Podcasts about Neil Peart

In this episode, we start with Anika Nilles taking Neil Peart's seat and the bigger question of whether Rush can ever feel the same after one of the most impossible drummers in rock history to replace.Then we get into the modern Titanic question: if a disaster happened today, would men still automatically sacrifice themselves for women and children, or have gender wars and modern resentment changed that expectation?We also discuss whether the church should follow Scripture or society, including the Southern Baptist vote to ban women pastors and the larger debate over biblical authority, tradition, and cultural pressure.Also covered: Tales On The Road, the most impossible band members to replace, Texas overtaking California as the new Fortune 500 capital, UFC at the White House, and Trump's Iran gamble.

Rush has returned with the start of their '50 Something Tour' in Los Angeles, Linkin Park announce details of new film 'Unshatter', Sharon Osbourne 'cash grab' allegations over AI Ozzy Osbourne project and much more in this week's 'Rock News'See omnystudio.com/listener for privacy information.

Rush has returned with the start of their '50 Something Tour' in Los Angeles, Linkin Park announce details of new film 'Unshatter', Sharon Osbourne 'cash grab' allegations over AI Ozzy Osbourne project and much more in this week's 'Rock News'See omnystudio.com/listener for privacy information.

Last night RUSH kicked off their 50 something tour in LA! Their first tour without legendary drummer Neil Peart since 1974! By all accounts it was a huge success!

Sean Noble and Chris Clements are back for another episode of Light Beer Dark Money, covering politics, culture, media, and a little classic rock. Chris opens the show with a firsthand recap of Rush's return to the stage in Los Angeles, including the band's tribute to Neil Peart, the debut of new drummer Anika Nilles, and why the first show back felt like a major moment for longtime Rush fans.  From there, Sean and Chris turn to Los Angeles politics and the fallout from Spencer Pratt's campaign. Sean explains why Pratt never had a realistic path to victory in a city where Republicans make up such a small share of the electorate, but also why the campaign may still have mattered if it forces Karen Bass and city leadership to move toward his message on homelessness, public safety, and making Los Angeles livable again.  They also react to Marco Rubio's latest congressional hearing moments, including his response to Democrats trying to push a new narrative about Donald Trump's health and cognitive ability. Sean and Chris argue that Democrats are the last people who should be raising that issue after years of defending Joe Biden.  The conversation then turns to Trump's NBC interview on Iran, his “no new wars” promise, and why Sean believes preventing Iran from obtaining a nuclear weapon is one of the clearest and most consequential decisions of Trump's presidency.  Later, Sean and Chris discuss the shakeup at CBS News, Scott Pelley's firing from 60 Minutes, Barry Weiss, The Free Press, and the broader problem of liberal bias in legacy media. They also talk about why conservatives should still read and listen outside their own bubble, and why fair journalism still matters.  The episode wraps with a look at the future of the Republican Party, including Marco Rubio, JD Vance, Donald Trump's work ethic, and what leadership after Trump may look like.  Faith, freedom, free enterprise — and the weekly conversation you expect from Light Beer Dark Money.  #MarcoRubio #DonaldTrump #MediaBias #CaliforniaPolitics #Rush #FreeEnterprise  Subscribe for weekly conversations on Faith, Freedom & Free Enterprise with Sean Noble and Chris Clements. Light Beer Dark Money Website: lightbeerdarkmoney.com Facebook: https://www.facebook.com/LightBeerDarkMoney/ Instagram: https://www.instagram.com/lightbeerdarkmoney/ Twitter: https://twitter.com/lbdmpodcast?lang=en LinkedIn: https://www.linkedin.com/company/light-beer-dark-money/ Blog: https://lightbeerdarkmoney.com/hypocrisy-and-the-aoc-oh-sandy/ #PrattPodcasting 

History was made last night in Los Angeles as Rush officially returned to the stage for their "Fifty Something" reunion tour. In today's Daily Metal Breakdown, we dissect the emotional 28-song setlist, the debut of drummer Anika Nilles, and the surprise guest appearance that stunned the Forum. We also dive into Anthrax guitarist Scott Ian's boldest claim yet regarding the band's new album Cursum Perficio, and a heartbreaking live tribute from Mastodon to late guitarist Brent Hinds. What You'll Hear in This Episode: The Return of the Kings: A full breakdown of the Rush reunion opener at the Forum. From the archival Neil Peart tributes to Aimee Mann's historic first-ever live performance with the band. Anthrax's "Edge of Perfection": Why Scott Ian believes the band has just written the best song of their 40-year career and the grueling 4-year journey to finish the new record. A Ghost in the Studio: Mastodon debuts "Your Ghost Again" in Prague—the first song written without the late Brent Hinds. We break down the emotional meaning behind the track. Big Four & Beyond: Scott Ian reflects on his first introduction to Iron Maiden and the "ignorant" caveman riffs that define the new Anthrax sound. Get More Loaded Radio: ⚡ Visit the Command Center: Head over to loadedradio.com for 24/7 breaking rock and metal journalism, tour dates, and exclusive features.

Bringing The Darkness To The Light with Catherine Nadal From Operation Babylift to Rock Stages: Guest, Tyson Leslie on Vixen, Collaboration, Nashville, and a Life in Music Catherine Nadal Opens Bringing the Darkness to the Light In this episode of Bringing the Darkness to the Light, host Catherine Nadal welcomes musician Tyson Leslie, a keyboardist, guitarist, bassist, vocalist, songwriter, and performer known for his work with multiple bands, including Vixen. Catherine explains that she met Tyson about a year earlier at M3 through her friend Jack Frost, and she opens the interview by noting how impressed she was after learning more about Tyson's wide-ranging music career and ongoing projects. Operation Babylift and Growing Up in Colorado Tyson shares that he came to the United States through Operation Babylift after the Vietnam War. He explains that, after the war ended, many orphaned babies were flown out of Vietnam on cargo planes and Pan Am planes, sometimes in difficult and unusual conditions. Tyson was brought to the United States, placed in the Midwest, and adopted by a Caucasian family in Greeley, Colorado. He says he is grateful for that outcome because he knows his life would likely have been very different otherwise. Discovering Music as a Child Catherine asks when Tyson first became involved with music, and Tyson says his mother remembers him playing piano at about age three, picking out simple melodies like “Mary Had a Little Lamb.” His father did not play music, but often gave him toy instruments, including small organs, drums, and guitars. Tyson later took classical piano lessons, then became inspired by bands and artists he saw on MTV, including Mötley Crüe, Quiet Riot, Twisted Sister, Prince, and Michael Jackson. After winning a talent contest and earning $100, he bought his first guitar from a pawn shop and taught himself to play. Learning Instruments by Necessity Tyson explains that much of his musicianship came from necessity. If a band lost a bass player, he learned bass. When he worked at the piano bar Howl at the Moon in Kansas City, he had to jump between instruments and became a better drummer by playing regularly. He listened to drummers such as Neil Peart, Mike Portnoy, and jazz-fusion players, while also exploring many different styles. Although he is known as a rock musician in Nashville, he says he plays country, R&B, hip hop, classical, fusion, and whatever else he is hired to perform. Corey Taylor, Vixen, and Major Career Moments Tyson identifies Corey Taylor from Slipknot as the first major artist he worked with, in a project that later connected to Corey's CMFT material. He then discusses moving to Nashville in 2015, briefly playing country music with Tracy Lawrence, and eventually joining the Vixen camp. Tyson also recalls Eddie Trunk's 40th anniversary show as one of the most surreal moments of his career because he shared the stage with artists he grew up admiring, including Alice Cooper, Sammy Hagar, Kevin Cronin, and others. He also mentions playing before an enormous crowd with Bret Michaels at the NFL Draft in Pittsburgh. Life with Vixen and the Fan Experience Catherine asks about Tyson's role in Vixen, and he explains that although the band's brand is built around being an all-female hard rock band, male keyboard players have been part of the live setup in different ways over the years. Tyson says he was originally asked to remain somewhat invisible in photos and videos, which he understood, but that his role has evolved and he is now included more openly in certain moments, such as end-of-show bows. Catherine and Tyson also talk about how bands from the 1980s still transport fans back to earlier times through songs that carry memory, identity, and nostalgia. Tyson's Original Music and “Little Green Honda” The interview turns to Tyson's solo work, beginning with “Little Green Honda.” Tyson explains that the song was inspired by a female singer in an early-2000s band whose worn-out Honda Civic could not go in reverse, had a cracked windshield, and had to be pushed out of parking spots after gigs. He wrote the song as a tongue-in-cheek, high-energy power-pop track influenced by Butch Walker and Marvelous 3. Tyson says the album was his first solo record, and he produced it, wrote it, and played most of the instruments, with friends contributing drums, guitars, and backup vocals. Collaboration, “Burning Time,” and the Mercenaries Concept Catherine then highlights “Burning Time,” which Tyson released under the concept name Mercenaries. Tyson explains that he chose that name because the idea was to bring in “badass” hired musicians to execute the job. The track features major players including Billy Sheehan on bass, Roxy Petrucci from Vixen on drums, Jimmy Bell on guitar, and Todd La Torre from Queensrÿche on vocals and co-writing. Tyson says Todd rearranged the song and elevated it beyond what Tyson had originally imagined, reinforcing Tyson's belief that collaboration often makes music stronger. Rock Cruises, Nashville, and Musical Community Catherine asks about rock cruises such as Monsters of Rock and the '80s Cruise, and Tyson describes them as uniquely fun because musicians and fans are all together on the ship, with nowhere else to go. Artists watch each other's shows, run into fans in cafeterias, sign memorabilia, and sometimes join unexpected late-night moments such as karaoke. Tyson also describes Nashville's Broadway scene as sensory overload, with multiple floors of live music, constant requests, country and rock bands, and musicians moving quickly between venues. He explains that his own schedule is driven by a busy calendar of piano shows, downtown Nashville gigs, Vixen dates, travel, and special events. “Cradle to the Grave” and Closing Thoughts The show closes with Tyson discussing “Cradle to the Grave.” Catherine says the track felt country to her, while Tyson explains that his influence was more T. Rex, with big vocals, a big sound, and a fun party energy. He says he wrote lyrics while stopped at traffic lights, then developed the song with collaborators who added drums, backing vocals, and guitar. Tyson describes the song as playful and somewhat nonsensical, with the feeling of going as hard as possible and having fun as if it were the end of the world. He directs listeners to find him by searching Tyson Leslie on social media, YouTube, SoundCloud, Spotify, Apple Music, and other platforms before the episode ends with the song.

What if the biggest threat to your strategy isn't a competitor, a budget cut, or AI?What if it's busyness?In this Sharp Cut, Marc Binkley and Vassilis Douros tackle one of marketing and leadership's biggest comfort blankets: the belief that activity equals progress.Drawing on the work of Roger Martin, Richard Rumelt, Michael Porter, Henry Mintzberg, and decades of research in strategy, psychology, and organizational behaviour, they explore why so many companies mistake plans, initiatives, and corporate buzzwords for actual strategy.The conversation unpacks:Why strategy is fundamentally a series of choicesHow organizations become trapped in the illusion of progressWhy indecision is often the most common strategic outcomeThe hidden cost of strategic ambiguityWhat B2B buying behaviour can teach us about leadershipWhy marketing departments produce more content than ever while achieving less impactHow AI accelerates both good strategy and bad strategyThree practical actions leaders can take immediately to make better strategic decisionsThis episode is ultimately about one uncomfortable truth:Most organizations don't have a strategy problem.They have a choice problem.And until they're willing to make difficult choices, strategy remains little more than activity wearing a strategy costume.TakeawaysMost strategies presented are often just lists of initiatives.Real strategy involves making explicit choices and trade-offs.Indecision can be a strategy, but it's not an effective one.Ambiguity can be useful short-term but harmful long-term.Fluffy language often indicates a lack of real strategy.Marketing and strategy should be aligned for effectiveness.The say-do gap reflects a disconnect in organizational goals.AI can exacerbate existing strategic issues if not managed properly.Effective strategy requires clear, actionable frameworks.Leaders must be willing to make specific, falsifiable choices.Chapters00:00 - The Illusion of Strategy03:13 - Defining Real Strategy05:49 - The Challenge of Decision-Making08:49 - Indecision as a Strategy11:59 - The Role of Ambiguity in Strategy14:50 - The Cost of Fluffy Language17:48 - Marketing and Strategy Alignment21:04 - The Say-Do Gap in Organizations23:52 - The Impact of AI on Strategy27:03 - Practical Steps for Effective StrategyReferencesCappellaro, G., Compagni, A., & Vaara, E. (2021). Maintaining strategic ambiguity for protection: Struggles over opacity, equivocality, and absurdity around the Sicilian Mafia. Academy of Management Journal, 64(1), 1–37.Dixon, M., & McKenna, T. (2022). The JOLT effect: How high performers overcome customer indecision. Portfolio.Drucker, P. F. (1967). The effective executive. Harper & Row.Eisenberg, E. M. (1984). Ambiguity as strategy in organizational communication. Communication Monographs, 51(3), 227–242.Hurman, J. (2024). The case for creative effectiveness. Cannes Lions / WARC.Kantar. (2024). How optimized touchpoint planning drives brand growth. Kantar Insights.Kapero. (2024). Channels and content: The state of the marketing department. Kapero Management Consultants.Kim, W. C., & Mauborgne, R. (2005). Blue ocean strategy: How to create uncontested market space and make the competition irrelevant. Harvard Business Review Press.Lafley, A. G., & Martin, R. L. (2013). Playing to win: How strategy really works. Harvard Business Review Press.Martin, R. L. (2020, October 5). The role of management systems in strategy. Roger Martin Substack. https://rogerlmartin.substack.comMartin, R. L. (2021, April 19). It's time to accept that marketing and strategy are one discipline. Medium. https://rogermartin.medium.comMartin, R. L. (2023, January 23). Being ‘too busy' means your personal strategy sucks. Roger Martin Substack. https://rogerlmartin.substack.comMartin, R. L. (2026, March 16). Becoming an AI-augmented enterprise. Roger Martin Substack. https://rogerlmartin.substack.comMintzberg, H. (1973). The nature of managerial work. Harper & Row.Mintzberg, H. (1987). The strategy concept I: Five Ps for strategy. California Management Review, 30(1), 11–24.Morgan, A. (2024). The cost of dull. Cannes Lions / System1 Research.Porter, M. E. (1996). What is strategy? Harvard Business Review, 74(6), 61–78.PwC. (2025). 28th annual global CEO survey: Reinvention on the edge of tomorrow. PricewaterhouseCoopers.Rush. (1980). Freewill [Song]. On Permanent Waves. Anthem / Mercury Records. (Lyrics by Neil Peart.)Rumelt, R. P. (2011). Good strategy, bad strategy: The difference and why it matters. Crown Business.Strategic ambiguity systematic review (Authors, 2025). Strategic ambiguity: A systematic review, a typology and a dynamic capability view. Management Decision, 63(13), 123–xx. [Full citation TK once confirmed]Turner, M. (2024). How buyable B2B emotions unlock $19 trillion in category growth. LinkedIn / The B2B Institute.WARC. (2026). The Multiplier Playbook. WARC.Waytz, A. (2023, March-April). Beware a culture of busyness. Harvard Business Review.Wilson, T. D., Reinhard, D. A., Westgate, E. C., Gilbert, D. T., Ellerbeck, N., Hahn, C., Brown, C. L., & Shaked, A. (2014). Just think: The challenges of the disengaged mind. Science, 345(6192), 75–77.

Is Rush a legendary rock band or just a Canadian addiction? In this week's episode Mike (our resident Canadian and Rush evangelist) attempts to convert his sceptical co-host from Rush ignoramus into a genuine appreciator, if not a fully signed-up cult member. Join us as Mike takes us through the Rush story and plays some of their 'iconic' tunes. Allegedly.Send us Fan MailSupport the show

This week on Rush Rash, Chaz and Schatz welcome publisher, writer, community-builder, and lifelong Rush fan Deb Ross for a heartfelt and hilarious conversation about parenting, fandom, cultural literacy, and the power of Rush to connect generations.Deb shares the story of discovering Rush through Hold Your Fire in 1987, why “Marathon” and “Vital Signs” became life-guiding songs, and how Neil Peart's lyrics helped shape both her career and her philosophy on raising kids. The gang dives deep into her viral article “Why You Should Take Your Kids to See the Rock Band Rush — and How to Prepare,” including “Take Your Daughter to Rush Day,” pre-concert educational binders, and the surreal moment Alex Lifeson personally emailed her after seeing her TV segment.The conversation also explores Rush fandom as a global community, the emotional impact of the upcoming tour, the authenticity of Geddy, Alex, and Neil, why live music matters more than ever in the age of AI and algorithms, and how Rush fans became the very people society once underestimated.Along the way:Martin from Argentina returns to the loreChaz explains his concert parenting strategy: “If somebody falls in the parking lot, don't make eye contact”Schatz defends real live music against fake internet nonsenseDeb connects Rush fandom to sociology, parenting, and social capitalEverybody gets emotional about Madison Square Garden and the passage of timeIt's thoughtful, funny, deeply Rushian, and packed with the kind of humanity that makes this fan community unlike any other.Rush on.SCHATZ'S SCRATCH LIST - RUSH TRIBUTE BANDSScratch your itch to hear RUSH music played live by going to check out any of these great RUSH Tribute Bands - these bands are keeping the community and the music alive - the most current, curated, and rockin' list of RUSH Tribute Bands in the world! Yeah!⁠⁠⁠⁠Click here: ⁠Schatz's Scratch List⁠ ⁠⁠⁠⁠(And say it 5 times fast!)GO BONELESSCertified boneless in the state of Ohio by the Boneless Podcasting Network. Go Boneless. Boneless Makes a Better Podcast. Hosted on Acast. See acast.com/privacy for more information.

This week on Geekwire, we're covering possible Poison 2027 live plans, Mötley Crüe's American Idol appearance, and John 5 responding to backing-track rumors. We'll also discuss Geddy Lee's comments on drummers reaching out after Neil Peart's passing, Geoff Tate's unreleased autobiography, Chris Holmes ruling out W.A.S.P., and the upcoming Paul Di'Anno documentary. Plus, thoughts on new music from Anthrax and The Rolling Stones, and we remember legendary producer Jack Douglas. All that and more on this edition of Geekwire. Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Geekwire, we're covering possible Poison 2027 live plans, Mötley Crüe's American Idol appearance, and John 5 responding to backing-track rumors. We'll also discuss Geddy Lee's comments on drummers reaching out after Neil Peart's passing, Geoff Tate's unreleased autobiography, Chris Holmes ruling out W.A.S.P., and the upcoming Paul Di'Anno documentary. Plus, thoughts on new music from Anthrax and The Rolling Stones, and we remember legendary producer Jack Douglas. All that and more on this edition of Geekwire. Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

After some time away from the studio, Eric Pennington and Jeff East share personal stories that reignite their appreciation for the small and large wonders around us.Inspired by Andrew Huberman's thoughts on awe and the importance of focusing both on the minute and the vast, the hosts discuss practices that foster a deeper connection to the world.Jeff East shares the profound experience of holding his great-grandson for the first time, reflecting on the miracle of new life and the possibilities ahead. He juxtaposes this with memories of the Apollo missions and how, as a child, he gazed up at the moon knowing people stood there. These moments evoke an enduring sense of wonder that can easily be lost amid the speed and demands of modern life.The discussion delves into how our constant drive for quick answers and efficiency—exacerbated by digital culture and endless negative news—can dull our sense of awe. Eric Pennington and Jeff East challenge listeners to intentionally carve out moments for wonder, emphasizing that doing so can add richness and positivity, even amidst challenging times.Key Themes and TakeawaysThe Practice of WonderSmall to Large Perspective: Just as you might zoom in on a single leaf and then out to the entire tree, shifting your perspective can foster awe.Intentional Pausing: Carving out time to notice beauty or creativity changes your mindset and helps counter negativity in daily life.Integrating Wonder Into Routine: You don't need to give up your responsibilities; small daily moments of appreciation are enough to nourish your spirit.Breaking Through CynicismJadedness Defined: Feeling exhausted, cynical, or indifferent is often a product of overexposure or routine. The antidote is noticing and celebrating what stands out.Practice & Curiosity: Building new neural pathways for wonder requires consistency. At first, your brain may resist, but over time, finding joy and awe becomes more natural.Stories of Personal WonderNature and Creativity: Both hosts reflect on the marvels of spring, the unnoticed beauty of well-known places like Dawes Arboretum, and the creativity in music, highlighting Rush's Neil Peart as an example of seeing beyond the ordinary.Unexpected Adventure: A spontaneous trip, a quiet moment overlooking a river, or simply enjoying a quirky thrift shop—examples of how adventure and wonder are available to anyone willing to look.Navigating Life's ChallengesBeyond Control: Even in times of uncertainty or global unrest, focusing on what you can control—your awareness and appreciation—gives you agency.Time as Currency: Be mindful of how you spend your time. Even a small percentage shifted toward wonder can create meaningful change in your outlook.Practical Tips for Rekindling WonderCheck Your Attitude: Are you feeling “meh” or indifferent? Notice when this happens and gently direct attention elsewhere.Pause & Reflect: Take brief pauses to admire something beautiful, creative, or extraordinary in your immediate environment.Be Curious: Ask yourself, “What did I notice today that wasn't ‘meh'?” Even one moment counts.Persist Through Resistance: Understand that new habits take time. Your brain's initial resistance is normal.Share the Experience: Discuss moments of wonder with friends or family to reinforce positive neural pathways.Remember Your Agency: No one is too busy to notice something awe-inspiring, even in the smallest way.What sparks a sense of wonder in you?How do you intentionally integrate awe into your daily life?Have you ever brushed past something “ordinary,” only to discover it was extraordinary when you finally paid attention?In each episode, Jeff and Eric will talk about what emotional intelligence, or understanding your emotions, can do for you in your daily and work life. For more information, contact Eric or Jeff at info@spiritofeq.com or visit their website, Spirit of EQ.You can follow The Spirit of EQ Podcast on Apple Podcasts, Android, or on your favorite podcast player.New episodes are available on the 1st and 3rd Wednesdays every month!Please review our podcast Music from Uppbeathttps://uppbeat.io/t/roo-walker/deeperLicense code: PEYKDJHQNGSZXDUEhttps://creativecommons.org/licenses/by-nd/4.0/We hope you enjoy the podcast. Hopefully, you're tuning in on a regular basis. We'd love it if you would give us a great review on whatever platform you're listening to the podcast. It's so appreciative and helps us as we try to get more exposure for the work we do and the episodes that we publish. We're grateful to you as a listener. Secondly, our content is for educational purposes only. It's not intended by any stretch to diagnose or treat anything that may be occurring in your life or anyone else's life that you may be connected to through the podcast. And as always, we look forward to the next time that we're together. Take care.Spirit of EQMentioned in this episode:Thanks for listening to Spirit of EQThis podcast was created to be a tool to primarily help you to discover and grow your EQ. Science and our own lived experiences confirm that the better we are at managing our emotions, the better we're going to be at making decisions. Which leads to a better life. And that's something we all want. We're glad that you've taken the time today to listen. We hope that something you hear will lead to a breakthrough. We'd really appreciate a review on your podcast platform. Please leave some comments about what you heard today, as well as follow and subscribe to the podcast. That way, you won't miss a single episode as we continue this journey.

Why do Neil Peart's lyrics continue to resonate so deeply with listeners?In this episode highlight, Richard James joins me to discuss the emotional power behind Neil's songwriting and why Rush fans still connect so strongly to his words today.From personal reflection to universal themes about life, loss, and growth, Neil Peart wrote lyrics that spoke to people on a deeply human level. Featuring Richard James, author of Rush 1984 to 2015: Every Album, Every Song (On Track). 

Matthew and Kyle take on a welcome, but controversial, album from the Rush catalog, 2002's 'Vapor Trails', their first after drummer Neil Peart's monumental losses. Do you really want to see what we look like while we record? Check out select episodes on our YouTube, you weirdo: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCO8oo8oZkSLUqOuiiw8hD7Q⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like what you hear (and see) and want to support the podcast, you can become a Patreon supporter for as little as $1/month: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/audiojudo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can also buy some swag with our logo on it: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/audio-judo-podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ As always, let us know what you think by emailing info(at)audiojudo(dot)com. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website: https://www.audiojudo.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get in touch on social media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: https://www.facebook.com/audiojudo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: @audiojudo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: @audio_jud⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠o⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We are proud members of the Pantheon Podcast Network. If you like our show check out other music related podcasts at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pantheonpodcasts.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Matthew and Kyle take on a welcome, but controversial, album from the Rush catalog, 2002's 'Vapor Trails', their first after drummer Neil Peart's monumental losses. Do you really want to see what we look like while we record? Check out select episodes on our YouTube, you weirdo: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCO8oo8oZkSLUqOuiiw8hD7Q⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like what you hear (and see) and want to support the podcast, you can become a Patreon supporter for as little as $1/month: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/audiojudo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can also buy some swag with our logo on it: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/audio-judo-podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ As always, let us know what you think by emailing info(at)audiojudo(dot)com. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website: https://www.audiojudo.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get in touch on social media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: https://www.facebook.com/audiojudo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: @audiojudo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: @audio_jud⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠o⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We are proud members of the Pantheon Podcast Network. If you like our show check out other music related podcasts at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pantheonpodcasts.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

For our 250th episode, we're stepping into the Limelight to revisit Rush! In Ep. 121, we discovered how 2112 earned the trio creative control with their sci-fi rock opera gamble... Now we're back to learn about Moving Pictures, the band's most commercially successful album and home to enduring hits like Tom Sawyer and YYZ! The band aims to strike the perfect balance between unique identity and mass appeal. With the addition of more synth undertones and a shift in Neil Peart's lyricism, Moving Pictures was able to punch up and future-proof their ever-changing style, and sunset their lengthy prog epics with The Camera Eye. How will this record move US? Can it live up to its counterpart episode (pun intended)?James & Connor revel in the unexpected Year Of Redemption for Geddy and Alex in the form of their 50-Something reunion tour. We walk through the eras since our last episode and trace their evolution, and talk about why this might be a more Connor-friendly pick. The Mixtaper is back on a Witch Hunt, with dastardly (and suspicious) facts about youth crime, rusty coconuts, and frozen follies. Are biographies and past knowledge enough to save James from defeat? Connor learns about the triple pun on the album cover, we learn limited Morse Code, and we definitely don't repeat any jokes in this major milestone episode!What do you consider to be Rush's magnum opus? What's our signature work? Do you agree that everybody needs to deviate from the norm? Do you get your hockey arenas mixed up? (Me too.) Let us know in the comments and on socials! We'll be back with a surprise recommendation next week. Follow for more! Keep Spinning at www.SpinItPod.com!Thanks for listening!0:00 Intro0:27 Last Time: 21124:25 About Rush12:10 About Moving Pictures24:11 The 50-Something Tour26:13 Awards & Accolades26:55 Fact Or Spin29:03 They Are Officers34:25 Geddy Lee Is A Rusty Coconut39:41 Neil Peart Went Back To School42:47 Alex Lifeson Made A Chilly Mistake47:32 Album Art50:30 Tom Sawyer54:45 Red Barchetta57:30 YYZ1:00:21 Limelight1:03:48 The Camera Eye1:07:20 Witch Hunt1:11:12 Vital Signs1:13:00 Final Spin Hosted on Acast. See acast.com/privacy for more information.

Step inside five decades of rock history with lighting legend Howard Ungerleider, the man who’s been designing and directing Rush’s light shows since 1974. Hear how a $75-a-week mailroom gig at American Talent International — where he pulled off a rogue booking of Fleetwood Mac before he was even an agent — turned into a lifetime behind the console. Get the story of Howard landing in Toronto to babysit “a club band called Rush,” sleeping on the floor at the manager’s house with a St. Bernard, freezing his hand to a car door at -40 in Cochrane, Ontario, and later jamming with Neil Peart at his house to Genesis and Supertramp records. Howard also talks designing Roll The Bones (the one Rush tour he couldn’t operate), embedding at See Factor to build custom gear nobody else could get, and how Blue Öyster Cult first put him in front of a laser: the same craft he now brings to Foo Fighters, Tool, and Janet Jackson. Then the conversation turns to the upcoming Rush Fifty Something tour — a four-piece now with Anika Nilles on drums and Loren Gold on keys, freeing Geddy to focus on bass and vocals. Learn why Howard still “plays” the lighting console live with two boards and thousands of touch cues, how robotic spots are quietly changing the craft, and why he and Phish’s Chris Kuroda will be swapping rigs at Madison Square Garden. You’ll also hear the Paul McCartney moment in the Taylor Hawkins tribute dressing room that may have sparked the whole tour, and why Howard insists this is a rejuvenation, a celebration, and proof that no matter the rig, the room, or the era, you’ve gotta ALWAYS BE PERFORMING. Because it’s what we do. Press play and enjoy, folks. 00:00:00 Gig Gab 530 – Monday, April 20th, 2026 April 20th: Pizza Delivery Driver Appreciation Day Guest co-host: Howard Ungerleider 00:02:18 Walked into a NYC office to get a recording contract for his band “You need to learn about this industry before you come knocking on people's doors.” Introduced him to Action Talent (which became American Talent International) 00:06:21 For $75/week delivering coffee and working in the mailroom After a year and a half he got booted from Monmouth University, then became the ATI gopher 00:08:17 Hey, do you want Fleetwood Mac to play here? 00:11:44 Booking agent 00:13:17 Can you fill in for a week as Blue Oyster Cult's tour 00:14:51 Howard and Rush were surprised to have Howard working there “I need ten grand” – “no, you can sleep on the floor instead” 00:18:11 Howard had to show Geddy that New York pizza was better than Toronto pizza 00:19:01 Howard learns about Canadian cold Howard's driving, Geddy's riding shotgun, Neil's reading, Alex is smoking a joint 00:20:42 Geddy says, “get out and take a breath of fresh air” 00:22:05 John Rutsey had opted out of touring, Howard moves to Toronto while they're auditioning drummers “Eventually Neil [Peart] walked in…and that was it.” 00:23:32 Howard and Neil used to jam at Neil's house Genesis and Supertramp 00:24:19 Road life's not so bad 200 gigs a year on the road 00:26:09 Rush took a break, Howard did Queensryche and Tesla Howard designed Roll The Bones, but it's the only tour he couldn't operate 00:27:51 Howard tour-managed and lighting designed and operated every tour up through Presto, after which he dropped tour-managing 00:28:41 Dave realizes he met Howard on the Presto tour 00:31:43 Don't put up with crap 00:32:03 Howard's been doing Rush's lights since 1974 00:33:05 Moving from clubs and theaters to arenas Howard embedded himself into See Factor, the lighting company. Lots of custom gear 00:34:54 SPONSOR: Warby Parker – Right now, buy one prescription pair and get 20% off any additional prescription pairs at https://WarbyParker.com/GIGGAB 00:36:40 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit https://Claude.ai/giggab 00:38:10 Howard first saw lasers with Blue Oyster Cult Dr. David Infante, Blue Oyster Cult's laser operator Howard's lasers on on the road with Foo Fighters, Tool, Janet Jackson and more 00:40:37 RUSH Fifty Something Something completely different than Howard has ever done Other dimensions 00:42:04 Mixing the Juno awards Howard says Neil would approve of Anika. 00:44:51 Hey Howard, surprise! RUSH is going to tour again 00:47:03 Howard did lights for RUSH at Taylor Hawkins tribute 00:48:46 Howard prefers mixing live He “plays” the lighting console live Remote spot locations 00:52:07 RUSH Fifty Something… it's band of FOUR. Geddy is happy… playing less keyboards, more bass and vocal focus 00:54:42 Howard: “I create lighting choreography” This tour is (currently) 2.5 hours (things can change, folks!) “I try to enhance the show with lighting that can trigger your emotions. I approach it as an audience member.” Loren Gold's harmonies sound great 00:58:28 Phish and Rush alternating at Madison Square Garden Chris Kuroda also mixes lights live 01:00:45 Howard's going to 85 dates We're here to create positivity, have a good time…and Neil Peart is smiling down 01:05:25 Brian Worthen on FOH 01:08:30 Gig Gab 530 Outtro Follow Howard Ungerleider Facebook Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post 50 Years of Rush: Howard Ungerleider on Lighting the Lighted Stage – Gig Gab 530 appeared first on Gig Gab.

Grace Under Pressure…Under a Microscope. This week, Chaz and Schatz throw the format out the window like a busted cassette deck and go full album-mode on Grace Under Pressure—but not just any version. Oh no. We're diving headfirst into the 2026 Super Deluxe Edition featuring the long-awaited Terry Brown mix…and folks, things get spicy.Schatz rolls in looking like he lost a fight with a pollen storm, but don't worry—our clinicians have prescribed a heavy dose of sonic therapy. Instead of spinning the wheel, the boys go track-by-track comparing the original mix vs. the remaster vs. Terry Brown's fresh take… and let's just say: one of these things is not like the others.From the opening blast of “Distant Early Warning” to the brooding thunder of “Between the Wheels,” Chaz and Schatz hear things they've NEVER heard before—buried guitars, resurrected drums, and (yikes!) effin keyboards that finally step out of the fog too. Is this the mix that finally gives Neil Peart his full chest-thumping glory back? Did Geddy Lee's keys get unfairly accused all these years? And did Alex Lifeson just sneak back into the spotlight like a six-string ninja?Also discussed:Why the original mix now sounds like “AM radio Rush Lite”The great ‘80s production arms race (looking at you, Yes and Genesis)Electronic drums vs. acoustic punch (and where things got… weird)Whether Terry Brown just gave this album its “balls back” (their words, not ours… okay, also ours)By the end, one thing is clear: this isn't just a remix—it's a revelation.Bottom line: If you thought you knew Grace Under Pressure, think again.Play along at home: Queue up your versions and A/B this beast with us… just be prepared to question everything you thought you heard before!SCHATZ'S SCRATCH LIST - RUSH TRIBUTE BANDSScratch your itch to hear RUSH music played live by going to check out any of these great RUSH Tribute Bands - these bands are keeping the community and the music alive - the most current, curated, and rockin' list of RUSH Tribute Bands in the world! Yeah!⁠⁠⁠⁠Click here: ⁠Schatz's Scratch List⁠ ⁠⁠⁠⁠(And say it 5 times fast!)GO BONELESSCertified boneless in the state of Ohio by the Boneless Podcasting Network. Go Boneless. Boneless Makes a Better Podcast. Hosted on Acast. See acast.com/privacy for more information.

At The NAMM Show 2026, Drum Workshop turned its booth into a walk-through of what a modern drum company looks like when craft, heritage, and engineering share the same floor. Scott Donnell, Director of Brand Management at Drum Workshop, Inc., guided us through a lineup that spans the DW Custom Shop, the revived Slingerland Radio King line, Latin Percussion, Pacific Drums and Percussion, and the brand's new DW Manufacturing series. The DW Custom Shop stand is a visible argument for customization as a sonic decision, not just a cosmetic one. Chrome, gold, satin chrome, and black hardware. Polyester sprays, three durable lacquers, exotic plies, and ply wraps. When a drummer specifies wood species, ply count, and grain orientation, they are designing the drum's voice from the inside out. The Slingerland revival gets the faithful-reproduction treatment. Radio King studio kits on display are solid, steam-bent maple shells with the original three-point throw-off and stick saver hoops, built in California. Scott Donnell speaks about the line the way a curator talks about a restoration: get the details right, honor what drummers remember, and let the sound do the rest. Donnell frames DW's innovation as a stack of deliberate decisions rather than a single breakthrough. DW stamps a note into each shell through a process called timbre matching, which ensures the kit is manufactured as a family. Pair that with grain orientation technology, True Pitch tuning, and resonance-focused tom mounting systems, and drummers never end up with an orphan drum in their kit. Marking the tenth anniversary of True Cast, the new DW Manufacturing four by 14 piccolo features a five millimeter sand-cast shell, cast bronze hoops, and fully machined brass and bronze hardware. Only one hundred are being made globally, each arriving in an Anvil flight case. A recent DW video features Dave Elitch and Abe Laboriel Jr. playing the drum with Paul McCartney. The conversation closes on a Red Hot Chili Peppers tour kit gifted to the DW museum by Chad Smith, which will join Neil Peart's and Terry Bozzio's tour kits on display while DW builds Chad new Sonic flight drums for the band's next tour. Pacific Drums and Percussion, LP's top-tuning congas, Tony Escapa's signature hand percussion series, and DWE round out the booth. Drum Workshop is not hiding how the drums get made. Take the tour, take the pictures, watch the videos, and the innovation speaks for itself. This is a Brand Spotlight. A Brand Spotlight is a ~15 minute conversation designed to explore the guest, their company, and what makes their approach unique. Learn more: https://www.studioc60.com/creation#spotlight GUEST Scott Donnell, Director of Brand Management, Drum Workshop, Inc. (DW Drums) LinkedIn: https://www.linkedin.com/in/scott-donnell-2964a129/ RESOURCES DW Drums: https://www.dwdrums.com Pacific Drums and Percussion: https://www.pacificdrums.com DW Music Foundation: https://www.dwmf.org The NAMM Show: https://www.namm.org Are you interested in telling your story? ▶︎ Full Length Brand Story: https://www.studioc60.com/content-creation#full ▶︎ Brand Spotlight Story: https://www.studioc60.com/content-creation#spotlight ▶︎ Brand Highlight Story: https://www.studioc60.com/content-creation#highlight KEYWORDS Scott Donnell, Drum Workshop, DW Drums, Sean Martin, brand story, brand marketing, marketing podcast, brand spotlight, NAMM Show 2026, NAMM 2026, Slingerland, Radio King, Latin Percussion, LP, Pacific Drums and Percussion, PDP, DW Manufacturing, True Cast, custom drums, drum innovation, timbre matching, grain orientation, Chad Smith, Red Hot Chili Peppers, Josh Freese, Tony Escapa, Abe Laboriel Jr, Dave Elitch Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

By early 1976, things were looking bleak for Rush. Despite their relentless touring schedule and 3 albums - Rush, Fly By Night, Caress of Steel - the record company wasn't happy. The band called the Caress of Steel Tour the Down The Tubes Tour as their crowds got smaller and their record didn't sell. Mercury records wanted radio friendly hits or something more like the Zeppelin-y first record or they would drop the band. Instead of changing their sound and bowing to the powers that be, they decided to do their own thing. That thing was a full side of an album with 7 distinct parts of a suite called 2112. Instead of sappy love songs, they created a planet that had come under the rule of The Solar Federation whose priests rule thanks to a supercomputer that has all the answers and has taken away individuality and creativity. It doesn't sound like a chart topper does it? However, the hard rock, prog rock and AOR fanbase absolutely loved it, eventually sending it to triple platinum. From the epic Overture and fan favorite The Temples of Syrinx to the coda Grand Finale, the boys take you on a tale of the individual vs. the system (borrowed from Ayn Rand). Alex Lifeson's guitar work shows why he's so beloved and why fans in the 80s wondered what happened to him? Neil Peart's drumming is extraordinary but so are his lyrics which create a world through intelligence, faith and forthrightness. But that's not the whole album. A Passage to Bangkok talks about all the places you can visit to score some good pot. The Twilight Zone is an ode to their favorite sci-fi show while Something for Nothing teaches that you can't wait around for someone to give you a break - you have to make your own. Alex and Geddy Lee each take a stab at writing the music and lyrics on their own on Lessons and Tears, respectively, but the real magic comes when all 3 meld their own powers into something that is much greater than the sum of the parts. It's the album that not only put Rush on the map but saved their careers and set them up for success for decades. Yes - we will be checking them out this summer and we will be talking about it - watch this space for updates!! Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit our sponsor ⁠⁠RareVinyl.com⁠⁠ and use code UGLY to save 10% off one ENTIRE ORDER! ⁠⁠bit.ly/UAWILRocks⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

By early 1976, things were looking bleak for Rush. Despite their relentless touring schedule and 3 albums - Rush, Fly By Night, Caress of Steel - the record company wasn't happy. The band called the Caress of Steel Tour the Down The Tubes Tour as their crowds got smaller and their record didn't sell. Mercury records wanted radio friendly hits or something more like the Zeppelin-y first record or they would drop the band. Instead of changing their sound and bowing to the powers that be, they decided to do their own thing. That thing was a full side of an album with 7 distinct parts of a suite called 2112. Instead of sappy love songs, they created a planet that had come under the rule of The Solar Federation whose priests rule thanks to a supercomputer that has all the answers and has taken away individuality and creativity. It doesn't sound like a chart topper does it? However, the hard rock, prog rock and AOR fanbase absolutely loved it, eventually sending it to triple platinum. From the epic Overture and fan favorite The Temples of Syrinx to the coda Grand Finale, the boys take you on a tale of the individual vs. the system (borrowed from Ayn Rand). Alex Lifeson's guitar work shows why he's so beloved and why fans in the 80s wondered what happened to him? Neil Peart's drumming is extraordinary but so are his lyrics which create a world through intelligence, faith and forthrightness. But that's not the whole album. A Passage to Bangkok talks about all the places you can visit to score some good pot. The Twilight Zone is an ode to their favorite sci-fi show while Something for Nothing teaches that you can't wait around for someone to give you a break - you have to make your own. Alex and Geddy Lee each take a stab at writing the music and lyrics on their own on Lessons and Tears, respectively, but the real magic comes when all 3 meld their own powers into something that is much greater than the sum of the parts. It's the album that not only put Rush on the map but saved their careers and set them up for success for decades. Yes - we will be checking them out this summer and we will be talking about it - watch this space for updates!! Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit our sponsor ⁠RareVinyl.com⁠ and use code UGLY to save 10% off one ENTIRE ORDER! ⁠bit.ly/UAWILRocks⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Here's the interview we were talking about this morning that Roger did backstage at Nassau Coliseum

As SABIAN's Director of Artist & Public Relations, Chris Stankee leads the charge in shaping and nurturing the company's artist program on a worldwide scale. His responsibilities span from talent recruitment to artist development and support, all while playing a pivotal role in product development and elevating SABIAN's presence across social media platforms. In this episode, Chris talks about:     The Sabian Podcast     Chris' formative years from Berklee to life on tour     Interning at Yamaha     Events that lead to his work at Sabian     The unique steps to creating cymbals     Understanding trends in sounds and making it attainable     Working with artists that are hands-on in the R&D department     The stick/cymbal relationship     Sabian lore     Memories of Neil Peart ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage

Im März 1976 setzt die kanadische Progressive-Rock-Band Rush alles auf eine Karte. Ihr viertes Studioalbum "2112" entsteht unter existentiellem Druck und wird zum Wendepunkt ihrer Geschichte. "2112" war die aller letzte Chance für Rush. Ihre beiden vorherigen Alben Caress Of Steel und Fly By Night blieben hinter den Erwartungen zurück und brachten die Band in finanzielle Schwierigkeiten, auch weil ihre komplexen Progressive-Rock-Songs kaum im Radio gespielt wurden. Eigentlich wollte ihr Label Mercury Records sie schon fallen lassen. Rush-Manager Ray Daniels schaffte es aber zum Glück, das Label mit einer kleinen Notlüge von einem weiteren Versuch zu überzeugen. Daniels schwärmte von den Ideen für "2112" , obwohl er die Musik noch gar nicht gehört hatte. Bei "2112" vertrauten Rush ganz auf ihre Intuition und kreative Freiheit und verweigerten sich bewusst den Vorgaben ihres Labels. Dieser letzte Alles-oder-nichts-Versuch ging auf und wurde zum Beweis dafür, wie weit man kommt, wenn man dem eigenen Bauchgefühl folgt. Die A-Seite des Albums erzählt eine epische Science-Fiction-Geschichte über den Widerstand des Einzelnen gegen ein übermächtiges Kollektiv. Dieses Thema passt perfekt zur Bandgeschichte, denn auch Geddy Lee, Alex Lifeson und Neil Peart galten als drei Individualisten, die erst zusammen eine einzigartige Einheit bildeten und sich bewusst gegen die kommerziellen Vorgaben der Plattenindustrie stellten. Vertont wurde die Geschichte in Form der siebenteiligen Suite "2112". Sie entwirft eine totalitäre Zukunft, in der ein Kollektiv aus Priestern und riesigen Computern die Macht übernommen hat. Als der namenlose Held der Geschichte eine Gitarre entdeckt, stellt er sich mit Musik, Kreativität und Individualität gegen das System. Der Konflikt gipfelt schließlich in einem epischen Finale – im Stück "Grand Final". Meilensteine-Redakteur Stephan Fahrig sieht in "2112" den Grundstein für den typischen Rush-Sound. Das Progressive-Rock-Album vereint viele ihrer Markenzeichen, von schnellen Taktwechseln über klar zugeordnete musikalische Motive bis zu komplexen, präzisen gespielten Arrangements. Gitarrist Alex Lifeson liefert die rhythmischen Elemente des Heldenmotivs, während die Priester durch markante Tom-Rolls im Schlagzeug gekennzeichnet sind. Gekrönt wird das Ganze vom unverwechselbaren und treffsicheren Gesang von Geddy Lee. __________ Über diese Songs vom Album "2112" sprechen wir im Podcast (12:30) – "Overture"(15:13) – "The Temples of Syrinx"(17:19) – "Discovery"(18:35) – "Presentation"(20:10) – "Oracle: The Dream"(21:25) – "Soliloquy"(22:00) – "Grand Final"(46:27) – "Something for Nothing(48:08) – "A Passage to Bangkok" __________ Alle Shownotes und weiterführenden Links zur Folge "2112" findet ihr hier: https://1.ard.de/rush2112 __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Episode 181 - -Brandon Toews Brandon is a professional drummer, author, and educator best known as the Content Director and on-camera host for Drumeo, the world's leading online drum education platform. Drumeo Host & Producer: Since 2014, he has produced and hosted popular series like "Hears For The First Time" and "Genius Of," where he analyzes the styles of legendary drummers. Author: He is the author of The Drummer's Toolbox and co-author of The Best Beginner Drum Book. Educator: Beyond digital content, he is a seasoned educator who has taught thousands of students through Drumeo and private lessons. Performer: He performs internationally, including a 2025 appearance at the UK Drum Show. Education: He holds a Bachelor of Music in Jazz and Contemporary Popular Music from MacEwan University. Influences: His playing style is influenced by a diverse range of drummers, from classic rock legends like Neil Peart to modern técnicos like Matt Garstka and Larnell Lewis. Gear Endorsements: He is an official artist for Gretsch Drums, Istanbul Cymbals, Vater Percussion, and Evans Drumheads. Huge thanks to Brandon for giving up his lunch hour at Drumeo to chat to me! much appreciated. www.drumeo.com

It was a pleasure to speak with Rod for the first time in my career. He celebrated his 50th year as a professional drummer this past September. We discuss that and his latest project, Voices of Extreme. Before we got to those topics, Rod shared some great stories of touring with Rush and the legendary Neil Peart. He spoke about what an average day was like on that tour, his personality, and more. I also gave Rod a chance to plug his Wing Thing drum tool. From what I've heard, many touring drummers and drum techs use this tool. Was Winger underrated as far as their musicianship? He answers that question, as well as a little behind-the-scenes into the making of their hit, Seventeen. IMO, their record PULL was their best record. Unfortunately, a thing called grunge hit, and that album never got its due. It was a pleasure to speak with Rod....I hope you enjoy this. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This edition of the DBG Times covers a wide range of rock and metal history, along with notable Rockstar Deathdays honoring Phil Lynott, Neil Peart, Steve Clark, Eddie Clarke, Sylvain Sylvain, and John Sykes. Looking back 10 years to 2016, the show revisits releases from Black Sabbath and Megadeth, including Sabbath's final studio-era material and Megadeth's well-received return to a heavier, more classic sound. From 2001, we highlight Turn 21 by The Donnas, an album that helped solidify their identity and garner more recognition. Going back 30 years to 1996, the discussion includes albums from Accept and Mr. Big, reflecting a challenging era as traditional hard rock and metal faced shifting trends. At 35 years (1991), we touch on notable releases by David Lee Roth, Drivin' N Cryin', and Motörhead, showcasing the variety of sounds coming out of the early '90s. Looking at 1986, we revisit Seventh Star by Black Sabbath and the long-delayed debut of White Lion, two releases with very different paths and outcomes. From 1981, the episode covers peak-era albums by 38 Special, April Wine, and Styx, all enjoying major commercial success during this period. Jumping back 50 years to 1976, we discuss releases from Bad Company and Grand Funk Railroad, each facing internal and external challenges at different points in their careers. Wrapping up the historical portion at 55 years (1971), we explore early albums from ZZ Top, Mountain, Lucifer's Friend, and Dust, capturing the formative years of heavy rock and metal. The episode also includes a rundown of new rock and metal releases, featuring recent albums from Alter Bridge, Bullet, Kreator, Gluecifer, Helix, and a final studio release tied to the farewell era of Megadeth. We hope you enjoy our look back through the month of January in this edition of the DBG Times and SHARE with a friend. Decibel Geek is a proud member of the Pantheon Podcast family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

This edition of the DBG Times covers a wide range of rock and metal history, along with notable Rockstar Deathdays honoring Phil Lynott, Neil Peart, Steve Clark, Eddie Clarke, Sylvain Sylvain, and John Sykes. Looking back 10 years to 2016, the show revisits releases from Black Sabbath and Megadeth, including Sabbath's final studio-era material and Megadeth's well-received return to a heavier, more classic sound. From 2001, we highlight Turn 21 by The Donnas, an album that helped solidify their identity and garner more recognition. Going back 30 years to 1996, the discussion includes albums from Accept and Mr. Big, reflecting a challenging era as traditional hard rock and metal faced shifting trends. At 35 years (1991), we touch on notable releases by David Lee Roth, Drivin' N Cryin', and Motörhead, showcasing the variety of sounds coming out of the early '90s. Looking at 1986, we revisit Seventh Star by Black Sabbath and the long-delayed debut of White Lion, two releases with very different paths and outcomes. From 1981, the episode covers peak-era albums by 38 Special, April Wine, and Styx, all enjoying major commercial success during this period. Jumping back 50 years to 1976, we discuss releases from Bad Company and Grand Funk Railroad, each facing internal and external challenges at different points in their careers. Wrapping up the historical portion at 55 years (1971), we explore early albums from ZZ Top, Mountain, Lucifer's Friend, and Dust, capturing the formative years of heavy rock and metal. The episode also includes a rundown of new rock and metal releases, featuring recent albums from Alter Bridge, Bullet, Kreator, Gluecifer, Helix, and a final studio release tied to the farewell era of Megadeth. We hope you enjoy our look back through the month of January in this edition of the DBG Times and SHARE with a friend. Decibel Geek is a proud member of the Pantheon Podcast family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

This edition of the DBG Times covers a wide range of rock and metal history, along with notable Rockstar Deathdays honoring Phil Lynott, Neil Peart, Steve Clark, Eddie Clarke, Sylvain Sylvain, and John Sykes. Looking back 10 years to 2016, the show revisits releases from Black Sabbath and Megadeth, including Sabbath's final studio-era material and Megadeth's well-received return to a heavier, more classic sound. From 2001, we highlight Turn 21 by The Donnas, an album that helped solidify their identity and garner more recognition. Going back 30 years to 1996, the discussion includes albums from Accept and Mr. Big, reflecting a challenging era as traditional hard rock and metal faced shifting trends. At 35 years (1991), we touch on notable releases by David Lee Roth, Drivin' N Cryin', and Motörhead, showcasing the variety of sounds coming out of the early '90s. Looking at 1986, we revisit Seventh Star by Black Sabbath and the long-delayed debut of White Lion, two releases with very different paths and outcomes. From 1981, the episode covers peak-era albums by 38 Special, April Wine, and Styx, all enjoying major commercial success during this period. Jumping back 50 years to 1976, we discuss releases from Bad Company and Grand Funk Railroad, each facing internal and external challenges at different points in their careers. Wrapping up the historical portion at 55 years (1971), we explore early albums from ZZ Top, Mountain, Lucifer's Friend, and Dust, capturing the formative years of heavy rock and metal. The episode also includes a rundown of new rock and metal releases, featuring recent albums from Alter Bridge, Bullet, Kreator, Gluecifer, Helix, and a final studio release tied to the farewell era of Megadeth. We hope you enjoy our look back through the month of January in this edition of the DBG Times and SHARE with a friend. Decibel Geek is a proud member of the Pantheon Podcast family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

Part two of our Bubba Bash 2026 recap drops us right back into the thick of it, with exclusive backstage access courtesy of Rush Rash correspondent Jillian Maryonovich of RushCon while Chaz and Schatz were… let's say administratively indisposed.This episode is anchored by deeply personal, moving conversations with John Wesley (Vertical Horizon, Porcupine Tree) and Ed Toth (The Doobie Brothers), as both musicians reflect on the profound impact Neil Peart had on their lives — not just as a drummer, lyricist, or philosopher, but as a friend, mentor, and fellow traveler.John Wesley shares unforgettable stories of riding with Bubba, earning his trust on winding roads, and the bond forged through music, motorcycles, family, and long conversations about life. His memories — from celebrating Neil's birthday to living by the mantra WWBD (What Would Bubba Do) — are heartfelt, raw, and deeply human.Ed Toth traces his Rush origin story back to seventh grade, discovering Moving Pictures, receiving a handwritten postcard from Neil, and carrying those words with him for decades. His reflections capture what Rush means to generations of fans and musicians alike — a band that transcends music and becomes part of who you are. And a surprise interloper in the form of Jonny Dinklage, who diverts attention and steals the show along with it!and we wrap it up with reflections from Tim Starace of YYNOT, one of the organizers, on how it all began, what it all means, and where it goes from here.There are laughs, tears, unfiltered honesty, and a shared understanding that Rush isn't just a band — it's a compass. From backstage tears to life-altering moments, this episode is a powerful reminder of Neil Peart's enduring legacy and the way his spirit continues to ride alongside us.So grab a Macallan, find a comfortable chair, and settle in — this is Rush Rush at its most personal, most emotional, and most essential. No effin kiddin'. DONATE - GET SOME STICKS IN THE GAME Please join the cause by donating directly to Cedars-Sinai in memory of Neil: support.cedars-sinai.edu/fundraiser/5043373SCHATZ'S SCRATCH LIST - RUSH TRIBUTE BANDSScratch your itch to hear RUSH music played live by going to check out any of these great RUSH Tribute Bands - these bands are keeping the community and the music alive - the most current, curated, and rockin' list of RUSH Tribute Bands in the world! Yeah!⁠⁠⁠⁠Click here: ⁠Schatz's Scratch List⁠ ⁠⁠⁠⁠(And say it 5 times fast!)GO BONELESSCertified boneless in the state of Ohio by the Boneless Podcasting Network. Go Boneless. Boneless Makes a Better Podcast. Hosted on Acast. See acast.com/privacy for more information.

The episode's highlight is a full listen and discussion of "Runaway Train" from Geddy Lee's 2000 solo album, "My Favorite Headache." Chaz and Schatz react in real time, dissecting the song's dense lyrics, musical structure, and its unmistakable Rush DNA. They debate whether the track could have been a hidden Rush cut, praise its "Peartian" lyricism, and compare its style to both classic Rush and contemporary influences. The hosts also reflect on the challenges of solo projects, the evolution of Rush's sound, and the enduring impact of Neil Peart's writing.As always, listeners can expect candid commentary, inside jokes, and thoughtful analysis as Chaz and Schatz celebrate Geddy's artistry and muse on the future of Rush-related music.SCHATZ'S SCRATCH LIST - RUSH TRIBUTE BANDSScratch your itch to hear RUSH music played live by going to check out any of these great RUSH Tribute Bands - these bands are keeping the community and the music alive - the most current, curated, and rockin' list of RUSH Tribute Bands in the world! Yeah!⁠⁠⁠⁠Click here: ⁠Schatz's Scratch List⁠ ⁠⁠⁠⁠(And say it 5 times fast!)GO BONELESSCertified boneless in the state of Ohio by the Boneless Podcasting Network. Go Boneless. Boneless Makes a Better Podcast. Hosted on Acast. See acast.com/privacy for more information.

On this very special part one of a Rush Rash episode, we welcome Jillian from RushCon, officially crowned the show's Field Correspondent, reporting live(ish) from the 2026 Bubba Bash. Jillian delivers the goods: interviews, live recordings, backstage audio, after-party vibes, and the kind of behind-the-scenes reality you only get when musicians are running on fumes and love for the music.The conversation digs into what these events really take — minimal rehearsal, high pressure, maximum respect for the Rush catalog — including Jillian's chat with Tyler Warren about the weight of playing this music live. Chaz also reconnects with Greg Russell, swapping stories and reflecting on how these fan-driven events keep evolving year after year.And then there's that moment — Jillian meeting Neil Peart's daughter, a powerful reminder of why these gatherings hit so hard for the Rush community. (Also confirmed: yes, she's very tall.)We go live with recordings of Driven, Natural Science and Working Man straight from the floor of the show. It's an episode full of travel chaos, Rush family vibes, exhausted joy, and the kind of stories that only happen when fans come together for the music that changed their lives.No matter where they are in the world, Chaz and Schatz keep scratching the itch. Now, let's got to the Keswick Theater in Glenside Pensylvania for the start of our 2026 coverage of Bubba Bash! SCHATZ'S SCRATCH LIST - RUSH TRIBUTE BANDSScratch your itch to hear RUSH music played live by going to check out any of these great RUSH Tribute Bands - these bands are keeping the community and the music alive - the most current, curated, and rockin' list of RUSH Tribute Bands in the world! Yeah!⁠⁠⁠⁠Click here: ⁠Schatz's Scratch List⁠ ⁠⁠⁠⁠(And say it 5 times fast!)GO BONELESSCertified boneless in the state of Ohio by the Boneless Podcasting Network. Go Boneless. Boneless Makes a Better Podcast. Hosted on Acast. See acast.com/privacy for more information.

Send me a text and please visit www.livefrommydrumroom.com It's my first show of 2026 and my guest is John Aldridge, the world's foremost drum engraver and drum scratcher to the stars! John is also a vintage drum historian, the founder of Not So Modern Drummer Magazine, drum tech for Bryan Hitt of REO Speedwagon, and a drummer himself. John takes on a tour of some of his most iconic engraving work, and the stories that go with them! So come along for the ride and please subscribe! Watch it on YouTube! https://www.youtube.com/@livefrommydrumroomCheck out John's work on his Facebook and Instagram pages. Facebook: https://www.facebook.com/nsmdjohnIG: @drumscratcher Contact John at: nsmdjohn@aol.com for engraving and/or Drum Tech work. Live From My Drum Room T-shirts and Hoodies are now available! 100% of the proceeds go toward my PAS scholarship. Visit https://livefrommydrumroom.com for details!  Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://livefrommydrumroom.comwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Have you ever wondered how pivotal moments in music history have shaped our culture? Join Buzz Knight and music maestro Harry Jacobs on this week’s episode of takin' a walk, as they embark on a fascinating journey through significant events in music history from January 5th to January 11th. This episode is a treasure trove of music historyinsights, exploring everything from Prince's electrifying first public performance in 1979 to Bruce Springsteen’s iconic debut album, 'Greetings from Asbury Park'. As the duo reminisces about the tragic skiing accident that took the life of Sonny Bono in 1998, they also delve into the impacts of legendary musicians like Donald Fagan and the profound loss felt with Neil Peart's passing. With a knack for storytelling, Buzz Knight and Harry Jacobs share personal anecdotes and reflections, creating a rich tapestry of classic rock history that resonates with both casual listeners and die-hard fans alike. Through their engaging conversations, they highlight the legacy of Eric Clapton's unforgettable performances at the Royal Albert Hall and the timeless relevance of classic songs such as 'Heartbreak Hotel' and 'Another Brick in the Wall'. This episode of takin' a walk-music history on foot is not just about the music; it’s about the stories behind the songs and the emotional journeys of the artists who created them. Buzz Knight’s passion for music history shines through as he navigates through the music journey of each artist, bringing to light the creative journeys that have shaped American music. Whether you're a fan of jazz, country, or rock music, this episode offers a little something for everyone. You’ll hear about the cultural impact of music and how these legendary songwriters and musicians have influenced generations. So lace up your walking shoes and get ready to explore the depths of music history with us! Tune in to takin' a walk and discover the stories that have made waves in the music world, from indie music journeys to the heart of Boston music history. This is more than just a podcast; it’s a celebration of the songs that have shaped our lives and the artists who have inspired us all. Don’t miss out on this enriching experience filled with laughter, nostalgia, and the profound connection between music and life! Part of The IHeart Podcast NetworkSupport the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

We return, once again, to the world of Rush and their first album with "new" drummer, Neil Peart. We take a nice, long look at their 1975 album, 'Fly By Night'. Do you really want to see what we look like while we record? Check out select episodes on our YouTube, you weirdo: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCO8oo8oZkSLUqOuiiw8hD7Q⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like what you hear (and see) and want to support the podcast, you can become a Patreon supporter for as little as $1/month: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/audiojudo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can also buy some swag with our logo on it: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/audio-judo-podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ As always, let us know what you think by emailing info(at)audiojudo(dot)com. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website: https://www.audiojudo.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get in touch on social media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: https://www.facebook.com/audiojudo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: @audiojudo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: @audio_jud⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠o⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We are proud members of the Pantheon Podcast Network. If you like our show check out other music related podcasts at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pantheonpodcasts.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

We return, once again, to the world of Rush and their first album with "new" drummer, Neil Peart. We take a nice, long look at their 1975 album, 'Fly By Night'. Do you really want to see what we look like while we record? Check out select episodes on our YouTube, you weirdo: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCO8oo8oZkSLUqOuiiw8hD7Q⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like what you hear (and see) and want to support the podcast, you can become a Patreon supporter for as little as $1/month: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/audiojudo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can also buy some swag with our logo on it: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/audio-judo-podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ As always, let us know what you think by emailing info(at)audiojudo(dot)com. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website: https://www.audiojudo.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get in touch on social media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: https://www.facebook.com/audiojudo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: @audiojudo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: @audio_jud⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠o⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We are proud members of the Pantheon Podcast Network. If you like our show check out other music related podcasts at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pantheonpodcasts.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

How can you be more relaxed about your writing process? What are some specific ways to take the pressure off your art and help you enjoy the creative journey? With Joanna Penn and Mark Leslie Lefebvre. In the intro, Spotify 2025 audiobook trends; Audible + BookTok; NonFiction Authors Guide to SubStack; OpenAI and Disney agreement on Sora; India AI licensing; Business for Authors January webinars; Mark and Jo over the years Mark Leslie LeFebvre is the author of horror and paranormal fiction, as well as nonfiction books for authors. He's also an editor, professional speaker, and the Director of Business Development at Draft2Digital. Joanna Penn writes non-fiction for authors and is an award-winning, New York Times and USA Today bestselling author of thrillers, dark fantasy, and memoir as J.F. Penn. She's also an award-winning podcaster, creative entrepreneur, and international professional speaker. Mark and Jo co-wrote The Relaxed Author in 2021. You can listen to us talk about the process here. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Why the ‘relaxed' author Write what you love Write at your own pace Write in a series (if you want to) Schedule time to fill the creative well and for rest and relaxation Improve your writing process — but only if it fits with your lifestyle You can find The Relaxed Author: Take the Pressure Off Your Art and Enjoy the Creative Journey on CreativePennBooks.com as well as on your favorite online store or audiobook platform, or order in your library or bookstore. You can find Mark Leslie Lefebvre and his books and podcast at Stark Reflections.ca Why the ‘relaxed' author? Joanna: The definition of relaxed is “free from tension and anxiety,” from the Latin laxus, meaning loose, and to be honest, I am not a relaxed or laid-back person in the broader sense. Back in my teens, my nickname at school was Highly Stressed. I'm a Type A personality, driven by deadlines and achieving goals. I love to work and I burned out multiple times in my previous career as an IT consultant. If we go away on a trip, I pack the schedule with back-to-back cultural things like museums and art galleries to help my book research. Or we go on adventure holidays with a clear goal, like cycling down the South-West coast of India. I can't even go for a long walk without training for another ultra-marathon! So I am not a relaxed person — but I am a relaxed author. If I wanted to spend most of my time doing something that made me miserable, I would go back to my old day job in consulting. I was paid well and worked fewer hours overall. But I measure my life by what I create, and if I am not working on a creative project, I am not able to truly relax in my downtime. There are always more things I want to learn and write about, always more stories to be told and knowledge to share. I don't want to kill my writing life by over-stressing or burning out as an author. I write what I love and follow my Muse into projects that feel right. I know how to publish and market books well enough to reach readers and make some money. I have many different income streams through my books, podcast and website. Of course, I still have my creative and business challenges as well as mindset issues, just like any writer. That never goes away. But after a decade as a full-time author entrepreneur, I have a mature creative business and I've relaxed into the way I do things. I love to write, but I also want a full and happy, healthy life. I'm still learning and improving as the industry shifts — and I change, too. I still have ambitious creative and financial goals, but I am going about them in a more relaxed way and in this book, I'll share some of my experiences and tips in the hope that you can discover your relaxed path, too. Mark: One of the most fundamental things you can do in your writing life is look at how you want to spend your time. I think back to the concept of: ‘You're often a reflection of the people you spend the most time with.' Therefore, typically, your best friend, or perhaps your partner, is often a person you love spending time with. Because there's something inherently special about spending time with this person who resonates in a meaningful way, and you feel more yourself because you're with them. In many ways, writing, or the path that you are on as a writer, is almost like being on a journey with an invisible partner. You are you. But you are also the writer you. And there's the two of you traveling down the road of life together. And so that same question arises. What kind of writer-self do you want to spend all your time with? Do you want to spend all your time with a partner that is constantly stressed out or constantly trying to reach deadlines based on somebody else's prescription of what success is? Or would you rather spend time with a partner who pauses to take a contemplative look at your own life, your own comfort, your own passion and the things that you are willing to commit to? Someone who allows that all to happen in a way that feels natural and comfortable to you. I'm a fan of the latter, of course, because then you can focus on the things you're passionate about and the things you're hopeful about rather than the things you're fearful about and those that bring anxiety and stress into your life. To me, that's part of being a relaxed author. That underlying acceptance before you start to plan things out. If the writing life is a marathon, not a sprint, then pacing, not rushing, may be the key. We have both seen burnout in the author community. People who have pushed themselves too hard and just couldn't keep up with the impossible pace they set for themselves. At times, indie authors would wear that stress, that anxiety, that rush to produce more and more, as a badge of honor. It's fine to be proud of the hard work that you do. It's fine to be proud of pushing yourself to always do better, and be better. But when you push too far — beyond your limits — you can ultimately do yourself more harm than good. Everyone has their own unique pace—something that they are comfortable with—and one key is to experiment until you find that pace, and you can settle in for the long run. There's no looking over your shoulder at the other writers. There's no panicking about the ones outpacing you. You're in this with yourself. And, of course, with those readers who are anticipating those clearly communicated milestones of your releases. I think that what we both want for authors is to see them reaching those milestones at their own paces, in their own comfort, delighting in the fact their readers are there cheering them on. Because we'll be silently cheering them along as well, knowing that they've set a pace, making relaxed author lifestyle choices, that will benefit them in the long run. “I'm glad you're writing this book. I know I'm not the only author who wants peace, moments of joy, and to enjoy the journey. Indie publishing is a luxury that I remember not having, I don't want to lose my sense of gratitude.” —Anonymous author from our survey Write what you love Joanna: The pandemic has taught us that life really is short. Memento mori — remember, you will die. What is the point of spending precious time writing books you don't want to write? If we only have a limited amount of time and only have a limited number of books that we can write in a lifetime, then we need to choose to write the books that we love. If I wanted a job doing something I don't enjoy, then I would have remained in my stressful old career as an IT consultant — when I certainly wasn't relaxed! Taking that further, if you try to write things you don't love, then you're going to have to read what you don't love as well, which will take more time. I love writing thrillers because that's what I love to read. Back when I was miserable in my day job, I would go to the bookstore at lunchtime and buy thrillers. I would read them on the train to and from work and during the lunch break. Anything for a few minutes of escape. That's the same feeling I try to give my readers now. I know the genre inside and out. If I had to write something else, I would have to read and learn that other genre and spend time doing things I don't love. In fact, I don't even know how you can read things you don't enjoy. I only give books a few pages and if they don't resonate, I stop reading. Life really is too short. You also need to run your own race and travel your own journey. If you try to write in a genre you are not immersed in, you will always be looking sideways at what other authors are doing, and that can cause comparisonitis — when you compare yourself to others, most often in an unfavorable way. Definitely not relaxing! Writing something you love has many intrinsic rewards other than sales. Writing is a career for many of us, but it's a passion first, and you don't want to feel like you've wasted your time on words you don't care about. “Write what you know” is terrible advice for a long-term career as at some point, you will run out of what you know. It should be “write what you want to learn about.” When I want to learn about a topic, I write a book on it because that feeds my curiosity and I love book research, it's how I enjoy spending my time, especially when I travel, which is also part of how I relax. If you write what you love and make it part of your lifestyle, you will be a far more relaxed author. Mark: It's common that writers are drawn into storytelling from some combination of passion, curiosity, and unrelenting interest. We probably read or saw something that inspired us, and we wanted to express those ideas or the resulting perspectives that percolated in our hearts and minds. Or we read something and thought, “Wow, I could do this; but I would have come at it differently or I would approach the situation or subject matter with my own flair.” So, we get into writing with passion and desire for storytelling. And then sometimes along the way, we recognize the critical value of having to become an entrepreneur, to understand the business of writing and publishing. And part of understanding that aspect of being an author is writing to market, and understanding shifts and trends in the industry, and adjusting to those ebbs and flows of the tide. But sometimes, we lose sight of the passion that drew us to writing in the first place. And so, writing the things that you love can be a beacon to keep you on course. I love the concept of “Do something that you love, and you'll never work a day in your life.” And that's true in some regard because I've always felt that way for almost my entire adult life. I've been very lucky. But at the same time, I work extremely hard at what I love. Some days are harder than others, and some things are really difficult, frustrating and challenging; but at the end of the day, I have the feeling of satisfaction that I spent my time doing something I believe in. I've been a bookseller my entire life even though I don't sell books in brick-and-mortar bookstores anymore—that act of physically putting books in people's hands. But to this day, what I do is virtually putting books in people's hands, both as an author and as an industry representative who is passionate about the book business. I was drawn to that world via my passion for writing. And that's what continues to compel me forward. I tried to leave the corporate world to write full time in 2018 but realized there was an intrinsic satisfaction to working in that realm, to embracing and sharing my insights and knowledge from that arena to help other writers. And I couldn't give that up. For me, the whole core, the whole essence of why I get up in the morning has to do with storytelling, creative inspiration, and wanting to inspire and inform other people to be the best that they can be in the business of writing and publishing. And that's what keeps me going when the days are hard. Passion as the inspiration to keep going There are always going to be days that aren't easy. There will be unexpected barriers that hit you as a writer. You'll face that mid-novel slump or realize that you have to scrap an entire scene or even plotline, and feel like going back and re-starting is just too much. You might find the research required to be overwhelming or too difficult. There'll be days when the words don't flow, or the inspiration that initially struck you seems to have abandoned you for greener pastures. Whatever it is, some unexpected frustration can create what can appear to be an insurmountable block. And, when that happens, if it's a project you don't love, you're more likely to let those barriers get in your way and stop you. But if it's a project that you're passionate about, and you're writing what you love, that alone can be what greases the wheels and helps reduce that friction to keep you going. At the end of the day, writing what you love can be a honing, grounding, and centering beacon that allows you to want to wake up in the morning and enjoy the process as much as possible even when the hard work comes along. “For me, relaxation comes from writing what I know and love and trusting the emergent process. As a discovery writer, I experience great joy when the story, characters and dialogue simply emerge in their own time and their own way. It feels wonderful.” — Valerie Andrews “Writing makes me a relaxed author. Just getting lost in a story of my own creation, discovering new places and learning what makes my characters tick is the best way I know of relaxing. Even the tricky parts, when I have no idea where I am going next, have a special kind of charm.” – Imogen Clark Write at your own pace Mark: Writing at your own pace will help you be a more relaxed author because you're not stressing out by trying to keep up with someone else. Of course, we all struggle with comparing ourselves to others. Take a quick look around and you can always find someone who has written more books than you. Nora Roberts, traditionally published author, writes a book a month. Lindsey Buroker, fantasy indie author, writes a book a month of over 100,000 words. If you compare yourself to someone else and you try to write at their pace, that is not going to be your relaxed schedule. On the other hand, if you compare yourself to Donna Tartt, who writes one book every decade, you might feel like some speed-demon crushing that word count and mastering rapid release. Looking at what others are doing could result in you thinking you're really slow or you could think that you're super-fast. What does that kind of comparison actually get you? I remember going to see a talk by Canadian literary author Farley Mowat when I was a young budding writer. I'll never forget one thing he said from that stage: “Any book that takes you less than four years to write is not a real book.” Young teenage Mark was devastated, hurt and disappointed to hear him say that because my favorite author at the time, Piers Anthony, was writing and publishing two to three novels a year. I loved his stuff, and his fantasy and science fiction had been an important inspiration in my writing at that time. (The personal notes I add to the end of my stories and novels came from enjoying his so much). That focus on there being only a single way, a single pace to write, ended up preventing me from enjoying the books I had already been loving because I was doing that comparisonitis Joanna talks about, but as a reader. I took someone else's perspective too much to heart and I let that ruin a good thing that had brought me personal joy and pleasure. It works the same way as a writer. Because we have likely developed a pattern, or a way that works for us that is our own. We all have a pace that we comfortably walk; a way we prefer to drive. A pattern or style of how and when and what we prefer to eat. We all have our own unique comfort food. There are these patterns that we're comfortable with, and potentially because they are natural to us. If you try to force yourself to write at a pace that's not natural to you, things can go south in your writing and your mental health. And I'm not suggesting any particular pace, except for the one that's most natural and comfortable to you. If writing fast is something that you're passionate about, and you're good at it, and it's something you naturally do, why would you stop yourself from doing that? Just like if you're a slow writer and you're trying to write fast: why are you doing that to yourself? There's a common pop song line used by numerous bands over the years that exhorts you to “shake what you got.” I like to think the same thing applies here. And do it with pride and conviction. Because what you got is unique and awesome. Own it, and shake it with pride. You have a way you write and a word count per writing session that works for you. And along with that, you likely know what time you can assign to writing because of other commitments like family time, leisure time, and work (assuming you're not a full-time writer). Simple math can provide you with a way to determine how long it will take to get your first draft written. So, your path and plans are clear. And you simply take the approach that aligns with your writer DNA. Understanding what that pace is for you helps alleviate an incredible amount of stress that you do not need to thrust upon yourself. Because if you're not going to be able to enjoy it while you're doing it, what's the point? Your pace might change project to project While your pace can change over time, your pace can also change project to project. And sometimes the time actually spent writing can be a smaller portion of the larger work involved. I was on a panel at a conference once and someone asked me how long it took to write my non-fiction book of ghost stories, Haunted Hamilton. “About four days,” I responded. And while that's true — I crafted the first draft over four long and exhausting days writing as much as sixteen hours each day — the reality was I had been doing research for months. But the pen didn't actually hit the paper until just a few days before my deadline to turn the book over to my editor. That was for a non-fiction book; but I've found I do similar things with fiction. I noodle over concepts and ideas for months before I actually commit words to the page. The reason this comes to mind is that I think it's important to recognize the way that I write is I first spend a lot of time in my head to understand and chew on things. And then by the time it comes to actually getting the words onto the paper, I've already done much of the pre-writing mentally. It's sometimes not fair when you're comparing yourself to someone else to look at how long they physically spend in front of a keyboard hammering on that word count, because they might have spent a significantly longer amount of a longer time either outlining or conceptualizing the story in their mind or in their heart before they sat down to write. So that's part of the pace, too. Because sometimes, if we only look at the time spent at the ‘writer's desk,' we fool ourselves when we think that we're a slow writer or a fast writer. Joanna: Your pace will change over your career My first novel took 14 months and now I can write a first draft in about six weeks because I have more experience. It's also more relaxing for me to write a book now than it was in the beginning, because I didn't know what I was doing back then. Your pace will change per project I have a non-fiction work in progress, my Shadow Book (working title), which I have started several times. I have about 30,000 words but as I write this, I have backed away from it because I'm (still) not ready. There's a lot more research and thinking I need to do. Similarly, some people take years writing a memoir or a book with such emotional or personal depth that it needs more to bring it to life. Your pace will also shift depending on where you are in the arc of life Perhaps you have young kids right now, or you have a health issue, or you're caring for someone who is ill. Perhaps you have a demanding day job so you have less time to write. Perhaps you really need extended time away from writing, or just a holiday. Or maybe there's a global pandemic and frankly, you're too stressed to write! The key to pacing in a book is variability — and that's true of life, too. Write at the pace that works for you and don't be afraid to change it as you need to over time. “I think the biggest thing for me is reminding myself that I'm in this to write. Sometimes I can get caught up in all the moving pieces of editing and publishing and marketing, but the longer I go without writing, or only writing because I have to get the next thing done instead of for enjoyment, the more stressed and anxious I become. But if I make time to fit in what I truly love, which is the process of writing without putting pressure on myself to meet a deadline, or to be perfect, or to meet somebody else's expectations — that's when I become truly relaxed.” – Ariele Sieling Write in a series (if you want to) Joanna: I have some stand-alone books but most of them are in series, both for non-fiction and for my fiction as J.F. Penn. It's how I like to read and write. As we draft this book, I'm also writing book 12 in my ARKANE series, Tomb of Relics. It's relaxing because I know my characters, I know my world; I know the structure of how an ARKANE story goes. I know what to put in it to please my readers. I have already done the work to set up the series world and the main characters and now all I need is a plot and an antagonist. It's also quicker to write and edit because I've done it before. Of course, you need to put in the work initially so the series comes together, but once you've set that all up, each subsequent book is easier. You can also be more relaxed because you already have an audience who will (hopefully) buy the book because they bought the others. You will know approximately how many sales you'll get on launch and there will be people ready to review. Writing in a non-fiction series is also a really good idea because you know your audience and you can offer them more books, products and services that will help them within a niche. While they might not be sequential, they should be around the same topic, for example, this is part of my Books for Authors series. Financially, it makes sense to have a series as you will earn more revenue per customer as they will (hopefully) buy more than one book. It's also easier and more relaxing to market as you can set one book to free or a limited time discount and drive sales through to other books in the series. Essentially, writing a book in a series makes it easier to fulfill both creative and financial goals. However, if you love to read and write stand-alone books, and some genres suit stand-alones better than series anyway, then, of course, go with what works for you! Mark: I like to equate this to no matter where you travel in the world, if you find a McDonald's you pretty much know what's on the menu and you know what to expect. When you write in a series, it's like returning to hang out with old friends. You know their backstory; you know their history so you can easily fall into a new conversation about something and not have to get caught up on understanding what you have in common. So that's an enormous benefit of relaxing into something like, “Oh, I'm sitting down over coffee, chatting with some old friends. They're telling me a new story about something that happened to them. I know who they are, I know what they're made out of.” And this new plot, this new situation, they may have new goals, they may have new ways they're going to grow as characters, but they're still the same people that we know and love. And that's a huge benefit that I only discovered recently because I'm only right now working on book four in my Canadian Werewolf series. Prior to that, I had three different novels that were all the first book in a series with no book two. And it was stressful for me. Writing anything seemed to take forever. I was causing myself anxiety by jumping around and writing new works as opposed to realizing I could go visit a locale I'm familiar and comfortable with. And I can see new things in the same locale just like sometimes you can see new things and people you know and love already, especially when you introduce something new into the world and you see how they react to it. For me, there's nothing more wonderful than that sort of homecoming. It's like a nostalgic feeling when you do that. I've seen a repeated pattern where writers spend years writing their first book. I started A Canadian Werewolf in New York in 2006 and I did not publish it until ten years later, after finishing it in 2015. (FYI, that wasn't my first novel. I had written three and published one of them prior to that). That first novel can take so long because you're learning. You're learning about your characters, about the craft, about the practice of writing, about the processes that you're testing along the way. And if you are working on your first book and it's taking longer than planned, please don't beat yourself up for that. It's a process. Sometimes that process takes more time. I sometimes wonder if this is related to our perception of time as we age. When you're 10 years old, a day compared to your lifetime is a significant amount of time, and thinking about a year later is considering a time that is one-tenth of your life. When you have a few more decades or more under your belt, that year is a smaller part of the whole. If you're 30, a year is only one-thirtieth of your life. A much smaller piece. Just having written more books, particularly in a series, removes the pressure of that one book to represent all of you as a writer. I had initial anxiety at writing the second book in my Canadian Werewolf series. Book two was more terrifying in some ways than book one because finally, after all this time, I had something good that I didn't want to ruin. Should I leave well enough alone? But I was asked to write a short story to a theme in an anthology, and using my main character from that first novel allowed me to discover I could have fun spending more time with these characters and this world. And I also realized that people wanted to read more about these characters. I didn't just want to write about them, but other people wanted to read about them too. And that makes the process so much easier to keep going with them. So one of the other benefits that helps to relax me as a writer working on a series is I have a better understanding of who my audience is, and who my readers are, and who will want this, and who will appreciate it. So I know what worked, I know what resonated with them, and I know I can give them that next thing. I have discovered that writing in a series is a far more relaxed way of understanding your target audience better. Because it's not just a single shot in the dark, it's a consistent on-going stream. Let me reflect on a bit of a caveat, because I'm not suggesting sticking to only a single series or universe. As writers, we have plenty of ideas and inspirations, and it's okay to embrace some of the other ones that come to us. When I think about the Canadian rock trio, Rush, a band that produced 19 studio albums and toured for 40 years, I acknowledge a very consistent band over the decades. And yet, they weren't the same band that they were when they started playing together, even though it was the same three guys since Neil Peart joined Geddy Lee and Alex Lifeson. They changed what they wrote about, what they sang about, themes, styles, approaches to making music, all of this. They adapted and changed their style at least a dozen times over the course of their career. No album was exactly like the previous album, and they experimented, and they tried things. But there was a consistency of the audience that went along with them. And as writers, we can potentially have that same thing where we know there are going to be people who will follow us. Think about Stephen King, a writer who has been writing in many different subjects and genres. And yet there's a core group of people who will enjoy everything he writes, and he has that Constant Reader he always keeps in mind. And so, when we write in a series, we're thinking about that constant reader in a more relaxed way because that constant reader, like our characters, like our worlds, like our universes, is like we're just returning to a comfortable, cozy spot where we're just going to hang out with some good friends for a bit. Or, as the contemplative Rush song Time Stand Still expresses, the simple comfort and desire of spending some quality time having a drink with a friend. Schedule time to fill the creative well and for rest and relaxation Mark: What we do as writers is quite cerebral, so we need to give ourselves mental breaks in the same way we need to sleep regularly. Our bodies require sleep. And it's not just physical rest for our bodies to regenerate, it's for our minds to regenerate. We need that to stay sane, to stay alive, to stay healthy. The reality for us as creatives is that we're writing all the time, whether or not we're in front of a keyboard or have a pen in our hand. We're always writing, continually sucking the marrow from the things that are happening around us, even when we're not consciously aware of it. And sometimes when we are more consciously aware of it, that awareness can feel forced. It can feel stressful. When you give yourself the time to just let go, to just relax, wonderful things can happen. And they can come naturally, never feeling that urgent sense of pressure. Downtime, for me, is making space for those magic moments to happen. I was recently listening to Episode 556 of The Creative Penn podcast where Joanna talked about the serendipity of those moments when you're traveling and you're going to a museum and you see something. And you're not consciously there to research for a book, but you see something that just makes a connection for you. And you would not have had that for your writing had you not given yourself the time to just be doing and enjoying something else. And so, whenever I need to resolve an issue or a problem in a project I'm writing, which can cause stress, I will do other things. I will go for a run or walk the dogs, wash the dishes or clean the house. Or I'll put on some music and sing and dance like nobody is watching or listening—and thank goodness for that, because that might cause them needless anxiety. The key is, I will do something different that allows my mind to just let go. And somewhere in the subconscious, usually the answer comes to me. Those non-cerebral activities can be very restorative. Yesterday, my partner Liz and I met her daughter at the park. And while we quietly waited, the two of us wordlessly enjoyed the sights and sounds of people walking by, the river in the background, the wind blowing through the leaves in the trees above us. That moment wasn't a purposeful, “Hey, we're going to chill and relax.” But we found about five minutes of restorative calm in the day. A brief, but powerful ‘Ah' moment. And when I got back to writing this morning, I drew upon some of the imagery from those few minutes. I didn't realize at the time I was experiencing the moment yesterday that I was going to incorporate some of that imagery in today's writing session. And that's the serendipity that just flows very naturally in those scheduled and even unscheduled moments of relaxation. Joanna: I separate this into two aspects because I'm good at one and terrible at the other! I schedule time to fill the creative well as often as possible. This is something that Julia Cameron advises in The Artist's Way, and I find it an essential part of my creative practice. Essentially, you can't create from an empty mind. You have to actively seek out ways to spark ideas. International travel is a huge part of my fiction inspiration, in particular. This has been impossible during the pandemic and has definitely impacted my writing. I also go to exhibitions and art galleries, as well as read books, watch films and documentaries. If I don't fill my creative well, then I feel empty, like I will never have another idea, that perhaps my writing life is over. Some people call that writer's block but I know that feeling now. It just means I haven't filled my creative well and I need to schedule time to do that so I can create again. Consume and produce. That's the balance you need in order to keep the creative well filled and the words flowing. In terms of scheduling time to relax instead of doing book research, I find this difficult because I love to work. My husband says that I'm like a little sports car that goes really, really fast and doesn't stop until it hits a wall. I operate at a high productivity level and then I crash! But the restrictions of the pandemic have helped me learn more about relaxation, after much initial frustration. I have walked in nature and lain in the garden in the hammock and recently, we went to the seaside for the first time in 18 months. I lay on the stones and watched the waves. I was the most relaxed I've been in a long time. I didn't look at my phone. I wasn't listening to a podcast or an audiobook. We weren't talking. We were just being there in nature and relaxing. Authors are always thinking and feeling because everything feeds our work somehow. But we have to have both aspects — active time to fill the creative well and passive time to rest and relax. “I go for lots of walks and hikes in the woods. These help me work out the kinks in my plots, and also to feel more relaxed! (Exercise is an added benefit!)” –T.W. Piperbrook Improve your writing process — but only if it fits with your lifestyle Joanna: A lot of stress can occur in writing if we try to change or improve our process too far beyond our natural way of doing things. For example, trying to be a detailed plotter with a spreadsheet when you're really a discovery writer, or trying to dictate 5,000 words per hour when you find it easier to hand write slowly into a journal. Productivity tips from other writers can really help you tweak your personal process, but only if they work for you — and I say this as someone who has a book on Productivity for Authors! Of course, it's a good idea to improve things, but once you try something, analyze whether it works for you — either with data or just how you feel. If it works, great. Adopt it into your process. If it doesn't work, then discard it. For example, I wrote my first novel in Microsoft Word. When I discovered Scrivener, I changed my process and never looked back because it made my life so much easier. I don't write in order and Scrivener made it easier to move things around. I also discovered that it was easier for me to get into my first draft writing and creating when I was away from the desk I use for business, podcasting, and marketing tasks. I started to write in a local cafe and later on in a co-working space. During the pandemic lockdown, I used specific playlists to create a form of separation as I couldn't physically go somewhere else. Editing is an important part of the writing process but you have to find what works for you, which will also change over time. Some are authors are more relaxed with a messy first draft, then rounds of rewrites while working with multiple editors. Others do one careful draft and then use a proofreader to check the finished book. There are as many ways to write as there are writers. A relaxed author chooses the process that works in the most effective way for them and makes the book the best it can be. Mark: When it comes to process, there are times when you're doing something that feels natural, versus times when you're learning a new skill. Consciously and purposefully learning new skills can be stressful; particularly because it's something we often put so much emphasis or importance upon. But when you adapt on-going learning as a normal part of your life, a natural part of who and what you are, that stress can flow away. I'm always about learning new skills; but over time I've learned how to absorb learning into my everyday processes. I'm a pantser, or discovery writer, or whatever term we can apply that makes us feel better about it. And every time I've tried to stringently outline a book, it has been a stressful experience and I've not been satisfied with the process or the result. Perhaps I satisfied the part of me that thought I wanted to be more like other writers, but I didn't satisfy the creative person in me. I was denying that flow that has worked for me. I did, of course, naturally introduce a few new learnings into my attempts to outline; so I stuck with those elements that worked, and abandoned the elements that weren't working, or were causing me stress. The thought of self-improvement often comes with images of blood, sweat, and tears. It doesn't have to. You don't have to bleed to do this; it can be something that you do at your own pace. You can do it in a way that you're comfortable with so it's causing you no stress, but allowing you to learn and grow and improve. And if it doesn't work but you force yourself to keep doing it because a famous writer or a six-figure author said, “this is the way to do it,” you create pressure. And when you don't do it that way, you can think of yourself as a failure as opposed to thinking of it as, “No, this is just the way that I do things.” When you accept how you do things, if they result in effectively getting things done and feeling good about it at the same time, you have less resistance, you have less friction, you have less tension. Constantly learning, adapting, and evolving is good. But forcing ourselves to try to be or do something that we are not or that doesn't work for us, that causes needless anxiety. “I think a large part of it comes down to reminding myself WHY I write. This can mean looking back at positive reviews, so I can see how much joy others get from my writing, or even just writing something brand new for the sake of exploring an idea. Writing something just for me, rather than for an audience, reminds me how much I enjoy writing, which helps me to unwind a bit and approach my projects with more playfulness.” – Icy Sedgwick You can find The Relaxed Author: Take the Pressure Off Your Art and Enjoy the Creative Journey on CreativePennBooks.com as well as on your favorite online store or audiobook platform, or order in your library or bookstore. The post The Relaxed Author Writing Tips With Joanna Penn and Mark Leslie Lefebvre first appeared on The Creative Penn.

Are you ready for Geddy, Alex, and Anika? With all due respect for the Legendary [the Legendariest!] Neil Peart, your musical masters of music are stoked like chain lighting for the return of Rush! Join us as we discuss why we're excited for the Rush tour and honor Neil Peart's enduring legacy.Rush into this 295!** Please support us on the Beer Thursday Patreon page! **Your help lets us keep bringing you fun and interesting content..At the $10 level, the next 17 Great Human Beings will get access to the Beer Thursday Facebook group.~~~~~~~~~~~~~We love hearing from you, and you'll enjoy Jay's Brilliant beertography on Instagram at beerthursdayshow! Your feedback is important to us. Join the conversation and help our community grow. You make Beer Thursday special!Never miss a round [aka, an episode]!  Help us grow by subscribing and leaving a 5-star review on your favorite podcast app. Your feedback helps us get better and lets more fans find the show!~~~~~~~~~~~~~Here's what our house elf, Artie—not Archie—has to say about this episode:Rushing Back: The Ultimate Guide to Rush's New Tour Hey Beer Heart! Get ready to rock—Rush is going on tour next year, and your hosts are excited! In this episode, we talk about Rush's big return, including the surprising choice of Anika Nilles as the new drummer after Neil Peart. We cover the tour's stops in seven cities, a possible 35-song setlist, and maybe even new band members. There's also a fun toast to Neil Peart's memory, plus talk about which songs we want to hear and whether Geddy and Alex might show off some dance moves on stage.Whether you're a Rush 1.0, 2.0, or hoping for 3.0 fan, you won't want to miss this episode of Beer Thursday!

Did you know that the original name of Michael Jackson’s “Thriller” was “Starlight” or “Dark Side Of The Moon” by Pink Floyd was going to be called “Eclipse”. Christopher and Tom start the show with a chat about the original titles of great albums – from the very good… to the very dumb. With the recent announcement of the new Rush tour with a new drummer, we thought we’d present a really great collection of clips from the Famous Lost Words archives. They are mostly with Geddy Lee and Neil Peart in the early ‘80s talking about the first nine Rush albums. Plus, we have a bonus clip of Christopher in conversation with Geddy in 1987 – today’s show is a must for any Rush fan. And we’ll close out the show with a tribute to KISS lead guitarist Ace Frehley. After Ace’s passing, Tom reached out to Brent Jensen of the podcast No Sleep Til Sudbury, who was as much of an Ace Frehley fan as Tom is. We’ll talk about Ace’s enormous influence on other rock stars and fans – and we’ll listen to three clips of Ace from the archives. This segment was a real labour of love for Brent and Tom – a couple of devoted KISS fans going way back.

This week on Epic Realms, bestselling author Kevin J. Anderson joins Nick for a wide-ranging and inspiring conversation. Known for his work on Dune, Star Wars, The X-Files, and DC Comics, Kevin shares stories from his incredible career and his creative process—from his early writing days in Wisconsin to collaborating with legends like Frank Herbert's son Brian Herbert and Rush drummer Neil Peart. They discuss Kevin's latest releases, including Nether Station, a chilling blend of science fiction and cosmic horror from the Weird Tales line, and the newly remastered Terra Incognita fantasy trilogy—complete with its companion rock albums from Roswell 6. Kevin opens up about balancing passion projects, running his publishing imprint WordFire Press, and teaching the next generation of writers. If you love sci-fi, fantasy, or behind-the-scenes stories from one of the most prolific authors in the genre, this episode is not to be missed. Listen now and explore more at EpicRealmsMedia.com Follow Kevin J. Anderson: WordFire.com | Patreon.com/KevinJAnderson

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Andy RyanRush “Limelight” from the 1981 album "Moving Pictures" released on Mercury. Written by Geddy Lee, Alex Lifeson, and Neil Peart and produced by Rush and Terry Brown.Personel:Geddy Lee - bass, vocals, synthesizersAlex Lifeson - electric and acoustic guitarsNeil Peart - drums, percussionTerry Brown - uncredited backing vocalCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Writer Josh Bond. Produced by Frank Charlton.

Long time listeners know that Rush is one of The Wolf's top 3 favorite bands of all time. The Wolf & Action Jackson camped out to see Rush on the Roll The Bones Tour and The Wolf has seen them 12x live. After reviews of Fly By Night and Caress of Steel at 50 plus an interview with longtime collaborator Hugh Syme on the 250th and a First Concert Memories show on the mini-tour between Permanent Waves and Moving Pictures, we figured we were done with Rush episodes in 2025. Then the biggest bomb since the Oasis reunion dropped.....Geddy and Alex are going to tour!!! This announcement, of course, sparked huge excitement in the world of Rush and caused the faithful to ask many questions, none more pertinent (or is it Peartinent?) than who would be playing drums. After the death of drummer/lyricist Neil Peart in 2020, Rush fans knew the band they loved was done as The Professor was irreplaceable. But to do tribute to him and to celebrate the amazing music they all made together, someone would have to step up. Turns out that brave, talented soul is Anika Nilles - yes, a woman who is a very accomplished drummer and one The Wolf saw play with Jeff Beck in London not long before his death (see episode 90). She definitely has some chops and apparently won't be the only musician joining Geddy Lee and Alex Lifeson on stage. Quick note: we recorded this hot take shortly after the announcement of the tour. Between recording and publishing, the band announced additional dates due to overwhelming demand. Also, the tickets went on sale after we recorded so you have to stick around until the end to see which city your heroes might be going to and if they were shutout the way they were for the Oasis reunion tour. But either way you can hear the excitement in our voices about one of our very favorites playing live one more time... Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Eddie Trunk welcomes guitar legends John 5 and Richie Kotzen to discuss their joint tour. The conversation covers John's residency with Mötley Crüe in Las Vegas, Richie's DIY home generator project, and their mutual admiration as musicians. The guitarists share fascinating stories from their careers, including Richie's near-miss with Ozzy Osbourne, John's memorable experience playing with Les Paul, and how they both discovered their passion for guitar. After that, Eddie speaks to Nancy Peart Burkholder, sister of late Rush drummer Neil Peart, who shares her family's support for Rush's unexpected tour announcement featuring a new female drummer. Nancy discusses the 'Legacy in Bronze' initiative to create two stunning sculptures honoring Neil at the real-life Lakeside Park that inspired his lyrics. Nancy also talks about her family's fundraising efforts, including their coffee business, and how Rush fans can contribute to making the memorial a reality. Catch Eddie Trunk every M-F from 3:00-5:00pm ET on Trunk Nation on SiriusXM Faction Talk Channel 103.And don't forget to follow Eddie on X and Instagram!Follow the link to get your free 3-month trial of SiriusXM: http://siriusxm.com/eddietrunk Find all episodes of Trunk Nation: https://siriusxm.com/trunknation Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

When Geddy Lee and Alex Lifeson of Rush surprised everyone and announced their 2026 celebrating 50 years of Rush's music, Anika Nilles was named to join them behind the drumkit. This led to lots of Rush fans immediately wondering, who is Anika Nilles? Find out about the powerhouse drummer who landed the gig of a lifetime in this bonus episode of the Behind The Song podcast with Janda Lane.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Andy RyanRush “Limelight” from the 1981 album "Moving Pictures" released on Mercury. Written by Geddy Lee, Alex Lifeson, and Neil Peart and produced by Rush and Terry Brown.Personel:Geddy Lee - bass, vocals, synthesizersAlex Lifeson - electric and acoustic guitarsNeil Peart - drums, percussionTerry Brown - uncredited backing vocalCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Writer Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Taylor SwiftSlow HorsesAC/DC “Highway to Hell”David Bowie “The Jean Genie”Black Sabbath “Iron Man”Blue Oyster Cult “Don't Fear the Reaper”GenesisLed Zeppelin “When the Levee Breaks”James Jacuzzi and the Downtown BohemiansStevie StarlightRush “Permanent Waves”Rush “Spirit of the Radio”Rush “Tom Sawyer”The Rolling Stones “Start Me Up”Led Zeppelin “Good Times, Bad Times”PhishLynyrd Skynyrd “Sweet Home Alabama”CreamJack BruceJoe WalshKeith MoonJimmy PageDream TheaterEmerson, Lake, and PalmerThe Who “Substitute”Jimi Hendrix Experience “Axis: Bold As Love”Rush “Signals”HelmetPavementAlan HoldsworthEddie Van HalenJefferson Starship “We Built This City”Red Hot Chili PeppersRage Against the MachineAudioslaveChris CornellTom MorelloRush “Working Man”The HuntThe Tragically HipThe Ninja Sex Party

Two years ago, Rush frontman and bassist Geddy Lee joined Tom Power to talk about his memoir, “My Effin' Life.” He discussed his experience as the son of Holocaust survivors, dropping out of high school, and what he remembers about the late Neil Peart's audition to be the band's drummer.Fill out our listener survey here. We appreciate your input!

SPONSOR: Share the Arrows - a live event with Blaze Media’s own Allie Beth Stuckey in Allen, Texas on October, 11th. It’s not just an event—it’s a powerful, faith-filled experience where women come together to be encouraged, equipped, and reminded of their purpose as wives, moms, and daughters of God. This year’s lineup is fantastic: Jinger Duggar Vuolo, Alisa Childers, Shawna Holman, Taylor Dukes, Katy Faust, and worship by the amazing Francesca Battistelli. It’s going to be a powerful weekend your wife won't want to miss. Tickets will go fast, so don’t wait, go to https://www.ShareTheArrows.com to grab your tickets now. TODAY: Rush announces a reunion tour coming in 2026, and the band's replacement for legendary drummer Neil Peart may surprise you. ESPN claims Paul Finebaum was not removed from the network after Finebaum told Clay Travis he was saddened by Charlie Kirk's murder and was considering running for Senate. We dig into the facts. Country music star Zach Bryan releases what seems to be an anti-ICE song. And we have some visitors to the studio today, and you won't believe what they brought us.See omnystudio.com/listener for privacy information.

SPONSOR: Share the Arrows - a live event with Blaze Media’s own Allie Beth Stuckey in Allen, Texas on October, 11th. It’s not just an event—it’s a powerful, faith-filled experience where women come together to be encouraged, equipped, and reminded of their purpose as wives, moms, and daughters of God. This year’s lineup is fantastic: Jinger Duggar Vuolo, Alisa Childers, Shawna Holman, Taylor Dukes, Katy Faust, and worship by the amazing Francesca Battistelli. It’s going to be a powerful weekend your wife won't want to miss. Tickets will go fast, so don’t wait, go to https://www.ShareTheArrows.com to grab your tickets now. TODAY: Rush announces a reunion tour coming in 2026, and the band's replacement for legendary drummer Neil Peart may surprise you. ESPN claims Paul Finebaum was not removed from the network after Finebaum told Clay Travis he was saddened by Charlie Kirk's murder and was considering running for Senate. We dig into the facts. Country music star Zach Bryan releases what seems to be an anti-ICE song. And we have some visitors to the studio today, and you won't believe what they brought us.See omnystudio.com/listener for privacy information.

October 7, 2025Have you had your dose of The Daily MoJo today? Download the APP HERE"Ep 100725: Is Everything AI? | The Daily MoJo"The content highlights the entertainment value of 'CHiPs' and character dynamics, particularly the friendship between Larry Wilcox and Eric Estrada. It discusses the ongoing government shutdown, healthcare reforms, and the national debt, emphasizing public engagement. Concerns about AI's manipulation potential and the band's future after Neil Peart's passing are addressed. Ethical implications of cloning and the role of AI in media production are explored, questioning the future of human creativity.Phil Bell's Morning Update - Can Chicago Depend On The Cops Anymore?: HERE Dan Andros - host of The QuickStart Podcast and Managing Editor at CBN.com - Pontificates on the possibility of the existence of a human clone. FaithwireCBN NewsYouTubeOur affiliate partners:Be prepared! Not scared. Need some Ivermection? Some Hydroxychloroquine? Don't have a doctor who fancies your crazy ideas? We have good news - Dr. Stella Immanuel has teamed up with The Daily MoJo to keep you healthy and happy all year long! Not only can she provide you with those necessary prophylactics, but StellasMoJo.com has plenty of other things to keep you and your body in tip-top shape. Use Promo Code: DailyMoJo to save $$Take care of your body - it's the only one you'll get and it's your temple! We've partnered with Sugar Creek Goods to help you care for yourself in an all-natural way. And in this case, "all natural" doesn't mean it doesn't work! Save 15% on your order with promo code "DailyMojo" at SmellMyMoJo.comCBD is almost everywhere you look these days, so the answer isn't so much where can you get it, it's more about - where can you get the CBD products that actually work!? Certainly, NOT at the gas station! Patriots Relief says it all in the name, and you can save an incredible 40% with the promo code "DailyMojo" at GetMoJoCBD.com!Romika Designs is an awesome American small business that specializes in creating laser-engraved gifts and awards for you, your family, and your employees. Want something special for someone special? Find exactly what you want at MoJoLaserPros.com  There have been a lot of imitators, but there's only OG – American Pride Roasters Coffee. It was first and remains the best roaster of fine coffee beans from around the world. You like coffee? You'll love American Pride – from the heart of the heartland – Des Moines, Iowa. AmericanPrideRoasters.com   Find great deals on American-made products at MoJoMyPillow.com. Mike Lindell – a true patriot in our eyes – puts his money where his mouth (and products) is/are. Find tremendous deals at MoJoMyPillow.com – Promo Code: MoJo50  Life gets messy – sometimes really messy. Be ready for the next mess with survival food and tools from My Patriot Supply. A 25 year shelf life and fantastic variety are just the beginning of the long list of reasons to get your emergency rations at PrepareWithMoJo50.comStay ConnectedWATCH The Daily Mojo LIVE 7-9a CT: www.TheDailyMojo.com Rumble: HEREOr just LISTEN:The Daily MoJo ChannelBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-daily-mojo-with-brad-staggs--3085897/support.