender el propósito de las distintas expresiones artísticas a lo largo del tiempo. Para acceder al programa sin interrupción de comerciales, suscríbete a Patreon: https://www.patreon.com/elvillegas Segundo Paso: Temas Principales y sus Minutos 00:02:36 - Resistencia a ideas nuevas 00:04:11 - Nacimiento del impresionismo 00:09:04 - La influencia de la fotografía 00:16:19 - Rechazo inicial y evolución del impresionismo 00:21:14 - ¿Por qué cambian las percepciones del arte? 00:31:12 - Arte moderno y la impostura actual 00:31:37 - Recomendación: Historia del arte de Gombrich

Ep. 327: Eric Hynes on Post-Cannes Catch-Up: I Only Rest in the Storm, The Last One for the Road, A Useful Ghost, Militantropos, plus Yes and Renoir Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 2025 Cannes Film Festival is over, but there were still a few films that I really thought you should hear about too! So, back on the program for a catch-up episode back home is Eric Hynes of the Jacob Burns Film Center (whom I'd also been talking with on the ground in Cannes). Our post-Cannes discussion includes award-winners, personal favorites, and overlooked titles: I Only Rest in the Storm (directed by Pedro Pinho), The Last One for the Road (Francesco Sossai), A Useful Ghost (Ratchapoom Boonbunchachoke), and Militantropos (Yelizaveta Smith, Alina Gorlova, Simon Mozgovyi), plus a few words on Nadav Lapid's latest, Yes, and Chie Hayakawa's Renoir. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

B.A. Shapiro's The Lost Masterpiece can be preordered on Amazon HERE.Berthe Morisot was a female Impressionist painter active in Paris during the second half of the 19th century. She exhibited her work alongside famed Impressionist artists Monet, Degas, and Renoir, among others, and was the only woman to be included in the first major show of Impressionist art in 1874. Despite the many limitations she faced as a female artist of her time, Morisot established herself as an integral member of the Impressionist group. She also modeled for a number of paintings by Manet, and though she was married to his brother, many believe that Manet and Morisot were engaged in a long-run secret affair.B.A. Shapiro is a New York Times best selling author. In 2013, she was awarded the New England Book Award for Fiction for her novel, The Art Forger. Over her impressive career as an author, she has written both novels and screenplays, as well as a non-fiction self help book. Be sure to follow ArtMuse on Instagram & TikTok. Donate to ArtMuse HERE.ArtMuse is produced by Kula Production Company.Today's episode was written by host Grace Anna.There are accompanying images, resources and suggestions for further reading on the ArtMuse website and Instagram.

Welcome back to our coverage of the 78th Cannes Film Festival!For episode five, Łukasz Mańkowski join us (Patrick and Eliana) to discuss programming for Five Flavors film festival and the following films on day eleven of twelve:Renoir ルノワール by Chie Hayakawa 早川千絵 (Competition)Left-Handed Girl 左撇子女孩 by Shih-Ching Tsou 鄒時擎 (Semaine)A Useful Ghost ผีใช้ได้ค่ะ by Ratchapoom Boonbunchachoke รัชฏ์ภูมิ บุญบัญชาโชค (Semaine de la Critique * Winner)Brand New Landscape 見はらし世代 by Yuiga Danzuka 団塚唯我 (Quinzaine)Love on Trial 恋愛裁判 by Kōji Fukada 深田晃司 (Cannes Première)Resurrection 狂野时代 by Bi Gan 畢贛 (Competition)Łukasz Mańkowski is a film scholar, film critic, and film programmer for the annual Five Flavours Asian Film Festival which will be taking place in November this year in Warsaw. You can follow him on Twitter/X here!Thanks for listening!If you have any comments, suggestions, or want to get in touch: cannesversations@proton.meCredits:Image: Resurrection Film PosterOfficiel du 78e Festival de Cannes : © Les Films 13 – Un homme et une femme de Claude Lelouch (1966) / Création graphique © Hartland VillaFrame by Kumiko Shimuzu - Free to use under the Unsplash LicenseSound:Intro: EFF Open Audio License for Le Carnaval des Animaux (Saint-Saëns, Camille - Aquarium) by Neal O'Doan (Piano) Nancy O'Doan (Piano), and Seattle Youth Orchestra Pandora Records/Al Goldstein Archive.Extro: Quinzaine des Cineastes Intro Extract Music: Cyril Moisson | Piano: Frédéric Fortuny

Renoir è un protagonista dell'impressionismo, noto per i suoi ritratti luminosi, le scene vive e la pittura fino agli ultimi giorni di vita.

Welcome back to our coverage of the 78th Cannes Film Festival!For episode four, Maja Korbecka and Jakob Jurisch join us (Patrick and Eliana) to discuss the following films on day nine of twelve:The History of Sound by Oliver Hermanus (Competition)Sterne by Konrad Wolf (Cannes Classics)Magellan (Drifting Laurent) by Lav Diaz (Cannes Première)O Riso e a Faca (Only I Rest in the Storm) by Pedro Pinho (Un Certain Regard)Renoir ルノワール by Chie Hayakawa 早川千絵 (Competition)Maja Korbecka is a film studies researcher and film critic who focuses on Sinophone and Southeast Asian cinemas. She has contributed to Senses of Cinema, The China Project, Easternkicks, Frameland, and EKRANy magazine. This year, she will write for the Chinese Print Film Magazine Da Zhong Dian Ying 大衆電影.Jakob Jurisch is a Hessen-born Berlin-based film critic who writes for moviebreak.de. For German speakers, Jakob and Patrick's German-language cover of Cannes is also available on moviebreak.de. You can listen to their German-language podcast coverage here.Thanks for listening!If you have any comments, suggestions, or want to get in touch: cannesversations@proton.meCredits:Image: O Riso e a Faca Film StillOfficiel du 78e Festival de Cannes : © Les Films 13 – Un homme et une femme de Claude Lelouch (1966) / Création graphique © Hartland VillaFrame by Kumiko Shimuzu - Free to use under the Unsplash LicenseSound:Intro: EFF Open Audio License for Le Carnaval des Animaux (Saint-Saëns, Camille - Aquarium) by Neal O'Doan (Piano) Nancy O'Doan (Piano), and Seattle Youth Orchestra Pandora Records/Al Goldstein Archive.Extro: Quinzaine des Cineastes Intro Extract Music: Cyril Moisson | Piano: Frédéric Fortuny

【聊了什么The What】 疲惫娇娃来戛纳电影节了！本期节目发自南法，娃们五天集中看了快二十部电影，本期节目和大家分享我们看片（工作）的心路历程，我们心中的金棕榈影片，以及当今世界电影创作的一些思考。本节目录制于5月22日，此刻我们还有三部电影没看，包括毕赣的《狂野时代》。更多戛纳趣闻，新闻发布会内容，以及最后一天观影的影评，请关注我们的小红书！ Your favorite CyberPink gals reporting live from the Cannes film festival! We watched almost 20 movies in the span of 5 days, the range was truly from highest to lowest. In this episode we unpack all the movies by category, highlight our Palme d'Or picks, and muse on the current state of the world and the stories that films are telling. This episode was recorded on May 22nd, so it does not include our reviews for the final day of films. Please head over to our Xiaohongshu for these additional reviews and extra behind the scenes content! 【时间轴 The When】 00:00 我们在戛纳的感受和吐槽 06:05 “戛纳影评人口碑解禁” 《风林火山》翻了个大的 09:15 我们此次看过的18部电影大致分成四类 10:33 第一类：”法西斯主义不行“；巴西电影《密探》影评 13:50 反抗极权的老登埃及电影《共和之鹰》影评 16:37 我们心中的金棕榈选手伊朗电影《普通事故》影评，极有力量的作品 27:00 第二类：”女性生命体验“；意大利电影《外面》影评 31:57 斯嘉丽·约翰逊演而优则导的第一部作品”Elenor the Great” 影评 35:47 日本女导演早川千惠关于家庭、死亡的电影《雷诺阿》影评 37:44 西班牙女导演卡拉·西蒙关于寻亲的半自传电影《朝圣》“Romeria”影评 43:12 求求导演再剪一个版本出来—《花漾少女杀人事件》影评 48:44 讲述波兰保姆故事的以色列电影《妈妈》和感官电影《阿尔法》 50:09 第三类：“成瘾物质“；让我们意外非常喜欢的法国电影《陨石》影评 53:47 一句话影评《时光留声》谢谢太太找两个帅哥把BL文拍成电影 54:10 一句话影评哥伦比亚电影《诗人》，意外喜欢的细糠 55:06 第四类：一些风格化电影和商业片《天国与地狱》，《幸福之路》，《腓尼基阴谋》 56:05 关于极化公共讨论的美国电影《艾丁顿》影评 58:05 金棕榈二号种子关于家庭、艺术、原谅的挪威电影《情感价值》，细糠！推荐！ 00:00 first impressions and rants about Cannes film festival 06:05 “Cannes reviews embargo lifted” — Juno Mak's Sons of the Neon Night crashed and burned 09:15 The 18 films we watched can be roughly grouped into four categories 10:33 Category 1: “Fascism is bad” — Review of Brazilian film The Secret Agent 13:50 a movie about resisting authoritarianism, but too much of an old man “know-it-all” POV — Review of Egyptian film Eagles of the Republic 16:37 Our personal Palme d'Or pick — Iranian film by director Jafar Panahi, A Simple Accident, a powerful work 27:00 Category 2: “Women's life experiences” — Review of Italian film Fuori 31:57 Scarlett Johansson's directorial debut Elenor the Great 35:47 Japanese director Chihiro Hayakawa's film on family and death Renoir 37:44 Semi-autobiographical Spanish film about searching for family — Romería by Carla Simón 43:12 Begging this director to release a new cut — Review of Girl on Edge 48:44 Israeli film Mama about a Polish nanny, and the sensory experience of Alpha 50:09 Category 3: “Addictive substances” (substance abuse) — Surprise favorite: French film Meteor 53:47 One-sentence review: History of Sound — Thanks to the director for casting two hot guys to make a BL film 54:10 One-sentence review: Colombian film Un Poeta — unexpectedly liked this subtle gem 55:06 Category 4: the “other” category, including highly stylized and commercial films — Highest to Lowest, Lucky Lu, Phoenician Scheme 56:05 Review of American film Eddington, about the polarization of public discourse 58:05 our Palme d'Or runner up — Norwegian film Sentimental Value, on family, art, and forgiveness. A gem! Highly recommended! 【疲惫红书 CyberRed】 除了播客以外，疲惫娇娃的几个女的在小红书上开了官方账号，我们会不定期发布【疲惫在读】、【疲惫在看】、【疲惫旅行】、【疲惫Vlog】等等更加轻盈、好玩、实验性质的内容。如果你想知道除了播客以外我们在关注什么，快来小红书评论区和我们互动。 Apart from the podcast, we have set up an official account on Xiaohongshu. We will periodically post content such as “CyberPink Reading,” “CyberPink Watching,” “CyberPink Traveling,” “CyberPink Vlog,” and more. Those are lighter, more fun and more experimental stuff about our lives. Leave us some comments on Xiaohongshu! 【买咖啡 Please Support Us】 如果喜欢这期节目并愿意想要给我们买杯咖啡： 海外用户：https://www.patreon.com/cyberpinkfm 海内用户：https://afdian.com/a/cyberpinkfm 商务合作邮箱：cyberpinkfm@gmail.com 商务合作微信：CyberPink2022 If you like our show and want to support us, please consider the following: Those Abroad: https://www.patreon.com/cyberpinkfm Those in China: https://afdian.com/a/cyberpinkfm Business Inquiries Email: cyberpinkfm@gmail.com Business Inquiries WeChat: CyberPink2022

Renoir, in the Cannes 78's competition, is Hayakawa's more intimate and personal project after Plan 75 The post “Renoir”, interview with director Chie Hayakawa appeared first on Fred Film Radio.

Renoir, in the Cannes 78's competition, is Hayakawa's more intimate and personal project after Plan 75 The post “Renoir”, interview with director Chie Hayakawa appeared first on Fred Film Radio.

Renoir, in the Cannes 78's competition, is Hayakawa's more intimate and personal project after Plan 75 The post “Renoir”, interview with director Chie Hayakawa appeared first on Fred Film Radio.

Renoir, in the Cannes 78's competition, is Hayakawa's more intimate and personal project after Plan 75 The post “Renoir”, interview with director Chie Hayakawa appeared first on Fred Film Radio.

Renoir, in the Cannes 78's competition, is Hayakawa's more intimate and personal project after Plan 75 The post “Renoir”, interview with director Chie Hayakawa appeared first on Fred Film Radio.

Renoir, in the Cannes 78's competition, is Hayakawa's more intimate and personal project after Plan 75 The post “Renoir”, interview with director Chie Hayakawa appeared first on Fred Film Radio.

O quarto episódio do Galinha Game Music traz Clair Obscur Expedition 33! Uma das maiores obras de arte desse ano, e uma grande surpresa, ultrapassando as expectativas até de quem já esperava um jogo excelente. E, junto com esse jogão, uma trilha sonora linda, emocionante e que, como qualquer boa trilha sonora de videogames, se encaixa perfeitamente no jogo e conta muita, mas muita história, sem que você nem perceba. Vamos analisar juntos Lumiere, uma das principais músicas dessa trilha sonora, e como ela tem segredos onde você nem imaginava.APOIE O GALINHA VIAJANTEAcesse catarse.me/galinhaviajanteLINKS DA GALINHACatarse | Youtube | Instagram | BlueskyContato: cast@galinhaviajante.com.brAcesse nosso SITE: galinhaviajante.com.brTRILHA SONORALumière, Alicia, Renoir, Une Vie à T'aimer (Clair Obscur Expedition 33); Bury The Light (Devil May Cry V)O Galinha vai ao ar toda semana graças aos Escudeiros da Galinha Viajante! Apoie você também o nosso projeto no Catarse e junte-se à Escudaria!Apresentado e produzido por Samuel R. Auras.Contato: cast@galinhaviajante.com.brSupport the show

78. Cannes Film Festivali'nde ilk hafta geride kaldı; klasikler pek tat vermiyor. Oliver Laxe'ten Sirât, Chie Hayakawa'dan Renoir ve Mascha Schilinski'den In die Sonne schauen bu senenin sürpriz filmleri.Sinefil programcısı Melis Behlil Cannes'dan Açık Dergi'ye bağlanıyor. 

Matisse, Picasso ou Renoir… Tous les grands peintres du 20ème siècle ont été plagiés par Elmyr de Hory. Pendant 30 ans, ce génial faussaire a dupé de prestigieuses maisons de vente, des collectionneurs et des musées du monde entier. Créant des toiles "à la manière de", il se glissait à la perfection dans la tête de ceux qu'il copiait...Cet épisode de Faussaires est co-produit par Initial Studio et Bellota Films, adapté du documentaire audiovisuel « Elmyr de Hory, le faussaire du siècle », produit par Bellota Films, écrit et réalisé par Dimitri Pailhe.Bonne écoute ! Pour découvrir nos autres podcasts, suivez Initial Studio sur Instagram et Facebook. Crédits du podcastProduction exécutive du podcast : Initial Studio Production éditoriale : Sarah Koskievic et Mandy Lebourg Montage : Camille Legras et Victor Benhamou Illustration : Initial Studio Avec la voix d'Elsa Hamnane Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Matisse, Picasso ou Renoir… Tous les grands peintres du 20ème siècle ont été plagiés par Elmyr de Hory. Pendant 30 ans, ce génial faussaire a dupé de prestigieuses maisons de vente, des collectionneurs et des musées du monde entier. Créant des toiles "à la manière de", il se glissait à la perfection dans la tête de ceux qu'il copiait...Cet épisode de Faussaires est co-produit par Initial Studio et Bellota Films, adapté du documentaire audiovisuel « Elmyr de Hory, le faussaire du siècle », produit par Bellota Films, écrit et réalisé par Dimitri Pailhe.Bonne écoute ! Pour découvrir nos autres podcasts, suivez Initial Studio sur Instagram et Facebook. Crédits du podcastProduction exécutive du podcast : Initial Studio Production éditoriale : Sarah Koskievic et Mandy Lebourg Montage : Camille Legras et Victor Benhamou Illustration : Initial Studio Avec la voix d'Elsa Hamnane Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Direction le festival de Cannes, où neuf films sur vingt-deux sont entrés dans la compétition pour la palme d'or. Ce dimanche 17 mai, l'Américain Wes Anderson et le Brésilien Kleber Mendonça Filho entrent, eux aussi, dans la danse. Retour sur les derniers temps forts du festival. Robert Pattinson et Jennifer Lawrence ont électrisé les marches, signant moult autographes et se prêtant au jeu des selfies. Le duo de superstars américaines est à l'affiche de Die, My Love, film en compétition de la britannique Lynne Ramsay. À 39 ans, Robert Pattinson est au sommet de sa gloire depuis déjà deux décennies, découvert dans Harry Potter et Twilight, tout comme l'Américaine Jennifer Lawrence, révélée toute jeune dans la saga Hunger game. Lynne Ramsay, prix du scénario à Cannes en 2017, leur offre deux très beaux rôles, un couple de parents confrontés à la maladie mentale de la jeune mère.Le néo-western Eddington, signé Ari Aster, dresse le portrait d'une ville américaine en post-Covid, projection d'une Amérique en décomposition gangréné par le complotisme et l'ultra-violence avec Joaquin Phoenix en shériff disjoncté. Pendant la conférence de presse du film, l'acteur Pedro Pascal, star des séries The Last of Us et Narcos, a appelé le cinéma à ne pas se laisser intimider par Donald Trump : « Vous savez, quand on a peur, cela veut dire que les autres ont gagné. Donc, il faut continuer à s'exprimer, il faut continuer à se battre. Il faut continuer de raconter des histoires. C'est notre seule façon. Et il ne faut pas se laisser intimider. Et que ceux qui essaient aillent se faire voir ! »Les festivaliers et le jury ont aussi pu découvrir Renoir, de la Japonaise Chie Hayakawa, déjà récompensé en 2022 pour son premier long métrage Plan 75. Un film tout en délicatesse. Le Japon de la fin des années 1980 vu par les yeux d'une fillette de onze ans qui apprivoise par l'imagination et la curiosité sa solitude tandis que son père est en train de mourir d'un cancer. « Il se trouve que j'ai eu un père malade atteint d'un cancer, explique la réalisatrice. Et que de mon enfance jusqu'à une vingtaine d'années, j'ai vu mon père souffrir, se battre contre la maladie, attendre la mort. Cela a beaucoup marqué mon esprit et peut-être mon rapport au monde. »Plus joyeux, malin, Nouvelle Vague, film tourné en français de l'Américain Richard Linklater, ressuscite en noir et blanc tous les protagonistes de la Nouvelle Vague du cinéma français des années 1960. Il retrace avec humour et virtuosité le tournage de À bout de souffle de Jean-Luc Godard.À lire aussiUn 78ème festival de Cannes sous le signe de la sobriété et de la politique

Direction le festival de Cannes, où neuf films sur vingt-deux sont entrés dans la compétition pour la palme d'or. Ce dimanche 17 mai, l'Américain Wes Anderson et le Brésilien Kleber Mendonça Filho entrent, eux aussi, dans la danse. Retour sur les derniers temps forts du festival. Robert Pattinson et Jennifer Lawrence ont électrisé les marches, signant moult autographes et se prêtant au jeu des selfies. Le duo de superstars américaines est à l'affiche de Die, My Love, film en compétition de la britannique Lynne Ramsay. À 39 ans, Robert Pattinson est au sommet de sa gloire depuis déjà deux décennies, découvert dans Harry Potter et Twilight, tout comme l'Américaine Jennifer Lawrence, révélée toute jeune dans la saga Hunger game. Lynne Ramsay, prix du scénario à Cannes en 2017, leur offre deux très beaux rôles, un couple de parents confrontés à la maladie mentale de la jeune mère.Le néo-western Eddington, signé Ari Aster, dresse le portrait d'une ville américaine en post-Covid, projection d'une Amérique en décomposition gangréné par le complotisme et l'ultra-violence avec Joaquin Phoenix en shériff disjoncté. Pendant la conférence de presse du film, l'acteur Pedro Pascal, star des séries The Last of Us et Narcos, a appelé le cinéma à ne pas se laisser intimider par Donald Trump : « Vous savez, quand on a peur, cela veut dire que les autres ont gagné. Donc, il faut continuer à s'exprimer, il faut continuer à se battre. Il faut continuer de raconter des histoires. C'est notre seule façon. Et il ne faut pas se laisser intimider. Et que ceux qui essaient aillent se faire voir ! »Les festivaliers et le jury ont aussi pu découvrir Renoir, de la Japonaise Chie Hayakawa, déjà récompensé en 2022 pour son premier long métrage Plan 75. Un film tout en délicatesse. Le Japon de la fin des années 1980 vu par les yeux d'une fillette de onze ans qui apprivoise par l'imagination et la curiosité sa solitude tandis que son père est en train de mourir d'un cancer. « Il se trouve que j'ai eu un père malade atteint d'un cancer, explique la réalisatrice. Et que de mon enfance jusqu'à une vingtaine d'années, j'ai vu mon père souffrir, se battre contre la maladie, attendre la mort. Cela a beaucoup marqué mon esprit et peut-être mon rapport au monde. »Plus joyeux, malin, Nouvelle Vague, film tourné en français de l'Américain Richard Linklater, ressuscite en noir et blanc tous les protagonistes de la Nouvelle Vague du cinéma français des années 1960. Il retrace avec humour et virtuosité le tournage de À bout de souffle de Jean-Luc Godard.À lire aussiUn 78ème festival de Cannes sous le signe de la sobriété et de la politique

Fluent Fiction - French: Under Renoir's Canvas: A Serendipitous Encounter of Souls Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2025-05-16-22-34-01-fr Story Transcript:Fr: Les rayons du soleil printanier caressaient doucement les grandes verrières du Musée d'Orsay.En: The rays of the spring sun gently caressed the large windows of the Musée d'Orsay.Fr: Ce jour-là, le musée brillait de mille feux, une douce lumière réchauffait les galeries où trônent les chefs-d'œuvre de l'impressionnisme.En: That day, the museum sparkled brilliantly, a soft light warming the galleries where the masterpieces of Impressionism reign.Fr: Les visiteurs déambulaient lentement, absorbés par la beauté des tableaux exposés.En: Visitors strolled slowly, absorbed by the beauty of the displayed paintings.Fr: Julien était là, plongé dans l'admiration d'une toile de Renoir.En: Julien was there, immersed in admiration for a painting by Renoir.Fr: Ses études en histoire de l'art l'avaient souvent conduit ici, mais chaque visite semblait ouvrir de nouvelles fenêtres dans son esprit.En: His studies in art history had often led him here, but each visit seemed to open new windows in his mind.Fr: Il aimait par-dessus tout l'atmosphère sereine et le murmure apaisant des visiteurs.En: Above all, he loved the serene atmosphere and the soothing murmur of the visitors.Fr: Pourtant, malgré sa passion pour l'art, Julien avait toujours éprouvé une certaine appréhension à engager la conversation avec d'autres amoureux de l'art.En: Yet, despite his passion for art, Julien had always felt a certain apprehension about engaging in conversation with other art lovers.Fr: Non loin de là, Élise, une jeune graphiste au regard curieux, s'était arrêtée devant le même tableau.En: Not far away, Élise, a young graphic designer with a curious gaze, had stopped in front of the same painting.Fr: En quête d'inspiration pour son prochain projet, elle avait décidé de profiter de ses quelques jours à Paris pour explorer ses musées.En: In search of inspiration for her next project, she had decided to take advantage of her few days in Paris to explore its museums.Fr: Son regard s'attardait sur les couleurs vives et les mouvements élégants des personnages sur la toile.En: Her gaze lingered on the vivid colors and elegant movements of the characters on the canvas.Fr: La vivacité de l'œuvre l'enthousiasmait et elle esquissa un sourire.En: The liveliness of the work delighted her, and she sketched a smile.Fr: Julien remarqua ce sourire sincère.En: Julien noticed this sincere smile.Fr: Il sentit un élan le pousser, un désir de partager ses pensées sur ce tableau qu'ils admiraient tous deux.En: He felt a surge pushing him, a desire to share his thoughts on this painting they both admired.Fr: Hésitant, il prit une profonde inspiration et s'approcha d'elle.En: Hesitantly, he took a deep breath and approached her.Fr: « Bonjour, excusez-moi… Vous aimez Renoir, n'est-ce pas ? » demanda-t-il timidement.En: "Hello, excuse me… You like Renoir, don't you?" he asked timidly.Fr: Élise se tourna vers lui, surprise, mais aussi ravie de cette ouverture.En: Élise turned to him, surprised but also delighted by this overture.Fr: « Oui, j'adore ses jeux de lumière et ses couleurs. C'est une véritable danse », répondit-elle, ses yeux pétillants.En: "Yes, I love his play of light and colors. It's a real dance," she replied, her eyes sparkling.Fr: Julien acquiesça, encouragé par sa réponse positive.En: Julien nodded, encouraged by her positive response.Fr: « Je suis d'accord. C'est comme si les personnages allaient sortir du tableau pour se joindre à nous », ajouta-t-il avec un petit rire.En: "I agree. It's as if the characters were about to step out of the painting to join us," he added with a small laugh.Fr: Ainsi débutèrent leurs échanges, devant cette œuvre qui avait éveillé leur curiosité.En: Thus began their exchanges in front of this work that had sparked their curiosity.Fr: Au fil de leur conversation, ils se découvrirent une passion commune pour l'art et un désir de comprendre les émotions transmises à travers les peintures.En: Over the course of their conversation, they discovered a shared passion for art and a desire to understand the emotions conveyed through paintings.Fr: Élise parla de son projet de design graphique et partagea ses idées, consciente que ses interprétations pouvaient paraître simples à ce brillant historien de l'art.En: Élise talked about her graphic design project and shared her ideas, aware that her interpretations might seem simple to this brilliant art historian.Fr: Pourtant, Julien était fasciné par sa façon créative de voir le monde.En: Yet, Julien was fascinated by her creative way of seeing the world.Fr: Son enthousiasme était contagieux, et il se sentait soudainement plus confiant pour exprimer ses propres idées.En: Her enthusiasm was contagious, and he suddenly felt more confident in expressing his own ideas.Fr: Ils passèrent l'après-midi à déambuler d'une galerie à l'autre, captivés par les tableaux, mais aussi par leur conversation qui ne semblait jamais tarir.En: They spent the afternoon wandering from one gallery to the next, captivated by the paintings, but also by their conversation that seemed to never run dry.Fr: Quand vint l'heure de partir, Julien se lança : « J'aimerais beaucoup revoir une exposition avec vous. Accepteriez-vous de m'accompagner une autre fois ? »En: When it was time to leave, Julien ventured: "I would love to see another exhibition with you. Would you accept to accompany me another time?"Fr: Élise hocha la tête avec enthousiasme.En: Élise nodded enthusiastically.Fr: Elle notait déjà son numéro sur un petit papier.En: She was already noting her number on a small piece of paper.Fr: « Ce serait avec plaisir, Julien. J'ai hâte de découvrir d'autres œuvres avec vous. »En: "It would be a pleasure, Julien. I look forward to discovering more works with you."Fr: En ce jour de printemps, quelque chose avait changé.En: On this spring day, something had changed.Fr: Julien se sentait moins hésitant, son envie de communiquer ravivée par cette rencontre inattendue.En: Julien felt less hesitant, his desire to communicate revived by this unexpected encounter.Fr: De son côté, Élise repartit confiante et inspirée, heureuse d'avoir trouvé un ami qui partageait son amour de l'art.En: As for Élise, she left feeling confident and inspired, happy to have found a friend who shared her love for art.Fr: À travers les fenêtres du musée, le ciel parisien s'étirait doucement, accompagnant la promesse d'une nouvelle amitié, peut-être même plus, qui continuerait de fleurir sous les couleurs éclatantes du printemps.En: Through the windows of the museum, the Parisian sky stretched gently, accompanying the promise of a new friendship, perhaps even more, that would continue to blossom under the bright colors of spring. Vocabulary Words:the rays: les rayonsto caress: caresserthe windows: les verrièresthe masterpiece: le chef-d'œuvreto reign: trônerto stroll: déambulerthe gallery: la galerieto absorb: absorberto immerse: plongerthe painting: la toilethe apprehension: l'appréhensionto engage: engagerthe visitor: le visiteurthe murmur: le murmurethe gaze: le regardto linger: s'attarderthe character: le personnagethe liveliness: la vivacitéto delight: enthousiasmerthe smile: le sourireto nod: acquiescerthe conversation: l'échangeto convey: transmettrethe emotion: l'émotionto wander: se déambulerto captivate: captiverto venture: se lancerto stretch: s'étirerthe promise: la promesseto blossom: fleurir

Ce mois-ci, dans « Ouvrez les micros« , les élèves de 2nde F du lycée Renoir, à Angers, se penchent sur la…

Jaume Segalés habla de la exposición Proust y las artes y entrevista a la autora de Querida culpa: gracias, pero adiós."Proust y las artes" El Museo Nacional Thyssen-Bornemisza (Paseo del Prado, 8) dedica una cuidada exposición a Marcel Proust, una de las figuras literarias más relevantes de los siglos XIX y XX. Podemos verla hasta el 8 de junio. Una muestra que profundiza en la relación entre el Arte y la personalidad, la vida y el trabajo del ilustre escritor parisino que, a su vez, tuvo una gran repercusión en otras disciplinas como la Filosofía o la Historia del Arte. Las ideas estéticas que Proust desarrolla en sus escritos, los ambientes artísticos, monumentales y paisajísticos que le rodearon (especialmente el de la capital francesa durante la Tercera República) articulan el recorrido. Se compone de pinturas de, entre otros, Manet, Renoir, Monet, Rembrandt, Vermeer, Van Dyck, Watteau y Turner; una escultura de Antoine Bourdelle; diseños de moda de Mariano Fortuny y otros creadores coetáneos; y una selección de manuscritos y libros de Proust. Una selección lograda gracias a los préstamos de entidades colaboradoras de gran renombre como la Biblioteca Nacional de Francia y la Biblioteca del Ateneo de Madrid, así como los Museos: Louvre, d'Orsay y de Histoira de París, la Maurits-hauss de La Haya, el Rijksmuseum de Ámsterdam, el Städel de Fráncfort y la National Gallery de Washington. Entrevistamos al comisario de la exposición, Fernando Checa."Querida culpa: gracias, pero adiós" Una guía para liberar el peso emocional y vivir con plenitud. Entrevistamos a la autora, Sonia Rico, periodista, coach certificada, instructora de yoga, máster en Programación Neurolingüística (PNL) y terapeuta en kinesiología emocional. El libro expone cómo soltar la culpa, como acto de amor propio, a través de relatos conmovedores, testimonios reales y herramientas prácticas, para transformar la culpa en un motor de aprendizaje y crecimiento. La autora nos recuerda que la culpa no es un enemigo, sino una señal que nos invita a mirar hacia adentro, a identificar las creencias que ya no nos sirven y a liberarnos de las interpretaciones y expectativas tóxicas que nos impiden avanzar.Sección lingüística "Dicho Queda" Carlota Izquierdo Gil (Instagram: @cigservicioslinguisticos) nos habla sobre el origen del término "pokemon".

On Episode 161 of Floating Through Film, we're doing a different take on our "Blindspots" series by doing two films by two directors we haven't discussed on the podcast yet. That led us to Dany's choice, Renoir's 1945 film The Southerner, followed by Luke's choice, Jerry Lewis's 1961 film The Ladies Man (1:00:01)Episode Next Week: FTF Theory (Bazin's Ontology of the Photographic Image + Broken Blossoms)Music:- Intro from The Southerner - Break from https://www.youtube.com/watch?v=hEIARR_3RwY&ab_channel=AlejandroF.Moreno- Outro from https://www.youtube.com/watch?v=66qXJzEp1lQ&ab_channel=Carlosd%27Alessio-TopicHosts: Luke Seay (https://letterboxd.com/seayluke/), Blake Tourville (https://letterboxd.com/blaketourville/), and Dany Joshuva (https://letterboxd.com/djoshuva/)Podcast Links (Spotify and Apple): https://linktr.ee/floatingthroughfilmLetterboxd: https://letterboxd.com/floatingfilm/Email: floatingthroughfilm@gmail.com

The photocopier is broken and we can't get onto IT at Framed HQ so we are on hold till next week. So you don't miss us too much we are bringing an old ep from season 1 out of the filing cabinets. This is one of our most downloaded episodes - so if you missed the meeting last time, tune in for this one. sincerely Joel & Steph ---In this thrilling episode of Famed, Steph and Joel dive into the high-stakes world of art theft with the jaw-dropping story of the heist at the National Museum in Stockholm. This episode has it all—explosions, priceless art, and a getaway fit for the movies. Chatting about Y2K, titanic and also did someone say Gene Parmesan?Join us as we unpack the dramatic events of December 22, 2000, when armed robbers executed one of the most daring art heists in history. Hosted on Acast. See acast.com/privacy for more information.

Debussy and Ravel are often described as the prototypical musical impressionists. It is often said that the two composers are the closest equivalents to the artistic world of Monet, Renoir, Pisarro, Degas, and others. But both Ravel and Debussy (like Monet for that matter), vehemently rejected the term Impressionism, and they both felt that they were striking out on their own individual paths in their msuic. That didn't stop the public and critics from constantly comparing the music of these two shining lights of French music, despite the fact that Ravel and Debussy are actually quite different. Comparing Ravel and Debussy is a bit like comparing Haydn and Mozart. At first glance, there are many similarities, but if you look and listen more closely, Ravel and Debussy(like Mozart and Haydn) had totally different approaches, goals, and styles. All of the constant comparisons and attempts at making the composers compete with each other had a real impact on Debussy and Ravel. Initially they were friends and mutual admirers of each others work, but they slowly drifted apart over time until they stopped speaking to each other altogether. We'll talk about this complicated personal relationship, as well as looking at these differences in their music, not from a critical standpoint, but from the perspective of bringing out what is so wonderfully unique about their music. We'll also talk about Ravel's arrangements of two Debussy's greatest orchestral works: his two piano arrangement of Debussy's Nocturnes, and his piano 4 hands arrangement of the legendary Prelude to the Afternoon of a Faun. Join us on another collaboration with G Henle Publishers! Recordings: Nocturnes Claudio Abbado with London Symphony Anne Shasby, Richard McMahon, Piano Prelude to the Afternoon of a Faun Ravel arrangement: Jean-Pierre Armengaud and Olivier Chauzu Debussy Arrangement: Charles Badami and Anthony Olson 

9a-10a Kanye West is at it again. Linkin Park downsizing shows: Is the new lead singer to blame, or do we just miss Chester Bennington? We learn a shocking way you could end up with a DUI. A PA woman strikes big on a Renoir. You won't believe these April 1st headlines—but maybe you should.

Bonjour! New episode out now! We watched the first episode of the French crime show Candice Renoir. We discuss our enjoyment of Candice and her approach to policing, drawing on her intuition and skills as both a professional and a mother, and how that causes strife within the team she is placed in charge of. We talk about the challenges in understanding some of the nuances in a different language and culture, but how that also made it fun. We touch on the somewhat mysterious and confusing hierarchy used by police and military units, discuss the pros and cons of doing procedural television for multiple seasons, and try to pronounce French names and terms with varying success. Katy sneaks in a Seinfeld reference, Carrie has read this whole show, Maddy tells a fun hospital story about weird brains, and Mack got Inception-ed by Aretha Franklin. We also believe being called “Barbie” is not an insult, wonder how much fandom can really influence media, enjoy foreign media's depiction of Americans, and discover Discord is amazing for pun-based comedy. We touch on gay Star Wars characters, Paul Blart Mall Cop 2 marking the passage of time, Columbo, and the marimba. Apprécier!TW: Child abuse, sex work, suicide, fatphobia, misogyny

The artist Degas suffered retina disease for the last fifty years of his life, switching from paint to pastel because the chalk lines were easier to see. Renoir had to have brushes placed between his fingers when arthritis made them clench like claws; and when surgery left Matisse immobile, he turned to collage, directing assistants to attach colored pieces of paper to a larger sheet on the wall. What followed in each case was a creative breakthrough: Degas’s Blue Dancers, Renoir’s Girls at the Piano, Matisse’s The Sorrows of the King, and other masterpieces. By adapting to their trial, beauty emerged from their infirmity. In a similar way, Paul wasn’t planning to visit Galatia during his early missionary journeys. An illness forced him there (Galatians 4:13). Whether it was the illness he mentions in 2 Corinthians 12:7, an eye problem (Galatians 4:15), or something else, we don’t know. But Paul sought a different climate, wound up in Galatia and, even though he was ill, started preaching. Ironically, the Holy Spirit performed miracles through him (3:2–5) and the Galatian church was born. This surprising outcome may never have happened without Paul’s illness. What trial have you faced, and how did it change the direction of your life? By refocusing your gifts, you too may see God bring beauty out of your infirmity.

Episode 1678 - brought to you by our incredible sponsors:   Turtle Beach:  Level up your game and get 10% off @TurtleBeach with code HARDFACTOR at turtlebeach.com/HARDFACTOR! #turtlebeachpod Fitbod: Level up your workout. Join Fitbod today to get your personalized workout plan. Get 25% off your subscription or try the app FREE for seven days at www.Fitbod.me/HARDFACTOR  Birddogs: For a limited time, our listeners get a FREE HAT with any order when you use code HARDFACTOR at birddogs.com. Get their best-selling hat completely free when you use code HARDFACTOR at birddogs.com. Support our show and let them know we sent you!   DeleteMe: Get 20% off your data protection DeleteMe plan by texting Hard Factor to 64000   Timestamps: 00:00:40 - Show teases 00:08:00 - New Jersey police chief pulls off some AGGRESSIVE pranks 00:27:15 - Enormous man rams Tesla on mini four-wheeler 00:37:45 - Babysitter finds “monster” under kid's bed 00:40:15 - Utah bans predators on VR 00:43:45 - Six figure Renoir painting found at flea market THANK YOU for listening! Join our community and get access to Discord App Chat w/ the hosts, and Bonus Podcasts @ patreon.com/HardFactor but Most importantly... HAGFD! Learn more about your ad choices. Visit megaphone.fm/adchoices

Stupid News 3-28-2025 6am ...She bid $12 dollars and a sketch nobody knew was a Renoir

The nastier the better = dating in my 20s. They blurred out the Renoir tits. You lost your job for a damn corn dog. See omnystudio.com/listener for privacy information.

A woman in Easton stumbled upon an unknown Renoir drawing at an auction and bought it for only $12! We learned why it's important to pay your plumber, we got grossed out over breast milk ice cream, and crowned our "Asshat(s) of the Week!" And Dave has been driving by the most bizarre thing in Quakertown for the past month, so we hit the phones to hear YOUR strangest thing you've seen while out on the road. See omnystudio.com/listener for privacy information.

Play along at home with the lyrics:[Verse 1]You've gone too far this timeBut I'm dancing on the ValentineI tell you somebody's fooling aroundWith my chances on the danger lineI'll cross that bridge when I find itAnother day to make my stand, oh woahHigh time is no time for decidingIf I should find a helping hand, oh woah[Refrain]Oh, why don't you use it?Try not to bruise itBuy time, don't lose itOh, why don't you use it?Try not to bruise itBuy time, don't lose it[Chorus]The reflex is a lonely child who's waiting by the parkThe reflex is in charge of finding treasure in the darkAnd watching over lucky clover, isn't that bizarre?And every little thing the reflex doesLeaves you answered with a question mark[Verse 2]I'm on a ride, and I want to get offBut they won't slow down the roundaboutI sold the Renoir and TV setDon't wanna be around when this gets out[Refrain again][Chorus]The reflex is a lonely child, he's waiting in the parkThe reflex is in charge of finding treasure in the darkAnd watching over lucky clover, isn't that bizarre?And every little thing the reflex doesLeaves an answer with a question mark[Instrumental Break][Refrain again][Chorus]The reflex is a lonely child who's waiting by the parkThe reflex is in charge of finding treasure in the darkAnd watching over lucky clover, isn't that bizarre?And every little thing the reflex doesLeaves me answered with a question markOh, the reflex, what a game, he's hiding all the cardsThe reflex is in charge of finding treasure in the darkAnd watching over lucky clover, isn't that bizarre?And every little thing the reflex doesLeaves you answered with a question markJump to section:(00:10) Introduction but no waffling like you get on some podcasts. You know the ones.(01:04) Song title, writers' details, versions etc.(03:31) To the lyrics. - reflexes and guacamole and M&Ms(05:37) Sensitive artists, the muses, too much Star Wars, and Leprechauns(17:55) Help from Microsoft Word (that would previously have come from 'Clippy') and Barbarella(20:07) Rivalry, revenge, murder, and Brian(36:11) Other theories from the internet(50:18) Misheard Lyrics(54:57) Notable Trivia(57:20) Farewells and ⁠⁠⁠give us money⁠⁠⁠Would you like to appear (well, vocally) on the show? Do you have a pop song or ear-worm from the SMOOTH FM genre that's infested your mind and needs to be investigated? Visit this page ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://speakpipe.com/lyrics⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to record us your own voicemail hot-take on your specific smooth song of suckiness. You could be on a future episode! (you can always email sound files or text your thoughts to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠poidadavis@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ if that's easier). Cheers!Find us on Twitter, Facebook, Instagram etc @LyricsPodast ... and we're on all your favourite podcasting platforms.Sound clips are included for educational reference, criticism, satire and parody in fair use. Clips remain the property of the respective rights holder and no endorsement is implied. All information and opinion is performed and expressed in-character and does not reflect reality or genuine commentary on any persons (living or dead), bands or other organisations, or their works, and is not recommended listening for anyone, anywhere.

So much better than Instagram! Pierre-Auguste Renoir invited 14 friends to lunch one summer--several lunches actually--and ended up creating this spectacular work of art.  In today's episode we find out about this happy group and that beautiful riverside restaurant they're clearly enjoying. And I'll tell you a pretty funny story about how Duncan Phillips was able to get this stunner for his new modern art museum, the Phillips Collection in Washington DC.  SHOW NOTES  “A Long Look” themes are "Easy" by Ron Gelinas https://youtu.be/2QGe6skVzSs and “At the Cafe with You” by Onion All Stars https://pixabay.com/users/onion_all_stars-33331904/ Episode music “Parisian” by Kevin MacLeod https://incompetech.com/music/royalty-free/music.html Licensed under Creative Commons: By Attribution 4.0 License https://creativecommons.org/licenses/by/4.0 From Blue Dot Sessions: “Via Verre” https://app.sessions.blue/browse/track/306837 “Symphony 40 In G Minor” https://app.sessions.blue/browse/track/306840 “Etude 9 Stefan” https://app.sessions.blue/browse/track/306841 Artwork information  https://www.phillipscollection.org/collection/luncheon-boating-party https://www.phillipscollection.org/event/2017-10-06-renoir-and-friends-luncheon-boating-party “The Eye of Duncan Phillips: A collection in the making” by Duncan Philips and David W. Scott. 1999. Edited by Erika D. Passantino. Washington, DC: Phillips Collection in association with Yale University New Haven. Sitters identified https://en.wikipedia.org/wiki/Luncheon_of_the_Boating_Party Holston papers William H. Holston papers, 1915-1964. Archives of American Art, Smithsonian Institution. Reel D-169 #1029-31 “Luncheon of the Boating Party” by Susan Vreeland https://bookshop.org/p/books/luncheon-of-the-boating-party-susan-vreeland/11716075?ean=9780143113522&next=t Maison Fournaise https://www.maisonfournaise.com  https://en.wikipedia.org/wiki/Maison_Fournaise Caillebotte episode https://alonglookpodcast.com/08-skiffs-caillebotte Transcript available at https://alonglookpodcast.com/boatingparty/  

Nicolas d'Estienne d'Orves se réinvente en adoptant un nouveau nom de plume pour ce projet singulier. Il en révèle les origines, évoquant son désir de "s'effacer derrière son sujet" afin de laisser son univers romanesque s'imposer. Mais cette quête d'anonymat dissimule-t-elle une forme d'orgueil littéraire ? L'invité explore avec nuance cette tension entre effacement et affirmation, moteur de création autant que piège pour l'écrivain.Les auditeurs sont ensuite conviés à une immersion dans la bibliothèque de Maël Renoir, écrivain et traducteur, véritable "caverne d'Ali Baba" regorgeant de trésors littéraires. Passionné, il partage son amour de la traduction et raconte ses expériences avec Nietzsche ou Conrad, dévoilant les défis et les joies de ce métier d'ombre.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pennsylvania has graced the world with an inordinate number of influential women throughout its history but looking with a sharper lens at four women in particular highlights not just their achievements, but also key trends in the U.S. and Pennsylvania in the 1800’s. Dr. Christine Senecal, Medieval Historian, shared some of the most important women from Pennsylvania whose lives made a positive impact on the world today. Mary Cassatt was the only American to exhibit alongside the French Impressionists in France. Cassatt’s artwork was very radical for her time, that is still celebrated to this day. “So, she did many pictures and paintings of women with children, and while that had been a pretty common scene in art, like Renoir did a lot of that, he was an imperious artist, she tended to focus on women, the labor that women did in care taking. So, if you look at a Renoir and you look at, um, like the women with the children, they're both smiling, sort of smiling for the camera, so to speak. Mary Cassatt's women are like tending to the children. And there's a lot of love and affection in her paintings, but also it shows women working. Moreover, there's pictures of women, many women, looking intently at things.” Nellie Bly was an investigative journalist who was known for her undercover reporting on a mental asylum, her trip around the world, and her advocacy for women’s rights. “She would throw herself into some news, a kind of important journalistic story. The most infamous or famous of this is a piece she wrote called Ten Days in the Madhouse. Off of the coast of New York, Manhattan, there's an island, it's an island that's now called Roosevelt Island and there was a woman's lunatic asylum, and it was supposed to be really corrupt. Nellie Bly got herself into the asylum. She did it by like going overnight, like she didn't let herself sleep. And so, she looked all crazy. And she checked herself into a kind of like dormitory to get into it and acted really crazy. Once she was in, she was eventually accepted into the woman's lunatic asylum. She was, you know, able to really record the horrible abuses and broke the story.” Listen to the podcast to hear about Union Organizer Fannie Sellins, and abolitionist Sarah Mapps Douglass.Support WITF: https://www.witf.org/support/give-now/See omnystudio.com/listener for privacy information.

Un museo en la capital iraní, Teherán, alberga una de las colecciones de arte moderno más sorprendentes y poco conocidas del mundo.

本期是一年一度的日影总结播客，由XHC和Methy两位嘉宾为大家带来分享。从电影产业来看，总票房2069亿日元，较去年变化不大，同比减少6.5%，观影人次减少7.1%。但日本国产电影票房1558亿日元，较去年增长5％，是日本电影史的最高票房纪录。进口电影票房下滑严重，总票房仅有511亿日元，较去年下降了30%，下降原因与好莱坞电影因罢工影响导致的质量下降有关。票房榜排名前四的电影都是IP向制作，动画剧场版依然是日本院线票房贡献的主力军，《名侦探柯南:百万美元的五棱星》便是其中的代表，差不多每年一部的速度，票房依然能屡创新高，今年更是勇夺排名第一的宝座，可见IP发展的潜力。真人电影方面，在中国有过上映的《最后的里程》‌是市场向最值得关注的影片，本片以59.1亿日元排名2024票房榜第五。这部电影以日剧全明星的模式创造了野木亚纪子编剧作品宇宙，大量耳熟能详的角色在片中客串，这也是本片能获得高票房的原因。《名侦探柯南:百万美元的五棱星》剧照艺术电影方面，我们依然以《电影旬报》十佳作为参考进行观察。老中青三代在今年全面发力。首先是《黎明的一切》登顶第一，让三宅唱导演实现了三年两冠的高光时刻，而同为“第三个黄金期导演”的滨口龙介新片《邪恶不存在》也拿到第三名的好成绩，以他俩为首的这批中生代导演依然是日本作者电影的中坚力量。而更令人振奋的，莫过于90后导演们的崭露头角。山中瑶子导演（1997年生）的《纳米比亚的沙漠》和奥山大史导演（1996年生）的《我的阳光》分别位居第二和第四，这两位导演都还未到30岁，且双双入围了去年戛纳电影节。与此同时，入围威尼斯电影节的空音央导演（1991年生）新片《圆满结局》也引发了大量好评。我们也将在播客中讨论这波新导演大爆发的原因，以及她们作品中的表达及关联。2024年三部作品上映的黑泽清自然也是我们关注的焦点，这位年近70的电影大师依然有着不输年轻人的创作力，对于新鲜事物的尝试更是断层领先，今年三部影片各有各的创新点，这样的创作力无疑让人敬佩。而荒井晴彦派的新片《暴劫青春 我们无法阻挡2》，继续诉说着与若松孝二相关的左派历史，保持了传统的延续。此外，女演员河合优实的爆发，日本电影人对海外电影节态度的转变，以及日本电影依然存在的保守性等都是本期播客的主题。让我们接下来一同回顾去年日影的喜与悲。2024年日影相关播客：255 今 敏，及其唯一的电视动画252 是枝裕和《宛如阿修罗》，还原向田邦子的世界248 《如父如子》及，是枝裕和的转折点244 东京电影节，把明年金鸡大奖都选好了230 对话真利子哲也，暴力之子与日本新电影一代 | 导演谈212 宫崎骏，有活出想要的人生吗？210 2023年日本电影年度盘点，从十佳影片到奥斯卡大胜《黎明的一切》剧照本期嘉宾：XHC上海国际电影节选片人豆瓣 @xxhhccMethy（闻豪）日本电影研究者豆瓣 @Methy电车深焦DeepFocus 编辑豆瓣 @电车河合优实时间轴：本期播客总时长：2:32:0702:31 对于2024年日影的整体观察。12:22 《最后的里程》的日剧全明星创作模式。18:38 日本电影对于海外市场的关注度低的原因。22:00 日本文化输出的进展和局限，以及《幕府将军》和《刺客信条：影》的影响力31:38 中国市场对于日本电影引进态度的转变。41:27 对于《电影旬报》十佳评选的看法。50:23 《蓦然回首》作为中短片电影为什么可以参与评选？日本电影届对电影时长的看法。53:56 《黎明的一切》在去年碾压级别的评价，以及三宅唱实现三年两冠的原因。01:04:03 “第三个黄金期”导演作为日本电影的中坚力量，以及滨口龙介在日本电影界的独特存在。01:14:30 九零后新导演为何能在2024年大爆发？他们是否能反映“九零后世代”年轻人的生活状态。（以《圆满结局》《纳米比亚的沙漠》《我的阳光》为例）01:28:33 日本年轻电影人对于国际电影节态度的转变。01:35:26 河合优实在2024年的爆发不是偶然。01:42:32 70岁的黑泽清一年上映三部电影，依然有着年轻人般的创作活力。（《钟声》《蛇之道》《云》）01:58:01 日本大导演在国外拍片为何总是水土不服？02:04:33 国外电影节对于日本小成本动画电影的关注是否有所提升？对日本动画人是否有帮助？02:09:23 《暴劫青春 我们无法阻挡2》与若松孝二的关系，以及历史在不同时代的重构。02:18:28 吴美保的《我生活的两个世界》是在日朝鲜人电影脉络的延续吗？为何选进了上海电影节主竞赛？02:21:12 2025年前瞻，值得期待的日本电影。02:26:18 2024年被大家忽略的日本好片。《最后的里程》剧照素材库：2024年日本电影票房前五：‌‌《名侦探柯南:百万美元的五棱星》‌：158亿日元‌《‌排球少年!!垃圾场决战》‌：116.4亿日元‌《‌王者天下4》‌：80.3亿日元‌《‌间谍过家家 代号:白》‌：63.2亿日元‌《‌最后的里程》‌：59.1亿日元2024年电影旬报十佳：1.《黎明的一切》三宅唱2.《纳米比亚的沙漠》山中瑶子3.《邪恶不存在》滨口龙介4.《云》黑泽清4.《我的阳光》 奥山大史6.《我生活的两个世界》吴美保7.《蓦然回首》押山清高8.《暴劫青春 我们无法阻挡2》井上淳一9.《最后的里程》冢原亚由子10.《杏运》入江悠11.《箱男》石井岳龙野木亚纪子编剧提及作品：《慢行列车》（土井裕泰，2025）《最后的里程》（冢原亚由子，2024）《去唱卡拉OK吧！》（山下敦弘，2023）《平家物语：犬王》（汤浅政明，2021）《非自然死亡》（冢原亚由子 / 竹村谦太郎 / 村尾嘉昭，2018）《逃避虽可耻但有用》（金子文纪，2016）河合优实参演提及作品：《敌》（吉田大八，2024）《最爱今日天空，我却无法言明》（大九明子，2024）《如龙》（武正晴 / 滝本宪吾，2024）《蓦然回首》（押山清高，2024）《杏运》（入江悠，2024）《纳米比亚的沙漠》（山中瑶子，2024）《不合适也要有个限度！》（宫藤官九郎，2024）其他提及：《名侦探柯南：百万美元的五棱星》（永冈智佳，2024）《诡谲屋（奇怪的家）》（石川淳一，2024）《星愿》（克里斯·巴克 / 弗恩·维拉桑托恩，2024）《幕府将军》（乔纳森·范塔勒肯 / 弗雷德里克·E·O·托耶，2024）《刺客信条：影》（游戏，育碧，乔纳森‧杜蒙）《间谍过家家 代号：白》（片桐崇，2023）《惠子，凝视》（三宅唱，2022）《爱的接力棒（接棒家族）》（前田哲，2021）《如父如子》（是枝裕和，2013）《宛如阿修罗》（是枝裕和，2024）《一夜爆樽》（空音央，2022）《岁月自珍》（早川千绘，2022）《只在那里发光》（吴美保，2014）《福田村事件》（森达也，2023）《革命+1》（足立正生，2022）《掮客》（是枝裕和，2022）《云》（黑泽清，2024）《蛇之道》（黑泽清，2024）《钟声》（黑泽清，2024）《间谍之妻》（黑泽清，2020）《本格小说》（黑泽清，待上映）《国宝》（李相日，待上映）《无尽希望的斯嘉丽》（细田守，待上映）《逃走》（足立正生，待上映）《东京出租车》（山田洋次，待上映）《Renoir》（早川千绘，待上映）《北极星洒落之夜》（山中瑶子，待上映）《地下》（小田香，2025）《去海边的路》（横滨聪子，2025）《幕府将军》剧照本期使用音乐：开场：Haruka Nakamura,うらら - Light song（《蓦然回首》配乐）中插：Hi'Spec - Peers（《黎明的一切》配乐）结尾：Eiko Ishibashi - Evil Does Not Exist V.2（《邪恶不存在》配乐）制作团队：监制：Peter Cat统筹：电车策划：电车剪辑：电车编辑：电车

Welcome to The HCPFive, your go-to roundup for the latest healthcare news and breakthroughs, curated specifically for busy healthcare professionals. Each week, we highlight 5 key developments or headlines from healthcare that you need to know—whether it's a cutting-edge treatment, regulatory updates, or innovations shaping the future of medicine. This week's top stories included the US Food and Drug Administration's (FDA) acceptance of a Biologics License Application (BLA) for a cholesterol-lowering drug, long-term data on a dermatologic treatment for hidradenitis suppurativa, an expanded dosing label for a blinding eye disease treatment, and more! With The HCPFive, you'll get the essential takeaways to stay informed and ahead of the curve. Here's your quick dive into the top stories for the week of February 09, 2025—let's jump in! Interested in oncology news? Check out The OncFive, from our sister publication OncLive. Top News for Healthcare Providers from the Week of 02/09 1. FDA Accepts Lerodalcibep BLA for LDL-C Reduction in High-Risk Patients The FDA accepted the BLA for lerodalcibep, targeting reductions in low-density lipoprotein cholesterol (LDL-C) levels in patients with or at high risk for atherosclerotic cardiovascular disease (ASCVD) and primary hyperlipidemia. The agency set a Prescription Drug User Fee Act (PDUFA) action date of December 12, 2025, and announced no plans to hold an advisory committee meeting. 2. Travere Therapeutics Plans FSGS Submission for Sparsentan Travere Therapeutics announced its intent to submit a supplemental New Drug Application (sNDA) for sparsentan (Filspari) with the FDA for the treatment of focal segmental glomerulosclerosis (FSGS) at the end of Q1. The announcement arrived soon after the completion of a Type C meeting with the FDA, with the sNDA based on existing data from the Phase 3 DUPLEX and Phase 2 DUET studies. 3. Bimekizumab Long-Term Hidradenitis Suppurativa Data Support Efficacy, Safety Profile Bimekizumab (Bimzelx) was associated with sustained disease control for up to 2 years in patients with hidradenitis suppurativa (HS), according to presentation of long-term data from the BE HEARD trials. Presented at the 14th Conference of the European Hidradenitis Suppurativa Foundation (EHSF), bimekizumab reduced the symptoms of HS, achieved a low rate of flares, and improved health-related quality of life. 4. Rosnilimab Demonstrates Historic Responses for Rheumatoid Arthritis Rosnilimab achieved historic American College of Rheumatology (ACR) and clinical disease activity index (CDAI) low disease activity (LDA) responses in patients with rheumatoid arthritis (RA), according to new Phase 2b findings. A depleter and agonist of PD-1+ T cells, rosnilimab was evaluated in the global 424-patient RENOIR trial for efficacy, safety, tolerability, pharmacokinetics, and pharmacodynamics in patients with moderate-to-severe RA on background conventional disease-modifying antirheumatic drugs (cDMARDs). 5. FDA Expands Dosing Label for Avacincaptad Pegol for Geographic Atrophy The FDA approved an expanded label for avacincaptad pegol intravitreal solution (IZERVAY) for geographic atrophy (GA), extending the approved dosing beyond 12 months. Announced by Astellas Pharma, the decision comes after the company resubmitted its supplemental New Drug Application (nDA) in December 2024, based on feedback received from the FDA. The company received a Complete Response Letter (CRL) the month prior. See you next week! Editor's note: this was created with the assistance of AI tools. 

n this episode of Modern Art is Rubbish, we dive into two tales of art, money, and misplaced confidence. First... The post Trump's Fake Renoir and Warhol's $950K Rejection – Art, Lies & Bad Décor ep 132 appeared first on .

Venez découvrir l'histoire fascinante de Suzanne Valadon, une artiste peintre du début du XXe siècle qui a brisé les codes de son époque. Clément Dirié, historien et critique d'art, nous plonge dans la vie et l'œuvre de cette femme libre et audacieuse, à l'occasion de l'ouverture d'une grande exposition qui lui est consacrée au Centre Pompidou. Suzanne Valadon a connu une trajectoire hors du commun. Modèle pour les plus grands artistes de son temps comme Renoir ou Toulouse-Lautrec, elle s'est ensuite affirmée comme une peintre moderne, avec un style bien à elle. Autodidacte, elle a développé une vision singulière du corps, peignant avec une grande liberté aussi bien les femmes que les hommes nus. Ses toiles, comme le célèbre "Adam et Ève", ont fait scandale à leur époque par leur audace et leur réalisme. Pourtant, malgré la reconnaissance de ses pairs, Suzanne Valadon a ensuite été quelque peu oubliée pendant plusieurs décennies. C'est ce paradoxe que Clément Dirier s'attache à éclaircir dans son livre "Valadon", retraçant le parcours hors norme de cette artiste hors normes.

Watch the Q&A session here:  https://youtu.be/f6Z9L2dnxSAThis lecture explores the emergence of the "femme au piano" genre in 19th-century French painting, depicted by artists like Renoir, Van Gogh, and Matisse. What suddenly made this topic so popular, and what does it tell us about the role of women in music-making at the time? Tracing the genre's roots from the Italian Renaissance clavichord depictions to Vermeer's Dutch domestic scenes, and 18th-century harpsichord portraits. Discover how the piano became a middle-class status symbol and how modernists of the 1910s-20s reinterpreted it. Presented from the perspective of a music historian, this lecture will delve into the roots of the “Women at the Piano” genre and reveal how these paintings offer a window onto women's music-making.This lecture was recorded by Marina Frolova-Walker  on 10th December 2024 at Barnard's Inn Hall, London.Marina is Gresham Emerita Professor of Music.Marina Frolova-Walker, a Russian-born British musicologist and music historian, was Visiting Gresham Professor of Russian Music in 2018-19 and Gresham Professor of Music 2019-23. She is Professor of Music History and Director of Studies in Music at Clare College, Cambridge. She is a specialist in the Russian music of the 19th and 20th centuries. She has published extensively on Russian music and is a well-known lecturer and broadcaster for BBC Radio 3. Among her many awards and appointments, she is a Fellow of the British Academy and was awarded the Edward Dent Medal in 2015 by the Royal Musical Association for her achievements in musicology.The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/women-pianoGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todayWebsite:  https://gresham.ac.ukTwitter:  https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

Nuestro artesano, Pablo Ortiz de Zárate, estrena el año enseñándonos las vergüenzas de uno de los mejores pintores de la historia. Porque sí, Renoir revolucionó el mundo del arte con obras maravillosas, pero al mismo tiempo fue capaz de lo peor, pintando algunas de las obras más desastrosas que se puedan imaginar.

En esta edición del día de Reyes en 'Hoy por Hoy' les contamos el Sorteo de la Lotería del Niño. Bob Pop pasa consulta a los oyentes. En la Dupla hablamos sobre regalos futbolísticos. El Artesano nos trae lo mejor y lo peor de Renoir. Y en Mitos 2.0 nos preguntamos qué es mejor: ¿regalar o que te regalen?

Paris is home to over 100 museums, from world-renowned art galleries to quirky, hidden gems. In this episode, we highlight 5 underrated museums you won't want to miss, each offering a unique glimpse into Parisian history and culture. Discover the Bibliothèque Nationale Richelieu, where centuries of knowledge await. This historic library houses treasures like a rare Gutenberg Bible and an original manuscript of Les Misérables. Then, explore the newly renovated Musée Carnavalet, a free museum dedicated to the history of Paris, complete with a beautiful Art Nouveau shop and a charming courtyard café. Next, step into the elegant Musée Jacquemart André, an aristocratic mansion on Boulevard Haussmann that showcases Italian art and a stunning fresco. For something truly unique, visit the Musée des Moulages, a museum of dermatological casts housed in one of Paris' oldest hospitals. Finally, don't miss Musée de Montmartre, where iconic artists like Renoir once worked, and the beautiful gardens are just as impressive as the exhibits. This episode is brought to you by My Private Paris, the award-winning travel company offering private tours in Paris, day trips around France, and custom travel itineraries.  Become a member of The Earful Tower on Patreon or Substack for bonus content, early access, and invites to exclusive events. Members can read the full "Top 20" list of our tips for Best Museums in Paris, one for every arrondissement.

Stéphane Bern raconte, à l'occasion des 105 ans de sa disparition, Auguste Renoir, le peintre fou de couleurs qui s'est plu à peindre des figures - et des femmes en particulier - plus que des paysages, se distinguant ainsi de ses amis "impressionnistes", ces peintres - dont il s'est, pour certains, lié d'amitié lorsque l'artisan qu'il était est entré aux Beaux-Arts - qui forment un groupe à la pointe de l'art qui fait parler de lui mais qui peine aussi à gagner sa vie, un groupe dont il finit par s'éloigner pour aller trouver l'inspiration ailleurs... Quelles étaient ses habitudes de peinture ? Quelles sont les particularités de ses oeuvres ? Quel héritage a-t-il laissé aux artistes des générations suivantes ? Pour en parler, Stéphane Bern reçoit Stéphane Guégan, conseiller scientifique auprès de la Présidence du Musée d'Orsay.

Stéphane Bern raconte, à l'occasion des 105 ans de sa disparition, Auguste Renoir, le peintre fou de couleurs qui s'est plu à peindre des figures - et des femmes en particulier - plus que des paysages, se distinguant ainsi de ses amis "impressionnistes", ces peintres - dont il s'est, pour certains, lié d'amitié lorsque l'artisan qu'il était est entré aux Beaux-Arts - qui forment un groupe à la pointe de l'art qui fait parler de lui mais qui peine aussi à gagner sa vie, un groupe dont il finit par s'éloigner pour aller trouver l'inspiration ailleurs... Quelles étaient ses habitudes de peinture ? Quelles sont les particularités de ses oeuvres ? Quel héritage a-t-il laissé aux artistes des générations suivantes ? Pour en parler, Stéphane Bern reçoit Stéphane Guégan, conseiller scientifique auprès de la Présidence du Musée d'Orsay.