Podcasts about tagaq

This episode navigates this question using an associative method which links stories and sounds, forming a non-linear audio collage. Listeners are invited to tune in to their affective and embodied responses to end time stories including Lulu Miller's podcast and Kiyoshi Kurosawa's horror film, and stories of endurance, with Kathy Jetñil-Kijiner's poem and Tanya Tagaq's audiobook.Nadège Paquette (she/they) is a white settler living in Tiotià:ke/Montréal, on the lands and waters of the Kanien'kehá:ka Nation, where they are completing a master's degree in English Literature at Concordia University. Their research interests aggregate around the relationship between human and nonhuman forms of life and nonlife. They are drawn to narratives of the future extrapolating present troubles and delving into already-existing Indigenous, decolonial, queer, and non-anthropocentric alternatives to a colonial and capitalist world. For them, some of those alternative worlds take the form of collective gardens where they love to work with plants, soil, water, animal, and human neighbors.*Show NotesMusic:Tom Bonheur https://www.instagram.com/dj.g3ntil/Kovd, Kvelden, Tell What You Know, Ivory Pillow, and Fever Creep by Blue Dot Sessions https://app.sessions.blue/Podcast:“The Wordless Place” Lulu Miller https://radiolab.org/podcast/wordless-place“Why Podcast?” Hannah McGregor and Stacey Copeland https://kairos.technorhetoric.net/27.1/topoi/mcgregor-copeland/index.htmlShort Film:Anointed, Kathy Jetñil-Kijiner and Dan Lin https://www.kathyjetnilkijiner.com/videos-featuring-kathy/Film:Pulse, Kiyoshi KurosawaAdditional sounds from:“Interview with Tanya Tagaq,” Alicia Atout https://www.youtube.com/watch?v=FupatQbcTeM“Open Dialogues: Daniel Heath Justice,” Centre for Teaching, Learning, and Technology https://www.youtube.com/watch?v=VrBN8_IGuuw“Monster 怪物,” United for Peace Film Festival https://www.youtube.com/watch?v=m8OJulGi1Rg*Works CitedBouich, Abdenour. 2021. “Coeval Worlds, Alter/Native Words.” Transmotion 7 (2). https://doi.org/10.22024/UniKent/03/tm.980.Butler, Judith. 2003. “Violence, Mourning, Politics.” Studies in Gender and Sexuality 4 (1): 9–37. https://doi.org/10.1080/15240650409349213.Chion, Michel. 2017. L'audio-Vision : Son et Image Au Cinéma. 4th Edition. Armand Colin.Copeland, Stacey, and Hannah McGregor. 2022. Why Podcast?: Podcasting as Publishing, Sound-Based Scholarship, and Making Podcasts Count. Vol. 27, no. 1. Kairos: A Journal of Rhetoric, Technology, and Pedagogy. https://kairos.technorhetoric.net/27.1/topoi/mcgregor-copeland/index.html.Eidsheim, Nina Sun. 2019. “Introduction: The Acousmatic Question: Who Is This?” In The Race of Sound, 1–38. Listening, Timbre, and Vocality in African American Music. Duke University Press. https://doi.org/10.2307/j.ctv11hpntq.4.Goodman, Steve. 2010. Sonic Warfare: Sound, Affect, and the Ecology of Fear. Technologies of lived abstraction. Cambridge, Massachusetts: The MIT Press. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018751433&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.Haraway, Donna J. 2016. Staying with the Trouble: Making Kin in the Chthulucene. North Carolina, United States: Duke University Press.Hudson, Seán. 2018. “A Queer Aesthetic: Identity in Kurosawa Kiyoshi's Horror Films.” Film-Philosophy 22 (3): 448–64. https://doi.org/10.3366/film.2018.0089.JLiat. 1954. Bravo. Found Sounds. Bikini Atoll. http://jliat.com/.Justice, Daniel Heath. 2018. Why Indigenous Literatures Matter. Wilfrid Laurier University Press.Kurosawa, Kiyoshi, dir. 2001. Pulse. Toho Co., Ltd.Lamb, David Michael. 2015. “Clyde River, Nunavut, Takes on Oil Indsutry over Seismic Testing.” CBC. March 30, 2015. https://www.cbc.ca/news/canada/north/clyde-river-nunavut-takes-on-oil-industry-over-seismic-testing-1.3014742.Lin, Dan, and Kathy Jetnil-Kijiner, dirs. 2018. Anointed. Pacific Storytellers Cooperative. https://www.youtube.com/watch?v=hEVpExaY2Fs.Madwar, Samia. 2016. “Breaking The Silence.” Text/html. Up Here Publishing. uphere. Https://uphere.ca/articles/breaking-silence. 2016. https://uphere.ca/articles/breaking-silence.Miller, Lulu. 2022. “The Wordless Place.” Radiolab. https://radiolab.org/episodes/wordless-place.Morton, Timothy. 2013. Hyperobjects: Philosophy and Ecology after the End of the World. Posthumanities 27. Minneapolis (Minn.): University of Minnesota Press.Raza Kolb, Anjuli Fatima. 2022. “Meta-Dracula: Contagion and the Colonial Gothic.” Journal of Victorian Culture 27 (2): 292–301. https://doi.org/10.1093/jvcult/vcac017.Robinson, Dylan. 2020. Hungry Listening: Resonant Theory for Indigenous Sound Studies. 1 online resource (319 pages) : illustrations vols. Indigenous Americas. Minneapolis: University of Minnesota Press. http://public.eblib.com/choice/PublicFullRecord.aspx?p=6152353.Sontag, Susan. 1966. Against Interpretation and Other Essays. London: Penguin Classics.Tagaq, Tanya. Split Tooth. Viking, Penguin Random House, 2018.Tasker, John Paul. 2017. “Supreme Court Quashes Plans for Seismic Testing in Nunavut, but Gives Green Light to Enbridge Pipeline.” CBC. July 26, 2017. https://www.cbc.ca/news/politics/supreme-court-ruling-indigenous-rights-1.4221698.Yamada, Marc. 2020. “Visualizing a post-bubble Japan in the films of Kurosawa Kiyoshi.” In Locating Heisei in Japanese Fiction and Film : The Historical Imagination of the Lost Decades, 60–81. Routledge contemporary Japan series. Abingdon, Oxon ; Routledge. https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2279077.Yusoff, Kathryn. 2018. A Billion Black Anthropocenes or None. Minneapolis: University of Minnesota Press.

In Tanya Tagaqs außergewöhnlichem Buch, in dem sich Prosapassagen, Gedichte und Illustrationen abwechseln, ist so einiges los. Molche werden in den Mund genommen, Lemminge bauen sich kleine Höhlen in den langen Haaren eines Mädchens, und als die Protagonistin eines Tages ins Eiswasser eintaucht, kommt es zur sexuellen Vereinigung mit den Nordlichtern. Klingt abgefahren? Ist es auch! Im Großen und Ganzen erzählt "Eisfuchs" die Coming-of-Age-Geschichte eines Inuit-Mädchens, das im hohen Norden Kanadas aufwächst, in Cambridge Bay am Polarmeer. Doch anstatt einer idyllischen Kindheit gewährt uns Tagaq verstörende Einblicke in ein Leben, das geprägt ist von sexuellem Missbrauch und Trauma, von Inuit-Mythen, Alkohol und ernüchternder Realität. Ein Buch, das nicht ganz leicht zu besprechen war und uns etwas ratlos zurückgelassen hat.

After an August break, jessamyn and I are back to talk about Metafilter, bad weather, libraries, Metafilter, blaseball, and Metafilter.Helpful LinksPodcast FeedSubscribe with iTunesDirect mp3 downloadMisc - element 166 is pretty UHH - and adorable but not-for-everyone hairless, eyeless kitty - mathowie still misses Google Reader - a useful introduction to Blaseball - a somewhat less useful one - welcome to Zook, Kansas - BAT QUARTERS Jobs - Blog migration by brainwane - Game UI/Generalist Programmer, Character Modeler, and VFX Artist by DoctorFedora - Android OAuth2 mentor to help improve some token refresh code by johngoren - Help me with WIX? by cyndigo Projects - Random Animal Crossing Island Dream Codes by disaster77 - 25 examples of Hackney & Islington's BLM street art by Paul Slade - What caused institutions to take Y2K seriously? by brainwane - "Cruiser" is a strong word for what it is now. But just you wait ... by donpardo - Mixolumia by davejh - linocut print: A Powerful Culture by cortex - ReLarn: A classic Roguelike, updated by suetanvil - A Book Of Beasts by dng MetaFilter - Emma Peel, Bond girl, Mrs. Danvers, Lady Olenna Tyrell, etc. by theora55 - "Tagaq's concerts serve as acts of resistance" by jessamyn - "she bought low, sold high, and kept her calm through every panic." by jessamyn - The problem is that this person cannot speak Scots. by Think_Long - Need a safety sign? by GuyZero - Never, ever, anger a librarian by Wordshore - Crying in blaseball is [censored] by taquito sunrise - How To Cook Steak by philip-random - An Awkward, Anomalous Step, Usually Skipped by adrianhon Ask MetaFilter - What would happen if you bought a ghost town? by ficbot - hacking cabin construction by history is a weapon - COVID trend? by snerson - a comment by fancypants - Swallowing Pills For Adults by Anonymous - What lounge chair is this? by lalunamel - Is it possible to stay socially distant at the Grand Canyon by nancynickerson - Are board game rules copyrightable? by escape from the potato planet - When I say lyrical sci-fi, you say... by Beardman MetaTalk - Metafilter Fundraising Month! by restless_nomad - Help cortex cut his hair, fundraising edition. by cortex - Dream Week by travelingthyme - MeFi Posts: $20 SAIT by jessamyn FanFare - Special Event: Blaseball Season 6 by cortex MetaFilter Music Featured in this episode: - Sweet Nell by hades - Heroes On My Sleeve by allaboutgeorge - Better Watch Your Step (It's The Charleston Shoe Thieves) by cortex - Song 1 by Kye - For Now, For Now by moonmilk

In this episode of Red Man Laughing, we continue our 'Ten Times Around The Sun' mini-series as we turn our attention to ten years of Indigenous music. Our special guest co-host is, Alan Greyeyes (Artistic Director - Sakihiwe Festival). In 'Evolving Sounds Of A Generation,' we dig into the way the Indigenous music scene has evolved through the decade, the effect of streaming and satellite radio, the evolution of the festival programming scene and the few remaining challenges Indigenous artists face. /// Featured artists in this episode are William Prince, Leonard Sumner, Tanya Tagaq, Elisapie Isaac, Caleigh Cardinal, Nehiyawak, Once A Tree, Caley Watts, and Burnstick.

On the eve of the 2nd anniversary of the passing of Gord Downie, Terry David Mulligan talks with Kevin Hearn and Tom Wilson about 'Secret Path Live'. In the last few months of his life, The Tragically Hip’s leader gathered his friends in studio and recorded his last solo album, 'Secret Path' as a tribute to Chanie (Charlie) Wenjack, a 12-year old Ojibwa boy who died trying to escape a residential school.    This weekend at Roy Thompson Hall in Toronto, The Secret Path band will reassemble for a benefit - featuring Kevin Drew, Kevin Hearn, Buffy Sainte Marie, July Talk, Sam Roberts Band, Tanya Tagaq, Whitehorse, William Prince, Serena Ryder, Tom Wilson of Blackie and the Rodeo Kings and many others.

Fact can be as strange as fiction. It can also be as dark, as violent, as rapturous. Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals, and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains. Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine readers will never forget.

On our debut episode, Grant Stovel welcomes musician Jeremy Dutcher. The classically trained operatic tenor and composer spent most of his 20's quietly crafting his stunning debut album Wolastoqiyik Lintuwakonawa. The album blends his training in opera, and his contemporary musical sensibility, and features post-classical rearrangements of Wolastoq First Nation traditional music. The work recently took home Canada's top musical honour, the Polaris Music Prize, this past September.  In this wide-ranging discussion, Jeremy talks about his musical upbringing, discovering the notable absence of classical music that reflects indigeneity, and uncovering the archival recordings that became foundational to his debut album.  The podcast features three selections from the album: "Mehcinut", "Oqiton", and "Eqpahak".    

A powerful voice from Canada’s north, Tanya Tagaq’s take on Inuk throat singing is a fiercely innovative fusion of old and new. In this episode of Couch Wisdom, recorded at the 2016 Red Bull Music Academy in Montreal and released in honor of Indigenous Peoples Day, Tagaq discusses how the country’s untold history of human rights abuses have influenced her music and beliefs.

It's a full sized Charlie Tonic Hour this week as we catch you up on the highs and lows of this past week. From wonderful events to totaled cars, 2016 is going out with one hell of a bang and we work through it all with you in the first 20 minutes. From there, Charlie talks about the last gasp for Last Gasp in a discussion on comic book distribution, we cover a great beer and even include some inuit throat singing. Our voices may not yet be 100%, but the episode sure is!

In a frank conversation with host Rachel Giese, Tagaq talks about how her rage and despair over the rape of women — and of the environment — inspired her new album. The post Episode 4: Musician Tanya Tagaq talks creativity, anger appeared first on Chatelaine.

In this conversation, Tanya Tagaq offers an honest reflection to being an established recording artist today. She speaks about her relationship with her incredible band, her ideas surrounding being a mother and a touring artist, ways in which she practices self care and she shares her views on reconciliation and the important role that art plays in society. Tanya also speaks about her past collaborations and relationship with artist Laakkuluk Williamson-Bathory, who Tanya is the respondent artist for in the #callresponse project. Tanya Tagaq’s music isn’t like anything you’ve heard before. Unnerving and exquisite, Tagaq’s unique vocal expression may be rooted in Inuit throat singing but her music has as much to do with electronica, industrial and metal influences as it does with traditional culture. This Inuk punk is known for delivering fearsome, elemental performances that are visceral and physical, heaving and breathing and alive. Her shows draw incredulous response from worldwide audiences, and Tagaq’s tours tend to jump back and forth over the map of the world. From a Mexican EDM festival to Carnegie Hall, her music and performances transcend language. Tagaq makes musical friends and collaborators with an array of like-minded talents: opera singers, avant-garde violin composers, experimental DJs, all cutting edge and challenging. Tanya’s albums make for complex listening, but her string of Juno nominations attests to her ability to make difficult music speak a universal tongue.

In this conversation, Tanya Tagaq offers an honest reflection to being an established recording artist today. She speaks about her relationship with her incredible band, her ideas surrounding being a mother and a touring artist, ways in which she practices self care and she shares her views on reconciliation and the important role that art plays in society. Tanya also speaks about her past collaborations and relationship with artist Laakkuluk Williamson-Bathory, who Tanya is the respondent artist for in the #callresponse project. Tanya Tagaq's music isn't like anything you've heard before. Unnerving and exquisite, Tagaq's unique vocal expression may be rooted in Inuit throat singing but her music has as much to do with electronica, industrial and metal influences as it does with traditional culture. This Inuk punk is known for delivering fearsome, elemental performances that are visceral and physical, heaving and breathing and alive. Her shows draw incredulous response from worldwide audiences, and Tagaq's tours tend to jump back and forth over the map of the world. From a Mexican EDM festival to Carnegie Hall, her music and performances transcend language. Tagaq makes musical friends and collaborators with an array of like-minded talents: opera singers, avant-garde violin composers, experimental DJs, all cutting edge and challenging. Tanya's albums make for complex listening, but her string of Juno nominations attests to her ability to make difficult music speak a universal tongue.

Medan polarisarna smälter reser röstkonstnären Tanya Tagaq världen runt och strupsjunger fram hur vildrenar springer, vargar ylar och människor viskar och vrålar. Allt började med ett paket från mor. Inuiternas strupsång får nytt liv i den mångfaldigt prisbelönta röstkonstnären Tanya Tagaqs arktiska punk. Hon har samarbetat med världsartister som Björk och Kronos Quartet och hyllats av recensenter världen för hennes hypnotiska konserter där hon sjunger fram de arktiska djuren, vidderna, permafrosten och isarna. Med total intensitet smeker och piskar Tanya Tagaq fram existensen nära Nordpolen. De långa mörka vintrarna och de långa ljusa somrarna. En stillhet som nästan är högljudd. När en stor fågel flyger över ens huvud är ljudet mäktigt därför att tystnaden runtom är så total.Kulturchock i Halifax Den unga Tanya Tagaq lämnade tidigt sin lilla stad Cambridge Bay i Nunavut i nordöstra Kanada. Staden ligger på en ö som saknar vägar och skolor på högre nivå än lågstadiet. Senare flyttade Tanya till universitetsstaden Halifax för att studera konst. Det var en enorm kulturchock för henne. Hon längtade hela tiden hem, till Nunavut.Så en dag fick hon ett paket av sin mor på posten. Det var en C-kassett med uråldrig strupsång med inuitkvinnor. Sången baserar sig på ut- och inandning i ett snabbt tempo, ljud som kan låta som djur i strupen.Tanya Tagaq hade aldrig tidigare hört det här sångsättet. Inuiternas strupsång var under hennes uppväxt ännu förbjuden av kyrkan. Den betraktades som farligt förförande. Hon började öva strupsång i duschen för att dämpa sin hemlängtan och sången kändes så bekant, som om hon hört den miljoner gånger tidigare. Det här är hennes historia. Vi sänder dokumentären på Internationella dagen för modersmål En P2 Dokumentär av Gungerd Wikholm, finska YLE Musik med Tanya Tagaq i programmet:  - ur soloalbumet Animism (SIX086, Six Shooter Records 2014): Uja Umingnak Rabbit Tulugak Fracking   -ur albumet Tundra Songs med Derek Clarke & Kronos Quartet: Tundra Songs  - ur albumet Medullah med Björk: Ancestors

In this episode of the Red Man Laughing Podcast we sit down with the genre bending Tanya Tagaq Gillis. Unconventional in her approach to Traditional Inuit Throat Singing, Tagaq has created a name for herself as a risk taking, innovating & dynamic World talent. Her new album, Animism, is being released by Canadian label, Six Shooter Records, on Tuesday May 27th. In our conversation we talk about everything from her own Indian Residential School experience (yes, she's a survivor), her creative process & her collaborations, Carnegie Hall with the Winnipeg Symphony Orchestra & how her art always ties her back to the land. FROM THE LABEL - Six Shooter Records Tanya Tagaq’s music isn’t like anything you’ve heard before. Unnerving and exquisite, Tagaq’s unique vocal expression may be rooted in Inuit throat singing but her music as much to do with electronica, industrial and metal influences as it does with traditional culture. This Inuk punk is known for delivering fearsome, elemental performances that are visceral and physical, heaving and breathing and alive. Her shows draw incredulous response from worldwide audiences, and Tagaq’s tours tend to jump back and forth over the map of the world. From a Mexican EDM festival to the Canadian High Commission in London, UK, her music and performances transcend language. Tagaq makes musical friends and collaborators with an array of like-minded talents: opera singers, avant-garde violin composers, experimental DJs, all cutting edge and challenging. Tanya’s albums make for complex listening, but her string of Juno nominations attests to her ability to make difficult music speak a universal tongue. Animism, the new album, was produced by west coast shape-shifter Jesse Zubot (Dan Mangan, Fond of Tigers). The record features Michael Red (Low Indigo), a sound sampler and DJ whose wild northern field recordings often serve as Tagaq’s de facto backing band, percussionist Jean Martin and Spanish opera singer Anna Pardo Canedo.   As always, thanks for listening. Make sure you subscribe to the podcast to get new episodes sent directly to your Email or iTunes. WEBSITEryanmcmahoncomedy.comredmanlaughing.com SUBSCRIBEwww.rmcomedy.com/fanclub BOOKINGinfo@ryanmcmahoncomedy.com

This week, The Signal is bringing you music from all edges of this country. You'll hear music from Nunavut's Tanya Tagaq Gillis' new live album. One vocal tone and you know it's the voice of the northern territories. On the other side, there's new music from the urban centre of Toronto, and they go by Del Bel.

Fela, Die Antwoord, Naija Sound, South African Rap, Tagaq,Sunset RubdownGoodluck Layton, Avaaz Org, Nigerian election, Cote D'Ivoire,Willie Nelson, Obama Birth Certificate, Racism and accent,Texas scientists cut holes in mouse hearts

Show #83 features an all-female lineup with music that ranges from the accessible to the experimental. artists include Vanessa Daou, Wendy and Lisa, Barbara Tucker, Amanda Diva, The Angel, and more. this episode is NOT WORKSAFE.

Questions, requests and comments please ! canyella@podomatic.com “Taken by the tide way out to sea, past the friends that we used to be” - as Williams and MacColl put it... 1. Come With Me - Kathryn Williams & Neill MacColl(www.williamsmaccoll.com) 2. Bibo No Aozora/Endless Flight/Babel - Ryuichi Sakamoto, Jaques Morelenbaum & Everton Nelson / Gustavo Santaolalla - Babel Original Soundtrack (www.myspace.com/gustavosantaolalla) 3. Growl - Tanya Tagaq (www.tanyatagaq.com) 4. Gobbledigook - Sigur Ros (www.sigurros.com) 5. Maajun (A Taste Of Tangier) - Dav(e)y Graham (www.daveygraham.moonfruit.com) 6. Olilili - Miriam Makeba (www.miriammakeba.co.za) (In the background were more tracks from Santaolalla's Babel Soundtrack)