Podcast appearances and mentions of scott litt

Text us, and Rock on!Ever wondered how uncertainty can fuel creativity? Join us as we unravel the fascinating journey of Incubus' iconic album, "Make Yourself," and explore how the band navigated through artistic challenges to craft their groundbreaking sound. We take a nostalgic stroll back to 1999, blending humor and insight, as we discuss how themes of personal growth and self-discovery resonate through the album. From the unique genre fusion of alternative rock, nu-metal, and funk rock to Tim's memorable acoustic rendition of "Drive," this episode promises a celebration of musical innovation.Get ready for a lively conversation filled with pop culture nods and playful debates. We dive into the band's artistic direction during their third album and reflect on the whirlwind process of its creation. Highlights include humorous tangents about a high school teacher, Mr. T, a mysterious green globule on the album cover, and the influence of Californian culture on their sound. With references to Gene Wilder, Ben Stiller, and Adam Sandler, we infuse the discussion with nostalgic charm while appreciating the contribution of producers like Scott Litt to the album's success.As we explore the experimental depths of "Make Yourself," we share our top song choices and the dynamic energy they bring. Each track offers a unique experience, from the ambient magic of "The Warmth" to the anthemic vibes of "Nowhere Fast." Listeners are taken on a sonic journey, with tracks that are perfect for parties and unexpected collaborations that surprise and delight. The episode wraps with an engaging critique of karaoke scenes, ensuring a fun and entertaining listening experience for all Incubus fans and music lovers alike.Support the show

Text us, and Rock on!Ever wondered how uncertainty can fuel creativity? Join us as we unravel the fascinating journey of Incubus' iconic album, "Make Yourself," and explore how the band navigated through artistic challenges to craft their groundbreaking sound. We take a nostalgic stroll back to 1999, blending humor and insight, as we discuss how themes of personal growth and self-discovery resonate through the album. From the unique genre fusion of alternative rock, nu-metal, and funk rock to Tim's memorable acoustic rendition of "Drive," this episode promises a celebration of musical innovation.Get ready for a lively conversation filled with pop culture nods and playful debates. We dive into the band's artistic direction during their third album and reflect on the whirlwind process of its creation. Highlights include humorous tangents about a high school teacher, Mr. T, a mysterious green globule on the album cover, and the influence of Californian culture on their sound. With references to Gene Wilder, Ben Stiller, and Adam Sandler, we infuse the discussion with nostalgic charm while appreciating the contribution of producers like Scott Litt to the album's success.As we explore the experimental depths of "Make Yourself," we share our top song choices and the dynamic energy they bring. Each track offers a unique experience, from the ambient magic of "The Warmth" to the anthemic vibes of "Nowhere Fast." Listeners are taken on a sonic journey, with tracks that are perfect for parties and unexpected collaborations that surprise and delight. The episode wraps with an engaging critique of karaoke scenes, ensuring a fun and entertaining listening experience for all Incubus fans and music lovers alike.Support the show

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Hosts: Mike FriemanREM “Man on the Moon" from the 1992 album "Automatic for the People" released on Warner Brothers. Written by Bill Berry, Peter Buck, Mike Mills, and Michael Stipe and produced by Scott Litt and REM.Personel:Bill Berry – drums, percussion, keyboards, bass guitar, backing vocalsPeter Buck – electric and acoustic guitars, mandolin, bass guitarMike Mills – bass guitar, piano, keyboards, accordion, backing vocalsMichael Stipe – lead vocalsCover:Performed by Josh Bond, Neal Marsh, and Chris BendtIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Hosts: Mike FriemanREM “Man on the Moon" from the 1992 album "Automatic for the People" released on Warner Brothers. Written by Bill Berry, Peter Buck, Mike Mills, and Michael Stipe and produced by Scott Litt and REM.Personel:Bill Berry – drums, percussion, keyboards, bass guitar, backing vocalsPeter Buck – electric and acoustic guitars, mandolin, bass guitarMike Mills – bass guitar, piano, keyboards, accordion, backing vocalsMichael Stipe – lead vocalsCover:Performed by Josh Bond, Neal Marsh, and Chris BendtIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:LCD SoundsystemKings of LeonThe NationalWar on DrugsSturgill SimpsonChris StapletonThe Black KeysJames TaylorTedeschi Trucks BandThe Avett BrothersDawesThe DoorsJim MorrisonEric ClaptonBand of HorsesKings of LeonPearl JamStone Temple PilotsNirvanaBlink-182The OffspringGreen Day “American Idiot”Green Day “Dookie”Green Day “Nimrod”Paul McCartneyPrinceStevie Wonder “Superstition”The KillersSustoForrest GumpREM “Monster”REM “Drive”REM “Everybody Hurts”The Beach Boys “ God Only Knows”Kurt CobainVICEREM “Losing My Religion”Mick JaggerREM “The End of the World”Death Cab for CutieThe ReplacementsNirvana “Pennyroyal Tea”Nirvana “In Utero”Toy StoryVillage PeopleREM “Nightswimming”War on DrugsLord HuronDire Straits “Romeo and Juliet”Lou ReedDavid BowieCounting CrowesCrash Test DummiesLive “Lightning Crashes”Choir Choir ChoirEddie VedderThe CourtineersBob ZmudaAndy KaufmanTony Clifton

Suso Fandiño (1971) nasceu e cresceu em Santiago de Compostela, Espanha. Em adolescente, gostava de ver livros de arte ilustrados, mostrou interesse pelo cinema,pelas artes visuais e pela cena musical underground, sendo membro ativo de várias bandas locais. Estudou História da Arte na Universidade de Santiago de Compostela e Artes na Universidade de Vigo.Nos anos iniciais da sua carreira, fez parte de um movimento emergente na Galiza, que se destacou pela mudança de direção nos conceitos artísticos em relação à geração anterior (Geração Atlântica - próxima do neo-expressionismo do início dos anos oitenta).Em 2001, realizou a sua primeira exposição individual Coleção de amostras; na Galeria Ad Hoc de Vigo, dirigida por Inés Ramiro. No ano seguinte, participou também na exposição MARCO Indisciplinados;, comissariada por Nuria Güel. Suso Fandiño inicia aqui a sua aproximação ao apropriacionismo e à utilização da história da arte como matéria-prima nas suas obras.Em 2011 mudou-se para Londres desenvolvendo vários projectos em diferentes áreas. Mapping, Ephemeral Landscapes e Short-lived exhibitions fazem parte destaetapa no seu projeto pessoal e carreira.Ao longo da sua carreira, tem vindo a retirar imagens e formas de obras de artistas e fotógrafos conhecidos e de renome, minando as noções convencionais deoriginalidade, mestria artística e autoria. As suas obras levam a cabo um debate sobre a situação atual das artes e a sua relação com o contexto político e social envolvente. Outras propostas têm-se centrado no texto como ferramenta, estando estas normalmente relacionadas com os métodos de aprendizagem académicos e a sua relação com a arte e os artistas. “A personalidade do artista” é também tema em algumas das suas obras - o seu papel atual na sociedade e no ambiente geral da arte e da cultura.As suas obras foram adquiridas por colecionadores de todo o mundo, museus e instituições de arte, sendo considerado um membro importante da sua geração. Links: http://susofandino.com/fandino/en/bio https://cgac.xunta.gal/en/exhibitions/suso-fandino-wunderkammer-0 https://www.galeriapedrooliveira.com/salaposteite/press/press_suso_fandino_ES.pdf https://www.uvigo.gal/es/universidad/comunicacion/duvi/artista-profesor-suso-fandino-explora-cgac-dimension-politica-arte https://www.marcovigo.com/es/content/suso-fandino-0 https://www.lavozdegalicia.es/noticia/santiago/2022/02/08/cgac-pone-foco-obra-artista-compostelano-suso-fandino/0003_202202S8C69915.htmhttps://www.youtube.com/watch?v=SPDXX-f1ZwE Episódio gravado a 23.05.2024 Créditos música final:It's The End Of The World As We Know ItPerformed by R.E.M.Written by Michael Stipe, Mike Mills, Peter Buck, William Thomas BerryProduced by Scott Litt, R.E.M.Source Capitol Records http://www.appleton.pt Mecenas Appleton:HCI / Colecção Maria e Armando Cabral / A2P / MyStory Hotels Apoio:Câmara Municipal de Lisboa

Primeiro álbum do R.E.M por uma grande gravadora, Green é o prelúdio do estouro mundial da banda, onde os caminhos que seriam traçados nos anos 1990 começam a ganhar forma, contudo sem um abandono por completo do estilo do começo da carreira. Um álbum de transição por excelência, conta com canções cativantes, climáticas e também divertidas, todas costuradas com louvor pela uma produção cristalina de Scott Litt. Completando 35 anos no dia 7 de novembro, Green foi o assunto do papo que levamos com Daniel Rezende neste episódio.See omnystudio.com/listener for privacy information.

In August of 1987 R.E.M released their 5th studio album. The first of a decade's worth of records to be produced by Scott Litt, the band dials in their tone with an eye on the mainstream and wind up with their first of many platinum selling successes. Let's talk R.E.M, Document!

R.E.M., Scott Litt, and me.

Pete Yorn, Scott Litt, and me.

Strange Advance founder Drew Arnott talks about touring for the 40th anniversary of their debut album Worlds Away, why Steven Tyler did NOT like the band name, bigtime encouragement & friendship from Bryan Adams, having the late Bruce Fairbairn [Loverboy, Aerosmith, Bon Jovi, Van Halen, AC/DC] produce their first album, Scott Litt mixing their 2nd album before moving on to work with a small band called REM, memories from the Juno Awards, shooting their first video for MTV before MuchMusic even launched, why touring meant he had to learn to sing AND play keyboards at the SAME time, counting Geddy Lee and the late Neil Peart among their fans, memories of the rotating stage at the Ontario Place Forum, connections to Images in Vogue & Sweeney Todd [Roxy Roller!], and an explanation of exactly what a MELLATRON was and why it got replaced by a laptop! Go to www.strangeadvance.com for tour dates & tickets! TORONTO LEGENDS is hosted by Andrew Applebaum at andrew.applebaum@gmail.com All episodes available at www.podpage.com/toronto-legends/episodes/ Learn more about your ad choices. Visit megaphone.fm/adchoices

R.E.M., Scott Litt, and me.

Ne t'excuse pas de chanter. N'attends pas qu'on t'autorise à chanter.... Les phrases cultes de Bérengère résonnent avec mon propre cheminement en thérapie. J'ai l'impression de passer aux travaux pratiques. Je découvre le pouvoir du chant, je découvre que la musique soigne.Le chant des possibles, un podcast intime et polyphonique sur le pouvoir du chant et du groupe.Episode 4/9 : Ceci n'est pas une musicothérapie.Ce podcast a été réalisé dans le cadre du cours de chant de Bérengère Suarez-Pazos à l'école des possibles à Mains d'Oeuvres à Saint-Ouen (93) Egalement disponible sur deezer, spotify, podcast addict, apple podcast.CréditsPrise de son, réalisation et montage : Annabelle HubertMixage: Sylvain CartonConseil artistique : Marion BazileIllustration : Valentine BoidronProduction : La tête dans les étoilesMusiquesLe roi et l'oiseau (générique) - Wojciech Kilar interprété par SoleymaneJe voudrais dormir de Jeanne Cherhal, chanté par Elia accompagné à la guitare par ClémenceSway de Norman Gimbel et Pablo Bertran Ruiz, produit par David Foster, Humberto Gatica, chanté par Elia.Wild world, de Yusuf et Cat Stevens, produit par Paul Samwell-Smith, chanté par Elia accompagné au piano par AnnabelleDu bout des lèvres de Barbara, chanté par Valérie, accompagné au piano par ValérieNantes, de Barbara, produit par Monique Serf, chanté par Valérie, accompagné au piano par AnnabelleCe doute, composé et interprété par Bérengère Suarez Pasos sur un poème de Bertrand Suarez-PazosEverybody hurts, de Mickael Mills, Michael Stipe, Peter Buck, William Berry, produit par Scott Litt et R.E.M, chanté par Edwige, accompagné à la guitare par ChloéJumping Jack Flash de Keith Richards et Mick Jagger, chanté par Chloé, accompagné à la guitare par Chloé et Jérémie.

Ceci n'est pas un podcast sur un cours de chant, ceci est un récit choral et initiatique. Nous sortons toutes transformées de ces mois passés à contrer notre peur en chantant. L'aventure ne fait que commencer.Le chant des possibles, un podcast intime et polyphonique sur le pouvoir du chant et du groupe.Episode 9/9 : Et maintenant, on fait quoi ? Ce podcast a été réalisé dans le cadre du cours de chant de Bérengère Suarez-Pazos à l'école des possibles à Mains d'Oeuvres à Saint-Ouen (93) Egalement disponible sur deezer, spotify, podcast addict, apple podcast.CréditsPrise de son, réalisation et montage : Annabelle HubertMixage : Pierre BrienConseil artistique : Marion BazileIllustration : Valentine BoidronProduction : La tête dans les étoilesMusiquesLe roi et l'oiseau (générique) - Wojciech Kilar interprété par SoleymaneYou know I'm no good d'Amy Winehouse, produit par Mark Ronson, chanté par Amandine et accompagné au piano par Annabelle et à la guitare par ThomasMarcia Baïla, de Catherine Ringer et Fred Chichin, chanté par Valérie et accompagné à la guitare par Chloé et JérémieEverybody hurts, de Mickael Mills, Michael Stipe, Peter Buck, William Berry, produit par Scott Litt et R.E.M, chanté par Edwiiiiiiiiige et accompagné à la guitare par ChloéLe coup d'soleil composé par jean Paul Dréau, parodié et chanté par Valérie, accompagné à la guitare par ChloéPlus je t'embrasse de Ben Ryan, et Max François, chanté et accompagné au piano par Annabelle

The dB's, Peter Holsapple, Scott Litt, and me.

In this episode Raymond Gorman and Steve Mack join me to chat about Chemicrazy, That Petrol Emotion's fourth album, but we end up have a long chat about the band's entire career: forming in Derry after the split of The Undertones, moving to London, The Fast Show's Paul Whitehouse auditioning, Steve joining the band, the highs and lows of ten years together, recording Manic Pop Thrill with Hugh Jones, moving to a major label for Babble, signing to Virgin, touring the US and Europe, writing and producing Chemicrazy with Scott Litt in California, putting the soon-to-be released career-spanning Boxset together and much, much more.

On the 34 Episode of the Album Review Crew of Shout It Out Loudcast, Tom, Zeus & Sonny review the highly acclaimed eighth studio album by R.E.M., "Automatic For The People." The album went to Number 2 on the Billboard charts, went 4 X platinum and sold over 18 Million copies worldwide. R.E.M. known for college music had just exploded with their last album "Out Of Time" with the help of the single, "Losing My Religion." They decided to make this new album to sound like nothing else contemporary and filled with non-R.E.M.-type songs. The result was this masterpiece filled with songs about, loss, death, mortality, transition and more. The album was a group effort with guitarist Peter Buck, bassist Mike Mills and drummer Bill Berry using all sorts of instruments and sounds to make the music while songwriter and vocalist extraordinaire, Michael Stipe provided the moving vocals and lyrics to this essential album of the 1990's. Considered by many as perhaps R.E.M.'s best album, the album contains many of R.E.M.'s best songs, like Everybody Hurts, Man On The Moon, Nightswimming and Find The River and more. The album featured six singles and videos, which were played on MTV on heavy rotation. As usual the boys breakdown and dissect the tracks and rank the songs. They then rank the album and the album cover against the previous 32 albums reviewed on the Album Review Crew. This was Zeus' pick and this album led to the rankings changing a lot by all three ARC members. We are talking 90's Alternative Music so if you believe...  For all things Shout It Out Loudcast check out our amazing website by clicking below: www.ShoutItOutLoudcast.com Interested in more Shout It Out Loudcast content?  Care to help us out?  Come join us on Patreon by clicking below: SIOL Patreon Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store Please go to Klick Tee Shop for all your Shout It Out Loudcast Merchandise by clicking below:SIOL Merchandise at Klick Tee Shop Please Email us comments or suggestions by clicking below:ShoutItOutLoudcast@Gmail.com Please subscribe to us and give us a 5 Star (Child) review on the following places below:iTunesPodchaserStitcheriHeart RadioSpotify  Please follow us and like our social media pages clicking below:TwitterFacebook PageFacebook Group Page Shout It Out LoudcastersInstagramYouTube Proud Member of the Pantheon Podcast click below to see the website:Pantheon Podcast Network

On the 34 Episode of the Album Review Crew of Shout It Out Loudcast, Tom, Zeus & Sonny review the highly acclaimed eighth studio album by R.E.M., "Automatic For The People." The album went to Number 2 on the Billboard charts, went 4 X platinum and sold over 18 Million copies worldwide. R.E.M. known for college music had just exploded with their last album "Out Of Time" with the help of the single, "Losing My Religion." They decided to make this new album to sound like nothing else contemporary and filled with non-R.E.M.-type songs. The result was this masterpiece filled with songs about, loss, death, mortality, transition and more. The album was a group effort with guitarist Peter Buck, bassist Mike Mills and drummer Bill Berry using all sorts of instruments and sounds to make the music while songwriter and vocalist extraordinaire, Michael Stipe provided the moving vocals and lyrics to this essential album of the 1990's. Considered by many as perhaps R.E.M.'s best album, the album contains many of R.E.M.'s best songs, like Everybody Hurts, Man On The Moon, Nightswimming and Find The River and more. The album featured six singles and videos, which were played on MTV on heavy rotation. As usual the boys breakdown and dissect the tracks and rank the songs. They then rank the album and the album cover against the previous 32 albums reviewed on the Album Review Crew. This was Zeus' pick and this album led to the rankings changing a lot by all three ARC members. We are talking 90's Alternative Music so if you believe...  For all things Shout It Out Loudcast check out our amazing website by clicking below: www.ShoutItOutLoudcast.com Interested in more Shout It Out Loudcast content?  Care to help us out?  Come join us on Patreon by clicking below: SIOL Patreon Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store Please go to Klick Tee Shop for all your Shout It Out Loudcast Merchandise by clicking below:SIOL Merchandise at Klick Tee Shop Please Email us comments or suggestions by clicking below:ShoutItOutLoudcast@Gmail.com Please subscribe to us and give us a 5 Star (Child) review on the following places below:iTunesPodchaserStitcheriHeart RadioSpotify  Please follow us and like our social media pages clicking below:TwitterFacebook PageFacebook Group Page Shout It Out LoudcastersInstagramYouTube Proud Member of the Pantheon Podcast click below to see the website:Pantheon Podcast Network

This episode was first featured on our Patreon!This is my favorite episode of this seven part series for obvious reasons. It covers Nirvana and also introduced me to a bunch of other bands as well. Featuring one of my favorite people in music, Henry Rollins who gives his takes on the scene in the 80s. We hear from the producers on the construction of the songs, the fame aspect and pressures, and end on a somber note.Watch the episode: https://bit.ly/3ce8DGaThe rise of alternative rock in the USA. From its early underground days where bands like Black Flag drew inspiration from the DIY ethos of punk, Left Of The Dial traces the history of the network of fans, clubs and fanzines that sustained the scene and launched the careers of bands like R.E.M., The Pixies and Hüsker Dü. The film takes a fresh look at the explosion of the Seattle scene, culminating in the success of Nirvana's 'Nevermind' and the tragic loss of Kurt Cobain, an artist whose triumph and tragedy continues to cast an inescapable shadow.I made a playlist of the songs featured in the episode: https://spoti.fi/3qJEv9F----Get OVER 70 BONUS episodes on 90s & 00s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more movies...) and to support the show, join the PATREON for $5 a month! www.patreon.com/fashiongrungeHosts: Lauren @lauren_melanie & Jai @jai_stylefactoryFollow Fashion Grunge PodcastInstagram @fashiongrungepodTwitter @fgrungepodLetterboxd Fashion Grunge PodcastTikTok @fashiongrungepod

Formed at the University of Georgia in 1980, by Michael Stipe, Peter Buck, Bill Berry and Mike Mills. R.E.M. Would soon become the flag bearers for the burgeoning Alternative scene in the music industry. Fueled by their love of the jangley folk-rock guitars of bands like the Byrds and the lyrical intellectualism in  the words of artists like Lou Reed and Patti Smith, they soon found themselves with a whole new musical style. Signing to indie label, IRS records, the band spent the decade of the '80s releasing yearly albums and becoming one of the biggest artists in the newly found "college-rock" scene. At the turn of the decade, the band found major success with a new deal with major label Warner Music and a creative partnership with producer Scott Litt. With dozens of hits under their belt like "Losing My Religion", "The One I Love" and "Everybody Hurts" the band became one of the most popular rock bands of the decade, selling over 80 Million albums and being touted by artists like Nirvana, The Jayhawks, Coldplay, and Mazzy Star as major influences, R.E.M. have left an undeniable mark on the music world. In this episode of Influenced, we dive deep into the influences of this seminal band and their iconic sound.  Follow Us Here: https://www.instagram.com/influenced.podcast/

Executive producer Lafe gets behind the microphone in this episode of the Rock N Roll Bedtime Stories spinoff series to tell Brian about the album that soundtracked his sophomore year of high school - and his name change - in small town Kentucky. SHOW NOTES: https://diffuser.fm/rem-monty-got-a-raw-deal/ https://en.wikipedia.org/wiki/Drive_(R.E.M._song) https://en.wikipedia.org/wiki/The_Sidewinder_Sleeps_Tonite

In Part 2 of our Caropop conversation, we dive into the most famous album that Steve Albini produced, Nirvana's In Utero. Which version does he consider to be definitive? Why does he think the controversy over his mixes, with the two singles remixed by Scott Litt, was overblown and reflects a misunderstanding of how musicians think? How did he feel about creating a new In Utero mix with the surviving band members 20 years later? Also: Do fellow producers resent him for not taking artist royalties and, in theory, driving down rates? And after years of being outspoken, has Steve Albini become a mellow guy? You be the judge.

In this episode, Michael Amidei and Clifford Brooks interview Clark Hagan. Clark Hagan (www.clarkhaganproductions.com) is a Grammy award-winning Producer/Engineer with a world-class resume and a legendary mastery of the recording arts. After graduating from the University of Colorado at Denver, Clark began to master his craft as a recording engineer while working with the legendary Bill Porter whose credits include artists such as Elvis Presley, Roy Orbison, and the Everly Brothers while at RCA from 1959 to 1964. After a short stint at Allen-Martin Productions in Louisville, Kentucky, Clark moved to Nashville where his trusted relationship with Porter provided the opportunity to work with the legendary Chet Atkins. In his time with Atkins, Clark engineered the Grammy Award Winning record in 1996 for best country instrumental and was nominated again in 1997 for a record with Atkins and Tommy Emmanuel in the same category on which he also played guitar. Clark's success with Atkins paid off and subsequently led to work with some of Nashville's top artists including Ray Stevens, Alison Krauss, Bryan White, and Jeffery Steele amongst others. In the highly competitive world of Nashville Clark continued to build relationships with such producers as Scott Litt, Tony Brown, Kyle Lehning, Billy Joe Walker Jr., Bill Schnee, and James William Guercio while also getting to work out of some elite studios such as Woodland Sound Studios, Quad, Omni, and Masterfonics. Clark has worked with other such national artists as Kenny Passarelli, Marty Haggard, and Eugene Moles along with Colorado artists such as Dave Preston, Oscar Ross, Wild Angels, Nick O'Connor, and Casey James Prestwood and the Burning Angels to name a few. Clark has also been working with the Caribou Ranch estate on the “Caribou Collection” project with artists Elton John, Billy Joel, and Chicago, and is also refurbished one of the original Caribou Ranch consoles “Olive”. Whether it be mixing, tracking, or producing, from rock to country, Clark brings his rich heritage and diverse experience to every project and is always looking for artists who share the same passion. to make great sounding records. Along with doing projects out of Macy Sound Studios, Clark is also an experienced technician and is also knowledgeable and competent tech and audio consultant.

Episode 32 1987 R.E.M As we Know It. It's the end of the world as we know it. Document was the fifth studio album by American rock band R.E.M., released on August 31, 1987 33 years ago by I.R.S. Records. It was the first album by the band to be produced by Scott Litt. The White House has appointed world-renowned global health official and physician Ambassador Deborah Birx to the Office of the Vice President to aid in the whole of government response to COVID-19 as the Coronavirus Response Coordinator. The world has changed forever. The USA has changed forever. CDC recommends wearing a mask N95 New England Patriots Jonathan and Robert Kraft over 1 million masks from China 300,000 to New York delivered by the Pats truck. Kicked in over 2 million dollars. Thank You. Also lets not forget the media attention this generated. Kraft is a guines. National debt Over the past 12 months has been nearly $1.1 trillion as the national debt has swelled past $23 trillion. It's amazing how this has affected business in so many different ways. Invest in medical, masks, thermoscaners, Rubber gloves, toilet paper New York, Governor Cuomo New Jersey governor Phil Murphy ,CT, Louiziana Comcast confirmed that a technician in Fairfield, NJ, diagnosed last week with COVID-19 has passed away. "Our thoughts and prayers are with his family at this difficult time. He's been a valued member of our Comcast family for 34 years, and he will be deeply missed," a spokesperson said. Predictions. Nostradamus prophecy foretelling the 2020 COVID-19 coronavirus disease pandemic. He wrote “There will be a twin year (2020) from which will arise a queen (corona) who will come from the east (China) and who will spread a plague (virus) in the darkness of night, on a country with 7 hills (Italy) and will transform the twilight of men into dust (death), to destroy and ruin the world. It will be the end of the world economy as you know it. Docs, nurses, first responders, retail people, delivery UPS, Fedex, USPS Comcast Verizon. Administrative folks. Movie stars and celebrities. Have no idea of the true struggle. Special Thanks to the shows sponsors: www.etsy.com/shop/thebobbycoutoshow www.TheBobbyCoutoShow.com Gary Cabral with Weichert Realtors. cabg2711@Yahoo.com (508) 415-4177 Call him with all your realty needs. "All Roads Lead Here" Bobby Couto. --- Send in a voice message: https://anchor.fm/thebobbycoutoshow/message Support this podcast: https://anchor.fm/thebobbycoutoshow/support

Episode 32 1987 R.E.M As we Know It. It's the end of the world as we know it. Document was the fifth studio album by American rock band R.E.M., released on August 31, 1987 33 years ago by I.R.S. Records. It was the first album by the band to be produced by Scott Litt. The White House has appointed world-renowned global health official and physician Ambassador Deborah Birx to the Office of the Vice President to aid in the whole of government response to COVID-19 as the Coronavirus Response Coordinator. The world has changed forever. The USA has changed forever. CDC recommends wearing a mask N95 New England Patriots Jonathan and Robert Kraft over 1 million masks from China 300,000 to New York delivered by the Pats truck. Kicked in over 2 million dollars. Thank You. Also lets not forget the media attention this generated. Kraft is a guines. National debt Over the past 12 months has been nearly $1.1 trillion as the national debt has swelled past $23 trillion. It's amazing how this has affected business in so many different ways. Invest in medical, masks, thermoscaners, Rubber gloves, toilet paper New York, Governor Cuomo New Jersey governor Phil Murphy ,CT, Louiziana Comcast confirmed that a technician in Fairfield, NJ, diagnosed last week with COVID-19 has passed away. "Our thoughts and prayers are with his family at this difficult time. He's been a valued member of our Comcast family for 34 years, and he will be deeply missed," a spokesperson said. Predictions. Nostradamus prophecy foretelling the 2020 COVID-19 coronavirus disease pandemic. He wrote “There will be a twin year (2020) from which will arise a queen (corona) who will come from the east (China) and who will spread a plague (virus) in the darkness of night, on a country with 7 hills (Italy) and will transform the twilight of men into dust (death), to destroy and ruin the world. It will be the end of the world economy as you know it. Docs, nurses, first responders, retail people, delivery UPS, Fedex, USPS Comcast Verizon. Administrative folks. Movie stars and celebrities. Have no idea of the true struggle. Special Thanks to the shows sponsors: www.etsy.com/shop/thebobbycoutoshow www.TheBobbyCoutoShow.com Gary Cabral with Weichert Realtors. cabg2711@Yahoo.com (508) 415-4177 Call him with all your realty needs. "All Roads Lead Here" Bobby Couto. --- Send in a voice message: https://anchor.fm/thebobbycoutoshow/message Support this podcast: https://anchor.fm/thebobbycoutoshow/support

Gestur þáttarins að þessu sinni er Bogi Ágústsson frétamaður og fréttaþulur sem allir landsmenn þekkja. Hann mætir með uppáhalds ROKKplötuna sína kl. 21.00, en hún er með Led Zeppelin. Plata þáttarins er svo Monster, níunda hljóðversplata REM sem kom út 27. september 1994 og gefin út af Warner Bros. Records. Hljómsveitin sjálf stjórnaði upptökum ásamt upptökustjóranum Scott Litt og hún var tekin upp í fjórum mismunandi hljóðverum og er tasvert frábrugðin plötunum tveimur sem höfðu komið út á undan, Out of Time (1991) og Automatic for the People (1992). Þær tvær eru meira og minna akústískar og huggulegar plötur en Monster er eins og nafnið gefur til kynna urrandi rokkplata með háværum bjöguðum gítarhljómum og trommuslætti. Michael Stipe syngur lög plötunnar í ýmsum stellingum og karakterum en lögin fjalla flest um líf stjörnunnar og hvernig menn díla við það. Fyrsta lag plötunnar sem sent var út í heiminn er smellurinn "What's the Frequency, Kenneth?" sem var mikið spilað í útvarpi um allan heim, t.d. hérna á Rás 2. Fjögur önnur lög af plötunni voru gefin út á smáskífum árið 1995 og þar á meðal voru Bang and Blame, Strange Currencies, og Tongue. Platan náði fyrsta sæti Bandaríska vinsældalistans þegar hún kom út gerði það líka gott á vinsældalistum víða um heim. Næsta plata, New Adventures in Hi-Fi, var meira og minna hljóðrituð í Monster tónleikaferðinni um heiminn. Óskalagasíminn verður opnaður (5687-123) um kl. 20 og A+B er svo að þessu sinni með Iron Maiden Gestur þáttarins að þessu sinni er Bogi Ágústsson frétamaður og fréttaþulur sem allir landsmenn þekkja. Hann mætir með uppáhalds ROKKplötuna sína kl. 21.00, en hún er með Led Zeppelin. Plata þáttarins er svo Monster, níunda hljóðversplata REM sem kom út 27. september 1994 og gefin út af Warner Bros. Records. Hljómsveitin sjálf stjórnaði upptökum ásamt upptökustjóranum Scott Litt og hún var tekin upp í fjórum mismunandi hljóðverum og er tasvert frábrugðin plötunum tveimur sem höfðu komið út á undan, Out of Time (1991) og Automatic for the People (1992). Þær tvær eru meira og minna akústískar og huggulegar plötur en Monster er eins og nafnið gefur til kynna urrandi rokkplata með háværum bjöguðum gítarhljómum og trommuslætti. Michael Stipe syngur lög plötunnar í ýmsum stellingum og karakterum en lögin fjalla flest um líf stjörnunnar og hvernig menn díla við það. Fyrsta lag plötunnar sem sent var út í heiminn er smellurinn "What's the Frequency, Kenneth?" sem var mikið spilað í útvarpi um allan heim, t.d. hérna á Rás 2. Fjögur önnur lög af pl

Gestur þáttarins að þessu sinni er Bogi Ágústsson frétamaður og fréttaþulur sem allir landsmenn þekkja. Hann mætir með uppáhalds ROKKplötuna sína kl. 21.00, en hún er með Led Zeppelin. Plata þáttarins er svo Monster, níunda hljóðversplata REM sem kom út 27. september 1994 og gefin út af Warner Bros. Records. Hljómsveitin sjálf stjórnaði upptökum ásamt upptökustjóranum Scott Litt og hún var tekin upp í fjórum mismunandi hljóðverum og er tasvert frábrugðin plötunum tveimur sem höfðu komið út á undan, Out of Time (1991) og Automatic for the People (1992). Þær tvær eru meira og minna akústískar og huggulegar plötur en Monster er eins og nafnið gefur til kynna urrandi rokkplata með háværum bjöguðum gítarhljómum og trommuslætti. Michael Stipe syngur lög plötunnar í ýmsum stellingum og karakterum en lögin fjalla flest um líf stjörnunnar og hvernig menn díla við það. Fyrsta lag plötunnar sem sent var út í heiminn er smellurinn "What's the Frequency, Kenneth?" sem var mikið spilað í útvarpi um allan heim, t.d. hérna á Rás 2. Fjögur önnur lög af plötunni voru gefin út á smáskífum árið 1995 og þar á meðal voru Bang and Blame, Strange Currencies, og Tongue. Platan náði fyrsta sæti Bandaríska vinsældalistans þegar hún kom út gerði það líka gott á vinsældalistum víða um heim. Næsta plata, New Adventures in Hi-Fi, var meira og minna hljóðrituð í Monster tónleikaferðinni um heiminn. Óskalagasíminn verður opnaður (5687-123) um kl. 20 og A+B er svo að þessu sinni með Iron Maiden Gestur þáttarins að þessu sinni er Bogi Ágústsson frétamaður og fréttaþulur sem allir landsmenn þekkja. Hann mætir með uppáhalds ROKKplötuna sína kl. 21.00, en hún er með Led Zeppelin. Plata þáttarins er svo Monster, níunda hljóðversplata REM sem kom út 27. september 1994 og gefin út af Warner Bros. Records. Hljómsveitin sjálf stjórnaði upptökum ásamt upptökustjóranum Scott Litt og hún var tekin upp í fjórum mismunandi hljóðverum og er tasvert frábrugðin plötunum tveimur sem höfðu komið út á undan, Out of Time (1991) og Automatic for the People (1992). Þær tvær eru meira og minna akústískar og huggulegar plötur en Monster er eins og nafnið gefur til kynna urrandi rokkplata með háværum bjöguðum gítarhljómum og trommuslætti. Michael Stipe syngur lög plötunnar í ýmsum stellingum og karakterum en lögin fjalla flest um líf stjörnunnar og hvernig menn díla við það. Fyrsta lag plötunnar sem sent var út í heiminn er smellurinn "What's the Frequency, Kenneth?" sem var mikið spilað í útvarpi um allan heim, t.d. hérna á Rás 2. Fjögur önnur lög af pl

Gestur þáttarins að þessu sinni Guðmundur Ingi Þorvaldsson söngvari í Atómstöðinni og leikari. Hann mætir með uppáhalds ROKKplötuna sína klukkan 21.00 Plata þáttarins er In Utero, þriðja og síðasta plata Nirvana, en í dag eru 25 ár síðan Kurt Cobain stytti sér aldur á heimili sínu í Seattle í Washington. Kurt var 27 ára gamall. In Utero kom út 1993 á vegum DGC útgáfunnar. Hljómsveitinni fannst metsöluplatan Nevermind sem kom út 1991 og gerði Nirvana að stjörnum um allan heim aðeins of fínpússuð. Liðsmenn Nirvana töluðu um það eftir að platan kom út og planið var að In Utero yrði mun hrárri en Nevermind og meira í ætt við það hvernig Nirvana hljómaði á tónleikum, sem hún svo sannarlega er. Upptökustjórinn Steve Albini sem gerði In Utero með Nirvana er þekktur fyrir hráleika og einfalda upptökustjórnun. Platan var tekin upp á tveimur vikum í febrúar 1993 í Pachyderm Studio í Cannon Falls í Minnesota. Skömmu eftir að upptökum lauk láku út þær fréttir að útgáfufyrirtækið væri ekki nógu ánægt með plötuna, hún væri of hrá og ekki líklehg til vinsælda og mikillar sölu. Bandið neitaði þessu en þrátt fyrir það var ráðinn maður (Scott Litt upptökustjóri R.E.M.) til að endurhljóðblanda nokkur lög plötunnar, t.d. All Apologies og Heart-Shaped Box sem voru mestu útvarps-lög plötunnar. Steve Albini vildi ekkert gera meira fyrior upptökurnar en hann var búinn að gera. Þegar platan kom út fór hún beina leið í fyrsta sqæti bandaríska vinsældalistans og fékk mjög góða dóma almennt. In Utero hefur í dag selst í meira en 15 milljónum eintaka. Óskalagasíminn verður opnaður (5687-123) um kl. 20 og A+B er svo að þessu sinni með AC/DC. Atómstöðin - Fuglinn er floginn SKálmöld - Sverðið Saint Vitus - Bloodshed R.E.M. - Radio free Europe Duran Duran - Planet Earth The Cult - She sells sanctuary Nirvana - Heart shaped box (plata þáttarins) SÍMATÍMI Idles - Mother James Gang - Walk away (óskalag) Free - Wishing well (óskalag) Nirvana - Dumb (plata þáttarins) QOTSA - No one knows Rammstein - Deutchland Mott The Hoople - All the way to Memphis (óskalag) Queen - I wan´t to break free (óskalag) Guns´n Roses - Nightrain (óskalag) Amazons - Mother GESTUR FUZZ - GUÐMUNDUR INGI ÞORVALDSSON Atomstöðin - Drive GUÐMUNDUR INGI II Led Zeppelin - Whole lotta love GUÐMUNDUR INGI III Led Zeppelin - Since i´ve been loving you Kiss - Rocket ride Endless Dark - Steel and arrowwood A+B AC/DC - You shook me all night long (A) AC/DC - She´s got balls (live) Neil Young - Rockin in the freeworld (óskalag)

Gestur þáttarins að þessu sinni Guðmundur Ingi Þorvaldsson söngvari í Atómstöðinni og leikari. Hann mætir með uppáhalds ROKKplötuna sína klukkan 21.00 Plata þáttarins er In Utero, þriðja og síðasta plata Nirvana, en í dag eru 25 ár síðan Kurt Cobain stytti sér aldur á heimili sínu í Seattle í Washington. Kurt var 27 ára gamall. In Utero kom út 1993 á vegum DGC útgáfunnar. Hljómsveitinni fannst metsöluplatan Nevermind sem kom út 1991 og gerði Nirvana að stjörnum um allan heim aðeins of fínpússuð. Liðsmenn Nirvana töluðu um það eftir að platan kom út og planið var að In Utero yrði mun hrárri en Nevermind og meira í ætt við það hvernig Nirvana hljómaði á tónleikum, sem hún svo sannarlega er. Upptökustjórinn Steve Albini sem gerði In Utero með Nirvana er þekktur fyrir hráleika og einfalda upptökustjórnun. Platan var tekin upp á tveimur vikum í febrúar 1993 í Pachyderm Studio í Cannon Falls í Minnesota. Skömmu eftir að upptökum lauk láku út þær fréttir að útgáfufyrirtækið væri ekki nógu ánægt með plötuna, hún væri of hrá og ekki líklehg til vinsælda og mikillar sölu. Bandið neitaði þessu en þrátt fyrir það var ráðinn maður (Scott Litt upptökustjóri R.E.M.) til að endurhljóðblanda nokkur lög plötunnar, t.d. All Apologies og Heart-Shaped Box sem voru mestu útvarps-lög plötunnar. Steve Albini vildi ekkert gera meira fyrior upptökurnar en hann var búinn að gera. Þegar platan kom út fór hún beina leið í fyrsta sqæti bandaríska vinsældalistans og fékk mjög góða dóma almennt. In Utero hefur í dag selst í meira en 15 milljónum eintaka. Óskalagasíminn verður opnaður (5687-123) um kl. 20 og A+B er svo að þessu sinni með AC/DC. Atómstöðin - Fuglinn er floginn SKálmöld - Sverðið Saint Vitus - Bloodshed R.E.M. - Radio free Europe Duran Duran - Planet Earth The Cult - She sells sanctuary Nirvana - Heart shaped box (plata þáttarins) SÍMATÍMI Idles - Mother James Gang - Walk away (óskalag) Free - Wishing well (óskalag) Nirvana - Dumb (plata þáttarins) QOTSA - No one knows Rammstein - Deutchland Mott The Hoople - All the way to Memphis (óskalag) Queen - I wan´t to break free (óskalag) Guns´n Roses - Nightrain (óskalag) Amazons - Mother GESTUR FUZZ - GUÐMUNDUR INGI ÞORVALDSSON Atomstöðin - Drive GUÐMUNDUR INGI II Led Zeppelin - Whole lotta love GUÐMUNDUR INGI III Led Zeppelin - Since i´ve been loving you Kiss - Rocket ride Endless Dark - Steel and arrowwood A+B AC/DC - You shook me all night long (A) AC/DC - She´s got balls (live) Neil Young - Rockin in the freeworld (óskalag)