Podcasts about renoir

"This Episode is packed with some exclusive and unreleased tracks. Enjoy one hour on a deeper level. 01. Jeff Honor - The Darkness (Original Mix) [unreleased] 02. Jeff Honor - I Can See Clearly (Original Mix) [unreleased] 03. Hugel - I Adore You (goodkidd Sunrise Edit) 04. George Loukas - Loosing My Religion (Original Mix) 05. Julian Nates - A Better Place (ANUQRAM Remix) [Anjunadeep] 06. Sergey Alymov - Batec Del Cor (Sashy Remix) [Big Bells Records] 07. Julia Linkogel - All You Need (Extended Mix) [Colorize (Enhanced)] 08. Durante, ALLKNIGHT - How Does It Feel (Extended Mix) [Anjunadeep] 09. Mystery Sushi - Sublime (Original Mix) [Zoo Series Recordings] 10. Gai Barone, Kiki Cave - All I Need (Fauxplay & Luke Brancaccio Remix) [Music To Die For] 11. Ilias Katelanos, Vakabular - Funk is Love (Extended Mix) [Hollystone Records] 12. D-Nox, Bhaskar - High Paradise (Extended Mix) [Sounds of Quartzo] 13. Kidnap - Tears [Cercle Records]"

Il y a 140 ans, en 1886, naissait une société savante destinée à défendre les singularités montmartroises : Le Vieux Montmartre.Plongez dans les méandres fascinants de la butte Montmartre, ce haut lieu emblématique de la capitale française. Franck Ferrand nous entraîne dans une passionnante exploration de ce quartier unique, témoin de plus de sept siècles d'histoire.Montmartre, c'est d'abord une butte sacrée, siège d'une abbaye bénédictine qui a fait de ce lieu un cœur battant de la France catholique d'autrefois. Mais cette colline abrite bien d'autres richesses : carrières de gypse, moulins à vent, vignes et guinguettes. Un village pittoresque et bouillonnant de vie, jusqu'à ce que Napoléon III ne l'annexe à Paris en 1860.C'est alors que naît une véritable société savante, le Vieux Montmartre, pour préserver l'identité et les particularismes de ce quartier menacé par l'urbanisation galopante.Entre ses moulins, ses vignes et ses artistes, Montmartre a su cultiver son âme de village rebelle, jusqu'à devenir l'un des quartiers les plus emblématiques de la capitale. Grâce à ces passionnés, son esprit bohème et son charme d'antan ont traversé les époques, offrant aux Parisiens d'hier et d'aujourd'hui un havre de paix unique en son genre.

PublicArt Pro (Famous Paintings) w/ PLR – https://www.marketingsharks.com/publicart-pro-famous-paintings-w-plr/22,000+ Famous PaintingsVan Gogh · Monet · Botticelli · Dali · Renoir · Picasso · Turner · 35+ More MastersGet an instant, complete library of 22,000+ world-famous paintings — all 100% public domain, royalty-free, and yours to use, sell, print, and profit from forever. No licensing. No attribution. No restrictions.22,000 famous paintings for $9.99 (unrestricted PLR)Someone just put 22,000+ famous public domain paintings— Van Gogh, Monet, Botticelli, Dali, Picasso, Renoir, Turner— into one download for $9.99.With Unrestricted PLR.That means you can:[ ] Sell prints on Etsy, Redbubble, Amazon Merch[ ] Resell the whole collection as your own product[ ] Bundle, split, rebrand — no restrictions[ ] Pass PLR rights to your customers tooZero licensing fees. Zero attribution. Zero restrictions.These are 100% public domain.

Doyen des ponts de la Seine, le Pont Neuf incarne à lui seul, lʹhistoire et les transformations de la capitale française. Incontournable des circuits touristiques, il a également inspiré de nombreux artistes, parmi lesquels Renoir, Picasso, ainsi que Christo et Jeanne-Claude qui lʹavaient emballé en 1985. Quarante et un ans après, cʹest lʹartiste français JR qui le rhabille. Son projet : transformer le pont en une immense caverne de 120 mètres de long. À cette occasion, Monumental revient sur lʹhistoire de ce monument emblématique avec Nicolas Lyon-Caen, chargé de recherche au CNRS.

Renée Jolivet est une ancienne modèle qui posait pour le peintre Auguste Renoir. On est en 1957 et Renée a 72 ans. Elle raconte avec admiration et nostalgie sa rencontre avec l'artiste, et comment elle est devenue sa muse alors qu'elle était encore adolescente. Aujourd'hui, difficile de l'écouter sans questionner cette relation. Leur lien, pourtant jamais décrit comme romantique, interroge sur les dynamiques de pouvoir, de consentement, et sur la place des jeunes femmes dans l'art à la fin du XIXe siècle. Jusqu'en juillet 2026 le musée d'Orsay consacre une double exposition à Renoir, l'occasion de revisiter son œuvre à la lumière de ces questions. ***Crédits archive Extrait de l'émission radiophonique "La chasse aux souvenirs". Réalisation : Jacques Guinchard - Production : André Gillois - Première diffusion : 16/02/1957 - Chaîne Parisienne. ***Crédits podcast Documentaliste : Anne Brulant - Textes : Lætitia Fourmond, Anouk Valverde - Restauration et mixage : Ian Debeerst - Enregistrement : Laurent Thomas - Voix off : Clara De Antoni - Musique(s) avec l'aimable autorisation d'Universal Production Music France - Chargée de production : Céline Amadori - Assistante de production : Ameline Tarnagda - Cheffe de projet : Lætitia Fourmond - Chargée de projet : Anouk Valverde, Edith Monnier - Responsable éditoriale : Zoé Macheret - Un podcast INA.

Larry Mantle and LAist film critics Claudia Puig and Tim Cogshell review this weekend’s latest movie releases in theaters and on streaming platforms. The films: Masters of the Universe, Wide ReleaseRenoir, Laemmle Nuart [West LA]Scary Movie, Wide ReleaseCarolina Caroline, In Select TheatersThe Currents, Laemmle Royal [West LA]Time and Water, Laemmle Royal [West LA] & Laemmle GlendaleOffice Romance, Streaming on NetflixSavage House, Laemmle Royal [West LA]|Laemmle Town Center [Encino]|The Frida Cinema [Santa Ana]Chum, Laemmle Glendale|Available on VOD Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency

Today on AirTalk: The latest on CA results and why the process takes time (0:30) Tournament of Roses president joins AirTalk (18:33) World Cup pub crawl: O’Brien’s Irish Pub (26:35) FilmWeek: ‘Masters of the Universe,’ ‘Renoir,’ ‘Scary Movie,’ and more! (46:41) Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency.

durée : 01:58:28 - par : Gabrielle Oliveira Guyon - Quelques mois après son disque des Suites de Bach, la violoncelliste Anastasia Kobekina est de retour à Paris pour créer au musée d'Orsay une pièce de Thierry Escaich inspirée de Renoir et Van Gogh. Du baroque à la création contemporaine, entretien avec une artiste qui cultive sa liberté. - réalisation : Yassine Bouzar, Max Dozolme, Julia Macarez, Valentin Lévy-Chaudet, Morgane Tourreilles, Maxime Laporte Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

4:37 Backrooms 20:36 Pressure 27:56 The Breadwinner 34:44 Propeller One-Way Night Coach 43:34 Smothered 49:47 The Currents 54:24 Renoir 59:50 I Love Boosters It's an 8-movie week on 'At the Movies Again,' formerly known as 'Roger (Ebert) & Me, a weekly movie review podcast tribute to 'Siskel & Ebert' hosted by film critics Brett Arnold & Mark Dujsik. The show covers every new theatrical and streaming release each Friday in the format Gene Siskel & Roger Ebert pioneered. A movie review podcast covering all new releases every Friday, modeled after 'Siskel & Ebert,' the pair who inadvertently invented film podcasting in the 1970s. Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its 11th year. Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

"A mix between beach, rooftop, club, and sunrise.

durée : 00:27:00 - par : Jean-Baptiste Urbain - Quelques mois après son disque des Suites de Bach, la violoncelliste Anastasia Kobekina est de retour à Paris pour créer au musée d'Orsay une pièce de Thierry Escaich inspirée de Renoir et Van Gogh. Du baroque à la création contemporaine, entretien avec une artiste qui cultive sa liberté. - réalisation : Yassine Bouzar, Julia Macarez, Côme Jocteur-Monrozier, Morgane Tourreilles, Maxime Laporte - invités : Anastasia Kobekina Violoncelliste Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:26:16 - Les Nuits de France Culture - Le Front populaire marque l'un des grands moments du cinéma français avec des auteurs comme Renoir, Duvivier ou Carné. Comment les luttes syndicales, les congés payés, le chômage traversent-ils leurs œuvres? Quels furent les engagements politiques des uns et des autres? - réalisation : Antoine Dhulster, Vincent Abouchar, Hassane M'Béchour, INA - invités : Claude Gauteur Historien du cinéma, Jacques Kermabon Rédacteur en chef de la revue Bref Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:14:57 - par : Laurent Vilarem - Dans le cadre du Festival d'Auvers sur Oise, Thierry Escaich présente un grand poème symphonique inspiré de tableaux de Renoir et Van Gogh dans la Nef du Musée d'Orsay à Paris. A l'Ircam, l'altiste Geneviève Strosser interprète une pièce de Morton Feldman imaginée d'après des toiles de Mark Rothko. - réalisation : Céline Parfenoff, Martine Mony - invités : Thierry Escaich Compositeur, organiste et improvisateur français (Nogent-sur-Marne, 1965 - ), Geneviève Strosser Altiste Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Episode 382: MANNY MARROQUIN “The Famed Mixing Engineer Who Crafted Classics for Kanye, John Mayer and Alicia Keys” The Road Podcast crew is in LA for the NAMM show and have a sit down with multi-Grammy Award-winning mixing engineer @MannyMarroquin whose career spans over two decades, defining the sonic landscape for artists like @KanyeWest, @AliciaKeys, and @JohnMayer. Manny joined the @ROADpodcast to break down the delicate balance between technical precision and emotional resonance in modern mixing. Starting with the core distinctions between engineers and producers, Manny explains his "emotion over technicality" philosophy (04:05) and the "Batman and Robin" approach to song structure (09:00). He provides an inside look at legendary sessions, discussing the ego free mindset required for 808s & Heartbreak (11:15), the "a-ha" moment of "Love Lockdown" (18:32), and the grueling 20-mix saga behind “Stronger." The conversation shifts to the synesthesia of sound, where Manny compares audio engineering to the brushstrokes of Renoir and Picasso (23:30), and explains his process of turning his chair away from the monitors to find objectivity. After diving into the mechanics of club records like "Let Me Love You" (35:50) and the future of music trends in 2026, he discusses the "less is more" choice for @JohnMayer's "Gravity" (55:55). The episode concludes with his venture into the culinary world with @Verse.LA (1:13:01) and a reflective look at his journey from Guatemala (1:26:01). Try Beatport for free: https://tinyurl.com/yc8da2pz Join DJcity for only $10: bit.ly/3EeCjAX

Francesco Parisi"Il Simbolismo in Italia"Origini e sviluppi di una nuova estetica 1883-1915Fondazione Magnani Rocca, Mamiano di Traversetolo (Parma)Fino al 28 giugno 2026www.magnanirocca.itBellezza, mistero, ossessione. Una delle più grandi mostre mai dedicate al Simbolismo italiano.Più di 150 opere — dipinti, sculture, incisioni — rivelano al grande pubblico la stagione più visionaria dell'arte italiana tra Otto e Novecento: un capitolo che si sviluppò in dialogo serrato con una tendenza internazionale che muoveva da varie declinazioni del preraffaellismo e da una cultura francese e mitteleuropea che aveva in Gustave Moreau e Arnold Böcklin alcuni dei suoi principali riferimenti. Eppure la via italiana al Simbolismo seppe elaborare una propria fisionomia, riconoscibile nella convergenza tra istanze spirituali e la costante riflessione sul mito e sul paesaggio capace di tenere insieme tradizione e modernità.La natura come organismo vivente, il mito come esperienza perturbante, la figura femminile come presenza ambivalente, il paesaggio come spazio dell'interiorità, il segno grafico come veicolo dell'invisibile: sono i nuclei tematici delle sette sezioni della mostra, concepite per restituire tutta la complessità e l'ampiezza dell'immaginario simbolista italiano.La mostra Il Simbolismo in Italia. Origini e sviluppi di una nuova estetica 1883-1915, curata da Francesco Parisi e Stefano Roffi, compie un'operazione critica necessaria: distingue gli artisti che elaborarono consapevolmente un lessico simbolista da quelli che aderirono occasionalmente a mode iconografiche. Ne emerge la ricostruzione filologica di un linguaggio autonomo, sviluppato in dialogo serrato con le ricerche europee ma dotato di caratteri propri.Tra gli artisti in mostra: Giovanni Segantini, Giuseppe Pellizza da Volpedo, Gaetano Previati, Arnold Böcklin, Edward Burne-Jones, Franz von Stuck, Max Klinger, Domenico Morelli, Giulio Aristide Sartorio, Galileo Chini, Luigi Russolo, Leonardo Bistolfi, Adolfo Wildt, Giulio Bargellini, Adolfo De Carolis, Francesco Paolo Michetti, Plinio Nomellini, Emilio Longoni, Ettore Tito, Carlo Fornara, Duilio Cambellotti, Felice Carena, Alberto Martini, Cesare Saccaggi, Libero Andreotti, Ettore Ximenes, Mario De Maria, Mariano Fortuny.Catalogo e apparato scientifico. Il catalogo della mostra, curato da Francesco Parisi e Stefano Roffi, pubblicato da Dario Cimorelli Editore, costituisce un importante strumento critico sul Simbolismo italiano. Saggi di Alessandro Botta, Niccolò D'Agati, Mario Finazzi, Eugenia Querci, Sergio Rebora, Alessandra Tiddia, oltre ai contributi dei curatori.La Fondazione Magnani-Rocca è una delle più importanti istituzioni artistiche d'Italia. La Villa dei Capolavori, sede della Fondazione a Mamiano di Traversetolo presso Parma, ospita la collezione d'arte di Luigi Magnani: opere di Tiziano, Dürer, Rubens, Goya, Canova, Monet, Renoir, Cézanne, Burri e la più significativa raccolta di lavori di Giorgio Morandi. Immersa nella campagna parmense, la Villa conserva il fascino della dimora di un grande collezionista, con arredi neoclassici e impero, circondata dal Parco Romantico con piante esotiche, alberi monumentali e i celebri pavoni bianchi e colorati, non a caso emblema del movimento simbolista.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

No centenário da morte de Claude Monet, a França transforma Giverny, famoso vilarejo da Normandia que abrigou o pintor, em palco de revisões críticas sobre o nascimento do impressionismo. A exposição Antes das Ninféias: Monet descobre Giverny (1883–1890) desloca o foco das telas consagradas para o risco e as escolhas de um artista que rompeu com o academicismo. A mostra revela como paisagem, luz e técnica redefiniram a pintura moderna, num gesto que ainda hoje molda nosso modo de ver a arte. Há um século, morria Claude Monet, o mais famoso dos impressionistas. O pintor é homenageado em 2026 com várias exposições e eventos comemorativos que se multiplicam na França – em Paris, Le Havre e Giverny – , e também em outros países. Autor das mundialmente célebres Ninféias (série de pinturas de vitórias-régias e jardins aquáticos), ele sucumbiu em 5 de dezembro de 1926 a um câncer de pulmão. Monet fumava muito e era conhecido por manter hábitos alimentares bastante particulares – costumava comer andouillette no café da manhã, um tipo de embutido tradicional francês feito com tripas de porco ou de boi, acompanhado de uma taça de vinho branco. Ele morreu, aos 86 anos, em seu ateliê-jardim em Giverny, cercado por suas últimas telas e pelas flores que tanto amava. “Ele cai literalmente entre suas obras e o jardim, que era ao mesmo tempo espaço de vida e de trabalho”, observa Marie Delbarre, assistente de pesquisa do Museu dos Impressionismos de Giverny e co-curadora da mostra. Para ela, o dado biográfico não é anedótico, mas ajuda a entender a "fusão radical entre arte e natureza" que define Monet. Delbarre lembra que o pintor convivia com excessos e possuía uma notória instabilidade emocional. “Era alguém extremamente determinado, mas atravessado por momentos reais de desespero”, afirma, citando cartas em que Monet relata humilhações financeiras e até uma tentativa confusa de suicídio – por afogamento, sendo que ele era exímio nadador. Longe do gênio sereno das reproduções de calendário, emerge em Giverny um artista tenso, obsessivo e muito exigente consigo mesmo. Temperamento explosivo Esse temperamento explosivo também deixava marcas físicas. “Quando não estava satisfeito, ele destruía telas a golpes de bota ou queimava pinturas no jardim”, conta Delbarre. A fúria não era teatral, mas fazia parte de um método em que nada podia sobreviver sem atender ao rigor absoluto da luz certa. Para Marie Delbarre, há um consenso fundamental quando se observa a obra de Claude Monet: mais do que buscar uma reprodução fiel da realidade, o pintor se empenhou em apreender os efeitos da luz natural. “Essa foi a grande paixão de Monet, à qual ele dedicou toda a vida”, afirma. Definir o impressionismo, no entanto, é tarefa menos simples. Segundo ela, trata‑se de um movimento que não nasceu de um manifesto artístico, como ocorreu com o futurismo. "O grupo reunia personalidades artísticas muito distintas, o que torna difícil formular uma definição única e rigorosa que dê conta, ao mesmo tempo, de Monet e de seus pares", afirma. O que foi, afinal, o impressionismo Definir o impressionismo nunca foi, de fato, simples. “Não é um movimento teorizado pelos artistas”, explica Delbarre. O termo nasce do olhar crítico – muitas vezes hostil – de jornalistas e comentaristas da época, a partir do quadro Impression, soleil levant (1872), onde Monet representa o porto de Le Havre, cidade francesa onde o artista passou a infância. Mais do que um programa, havia afinidades e tensões entre personalidades muito diferentes. Monet, Renoir, Degas e Caillebotte nem sempre pintavam a mesma coisa. “Com Monet, o paisagem é central; com Renoir, as figuras humanas ocupam outro lugar”, diz a curadora. O ponto comum estava na recusa ao modelo acadêmico e na aposta na experiência direta do mundo visível, sem idealizações históricas ou mitológicas. Vale lembrar que até meados do século XIX, a grande pintura europeia exaltava cenas bíblicas, heróis antigos e narrativas literárias. O impressionismo rompe esse pacto. “Eles pintam o lazer moderno, o trem a vapor, a cidade, o campo visto como campo”, sintetiza Delbarre. A luz como problema central Se há um eixo incontornável no impressionismo, trata-se da luz. “Captar os efeitos da luz natural foi a grande paixão de Monet, à qual ele dedicou a vida inteira”, afirma a pesquisadora. Isso explica tanto as séries – como catedrais, fardos de feno ou, depois, as Ninféias – quanto a obsessão por pintar sob condições específicas, às vezes impraticáveis. As cores chocavam. “Eram mais puras, mais vivas, com uma pincelada visível que antes ficava restrita ao esboço”, explica Delbarre. Aos olhos dos contemporâneos, parecia descuido ou afronta. “O público recebia aquilo como um balde de tinta no rosto”, diz, sem exagero. Vista hoje em museus, a pintura impressionista ainda se impõe. “Quando colocada ao lado de uma obra acadêmica, parece irradiar luz da parede”, observa a curadora. O efeito não era acidental, mas fruto de uma escolha técnica e estética coerente. Fora do Salão de Arte, contra o sistema Ser recusado pelo Salão oficial de Paris significava quase desaparecer. “Era praticamente o único meio de se tornar conhecido por público e colecionadores”, lembra Delbarre, ao se referir à principal exposição artística organizada pela Academia francesa desde 1667, que ditava o gosto oficial e consagrava carreiras entre os séculos XVIII e XIX. Monet e seus amigos sabiam o risco que corriam ao desafiar o júri, dominado por professores ligados ao neoclassicismo. A pintura ao ar livre era vista como heresia. “Uma inconsistência total”, resume ela. Herdada em parte da Escola de Barbizon, pioneira na prática de pintar ao ar livre, valorizando paisagens comuns, campos, florestas e a vida rural, essa prática ganhava com Monet e seus pares um grau de radicalidade inédita, tanto pelo tema quanto pela execução. Um detalhe técnico foi decisivo: o tubo de tinta industrial. “Antes, pintar a óleo fora do ateliê era quase impossível”, explica Delbarre. Com o novo suporte portátil, a pintura pôde finalmente acompanhar o tempo, o vento e a mudança da luz – fatores centrais para a revolução impressionista. De Giverny ao mundo A exposição mostra justamente o momento em que esse caminho se consolida. Ao se instalar no pequeno vilarejo da Normandia, Monet encontra um laboratório a céu aberto. “É ali que ele começa a organizar a vida em função da pintura”, afirma Delbarre. Para além do encanto turístico, Giverny foi um campo de batalha estética. As escolhas feitas ali – de motivo, técnica e método – moldaram não apenas a obra tardia de Monet, mas a própria noção de pintura moderna. Cem anos depois, revisitar esse processo ajuda a separar o clichê do risco original que ainda sustenta o impressionismo. A mostra Antes das Ninféias: Monet descobre Giverny (1883–1890) fica em cartaz em Giverny até o dia 5 de julho de 2026.

Le Pont-Neuf s'apprête à changer de visage pour devenir… une caverne. C'est l'artiste français JR, notamment connu pour ses immenses trompe-l'œil sur la pyramide du Louvre ou devant la Tour Eiffel, qui a imaginé ce nouvel habit pour le plus vieux pont de Paris.L'installation a été pensée comme un hommage à Christo et Jeanne-Claude, le couple d'artistes qui avait déjà emballé le Pont-Neuf dans plus de 40 000 de m2 de tissu doré en 1985. Avant eux, d'autres artistes ont été inspirés par le Pont-Neuf, comme les peintres Auguste Renoir et Raoul Dufy ou encore le cinéaste Leos Carax.Cet épisode de Code source est raconté par deux journalistes du Parisien : Yves Jaeglé, du service Culture, et Paul Abran, reporter à l'édition de ParisÉcoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Judith Perret - Production : Barbara Gouy et Clara Garnier-Amouroux - Réalisation et mixage : Pierre Chaffanjon - Photo : LP/Fred Dugit - Archives : INA, JR - Musiques : François Clos, Audio Network. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

durée : 00:59:00 - Toute une vie - Nous connaissons tous ou presque La Règle du jeu, l'un des chefs-d'œuvre du cinéma réaliste d'avant-guerre. Mais que pensent de ce monument national qu'est Jean Renoir, non pas des critiques ou des historiens du cinéma, mais des réalisateurs aujourd'hui quadragénaires ? - réalisation : Irène Omélianenko, Claire Poinsignon, Virginie Bloch-Lainé - invités : Arthur Harari réalisateur, scénariste et acteur, Jean Denizot Réalisateur, Romain Harduin Artiste, Jérôme Bonnell Réalisateur, Dominique Kalifa Historien, professeur d'histoire contemporaine à l'Université Paris 1 Panthéon-Sorbonne Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:59:00 - Toute une vie - par : Virginie Bloch-Lainé - Nous connaissons tous ou presque La Règle du jeu, l'un des chefs-d'œuvre du cinéma réaliste d'avant-guerre. Mais que pensent de ce monument national qu'est Jean Renoir, non pas des critiques ou des historiens du cinéma, mais des réalisateurs aujourd'hui quadragénaires ? - invités : Arthur Harari réalisateur, scénariste et acteur; Jean Denizot Réalisateur; Dominique Kalifa Historien, professeur d'histoire contemporaine à l'Université Paris 1 Panthéon-Sorbonne; Romain Harduin Artiste; Jérôme Bonnell Réalisateur

Das Podcast-Trio widmet sich in dieser Folge zwei ganz unterschiedlichen Filmen. Zuerst diskutieren Alan, Olivia und Olivier über das japanische Coming-of-Age Drama «Renoir», in dem die elfjährige Fuki in den Achtzigerjahren die dunkleren Seiten des Lebens erlebt, sich aber ihre Neugier aufs Leben bewahrt. Danach besprechen sie «Apex», den Netflix-Thriller, in dem Charlize Theron in der australischen Wildnis gegen Taron Egerton ums Überleben kämpft. Und einen lauwarmen Take gibts auch noch. «Renoir»: 14:16«Apex»: 23:48Hot Take: 36:56

durée : 00:05:33 - Classic & Co - par : Anna Sigalevitch - Anna Sigalevitch nous parle ce matin de Renoir et la musique, car un cycle de concerts qui aura lieu jusqu'au 9 juin à l'Auditorium et dans la Nef du Musée d'Orsay en écho aux expositions lui sont consacrées en ce moment en écho à l'exposition « Renoir et l'amour ». Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Herzlich willkommen in Folge 132 von Die Sucht zu SEHEN, dem Grisebach-Podcast. Alle zwei Wochen sprechen wir hier mit Menschen, die etwas in der Kunst – oder über sie – zu sagen haben. Jeder Berliner kennt die Alte Nationalgalerie, jenes architektonische Kleinod auf der Museumsinsel, das etwa 2000 Gemälde und nochmal ebenso viele Skulpturen beherbergt. Kommende Woche eröffnet dort eine neue Ausstellung. Sie handelt von Paul Cassirer, der einer jüdischen Unternehmerfamilie entstammte und Kunsthändler war. Anfang des 20. Jahrhunderts war er mitverantwortlich für den Durchbruch des Impressionismus in Deutschland, indem er Künstlern wie van Gogh, Renoir, oder Monet das erste Mal eine breite Bühne in Deutschland bot. Die Direktorin der Alten Nationalgalerie, Anette Hüsch, erzählt uns heute, warum wir die Ausstellung über ihn, seine Künstler und seinen Einfluss auf gar keinen Fall verpassen sollten, herzlich willkommen bei Die Sucht zu SEHEN!

"Episode 003 of my Progressive Ibiza series on Ibiza Stardust Radio comes with new Tracks and even one unreleased. Look forward to an intense mix with long transitions and hypnotic, euphoric and organic elements. It includes both, well-known and lesser-known artists, but great music. Tracklist: 01. Ruls, Sharon Graziani - Drop Shot [Undergroove Music] 02. Rauschhaus, Noise Generation - Sands of Time [Traful] 03. Kebin Van Reeken - Tribalism [Synthesis Recordings] 04. Stani Stern - The Sky Remains Open (Extended Mix) [Spiritual Enhancer] 05. Guy J - Piece of Cake [Early Morning] 06. Pedro Clapp - Los Pinos (Lucho Bragagnolo Remix) [Session Road Music] 07. Eli Nissan - Hedonism [No Drama] 08. Amonita - Tranquility (Original Mix) [Moments] 09. Bachir Salloum - More Than Life [Stripped Recordings] 10. Differ, NURAN - On Display (Extended Mix) [Monaberry] 11. Daniel Testas - Hide in the Light (Extended Mix) [Songuara] 12. NAV (RU) - Mimas (Sanders Soul Remix) [STAZIS: unreleased]"

Au sommaire :Les sondages montrent une baisse de la cote de popularité de Vladimir Poutine en Russie, en partie due à l'intensification de la censure d'internet et à la prolongation de la guerre en Ukraine.Le gouverneur de la Banque de France, François Villeroy de Galhau, approuve dans une lettre le choix du gouvernement de ne pas généraliser les aides face à la hausse des prix des carburants, préconisant des mesures ciblées et temporaires.Le financement des campagnes électorales par les banques pose problème, notamment pour le Rassemblement national qui peine à trouver des prêteurs.Un mystérieux virus a tué trois personnes à bord d'un paquebot entre l'Argentine et le Cap-Vert, sans que l'origine de la contamination ne soit encore élucidée.Plusieurs toiles de Renoir, dont des œuvres majeures, vont être mises aux enchères à New York dans les prochains jours, suscitant l'intérêt du marché de l'art.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

"To keep it short: Deep ‑ Groovy ‑ Energy Enjoy! 01. Gorge - Veamos (Original Mix) [8Bit] 02. Mustafa Ismaeel, Shereen - Past & Present (Original Mix) [Bedrock Records] 03. Riva Starr - Can't Stop The Feeling (Original Mix) [Rekids] 04. Biesmans & Johannes Albert - Tangerine Beam (Original Mix) [Frank Music] 05. Mihai Popoviciu - To The People (Original Mix) [8Bit] 06. Nick Curly - Switching levels (Extended Mix) [8Bit] 07. Dilby - Good to Me (Extended Mix) [Narratives] 08. Mihai Popoviciu, Markus Homm, Jay Bliss - Bis Co (Original Mix) [8Bit] 09. Serge Devant - I'm Flying (Cameron Jack Extended Remix) [This Moment] 10. Markus Homm - Got To Make It (Original Mix) [8Bit] 11. Gorge - Come With Me (Original Mix) [8Bit] 12. Steve Parry - Fenner (Pornbugs Remix) [Selador]"

Fluent Fiction - French: Beneath the Brushstrokes: Rekindling Bonds at Musée d'Orsay Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2026-04-25-22-34-01-fr Story Transcript:Fr: Sous les arches de verre du Musée d'Orsay, une douce lumière de printemps baignait les galeries.En: Under the glass arches of the Musée d'Orsay, a gentle spring light bathed the galleries.Fr: Les visiteurs murmuraient doucement, émerveillés par les chefs-d'œuvre de Monet et Renoir.En: Visitors murmured softly, amazed by the masterpieces of Monet and Renoir.Fr: Lucien, un homme aux yeux rêveurs, marchait lentement parmi les toiles.En: Lucien, a man with dreamy eyes, walked slowly among the paintings.Fr: Soudain, il vit Chantal.En: Suddenly, he saw Chantal.Fr: Chantal était assise près d'un tableau de Van Gogh.En: Chantal was sitting near a painting by Van Gogh.Fr: Elle observait les couleurs avec attention, un soupçon de tristesse dans ses yeux.En: She observed the colors attentively, a hint of sadness in her eyes.Fr: Lucien prit une profonde inspiration et s'approcha.En: Lucien took a deep breath and approached.Fr: "Bonjour, Chantal."En: "Hello, Chantal."Fr: Sa voix tremblait un peu.En: His voice trembled a little.Fr: Chantal leva les yeux.En: Chantal looked up.Fr: "Bonjour, Lucien," répondit-elle calmement, essayant de cacher son émotion.En: "Hello, Lucien," she replied calmly, trying to hide her emotion.Fr: Ils s'assirent côte à côte, silencieux quelques instants.En: They sat side by side, silent for a few moments.Fr: Lucien chercha ses mots.En: Lucien searched for his words.Fr: Leurs souvenirs ensemble revenaient à la surface, mêlés de joies et de douleurs.En: Their memories together surfaced again, mingled with joys and pains.Fr: Mais aujourd'hui, ils étaient là pour leur fils.En: But today, they were there for their son.Fr: "Comment va Jules ?"En: "How is Jules?"Fr: demanda Lucien, brisant le silence.En: asked Lucien, breaking the silence.Fr: "Il a des difficultés à l'école," dit Chantal.En: "He is having difficulties at school," said Chantal.Fr: "Il est distrait.En: "He is distracted.Fr: Je suis inquiète."En: I'm worried."Fr: Lucien hocha la tête.En: Lucien nodded.Fr: "Je pense à lui chaque jour," dit-il.En: "I think about him every day," he said.Fr: "Je veux être meilleur pour lui.En: "I want to be better for him.Fr: Pour nous."En: For us."Fr: Chantal soupira, mi-incrédule, mi-espérante.En: Chantal sighed, half incredulous, half hopeful.Fr: "Mais comment ?En: "But how?Fr: Ta vie est dans tes livres, tes tableaux."En: Your life is in your books, your paintings."Fr: Lucien se tourna vers un tableau de Monet.En: Lucien turned toward a painting by Monet.Fr: "Regarde ces nénuphars," dit-il.En: "Look at these water lilies," he said.Fr: "Ils flottent à la surface mais leurs racines sont profondes.En: "They float on the surface but their roots are deep.Fr: Je veux être comme ça, présent et ancré."En: I want to be like that, present and grounded."Fr: Chantal sourit doucement pour la première fois.En: Chantal smiled softly for the first time.Fr: "Je comprends," répondit-elle.En: "I understand," she replied.Fr: "Jules a besoin de nous.En: "Jules needs us.Fr: Ensemble."En: Together."Fr: Il y avait une complicité remplacée par la compréhension.En: There was a bond replaced by understanding.Fr: Ils parlèrent longtemps du soutien pour Jules, partageant des idées et écoutant l'autre.En: They talked for a long time about supporting Jules, sharing ideas and listening to each other.Fr: Les œuvres d'art autour d'eux semblaient écouter aussi, témoins silencieux de leur réconciliation.En: The artworks around them seemed to listen too, silent witnesses to their reconciliation.Fr: Finalement, ils se levèrent pour quitter le musée.En: Finally, they got up to leave the museum.Fr: "Merci d'être venu, Lucien," dit Chantal en le regardant dans les yeux.En: "Thank you for coming, Lucien," said Chantal looking into his eyes.Fr: "Je pense que ça va marcher."En: "I think it will work."Fr: Lucien sourit, sentant une chaleur nouvelle dans son cœur.En: Lucien smiled, feeling a new warmth in his heart.Fr: "Oui, pour Jules.En: "Yes, for Jules.Fr: Pour nous."En: For us."Fr: Ils quittèrent le Musée d'Orsay, pas encore main dans la main, mais marchant ensemble vers un avenir partagé.En: They left the Musée d'Orsay, not yet hand in hand, but walking together toward a shared future.Fr: Sous le ciel de printemps parisien, une nouvelle promesse prenait forme.En: Under the Parisian spring sky, a new promise was taking shape.Fr: Ils savaient que cela ne serait pas facile, mais ils étaient prêts à essayer, ensemble, pour leur fils et leur famille.En: They knew it wouldn't be easy, but they were ready to try, together, for their son and their family. Vocabulary Words:museum: le muséearches: les archesgallery: la galeriemasterpiece: le chef-d'œuvrepainting: le tableauattention: l'attentionemotion: l'émotionsilence: le silencejoy: la joiepain: la douleurschool: l'écoledistraction: la distractionunderstanding: la compréhensionsupport: le soutienartwork: l'œuvre d'artwitness: le témoinreconciliation: la réconciliationfuture: l'avenirpromise: la promesseroots: les racinessurface: la surfacelight: la lumièrespring: le printempsvisitor: le visiteurcolor: la couleurbreath: la respirationmemories: les souvenirsbond: la complicitédreamy eyes: les yeux rêveursdeep: profond

This week's episode takes us to Paris in La Belle Époque. There, among all the splendour and sophistication, we watch the great Impressionist, Pierre-Auguste Renoir, painting one of his great portraits. But there is more to this history than first meets the eye. As our guest Catherine Ostler explains, the year 1881 was a critical one in Jewish history. By that point in time Jewish communities were thriving in Paris, where they sought to consolidate their position in society. But a dramatic event in Russia was poised to change everything. The scenes, characters and storylines in this episode of Travels Through Time all feature in Catherine Ostler's book, The Renoir Girls: A Hidden History of Art, War and Betrayal.  Show Notes Scene One: 19 January 1881. The wedding of Leopold de Rothschild and Marie Perugia in London. Scene Two: January–March 1881. Renoir paints Alice and Elisabeth at the Cahen d'Anvers family house in Paris. Scene Three: 13 March 1881. Tsar Alexander II is assassinated in St Petersburg. Memento: Renoir's Pink and Blue painting. People/Social Presenter: Peter Moore  Guest: Catherine Ostler Producers: Maria Nolan Theme music: Firelight by Minka

"Episode 002: Warm grooves, hypnotic progressions and producers who continue to inspire me with every release. Your music is the heartbeat of this episode. Press play, drift in, and enjoy the journey.

Felicia is joined by Jason Christian to discuss the lasting impact of Jean Renoir's Grand Illusion (1937). We chat about how the film focuses on the relationships between these men from different sides and classes. Along with how he's less interested in the battles and more so in his characters mindsets. This is the final episode of the Renoir series, thanks for joining along and as always I hope my guests and I have inspired you to discover more of his work. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Find Jason here: Website: https://jasonchristianwrites.com/ Letterboxd: @exilemagic Twitter: @jasonachristian Cold War Cinema Podcast on Spotify: @coldwarcinema Cold War Cinema Podcast on Apple: @coldwarcinema Listen to our previous episodes here: Shoeshine (Vittorio De Sica 1946) Sources: Renoir, J., & Cardullo, B. (2005). Jean Renoir: Interviews. University Press of Mississippi. Renoir, J., & Denny, N. (2004). My life and my films. Da Capo Press. https://www.criterion.com/current/posts/15-grand-illusion

Could one of Renoir's most iconic paintings conceal one of the most astonishing true stories of scandal and tragedy in Golden Age Paris? In 1881, Pierre-Auguste Renoir painted two young sisters from a Jewish banking dynasty at their home in Paris's grand 8th arrondissement. Pink and Blue, a portrait of Elisabeth and Alice Cahen d'Anvers, is one of Renoir's most celebrated works. But behind the evoked glamour of the Belle Époque, a darker story was unfurling. In this episode, journalist and author James McAuley speaks with writer Catherine Ostler about how Renoir's Impressionist masterpiece hides both a family secret and the tensions of an era poised for rupture. Drawing from her new book The Renoir Girls, Ostler's new archival research unveils an intimate story of family betrayal which came to embody both the glamour and the vulnerability of Jewish life in Europe, as rising antisemitism and political upheaval reshaped the continent. Catherine Ostler is a writer and historian. She is the author of The Renoir Girls: A Hidden History of Art, War & Betrayal. James McAuley is a journalist and author of The House of Fragile Things, and a Global Opinions contributing columnist for The Washington Post. If you'd like to become a Member and get access to all our full conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events  ...  Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Felicia is joined by Geoff Thomas to discuss Jean Renoir's first colour film as he ventures over to India in The River (1951). We discuss his treatment and adoration of the characters in his films, along with his natural instinct to collaborate with other artists. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Find Geoff here: IG: @cinema_gnt Letterboxd:@gnthomas Website:https://cinemamemry.wordpress.com/ Spotify: @cinematicmeoriespodcast Spotify: @dontdespisemepodcast Apple Podcasts: @cinematicmemoriespodcast Apple Podcasts: @dontdespisemepodcast Listen to our previous episodes here: Umberto D. (Vittorio De Sica 1952) Diary of a Chambermaid (Luis Buñuel 1964) The Silence (Ingmar Bergman 1963) Sources: Renoir, J., & Cardullo, B. (2005). Jean Renoir: Interviews. University Press of Mississippi. Renoir, J., & Denny, N. (2004). My life and my films. Da Capo Press. https://www.sensesofcinema.com/2003/great-directors/renoir/#36 https://www.criterion.com/current/top-10-lists/214-martin-scorsese-s-top-10 https://www.criterion.com/current/posts/357-the-river-a-new-authenticity https://satyajitray.org/encounter-with-jean-renoir/ https://www.criterion.com/current/posts/924-the-river https://www.film-foundation.org/rsr-february-2023

Today's West Coast Cookbook & Speakeasy Podcast for our especially special Daily Special, Smothered Benedict Wednesday is now available on the Spreaker Player!Starting off in the Bistro Cafe, Trump is in a full-blown panic as his war in Iran continues to escalate despite his attempt to leave and falsely pretend the war was won.Then, on the rest of the menu, Trump plans to move the Forest Service headquarters from DC to Utah and shutter research sites in thirty-one states; an appeals court panel suspended the federal court order for Voice of America employees to return to work; and, the National Football League dared the Florida MAGA attorney general to sue the league over its diversity hiring policy.After the break, we move to the Chef's Table where the Danish intelligence services accused members of Trump's inner circle of running a “covert” operation in Greenland; and, thieves brazenly stole paintings by Renoir, Cézanne and Matisse from a private museum in Italy.All that and more, on West Coast Cookbook & Speakeasy with Chef de Cuisine Justice Putnam.Bon Appétit!The Netroots Radio Live Player​Keep Your Resistance Radio Beaming 24/7/365!“It may be safely averred that good cookery is the best and truest economy, turning to full account every wholesome article of food, and converting into palatable meals what the ignorant either render uneatable or throw away in disdain.” - Eliza Acton ‘Modern Cookery for Private Families' (1845)Become a supporter of this podcast: https://www.spreaker.com/podcast/west-coast-cookbook-speakeasy--2802999/support.

Headlines:  – Welcome To Mo News (02:00) – Iran War: Who Is The US Talking To? (06:15) – What Would It Actually Take For The U.S. To Extract Iran's Enriched Uranium (14:30) – Long Airport Wait Times Ease After TSA Workers Receive Backpay (18:00) – SpaceX's Monster IPO Is Unlike Anything We've Seen (24:40) – Singers Are Ditching Tours. It's Making Concerts Even More Expensive (28:50) – Air Canada C.E.O. to Step Down Amid Backlash Over Comments After Crash (31:00) – Thieves Steal Paintings by Renoir, Cézanne and Matisse In Italy Museum Heist (34:00) – Fyre Fest 2.0? Barbie Dream Dream Festival Outrages Attendees (35:30) – On This Day In History (38:30) Thanks To Our Sponsors:  –⁠ Industrious⁠ - Coworking office. 50% off day pass | Code: MONEWS50 – Surfshark - 4 additional months of Surfshark VPN | Code: MONEWS – Monarch - 50% off your first year | Code: MONEWS – Factor - 50% off your first box | Code: monews50off – ShipStation - Try for free for 60 days | Code: MONEWS – Shopify – $1 per-month trial | Code: MONEWS

Today's Headlines: Trump let a sanctioned Russian oil tanker through the Cuba blockade this weekend for "humanitarian reasons" — which raises the obvious question of what the three-month blockade that caused island-wide blackouts and hospital failures was for. When asked, Trump said he had "no problem" with countries sending oil to Cuba. The Iran war is getting darker by the day. Italy's defense minister said he can no longer sleep knowing what's coming. Trump threatened to destroy Iran's desalination plants — its drinking water infrastructure — on Monday morning. Saudi Arabia, the UAE, Kuwait, and Bahrain are all lobbying Trump to keep the war going and potentially send ground troops, while Zelensky warned a prolonged Iran war is a massive gift to Russia — which, per Zelensky, shared drone warfare expertise with Iran AND provided satellite imagery of U.S. military bases days before Iran struck them. Oil hit $116 a barrel. Pope Leo XIV used his Palm Sunday address to say God does not listen to the prayers of those who wage war. Nobody in this administration was listening. On the home front, TSA workers are finally getting paid including backpay — turns out it only required that same pen Trump spent four minutes praising at his cabinet meeting. In other news, Kash Patel directed FBI agents to pull a decade-old investigative file on California Congressman Eric Swalwell, who is now running for governor, in what would be a highly unusual release of a file from an investigation that resulted in zero charges. The Supreme Court hears arguments on birthright citizenship tomorrow — April Fools Day. A federal judge blocked the Nexstar-Tegna merger that would have given one company control of local TV for 60% of U.S. households. OkCupid settled with the FTC after sharing the photos and location data of 3 million users with a facial recognition company — no fine, no admission of wrongdoing, just a pinky promise not to do it again. And three thieves stole a Matisse, a Renoir, and a Cézanne from an Italian museum in three minutes flat, abandoning a fourth painting when an alarm went off. Resources/Articles mentioned in this episode: Politico: White House: Russian tanker allowed to break Cuba blockade for ‘humanitarian reasons' LA Repubblica: Crosetto: “No al voto anticipato finché c'è questa guerra. Archiviamo il referendum” AP News: Trump again threatens widespread destruction in Iran if a deal is not reached 'shortly' AP News: Gulf allies privately make the case to Trump to keep fighting until Iran is decisively defeated Axios: Exclusive: Zelensky says Russia winning from Iran war BBC: Latin Patriarch will have access to Jerusalem holy site after police stopped entry ABC 7 LA: Pope Leo XIV rejects claims that God justifies war in Palm Sunday Mass message AP News: Airport bottlenecks ease as TSA workers get paid, but shutdown continues The Guardian: Democrats decry ‘smear' as Trump FBI pushes for release of Eric Swalwell file PBS News: LISTEN LIVE: Supreme Court considers constitutionality of Trump's birthright citizenship order NBC News: Judge pauses blockbuster merger between TV station owners Nexstar and Tegna Engadget: OkCupid settles FTC case on alleged misuse of its users' personal data NBC News: Thieves steal paintings by Renoir, Cézanne and Matisse in Italy museum heist Subscribe to the Betches News Room and join the Morning Announcements group chat. Go to: betchesnews.substack.com Morning Announcements is produced by Sami Sage and edited by Grace Hernandez-Johnson Learn more about your ad choices. Visit megaphone.fm/adchoices

Morse code transcription: vvv vvv Partner of crime boss Steven Lyons arrested in Dubai Compensation details for millions of drivers set to be revealed I dread the phone ringing Inside the kennels responding to vicious XL bully attacks I turned down MMA fighter on a night out so he punched me Russia expels British diplomat over spying allegations Scott Mills sacked from BBC Radio 2 over personal conduct Artemis II Why is Nasa sending people back to the Moon Fuel rations and free buses How countries are responding to rising oil prices Renoir, C zanne and Matisse art among items stolen in Italian job Australian fugitive Dezi Freeman shot dead by police, reports say

Morse code transcription: vvv vvv Compensation details for millions of drivers set to be revealed Artemis II Why is Nasa sending people back to the Moon I turned down MMA fighter on a night out so he punched me Australian fugitive Dezi Freeman shot dead by police, reports say I dread the phone ringing Inside the kennels responding to vicious XL bully attacks Partner of crime boss Steven Lyons arrested in Dubai Russia expels British diplomat over spying allegations Renoir, C zanne and Matisse art among items stolen in Italian job Scott Mills sacked from BBC Radio 2 over personal conduct Fuel rations and free buses How countries are responding to rising oil prices

Morse code transcription: vvv vvv I turned down MMA fighter on a night out so he punched me Scott Mills sacked from BBC Radio 2 over personal conduct Compensation details for millions of drivers set to be revealed I dread the phone ringing Inside the kennels responding to vicious XL bully attacks Fuel rations and free buses How countries are responding to rising oil prices Partner of crime boss Steven Lyons arrested in Dubai Artemis II Why is Nasa sending people back to the Moon Russia expels British diplomat over spying allegations Renoir, C zanne and Matisse art among items stolen in Italian job Australian fugitive Dezi Freeman shot dead by police, reports say

Morse code transcription: vvv vvv Renoir, C zanne and Matisse art among items stolen in Italian job I dread the phone ringing Inside the kennels responding to vicious XL bully attacks Artemis II Why is Nasa sending people back to the Moon Compensation details for millions of drivers set to be revealed Scott Mills sacked from BBC Radio 2 over personal conduct Russia expels British diplomat over spying allegations I turned down MMA fighter on a night out so he punched me Fuel rations and free buses How countries are responding to rising oil prices Partner of crime boss Steven Lyons arrested in Dubai Australian fugitive Dezi Freeman shot dead by police, reports say

President Trump says the US is in serious discussions with what he described as a new and more reasonable regime to end military operations in Iran. Also: Russia comes to the aid of Cuba by sending more than 700,000 barrels of oil to the communist island. Thieves in Italy make off with paintings by Renoir, Cezanne and Matisse - worth millions of dollars - after breaking into a museum near the city of Parma in a matter of minutes. As General Min Aung Hlaing is set to become Myanmar's next president, we ask if it will be business as usual? One of the biggest manhunts in Australian history comes to an end as the man wanted for killing two police is shot dead. Researchers in Italy find that those who stay up late at night are more likely to be depressed, anxious and irritable. And an incredibly rare bronze-age shield is returned to Scotland for the first time in more than 230 years.

President Trump has posted on social media another warning that he would, in his words, 'obliterate' Kharg island and Iran's power plants, if the Strait of Hormuz is not immediately reopened to allow oil and gas tankers to travel freely.Also on the programme: how are countries around the world responding to the price of oil reaching $116 a barrel? And paintings by Renoir, Cezanne and Matisse have been stolen from a museum in Italy. Is there's even a market for this type of stolen art? (Picture: President Trump on Air Force One. Credit: Reuters)

AP correspondent Charles de Ledesma reports thieves in Italy have made off with three paintings by Renoir, Cezanne and Matisse worth millions of dollars.

México impulsa misión comercial con Canadá Lluvias y vientos causan daños en Colima Robo exprés de obras maestras sacude museo en Italia Más información en nuestro podcast#grc

Giordano, Anna www.deutschlandfunkkultur.de, Fazit

Gian Guido Vecchi parla dell'incidente diplomatico generato dalla polizia, che ha impedito al Patriarca di Gerusalemme Pierbattista  Pizzaballa di celebrare la Messa della Domenica delle Palme nella chiesa del Santo Sepolcro. Greta Privitera spiega come il regime degli ayatollah si prepara a una possibile operazione di terra da parte degli Usa. Davide Soattin racconta dei quadri di Renoir, Matisse e Cézanne trafugati in provincia di ParmaIsraele, la polizia impedisce al cardinale Pizzaballa di entrare al Santo Sepolcro: «Motivi di sicurezza, lo sapeva». Il Patriarcato: «Decisione grave»Quanti missili sono rimasti all'Iran? «Due terzi sono ancora integri»: le stime Usa sull'arsenale dei Pasdaran dopo un mese di guerraQuadri di Renoir, Cézanne e Matisse rubati a Villa Magnani: «Valgono milioni di euro»

durée : 00:27:28 - Les Midis de Culture - par : Marie Labory - Dans ce débat critique, on parle d'amour et de peinture avec une exposition consacrée à Renoir et ses joyeuses toiles au Musée d'Orsay, et une autre, au musée Montmartre, sur les regards amoureux croisés des avant-gardistes Adya et Otto van Rees. - réalisation : Laurence Malonda - invités : Sally Bonn Maître de conférence en esthétique à l'Université Picardie Jules Verne, auteure, critique d'art et commissaire d'exposition.; Stéphane Corréard Editorialiste au Journal des Arts

durée : 00:17:58 - Les Midis de Culture - par : Marie Labory - Face à ses contemporains plus mélancoliques, sa réputation de "peintre du bonheur" a parfois marginalisé Auguste Renoir. Le Musée d'Orsay y remédie par une exposition dont l'ambition affichée est de réconcilier l'idée de joie à celle de grand art. - réalisation : Laurence Malonda - invités : Sally Bonn Maître de conférence en esthétique à l'Université Picardie Jules Verne, auteure, critique d'art et commissaire d'exposition.; Stéphane Corréard Editorialiste au Journal des Arts

Remontez le temps en compagnie de Franck Ferrand pour découvrir la fascinante vie de Jean Renoir, l'un des plus grands cinéastes français.

Als die Welt der Moderne grauer wird, findet Pierre-Auguste Renoir im Impressionismus sein Glück in den Farben- und malt auch im Rollstuhl weiter. Von Laura Dresch.

Episode: 3352 A Taste of Orange.  Today we are "Tasting Orange".