Podcasts about Popo

"Kolejny nieudany stand-up polityka PiS-u Adama Glapińskiego, oparty na konfabulacjach. Nie ma racji w tym, co mówi, albo kłamie" - powiedział w Popołudniowej rozmowie w RMF FM minister energii Miłosz Motyka, odnosząc się do wystąpienia prezesa NBP Adama Glapińskiego, który komentował w czwartek decyzje Rady Polityki Pieniężnej w sprawie stóp procentowych. Motyka podkreślił, że "ceny energii na rynkach nie wzrosną".

Jeszcze w tym roku zostaną przeznaczone dodatkowe środki na Narodowy Fundusz Zdrowia - powiedział w Popołudniowej rozmowie w RMF FM minister finansów i gospodarki Andrzej Domański. Podkreślił, że to efekt konstruktywnego dialogu z ministrem zdrowia i szefostwem NFZ. "Pracujemy z panią minister oraz bankiem BGK nad specjalnym programem, który pomoże w oddłużaniu szpitali" - dodał.

"W naszym interesie jest, by bronić naszego obywatela. Nie wtrącamy się, to sprawa sądowa. Możemy tylko pokazywać, jak się bronić. Doradzają konsulowie" – powiedział w Popołudniowej rozmowie w RMF FM ambasador Ukrainy w Polsce Wasyl Bodnar o sprawie obywatela Ukrainy Wołodymyra Ż., który przebywa w polskim areszcie. Dyplomata odniósł się też do kwestii spotkania prezydentów Polski i Ukrainy. "Mam nadzieję, że w najbliższych tygodniach dojdzie do tego spotkania" – wskazał.

"Nie mamy wystarczających danych, żeby zakwalifikować to prawnie" - tak Paweł Kowal, szef sejmowej Komisji Spraw Zagranicznych i pełnomocnik rządu ds. Odbudowy Ukrainy, odpowiedział w Popołudniowej rozmowie w RMF FM na pytanie, czy Izrael dopuszcza się ludobójstwa w Strefie Gazy. "Wiem, jaka jest definicja ludobójstwa i żeby orzec, że jakieś państwo popełnia ludobójstwo, potrzebny jest proces" - dodał poseł Koalicji Obywatelskiej.

Poczekajmy na to, co zaproponują prezydent Nawrocki i minister Żurek – sugerował w Popołudniowej rozmowie w RMF FM senator Adam Bodnar. Były minister sprawiedliwości był pytany o szanse na uzdrowienie polskiego wymiaru sprawiedliwości i kompromis w tej sprawie pomiędzy zwaśnionymi stronami. Bodnar przypomniał, że prezydent obiecał radę ds. naprawy ustroju państwa, a minister Żurek "w najbliższym czasie" pokaże projekty ustaw dot. statusu sędziów. "Trzeba przede wszystkim jak najszybciej doprowadzić do uchwalenia ustawy o Krajowej Radzie Sądownictwa. (…) Jak tego nie zrobimy, to nie pójdziemy w ogóle do przodu" – powiedział gość Marka Tejchmana.

Nie powinniśmy zakazywać nikomu kupowania auta spalinowego – wskazywał w Popołudniowej rozmowie w RMF FM europoseł KO Dariusz Joński. Polityk mówił m.in. o szansach na urealnienie unijnych celów klimatycznych. Gość Marka Tejchmana odniósł się również do sytuacji z polskiego podwórka politycznego, stwierdzając, że Szymonowi Hołowni zabrakło wiarygodności i odpowiedzialności. "Nasi wyborcy oczekiwali, że rozliczymy PiS, a nie będziemy chodzić na kolację z politykami tej partii" – powiedział.

Litoměřický fotbalový klub Sokol Pokratice po ničivém požáru řeší další fungování. Statik rozhodl, že ohořelá torza šaten musí jít k zemi. Klubu s dočasným zázemím pomohou fotbalové kluby z okolí.

"Tak, jestem zadowolona. Wreszcie robimy coś dobrego dla środowiska" – powiedziała w Popołudniowej rozmowie w RMF FM wiceminister klimatu i środowiska Anita Sowińska, komentując zaplanowany na środę start systemu kaucyjnego. Polityk wskazała, że obecnie recyklingowi poddawanych jest ok. 45 proc. butelek PET, a w systemie kaucyjnym będziemy mogli zebrać ich dwa razy więcej. Sowińska uważa, że 14 mld zł to przesadzona kwota, jeśli chodzi o koszt wprowadzenia systemu. Kontrolować go będą wojewódzkie inspektoraty ochrony środowiska.

Na série de conversas descontraídas com cientistas, chegou a vez do ator, diretor e pesquisador, com bacharelado em Artes Cênicas, mestrado em Comunicação e Semiótica e doutorado em Artes Cênicas, Gustavo Sol.Só vem!>> OUÇA (154min 45s)*Naruhodo! é o podcast pra quem tem fome de aprender. Ciência, senso comum, curiosidades, desafios e muito mais. Com o leigo curioso, Ken Fujioka, e o cientista PhD, Altay de Souza.Edição: Reginaldo Cursino.http://naruhodo.b9.com.br*Gustavo Garcia da Palma, que se autodenomina Gustavo Sol, é performer, ator, diretor e pesquisador, atuando também como professor de teatro e preparador de atores para cinema, teatro e dança.Pesquisa a relação entre computação, neurociência e performatividade, utilizando técnicas de biosensoriamento como Near Infrared Espectroscopy (NIRS), Eletroencefalografia (EEG), Eletrocardiografia (ECG), Eletromiografia (EMG), Resistência Galvânica da Pele (GSR) entre outras, para coletar dados durante a performance como interface cérebro máquina em ambientes poéticos multimídia.​É Pós Doutorando pela UFABC, Programa de Neurociência e Cognição, no Laboratório de Neurociências Aplicadas, sob a supervisão de João Ricardo Sato.​É Doutor pela ECA/USP (2013 - 2017 - bolsa CAPES), sob orientação do Dr. Luiz Fernando Ramos. Fez Doutorado Sanduíche na Universidade Paul-Valery Montpellier III, em 2016, com curso em Berlim (Alemanha) sobre Dramaturgia Digital com a equipe criadora do software Isadora (Troika Tronix), além de estágio no Centro de Epilepsia de Zurique (EPI Klinik, Zurich, Suíça, 2016). Ainda em 2016, elaborou residência artística junto com Daniel Romero, artista multimídia e diretor do Laboratório de Artes e Tecnologia no hTh - CND, Montpellier, França. Seu trabalho performático "Objeto Descontínuo" (2013) utiliza um equipamento de EEG como interface cérebro computador para interagir com os elementos multimídia (sons e vídeos) através do sensoriamento neuronal ao vivo. Assuntos que marcam seu processo criativo são as narrativas e memórias autobiográficas e ficcionais associadas à situações de alteração de consciência como procedimentos para uma dramaturgia digital (DDL). É Mestre pela PUC/SP, (Orient. Helena Katz, 2008), e sua dissertação leva o título de Estados Alterados de Consciência em Artemídia: o papel do corpo no trabalho do ator.​Fez Bacharelado em Artes Cênicas na UNICAMP - Universidade Estadual de Campinas (2000), foi orientado por Eusébio Lobo e Luiz Monteiro Jr.​Atualmente é pesquisador colaborador do Laboratório de Pesquisas em Robótica e Reabilitação (LABORE), do Instituto Federal de São Paulo que tem parcerias com a Escola de Engenharia de São Carlos da USP, com a Associação de Assistência à Criança com Deficiência (AACD) e com a Imperial College London, Londres, UK.​Possui trabalhos em Cinema, destacando-se como ator em Instruções Para Matar Maíra (2011), dose única (2007), O Pracinha de Odessa (2013 - gravado em Russo) e Popókas (2009 - ganhador do prêmio de melhor ator no Aruanda Fest e também gravado em Russo).Lattes: http://lattes.cnpq.br/1414652576334230Site Pessoal: https://www.gustavosol.com.br/*APOIE O NARUHODO!O Altay e eu temos duas mensagens pra você.A primeira é: muito, muito obrigado pela sua audiência. Sem ela, o Naruhodo sequer teria sentido de existir. Você nos ajuda demais não só quando ouve, mas também quando espalha episódios para familiares, amigos - e, por que não?, inimigos.A segunda mensagem é: existe uma outra forma de apoiar o Naruhodo, a ciência e o pensamento científico - apoiando financeiramente o nosso projeto de podcast semanal independente, que só descansa no recesso do fim de ano.Manter o Naruhodo tem custos e despesas: servidores, domínio, pesquisa, produção, edição, atendimento, tempo... Enfim, muitas coisas para cobrir - e, algumas delas, em dólar.A gente sabe que nem todo mundo pode apoiar financeiramente. E tá tudo bem. Tente mandar um episódio para alguém que você conhece e acha que vai gostar.A gente sabe que alguns podem, mas não mensalmente. E tá tudo bem também. Você pode apoiar quando puder e cancelar quando quiser. O apoio mínimo é de 15 reais e pode ser feito pela plataforma ORELO ou pela plataforma APOIA-SE. Para quem está fora do Brasil, temos até a plataforma PATREON.É isso, gente. Estamos enfrentando um momento importante e você pode ajudar a combater o negacionismo e manter a chama da ciência acesa. Então, fica aqui o nosso convite: apóie o Naruhodo como puder.bit.ly/naruhodo-no-orelo

Na październik planowane jest spotkanie prezydenta Karola Nawrockiego i ministra spraw zagranicznych Radosława Sikorskiego ws. konfliktu dot. nominacji ambasadorskich. Taką informacją podzielił się w Popołudniowej rozmowie w RMF FM prezydencki minister Wojciech Kolarski. "Sprawa ambasadorów musi zostać rozwiązana" – powiedział. Grzegorz Sroczyński zapytał także o nową strategię bezpieczeństwa Polski. Tę, którą niedawno rząd wysłał do podpisania prezydentowi, gość RMF FM określił jako "napisaną na kolanie" i "pisaną jakby jeszcze przed pełnoskalową inwazją na Ukrainę".

Jesienią Radio Wnet wprowadza ewolucyjne zmiany: od nowych audycji i portalu po studio na Filipinach. – Radio to nie tylko polityka, to także kultura, radość i wyobraźnia – mówi Krzysztof Skowroński.Radio nie może być rutyną, radio to wyobraźnia i zaskoczenie – mówi redaktor naczelny Krzysztof Skowroński, zapowiadając jesienno-zimowe zmiany w ramówce Radia Wnet. Poranki Wnet poprowadzą Katarzyna Adamiak (poniedziałki), Krzysztof Skowroński (wtorki, czwartki i piątki) oraz Jaśmina Nowak (środy). Od godziny 9:10 wydłużona audycja „Żebyś wiedział” obejmie także kulturę i wydarzenia z kalendarza, a o 11:30 pojawią się studia zagraniczne, które zamkną blok publicystyczny.Nowe popołudnia WnetZmiany czekają także popołudnia – „Popołudnie Wnet” przejmie Łukasz Jankowski, częściej obecny w Sejmie i w rozmowach z politykami. Wieczorne pasmo wzbogacą nowe programy, m.in. audycja rolnicza Jaśminy Nowak, a także kolejne propozycje publicystyczne i kulturalne.Nowością jest studio Radia Wnet na Filipinach, które dołącza do sieci 12 zagranicznych redakcji.Filipiny to ważny geopolityczny punkt między Chinami a Stanami Zjednoczonymi. Cieszę się, że możemy tam być obecni– podkreśla Skowroński.Portal internetowy Radia WnetRadio szykuje również nowy portal internetowy, którego premiera planowana jest w listopadzie, oraz rozwój kanału YouTube, gdzie pojawią się dłuższe wywiady.Coraz więcej będzie godzinnych rozmów, bo to format, który Państwo lubią i którego oczekują– zapowiada.Dni specjalne w Radiu WnetNa antenie nie zabraknie Dni Specjalnych, poświęconych literaturze, kulturze i tematowi przewodniemu.Dzisiaj opowiadamy o „Lalce” Bolesława Prusa, ale chcemy też przybliżać inne dzieła, jak „Faraon”, który świetnie pokazuje mechanizmy władzy i manipulacji– mówi Skowroński.Wsparcie społecznościPodkreśla także, że wszystkie te zmiany są możliwe tylko dzięki wsparciu słuchaczy.Żyjemy i funkcjonujemy tylko dzięki temu, że Państwo nas wspierają – przez Patronite albo bezpośrednio. To warunek, byśmy mogli rozwijać ramówkę i wzmacniać zespół– zaznacza.

"Nie rozumiem skróconego tygodnia pracy" - przyznała w Popołudniowej rozmowie w RMF FM była wicepremier Jadwiga Emilewicz. "Jesteśmy bardzo szybkim europejskim kotem, zwinnym, ale nie tłustym" - mówiła obrazowo, odnosząc się do kondycji polskiej gospodarki.

"Jeżeli mamy sytuację, że w Polsce jest 10 razy więcej punktów sprzedaży alkoholu niż aptek, to coś stoi na głowie. Jeżeli mamy do czynienia z sytuacją, w której SOR-y nocami zamieniają się w izby wytrzeźwień, to coś stoi na głowie" - mówiła w Popołudniowej rozmowie w RMF FM Agnieszka Dziemianowicz-Bąk - minister rodziny, pracy i polityki społecznej. "Rozumieją to Polki i Polacy. Blisko 70 proc. obywateli chce zakazu nocnej sprzedaży alkoholu" - dodała.

"Największym przegranym jest Donald Tusk, który wrócił do polskiej polityki pod hasłem sprawczości" - mówił w Popołudniowej rozmowie w RMF FM politolog, prof. Rafał Chwedoruk, pytany o to, kto najbardziej traci na sporze o ograniczenie nocnej sprzedaży alkoholu w Warszawie. "W tym wypadku jest to deficyt sprawczości na najbardziej elementarnym poziomie - dotyczącym własnej partii politycznej i jednego z jej bastionów" - zauważył ekspert.

"Jestem przekonany, że przed wyborami w 2027 r. nastąpi zmiana na stanowisku premiera" - mówił w Popołudniowej rozmowie w RMF FM poseł Polski 2050 Ryszard Petru. "Naturalnym kandydatem jest wicepremier Sikorski" - dodał.

"Ograniczenie 800 plus dla Ukraińców da 300 mln zł oszczędności. Wprowadzenie systemu kontroli kosztować będzie w pierwszym roku 29 mln zł" - mówił w Popołudniowej rozmowie w RMF prof. Maciej Duszczyk, wiceszef MSWiA.

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„Ta ambasada jest dzisiaj ogromnym ośrodkiem szpiegowskim, usytuowanym w bezpośredniej bliskości najważniejszych urzędów w Polsce. Została posadowiona w czasach, kiedy Polska była komunistycznym protektoratem. Rosjanie właściwie rządzili wtedy w Warszawie jak u siebie, wykroili sobie kawał Warszawy. To siedziba namiestnika Polski” – w ten sposób Jacek Sasin, poseł PiS, skomentował w Popołudniowej rozmowie w RMF FM ostatnią inicjatywę jego partii: wywłaszczenia rosyjskiej ambasady w Warszawie.

"Nie ma mowy o strzelaniu do niedźwiedzi" - powiedziała w Popołudniowej rozmowie Paulina Henning-Kloska, zapytana o wydanie zgody na odstrzał czterech niedźwiedzi, o którą wystąpił wójt Soliny w Bieszczadach.

Czesław Mroczek, wiceminister spraw wewnętrznych i administracji, gość Popołudniowej rozmowy w RMF FM, stwierdził, że Polska chce zbudować „funkcjonalny, prosty system ostrzegania – taki jak ma Ukraina”. W tym celu niedługo spotka się ze swoim odpowiednikiem z Ukrainy.

"My nawet nie byliśmy w stanie zareagować odpowiednio, użyliśmy nieadekwatnych sił" - mówił w Popołudniowej rozmowie w RMF FM były szef MSZ Jacek Czaputowicz, pytany o wtargnięcie w polską przestrzeń powietrzną rosyjskich dronów. "Tutaj 'muchy' wleciały, 19, a my żeśmy armat użyli do tego" - porównał.

Zapad jest tylko jednym z cyklu ćwiczeń, które Białoruś i Rosja planuje organizować do końca roku. I tam są ćwiczenia dotyczące logistyki i przerzutu wojsk, ćwiczenia dotyczące działań przeciwpartyzanckich, ćwiczenia dotyczące działań antykryzysowych na granicy itd., itd. Więc to jest taki mocny sygnał o zacieśnianiu współpracy militarnej obu państwzauważa wykładowca Centrum Szkolenia WOT płk Piotr Lewandowski w rozmowie z Jaśminą Nowak.Groźba zajęcia przesmyku suwalskiego przez Federację RosyjskąJa jestem bardzo zdystansowany do pomysłów ataku na przesmyk suwalski. Jego znaczenie jest niewątpliwe, dlatego że jest to jedyna droga lądowa łącząca najpierw Litwę, potem Łotwę, w kolejności Estonię z resztą państw NATO. Natomiast atak na przesmyk suwalski wiąże się z zajęciem terytorium jednego z państw NATO, przy czym wcale ani niemalutkiego, ani nie słabiutkiego, bo Polska nie jest ani krajem małym, ani krajem słabym. Ma całkiem przyzwoite zasoby, żeby akurat przesmyku bronić, przy czym uderzenie musiałoby nastąpić z terytorium BiałorusiZdaniem gościa "Popołudnia Wnet, choć Wojsko Polskie ma swoje problemy, to nie należy dyskredytować jego siły. 

"Jest koncepcja jakiejś rozszerzonej formuły obecności (amerykańskich wojsk w Polsce). Prezydent powiedział, że pewne tematy zostały rzucone na stół i spotkały się z pozytywnym przyjęciem" – powiedział w Popołudniowej rozmowie w RMF FM poseł PiS Radosław Fogiel odnośnie zwiększenia liczebności amerykańskich żołnierzy w Polsce.

"Przez wiele lat prezydenci mieli przedstawiciela ministerstwa spraw zagranicznych i to była dobra relacja. Do tej pory ta współpraca opierała się na zaufaniu, tutaj tego zaufania nie ma" – skomentowała w Popołudniowej rozmowie w RMF FM wiceszefowa resortu dyplomacji Anna Radwan-Röhrenschef zamieszanie z notatką MSZ, która zawierała instrukcje dla prezydenta Karola Nawrockiego wobec jego wizyty w USA

Poseł PiS Jan Dziedziczak w Popołudniowej rozmowie w RMF FM ocenił, co musiałoby się wydarzyć w trakcie spotkania Karola Nawrockiego z Donaldem Trumpem, by można było ocenić, że ta wizyta się nie udała. "Jeśli byśmy usłyszeli, że USA wycofają wojska (z Polski), to znaczy, że ta wizyta byłaby nieudana. Ale mam nadzieję, że tego nie usłyszymy" - powiedział.

In today's Tech3 from Moneycontrol, Prime Minister Modi says speed is the new currency in semiconductors as India pushes $18 billion worth of chip projects. Kitchens@ looks to acquire Popo Ventures, the brand behind Pizza Bakery and Paris Panini, in a Rs 800 crore deal. TCS strikes its first mega contract this fiscal with insurer Tryg, while also rolling out long-delayed salary hikes. And finally, Urban Company and Boat secure Sebi approvals for IPOs, joining India's growing pipeline of startup listings.

"Razem chce rządzić po to, by realizować program. Wiem, że z punktu widzenia Polskiego Stronnictwa Ludowego to jest trudne do wyobrażenia, że nam nie chodzi o rządzenie dla samego rządzenia" - powiedział w Popołudniowej rozmowie RMF FM polityk Partii Razem Adrian Zandberg.

In the gripping conclusion of The PoPo Playboy, Michelle, Jessica, and Sadie finally piece together the truth about their mutual boyfriend's double (and triple) life. Just when they think the story is over, a shocking twist emerges a year later—Katie.Katie had been in a relationship with Paul for five years, completely unaware of his tangled web of lies. The truth comes crashing down when her divorce lawyer—who just so happens to be his current girlfriend—drops the ultimate bombshell.This finale takes you through Katie's story from the very beginning, exposing just how deep this deception really went. Then, we fast-forward to a “where are they now”:The PoPo Playboy and the lawyer are engaged, though her insecurities still have her watching every move.Michelle, Jessica, Sadie—and now Katie—have found freedom, happiness, and, most importantly, each other. What began as heartbreak has turned into a bond that will last a lifetime.Tune in for the jaw-dropping conclusion to this four-part series—because you can't make this stuff up.Resources & Links:

Exploring Minute 56 of Fast 5!- Support us on Patreon to watch the recording livestreams, Discord server access and other amazing benefits! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.Patreon.com/grannyshiftpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -And remember.... Winning's winning *This podcast is a production of Ryit Media and is hosted by Ryan Lehman (@sortastarwars) and Jason Garber (@wasthatawesome) **To hear other podcasts hosted by Ryan Lehman, search "Ryit Media" on any podcast player or find the links here: Sorta Star Wars: https://link.chtbl.com/xg19Ebx1 Dad Reads Books: https://link.chtbl.com/q_7bYUCz AND NOW Silver Screen and Television Dreams: https://link.chtbl.com/

In this engaging episode, communication expert and professional mentalist Christopher Carter joins host Justin “JT” Tamsett to uncover not just the science—but the art—behind effective communication in the fitness industry. With over 30 years of stage experience as a mentalist, Chris reveals how reading body language, mastering first impressions, and using humor can dramatically boost human connection, trust, and relationships. Listeners gain exclusive insights into practical skills used by mentalists to instantly build rapport and presence—skills any wellness enthusiast or fitness professional can use to strengthen client bonds and team dynamics. Whether you're new to the show or a seasoned listener, this conversation is packed with entertaining stories and actionable strategies for leveling up your communication and listening skills.   Key highlights from the episode: - Unique perspectives from Christopher Carter on applying mentalist techniques for interpreting body language and deepening human connection in your gym or studio. - Tips for making impactful first impressions and using humor to improve engagement with members and staff. - Step-by-step communication and training tips—like the “POPO” method (Proximity, Orientation, Pacifiers, Open body language)—for creating remarkable relationships with members and teams.   Know the SECRET codeword? Submit it here for the chance to win a $100 Amazon Gift Card!* https://www.fitnessbusinesspodcast.com/codeword    Ready for more: - Become an FBP Insider and get 7 days FREE to start! Learn more on Patreon: https://patreon.com/FitnessBusinessPodcast - Our FREE LIVE online events created specifically for fitness business owners, managers, and coaches who want to sharpen their skills and grow their business - Learn More: https://fitnessbusinesspodcast.com/onlineevents - Leave us a voicemail: https://fitnessbusinesspodcast.com/leave-us-a-voicemail/ - Leave a rating on Spotify or Apple Podcasts: https://fitnessbusinesspodcast.com/review/  Quotes: "Trust is a result of presence." - Christopher Carter "No sale without trust." - Christopher Carter "Practice one step at a time." - Christopher Carter   Resources: - Become an FBP Insider on Patreon: https://patreon.com/FitnessBusinessPodcast - Fitness Business Podcast's LinkedIn Community: https://www.linkedin.com/groups/9878228/ - Mystery Shopping for Fitness Businesses: https://mysteryshoppingforfitnessbusinesses.com.au/    Our Guest: Christopher Carter, High-Impact Keynote Speaker and Mentalist Website: https://christophercarter.com/ LinkedIn: https://www.linkedin.com/in/christophercarterspeaker/    Sponsor's Pitch: Magnus Nyberg Eleiko Sport Website: https://eleiko.com/ Email: magnus.nyberg@eleiko.com LinkedIn: www.linkedin.com/in/magnus-nyberg-b5731872/    Merch Sponsor: Be a Merch Sponsor - https://fitnessbusinesspodcast.com/merch/   REX Roundtables: Website: www.REXRoundtables.com Email: Eddie@REXRoundtables.com   Free On-line Live Events: https://fitnessbusinesspodcast.com/onlineevents   REX Roundtables Trusted Suppliers: - Wellness Spaces: delivering innovative recovery and wellness experiences: https://wellnessspace.com/ - Solutions One: offering member engagement solutions for fitness businesses: https://solutiononepartners.com/ - The Abs Co: designs and sells innovative fitness equipment: https://theabscompany.com/ - Club Com: providing gyms digital entertainment, communication, and revenue solutions: https://www.clubcom.com/ - Smart Health Clubs: offering customizable fitness software solutions for health clubs: https://smarthealthclubs.com/   About Your Host:  Justin "JT" Tamsett is a fitness industry veteran with over 30 years of experience who aims to reduce global healthcare costs by promoting physical activity. Through his company Active Management, he provides business coaching to fitness entrepreneurs, leads 8 REX Roundtables in the US and Australia, and has spoken at over 40 conferences across 23 countries. His ultimate goal is to create a world of opportunity for his daughter Zoe by helping more people move and stay healthy, while empowering gym owners to build successful businesses that contribute to a healthier society   Please note:  We only recommend products we care about (affiliate links support our free content). Thank you for your support!

After giving Paul one last chance, Michelle quickly realizes nothing has changed. When she ends things for good, she hopes to move on—but a phone call from a friend reveals a shocking twist: Paul is already living with someone new. As Michelle digs deeper, she uncovers more women, more lies, and a tangled web she never saw coming. Just when she thinks it's over, a stranger reaches out with a revelation that blows everything wide open.Resources & Links:

Send us a textSummaryOne of our favorite episodes!John Popovich, the veteran sports reporter and story teller, shares his journey from Struthers, Ohio, to becoming a prominent figure in Cincinnati sports journalism. Popo reflects on his early experiences in broadcasting, his time at Channel 9, and the creation of the groundbreaking show 'Sports of All Sorts.' John discusses memorable moments covering the Cincinnati Reds, his relationships with coaches and players, and his transition into retirement, where he enjoys spending time with family and gardening.Great stories about Sports Of All Sorts; interviewing Muhammed Ali in a barber shop; meeting Michael Jordan, Jack Nicklaus; and a bobsled ride at the Olympics!TakeawaysJohn Popovich began his broadcasting career in Struthers, Ohio.He played baseball from a young age and loved sports growing up.John joined Channel 9 in 1979 and worked with Al ShottelkotteHe created 'Sports of All Sorts,' a pioneering sports show in Cincinnati.John has fond memories of covering the Cincinnati Reds.He enjoyed the camaraderie with players and coaches during his career.John's favorite player was Mario Soto, known for his versatility.He covered major events, including the Olympics, for CBS.John was inducted into the Buddy LaRosa High School Sports Hall of Fame.In retirement, John enjoys gardening and spending time with his grandchildren.Sound Bites"I didn't look back.""I became a Reds fan.""That meant a ton."

When one woman's truth leads to another's awakening, the web of deception starts to unravel.In Part 2 of The PoPo Playboy series, we meet Sadie—a smart, successful woman who thought she found something real when she met Paul in 2022. But after moving in together, subtle red flags began to surface: suspicious activity on his phone, vague explanations, and a chilling anonymous Facebook message warning her to run. Still, Paul had an answer for everything... until he didn't.A phone call from a stranger named Michelle blows the lid off Sadie's suspicions, revealing a tangled timeline of lies, infidelity, and heartbreak. With help from Michelle and another woman—an attorney also unknowingly involved—Sadie takes a bold stand and kicks Paul out.But the story doesn't stop there. The second half of the episode dives into Michelle's own experience with Paul—an eight-year rollercoaster of betrayal, fake redemption, and endless manipulation.How many lives has Paul entangled in his carefully constructed lies? And how much more is still hidden?Resources & Links:

Jason Momoa hat gemeinsam mit Apple TV+ ein neues Serienprojekt auf die Beine gestellt. In Chief of War spielt der gebürtige Hawaiianer den historischen Krieger Kaʻiana, der sich weigert, in den Kampf um die vier Königreiche der Inselgruppe einzugreifen. Die Podcaster Hanna und Tim sprechen über ihre ersten Eindrücke von der Pilotfolge.Die beiden haben außerdem in die neue Staffel des Netflix-Megahits “Wednesday” geschaut und einer der beiden hat sich sogar ins Kino bewegt und “Die nackte Kanone” gesehen. An der Newsfront gibt es frische Castingnews zum The-Boys-Prequel “Vought Rising” und Sky hat den Kampf um das Serienstreaming noch nicht aufgegeben - mit einer Erweiterung des NBC-Universal-Deals.Viel Spaß beim HörenTimestamps:0:00:00 “Reacher” Staffel 40:005:00 “Extraction” - die Serie0:08:30 The-Boys-Prequel “Vought Rising”0.13:00 Sky erweitert Zusammenarbeit mit NBC Universal0:23:30 2Die nackte Kanone”0:29:00 “Chief of War” bei Apple TV+0:36:00 “Wednesday” 2.10:39:00 Die Starts der WocheHanna Twitter/ X: https://twitter.com/HannaHuge Bluesky: https://bsky.app/profile/mediawhore.bsky.social Instagram: https://www.instagram.com/mediawhore Podcast: https://open.spotify.com/show/2gBf2qycVN7asOiujkOhDQ TimTwitter/ X: https://x.com/quackelsays Hosted on Acast. See acast.com/privacy for more information.

What happens when your charming new boyfriend isn't who he says he is?Jessica is a high-powered CEO and single mom who was used to calling the shots—in business and life. When she met Paul, a local police officer, on a dating app, he seemed like the perfect low-maintenance match for her busy lifestyle. Handsome, attentive, and surprisingly chill, their casual romance worked… until it didn't.A seemingly innocent lunch with an old mentor shatters Jessica's reality and sets off a chain reaction that no one saw coming. Suddenly, everything she thought she knew about Paul was up for question—and she was not the only one asking.One woman's story is just the beginning.Resources & Links:

S6. EP6. “Po Po Party!” Ben and Nik have their son/ twin brother, Neil as a guest for this fun and humorous episode! Talks of some politics, cop stories and... The post S6. EP6. “Po Po Party!” appeared first on Never Go Full Nelson.

"Mam nadzieję, że w ciągu 12 miesięcy transakcja zostanie sfinalizowana" - mówił o połączeniu PZU i Pekao S.A. w jeden podmiot szef Ministerstwa Aktywów Państwowych Jakub Jaworowski, który był gościem Popołudniowej rozmowy w RMF FM. Polityk dodał, że Skarb Państwa zachowa kontrolę nad nową spółką.

"Albo Donald Tusk celowo podgrzewa atmosferę, by pogłębić polaryzację w kraju, albo jeśli wybory zostały sfałszowane, to znaczy, że służby w Polsce nie działają i rząd powinien podać się do dymisji" - mówiła w Popołudniowej rozmowie w RMF FM Marcelina Zawisza z Partii Razem, komentując powyborczy chaos z liczeniem głosów.

"Są w Polsce politycy, którzy chcą podpalić kraj. Uważam, że strach zajrzał im w oczy" - mówił Paweł Szefernaker w Popołudniowej rozmowie w RMF FM, odnosząc się do kwestii zamieszania z przeliczeniem głosów w wyborach prezydenckich.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight's show is June 19th. We are all connected. We are talking with Asian and Asian American Children's book authors. PowerLeeGirls host Miko Lee talks with Chi Thai and Livia Blackburne about the power of storytelling, maternal heritage, generational trauma, and much more. Title:  We Are All Connected Show Transcripts Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:01:17] Welcome to Apex Express. Tonight's show is June 19th. We are all connected. We are talking with Asian and Asian American Children's book authors. PowerLeeGirls host Miko Lee talks with Chi Thai and Livia Blackburne about the power of storytelling, maternal heritage, generational trauma, and much more. First, we want to start by wishing everyone a happy Juneteenth, Juneteenth commemorates, an end to slavery and the emancipation of Black Americans after the Civil War. In 1865, 2 years after the Emancipation Proclamation, enslaved people in Galveston, Texas finally learned of their freedom. Juneteenth marks the day the last enslaved people learned of their freedom. Though outright slavery became illegal, the systematic oppression of African Americans continues to this day. We see that show up in almost every aspect of American culture, from the high rate of infant mortality to the over punishing of Black children in schools, to police brutality, to incarceration. We must continue to recognize the importance of championing Black lives and lifting up Black voices. We are all connected. June 19th is also an important day in Asian American history. In 1982 in Detroit, Vincent Chin was at a bar celebrating his bachelor party prior to his wedding the next day. Ronald Ebens, a white auto worker, and his stepson Michael Nitz taunted Vincent with racial epithets. They thought he was Japanese and were angry about the Japanese rise in the auto industry. When Vincent left the bar later, the two men attacked and killed Vincent with a baseball bat. He was 27 years old. Ronald Ebens never did time for this murder. Ronald Ebens is 85 years old now. Ebens not only skirted prosecution, he has used bankruptcy and homesteading laws in Nevada to avoid a wrongful death civil suit settlement. Ordered by the court in 1987 to pay $1.5 million to Chin's family, the Chin estate has received nothing. Lily Chin, Vincent's mom could have stayed silent about the racist attack on her son. Instead she spoke out. She took a courageous stance to highlight this most painful moment in her life. In doing so, she helped ignite a new generation of Asian American activists working for civil rights and social justice. We find ourselves in a new wave of activism as our communities band together to work against the injustices of the current regime. And what does this have to do with children's books? It is all connected. We highlight children's books by Asian and Asian American authors because we want our next generation of children to know and appreciate their own heritage. We want them to proudly represent who they are so that they can work in solidarity with other peoples. Our struggle is interwoven. As Grace Lee Boggs said, “History is a story not only of the past, but of the future.” Thank you for joining us on apex express. Enjoy the show.   Miko Lee: [00:04:24] First off. Let's take a listen to one of Byron Au Young's compositions called “Know Your Rights” This is part of the trilogy of the Activist Songbook. This multi-lingual rap, give steps to know what to do when ICE officers come to your door.    MUSIC   That was “Know Your Rights” performed by Jason Chu with lyrics by Aaron Jeffries and composed by Byron Au Yong Welcome, Chi Thai to Apex Express.    Chi Thai: [00:07:13] Hello. I'm really happy to be joining you, Miko.  Miko Lee: [00:07:16] I'm really happy to meet you and learn about you as an artist, as a filmmaker, as a children's book author. And I wanna first start with a personal question, which is, who are your people and what legacy do you carry with you? Chi Thai: [00:07:30] Ooh, what a great question. You know what? I love being asked stuff that hasn't been asked kind of before. I mean, there's a kinda really kinda natural answer to that, which is, you know, family are my people. Of course. 100%. And certainly, you know, the reason why I'm talking to you today, you know, in regard to the, to the book, you know, it's about my family's journey. But I found, and I don't know if this is. Somewhat to do with, you know, being a child of two cultures and you know, being a child of the diaspora that you really have to kind of find your own family too. 'cause I suppose I grew up feeling, I didn't quite relate to maybe my parents in a way that, you know, you normally would if you weren't part of the diaspora. And I felt estranged from my birth country and I didn't really feel like British either a lot of the time. So in terms of like, who are my people? I've gathered those people as I've kind of grown up and it's, it's a kind of strange feeling too. I feel like it's taken me a really long to grow up and to figure out who I am. And I suppose that's why, you know, the people that I have a really, a lot of people that have come, kinda later in my life, I actually have no friends in my childhood as an example of that. I've had to kind of find these people as I've grown up, but it's taken me a long time to grow up because growing up in the UK there wasn't any literature to read about what it was like to be Asian. And British, to be a refugee and things like that. So it just took me longer and I then, as a result, it just took me longer to find my tribe. but I have it now, but it's still work in progress. That was a very convoluted answer. I'm very sorry Miko.    Miko Lee: [00:09:15] No, it wasn't. No worries. It's fine. And what legacy do you carry with you?   Chi Thai: [00:09:19] Kind of an extension to that answer, I think when you're an artist, practicing your voice, figuring out your voice, can take a while. And I think I've only really started maybe the last like five to 10 years at the most really figured out what I want my legacy to be. The things I wanna talk about are really about s tories from the diaspora, certainly, and about community and healing. These are the things I think that are really important to me, especially when we talk about maybe coming from struggle. I don't feel it's enough to be an artist today and just talk about struggle. I want to talk about justice as well. And justice really is about healing, you know?    Miko Lee: [00:10:00] Oh, that's beautiful. Can you talk a little bit more about that healing and what that means to you and how that shows up in your work?    Chi Thai: [00:10:07] A couple years ago, no, not even that long ago, I produced a, a feature film. This is probably the best example for it, but I produced a feature film called Raging Grace, which we called it Horror with a small H and it. Basically took the story of what it was like to be, undocumented Filipina in the uk who was also a mother. And I think if that film had been made 10 years ago, it would just shown how hard her life was, and unrelentingly. So, and I think the reason why Raising Grace is so special is it goes beyond the trauma, it takes us to a place of justice, of being able to speak out for someone who has felt invisible, to be visible for someone who's not. Had a voice, to have a voice and to begin that kind of healing process of sticking up for herself, making a change transforming herself from maybe the good immigrant to the bad immigrant and things like that. I think that's a really great example and I think I read a really wonderful thing. It might have been in a Guardian article where we, so a lot of my work is around, inclusion representation of like diasporic stories. And I think when you have, when you exist in the poverty of like representation, I. the solution to that is plentitude. I think that Viet Thanh Nguyen probably said that, so I don't wanna take credit for it. He comes up with so many wonderful things, and that's a wonderful thing to be able to move from poverty, like to plentitude and that be the solution, is kinda really wonderful. So I enjoy being really prolific. I enjoy supporting artists to be able to do their work. So as a community, we can also be prolific and I wanna support, narratives that. Take us beyond a place of struggle and trauma to a place of like healing and justice and so forth.    Miko Lee: [00:11:57] Your work crosses so many genres. You were just mentioning how that film was kind of a horror film and, and then you've done these kind of dreamy animation pieces and then now this children's book. Do you select the genre and the format and the medium, or does it select you?   Chi Thai: [00:12:16] Oh, I think the story chooses it. I like 100% believe that. I just actually was thinking about this 'cause I was doing an interview on something else, people, often ask about the creative process and I, can only speak for my own. But usually when I get an idea for a story, the general shape of it comes almost like really well formed. There's a sense of a lready kinda what genre it'll be. There's a sense of the character, there's a sense of the journey and all these things. I felt the same about, writing The Endless Sea I knew it would be from the voice of a child. This probably sounds like my creative process is terrible, but it was just. This is how it was going to be. That kind of part was writing itself, or at least I feel that it'd been writing itself like that in my subconscious for many, many years before it kind of surfacing and writing. Like the writing bit is just the tip of the iceberg at the end of the day. there wasn't like a kind of decision about that. the story in that sense was quite intact. So I often feel like the story is demanding something about kind genre and for, for Raging Grace 'cause I've talked about this a lot, not just in listen to me, but other things. But we always said like if you are an an undocumented person, every breath you take is taken in a hostile environment. It's so natural for it to be a horror. So there's not a sense that you kinda decide that it's like that is the very reality of someone who's going, you know, that's their lived experience. And if you're going to represent that truthfully, it will be through the prism of horror. And I suppose that's how I think about genre. the story is kind of telling you what it needs to tell its emotional truth. and I felt that way, with The Endless Sea same thing with the Raging Grace, with Lullaby. And I think you talked about The Promise, I suppose I, with The Promise, which is an adaptation I had less choice about that because that was a book and it was a adapted into an animation. I've heard Nicola, who's the author of the book, talk about that and she talks about like the story coming to her in a dream and tiptoeing down her arm coming onto the page, she like describes it really beautifully. so maybe our processes are the same. It feels that way. there's not long deliberations. I mean, that's not to say the writing process isn't difficult. It is. But that, I've never found the, [genre] the difficulty or the bit that's required a lot of, I don't know soul searching with it.    Miko Lee: [00:14:28] So with that being said, how did Endless Sea your latest children's book? How did that tiptoe into your imagination?    Chi Thai: [00:14:36] This is a strange one because this is probably the closest thing to like, almost autobiographical work. What I can say is like, it's the true story o f how I and my family, which would've been at the time my mom and dad, my older sister, me, how we fled Vietnam after the fall of an Saigon. we actually left quite late we left in 1979 w hen things were tr were getting truly, truly, truly, quite terrible. And, this was very much a last resort. I think my parents would try to make things work, but realized that they couldn't. This journey that we took on these, boats that were made badly, made poorly, that many of which sank has become almost like the genesis story of our family. It's like it's a big, it has a long shadow, right? Ever since you know I, it is like the first story that I can remember. It's one of the few stories my mom would tell me again and again when we, when they see their old friends, it's something they talk about. So it's something that has happened to it to us, but it's such a big thing that it's just, echoed In my life growing up, as I've you know, got older and older, and the wonderful thing about having a story kinda live with you eventually it's in your blood and in your bones, but also if it's a thing that's kinda shared with you again and again, you actually build up this, there's something about the repetition of it, and then every time you hear it told from an uncle or a family friend or from your mom, a new little detail is embroidered that someone adds. So I've kinda lived with this story for 40 plus years and I've been collecting all these little things about it all this time and all that time it was, I think, kind of just writing itself, you know? You know, it was doing all that work before I actually put like pen to paper. Um, yeah.    Miko Lee: [00:16:31] Was there a catalyst or something that made you actually put the pen to paper?   Chi Thai: [00:16:36] That's really interesting. You know, I probably don't mind it is probably something really banal like. I think I probably wrote it during Covid and I had more time. Um, I think there are probably be some bigger forces in place. And you know what, I can tell you what it is actually if I'm, I'm forcing myself to think and examine a bit closer so when this is totally true. So I remember hearing the news about Viet Thanh Nguyen win winning the Pulitzer for The Sympathizer. And it made such a mark on me and I kind of felt, wow, someone from our community has achieved this incredible thing. And I thought, why? Why now? Like, and I was like, well, you know what? It's probably taken our community certain amount of time to come of age, to develop not just the abilities to write, to create, to make art, but also to have possibly the relationships or networks in place to be able to then make the art and get it out into the world. And I kind of felt when he was able to do that and came of age, I kind of felt there was going to be like other people from the kind of diasporic Vietnamese community that would also start to flourish. And that made me feel really good. About probably being a bit older than the average kind of artist, like making their, kinda like their pieces and everything and saying, you know what? My time can be now. It's okay. And I just find it just really inspiring that, you know our community was kind of growing, growing up, coming of age and being able to do these, these things And I kind of felt like it had given me the permission, I suppose the, the confidence to go, “Oh this story that I've been carrying my whole life, which I don't really see a version of out there I can write that and now I can write it and I'm the right person to write it.” And I had just done The Promise so I had a relationship with Walker. I was like, I have a, you know, a relationship with the publisher. I feel my writing is matured. Like I can do this. And so it was like a culmination and, you know, convergence of those things. And, but I do remember having that thought thinking, “This is a good time to be alive in our community 'cause we're actually able to make our art and get it out there now.” I, I felt it was like a real watershed moment really.   Miko Lee: [00:19:11] What made you decide to do it in this format as a Little Kid's Children's Illustrated book? We were talking earlier about how to, to me, this is the first more realistic version of a boat people experience in a very little kid's voice. What made you decide to do it in this style?    Chi Thai: [00:19:33] So interesting. At the same time, I was writing The Endless Sea. I was writing also the script for a short film, which is called Lullaby, which is takes an incident that happened on my boat but expresses it as a film, as a little kinda horror kinda drama, but a kid cannot watch that. It's like too terrifying. Um, and I wrote, you know, The Endless Sea at the same time. And again, I can't, it's really hard for me to articulate. I just knew it was gonna be a kid's book, like, and I knew it'd be written from the voice of a kid, and I didn't actually, can I say I didn't even ascribe a particular kind of value to that. It wasn't until I had started conversations with the publisher they're like, you know, we see like there's a really high, like this is really great that it's written in the voice of the kid. It somehow gives it something else. Something more is something kind of special. I didn't set out to like, overthink, like what was the most effective way to tell this story? I, I think I just told the story as honestly as I could, you know, with the words that I felt that, you know, I had in me to de, you know, to describe it. In the most authentic way to, to me. And like I say, at the same time, I knew, like I knew that was a kid's book. There was another part of that I wanted to express that was really important to me and that was survivor's guilt. But that I felt was like, that was a horror, so that was really not gonna be suitable for kids. So I was definitely thinking about lots of things to do with the same subject of the same time, but they were definitely being expressed in different ways. And again, Lullaby came to me very kind of quickly, almost fully formed. And I knew, you know, it would be a ghost story. I knew it would be the story of a mother and things like that. And I often maybe, you know, I should, I, I should interrogate more, but I kinda, I take these kinda. These ideas, which are quite well shaped and, and then I just like lean into them more and more and more. But they, the way they arrive it, I've kinda, I, I can see a lot of what is already about to unfold.   Miko Lee: [00:21:43] And do you still dream about that experience of being on the boat as a kid?    Chi Thai: [00:21:52] It's, it's a really difficult thing to explain because you know that that happened now so long ago, and I've probably heard the story thousands of times. I've watched all the terrible Hollywood movies, I've seen all the news clippings, I've watched all the archive. I've listened to, you know, people talk, and I have my own memories and I look at photographs and I have memories of looking at photographs. I feel like, you know, my memory is really unreliable, but what it is instead is it's this, this kind of, kind of tapestry of, you know, of the story of memories, of, you know, images as I grow up of hearing the story, like all coming together. One of the things I did when I wrote, I wrote The Endless Sea, is I then went back to my mom and I did a recorded interview with her 'cause I was really worried about how unreliable my memory might be. And I interviewed her and I asked a lot of questions and I said, and I, it was like, you know, in the way I would've just like listened to the story quite passively before this time I interviewed her and I asked a lot of questions about details and all sorts of things. 'cause I really wanted to be able to represent things, you know, as factually as I could. And that was kinda one of my kinda kind of fact checking kinda exercises I did 'cause I was, I was much quite worried about how unreliable my memory was about it all. And you know, what is, what is a memory of a memory of memory, like, you know, especially when it comes to thinking about that time on the boat and the feelings I had. Yeah. So, you know,    Miko Lee: [00:23:34] and you were so young also to    Chi Thai: [00:23:37] Totally 100%. And sometimes, I don't know, you know, is it a memory of a memory? Is it a dream of a dream?   Miko Lee: [00:23:44] Mm-hmm.    Chi Thai: [00:23:44] Or just some, yeah.   Miko Lee: [00:23:46] Was there anything that your mom said that surprised you?    Chi Thai: [00:23:50] Yeah. Um, she didn't realize how bad it was gonna be and she was like, “God, if it, I'd known how terrifying it was I dunno if I, we could have done it.” I think there's a certain amount of naivety involved and I suppose that surprised me. You know? 'cause we know already now how bad it was. Um, so things like that surprised me.    Miko Lee: [00:24:15] and your mom, the dedication of the book is to your mom. What does she think when she first read it?    Chi Thai: [00:24:22] I've got a funny story. My parents, you know, they, we left, they were in their early twenties and I think it was, you know, the escape was hard for them, but settling in new country was really hard for them. That's. That's been kind of their struggle. They had to work so hard, so many hours to kind of, you know, give us a great life. And, I think a lot of that meant they weren't people that could go out, enjoy, enjoy movies, look at art, read lots of literature and things like that. They're very, very simple, very working class. Simple life or working class kinda life. Very much all about, uh, the work. Um, and I remember when I had a, the publisher had made like a mockup of the book and I gave it to my mum to read 'cause I wanted her to be happy about it too, and she's probably been my toughest critic. I think everything I've done, she hasn't really liked, to be honest. Um, and when I gave her the mockup to read. She went, “Yeah,” but she said it in such a way I knew what she meant was Yeah, that's right. You know, that's the truth. That's the, you know, the book isn't the testimony, but it felt like she was saying yeah. It was like the simple kind of approval. It wasn't like a lot    Miko Lee: [00:25:50] That is the most Asian mom's approval ever.    Chi Thai: [00:25:54] It's so funny, like people say to me, oh Chi, it's such a beautiful book. Oh, the writing so lit, like lyrical. It's stripped back, it's elegant. Like, you know, Viet Thanh Nguyen , like God bless his like consults, gave me a comment to put in the book, said these wonderful things, and my mom goes, “yeah.”. You know, it made me laugh at the time, but I knew what it meant. And I also was old enough, I was mature enough, you know, God, if she'd given me that, if I'd been 20 written that I might have cried and my heart might have broken. Right. But I, I knew I had, I've so much compassion, you know, for my parents. Mm-hmm. And people like my parents, what they've been through and, you know, but    Miko Lee: [00:26:38] That was incredibly high praise for her.    Chi Thai: [00:26:40] It was, I couldn't have asked more.   Miko Lee: [00:26:47] Oh, I totally get that. I think that's such an Asian thing. That is so funny.    Chi Thai: [00:26:53] It is, it is. I didn't feel bad. I, I remember showing her Lullaby, um, and she didn't like it at all.    Miko Lee: [00:27:02] What did she say? What is her not like voice? What did she say to that?    Chi Thai: [00:27:05] Oh, she. Well, firstly, she, well, the, the film is almost silent because basically it tells a story. It's inspired by a mother that was on our boat who lost her baby on the border crossing, and I was very much ever, for as long as I knew about this woman's story, I was like, I was very much haunted by it, and I was haunted by, you know, the fact that that's how she felt and her guilt. Over losing her baby on this journey. And I knew, I knew I wanted to tell her story. 'cause one of the things I feel very strongly about is when you are on the losing side. So I'm from South Vietnam, like that's not the, you know, that's not the story that's told, the story is told of who triumphs at the end of the day. And I was just like all those people that we lost at sea, this mother, her baby. The stories kind of aren't told. So I kind of felt really strongly that this was somehow a very creative way to put down like a, an historical record like this happened. And actually I found out after making the film that five babies were lost in our boat, not just one.   Miko Lee: [00:28:24] Wow. So what did she say, your mom say?   Chi Thai: [00:28:28] Yes. So I made this film, which was for the most part, a silent film. This is a woman that's shut down. She barely speaks anymore. She is living with the guilt ever. You know, when she was on the boat before her baby died, she sang a lullaby, and ever since then, she hasn't been able to speak again. And then we find out that she has been haunted by the ghost of her child that she lost. And then a bit too, you know, to kind of free herself from that. She, she actually sings, you know, the, the film culminates in her singing the Luby one last time. S saying Goodbye finally being able to move beyond her Gild and I Griffin, saying goodbye and hoping she's able to, you know, progress. So I made a film about that was largely silence except for this lullaby, and my mum watched it. She went, next time you make a film, you know you need more words. I was just like, oh, I think my heart probably did crumple off a bit a bit at that point.    Miko Lee: [00:29:30] Aw.    Chi Thai: [00:29:31] You know? Um, but yeah. But yeah, it's okay. It's okay because you know what? My mom doesn't get to see stuff like that very often. So sometimes she doesn't have the wider, and this is why, I mean, like, the life that she's had, you know, hasn't been one where she's been able to surround herself with, oh, I'm so lucky. You know, my life has been so different, but it's been different. Different because of, you know what she's, what she's done for us, so it's okay. I can take it on the chin when she says my film doesn't have enough dialogue in it.    Miko Lee: [00:30:04] I love that. For you, have you had conversations with your mom about your life as an artist, and what are her thoughts on that?   Chi Thai: [00:30:16] Well say. So I, so my mom, I don't really like, you know, she's probably not that into it. I'll be honest about being an artist. I can understand why she wants you to have a good life. And I would say for the most part, being an artist is, is a, is a tough life because it's hard to make, you know, the, the pennies work, right?   Miko Lee: [00:30:44] She wants stability for you, right?    Chi Thai: [00:30:45] Yeah, exactly. But she's made a peace with it. And basically what happened, I think all the best story is gonna be about my mom, right? Is that she basically, I, I, um, I have a partner, we've been together for 15 years. Um, he's a really nice guy and he has a reliable job and we have two kids together and i,    Miko Lee: [00:31:08] So that makes it okay.   Chi Thai: [00:31:10] So yeah, this is what I was saying. So she said to me like. It doesn't really matter what you do now. 'cause she, you are already peaked. You're somebody's wife. We're not married. But she told everyone in Vietnam we were married 'cause she couldn't cope with this not being like having kids out of wedlock. In her head. She's rewritten that we are married. Right. She's like, you are married, you're somebody's wife and you mother, it doesn't get better than that. So if you are an artist or if you're a filmmaker, whatever, it doesn't matter. 'cause nothing can be better than that. Right. So she's accepted on the basis that I've already fulfilled, kind of my promise.   Miko Lee: [00:31:46] Wow. Interesting.    Chi Thai: [00:31:50] And she means that in the nicest possible way.    Miko Lee: [00:31:52] Yeah.    Chi Thai: [00:31:52] That she feels like you have a home, you have stability, you have someone who loves you, you know, you have a, a purpose in life, but really her value, you know, the way, I think, the way she measures my value is like, that's how she looks at it. The, the art is something else.    Miko Lee: [00:32:10] Well, I really appreciate you sharing your art with us in the world and your various, um, genres and styles. And I'm wondering how our audience can find out more about your work. Clearly we'll put links to where people can buy the book and let's see, but how do they find out more about your films?   Chi Thai: [00:32:28] Um, so that like, because it is the 50th anniversary of the end of the Vietnam War in 2025. Actually the very anniversary of that is the tomorrow, the 30th, April, right? Um, you can watch Lullaby on Altar, which is a YouTube channel. Um, and I can give you the link for it. Rating Grace is on Paramount Plus if you want to, if you've got Paramount Plus, but you can also buy it from all the usual kind of places too. Um, and you know, and we'll see us from all great book stockists, I imagine in, in the us.   Miko Lee: [00:33:07] Thank you so much. Um, I'd love to get, I'd love for you to send me the link so I could put 'em in the show notes. I really appreciate chatting with you today. Um, is there anything else you'd like to share?    Chi Thai: [00:33:19] Um, no, I think, I think that's good. Your, your questions are so good. Mika, I'm already like, kinda like processing them all. Uh, yes.    Miko Lee: [00:33:30] Well, it was a delight to chat with you and to learn more about your artistic vision, and my wishes are that you continue to grow and feel blessed no matter what your mama says, because deep down, she's still proud of you. Even if she doesn't say it out loud.    Chi Thai: [00:33:47] I believe it. I totally believe it.    Miko Lee: [00:33:50] Yay. Thank you so much for spending time with us on Apex Express.Next up, listen to stay, go from dark heart, a concert narrative by singer and songwriter Golda Sargento.   MUSIC   That was the voice of Golda Sargento from the new Filipino futurism punk rock sci-fi dark heart. Welcome, Livia Blackburne Children's book, author of Nainai's Mountain. Welcome to Apex Express.    Livia Blackburne: [00:38:56] Thank you so much for having me.    Miko Lee: [00:38:58] I wanna start with a personal question, which is, who are your people and what legacy do you carry with you?    Livia Blackburne: [00:39:05] I am Chinese American, and so I carry the stories of my grandparents who fled China to Taiwan, fled that war. And I also carry the stories of my parents and myself who immigrated. To America, and I am, I grew up in New Mexico, so I have fond memories of green chili and new Mexican food. I went to college, Harvard and MIT on the east coast. So I've got a bit of that kind of ivory tower. And now I'm in LA and, you know, my people are, my family and my community, the writing community here. So I, I'm a big mix. Yes.    Miko Lee: [00:39:44] What legacy do you carry with you?    Livia Blackburne: [00:39:47] I mentioned a bit of my grandparents and my parents. What they went through in the war in China, and then my parents and me coming here. the experience of being here in two worlds, coming from Taiwan having that cultural background and also, growing up in the United States. The culture I've been surrounded with here as well.    Miko Lee: [00:40:06] Thank you so much for sharing. Can you tell us about your new illustrated children's book? Nainai's Mountain. What inspired this work?    Livia Blackburne: [00:40:14] The story of this book actually started with another book that is coming out in a couple years that actually I can't share too much about. My grandparents fled the war in China and then my. Parents grew up in Taiwan and I wanted to preserve that family story. My parents are getting older. So I started doing oral interviews with my parents about their childhood, what it was like, growing up. I wouldn't say they weren't refugees in Taiwan. It's a very complicated political situation, but they were transplants to Taiwan, and what it was like growing up there, their daily life. What kind of things they did when they were a child, their pastimes, I wanted to preserve their stories and I got a lot of great material., A lot of that is going into a novel that I'm currently working on. But also as I worked on it, there were so many great details that I thought would be really good in a picture book as well. Also, I'm a mother now. I have an 8-year-old daughter, and she is half Caucasian, half Asian. She has never gone to Taiwan before and I. As I'm writing this, I'm thinking, it would be really great to, I do want to share Taiwan and, my own childhood, home with her at some point. And so I start imagining what would it be like to bring her back to Taiwan and show her everything. And that became the seed for Nainai's Mountain, which is a. Story of a girl visiting Taiwan for the first time with her grandmother. And her grandmother shows her around and tells her stories about her childhood, and the girl through her grandmother's eyes, sees Taiwan, you know, for the beautiful place that it is.    Miko Lee: [00:41:56] You also wrote the book I Dream of Popo. How are these companions to each other and also for audiences that might not speak Chinese. One is a grandmother on the mother's side, and the other is the grandmother on the father's side. Can you talk about how I dream of Popo is linked to Nainai's Mountain?   Livia Blackburne: [00:42:15] Thank you for pointing that out. Yes. So Popo is maternal grandmother, and Nainai is a paternal grandmother. And that is a fantastic question. So I dream of popo is kind of my story. So it's about a little girl who moves from Taiwan , to the United States and it's about her relationship with her grandmother who stays in Taiwan. And it talks about, how a close relationship, navigating long geographical distances about the language barrier that comes up. And that was very much me, Nainai's Mountain. It's kind of like Popo in reverse, you know, it's now it's someone going back to Taiwan and kind of getting in touch with those roots. That, as I mentioned, that's inspired by my daughter. And you'll see in Nainai's Mountain, I specified that the child should be, half Asian, half Caucasian. Because, I wanted more of that representation in the children's literature.    Miko Lee: [00:43:07] Thank you. I, I wonder if you could talk a little bit about the artistic style. So you are the author, but you had different illustrators for both of the books and the style is really different. The in, when I look at Nainai's Mountain, which I'm holding here, it's sort of collage and really vibrant colors. Where I Dream of Popo has a different, more. I'm almost realistic, kind of look to it. And I'm wondering what your process was like in collaborating with illustrators.    Livia Blackburne: [00:43:37] That's one of the best things about being a picture book author, is that you get to collaborate with so many illustrators and they all have such different styles, such different visions. Most of the time it's the publisher who chooses the illustrator, although they. Consult me usually. My editor for I Dream of Popo picked Julia Kuo. And she sent me samples and I loved it. And, it was great. I'm friends with Julia now and that book did really well. It was very well known, especially in kind of Taiwanese American, Asian American circles. And so when I did, Nainai's mountain, that was with a different publishing house and my editor. He very consciously said, you know, because it's also a book about Taiwan and a grandmother. We don't want to get it confused with I dream of Popo. So, we made a conscious decision to pick an artist with a very different style and Joey Chou is fantastic. He's very well known for his Disney art. You can see his art in a lot of the hotels and cruise ships. And, he, very bright, vibrant, and I, he's also from Taiwan. I think he did a fantastic job.   Miko Lee: [00:44:41] And have the artistic work ever surprised you as being really different from your imagination while you were writing?    Livia Blackburne: [00:44:48] That's a great question. I don't think they've ever surprised me. By being different. They surprised me in the specifics that they've chosen. For example, I dream of Popo. Julia, spent a lot of time in Taiwan and she put in these great, Taiwan details that, you know, if you're from Taiwan, you would know for sure. There's like a specific brand of rice cooker called the rice cooker, and she has one there and like the giant bag of rice in the corner, and the calendar on the wall.   Miko Lee: [00:45:16] Even the specificities of the food and the trays and everything is quite lovely.    Livia Blackburne: [00:45:20] Yeah, yeah. You know, every time I read that, I look at that spread, I get hungry. So surprise there. And, with Joey, I, I love how he does the different, there's kind of flashback pictures and there's, pictures now and. The thing about him, his color, I just love the color that he put in from the greens, of Taiwan to kind of the bright fluorescent lights, neon lights of Taipei, and then there's kind of the slight sepia tones of the past and he just, you know, brings it so to life so well.   Miko Lee: [00:45:49] I didn't know he was a Disney animator, but it totally makes sense because it feels very layered. It does feel animated in a way and kind of alive. So I appreciate that.   Livia Blackburne: [00:45:59] I'm not sure. If he's an animator. He does a lot of art for the theme parks and like products and the cruise ships and stuff. I'm not sure.    Miko Lee: [00:46:07] Oh, interesting.   Livia Blackburne: [00:46:07] He does like movies and  stuff.    Miko Lee: [00:46:08] Interesting. It looks like animation though. Your book.    Livia Blackburne: [00:46:13] It does look very, yeah. Lively. Mm-hmm.    Miko Lee: [00:46:16] That I'm looking forward to that series. That would be so cute. The grandmother series as a whole little mini series traveling to different places. can you tell us about your new book, Dreams to Ashes? Has that been released yet?   Livia Blackburne: [00:46:29] Dreams to Ashes? That has been released that, released about a month before Nainai's Mountain. Yeah, that one's quite a bit different. So that one is a nonfiction book and it's a picture book, and it's about the Los Angeles massacre of 1871. Whenever people, I tell people about that, they're like, wait, you wrote a picture book about a massacre? Which is slightly counterintuitive. So I never knew about the Los Angeles massacre growing up. And, and, given that I am a Chinese person in Los Angeles, that is kind of weird. Basically, it was a race massacre that occurred. One of the biggest mass lynchings in history, uh, where there was a between two rival Chinese organizations and a white bystander was killed. And because of that, , a mob formed and they rounded the Chinese population up basically. And. Blame them for that death. In the end, 18 Chinese men were killed and only one of them were involved in the original gunfight. It was a horrible tragedy. And unfortunately, as often happened with these kind of historical tragedies in our country, nobody was really punished for it. A few men were indicted and convicted, but their convictions were overturned and it just kind of disappeared into history. And it really struck me that, you know, nobody knew about this. I wanted to kind of bring this to light and unfortunately when I was writing it, it was also, during the Covid pandemic and, I was seeing a lot of anti-Asian rhetoric, anti-Asian hate crimes were going up. And I saw so many parallels between what happened. Back then, because, you know, Chinese people specifically were being vilified , they were being called immoral, stealing people's jobs. And you can see in the years before the massacre the newspapers were saying horrible things and, you know, the hate was just becoming very strong and all that exploded one night into an unspeakable tragedy. Unfortunately as an author, you want your work to be relevant, but sometimes you don't want your work to be relevant in this way. Right. Nowadays I'm seeing so much rhetoric again against immigrants and not of many ethnicities. And in some ways I'm sad. That, this is happening now. And I also hope that this book will contribute to the conversation and show how the danger of racism and xenophobia and hate and what, what can happen because of that.   Miko Lee: [00:48:55] So this occurred in the late 1800s, right? Was it before the Chinese Exclusion Act?    Livia Blackburne: [00:49:03] Yes, it was before the Chinese Exclusion Act. So you'd hope that people kinda learn from these things. And it was just kind of one of the, one of the horrible things that happened on the way to the Chinese Exclusion Act and Chinese immigrants being excluded basically Chinese laborers at least.   Miko Lee: [00:49:23] Oh wow. Okay. I'm looking this up now. And 1882 we know was the Chinese Exclusion Act and this incident actually happened in 1871. Yes. A decade beforehand, Helen Zia always talks about these moments that are missing. MIH missing in history and this is clearly another one of, another time of just wiping out a population.I'm wondering if you could speak a little bit more about how Children's Books can make a difference in the world that we're currently living in, where our government is banning books and you know that there's a narratives that they want to align with a certain kind of conservative ideology. Can you talk about the power of being a Children's Book author in this time that we're living in right now? . I'm really thinking about dreams to Ashes and even I dream of Popo and even Nainai's Mountain, which you would think, oh, they're, you, they're visiting their grandparent, their grandmothers, that would not be controversial. But now when even words like inclusion and diversity are threatened and books are being banned, I'm just wondering if you could. Share a little bit more about your superpower as a children's book author?    Livia Blackburne: [00:50:31] Yeah, that's a fantastic question. We live in a time right now, there's, a lot of hate, a lot of intolerance, a lot of fear of different people groups. And a lot of that I think is because people are unfamiliar with people unlike themselves. They see. People who are different, look differently, act differently, speak differently, and it scares them. And I think the best way to get around that is to actually get to know people of other backgrounds, to see them as human. And I think that's where children's books come in. ‘Cause we don't, children are not born. With this hate of the other. They learn it. But, if they grow up being familiar with people of different backgrounds seeing their stories seeing them as, normal human beings, which, should be obvious, but sometimes it's hard, for adults to realize. Then, I'm hoping, as a children's book author that it will lead to a more empathetic world. And perhaps that's why the government sometimes in certain groups are wanting to, censor this and control the flow of children's books because, children are the most their minds are still open. They're still able to learn.    Miko Lee: [00:51:48] And Livia, tell us what you're working on next.   Livia Blackburne: [00:51:53] So right now I am. Working on a historical middle grade. We haven't quite announced it yet, so I can't say the title or too many details, but it is based on my family history of my parents and grandparents who moved from China to Taiwan after the civil War.   Miko Lee: [00:52:12] Please check out our website, kpfa.org. To find out more about our show tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is created by Miko Lee, Jalena Keane-Lee, Preti Mangala-Shekar, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tanglao, Cheryl Truong and Ayame Keane-Lee.   The post APEX Express – 6.19.25 We Are All Connected appeared first on KPFA.

Ben and Nathan investigate income-debt ratios for average law students. Their findings paint a sobering picture for the average law school graduate. In many cases, students are paying champagne prices for beer salaries. Paying full price at even top schools can disrupt personal financial stability for a decade or longer. Then, they review the newly released 2025/2026 LSAT schedule, flag another price increase, and take on two flawed pieces of LSAT advice in a double round of Pearls vs. Turds. The guys help one listener struggling with timed sections and a reapplicant focusing on the wrong priorities in their résumé. JoJo the PoPo takes their shot at the Personal Statement Gong Show, and “normative” is the word of the week.Study with our Free PlanDownload our iOS appWatch Episode 508 on YouTube0:30 – Champagne Prices. Beer Salaries.Ben and Nathan highlight how poorly students understand the long-term impact of taking on massive student loans. The federal government considers the average law grad to be in financial hardship, and income-to-debt ratios back that up. Graduates from top schools like Yale typically spend about 10% of their gross monthly income on loan payments, while some graduates spend over 50%. To make matters worse, top students who secure scholarships and consequently have little to no debt often land the best jobs, while those borrowing median debt levels earn significantly less. Scoring high on the LSAT and attending law school for free remains the safest path.Check your school's median debt and income levels at Lawhub.com27:10 – 2025/2026 LSAT Schedule ReleasedThe LSAT schedule for 2025/2026 shows no significant changes, but the official test cost increased again. Ben and Nathan encourage students not to waste money and wait until their practice test scores show they're ready before signing up.28:55 – Pearls vs. Turds Double HeaderThis episode's Pearls vs. Turds features two submissions. First: “Avoid the obvious answer.” Verdict: turd. If the answer does what the question is asking, it's correct. If it feels easy, it's because the LSAT is genuinely easy. Second: “If the passage doesn't include the word ‘should,' avoid answer choices that do.” Verdict: also a turd. While it hints at something valid—normative conclusions need support—rigid rules like this replace real understanding with memorization and lead to errors.37:20 – Not Improving on Timed SectionsDexter reports that although his untimed drilling has improved, his timed section scores remain flat. Ben and Nathan recommend treating timed sections the same way as drilling. Rather than rushing to finish, focus on solving each problem completely and accurately.42:15 – Law School RésuméAP is applying again after improving their LSAT score and wants feedback on résumé content. Ben and Nathan advise that résumés and soft skills are secondary when the LSAT score isn't competitive. Application materials like the résumé can stay largely the same, but they must be polished and error-free.48:29 – Personal Statement Gong ShowJoJo the PoPo enters the ring as the latest Personal Statement Gong Show contestant. Ben and Nathan read their personal statement and hit the gong when something goes wrong. The standing record to beat is ten lines, held by Greta.1:18:54 - Word of the Week - Normative“Sciences, however, are by definition non-normative: they describe but they do not prescribe.”