Podcasts about bertolucci

Last month, we waltzed through mid – 19th Century Italy. Today, we jump forward a half – century --- royalty continues its decline, the middle – class and powerful industrial leaders are ascendant in Europe. It's a new century and the dawn of a new, perhaps golden era. But is it? Where still a force, European royalty is having its last hurrah in controlling lands far beyond their borders through vicious policies of imperialism. A minor Prince in Germany (who calls himself the German language derivation of Caesar) is going to overstep his bounds and plunge Europe and some of the rest of the world into a butcher's shop of a conflict, known airily as WWI. As a result, the world further shunts royalty into the wastebin of history. But the desire for power, for rule over lands beyond your own borders? That remains. The eyes that lust after it, the hands that seek to grasp it, change from supposedly holy royal hands to an unholy alliance between politicians and industrial and financial might. And the world again sends its military off to slaughter one another. We saw the seeds of the downfall of royalty during the unification of Italy in Luchino Visconti's film, The Leopard. This month, we follow two men from very different backgrounds who emerge from a unified Italy. They face the fallout of WWI and the rise of cooperation between autocracy and industrial might that forms fascism. Another decorated Italian director, Bernardo Bertolucci, mounted an ambitious film to follow their path and that of Italy as a five – hour epic, 1900. The film, which debuted in 1976, not only portrayed another turning point for Italy and the world but was a significant change for Bertolucci as he moved away from a scandalous and dark part of his career. But this is just a light story travelling over decades --- nothing to teach the US and the world in 2025…Website and blog: www.thosewonderfulpeople.comIG: @thosewonderfulpeopleTwitter: @FilmsInTheDark

Informativo de primera hora de la mañana, en el programa El Remate de La Diez Capital Radio. Hace un año el titular era: Sánchez defiende en el Congreso que "España está preparada para reconocer al Estado palestino" Hace 365 días la noticia era: El precio del kilo de cocaína cae en picado porque "el mercado está inundado" de esta droga. Hoy hace 365 días: El candidato de CC a las europeas, Carlos Alonso propone una tasa a los turistas. Y hoy hace un año: El Gran Anillo Peatonal del Padre Anchieta del Cabildo, considerado como el diseño más innovador de Europa. Hoy se cumplen 1.140 días del cruel ataque e invasión de Rusia a Ucrania. 3 años y 45 días. Hoy es Viernes 11 de abril de 2025. Día Mundial del Parkinson. El 11 de abril se celebra el Día Mundial del Parkinson, para concienciar a la población acerca de esta enfermedad neurodegenerativa que afecta a millones de personas en el mundo. Esta fecha coincide con el aniversario del nacimiento de James Parkinson, un neurólogo británico que en 1817 descubrió lo que en aquel tiempo denominó parálisis agitante y que hoy conocemos como enfermedad de Parkinson. La enfermedad de Parkinson es una condición degenerativa, progresiva y crónica del sistema nervioso que se caracteriza por causar severos daños neurológicos, generando alteraciones en el control y coordinación de los movimientos del cuerpo, así como rigidez muscular. 1899: España le cede Puerto Rico a los Estados Unidos. 1905: Albert Einstein publica su Teoría de la relatividad. 1919: la Sociedad de Naciones crea la Organización Internacional del Trabajo. 1921: se retransmite el primer programa deportivo por la radio. 1957.- Inaugurado en Dubna (URSS) el mayor acelerador de partículas del mundo. Años más tarde, 11 de abril de 1970, la NASA lanzó desde Cabo Kennedy, Florida, el Apolo 13, tercera misión de alunizaje tripulado de Estados Unidos. Dos días después del lanzamiento, un tanque de oxígeno en la nave espacial explotó, obligando a los astronautas a abandonar su misión y regresar a la Tierra en unas horas de caos e incertidumbre. 1981: el presidente Ronald Reagan vuelve a la Casa Blanca del hospital, 12 días después de haber sido herido en un intento de asesinato. 2002.- Un golpe de Estado en Venezuela depone de la Presidencia a Hugo Chávez durante dos días. 2015.- Histórica reunión en Panamá de los presidentes de EEUU, Barack Obama, y Cuba, Raúl Castro, la primera de mandatarios de ambos países en 50 años. Santos Estanislao, Felipe, Barsanufio y Antipas. La Casa Blanca asegura que los aranceles de Trump a China son del 145%. Así afectan al bolsillo las idas y venidas de los aranceles de la Administración Trump. China y la Unión Europea estudian fijar un precio mínimo para los coches eléctricos que sustituya a los aranceles. Cinco españoles de la misma familia mueren en un accidente de helicóptero en el río Hudson, Nueva York. El Supremo confirma la decisión de no aplicar la amnistía a Puigdemont por el delito de malversación. Mazón acusa a la oposición de "embarrar" con la gestión de la dana e insiste en que se actuó donde tenían información. El Congreso convalida el decreto ley del Gobierno para reubicar a los menores migrantes. La votación ha salido adelante pese al "no" del PP. Los diputados canarios del PP ignoran a su Gobierno regional y votan en contra del traslado de menores migrantes. El líder del partido en las islas y vicepresidente del Ejecutivo autonómico, Manuel Domínguez, no se ha pronunciado hasta ahora y Fernando Clavijo asegura que las islas han ganado ''la batalla con unidad'' Los médicos canarios rechazan el anteproyecto de ley de Medicamentos y Productos Sanitarios. Mientras la nueva norma es bien acogida por enfermeros y fisioterapeutas, otros colectivos sanitarios advierten de sus consecuencias. Un día como hoy en 1988.- La película "El último emperador", de Bertolucci, es premiada con nueve Oscar.

Bienvenidos a La Diez Capital Radio! Están a punto de comenzar un nuevo episodio de nuestro Programa de Actualidad, donde la información, la formación y el entretenimiento se encuentran para ofrecerles lo mejor de las noticias y temas relevantes. Este programa, dirigido y presentado por Miguel Ángel González Suárez, es su ventana directa a los acontecimientos más importantes, así como a las historias que capturan la esencia de nuestro tiempo. A través de un enfoque dinámico y cercano, Miguel Ángel conecta con ustedes para proporcionar una experiencia informativa y envolvente. Desde análisis profundos hasta entrevistas exclusivas, cada emisión está diseñada para mantenerles al tanto, ofrecerles nuevos conocimientos y, por supuesto, entretenerles. Para más detalles sobre el programa, visiten nuestra web en www.ladiez.es. - Informativo de primera hora de la mañana, en el programa El Remate de La Diez Capital Radio. Hace un año el titular era: Sánchez defiende en el Congreso que "España está preparada para reconocer al Estado palestino" Hace 365 días la noticia era: El precio del kilo de cocaína cae en picado porque "el mercado está inundado" de esta droga. Hoy hace 365 días: El candidato de CC a las europeas, Carlos Alonso propone una tasa a los turistas. Y hoy hace un año: El Gran Anillo Peatonal del Padre Anchieta del Cabildo, considerado como el diseño más innovador de Europa. Hoy se cumplen 1.140 días del cruel ataque e invasión de Rusia a Ucrania. 3 años y 45 días. Hoy es Viernes 11 de abril de 2025. Día Mundial del Parkinson. El 11 de abril se celebra el Día Mundial del Parkinson, para concienciar a la población acerca de esta enfermedad neurodegenerativa que afecta a millones de personas en el mundo. Esta fecha coincide con el aniversario del nacimiento de James Parkinson, un neurólogo británico que en 1817 descubrió lo que en aquel tiempo denominó parálisis agitante y que hoy conocemos como enfermedad de Parkinson. La enfermedad de Parkinson es una condición degenerativa, progresiva y crónica del sistema nervioso que se caracteriza por causar severos daños neurológicos, generando alteraciones en el control y coordinación de los movimientos del cuerpo, así como rigidez muscular. 1899: España le cede Puerto Rico a los Estados Unidos. 1905: Albert Einstein publica su Teoría de la relatividad. 1919: la Sociedad de Naciones crea la Organización Internacional del Trabajo. 1921: se retransmite el primer programa deportivo por la radio. 1957.- Inaugurado en Dubna (URSS) el mayor acelerador de partículas del mundo. Años más tarde, 11 de abril de 1970, la NASA lanzó desde Cabo Kennedy, Florida, el Apolo 13, tercera misión de alunizaje tripulado de Estados Unidos. Dos días después del lanzamiento, un tanque de oxígeno en la nave espacial explotó, obligando a los astronautas a abandonar su misión y regresar a la Tierra en unas horas de caos e incertidumbre. 1981: el presidente Ronald Reagan vuelve a la Casa Blanca del hospital, 12 días después de haber sido herido en un intento de asesinato. 2002.- Un golpe de Estado en Venezuela depone de la Presidencia a Hugo Chávez durante dos días. 2015.- Histórica reunión en Panamá de los presidentes de EEUU, Barack Obama, y Cuba, Raúl Castro, la primera de mandatarios de ambos países en 50 años. Santos Estanislao, Felipe, Barsanufio y Antipas. La Casa Blanca asegura que los aranceles de Trump a China son del 145%. Así afectan al bolsillo las idas y venidas de los aranceles de la Administración Trump. China y la Unión Europea estudian fijar un precio mínimo para los coches eléctricos que sustituya a los aranceles. Cinco españoles de la misma familia mueren en un accidente de helicóptero en el río Hudson, Nueva York. El Supremo confirma la decisión de no aplicar la amnistía a Puigdemont por el delito de malversación. Mazón acusa a la oposición de "embarrar" con la gestión de la dana e insiste en que se actuó donde tenían información. El Congreso convalida el decreto ley del Gobierno para reubicar a los menores migrantes. La votación ha salido adelante pese al "no" del PP. Los diputados canarios del PP ignoran a su Gobierno regional y votan en contra del traslado de menores migrantes. El líder del partido en las islas y vicepresidente del Ejecutivo autonómico, Manuel Domínguez, no se ha pronunciado hasta ahora y Fernando Clavijo asegura que las islas han ganado ''la batalla con unidad'' Los médicos canarios rechazan el anteproyecto de ley de Medicamentos y Productos Sanitarios. Mientras la nueva norma es bien acogida por enfermeros y fisioterapeutas, otros colectivos sanitarios advierten de sus consecuencias. Un día como hoy en 1988.- La película "El último emperador", de Bertolucci, es premiada con nueve Oscar. - Sección de actualidad con mucho sentido de Humor inteligente en el programa El Remate de La Diez Capital radio con el periodista socarrón y palmero, José Juan Pérez Capote, El Nº 1. - Sección de actualidad informativa en el programa El Remate con el Director de Capital Radio Gran Canaria, Pepe Rodríguez. - Entrevista a Idaira Martín, del equipo de cuidadores de orcas de Loro Parque, nos cuenta sobre la evolución que está teniendo la cría de Morgan. - Sección de análisis político en el programa El Remate de La Diez Capital radio con el espectro, Manolo Fernández. - En este programa el maestro Figueroa explora las increíbles declaraciones de una científica Suiza que afirma que sus colegas del CERN denuncian la aparición de portales interdimensionales debajo de este laboratorio y que seres de otras dimensiones están colándose en nuestro mundo con total impunidad. - Sección en el programa El Remate de La Diez Capital radio con el independentista, Alberto Díaz jiménez. La actualidad informativa vista bajo su especial prisma.

Una storia di arte e di poesia è il titolo della mostra che propone il Museo d'arte di Mendrisio: un progetto ambizioso e originale costruito attorno a otto figure di critici d'arte letterati e poeti italiani della seconda metà del Novecento, che incarnano ognuno con il proprio stile quella particolare capacità creativa di reinventare con la parola l'immagine pittorica e plastica. Il percorso espositivo propone un dialogo serrato tra Arcangeli, Bertolucci, Biamonti, Isella, Orelli, Sereni, Tassi e Testori e i loro artisti prediletti, in un percorso che affianca le opere d'arte – da Bacon a Cucchi, da Genucchi a Fautrier, da Morlotti a Guccione, da Valenti a Burri – e le citazioni tratte dai loro scritti. Ma che cosa accomuna questi critici-scrittori e che cosa è rimasto di quella critica d'arte così lontana dallo specialismo e dalla settorialità? Ne parleremo a Voci dipinte insieme al curatore dell'esposizione Simone Soldini e allo storico e critico d'arte Claudio Spadoni. Per la mostra della settimana andremo al Kunstmuseum di Berna per la prima grande retrospettiva svizzera dedicata a Carol Rama, l'artista torinese che ha aperto la strada all'arte femminista di oggi, autrice di un corpus di opere sperimentali e radicali.

The week on the show, we welcome back our music sponsor and artist in residence, DASEIN, using John's crap audio to discuss Spielberg's 2nd of 4 (at least) WWII epics, “Empire of The Sun.”  The random year generator spun 1987, a year we visited to discuss Bertolucci's “The Last Emperor”, but we still gave you some set-up of what was happening around the world to add context to why in the hell two movies about empires set in China were two of the biggest movies of 1987. Dave also opens the show discussing Bong Joon Ho's “Mickey 17” in a mini-review where he states whether this movie can hang with previous episode features “Parasite” and “Memories of Murder”. Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 7:14 “Mickey 17” mini-review; 14:26 Gripes; 19:47 1987 Year in Review; 50:41 Films of 1987: “Empire of the Sun”; 1:47:16 What You Been Watching?; 1:57:31 Next Week's Movie Announcement Additional Cast/Crew:  Robert Pattinson, Steven Yeun, Michael Monroe, Christian Bale, John Malkovich, Joe Pantoliano, Ben Stiller, Miranda Richardson, John Williams, Kathleen Kennedy. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Disney, Amazon Prime, Warner Brothers, Warner Media, Looney Toons, Disney's Snow White, San Francisco, Los Angeles, The Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir. 

This week we're excited to present a conversation from the 20205 edition of the just-concluded Rendez-vous with French Cinema with Being Maria cast members Matt Dillon and Anamaria Vartolomei. Being Maria is now in select theaters, courtesy of Kino Lorber. Actors don't choose roles,” actor Daniel Gélin (Yvan Attal) tells his daughter Maria Schneider (Anamaria Vartolomei). “Roles choose them!” After her galvanizing performance as a young woman seeking out an illegal abortion in Audrey Diwan's Happening (ND/NF 2022), Vartolomei delivers another indelible portrait of a woman in extremis with writer-director Jessica Palud's second feature, moving beyond Schneider's encounter with director Bernardo Bertolucci on the set of Last Tango in Paris, during the shoot of the infamous “get the butter” scene (which the actress repeatedly identified as a violation of her consent), to contemplate the actress's larger life and legacy. The shoot itself is meticulously reconstructed—featuring a remarkable turn by Matt Dillon as Schneider's significantly more famous costar and scene partner, Marlon Brando—in order to contextualize the private and public fallout from Schneider's equally iconic and traumatizing breakout performance. Palud was herself an assistant director for Bertolucci at age 19 (the same age Schneider was during the production of Last Tango) and brings a welcome eye for complexity to an unsparing, compassionate reframing of a much-discussed incident—rooted firmly in the perspective of the actress at its center. This conversation was moderated by FLC Assistant Programmer Madeline Whittle.

It's that time of the year again, folks!Aflevering 53 staat in het teken van de Oscars. Na een kort overzicht van de belangrijkste genomineerden, bekeken we in ons Watchlist segment drie ex-winnaars van de Oscar voor Beste Film. Poelie als oude getormenteerde ziel koos voor ORDINARY PEOPLE uit 1980. Peer als globetrotter selecteerde een Bertolucci-epos genaamd THE LAST EMPEROR (1987). Zwino tenslotte bokste zich een weg naar Clint, Morgan en Hilary in MILLION DOLLAR BABY (2004). Terechte winnaars, of typische festivalfilms?Om helemaal in het thema te blijven, trokken we een halve dag naar de bioscoop voor het veelvuldig genomineerde THE BRUTALIST. Dit alles, en meer, in aflevering 53 van de Movie Matters Podcast.jullie kunnen ons ook mailen naar moviematterspodcast@hotmail.com Volg ook onze socials: (1) Movie Matters Podcast Op facebook en op instagram: @_moviematterspodcast_ • Volg ons via Letterboxd: Zwino: ‎ThomasZwino's profile • Letterboxd Peer: ‎Lpereboom's profile • Letterboxd Tim:  ‎Tim Poelman's profile • en https://boxd.it/4Y95L En Join onze discord waar we samen gezellig over films kunnen praten: https://discord.gg/Krq6uXGWFm

Henry Puyi, the six-year old Emperor of China, abdicated the throne on 12th February, 1912 —but of course it was his adoptive mother, Empress Dowager Longyu, who did the paperwork. With tears in her eyes, she dramatically whispered, “I am the sinner of a thousand years.” Meanwhile, young Puyi had only pressing question: “Does that mean I don't have to study anymore?”  Plucked from his home at age two, Puyi grew up as ruler in The Forbidden City, the centre of ancient traditions, even as the empire was crumbling. By the time he was 12, it was time for another surreal experience—marriage. Meanwhile, his Scottish tutor, Reginald Johnston, introduced him to movies and Western culture. But the imperial bubble popped for good in 1924 when soldiers finally kicked him out of the Forbidden City, and for the first time in centuries, China had no emperor.  In this episode, Arion, Rebecca and Olly explain what Puyi did into exile; reveal how he coped when the Chinese Communist Party decided to rebrand him as a model citizen; and discover what Bertolucci's acclaimed movie of his life got wrong... Further Reading: • ‘The Last Emperor's Humble Occupation' (TIME, 1999): https://time.com/archive/6955501/the-last-emperors-humble-occupation/ • 'Pu Yi, last Emperor of China, is pardoned' (History Today, 2009): https://www.historytoday.com/archive/pu-yi-last-emperor-china-pardoned • ‘CHINA: Emperor Puyi crowned in Manchukuo' (BRITISH PARAMOUNT NEWSREEL, 1934): https://www.youtube.com/watch?v=fwApqUm1KkI Love the show? Support us!  Join 

Insieme a Michela Gorini ripassiamo alcune delle parti più interessanti di un libro intitolato "L'occhio del regista" dove il critico cinematografico Laurent Tirard ha raccolto in una serie di interviste le rivelazioni e i consigli pratici di tanti importanti registi che hanno fatto la storia del cinema. In particolare parleremo di Martin Scorsese, Pedro Almodovar, Woody Allen, Sidney Pollack, Fratelli Coen, Win Wenders, David Lynch, Bernardo Bertolucci, David Cronenberg, Takeshi Kitano e Roman Polanski.

"L'homme diminué par l'IA" aux éditions Hermann. Entretien avec Patrick Chastenet.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 01:35:00 - Les Nuits de France Culture - par : Philippe Garbit - Mardis du cinéma - Bernardo Bertolucci (1ère diffusion : 08/09/1987) - réalisation : Alexandre Fougeron

Secretário de turismo Gramado, Ricardo Bertolucci - 22/07/2024 by Rádio Gaúcha

L'iA va-t-elle détruire l'humanité ? Probablement pas. Alors risque-t-elle de "diminuer" l'Homme ? Hmmm... faut voir.

Ep. 246: Cannes 2024: Bilge Ebiri on Lanthimos's Kinds of Kindness, Schrader's Oh Canada, Furiosa, plus Bertolucci Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. For the latest episode on the 2024 Cannes Film Festival, I was happy to chat with Bilge Ebiri of New York Magazine for his inaugural Cannes appearance on the podcast. We discuss the much-anticipated new films from Yorgos Lanthimos (Kinds of Kindness), Paul Schrader (Oh Canada), and for a well-deserved encore, George Miller (Furiosa: A Mad Max Saga). Our conversation also explores a few facets of the phenomenon that is Cannes, and the enduring inspiration of Bernardo Bertolucci. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

La Juve e Albano stonato. Quelli che mandano i messaggi nelle chat sbagliate. Ieri a Cannes Ultimo Tango, il film che accusa Bertolucci e Mad Max.

When looking under every rock for these movies, we somehow forgot to look to the 70's European market, where things like copyrights and titles were to be shared like they were sharing their wine, their drugs, their bodies. It was a Bertolucci-esque bacchanalia of "sequels" and imposters dancing across screens for cheap coin. Per Professor Nigel Crump, "They made a lot of knockoff crap."

Armando Cattarinich"Backstage. Mimmo Cattarinich e la magia del fotografo di scena"Una mostra antologica dedicata al grande fotografo di scena italiano testimone dell'opera di Maestri assoluti del cinema da Pasolini a Fellini,da Bertolucci ad Almodovar, da Dino Risi a Michelangelo Antonioni.Circa 100 fotografie provenienti dall'immenso archivio dell'AssociazioneCulturale Mimmo Cattarinich di Roma per raccontare il cinema e i suoiprotagonisti dagli anni Sessanta a oggi. Fino al 16 giugno 2024 Museo Villa Bassi RathgebVia Appia Monterosso, 52 - Abano Terme (PD)I volti di grandi attori e registi della storia del cinema internazionale come Federico Fellini, Pier Paolo Pasolini, Bernardo Bertolucci, Anthony Quinn, Marcello Mastroianni, Alberto Sordi, Capucine, Catherine Deneuve, Roberto Benigni, Claudia Cardinale, Maria Callas ma anche protagonisti contemporanei come Giuseppe Tornatore, Pedro Almodovar, Antonio Banderas, Javier Bardem, Isabelle Huppert, Rupert Everett, Rutger Hauer, Carlo Verdone, Monica Bellucci, Natalie Portman e Penelope Cruz sono soltanto alcuni dei protagonisti delle fotografie di Mimmo Cattarinich, al quale il Museo Villa Bassi Rathgeb di Abano Terme dedica fino al 16 giugno 2024 la mostra "Backstage". Mimmo Cattarinich e la magia del fotografo di scena a cura di Dominique Lora. Cinema e fotografia, linguaggi visivi nati quasi simultaneamente, da sempre condividono e scambiano tecniche narrative e ispirazioni estetiche, generando quella complessa rete di rapporti che stimola sperimentazione e creatività, una dicotomia narrativa nata da un dialogo naturale in cui immaginario, ispirazione e sovversione sono atti di reciprocità e di scambio. La fotografia documenta il cinema e ne rivela il gesto celato, l'emozione rubata, ritraendo in immagini istanti di vita dietro le quinte: è un linguaggio complementare capace di mettere a nudo i soggetti, svelandone i misteri e raccontandone la vulnerabilità. Guardare il cinema attraverso l'obiettivo del fotografo di scena è un'esperienza complessa, interdisciplinare e organizzata attorno a tre grandi soggetti che, smascherando la finzione cinematografica, rivelano tutta l'essenza umanistica di questa ricerca: la rappresentazione del reale dietro le quinte, il ritratto dell'attore all'interno e oltre la scena e il rapporto tra cinema e arte.Ad accomunare i soggetti ritratti da Mimmo Cattarinich è la tensione alla diversità: alterazioni corporee, atteggiamenti di sfida o di esibizione, caratteristiche che contribuiscono a renderli veri, trasparenti e vulnerabili. Il fotografo traspone su pellicola sogni ed emozioni dei singoli individui, rivelandone la realtà presente e le aspirazioni.Pubblicato in occasione della mostra, il catalogo, edito da Sagep Editori – Genova (2024, italiano, 96 pagine) presenta le fotografie esposte con i testi critici della curatrice Dominique Lora e dello sceneggiatore Gianfranco Angelucci, e in apertura, un ritratto personale e privato scritto dal figlio Armando Cattarinich.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Our first Best Picture winner in this year's Oscar Month, The Last Emperor, went 9 for 9 at the awards that year. John Lone, Joan Chen and Peter O'Toole are all solid in the starring roles, but there's something fairly soulless and even a little opaque about this spectacular production...especially for a Bernardo Bertolucci film. Bertolucci and his team were the rare Western filmmakers to be allowed to shoot in The Forbidden City in China, as they told a story about a sheltered child surrounded by devious sycophants. Puyi might be a royal, but his comfortable life is spent in effectively a prison. The biggest problem we couldn't get past with this film, though, is that this was what the Oscars told us was the pinnacle of 1987 filmmaking, even though Broadcast News, Moonstruck, Robocop, Predator and Lethal Weapon were all out that year. So don't you dare try to leave the 575th edition of Have You Ever Seen---not until you get kicked out---as we marvel and moan in equal measure about The Last Emperor. Well, Actually: Maggie Han was born in Rhode Island, but her parents were South Korean. Also, Licence To Kill was released in 1989, not 1987. They can't get Sparkplug Coffee in China, but people in America and Canada can. And if you use our "HYES" promo code, you'll save 20%. Go to "sparkplug.coffee/hyes". Drop us a line via email (haveyoueverseenpodcast@gmail.com) and/or follow us on Twi-X (@moviefiend51 and @bevellisellis) and also look for Bev on Threads (@bevellisellis). Rate, review, subscribe, do all those things on your app, but also hunt us down on the web via YouTube. We post all our shows there. The destination in your browser is @hyesellis.

O olivoturismo ganha espaço, como conta André Bertolucci, proprietário do Olivas de Gramado, que foi palco da abertura oficial da colheita.

Antes todos concordavam que comer carne era fundamental, e até anúncio de iogurte falava em "comer um bifinho".Nos anos 80 ser vegano ou vegetariano passou a ser uma opção e hoje é quase obrigação.Inspirado no programa do MTBPass em que o Márcio Ravelli contou que por recomendação de uma nutricionista cortou radicalmente a carne, e acabou ficando anêmico, surgiu esse programa.Patrícia Bertolucci tem mais de 30 anos na nutrição de atletas no alto rendimento e conversando com Alvaro Pacheco tira um monte de dúvidas que quase valem uma consulta.PS - Ouça até o fim por que tem um "causo" hilário de quando a Patrícia foi nutricionista da Seleção de Futebol Brasileira, na época do Parreira.Você deve comer carne? Ouça e tire as suas conclusõesVENHA NESSA RODA: https://instabio.cc/gregariocyclingThis podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

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Pour a glass, get in the bathtub and listen to our first Bertolucci! After the boys go through some mini reviews to bring our 2023 podcast year to a close, we discuss 1970 in cinema and culture before our featured conversation discussing the tumultuous Bernardo Bertolucci film ‘The Conformist'. Do you like 'The Godfather'? 'The Sopranos'? See how they were inspired by this WWII-era Italian rise-of-fascism character study shot by 3-time Oscar winner and frequent mention on this podcast, Vittorio Storaro. Mini reviews include ‘Godzilla Minus One', ‘Leave The World Behind', and ‘May December'. See you in 2024, film fans!  Find all of our Socials at: https://linktr.ee/theloveofcinema.  
Our phone number is 646-484-9298, it accepts texts or voice messages.  0:00 Intro, Gripes + Mini Reviews; 24:44 1970 + The Conformist; 01:16:12 What You Been Watching? Additional Cast/Crew: Jean-Louis Trintignant, Stefania Sandrelli, Gastone Moschin, Alberto Moravia, Enzo Tarascio Jose Quagliom, Pierre Clémenti, Dominique Sanda, Georges Delerue, Julianne Moore, Natalie Portman, Charles Melton, Sam Esmail, Julia Roberts, Ethan Hawke, Mahershala Ali, Takashi Yamazaki, Minami Hamabe, Ryunosuke Camici, Sakura Ando. Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ  Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Oscars, Academy Awards, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, The Crown: Season 6 part 2, Napoleon, Ferrari, Beer, Scotch, The Weekend, Clifford Odets, Travis Scott, U2, Apple, Apple Podcasts, 101 Dalmations, The Parent Trap, Switzerland, West Side Story, Wikipedia, Australia, Queensland, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike.  

durée : 01:35:00 - Les Nuits de France Culture - par : Philippe Garbit - Par Francesca Piolot - Avec Michel Estève, Jean-Antoine Gili et Gérard Rancinan - Avec en archives, les voix de Jean Renoir et Bernardo Bertolucci - Réalisation Claude Giovannetti

Puntata a cura di Untimoteo. I giorni del trionfo in Coppa Davis dell'Italia di Sinner e soci sono quelli giusti per riscoprire la storia dell'unica precedente vittoria mondiale azzurra, quella di 47 anni fa. Prodotto da Sky Italia e Fandango per la regia di Domenico Procacci, Una Squadra è un bel documentario sulla gloriosa stagione del tennis italiano degli anni ‘70 (6 episodi, RaiPlay). Panatta, Bertolucci, Barazzutti, Zugarelli: lo spaccone, il gaudente, il professionista, il duro.Una squadra che incrocia le racchette con i più grandi del tempo, che litiga col mai digerito capitano, che scatena una rissa col pubblico spagnolo, che minaccia l'ambasciatore, che si fa portare le scarpe con l'aereo, provoca persino un caso politico... e vince."Documentari" è il format del podcast di Mondoserie dedicato all'approfondimento delle produzioni non di fiction.Parte del progetto: https://www.mondoserie.it/Iscriviti al podcast sulla tua piattaforma preferita: https://www.spreaker.com/show/mondoserie-podcastCollegati a MONDOSERIE sui social:https://www.facebook.com/mondoseriehttps://www.instagram.com/mondoserie.it/https://twitter.com/mondoserie_ithttps://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQhttps://www.linkedin.com/in/mondoserie/

Follow Molly on Instagram @poppy.therapy Molly Vasa Bertolucci is a licensed clinical social worker and perinatal mental health therapy. She is a mother of two and the founder of Poppy Therapy in Long Beach, California, where she supports new moms and mom who want to find meaning and courage in the big transitions, emotions, and decisions that come with being a parent. Follow Dreamland Baby @dreamlandbabyco and check out our website here! Use code MOMMANUAL15 for 15% off your first Dreamland Baby purchase.

La vittoria di un gruppo di amici. Così il presidente Federtennis Binaghi ha definito il trionfo di Sinner &co in Coppa Davis. Chissà se dopo tanti anni saranno ancora amici come Panatta e Bertolucci che tra podcast e telecronache ci fanno ancora sorridere. Sentiamo cosa ne pensa proprio Bertolucci, uno degli eroi di Cile '76. Altro ex campione convocato è Giacomo Agostini per commentare il secondo titolo mondiale consecutivo vinto da Pecco Bagnaia e dalla Ducati in MotoGP. Meno emozioni del gp di Valencia e della finale di Malaga, ma a Torino si è giocata anche Juve-Inter finita 1-1. Ne parliamo con Maurizio Crosetti di Repubblica.

In this episode, I'm joined by Molly Vasa Bertolucci, a licensed clinical social worker who has also experienced postpartum OCD. We discuss.. - what OCD felt like for her during her postpartum experience - the ways in which birth trauma and minimizing of symptoms impacted her OCD and anxiety - how to differentiate "normal parenting worries" from OCD obsessions and compulsions

Happy Birthday to me! Another year with a loot of great "gifts" from friends and listeners. Check out the recommendations I got as well as other films I saw during the month, as we all sit around the table singing "Cumpleaños Feliz".Also, make sure you follow these great people and podcasts!Russell OsborneJosh G. and Your Next Favorite Movie PodcastBest Film Ever PodcastAndrewSylviePodcast Intro/Outro: Tino Mendes & Yellow Paper - The Heist

Struggles in the transition to motherhood can be a great motivator to help others. Such is the story of today's guest. Becoming a mom during the early months of the COVID pandemic left Molly feeling blindsided by her birth and postpartum experience, even as a therapist. Unexplained seizures sent her newborn daughter to the NICU, an experience that fueled her postpartum anxiety. Later, she had a missed OCD diagnosis and went through the understandably difficult decision to have a second child. Join us to hear Molly's story! Molly Vasa Bertolucci is a Licensed Clinical Social Worker in California and the founder of Poppy Therapy. She helps new moms, postpartum women, and moms who want to find meaning and courage in the emotions, big decisions, transitions, and new experiences that come with motherhood. She is a mother of two and is passionate about perinatal mental health. When she's not doing therapy, Molly interviews moms about their first year of motherhood for her podcast, Our First Year.  Show Highlights: Molly's story of feeling blindsided and isolated by her daughter's traumatic birth and postpartum anxiety How an earlier miscarriage and the COVID shutdown preceded Molly's traumatic birth experience at a birth center  How breathing complications for her baby, being sent home too soon (after five hours), and unexplained seizures prompted a NICU stay of about ten days for her daughter How the continued COVID shutdown, nearby wildfires, mandatory CA curfews, and the death of a beloved family pet kept Molly feeling isolated, traumatized, and anxious How Molly experienced OCD with feeling consumed by fear and doubt as her life spiraled into chaos and upheaval How shocking intrusive thoughts prompted Molly to get help when her daughter was 6 months old How Molly found help and relief through EMDR with a therapist and from the Hand to Hold support group for NICU parents How medication helped with Molly's OCD symptoms that she describes as mental and emotional torture Why it was a difficult decision to have a second child, even though that birth turned out to be a healing experience much different than the first time Why Molly decided to specialize in perinatal mental health and begin a podcast Takeaways from Molly: “There is help! If you are not feeling like yourself, reach out for support. There is a whole world of support out there for you.” Resources: Connect with Molly and Poppy Therapy: Website, Instagram, and Podcast  Visit www.postpartum.net for resources and support!  Visit www.postpartum.net/professionals/certificate-trainings/ for information on the grief course.   Visit my website, www.wellmindperinatal.com, for more information, resources, and courses you can take today! Learn more about your ad choices. Visit megaphone.fm/adchoices

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Luana Bertolucci - Brasil 3 X 0 Chile - 02/07/2023 by Rádio Gaúcha

Puntata a cura di Untimoteo. Prodotto da Sky Italia e Fandango per la regia di Domenico Procacci, Una Squadra è un bel documentario sulla gloriosa stagione del tennis italiano degli anni ‘70 (6 episodi, RaiPlay). Panatta, Bertolucci, Barazzutti, Zugarelli: lo spaccone, il gaudente, il professionista, il duro.Una squadra che incrocia le racchette con i più grandi del tempo, che litiga col mai digerito capitano, che scatena una rissa col pubblico spagnolo, che minaccia l'ambasciatore, che si fa portare le scarpe con l'aereo, provoca persino un caso politico... e vince."Documentari" è il format del podcast di Mondoserie dedicato all'approfondimento delle produzioni non di fiction.Parte del progetto: https://www.mondoserie.it/Iscriviti al podcast sulla tua piattaforma preferita: https://www.spreaker.com/show/mondoserie-podcastCollegati a MONDOSERIE sui social:https://www.facebook.com/mondoseriehttps://www.instagram.com/mondoserie.it/https://twitter.com/mondoserie_ithttps://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQhttps://www.linkedin.com/in/mondoserie/

Adrian Martin was film reviewer for The Age between 1995 and 2006. For his numerous books, essays and public lectures he has won the Byron Kennedy Award (Australian Film Institute) and the Pascall Prize for Critical Writing, and his PhD on film style won the Mollie Holman Award. He is the author of ten books and hundreds of essays on film, art, television, literature, music, popular and avant-garde culture. His site can be reached here. Support this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.

Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles also known as the long '68. Italian Political Cinema: Figure of the Long '68 (U Minnesota Press, 2023) conjures a multifaceted, complex portrayal of Italian society. Centered on emblematic figures in Italian cinema, it maps the currents of antagonism and repression that defined this period in the country's history. Resmini explores how film imagined the possibilities, obstacles, and pitfalls that characterized the Italian long '68 as a moment of crisis and transition. From workerism to autonomist Marxism to feminism, this book further expands the debate on political cinema with a critical interpretation of influential texts, some of which are currently only available in Italian. A comprehensive and novel redefinition of political film, Italian Political Cinema introduces its audience to lesser-known directors alongside greats such as Pasolini, Bertolucci, Antonioni, and Bellocchio. Resmini offers access to untranslated work in Italian philosophy, political theory, and film theory, and forcefully advocates for the continued artistic and political relevance of these films in our time. Mauro Resmini is associate professor of cinema and media studies and Italian at the University of Maryland, College Park. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles also known as the long '68. Italian Political Cinema: Figure of the Long '68 (U Minnesota Press, 2023) conjures a multifaceted, complex portrayal of Italian society. Centered on emblematic figures in Italian cinema, it maps the currents of antagonism and repression that defined this period in the country's history. Resmini explores how film imagined the possibilities, obstacles, and pitfalls that characterized the Italian long '68 as a moment of crisis and transition. From workerism to autonomist Marxism to feminism, this book further expands the debate on political cinema with a critical interpretation of influential texts, some of which are currently only available in Italian. A comprehensive and novel redefinition of political film, Italian Political Cinema introduces its audience to lesser-known directors alongside greats such as Pasolini, Bertolucci, Antonioni, and Bellocchio. Resmini offers access to untranslated work in Italian philosophy, political theory, and film theory, and forcefully advocates for the continued artistic and political relevance of these films in our time. Mauro Resmini is associate professor of cinema and media studies and Italian at the University of Maryland, College Park. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles also known as the long '68. Italian Political Cinema: Figure of the Long '68 (U Minnesota Press, 2023) conjures a multifaceted, complex portrayal of Italian society. Centered on emblematic figures in Italian cinema, it maps the currents of antagonism and repression that defined this period in the country's history. Resmini explores how film imagined the possibilities, obstacles, and pitfalls that characterized the Italian long '68 as a moment of crisis and transition. From workerism to autonomist Marxism to feminism, this book further expands the debate on political cinema with a critical interpretation of influential texts, some of which are currently only available in Italian. A comprehensive and novel redefinition of political film, Italian Political Cinema introduces its audience to lesser-known directors alongside greats such as Pasolini, Bertolucci, Antonioni, and Bellocchio. Resmini offers access to untranslated work in Italian philosophy, political theory, and film theory, and forcefully advocates for the continued artistic and political relevance of these films in our time. Mauro Resmini is associate professor of cinema and media studies and Italian at the University of Maryland, College Park. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles also known as the long '68. Italian Political Cinema: Figure of the Long '68 (U Minnesota Press, 2023) conjures a multifaceted, complex portrayal of Italian society. Centered on emblematic figures in Italian cinema, it maps the currents of antagonism and repression that defined this period in the country's history. Resmini explores how film imagined the possibilities, obstacles, and pitfalls that characterized the Italian long '68 as a moment of crisis and transition. From workerism to autonomist Marxism to feminism, this book further expands the debate on political cinema with a critical interpretation of influential texts, some of which are currently only available in Italian. A comprehensive and novel redefinition of political film, Italian Political Cinema introduces its audience to lesser-known directors alongside greats such as Pasolini, Bertolucci, Antonioni, and Bellocchio. Resmini offers access to untranslated work in Italian philosophy, political theory, and film theory, and forcefully advocates for the continued artistic and political relevance of these films in our time. Mauro Resmini is associate professor of cinema and media studies and Italian at the University of Maryland, College Park. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles also known as the long '68. Italian Political Cinema: Figure of the Long '68 (U Minnesota Press, 2023) conjures a multifaceted, complex portrayal of Italian society. Centered on emblematic figures in Italian cinema, it maps the currents of antagonism and repression that defined this period in the country's history. Resmini explores how film imagined the possibilities, obstacles, and pitfalls that characterized the Italian long '68 as a moment of crisis and transition. From workerism to autonomist Marxism to feminism, this book further expands the debate on political cinema with a critical interpretation of influential texts, some of which are currently only available in Italian. A comprehensive and novel redefinition of political film, Italian Political Cinema introduces its audience to lesser-known directors alongside greats such as Pasolini, Bertolucci, Antonioni, and Bellocchio. Resmini offers access to untranslated work in Italian philosophy, political theory, and film theory, and forcefully advocates for the continued artistic and political relevance of these films in our time. Mauro Resmini is associate professor of cinema and media studies and Italian at the University of Maryland, College Park. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles also known as the long '68. Italian Political Cinema: Figure of the Long '68 (U Minnesota Press, 2023) conjures a multifaceted, complex portrayal of Italian society. Centered on emblematic figures in Italian cinema, it maps the currents of antagonism and repression that defined this period in the country's history. Resmini explores how film imagined the possibilities, obstacles, and pitfalls that characterized the Italian long '68 as a moment of crisis and transition. From workerism to autonomist Marxism to feminism, this book further expands the debate on political cinema with a critical interpretation of influential texts, some of which are currently only available in Italian. A comprehensive and novel redefinition of political film, Italian Political Cinema introduces its audience to lesser-known directors alongside greats such as Pasolini, Bertolucci, Antonioni, and Bellocchio. Resmini offers access to untranslated work in Italian philosophy, political theory, and film theory, and forcefully advocates for the continued artistic and political relevance of these films in our time. Mauro Resmini is associate professor of cinema and media studies and Italian at the University of Maryland, College Park. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles also known as the long '68. Italian Political Cinema: Figure of the Long '68 (U Minnesota Press, 2023) conjures a multifaceted, complex portrayal of Italian society. Centered on emblematic figures in Italian cinema, it maps the currents of antagonism and repression that defined this period in the country's history. Resmini explores how film imagined the possibilities, obstacles, and pitfalls that characterized the Italian long '68 as a moment of crisis and transition. From workerism to autonomist Marxism to feminism, this book further expands the debate on political cinema with a critical interpretation of influential texts, some of which are currently only available in Italian. A comprehensive and novel redefinition of political film, Italian Political Cinema introduces its audience to lesser-known directors alongside greats such as Pasolini, Bertolucci, Antonioni, and Bellocchio. Resmini offers access to untranslated work in Italian philosophy, political theory, and film theory, and forcefully advocates for the continued artistic and political relevance of these films in our time. Mauro Resmini is associate professor of cinema and media studies and Italian at the University of Maryland, College Park. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles also known as the long '68. Italian Political Cinema: Figure of the Long '68 (U Minnesota Press, 2023) conjures a multifaceted, complex portrayal of Italian society. Centered on emblematic figures in Italian cinema, it maps the currents of antagonism and repression that defined this period in the country's history. Resmini explores how film imagined the possibilities, obstacles, and pitfalls that characterized the Italian long '68 as a moment of crisis and transition. From workerism to autonomist Marxism to feminism, this book further expands the debate on political cinema with a critical interpretation of influential texts, some of which are currently only available in Italian. A comprehensive and novel redefinition of political film, Italian Political Cinema introduces its audience to lesser-known directors alongside greats such as Pasolini, Bertolucci, Antonioni, and Bellocchio. Resmini offers access to untranslated work in Italian philosophy, political theory, and film theory, and forcefully advocates for the continued artistic and political relevance of these films in our time. Mauro Resmini is associate professor of cinema and media studies and Italian at the University of Maryland, College Park. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

Cinematographer Manuel Billeter has worked across a variety of iconic and groundbreaking shows and films including Jessica Jones, Luke Cage, Iron Fist, Law & Order, Person of Interest, Orange Is The New Black, Lawless, and Alfonso Cuarón's Y tu mamá también. Most recently he has been Director of Photography on the HBO Max series The Gilded Age, starring Carrie Coon and Christine Baranski, and Netflix's Inventing Anna, starring Julia Garner."What I think made me want to pursue film or what started my fascination with film and cinema were definitely Fellini, Antonioni, and Bertolucci; the masters, if you will, that kind of make you dream - make you just go to a movie theater, enter this space, and just have a communal experience. I know looking at the screen and just being completely immersed and experiencing stories or experiencing things that make you understand life more - or make you understand life less - and create a dialogue between you and the rest of the world.After that, Alfonso Cuarón, obviously the collaboration was incredibly important and I learned a lot and I carry a lot of that in me, undeniably. Then, I also had the very good fortune of working as a camera assistant, and a camera operator with other cinematographers, so I learned a lot from them. And they became mentors in a way. And it was kind of like a fortunate path to becoming a cinematographer myself.The camera is my tool of choice. It's what I've been given to express what needs to be expressed, what needs to be told. So I'm definitely very particular about composition or lens choices or camera placement." https://manuelbilleter.comwww.imdb.com/name/nm1193850/ www.imdb.com/title/tt4406178/?ref_=fn_al_tt_1 https://www.imdb.com/title/tt8740976/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org Instagram www.instagram.com/creativeprocesspodcast/ Photo credit: Sarah Shatz

"What I think made me want to pursue film or what started my fascination with film and cinema were definitely Fellini, Antonioni, and Bertolucci; the masters, if you will, that kind of make you dream - make you just go to a movie theater, enter this space, and just have a communal experience. I know looking at the screen and just being completely immersed and experiencing stories or experiencing things that make you understand life more - or make you understand life less - and create a dialogue between you and the rest of the world.After that, Alfonso Cuarón, obviously the collaboration was incredibly important and I learned a lot and I carry a lot of that in me, undeniably. Then, I also had the very good fortune of working as a camera assistant, and a camera operator with other cinematographers, so I learned a lot from them. And they became mentors in a way. And it was kind of like a fortunate path to becoming a cinematographer myself.The camera is my tool of choice. It's what I've been given to express what needs to be expressed, what needs to be told. So I'm definitely very particular about composition or lens choices or camera placement." Cinematographer Manuel Billeter has worked across a variety of iconic and groundbreaking shows and films including Jessica Jones, Luke Cage, Iron Fist, Law & Order, Person of Interest, Orange Is The New Black, Lawless, and Alfonso Cuarón's Y tu mamá también. Most recently he has been Director of Photography on the HBO Max series The Gilded Age, starring Carrie Coon and Christine Baranski, and Netflix's Inventing Anna, starring Julia Garner.https://manuelbilleter.comwww.imdb.com/name/nm1193850/ www.imdb.com/title/tt4406178/?ref_=fn_al_tt_1 https://www.imdb.com/title/tt8740976/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org Instagram www.instagram.com/creativeprocesspodcast/

Cinematographer Manuel Billeter has worked across a variety of iconic and groundbreaking shows and films including Jessica Jones, Luke Cage, Iron Fist, Law & Order, Person of Interest, Orange Is The New Black, Lawless, and Alfonso Cuarón's Y tu mamá también. Most recently he has been Director of Photography on the HBO Max series The Gilded Age, starring Carrie Coon and Christine Baranski, and Netflix's Inventing Anna, starring Julia Garner."What I think made me want to pursue film or what started my fascination with film and cinema were definitely Fellini, Antonioni, and Bertolucci; the masters, if you will, that kind of make you dream - make you just go to a movie theater, enter this space, and just have a communal experience. I know looking at the screen and just being completely immersed and experiencing stories or experiencing things that make you understand life more - or make you understand life less - and create a dialogue between you and the rest of the world.After that, Alfonso Cuarón, obviously the collaboration was incredibly important and I learned a lot and I carry a lot of that in me, undeniably. Then, I also had the very good fortune of working as a camera assistant, and a camera operator with other cinematographers, so I learned a lot from them. And they became mentors in a way. And it was kind of like a fortunate path to becoming a cinematographer myself.The camera is my tool of choice. It's what I've been given to express what needs to be expressed, what needs to be told. So I'm definitely very particular about composition or lens choices or camera placement." https://manuelbilleter.comwww.imdb.com/name/nm1193850/ www.imdb.com/title/tt4406178/?ref_=fn_al_tt_1 https://www.imdb.com/title/tt8740976/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org Instagram www.instagram.com/creativeprocesspodcast/ Photo credit: Sarah Shatz

"What I think made me want to pursue film or what started my fascination with film and cinema were definitely Fellini, Antonioni, and Bertolucci; the masters, if you will, that kind of make you dream - make you just go to a movie theater, enter this space, and just have a communal experience. I know looking at the screen and just being completely immersed and experiencing stories or experiencing things that make you understand life more - or make you understand life less - and create a dialogue between you and the rest of the world.After that, Alfonso Cuarón, obviously the collaboration was incredibly important and I learned a lot and I carry a lot of that in me, undeniably. Then, I also had the very good fortune of working as a camera assistant, and a camera operator with other cinematographers, so I learned a lot from them. And they became mentors in a way. And it was kind of like a fortunate path to becoming a cinematographer myself.The camera is my tool of choice. It's what I've been given to express what needs to be expressed, what needs to be told. So I'm definitely very particular about composition or lens choices or camera placement." Cinematographer Manuel Billeter has worked across a variety of iconic and groundbreaking shows and films including Jessica Jones, Luke Cage, Iron Fist, Law & Order, Person of Interest, Orange Is The New Black, Lawless, and Alfonso Cuarón's Y tu mamá también. Most recently he has been Director of Photography on the HBO Max series The Gilded Age, starring Carrie Coon and Christine Baranski, and Netflix's Inventing Anna, starring Julia Garner.https://manuelbilleter.comwww.imdb.com/name/nm1193850/ www.imdb.com/title/tt4406178/?ref_=fn_al_tt_1 https://www.imdb.com/title/tt8740976/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org Instagram www.instagram.com/creativeprocesspodcast/

"What I think made me want to pursue film or what started my fascination with film and cinema were definitely Fellini, Antonioni, and Bertolucci; the masters, if you will, that kind of make you dream - make you just go to a movie theater, enter this space, and just have a communal experience. I know looking at the screen and just being completely immersed and experiencing stories or experiencing things that make you understand life more - or make you understand life less - and create a dialogue between you and the rest of the world.After that, Alfonso Cuarón, obviously the collaboration was incredibly important and I learned a lot and I carry a lot of that in me, undeniably. Then, I also had the very good fortune of working as a camera assistant, and a camera operator with other cinematographers, so I learned a lot from them. And they became mentors in a way. And it was kind of like a fortunate path to becoming a cinematographer myself.The camera is my tool of choice. It's what I've been given to express what needs to be expressed, what needs to be told. So I'm definitely very particular about composition or lens choices or camera placement." Cinematographer Manuel Billeter has worked across a variety of iconic and groundbreaking shows and films including Jessica Jones, Luke Cage, Iron Fist, Law & Order, Person of Interest, Orange Is The New Black, Lawless, and Alfonso Cuarón's Y tu mamá también. Most recently he has been Director of Photography on the HBO Max series The Gilded Age, starring Carrie Coon and Christine Baranski, and Netflix's Inventing Anna, starring Julia Garner.https://manuelbilleter.comwww.imdb.com/name/nm1193850/ www.imdb.com/title/tt4406178/?ref_=fn_al_tt_1 https://www.imdb.com/title/tt8740976/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org Instagram www.instagram.com/creativeprocesspodcast/

durée : 00:58:04 - Toute une vie - Voyageur infatigable, intellectuel engagé, écrivain prolifique dont les romans ont inspiré "Le Mépris" de Godard ou encore "Le Conformiste" de Bertolucci, Alberto Moravia a jeté sur l'Italie fasciste et bourgeoise de son époque un regard neuf et sans concession.

Nuovo appuntamento con il sabato di «Corriere Daily»: l'editorialista torna sugli argomenti di cui ha scritto durante la settimana nella sua rubrica «Il Caffè», integrandoli con i commenti nel frattempo ricevuti dai lettori.Per altri approfondimenti:- L'onorevole Casa contro Salvini: “L'appello a scuola si è sempre fatto per cognome” https://bit.ly/3vq6ON0- Acqua Sant'Anna paga uno stipendio in più ai dipendenti. Bertone: ho chiesto ad altri imprenditori di fare lo stesso https://bit.ly/3bdbIWG- Panatta e Bertolucci: su Twitter la sfida tra battute, sfottò (e tanto affetto) https://bit.ly/3Bv79lh

durée : 00:29:59 - Les Nuits de France Culture - par : Philippe Garbit - Un entretien en français diffusé la première fois en deux parties les 20 et 21 septembre 1972, sous le titre "Carnets romains - Bernardo Bertolucci" : le cinéaste évoque ses débuts, Godard, Pasolini, la poésie, les villes de Parme et de Rome. En septembre 1972, Bernardo Bertolucci avait accordé un entretien à Roger Pillaudin, chez lui, à Rome. Le cinéaste né à Parme vivait dans la capitale italienne depuis ses onze ans. Fils et frère de poète, lui-même cinéaste, assistant de Pier Paolo Pasolini, auteur déjà de quelques films dont Prima della rivoluzione, La Stratégie de l'araignée et Le Conformiste, Bertolluci vivait Via del Babuino, une rue du centre de Rome, dans le rione Campo Marzio. Dans cet entretien, il parlait de poésie, de Pasolini, (cinéaste avec lequel il a débuté), de la "révolution" faite par Godard dans le cinéma, de politique, de fascisme, de Rome... * Moi aussi j'ai écrit des poèmes, j'ai une grande nostalgie, j'ai publié un livre de poèmes en 1962, que je considère un peu comme le tombeau de moi comme poète. En même temps je commençais mon premier film en 1962, et du moment que je tournais mon premier mètre de pellicule j'ai fini complètement d'écrire des poèmes.J'ai une grande nostalgie de la solitude dans laquelle un poète travaille. Cet entretien en français a été diffusé la première fois en deux parties les 20 et 21 septembre 1972, sous le titre "Carnets romains - Bernardo Bertolucci". Par Roger Pillaudin  Carnets romains - Bernardo Bertolucci : Parties 1 et 2/2 (1ère diffusion : 20 et 21/09/1972) Indexation web : Documentation sonore de Radio France Archive Ina-Radio France

On this week's annotated deep dive, The Cultists present Bernardo Bertolucci's 'The Dreamers' (2003). Known for his “hot house” cinema, in which characters are crammed into isolated intimate spaces until they burst, Bertolucci returns again to offer up a claustrophobic yet sprawling visual love letter to his own memories of the French New wave —albeit through a lens of decadence, incest, and as many Jean Luc Godard references as one can still stuff into such an already compact space. Based on Gilbert Adair's 1988 novel ‘The Holy Innocents', which itself is an adaptation of Jean Cocteau's 1929 novel ‘Les Enfants Terribles' (The Holy Terrors), The Dreamers purposefully positions itself in a curious temporal space — one in which the continuous creative power of sex and cinema are the only realities worth living for. There's also just a lot of twincest. Topics include: Adair's adaptation of Jean Cocteau for his own 1988 novel, as well as his tweaks when adapting his own work for The Dreamers screen play; The 1968 Parisian student riots; The French New Wave Movement; Auteur theory (and the cinema of Nicholas Ray); The incorporated collage of film references; Bertolucci's seeming obsession with Jean Luc Godard; the protest-inspiring film archival and preservation efforts of Henri Langlois; the retrospective dark cloud Bertolucci's past casts on the film today; and what esoteric reference this movie and Joel Schumacher's 1997 ‘Batman and Robin' have in common. Episode Safeword: “vanilla”