Podcasts about renoir

Matisse, Picasso ou Renoir… Tous les grands peintres du 20ème siècle ont été plagiés par Elmyr de Hory. Pendant 30 ans, ce génial faussaire a dupé de prestigieuses maisons de vente, des collectionneurs et des musées du monde entier. Créant des toiles "à la manière de", il se glissait à la perfection dans la tête de ceux qu'il copiait...Cet épisode de Faussaires est co-produit par Initial Studio et Bellota Films, adapté du documentaire audiovisuel « Elmyr de Hory, le faussaire du siècle », produit par Bellota Films, écrit et réalisé par Dimitri Pailhe.Bonne écoute ! Pour découvrir nos autres podcasts, suivez Initial Studio sur Instagram et Facebook. Crédits du podcastProduction exécutive du podcast : Initial Studio Production éditoriale : Sarah Koskievic et Mandy Lebourg Montage : Camille Legras et Victor Benhamou Illustration : Initial Studio Avec la voix d'Elsa Hamnane Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Matisse, Picasso ou Renoir… Tous les grands peintres du 20ème siècle ont été plagiés par Elmyr de Hory. Pendant 30 ans, ce génial faussaire a dupé de prestigieuses maisons de vente, des collectionneurs et des musées du monde entier. Créant des toiles "à la manière de", il se glissait à la perfection dans la tête de ceux qu'il copiait...Cet épisode de Faussaires est co-produit par Initial Studio et Bellota Films, adapté du documentaire audiovisuel « Elmyr de Hory, le faussaire du siècle », produit par Bellota Films, écrit et réalisé par Dimitri Pailhe.Bonne écoute ! Pour découvrir nos autres podcasts, suivez Initial Studio sur Instagram et Facebook. Crédits du podcastProduction exécutive du podcast : Initial Studio Production éditoriale : Sarah Koskievic et Mandy Lebourg Montage : Camille Legras et Victor Benhamou Illustration : Initial Studio Avec la voix d'Elsa Hamnane Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Direction le festival de Cannes, où neuf films sur vingt-deux sont entrés dans la compétition pour la palme d'or. Ce dimanche 17 mai, l'Américain Wes Anderson et le Brésilien Kleber Mendonça Filho entrent, eux aussi, dans la danse. Retour sur les derniers temps forts du festival. Robert Pattinson et Jennifer Lawrence ont électrisé les marches, signant moult autographes et se prêtant au jeu des selfies. Le duo de superstars américaines est à l'affiche de Die, My Love, film en compétition de la britannique Lynne Ramsay. À 39 ans, Robert Pattinson est au sommet de sa gloire depuis déjà deux décennies, découvert dans Harry Potter et Twilight, tout comme l'Américaine Jennifer Lawrence, révélée toute jeune dans la saga Hunger game. Lynne Ramsay, prix du scénario à Cannes en 2017, leur offre deux très beaux rôles, un couple de parents confrontés à la maladie mentale de la jeune mère.Le néo-western Eddington, signé Ari Aster, dresse le portrait d'une ville américaine en post-Covid, projection d'une Amérique en décomposition gangréné par le complotisme et l'ultra-violence avec Joaquin Phoenix en shériff disjoncté. Pendant la conférence de presse du film, l'acteur Pedro Pascal, star des séries The Last of Us et Narcos, a appelé le cinéma à ne pas se laisser intimider par Donald Trump : « Vous savez, quand on a peur, cela veut dire que les autres ont gagné. Donc, il faut continuer à s'exprimer, il faut continuer à se battre. Il faut continuer de raconter des histoires. C'est notre seule façon. Et il ne faut pas se laisser intimider. Et que ceux qui essaient aillent se faire voir ! »Les festivaliers et le jury ont aussi pu découvrir Renoir, de la Japonaise Chie Hayakawa, déjà récompensé en 2022 pour son premier long métrage Plan 75. Un film tout en délicatesse. Le Japon de la fin des années 1980 vu par les yeux d'une fillette de onze ans qui apprivoise par l'imagination et la curiosité sa solitude tandis que son père est en train de mourir d'un cancer. « Il se trouve que j'ai eu un père malade atteint d'un cancer, explique la réalisatrice. Et que de mon enfance jusqu'à une vingtaine d'années, j'ai vu mon père souffrir, se battre contre la maladie, attendre la mort. Cela a beaucoup marqué mon esprit et peut-être mon rapport au monde. »Plus joyeux, malin, Nouvelle Vague, film tourné en français de l'Américain Richard Linklater, ressuscite en noir et blanc tous les protagonistes de la Nouvelle Vague du cinéma français des années 1960. Il retrace avec humour et virtuosité le tournage de À bout de souffle de Jean-Luc Godard.À lire aussiUn 78ème festival de Cannes sous le signe de la sobriété et de la politique

Direction le festival de Cannes, où neuf films sur vingt-deux sont entrés dans la compétition pour la palme d'or. Ce dimanche 17 mai, l'Américain Wes Anderson et le Brésilien Kleber Mendonça Filho entrent, eux aussi, dans la danse. Retour sur les derniers temps forts du festival. Robert Pattinson et Jennifer Lawrence ont électrisé les marches, signant moult autographes et se prêtant au jeu des selfies. Le duo de superstars américaines est à l'affiche de Die, My Love, film en compétition de la britannique Lynne Ramsay. À 39 ans, Robert Pattinson est au sommet de sa gloire depuis déjà deux décennies, découvert dans Harry Potter et Twilight, tout comme l'Américaine Jennifer Lawrence, révélée toute jeune dans la saga Hunger game. Lynne Ramsay, prix du scénario à Cannes en 2017, leur offre deux très beaux rôles, un couple de parents confrontés à la maladie mentale de la jeune mère.Le néo-western Eddington, signé Ari Aster, dresse le portrait d'une ville américaine en post-Covid, projection d'une Amérique en décomposition gangréné par le complotisme et l'ultra-violence avec Joaquin Phoenix en shériff disjoncté. Pendant la conférence de presse du film, l'acteur Pedro Pascal, star des séries The Last of Us et Narcos, a appelé le cinéma à ne pas se laisser intimider par Donald Trump : « Vous savez, quand on a peur, cela veut dire que les autres ont gagné. Donc, il faut continuer à s'exprimer, il faut continuer à se battre. Il faut continuer de raconter des histoires. C'est notre seule façon. Et il ne faut pas se laisser intimider. Et que ceux qui essaient aillent se faire voir ! »Les festivaliers et le jury ont aussi pu découvrir Renoir, de la Japonaise Chie Hayakawa, déjà récompensé en 2022 pour son premier long métrage Plan 75. Un film tout en délicatesse. Le Japon de la fin des années 1980 vu par les yeux d'une fillette de onze ans qui apprivoise par l'imagination et la curiosité sa solitude tandis que son père est en train de mourir d'un cancer. « Il se trouve que j'ai eu un père malade atteint d'un cancer, explique la réalisatrice. Et que de mon enfance jusqu'à une vingtaine d'années, j'ai vu mon père souffrir, se battre contre la maladie, attendre la mort. Cela a beaucoup marqué mon esprit et peut-être mon rapport au monde. »Plus joyeux, malin, Nouvelle Vague, film tourné en français de l'Américain Richard Linklater, ressuscite en noir et blanc tous les protagonistes de la Nouvelle Vague du cinéma français des années 1960. Il retrace avec humour et virtuosité le tournage de À bout de souffle de Jean-Luc Godard.À lire aussiUn 78ème festival de Cannes sous le signe de la sobriété et de la politique

Ce mois-ci, dans « Ouvrez les micros« , les élèves de 2nde F du lycée Renoir, à Angers, se penchent sur la…

Jaume Segalés habla de la exposición Proust y las artes y entrevista a la autora de Querida culpa: gracias, pero adiós."Proust y las artes" El Museo Nacional Thyssen-Bornemisza (Paseo del Prado, 8) dedica una cuidada exposición a Marcel Proust, una de las figuras literarias más relevantes de los siglos XIX y XX. Podemos verla hasta el 8 de junio. Una muestra que profundiza en la relación entre el Arte y la personalidad, la vida y el trabajo del ilustre escritor parisino que, a su vez, tuvo una gran repercusión en otras disciplinas como la Filosofía o la Historia del Arte. Las ideas estéticas que Proust desarrolla en sus escritos, los ambientes artísticos, monumentales y paisajísticos que le rodearon (especialmente el de la capital francesa durante la Tercera República) articulan el recorrido. Se compone de pinturas de, entre otros, Manet, Renoir, Monet, Rembrandt, Vermeer, Van Dyck, Watteau y Turner; una escultura de Antoine Bourdelle; diseños de moda de Mariano Fortuny y otros creadores coetáneos; y una selección de manuscritos y libros de Proust. Una selección lograda gracias a los préstamos de entidades colaboradoras de gran renombre como la Biblioteca Nacional de Francia y la Biblioteca del Ateneo de Madrid, así como los Museos: Louvre, d'Orsay y de Histoira de París, la Maurits-hauss de La Haya, el Rijksmuseum de Ámsterdam, el Städel de Fráncfort y la National Gallery de Washington. Entrevistamos al comisario de la exposición, Fernando Checa."Querida culpa: gracias, pero adiós" Una guía para liberar el peso emocional y vivir con plenitud. Entrevistamos a la autora, Sonia Rico, periodista, coach certificada, instructora de yoga, máster en Programación Neurolingüística (PNL) y terapeuta en kinesiología emocional. El libro expone cómo soltar la culpa, como acto de amor propio, a través de relatos conmovedores, testimonios reales y herramientas prácticas, para transformar la culpa en un motor de aprendizaje y crecimiento. La autora nos recuerda que la culpa no es un enemigo, sino una señal que nos invita a mirar hacia adentro, a identificar las creencias que ya no nos sirven y a liberarnos de las interpretaciones y expectativas tóxicas que nos impiden avanzar.Sección lingüística "Dicho Queda" Carlota Izquierdo Gil (Instagram: @cigservicioslinguisticos) nos habla sobre el origen del término "pokemon".

On Episode 161 of Floating Through Film, we're doing a different take on our "Blindspots" series by doing two films by two directors we haven't discussed on the podcast yet. That led us to Dany's choice, Renoir's 1945 film The Southerner, followed by Luke's choice, Jerry Lewis's 1961 film The Ladies Man (1:00:01)Episode Next Week: FTF Theory (Bazin's Ontology of the Photographic Image + Broken Blossoms)Music:- Intro from The Southerner - Break from https://www.youtube.com/watch?v=hEIARR_3RwY&ab_channel=AlejandroF.Moreno- Outro from https://www.youtube.com/watch?v=66qXJzEp1lQ&ab_channel=Carlosd%27Alessio-TopicHosts: Luke Seay (https://letterboxd.com/seayluke/), Blake Tourville (https://letterboxd.com/blaketourville/), and Dany Joshuva (https://letterboxd.com/djoshuva/)Podcast Links (Spotify and Apple): https://linktr.ee/floatingthroughfilmLetterboxd: https://letterboxd.com/floatingfilm/Email: floatingthroughfilm@gmail.com

The photocopier is broken and we can't get onto IT at Framed HQ so we are on hold till next week. So you don't miss us too much we are bringing an old ep from season 1 out of the filing cabinets. This is one of our most downloaded episodes - so if you missed the meeting last time, tune in for this one. sincerely Joel & Steph ---In this thrilling episode of Famed, Steph and Joel dive into the high-stakes world of art theft with the jaw-dropping story of the heist at the National Museum in Stockholm. This episode has it all—explosions, priceless art, and a getaway fit for the movies. Chatting about Y2K, titanic and also did someone say Gene Parmesan?Join us as we unpack the dramatic events of December 22, 2000, when armed robbers executed one of the most daring art heists in history. Hosted on Acast. See acast.com/privacy for more information.

Debussy and Ravel are often described as the prototypical musical impressionists. It is often said that the two composers are the closest equivalents to the artistic world of Monet, Renoir, Pisarro, Degas, and others. But both Ravel and Debussy (like Monet for that matter), vehemently rejected the term Impressionism, and they both felt that they were striking out on their own individual paths in their msuic. That didn't stop the public and critics from constantly comparing the music of these two shining lights of French music, despite the fact that Ravel and Debussy are actually quite different. Comparing Ravel and Debussy is a bit like comparing Haydn and Mozart. At first glance, there are many similarities, but if you look and listen more closely, Ravel and Debussy(like Mozart and Haydn) had totally different approaches, goals, and styles. All of the constant comparisons and attempts at making the composers compete with each other had a real impact on Debussy and Ravel. Initially they were friends and mutual admirers of each others work, but they slowly drifted apart over time until they stopped speaking to each other altogether. We'll talk about this complicated personal relationship, as well as looking at these differences in their music, not from a critical standpoint, but from the perspective of bringing out what is so wonderfully unique about their music. We'll also talk about Ravel's arrangements of two Debussy's greatest orchestral works: his two piano arrangement of Debussy's Nocturnes, and his piano 4 hands arrangement of the legendary Prelude to the Afternoon of a Faun. Join us on another collaboration with G Henle Publishers! Recordings: Nocturnes Claudio Abbado with London Symphony Anne Shasby, Richard McMahon, Piano Prelude to the Afternoon of a Faun Ravel arrangement: Jean-Pierre Armengaud and Olivier Chauzu Debussy Arrangement: Charles Badami and Anthony Olson 

9a-10a Kanye West is at it again. Linkin Park downsizing shows: Is the new lead singer to blame, or do we just miss Chester Bennington? We learn a shocking way you could end up with a DUI. A PA woman strikes big on a Renoir. You won't believe these April 1st headlines—but maybe you should.

Bonjour! New episode out now! We watched the first episode of the French crime show Candice Renoir. We discuss our enjoyment of Candice and her approach to policing, drawing on her intuition and skills as both a professional and a mother, and how that causes strife within the team she is placed in charge of. We talk about the challenges in understanding some of the nuances in a different language and culture, but how that also made it fun. We touch on the somewhat mysterious and confusing hierarchy used by police and military units, discuss the pros and cons of doing procedural television for multiple seasons, and try to pronounce French names and terms with varying success. Katy sneaks in a Seinfeld reference, Carrie has read this whole show, Maddy tells a fun hospital story about weird brains, and Mack got Inception-ed by Aretha Franklin. We also believe being called “Barbie” is not an insult, wonder how much fandom can really influence media, enjoy foreign media's depiction of Americans, and discover Discord is amazing for pun-based comedy. We touch on gay Star Wars characters, Paul Blart Mall Cop 2 marking the passage of time, Columbo, and the marimba. Apprécier!TW: Child abuse, sex work, suicide, fatphobia, misogyny

The artist Degas suffered retina disease for the last fifty years of his life, switching from paint to pastel because the chalk lines were easier to see. Renoir had to have brushes placed between his fingers when arthritis made them clench like claws; and when surgery left Matisse immobile, he turned to collage, directing assistants to attach colored pieces of paper to a larger sheet on the wall. What followed in each case was a creative breakthrough: Degas’s Blue Dancers, Renoir’s Girls at the Piano, Matisse’s The Sorrows of the King, and other masterpieces. By adapting to their trial, beauty emerged from their infirmity. In a similar way, Paul wasn’t planning to visit Galatia during his early missionary journeys. An illness forced him there (Galatians 4:13). Whether it was the illness he mentions in 2 Corinthians 12:7, an eye problem (Galatians 4:15), or something else, we don’t know. But Paul sought a different climate, wound up in Galatia and, even though he was ill, started preaching. Ironically, the Holy Spirit performed miracles through him (3:2–5) and the Galatian church was born. This surprising outcome may never have happened without Paul’s illness. What trial have you faced, and how did it change the direction of your life? By refocusing your gifts, you too may see God bring beauty out of your infirmity.

Episode 1678 - brought to you by our incredible sponsors:   Turtle Beach:  Level up your game and get 10% off @TurtleBeach with code HARDFACTOR at turtlebeach.com/HARDFACTOR! #turtlebeachpod Fitbod: Level up your workout. Join Fitbod today to get your personalized workout plan. Get 25% off your subscription or try the app FREE for seven days at www.Fitbod.me/HARDFACTOR  Birddogs: For a limited time, our listeners get a FREE HAT with any order when you use code HARDFACTOR at birddogs.com. Get their best-selling hat completely free when you use code HARDFACTOR at birddogs.com. Support our show and let them know we sent you!   DeleteMe: Get 20% off your data protection DeleteMe plan by texting Hard Factor to 64000   Timestamps: 00:00:40 - Show teases 00:08:00 - New Jersey police chief pulls off some AGGRESSIVE pranks 00:27:15 - Enormous man rams Tesla on mini four-wheeler 00:37:45 - Babysitter finds “monster” under kid's bed 00:40:15 - Utah bans predators on VR 00:43:45 - Six figure Renoir painting found at flea market THANK YOU for listening! Join our community and get access to Discord App Chat w/ the hosts, and Bonus Podcasts @ patreon.com/HardFactor but Most importantly... HAGFD! Learn more about your ad choices. Visit megaphone.fm/adchoices

Stupid News 3-28-2025 6am ...She bid $12 dollars and a sketch nobody knew was a Renoir

The nastier the better = dating in my 20s. They blurred out the Renoir tits. You lost your job for a damn corn dog. See omnystudio.com/listener for privacy information.

A woman in Easton stumbled upon an unknown Renoir drawing at an auction and bought it for only $12! We learned why it's important to pay your plumber, we got grossed out over breast milk ice cream, and crowned our "Asshat(s) of the Week!" And Dave has been driving by the most bizarre thing in Quakertown for the past month, so we hit the phones to hear YOUR strangest thing you've seen while out on the road. See omnystudio.com/listener for privacy information.

Play along at home with the lyrics:[Verse 1]You've gone too far this timeBut I'm dancing on the ValentineI tell you somebody's fooling aroundWith my chances on the danger lineI'll cross that bridge when I find itAnother day to make my stand, oh woahHigh time is no time for decidingIf I should find a helping hand, oh woah[Refrain]Oh, why don't you use it?Try not to bruise itBuy time, don't lose itOh, why don't you use it?Try not to bruise itBuy time, don't lose it[Chorus]The reflex is a lonely child who's waiting by the parkThe reflex is in charge of finding treasure in the darkAnd watching over lucky clover, isn't that bizarre?And every little thing the reflex doesLeaves you answered with a question mark[Verse 2]I'm on a ride, and I want to get offBut they won't slow down the roundaboutI sold the Renoir and TV setDon't wanna be around when this gets out[Refrain again][Chorus]The reflex is a lonely child, he's waiting in the parkThe reflex is in charge of finding treasure in the darkAnd watching over lucky clover, isn't that bizarre?And every little thing the reflex doesLeaves an answer with a question mark[Instrumental Break][Refrain again][Chorus]The reflex is a lonely child who's waiting by the parkThe reflex is in charge of finding treasure in the darkAnd watching over lucky clover, isn't that bizarre?And every little thing the reflex doesLeaves me answered with a question markOh, the reflex, what a game, he's hiding all the cardsThe reflex is in charge of finding treasure in the darkAnd watching over lucky clover, isn't that bizarre?And every little thing the reflex doesLeaves you answered with a question markJump to section:(00:10) Introduction but no waffling like you get on some podcasts. You know the ones.(01:04) Song title, writers' details, versions etc.(03:31) To the lyrics. - reflexes and guacamole and M&Ms(05:37) Sensitive artists, the muses, too much Star Wars, and Leprechauns(17:55) Help from Microsoft Word (that would previously have come from 'Clippy') and Barbarella(20:07) Rivalry, revenge, murder, and Brian(36:11) Other theories from the internet(50:18) Misheard Lyrics(54:57) Notable Trivia(57:20) Farewells and ⁠⁠⁠give us money⁠⁠⁠Would you like to appear (well, vocally) on the show? Do you have a pop song or ear-worm from the SMOOTH FM genre that's infested your mind and needs to be investigated? Visit this page ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://speakpipe.com/lyrics⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to record us your own voicemail hot-take on your specific smooth song of suckiness. You could be on a future episode! (you can always email sound files or text your thoughts to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠poidadavis@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ if that's easier). Cheers!Find us on Twitter, Facebook, Instagram etc @LyricsPodast ... and we're on all your favourite podcasting platforms.Sound clips are included for educational reference, criticism, satire and parody in fair use. Clips remain the property of the respective rights holder and no endorsement is implied. All information and opinion is performed and expressed in-character and does not reflect reality or genuine commentary on any persons (living or dead), bands or other organisations, or their works, and is not recommended listening for anyone, anywhere.

So much better than Instagram! Pierre-Auguste Renoir invited 14 friends to lunch one summer--several lunches actually--and ended up creating this spectacular work of art.  In today's episode we find out about this happy group and that beautiful riverside restaurant they're clearly enjoying. And I'll tell you a pretty funny story about how Duncan Phillips was able to get this stunner for his new modern art museum, the Phillips Collection in Washington DC.  SHOW NOTES  “A Long Look” themes are "Easy" by Ron Gelinas https://youtu.be/2QGe6skVzSs and “At the Cafe with You” by Onion All Stars https://pixabay.com/users/onion_all_stars-33331904/ Episode music “Parisian” by Kevin MacLeod https://incompetech.com/music/royalty-free/music.html Licensed under Creative Commons: By Attribution 4.0 License https://creativecommons.org/licenses/by/4.0 From Blue Dot Sessions: “Via Verre” https://app.sessions.blue/browse/track/306837 “Symphony 40 In G Minor” https://app.sessions.blue/browse/track/306840 “Etude 9 Stefan” https://app.sessions.blue/browse/track/306841 Artwork information  https://www.phillipscollection.org/collection/luncheon-boating-party https://www.phillipscollection.org/event/2017-10-06-renoir-and-friends-luncheon-boating-party “The Eye of Duncan Phillips: A collection in the making” by Duncan Philips and David W. Scott. 1999. Edited by Erika D. Passantino. Washington, DC: Phillips Collection in association with Yale University New Haven. Sitters identified https://en.wikipedia.org/wiki/Luncheon_of_the_Boating_Party Holston papers William H. Holston papers, 1915-1964. Archives of American Art, Smithsonian Institution. Reel D-169 #1029-31 “Luncheon of the Boating Party” by Susan Vreeland https://bookshop.org/p/books/luncheon-of-the-boating-party-susan-vreeland/11716075?ean=9780143113522&next=t Maison Fournaise https://www.maisonfournaise.com  https://en.wikipedia.org/wiki/Maison_Fournaise Caillebotte episode https://alonglookpodcast.com/08-skiffs-caillebotte Transcript available at https://alonglookpodcast.com/boatingparty/  

Nicolas d'Estienne d'Orves se réinvente en adoptant un nouveau nom de plume pour ce projet singulier. Il en révèle les origines, évoquant son désir de "s'effacer derrière son sujet" afin de laisser son univers romanesque s'imposer. Mais cette quête d'anonymat dissimule-t-elle une forme d'orgueil littéraire ? L'invité explore avec nuance cette tension entre effacement et affirmation, moteur de création autant que piège pour l'écrivain.Les auditeurs sont ensuite conviés à une immersion dans la bibliothèque de Maël Renoir, écrivain et traducteur, véritable "caverne d'Ali Baba" regorgeant de trésors littéraires. Passionné, il partage son amour de la traduction et raconte ses expériences avec Nietzsche ou Conrad, dévoilant les défis et les joies de ce métier d'ombre.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pennsylvania has graced the world with an inordinate number of influential women throughout its history but looking with a sharper lens at four women in particular highlights not just their achievements, but also key trends in the U.S. and Pennsylvania in the 1800’s. Dr. Christine Senecal, Medieval Historian, shared some of the most important women from Pennsylvania whose lives made a positive impact on the world today. Mary Cassatt was the only American to exhibit alongside the French Impressionists in France. Cassatt’s artwork was very radical for her time, that is still celebrated to this day. “So, she did many pictures and paintings of women with children, and while that had been a pretty common scene in art, like Renoir did a lot of that, he was an imperious artist, she tended to focus on women, the labor that women did in care taking. So, if you look at a Renoir and you look at, um, like the women with the children, they're both smiling, sort of smiling for the camera, so to speak. Mary Cassatt's women are like tending to the children. And there's a lot of love and affection in her paintings, but also it shows women working. Moreover, there's pictures of women, many women, looking intently at things.” Nellie Bly was an investigative journalist who was known for her undercover reporting on a mental asylum, her trip around the world, and her advocacy for women’s rights. “She would throw herself into some news, a kind of important journalistic story. The most infamous or famous of this is a piece she wrote called Ten Days in the Madhouse. Off of the coast of New York, Manhattan, there's an island, it's an island that's now called Roosevelt Island and there was a woman's lunatic asylum, and it was supposed to be really corrupt. Nellie Bly got herself into the asylum. She did it by like going overnight, like she didn't let herself sleep. And so, she looked all crazy. And she checked herself into a kind of like dormitory to get into it and acted really crazy. Once she was in, she was eventually accepted into the woman's lunatic asylum. She was, you know, able to really record the horrible abuses and broke the story.” Listen to the podcast to hear about Union Organizer Fannie Sellins, and abolitionist Sarah Mapps Douglass.Support WITF: https://www.witf.org/support/give-now/See omnystudio.com/listener for privacy information.

Un museo en la capital iraní, Teherán, alberga una de las colecciones de arte moderno más sorprendentes y poco conocidas del mundo.

Welcome to The HCPFive, your go-to roundup for the latest healthcare news and breakthroughs, curated specifically for busy healthcare professionals. Each week, we highlight 5 key developments or headlines from healthcare that you need to know—whether it's a cutting-edge treatment, regulatory updates, or innovations shaping the future of medicine. This week's top stories included the US Food and Drug Administration's (FDA) acceptance of a Biologics License Application (BLA) for a cholesterol-lowering drug, long-term data on a dermatologic treatment for hidradenitis suppurativa, an expanded dosing label for a blinding eye disease treatment, and more! With The HCPFive, you'll get the essential takeaways to stay informed and ahead of the curve. Here's your quick dive into the top stories for the week of February 09, 2025—let's jump in! Interested in oncology news? Check out The OncFive, from our sister publication OncLive. Top News for Healthcare Providers from the Week of 02/09 1. FDA Accepts Lerodalcibep BLA for LDL-C Reduction in High-Risk Patients The FDA accepted the BLA for lerodalcibep, targeting reductions in low-density lipoprotein cholesterol (LDL-C) levels in patients with or at high risk for atherosclerotic cardiovascular disease (ASCVD) and primary hyperlipidemia. The agency set a Prescription Drug User Fee Act (PDUFA) action date of December 12, 2025, and announced no plans to hold an advisory committee meeting. 2. Travere Therapeutics Plans FSGS Submission for Sparsentan Travere Therapeutics announced its intent to submit a supplemental New Drug Application (sNDA) for sparsentan (Filspari) with the FDA for the treatment of focal segmental glomerulosclerosis (FSGS) at the end of Q1. The announcement arrived soon after the completion of a Type C meeting with the FDA, with the sNDA based on existing data from the Phase 3 DUPLEX and Phase 2 DUET studies. 3. Bimekizumab Long-Term Hidradenitis Suppurativa Data Support Efficacy, Safety Profile Bimekizumab (Bimzelx) was associated with sustained disease control for up to 2 years in patients with hidradenitis suppurativa (HS), according to presentation of long-term data from the BE HEARD trials. Presented at the 14th Conference of the European Hidradenitis Suppurativa Foundation (EHSF), bimekizumab reduced the symptoms of HS, achieved a low rate of flares, and improved health-related quality of life. 4. Rosnilimab Demonstrates Historic Responses for Rheumatoid Arthritis Rosnilimab achieved historic American College of Rheumatology (ACR) and clinical disease activity index (CDAI) low disease activity (LDA) responses in patients with rheumatoid arthritis (RA), according to new Phase 2b findings. A depleter and agonist of PD-1+ T cells, rosnilimab was evaluated in the global 424-patient RENOIR trial for efficacy, safety, tolerability, pharmacokinetics, and pharmacodynamics in patients with moderate-to-severe RA on background conventional disease-modifying antirheumatic drugs (cDMARDs). 5. FDA Expands Dosing Label for Avacincaptad Pegol for Geographic Atrophy The FDA approved an expanded label for avacincaptad pegol intravitreal solution (IZERVAY) for geographic atrophy (GA), extending the approved dosing beyond 12 months. Announced by Astellas Pharma, the decision comes after the company resubmitted its supplemental New Drug Application (nDA) in December 2024, based on feedback received from the FDA. The company received a Complete Response Letter (CRL) the month prior. See you next week! Editor's note: this was created with the assistance of AI tools. 

Notre invitée culture nous entraîne au 19ᵉ siècle, aux prémices du mouvement impressionniste. Dans « Les Collectionnistes » , Christelle Reboul joue Jeanne, l'épouse de Paul Durand-Ruel, grand marchand de tableaux qui fut le premier admirateur (et collectionneur) de Claude Monet. Renoir, Degas, et Pissarro… sous le regard effaré de sa femme. Christelle Reboul alias Jeanne Durand-Ruel est l'invitée d'Elisabeth Lequeret. ► https://www.theatremontparnasse.com/spectacle/les-collectionnistes/

Notre invitée culture nous entraîne au 19ᵉ siècle, aux prémices du mouvement impressionniste. Dans « Les Collectionnistes » , Christelle Reboul joue Jeanne, l'épouse de Paul Durand-Ruel, grand marchand de tableaux qui fut le premier admirateur (et collectionneur) de Claude Monet. Renoir, Degas, et Pissarro… sous le regard effaré de sa femme. Christelle Reboul alias Jeanne Durand-Ruel est l'invitée d'Elisabeth Lequeret. ► https://www.theatremontparnasse.com/spectacle/les-collectionnistes/

"Eu desenhei loucamente para que, quando não tivesse mais olhos, pudesse enxergar com as pontas dos dedos." A frase é de Suzanne Valadon, artista pioneira que desafiou convenções em sua vida e obra, e que agora ganha uma grande retrospectiva no Centro Pompidou de Paris. Anticonformista por natureza, Valadon demolia regras – inclusive ao pintar escandalosos nus masculinos, algo impensável para sua época.  Filha de pai desconhecido e criada no ambiente boêmio e popular de Montmartre do início do século 20, Suzanne Valadon começou trabalhando como modelo para grandes nomes da pintura da época, como Toulouse-Lautrec e Renoir. Mas ela não se contentou em ser apenas musa e conquistou seu espaço como artista reconhecida nesse meio eminentemente masculino. Valadon desafiou constantemente as normas sociais e artísticas de sua época. De origem modesta e filha de uma lavadeira, ela lutou para conquistar um lugar para si no mundo da arte, apesar dos preconceitos associados ao fato de ser mulher e às suas origens.Nathalie Ernoult, curadora da exposição no Centro Pompidou de Paris, fala sobre o começo de sua carreira em Montmartre. "Ao chegar em Paris, Suzanne Valadon trabalhou em diversos pequenos empregos para se sustentar e ajudar sua mãe, mas essas ocupações eram mal remuneradas. Foi então que lhe sugeriram se tornar modelo, uma atividade mais bem paga na época. Em Montmartre, onde existia um verdadeiro 'mercado de modelos', ela rapidamente chamou a atenção dos maiores artistas do século 19, como Puvis de Chavannes, Renoir e Toulouse-Lautrec. Para Suzanne, posar como modelo não representava apenas uma imersão no mundo da arte que marcaria profundamente seu destino, mas uma verdadeira oportunidade financeira. Ser modelo para ela significava ganhar mais dinheiro", precisa Ernoult.Autodidata e filha de uma lavadeiraEla se reinventou e forjou sua identidade mudando seu primeiro nome (de Marie-Clémentine para Suzanne). Desde muito jovem, não se conformou com as expectativas tradicionais das mulheres de sua época, como conta Flore Mongin, autora de uma biografia sobre a artista. "Marie-Clémentine Valadon, futura Suzanne Valadon, chegou a Paris aos 5 anos com sua mãe, em um ambiente popular marcado pela miséria. Criada sozinha pela mãe lavadeira, ela cresceu em Montmartre, um bairro vibrante de Paris, que foi um terreno fértil para o seu desenvolvimento. Desde a infância, demonstrou uma personalidade forte e um gosto acentuado pelo desenho, características que se tornariam centrais em sua trajetória artística. Montmartre, com sua efervescência cultural, foi o cenário de sua evolução, moldando a mulher e a artista que ela se tornaria, da infância à adolescência", afirma a escritora.Suas representações das mulheres romperam com os clichês da época, mostrando corpos naturais e não idealizados em poses cotidianas, como detalha a curadora da mostra, que fala sobre uma de suas obras mais transgressoras, a "Odalisca". Suzanne Valadon "revisita e transgride o modelo clássico da odalisca em uma de suas obras-primas. Diferentemente da odalisca tradicional, frequentemente retratada nua e em uma postura sensual, seu modelo aqui está vestido, usando um pijama descontraído, com calças listradas e uma regata", contextualiza."A mulher fuma um cigarro, com livros displicentemente colocados ao seu lado, e sua expressão é séria, distante de qualquer sugestão de sedução. Valadon apresenta aqui a imagem de uma mulher livre e moderna dos anos 20, rompendo completamente com o arquétipo das odaliscas idealizadas. Tendo sido ela mesma modelo e posado para nus reclinados, Valadon conhecia profundamente a forma como os pintores representavam e objetificavam o corpo feminino. Com essa pintura, ela oferece uma visão radicalmente diferente", sublinha a especialista do Pompidou."Você é uma de nós": o apoio de DegasMas é o impressionista Edgar Degas, o artista mais importante do grupo de Montmartre na época, quem vai desempenhar um papel-chave na vida de Suzanne Valadon, como relata a curadora da mostra, Nathalie Ernoult. "Com os recursos que tinha à disposição, Suzanne Valadon desenhava sem cessar, em qualquer lugar que pudesse. Enquanto posava como modelo, observava atentamente os artistas ao seu redor, analisando suas técnicas de pintura e esboço. Dotada de um grande senso de observação e de uma memória visual impressionante, ela aprendeu a desenhar quase instintivamente, de forma autodidata", lembra."Um dia, ela teve a coragem de mostrar seus desenhos a Bartholomé e Toulouse-Lautrec, que imediatamente reconheceram seu talento. Lautrec a incentivou fortemente a apresentar seu trabalho a Edgar Degas, encontro que marcaria uma virada decisiva em sua carreira artística. Degas, que era uma figura central da época, se tornaria mais tarde um de seus maiores apoiadores e mentores", destaca. Foi Edgar Degas quem reconheceu seu talento, comprou seus desenhos e disse: "Você é uma de nós."Entre os amores escandalosos que Suzanne nunca escondeu, figura uma relação relâmpago com Eric Satie, como conta a biógrafa da artista. "Sim, Montmartre era um lugar propício para os amores, e de fato Eric Satie ficou muito apaixonado. Ele foi um amor transitório de Suzanne Valadon e também um amante passageiro, já que a história deles não durou muito tempo. Eram duas personalidades muito fortes que não estavam necessariamente destinadas a se entender", conta Flore Mongin.Apesar do reconhecimento, Valadon enfrentou muitos desafios. Ela foi recusada por não ter um "mestre" reconhecido na Escola de Belas Artes de Paris. E mesmo quando começou a pintar, sua ousadia escandalizava – como no caso de "Adão e Eva", onde retratou seu jovem amante nu a seu lado.Com a exposição no Centro Pompidou de Paris, até o dia 26 de maio de 2025, e os novos livros dedicados a ela, Suzanne Valadon finalmente sai do esquecimento para ocupar o lugar que merece na história da arte.

n this episode of Modern Art is Rubbish, we dive into two tales of art, money, and misplaced confidence. First... The post Trump's Fake Renoir and Warhol's $950K Rejection – Art, Lies & Bad Décor ep 132 appeared first on .

Venez découvrir l'histoire fascinante de Suzanne Valadon, une artiste peintre du début du XXe siècle qui a brisé les codes de son époque. Clément Dirié, historien et critique d'art, nous plonge dans la vie et l'œuvre de cette femme libre et audacieuse, à l'occasion de l'ouverture d'une grande exposition qui lui est consacrée au Centre Pompidou. Suzanne Valadon a connu une trajectoire hors du commun. Modèle pour les plus grands artistes de son temps comme Renoir ou Toulouse-Lautrec, elle s'est ensuite affirmée comme une peintre moderne, avec un style bien à elle. Autodidacte, elle a développé une vision singulière du corps, peignant avec une grande liberté aussi bien les femmes que les hommes nus. Ses toiles, comme le célèbre "Adam et Ève", ont fait scandale à leur époque par leur audace et leur réalisme. Pourtant, malgré la reconnaissance de ses pairs, Suzanne Valadon a ensuite été quelque peu oubliée pendant plusieurs décennies. C'est ce paradoxe que Clément Dirier s'attache à éclaircir dans son livre "Valadon", retraçant le parcours hors norme de cette artiste hors normes.

Watch the Q&A session here:  https://youtu.be/f6Z9L2dnxSAThis lecture explores the emergence of the "femme au piano" genre in 19th-century French painting, depicted by artists like Renoir, Van Gogh, and Matisse. What suddenly made this topic so popular, and what does it tell us about the role of women in music-making at the time? Tracing the genre's roots from the Italian Renaissance clavichord depictions to Vermeer's Dutch domestic scenes, and 18th-century harpsichord portraits. Discover how the piano became a middle-class status symbol and how modernists of the 1910s-20s reinterpreted it. Presented from the perspective of a music historian, this lecture will delve into the roots of the “Women at the Piano” genre and reveal how these paintings offer a window onto women's music-making.This lecture was recorded by Marina Frolova-Walker  on 10th December 2024 at Barnard's Inn Hall, London.Marina is Gresham Emerita Professor of Music.Marina Frolova-Walker, a Russian-born British musicologist and music historian, was Visiting Gresham Professor of Russian Music in 2018-19 and Gresham Professor of Music 2019-23. She is Professor of Music History and Director of Studies in Music at Clare College, Cambridge. She is a specialist in the Russian music of the 19th and 20th centuries. She has published extensively on Russian music and is a well-known lecturer and broadcaster for BBC Radio 3. Among her many awards and appointments, she is a Fellow of the British Academy and was awarded the Edward Dent Medal in 2015 by the Royal Musical Association for her achievements in musicology.The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/women-pianoGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todayWebsite:  https://gresham.ac.ukTwitter:  https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

Nuestro artesano, Pablo Ortiz de Zárate, estrena el año enseñándonos las vergüenzas de uno de los mejores pintores de la historia. Porque sí, Renoir revolucionó el mundo del arte con obras maravillosas, pero al mismo tiempo fue capaz de lo peor, pintando algunas de las obras más desastrosas que se puedan imaginar.

En esta edición del día de Reyes en 'Hoy por Hoy' les contamos el Sorteo de la Lotería del Niño. Bob Pop pasa consulta a los oyentes. En la Dupla hablamos sobre regalos futbolísticos. El Artesano nos trae lo mejor y lo peor de Renoir. Y en Mitos 2.0 nos preguntamos qué es mejor: ¿regalar o que te regalen?

Fluent Fiction - French: Facing Fears: A Winter Day's Journey in the Art Museum Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2024-12-21-23-34-01-fr Story Transcript:Fr: Les flocons de neige tourbillonnaient doucement dans l'air froid alors que Julien, Corinne et Élodie marchaient vers le grand musée d'art.En: The snowflakes swirled gently in the cold air as Julien, Corinne, and Élodie walked towards the grand art museum.Fr: Les décorations de Noël illuminaient l'entrée.En: The Christmas decorations illuminated the entrance.Fr: Bien que l'extérieur soit glacé, l'intérieur du musée était chaleureux, rempli de lumière douce et de musique festive.En: Although the outside was icy, the inside of the museum was warm, filled with soft light and festive music.Fr: Julien souriait, impatient de voir l'exposition impressionniste.En: Julien was smiling, eager to see the Impressionist exhibition.Fr: Il aimait particulièrement Monet et sa façon de capturer la lumière.En: He particularly loved Monet and his way of capturing light.Fr: Cependant, un nuage de souci assombrit son enthousiasme.En: However, a cloud of worry darkened his enthusiasm.Fr: En fouillant dans sa poche, il réalisa qu'il avait oublié quelque chose d'important chez lui. Son médicament pour l'anxiété.En: While rummaging through his pocket, he realized he had forgotten something important at home—his medication for anxiety.Fr: Ses mains tremblaient légèrement.En: His hands trembled slightly.Fr: "Qu'y a-t-il, Julien ?" demanda Corinne, remarquant son agitation.En: "What is it, Julien?" asked Corinne, noticing his agitation.Fr: Elle lui prit la main avec un sourire rassurant.En: She took his hand with a reassuring smile.Fr: "J'ai oublié mes médicaments," murmura Julien, une pointe de panique dans la voix.En: "I forgot my medication," murmured Julien, a hint of panic in his voice.Fr: Élodie, en ajustant ses lunettes de curator, écouta avec attention.En: Élodie, adjusting her curator glasses, listened attentively.Fr: "Tu vas y arriver, Julien. On est là pour toi." Élodie le guida plus loin dans le musée, vers une salle tranquille.En: "You can do it, Julien. We're here for you." Élodie guided him further into the museum, towards a quiet room.Fr: Ils passèrent devant des tableaux de Renoir et Degas, leurs couleurs vives réconfortant Julien comme une couverture.En: They passed by paintings by Renoir and Degas, their vivid colors comforting Julien like a blanket.Fr: Malgré la beauté autour de lui, son cœur battait vite.En: Despite the beauty around him, his heart was racing.Fr: Dans une salle bondée autour d'un chef-d'œuvre de Monet, l'anxiété atteignit son paroxysme.En: In a crowded room around a Monet masterpiece, his anxiety reached its peak.Fr: La foule, le bruit, tout semblait tourner.En: The crowd, the noise, everything seemed to spin.Fr: Julien ferma les yeux, essayant de respirer profondément.En: Julien closed his eyes, trying to breathe deeply.Fr: Élodie et Corinne sentirent son trouble.En: Élodie and Corinne sensed his distress.Fr: "Viens avec moi," dit doucement Corinne, l'amenant à un espace plus calme.En: "Come with me," said Corinne softly, leading him to a quieter space.Fr: Élodie les suivit, cherchant un endroit apaisant.En: Élodie followed, looking for a soothing spot.Fr: Ils trouvèrent une petite alcôve avec une vue sur un jardin enneigé à travers une grande fenêtre.En: They found a small alcove with a view of a snow-covered garden through a large window.Fr: "Assieds-toi, Julien." Corinne tapota le banc à côté d'elle.En: "Sit down, Julien." Corinne patted the bench beside her.Fr: Julien s'assit, le regard fixé sur le paysage immaculé dehors.En: Julien sat down, his gaze fixed on the pristine landscape outside.Fr: Élodie posa une main réconfortante sur son épaule.En: Élodie placed a comforting hand on his shoulder.Fr: "Ferme les yeux. Inspire profondément," conseilla-t-elle.En: "Close your eyes. Breathe deeply," she advised.Fr: Julien ferma les yeux, imitant les mouvements calmes de Corinne et Élodie.En: Julien closed his eyes, mimicking the calm movements of Corinne and Élodie.Fr: Il se concentra sur sa respiration, lentement.En: He focused on his breathing, slowly.Fr: Le battement de son cœur commença à ralentir.En: The beating of his heart began to slow.Fr: Les images paisibles de Monet, des eaux scintillantes et des nénuphars dansaient dans son esprit.En: Peaceful images of Monet, shimmering waters, and water lilies danced in his mind.Fr: Progressivement, ses muscles se relâchèrent, et la terreur s'éloigna à pas légers.En: Gradually, his muscles relaxed, and the terror retreated lightly.Fr: "Merci," souffla-t-il, reconnaissant pour leur soutien.En: "Thank you," he whispered, grateful for their support.Fr: Après quelques moments de calme, il rouvrit les yeux.En: After a few moments of calm, he opened his eyes.Fr: Le monde lui parut plus serein et accueillant.En: The world seemed more serene and welcoming.Fr: Ils se relevèrent ensemble, prêts à continuer de profiter de l'exposition.En: They stood up together, ready to continue enjoying the exhibition.Fr: Julien sourit, le poids de l'anxiété s'étant allégé.En: Julien smiled, the weight of anxiety much lighter.Fr: Bien que le froid de l'hiver soufflât toujours au-dehors, à l'intérieur, tout était paisible, tout était lumineux.En: Although the winter chill still blew outside, inside, everything was peaceful, everything was bright.Fr: Pour la première fois depuis longtemps, il sentit qu'avec ses amis à ses côtés, il pouvait affronter ses peurs.En: For the first time in a long while, he felt that with his friends by his side, he could face his fears.Fr: Le musée et ses couleurs étaient un endroit merveilleux où se retrouver, et il s'y sentait chez lui.En: The museum and its colors were a wonderful place to reconnect, and he felt at home there. Vocabulary Words:the snowflake: le floconto swirl: tourbillonnergentle/gently: doux/doucementthe decoration: la décorationto illuminate: illuminerto rummage: fouillerthe anxiety: l'anxiététo tremble: tremblerthe agitation: l'agitationthe curator: le curatorattentively: avec attentionthe vivid color: la couleur vivethe masterpiece: le chef-d'œuvreto reach a peak: atteindre son paroxysmeto spin: tournerto sense: sentirto lead: amenerthe quiet space: l'espace tranquillethe alcove: la alcôvethe window: la fenêtreto mimic: imiterthe serene: sereinthe landscape: le paysagethe water lily: le nénupharto relax: se relâcherthe terror: la terreurto retreat: s'éloignergrateful: reconnaissantto reconnect: se retrouverthe fear: la peur

Paris is home to over 100 museums, from world-renowned art galleries to quirky, hidden gems. In this episode, we highlight 5 underrated museums you won't want to miss, each offering a unique glimpse into Parisian history and culture. Discover the Bibliothèque Nationale Richelieu, where centuries of knowledge await. This historic library houses treasures like a rare Gutenberg Bible and an original manuscript of Les Misérables. Then, explore the newly renovated Musée Carnavalet, a free museum dedicated to the history of Paris, complete with a beautiful Art Nouveau shop and a charming courtyard café. Next, step into the elegant Musée Jacquemart André, an aristocratic mansion on Boulevard Haussmann that showcases Italian art and a stunning fresco. For something truly unique, visit the Musée des Moulages, a museum of dermatological casts housed in one of Paris' oldest hospitals. Finally, don't miss Musée de Montmartre, where iconic artists like Renoir once worked, and the beautiful gardens are just as impressive as the exhibits. This episode is brought to you by My Private Paris, the award-winning travel company offering private tours in Paris, day trips around France, and custom travel itineraries.  Become a member of The Earful Tower on Patreon or Substack for bonus content, early access, and invites to exclusive events. Members can read the full "Top 20" list of our tips for Best Museums in Paris, one for every arrondissement.

Stéphane Bern raconte, à l'occasion des 105 ans de sa disparition, Auguste Renoir, le peintre fou de couleurs qui s'est plu à peindre des figures - et des femmes en particulier - plus que des paysages, se distinguant ainsi de ses amis "impressionnistes", ces peintres - dont il s'est, pour certains, lié d'amitié lorsque l'artisan qu'il était est entré aux Beaux-Arts - qui forment un groupe à la pointe de l'art qui fait parler de lui mais qui peine aussi à gagner sa vie, un groupe dont il finit par s'éloigner pour aller trouver l'inspiration ailleurs... Quelles étaient ses habitudes de peinture ? Quelles sont les particularités de ses oeuvres ? Quel héritage a-t-il laissé aux artistes des générations suivantes ? Pour en parler, Stéphane Bern reçoit Stéphane Guégan, conseiller scientifique auprès de la Présidence du Musée d'Orsay.

Stéphane Bern raconte, à l'occasion des 105 ans de sa disparition, Auguste Renoir, le peintre fou de couleurs qui s'est plu à peindre des figures - et des femmes en particulier - plus que des paysages, se distinguant ainsi de ses amis "impressionnistes", ces peintres - dont il s'est, pour certains, lié d'amitié lorsque l'artisan qu'il était est entré aux Beaux-Arts - qui forment un groupe à la pointe de l'art qui fait parler de lui mais qui peine aussi à gagner sa vie, un groupe dont il finit par s'éloigner pour aller trouver l'inspiration ailleurs... Quelles étaient ses habitudes de peinture ? Quelles sont les particularités de ses oeuvres ? Quel héritage a-t-il laissé aux artistes des générations suivantes ? Pour en parler, Stéphane Bern reçoit Stéphane Guégan, conseiller scientifique auprès de la Présidence du Musée d'Orsay.

In this episode, we check out the atmospheric rue Visconti on the Left Bank, tucked around the corner from chic rue Jacob. This sometimes-maligned little street was home to painter Delacroix (this is where he painted his friend George Sand & her lover Chopin!) and writer Balzac ran a printing press here. For photos, please check out my website. Thanks as always to Bremner Fletcher for technical expertise and general know-how. The Improbable Walks theme music is performed by David Symons, New Orleans accordionist extraordinaire. 

I'm taking you on a virtual tour of Montmartre in Paris, home to the Moulin Rouge and the Sacre Couer. As you walk through the cobblestone streets, you can almost hear the voices of the many artists who called this place home. It's like stepping into the past, and once it draws you in, you don't want to leave.There are so many things to see and do, some well-known, some not so much. For example, did you know there is a vineyard in Montmartre called Clos Montmartre Vineyard? It's one of only ten remaining vineyards in Paris.And what about Rocher de la Sorcières, aka Witchs Rock? Nobody knows where it came from, but it's said to have evil powers.But its biggest drawcard is its Bohemian artistic history and the fact it was home to artists such as Van Gogh, Picasso and Renoir, to name but a few. I'll be digging into the legends and stories behind the village on the hill and taking you through the streets of Montmartre.For full notes and details on today's episode see the links below:The Moulin Rouge Dinner and Show PackageThe 3 Day Paris ItineraryDiscover the Hotspots of Montmartre in ParisI'm Kylie Lang, owner of Life in Rural France, a travel blog dedicated to helping others explore & discover all that France has to offer. On the blog, you'll discover sections covering:City Guides - everything you need to know about visiting cities such as Paris, Bordeaux, Carcassonne, Rouen, La Rochelle and many more.Moving to France - lots of resources to help you plan your move from visas and insurance to sim cards and watching TV.French Travel News - discover what's happening in France, from festivals and events to the latest deals and offers.If there is anything you'd like to know about living in France, the French culture or the history of this wonderful country, feel free to DM me on Instagram @lifeinruralfrance

Grace, who was on America's 2016 Olympic Team placing 5th in the quadruple sculls. A much-decorated rower, she was on 4 national teams, a 2015 World Rowing Champion and walked on the team at the University of Wisconsin, Madison to eventually help the team win their first Big 10 Championship in Women's rowing.She will be in a different role this year as one of four Olympians selected for the Paris 2024 Olympian Artist-in-Residence Program to implement collaborative and community-based art. Through reassembling donated uniforms and equipment from Olympic sports through a local recycling center, she created a large-scale tapestry of the Olympic rings with the support of senior Parisian citizens in the lead up to the 2024 Olympics. The piece will be on display during the Paris 2024 Games at Clubhouse 24 and will subsequently become part of the collection of the Olympic Museum in Lausanne, Switzerland.  (2:45) Grace tells how all this happened from her initially learning to sew and the strength of the women in her family. (4:27) Grace isn't a traditional quilter, she challenges the rules to develop her creations. She talks about this here. (6:49) “Traditional processes with non-traditional materials with surprising results”> What does this mean to her? She also talks about a project she created in college made from plastic bags. (9:30) Grace's work is “collaborative and made with many hands” She tells us what that means in regard to who owns a piece of art. Does it have to be made by one person to be a quality craft?! (11:49) What's it like to be an Olympic athlete? Grace shares her story with us. And how did she find this sport? Well, this story is remarkable! Let's just say, it's good to be tall. ((16:27) Grace is one of 4 Olympians chosen to be in the Olympian Artist-in-Residence Program. She explains the program and how it began. Then, she tells us about how she came up with the idea of her special project. (21:24) It was very important to the IOC that she work with local materials and local citizens. Hear why she chose to work with senior citizens and how she got the materials for her project. And she shares her experience of walking the same streets or Picasso, Van Gough and Renoir…and riding the metro with a huge quilt! (30:00) Hear about how she created her quilt…and why she made the choices she made! (31:42) Will any of the women who helped with the project will be able to travel to the Olympics to view the quilt?  (33:14) In her role as a participant in the Olympian Artist-in-Residence Program, what will she be doing? Also, hear about how she and her team connected BERNINA and securing their support and sewing machines. The universe certainly interceded!  (39:32) While is college Grace received the University's student in athlete community service award, and she now is Communications Lead at the Huron Waterloo Pathways Initiative. The environment is paramount to her. She shares with us why environmental activism is important to her.  (45:48) What's next for Grace and what's her dream? (48:25) And finally, what didn't I ask?!! Well, what pieces did she include in the project on her own that were personal to her? There were 4 special pieces…find out what they were! And hear about Olympians are viewed and learn a new way of relating to them! (55:42) How can you reach out to Grace? On Instagram @gracelatz, and on her new website www.gracelatz.com.  If you know someone who has an outstanding story that should be shared on this podcast, drop Meg a note to Meg@sewandsopodcast.com or complete the form on our website.  Be sure to subscribe to, review and rate this podcast on your favorite platform…and visit our website sewandsopodcast.com for more information about today's and all of our Guests.

Ellis and Corbin talk about "THE RULES OF THE GAME," and are kind of bowled over by how much there is in it. Topics include: farce in collapse, the movie's technical achivements, and how it functions as a frustrated, bordering on nihlistic flipside to Renoir's other prewar masterpiece.  Corbin reccomends "Link's Awakening," available on your Nintendo Switch or your Nintendo Game Boy. Matt reccomends a bar in Portland. Next week's episode is NOT about 'All that Jazz,' because it was hard to find on the internet and Matt got annoyed while watching it. Instead we talked about Alfie Hitchie's "NORTH BY NORTHWEST," which you can watch on Tubi. 

Nous sommes le 15 avril 1874, au 35 boulevard des Capucines à Paris, dans les studios du célèbre Nadar, photographe et écrivain. C'est là que se tient, durant un mois, ce qui deviendra l'une des plus fameuses expositions de l'histoire de l'art, celle qui donnera son nom à un mouvement révolutionnaire : l'Impressionnisme. Pissaro, Sisley, Degas, Renoir, Cézanne, Monet figurent parmi les trente artistes exposées. Ah, j'oubliais une femme, elle s'appelle Berthe Morisot. Elle y présente une œuvre réalisée deux auparavant, intitulée « Le berceau ». Une scène de maternité qui deviendra un thème très présent dans son travail à venir. Pour l'heure, le tableau est à peine remarqué … enfin … une poignée de critiques, tout de même, admettent quelques qualités comme la grâce et l'élégance. Après avoir cherché en vain à le vendre, Berthe Morisot ne l'exposera plus et « Le berceau » restera dans la famille jusqu'à son acquisition par le musée du Louvre en 1930. Aujourd'hui, il est le tableau le plus célèbre de l'artiste et une image de la maternité partagée aux quatre coins du globe. Mais comment la représentation de la maternité a-t-elle évoluée, depuis l'Antiquité, dans son expression artistique ? Sujets traités : Maternité, art, Nadar, photographe, écrivain, Impressionnisme, Pissaro, Sisley, Degas, Renoir, Cézanne, Monet , Berthe Morisot., berceau, tableau, Avec nous : Anne Hustache, historienne de l'art. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

durée : 00:44:28 - Les Nuits de France Culture - Telle une entrée dans l'univers de Jean Renoir, cet entretien intime de 1954 fait appel aux souvenirs d'enfance du cinéaste. Du guignol des Tuileries au théâtre Montmartre, des soldats de plomb à l'ombre d'Alexandre Dumas, autant d'images qui ont fait naître en lui une vocation de metteur en scène. - invités : Jean Renoir Cinéaste (1894 - 1979)

A new series has been released this morning (3 July) on Netflix. It is called Man with 1,000 Kids, and Netflix is billing it as the true story of Jonathan Meijer, a man accused of travelling the world, deceiving women into having his babies - via sperm donation - on a mass scale. Nuala talks to Jonathan Meijer, the sperm donor, to mums Natalie and Suzanne, who had a baby conceived with Jonathan's donor sperm, to Natalie Hill, the executive producer who pitched the original idea for these films to Netflix and to Rachel Cutting, director of compliance and information at the Human Fertilisation and Embryology Authority (HFEA), the UK's independent regulator of fertility treatment.A new report from AutoTrader has found that there's a stark gender divide when it comes to going green with your vehicle choice. Hyper-masculine marketing, highly technical jargon and anxieties around running out of charge are just some of the reasons they give on why women feel excluded from making the switch to electric vehicles. Nuala talks to Erin Baker, who is the editorial director at AutoTrader and author of the report. It's 150 years since the first Impressionist exhibition was held in Paris in 1874. The artists involved included Monet, Renoir, Degas, Morisot, Pissarro, Sisley and Cézanne, and just one female artist was included in that first exhibition, Berthe Morisot. But women artists were involved with Impressionism, and 150 years on, the National Gallery of Ireland is holding an exhibition to put their work front and centre. The director, Caroline Campbell, joins Nuala McGovern to talk about the exhibition, Women Impressionists, and the four female pioneers who were integral to the artistic movement.Presenter: Nuala McGovern Producer: Laura Northedge

Ep. 257: The Nitrate Picture Show 2024 with David Schwartz Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The Nitrate Picture Show takes place every year in Rochester, New York, at the George Eastman Museum, projecting movies from nitrate prints. The resulting super-vivid images create a movie-going experience that can be, in the words of my guest, programmer David Schwartz, “life-changing.” I asked Schwartz about some of his highlights at this increasingly popular festival, including The Good Fairy (directed by William Wyler), Meet Me in St. Louis (Vincente Minnelli), Intolerance (D.W. Griffith), and The Strawberry Blonde (Raoul Walsh). We also talked about films that offered something a little different such as the documentary The Plow That Broke the Plains (Pare Lorentz), the experimental parody Tomato's Another Day (James Sibley Watson), Homecoming (Hideo Oba), and Rossellini's Germany Year Zero. Plus: rare Lubitsch (From Mayerling to Sarajevo) and Renoir's A Day in the Country. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Nous sommes le 15 avril 1874, à Paris, au 35, boulevard des Capucines. C'est là que s'ouvre une exposition qui va marquer l'histoire de l'art et bousculer notre perception du monde. Celle qui donnera son nom à un mouvement révolutionnaire : l'Impressionnisme. Pissaro, Sisley, Degas, Renoir, Cézanne, Monet, Berthe Morisot figurent parmi la trentaine d'artistes présentés. C'est une exposition qui embarrasse la presse. Jamais encore, en effet, des artistes n'ont eu l'audace d'organiser eux-mêmes un salon indépendant, de s'émanciper de l'Académie. Même si Courbet et Manet ont eu l'impudence d'exposer leurs propres œuvres dans leurs propres pavillons quelques années plus tôt, ce n'est tout de même pas la même chose. Les journaux conservateurs hésitent à faire de la réclame à une telle manifestation, mais garder le silence sur un tel événement ne serait pas professionnel. Dès le 17 avril, un premier article paraît, il est publié par « Le Rappel » et signé par Ernest d'Hervilly qui, contre toute attente, est plutôt bienveillant, il écrit : « On ne saurait trop encourager cette entreprise hardie, depuis longtemps conseillée par tous les critiques et tous les amateurs ». Mais les caricaturistes vont beaucoup s'amuser de la nouvelle façon de peindre. Émile Cardon, dans le grand quotidien populaire « La Presse », ironise : « Piquez au hasard des taches rouges ou bleues, vous aurez une impression ». Revenons, aujourd'hui, aux origines de l'Impressionnisme … Avec nous : Anne Hustache, historienne de l'art. Sujets traités : impressionnisme, art, peinture, Pissaro, Sisley, Degas, Renoir, Cézanne, Monet, Berthe Morisot, exposition, Courbet, Manet Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

durée : 00:39:59 - Les Nuits de France Culture - par : Philippe Garbit - L'inconnu qui est en vous - Jean Renoir (1ère diffusion : 08/01/1956 Chaîne Nationale)

Today's story: Impressionism, the art movement that celebrates bright colors, thick brushstrokes, and outdoor settings, turns 150 years old this month. Though Monet, Degas, Renoir, and others are celebrated in museums and art schools around the world, their work was initially rejected by the art establishment.Learn this English expression: Use 'fall into' to describe how things fit into categoriesFull lesson: https://plainenglish.com/679 --Upgrade all your skills in English: Plain English is the best current-events podcast for learning English.You might be learning English to improve your career, enjoy music and movies, connect with family abroad, or even prepare for an international move. Whatever your reason, we'll help you achieve your goals in English.How it works: Listen to a new story every Monday and Thursday. They're all about current events, trending topics, and what's going on in the world. Get exposure to new words and ideas that you otherwise might not have heard in English.The audio moves at a speed that's right for intermediate English learners: just a little slower than full native speed. You'll improve your English listening, learn new words, and have fun thinking in English.Then, in the second half of each episode, listen up for a discussion on common English expressions and phrasal verbs. Try to use them in your daily life!Plain English is more than a podcast: Do you like listening to Plain English? If so, you'll love being a member at PlainEnglish.com. Joining is easy and one membership level is free. Join today and unlock great member benefits that will help you improve your listening, boost your confidence in conversation, learn new words, and improve your English skills.https://plainenglish.com/joinTake a quiz, do interactive exercises, join a live conversation call, watch a step-by-step video lesson, get feedback on your writing, and more.

So you've created a web app with Python using Flask, Django, FastAPI, or even Emmett. It works great on your machine. How do you get it out to the world? You'll need a production-ready web server. On this episode, we have Giovanni Barillari to tell us about his relatively-new server named Granian. It promises better performance and much better consistency than many of the more well known ones today. Episode sponsors Neo4j Talk Python Courses Links from the show New spaCy course: talkpython.fm Giovanni: @gi0baro Granian: github.com Emmett: emmett.sh Renoir: github.com Watch this episode on YouTube: youtube.com Episode transcripts: talkpython.fm --- Stay in touch with us --- Subscribe to us on YouTube: youtube.com Follow Talk Python on Mastodon: talkpython Follow Michael on Mastodon: mkennedy

A memoir about growing up gay in Scotland under the shadow of Thatcherism, Maggie & Me was published to wide acclaim in 2013. Damian Barr joins to discuss how he as adapted it with James Ley for a new National Theatre of Scotland touring production.As Roberto Rossellini's classic 1945 film Rome, Open City (Roma città aperta) is re-released by the BFI, writer Thea Lenarduzzi and film historian Ian Christie reassess its role in launching Italian neorealism and compare it with There's Still Tomorrow (C'è ancora domani), a new film by Paula Cortellesi that borrows many of neorealism's visual and thematic hallmarks.With news last week that fake artworks by Renoir and Monet were being sold online, Samira is joined by art specialist and A.I. expert Dr. Carina Popovici and writer and art crime expert Riah Pyror to discuss the problem and how A.I. is being used to solve it.

On December 22, 2000, three individuals entered the Swedish National Museum at gunpoint and stole three paintings, two by Renoir, and one my Rembrandt. The thieves delayed the arrival of law enforcement by detonating car bombs and made their escape via speedboat. The total value of the heist was $42 million. Retired FBI Special Agent Robert Wittman provides a glimpse into the world of art and property crime. He shares the story of his undercover mission to recover the stolen art. During his time in the FBI, Robert played a key role in the creation of the Bureau's Art Crime Team. He is now the President of Robert Wittman Inc., a consulting firm dedicated to helping galleries, museums, and properly protect their cultural assets. He details thrilling stories that defined his illustrious career in his memoir, Priceless: How I Went Undercover to Rescue the World's Stolen Treasures. Follow Emily on Instagram: @realemilycompagno If you have a story or topic we should feature on the FOX True Crime Podcast, send us an email at: truecrimepodcast@fox.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The 49ers are in the Super Bowl again thanks to one data-driven strategy — But this isn't a football story, it's a business story (and it's inspired by the artist Renoir).WeWork's ex Adam Neumann just tried to buy-back WeWork — He's either pulling a Steve Jobs… or he's pulling a Fyre Fest.And FTX is shockingly planning to refund all its customers all their lost $$$ — And it highlights the beautiful waterfall of bankruptcy.$WE $WMT $BTCSubscribe to our newsletter: tboypod.com/newsletterWant merch, a shoutout, or got TheBestFactYet? Go to: www.tboypod.comFollow The Best One Yet on Instagram, Twitter, and Tiktok: @tboypodAnd now watch us on YoutubeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.