Podcast appearances and mentions of Michael Praetorius

In deze aflevering van Kalm met Klassiek is het thema nog altijd 'Sneeuw'. Sommigen van jullie zullen denken: dat is allemaal leuk en aardig, maar ik kan niet wachten tot het weer lente is. Dat sentiment sluit wel aan bij de muziek van vandaag. 'Nach grüner Farb mein Herz verlangt' hoor je, een lied van Michael Praetorius. Keer de kou en het donker een paar minuten even de rug toe, en kijk vast lekker door die sneeuw heen, naar het groene gras dat eronder schuilt... Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7). 

durée : 00:04:40 - "Es ist ein Ros entsprungen" : une rose au cœur de l'hiver - par : Max Dozolme - Arrêtez tout ce que vous étiez en train de faire jusqu'ici car voici l'une des plus belles pièces chorales jamais écrites… fermez les yeux et imaginez un miracle musical. Une mélodie et des voix anonymes, attribués à Michael Praetorius qui nous disent qu'une rose est née au cœur de l'hiver.

Send us a textThis episode is a "Christmas Edition" episode that is part of the Hymns That I Love series and also accompanies the Songs Of The Season series (from 2021).  Join me as we again dive into the background, context, and timeless truths of a beloved hymn.    LO, HOW A ROSE E'ER BLOOMING (HYMNS THAT I LOVE)Watch Derek's recording here:  https://youtu.be/6HVbnazk_Ek Lo, How A Rose E'er BloomingAuthor unknown (German origins), translated by Theodore Baker with harmonization melody by Michael Praetorius.  Lo, how a Rose e'er bloomingFrom tender stem hath sprung!Of Jesse's lineage comingAs men of old have sung.It came, a flower bright,Amid the cold of winterWhen half-gone was the night.Isaiah 'twas foretold it,The Rose I have in mind:With Mary we behold it,The virgin mother kind.To show God's love arightShe bore to men a SaviorWhen half-gone was the night.This Flower, whose fragrance tenderWith sweetness fills the air,Dispels with glorious splendorThe darkness everywhere.True man, yet very God,From sin and death He saves usAnd lightens every loadFrom sin and death He saves usAnd lightens every load

And you thought YOU were gonna have a lot of holiday company! Poor Mary, who's only given birth a week or so ago, now faces this onslaught of unexpected visitors in today's episode.  We'll find out who exactly all those folks are, their connection to one of the most powerful families in Europe, and what's up with the peacock. Pretty sure that wasn't one of the animals at the Nativity... SHOW NOTES “A Long Look” themes are "Easy" by Ron Gelinas https://youtu.be/2QGe6skVzSs and “At the Cafe with You” by Onion All Stars https://pixabay.com/users/onion_all_stars-33331904/ Episode music “Joy to the World” and “We Three Kings” performed by John Sayles http://www.jsayles.com/familypages/holidaymusic.htm “Mass for 4 Voices,” composed by William Byrd, performed by Ensemble Morale. Courtesy of musopen.org https://musopen.org/music/44138-mass-for-4-voices “Suite in F Major” composed by Michael Praetorius. Performed by Michel Rondeau. Courtesy of musopen.org https://musopen.org/music/43633-suite-in-f-major Artwork information  https://www.nga.gov/collection/art-object-page.41581.html https://www.nga.gov/collection/highlights/angelico-lippi-the-adoration-of-the-magi.html https://en.wikipedia.org/wiki/Adoration_of_the_Magi_(Fra_Angelico_and_Filippo_Lippi) https://www-jstor-org.dclibrary.idm.oclc.org/stable/20074684?seq=6 (JSTOR article, may need to log in through your library) Magi gifts https://uscatholic.org/articles/202212/why-did-the-magi-bring-jesus-gold-frankincense-and-myrrh https://www.biblicalarchaeology.org/daily/people-cultures-in-the-bible/jesus-historical-jesus/why-did-the-magi-bring-gold-frankincense-and-myrrh/ Medici information https://www.britannica.com/topic/Medici-family Karen's favorite illuminated manuscript “The Hours of Catherine of Cleves” https://www.themorgan.org/collection/Hours-of-Catherine-of-Cleves Recommended Reading: “Fra Angelico” by Laurence Kanter and Pia Palladino. Published by the Metropolitan Museum of Art and Yale University Press, 2005. Pgs 278-283. Explains Magi's visitation. (Free PDF) https://cdn.sanity.io/files/cctd4ker/production/f9c70388da067f22ea0e43e5e512fb5f8d2b0d33.pdf Transcript available at https://alonglookpodcast.com/adoration-magi-angelico-lippi/  

Michael Praetorius (1571-1621) – Danze dal Terpsichore1. Passameze; Galliarde2. La Bouree 3. Bransle de la Torche 4. Bransle simples/gay/double 5. Bransles de Villages6. Philou 7. Ballet des Sorciers; Ballet des Princesses;Ballet 3:198. Ballet / Ballet des Bacchanales / Ballet des Matelotz / Ballet des Coqs9. Bransle de la Torche 10. Pavane de Spaigne; Spagnoletta11. Passameze pour les Cornetz 12. Courante; Courante; Courrant de Bataglia 13. La Sarabande 1:4214. Volte du tambour15. Volte The New London ConsortPhilip Picket, conductorAbout Danze dal Terpsichore

In this musical interlude, guitarist Phineas Stolyavitch plays Ballet by Michael Praetorius Art by Buff Whitman-Bradley

SynopsisToday's date in 1621 marks the passing of a famous German composer of the Renaissance period, born Michael Schultze, or Schultheiss, but who Latinized his name to Praetorius, and under that name became one of the most popular composers of his time.Praetorius died 64 years before the birth of J. S. Bach, the great German composer of the Baroque age. Praetorius was the son of a Lutheran minister, and like Bach, wrote a good deal of Lutheran church music, and his 1609 setting of the German hymn tune “Es Ist ein Ros Entsprungen” (“Lo, How a Rose E'er Blooming”) is still sung by choirs today.But Praetorius' most enduring contribution to music was secular, not sacred. In 1612, he collected and harmonized more than 300 instrumental Renaissance dance tunes and published them in a compendium he titled Terpsichore, after the name of the Greek muse of the dance. Praetorius included a list of instruments that could be used in performing these dances but does not specify which ones should play each dance. Not to worry, since Praetorius also published a work titled Syntagma Musicum, or The Syntax of Music, a detailed history and description of all known musical instruments from biblical times to the present — so take your pick!Music Played in Today's ProgramMichael Praetorius (1571-1621): Dances from Terpsichore (New London Consort; Philip Picket, cond.) Decca/L'oiseau-lyre 4759101

Our final episode of Hark! this season departs from the usual nativity of Christ in a manger, surrounded by shepherds and angels on high. Instead, our carol centers on the singular icon of a rose. “Lo, How a Rose E'er Blooming” is a German Christmas song, first published in a Lutheran hymnbook in 1599. Although its believed to be much older, originating in a Catholic monastery with an uncertain date and writer.  And not only do we not know who wrote the text for our carol. The person behind the basic melody is also a mystery. The music is often credited to Michael Praetorius, a German composer, organist and music theorist from the 16th and 17th Centuries. But, Praetorius didn't compose the main melody; he only added the harmonies that have made this “the rose of all carols” among choristers and music maestros. Adding further to the mystery of this carol, the symbol of the rose is ambiguous. Depending on the translation and verse, the rose could represent Jesus or his mother Mary, who in Catholic mysticism is adorned with roses. Our heartfelt thanks extends to every musician, choir and soloist who gifted their music so generously to Hark! this season. On this episode we are especially grateful to: The Choir of King's College Cambridge, The Ignatian Schola, Cynthia Boener, Katie Green and Karen Hefford, Barbara Rowe for sharing the music of her husband, the late Bryan Rowe, Gary Cope and the Encomium Ensemble, the music department of Hope College in Holland, Michigan, Stephen Lynerd, Winter Harp and The Notre Dame Folk Choir, under the direction of JJ Wright, who walked us through the music of “Lo How A Rose” on this episode. Special thanks to the Benedictine monks of Saint John's Abbey Schola in Collegeville, Minnesota. In particular to Father Nick Kleespie who coordinated the performance of Father Anthony Ruff's arrangement of “Lo, How a Rose,” featured in this episode. To learn more about the monks of Saint John's Abbey, please visit saintjohnsabbey.org. Support “Hark!” become a digital subscriber of America Magazine at: https://link.chtbl.com/04Jrg99F Learn more about your ad choices. Visit megaphone.fm/adchoices

LibriVox selection of traditional Christmas carols, hymns and songs in English, French, German, Greek, Italian and Ukrainian. We wish you all a happy and peaceful Christmas.English:All Children are on Christmas Eve - Words & Music: Rev. Charles L. Hutchins (1838-1920).Angels from the Realms of Glory - Words: James Montgomery (1771-1854); Music: Henry T. Smart (1813-1879).Angels We Have Heard on High - Words: French Carol, trans. James Chadwick (1813-1882). Music: 'Gloria' French carol melody.The Babe of Bethlehem - Old Kentish carol, arr. Henry R. Bramley (1833-1917) & John Stainer (1840-1901).The First Nowell - traditional English carol, first published in its current form in Carols Ancient and Modern (1823) edited by William Sandys.Good King Wenceslas - Words: John Mason Neale (1818-1866). Music: from Piae Cantiones (1582) arr. Henry R. Bramley (1833-1917) & John Stainer (1840-1901).Hark! The Herald Angels Sing - Words: Charles Wesley (1707-1788) Music: Felix Mendelssohn (1809-1847), arr. William H. Cummings (1831-1915).The Holly and the Ivy - Words: Traditional. Music: Traditional, arr. Henry R. Bramley (1833-1917) & John Stainer (1840-1901).I Heard the Bells on Christmas Day - Words: Henry Wadsworth Longfellow (1807-1882) Music: John B. Calkin (1827-1905).In Little Bethlehem - Words: Katherine Parker; Music: George W. Wilmot. In Beginner and Primary Songs for use in Sunday School and the Home.In the Bleak Midwinter - Words: Christina Rossetti (1830 - 1894); Music: Gustav Holst (1874 - 1934).Joy to the World - Words: Words: Isaac Watts (1674 - 1748); Music: 'Antioch' pieced together from 'Messiah' by George F. Handel (1685 - 1759) arr. Lowell Mason (1792-1872).Lo, How a Rose E'er Blooming - Words: Words: v. 1-2, 15th Century German, trans. Theodore Baker ( 1851–1934); v. 3,4 Fridrich Layriz (1808-1859), trans. Harriet Reynolds Krauth (1845-1925); v. 5, 15th Century German, trans. John C. Mattes(1876-1948). Music: 'Es Ist Ein Ros Entsprungen (Rhythmic)' German from Köln, 1599, arr. Michael Praetorius (1571-1621).Masters in this Hall, or, Nowell, Sing We Clear - Words: William Morris (1834-1896); Music: French Traditional.O Come, O Come, Emmanuel - Words: translated from the Latin by John Mason Neale (1818-1866). Music: 'Veni Emmanuel', 15th Century.Rise Up, Shepherd an' Foller - Words & Music: American Traditional arr. Franklin Robinson.Sweet Was the Song the Virgin Sung - From William Ballet's Lute Book c.1600. Music: arr. Dr. Charles Wood (1866–1926).Wassail! Wassail All Over the Town! (Gloucestershire Wassail) - Words & Music: English Traditional.We Three Kings of Orient Are - Words & Music: Rev. John Henry Hopkins, Jr. D.D. (1821-1891).What Child is This? - Words: William Chatterton Dix (1837-1898). Music: English Traditional.français (French):.Dans cette étable - Words: French Traditional; Music: Charles Gounod (1818-1893).Deutsch (German):.Es kommt ein Schiff geladen - Words: Daniel Sudermann (1550 - 1631?); Music: first published in Andernacher Gesangbuch 1608.ελληνικά (Greek):.I Parthenos Simeron (Η Παρθένος Σήμερον) or Today the Virgin - Words and music: St. Romanos the Melodist (5th Century).italiano (Italian):.Canzone di Natale - Music: Arranged by Alberto Bimboni.українська мова (Ukrainian):.Коляда (Kolyada) - Words and music: Traditional Ukrainian..Про різдво Христове... (Prorizdvo Khrystove) - Words and music: Traditional Ukrainian. --- Support this podcast: https://podcasters.spotify.com/pod/show/librivox1/support

Élete és művei egy órában.

Élete és művei egy órában.

The Second Sunday of Easter ORISON: That Easter Day with joy was bright (Tune: PUER NOBIS) – mel. from Trier MS., 15th cent.; adapt. Michael Praetorius (1571-1621); harm. George R. Woodward (1848-1934 PSALM 16 – Jason A. Anderson (b. 1976) HYMN: We walk by faith, and not by sight (Tune: SAINT BOTOLPH) – Gordon Slater […]

Synopsis We probably have the irrepressible playwright, music critic, and ardent socialist George Bernard Shaw to thank for this music—the Third Symphony of Sir Edward Elgar. Shaw had been trying to persuade Elgar to write a Third Symphony, and, early in 1932, had written to Elgar: "Why don't you make the BBC order a new symphony. It can afford it!" A few months later, Shaw dashed off a postcard with a detailed, albeit tongue-in-cheek program for the new work: "Why not a Financial Symphony? Allegro: Impending Disaster; Lento mesto: Stone Broke; Scherzo: Light Heart and Empty Pocket; Allegro con brio: Clouds Clearing." Well, there was a worldwide depression in 1932, but the depression that had prevented Elgar from tacking a new symphony was more personal: the death of his beloved wife in 1920. Despite describing himself as "a broken man," unable to tackle any major projects, when Elgar died in 1934, he left behind substantial sketches for a Third Symphony, commissioned, in fact, by the BBC. Fast forward 64 years, to February 15th, 1998, when the BBC Symphony gave the premiere performance of Elgar's Third at Royal Festival Hall in London, in a performing version, or "elaboration" of Elgar's surviving sketches, prepared by the contemporary British composer Anthony Payne. It was a tremendous success, and, we would like to think, somewhere in the hall the crusty spirit of George Bernard Shaw was heard to mutter: "Well—about time!" Music Played in Today's Program Edward Elgar (1857-1934) Symphony No. 3 (elaborated by Anthony Payne) BBC Symphony; Andrew Davis, conductor. NMC 053 On This Day Births 1571 - possible birth date of German composer Michael Praetorius, in Creuzberg an der Werra, near Eisenach; 1847 - Austrian composer Robert Fuchs, in Frauenthal, Styria; 1899 - French composer Georges Auric, in Lodève; 1907 - French composer and organist Jean Langlais, in La Fontenelle; 1947 - American composer John Adams, in Worcester, Mass.; 1949 - American composer Christopher Rouse, in Baltimore, Maryland; Deaths 1621 - German composer Michael Praetorius, supposedly on his 50th birthday, in Wolfenbüttel; 1857 - Russian composer Mikhail Glinka, age 52, in Berlin; 1887 - Russian composer Alexander Borodin (Gregorian date: Feb. 27); 1974 - Swedish composer Kurt Atterberg, age 86, in Stockholm; 1992 - American composer William Schuman, age 81 in New York; He won the first Pulitzer Prize for Music in 1943 for his Walt Whitman cantata, "A Free Song"; Premieres 1686 - Lully: opera "Armide et Renaud," (after Tasso) in Paris; 1845 - Verdi: opera "Giovanna D'Arco" (Joan of Arc) in Milan at the Teatro all Scala; 1868 - Tchaikovsky: Symphony No. 1 ("Winter Dreams") (first version), in Moscow (Julian date Feb. 3); A revised version of this symphony premiered in Moscow on Nov. 19/Dec. 1, 1883; 1874 - Bizet: "Patrie" Overture, in Paris, by the Concerts Pasedeoup; 1884 - Tchaikovsky: opera "Mazeppa" in Moscow at the Bolshoi Theater (Julian date: Feb. 3); 1919 - Loeffler: "Music for Four Stringed Instruments" at New York's Aeolina Hall by the Flonzaley Quartet; 1939 - Miakovsky: Symphony No. 19 for wind band, in Moscow; 1945 - Paul Creston: Symphony No. 2, by the New York Philharmonic, with Arthur Rodzinski conducting; 1947 - Korngold: Violin Concerto, by the St. Louis Symphony, with Jascha Heifetz as soloist; 1958 - Diamond: orchestral suite "The World of Paul Klee," in Portland, Ore.; 1965 - B.A. Zimmermann: opera "Die Soldaten" (The Soldiers), in Cologne at the Städtische Oper; Others 1940 - American Music Center, a library and information center for American composers, is founded in New York City. Links and Resources On Elgar

Michael Praetorius - Es ist ein Ros' entsprungen Capella Vocalis Boys Choir Eckhard Weyand, conductor More info about today's track: Hanssler CD98.433 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Yule 2022 – IV14th-21st CenturiesWe hear anonymous and traditional works and works by Thomas Tallis, Jacobus Vaet, Michael Praetorius, Alessandro Scarlatti, Christoph Weyse, Heinrich Kaminski, Hugh Martin, Ralph Blane, Irving Berlin, Mel Tormé, Myroslav Skoryk, Franz Gruber, Sir John Tavener, John Rutter, and Peter Warlock.167 Minutes – Week of 2022 December 19

This week we begin our suite of winter holiday programs with another deep journey into the sublime world of sacred choral music, from our longtime guest producer for classical and sacred music ELLEN HOLMES. There's a lightness and purity in these subtle harmonies that's often described as angelic. Whether they've come down to us from 800 years ago or just yesterday, by doing less, they achieve more. They engage us on a deeper, more internal level, when we simply open ourselves to the sound and listen with the heart. On this transmission of Hearts of Space, the ethereal, angelic sound of choral voices, on a program called ANGELICO. Music is by MAURICE DURUFLE, CESAR FRANCK, MICHAEL PRAETORIUS, MORTEN LAURIDSEN, IVER KLEIVE, OLA GJEILO, ALEXANDRE GRETCHANINOFF, ERIC WHITACRE, and DANIEL LENTZ. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Opening Song: Lo, How A Rose E'er Blooming (https://open.spotify.com/track/3MlafGa6u5L1oQeA5wuw0E?si=21734d0517e444c1) by Michael Praetorius and Blake Flattley Lyrics: Lo how a rose e'er blooming From tender stem hath sprung Of Jesse's lineage coming As prophets long have sung It came a flow'ret bright Amid the cold of winter When half spent was the night Isaiah ‘twas foretold it The rose I have in mind With Mary we behold it The virgin mother kind To show God's love aright She bore to us a Savior When half spent was the night O Savior child of Mary Who felt our human woe O Savior King of glory Who dost our weakness know Bring us at length we pray To the bright courts of heaven And to the endless day Passage: 68 “Blessed be the Lord God of Israel, for he has visited and redeemed his people 69 and has raised up a horn of salvation for us in the house of his servant David, 70 as he spoke by the mouth of his holy prophets from of old, 71 that we should be saved from our enemies and from the hand of all who hate us; 72 to show the mercy promised to our fathers and to remember his holy covenant, 73 the oath that he swore to our father Abraham, to grant us 74 that we, being delivered from the hand of our enemies, might serve him without fear, 75 in holiness and righteousness before him all our days. 76 And you, child, will be called the prophet of the Most High; for you will go before the Lord to prepare his ways, 77 to give knowledge of salvation to his people in the forgiveness of their sins, 78 because of the tender mercy of our God, whereby the sunrise shall visit us from on high 79 to give light to those who sit in darkness and in the shadow of death, to guide our feet into the way of peace.” (Luke 1:68–79 ESV) Musical Reflection: Lo, How A Rose E'er Blooming (ES IST EIN ROS) by Michael Praetorius Reflection Notes: Praetorius composed this tune in the early seventeenth century while working at various court and church appointments in Germany. The somewhat melancholy nature of the melody reflects the theological tension of the text: the rose of Christ is born to die, but will rise again in resurrection glory. Prayer: This is another day, O Lord. I know not what it will bring forth, but make me ready, Lord, for whatever it may be. If I am to stand up, help me to stand bravely. If I am to sit still, help me to sit quietly. If I am to lie low, help me to do it patiently. And if I am to do nothing, let me do it gallantly. Make these words more than words, and give me the Spirit of Jesus. Amen.

In der aktuellen Podcast-Folge der Kölner Philharmonie mit Christoph Vratz geht es um Weihnachtslieder. Woher kommen sie, was wissen wir über sie? In welcher Tradition – kirchlich, bürgerlich – stehen sie über die Jahrhunderte? Wer war prägend für die Entstehung, Überlieferung und Verbreitung, sowohl auf textlicher als auch auf musikalischer Seite? Die ersten Weihnachtslieder sind Gesänge in der Tradition des Nachsingens, Weitersingens. Texteinträge sind erst seit dem 12. Jahrhundert zu finden. Als ältestes Weihnachtslied gilt »Nun sei uns willkommen, Herre Christ«. Christoph Vratz schlägt einen Bogen von dort über die Lieder Martin Luthers wie »Vom Himmel hoch, da komme ich her«, Johann Sebastian Bachs Weihnachtsoratorium und seinem »klingenden Pendant«, Georg Friedrich Händels »Messiah«, über Michael Praetorius‘ vierstimmigen Tonsatz zu »Es ist in Ros‘ entsprungen« bis zu den Klassikern »O Tannenbaum«, »Kommet Ihr Hirten«, »Alle Jahre wieder«, „»Ihr Kinderlein kommet«, »O Du fröhliche« und »Stille Nacht, heilige Nacht«. Bei uns ist Händels »Messiah« am 12. Dezember 2022 mit dem RIAS Kammerchor, einem ausgesuchten Solistenquartett und der Akademie für Alte Musik Berlin unter der musikalischen Leitung von Justin Doyle zu hören. Gleich zwei Magnificat-Kompositionen präsentieren das Freiburger Barockorchester und der Chor Vox Luminis am 18. Dezember in der Kölner Philharmonie. An die Seite der prächtigen Version von Johann Sebastian Bach stellen sie die hinreißende Fassung von Johann Kuhnau, Vorgänger Bachs als Leipziger Thomaskantor. https://www.koelner-philharmonie.de/de/programm/handel-messiah/2775 https://www.koelner-philharmonie.de/de/programm/magnificat/2478 Foto ©Heike Fischer

The Second Sunday of Easter ORISON: That Easter Day with joy was bright (Tune: PUER NOBIS) – mel. from Trier MS., 15th cent.; adapt. Michael Praetorius (1571-1621); harm. George R. Woodward (1848-1934) PSALM 118:14-24, 28-29 – Plainsong, Tone VIII.1 HYMN: We walk by faith, and not by sight (Tune: SAINT BOTOLPH) – Gordon Slater (1896-1979) NUNC […]

Paul McCreesh and Simon Toyne announce the latest Gabrieli Roar project, featuring the music of Michael Praetorius; Abigail D'Amore introduces Every Copy Counts, a campaign to help schools with the copying of music; And former Charlie Parker sideman, Jazz legend Dick Hyman chats about all things Jazz, including his lessons in the 1940s with Teddy Wilson, what it was like to play with Charlie Parker and Dizzy Gillespie, and the Blues in Jazz.Presented and produced by Patrick Johns.

Programa especial dedicado a recordar algunos de los aniversarios más relevantes de esta temporada. Nos centramos en Sigismund Thalberg, Michael Praetorius y Josquin des Prez. PRAETORIUS: Gaillarde et courant de la guerre (9.09). Capella de Ministrers. Dir.: C. Magraner. Nun helft mir Gottes guete schon preisen (3.06). Pueri nostri concinite (3.47). Coro de la Abadía de Westminster, The Parley of Instruments. Dir.: D. Hill. THALBERG: Gran Fantasía y Variaciones sobre motivos de “I Capuleti” Op. 10 (17.01). F. Nicolosi (p.). JOSQUIN: Mille regretz a 4 voces (2.17). La Capella Reial de Catalunya, Hesperion XXI. Dir.: J. Savall. Escuchar audio

En el programa de hoy nos despediremos de aquellos maestros de los que en este año que ya se termina celebramos algún aniversario. Como por ejemplo Josquin, pero también Philippe de Monte, Alfonso X el sabio, Albinoni, Sweelinck y Michael Praetorius. Escuchar audio

Eine CD von Hans-Christoph Rademann und dem Dresdner Kammerchor - vorgestellt auf NDR Kultur.

Opening Song:   Lo, How A Rose E'er Blooming by Michael Praetorius and Blake Flattley Lyrics: Lo how a rose e'er blooming From tender stem hath sprung Of Jesse's lineage coming As prophets long have sung It came a flow'ret bright Amid the cold of winter When half spent was the night   Isaiah ‘twas foretold it The rose I have in mind With Mary we behold it The virgin mother kind To show God's love aright She bore to us a Savior When half spent was the night   O Savior child of Mary Who felt our human woe O Savior King of glory Who dost our weakness know Bring us at length we pray To the bright courts of heaven And to the endless day Passage:  68   “Blessed be the Lord God of Israel, for he has visited and redeemed his people 69 and has raised up a horn of salvation for us in the house of his servant David, 70 as he spoke by the mouth of his holy prophets from of old, 71 that we should be saved from our enemies and from the hand of all who hate us; 72 to show the mercy promised to our fathers and to remember his holy covenant, 73 the oath that he swore to our father Abraham, to grant us 74 that we, being delivered from the hand of our enemies, might serve him without fear, 75 in holiness and righteousness before him all our days. 76 And you, child, will be called the prophet of the Most High; for you will go before the Lord to prepare his ways, 77 to give knowledge of salvation to his people in the forgiveness of their sins, 78 because of the tender mercy of our God, whereby the sunrise shall visit us from on high 79 to give light to those who sit in darkness and in the shadow of death, to guide our feet into the way of peace.” (Luke 1:68–79 ESV) Musical Reflection:  Lo, How A Rose E'er Blooming (ES IST EIN ROS) by Michael Praetorius Reflection Notes:  Praetorius composed this tune in the early seventeenth century while working at various court and church appointments in Germany. The somewhat melancholy nature of the melody reflects the theological tension of the text: the rose of Christ is born to die, but will rise again in resurrection glory.  Prayer:  This is another day, O Lord. I know not what it will bring forth, but make me ready, Lord, for whatever it may be. If I am to stand up, help me to stand bravely. If I am to sit still, help me to sit quietly. If I am to lie low, help me to do it patiently. And if I am to do nothing, let me do it gallantly. Make these words more than words, and give me the Spirit of Jesus. Amen.

15th-20th CenturiesThis week we hear works by Martin Luther, Michael Praetorius, Jean Titelouze, Johann Schelle, Gottfried Heinrich Stölzel, Joseph Eybler, François-Auguste Gevaert, Frank Martin, and Peter Warlock.138 Minutes – Week of December 06, 2021

Este 2021 se cumple el cuarto centenario de la muerte del compositor alemán Michael Praetorius, un músico que nunca aparece en las listas de los más vendidos, ni de los más interpretados, ni de los más conocidos pero que sin embargo es uno de los imprescindibles para cualquier músico, musicólogo o luthier especialista en la música de tiempos pretéritos. Hoy queremos homenajearle ofreciendo una recopilación de su obra musical así como una visión de su obra teórica. Escuchar audio

Have you ever asked about yourself or anything else, “Am I or is this thing uncaused, or caused?” In this episode, Pastor Biebert leads you in meditating on how the existence of everything in the universe originates with something or someone before it—except the Being that Moses identifies in Genesis 1:1. You may be able to hear some of God's creation (cicadas) in the background.Music Credit: “Ballet à 4,” arr. Michael Praetorius, in _Terpsichore_ (Wolfenbüttel, 1612), no. 268.

There is so much to learn about God in the opening verse of the Bible. In this episode, Pastor Biebert leads you in meditating on God's active nature and his unique, three-in-one essence. You may be able to hear some of God's creation (cicadas) in the background.Music Credit: “Ballet à 4,” arr. Michael Praetorius, in _Terpsichore_ (Wolfenbüttel, 1612), no. 268.

"In the beginning, God created the heavens and the earth." Is that just a summary statement, or a distinct action of God on Day 1 of creation? In this episode, Pastor Biebert leads you in a meditation on the first verse of the Bible.Music Credit: “Ballet à 4,” arr. Michael Praetorius, in _Terpsichore_ (Wolfenbüttel, 1612), no. 268.

Have you ever wondered what God was doing before the beginning, before he created the world? In this episode, Pastor Biebert leads you in a meditation on just the first four words of the Bible: “In the beginning, God . . .”Music Credit: “Ballet à 4,” arr. Michael Praetorius, in _Terpsichore_ (Wolfenbüttel, 1612), no. 268.

In this episode, Pastor Biebert briefly introduces this devotional podcast and tells you what kinds of episodes you can expect each week.Music Credit: "Ballet à 4," arr. Michael Praetorius, in _Terpsichore_ (Wolfenbüttel, 1612), no. 268.

Stillsitzen unmöglich! Die Capella de la Torre mit schwungvoller und mitreißender Tanzmusik von Michael Praetorius und französischen Renaissance-Komponisten. Eine CD, die den Tanz und seine Körperlichkeit wirklich ernst nimmt.

durée : 00:05:15 - Abécédaire : T comme Toccata - Née en Italie, la Toccata tire son nom du verbe « toccare », qui signifie « toucher » : c’est un genre musical d’abord et avant tout destiné aux claviers. Le compositeur et théoricien allemand Michael Praetorius en donne une description assez précise dans le "Syntagma musicum" ...

Isabella d'Este knew a thing or two about bad luck. A philandering husband who was out of town most of the time, the loss of three children, and oh yeah, running the government of Mantua while protecting it from invading armies while hubby was away! But she also knew Fortune can swing both ways. Our next stop is the J. Paul Getty Museum in Los Angeles, CA where we find out why this majorly influential Renaissance Woman may have been the one to hire Dosso Dossi to paint this mysterious scene. SHOW NOTES “A Long Look” theme is “Ascension” by Ron Gelinas https://youtu.be/jGEdNSNkZoo Episode theme is “Suite in F Major” composed by Michael Praetorius. Performed by Michel Rondeau. Courtesy of musopen.org https://musopen.org/music/43633-suite-in-f-major/ Artwork information https://www.getty.edu/art/collection/objects/822/dosso-dossi-giovanni-di-niccolo-de-lutero-allegory-of-fortune-italian-about-1530/ A Recovered ‘Fortune' : Renaissance Work Cost $1,000, Sold for $4 Million https://www.latimes.com/archives/la-xpm-1992-04-29-ca-849-story.html Dosso Dossi info https://www.getty.edu/art/collection/artists/1007/dosso-dossi-giovanni-di-niccolo-de-lutero-italian-ferrarese-about-1490-1542/ Dosso Dossi: Court Painter in Renaissance Ferrara (PDF) http://resources.metmuseum.org/resources/metpublications/pdf/ Isabella info https://isabelladeste.web.unc.edu/profile-of-isabella-deste/ https://www.brooklynmuseum.org/eascfa/dinner_party/place_settings/isabella_d_este https://en.wikipedia.org/wiki/Isabella_d%27Este “Fickle Fortune: Pinning Down Fortune in 16th Century Italy” by Megan Haddad (2019) Aleph, UCLA Undergraduate Research Journal for the Humanities and Social Sciences, 16. https://escholarship.org/uc/item/9kw3v8st Frank Sinatra singing Luck Be a Lady Tonight https://youtu.be/X69P_Vce9vw  

16th-20th Centuries This week we hear works by Michael Praetorius, Hector Berlioz, Louis Moreau Gottschalk, Gustav Mahler, Herbert Howells, with a surprise at the end. 139 Minutes – Week of March 22, 2021

Il 15 febbraio 1621 muore a Wolfenbüttel Michael Praetorius. Giorgio Cerasoli lo racconta a WikiMusic

Leonardo da Vinci gjorde sällan klart det han skulle. Ändå förändrade han både konsthistorien och kartlade av ren nyfiken den mänskliga anatomin, samt skildrande kroppens förfall. Kanske var hans stora vetgirighet en produkt av hans massiva libido – eller vad var det nu Freud sa?Musik: ”Det är en ros utsprungen” (Anonym), arr. Michael Praetorius, framförd av Michel RondeauBild: Porträtt av Leonardo da Vinci, ca 1512. Kanske ett självporträtt / Wikiart See acast.com/privacy for privacy and opt-out information.

Music has always been a big part of Christianity, and especially Lutheranism ever since the Reformation.  If I were to ask Lutherans to name Lutheran composers, Martin Luther would probably be on that list.  In the intro to The Lutheran Podcast, I remarked how Lutheran composers like J.S. Bach are still popular centuries after their deaths.  Did you know that Bach still gets over 7 million monthly listeners on Spotify?  Another Lutheran composer, who falls on the timeline between Luther and Bach was rather popular in his own day, and still registers a respectable 800,000 listeners on Spotify.  Today we'll talk about Michael Praetorius.  Today, February 15, just so happens to the be 400th anniversary of his death. Here are three albums that would make for a great introduction to Praetorius:https://www.amazon.com/Praetorius-Christmette-Gabrieli-Consort-Players/dp/B00DNVIVHC/https://www.amazon.com/Praetorius-Polyhymnia-Caduceatrix-Panegyrica-Christmas/dp/B0000029VM/https://www.amazon.com/Dances-Terpsichore-1612-Philip-Pickett/dp/B000SNUI4W/And here is a link to a Praetorius concert you can watch for free (Praetorius dances):https://www.youtube.com/watch?v=4JWYIY3icUgLink to Heaven is my Fatherland on Amazon: https://www.amazon.com/dp/1532684312/ref=nav_timeline_asin?_encoding=UTF8&psc=1Lutheran History ShopSupport the show

Autor: Schulz, Benedikt Sendung: Tag für Tag Hören bis: 19.01.2038 04:14 Aus Religion und Gesellschaft Schutzanzüge gegen die Kälte Die Caritas verteilt in Berlin Anoraks, die zu einer Art Schlafsack werden - entworfen von einem niederländischen Designer Der Komponist von „Es ist ein Ros entsprungen“ Michael Praetorius, Organist, Gelehrter und Hofkapellmeister, ist vor 400 Jahren (15.2.1621) gestorben. Welche Bedeutung hat er für heutige Kirchenmusiker und Theologen? Von Enten und Propheten Die (Online-)Ausstellung „Zeichen der Zukunft“ am Germanischen Nationalmuseum Nürnberg Am Mikrofon: Benedikt Schulz

Mit historischen Tanzschritten Praetorius ins Heute bringen - das war das Ziel von Katharina Bäuml und ihrer Formation Capella della Torre bei der Musikdoku "Praetorius tanzt". Im Gespräch erzählt sie, warum es ihr dabei so wichtig war, dass die Tänzerinnen Hosen tragen.

Autor: Klatt, Thomas Sendung: Tag für Tag Hören bis: 19.01.2038 04:14

400 jaar geleden stierf Michael Praetorius, een componist die veel Protestantse kerkmuziek maakte. Zijn Lobet den Herrn alle Heiden en zijn Jubilate Deo worden nog regelmatig gezongen.

Rev. Sean Daenzer, Director of Worship for the LCMS and International Center Chaplain, joins Andy and Sarah to talk about the legacy of Michael Praetorius, including his education and experiences in Germany at the turn of the 17th century, the amount of church music he composed and influenced, and what is legacy is for us today. Find the book mentioned in this episode, "Heaven Is My Fatherland," at Amazon.com.

Entrado ya el nuevo año 2021, hoy vamos a recordar algunas de las efemérides que tendremos a lo largo del año. Y será recordando a algunos maestros de los que se cumplirán diversos aniversarios. Como Philippe de Monte, Jan Pieterszoon Sweelinck, Alfonso X el Sabio, Michael Praetorius, Tomaso Albinoni o el gran Josquin Desprez. Escuchar audio

En clave de Dios (CXXXVI): 'Maese Pérez el organista' (Bécquer). Selección de obras religiosas de Navidad Último programa del año en el que leemos varios fragmentos de la leyenda sevillana 'Maese Pérez el organista' de Gustavo Adolfo Bécquer, terminando así las conmemoraciones por el 150 aniversario del fallecimiento del escritor romántico español. En torno a esta narración, escuchamos una selección de obras religiosas relacionadas con la Navidad pertenecientes a autores anónimos (Canto de la Sibila), Mateo Flecha el Viejo, Sebastián Durón, Michael Praetorius, Marc Antoine Charpentier y Hugo Wolf.

Yule – Part IV This week we hear anonymous and traditional works and works by John Taverner, Giovanni Gabrieli, Michael Praetorius, Orlando Gibbons, Francisco de Vidales, Francesco Manfredini, Johann Sebastian Bach, Hector Berlioz, Ralph Vaughan Williams, Harold Edwin Darke, Hugo Distler, Peter Warlock, John David, Jean Guillou, Krzysztof Penderecki, John Rutter, and Gary Fry. 187 Minutes – Week of December 21, 2020

This archived service of Compline was originally recorded December 17, 2017 The Fourth Sunday of Advent PROCESSION: O come, O come, Emmanuel (Tune: Veni, veni, Emmanuel) – Plainsong, Mode I, Processionale, 15th cent.; adapt. Thomas Helmore (1811-1890); arr. Peter R. Hallock (1924-2014) ORISON: Lo, how a Rose e'er blooming – Michael Praetorius (1571-1621) and Carl Orff (1895-1982) PSALM 126 – Peter R. Hallock […]

Voici l'épisode 1 de la baladodiffusion de Concerts Lachine. http://www.concertslachine.ca SOMMAIRE DE l'ÉMISSION: - Moments Musicaux de Stéphane Tétreault (violoncelle) et Olivier Hébert-Bouchard (piano) - Debussy - Entrevue avec Chantal Lambert, directrice de l'Atelier lyrique de l'Opéra de Montréal - Moments Musicaux du soprano, Vanessa Croome, du basse-baryton, Jean-Philippe McClish et du soprano, Kirsten LeBlanc. Membres de l'Atelier lyrique de l'Opéra de Montréal - Entretiens avec Yves Garand, responsable de la programmation des Saints-Anges en musique - Moments Musicaux Sonate pour trompette et orgue - performance de l'organiste Denis Gagné et le trompettiste Trent Sanheim - Moments Musicaux cantique de Noël de Michael Praetorius, Es ist ein Ros entsprungen interprété par l'ensemble vocal monde VOCES8 - Le thème de la baladodiffusion est interprété par la pianiste Élisabeth Pion https://vimeo.com/486955885 - Joyeuses Fêtes

"Es ist ein Ros entsprungen" (GL 243)von der CD "Heute erstrahlt ein Licht über uns" des Bistums Passau. Kirchenmusik zum Gottesdienst an Weihnachten zu Zeiten der Corona-Pandemie. Ausführende: Schola der Regionalkantoren im Bistum Passau, Diözesanblechbläserensemble Begleitsatz: nach Michael Praetorius, (BA 11218) 2. Str.: Heinz Walter Schmitz nach M. Praetorius (AWND

On this special edition of the podcast, John Ahern and Dr. David Erb discuss the work of Michael Praetorius. _________________ Psalm 12 Chant www.youtube.com/watch?v=_sidywTXXkU Psalm 120 Chant www.youtube.com/watch?v=SULIFaui76M Psalm 47 Chant www.youtube.com/watch?v=93HgY9dFX4c Psalm 1 Chant www.youtube.com/watch?v=e3igF7e-Lgs Psalm 2 Chant www.youtube.com/watch?v=pW-iT21hK7U Psalm 23 Chant www.youtube.com/watch?v=ux9zwc4zwGw Psalm 88 Chant www.youtube.com/watch?v=jbUANfrXOsw Psalm 46 Chant www.youtube.com/watch?v=93KjrXHmfz0 _ Donate to Theopolis, here: theopolisinstitute.com/give/ _______ New audio project, the Theopolis Blogcast! Subscribe: theopolis-blogcast.simplecast.com/ Subscribe on Youtube for weekly theology videos: www.youtube.com/channel/UCu9ejEQ9Iq8-HWkQ6S53sfQ Theopolis Blog: theopolisinstitute.com/theopolis-blog/ Website: theopolisinstitute.com Twitter: @_theopolis Facebook: www.facebook.com/theopolisinstitute/