Podcasts about netflix's inventing anna

Netflix's Inventing Anna presents a flashy version of fake German heiress Anna Delvey's scams. Rachel Deloache Williams was scammed out of $62,000 by Anna on a disastrous trip to Morocco.  Rachel discusses true crime shows like Inventing Anna and Hulu's The Dropout and what it means for all of us when liars and scammers are elevated and amplified.   Anna ‘Delvey' Sorokin Almost Ruined My Life. Now She's Being Rewarded for Her Crimes: https://time.com/6146419/inventing-anna-rachel-williams-anna-delvey/ Check out Rachel's book My Friend Anna: https://www.simonandschuster.com/books/My-Friend-Anna/Rachel-DeLoache-Williams/9781982114107See omnystudio.com/listener for privacy information.

"What I think made me want to pursue film or what started my fascination with film and cinema were definitely Fellini, Antonioni, and Bertolucci; the masters, if you will, that kind of make you dream - make you just go to a movie theater, enter this space, and just have a communal experience. I know looking at the screen and just being completely immersed and experiencing stories or experiencing things that make you understand life more - or make you understand life less - and create a dialogue between you and the rest of the world.After that, Alfonso Cuarón, obviously the collaboration was incredibly important and I learned a lot and I carry a lot of that in me, undeniably. Then, I also had the very good fortune of working as a camera assistant, and a camera operator with other cinematographers, so I learned a lot from them. And they became mentors in a way. And it was kind of like a fortunate path to becoming a cinematographer myself.The camera is my tool of choice. It's what I've been given to express what needs to be expressed, what needs to be told. So I'm definitely very particular about composition or lens choices or camera placement." Cinematographer Manuel Billeter has worked across a variety of iconic and groundbreaking shows and films including Jessica Jones, Luke Cage, Iron Fist, Law & Order, Person of Interest, Orange Is The New Black, Lawless, and Alfonso Cuarón's Y tu mamá también. Most recently he has been Director of Photography on the HBO Max series The Gilded Age, starring Carrie Coon and Christine Baranski, and Netflix's Inventing Anna, starring Julia Garner.https://manuelbilleter.comwww.imdb.com/name/nm1193850/ www.imdb.com/title/tt4406178/?ref_=fn_al_tt_1 https://www.imdb.com/title/tt8740976/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org Instagram www.instagram.com/creativeprocesspodcast/

Cinematographer Manuel Billeter has worked across a variety of iconic and groundbreaking shows and films including Jessica Jones, Luke Cage, Iron Fist, Law & Order, Person of Interest, Orange Is The New Black, Lawless, and Alfonso Cuarón's Y tu mamá también. Most recently he has been Director of Photography on the HBO Max series The Gilded Age, starring Carrie Coon and Christine Baranski, and Netflix's Inventing Anna, starring Julia Garner. "I also had the very good fortune of working as a camera assistant, and a camera operator with other cinematographers, so I learned a lot from them. And they became mentors in a way. And it was kind of like a fortunate path to becoming a cinematographer myself. After that, Alfonso Cuarón, obviously the collaboration was incredibly important and I learned a lot and I carry a lot of that in me, undeniably.And observing and learning while I was working, I could see, Okay, how does this person approach the scene? What is their lighting style? How do they relate with the crew, with production, and with actors? What kind of behavior is displayed? How do we interact with people? What is their process? I was being able to observe. That is invaluable. It was a good way to learn. My film school was being there, being in the front row, and keeping my eyes open, my ears open, and just observing, and learning by doing, by watching, and by seeing what should be imitated, and what shouldn't be imitated....I was maybe 19 or 20 years old when I read Goodbye to Berlin. I was in Berlin and that paragraph just really struck me. "I am a camera, with its shutter open, quite passive. Some day all of this will have to be developed, printed, fixed."And I thought, I was dabbling in photography back then already, so the terminology and the photographic process was not new to me. It really resonated with me a lot because that sentiment allows you to give yourself time. That nothing has to be fixed and chiseled for eternity right this second.”https://manuelbilleter.comwww.imdb.com/name/nm1193850/ www.imdb.com/title/tt4406178/?ref_=fn_al_tt_1 https://www.imdb.com/title/tt8740976/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org Instagram www.instagram.com/creativeprocesspodcast/ Photo credit: Sarah Shatz

"I also had the very good fortune of working as a camera assistant, and a camera operator with other cinematographers, so I learned a lot from them. And they became mentors in a way. And it was kind of like a fortunate path to becoming a cinematographer myself. After that, Alfonso Cuarón, obviously the collaboration was incredibly important and I learned a lot and I carry a lot of that in me, undeniably.And observing and learning while I was working, I could see, Okay, how does this person approach the scene? What is their lighting style? How do they relate with the crew, with production, and with actors? What kind of behavior is displayed? How do we interact with people? What is their process? I was being able to observe. That is invaluable. It was a good way to learn. My film school was being there, being in the front row, and keeping my eyes open, my ears open, and just observing, and learning by doing, by watching, and by seeing what should be imitated, and what shouldn't be imitated....I was maybe 19 or 20 years old when I read Goodbye to Berlin. I was in Berlin and that paragraph just really struck me. "I am a camera, with its shutter open, quite passive. Some day all of this will have to be developed, printed, fixed."And I thought, I was dabbling in photography back then already, so the terminology and the photographic process was not new to me. It really resonated with me a lot because that sentiment allows you to give yourself time. That nothing has to be fixed and chiseled for eternity right this second.”Cinematographer Manuel Billeter has worked across a variety of iconic and groundbreaking shows and films including Jessica Jones, Luke Cage, Iron Fist, Law & Order, Person of Interest, Orange Is The New Black, Lawless, and Alfonso Cuarón's Y tu mamá también. Most recently he has been Director of Photography on the HBO Max series The Gilded Age, starring Carrie Coon and Christine Baranski, and Netflix's Inventing Anna, starring Julia Garner.https://manuelbilleter.comwww.imdb.com/name/nm1193850/ www.imdb.com/title/tt4406178/?ref_=fn_al_tt_1 https://www.imdb.com/title/tt8740976/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org Instagram www.instagram.com/creativeprocesspodcast/

Cinematographer Manuel Billeter has worked across a variety of iconic and groundbreaking shows and films including Jessica Jones, Luke Cage, Iron Fist, Law & Order, Person of Interest, Orange Is The New Black, Lawless, and Alfonso Cuarón's Y tu mamá también. Most recently he has been Director of Photography on the HBO Max series The Gilded Age, starring Carrie Coon and Christine Baranski, and Netflix's Inventing Anna, starring Julia Garner."Another aspect of why I was drawn to The Gilded Age is because it's populated by so many strong female characters. And it looks like that's a common thread throughout the projects that I've done, there's always been a very strong female lead, an unusual female lead.And, I must say, I'm drawn to that kind of storytelling, and I'm drawn to those stories because I think it's important to tell those stories and to inhabit these stories from a very female perspective.When I first read the script for the pilot episode, what really sprung out, what I really thought was an interesting way of discovering this world was that we discover it through the eyes of Marian (played by Louisa Jacobson), who's an outsider, who comes in. She's not in New York. She doesn't know much about New York at all, except that she has these aunts, two very wealthy members of high society. But this process of discovering this world through the eyes of an outsider and being dropped right into the middle of this conflict that the show builds upon, I thought was really interesting…That's how society worked then, or maybe it still works that way, there's a big influence, [where women] have a strong hand in a family setting. I think that probably the motherly perspective is something that's very dominant. At least at that point, it was the only real sphere of influence that was given to women because women were not necessarily in the workforce. It was very rare to have women in a leading role in any of the businesses or sciences or arts and letters. Back then, you had female writers having to publish under male pseudonyms because as women they wouldn't be published. Or as women, they wouldn't be recognized."https://manuelbilleter.comwww.imdb.com/name/nm1193850/ www.imdb.com/title/tt4406178/?ref_=fn_al_tt_1 https://www.imdb.com/title/tt8740976/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org Instagram www.instagram.com/creativeprocesspodcast/ Photo credit: Sarah Shatz

"Another aspect of why I was drawn to The Gilded Age is because it's populated by so many strong female characters. And it looks like that's a common thread throughout the projects that I've done, there's always been a very strong female lead, an unusual female lead.And, I must say, I'm drawn to that kind of storytelling, and I'm drawn to those stories because I think it's important to tell those stories and to inhabit these stories from a very female perspective.When I first read the script for the pilot episode, what really sprung out, what I really thought was an interesting way of discovering this world was that we discover it through the eyes of Marian (played by Louisa Jacobson), who's an outsider, who comes in. She's not in New York. She doesn't know much about New York at all, except that she has these aunts, two very wealthy members of high society. But this process of discovering this world through the eyes of an outsider and being dropped right into the middle of this conflict that the show builds upon, I thought was really interesting…That's how society worked then, or maybe it still works that way, there's a big influence, [where women] have a strong hand in a family setting. I think that probably the motherly perspective is something that's very dominant. At least at that point, it was the only real sphere of influence that was given to women because women were not necessarily in the workforce. It was very rare to have women in a leading role in any of the businesses or sciences or arts and letters. Back then, you had female writers having to publish under male pseudonyms because as women they wouldn't be published. Or as women, they wouldn't be recognized."Cinematographer Manuel Billeter has worked across a variety of iconic and groundbreaking shows and films including Jessica Jones, Luke Cage, Iron Fist, Law & Order, Person of Interest, Orange Is The New Black, Lawless, and Alfonso Cuarón's Y tu mamá también. Most recently he has been Director of Photography on the HBO Max series The Gilded Age, starring Carrie Coon and Christine Baranski, and Netflix's Inventing Anna, starring Julia Garner.https://manuelbilleter.comwww.imdb.com/name/nm1193850/ www.imdb.com/title/tt4406178/?ref_=fn_al_tt_1 https://www.imdb.com/title/tt8740976/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org Instagram www.instagram.com/creativeprocesspodcast/

"What I think made me want to pursue film or what started my fascination with film and cinema were definitely Fellini, Antonioni, and Bertolucci; the masters, if you will, that kind of make you dream - make you just go to a movie theater, enter this space, and just have a communal experience. I know looking at the screen and just being completely immersed and experiencing stories or experiencing things that make you understand life more - or make you understand life less - and create a dialogue between you and the rest of the world.After that, Alfonso Cuarón, obviously the collaboration was incredibly important and I learned a lot and I carry a lot of that in me, undeniably. Then, I also had the very good fortune of working as a camera assistant, and a camera operator with other cinematographers, so I learned a lot from them. And they became mentors in a way. And it was kind of like a fortunate path to becoming a cinematographer myself.The camera is my tool of choice. It's what I've been given to express what needs to be expressed, what needs to be told. So I'm definitely very particular about composition or lens choices or camera placement." Cinematographer Manuel Billeter has worked across a variety of iconic and groundbreaking shows and films including Jessica Jones, Luke Cage, Iron Fist, Law & Order, Person of Interest, Orange Is The New Black, Lawless, and Alfonso Cuarón's Y tu mamá también. Most recently he has been Director of Photography on the HBO Max series The Gilded Age, starring Carrie Coon and Christine Baranski, and Netflix's Inventing Anna, starring Julia Garner.https://manuelbilleter.comwww.imdb.com/name/nm1193850/ www.imdb.com/title/tt4406178/?ref_=fn_al_tt_1 https://www.imdb.com/title/tt8740976/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org Instagram www.instagram.com/creativeprocesspodcast/

Cinematographer Manuel Billeter has worked across a variety of iconic and groundbreaking shows and films including Jessica Jones, Luke Cage, Iron Fist, Law & Order, Person of Interest, Orange Is The New Black, Lawless, and Alfonso Cuarón's Y tu mamá también. Most recently he has been Director of Photography on the HBO Max series The Gilded Age, starring Carrie Coon and Christine Baranski, and Netflix's Inventing Anna, starring Julia Garner."What I think made me want to pursue film or what started my fascination with film and cinema were definitely Fellini, Antonioni, and Bertolucci; the masters, if you will, that kind of make you dream - make you just go to a movie theater, enter this space, and just have a communal experience. I know looking at the screen and just being completely immersed and experiencing stories or experiencing things that make you understand life more - or make you understand life less - and create a dialogue between you and the rest of the world.After that, Alfonso Cuarón, obviously the collaboration was incredibly important and I learned a lot and I carry a lot of that in me, undeniably. Then, I also had the very good fortune of working as a camera assistant, and a camera operator with other cinematographers, so I learned a lot from them. And they became mentors in a way. And it was kind of like a fortunate path to becoming a cinematographer myself.The camera is my tool of choice. It's what I've been given to express what needs to be expressed, what needs to be told. So I'm definitely very particular about composition or lens choices or camera placement." https://manuelbilleter.comwww.imdb.com/name/nm1193850/ www.imdb.com/title/tt4406178/?ref_=fn_al_tt_1 https://www.imdb.com/title/tt8740976/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org Instagram www.instagram.com/creativeprocesspodcast/ Photo credit: Sarah Shatz

"What I think made me want to pursue film or what started my fascination with film and cinema were definitely Fellini, Antonioni, and Bertolucci; the masters, if you will, that kind of make you dream - make you just go to a movie theater, enter this space, and just have a communal experience. I know looking at the screen and just being completely immersed and experiencing stories or experiencing things that make you understand life more - or make you understand life less - and create a dialogue between you and the rest of the world.After that, Alfonso Cuarón, obviously the collaboration was incredibly important and I learned a lot and I carry a lot of that in me, undeniably. Then, I also had the very good fortune of working as a camera assistant, and a camera operator with other cinematographers, so I learned a lot from them. And they became mentors in a way. And it was kind of like a fortunate path to becoming a cinematographer myself.The camera is my tool of choice. It's what I've been given to express what needs to be expressed, what needs to be told. So I'm definitely very particular about composition or lens choices or camera placement." Cinematographer Manuel Billeter has worked across a variety of iconic and groundbreaking shows and films including Jessica Jones, Luke Cage, Iron Fist, Law & Order, Person of Interest, Orange Is The New Black, Lawless, and Alfonso Cuarón's Y tu mamá también. Most recently he has been Director of Photography on the HBO Max series The Gilded Age, starring Carrie Coon and Christine Baranski, and Netflix's Inventing Anna, starring Julia Garner.https://manuelbilleter.comwww.imdb.com/name/nm1193850/ www.imdb.com/title/tt4406178/?ref_=fn_al_tt_1 https://www.imdb.com/title/tt8740976/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org Instagram www.instagram.com/creativeprocesspodcast/

Cinematographer Manuel Billeter has worked across a variety of iconic and groundbreaking shows and films including Jessica Jones, Luke Cage, Iron Fist, Law & Order, Person of Interest, Orange Is The New Black, Lawless, and Alfonso Cuarón's Y tu mamá también. Most recently he has been Director of Photography on the HBO Max series The Gilded Age, starring Carrie Coon and Christine Baranski, and Netflix's Inventing Anna, starring Julia Garner."What I think made me want to pursue film or what started my fascination with film and cinema were definitely Fellini, Antonioni, and Bertolucci; the masters, if you will, that kind of make you dream - make you just go to a movie theater, enter this space, and just have a communal experience. I know looking at the screen and just being completely immersed and experiencing stories or experiencing things that make you understand life more - or make you understand life less - and create a dialogue between you and the rest of the world.After that, Alfonso Cuarón, obviously the collaboration was incredibly important and I learned a lot and I carry a lot of that in me, undeniably. Then, I also had the very good fortune of working as a camera assistant, and a camera operator with other cinematographers, so I learned a lot from them. And they became mentors in a way. And it was kind of like a fortunate path to becoming a cinematographer myself.The camera is my tool of choice. It's what I've been given to express what needs to be expressed, what needs to be told. So I'm definitely very particular about composition or lens choices or camera placement." https://manuelbilleter.comwww.imdb.com/name/nm1193850/ www.imdb.com/title/tt4406178/?ref_=fn_al_tt_1 https://www.imdb.com/title/tt8740976/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org Instagram www.instagram.com/creativeprocesspodcast/ Photo credit: Sarah Shatz

Paranormal activity is happening in the studio today—the veil between the living and dead is dangerously thin. Jump scares abound as Katinka and Claire forego ghostbusting for ghost-misinformation-busting instead. In the end, Katinka demonstrates her (lack of) skills as a medium when a séance goes horribly (or wonderfully?) wrong. Also, have you tried Chocolate Juice™ yet? In the spirit of narcissism, all characters in this episode are played by Desi Domo. About Desi: Desi is a comedian, actor, and writer in Brooklyn, NY. Credits include: UCB Theatre Maude Night, UCB Theatre Characters Welcome, Blank! The Musical, Netflix's Inventing Anna, and The Conjuring. See more of her characters and impressions at desidomo.com and Instagram.com/desidomo. Desi also reads tarot professionally (better than Katinka). Book a reading with her at starchaeologytarot.com.See omnystudio.com/listener for privacy information.

Who was Katinka in other lives? Who was Claire in other lives? And where the heck do aliens fit into the cycle of reincarnation? Unsurprisingly, Katinka has all the answers in her juiciest episode yet. Guest Jaya Astrodar, anti-CEO CEO, chats with Katinka about spiritual entrepreneurship and her favorite companies from her past lives. Lastly, Katinka tries to read the birth chart (*tries*) of a listener curious about past life regression and then someone leaves the studio… in HANDCUFFS. In the spirit of narcissism, all characters in this episode are played by Desi Domo. About Desi: Desi is a comedian, actor, and writer in Brooklyn, NY. Credits include: UCB Theatre Maude Night, UCB Theatre Characters Welcome, Blank! The Musical, Netflix's Inventing Anna, and The Conjuring. See more of her characters and impressions at desidomo.com and Instagram.com/desidomo. Desi also reads tarot professionally (better than Katinka). Book a reading with her at starchaeologytarot.com.See omnystudio.com/listener for privacy information.

Narcissistic mystic Katinka explores the ins and outs of manifesting—whether it be with magic candles, crystals, or voodoo dolls—and big questions nobody ever asked like “Who really caused the BP oil spill in 2010?” are answered. Bestselling spiritual author Eckhart Tolle reads an excerpt from his latest book, which he wrote in collaboration with… Cosmopolitan Magazine??? Different! Finally, Katinka leads listeners through a non-relaxing and somewhat troubling meditation designed to help them manifest their (her) dreams. In the spirit of narcissism, all characters in this episode are played by Desi Domo. About Desi: Desi is a comedian, actor, and writer in Brooklyn, NY. Credits include: UCB Theatre Maude Night, UCB Theatre Characters Welcome, Blank! The Musical, Netflix's Inventing Anna, and The Conjuring. See more of her characters and impressions at desidomo.com and Instagram.com/desidomo. Desi also reads tarot professionally (better than Katinka). Book a reading with her at starchaeologytarot.com.See omnystudio.com/listener for privacy information.

Is it possible for a narcissist to read tarot cards or astrological charts if they're not her own? This witchy podcast answers that question with a resounding “No!” What happens instead? Listen and learn as vaguely European mystic, Katinka, butchers every mystical practice she attempts. In this debut episode about sexy divine love, Katinka spreads awareness about numerology, gets advice from spiritual dating coach Lakshmi Pudding, and learns something shocking about her ex-husband from a tarot reading she gives to a listener. In the spirit of narcissism, all characters in this episode are played by Desi Domo. About Desi: Desi is a comedian, actor, and writer in Brooklyn, NY. Credits include: UCB Theatre Maude Night, UCB Theatre Characters Welcome, Blank! The Musical, Netflix's Inventing Anna, and The Conjuring. See more of her characters and impressions at desidomo.com and Instagram.com/desidomo. Desi also reads tarot professionally (better than Katinka). Book a reading with her at starchaeologytarot.com.See omnystudio.com/listener for privacy information.

Welcome to the newest episode of Let's Talk To...! On this special episode, The BS Podcast is among the first to speak with the infamous fake heiress, fresh out of prison, Anna Delvey/Sorokin! She tells us the first thing she did when she got out of jail and if she has even seen Netflix's "Inventing Anna" yet! Then she discloses to us if she wants to be famous, why she didn't use sex to scam, the details of her house arrest, and if she had an exit strategy! All that and more on today's episode of Let's Talk To...! #BetterThanRadio If you enjoy daily ad-free content, subscribe to The BS at www.podcastthebs.com --- Send in a voice message: https://anchor.fm/the-bailey-show/message

Jake Tapper goes one-on-one with Anna Sorokin, the convicted con artist and fraudster, and the inspiration behind Netflix's “Inventing Anna”. Now out of ICE detention but under house arrest, she tells Jake that she “definitely did” take advantage of people, why she thinks her punishment would be different he she was sentenced in her native Germany, and what's next for her after her release. Former Trump White House Deputy Press Secretary Sarah Matthews joins to discuss if she thinks Donald Trump poses a threat to democracy, speaks out about being smeared at the House Republican Conference, and tells Jake whether she thinks Trumps' current team really believe the election was stolen.Plus, the panel re-examine the attempted murder conviction of C.J. Rice, who was sentenced to up 60 years in prison despite thin evidence, and question if his own attorney undermined his legal defense. Hosted by Jake Tapper.To learn more about how CNN protects listener privacy, visit cnn.com/privacy

Jake Tapper goes one-on-one with Anna Sorokin, the convicted con artist and fraudster, and the inspiration behind Netflix's “Inventing Anna”. Now out of ICE detention but under house arrest, she tells Jake that she “definitely did” take advantage of people, why she thinks her punishment would be different he she was sentenced in her native Germany, and what's next for her after her release. Former Trump White House Deputy Press Secretary Sarah Matthews joins to discuss if she thinks Donald Trump poses a threat to democracy, speaks out about being smeared at the House Republican Conference, and tells Jake whether she thinks Trumps' current team really believe the election was stolen.Plus, the panel re-examine the attempted murder conviction of C.J. Rice, who was sentenced to up 60 years in prison despite thin evidence, and question if his own attorney undermined his legal defense. Hosted by Jake Tapper.To learn more about how CNN protects listener privacy, visit cnn.com/privacy

This week Dan interviews the controversial Anna Delvey from Netflix's Inventing Anna. We also talk about good and bad dining experiences, intermittent fasting and weight loss, and Stephen using Les Mill's Body Combat for the Meta Quest to get fit. Ep 131 Check out our site! Get SenSoc gear in our Shop! https://www.thesensiblesociopathpodcast.com/ Support the podcast: https://www.paypal.com/donate/?hosted_button_id=BQTKD2SK9RZAL https://www.patreon.com/thesensiblesociopathpodcast --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/the-sensible-sociopath/message

Chris whips out the grill, Rob has purple hair and John falls down. They also give their thoughts on Elon Musk buying Twitter, Netflix's "Inventing Anna", Strm Cafe, how the NFL Draft indirectly led to this very podcast and some summer plans. Enjoy!

Listen in for 2 lessons! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/justbewithjustinab/message

Netflix's Inventing Anna presents a flashy version of fake German heiress Anna Delvy's scams. Rachel Deloache Williams was scammed out of $62,000 by Anna on a disastrous trip to Morocco.  In today's episode, Rachel discusses true crime shows like Inventing Anna and Hulu's The Dropout and what it means for all of us when liars and scammers are elevated and amplified.     Anna ‘Delvey' Sorokin Almost Ruined My Life. Now She's Being Rewarded for Her Crimes: https://time.com/6146419/inventing-anna-rachel-williams-anna-delvey/ Check out Rachel's book My Friend Anna: https://www.simonandschuster.com/books/My-Friend-Anna/Rachel-DeLoache-Williams/9781982114107   Want to support the show? (thank you!) Buy some merch at There Are No Girls on the Internet's store: TANGOTI.COM/STORE Subscribe to our newsletter: Tangoti.com/newsletter Just want to say god dag / Բարեւ Ձեզ / hello?  We'd love to hear from you! hello@tangoti.com See omnystudio.com/listener for privacy information.

It's "Women's History Month," or as Carmen calls it, "Not Your Month, John." To celebrate, Carmen shares a list of her fave reasons she's a woman. Sure, that doesn't make much sense, but it eventually leads to things that do. Then John and Carmen discuss Netflix's "Inventing Anna" which they loved to hate. Plus, the duo sings lots of new songs (or maybe just one, but it feels like a LOT).

The third leg of Tom's I'm Coming Everywhere tour is here! Get tickets at https://tomsegura.com/tour and use code TOMMY to access the pre-sale starting Wednesday, at 10am localAre your jeans pulled over your head? Tom Segura and Christina P open the show on a really special girl who isn't like other girls! Christina reveals she has a new kink that she is unwilling to reveal, we talk about Tommy Lasorda's SlimFast commercials and commencement speech for Tom's confirmation, and we discuss Netflix's "Inventing Anna." There's a #YMHexclusive about real bidets, Horrible or Hilarious gets kicked up a notch, and we discuss completely insane amusement parks with dangerous rides. We welcome baby Zollo to Austin, which means the entire crew is now in Texas! And we finish off with taking a look at Christina's most recent TikTok curations!

Let's face it, Netflix sent us all on a deep dive into all the ins and outs of “millionaire” con artists this year. I've had a week off from work and I'm catching up on all the shows I've missed and that lead me down the rabbit hole of Inventing Anna and The Tinder Swindler. I get into both in this episode but TL;DL version - skip Anna but stick around for “Simon”. Would you have given them money? Listen now and let me know on Instagram or email at sockbunstudios@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Anna “Delvey” Sorokin is a mystery: Con artist? Shrewd business person? No matter what you think about the real woman, Netflix's Inventing Anna is a confounding and entertaining story. Email us: KillerFunPodcast@gmail.comFollow us on Facebook: fb.me/KillerFunPodcastAll the Tweets: http://twitter.com/KillerFunPodInstagram: killerfunpodcast

Overnight, Russian forces have intensified airstrikes on civilian targets in Kyiv, Ukraine. Plus, a suspect has been taken into custody in connection with that string of attacks targeting homeless people in New York and Washington, D.C. And, where is Anna Sorokin? The fake Russian heiress and subject of Netflix's “Inventing Anna” was set to be released from a detention center, but her whereabouts are now unknown. Also, Dolly Parton has withdrawn from the Rock and Roll Hall of Fame nominations.

This week Mikey One Minute Reviews Netflix hit series Inventing Anna but is it a hit to Mikey? Following me on Twitter and Instagram at ommrpodcast and email me at ommrpodcast@gmail.com Coming up next the Mega Hit Spider-man No Way Home!

Alex and The Director discuss why people are querying Davido's sold out at the 02 arena, Netflix's Inventing Anna and fraudsters we have personally encountered, the rehabilitation of abusers based on the Dizzee Rascal domestic violence case and more. Timestamps (0:00) Intro (03:00) What do the empty seats at the Davido concert really mean? (05:42) Keep your private life private (09:42) Who really paid off Prince Andrew's victim? (13:10) Why is the Tinder Swindler an overnight celebrity? (14:24) Netflix's Inventing Anna review (23:02) Everything is going up but salaries (30:31) Dizzee Rascal's rage at his guilty verdict (37:44) Advice to our younger selves Don't forget to SUBSCRIBE. To follow on social media and other streaming platforms - https://linktr.ee/advicewithalex Use #advicewithalex or @advicewithalex to join the conversation.

【聊了什么】 本期节目是疲惫娇娃联手播客「别任性」的Alexwood一起共同策划的三八国际妇女节的特别节目，同时也是#看见真女人# 这样一个线上活动的一部分。通过一系列视频、播客，和文章内容，我们展示真实女性在生活中真实模样，和社会一起反思强加给女性的种种不“真实”标准。 “她真女人。” 当你听到这句评价时想到的是什么样的形象？可能是婀娜的身姿娇媚的面容，可能是柔美的风情温婉的举止。但现实中的真女人们是什么样子呢？真女人们可能有不完美的皮肤，可能穿不进标准小号的衣服，可能没太多时间打理头发，可能不想化妆，可能肌肉健硕，可能不做妈妈，也可能选择单身。这些都是真女人。但在影视作品的故事中，人们津津乐道的girl power榜样里，或社交媒体的滤镜下，“普通”又真实的女人都仿佛都不存在。“真女人”，应该就是真实的女人，不需要“有女孩子的样子”，人生选择更不需要对别人做什么解释。 这期播客内容里，我们选取了一个找了一个很刁钻的角度，由几个现实中的“假女人”的故事展开（假千金宋智雅+假独角兽创业者Elizabeth Holmes+假欧洲名媛Anna Delvey），看看这些完美的“假女人“能给我们什么启发？看看她们对自己做了什么样的伪装，为什么她们选择了做”假女人”？又为什么承受的惩罚如此惨重？这些“假女人”的形象本身就凝聚着社会对“理想女性”的标准和期待，而我们如果分析一下这些女性形象，也就会明白为什么我们做“真女人”这么难了。 请大家上微博关注#看见真女人#话题下的更多内容，并分享你心目中的真女人是谁，是什么样子，无论是她人还是你自己，无论是通过照片，文字还是其他形式。让我们一起#看见真女人#，也作为真女人被看见。 This episode is a special program for International Women's Day, co-hosted with Alexwood from “Be a Dodo”. This is also a part of a Weibo campaign for #看见真女人# (seeing real women) -- through a series of videos, podcasts, and articles, we show the world what real women really look like in life, and reflect on society's unrealistic standards imposed on women. We chose a tricky angle to explore the concept of real women, but looking at the story of several “fake women”: Song Ji A from Netflix's hottest show, “Singles Inferno; disgraced former Silicon Valley darling Elizabeth Holmes, portrayed by Amanda Seyfried for Hulu's “The Dropout”; and the fake socialite Anna Delvey who recently is the protagonist of Netflix's “Inventing Anna”. What can they teach us about faking it? The images of these "fake women" themselves embody the standards and expectations of society for the "ideal women", and if we analyze these images of women, we will understand why it is so difficult for us to truly be ourselves, or "real women". 【时间轴】 1:19 我们今天想要聊的假女人与真女人 9:40 第一位假女人：宋智雅。她代表了东亚对完美女性的一套新规则，这个标签可以被概括为“纯欲”、“奶凶”一系列小红书式的形容词。贤妻良母被先锋审美淘汰。女性被赋予了更严格精细的标准智雅的“人设“有多少是在男性凝视下塑造出来的呢？既是独立思考的“女强人”，不依赖男性，玩转男人于手心，但是到头来还是会和其他女性竞争，赢得竞赛，赢得男性的渴望与追求。 33:42 第二位假女人：Elizabeth Holmes，Theranos企业总裁，硅谷创业传奇，曾经最年轻的白手起家亿万富翁”。原来“创业”是画了一张无法实现的大饼，最后谎言被戳穿锒铛入狱（已经被判有罪，今年九月份才会判刑）。 44:52 第三位假女人：Anna Delvey，假欧洲富二代，混迹纽约交际圈，尝试建立自己的高级社交/艺术俱乐部，看似离梦想一步之遥（2017年被抓，2019年被判刑4-12年，2021年二月假释出狱，现在面临被ICE遣返德国）。 1:03:25 女性总被劝言：为了成功，我们需要 fake it to make it。这是为什么？不平等的性别文化，固化的阶级，两极化的财富分布，使得女人无法做“真女人”？Faking it 能修正某种性别不公正待遇？但一定要 fake it 才能 make it 吗？ 1:10:23 人们热爱创造偶像又热爱“打假”，王冰冰即使作为“真女人”也无端“被塌房”。人们一起创造了“假女人”们，而她们的陨落叙事总是故事必要的第二部分，如同一个警示预言。 1:17:48 我们心中都有假女人吗？如何看待美颜滤镜？研究显示 Instagram 对女性的身体满意度，以至于心理健康，有很大的负面影响。我们如何抵抗心中的“假女人”？ 1:19 what do we mean by “fake women” 9:40 our first example: Song Ji A, from Netflix's “Single's Inferno” 33:42 our second example: Elizabeth Holmes, former CEO of Theranos, the legend of Silicon Valley, currently found guilty of fraud 44:52 our third example: Anna Delvey, former NYC socialite and fake German heiress 1:03:25 women are always suggested to “fake it till we make it”, but why? Perhaps women have to “fake it” to adjust for gender inequality, rigid socioeconomic classes, and polarizing wealth disparity 1:10:23 the public loves creating new idols, and then subjecting these man-made idols to impossible standards and accusing them of “failing” the people. Why is that? 1:17:48 Do we all have a fake woman in our hearts? How do we deal with social media-driven body dysmorphia, mental health, and the filter-heavy online world? 【买咖啡】 如果喜欢这期节目并愿意想要给我们买杯咖啡： 海外用户：https://www.patreon.com/cyberpinkfm 海内用户：https://afdian.net/@cyberpinkfm 商务合作邮箱：cyberpinkfm@gmail.com 商务合作微信：CyberPink2022 If you like our show and want to support us, please consider the following: Those Abroad: https://www.patreon.com/cyberpinkfm Those in China: https://afdian.net/@cyberpinkfm Business Inquiries Email: cyberpinkfm@gmail.com Business Inquiries WeChat: CyberPink2022 请大家在微博关注#看见真女人#话题，在下面用任何方式，文字，图片，视频，展现你心目中一个真实女性的真实生活，可以是自己也可以是别人，也可以是你看过的虚构作品中的人物。总之，这个三八节，让我们看见真女人，也做为真女人被看到。 #看见真女人，庆祝不完美#

【聊了什么】 本期节目是疲惫娇娃联手播客「别任性」的Alexwood一起共同策划的三八国际妇女节的特别节目，同时也是#看见真女人# 这样一个线上活动的一部分。通过一系列视频、播客，和文章内容，我们展示真实女性在生活中真实模样，和社会一起反思强加给女性的种种不“真实”标准。 “她真女人。” 当你听到这句评价时想到的是什么样的形象？可能是婀娜的身姿娇媚的面容，可能是柔美的风情温婉的举止。但现实中的真女人们是什么样子呢？真女人们可能有不完美的皮肤，可能穿不进标准小号的衣服，可能没太多时间打理头发，可能不想化妆，可能肌肉健硕，可能不做妈妈，也可能选择单身。这些都是真女人。但在影视作品的故事中，人们津津乐道的girl power榜样里，或社交媒体的滤镜下，“普通”又真实的女人都仿佛都不存在。“真女人”，应该就是真实的女人，不需要“有女孩子的样子”，人生选择更不需要对别人做什么解释。 这期播客内容里，我们选取了一个找了一个很刁钻的角度，由几个现实中的“假女人”的故事展开（假千金宋智雅+假独角兽创业者Elizabeth Holmes+假欧洲名媛Anna Delvey），看看这些完美的“假女人“能给我们什么启发？看看她们对自己做了什么样的伪装，为什么她们选择了做”假女人”？又为什么承受的惩罚如此惨重？这些“假女人”的形象本身就凝聚着社会对“理想女性”的标准和期待，而我们如果分析一下这些女性形象，也就会明白为什么我们做“真女人”这么难了。 请大家上微博关注#看见真女人#话题下的更多内容，并分享你心目中的真女人是谁，是什么样子，无论是她人还是你自己，无论是通过照片，文字还是其他形式。让我们一起#看见真女人#，也作为真女人被看见。 This episode is a special program for International Women's Day, co-hosted with Alexwood from “Be a Dodo”. This is also a part of a Weibo campaign for #看见真女人# (seeing real women) -- through a series of videos, podcasts, and articles, we show the world what real women really look like in life, and reflect on society's unrealistic standards imposed on women. We chose a tricky angle to explore the concept of real women, but looking at the story of several “fake women”: Song Ji A from Netflix's hottest show, “Singles Inferno; disgraced former Silicon Valley darling Elizabeth Holmes, portrayed by Amanda Seyfried for Hulu's “The Dropout”; and the fake socialite Anna Delvey who recently is the protagonist of Netflix's “Inventing Anna”. What can they teach us about faking it? The images of these "fake women" themselves embody the standards and expectations of society for the "ideal women", and if we analyze these images of women, we will understand why it is so difficult for us to truly be ourselves, or "real women". 【时间轴】 1:19 我们今天想要聊的假女人与真女人 9:40 第一位假女人：宋智雅。她代表了东亚对完美女性的一套新规则，这个标签可以被概括为“纯欲”、“奶凶”一系列小红书式的形容词。贤妻良母被先锋审美淘汰。女性被赋予了更严格精细的标准智雅的“人设“有多少是在男性凝视下塑造出来的呢？既是独立思考的“女强人”，不依赖男性，玩转男人于手心，但是到头来还是会和其他女性竞争，赢得竞赛，赢得男性的渴望与追求。 33:42 第二位假女人：Elizabeth Holmes，Theranos企业总裁，硅谷创业传奇，曾经最年轻的白手起家亿万富翁”。原来“创业”是画了一张无法实现的大饼，最后谎言被戳穿锒铛入狱（已经被判有罪，今年九月份才会判刑）。 44:52 第三位假女人：Anna Delvey，假欧洲富二代，混迹纽约交际圈，尝试建立自己的高级社交/艺术俱乐部，看似离梦想一步之遥（2017年被抓，2019年被判刑4-12年，2021年二月假释出狱，现在面临被ICE遣返德国）。 1:03:25 女性总被劝言：为了成功，我们需要 fake it to make it。这是为什么？不平等的性别文化，固化的阶级，两极化的财富分布，使得女人无法做“真女人”？Faking it 能修正某种性别不公正待遇？但一定要 fake it 才能 make it 吗？ 1:10:23 人们热爱创造偶像又热爱“打假”，王冰冰即使作为“真女人”也无端“被塌房”。人们一起创造了“假女人”们，而她们的陨落叙事总是故事必要的第二部分，如同一个警示预言。 1:17:48 我们心中都有假女人吗？如何看待美颜滤镜？研究显示 Instagram 对女性的身体满意度，以至于心理健康，有很大的负面影响。我们如何抵抗心中的“假女人”？ 1:19 what do we mean by “fake women” 9:40 our first example: Song Ji A, from Netflix's “Single's Inferno” 33:42 our second example: Elizabeth Holmes, former CEO of Theranos, the legend of Silicon Valley, currently found guilty of fraud 44:52 our third example: Anna Delvey, former NYC socialite and fake German heiress 1:03:25 women are always suggested to “fake it till we make it”, but why? Perhaps women have to “fake it” to adjust for gender inequality, rigid socioeconomic classes, and polarizing wealth disparity 1:10:23 the public loves creating new idols, and then subjecting these man-made idols to impossible standards and accusing them of “failing” the people. Why is that? 1:17:48 Do we all have a fake woman in our hearts? How do we deal with social media-driven body dysmorphia, mental health, and the filter-heavy online world? 【买咖啡】 如果喜欢这期节目并愿意想要给我们买杯咖啡： 海外用户：https://www.patreon.com/cyberpinkfm 海内用户：https://afdian.net/@cyberpinkfm 商务合作邮箱：cyberpinkfm@gmail.com 商务合作微信：CyberPink2022 If you like our show and want to support us, please consider the following: Those Abroad: https://www.patreon.com/cyberpinkfm Those in China: https://afdian.net/@cyberpinkfm Business Inquiries Email: cyberpinkfm@gmail.com Business Inquiries WeChat: CyberPink2022 请大家在微博关注#看见真女人#话题，在下面用任何方式，文字，图片，视频，展现你心目中一个真实女性的真实生活，可以是自己也可以是别人，也可以是你看过的虚构作品中的人物。总之，这个三八节，让我们看见真女人，也做为真女人被看到。 #看见真女人，庆祝不完美#

【聊了什么】 本期节目是疲惫娇娃联手播客「别任性」的Alexwood一起共同策划的三八国际妇女节的特别节目，同时也是#看见真女人# 这样一个线上活动的一部分。通过一系列视频、播客，和文章内容，我们展示真实女性在生活中真实模样，和社会一起反思强加给女性的种种不“真实”标准。 “她真女人。” 当你听到这句评价时想到的是什么样的形象？可能是婀娜的身姿娇媚的面容，可能是柔美的风情温婉的举止。但现实中的真女人们是什么样子呢？真女人们可能有不完美的皮肤，可能穿不进标准小号的衣服，可能没太多时间打理头发，可能不想化妆，可能肌肉健硕，可能不做妈妈，也可能选择单身。这些都是真女人。但在影视作品的故事中，人们津津乐道的girl power榜样里，或社交媒体的滤镜下，“普通”又真实的女人都仿佛都不存在。“真女人”，应该就是真实的女人，不需要“有女孩子的样子”，人生选择更不需要对别人做什么解释。 这期播客内容里，我们选取了一个找了一个很刁钻的角度，由几个现实中的“假女人”的故事展开（假千金宋智雅+假独角兽创业者Elizabeth Holmes+假欧洲名媛Anna Delvey），看看这些完美的“假女人“能给我们什么启发？看看她们对自己做了什么样的伪装，为什么她们选择了做”假女人”？又为什么承受的惩罚如此惨重？这些“假女人”的形象本身就凝聚着社会对“理想女性”的标准和期待，而我们如果分析一下这些女性形象，也就会明白为什么我们做“真女人”这么难了。 请大家上微博关注#看见真女人#话题下的更多内容，并分享你心目中的真女人是谁，是什么样子，无论是她人还是你自己，无论是通过照片，文字还是其他形式。让我们一起#看见真女人#，也作为真女人被看见。 This episode is a special program for International Women's Day, co-hosted with Alexwood from “Be a Dodo”. This is also a part of a Weibo campaign for #看见真女人# (seeing real women) -- through a series of videos, podcasts, and articles, we show the world what real women really look like in life, and reflect on society's unrealistic standards imposed on women. We chose a tricky angle to explore the concept of real women, but looking at the story of several “fake women”: Song Ji A from Netflix's hottest show, “Singles Inferno; disgraced former Silicon Valley darling Elizabeth Holmes, portrayed by Amanda Seyfried for Hulu's “The Dropout”; and the fake socialite Anna Delvey who recently is the protagonist of Netflix's “Inventing Anna”. What can they teach us about faking it? The images of these "fake women" themselves embody the standards and expectations of society for the "ideal women", and if we analyze these images of women, we will understand why it is so difficult for us to truly be ourselves, or "real women". 【时间轴】 1:19 我们今天想要聊的假女人与真女人 9:40 第一位假女人：宋智雅。她代表了东亚对完美女性的一套新规则，这个标签可以被概括为“纯欲”、“奶凶”一系列小红书式的形容词。贤妻良母被先锋审美淘汰。女性被赋予了更严格精细的标准智雅的“人设“有多少是在男性凝视下塑造出来的呢？既是独立思考的“女强人”，不依赖男性，玩转男人于手心，但是到头来还是会和其他女性竞争，赢得竞赛，赢得男性的渴望与追求。 33:42 第二位假女人：Elizabeth Holmes，Theranos企业总裁，硅谷创业传奇，曾经最年轻的白手起家亿万富翁”。原来“创业”是画了一张无法实现的大饼，最后谎言被戳穿锒铛入狱（已经被判有罪，今年九月份才会判刑）。 44:52 第三位假女人：Anna Delvey，假欧洲富二代，混迹纽约交际圈，尝试建立自己的高级社交/艺术俱乐部，看似离梦想一步之遥（2017年被抓，2019年被判刑4-12年，2021年二月假释出狱，现在面临被ICE遣返德国）。 1:03:25 女性总被劝言：为了成功，我们需要 fake it to make it。这是为什么？不平等的性别文化，固化的阶级，两极化的财富分布，使得女人无法做“真女人”？Faking it 能修正某种性别不公正待遇？但一定要 fake it 才能 make it 吗？ 1:10:23 人们热爱创造偶像又热爱“打假”，王冰冰即使作为“真女人”也无端“被塌房”。人们一起创造了“假女人”们，而她们的陨落叙事总是故事必要的第二部分，如同一个警示预言。 1:17:48 我们心中都有假女人吗？如何看待美颜滤镜？研究显示 Instagram 对女性的身体满意度，以至于心理健康，有很大的负面影响。我们如何抵抗心中的“假女人”？ 1:19 what do we mean by “fake women” 9:40 our first example: Song Ji A, from Netflix's “Single's Inferno” 33:42 our second example: Elizabeth Holmes, former CEO of Theranos, the legend of Silicon Valley, currently found guilty of fraud 44:52 our third example: Anna Delvey, former NYC socialite and fake German heiress 1:03:25 women are always suggested to “fake it till we make it”, but why? Perhaps women have to “fake it” to adjust for gender inequality, rigid socioeconomic classes, and polarizing wealth disparity 1:10:23 the public loves creating new idols, and then subjecting these man-made idols to impossible standards and accusing them of “failing” the people. Why is that? 1:17:48 Do we all have a fake woman in our hearts? How do we deal with social media-driven body dysmorphia, mental health, and the filter-heavy online world? 【买咖啡】 如果喜欢这期节目并愿意想要给我们买杯咖啡： 海外用户：https://www.patreon.com/cyberpinkfm 海内用户：https://afdian.net/@cyberpinkfm 商务合作邮箱：cyberpinkfm@gmail.com 商务合作微信：CyberPink2022 If you like our show and want to support us, please consider the following: Those Abroad: https://www.patreon.com/cyberpinkfm Those in China: https://afdian.net/@cyberpinkfm Business Inquiries Email: cyberpinkfm@gmail.com Business Inquiries WeChat: CyberPink2022 请大家在微博关注#看见真女人#话题，在下面用任何方式，文字，图片，视频，展现你心目中一个真实女性的真实生活，可以是自己也可以是别人，也可以是你看过的虚构作品中的人物。总之，这个三八节，让我们看见真女人，也做为真女人被看到。 #看见真女人，庆祝不完美#

Welcome to this bonus episode of The Spill. Today's episode of The Watch is all about Netflix's Inventing Anna, a series inspired by the real-life story of Anna Sorokin (AKA Anna Delvey), who attracted international headlines after she managed to trick New York's art elite into believing she was a wealthy German heiress, scamming multiple hotels and people in the process. In today's episode, we talk through Inventing Anna's biggest twists and try to separate fact from fiction when it comes to the Shonda Rhimes series. CREDITS Hosts: Laura Brodnik & Kee Reece Producers: Laura Brodnik & Gia Moylan Audio Producer: Rhiannon Mooney WANT MORE? Join us in our Facebook group to discuss everything pop culture... https://www.facebook.com/groups/2524018781153963/ Read all the latest entertainment news on Mamamia... https://mamamia.com.au/entertainment/ Follow us on Instagram @mamamiaentertainment https://www.instagram.com/mamamiaentertainment/  Subscribe to The Spill Newsletter...  https://mamamia.com.au/newsletter Join our Facebook page... https://www.facebook.com/mamamiaentertainment/ GET IN TOUCH Call us on the pod phone 02 8999 9386. Email us at thespill@mamamia.com.au Want to hear more Mamamia podcasts? You'll find them here... https://mamamia.com.au/podcasts Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present and extend that respect to all Aboriginal and Torres Strait Islander cultures. Just by reading or listening to our content, you're helping to fund girls in schools in some of the most disadvantaged countries in the world - through our partnership with Room to Read. We're currently funding 300 girls in school every day and our aim is to get to 1,000. Find out more about Mamamia at mamamia.com.au. Support the show: https://www.mamamia.com.au/mplus/ See omnystudio.com/listener for privacy information.

Media critic Neal Zoren returns to the Dom Giordano Program to tell us what's worth watching in the world of television. First, Zoren offers his review of the Reacher series on Amazon Prime, telling the differences between the series which he holds in high regard and the absolutely terrible movie starring Tom Cruise using the same source material. Then, Zoren offers his opinion on Netflix's Inventing Anna, which stars Ruth from Ozark in a completely different role. Finally, Zoren and Giordano discuss the CBS reality series Survivor, with Neal telling why he continues to enjoy the series after 20 plus years of being on air. (Photo by Theo Wargo/Getty Images)

Full Hour | In today's second hour, Giordano leads off by discussing a potential new deal between Iran and the Biden administration, as the Biden administration scrambles to do everything they can to cut oil exports from Russia while hoping to keep prices low domestically. Giordano takes umbrage with this news, explaining that all Biden needs to do is green light domestic oil production and he could avoid making deals with enemies. Giordano spends the majority of the hour discussing strategy centered on gas prices and oil, as the Biden administration tries to figure out what to do to continue heightening sanctions against the communist country. Then, media critic Neal Zoren returns to the Dom Giordano Program to tell us what's worth watching in the world of television. First, Zoren offers his review of the Reacher series on Amazon Prime, telling the differences between the series which he holds in high regard and the absolutely terrible movie starring Tom Cruise using the same source material. Then, Zoren offers his opinion on Netflix's Inventing Anna, which stars Ruth from Ozark in a completely different role. Finally, Zoren and Giordano discuss the CBS reality series Survivor, with Neal telling why he continues to enjoy the series after 20 plus years of being on air. (Photo by Getty Images)

The January 6th committee says they have evidence that former president Donald T**** knew he was committing fraud against the government, and despite evidence to the contrary, Russia's leader insists that his invasion of Ukraine is proceeding exactly as he planned. Meanwhile, Stephen has seen Cristinao Ronaldo's shower video, and he has some thoughts on the comments. Friend of the show Kyle MacLachlan deploys some purrrfect puns aimed at fans of Carole Baskin, the subject of his new series, “Joe vs. Carole,” streaming now on Peacock. Next, Arian Moayed plays the attorney for Anna Delvey in Netflix's “Inventing Anna,” and he says his children have watched the show several times and are always pulling for Anna to prevail in court.  Learn more about your ad choices. Visit megaphone.fm/adchoices

“Inventing Anna” star Anna Chlumsky chats with Drew. Comedian and star of HBOMax comedy special “Fighting Words” Aida Rodriguez joins Drew and Ross Mathews at the Drew's News desk to discuss the hottest headlines. Plus, Pasta Week continues with “Preppy Kitchen” series creator John Kanell whipping up a Wild Mushroom Bolognese with Drew.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this Pulitzer-prize-worthy episode, Dena and Melissa discuss the changing landscape of media throughout time and the cyclical nature of content. But first, Dena scares Melissa by explaining a teratoma TikTok she saw. 4:45 - New Feature: 10 Minute Time Limit We talk about a new update to the TikTok time limit of up to 10 minutes.  12:30 - New TikTok Prank  A new prank involves creators recreating random instagram stories and sending them to the people they parodied. We like one by @geswho16.  14:40 - Audio Trends on TikTok An audio trend on TikTok uses a clip from Netflix's Inventing Anna saying, “I do not have time for this. I do not have time for you.” Thanks to @misscarolineflett for tipping us off to it. Another trend uses a remix of the song Fireflies. Funny examples from @fig.tree.farm, @joshandshenaebeech, and @kindariley. We talk more about the YouTube effect and America's Funniest Home Videos.  23:15 - Lizzo on TikTok  Lizzo (@lizzo) captured our attention with a mystery involving a shoe marked “Ken.” Dena wonders if it has to do with Barbie. We feature a great clip of @itscamilep talking about how Barbie changed her life.  28:30 - Skeleton Brunch We saw articles saying something called “Skeleton Brunch” is going viral on TikTok and potentially causing harm to teens. But we can't find anything about it. It might just be bringing a toy skeleton to a diner with you.  Check out all these videos and more on our blog (2old4tiktok.com), Instagram (@2old4tiktokpod), and TikTok (@2old4tiktok_podcast).    

We're thrilled to welcome back Ann Powers of NPR Music, and author of Good Booty: Love and Sex, Black and White, Body and Soul in American Music to talk to us about the future of music. We explore other critics' predictions about the future, including Ted Gioia's speculation that we may have more dead musicians performing for us in the form of holograms, deep fake vocals, and more. From A.I. K-Pop artists, to Kanye's STEM player, and what Karen calls “micro-dosing mega mixes,” all three peer into the future together, while also listening to our past.  Wynter tells us what's up on Love is Blind season 2, while Karen gives us the final word on her wife Sarah's viral tweet about “cat butter.” Plus, the two get into Netflix's Inventing Anna, which they each binged in a single sitting. Nuo-lingo explores the “vibe shift” and a resurrected SOTW accompanies a brand new one to close out the show. Kurt Cobain and Nirvana learning how much money they make per show: https://www.youtube.com/watch?v=cdb271UMb50&feature=youtu.be

SAG Awards are back and LoJ wish they could be back on the red carpet! Plus, we have audio of Helen Mirren on her SAG Life Achievement Award! Hoda Kotb's exclusive interview with Matt Hutchins about his wife Halyna's tragic death on the set of “Rust” is very compelling and we have the audio. Lori and Julia dive deep into what the real people involved in Netflix's Inventing Anna are up to now.

This episode we review AppleTV+'s Severance (12:35), the finale of HBO Max's Peacemaker (20:27), Netflix's Inventing Anna (27:00) & Amazon Prime's The Marvelous Mrs. Maisel (37:16). For more pop culture news and discussions, subscribe to our friends at Pop Culture Brain Daily by visiting https://popculturebrain.substack.com/subscribe

This episode we review AppleTV+'s Severance (12:35), the finale of HBO Max's Peacemaker (20:27), Netflix's Inventing Anna (27:00) & Amazon Prime's The Marvelous Mrs. Maisel (37:16). For more pop culture news and discussions, subscribe to our friends at Pop Culture Brain Daily by visiting https://popculturebrain.substack.com/subscribe

Anna Delvey told friends she was a German heiress. Then she started asking them for money.

Sara and Danny bring us a special bonus episode with a few stories hitting the headlines this week! They start off with a few thoughts on Netflix's Inventing Anna before diving into the headlines. First, they discuss the potential discovery of Susan Cox Powell's remains over a decade after her disappearance in Utah. They also talk about Prince Andrew's recent settlement in a sexual assault case levied against him. Make sure to follow @notanothertruecrime for ongoing updates, and going the Facebook group where we talk all about them!

Netflix's Inventing Anna, Scandal, The West Wing and ER, to name a few: costume designer Lyn Paolo has been instrumental in creating the kind of fashion in pop culture that resonates with the masses. On episode 95 we dissect Lyn's diverse and fashion-forward costumes for Inventing Anna. A real-life story with an incredibly recent timeline, we discuss Lyn's first time ever, social media based research for the nine episode series. Lyn shares many behind-the-scenes details of her longtime collaborations with Shonda Rhimes and John Wells, as well as with Kerry Washington. We discuss the why behind the increasing intersection of fashion and costume, discuss decades in fashion, and get into how she achieved distinct looks for popular series like Pacific Northwest-based Maid, and the midwestern style of Little Fires Everywhere. We go back to the beginning of her career, when she first landed in Los Angeles, when she won two Emmys in a row, and when she learned and honed her craft dressing the massive cast of America's favorite hospital drama, ER. We talk about the kind of costume work that truly makes a mark, style in the fields of law and politics, of which she is an expert, and the secret behind why Lyn Paolo lawyers have such covet-worthy style. A treasured discussion with one of the greats, we talk about her sources of inspiration, the costumes she's admired over the years, being in the UK for the highly anticipated Bridgerton prequel, Queen Charlotte, dressing stars like Bradley Cooper, Sienna Miller, Alicia Vikander, Uma Thurman, and Emma Thompson, and more. We wrap with six of her must haves that you can discover and shop here:Lynpaolo.com ERThe West WingScandalBurntLittle Fires EverywhereMaidInventing AnnaAura smart digital picture frameBandolier leather crossbody iPhone walletAmazon Halo BandDevaCurl creamSol de Janeiro Brazilian Bum Bum Body CreamTom Ford Black Orchid Perfume

Netflix's Inventing Anna, Scandal, The West Wing and ER, to name a few: costume designer Lyn Paolo has been instrumental in creating the kind of fashion in pop culture that resonates with the masses. On episode 95 we dissect Lyn's diverse and fashion-forward costumes for Inventing Anna. A real-life story with an incredibly recent timeline, we discuss Lyn's first time ever, media based research for the nine episode series. Lyn shares many behind-the-scenes details of her longtime collaborations with Shonda Rhimes and John Wells, as well as with Kerry Washington. We discuss the why behind the increasing intersection of fashion and costume, discuss decades in fashion, and get into how she achieved distinct looks for popular series like Pacific Northwest-based Maid, and the midwestern style of Little Fires Everywhere. We go back to the beginning of her career, when she first landed in Los Angeles, when she won two Emmys in a row, and when she learned and honed her craft dressing the massive cast of America's favorite hospital drama, ER. We talk about the kind of costume work that truly makes a mark, style in the fields of law and politics, of which she is an expert, and the secret behind why Lyn Paolo lawyers have such covet-worthy style. A treasured discussion with one of the greats, we talk about her sources of inspiration, the costumes she's admired over the years, being in the UK for the highly anticipated Bridgerton prequel, Queen Charlotte, dressing stars like Bradley Cooper, Sienna Miller, Alicia Vikander, Uma Thurman, and Emma Thompson, and more. Discover more + Shop The Podcast Lyn Paolo Carver Luxe HD Smart Digital Picture Frame Bandolier Side Slot Leather Crossbody Halo Band Devacurl Supercream Definer Brazilian Bum Bum Body Cream Tom Ford Black Orchid Perfume