Podcasts about renoir

C'est une héroïne dont on a longtemps ignoré le nom. Pas de fusil, pas de batailles spectaculaires… juste un carnet, un crayon, et une incroyable détermination. Son nom ? Rose Valland. Grâce à elle, des milliers d'œuvres d'art pillées par les nazis ont pu être sauvées.Le pillage naziPendant l'Occupation, les nazis ne se contentent pas de contrôler la France. Ils pillent ses richesses. Tableaux, sculptures, objets d'art : tout ce que possèdent les musées, les collections privées, et surtout celles des familles juives, est saisi. Ce butin considérable est centralisé au Musée du Jeu de Paume, à Paris, transformé en véritable entrepôt du vol organisé.C'est là que travaille Rose Valland, modeste attachée de conservation. Aux yeux des nazis, c'est une employée sans importance. Mais ils ignorent une chose : Rose comprend l'allemand. Et elle les écoute. Chaque jour, elle note les conversations, les numéros de wagons, les destinations des convois.Une espionne de l'artAvec patience et sang-froid, Rose Valland consigne tout dans ses carnets. Chaque détail compte : l'expédition de tel tableau de Renoir vers Munich, le départ d'un Cézanne pour Berlin, ou la présence de tel dignitaire nazi au Jeu de Paume. Elle risque sa vie à chaque instant. Si les Allemands découvraient qu'elle les espionne, ce serait la déportation, peut-être la mort. Mais Rose tient bon. Pendant quatre années, elle mène une résistance silencieuse, armée seulement de son érudition et de sa mémoire.Après la LibérationQuand Paris est libéré en 1944, ses notes deviennent une arme précieuse. Grâce à elles, les Monuments Men — ce corps spécial créé par les Alliés pour retrouver les œuvres d'art volées — savent où chercher. Des milliers de tableaux, parmi lesquels des chefs-d'œuvre de Léonard de Vinci, Monet, Manet ou Picasso, sont localisés, saisis dans les dépôts nazis et rapatriés en France.Sans ce travail acharné et clandestin, une grande partie de notre patrimoine aurait disparu, engloutie dans les collections privées ou perdue à jamais dans les ruines de la guerre.Une reconnaissance tardiveEt pourtant, Rose Valland reste longtemps dans l'ombre. Après la guerre, elle continue de servir les musées français avec la même modestie. Ce n'est qu'à la fin de sa vie que son rôle est reconnu à sa juste valeur. Elle reçoit la Légion d'honneur, la Médaille de la Résistance, et son nom devient symbole de courage discret.ConclusionRose Valland n'a pas combattu avec des armes, mais elle a lutté avec ce qu'elle avait de plus précieux : sa mémoire et son courage. Alors, la prochaine fois que vous admirerez un tableau impressionniste au musée, souvenez-vous de cette femme discrète qui, seule, a défié l'avidité nazie pour sauver une part essentielle de notre culture. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Propos recueillis par Benoit Basirico "Renoir", à l'affiche le 10 septembre 2025, de Chie Hayakawa Musique originale composée par Rémi Boubal Entretien à lire : https://www.cinezik.org/infos/affinfo.php?titre0=20250521153213 Rémi Boubal retrouve la réalisatrice Chie Hayakawa sur "Renoir" (à l'affiche le 10 septembre 2025), après "Plan 75" (2022) pour ce drame japonais qui se déroule à Tokyo en 1987, où Fuki, une jeune fille de onze ans est confrontée à la maladie incurable de son père et au stress de sa mère, qui doit jongler entre les soins à son mari et son travail. Livrée à elle-même et dotée d'une imagination foisonnante, Fuki développe une fascination pour la télépathie et se réfugie dans son propre monde fantasmatique, cherchant à entrer en contact avec les vivants, les morts, et avec elle-même. La partition cherche à traduire le monde intérieur de Fuki, son innocence et son imagination, contrastant avec la dureté du récit (maladie, deuil). Subtilement mélodieuse, la musique reflète l'innocence enfantine à travers des sonorités tels que piano, vents (tuba, euphonium, clarinettes, saxophone), harpe, violon et vibraphone, prolongeant le monde onirique.

Special Patreon Release: Wisdom from a Homeschooling Dad with Steve Lambert   Luke 6:40 (NI) "The student is not above the teacher, but everyone who is fully trained will be like their teacher."   *Transcription Below*   Questions and Topics We Discuss: What are some wonderful aspects of your lifestyle that are not available to families who are not home educating their children? What are some common questions you get about homeschool and what truth do you have to replace the myths? How long will prep take for the homeschooling parent and what does a typical schedule look like?   Steve Lambert has worn many hats in his 73 years: Pastor, author, speaker, stock broker and more. Together, he and his wife Jane Claire Lambert created and publish "Five in a Row" homeschool curriculum which has been a reader's choice favorite for nearly 30 years. They began homeschooling their children in 1981 and their seven grandchildren were homeschooled as well.   Five in a Row Website   Thank You to Our Sponsors: Chick-fil-A East Peoria and Savvy Sauce Charities   Connect with The Savvy Sauce on Facebook, Instagram or Our Website   Gospel Scripture: (all NIV)   Romans 3:23 “for all have sinned and fall short of the glory of God,”   Romans 3:24 “and are justified freely by his grace through the redemption that came by Christ Jesus.”   Romans 3:25 (a) “God presented him as a sacrifice of atonement, through faith in his blood.”   Hebrews 9:22 (b) “without the shedding of blood there is no forgiveness.”   Romans 5:8 “But God demonstrates his own love for us in this: While we were still sinners, Christ died for us.”   Romans 5:11 “Not only is this so, but we also rejoice in God through our Lord Jesus Christ, through whom we have now received reconciliation.”   John 3:16 “For God so loved the world that he gave his one and only Son, that whoever believes in him shall not perish but have eternal life.”   Romans 10:9 “That if you confess with your mouth, “Jesus is Lord,” and believe in your heart that God raised him from the dead, you will be saved.”   Luke 15:10 says “In the same way, I tell you, there is rejoicing in the presence of the angels of God over one sinner who repents.”   Romans 8:1 “Therefore, there is now no condemnation for those who are in Christ Jesus”   Ephesians 1:13–14 “And you also were included in Christ when you heard the word of truth, the gospel of your salvation. Having believed, you were marked in him with a seal, the promised Holy Spirit, who is a deposit guaranteeing our inheritance until the redemption of those who are God's possession- to the praise of his glory.”   Ephesians 1:15–23 “For this reason, ever since I heard about your faith in the Lord Jesus and your love for all the saints, I have not stopped giving thanks for you, remembering you in my prayers. I keep asking that the God of our Lord Jesus Christ, the glorious Father, may give you the spirit of wisdom and revelation, so that you may know him better. I pray also that the eyes of your heart may be enlightened in order that you may know the hope to which he has called you, the riches of his glorious inheritance in the saints, and his incomparably great power for us who believe. That power is like the working of his mighty strength, which he exerted in Christ when he raised him from the dead and seated him at his right hand in the heavenly realms, far above all rule and authority, power and dominion, and every title that can be given, not only in the present age but also in the one to come. And God placed all things under his feet and appointed him to be head over everything for the church, which is his body, the fullness of him who fills everything in every way.”   Ephesians 2:8–10 “For it is by grace you have been saved, through faith – and this not from yourselves, it is the gift of God – not by works, so that no one can boast. For we are God‘s workmanship, created in Christ Jesus to do good works, which God prepared in advance for us to do.“   Ephesians 2:13 “But now in Christ Jesus you who once were far away have been brought near through the blood of Christ.“   Philippians 1:6 “being confident of this, that he who began a good work in you will carry it on to completion until the day of Christ Jesus.”   *Transcription*     Music: (0:00 – 0:08)   Laura Dugger: (0:09 - 1:37) Welcome to The Savvy Sauce, where we have practical chats for intentional living. I'm your host, Laura Dugger, and I'm so glad you're here.   I want to say a huge thank you to today's sponsors for this episode, Chick-fil-A East Peoria, and Savvy Sauce Charities.   Are you interested in a free college education for you or someone you know?   Stay tuned for details coming later in this episode from today's sponsor, Chick-fil-A, East Peoria.   You can also visit their website today at Chick-fil-A.com/EastPeoria.   I'm excited to introduce you to my fascinating guest, Steve Lambert.   Steve has a unique perspective, as he has worn various hats, such as pastor, author, speaker, stockbroker, and more.   But today, we're going to hear various stories of how God has been faithful in calling he and his wife, Jane, to homeschool, and also publish homeschool curriculum called Five in a Row.   Regardless of our family schooling choice, these stories will build up our faith and remind us who we get to turn to in all things.   Here's our chat. Welcome to The Savvy Sauce, Steve.   Steve Lambert: (1:37 - 1:39) Good morning. It's great to be with you, Laura.   Laura Dugger: (1:40 - 1:53) Well, you are a part of a multi-generational homeschooling family.   So, will you begin our time by taking us back to that initial decision that you and your wife made to home educate your children?   Steve Lambert: (1:54 - 3:31) Sure, I'd love to. We made that decision back in 1981. I'm sure probably you and many of your listeners were not even born in 1981. But my wife came to me and she said, "So, hypothetically, what would you think if…” and my response was something like, "That cannot possibly be legal."   Because at that point, we knew no one who homeschooled. We never met a homeschooler.   I don't, you know, it was just completely foreign to my understanding. But I began to pray about it.   And as I did, I felt like the Lord said, "You're accountable for how you raise your children."   And I thought, well, if I'm accountable, then I ought to have some idea of how they're being raised.   Because, frankly, in a classroom, 95% of their lives are spent there in the classroom.   And they get home on the activity bus at 5:15 and eat dinner and go up and do their homework.   And that's the end of the day. And so, I thought, alright, maybe that's a good plan.   Now, parenthetically, let me add that it wasn't until a couple of years later, I felt like the Lord spoke to me and said, "And your children are accountable for how they turn out," which was profoundly important to me at the time.   Because we've all known great families who produce train wrecks for kids.   And we've known some train wreck parents who produce great kids. But we're accountable for how we raise our kids.   And I thought, if I'm going to have to sit for the final exam before the Lord of Heaven, I'd like to at least have some input in some part and at least know how they were raised. So, that was beginning in 1981.   Laura Dugger: (3:32 - 3:43) That is incredible, because you had no idea.   I'm even getting goosebumps just thinking now of where your family is at from that decision.   And could you catch us up to speed? How many children do you have?   Steve Lambert: (3:44 - 4:25) We had two daughters. We kind of left that in the Lord's hand. And that's what we ended up with. And my wife would have loved to have more, but we ended up with two daughters.   And between them, they have six daughters and one grandson. So, we have seven grandkids.   Several of them are through homeschooling now, college or career. The youngest at this point is six.   So, they're third-generation homeschoolers, which I think speaks to the validity of the homeschooling option for many people. You know it's worked successfully when your children want to homeschool their children rather than running as far away from homeschooling as they could possibly get.   Laura Dugger: (4:27 - 4:38) Well, and even going back then to 1981, you were questioning at that point, is this even legal?   So, catch us up. At that time, were there any legalities that you were up against?   Steve Lambert: (4:40 - 8:42) Then, like now, it really does depend on the state where you reside.   And Missouri has always been fairly homeschool-friendly. That said, within about a year after we began, our oldest daughter had been in public school in K-1 and had been in a private Christian school for one semester of second grade before we began the decision to homeschool.   And someone, presumably a family member I suspect, turned us into Family Services for Educational Neglect Child Abuse.   So, we had that dreaded knock at the door, and DFS came and had to inspect the children, make sure that they weren't bruised or harmed in any way, and then begin kind of the prosecutorial process against us.   But eventually they realized they really didn't have much say, so they turned the case over to the superintendent of schools.   And we happened to live in the same district where Jane and I had become high school sweethearts.   So, we hired an attorney, and we went and had a meeting with the superintendent of schools.   I often tell the story and describe him as being an older gentleman.   Now, in reality, compared to me today at age 73, he was probably only 60. He was a young fellow of about 60. But when you're 30, that seems pretty old.   And he had a couple of PhDs in education and administration, and he said, "You know, I strongly disagree with the choice you've made," but unfortunately, we had had our daughter tested using standardized testing just prior to that, and he compared her test scores after a year of homeschooling with her test scores when she had been in his public school classrooms, and she had improved significantly in every subject area.   So, he said, "I'm not going to cause you any problems, but I still think you're making a serious mistake." And the footnote to that story was lived out less than a year later when my phone rang, and it was the superintendent of schools.   And he said, "Mr. Lambert, can I speak with you frankly?" And I thought, oh boy, here we go. He said, "I don't know if you're aware of this, but we're having some problems in public education."   And I said, "No, not, I can't believe that. Really, doctor?"   And he goes, "No, we really are. Test scores are declining. Parents are unhappy. Faculties are unhappy. Administrations are unhappy. Students are unhappy. And I put together a blue-ribbon panel of educational experts for six weeks this summer to discuss how can we reface and reimagine education in our district. And you seem to have a very unique perspective on education, Mr. Lambert. Would you consider being a part of that panel?"   And I said, "I would."   And so, I went to the first meeting. They all introduced themselves and they all had lots and lots and lots of letters after their name.   One was the director of curriculum development, another the director of elementary testing, another the director of high school counseling.   And finally, I introduced myself and said, "Hi, I'm Stephen Lambert. I'm a homeschool dad." And every head in the room turned to look at me sitting in the back because up until that point, as far as I know, none of those men and women had ever seen a homeschooler and lived to tell about it.   So, they began the journey. The first night of the discussion and the person in charge of the summer series said, "You know, we can all make a long list of things that are wrong with public education, but let's not start there. Let's start on a positive note as we explore this difficult topic. Number one, responsibility for educating children rests with the state."   And I raised my hand and I said, "That's not right."   And he said, "What do you mean that's not right?"   And I said, "No, the responsibility for raising and educating children rests with their parents and only insofar as they choose to delegate some or all of their authority to you, does the state have anything to say about it?"   And he said, "Let's take a brief recess." So, it's probably just as well that I didn't tell him that God told me that because that would have made his head explode completely.   But anyway, that was 40 years ago. So, lots of water under the bridge since then in public education, I'm sorry to say has not gotten better, but instead it's gotten worse.   Laura Dugger: (8:44 - 9:07) Well, and I think within that, you've even brought up some questions that people have about homeschooling families when you first were talking about the standardized tests.   So, do you get these questions? A lot of times, do your children have any friends?   Did they grow up socialized or how did they compare to their peers?   Those types of things that there may be an underlying myth.   Steve Lambert: (9:09 - 11:20) Oh, for sure. Those are the common questions. I was so ignorant of homeschooling in 1981 that I didn't even notice. I didn't even know the word socialization.   I was too ignorant to even know that, but I did know friendship.   And in fact, I prayed and I asked the Lord, I said, "How are my kids going to have friends if they're homeschooled?"   And as you and some of your listeners may understand, I felt like the Lord spoke to me, not audibly, but in a sense that I clearly understood his heart.   And he said, "Do you want friends for your children?"   And I said, "Yes, Lord, of course I do more than anything."   And he said, "And so friends come from being in the midst of people." And I went, yes.   And then I paused and I could sense him kind of waiting on me. And I said, "Don't they?"   And I felt like the Lord said, "No, if you want friends for your children, ask me. I'm the author of friendship."   And he reminded me of David and Jonathan, for example.   He said, in my imagination, at least he said, "This very night, I can hear the prayers of tens of thousands of people around the earth who are surrounded by people, but who are contemplating suicide this very night because they're so lonely. Friends don't come from being in large groups. Friends come from heaven, ask me."   And so, that became a prayer. And neither of our children, none of our grandchildren have ever lacked for friends, lots of friends, close and intimate friends through sports, through music, through their church connections.   And it really has turned out to be true that friendship, whether you're an adult, a child, or a teen, if you're lacking friends in your life right now, getting involved in more and more people and more and more busyness isn't necessarily the answer.   Just stop and ask the Lord, "Lord, I'm lonely. I need some friends in my life. Would you bring me some?"   And our daughter's first close friend, after I prayed that prayer was a number of months later.   It was a little girl who had immigrated all the way from South Africa.   Her father had immigrated to the United States after becoming a believer to attend a Bible college and then came to Kansas City to attend a seminary.   And his daughter became my daughter's best friend, but she came from halfway around the globe.   And since then, there've been so many that we couldn't count them all.   Laura Dugger: (11:22 - 11:49) Wow. Steve, that is such a powerful and encouraging parenting tip, really just in every phase that we know where to turn and that God is the one who actually has the power to make these prayers answered.   So, thank you for sharing that. What would you say are some wonderful aspects of your lifestyle that were not available to families who were not home educating their children?   Steve Lambert: (11:50 - 14:20) You get to see your kids come to life, to discover who they are and why they were made and to watch them learn to read and to watch them explore and discover God's amazing creation in the world around them.   You can travel with your kids. If you're homeschooling, you can take them wherever you go and you can have school in the car or school in the park or school at the lake.   My kids, instead of reading about some of the national parks and reading about some of the great museums in America, we went and we saw them firsthand and in the process we got to see them begin to blossom and figure out who they were and why they were created.   We're seeing with all that's happening today, a struggle that really so much boils down to children and teenagers and young adults having absolutely no idea who they are and they're questioning everything from their gender to their faith, to philosophy, to finances, to all those kinds of ecological issues.   They really have no idea who they are and it's because in the classroom, nobody ever teaches them.   You know, it says in Luke 6:40, "that a student is not greater than his teacher, but when he is fully trained, a student will be like his teacher."   Discipleship is really about teaching and if you're not disciplining your children, somebody is.   And in a public-school classroom, the wisdom of Dr. Luke suggests that your children will grow up to be just like their teachers and that's exactly what we're seeing in today's culture.   So, if you want to have some input, if you want to see your children blossom, I mean, there's nothing more exciting than seeing your children learn to read for the first time and it's not that difficult.   I mean, I often tell parents if you were trapped on a desert island, just you and your child, could you teach them to read?   Well, sure you could. You take a stick and you make the letter A in the sand and you'd say, this is an A and then this is a B and this is the number two and this is the number three.   There's nothing more rewarding at the end of life. And I can say this at age 73, I can say this without any reservation.   The single most important thing you can do is to trust your life to Jesus.   The second most important thing you can do is find somebody who's like-minded and marry them and make that marriage work through thick and through thin.   And the third most important thing you'll ever do is raising your children and watching them become the men and women God created and take their place in a dying culture.   Laura Dugger: (14:22 - 14:42) And you have years of wisdom journeying through being a homeschooling dad.   And so, again, I would love to hear more about your journey. So, if we go back to 1981, I'm assuming that all of the curriculum was not available that we have available today.   And so, how did you and your wife practically live this out?   Steve Lambert: (14:44 - 22:14) Well, you're right, Laura. There wasn't any of the curriculum, which in many respects was a blessing.   To be honest, there's so much material out there today. It's a little overwhelming.   If you go to some of the larger homeschool conventions, you can find as many as seven or 800 vendors there, each telling why their particular curriculum is the one that you ought to choose.   But back then there were no choices. And in fact, we contacted a couple of Christian curriculum publishers and asked to buy their materials.   And they said, "No, we can't sell you because that would upset our Christian school customers because they had the exclusive right to this material."   And so, we began with a old set of world books and a stack of children's reading books.   And I think we did go to the yard sale, and we found an American history book that was published, I think in 1943. And so, it was somewhat incomplete because it didn't explain who won World War II.   It just kind of ended in the middle of the war, but we began that journey.   And what we discovered was that God consistently brought us the tools, the resources, and the people that our children needed.   I would come home on certain days and I'd find Jane kind of crying in her bedroom and the girls crying in their bedroom.   And because they were, we were trying to replicate school at home. And that's completely the wrong direction.   Well, it turns out we didn't want school at home. We wanted homeschooling, which is an entirely different proposition.   And so, on that journey, Jane began to pray. And she said, "Lord, this is not what I had in mind for our children. I did not imagine that we would be fighting and arguing over. You will do your homework. I won't. You can't make me. Yes, I can. How can I teach my children?"   And he said, "Why don't you read to them?" And she said, "Well, I do read to them, but how can I teach them?"   And he said, "Why don't you read to them?" She said, "No, no, I understand. I love to read to them, but how do I teach them?"   And he said, "Why don't you read to them?" And so, after the third time, they began focusing more on reading aloud.   And that just naturally led to the entire world around us. It doesn't really matter what you're reading.   God gave educators and parents a secret weapon, and it's called curiosity.   And so, if you can engage that curiosity and you read them a story, it doesn't matter what three bears, and suddenly they want to know more about bears.   And how does this hibernation thing work and where do they live? And do we have any near our home?   And can you find bears? And what's the difference between a black bear and a grizzly bear? And how long do they live? And what do they eat?   And suddenly you become the guide rather than the opposing force.   Suddenly you begin to sit on the same side of the desk with your students and you go on a learning journey together, because particularly in those early years up to middle school, really the only lessons, the lesson that you really need to teach children is to fall in love with learning.   If they learn that you're home free, because they will self-direct and self-educate right on through high school, graduate school, they'll be lifelong learners.   But if you reduce education to nothing more than carrots and sticks and dangling promises and threats, they will quickly learn that learning is not fun.   And we just need to get through this as quickly as we can so that we can get on with life and the things that are truly important.   And if you doubt that, I often tell parents who are contemplating homeschooling, if you doubt that, just look in the mirror, go back and just think about, for example, your fifth grade social studies exam.   Tell me who the Norman Conqueror was. When did the Norman Conquest take place? How did that change European history?   And you'll say, wow, I remember. I've heard of the Norman Conqueror, the Norman Conquest, but honestly, I don't remember it yet.   Why not? Because honestly, I just learned it long enough to take the test. And then I forgot. And your kids are just like you. Many attribute Einstein with the saying that doing the same thing the same way and expecting some sort of a different result is insane.   So, it stands to reason if you teach your kids the same way you were taught to memorize names and dates and highlight pages and books for Friday's quiz, they'll end up with the same results.   They won't particularly be interested in learning. They won't remember 99% of all the things that you checked off your checklist that you covered with the children, but they don't remember any of it.   So, through reading, that opened the door for the girls to begin to ask questions.   And suddenly, like I said, instead of being in that tug of war, where as a parent or a teacher, you're trying to force children to memorize and regurgitate long enough to take a test, you suddenly become a resource person and you take them to the library and you take them to the natural history museum and you take them to the art gallery and you take them on nature hikes in the woods.   And one question always begets ten more. I remember that when my oldest daughter, her firstborn was about two or three and she was getting ready for bed and in the bathtub and she said, "Mama, can I ask you a question?"   And my daughter said, "No." She said, "Please, mama, just one question."   She said, "No, honey, you've already had your 472 questions for today. Mama's exhausted. Finish your bath. Let's go to bed. You can ask a question tomorrow."   She said, "Please, mama, please. Just one more question." She said, "All right, one more question. And then it's bedtime."   She goes, "Okay. So, like, how does electricity work, mom?"   So, that curiosity that God gave those children is the spark that makes homeschooling, not only a joy, but makes it infinitely doable.   Whether you dropped out of high school or whether you have a doctorate in education, if you can keep that curiosity alive, your kids are going to be great.   And let me add one other thought. We live in a world, the dean of a medical school, school of medicine at a university told me not too long ago, he said, "Do you realize that the body of knowledge of the human body doubles every year?"   We learned more in 2022 about the human body than we had learned in all of history through 2021. And he said, we get the best and the brightest, the top one tenth of 1% who come here to medical school.   And there's no way they can possibly keep up with the amount of new knowledge that's being developed.   And if you ask someone who has a doctorate in any subject, the most tempting question to ask is, so you must know pretty much everything there is to know about that.   And if they're even remotely honest, the first thing they'll say to you is, "Oh no, no, no, no. The farther we explore, the deeper we get, the more we realize we haven't even scratched the surface. There's so much we don't understand. The more we learn, the more we realize how much we yet have to learn."   And so, that's an infinite loop of getting children to begin to manage their own education. We've said for years, you know, he got the best education money could buy, or they gave him the best education.   You can't give a child an education. They're education resistant.   The child has to learn to want to know, to be hungry and thirsty to know more about the world that God created around them and how it works.   And homeschooling is a wonderful vehicle to make a lifetime learning out of your son or your daughter.   Laura Dugger: (22:15 - 28:23) And now a brief message from our sponsor.   Did you know you can go to college tuition free just by being a team member at Chick-fil-A East Peoria?   Yes, you heard that right. Free college education. All Chick-fil-A East Peoria team members in good standing are immediately eligible for a free college education through Point University.   Point University is a fully accredited private Christian college located in West Point, Georgia.   This online self-paced program includes thirteen associates degrees, seventeen bachelor's degrees, and two master's programs, including an MBA.   College courses are fully transferable both in and out of this program.   This could even be a great option to complete your general education courses and then transfer to the college of your choice and save money in the process.   So, if you're looking for an affordable college option while simultaneously gaining valuable work experience and earning an income, Chick-fil-A East Peoria is the place for you.   You don't have to go into debt to get a great education.   To apply today, please go to Chick-fil-A.com/EastPeoria and click on the careers tab.   You can also call the restaurant at 309-694-1044 to find out more.   And if you aren't located near Chick-fil-A East Peoria, make sure you check with your local Chick-fil-A restaurant to see if they also participate in the Elevate program with Point University.   Thanks for your sponsorship.   Are you utilizing Savvy Sauce Charities to full capacity? Other than our special Patreon release episodes, our content is now available in video form in addition to our audio only, and we have written transcriptions for every episode.   Visit our website today, thesavvysauce.com, to access all these forms of interviews.   And while you're there, make sure you sign up for our e-mail list to receive encouragement, questions, and recommended resources about once a month to promote your own practical chats for intentional living.   I also want to remind you about the financial side of Savvy Sauce Charities.   As you know, we recently became a non-profit, which means all your financial support is now tax deductible.   There are multiple ways to give, and we would be so honored if you would share your financial support with us so that we can continue producing free content that is accessible to the general public.   Your money will go to support creatively getting the gospel message of Jesus Christ to the nations as we continue to share the good news on every episode.   And I say this is reaching the nations because The Savvy Sauce podcast is downloaded in all 50 United States, as well as over 100 countries around the world.   Your financial support also supports practical needs, such as aiding our team to continue producing helpful content that is practical and uplifting and always pointing to Jesus. Your financial support, furthermore, will help us continue to expand our reach and secure future projects we have planned for this ministry.   If your ears are hearing this message right now, I am specifically asking you to give. We are so grateful for any amount, and our team will continue to seek to be good stewards of the gifts offered to us.   So, if you want to write a check or set up an ongoing payment with your bank that delivers a check to us each month, this is the most beneficial way to give because no percentages are taken out for processing fees.   You can make your check out to: Savvy Sauce Charities, P.O. Box 101, Roanoke, IL 61561. Additionally, with our new website, we now have a donate button.   There are processing fees that we cover for these donations, but we wanted to offer listeners a seamless way to share their finances with us when we share our content with them.   So, just visit thesavvysauce.com and find the donate page under the tab support.   Another way to find it is simply type in donate to the search bar on our website and just click the first picture shown.   We are all about sharing around here, sharing resources, sharing joy, and sharing the good news about Jesus Christ.   We ask that you also share by sharing financially, sharing The Savvy Sauce podcast episodes, and sharing a five-star rating and review.   You can also share any of our social media posts on Instagram or Facebook.   We are grateful for all of it, and we just love partnering together with you. Now, back to the show.   The more I learn about homeschooling, the more encouragement I've heard from homeschooling parents, they will talk about there is always a learning gap no matter how you were educated.   And so, I love how you're addressing that with lifelong curiosity that we will continue learning our whole life.   But you also mentioned this word, if parents are considering homeschooling, you said it's so doable.   And when you're talking about Jane hearing from the Lord, read to your children, I find that so encouraging.   That's my favorite activity to do with our girls. That was the impetus for your family launching Five in a Row.   Is that right?   Steve Lambert: (28:24 - 32:17) That is right. Over a period of time, Jane certainly did math mechanics in a math workbook, and she used some specific structured approach to phonics to teach reading.   But other than that, it was largely an open palette in which reading helped direct the course of education.   And that became something that many of her homeschool friends as the years went by found enviable.   They said, "You know, how does that work?" And she said, "Well, you just read aloud to your children, and then there's opportunities in an illustrated book to talk about the illustrations, the perspective, vanishing point, type of colors, the difference between watercolor and gouache, complementary colors on the color wheel, history, where did our story take place, what's it like, where is it on the map, what do people eat there?"   And they said, “Yeah, we don't get that.” So, she began to just really as kind of a love gift for a few girlfriends, began to write some lesson plans to go with some popular children's books.   And one thing led to another, and that was in 1994. So, this is our 29th year in publication, and I think Five in a Row has won pretty much every award that's out there, from Reader's Awards, Magazine Awards.   It's more than 100,000 families, 600,000 children have used Five in a Row in the last 29 years, and virtually no advertising.   It's almost exclusively by word of mouth, from a veteran homeschool mom pulling aside a young mom who just spent $1,300 on a massive stack of curriculum and is completely overwhelmed just three weeks into September, to say, you know what, we tried that, and we tried this, and we tried this other program, and we spent a lot of money.   And then an older mom told me about Five in a Row , let me show you how it works.   And suddenly that changes everything for so many of these young moms.   Most of the problems that new homeschoolers are facing simply are not issues at all. And the crazy part is that there are some things they ought to be worrying about, but they don't know enough yet to worry about the correct areas.   But both the obvious and the more subtle areas, God has answers.   If he's invited you to go on the homeschool journey, he has something amazing in mind for your family.   There are very few born homeschoolers, very few 15- or 16-year-old adolescent young women tell their school counselor, "You know what, I'd like to spend my life living in a two-income world on a single income and stay locked up with little people all day long without any peer support and have my mother-in-law and my sister-in-law think I'm crazy."   That's not on most young women's radars, but it begins, for most families, the same way it began for our family.   Hypothetically, honey, what would you think if, as the finger of God, the same God that said, let the waters be parted, the one that said, Lazarus, come forth, the one that said, let there be light, says, "Why don't you homeschool your kids?"   And so, you become what we often call accidental homeschoolers.   It suddenly occurs to you something that you swore you would never, ever do.   But the good news is the one who invited you is faithful. Love is a powerful motivator.   We all have stuff, and God has tried to make us deal with our stuff for years, and we've been resistant in many cases.   So, he invites us to the covenant of marriage so that we'll have a living witness to remind us of our stuff.   Honey, why do you always wait to the last minute? Honey, why do you get so upset?   And if we're still stubborn, then he invites us to have children so that we have several living witnesses.   But if we remain stiff-necked, finally he invites us to homeschool with children. And this way we have a house full of living witnesses all day long that say, "Mama, how come this and why do you do that?"   And suddenly we begin to grow in ways we never thought possible through the medium of homeschooling. It strengthens marriages.   It grows us up in Christ. It causes us to deal with our stuff.   It's amazing what it does for our children.   Laura Dugger: (32:18 - 32:44) It does seem like progressive sanctification, how the Lord has built that in within the family.   And I just appreciate how you've gone before us. And so, if someone's feeling nudged in this direction, can you paint a picture, even using Five in a Row curriculum, what kind of prep would that require for the homeschooling parent?   And what kind of schedule would their day look like?   Steve Lambert: (32:46 - 39:39) Homeschooling is essentially tutorial education, and that's always been the realm of kings and the super wealthy who hired an individual tutor for their children.   Because of homeschooling, our children can have a tutor. And tutorial education is so inherently efficient that even if you're terrible at it, your kids are going to do pretty darn well. So, when we start out, we're tempted to emulate the classroom. So, we think, well, my daughter's six.   She was going to go into first grade, so we need to start at 7:45 in the morning and we need to go until 3:45 in the afternoon with 20 minutes for lunch.   Nothing could be further from the truth. You can work with a kindergarten or first grader; 90 minutes a day is probably overkill.   So, it's something that anybody can do in their schedule, at least in those early years. And it works best when it works for you and for your children.   If your kiddo is a late-morning sleeper, trust me, they're not going to be at their best at 7:45. Don't let them sleep until 9:30. That's okay. You'll realize, for example, when you have teenagers, that they don't come to life until sometime after 11:00 p.m.   That's when they want to come into your bedroom and ask you important life questions when you're struggling to try to get to sleep.   So, first of all, you work with your children's schedule to some degree.   You work with the schedule that works for you. And you work where it works for you. If you're sick or if you're dealing with morning sickness and pregnancy, homeschool's going to happen in the bed today, kids.   Come on, gather around. We're going to read a story.   If it's a nice day, homeschooling is going to happen at the park today.   We're going to go on a nature hike. We're going to look at trees and wildlife and streams and rocks and waters.   And we're going to learn to take our paints with us.   And we're going to learn to paint the sky the way the illustrator did in our story this week that we're reading in Five in a Row.   When Jane began, she actually would take the girls to a cemetery nearby where everything was beautifully mowed and there were beautiful trees and lakes.   So, Five in a Row is built around the concept of reading a classic children's book, which Jane has selected thoughtfully and curated.   And you read it for five days in a row.   And so, on the first day, you're going to read the story aloud.   And the children just want to know how did the story ended, what happened?   A very surface, cursory reading of the story, really thinking only about the plot.   But, you know, as you go back and watch a movie the second or the third time or read a book sometimes or play the second or third time, you discover there's a whole lot more beneath the surface.   So, the first day they look at, on Mondays they do social studies.   So, they look at the setting of the story. Where did it take place?   How did people live in the 17th century? How did people live today in Japan or Australia?   How did people live along the Ohio River in the 1800s? What sort of foods did they eat? What was their language like? Let's find it on a map.   Let's learn more about it and maybe plan to cook a meal from that region or that period of history later in the week for the family.   And you can make that as complex as you want.   You can have the children make shopping lists and invitations and invite Grandma and Grandpa and help cook the meal and learn liquid and dry measure and cups and quarts and all of that and put a towel over their arm and serve the meal to Grandma and Grandpa and tell them about what they learned about Spain or Italy or France or Canada this week.   So, now you've read the story and you've learned something about what's going on in the story.   So, Tuesday, we go back and we read it a second time.   This time we look at language arts, so new vocabulary words that came up in our story this week, new creative writing techniques that maybe there was a cliffhanger that made us want to turn the page and read and see what was next or maybe the author was really great at asking questions or writing dialogue or opening sentences that create curiosity.   And so, we learned some of those techniques, and we can try them ourselves.   And even a four- or five-year-old can dictate while Mom writes down their story, and they can illustrate it later and share it with Dad.   And then on Wednesday, we look at the art. So, what did the artist teach us? What medium did they use?   Was this charcoal? Was it pen and ink? Was it watercolor or gouache? Was it oils or pastels?   How did they draw the water? Look, they drew reflections on the water. It's not just blue paper, is it?   You can see the same colors in the water that were on the shore on the opposite side.   You know what, kids? Let's get out your colored pencils or your crayons or your pastels.   Let's try drawing water more realistically the way the illustrator taught us in our story today.   And maybe learn something about famous artists who had similar styles of Degas or Renoir or Van Gogh or whoever.   Thursday, we do applied mathematics, which is not the same as math.   You're going to be doing math for 15 to 30 minutes every day in a sequential approach.   But this is about learning, you know, the difference between a square and a rectangle.   Well, they have four sides, but what's the difference? They're not all equal on the rectangle, are they?   We're going to learn, like I said, how many pints in a quart, how many quarts in a gallon.   And then on Fridays, we do science lessons. So, there's lots of opportunities in every children's book to learn more about why does the sky look blue?   Why is the grass green? Why do some things float when you put them in the water and some things sink?   And all of a sudden, you're at the kitchen sink with a stopper in it.   You fill it with water, and you've gotten a penny and a cork and a birthday candle and whatever is in the kitchen junk drawer.   And suddenly, the kids are learning about buoyancy, and they're testing things, and they're predicting their answers, learning more about the world of science and creation.   So, typical day, long story short, for a beginning homeschooler with a kindergarten-aged child, probably going to be 15, 20 minutes maybe for phonics, 15 to 20 minutes for math, which at that level is simply learning the digits and haven't even thought about adding yet.   And then another 30 open-ended minutes, 30 minutes to 90 minutes for exploring Five in a Row or whatever it is that you're reading that day.   And for some days, that might turn into two hours.   In fact, there are some days where it turns into all the way to bedtime and continues over the next two days.   If you're learning about the solar system, and suddenly that catches their attention, and they want to go to the planetarium nearby, and they want to borrow their uncle's telescope, they eat, sleep, and drink astronomy for the next two or three days.   And frankly, that's not an interruption in the curriculum. That's the answer to a prayer.   God, please help my children grow curious. Help them nurture their love of learning. Cause them to want to learn.   And sooner or later, we're going to learn about astronomy anyway, but all too often, it's while the kids are fascinated by a bug that just crawled in the room.   And so, the smart mom puts astronomy on the shelf for the moment and learns about insects. Or vice versa.   You're trying to learn about insects, and they're staring out the window looking at moons still visible in the western sky that hasn't set yet.   So, helping children learn in the proper season is another key to making it all work. It's so flexible, and it's so simple.   Laura Dugger: (39:41 - 40:33) Guess what? We are no longer an audio-only podcast.   We now have video included as well. If you want to view the conversation each week, make sure you watch our videos.   We're on YouTube, and you can access videos or find answers to any of your other questions about the podcast when you visit thesavvysauce.com.   Well, that flexibility sounds so freeing and attractive, and as you explain it, it just sounds like such a lovely educational experience.   And yet, I know a lot of homeschooling parents fear is that when their children graduate from the home, they wonder if they've done enough and how they'll perform out in, quote, the real world.   So, what was your experience as you and Jane launched your first child to college?   Steve Lambert: (40:35 - 46:24) Well, we actually sent our first one to college a week after she was 16. And to be honest, I wouldn't recommend that again for a variety of reasons.   She had a four-point-something or other GPA in college beginning at just barely 16. But being academically ready and being emotionally ready are two different things.   And so, probably, if for no other reason, we missed out on two more years of just exploring and learning together in home education.   But when she went, she was the top of her class pretty much in every subject.   Almost every study done of homeschool students by private industry and government suggests that students, on average, score about 20% higher if they were home-educated in every subject except math, where they're about the same, than their public school peers.   And it's now been more than 20 years since Harvard set out, and they kind of were one of the earliest ones to create full-time recruiters for homeschool students because universities and the marketplace are looking today for homeschoolers.   They realize that these kids are the leaders today. I saw a study of a small private university, I think in the Carolinas, if I recall, and they only had 3,000 students on campus, of which 90 were homeschooled, so 3% of the student body.   But of the 12 elected student leadership positions, student advisor to the dean, senior class president, whatever, 11 of the 12 were homeschool students.   So, even their peers recognized that these were the leaders in their community.   And we now live in a world where nobody seems to want to work. Everywhere you go, there's help-wanted signs.   And we've seen so many stories from friends and customers whose children were homeschooled who said it's a tremendous opportunity right now in the marketplace if you just show up and you're just semi-dedicated to actually doing the job.   I interviewed a guy, well, he actually came up to ask me questions after I spoke, in Chicago, as a matter of fact.   And he was the head of human resources for a large Fortune 50 company, and he said he had, I don't know, a quarter of a million employees.   And so, I asked him, I said, so this is in May, you're out recruiting, I assume.   And he says, “Yeah, I've got six recruiting teams crisscrossing American college campuses trying to recruit new employees.”   And I said, “So you're obviously looking for the highest-grade point average or highest graduating class position and competing for those students.”   He said, “No, not at all.” And I said, no? I said, “So IQ or SAT score?”   He goes, “No, none of that.” I said, “Why?” He said, “Let me tell you something.”   He said, “The average new hire costs us $70,000 to train. And this has been 15 years ago.   So, it's probably 170,000 a day. And no matter what your discipline, whether you're in sales, marketing, quality control, engineering, whatever, we're gonna spend the first year teaching you how we do it here, not how you learned it in college.   If we aren't successful in our recruiting, our company will go bankrupt. This is our largest single expense is personnel.”   And we have learned over the years that graduating class position or grade point average or SAT score IQ is totally irrelevant when it comes to determining who'll be successful in the company and who won't.   And I was a little taken aback and I said, “Well, if it's not any of those things, then you just throw darts at resumes?”   He goes, “No, no, no.” He said, “We can accurately identify these students in the most cases.” I said, “So what do you look for?” And he said, “Well, you're gonna laugh.” I said, “Maybe.” He said, “First and foremost, by far and away, the ability to get along and work well with others.”   He said, “If you can't, you're gonna get cross ways of your boss or another employee and either quit or get fired in the first six months.   The second is to be able to complete a job, see it through to completion and meet the deadline.   And number three, if you're really, really golden, the ability to work within the constraints of a budget.   Those are the things that are successful, whether you work for our company or whether you're an entrepreneur or whether you're a homemaker, whatever you do in life.”   So, with that in mind, I've spoken all over the country and encourage parents. These are things that we need to be working on. There are things that are not being worked on in the classroom.   So, look for opportunities to hand more of the education off to your students, let them plan what do I wanna study for the next two days, the next two weeks, the next two months?   Where am I gonna get the resources to discover that by the time they're in high school?   I'm gonna give you a budget to work with. There's $200, you can buy some resources, tools that you think would be useful in the process.   Where do we need to be in project management to start the process?   Where should we be by the end of week two? Where should we be by the end of the month?   These are the skills that employers are looking for and so many parents have told us that their kids have just rocketed in the marketplace.   My final question to this guy was, so are you finding bright young men and women who can do the job?   He goes, there's never been brighter, more thoroughly educated young men and women who can do the job.   He said, the problem is I can't find any who will do the job.   I can't find people who will do even four hours work for eight hours pay.   They wanna go to Starbucks, they wanna be on their cell phone, they wanna be on Facebook, they wanna be talking to their friends, taking care of their online banking, paying bills.   And so, character comes first. And if we teach our children their purpose and their place in this world, if we help them find and discover their giftedness and their aptitudes and invite them along those pathways and we increasingly turn more and more of that education over to them in the high school years where they begin to take responsibility for their own education, we're going to end up with not just capable but outstanding young men and women who can quickly take their place in our culture and rise to the very top because frankly, there's very little competition.   Laura Dugger: (46:26 - 46:36) Wow. Well, Steve, is there anything else that we haven't yet covered?   Any scriptures or stories to share that you wanna make sure we don't miss?   Steve Lambert: (46:37 - 50:16) The thing we want people to take away from all of that is not that the only way to raise your kids is to homeschool or that God doesn't approve of anything else.   The point is, listen to God and do what he said, but don't put your fingers in your ears because he often calls us to things that we really maybe didn't wanna hear and obedience is better than sacrifice.   One of my favorite stories, when our oldest daughter started to college, she went through placement counseling that summer and the placement counselor said, "You know, I don't think I've..." That was in 1991. He said, "I don't think I've ever had a student who was homeschooled."   So, that's pretty interesting. And she said, "Okay, great." And there were 30,000 students at this college and she was not only at that point, as far as we know, the only or first homeschooler, but she was also the youngest, having just turned 16 that in the middle of August.   And so, when she began, one of the prereq classes that every incoming freshman had to take was public speaking.   And she realized much to her horror that her public speaking teacher was the guy who had helped with her placement counseling earlier in the summer.   And she really didn't want anybody to know she'd been homeschooled, but she said there were returning GIs from Operation Desert Storm.   There were empty nest moms coming back to finish the degree. There were pre-med students. There were student athletes.   There were just every kind of student in that class because everybody had to take public speaking.   And he said, the very first day, the teacher said, "I'd like for everybody to give a six-minute speech on Monday. That's the best way to do this is just to jump in on whether or not you think we ought to be involved in nation building. Except for you, Ms. Lambert, and I'd like for you to give six-minute speech on what it was like to be homeschooled."   And she slunk down below her desk and tried to disappear into the floor.   And she said, "Dad, what am I gonna do?" I said, "Well, just get up and tell them."   So, she did. And she said, you know, as far as I can tell over the course of that semester, she said every single person in that class, whether they were 18 or 58, found me somewhere on the campus in the quadrangle at the library, the cafeteria, in the parking lot, and said in one way or another, their own words, "You're so lucky your parents cared enough about you to be involved in your education. I'm jealous. I'm envious. I wish my parents had been."   She said, but the one that killed me was a girl who was 18, had just graduated from a prestigious high school the previous May.   And she began to tell her story. And she said, "When I began high school four years ago, my goal was to become valedictorian of my graduating class. I've never been at a sleepover. I've never been to a, you know, skating party or, you know, movies. All I've done is study for four years. And she said, I was in AP classes all the way through and my GPA was like 4.7887. And there was this guy and his was 4.78779. And he and I competed every year in every class. And it came down to the final test and the final class and the final semester. And I beat him by two points."   And so, last May, she said, my dream came true.   And I stood on the football field and I gave the commencement address, the valedictorian address to 4,000 of my peers, their parents, civic leaders, laity, community leaders of faith. And both of my parents were too busy to attend.   She said, "I wish my parents cared and had been as involved in my education as yours were. You're very lucky."   And she said, "Dad, it just killed me to hear her story."   And I said, "I don't have any answers, honey, but our joy was raising you girls and seeing you become the people that God intended you to become."   Laura Dugger: (50:18 - 50:43) Wow, Steve, that is so powerful.   And what an incredible charge to leave each of us with to go and do likewise.   And as we wind down our time together, you are already familiar that we are called The Savvy Sauce because savvy is synonymous with practical knowledge.   And so, as my final question for you today, what is your Savvy Sauce?   Steve Lambert: (50:45 - 51:59) Read aloud, read often, read to your spouse, read to your kids.   Jane and I continue, we've been together now 57 years, and we still read aloud to one another every single day.   I read aloud to my kids still on occasion, my grandkids still, my daughters are in their 40s.   My grandkids, but that was the joy. And that's the thing that when all else fails, when your relationship is struggling, when your homeschool day is falling flat on its face, get a great book and snuggle together with your kids and read out loud.    It's in that process that their imaginations are birthed, their angst is quieted, and disagreements between spouses can suddenly be pushed aside because suddenly you're facing sorrow and you have a sword in your hand or you're coming down the Mississippi River on a riverboat or whatever it is that you, it unlocks doors that sometimes we didn't even know were locked.   So, that's the Savvy Sauce that's worked for us. Read aloud, read often, and don't let a day go by that you don't read to your children, even when your kids are 18. And if you have little ones, read to the little ones and I guarantee you the high schoolers will come around and listen to every day.   Laura Dugger: (52:00 - 52:23) I love that so much. That is wonderful.   And I have very much appreciated your insights and wisdom that you shared with us today.   So, thank you for the legacy that you and Jane have been building for years.   Thank you for being a faithful and intentional father and husband.   And thank you so much, Steve, for being my guest.   Steve Lambert: (52:24 - 52:29) Laura, it's been my pleasure. I've appreciated the opportunity. Thank you for what you do.   God bless you.   Laura Dugger: (52:29 - 55:45) Thank you. One more thing before you go. Have you heard the term gospel before?   It simply means good news. And I want to share the best news with you.   But it starts with the bad news.   Every single one of us were born sinners, but Christ desires to rescue us from our sin, which is something we cannot do for ourselves.   This means there is absolutely no chance we can make it to heaven on our own.   So, for you and for me, it means we deserve death, and we can never pay back the sacrifice we owe to be saved.   We need a Savior. But God loved us so much, he made a way for his only son to willingly die in our place as the perfect substitute.   This gives us hope of life forever in right relationship with him. That is good news. Jesus lived the perfect life we could never live and died in our place for our sin.   This was God's plan to make a way to reconcile with us so that God can look at us and see Jesus.   We can be covered and justified through the work Jesus finished if we choose to receive what He has done for us.   Romans 10:9 says, “That if you confess with your mouth Jesus is Lord and believe in your heart that God raised him from the dead, you will be saved.”    So, would you pray with me now?   Heavenly Father, thank you for sending Jesus to take our place.   I pray someone today right now is touched and chooses to turn their life over to you.   Will you clearly guide them and help them take their next step in faith to declare you as Lord of their life?   We trust you to work and change lives now for eternity. In Jesus' name we pray. Amen.   If you prayed that prayer, you are declaring him for me, so me for him.   You get the opportunity to live your life for him.   And at this podcast, we're called The Savvy Sauce for a reason.   We want to give you practical tools to implement the knowledge you have learned. So, you ready to get started?   First, tell someone. Say it out loud. Get a Bible.   The first day I made this decision, my parents took me to Barnes & Noble and let me choose my own Bible.   I selected the Quest NIV Bible, and I love it. You can start by reading the book of John.   Also, get connected locally, which just means tell someone who's a part of a church in your community that you made a decision to follow Christ.   I'm assuming they will be thrilled to talk with you about further steps, such as going to church and getting connected to other believers to encourage you.   We want to celebrate with you too, so feel free to leave a comment for us here if you did make a decision to follow Christ.   We also have show notes included where you can read scripture that describes this process. And finally, be encouraged.   Luke 15:10 says, “In the same way I tell you, there is rejoicing in the presence of the angels of God over one sinner who repents.”   The heavens are praising with you for your decision today.   And if you've already received this good news, I pray you have someone to share it with.   You are loved and I look forward to meeting you here next time.

Today on the podcast, Tina Brock drops in to talk about the IRC FringeArts offering, Painting Churches by Tina Howe. On Stage at Theatre Exile through September 21st. Here is my interview with Tina Brock for Painting Churches.Described as “... beautifully written... a theatrical family portrait that has the shimmer and depth of Renoir portraits... ” by The New York Times, Tina Howe's 1984 Pulitzer Prize-nominated play is a provocative exploration of the parent-child relationship, art and aging. The IRC production features Kirsten Quinn as Mags Church, the successful artist and daughter of Fanny and Gardner Church, who returns home with a life-changing announcement to the chaos of her parent's impending move from their lifelong home in Boston's Beacon Hill. John Zak plays Gardner Church, a Pulitzer Prize-winning poet facing dementia after a lifetime devoted to intellectual and creative pursuits. Tina Ann Brock plays Fanny Church, Gardner's wife and Mags' quirky mother, who has a penchant for ostentatious hats and criticizing her daughter's choices in life. The trio explores their changing dynamic relationship over the span of several days.Painting Churches production designers include Set Designer Dirk Durossette; Sound Designer Andrew Nelson, Lighting Designer Eric Baker, Projection/Media Designer Mark Williams, and IRC resident Costume Designer Erica Hoelscher/IRC Producing Artistic Associate. Megan Coyle is the Stage Manager. Tina Ann Brock, IRC's Producing Artistic Director, and Peggy Mecham of the Irish Heritage Theatre, direct.FOR TICKETS AND INFORMATION: https://phillyfringe.org/events/painting-churches-by-tina-howe/

Jim and Sean discuss their experience at the Melbourne International Film Festival (MIFF). Plus, a recap of the Locarno Film Festival. Films discussed include: Sound of Falling, Resurrection, Black Ox, Omaha, A Useful Ghost, Two Prosecutors, Renoir, Lucky Lu, Left-Handed Girl, Blue Moon, Dreams (Sex Love), Romería, Exit 8, Woman and Child, Harvest, Magic Farm, Late Shift, What Does That Nature Say to You & more

Deze zomer is er elke zaterdag een aflevering van de Zomerbar. Elke week ontvangt Lise Bonduelle twee redacteurs die gepassioneerd over hun zomerse cultuurtips vertellen. In de laatste aflevering vertelt Bart Dobbelaere waarom hij het schilderij Chemin Montant dans les hautes herbes van de Franse impressionistische kunstschilder Pierre-Auguste Renoir zo bijzonder vindt. Veerle Vanden Bosch heeft het over de ontluikende liefde tussen twee vrouwen in het boek De Bewaring. Chemin montant dans les hautes herbes van Pierre-Auguste Renoir hangt in het Musée d'Orsay in Parijs. De bewaring van Yael van der Wouden is uitgegeven bij Uitgeverij Chaos. Meer zomerse cultuurtips vind je op standaard.be/cultuurzomer.See omnystudio.com/listener for privacy information.

Deze zomer is er elke zaterdag een aflevering van de Zomerbar. Elke week ontvangt Lise Bonduelle twee redacteurs die gepassioneerd over hun zomerse cultuurtips vertellen. In de laatste aflevering vertelt Bart Dobbelaere waarom hij het schilderij Chemin Montant dans les hautes herbes van de Franse impressionistische kunstschilder Pierre-Auguste Renoir zo bijzonder vindt. Veerle Vanden Bosch heeft het over de ontluikende liefde tussen twee vrouwen in het boek De Bewaring. Chemin montant dans les hautes herbes van Pierre-Auguste Renoir hangt in het Musée d'Orsay in Parijs. De bewaring van Yael van der Wouden is uitgegeven bij Uitgeverij Chaos. Meer zomerse cultuurtips vind je op standaard.be/cultuurzomer.See omnystudio.com/listener for privacy information.

A panel discussion of talented international directors with films in competition at the Melbourne International Film Festival discuss their journeys with Jason, including American filmmaker Andrew Patterson (The Vast of Night), whose second feature The Rivals of Amziah King, starring Matthew McConaughey, premiered at SXSW this year; Chie Hayakawa (Plan 75) from Japan, whose second feature, Renoir, premiered in Competition at Cannes; and James J. Robinson, a Filipino/Australian artist based in Los Angeles whose feature debut, First Light, had its World Premiere at MIFF.CREDITSPresenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Ross Richardson and Riley MelissExecutive producer, Rhiannon Brown

A panel discussion of talented international directors with films in competition at the Melbourne International Film Festival discuss their journeys with Jason, including American filmmaker Andrew Patterson (The Vast of Night), whose second feature The Rivals of Amziah King, starring Matthew McConaughey, premiered at SXSW this year; Chie Hayakawa (Plan 75) from Japan, whose second feature, Renoir, premiered in Competition at Cannes; and James J. Robinson, a Filipino/Australian artist based in Los Angeles whose feature debut, First Light, had its World Premiere at MIFF.CREDITSPresenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Ross Richardson and Riley MelissExecutive producer, Rhiannon Brown

Bill Dedman, Pulitzer Prize-winning investigative reporter and New York Times #1 bestselling author of Empty Mansions, shares the extraordinary story of a reclusive copper heiress, the battle over her fortune, and the HBO series adaptation now in development. As an investigative journalist, Bill Dedman has built his career writing stories that change the way we see the world. It was that reporter's instinct—paired with relentless curiosity—that led him to one of the most extraordinary tales of American wealth: the mysterious life of Huguette Clark and the spending of a great American fortune. Had Bill not stumbled onto her story—and brought it to light in Empty Mansions—her final wishes might well have been lost in the legal battle over her $300 million estate. Huguette was the daughter of copper magnate and U.S. senator W.A. Clark, one of the richest men in America. She grew up in dazzling extravagance: the largest home in New York City, with 121 rooms, four art galleries displaying rare art, and a $100,000 pipe organ that filled the halls with music. There was also Bellosguardo, the family's 23-acre estate in Santa Barbara with sweeping views of the Pacific. She traveled to Europe, attended champagne soirées and black-tie balls—it was, by any measure, a life lived in grandeur. And yet, in stark contrast, Huguette later chose seclusion. For decades, Huguette lived reclusively in her Fifth Avenue apartments, surrounded by paintings by Renoir, Degas, and Corot, and by her vast collection of antique dolls—thousands of them, some dressed in custom Dior. She painted portraits, read voraciously, and built elaborate miniature temples by hand, each costing up to $100,000 to make. In her eighties, though still in excellent health, she chose to move into a modest hospital room, where she remained for the next twenty years—her whereabouts unknown even to longtime friends. Meanwhile, her staff kept her mansions in New York, California, and Connecticut just as she left them—waiting, it seemed, for her return. What makes Huguette's story even more remarkable is her quiet generosity to friends, strangers, and staff: $30 million to her nurse, a Stradivarius violin for the nurse's son, a Rolls- Royce for the chauffeur, a Renoir, fine jewels, Christmas cards with $30,000 checks enclosed—among many other gestures that changed the lives of those around her. Her choices were so unusual that distant relatives, left out of her will, seized on Huguette's eccentricities as grounds to question her capacity, sparking a legal battle over her fortune. Was she being manipulated? Was she unwell? Crazy? "Did you hear about the dolls?" Had they been Birkins, she'd be on the pages of Vogue... Bill uncovers a more nuanced truth: a woman of elegance and discretion, a loyal friend and deeply caring person, a trained artist dedicated to her craft. "It takes a while to get close enough to someone's choices so that they start to make sense," he said. That insight runs through Empty Mansions, the New York Times #1 bestseller that continues to captivate readers. A brilliant reporter and storyteller, no one but Bill Dedman could have written this story with such depth and intrigue. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Bill Dedman, Pulitzer Prize-winning investigative reporter and New York Times #1 bestselling author of Empty Mansions, shares the extraordinary story of a reclusive copper heiress, the battle over her fortune, and the HBO series adaptation now in development. As an investigative journalist, Bill Dedman has built his career writing stories that change the way we see the world. It was that reporter's instinct—paired with relentless curiosity—that led him to one of the most extraordinary tales of American wealth: the mysterious life of Huguette Clark and the spending of a great American fortune. Had Bill not stumbled onto her story—and brought it to light in Empty Mansions—her final wishes might well have been lost in the legal battle over her $300 million estate. Huguette was the daughter of copper magnate and U.S. senator W.A. Clark, one of the richest men in America. She grew up in dazzling extravagance: the largest home in New York City, with 121 rooms, four art galleries displaying rare art, and a $100,000 pipe organ that filled the halls with music. There was also Bellosguardo, the family's 23-acre estate in Santa Barbara with sweeping views of the Pacific. She traveled to Europe, attended champagne soirées and black-tie balls—it was, by any measure, a life lived in grandeur. And yet, in stark contrast, Huguette later chose seclusion. For decades, Huguette lived reclusively in her Fifth Avenue apartments, surrounded by paintings by Renoir, Degas, and Corot, and by her vast collection of antique dolls—thousands of them, some dressed in custom Dior. She painted portraits, read voraciously, and built elaborate miniature temples by hand, each costing up to $100,000 to make. In her eighties, though still in excellent health, she chose to move into a modest hospital room, where she remained for the next twenty years—her whereabouts unknown even to longtime friends. Meanwhile, her staff kept her mansions in New York, California, and Connecticut just as she left them—waiting, it seemed, for her return. What makes Huguette's story even more remarkable is her quiet generosity to friends, strangers, and staff: $30 million to her nurse, a Stradivarius violin for the nurse's son, a Rolls- Royce for the chauffeur, a Renoir, fine jewels, Christmas cards with $30,000 checks enclosed—among many other gestures that changed the lives of those around her. Her choices were so unusual that distant relatives, left out of her will, seized on Huguette's eccentricities as grounds to question her capacity, sparking a legal battle over her fortune. Was she being manipulated? Was she unwell? Crazy? "Did you hear about the dolls?" Had they been Birkins, she'd be on the pages of Vogue... Bill uncovers a more nuanced truth: a woman of elegance and discretion, a loyal friend and deeply caring person, a trained artist dedicated to her craft. "It takes a while to get close enough to someone's choices so that they start to make sense," he said. That insight runs through Empty Mansions, the New York Times #1 bestseller that continues to captivate readers. A brilliant reporter and storyteller, no one but Bill Dedman could have written this story with such depth and intrigue. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bill Dedman, Pulitzer Prize-winning investigative reporter and New York Times #1 bestselling author of Empty Mansions, shares the extraordinary story of a reclusive copper heiress, the battle over her fortune, and the HBO series adaptation now in development. As an investigative journalist, Bill Dedman has built his career writing stories that change the way we see the world. It was that reporter's instinct—paired with relentless curiosity—that led him to one of the most extraordinary tales of American wealth: the mysterious life of Huguette Clark and the spending of a great American fortune. Had Bill not stumbled onto her story—and brought it to light in Empty Mansions—her final wishes might well have been lost in the legal battle over her $300 million estate. Huguette was the daughter of copper magnate and U.S. senator W.A. Clark, one of the richest men in America. She grew up in dazzling extravagance: the largest home in New York City, with 121 rooms, four art galleries displaying rare art, and a $100,000 pipe organ that filled the halls with music. There was also Bellosguardo, the family's 23-acre estate in Santa Barbara with sweeping views of the Pacific. She traveled to Europe, attended champagne soirées and black-tie balls—it was, by any measure, a life lived in grandeur. And yet, in stark contrast, Huguette later chose seclusion. For decades, Huguette lived reclusively in her Fifth Avenue apartments, surrounded by paintings by Renoir, Degas, and Corot, and by her vast collection of antique dolls—thousands of them, some dressed in custom Dior. She painted portraits, read voraciously, and built elaborate miniature temples by hand, each costing up to $100,000 to make. In her eighties, though still in excellent health, she chose to move into a modest hospital room, where she remained for the next twenty years—her whereabouts unknown even to longtime friends. Meanwhile, her staff kept her mansions in New York, California, and Connecticut just as she left them—waiting, it seemed, for her return. What makes Huguette's story even more remarkable is her quiet generosity to friends, strangers, and staff: $30 million to her nurse, a Stradivarius violin for the nurse's son, a Rolls- Royce for the chauffeur, a Renoir, fine jewels, Christmas cards with $30,000 checks enclosed—among many other gestures that changed the lives of those around her. Her choices were so unusual that distant relatives, left out of her will, seized on Huguette's eccentricities as grounds to question her capacity, sparking a legal battle over her fortune. Was she being manipulated? Was she unwell? Crazy? "Did you hear about the dolls?" Had they been Birkins, she'd be on the pages of Vogue... Bill uncovers a more nuanced truth: a woman of elegance and discretion, a loyal friend and deeply caring person, a trained artist dedicated to her craft. "It takes a while to get close enough to someone's choices so that they start to make sense," he said. That insight runs through Empty Mansions, the New York Times #1 bestseller that continues to captivate readers. A brilliant reporter and storyteller, no one but Bill Dedman could have written this story with such depth and intrigue. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Bill Dedman, Pulitzer Prize-winning investigative reporter and New York Times #1 bestselling author of Empty Mansions, shares the extraordinary story of a reclusive copper heiress, the battle over her fortune, and the HBO series adaptation now in development. As an investigative journalist, Bill Dedman has built his career writing stories that change the way we see the world. It was that reporter's instinct—paired with relentless curiosity—that led him to one of the most extraordinary tales of American wealth: the mysterious life of Huguette Clark and the spending of a great American fortune. Had Bill not stumbled onto her story—and brought it to light in Empty Mansions—her final wishes might well have been lost in the legal battle over her $300 million estate. Huguette was the daughter of copper magnate and U.S. senator W.A. Clark, one of the richest men in America. She grew up in dazzling extravagance: the largest home in New York City, with 121 rooms, four art galleries displaying rare art, and a $100,000 pipe organ that filled the halls with music. There was also Bellosguardo, the family's 23-acre estate in Santa Barbara with sweeping views of the Pacific. She traveled to Europe, attended champagne soirées and black-tie balls—it was, by any measure, a life lived in grandeur. And yet, in stark contrast, Huguette later chose seclusion. For decades, Huguette lived reclusively in her Fifth Avenue apartments, surrounded by paintings by Renoir, Degas, and Corot, and by her vast collection of antique dolls—thousands of them, some dressed in custom Dior. She painted portraits, read voraciously, and built elaborate miniature temples by hand, each costing up to $100,000 to make. In her eighties, though still in excellent health, she chose to move into a modest hospital room, where she remained for the next twenty years—her whereabouts unknown even to longtime friends. Meanwhile, her staff kept her mansions in New York, California, and Connecticut just as she left them—waiting, it seemed, for her return. What makes Huguette's story even more remarkable is her quiet generosity to friends, strangers, and staff: $30 million to her nurse, a Stradivarius violin for the nurse's son, a Rolls- Royce for the chauffeur, a Renoir, fine jewels, Christmas cards with $30,000 checks enclosed—among many other gestures that changed the lives of those around her. Her choices were so unusual that distant relatives, left out of her will, seized on Huguette's eccentricities as grounds to question her capacity, sparking a legal battle over her fortune. Was she being manipulated? Was she unwell? Crazy? "Did you hear about the dolls?" Had they been Birkins, she'd be on the pages of Vogue... Bill uncovers a more nuanced truth: a woman of elegance and discretion, a loyal friend and deeply caring person, a trained artist dedicated to her craft. "It takes a while to get close enough to someone's choices so that they start to make sense," he said. That insight runs through Empty Mansions, the New York Times #1 bestseller that continues to captivate readers. A brilliant reporter and storyteller, no one but Bill Dedman could have written this story with such depth and intrigue. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Bill Dedman, Pulitzer Prize-winning investigative reporter and New York Times #1 bestselling author of Empty Mansions, shares the extraordinary story of a reclusive copper heiress, the battle over her fortune, and the HBO series adaptation now in development. As an investigative journalist, Bill Dedman has built his career writing stories that change the way we see the world. It was that reporter's instinct—paired with relentless curiosity—that led him to one of the most extraordinary tales of American wealth: the mysterious life of Huguette Clark and the spending of a great American fortune. Had Bill not stumbled onto her story—and brought it to light in Empty Mansions—her final wishes might well have been lost in the legal battle over her $300 million estate. Huguette was the daughter of copper magnate and U.S. senator W.A. Clark, one of the richest men in America. She grew up in dazzling extravagance: the largest home in New York City, with 121 rooms, four art galleries displaying rare art, and a $100,000 pipe organ that filled the halls with music. There was also Bellosguardo, the family's 23-acre estate in Santa Barbara with sweeping views of the Pacific. She traveled to Europe, attended champagne soirées and black-tie balls—it was, by any measure, a life lived in grandeur. And yet, in stark contrast, Huguette later chose seclusion. For decades, Huguette lived reclusively in her Fifth Avenue apartments, surrounded by paintings by Renoir, Degas, and Corot, and by her vast collection of antique dolls—thousands of them, some dressed in custom Dior. She painted portraits, read voraciously, and built elaborate miniature temples by hand, each costing up to $100,000 to make. In her eighties, though still in excellent health, she chose to move into a modest hospital room, where she remained for the next twenty years—her whereabouts unknown even to longtime friends. Meanwhile, her staff kept her mansions in New York, California, and Connecticut just as she left them—waiting, it seemed, for her return. What makes Huguette's story even more remarkable is her quiet generosity to friends, strangers, and staff: $30 million to her nurse, a Stradivarius violin for the nurse's son, a Rolls- Royce for the chauffeur, a Renoir, fine jewels, Christmas cards with $30,000 checks enclosed—among many other gestures that changed the lives of those around her. Her choices were so unusual that distant relatives, left out of her will, seized on Huguette's eccentricities as grounds to question her capacity, sparking a legal battle over her fortune. Was she being manipulated? Was she unwell? Crazy? "Did you hear about the dolls?" Had they been Birkins, she'd be on the pages of Vogue... Bill uncovers a more nuanced truth: a woman of elegance and discretion, a loyal friend and deeply caring person, a trained artist dedicated to her craft. "It takes a while to get close enough to someone's choices so that they start to make sense," he said. That insight runs through Empty Mansions, the New York Times #1 bestseller that continues to captivate readers. A brilliant reporter and storyteller, no one but Bill Dedman could have written this story with such depth and intrigue. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

"Maler des Glücks", so lautet der Untertitel des Bildbands "Renoir". Tatsächlich dürften viele unterbewusst genau dies bei Renoirs Bildern empfinden.

On this episode of the podcast, host Dr Pasquale Iannone is joined by writer, critic and academic Hannah McGill to discuss Poetic Realism, a 1930s trend in French cinema which combined the earthy and the ethereal to often mesmerising effect.   Whether shot in real locations or on large-scale sets, whether set in France or elsewhere around the globe, these early sound pictures are moody and melancholy. They're fatalistic tales of immigrant labourers, train workers, tugboat captains, petty criminals, deserters, gangsters. Directors who made films in this style included Marcel Carné, Julien Duvivier and the three Jeans - Renoir, Vigo and Grémillon. Hannah and Pasquale discuss the socio-political backdrop, some of the major films, directors and actors as well as the trend's influence on Italian neorealism and American film noir.  Films discussed include L'Atalante (Jean Vigo, 1934), Toni (Jean Renoir, 1934), La grande illusion (Jean Renoir, 1937), La bête humaine (Jean Renoir, 1938), Le quai des brumes (Marcel Carné, 1938), Le jour se lève (Marcel Carné, 1939) and many more.

Lea's out this week so we were hashtag blessed to have our beautiful graphic designer BLORB with us! And she cornholed with the best of them. We talked all the important stuff — Pokemon, Ultimatum Queer Love, and what to look in the mirror and take off before you leave the house. In wrestling news, Hangman brought Mox to another sexual completion, MJF and the Hurt Syndicate continue to do the most pointless work of anyone's life, and was there some kind of gas leak on Collision? Because the deranged energies that wrestlers reached were beyond anything we've seen (complimentary). Join us!(00:00) Chitchat Time(21:27) Hangman and Mox(28:53) MJF and Hurt Syndicate(38:44) Mark Briscoe, MJF, Hangman end of Dynamite(42:58) Conglomeration(53:51) Toni/Athena/Billie/Windsah(59:20) Ultimatum Queer Love Interlude(1:03:30) Christian Cage, Patriarchy, Cope, FTR(1:17:23) Forbidden Door Tag Tournament & Okada vs. Swerve(1:32:39) Willow and Stat(1:39:45) Max Caster and Anthony BowensSupport this podcast at — https://redcircle.com/social-suplex-podcast-network/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Avec Vanessa Zha, partez pour un voyage unique sur les traces du cinéma en Côte d'Azur ! Du port du Niel (Le Grand Bleu) au Cap Dramont (Magic in the Moonlight), en passant par le domaine du Rayol (Renoir) et le port de Légade (Pierrot le Fou), découvrez des lieux de tournage emblématiques, entre nature, patrimoine et 7e art.Anecdotes de films cultes, paysages de rêve, immersion dans l'univers de Luc Besson, Jean-Luc Godard ou Woody Allen : une balade sonore inoubliable au cœur du cinéma et de la Côte d'Azur.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

O Galinha Viajante de hoje finalmente fala de Clair Obscur Expedition 33! Da França para o mundo, o RPG independente que pegou todos os jogadores de surpresa e entregou uma das histórias mais marcantes da geração. Samuca e Leon comentam toda a sua experiência com o jogo detalhando desenvolvimento, conceitos, história, gameplay e audiovisual dessa obra de arte.OUÇA TAMBÉMGalinha Game Music #04 - Lumiere (Clair Obscur Expedition 33)APOIE O GALINHA VIAJANTEAcesse catarse.me/galinhaviajanteLINKS DA GALINHACatarse | Youtube | Instagram | BlueskyContato: cast@galinhaviajante.com.brAcesse nosso SITE: galinhaviajante.com.brÚLTIMOS EPISÓDIOSGV#200: Reagindo a 200 EpisódiosGV#199: Comix ZoneGV#198: Persona 3 ReloadGV#197: Top Dúzia - Jogos Definitivos do SwitchGV#196: BP - Os Melhores Jogos de 2025... Até AgoraTRILHA SONORAAlicia, Aux Lendemains non Écrits, Clair Obscur, Gestral Arena, Gestral Beach, Gustave, In Lumiere's Name, Is It a Gestral or a Volleyball, It's Time to Stop Painting, Lampmaster, Maelle, Monoco, Renoir, Get Up For Lumiere, Warding Blades, Une Vie a T'aimer (Clair Obscur Expedition 33 OST)Battle On The Jazzy Bridge (Quasar)00:00:00 - Abertura do Episódio00:05:30 - Introdução e Desenvolvimento00:43:35 - Audiovisual e Trilha Sonora01:43:49 - Sistema de Combate02:49:52 - Level Design e Exploração03:17:01 - Premissa e Lore03:58:11 - Análise dos Personagens05:00:11 - Uma Luta Perdida05:53:39 - Encerramento do EpisódioO Galinha vai ao ar toda semana graças aos Escudeiros da Galinha Viajante! Apoie você também o nosso projeto no Catarse e junte-se à Escudaria!Apresentado e produzido por Leon Cleveland e Samuel R. Auras.Contato: cast@galinhaviajante.com.brSupport the show

Ce 22 juillet 2025, Stéphane Bern revient sur le peintre Auguste Renoir. Pour en discuter, il reçoit Stéphane Guegan, historien et critique d'art, conseiller scientifique auprès de la présidence du musée d'Orsay .Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Ce 22 juillet 2025, Stéphane Bern revient sur le peintre Auguste Renoir. Pour en discuter, il reçoit Stéphane Guegan, historien et critique d'art, conseiller scientifique auprès de la présidence du musée d'Orsay .Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Connaissez-vous l'histoire du Sacré Cœur à Paris? One Thing In a French Day est en live pour un épisode spécial de notre série sur Montmartre, le célèbre quartier des artistes tels que Degas, Pissaro, Van Gogh, Renoir, Picasso, Braque, Soutine, Suzanne Valadon ou encore Maurice Utrillo. Le quartier aussi des cabarets comme Le Chat Noir, Le lapin agile ou encore le Moulin rouge.  Rejoingnez-nous pour une conversation en français.  www.onethinginafrenchday.com

durée : 01:02:02 - Les Nuits de France Culture - par : Albane Penaranda - Dans cette Master Class, Claude Chabrol partage avec beaucoup d'humour son expérience de cinquante années de réalisation. Le cinéaste donne sa conception du cinéma tout en faisant souvent référence à la manière de filmer de ses confrères : Rivette, Godard, Renoir. - réalisation : Virginie Mourthé - invités : Claude Chabrol Réalisateur français

Montmartre est un quartier de Paris, c'est là où l'aventure a commencé pour de nombreux artistes, poètes ou chansonniers dont les noms résonnent encore sur cette planète. On peut citer tout de suite quelques noms qui font rêver : Suzanne Valadon, Van Gogh, Pissaro, Degas,, Renoir, Picasso, Modigliani, Severini, Alphonse Allais, Emile Goudeau et les Hydropathes, Aristide Bruant, etc. Des lieux aussi : le Chat Noir, le Lapin Agile, le cirque Medrano, le bal du Moulin de la galette.  Et il y a un endroit où toute cette ambiance est particulièrement palpable, c'est le musée de Montmartre.  www.onethinginafrenchday.com

Montmartre is a district of Paris where the adventure began for many artists, poets and songwriters whose names still resonate on this planet. Here are just a few of the names that make you dream: Suzanne Valadon, Van Gogh, Pissaro, Degas, Renoir, Picasso, Modigliani, Severini, Alphonse Allais, Emile Goudeau and the Hydropathes, Aristide Bruant, and so on. Places too: Le Chat Noir, Le Lapin Agile, Le Cirque Medrano, Le Bal du Moulin de la Galette. And there's one place where all this atmosphere is particularly palpable, and that's the Musée de Montmartre. It's housed in two buildings where artists used to work, as we'll hear today. It's a green, cool setting overlooking Paris. In today's episode, we meet up with Anne-Laure, with whom I went to the Musée de Montmartre on a beautiful summer's morning. In the notes that accompany this podcast, you'll find cultural references, as well as photos to complete the trip. So, to keep your Montmartre French up to date, the slow way, I invite you to subscribe to the podcast at www.cultivateyourfrench.com

The Adventures of Harry Lime || (ep. 14) Mexican Hat Trick | (ep. 15) Art is Long and Lime is Fleeting || Broadcast: November 2, 1951; November 9, 195101:17 ... Mexican Hat Trick -- Harry's in Mexico City down to his last borrowed cigarette when a friendly pickpocket puts him on the trail of an innocent, but convicted murderer.30:38 ... Art Is Long and Lime Is Fleeting -- In Paris, Harry buys a cheap painting and tries to pass it off as a Renoir.: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:::: :This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

In Part 2 of our Impressionism series, we leave the floating world of Japan behind and step into the bustling studios, salons, and sun-drenched riverbanks of 19th-century France. This time, we meet the artists who dared to defy the rules (Monet, Morisot, Manet, Degas, Renoir, Cassatt) and the dealer, Paul Durand-Ruel, who bet everything on their vision. We'll explore how these painters broke with tradition to capture the modern world around them…and how their movement spread, against all odds, to American collectors, museums, and artists. ______ New episodes every month. Let's keep in touch! Email: artofhistorypod@gmail.com Instagram: @artofhistorypodcast

Cannes 2025: I denne siste episoden fra årets filmfestival i Cannes, løfter vi frem to fremragende japanske filmer. Chie Hayakawas Renoir («Runowâru») er vår soleklare favoritt fra årets Cannes-program, og en umiddelbar klassiker i japansk film. Denne coming of age-fortellingen om elleve år gamle Fuki (spilt av nykommer Yui Suzuki) som finner ut nye ting om seg selv og livet sommeren 1987, når faren hennes ligger på dødsleiet og moren rives og slites i fra alle kanter. Hayakawa refererer til Shinji Sōmais mesterverk Moving (1993), og Renoir kan sies å være en slags avlegger. I Love on Trial («Ren'ai saiban») utforsker regissør Kôji Fukada skyggesiden av japanske idolgruppers tilværelse. Artistene er ofte underlagt kontrakter som krever at de ikke er tillatt å ha noe kjærlighetsliv, for å tekkes fansens fantasier om at de er «tilgjengelige». Når Mai (Kyoko Saito) i gruppa Happyfanfare forelsker seg, blir det tydelig at medlemmene har forskjellige ambisjoner og ønsker for fremtiden – og managementet viser ingen nåde idet relasjonen hennes blir avslørt. Ved mikrofonene sitter Karsten Meinich og Lars Ole Kristiansen. God lytting!

En el programa de hoy, se analiza cómo las ideas nuevas, en especial en el arte, enfrentan resistencia por parte de los cánones establecidos, tomando como ejemplo la historia del impresionismo. Se repasa el rechazo inicial sufrido por artistas como Monet, Degas y Renoir por parte del mundo académico y la crítica, y cómo con el tiempo lograron reconocimiento y popularidad. Se examina también el fenómeno social de la imitación en la apreciación artística y cómo hoy en día la tendencia es sobrevalorar propuestas mediocres para evitar parecer ignorante, lo que lleva a aceptar incluso obras absurdas. El programa concluye con una recomendación del libro "La historia del arte" de Ernst Gombrich, destacando su valor para entender el propósito de las distintas expresiones artísticas a lo largo del tiempo. Para acceder al programa sin interrupción de comerciales, suscríbete a Patreon: https://www.patreon.com/elvillegas Segundo Paso: Temas Principales y sus Minutos 00:02:36 - Resistencia a ideas nuevas 00:04:11 - Nacimiento del impresionismo 00:09:04 - La influencia de la fotografía 00:16:19 - Rechazo inicial y evolución del impresionismo 00:21:14 - ¿Por qué cambian las percepciones del arte? 00:31:12 - Arte moderno y la impostura actual 00:31:37 - Recomendación: Historia del arte de Gombrich

Ep. 327: Eric Hynes on Post-Cannes Catch-Up: I Only Rest in the Storm, The Last One for the Road, A Useful Ghost, Militantropos, plus Yes and Renoir Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 2025 Cannes Film Festival is over, but there were still a few films that I really thought you should hear about too! So, back on the program for a catch-up episode back home is Eric Hynes of the Jacob Burns Film Center (whom I'd also been talking with on the ground in Cannes). Our post-Cannes discussion includes award-winners, personal favorites, and overlooked titles: I Only Rest in the Storm (directed by Pedro Pinho), The Last One for the Road (Francesco Sossai), A Useful Ghost (Ratchapoom Boonbunchachoke), and Militantropos (Yelizaveta Smith, Alina Gorlova, Simon Mozgovyi), plus a few words on Nadav Lapid's latest, Yes, and Chie Hayakawa's Renoir. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

B.A. Shapiro's The Lost Masterpiece can be preordered on Amazon HERE.Berthe Morisot was a female Impressionist painter active in Paris during the second half of the 19th century. She exhibited her work alongside famed Impressionist artists Monet, Degas, and Renoir, among others, and was the only woman to be included in the first major show of Impressionist art in 1874. Despite the many limitations she faced as a female artist of her time, Morisot established herself as an integral member of the Impressionist group. She also modeled for a number of paintings by Manet, and though she was married to his brother, many believe that Manet and Morisot were engaged in a long-run secret affair.B.A. Shapiro is a New York Times best selling author. In 2013, she was awarded the New England Book Award for Fiction for her novel, The Art Forger. Over her impressive career as an author, she has written both novels and screenplays, as well as a non-fiction self help book. Be sure to follow ArtMuse on Instagram & TikTok. Donate to ArtMuse HERE.ArtMuse is produced by Kula Production Company.Today's episode was written by host Grace Anna.There are accompanying images, resources and suggestions for further reading on the ArtMuse website and Instagram.

Welcome back to our coverage of the 78th Cannes Film Festival!For episode five, Łukasz Mańkowski join us (Patrick and Eliana) to discuss programming for Five Flavors film festival and the following films on day eleven of twelve:Renoir ルノワール by Chie Hayakawa 早川千絵 (Competition)Left-Handed Girl 左撇子女孩 by Shih-Ching Tsou 鄒時擎 (Semaine)A Useful Ghost ผีใช้ได้ค่ะ by Ratchapoom Boonbunchachoke รัชฏ์ภูมิ บุญบัญชาโชค (Semaine de la Critique * Winner)Brand New Landscape 見はらし世代 by Yuiga Danzuka 団塚唯我 (Quinzaine)Love on Trial 恋愛裁判 by Kōji Fukada 深田晃司 (Cannes Première)Resurrection 狂野时代 by Bi Gan 畢贛 (Competition)Łukasz Mańkowski is a film scholar, film critic, and film programmer for the annual Five Flavours Asian Film Festival which will be taking place in November this year in Warsaw. You can follow him on Twitter/X here!Thanks for listening!If you have any comments, suggestions, or want to get in touch: cannesversations@proton.meCredits:Image: Resurrection Film PosterOfficiel du 78e Festival de Cannes : © Les Films 13 – Un homme et une femme de Claude Lelouch (1966) / Création graphique © Hartland VillaFrame by Kumiko Shimuzu - Free to use under the Unsplash LicenseSound:Intro: EFF Open Audio License for Le Carnaval des Animaux (Saint-Saëns, Camille - Aquarium) by Neal O'Doan (Piano) Nancy O'Doan (Piano), and Seattle Youth Orchestra Pandora Records/Al Goldstein Archive.Extro: Quinzaine des Cineastes Intro Extract Music: Cyril Moisson | Piano: Frédéric Fortuny

Renoir è un protagonista dell'impressionismo, noto per i suoi ritratti luminosi, le scene vive e la pittura fino agli ultimi giorni di vita.

Welcome back to our coverage of the 78th Cannes Film Festival!For episode four, Maja Korbecka and Jakob Jurisch join us (Patrick and Eliana) to discuss the following films on day nine of twelve:The History of Sound by Oliver Hermanus (Competition)Sterne by Konrad Wolf (Cannes Classics)Magellan (Drifting Laurent) by Lav Diaz (Cannes Première)O Riso e a Faca (Only I Rest in the Storm) by Pedro Pinho (Un Certain Regard)Renoir ルノワール by Chie Hayakawa 早川千絵 (Competition)Maja Korbecka is a film studies researcher and film critic who focuses on Sinophone and Southeast Asian cinemas. She has contributed to Senses of Cinema, The China Project, Easternkicks, Frameland, and EKRANy magazine. This year, she will write for the Chinese Print Film Magazine Da Zhong Dian Ying 大衆電影.Jakob Jurisch is a Hessen-born Berlin-based film critic who writes for moviebreak.de. For German speakers, Jakob and Patrick's German-language cover of Cannes is also available on moviebreak.de. You can listen to their German-language podcast coverage here.Thanks for listening!If you have any comments, suggestions, or want to get in touch: cannesversations@proton.meCredits:Image: O Riso e a Faca Film StillOfficiel du 78e Festival de Cannes : © Les Films 13 – Un homme et une femme de Claude Lelouch (1966) / Création graphique © Hartland VillaFrame by Kumiko Shimuzu - Free to use under the Unsplash LicenseSound:Intro: EFF Open Audio License for Le Carnaval des Animaux (Saint-Saëns, Camille - Aquarium) by Neal O'Doan (Piano) Nancy O'Doan (Piano), and Seattle Youth Orchestra Pandora Records/Al Goldstein Archive.Extro: Quinzaine des Cineastes Intro Extract Music: Cyril Moisson | Piano: Frédéric Fortuny

【聊了什么The What】 疲惫娇娃来戛纳电影节了！本期节目发自南法，娃们五天集中看了快二十部电影，本期节目和大家分享我们看片（工作）的心路历程，我们心中的金棕榈影片，以及当今世界电影创作的一些思考。本节目录制于5月22日，此刻我们还有三部电影没看，包括毕赣的《狂野时代》。更多戛纳趣闻，新闻发布会内容，以及最后一天观影的影评，请关注我们的小红书！ Your favorite CyberPink gals reporting live from the Cannes film festival! We watched almost 20 movies in the span of 5 days, the range was truly from highest to lowest. In this episode we unpack all the movies by category, highlight our Palme d'Or picks, and muse on the current state of the world and the stories that films are telling. This episode was recorded on May 22nd, so it does not include our reviews for the final day of films. Please head over to our Xiaohongshu for these additional reviews and extra behind the scenes content! 【时间轴 The When】 00:00 我们在戛纳的感受和吐槽 06:05 “戛纳影评人口碑解禁” 《风林火山》翻了个大的 09:15 我们此次看过的18部电影大致分成四类 10:33 第一类：”法西斯主义不行“；巴西电影《密探》影评 13:50 反抗极权的老登埃及电影《共和之鹰》影评 16:37 我们心中的金棕榈选手伊朗电影《普通事故》影评，极有力量的作品 27:00 第二类：”女性生命体验“；意大利电影《外面》影评 31:57 斯嘉丽·约翰逊演而优则导的第一部作品”Elenor the Great” 影评 35:47 日本女导演早川千惠关于家庭、死亡的电影《雷诺阿》影评 37:44 西班牙女导演卡拉·西蒙关于寻亲的半自传电影《朝圣》“Romeria”影评 43:12 求求导演再剪一个版本出来—《花漾少女杀人事件》影评 48:44 讲述波兰保姆故事的以色列电影《妈妈》和感官电影《阿尔法》 50:09 第三类：“成瘾物质“；让我们意外非常喜欢的法国电影《陨石》影评 53:47 一句话影评《时光留声》谢谢太太找两个帅哥把BL文拍成电影 54:10 一句话影评哥伦比亚电影《诗人》，意外喜欢的细糠 55:06 第四类：一些风格化电影和商业片《天国与地狱》，《幸福之路》，《腓尼基阴谋》 56:05 关于极化公共讨论的美国电影《艾丁顿》影评 58:05 金棕榈二号种子关于家庭、艺术、原谅的挪威电影《情感价值》，细糠！推荐！ 00:00 first impressions and rants about Cannes film festival 06:05 “Cannes reviews embargo lifted” — Juno Mak's Sons of the Neon Night crashed and burned 09:15 The 18 films we watched can be roughly grouped into four categories 10:33 Category 1: “Fascism is bad” — Review of Brazilian film The Secret Agent 13:50 a movie about resisting authoritarianism, but too much of an old man “know-it-all” POV — Review of Egyptian film Eagles of the Republic 16:37 Our personal Palme d'Or pick — Iranian film by director Jafar Panahi, A Simple Accident, a powerful work 27:00 Category 2: “Women's life experiences” — Review of Italian film Fuori 31:57 Scarlett Johansson's directorial debut Elenor the Great 35:47 Japanese director Chihiro Hayakawa's film on family and death Renoir 37:44 Semi-autobiographical Spanish film about searching for family — Romería by Carla Simón 43:12 Begging this director to release a new cut — Review of Girl on Edge 48:44 Israeli film Mama about a Polish nanny, and the sensory experience of Alpha 50:09 Category 3: “Addictive substances” (substance abuse) — Surprise favorite: French film Meteor 53:47 One-sentence review: History of Sound — Thanks to the director for casting two hot guys to make a BL film 54:10 One-sentence review: Colombian film Un Poeta — unexpectedly liked this subtle gem 55:06 Category 4: the “other” category, including highly stylized and commercial films — Highest to Lowest, Lucky Lu, Phoenician Scheme 56:05 Review of American film Eddington, about the polarization of public discourse 58:05 our Palme d'Or runner up — Norwegian film Sentimental Value, on family, art, and forgiveness. A gem! Highly recommended! 【疲惫红书 CyberRed】 除了播客以外，疲惫娇娃的几个女的在小红书上开了官方账号，我们会不定期发布【疲惫在读】、【疲惫在看】、【疲惫旅行】、【疲惫Vlog】等等更加轻盈、好玩、实验性质的内容。如果你想知道除了播客以外我们在关注什么，快来小红书评论区和我们互动。 Apart from the podcast, we have set up an official account on Xiaohongshu. We will periodically post content such as “CyberPink Reading,” “CyberPink Watching,” “CyberPink Traveling,” “CyberPink Vlog,” and more. Those are lighter, more fun and more experimental stuff about our lives. Leave us some comments on Xiaohongshu! 【买咖啡 Please Support Us】 如果喜欢这期节目并愿意想要给我们买杯咖啡： 海外用户：https://www.patreon.com/cyberpinkfm 海内用户：https://afdian.com/a/cyberpinkfm 商务合作邮箱：cyberpinkfm@gmail.com 商务合作微信：CyberPink2022 If you like our show and want to support us, please consider the following: Those Abroad: https://www.patreon.com/cyberpinkfm Those in China: https://afdian.com/a/cyberpinkfm Business Inquiries Email: cyberpinkfm@gmail.com Business Inquiries WeChat: CyberPink2022

Renoir, in the Cannes 78's competition, is Hayakawa's more intimate and personal project after Plan 75 The post “Renoir”, interview with director Chie Hayakawa appeared first on Fred Film Radio.

78. Cannes Film Festivali'nde ilk hafta geride kaldı; klasikler pek tat vermiyor. Oliver Laxe'ten Sirât, Chie Hayakawa'dan Renoir ve Mascha Schilinski'den In die Sonne schauen bu senenin sürpriz filmleri.Sinefil programcısı Melis Behlil Cannes'dan Açık Dergi'ye bağlanıyor. 

Matisse, Picasso ou Renoir… Tous les grands peintres du 20ème siècle ont été plagiés par Elmyr de Hory. Pendant 30 ans, ce génial faussaire a dupé de prestigieuses maisons de vente, des collectionneurs et des musées du monde entier. Créant des toiles "à la manière de", il se glissait à la perfection dans la tête de ceux qu'il copiait...Cet épisode de Faussaires est co-produit par Initial Studio et Bellota Films, adapté du documentaire audiovisuel « Elmyr de Hory, le faussaire du siècle », produit par Bellota Films, écrit et réalisé par Dimitri Pailhe.Bonne écoute ! Pour découvrir nos autres podcasts, suivez Initial Studio sur Instagram et Facebook. Crédits du podcastProduction exécutive du podcast : Initial Studio Production éditoriale : Sarah Koskievic et Mandy Lebourg Montage : Camille Legras et Victor Benhamou Illustration : Initial Studio Avec la voix d'Elsa Hamnane Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Matisse, Picasso ou Renoir… Tous les grands peintres du 20ème siècle ont été plagiés par Elmyr de Hory. Pendant 30 ans, ce génial faussaire a dupé de prestigieuses maisons de vente, des collectionneurs et des musées du monde entier. Créant des toiles "à la manière de", il se glissait à la perfection dans la tête de ceux qu'il copiait...Cet épisode de Faussaires est co-produit par Initial Studio et Bellota Films, adapté du documentaire audiovisuel « Elmyr de Hory, le faussaire du siècle », produit par Bellota Films, écrit et réalisé par Dimitri Pailhe.Bonne écoute ! Pour découvrir nos autres podcasts, suivez Initial Studio sur Instagram et Facebook. Crédits du podcastProduction exécutive du podcast : Initial Studio Production éditoriale : Sarah Koskievic et Mandy Lebourg Montage : Camille Legras et Victor Benhamou Illustration : Initial Studio Avec la voix d'Elsa Hamnane Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Direction le festival de Cannes, où neuf films sur vingt-deux sont entrés dans la compétition pour la palme d'or. Ce dimanche 17 mai, l'Américain Wes Anderson et le Brésilien Kleber Mendonça Filho entrent, eux aussi, dans la danse. Retour sur les derniers temps forts du festival. Robert Pattinson et Jennifer Lawrence ont électrisé les marches, signant moult autographes et se prêtant au jeu des selfies. Le duo de superstars américaines est à l'affiche de Die, My Love, film en compétition de la britannique Lynne Ramsay. À 39 ans, Robert Pattinson est au sommet de sa gloire depuis déjà deux décennies, découvert dans Harry Potter et Twilight, tout comme l'Américaine Jennifer Lawrence, révélée toute jeune dans la saga Hunger game. Lynne Ramsay, prix du scénario à Cannes en 2017, leur offre deux très beaux rôles, un couple de parents confrontés à la maladie mentale de la jeune mère.Le néo-western Eddington, signé Ari Aster, dresse le portrait d'une ville américaine en post-Covid, projection d'une Amérique en décomposition gangréné par le complotisme et l'ultra-violence avec Joaquin Phoenix en shériff disjoncté. Pendant la conférence de presse du film, l'acteur Pedro Pascal, star des séries The Last of Us et Narcos, a appelé le cinéma à ne pas se laisser intimider par Donald Trump : « Vous savez, quand on a peur, cela veut dire que les autres ont gagné. Donc, il faut continuer à s'exprimer, il faut continuer à se battre. Il faut continuer de raconter des histoires. C'est notre seule façon. Et il ne faut pas se laisser intimider. Et que ceux qui essaient aillent se faire voir ! »Les festivaliers et le jury ont aussi pu découvrir Renoir, de la Japonaise Chie Hayakawa, déjà récompensé en 2022 pour son premier long métrage Plan 75. Un film tout en délicatesse. Le Japon de la fin des années 1980 vu par les yeux d'une fillette de onze ans qui apprivoise par l'imagination et la curiosité sa solitude tandis que son père est en train de mourir d'un cancer. « Il se trouve que j'ai eu un père malade atteint d'un cancer, explique la réalisatrice. Et que de mon enfance jusqu'à une vingtaine d'années, j'ai vu mon père souffrir, se battre contre la maladie, attendre la mort. Cela a beaucoup marqué mon esprit et peut-être mon rapport au monde. »Plus joyeux, malin, Nouvelle Vague, film tourné en français de l'Américain Richard Linklater, ressuscite en noir et blanc tous les protagonistes de la Nouvelle Vague du cinéma français des années 1960. Il retrace avec humour et virtuosité le tournage de À bout de souffle de Jean-Luc Godard.À lire aussiUn 78ème festival de Cannes sous le signe de la sobriété et de la politique

Fluent Fiction - French: Under Renoir's Canvas: A Serendipitous Encounter of Souls Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2025-05-16-22-34-01-fr Story Transcript:Fr: Les rayons du soleil printanier caressaient doucement les grandes verrières du Musée d'Orsay.En: The rays of the spring sun gently caressed the large windows of the Musée d'Orsay.Fr: Ce jour-là, le musée brillait de mille feux, une douce lumière réchauffait les galeries où trônent les chefs-d'œuvre de l'impressionnisme.En: That day, the museum sparkled brilliantly, a soft light warming the galleries where the masterpieces of Impressionism reign.Fr: Les visiteurs déambulaient lentement, absorbés par la beauté des tableaux exposés.En: Visitors strolled slowly, absorbed by the beauty of the displayed paintings.Fr: Julien était là, plongé dans l'admiration d'une toile de Renoir.En: Julien was there, immersed in admiration for a painting by Renoir.Fr: Ses études en histoire de l'art l'avaient souvent conduit ici, mais chaque visite semblait ouvrir de nouvelles fenêtres dans son esprit.En: His studies in art history had often led him here, but each visit seemed to open new windows in his mind.Fr: Il aimait par-dessus tout l'atmosphère sereine et le murmure apaisant des visiteurs.En: Above all, he loved the serene atmosphere and the soothing murmur of the visitors.Fr: Pourtant, malgré sa passion pour l'art, Julien avait toujours éprouvé une certaine appréhension à engager la conversation avec d'autres amoureux de l'art.En: Yet, despite his passion for art, Julien had always felt a certain apprehension about engaging in conversation with other art lovers.Fr: Non loin de là, Élise, une jeune graphiste au regard curieux, s'était arrêtée devant le même tableau.En: Not far away, Élise, a young graphic designer with a curious gaze, had stopped in front of the same painting.Fr: En quête d'inspiration pour son prochain projet, elle avait décidé de profiter de ses quelques jours à Paris pour explorer ses musées.En: In search of inspiration for her next project, she had decided to take advantage of her few days in Paris to explore its museums.Fr: Son regard s'attardait sur les couleurs vives et les mouvements élégants des personnages sur la toile.En: Her gaze lingered on the vivid colors and elegant movements of the characters on the canvas.Fr: La vivacité de l'œuvre l'enthousiasmait et elle esquissa un sourire.En: The liveliness of the work delighted her, and she sketched a smile.Fr: Julien remarqua ce sourire sincère.En: Julien noticed this sincere smile.Fr: Il sentit un élan le pousser, un désir de partager ses pensées sur ce tableau qu'ils admiraient tous deux.En: He felt a surge pushing him, a desire to share his thoughts on this painting they both admired.Fr: Hésitant, il prit une profonde inspiration et s'approcha d'elle.En: Hesitantly, he took a deep breath and approached her.Fr: « Bonjour, excusez-moi… Vous aimez Renoir, n'est-ce pas ? » demanda-t-il timidement.En: "Hello, excuse me… You like Renoir, don't you?" he asked timidly.Fr: Élise se tourna vers lui, surprise, mais aussi ravie de cette ouverture.En: Élise turned to him, surprised but also delighted by this overture.Fr: « Oui, j'adore ses jeux de lumière et ses couleurs. C'est une véritable danse », répondit-elle, ses yeux pétillants.En: "Yes, I love his play of light and colors. It's a real dance," she replied, her eyes sparkling.Fr: Julien acquiesça, encouragé par sa réponse positive.En: Julien nodded, encouraged by her positive response.Fr: « Je suis d'accord. C'est comme si les personnages allaient sortir du tableau pour se joindre à nous », ajouta-t-il avec un petit rire.En: "I agree. It's as if the characters were about to step out of the painting to join us," he added with a small laugh.Fr: Ainsi débutèrent leurs échanges, devant cette œuvre qui avait éveillé leur curiosité.En: Thus began their exchanges in front of this work that had sparked their curiosity.Fr: Au fil de leur conversation, ils se découvrirent une passion commune pour l'art et un désir de comprendre les émotions transmises à travers les peintures.En: Over the course of their conversation, they discovered a shared passion for art and a desire to understand the emotions conveyed through paintings.Fr: Élise parla de son projet de design graphique et partagea ses idées, consciente que ses interprétations pouvaient paraître simples à ce brillant historien de l'art.En: Élise talked about her graphic design project and shared her ideas, aware that her interpretations might seem simple to this brilliant art historian.Fr: Pourtant, Julien était fasciné par sa façon créative de voir le monde.En: Yet, Julien was fascinated by her creative way of seeing the world.Fr: Son enthousiasme était contagieux, et il se sentait soudainement plus confiant pour exprimer ses propres idées.En: Her enthusiasm was contagious, and he suddenly felt more confident in expressing his own ideas.Fr: Ils passèrent l'après-midi à déambuler d'une galerie à l'autre, captivés par les tableaux, mais aussi par leur conversation qui ne semblait jamais tarir.En: They spent the afternoon wandering from one gallery to the next, captivated by the paintings, but also by their conversation that seemed to never run dry.Fr: Quand vint l'heure de partir, Julien se lança : « J'aimerais beaucoup revoir une exposition avec vous. Accepteriez-vous de m'accompagner une autre fois ? »En: When it was time to leave, Julien ventured: "I would love to see another exhibition with you. Would you accept to accompany me another time?"Fr: Élise hocha la tête avec enthousiasme.En: Élise nodded enthusiastically.Fr: Elle notait déjà son numéro sur un petit papier.En: She was already noting her number on a small piece of paper.Fr: « Ce serait avec plaisir, Julien. J'ai hâte de découvrir d'autres œuvres avec vous. »En: "It would be a pleasure, Julien. I look forward to discovering more works with you."Fr: En ce jour de printemps, quelque chose avait changé.En: On this spring day, something had changed.Fr: Julien se sentait moins hésitant, son envie de communiquer ravivée par cette rencontre inattendue.En: Julien felt less hesitant, his desire to communicate revived by this unexpected encounter.Fr: De son côté, Élise repartit confiante et inspirée, heureuse d'avoir trouvé un ami qui partageait son amour de l'art.En: As for Élise, she left feeling confident and inspired, happy to have found a friend who shared her love for art.Fr: À travers les fenêtres du musée, le ciel parisien s'étirait doucement, accompagnant la promesse d'une nouvelle amitié, peut-être même plus, qui continuerait de fleurir sous les couleurs éclatantes du printemps.En: Through the windows of the museum, the Parisian sky stretched gently, accompanying the promise of a new friendship, perhaps even more, that would continue to blossom under the bright colors of spring. Vocabulary Words:the rays: les rayonsto caress: caresserthe windows: les verrièresthe masterpiece: le chef-d'œuvreto reign: trônerto stroll: déambulerthe gallery: la galerieto absorb: absorberto immerse: plongerthe painting: la toilethe apprehension: l'appréhensionto engage: engagerthe visitor: le visiteurthe murmur: le murmurethe gaze: le regardto linger: s'attarderthe character: le personnagethe liveliness: la vivacitéto delight: enthousiasmerthe smile: le sourireto nod: acquiescerthe conversation: l'échangeto convey: transmettrethe emotion: l'émotionto wander: se déambulerto captivate: captiverto venture: se lancerto stretch: s'étirerthe promise: la promesseto blossom: fleurir

Debussy and Ravel are often described as the prototypical musical impressionists. It is often said that the two composers are the closest equivalents to the artistic world of Monet, Renoir, Pisarro, Degas, and others. But both Ravel and Debussy (like Monet for that matter), vehemently rejected the term Impressionism, and they both felt that they were striking out on their own individual paths in their msuic. That didn't stop the public and critics from constantly comparing the music of these two shining lights of French music, despite the fact that Ravel and Debussy are actually quite different. Comparing Ravel and Debussy is a bit like comparing Haydn and Mozart. At first glance, there are many similarities, but if you look and listen more closely, Ravel and Debussy(like Mozart and Haydn) had totally different approaches, goals, and styles. All of the constant comparisons and attempts at making the composers compete with each other had a real impact on Debussy and Ravel. Initially they were friends and mutual admirers of each others work, but they slowly drifted apart over time until they stopped speaking to each other altogether. We'll talk about this complicated personal relationship, as well as looking at these differences in their music, not from a critical standpoint, but from the perspective of bringing out what is so wonderfully unique about their music. We'll also talk about Ravel's arrangements of two Debussy's greatest orchestral works: his two piano arrangement of Debussy's Nocturnes, and his piano 4 hands arrangement of the legendary Prelude to the Afternoon of a Faun. Join us on another collaboration with G Henle Publishers! Recordings: Nocturnes Claudio Abbado with London Symphony Anne Shasby, Richard McMahon, Piano Prelude to the Afternoon of a Faun Ravel arrangement: Jean-Pierre Armengaud and Olivier Chauzu Debussy Arrangement: Charles Badami and Anthony Olson 

9a-10a Kanye West is at it again. Linkin Park downsizing shows: Is the new lead singer to blame, or do we just miss Chester Bennington? We learn a shocking way you could end up with a DUI. A PA woman strikes big on a Renoir. You won't believe these April 1st headlines—but maybe you should.

Bonjour! New episode out now! We watched the first episode of the French crime show Candice Renoir. We discuss our enjoyment of Candice and her approach to policing, drawing on her intuition and skills as both a professional and a mother, and how that causes strife within the team she is placed in charge of. We talk about the challenges in understanding some of the nuances in a different language and culture, but how that also made it fun. We touch on the somewhat mysterious and confusing hierarchy used by police and military units, discuss the pros and cons of doing procedural television for multiple seasons, and try to pronounce French names and terms with varying success. Katy sneaks in a Seinfeld reference, Carrie has read this whole show, Maddy tells a fun hospital story about weird brains, and Mack got Inception-ed by Aretha Franklin. We also believe being called “Barbie” is not an insult, wonder how much fandom can really influence media, enjoy foreign media's depiction of Americans, and discover Discord is amazing for pun-based comedy. We touch on gay Star Wars characters, Paul Blart Mall Cop 2 marking the passage of time, Columbo, and the marimba. Apprécier!TW: Child abuse, sex work, suicide, fatphobia, misogyny

The artist Degas suffered retina disease for the last fifty years of his life, switching from paint to pastel because the chalk lines were easier to see. Renoir had to have brushes placed between his fingers when arthritis made them clench like claws; and when surgery left Matisse immobile, he turned to collage, directing assistants to attach colored pieces of paper to a larger sheet on the wall. What followed in each case was a creative breakthrough: Degas’s Blue Dancers, Renoir’s Girls at the Piano, Matisse’s The Sorrows of the King, and other masterpieces. By adapting to their trial, beauty emerged from their infirmity. In a similar way, Paul wasn’t planning to visit Galatia during his early missionary journeys. An illness forced him there (Galatians 4:13). Whether it was the illness he mentions in 2 Corinthians 12:7, an eye problem (Galatians 4:15), or something else, we don’t know. But Paul sought a different climate, wound up in Galatia and, even though he was ill, started preaching. Ironically, the Holy Spirit performed miracles through him (3:2–5) and the Galatian church was born. This surprising outcome may never have happened without Paul’s illness. What trial have you faced, and how did it change the direction of your life? By refocusing your gifts, you too may see God bring beauty out of your infirmity.

Episode 1678 - brought to you by our incredible sponsors:   Turtle Beach:  Level up your game and get 10% off @TurtleBeach with code HARDFACTOR at turtlebeach.com/HARDFACTOR! #turtlebeachpod Fitbod: Level up your workout. Join Fitbod today to get your personalized workout plan. Get 25% off your subscription or try the app FREE for seven days at www.Fitbod.me/HARDFACTOR  Birddogs: For a limited time, our listeners get a FREE HAT with any order when you use code HARDFACTOR at birddogs.com. Get their best-selling hat completely free when you use code HARDFACTOR at birddogs.com. Support our show and let them know we sent you!   DeleteMe: Get 20% off your data protection DeleteMe plan by texting Hard Factor to 64000   Timestamps: 00:00:40 - Show teases 00:08:00 - New Jersey police chief pulls off some AGGRESSIVE pranks 00:27:15 - Enormous man rams Tesla on mini four-wheeler 00:37:45 - Babysitter finds “monster” under kid's bed 00:40:15 - Utah bans predators on VR 00:43:45 - Six figure Renoir painting found at flea market THANK YOU for listening! Join our community and get access to Discord App Chat w/ the hosts, and Bonus Podcasts @ patreon.com/HardFactor but Most importantly... HAGFD! Learn more about your ad choices. Visit megaphone.fm/adchoices

Stupid News 3-28-2025 6am ...She bid $12 dollars and a sketch nobody knew was a Renoir

The nastier the better = dating in my 20s. They blurred out the Renoir tits. You lost your job for a damn corn dog. See omnystudio.com/listener for privacy information.

Play along at home with the lyrics:[Verse 1]You've gone too far this timeBut I'm dancing on the ValentineI tell you somebody's fooling aroundWith my chances on the danger lineI'll cross that bridge when I find itAnother day to make my stand, oh woahHigh time is no time for decidingIf I should find a helping hand, oh woah[Refrain]Oh, why don't you use it?Try not to bruise itBuy time, don't lose itOh, why don't you use it?Try not to bruise itBuy time, don't lose it[Chorus]The reflex is a lonely child who's waiting by the parkThe reflex is in charge of finding treasure in the darkAnd watching over lucky clover, isn't that bizarre?And every little thing the reflex doesLeaves you answered with a question mark[Verse 2]I'm on a ride, and I want to get offBut they won't slow down the roundaboutI sold the Renoir and TV setDon't wanna be around when this gets out[Refrain again][Chorus]The reflex is a lonely child, he's waiting in the parkThe reflex is in charge of finding treasure in the darkAnd watching over lucky clover, isn't that bizarre?And every little thing the reflex doesLeaves an answer with a question mark[Instrumental Break][Refrain again][Chorus]The reflex is a lonely child who's waiting by the parkThe reflex is in charge of finding treasure in the darkAnd watching over lucky clover, isn't that bizarre?And every little thing the reflex doesLeaves me answered with a question markOh, the reflex, what a game, he's hiding all the cardsThe reflex is in charge of finding treasure in the darkAnd watching over lucky clover, isn't that bizarre?And every little thing the reflex doesLeaves you answered with a question markJump to section:(00:10) Introduction but no waffling like you get on some podcasts. You know the ones.(01:04) Song title, writers' details, versions etc.(03:31) To the lyrics. - reflexes and guacamole and M&Ms(05:37) Sensitive artists, the muses, too much Star Wars, and Leprechauns(17:55) Help from Microsoft Word (that would previously have come from 'Clippy') and Barbarella(20:07) Rivalry, revenge, murder, and Brian(36:11) Other theories from the internet(50:18) Misheard Lyrics(54:57) Notable Trivia(57:20) Farewells and ⁠⁠⁠give us money⁠⁠⁠Would you like to appear (well, vocally) on the show? Do you have a pop song or ear-worm from the SMOOTH FM genre that's infested your mind and needs to be investigated? Visit this page ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://speakpipe.com/lyrics⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to record us your own voicemail hot-take on your specific smooth song of suckiness. You could be on a future episode! (you can always email sound files or text your thoughts to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠poidadavis@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ if that's easier). Cheers!Find us on Twitter, Facebook, Instagram etc @LyricsPodast ... and we're on all your favourite podcasting platforms.Sound clips are included for educational reference, criticism, satire and parody in fair use. Clips remain the property of the respective rights holder and no endorsement is implied. All information and opinion is performed and expressed in-character and does not reflect reality or genuine commentary on any persons (living or dead), bands or other organisations, or their works, and is not recommended listening for anyone, anywhere.

So much better than Instagram! Pierre-Auguste Renoir invited 14 friends to lunch one summer--several lunches actually--and ended up creating this spectacular work of art.  In today's episode we find out about this happy group and that beautiful riverside restaurant they're clearly enjoying. And I'll tell you a pretty funny story about how Duncan Phillips was able to get this stunner for his new modern art museum, the Phillips Collection in Washington DC.  SHOW NOTES  “A Long Look” themes are "Easy" by Ron Gelinas https://youtu.be/2QGe6skVzSs and “At the Cafe with You” by Onion All Stars https://pixabay.com/users/onion_all_stars-33331904/ Episode music “Parisian” by Kevin MacLeod https://incompetech.com/music/royalty-free/music.html Licensed under Creative Commons: By Attribution 4.0 License https://creativecommons.org/licenses/by/4.0 From Blue Dot Sessions: “Via Verre” https://app.sessions.blue/browse/track/306837 “Symphony 40 In G Minor” https://app.sessions.blue/browse/track/306840 “Etude 9 Stefan” https://app.sessions.blue/browse/track/306841 Artwork information  https://www.phillipscollection.org/collection/luncheon-boating-party https://www.phillipscollection.org/event/2017-10-06-renoir-and-friends-luncheon-boating-party “The Eye of Duncan Phillips: A collection in the making” by Duncan Philips and David W. Scott. 1999. Edited by Erika D. Passantino. Washington, DC: Phillips Collection in association with Yale University New Haven. Sitters identified https://en.wikipedia.org/wiki/Luncheon_of_the_Boating_Party Holston papers William H. Holston papers, 1915-1964. Archives of American Art, Smithsonian Institution. Reel D-169 #1029-31 “Luncheon of the Boating Party” by Susan Vreeland https://bookshop.org/p/books/luncheon-of-the-boating-party-susan-vreeland/11716075?ean=9780143113522&next=t Maison Fournaise https://www.maisonfournaise.com  https://en.wikipedia.org/wiki/Maison_Fournaise Caillebotte episode https://alonglookpodcast.com/08-skiffs-caillebotte Transcript available at https://alonglookpodcast.com/boatingparty/