Podcasts about stargate sg

The atmospheric pressure inside the Estadio Azteca sometimes drops without warning. The old men of Mexico City attribute it to Quetzalcoatl, the invisible feathered serpent god, passing overhead. They are not being poetic. They are reporting a phenomenon and naming its cause in the language their grandfathers used to name it.Tonight on TMR - the disclosure cycle is older than disclosure. The serpent has a calendar. We are on it. Call in live during the show: 702-857-6939Full archive of 1,100+ episodes: troubledminds.org

“Impudence.” - Ba'al “No tuna.” - Jack Stargate wasn't the first to mess around with Ba'al's characterization. Follow the storm-god from his ancient Near Eastern origins through his later demonization, then compare that long religious history with Stargate SG‑1's Goa'uld Baʿal to explore how symbols of godhood are built before being torn down. Links Read along, Pictures, and Citations: ⁠Detours in Artaeology⁠ ⁠Printify Shop⁠ - shirts, stickers, and mugs, oh my! ⁠My YouTube channel⁠ - where you can find all my episodes too Contact Follow my ⁠BlueSky⁠ Follow me on Instagram ⁠@FlyingSepiida⁠ Join my ⁠Patreon⁠ (It's free :D) Follow me on LinkedIn: ⁠LinkedIn⁠ ArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet APN Shop Affiliates Motion Music 'Echoes' by Scott Buckley - released under CC-BY 4.0. Scott Buckley - Composer 'Echoes Of Home' by Scott Buckley - released under CC-BY 4.0. Scott Buckley - Composer 'Golden Hour' by Scott Buckley - released under CC-BY 4.0. Scott Buckley - Composer 'Hymn To The Dawn' by Scott Buckley - released under CC-BY 4.0. Scott Buckley - Composer 'Into The Wilds' by Scott Buckley - released under CC-BY 4.0. Scott Buckley - Composer 'Penumbra' by Scott Buckley - released under CC-BY 4.0. Scott Buckley - Composer 'Ride The Wind' by Scott Buckley - released under CC-BY 4.0. Scott Buckley - Composer 'Rise Above' by Scott Buckley - released under CC-BY 4.0. Scott Buckley - Composer 'Beyond These Walls' by Scott Buckley - released under CC-BY 4.0. Scott Buckley - Composer 'Castles in the Sky' by Scott Buckley - released under CC-BY 4.0. Scott Buckley - Composer Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Executive producer Brad Wright and actor/producer Richard Dean Anderson

BONUS: Extra from the disc

Welcome back to the Monkey Nut Punch Podcast – Episode 384, where the future of Spider-Man, Superman, Harry Potter, and Stargate all collide in one packed episode. NEWS Tom Holland discusses setting up the next generation of Spider-Man heroes and hopes to mentor a future wall-crawler just as Robert Downey Jr. helped him. New details from DC's upcoming Superman: Man of Tomorrow reveal Lex Luthor's intimidating Warsuit. Tributes pour in for beloved actor Anthony Head, with co-stars from Buffy the Vampire Slayer and Ted Lasso remembering him as kind, wise, and endlessly talented. HBO's Harry Potter series continues casting key characters ahead of the adaptation of Chamber of Secrets. One Day and The White Lotus star Leo Woodall breaks his silence on reports linking him to a dream role in the next Lord of the Rings movie. Amazon officially passes on Martin Gero's proposed Stargate revival series. Following the cancellation, a legendary Stargate SG-1 actor is urging fans to campaign for the franchise's return. TRAILERS Silo Season 3 – Apple TV+ drops the first trailer for the next chapter of its hit sci-fi mystery. Among Us – The hugely popular social deduction game finally arrives as an animated series. REVIEW Spider-Noir – Nicolas Cage steps into the shadows. Does Amazon's noir-inspired Marvel series deliver something unique or simply wear a stylish trench coat? Like, subscribe, and let us know whether Stargate deserves another shot at the gate. More episodes, reviews, and geek culture goodness can be found at www.mnp.ninja.

After a long cold, rainy spring, DNA is back! Thank you for your support as we navigate a new time in our process. We still love doing this show so much!

Silvana, Eric and Tegan watch the season finale of season 6 (Season 6 Episode 22), which was a potential series finale for Stargate SG-1. What a phenomenal episode! ⁃ This was a really great episode that generated a lot of great discussion, not to mention wrapping up the Abydos storyline. The hosts celebrate (almost) 5 years of the podcast and Eric claims he's been here the whole time! The hosts still have lots of questions, like how does ascended being magic work? What are the politics between the Oma faction and the opposing faction? Join the conversation on our socials! Episode Ratings: Comedic Effect - 6/7 Chevrons Emotional Impact - 7/7 Chevrons Enjoyability - 7/7 Chevrons Culture/history/lore - 6/7 Chevrons Novelty - 6/7 Chevrons Technical Quality  -  4/7 Chevrons Plot - 7/7 Chevrons Relevance to the overall story? Yes relevant, don't skip!  

Silvana and Eric watch Stargate SG-1 Season 6 Episode 21 "Prophecy." Jonas isn't well, and he's seeing into the future. What will the SG-C be able to do about it, and can he prevent the deaths of SG-1 in time? Eric and Silvana find it refreshing that they believe Jonas immediately when he provides them with evidence, instead of doubting him, like they normally do. Tegan was sorely missed for this episode but will be back next time! What's the money system for goa'uld? How do these villains not have capitalism? It kind of makes sense the Tok'ra are communists. Check out Silvana's article about the lack of women statues in America on her Substack "To Be Kindled". Eric and Silvana go on a tangent about highly intelligent, capable women that history forgot just because they had vaginas. Eric and Silvana start a nap time cult. Tegan will have to figure out if it's her jam next time. This episode just be vibin'. Episode Ratings: Comedic Effect - 3/7 Chevrons Emotional Impact - 5/7 Chevrons Enjoyability - 5/7 Chevrons Culture/history/lore - 5/7 Chevrons Novelty - 4/7 Chevrons Technical Quality  - 4/7 Chevrons Plot - 6/7 Chevrons Relevance to the overall story? Yes relevant, don't skip Join the conversation on our socials. Silvana Substack Article    

This week on Earthling Entertainment, we sit down with actor Corin Nemec to talk about his career in film and television, including his time as Jonas Quinn on Stargate SG-1, Stephen King's The Stand, Supernatural, and more. (00:31:32:00 - 00:56:33:00) We also dive into the eerie legend of the Rusalki — the haunting water spirits of Slavic folklore said to lure victims to a watery grave — along with strange stories, paranormal discussion, pop culture chaos, and a whole lot more on this week's episode of Earthling Entertainment.Support this podcast at — https://redcircle.com/earthling-entertainment/donations

Fifty years in a time bubble aboard the Odyssey. Lisa Jones, Jeff Haecker, and Victor Lams say goodbye to Stargate SG-1 in the series finale "Unending." The Asgard are gone. Was it worth it? The post Unending (SG1) appeared first on StarQuest Media.

Michele is best known for her role as attorney Abigail "Abby" Perkins on the TV series L.A. Law from 1986 to 1991 Her first big role was in the short-lived Steven Bochco series Bay City Blues. When that was cancelled, Bochco kept her in mind and offered her the role on L.A. Law a show that earned her an Emmy nomination in the Best Supporting Actress category in 1989. After leaving L.A. Law, she had acting roles in a number of popular television series including Bones, CSI, CSI: Miami, Cold Case, Crossing Jordan, Diagnosis: Murder, JAG, Judging Amy, Nip/Tuck, The Outer Limits, Six Feet Under, Stargate SG-1, Brothers and Sisters, Big Love and The Unit. She is also an author. Her first New Adult novel, Chasing The Jaguar (Martika's Magic) was published by Harper Collins and nominated for an American Library Association Award. Her novel featuring FBI specialist Emily Ray has been sold to Storm Publishing in the U.K (January 2025) and is the first in a three-book series. She is also the author of a book series featuring new LAPD recruit, Cassidy Clarke (Thomas and Mercer Fall 2025).

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - Stargate | El portal que abrió una galaxia Nos adentramos en Stargate, la película de Roland Emmerich que mezcló ciencia ficción, arqueología y aventuras para crear uno de los universos más queridos del género. Una puerta estelar, civilizaciones antiguas, dioses falsos y un viaje que acabaría dando lugar a una franquicia gigantesca. En este programa repasamos la película original en profundidad: su planteamiento, sus influencias, el diseño visual y ese equilibrio entre blockbuster noventero y ciencia ficción clásica que la convirtió en una obra de culto para toda una generación. Hablamos de personajes como Daniel Jackson y el coronel O'Neil, del carisma del villano Ra y de cómo la película construyó una mitología que luego explotaría aún más en televisión con Stargate SG-1. También debatimos sobre sus efectos especiales, su banda sonora, su legado dentro de la ciencia ficción y por qué sigue funcionando décadas después pese al paso del tiempo. Con Fer, Tony, Sauron y el Mamado, en una charla llena de nostalgia, humor y amor por una película que nos hizo mirar al cielo pensando que quizá las pirámides ocultaban algo más. Un capitulo mas corto de lo habitual, pero esperamos que tenga toda la información y pasion que deseáis. Chevron bloqueado. Programa activado. Mas sobre La Guarida https://bio.link/laguaridadelsithEscucha este episodio completo y accede a todo el contenido exclusivo de La Guarida del Sith. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/31122

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - Stargate | El portal que abrió una galaxia Nos adentramos en Stargate, la película de Roland Emmerich que mezcló ciencia ficción, arqueología y aventuras para crear uno de los universos más queridos del género. Una puerta estelar, civilizaciones antiguas, dioses falsos y un viaje que acabaría dando lugar a una franquicia gigantesca. En este programa repasamos la película original en profundidad: su planteamiento, sus influencias, el diseño visual y ese equilibrio entre blockbuster noventero y ciencia ficción clásica que la convirtió en una obra de culto para toda una generación. Hablamos de personajes como Daniel Jackson y el coronel O'Neil, del carisma del villano Ra y de cómo la película construyó una mitología que luego explotaría aún más en televisión con Stargate SG-1. También debatimos sobre sus efectos especiales, su banda sonora, su legado dentro de la ciencia ficción y por qué sigue funcionando décadas después pese al paso del tiempo. Con Fer, Tony, Sauron y el Mamado, en una charla llena de nostalgia, humor y amor por una película que nos hizo mirar al cielo pensando que quizá las pirámides ocultaban algo más. Un capitulo mas corto de lo habitual, pero esperamos que tenga toda la información y pasion que deseáis. Chevron bloqueado. Programa activado. Mas sobre La Guarida https://bio.link/laguaridadelsithEscucha este episodio completo y accede a todo el contenido exclusivo de La Guarida del Sith. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/31122

Join Adam, Tyler, Jason, and Justin as they traipse through Stargate SG-1. In this installment they close out season 3 by covering the episodes "New Ground", "Maternal Instinct", "Crystal Skull", and "Nemesis". Join the crew as they contemplate Richard Ian Cox, zen force powers, radiation poisoning, and lego space bugs. Please consider donating to the Immigrant Law Center of Minnesota: https://www.ilcm.org/donate/ If you've been enjoying the podcast, please consider supporting us at https://www.patreon.com/DeepListens If you like our new art and want to commission some of your own, reach out to Tyler at tylerorbin.net

It's time to do a tribute to yet another key STAR WARS TV show music composer: Kevin Kiner (Ahsoka and the many cartoon shows).   Outside of this, you get to hear an interview clip during this minisode and I guarantee you'll dig his persona instantly.   His movie work includes: Leprechaun, Freaked, Safe House (1998), Tremors 3 and Samaritan (2022) as well as various Roger Corman and Chuck Norris projects.   His TV credits include: Stargate SG-1, SyFy's The Invisible Man, Star Trek: Enterprise, CSI: Miami, Hell on Wheels, Transformers: Robots in Disguise, Narcos: Mexico, City on a Hill, Doom Patrol, Dark Winds & Peacemaker.   Aside from the James Bond videogames, I get to briefly touch on what makes his sound different from other composers of late!       INTERVIEW CLIP:  Gold Derby interview on May 10, 2024     MUSIC USED:  "Undaunted" by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Silvana, Eric and Tegan watch Stargate: SG-1 Season 6 Episode 20 "Memento." It's agreed among the hosts that this episode should have been called "Going To Other Planets." Stargate goes for a bit of a Star Trek feel with bringing back the Prometheus. Jack isn't acting like himself, again, and isn't respecting the established hierarchy of the ship. An interesting dynamic is established with the Tagreans but isn't really delivered on in a satisfying way. This episode was severely lacking a Daniel! Join the discussion on our socials. Episode ratings: Comedic Effect - 2/7 Chevrons Emotional Impact - 3/7 Chevrons Enjoyability - 3/7 Chevrons Culture/history/lore - 5/7 Chevrons Novelty - 2/7 Chevrons Technical Quality - 4/7 Chevrons Plot - 3/7 Chevrons Relevance to the overall story? Not relevant, don't skip  

In this episode, we sit down with the incomparable Amanda Tapping—actor, director, producer, and one of the most influential creative forces working in genre television today. Known to many for her iconic role as Samantha Carter in Stargate SG‑1, Amanda has since built an extraordinary directing career that spans some of the most beloved sci‑fi and fantasy series of the last decade. Fans will have several opportunities to meet Amanda at upcoming events: Starfury: Ascension 2 Gate Cruise 2027, featuring stars from Stargate SG‑1 and Atlantis Donate to My Team for my walk with members and survivors for Purple Stride to fight Pancreatic Cancer

Send us Fan MailSome weeks are about discovery. Others are about reckoning.In this episode of Nerdery & Murdery, Zig kicks things off in the Nerdery by stepping through the gate and into Stargate SG-1, exploring what made the series such a lasting cornerstone of science fiction television and why it still resonates with fans decades later.Then, in the Murdery, we continue our A–Z journey across America's serial killers with Arkansas.This week's case is Charles Ray Hatcher — a story not defined by spectacle or immediate fear, but by silence, hesitation, and missed connections. Over the course of years, multiple women died under circumstances that raised questions but failed to trigger urgency. It wasn't until one woman survived that the pattern could no longer be ignored.This episode isn't about shock value.It's about recognition. About who gets seen, who gets overlooked, and how long it can take for truth to surface when cases are allowed to stand alone.Two very different conversations.One unforgettable episode.Support the show

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

Michael Kaplan wrote the three-act comedy, Love Town, which is published by Concord Theatricals, and We're Canceling Cable (and other Empty Threats), which is represented for licensing by Miracle or 2. Many lifetimes ago, Michael had scripts produced on television (Stargate SG-1, Michael Nesmith in Television Parts), alternative media (Psychic Detective by Electronic Arts), and film (Illegally Yours—which was butchered beyond recognition by a very famous but seriously delusional director and I ended up using the pseudonym M.A. Stewart). Michael lives in Morro Bay, California and works by day as a nonprofit executive.

Join Adam, Tyler. Jason, and Justin as they venture through Stargate SG-1. In this episode they continue deeper into Season 3 with the episodes "Pretense", "Urgo", "A Hundred Days", and "Shades of Grey". Join along as they deal with such topics as wearable RGBs, Dom Deluise, rustic romance, and why all your homies hate the Tollan. As a note, the host was nursing some kind of strep infection, and if he sounds painful that's because he was. Please consider donating to the Immigrant Law Center of Minnesota: https://www.ilcm.org/donate/ If you've been enjoying the podcast, please consider supporting us at https://www.patreon.com/DeepListens If you like our new art and want to commission some of your own, reach out to Tyler at tylerorbin.net

Silvana, Eric and Tegan watch Stargate SG-1 Season 6 Episode 17 "Disclosure," a truly uninventive recap episode. However, a good jumping off point to talk about the culture and media of the early 2000s.  In this episode, The SGC invites leaders from various nations to disclose to them the Stargate Program. Senator Kinsey is there to try to convince them that the NID would be a better organization to oversee the program. Thor swoops in at the last minute to have a sassy one liner and to convince everyone that keeping control with the SGC is the right call afterall.  No need to confront any of the problems with the U.S. military overseeing such a program! The hosts talk about ancient YouTube videos and you can find those linked below:   Episode ratings: Comedic Effect - 2/7 chevrons Emotional Impact - 1/7 chevrons Enjoyability - 1/7 chevrons Culture/history/lore - 2/7 chevrons Novelty - 1/7 chevrons Technical Quality  - 2/7 chevrons Plot - 1/7 chevrons Relevance to the overall story? Yes relevant, but skip - "FUCK THIS EPISODE!"   Videos mentioned in this video: Harry Potter Puppet Pals Got Any Grapes? Love Letter to Carbs

We were honored and excited to sit down with actor Aaron Douglas! Aaron is an incredibly accomplished actor, with over 100 tv shows, movies and video games on his resume. He's appeared in such movies and shows as X-Men 2, iRobot, Stargate SG-1, Falling Skies, The Strain, X-Files, Supernatural, The Flash, Once upon a time, and currently Murder in a small town, airing on Fox. He created and wrote comic books for AfterShock comics, with his writings appearing in the first two volumes of the Shock Anthology, culminating in his first full length graphic novel “10 years to death” which was released back in October of 2021. You may know him best as the man who kept the Admiral's Vipers flying, Chief Galen Tyrol on Battlestar Galactica! We laughed so much our jaws hurt and we know you will LOVE Aaron as much as we do!

Join Adam, Tyler, Jason, and Justin as they continue through Stargate SG-1. This time, they're looking at the season 3 episodes "Past and Present", "Jolinar's Memories", "The Devil You Know", and "Foothold".  Listen along as they come to grips with boning Grandma Space Hitler, going to hell, vamping with the devil, and the Grimace invasion. Also, somehow, Apophis returned. Please consider donating to the Immigrant Law Center of Minnesota: https://www.ilcm.org/donate/ If you've been enjoying the podcast, please consider supporting us at https://www.patreon.com/DeepListens If you like our new art and want to commission some of your own, reach out to Tyler at tylerorbin.net

Special Effects Technician Kirk Douglas helped bring Stargate SG-1's incredible practical effects to life from day one. He joins us to share stories from the set and pay tribute to his brother, Wray Douglas.

This week on Toon'd In!, Jim Cummings welcomes acclaimed actress and voice actor Nicole Oliver! Known for her commanding performances in animation and genre television, Nicole has built an extraordinary career spanning anime, western animation, and live-action sci-fi—captivating audiences with strength, warmth, and remarkable vocal range. She is best known as Princess Celestia in My Little Pony: Friendship Is Magic and for her appearances in Stargate SG-1, along with an extensive body of work across animated series, video games, and feature films.In this engaging and wide-ranging episode—recorded live at Fan Expo Vancouver—Nicole shares her journey into professional acting, from classical training to becoming one of the most recognizable voices in modern animation. She breaks down the technical craft of voice performance, including character development, vocal control, emotional authenticity, and the stamina required for long-running franchises. Nicole also reflects on working within ensemble casts, collaborating with directors, and adapting performances for different mediums—from ADR and dubbing to original animation.Jim and Nicole dive deep into the evolving entertainment landscape—exploring the growth of the global voice acting industry, the rise of fan conventions as community hubs, and the crossover between animation, sci-fi television, and gaming culture. Along the way, Nicole opens up about longevity in a competitive field, mentorship, connecting with multi-generational audiences, and the responsibility of portraying characters who inspire fans around the world.

You may recognize him best as Douglas Anders' robot, "Grell," in Wormhole X-Treme!... but his involvement in Stargate SG-1 goes much further. Join us as we get to know actor Herbert Duncanson LIVE!

Stargate SG-1, Atlantis and Unniverse's Executive Producer returns to Dial the Gate, alongside GateWorld's Darren Sumner, to take fan questions and share more memories from the franchise!

Join Adam, Tyler, Jason, and Justin as they travel through the hit 90s sci-fi show, Stargate SG-1. In this installment, they discuss the season 3 episodes "Deadman Switch", "Demons", "Rules of Engagement", and "Forever in a Day". Tag along with the crew as they are confounded by endless snark, a half-assed witch trial, showing Faces of Death to teens, and the most frustrating character send-off possible. Please consider donating to the Immigrant Law Center of Minnesota: https://www.ilcm.org/donate/ If you've been enjoying the podcast, please consider supporting us at https://www.patreon.com/DeepListens If you like our new art and want to commission some of your own, reach out to Tyler at tylerorbin.net

We sat down with the legend himself, actor Michael Ironside, to discuss his life and career. Michael is a world renowned actor with well over 300 film and television credits throughout his incredible career. He has played some of the most memorable characters in some of the most iconic franchises of all time. From Scanners to Total Recall, Top Gun to Starship Troopers, The Next Karate Kid, Stargate SG-1, Seaquest DSV, Terminator Salvation, the voice of Sam Fisher in The Splinter Cell video game Franchise, V, and so much more.

Silvana and Tegan watch Stargate SG-1 Season 6 Episode 16 "Metamorphosis," which should switch it's name with the episode "Bane." Nirrti is up to her shenanigans again but is now changing people's genomes to try to make a Hok'tar. She has convinced a group of people that she is their god and can heal them and give them special powers.  This episode highlights once again that Jack hates Russians, he hasn't learned anything after "The Tomb," episode and we really need Crystal Jack back to deal with these issues. This episode reminds of the Hell episodes where we are going back and forth from a jail cell and being interrogated and tortured outside the jail. Another Russian Colonel dies reinforcing the redemption by death trope. Jonas catches the attention of Nirrti because his DNA is special in some way we aren't quite aware of yet. Unfortunately for her, this episode marks the demise of Nirrti, so she'll never get to get with Jonas or give him extra special abilities. That's the 9th Goa'uld they've killed so when they kill their 10th they get a free sub! Join the Discussion on our socials. Episode Ratings: Ratings Comedic Effect - 1/7 Chevrons Emotional Impact - 2/7 Chevrons Enjoyability - 1/7 Chevrons Culture/history/lore - 2/7 Chevrons Novelty - 1/7 Chevrons Technical Quality  - 2/7 Chevrons Plot - 1/7 Chevrons Relevance to the overall story? Yes relevant, but do skip it  

Giga Bytes Podcast 395: Hoy hablamos de GTA 6, numeros de PS y Nintendo, próximo Xbox y mucho Mas Horizon Hunter Gathering anunciado para PS5 y PC Nioh 3 review Nintendo Direct Partner Showcase Reporte 3QTR 2025 PS5 (Oct-Dic 2025) 2 millones de PS5 MAU aumenta a record 132m $914 en ingresos para la division (operating income) 8 millones de unidades en el QTR Ghost of Yotei vendiendo mejor que Tsushima en el mismo periodo Aseguran RAM para próximo año fiscal 2026 (PS5), negociando para el futuro Strauss Zelnick confiado en lanzamiento de GTA 6 este noviembre 19 2026, publicidad comienza en verano (copias físicas no se atrasarán) Take 2: 138 millones de consolas Gen 9 hasta Dic 31 2025 (estimado) Switch 2: 17.37m PS5: 92.2 m Xbox Series X/S (Estimados): 28.08 m AMD CEO Lisa Su: Steam Machine para principios 2026, Next Xbox podría lanzar 2027 Tekken 8 S3: Kunimitsu (Primavera), Bob (Verano), Jack Jr (otoño) y otro personaje secreto, rank reset y mas Adelantan Knight of the Seven Kingdom e Industry por Superbowl Reporte Financiero Nintendo acabando dic 31 2025: Switch 2 17.37 millones vendidos Switch 155.37m (2nda mas vendida en la historia) Ventas aumentan 99% Mario Kart World 14.03m Donkey Kong Bananza 4.25m Pokemon Z to A 3.89m Kirby Air Riders 1.76m Stranger Things Tales from '85 teaser Michael Teaser Rumor: PS Portal OLED en camino Encuesta GDC: 2025 vs 2026 Highguard fracasa God of War Prime video: se agranda el elenco de la serie Ryan Hurst (Sons of Anarchy) Cast como Kratos Mandy Patinkin (Homeland) Cast como Odin Ólafur Darri Ólafsson (Severance) como Thor Max Parker (Boots) como Heimdall Teresa Palmer (Warm Bodies) posiblemente como Phoebe/Sif Alastair Duncan (Mimir en GOW) como Mimir Jeff Gulka (X-Files, Stargate SG-1) como Sindri Danny Woodburn (Seinfeld, The Witcher) como Brok PSN Febrero: Undisputed Subnautica Below Zero Ultros Ace Combat 7: Skies Unknown Xbox Dev Direct: Forza Horizon 6 Beast of Reincarnation Kiln Fable Marathon Marzo 5, tendrá open beta antes de su lanzamiento   Sigueme y Suscribete: Facebook.com/elgiga Youtube.com/elgiga947 Instagram.com/elgiga947                                                                                                                                    Twitch.tv/elgiga947 Twitter.com/elgiga947 Giga Bytes Podcast   #monsterenergypr @monsterenergy @Stephreyesmarketing @caribbeanxsports @eriberto213 #gigabytespodcast #PS5pro PS5 #PC #Xbox #Switch #gigabytespodcast #2026

Join Adam, Tyler, Jason, and Justin on their trip through Stargate SG-1 as they recount their time with the season 3 episodes "Fair Game", "Legacy", "Learning Curve", and "Point of View". Follow along with the crew as the make sense of brain bugs; getting into a love triangle with yourself; the joy of painting; evil facial hair; and nanomachines, son. Please consider donating to the Immigrant Law Center of Minnesota: https://www.ilcm.org/donate/ If you've been enjoying the podcast, please consider supporting us at https://www.patreon.com/DeepListens If you like our new art and want to commission some of your own, reach out to Tyler at tylerorbin.net  

WE MADE IT TO 100 EPISODES!!!! AND IT'S CHRISTMAS!!! Christmas…Again?! (December 3, 2021) IMDB WikipediaDirected by Andy Fickman (She's the Man, The Game Plan, Race to Witch Mountain, You Again, Liv & Maddie, Kevin Can Wait, Wizards Beyond Waverly Place)Written by Doan La (only notable credit)Starring: Scarlett Estevez as Rowena Clybourne (Daddy's Home, Daddy's Home 2, Lucifer, Bunk'd)Alexis Carra as Carolina (Mixology)Beth Lacke as Diane (Happy Hour, Work It, HSMTMTS, Chicago Med) Ashlyn Jade Lopez as Gabby Clybourne (character actor)Priscilla Lopez as Abuela Sofia (character actor - Kay O'Brien, B Positive, Theater Camp)Tony Amendola as Abuelo Hector (character & voice actor - Stargate SG-1, Continuum, Once Upon a Time, World of Warcraft)Gabriel Ruiz as Gerry (You're So Talented, Chicago P.D.)Sean Parris as Bruce (character actor)Daniel Sunjata as Mike (Law & Order SVU, The Devil Wears Prada, Rescue Me, Graceland, High Potential)Gary Anthony Williams as Santa (character & voice actor - Harold & Kumar Go to White Castle, Malcolm in the Middle, Boston Legal, Special Agent Oso, The Internship, The Boondocks, The Lion Guard, Doc McStuffins, Night Court)Synopsis: After her Christmas celebration ends in a disaster, Rowena wishes for things to go back to the way they were in the past. However, it results in her getting stuck in an unusual situation.Fun Facts: First DCOM to feature a queer kissThey actually filmed in Chicago - the house is in North Center!Next Movie: ZOMBIES 3 ★ Support this podcast on Patreon ★

Silvana, Eric and Tegan watch Stargate SG-1 Season 6 Episode 15 "Paradise Lost." The bromance between Jack and Colonel Maybourne is back with a vengeance. The queerbaiting is off the charts from the very beginning with the hot dog jokes. Maybourne springs his new plan to avoid being imprisoned and convinces the SGC to authorize a mission to a planet that he claims has a cache of goa'uld weapons. As expected, SG-1 is double crossed but Jack accidentally goes through a portal with Maybourne with no way to get back to the Stargate. Sam, Jonas and Teal'c are back on earth trying to find Jack with the not very helpful assistance of Dr. Bill Lee. There is a touching moment between Sam and Teal'c which acknowledges the loss of Daniel. What did you think of this episode? Join the conversation on our socials. Episode ratings: Comedic Effect - 7/7 chevrons Emotional Impact - 6/7 chevrons Enjoyability - 6/7 chevrons Culture/history/lore - 3/7 chevrons Novelty - 2/7 chevrons Technical Quality  - 5/7 chevrons Plot -5/7 chevrons Relevance to the overall story? Yes relevant, do not skip

Gate those stars! This week, Emily and V take a look at fannish campaigns to save beloved TV shows and beloved characters, focusing on one in particular: the campaign to bring Daniel Jackson back to Stargate SG-1. From mailing marshmallows to taking out ads in Variety and The Hollywood Reporter, fans have done all kinds of things to make their voices heard by TPTB. Were they successful in bringing back Daniel Jackson (and saving SG-1's premiere slash ship, natch)? Join us in our scifi spaceship to find out! Sources Fanlore Daniel Jackson Divas And again. Alison Grieves for Daniel Jackson and SG-1 Salon Emily's spreadsheet of fan campaigns! LIVE SHOW ANNOUNCEMENT! We'll be attending TGIF/F aka TGI Femslash, which is a small femslash fan con in southern California over Valentine's Day weekend in February. It'll be the con's ten-year anniversary, and they've asked us to do a special, live podcast episode about the history of the con as their special highlighted programming. If you love femslash and want to come meet us and be a part of this wonderful, small event, you should register! A 3-day pass starts at $120. You can register for the con and find lots more details at tgifemslash.com! Promo Codes Aim High Brooch Designs - For 25% off any order on Aim High Brooch Designs on Etsy, including a custom brooch, bag charm, keychain, or magnet design, use the promo code TWIFH. This Week In Fandom History is a fandom-centric podcast that tells you… what happened this week in fandom history! Follow This Week in Fandom History on Tumblr at @thisweekinfandomhistory You can support the show via our Patreon at http://www.patreon.com/thisweekinfandomhistory.  If you have a fannish company, event, or service and would like to sponsor or partner with TWIFH, please contact us via our website. Please remember to rate the show 5 stars on your listening platform of choice!

This week on Toon'd In!, Jim Cummings welcomes the commanding actor, writer, and voice performance powerhouse Christopher Judge! Best known for his iconic roles as Teal'c on Stargate SG-1 and the formidable voice of Kratos in the God of War franchise, Christopher has built a career defined by strength, depth, and unforgettable presence across television, film, and gaming.In this special episode recorded live at Fan Expo, Christopher reflects on his journey through decades in the industry—from becoming a sci-fi legend to redefining a beloved video game character for a new generation. He shares candid insights into character embodiment, the discipline behind powerful performances, and how life experience informs emotional truth on screen and behind the microphone.Jim and Christopher dive deep into the craft of acting, exploring the balance between physicality and voice, the evolution of storytelling in games and television, and the responsibility actors carry when portraying characters that mean so much to fans. Along the way, Christopher speaks openly about personal growth, resilience, and connecting with audiences in a live convention setting.

Silvana, Eric and Tegan watch Stargate SG-1 Season 6 Episode 14 "Smoke and Mirrors." In this episode, Jack is framed for Senator Kinsey's attempted assassination using technology from a prior episode "Foothold." Agent Barrett wants to fix the NID from the inside and Sam and him clash on their views of trust in their employers. There is an explosion and Teal'c is being the muscle again.   Episode Ratings: Comedic Effect - 4/7 chevrons Emotional Impact - 2/7 chevrons Enjoyability - 4/7 chevrons Culture/history/lore - 4/7 chevrons Novelty - 3/7 chevrons Technical Quality  - 2/7 chevrons Plot - 5/7 chevrons Relevance to the overall story? Yes relevant, don't skip

Don't forget this is where the schedule gets weird! We've got a great episode for you though! It involves government conspiracies, and Snoop Dogg. so what could be better?

Journey through the gate with Adam, Tyler, Jason, and Justin as they go through the end of season 2 and beginning of season 3 of Stargate SG-1 with the episodes "1969", "Out of Mind", "Into the Fire", and "Seth." Join them as they grapple with such lighthearted topics as a bad German accent, lazy gaslighting, the return of everyone's favorite character, a room full of bad dads, and Waco but with aliens. Please consider donating to the National Network of Abortion Funds: abortionfunds.org/donate If you've been enjoying the podcast, please consider supporting us at https://www.patreon.com/DeepListens If you like our new art and want to commission some of your own, reach out to Tyler at tylerorbin.net

Silvana, Eric and Tegan watch Stargate SG-1 Season 6 Episode 13 "Sight Unseen," could these "creatures" be the legendary Furlings? This is an earth-based episode where everyone who has come in contact with an Ancient device (or touched a person who has) can see huge "bugs" everywhere. A Veteran's grandma really steals the show in this one. Silvana introduces Eric and Tegan to "Flatland" which a strong recommendation for any math nerd.  Episode Ratings: Comedic Effect - 4/7 Chevrons Emotional Impact - 1/7 Chevrons Enjoyability - 2/7 Chevrons Culture/history/lore - 2/7 Chevrons Novelty - 1/7 Chevrons Technical Quality  - 4/7 Chevrons Plot - 2/7 Chevrons Relevance to the overall story? No, skip unless you just really want some Jonas or Sam time. Join the discussion on our socials.

Eric and Tegan are flying solo this week and watched Stargate SG-1 Season 6 Episode 12 "Unnatural Selection." Jonas has another first and meets replicators for the first time. Spoiler alert, there are humanoid replicators now?!  The team has been tasked with helping the Asgard doctor a plot (sadly Silvana wasn't there to help them) to freeze the replicators in time until they came up with a more permanent solution. The time dilation stuff gets confusing really fast and Eric and Tegan discuss time travel in Sci-Fi. Overall this episode was a cool concept, but didn't really feel like a follow up to "Prometheus."  Join the conversation on our socials! Episode Ratings: Comedic Effect - 5/7 Chevrons Emotional Impact - 4/7 Chevrons Enjoyability - 3/7 Chevrons Culture/history/lore - 2/7 Chevrons Novelty - 3/7 Chevrons Technical Quality  - 2/7 Chevrons Plot - 1/7 Chevrons Relevance to the overall story? Yes it is relevant, don't skip  

Silvana, Eric and Tegan watch Stargate SG-1 Season 6 Episode 11 "Prometheus." There's been a leak about the Stargate program, AGAIN! And it's revealed that the Air Force has been cooking up something big underground in the desert - the X303, also known as Prometheus.  Will giving a tour of the Prometheus get the press off their case? Jonas meets as Asgard for the first time if that's any indication! You may recognize some of the guest stars in this episode from other famous Canadian Sci-Fi shows! Episode Ratings: Comedic Effect - 3/7 Chevrons Emotional Impact - 3/7 Chevrons Enjoyability - 6/7 Chevrons Culture/history/lore - 4/7 Chevrons Novelty - 5/7 Chevrons Technical Quality  - 6/7 Chevrons Plot - 5/7 Chevrons Relevant to the overall story? Yes relevant, watch it Join the discussion on our socials.  

Winter Total Request Live 2026 begins as Tread Perilously watches an episode of Stargate SG-1 called "Thor's Chariot." When the SG-1 team receives a distress signal from Cimmeria, they return to the planet finding a Goa'uld invasion and few Cimmerians left to fight. While O'Neil and Teal'c scout out the enemy encampment, Daniel and Sam learn the secret of Thor's might. Will it be enough to defeat the Goa'uld known as Heru'ur? Will anyone be able to pronounce their new adversary's name? And will Thor prove to be as real as Ra or his son? Erik and Justin discuss their histories with Stargate and SG-1. Erik makes a surprising proclamation about the work of director Roland Emmerich. Stan Lee proves to be more formidable than any Gou'ald. Pronunciations of Stargate names come into question, as does the choice to name the planet "Cimmeria". The SG-1 cast -- which includes Michael Shanks, Amanda Tapping, Christopher Judge, and Don S. Davis -- gets their flowers even if Erik has a small problem with Richard Dean Anderson playing Col. Jack O'Neil. Erik doubts Beth Grant's dedication to Sparkle Motion. The Ancient Astronaut Theory proves to be an obstacle in enjoying any Stargate. The pair once again advocate for cheaper-looking sci-fi television and Erik announces a change to the Patreon.

Join Adam, Tyler, Jason, and Justin as they discuss the Stargate SG-1 season 2 episodes "Holiday", "Serpent's Song", "One False Step", and "Show and Tell". Follow along as they attempt to handle such topics as being awkward to homeless people, gloating over one's fallen enemy, bald naked white men, and mother. Please consider donating to the National Network of Abortion Funds: abortionfunds.org/donate If you've been enjoying the podcast, please consider supporting us at https://www.patreon.com/DeepListens If you like our new art and want to commission some of your own, reach out to Tyler at tylerorbin.net

Hey DNA Fam, we're gonna be taking a short break for the holidays, but before we go we thought the best way to say goodbye to 2025 is with the beautiful introduction to Vala, with a healthy dose of conspiracy theories thrown in for good measure. Happy Holidays ya'll!

Join Adam, Tyler, Jason, and Justin as they discuss the Stargate SG-1 season 2 episodes "Spirits", "Touchstone", "The Fifth Race", and "A Matter of Time". Listen along as they debate such topics as first nations portrayals in media, compressed b-roll, brain blasts, and time dilated viscera. Please consider donating to the National Network of Abortion Funds: abortionfunds.org/donate If you've been enjoying the podcast, please consider supporting us at https://www.patreon.com/DeepListens If you like our new art and want to commission some of your own, reach out to Tyler at tylerorbin.net

Join Adam, Tyler, Jason, and Justin as they go through season 2 of Stargate SG-1 with the episodes "Secrets", "Bane", and "The Tok'ra" parts 1 & 2. Join them as they make sense of such topics as dad cancer, a sick knife throw, turning into bugs, and space racism. Please consider donating to the National Network of Abortion Funds: abortionfunds.org/donate If you've been enjoying the podcast, please consider supporting us at https://www.patreon.com/DeepListens If you like our new art and want to commission some of your own, reach out to Tyler at tylerorbin.net

Welcome to Multiverse News, Your source for Information about all your favorite fictional universes.When Wicked: Part One released this time last year, it broke a slew of records for a Hollywood adaptation of a Broadway Show, as well for its talent behind and in front of the camera. Now Wicked: For Good has finally arrived on the scene and with a $150 million domestic, and $226 million global opening weekend, it has broken nearly every record its predecessor established, including Best Global and Domestic Opening for a Movie Based on a Broadway Show, as well as for stars Ariana Grande, Cynthia Erivo and director Jon M. Chu. It's no surprise with numbers like these that Universal Pictures is already “underway” with ways to continue the franchise on the screen, according to the studio's chief marketing executive, Michael Moses.Scarlett Johansson will star in Mike Flanagan's upcoming adaptation of The Exorcist. Backed by Universal and Blumhouse, Flanagan's film is said to be in the universe of The Exorcist, but is not a remake or sequel according to the director. Flanagan's take on the story was greenlit last year, more than 50 years after the original film came out in 1973.Wolverines never say die…at least that's the takeaway from Hugh Jackman's comments recently on the Graham Norton show. When asked about his time as the iconic X-Men character, Jackman replied “Maybe. I'm never saying never again…” and went on to elaborate about having declared he wouldn't play Logan until the Deadpool & Wolverine opportunity came about.Amazon is officially moving forward with a new Stargate TV series from producer Martin Gero, who began his career in the original franchise. The project continues the legacy that started with the 1994 film starring James Spader and Kurt Russell and expanded through Stargate SG-1 and multiple spinoffs.HBO has renewed several HBOMAX series for second seasons including crime drama Task and comedies I Love LA and The Chair Company as well as House of the Dragon for a 4th season and Knight of the Seven Kingdoms for a 2nd season.Paramount, Comcast and Netflix have submitted bids to acquire all or part of Warner Bros. Discovery and a sale decision is expected to be made before Christmas, although regulators would most likely take at least a year to approve the sale.Per an exclusive from The Hollywood Reporter exclusive, we've learned that Paramount is actively in talks with veteran producer Neal H. Morris, whose claims to fame include the Fast & The Furious and Sonic The Hedgehog film franchises, to kickstart a new live action Teenage Mutant Ninja Turtles film franchise.Sony Pictures has made one of the biggest book acquisitions of 2025, landing film adaptation rights to James Islington's Hierarchy series. The move comes as the book series' second installment, The Strength of the Few, debuts at No. 1 on the New York Times best-seller list following its Nov. 11 U.S. release.A24 has dropped the first trailer for How To Make A Killing, which stars Glen Powell and Margaret Qualley. The film debuts in theaters on Feb. 20th.Eva Green has been cast as Aunt Ophelia in season 3 of Netflix's Wednesday, a character that was teased at the end of season 2.FX will adapt Ubisoft's video game series Far Cry into an anthology series, Variety has learned. Noah Hawley and Rob Mac will create the series and Mac will also star.Barbara Broccoli‘s Eon Productions, the former producer of the James Bond franchise, and Qatar's newly launched Film Committee are jointly producing a film adaptation of William Shakespeare's “Othello,” directed and starring David Oyelowo, and also featuring Rachel Brosnahan and Cynthia Erivo.Toby Wallace has been cast in a lead role in Netflix‘s upcoming “Assassin's Creed” TV series.

What if the Grey aliens abducting humans aren't exploring our world, but desperately parasitizing our species in a failed attempt to steal the one thing their advanced technology can never replicate—an immortal soul?IN THIS EPISODE: We've all been exposed to the concept of the grey aliens – made popular in numerous TV shows and films. From Steven Spielberg's “Close Encounters of the Third Kind”, to TV's “Stargate SG-1” they are seen as harmless, even friendly. But then there are the darker stories such as the true account of the abduction of Barney and Betty Hill, or the film “Fire In The Sky” telling of the true kidnapping of Travis Walton into a strange spacecraft – with both stories telling of strange and terrifying experiments being done to the abductees by the grey humanoids. But could that latter category of stories be even more sinister? Could the Greys be, in fact, harvesting our humanity… and possibly even our souls? (The Parasitic Greys) *** Over the years, hundreds of people online have shared memories of a cheesy Nineties movie called “Shazaam”. There is no evidence that such a film was ever made. What does this tell us about the quirks of collective memory? (The Non-Existent Film The Internet Insists Is Real) *** While the Loch Ness Monster, or “Nessie” is a worldwide celebrity, she has a distant cousin in America that doesn't get the same kind of press – although she probably should. Have you heard of Lake Erie's “Bessie”? (The Legendary Leviathan of Lake Erie)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = The Abduction of Travis Walton00:03:30.325 = Show Open00:05:48.594 = The Parasitic Greys00:36:24.119 = ***The Non-Existent Film The Internet Insists Is Real00:51:26.241 = ***The Legendary Leviathan of Lake Erie00:57:03.719 = Show Close*** = Begins immediately after inserted ad breakSOURCES and RESOURCES:“The Abduction of Travis Walton” by Lee Speigel for the Huffington Post: https://weirddarkness.tiny.us/vd7v6xp3“The Parasitic Greys” from New Dawn Magazine: https://weirddarkness.tiny.us/3auj26fa (© Copyright New Dawn Magazine, www.newdawnmagazine.com. Permission granted to freely distribute this article for non-commercial purposes if unedited and copied in full, including this notice.)“The Non-Existent Film The Internet Insists Is Real” by Amelia Tait for New Statesman: https://weirddarkness.tiny.us/phpf3tcz“The Legendary Leviathan of Lake Erie” by Molly Fosco for Ozy: https://weirddarkness.tiny.us/bu7bj4e8=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: March 27, 2021EPISODE PAGE (includes sources): https://weirddarkness.com/GreyAlienAgendaABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.#WeirdDarkness #TravisWalton #AlienAbduction #GreyAliens #UFOEncounters #AlienConspiracy #ParanormalPodcast #FireInTheSky #UnexplainedMysteries #AlienExperiments