Podcast appearances and mentions of Orlando Gibbons

"This is an eco-poetic/mythic piece, a kind of swan song. Named after a line in the film IO, where, in a toxic environment, in a post apocalyptic time, you can no longer see swans. I was particularly inspired by the quietness of this segment of the river, and the description for segment 15 by the person who recorded it, that it was as if they had come upon a secret and secluded place, hiding in a dense stretch of forest, where one man pushes off on a boat, barely rippling the tranquil waters. "You can hear mute swans taking off. I re-imagine this lone man as the Swan Knight, or Knight of the apocalypse. I wanted to convey this feeling, of a separate mystical and magical place, as both real and not real. A place of myth but also as place of illusions and deceptive tranquility. I wanted to sonically disrupt that magical flow, of time and the sound of a lone rower, with the reality of climate catastrophe, water and sound pollution. Especially contrasting the clean waters of Germany with the sewage filled water in UK. "Fragments can be heard of news commentators speaking about global water bankruptcy. You can hear sounds of me filling bottles of water from my large metal water filter, as it is now no longer advisable to drink tap water in the UK. I wanted to also disrupt the notion of isolation, or that this lone man was really only barely disrupting the surface, when in reality we are all connected, cross-culturally entangled, and everything we do has consequences, often catastrophic, for all humans and creatures of the planet globally, beyond this seemingly peaceful stretch of a river in Bavaria. "I researched Bavarian and European mythology about swans and rivers, as well as swan and river mythology in other cultures. I looked for fragments of old recordings of European/German swan music, swan songs and swan poems (for example - extracts from poems by Orlando Gibbons, Jules Renard, and extracts from a poem by Friedrich Leopold zu Stolberg-Stolberg used by Schubert for his piece Auf dem Wasser zu singen, , and Mein Lieber Schwan by Wagner, sung in 1930s in English by Walter Midgley ). I looked up scientific research about the river Lech, reservoirs and mute swans, local plant life, and infrasound. I was also very interested in the wider context of the area of segment 15 - the paper mill of Schongau, a Turkish cafe, and history of the executions of 'witches' and the creation of a memorial garden/ the role of gardens / plants, in healing trauma and the planet. Old photographs of the area and how the area had changed through time also influenced how I felt about this stretch of the river Lech. "A feeling of irreversible flow toward the end of everything, as we try to reverse the flow, we flow into silence. Through out the piece you can hear the flow of my voice reading extracts from my research and thoughts, the underlying constant sound of the lone man rowing, and sonic interludes and disruptions to unsettle us from our reverie." Section of the river Lech reimagined by  Salma Ahmad Caller. -------Flow is a creative exploration telling the story of a river through the power of sound. The project is a collaboration between the University of Padova and the University of Würzburg, with support from Cities and Memory. Explore the full project at https://citiesandmemory.com/flow.

Orlando Gibbons (1583-1625) was an English composer and keyboard player.The vocal, lyrical writing of the madrigal can be heard in this Voluntary, which was a piece played before or after the service by the organist.

The Fifth Sunday in Lent ORISON: When the Lord saw the sisters of Lazarus – Plainsong, Mode I; adapt. Bruce E. Ford (1947-2025) PSALM 130 – Plainsong, Tone IV.5 HYMN: Drop, drop, slow tears (Tune: SONG 46) – Orlando Gibbons (1583-1625) NUNC DIMITTIS – Plainsong setting, Tone IV.2 ANTHEM: Lamentations of Jeremiah – Thomas Tallis […]

Orlando Gibbons - O Clap Your HandsSarum ConsortAndrew Mackay, conductorMore info about today's track: Naxos 8.572582Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

durée : 00:12:14 - Le Disque classique du jour du vendredi 10 octobre 2025 - "Orlando Gibbons était un génie. On peut probablement tous s'accorder pour dire que ce terme est massivement anachronique. Pourtant, je pense qu'il est justifié, afin de placer sa musique au même niveau élevé que celui de Purcell, Beethoven ou Schubert", nous dit le violiste Richard Boothby. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:14 - Le Disque classique du jour du vendredi 10 octobre 2025 - "Orlando Gibbons était un génie. On peut probablement tous s'accorder pour dire que ce terme est massivement anachronique. Pourtant, je pense qu'il est justifié, afin de placer sa musique au même niveau élevé que celui de Purcell, Beethoven ou Schubert", nous dit le violiste Richard Boothby. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Today's poem is a short meditation on grief made enduringly-famous after Orlando Gibbons set it to music. You can hear an arrangement of that piece here. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Præludium: Herbert Howells: Lambert's Fireside Ord til dagen: af Martin Luther Salme: 683 "Den nåde, som vor Gud har gjort" Fra det N.T.: Matthæusevangeliet 5, 43-48 Korvers: Hans Leo Hassler: Fader vor udi Himmerig (Tekst: Martin Luther 1539) Salme: 385 "Op, alle folk på denne jord" Postludium: Charles Villiers Stanford: Prelude on a theme of Orlando Gibbons

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen. O clap your hands – Orlando Gibbons

The Fifth Sunday in Lent ORISON: Give judgment for me, O God – Plainsong, Mode IV; adapt. Bruce E. Ford (1947-2025) PSALM 126 – Plainsong, Tone I.9 HYMN: Drop, drop, slow tears (Tune: SONG 46) – Orlando Gibbons (1583-1625) NUNC DIMITTIS – Plainsong setting, Tone VIII.1 ANTHEM: Lamentations of Jeremiah – William Byrd (c. 1540-1623) […]

Vem gjorde årets bästa pop, jazz, folk och klassiska musik? Och vilka trender styrde vad vi lyssnade på? Vi sammanfattar musikåret 2024 med en hel panel musikexperter! Lyssna på alla avsnitt i Sveriges Radio Play. P3:S JONAS DAVIDS TRE POPFAVORITER:Billie Eilish – ”Birds of a feather”Robyn & Jamie XX – ”Life”Sade – ”Young Lion”P2:S MÄRET ÖMANS TRE JAZZFAVORITER:Michael Mayo – ”I didn't know what time it was”Milton & Esperanza – ”Morro Velho”Tilde Schweitzer – ”Moonglow”P2:S ESMERALDA MOBERGS TVÅ FOLKFAVORITER:Stockholm Vodou Orchestra & Aurelia Dey – Live (album)Emma & Ellika – ”Väder” (album)P2:S JULIA SJÖSTEDTS TRE KLASSISKA FAVORITER:Anima Eterna Brugge – Bruckner: Symphony no. 4 ”Romantic” (album)Mishka Rushdie Momen – Reformation: Keyboard works by William Byrd, Orlando Gibbons, John Bull & Jan Pieterszoon Sweelinck (album)Quatuor Dutilleux – Rita Strohl: Volume 2, Musique de chambre (album)INTERVJU: ERIK LUNDIN ÄR TILLBAKA – EFTER FEM ÅRS TYSTNADSå ett efterlängtat album som kom att avsluta 2024. Erik Lundin blev snabbt en del av hiphopeliten efter debuten 2015, känd för sina poetiska texter. Men sedan blev det tyst i fem år. Hör honom berätta om varför han inte varit redo att släppa ny musik förrän nu, i den här intervjun med kulturredaktionens Tanja Ulriksson.ESSÄ: ANAMMA MÖRKRET – STOPPA LJUSFÖRORENINGARNAPå lördag är det vintersolstånd och årets mörkaste dag. Men många svenskar tillbringar ganska stora delar av året med att förbanna mörkret. Författaren Eva-Lotta Hultén är inte en av dem. I denna essä från OBS höjer hon ett varningens finger för det artificiella ljusets lockelse.Programledare: Lisa WallProducent: Felicia Frithiof

Rolling Stones guitarist, Ronnie Wood discusses his parallel career as an artist. As a new exhibition of his work opens at the Andrew Martin showroom in London, Ronnie talks about how he has drawn inspiration from Delacroix, Caravaggio and Picasso. As a new three part series Boybands Forever starts on BBC2 and the iplayer, we explore what was behind the rise and fall of the boybands of the nineties and noughties with Richie Neville of Five and Hannah Verdier from Smash Hits. And, keyboard music from before the invention of the piano. Pianist Mishka Rushdie Momen performs from her new album Reformation, a collection of pieces by Tudor-era composers William Byrd, John Bull, Orlando Gibbons and Jan Pieterszoon Sweelinck.Presenter: Tom Sutcliffe Producer: Ruth Watts

Donald Macleod explores the life and work of Orlando GibbonsOrlando Gibbons's life throws a light on the political turbulence affecting Britain in the early 17th century. As King James VI and I struggled to establish the concept of British identity, his court was blessed with one of England's most talented musicians of the time, Orlando Gibbons.Music Featured:The Silver Swan O clap your hands Out of the Deep A Fancy (for Double Organ) Behold, thou hast made my days We praise thee, O Father What Is Our life? I am the resurrection Hosanna to the Son of David How art thou thralled Farewell all joys Now each flowery bank of May Great King of Gods Pavan a 6 Pavan and galliard Lord Salisbury Fantasies in Three Parts Compos'd for Viols (No 6, No 8, No 9) This is the Record of John Fantasia No 10 in C Major Ne'er let the Sun Yet if that age Trust not too much fair youth Lift Up Your Heads Fantasia No 1 for Two Trebles Nay let me weep William Byrd: Fair Britain Isle Fantazia of Four Parts O God, the king of glory In Nomine for 5 Viols Fantasia No 2 for 3 Viols Glorious and Powerful God See, see the word is incarnate O Lord, in thy wrath Drop, drop, slow tears (arr. P. Dearmer) Do not repine, fair sun – Parts I and II Sing unto the Lord, O ye saints O all true faithful hearts Fantasia a 3 with Double Bass Viol Fantasia for 6 Viols Go from my Window Almighty and everlasting God Magnificat (Short Service) Great Lord of Lords Fantasia No 1 for the Great Double Bass Fantasia No 2 a 6 The Hunt's Up (Peascod time) The Second Service (Morning): Te Deum Fantasia No 4 a 6 The Cryes of London I & II Blessed are all they that fear the LordPresented by Donald Macleod Produced by Iain Chambers for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Orlando Gibbons (1583-1625) https://www.bbc.co.uk/programmes/m001zvhm And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

The Fifth Sunday in Lent ORISON: Give judgment for me, O God – Plainsong, Mode IV PSALM 119:9-16 – Plainsong, Tone II.1 HYMN: Drop, drop, slow tears (Tune: SONG 46) – Orlando Gibbons (1583-1625) NUNC DIMITTIS – Plainsong setting, Tone IV.2 ANTHEM: Lamentations of Jeremiah (a5) – Alfonso Ferrabosco the Younger (c. 1575-1628) Jason Anderson, director […]

El espíritu humano tiende a clasificar lo diverso y los instrumentos musicales no escapan de tal pulsión clasificatoria. Pero, ¿según qué criterios clasificar? Por su técnica interpretativa, su modo de producción sonora, según los materiales con los que se construyen, por su fecha de invención, por su significado simbólico, por la potencia de su sonido...e incluso en el s. I a.C. Arístides Quintiliano dividió los instrumentos en masculinos, afeminados y femeninos, una clasificación en la que nos adentraremos con la música de William Byrd, Orlando Gibbons, Leonora Duarte, Monsieur de Sainte-Colombe, Jean Barrière, Élisabeth-Jacquet de la Guerre, Raffaella Aleotti, Lucrecia Vizzana y Nicola Porpora.Escuchar audio

durée : 01:28:29 - En pistes ! du jeudi 21 décembre 2023 - par : Emilie Munera, Rodolphe Bruneau Boulmier - En ce jeudi matin, Emilie et Rodolphe vous proposent de parcourir les œuvres de Beethoven, Puccini, Bernstein, Ravel, mais également celles de Francesco Cilea, Henry Purcell, sans oublier le compositeur anglais Orlando Gibbons, et le compositeur bohémien František Tůma. En pistes !

This service of Choral Evensong with a Sermon in Music for the Feast of Christ the King, Sunday 26th November 2023, has been collated from archive live music recordings together with prayers and readings for the appointed day specially recorded in church and in people's homes. It features a Sermon in Music which gives our professional St Bride's Choir the opportunity to sing for an extended period on a theme relevant to the liturgical season. Responses: John Sanders Psalm: 93 Canticles: Evening Service in B flat – Charles Villiers Stanford Sermon in Music: i) O clap your hands together – Orlando Gibbons; ii) A hymn of St Columba – Benjamin Britten; iii) Let all mortal flesh keep silence – Edward Bairstow Organ Voluntary: Acclamations, Suite Médiévale Op 56 – Jean Langlais If you enjoy listening, please leave a comment below or subscribe to our channel. It is great to get your feedback. We are hugely grateful for people's generosity which we rely on to continue our work, maintain our wonderful architectural heritage and support world-class music. If you would like to make a donation, you can do so at https://www.justgiving.com/stbrideschurchfleetstreet Alternatively, in the UK, text 5STBRIDES or 10STBRIDES or 20STBRIDES to 70470 to donate £5, £10 or £20. Find out what's happening at St Bride's at https://www.stbrides.com/whats-on

Interpreten: Dorothee Mields, Magdalene Harer, Boreas Quartett Bremen, Hathor Consort Label: audite EAN: 4022143978189 Die CD des Tages Konkurrenz in dieser Woche war mit Stars wie Maurice Steger oder Hélène Grimaud stark. Und trotzdem ist die Auswahl von Michael Gmasz auf ein ganz spezielles Alte-Musik Album mit Dorothee Mields, Magdalene Harer, dem Boreas Quartett Bremen und dem Hathor Consort gefallen. Warum, erklärt er wie immer selbst. Es gibt Wochen, in denen steht schon bei der Erstauswahl der jeweiligen CDs des Tages, also noch vor dem Durchhören, fest, welche CD am Ende der Woche als CD der Woche gefeiert wird. Und dann gibt es Wochen, da fällt die Auswahl auf den ersten Blick ein wenig schwerer und erst der musikalische Eindruck führt zum Ergebnis. So geschehen dieser Tage. Natürlich sind auch die anderen ausgewählten CDs großartig, aber die neue CD On Byrd's Wings von Dorothee Mields, Magdalene Harer, dem Boreas Quartett Bremen und dem Hathor Consort hat mich von den ersten Klängen an gefesselt und gepackt. Das ist sicher auch meiner Vorliebe für Renaissancemusik im Allgemeinen und schöne Stimmen im Speziellen geschuldet. Consortmusik von William Byrd und seiner englischen Zeitgenossen und Schüler erklingt auf dieser CD in Blockflöten und Gambenfassung. Mal getrennt voneinander, dann wieder gemeinsam. Zum Boreas Quartett Bremen, den Blockflöten, und dem Hathor Consort, also den Gamben, gesellen sich die beiden wunderbaren Sopranstimmen von Dorothee Mields und Magdalene Harer, die jede für sich ihre Soloauftritte haben, jedoch vor allem in den Duetten zu wahrer Hochform auflaufen. Herrlich verschmelzen die beiden Stimmen in wohliger Konsonanz, wenn sie sich z.B. bei Henry Lawes über die Gestalt eines guten Kusses austauschen. Im goldenen englischen Zeitalter, also während der Regentschaft Elisabeths der ersten, und der Zeit danach hat England eine Hoch-Zeit an Kunst und Kultur erlebt. Neben William Shakespeare, Walter Raleigh oder Christopher Marlowe waren es vor allem die Komponisten Thomas Tallis, William Byrd, John Dowland oder Orlando Gibbons, die diese Ära künstlerisch geprägt haben. Einige finden sich neben Byrd auf unserer CD der Woche. Augen zu und sich von der wunderbaren Musik mit so großartigen Künstlerinnen und Künstlern einfach beflügeln lassen! (mg)

Welkom terug bij een nieuwe aflevering van Kalm met Klassiek, dé podcastserie voor je dagelijkse momentje rust. Vandaag klinkt er muziek met een bijzondere tekst, waarin ons leven vergeleken wordt met een theaterstuk. Carpe diem, en luister naar 'What is our life?'. 

Louise Hung plays Orlando Gibbons' Galiardo Fantasia of Foure Parts from 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613. Audio production by Matthew Antal. 

'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613 probably as part of the celebrations for a royal wedding. MIO's Artistic Director John Edwards talks to keyboardist Louise Hung about pitch and temperament - how early keyboards were not tuned the same way a modern piano is. We then hear Louise Hung perform Gibbons' Fantazia in Four Parts. 

Louise Hung plays John Bull's Pavana and Orlando Gibbons' Galiardo and The Queenes Command from 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613. Audio production by Matthew Antal. 

'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613 probably as part of the celebrations for a royal wedding. MIO's Artistic Director John Edwards talks to Prof. Deanne Williams about the plays by Shakespeare, Beaumont and Fletcher and others, and masque performances during the run up to the marriage of Frederick, Count Palatine and Elizabeth Stuart. We then hear Louise Hung perform music by Bull and Gibbons from the book. 

Louise Hung plays William Byrd's Earl of Salisbury's Pavan and Galiardo Secundo from 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613. Audio production by Matthew Antal. 

'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613. As the chief counsellor in the last years of Queen Elizabeth I's reign and the first years of James I's, Robert Cecil, the Earl of Salisbury was at the centre of a web of political patronage, artistic patronage, and a web of spies that seems to have included musicians. John Edwards and Louise Hung talk about Salisbury's patronage of the arts, especially the art of music, his musical instrument collection and his collection of musicians. At the end of the chat you'll hear Louise play William Byrd's Pavana Earl of Salisbury and Galiardo secundo from Parthenia. Further reading: Patronage, Culture and Power: The Early Cecils ed. Pauline Croft and John Dowland by Diana Poulton.

Louise Hung plays William Byrd's Preludium and Galiardo Mrs. Mary Brownlo from 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613. Audio production by Matthew Antal. Virginal made by Matthew Redsell after an instrument by Johannes Perticis in the Royal Ontario Museum. 

Un día como hoy, 5 de junio: Nace: 1599: Diego Velázquez, pintor español (f. 1660). 1898: Federico García Lorca, poeta y dramaturgo español (f. 1936). 1898: Salvatore Ferragamo, diseñador italiano de calzado (f. 1960). 1941: Martha Argerich, pianista argentina. Fallece: 1625: Orlando Gibbons, compositor británico (n. 1583). 1816: Giovanni Paisiello, compositor italiano (n. 1740). Conducido por Joel Almaguer. Una producción de Sala Prisma Podcast. 2023

'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613. MIO's Artistic Director John Edwards talks to harpsichordist Louise Hung about the terminology of plucked string keyboard instruments in the Elizabethan and Jacobean period, how they make their sound, the association of the virginals with young women in our period and the techniques and fingering which they used and which Louise deploys to get the characteristic sprightly articulation in Mary Brownlow's Galliard and the spectacular passage work in the prelude by Byrd, both of which you'll hear at the end of our chat. 

The Fourth Sunday after the Epiphany ORISON: Blest are the pure in heart – M. Searle Wright (1918-2004) PSALM 15 (Setting II) – Peter R. Hallock (1924-2014) HYMN: Eternal Ruler of the ceaseless round (Tune: SONG 1) – Orlando Gibbons (1583-1625); harm. Ralph Vaughan William (1872-1958) NUNC DIMITTIS [Tone II setting] – Tyler Morse (b. 1990) […]

The Eighth Sunday after Pentecost ORISON: Round me falls the night – melody by A. Drese (1620-1701); verse 1 harm. S.S. Wesley (1824-1899); verse 2 harm. Henry Ley (1887-1962); verse 3 harm. J. S. Bach (1685-1750) PSALM 134 & 4 – Peter R. Hallock (1924-2014) HYMN 617: Eternal Ruler of the ceaseless round (Tune: Song 1) – Orlando Gibbons (1583-1625) NUNC […]

Fs in the chat. An alarming clone concept, an MCU retrospective, and exam season advice await you in this thrilling episode of: SIMON AND DAN TALK ABOUT GUFF -------- Legless lizards: https://en.wikipedia.org/wiki/Legless_lizard  Keeled scales: https://en.wikipedia.org/wiki/Keeled_scales  DCPOTW: The Silver Swan by Orlando Gibbons: https://open.spotify.com/track/1dyHU9CgeTWIvb2serBHzE?si=45611f3f16064fe4  Stargate SG-1: https://en.wikipedia.org/wiki/Stargate_SG-1  Our patreon: https://www.patreon.com/thewikicast -------- Email us at: spongyelectric@gmail.com Follow us on Twitter: @DanielJMaw @simonoxfphys This week's article: https://en.wikipedia.org/wiki/Plateau_fence_lizard  Fan discord channel: https://discord.gg/SZu6e2F This episode was edited by the wonderful Fergus Hall! https://www.fergushallmusic.com/ 

The Fifth Sunday in Lent ORISON: Judica me Deus – Plainsong, Mode IV PSALM 126 – Plainsong, Tone I.9 HYMN: Drop, drop, slow tears (Tune: SONG 46) – Orlando Gibbons (1583-1625) NUNC DIMITTIS – Plainsong setting, Tone IV.2 ANTHEM: Lamentations of Jeremiah – Osbert Parsley (c. 1511-1585) Jason Anderson, director • William Turnipseed , reader • James Wilcox, cantor

Two friends and academics recap classic literature and take it off its pedestal. In our eighteenth episode, we cover Virginia Woolf's trans, posho, time-traveling romp, Orlando (1928). Daniel once again gets into a row with medieval expert and enemy of the podcast, Justine; Abby once again gets into a row with friend of the podcast, Jonathan Swift; and we have 'Set the Scenes' on tap.Cover art © Catherine Wu.Episode themes: Orlando Gibbons, 'Fantasia A4, No.1 for Treble, Tenor & Bass Viols with Great Bass'; Ozan Yarman, 'Cumbus Tanbur Recording'; Antonio Vivaldi, 'Cello Concerto G Major - 1 Allegro'; Camille Saint-Saens, 'Cello Concerto No. 1 in A Minor, op. 33, i. Allegro Non Troppo' ; Bela Bartok, 'Divertimento For String Orchestra'. Hosted on Acast. See acast.com/privacy for more information.

The Second Sunday after the Epiphany ORISON: Songs of thankfulness and praise (Tune: SALZBURG) – mel. Jakob Hintze (1622-1702); harm. Johann Sebastian Bach (1685-1750) PSALM 36:5-10 – Jason A. Anderson (b. 1976) HYMN: All praise to you, O Lord (Tune: CARLISLE) – Charles Lockhart (1745-1815) NUNC DIMITTIS – Plainsong, Tone VI; harm. Orlando Gibbons (c. 1583-1625) […]

Access Patron-Only Shows and join the Guild Vendee Radio on “Clericalism” MUSIC: “Almighty and Everlasting God” by Orlando Gibbons performed by The VOCES8 Scholars June 2021. https://www.youtube.com/watch?v=q74dwLTMOh0 Please donate to Voces8 here Primordial lights from Dr. Plineo Vendee Radio King’s College Chapel, Cambridge – an outstanding example of Perpendicular Gothic: https://www.sararawlinson.com/wp-content/uploads/2018/10/NIK6619_s.jpg https://cambridgephotographyweek.com/wp-content/uploads/2020/11/sara.jpg https://files.structurae.net/files/photos/1/112243/000029.jpg https://s0.geograph.org.uk/geophotos/03/16/69/3166947_d6903bd0.jpg — […]

Access Patron-Only Shows and join the Guild MUSIC: “Almighty and Everlasting God” by Orlando Gibbons performed by The VOCES8 Scholars June 2021. https://www.youtube.com/watch?v=q74dwLTMOh0 Please donate to Voces8 here Primordial lights from Dr. Plineo Vendee Radio King’s College Chapel, Cambridge – an outstanding example of Perpendicular Gothic: https://www.sararawlinson.com/wp-content/uploads/2018/10/NIK6619_s.jpg https://cambridgephotographyweek.com/wp-content/uploads/2020/11/sara.jpg https://files.structurae.net/files/photos/1/112243/000029.jpg https://s0.geograph.org.uk/geophotos/03/16/69/3166947_d6903bd0.jpg — Buy the Books: https://meaningofcatholic-com.stackstaging.com/ourladyofvictorypress/ […]

Access Patron-Only Shows and join the Guild MUSIC: “Almighty and Everlasting God” by Orlando Gibbons performed by The VOCES8 Scholars June 2021. https://www.youtube.com/watch?v=q74dwLTMOh0 Please donate to Voces8 here Primordial lights from Dr. Plineo Vendee Radio King’s College Chapel, Cambridge – an outstanding example of Perpendicular Gothic: https://www.sararawlinson.com/wp-content/uploads/2018/10/NIK6619_s.jpg https://cambridgephotographyweek.com/wp-content/uploads/2020/11/sara.jpg https://files.structurae.net/files/photos/1/112243/000029.jpg https://s0.geograph.org.uk/geophotos/03/16/69/3166947_d6903bd0.jpg — Buy the Books: https://www.meaningofcatholic.com/ourladyofvictorypress/ […]

Access Patron-Only Shows and join the Guild Vendee Radio on “Clericalism” MUSIC: “Almighty and Everlasting God” by Orlando Gibbons performed by The VOCES8 Scholars June 2021. https://www.youtube.com/watch?v=q74dwLTMOh0 Please donate to Voces8 here Primordial lights from Dr. Plineo Vendee Radio King’s College Chapel, Cambridge – an outstanding example of Perpendicular Gothic: https://www.sararawlinson.com/wp-content/uploads/2018/10/NIK6619_s.jpg https://cambridgephotographyweek.com/wp-content/uploads/2020/11/sara.jpg https://files.structurae.net/files/photos/1/112243/000029.jpg https://s0.geograph.org.uk/geophotos/03/16/69/3166947_d6903bd0.jpg — […]

Dr. Jessica Chicka preaches a sermon entitled “Extraordinary Time.” The remainder of the recording is a re-broadcast from previous services. The Marsh Chapel Choir sings “Almighty and everlasting God” by Orlando Gibbons and "My God, I love thee (from the St. Mark Passion)" by Charles Wood, along with service music and hymns.

Un día como hoy, 5 de junio: Nace: 1599: Diego Velázquez, pintor español (f. 1660). 1898: Federico García Lorca, poeta y dramaturgo español (f. 1936). 1898: Salvatore Ferragamo, diseñador italiano de calzado (f. 1960). 1941: Martha Argerich, pianista argentina. Fallece: 1625: Orlando Gibbons, compositor británico (n. 1583). 1816: Giovanni Paisiello, compositor italiano (n. 1740). Una producción de Sala Prisma Podcast. 2021

ORISON: Drop, drop, slow tears (Tune: Song 46) – Orlando Gibbons (c. 1583-1625) PSALM 22:1-11 – Plainsong, Tone IV.1 HARMONIZED RESPOND: In manus tuas (setting I) – John Sheppard (c. 1515-1558) OFFICE HYMN: O Christ, you are both light and day (Tune: Christe, qui Lux es et dies) – Plainsong, Mode II; Mailander Hymnem, 15th cent. NUNC DIMITTIS – Plainsong setting, Tone IV.2 ANTHEM: Absalon fili mi – attr. […]

English violist Annette Isserlis talks about 17th-century music by Orlando Gibbons and Henry Purcell, starting out as a ballet dancer, and being swept up in the experience of collective music making.    Useful links: Spotify playlist for Annette’s pieces  Spotify playlist for main pieces  Spotify playlist for final question pieces    Other useful links: The Viol  Orlando Gibbons  Plainchant  The “In Nomine” plainchant, which was used as the basis of pieces by many composers throughout history  Henry Purcell  False relations (blue notes)   Jean-Philippe Rameau  Rameau’s Les Boreades    Support Annette: Orchestra of the Age of Enlightenment’s video platform, OAE Player  Annette’s podcast, Tea With Netty   English Baroque Soloists    Get in touch with us! DONATE: PayPal.Me/OutsideMusicBox  Facebook: @MusicBoxConcerts  Instagram: @musicboxconcerts Twitter: @OutsideMusicBox Email: concerts.musicbox@gmail.com Website: www.musicboxconcerts.com

This service of Choral Evensong with Sermon in Music for the Second Sunday of Lent, 28th February 2021, has been collated from archive live music recordings together with prayers, sermon and readings for the appointed day specially recorded in church and in people's homes. This service is sung by our professional St Bride's Choir. Responses: Thomas Ebdon Psalm: 135: 1-14 Magnificat & Nunc Dimittis: Evening Service in B flat – Henry Purcell Sermon in Music: i) O Lord, in thy wrath – Orlando Gibbons; ii) Hear my prayer, O Lord – Henry Purcell; iii) Remember not, Lord, our offences – Henry Purcell Organ Voluntary: Fantasia in C minor BWV 562 – Johann Sebastian Bach If you enjoy listening, please leave a comment below or subscribe to our channel. It is great to get your feedback. If you would like to make a donation to support our ministry, music, and architectural heritage, please do so at https://www.justgiving.com/stbrideschurchfleetstreet Alternatively, in the UK, text 5STBRIDES or 10STBRIDES or 20STBRIDES to 70470 to donate £5, £10 or £20

Un día como hoy, 25 de diciembre: 354, el papa Liberio decreta este día como la fiesta de nacimiento de Jesús. 1583, nace Orlando Gibbons. 1642, nace Isaac Newton. 1711, nace Jean-Joseph de Mondonville. 1771, nace Dorothy Wordsworth. 1899, nace Humphrey Bogart. 1911, nace Louise Bourgeois. 1954, nace Annie Lennox. 1921, fallece Vladímir Korolenko. 1950, fallece Xavier Villaurrutia. 1963, fallece Tristan Tzara. 1977, fallece Charles Chaplin. 2005, fallece Brigit Nilsson. Una producción de Sala Prisma Podcast. 2020

Yule – Part IV This week we hear anonymous and traditional works and works by John Taverner, Giovanni Gabrieli, Michael Praetorius, Orlando Gibbons, Francisco de Vidales, Francesco Manfredini, Johann Sebastian Bach, Hector Berlioz, Ralph Vaughan Williams, Harold Edwin Darke, Hugo Distler, Peter Warlock, John David, Jean Guillou, Krzysztof Penderecki, John Rutter, and Gary Fry. 187 Minutes – Week of December 21, 2020

Welcome to the Morning Service from Glasgow Cathedral for Sunday the 22nd of November. . We hope you enjoy worshiping with us this morning.The hymns include O Come, and let us to the Lord and Dear Lord and Father. Today's anthem is Orlando Gibbons  Great King of Gods . The service begins with the intorit: Singet mit Freuden. 

- har Victor Hugo engang sagt. Og det er netop omdrejningspunktet for aftenens koncert, hvor længselsfulde engelske 1600-talstoner møder norsk folkemusik. Værker af bla. Thomas Tallis, John Dowland, Orlando Gibbons, Anthony Holborne m.fl. Barokksolistene. Bjarte Eike, violin og musikalsk ledelse. (Musikhuset Esbjerg 25. august). Ca 21.00 Fløjtnisten Júlia Cavaller Triay, der er uddannet ved Det Jyske Musikkonservatorium spiller Marais, Jolivet, Prokofiev og Toldra. Vært: Celine Haastrup. www.dr.dk/p2koncerten

Are we living through an era of madness? Stephen Blackwood sits down with best-selling author Douglas Murray to discuss manifestations of madness in contemporary culture. They explore the metaphysical system sustaining present ideologies, consider the necessity of meaning and forgiveness, and move beyond to discuss the transcendent values and works of art that enlighten, and perhaps offer an antidote for, the madness of the present. Works mentioned: Literature: T. S. Eliot, especially The Four Quartets; Philip Larkin; C. Day-Lewis; Shakespeare Music: Palestrina; Orlando Gibbons; Thomas Tallis, especially Spem in Alium and Lamentations of Jeremiah; Gustav Mahler, especially Symphony No. 3; Igor Stravinsky; Olivier Messiaen; Johannes Brahms, piano; Benjamin Britten; Michael Tippett