Podcasts about their satanic majesties request

Start Artist Song Time Album Year 0:00:36 Alquin Marc's Occasional Showers 3:13 Marks 1972 0:03:48 Atila Almati 5:48 Reviure 1977 0:09:36 Rolling Stones 2000 Light Years From Home 4:36 Their Satanic Majesties Request 1967 0:14:12 Atomic Rooster Ear in the Snow 5:56 Nice ‘N' Greasy (2004 Reissue) 1973 0:20:08 Wishbone Ash Doctor 5:43 Wisbone Four […]

On this episode we tackle the Rolling Stones 1968 LP Beggars Banquet. 1968 was a tumultuous year for much of the world and a transitional time  for  the Rolling Stones. Their founder and original leader, Brian Jones,  was  increasingly absent due to his drug use, and their long-time  manager/producer Andrew Loog Oldham had grown disinterested in the band  due to his own drug and alcohol use, leaving them to produce their next   album on their own. The result, 1967's Their Satanic Majesties Request,  was widely considered a misstep for the band and the Stones were looking   for a fresh start. They found it with producer Jimmy Miller, who helped the Stones get back to their roots, and found ways to inspire the band to create what most believe to be the first album of their classic period, showcasing acoustic blues and hard-hitting social commentary. While not without its controversies, Beggars Banquet does contain some of the most compelling music this classic band has ever made. Visit us at www.tappingvinyl.com.

The Rolling Stones – die Überband der Rockmusik – sind immer noch dabei, immer noch an der Spitze, immer noch horcht die Welt auf, wenn die Stones neue Töne von sich geben. Manchmal sind sie vor lauter Klischee und Anekdoten kaum noch als Musiker auszumachen. Wie wurde aus ein paar musikbegeisterten Jungs aus England diese Band? Geboren in den Bombennächten von London und aufgewachsen durchaus behütet, wurde der Blues und der Rock'n'roll für sie das Fenster zur Welt. Hier klang etwas nach Leidenschaft, Schmerz, Lebensfreude und Sex. Gefunden haben sich die fünf Mitglieder der Band in kleinen Londoner Clubs, Gitarrist Brian Jones, erfahrener als die anderen, hielt die Band zusammen. Mick Jagger fiel auf durch seine exaltierte Art, auf der Bühne zu singen. Ihr Manager inszenierte sie als wildes Gegenstück zu den angeblich braven Beatles - die Masche funktionierte. Nach ersten Alben mit Blues-Coversongs begannen Jagger und Richards, eigene Lieder zu schreiben, die musikalische Handschrift änderte sich. 1965 war mit „Satisfaction“ der Triumph auf beiden Seiten des Atlantiks da. In dieser Folge von Urban Pop geht es um die frühen Jahre der Stones mit vielen Hits und Skandalen. Der Tod von Brian Jones 1969 markierte für die Band eine Zäsur. Peters Playlist: Single: Not fade away (2/1964) The Rolling Stones (4/1964): Route 66, I'm a king bee, Tell me Singles: It's all over now (6/1964), Little red rooster (11/1964) Rolling Stones No. 2 (1/1965): Everybody needs somebody to love, Time is on my side, Under the boardwalk, Pain in my heart, Off the hook Singles: The last time / Play with fire (2/1965), (I can't get no) Satisfaction (6/1965) Out Of Our Heads (9/1965): Mercy, mercy, That's how strong my love is, Cry to me, Heart of stone, I'm free Singles: Get off of my cloud (9/1965), 19th nervous breakdown / As tears go by (2/1966) Aftermath (4/1966): Mother's little helper, Lady Jane, Under my thumb, Goin‘ home, Out of time Singles: Paint it black (5/1966), Have you seen your mother, baby, standing in the shadow? (9/1966), Let's spend the night together / Ruby Tuesday (1/1967) Between The Buttons (2/1967): Back street girl, She smiled sweetly Single: We love you / Dandelion (8/1967) Their Satanic Majesties Request (12/1967): She's a rainbow, The lantern, 2000 light years from home Singles: Jumpin‘ Jack Flash/Child of the moon (5/1968), Street fighting man (8/1968) Beggars Banquet (12/1968): Sympathy for the devil, No expectations, Parachute woman, Stray cat blues, Factory girl, Salt of the earth Single: Honky Tonk Women (7/1969) Let It Bleed (11/1969): Gimme shelter, Live with me, Let it bleed, Midnight Rambler, You can't always get what you want Compilations: Big Hits (High Tide and Green Grass) (11/1966) Through The Past Darkly (Big Hits Vol. 2) (9/1969) Hot Rocks 1964 – 1971 (12/1971) More Hot Rocks (12/1972)

It's an epic throwdown for the ages as It Happened One Year wanders into one of the great debates in music history! Sarah & Joe don't exactly see eye-to-eye on these bands' particular outputs in 1967, but with The Beatles' Sgt. Pepper's Lonely Hearts Club Band and The Rolling Stones' Their Satanic Majesties Request on the turntables, a heady, trippy time was bound to be had by all! After an introduction by friend of the show and Visitors to Nova Scotia star Shannon Hosey, the conversation ducks and weaves through favorite songs and albums from the bands, what The Who was up to in the Summer of Love, how the first text messages the hosts ever sent each other relate to this match-up, why The Doors have remained popular at all, who was the real king of Seattle grunge, and tries to answer the question - who best conquered this year of psychedelic music?

Hello Friends! It's time to take a trip back to the land of The Rolling Stones as we continue our look at the Psych of 1967, with Their Satanic Majesties Request. The Christmas effort that year from the group, this album has divided opinion since release, and with a messy history of the issue of it's mono mix, which is the way one should be listening to this rather unique offering from the group? Thankfully we only have the mono and stereo mix to look at once again, so in that case - on with the show!   Happy Listening,   Frederick   Patreon   Email   Instagram   Back to Mono

Psychedelia old and new whizzes through your ears. Then we hit side A of Their Satanic Majesties Request. What are you waiting for? Get right into the rockin'.

Destacamos o Fleet Foxes e as outras atrações do Balaclava Fest: Alvvays, Crumb, Jennifer Souza, Ombu, Bruno Berle e Pluma. Além disso ouvimos um bloco com músicas do seriado O Urso, incluindo Wilco, REM, Radiohead e outros. E por último, nosso disco da semana, "Their Satanic Majesties Request" dos Rolling Stones. Último programa de 2022, antes de três semanas de férias.

The Rolling Stones embark on their final tour for over two years. They record Their Satanic Majesties Request, their most hated album of all time.

We're back for part two of the Rolling Stones/Beatles saga and this time we dig into their supposed feud. From Elliot Page's newest development, to the generation of movie remakes, get ready to shriek like Yoko because this one gets sassy! To send in topics of interest, please email: quiteabitpodcast@gmail.comFollow us on Instagram @quiteabitpodcast Sources for this episode:https://en.wikipedia.org/wiki/Their_Satanic_Majesties_Requesthttps://en.wikipedia.org/wiki/We_Love_Youhttps://en.m.wikipedia.org/wiki/The_Dirty_Machttps://en.m.wikipedia.org/wiki/The_Rolling_Stones_Rock_and_Roll_Circushttps://www.rollingstone.com/music/music-news/lennon-remembers-part-one-186693/https://www.google.com/amp/s/faroutmagazine.co.uk/the-beatles-george-harrison-inspired-rolling-stones-paint-it-black/%3famphttps://www.esquire.com/entertainment/music/interviews/a36899/keith-richards-interview-0915/https://www.rockhall.com/inductees/beatleshttps://www.newyorker.com/magazine/2021/10/18/paul-mccartney-doesnt-really-want-to-stop-the-showhttp://www.beatlesinterviews.org/db1980.jlpb.beatles.htmlhttps://www.radiotimes.com/audio/interview-annie-nightingale-talks-to-sir-paul-mccartney/https://variety.com/2021/music/news/beatles-rolling-stones-rivalry-paul-mccartney-mick-jagger-1235091803/https://www.vulture.com/2017/09/the-making-of-the-cover-of-their-satanic-majesties-request.htmlhttps://people.com/music/mick-jagger-rolling-stones-versus-the-beatles-debate/

The phrase “so-and-so band needs no introduction” is incredibly overused, but if there's a single band for whom the phrase holds true... it's the Beatles. However, if there are two bands that it holds true for, it's the Beatles and the Rolling Stones. Many associate the Stones with “good old-fashioned rock and roll,” but that isn't really true. Sure, the band has been locked into its trademark style for several decades now, but in the '60s, they were far more creative than they were often given credit for. And they never ventured further afield than they did on 1967's Their Satanic Majesties Request, a bizarre, stoned, trippy, psychedelic album, filled top to bottom with strange sounds, experimental song structures, and tons and tons of just-plain-weirdness. Fans and critics hated it and the band quickly moved on, never attempting anything in this style ever again and generally pretending that the album doesn't exist. Is the album really that bad, though? Phil sure doesn't think so, and he's here to make the case to Rich, John, and Dan that it's a detour in the Stones discography well worth taking.Cohosts: Phil Maddox, Rich Bunnell, John McFerrin, Dan WatkinsComplete show notes: https://discordpod.com/listen/074-the-rolling-stones-their-satanic-majesties-request-1967Support the podcast! https://www.patreon.com/discordpod

The Who, reeditats. Tots els grups dels 60 tenen el seu disc psicod

RockerMike and Rob discuss the making of Rolling Stones Satanic Majesties Request Their Satanic Majesties Request is a studio album by the English rock band the Rolling Stones, released in December 1967 by Decca Records in the UK and by London Records in the US. It is their sixth British and eighth American studio album, and their first to be released in identical versions in both countries. The album's title is a play on the "Her Britannic Majesty requests and requires..." text that appears inside a British passport. Their Satanic Majesties Request Rolling Stones - Their Satanic Majesties Request - 1967 Decca Album cover.jpg Studio album by The Rolling Stones Released 8 December 1967 Recorded 9 February – 23 October 1967 Studio Olympic, London Genre Psychedelic pop[1][2] acid rock[3] experimental rock[4] psychedelic rock[5] Length 44:06 Label Decca (UK) London (US) Producer The Rolling Stones The Rolling Stones UK chronology Between the Buttons (1967) Their Satanic Majesties Request (1967) Beggars Banquet (1968) The Rolling Stones US chronology Flowers (1967) Their Satanic Majesties Request (1967) Beggars Banquet (1968) Singles from Their Satanic Majesties Request "In Another Land"/"The Lantern" Released: 2 December 1967 "She's a Rainbow"/"2000 Light Years from Home" Released: 23 December 1967 The band experimented with a psychedelic sound on Satanic Majesties, incorporating unconventional elements such as Mellotron, sound effects, string arrangements, and African rhythms. The album was self-produced by the band following the departure of manager/producer Andrew Loog Oldham, and the prolonged recording process was marked by drug use, court appearances, and jail terms by members of the band. The original LP cover features a lenticular image by photographer Michael Cooper. Please follow us on Youtube,Facebook,Instagram,Twitter,Patreon and at www.gettinglumpedup.com https://linktr.ee/RobRossi Get your T-shirt at https://www.prowrestlingtees.com/gettinglumpedup And https://www.bonfire.com/store/getting-lumped-up/ Subscribe to the channel and hit the like button --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/rob-rossi/support https://itunes.apple.com/us/podcast/getting-lumped-up-with-rob-rossi/id1448899708 https://open.spotify.com/show/00ZWLZaYqQlJji1QSoEz7a https://www.patreon.com/Gettinglumpedup #rocknroll #instamusic #alternative #art #guitar #singer #love #photography #punk #fashion #newmusic #beautiful #concert #musicians #metalhead #songwriter #rock #singersongwriter #guitarist #livemusic #photooftheday #artist #musician #rap #cute #beauty #producer #live #band #hiphop --- Support this podcast: https://anchor.fm/rob-rossi/support

In part 2 of our first edition of "Revisionist History" we reexamine "Their Satanic Majesties Request" by the Rolling Stones. It is often regarded as a failed reaction to the Beatles "Sgt. Pepper's Lonely Hearts Club Band," but in this podcast  we'll discuss whether that is a fair or foul assessment. 

We get into The Rolling Stones album Their Satanic Majesties Request. Enjoy! Don’t forget to rate, review and subscribe on iTunes. Leave a comment on Facebook, Instagram, Twitter or AsinineRadio.com. Email us at AsinineRadio@gmail.com. We’re even on Spotify! iTunes: www.itunes.apple.com/us/podcast/asi…130289553?mt=2 Spotify: open.spotify.com/show/60pYwZVJoOm2NvmmQHcks7 Twitter: www.twitter.com/AsinineRadio Instagram: www.Instagram.com/asinineradio/ Facebook: www.facebook.com/asinineradio/

Esta semana en nuestro podcast de música, revisamos álbumes de aniversario como “Their Satanic Majesties Request” de The Rolling Stones, “ABBA: The Album” de ABBA y “Public Image: First Issue” de Public Image Ltd. Nuestro especial de artista de la semana se centra en la carrera de Ana Tijoux, mientras que en discos nuevos conversamos sobre “Cyr” de The Smashing Pumpkins, “Canciones Para El Siglo XXI” de Poder Fantasma y “Spirit World Field Guide” de Aesop Rock.

Y el joven australiano Angus Gill se ayuda de Steve Earle (aprendiz y maestro) para impulsarse en el mundo mientras Mike Campbell y sus Dirty Knobs se empeñan en hacer cancioncillas sobre el confinamiento. En España los camioneros no escuchan country, qué va, y no tienen canciones sobre sus máquinas de 18 ruedas como sus colegas usamericanos, con una subárea country, el truckin' o camioneo, del que Sean Burns es un avanzado dieselbilly como nuestro querido Bill Kirchen. Volvemos a escuchar el agudo timbre de Victoria Bailey y uno de los sermones (discursos) de Martin Luther King en la voz de Iris Dement adaptado a los tiempos George Floyd. Más música americana con William Elliott Whitmore y Josh Ritter antes de volver al disco de versiones de Molly Tuttle ahora con un viejo She's a Rainbow, la canción de Jaggers/Richard del álbum de 1967 Their Satanic Majesties Request. Los Old 97s con su espectacular The Dropouts y Vanessa Collier con su blues soul y su saxofón ponen el punto y final pot hoy hasta la próxima parada de Clave de Rock.- Los Straitjackets, Genesee River Rock- Angus Gill & Seasons of Change Ft. Steve Earle, The New Old Me- The Dirty Knobs, Lockdown Part II- Sean Burns, Six Days on the Road- Sean Burns, Roll Big Wheels Roll- Sean Burns, Give Me Forty Acres - Victoria Bailey, Skid Row - Victoria Bailey, Tennesee - Iris DeMent, How Long - William Elliott Whitmore, My Mind Can Be Cruel to Me - Josh Ritter, Haunt- Molly Tuttle, She's A Rainbow- Old 97's, The Dropouts- Vanessa Collier, Superbad- Vanessa Collier, What Makes You Beatiful- Walter Trout, Up Above My Sky

Episode 7 continues our NCAA Tournament styled brackets to determine the greatest rock music artist of all time. This episode covers the Sweet Sixteen. '60s match ups for this episode: (1) The Beatles vs. (4) The Rolling Stones (3) Bob Dylan vs. (7) The Who '70s match ups for this episode: (1) Led Zeppelin vs. (4) Neil Young (2) Pink Floyd vs. (14) Van Morrison '80s match ups for this episode: (1) U2 vs. (13) Iron Maiden (2) R.E.M. vs. (14) Rush '90s match ups for this episode: (4) Soundgarden vs. (9) Smashing Pumpkins (2) Radiohead vs. (3) Pearl Jam Notes for this episode: Keith Richards was great at the riffs and the rhythm guitar...the album referenced where Keith was (mostly) the only guitar player was Let It Bleed (last word wasn't clear). And it was Merry Clayton who sang "Gimme Shelter" with Mick (not Mary in case it sounded more like Mary). The Rolling Stones (not The Beatles) had Nicky Hopkins playing piano. Also, the Stones did kinda try to become Pink Floyd, however briefly, on Their Satanic Majesties Request (really a poor man's Sgt. Pepper's). Pearl Jam had a problem with CD-era over-length with their albums at times but have gotten better with that in recent years (some words were missing there in the podcast).

Dust off those wizard hats and kaftans and fire up your mellotron, it’s time to get weird. Galen and Alex examine a truly singular entry in the Rolling Stones’ career with 1967’s “Their Satanic Majesties Request.” There are some good ideas and some solid songs on this album, but a chaotic recording process resulted in the uneven, odd final product. You can get in touch with Galen and Alex, who can proudly say they survived “Gomper,” at @doctorgc or @akmccarthy on Twitter.

TESTO DELL'ARTICOLO ➜ http://www.bastabugie.it/it/articoli.php?id=5789LA LEGGENDA DI WOODSTOCK E' TOTALMENTE FUORVIANTE (COME MOLTI DEI MITI DEGLI ANNI '60) di Giulia TanelCinquant'anni fa, tra il 15 e il 18 agosto 1969, si svolgeva vicino a Bethel, una cittadina rurale dello Stato di New York, la Fiera della Musica e delle Arti di Woodstock. Nell'immaginario collettivo, che si è costruito una (fuorviante) idea del festival grazie al documentario - premio Oscar nel 1970 - dal titolo "Woodstock: tre giorni di pace, amore e musica", si è trattato di un festoso e pacifico raduno di giovani che ha dato slancio al movimento controculturale che ha visto nell'affermarsi della "rivoluzione sessuale" e nella conquista dei cosiddetti "diritti civili", in primis aborto e divorzio, i suoi frutti più eclatanti.Eppure, una lettura meno disincantata e più attinente ai fatti, unita a un'analisi delle conseguenze derivate, non solo è possibile, ma è anche un dovere di verità. Ed è proprio questa l'analisi che propone K.V. Turley sul National Catholic Register, innanzitutto affermando che Woodstock, inteso appunto secondo la concezione più diffusa del fenomeno, «non è mai esistito. Era un campo fangoso con quasi mezzo milione di giovani, molti dei quali erano drogati e ascoltavano musica rock attraverso un cattivo sistema di diffusione sonora con carenza di cibo e servizi igienici. [...] Eppure, come gran parte dei miti degli anni '60, la leggenda che è stata stampata sul festival è totalmente fuorviante».Non c'è stato solo Woodstock, naturalmente: sempre nel 1969, questa volta in California, si svolse l'Altamont Free Concert, presentato come il West Coast Woodstock, che vide i Rolling Stone suonare come primo pezzo la canzone Sympathy for the Devil, dopo che già durante la "mitica" Summer of Love del 1967 avevano registrato l'album Their Satanic Majesties Request... Le parole parlano da sé e questi eventi, rileva Turley, «non sono che i mezzi con cui gli aspetti di quella rivoluzione [sessuale, ndR] continuano ad essere glamour, anche se è stata, e continua ad essere, una rivoluzione mortale come qualsiasi guerra e, con il senno di poi di mezzo secolo, con altrettante causalità». Infatti, si domanda ancora il giornalista, «è una semplice coincidenza che il festival controculturale di Woodstock abbia avuto inizio durante la festa dell'Assunta? O se Altamont si è tenuto durante la festa dell'Immacolata Concezione? O che l'inno hippy originale dell'estate del 1967 e oltre San Francisco (Be Sure to Wear Flowers in Your Hair) è stato rilasciato il 13 maggio, festa della Nostra Signora di Fatima?».Quanto è certo, chiosa Turley, è che quello che Woodstock rappresentava - e ancora rappresenta - continua a seminare falsità demoniache nel mondo. E le conseguenze sono sotto gli occhi di tutti, ogni giorno. Come ha recentemente dichiarato al New York Times Roger Daltrey, della rock band inglese The Who, che nell'agosto del 1969 era presente in prima persona a Bethel: «Woodstock non era pace e amore. C'erano un sacco di urla, di continuo. Quando tutto finì, i lati peggiori della nostra natura erano emersi».Ecco perché, di fronte alle celebrazioni per il cinquantennio dell'evento clou dei "figli dei fiori", è importante, in prima istanza per i cattolici, smascherare l'errore portato subdolamente avanti dalla narrazione ideologicamente allineata e, di contro, riaffermare pubblicamente quella che è la Via, la Verità e la Vita: Gesù Cristo, il Salvatore.

Scot and Jeff discuss The Rolling Stones (Part 1, through LET IT BLEED) with Harry Khachatrian. Introducing the Band: Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) with guest Harry Khachatrian. Harry is a contributor at The Daily Wire and his writing also can be found at harrykhachatrian.com.  Harry is on Twitter at @harry1T6. Harry's Music Pick: The Rolling Stones The fog of war is thick and heavy, and the storm is threatening my very life today, so allow the Political Beats look at the Brian Jones era of The Rolling Stones send you all looking for shelter. And a beverage. And perhaps headphones, if you're in a crowded area. You'll want to crank this one. Scot, Jeff, and Harry lead you through the first eight years or so of the band, starting with its origins as an R&B/blues cover outfit, through the singles era, into THEIR SATANIC MAJESTIES REQUEST, and out the other side as the greatest winning streak in rock and roll history begins with BEGGARS BANQUET and LET IT BLEED. We do our best to explain the divergence between the US and UK versions of the Stones' early discography, and Jeff makes an impassioned plea for all of you to pay attention to how special the Jones era was and how important his contributions were throughout this time. If you want to talk about Mick, Keef, Brian, Bill, Charlie, and even Stu. . . then without further ado, let's just get right down to it. And this is just Part 1; there's 50 years to go in Part 2!

Gestur þáttarins að þessu sinni Olga Björt Þórðardóttir ritstjóri og eigandi Fjarðarpóstsins. Hún mætir með uppáhalds ROKKplötuna sína klukkan 21.00 Plata þáttarins er plata Rolling Stones frá 1968 sem heitir Beggars Banquet. Hún er sjöunda plata Stones í Bretlandi en níunda sem var gefin út í Ameríku. Platan kom út í desember ´68 hjá Decca í Bretlandi en London Records í Ameríku. Á Beggars Banquet fer sveitin til baka í blúsað rokkið sem sveitin var alltaf þekktust fyrir, en plöturnar tvær á undan, Between the Buttons og Their Satanic Majesties Request einkenndust af sækadelíusku rokki og tilraunum. Og blúsrokkið krydda þeir á Beggars Banquet með áhrifum héðan og þaðan, með suður amerísku töktum, conga trommum frá Afríku og Asískum hljóðfærum eins og sítar og tabla. Þetta er síðasta plata Rolling Stones þar sem Brian Jones er með alla leið. Hann er með í tveimur lögum á plötunni á eftir, Let it bleed, en Beggars Banquet er líka síðasta platan sem kom út meðan hann lifði. Jagger og Richards eiga öll lög plötunnar nema eitt og Brian Jones spilar næstum engan gítar á plötunni, en hann spilar á sítar, munnhörpu, Mellotron og tambúrínu t.d. Beggars Banquet er fyrsta plata Rolling Stones sem upptökustjórinn Jimmy Miller gerði með þeim, en hann átti eftir að gera margar plötur með sveitinni. Platan náði fimmta sæti Bandaríska vinsældalistans og því þriðja í Bretlandi. Hún þykir með bestu plötum Stones og er á ýmsum listum yfir bestu plötur sögunnar. Þekktustu lög plötunnar eru Sympathy for the Devil og Street Fighting Man. Við heyrum nokkur lög af Beggars Banquet í þættinum. Óskalagasíminn verður opnaður (5687-123) um kl. 20 og A+B er svo að þessu sinni með The Buzzcocks. Lagalistinn: 200.000 Naglbítar - Brjótum það sem brotnar Kiss - Detroit rock city Kiss - King of the night time world Scorpions - Rock you like a hurricane Deep Purple - Demons eye Týr - Álvur kóngur Richard Hawley - Off my mind SÍMATÍMI Rolling Blackouts Coastal Fever - Talking straight The Datsuns - What would i know (óskalag) Led Zeppelin - Immigrant song (óskalag) Rolling Stones - Sympathy for the Devil (plata Þáttarins) Uriah Heep - July Morning (óskalag) Beatles - Everybody´s got something to hide except me and my monkey (óskalag) Scorpions - Wind´s of change (óskalag) Iron Maiden - Fear of the dark Girlschool - Race with the Devil GESTUR FUZZ - OLGA BJÖRT ÞÓRÐARDÓTTIR Metallica - Nothing else matters OLGA II Skálmöld og sinfó - Hel OLGA III Skálmöld og sinfó - Kvaðning Rolling Stones - Street fighting man A+B Buzzcocks - Ever fallen i

Gestur þáttarins að þessu sinni Olga Björt Þórðardóttir ritstjóri og eigandi Fjarðarpóstsins. Hún mætir með uppáhalds ROKKplötuna sína klukkan 21.00 Plata þáttarins er plata Rolling Stones frá 1968 sem heitir Beggars Banquet. Hún er sjöunda plata Stones í Bretlandi en níunda sem var gefin út í Ameríku. Platan kom út í desember ´68 hjá Decca í Bretlandi en London Records í Ameríku. Á Beggars Banquet fer sveitin til baka í blúsað rokkið sem sveitin var alltaf þekktust fyrir, en plöturnar tvær á undan, Between the Buttons og Their Satanic Majesties Request einkenndust af sækadelíusku rokki og tilraunum. Og blúsrokkið krydda þeir á Beggars Banquet með áhrifum héðan og þaðan, með suður amerísku töktum, conga trommum frá Afríku og Asískum hljóðfærum eins og sítar og tabla. Þetta er síðasta plata Rolling Stones þar sem Brian Jones er með alla leið. Hann er með í tveimur lögum á plötunni á eftir, Let it bleed, en Beggars Banquet er líka síðasta platan sem kom út meðan hann lifði. Jagger og Richards eiga öll lög plötunnar nema eitt og Brian Jones spilar næstum engan gítar á plötunni, en hann spilar á sítar, munnhörpu, Mellotron og tambúrínu t.d. Beggars Banquet er fyrsta plata Rolling Stones sem upptökustjórinn Jimmy Miller gerði með þeim, en hann átti eftir að gera margar plötur með sveitinni. Platan náði fimmta sæti Bandaríska vinsældalistans og því þriðja í Bretlandi. Hún þykir með bestu plötum Stones og er á ýmsum listum yfir bestu plötur sögunnar. Þekktustu lög plötunnar eru Sympathy for the Devil og Street Fighting Man. Við heyrum nokkur lög af Beggars Banquet í þættinum. Óskalagasíminn verður opnaður (5687-123) um kl. 20 og A+B er svo að þessu sinni með The Buzzcocks. Lagalistinn: 200.000 Naglbítar - Brjótum það sem brotnar Kiss - Detroit rock city Kiss - King of the night time world Scorpions - Rock you like a hurricane Deep Purple - Demons eye Týr - Álvur kóngur Richard Hawley - Off my mind SÍMATÍMI Rolling Blackouts Coastal Fever - Talking straight The Datsuns - What would i know (óskalag) Led Zeppelin - Immigrant song (óskalag) Rolling Stones - Sympathy for the Devil (plata Þáttarins) Uriah Heep - July Morning (óskalag) Beatles - Everybody´s got something to hide except me and my monkey (óskalag) Scorpions - Wind´s of change (óskalag) Iron Maiden - Fear of the dark Girlschool - Race with the Devil GESTUR FUZZ - OLGA BJÖRT ÞÓRÐARDÓTTIR Metallica - Nothing else matters OLGA II Skálmöld og sinfó - Hel OLGA III Skálmöld og sinfó - Kvaðning Rolling Stones - Street fighting man A+B Buzzcocks - Ever fallen i

Gestur þáttarins að þessu sinni Olga Björt Þórðardóttir ritstjóri og eigandi Fjarðarpóstsins. Hún mætir með uppáhalds ROKKplötuna sína klukkan 21.00 Plata þáttarins er plata Rolling Stones frá 1968 sem heitir Beggars Banquet. Hún er sjöunda plata Stones í Bretlandi en níunda sem var gefin út í Ameríku. Platan kom út í desember ´68 hjá Decca í Bretlandi en London Records í Ameríku. Á Beggars Banquet fer sveitin til baka í blúsað rokkið sem sveitin var alltaf þekktust fyrir, en plöturnar tvær á undan, Between the Buttons og Their Satanic Majesties Request einkenndust af sækadelíusku rokki og tilraunum. Og blúsrokkið krydda þeir á Beggars Banquet með áhrifum héðan og þaðan, með suður amerísku töktum, conga trommum frá Afríku og Asískum hljóðfærum eins og sítar og tabla. Þetta er síðasta plata Rolling Stones þar sem Brian Jones er með alla leið. Hann er með í tveimur lögum á plötunni á eftir, Let it bleed, en Beggars Banquet er líka síðasta platan sem kom út meðan hann lifði. Jagger og Richards eiga öll lög plötunnar nema eitt og Brian Jones spilar næstum engan gítar á plötunni, en hann spilar á sítar, munnhörpu, Mellotron og tambúrínu t.d. Beggars Banquet er fyrsta plata Rolling Stones sem upptökustjórinn Jimmy Miller gerði með þeim, en hann átti eftir að gera margar plötur með sveitinni. Platan náði fimmta sæti Bandaríska vinsældalistans og því þriðja í Bretlandi. Hún þykir með bestu plötum Stones og er á ýmsum listum yfir bestu plötur sögunnar. Þekktustu lög plötunnar eru Sympathy for the Devil og Street Fighting Man. Við heyrum nokkur lög af Beggars Banquet í þættinum. Óskalagasíminn verður opnaður (5687-123) um kl. 20 og A+B er svo að þessu sinni með The Buzzcocks. Lagalistinn: 200.000 Naglbítar - Brjótum það sem brotnar Kiss - Detroit rock city Kiss - King of the night time world Scorpions - Rock you like a hurricane Deep Purple - Demons eye Týr - Álvur kóngur Richard Hawley - Off my mind SÍMATÍMI Rolling Blackouts Coastal Fever - Talking straight The Datsuns - What would i know (óskalag) Led Zeppelin - Immigrant song (óskalag) Rolling Stones - Sympathy for the Devil (plata Þáttarins) Uriah Heep - July Morning (óskalag) Beatles - Everybody´s got something to hide except me and my monkey (óskalag) Scorpions - Wind´s of change (óskalag) Iron Maiden - Fear of the dark Girlschool - Race with the Devil GESTUR FUZZ - OLGA BJÖRT ÞÓRÐARDÓTTIR Metallica - Nothing else matters OLGA II Skálmöld og sinfó - Hel OLGA III Skálmöld og sinfó - Kvaðning Rolling Stones - Street fighting man A+B Buzzcocks - Ever fallen i

Episode 9  The Rolling Stones We'll start this episode with an analysis of the Rolling Stone's early style, after which focusing on their most successful singles. The album Aftermath, the first to feature all original compositions by the group's members, will be discussed at some length, but such later '60s albums as Their Satanic Majesties Request will also be surveyed. Stylistic changes in the '70s and beyond, starting with the Sticky Fingers album and extending to the Dirty Work album of 1986, will also be discussed.

In this episode, I talk about my podcast being available on the Stitcher app, so you can have the show on the go. Please give a thumbs up to increase my ranking and visibility. Thanks for doing that.  It's another 45 year anniversary. This time it's "Beggar's Banquet". One time I was driving in Seattle in my old red pickup and a song came on the radio. I'd heard the Stones all my life, but just the singles. The Chevy started steering itself until I ended up at a CD store. The song was "You Can't Always Get What You Want", and I'd never listened to it closely. It made a big impression on me and started me on a journey.  I used to like a lot of thrash bands, then grunge. I like melodic music, but the Stones were off my radar. The journey was expensive, because I had to buy thirty albums. Same with Bowie. I was buying a CD almost every day and got obsessed with them and Bowie. "Beggar's Banquet" was probably the second album of theirs I got. It is very acoustic. The record cover is simple, white with script writing and said "RSVP". It was like a formal invitation to a nice dinner. The real album cover they wanted to use was refused by the record company but they re-released it with that in 2003 or so. It's a horrible bathroom like in "Trainspotting" and they use graffiti to great effect. It's a sepia toned picture with dirty porcelain. It looks like the Rolling Stones name is written in lipstick. It also says, "God rolls his own". There's an ankh and a peace sign and someone has taco thighs. There's a weird not to Bob Dylan. Inside joke, probably. Kilroy was here, and so was a naked woman. The back cover has the crediting of the musicians and the song titles, randomly written. Somewhere it says, "Where is Spanish Tony?" who was their drug dealer.  It was a transitional album, because the previous album was the strange answer to "Sgt. Pepper's" called "Their Satanic Majesties Request". They were messed up on drugs bigtime. "Beggar's" was a return to their roots, acoustic blues. "Sympathy for the Devil" is the first song, but doesn't fit with the rest, since "Sympathy" is an electric rocker.  Brian Jones had puffy eyes and a bowl haircut. He was always on drugs and fighting women. He couldn't play much because he was so messed up, but he would show up at the studio and want to play. Mick and Keith were pushing him out. Brian would derail their productivity in the studio because he didn't know the songs. So they kicked him out, which is real hard to do, trust me. Brian Jones drowned in his swimming pool about a month later.  About that time, Keef was making friends with Gram Parsons, who died tragically like many others around the Stones. He influenced Keef's country sound. Gram was from Georgia, Bakersfield, and Nashville. He showed Keef how to tune his guitar to an open tuning, which I don't want to explain. It became Keith's signature, and it's the reason I never learned how to play Stones songs because I didn't want to retune all the time. Crazy, since I have a Stones tattoo.  Mick was getting more comfortable as a singer and he sounds like a Chicago blues man. He doesn't get the credit he deserves.  The Stones had a mobile studio built in '68. Mick lived in a country house called "Stargroves". They were tired of being in the studio and wanted to record at their houses, so they made a mobile control unit. That studio recorded dozens of seminal albums by Lou Reed, Marley, Mac, Badco, Zep, etc., etc. They recorded Zep at Headley Grange and Stargroves. They drove the studio around on a flatbed. On the "Physical Graffiti" album, there's a song called "Black Country Woman" and Eddie Kramer was the engineer. A plane flew over and Robert Plant told him to leave it on the recording. The Stones were from the street, working class, and they never forgot that. At the height of their fame, Keef had rotten teef. I hope you liked this episode! My website is www.PaperbackRocker.com. You can find the podcast archives there. Find my books on Amazon by searching my name, Matt Syverson. Follow me on Twitter @PaperbackRocker. Email me at bowiefan1970@live.com. Thanks for listening!