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In this episode of The TechEd Podcast, host Matt Kirchner sits down with Irv Blumkin, Chairman of Nebraska Furniture Mart (NFM), and Ryan Blumkin, Executive Vice President, to unpack nearly 90 years of retail innovation, from Mrs. B's pawn-shop beginnings to multi-acre campuses in Omaha, Kansas City, Dallas, and soon Austin. They explore what it's like to partner with Warren Buffett and Berkshire Hathaway, build massive destination developments, and still obsess over every single SKU and customer interaction. From dynamic pricing and AI-enabled operations to a mind-blowing learning trip through China's retail and technology ecosystem, Irv and Ryan share how NFM is using data, automation, and emerging tech to deepen their moat, without ever losing sight of values, culture, and long-term thinking. They also talk careers in retail tech, why young “outside-the-box” thinkers matter, and the role of lifelong learning in leading through disruption. Listen to learn:Why Warren Buffett bought Nebraska Furniture Mart on a handshake, and what Irv has learned from decades of dinners and deal-making with himWhy strong values and culture matter more than ever in this tech-driven marketplaceHow NFM uses massive-store footprints, destination partners like Scheels, and even hotel/convention centers to turn shopping into an experienceHow dynamic pricing, digital shelf tags, and nightly web crawls of 70,000+ SKUs keep NFM competitive with Amazon, Costco, Wayfair, and othersWhat Irv and Ryan saw in China's tech companies and how those lessons are shaping NFM's future3 Big Takeaways from this Episode:1. Timeless values can scale into a $2 billion business. Mrs. B's simple principles (sell at a great price, tell the truth, and pay your bills) still anchor NFM's strategy, even as the company builds 1.8 million-square-foot campuses and expands into new markets like Austin. Irv connects those values directly to long-term growth, customer trust, and the family's partnership with Berkshire Hathaway. 2. Technology is now core infrastructure, not an add-on. NFM's nightly web crawling, digital price tags, and dynamic pricing systems automatically position them as the best value against online competitors, while complex distribution networks and emerging AI tools optimize inventory and logistics. Ryan frames this as building a “moat” with data, automation, and relentless operational excellence, not just more advertising. 3. Lifelong learning is mandatory for modern leadership. Irv has invested in executive education for decades, and both he and Ryan describe their China trip as “eye opening” in terms of speed, scrappiness, AI adoption, and asset-light business models. They're already translating those lessons into new e-commerce strategies, warehouse automation concepts, and AI-enabled process improvements back at NFM. Resources in this Episode:Learn more about Nebraska Furniture MartOther resources mentioned:Six Days in China: The Speed, Scale and Innovation Outpacing the U.S. - Podcast episode with Todd WanekMORE LINKS & RESOURCES ON THE EPISODE PAGE: https://techWe want to hear from you! Send us a text.Instagram - Facebook - YouTube - TikTok - Twitter - LinkedIn
What if you could get a behind the scenes look at China's most innovative tech companies, factories and logistics hubs—seeing how they really run and asking the questions most Americans never get to ask?This week, you do. Matt Kirchner and Todd Wanek, CEO of Ashley Furniture, sit down to debrief the trip they took together to China. In a candid, off-the-cuff conversation, they trade questions and challenge each other's assumptions as they compare what they saw there with what's happening in U.S. business, policy, and education.After six days of nonstop plant tours and tech company visits, they debrief what they saw: an engineering-driven society, central planning at massive scale, open-source AI innovation, and humanoid robots that are improving in real time. They contrast that with U.S. politics, policy, education, and workforce development, and lay out the uncomfortable truths and huge opportunities for American manufacturing and technical education.
This place is going to turn into 1620 The Warzone...
Jackie Bennett is a former teacher and coach who taught at Page High School in Franklin, Tennessee. The beloved educator was also diagnosed with kidney failure and needed a kidney transplant. AND She’s 101, still working six days a week–and says she wouldn’t have it any other way. To see videos and photos referenced in this episode, visit GodUpdates! https://www.godtube.com/blog/former-student-donates-kidney.html https://www.godtube.com/blog/working-at-101-and-loving-it.html Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.
This is a free preview of a paid episode. To hear more, visit www.splitzoneduo.comSUBSCRIBER EPISODE (join here): The coaching carousel is about to reach max velocity. Richard leads Alex and Rodger through a broad overview of the state of play six days before “Black Sunday,” starting with the Lane Kiffin extended universe and moving outward from there. Among the topics discussed here:* The media apparatus behind Lane Kiffin and Jimmy Sexton's moves, plus Rodger's grand idea to finally reveal what's happening* Why you shouldn't trust anyone claiming to know for sure what Kiffin is doing, and why you shouldn't read too much into his slow process pointing him toward one school or another* Auburn has a clear plan in mind and has been focused on it for weeks. But until Kiffin gives a resolution to Ole Miss, LSU, and Florida, there's a variable in play for Auburn's main target* Terry Smith's maneuvering to get involved in the Penn State search, a great example of how coaches aren't hired, but elected* The options for Eric Morris, North Texas coach and leader of the nation's current No. 1 offense by SP+* Florida State keeping Mike Norvell and showing it doesn't want to compete (in the coaching market)* Cal's firing of Justin Wilcox, and why the two impending new hires in the Bay Area will be unlike anything we've seen in college football* The toxic public conversation around UCLA's athletic director and whether that makes the Bruins job less attractive* What's the deal with Kyle Whittingham at Utah?* UAB's missing-in-action AD. More on him here.And more. Produced by Anthony Vito.
In another time, Brad Steele would've been a bit of an outlaw. He's also a bit of one in the present day. In this episode, listen to him and his son Keith touch on various points of Brad's life, and their life together. From stealing booze to getting into drugs to starting accidental fires to raising his kids by himself, Brad has done a bit of everything and Keith has been around to document much of it. Give it a listen, it's a good one. #drugs #fire #meth #plumbing #plumbers #marriage #divorce #carnivals
In this episode of the Crux True Survival Story Podcast, hosts Kaycee McIntosh and Julie Henningsen recount the gripping survival story of Alec Luhn, a 38-year-old climate journalist, who endured six days stranded on a remote Norwegian mountain. After a catastrophic fall left him with a broken femur, fractured pelvis, and multiple fractured vertebrae, Luhn faced treacherous weather conditions and severe dehydration. Despite insurmountable odds, his relentless will to live and eventual rescue by the Norwegian Red Cross highlight an incredible tale of human endurance, love, and the extreme measures taken to make it home. Join us as we explore the crucial moments that dictated Luhn's fate and the lessons learned from this incredible true story. 00:00 Introduction to Case Knives 00:33 Welcome to the Crux True Survival Story Podcast 00:57 Alec Loon's Harrowing Tale Begins 02:47 Alec Loon: The Experienced Adventurer 05:07 The Treacherous Terrain of Ful Gana National Park 08:46 Alec's First Mistake: The Broken Boot 10:57 The Catastrophic Fall 12:47 Stranded and Injured: Alec's Fight for Survival 14:35 The Struggle for Water and Shelter 19:42 The Crushing Solitude 20:26 Family as a Beacon of Hope 21:09 Hallucinations and Helicopters 22:55 The Rescue Mission 25:17 Medical Breakdown of Survival 29:33 Lessons and Reflections 35:18 A New Lease on Life 38:39 Final Thoughts and Gratitude Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
In our other six days of the week, we start to become a picture of what heaven looks like NOW.
Following Jesus is a commitment to surrender. Our work life, home life, church life — these things are not separate from our spiritual life.
From viral stunts to record-setting runs, Isaiah Photo went from YouTube daredevil to running six marathons on six continents in six days self aided. He built his audience on larger-than-life experiments before turning that creative drive toward running. What started as wild one-off ideas—like marathons in Crocs, flip-flops, and spray-on shoes—evolved into a genuine endurance journey.Since 2023, Isaiah has transformed from content daredevil to dedicated runner, logging massive months of mileage while inspiring millions to lace up alongside him.His running résumé reads like a creator's ultramarathon: a 100K finish in April 2024; his first 100-mile ultra at the Bighorn 100 in June of 2024; another 100-miler in 2025 (Crazy Mountain 100); and the audacious “6 marathons on 6 continents in 6 days” project—a self-aided, record-setting feat that made him the fastest human to complete it, finishing in 6 days, 3 hours, and 8 minutes.After suffering a meniscus tear following his 100-miler, Isaiah's comeback videos chronicled his recovery and renewed passion for the marathon. Now, he stands at the crossroads of content and sport, redefining what it means to be a runner in the age of creators.We're exploring how he built a 10-million-strong movement, why he loves the marathon, and what it takes to keep running toward the next crazy goal.Tap into the Isaiah Photo Special. If you enjoy the podcast, please consider following us on Spotify and Apple Podcasts and giving us a five-star review! I would also appreciate it if you share it with your friend who you think will benefit from it. Comment the word “PODCAST” below and I'll DM you a link to listen. If this episode blesses you, please share it with a friend!S H O W N O T E S-The Run Down By The Running Effect (our new newsletter!): https://tinyurl.com/mr36s9rs-Our Website: https://therunningeffect.run -THE PODCAST ON YOUTUBE: https://www.youtube.com/channel/UClLcLIDAqmJBTHeyWJx_wFQ-My Instagram: https://www.instagram.com/therunningeffect/?hl=en-Take our podcast survey: https://tinyurl.com/3ua62ffz
Every instance of Jesus celebrating the Sabbath is spent with people, so how can Sabbath inform how we both love God AND love other people well?
This sermon explores the purpose of Sabbath and reminds us that the God who did not NEED to rest intentionally took time to step away from work, modeling it for us.
We tend to think of “vocation” as “work.” And that God is not involved in our work, but that He is involved in our “calling.” What happens when the line between these two are blurred? If we are a Christian, then we work for God first and foremost.
October 1st, 2025
Trump is forcing the resignation of the US Attorney in the Eastern District of Virginia because he wouldn't indict the New York Attorney General Leticia James for mortgage fraud. Another January 6th rioter is suing the Department of Justice. There's no proof that Federal Reserve Board governor Lisa Cook committed mortgage fraud in Michigan. We already saw the documents in Atlanta showing she didn't mark her second home as a primary residence. Now we have no evidence in Michigan either. Plus, some weird Rudy Giuliani reportingThank you, CB Distillery!Use promo code CLEANUP at CBDistillery.com for 25% off your purchase.Specific product availability depends on individual state regulations. Allison Gillhttps://muellershewrote.substack.com/https://bsky.app/profile/muellershewrote.comHarry DunnHarry Dunn | Substack@libradunn1.bsky.social on BlueskyWant to support this podcast and get it ad-free and early?Go to: https://www.patreon.com/aisle45podTell us about yourself and what you like about the show - http://survey.podtrac.com/start-survey.aspx?pubid=BffJOlI7qQcF&ver=short Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Have you ever looked at someone who's done something so extraordinary that you thought, “I could never do that”? What if you could, and it simply meant changing the way you think?In this episode of the Visibly Fit Podcast, I sit down with Joe Gagnon, a man who has proven that what seems impossible is often just the beginning. At age 39, Joe was not an athlete. But he decided to make a change. That choice led him to run six marathons in six days on six continents, complete multiple Ironman races, and even finish the grueling Badwater 135 ultra-marathon across Death Valley.Joe shares how he reframed challenges, leaned into discomfort, and discovered the power of living with intention. His story is proof that it's never too late to start fresh, to rewrite your narrative, and to push past self-imposed limits.If you've ever felt stuck, too old to start, or overwhelmed by the thought of change, Joe's wisdom will encourage you to take one intentional step at a time toward the extraordinary life God designed for you.Chapters:[00:00] Podcast Preview[01:15] Topic and Guest Introduction[03:32] Introduction to Joe Gagnon and His Journey[06:36] The Breakout: From Average to Athlete[08:18] The Marathon Challenge: Six Marathons in Six Days[11:30] Why Self-Care Must Come First[14:24] The Power of Mindset in Pushing Limits[18:22] Finding Your Why: The Importance of Purpose[23:32] The Five Pillars of a High-Performance Life[27:58] Embracing Discomfort and Reframing Life's Challenges[28:40] The Journey to Plant-Based Living[31:47] Understanding Personal Choices and Their Impact[36:00] Taking the First Step Towards Change[38:03] Building a Success Plan and Celebrating Progress[41:17] Curiosity and Lifelong Learning[43:41] Where to Find Joe's Book Living Intentionally[45:17] Fun Family Traditions & Giving Back[47:08] Final Thoughts and ResourcesResources mentioned:Book: Living Intentionally by Joe GagnonEmail: jgagnon232@gmail.comDaily Blog: joecurious.substack.comWebsite: thehighperformancelife.netInstagram: @thehighperformancelifeLinkedIn: Joe Gagnon on LinkedInVisibly Fit 7-Week Accelerator ProgramConnect with today's guest:Joe Gagnon is a CEO, high-performance coach, endurance athlete, and author of Living Intentionally. He has led six companies as CEO, built an AI-powered sales platform with Rainmaker, and coached bold leaders to break through self-imposed limits.Beyond the boardroom, Joe has pushed his physical and mental boundaries to incredible extremes—running six marathons on six continents in six days, completing six Ironman triathlons, conquering 100-mile ultra marathons, and finishing the legendary Badwater 135 across Death Valley.Joe's mission is simple: to help people realize they are capable of far more than they believe possible. Guided by the principles of grit, grace, and groundedness, he inspires others to live intentionally by design—not by...
Six Days of Creation | Genesis 1 | Dr. Robert Ball Orange Park, FL Oakleaf Baptist Church Creation Series
Want to Start or Grow a Successful Business? Schedule a FREE 13-Point Assessment with Clay Clark Today At: www.ThrivetimeShow.com Join Clay Clark's Thrivetime Show Business Workshop!!! Learn Branding, Marketing, SEO, Sales, Workflow Design, Accounting & More. **Request Tickets & See Testimonials At: www.ThrivetimeShow.com **Request Tickets Via Text At (918) 851-0102 See the Thousands of Success Stories and Millionaires That Clay Clark Has Helped to Produce HERE: https://www.thrivetimeshow.com/testimonials/ Download A Millionaire's Guide to Become Sustainably Rich: A Step-by-Step Guide to Become a Successful Money-Generating and Time-Freedom Creating Business HERE: www.ThrivetimeShow.com/Millionaire See Thousands of Case Studies Today HERE: www.thrivetimeshow.com/does-it-work/
Send us a textIntro: Quote of the Week: Dr. Amos Wilson Strategies for Black Power: Designing the Afrocentric Individual Operating System: Unmasking the News: Democracy Watch: Personal Rule Comes to Washington: Poll Rage Isn't the Story. The Story Is Personal Rule with a Soft Floor: Holy Rackets, SECULAR TRUTH: A 6-Year-Old's Grind Meets Shaq-Sized Generosity: Bible Study with an Atheist: Two People, Six Days, and 6,000 Years?: Reflections and Call to Action:Outro: Sources:https://ourtimepress.com/17653/https://www.slowboring.com/p/a-warning-sign-for-america-abouthttps://www.thedailybeast.com/fuming-donald-trump-lashes-out-at-embarrassing-polls-in-bonkers-rant/https://www.fox13news.com/news/fbi-investigation-underway-church-owned-mansion-avila-neighborhoodhttps://afrotech.com/shaquille-oneal-offers-shoe-deal-to-6-year-oldhttps://education.nationalgeographic.org/resource/how-did-scientists-calculate-age-earth/Power Concedes Nothing without a Demand...
The college football season is here, and the Pin & Pull Podcast is bringing the energy! With just six days until Arkansas kicks off against Alabama A&M in Fayetteville, we break down the vibes inside fall camp, the team's maturity, and why this season feels different for the Razorbacks.We also dive into Week Zero action: Hawaii's gritty win over Stanford behind QB Micah Alejado, UNLV's close call against Idaho State, and Iowa State's upset of Kansas State in Dublin. Plus, shoutouts to local Arkansas favorites like El Matador, Stadium Fam, and Pig's Life as we gear up for another unforgettable season.From trap games to hype tracks, George and Junior set the tone for opening week in Fayetteville. #WPS00:00 – Intro & Pig Talk02:15 – Six Days to Kickoff: Arkansas vs Alabama A&M04:00 – Week Zero Pitfalls & Fundamentals06:00 – Hawaii vs Stanford: Micah Alejandro's Grit09:15 – UNLV vs Idaho State Scare14:00 – Ireland Game: Iowa State vs Kansas State18:15 – Shoutouts: El Matador, Stadium Fam, Pig's Life25:00 – Fall Camp Reflections & Team Confidence30:00 – Arkansas Defense Updates (Blackstock news)34:00 – Fayetteville Kickoff & Tailgate Hype36:00 – Junior's Weekly Song & Hype Plan37:15 – Closing ThoughtsSUBSCRIBE & HIT THE NOTIFICATION BELLLINK TO BUY SOME OF JUNIOR'S ARKANSAS FOOTBALL MERCH: https://arkansas.nil.store/collections/fernando-carmona-55INTERESTED IN SPONSORING A SEGEMENT? DM US ON INSTAGRAMFollow George Carmona on Instagram: https://www.instagram.com/mr_george_carmona/Follow Fernando Carmona Jr. on Instagram: https://www.instagram.com/carmonajrr/Follow Pin & Pull on Instagram: https://www.instagram.com/pin_and_pull/Subscribe to us on all podcast platforms:Apple: https://podcasts.apple.com/us/podcast/pin-and-pull/id1640140604Spotify: https://podcasters.spotify.com/pod/show/pinpullpodcast
Jess here! A while back, Sarina and KJ talked about how much they enjoyed Tess Gerritsen's novel, The Spy Coast, and Sarina reassured KJ she'd enjoy book two of the series even more. I had never read a Tess Gerritsen novel, and while I'd heard her name before and vaguely understood she wrote thrillers, I was starting from square one when I downloaded the audio version of The Spy Coast. Now, I'm not an international spy thriller kind of gal. In the abstract, I understand the allure of books like Tinker Tailor Soldier Spy or Six Days of the Condor. Spies! Intrigue! International [almost exclusively men] of mystery! But they have never really floated my proverbial boat. That said, I loved Tess Gerritsen's spies and the world they inhabit. There's a sense of place - nay, a downright LOVE of place - and a retiring, rural New England domesticity that spoke to this retiring, rural New England reader. Book two, The Summer Guests, is even more rooted in Maine, on its history and the social dynamics of its natives and its summer people. Once I tore through those first two books, I went back to Gerritsen's first book, The Surgeon, one of Time Magazine's top 100 thriller/mystery books of all time and the first in the Rizzoli & Isles series, consequently made into a long-running television series. Gerritsen has a fascinating career trajectory, lots to talk about regarding pantsing and plotting, where the ideas come from, and lots of other geeky details about the writing life. I hope you enjoy it as much as we did. Find Tess at Tessgerritsen.com, or on Bluesky, @TessGerritsen Transcript below!EPISODE 462 - TRANSCRIPTJennie NashHey everyone, it's Jennie Nash, founder and CEO of Author Accelerator, the company I started more than 10 years ago to lead the emerging book coaching industry. In October, we'll be enrolling a new cohort of certification students who will be going through programs in either fiction, nonfiction, or memoir, and learning the editorial, emotional, and entrepreneurial skills that you need to be a successful book coach. If you've been curious about book coaching and thinking that it might be something you want to do for your next career move, I'd love to teach you more about it, you can go to bookcoaches.com/waitlist to check out the free training I have—that's bookcoaches.com/waitlist. The training is all about how to make money, meaning, and joy out of serving writers. Fall is always a great time to start something new. So if you're feeling called to do this, go check out our training and see if this might be right for you. We'd love to have you join us.Multiple SpeakersIs it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now—one, two, three.Jess LaheyHey, this is Jess Lahey, and this is the Hashtag AmWriting Podcast. This is the podcast about writing all the things—short things, long things, poetry, prose, narrative nonfiction, fiction, creative nonfiction, queries, proposals. This is the podcast about writing all the things. More than anything else, this is the podcast about the writing life and about getting the work done. I am Jess Lahey. I'm the author of The Gift of Failure and The Addiction Inoculation. And you can find my journalism at The Atlantic and The Washington Post, and my bi-weekly (formerly bi-weekly) column at The New York Times, The Parent-Teacher Conference, ran for about three years I am joined today by Sarina Bowen, who has written 50-odd books. She has written lots and lots of romance, and her most recent addition to the world of publishing has been her thrillers, Dying to Meet You and The Five Year Lie. And she has a book coming out this fall called Thrown for a Loop. The reason I am recording this intro on my own—which, as you may know if you've been listening, is highly unusual for us—is because I know myself. And I know when I'm really excited to talk to someone on the podcast; I'm going to flub the intro. I'm going to forget something. I'm going to forget to introduce them altogether. So today, I'm doing that first, so I don't mess it up. A while ago on the podcast, you may have heard Sarina and KJ read some books by an author named Tess Gerritsen. I had heard of Tess Gerritsen, but I had never read any of her books. I just hadn't yet. I haven't read Nora Roberts yet. I haven't read—there are lots of authors I haven't read yet. And sometimes you don't even know where to start. So when Sarina and KJ recommended Tess Gerritsen's new series set in Maine—the first one being The Spy Coast and the second one being The Summer Guests—I figured I had a good place to start. And you know, as a New Englander, I love a good book about New England, and that was the start of my interest in Tess Gerritsen's work. I have gone back to the beginning and started with her book The Surgeon, which was her first book in the series that became the Rizzoli and Isles Series, as well as a television show. Tess Gerritsen has a—she's written through 33 books at this point. And as I now know, she has also directed a documentary called Magnificent Beast about pigs, which I listened to this morning while I was vacuuming the house. I loved it. She also—she has a lot to say about genre, about publishing, about second careers, about a writing place, and about process. So let's just jump right into it. I am so excited to introduce to you today, Tess Gerritsen. So from the perspective of what our listeners love—this podcast, the Hashtag AmWriting Podcast —is super geek. People who love the nuts and bolts and the dorky details of the writing life. Sarina has a past life in finance, and so she tends to be, like, our “no, but let's talk about the numbers” kind of person. I'm just the research super dork, which is why I spent my morning watching your documentary about pigs.Tess GerritsenOh my god! (Laughing)Jess LaheyMagnificent Beast. I—I've joked in the past that if I could, I would probably just research things in—in, you know, maybe there'll be a book out there, maybe there won't, but I would research things and—and just learn as much as I could. And so I loved—loved—your Magnificent Beast documentary. I thought it was fantastic. But one of the reasons that we wanted to talk to you, just from the very beginning, is that we feel like you do some pretty incredible world-building and relationship-building with your places and your characters. And so I just—I would love to start there, mainly with the idea of starting with the real nuts and bolts stuff, which is, like, what does an average writing day look like for you? And how do you, sort of—how do you set that up? What does it look like, if you have an average writing day? Maybe you don't.Tess GerritsenWell, it's hard to describe an average writing day, because every day is—there are days when you sit at your desk and you just, you know, pull your hair. And there are days when you get distracted by the news. And there are many days when I just do not want to write. But when I'm writing, the good days are when my characters are alive and talking to me. And it's—it's—you talked about world-building and character-building. That is really key to me. What are they saying to me? Can I hear their voices? And it sounds a little—a little crazy, because I am hearing voices. But it's those voices that really make characters come alive.Jess LaheyI—You have said in other interviews that you are very much—sorry to those of you who hate the terms—that you are very much a pantser. And you are sitting on this interview with a consummate plotter. Sarina is our consummate plotter. So could you talk a little bit about how those character—how those voices—influence, you know, the pantsing of the—of the book, and—and how that works for you?Tess GerritsenWell, I mean, it is weird that I am a pantser. And it's funny—I think that people who are plotters tend to be people who are in finance or in law, because they're used to having their ducks lined up, you know. They—they want everything set up ahead of time, and it makes them feel comfortable. And I think a large part of becoming a pantser is learning to be comfortable with unpredictability. Learning to just let things happen, and know you're going to take wrong turns, know you're going to end up in blind alleys—and yet just keep on forging ahead and change direction. So I suppose that what helps me become a pantser, as I said, is hearing a character's voice. If, for instance, when I wrote The Spy Coast, the first thing I heard about that book was Maggie Bird's voice. And she just said, “I'm not the woman I used to be.” And that's an opening there, right? Because you want to find out, Maggie, who did you used to be? And why do you sound so sad? So a lot of it was just—just getting into her head and letting her talk about what a day-to-day life is, which is, you know, raising chickens and collecting eggs and becoming—and being—a farmer. And then she does something surprising in that very first chapter. There's a fox that's killing her chickens, so she grabs her rifle and kills it with one shot. And that opens up another thing, like—how are you, a 62-year-old woman, able to take out a rifle and kill a fox with one shot? So it's—it's those things. It's those revelations of character. When they come out and they tell you something, or they show you they—they have a skill that you weren't aware of, you want to dig deeper and find out, you know, where did they get that skill?Sarina BowenAnd that is a really fun way to show it. I mean, you're talking today with two people who have also kept chickens.Multiple Speakers(All laughing)Jess LaheyAnd had foxes take their chickens, actually.Sarina BowenOh yes, because the two go together.Tess GerritsenYes.Sarina BowenBut yes, I admit I have never shot a fox, and maybe wouldn't.Jess LaheyI have yelled very loudly at a fox, and he actually—I have to say—really mad respect for the fox, because he took one look at me—he did drop the chicken that I was yelling at him for grabbing—and then he went across the street, around the neighbor's house, around the back of the other neighbor's house, and came at the exact same chicken from the other side of the house, where I couldn't see him out the window.Tess GerritsenOh, they are so smart. They are so smart.Jess LaheySo smart. Sarina, it sounded like you had something— you had something you wanted to add, and I interrupted you when we were talking about pantsing and we were talking about world-building and characters speaking to you.Sarina BowenWell, I just had thought that it was a lovely moment to explain why I was so excited to read this book after I heard Tess speak at Thriller Fest 2024, in a packed room where there was nowhere to sit except on the floor. You told the audience a little bit of a story from your real life that—that made you want to write that book. And I wonder if you could tell us what that was, because for me—I mean, we were only five minutes into your talk, and I'm like, oh, I'm—I'm going to download that tonight.Tess GerritsenWell, yes, it was. A lot of my books come from ideas that I've been stewing over for years. I have a folder called the ideas folder. It's an actual physical manila folder. And if I see something in an article or a newspaper or a magazine, I'll just rip it out and stick it in there, and it sometimes takes a long time before I know how to turn this into a book. So the idea for The Spy Coast is a little bit of obscure knowledge that I learned 35 years ago, when I first moved to Maine. My husband is a medical doctor. He opened up a practice, and when he would bring in new patients, he would always get an occupational history. And he used to get this answer—this very strange answer—from his new patients. They would say, “I used to work for the government, but I can't talk about it.” And after he heard that three times, he thought, what town did we land in? And who are these people? And we later found out that on our very short street, on one side of us was a retired OSS person, and on the other side was retired CIA. A realtor told us that our town was full of CIA retirees. So, I mean, of course you want to ask, why did they get here? What are they doing here? What are their lives like? I knew there was a book in there, but I didn't know what that book was. I needed 35 years to come up with the idea. And what I really needed to do was become old and—and realize that as you get older, especially women, we become invisible. People don't pay attention to us. We are over the hill. You know, everybody looks at the young, pretty chicks, but once you start getting gray hair, you fade into the background. And with that experience myself; I began to think more and more about what it's like to be retired. What is it like to be retired from a job that was maybe dangerous, or exciting, or something that you really risked your life to—to achieve? So that was—that was the beginning of The Spy Coast. What happens to CIA retirees—especially women—who are now invisible? But that makes them the best spies of all.Jess LaheyYeah, and we have—we did this really cool thing, this really fun thing for us on the Hashtag AmWriting Podcast. It's like a supporter-only thing, where we call First Pages, where very brave authors—very brave writers—submit their first page to us, and we talk about it and decide whether or not we'd want to turn the page. And you have an incredible skill on your first pages. You're very, very good at first pages. And I was thinking about The Summer Guests, that you had this wonderful line that I'm going to read now:Purity, Maine, 1972. On the last day of his life, Purity police officer Randy Pelletier ordered a blueberry muffin and a cup of coffee at the Marigold Café,Which immediately reminded me of my very, very favorite line from all of literature—my very favorite first line—which is Irving's first line from A Prayer for Owen Meany, in which he ruins the story for you right there in the first line:I am doomed to remember a boy with a wrecked voice—not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother's death, but because he is the reason I believe in God.There is this incredible power to first lines. And I'm sort of wondering where—how first lines happen for you. Do they happen first? Do they happen last? Do they happen along the way?Tess GerritsenFirst lines usually happen last. I—it's—I will write the whole book, and I'll think, something's missing in that first chapter. How do I open this up? And, you know, there are things that make lines immediately hypnotic, and one of those things is an inherent contradiction—something that makes you think, wait, okay, you start off this way, but then all of a sudden, the meaning of that line switches. So, yeah, it starts off with, you know, this guy's going to die. But on that last day of his life, he does something very ordinary. He just orders coffee at the local café. So I think it's that contradiction that makes us want to read more. It's also a way to end chapters. I think that—that if you leave your reader with a sense of unease—something is about to go wrong, but they don't know what it is yet—or leave them with an unanswered question, or leave them with, as I said, a contradiction—that is what's page-turning. I think that a lot of thriller writers in particular mistake action for—for being—for being interesting. A car chase on the page is really very boring. But what's interesting is something that—you could feel that tension building, but you don't know why.Sarina BowenI have joked sometimes that when I get stuck on a plot, sometimes I will talk at my husband and—and say, “you know, I'm stuck here.” And he always says, “And then a giant squid attacked.” And it—of course I don't write books that take place where this is possible, so—but it never fails to remind me that, like, external action can sometimes be just, you know, totally pointless. And that if you're stuck, it's because one of your dominoes isn't leaning, you know, in the right spot. So...Tess GerritsenYeah, it's—it's not as much fun seeing that domino fall as seeing it go slowly tilting over. You know, I really learned this when I was watching a James Bond movie. And it starts off—you know, the usual James Bonds have their cold open to those action and chasing and death-defying acts. I found that—I find that really, in that movie anyway—I was like, Ho hum. Can we get to the story? And I found the time when I was leaning forward in my theater seat, watching every moment, was really a very quiet conversation aboard a train between him and this woman who was going to become his lover. That was fascinating to me. So I think that that transfers to book writing as well. Action is boring.Jess LaheyYou and Sarina do something that I feel, as a writer; I would probably not be very good at, which is creating that unease. I—Sarina in particular does this thing... I've read every one of Sarina's books, as a good friend is supposed to do. And I text her, and I say, Why don't they just talk about it and just deal? Get it out in the open! And she's like, you know, we just got to make these people uncomfortable. And you both have this incredible talent for helping—keeping the reader, uh, along with you, simply because there is this sense of unease. We're slightly off-kilter the whole time. And yet in me, as a people pleaser, that makes me very uncomfortable. I want people to be happy with each other. So how do you—if you get to a place where you feel like maybe things aren't off-kilter enough, or things aren't off-balance enough—how do you introduce a little bit of unease into your—into your story?Tess GerritsenWell, I think it comes down to very small points of conflict—little bits of tension. Like, we call it micro-tension. And I think those occur in everyday life all the time. For instance, you know, things that happen that really don't have any big consequence, but are still irritating. We will stew about those for—for a while. And, you know, I used to write romance as well, so I understand entirely what Sarina is doing, because romance is really about courtship and conflict. And it's the conflict that makes us keep reading. We just—we know this is the courtship. So there's always that sense of it's not quite there, because once the characters are happy, the story is over, right?Sarina BowenYeah.Multiple Speakers(All laughing)Sarina BowenAlso, writing the ends of romance novels is the least interesting part. Like, what...? Once the conflict is resolved, like, I cannot wait to get out of there.Tess GerritsenRight, exactly. You know, I—I pay attention to my feelings when I'm reading a book, and I've noticed that the books that I remember are not the books with happy endings, because happiness is so fleeting. You know, you can be happy one second, and then something terrible will happen. You'll be unhappy. What lasts for us is sadness, or the sense of bittersweet. So when I read a book that ends with a bittersweet ending—such as, you know, Larry McMurtry Lonesome Dove—I ended up crying at the end of that book, and I have never forgotten that ending. Now, if everybody had been happy and there had been nobody to drag all those miles at the end, I would have forgotten that book very quickly. So I think—I try—I always try to leave the end of the book either bittersweet—I mean, you want to resolve all the major plot points—but also leave that sense of unease, because people remember that. And it also helps you, if you have a sequel.Sarina BowenThat's so interesting you've just brought up a couple of really interesting points, because there is a thriller—I actually write suspense now—and one of the books that so captured my attention about five years ago was killing it on the charts. And I thought it was actually a terrible book, but it nailed the bittersweet ending. Like, the premise was solid, and then the bittersweet ending was perfect, and the everything between the first chapter and the last chapter was a hot mess, but—but—um, that ending really stuck with me. And I remember carrying it around with me, like, Wow, they really nailed that ending. You know, and—and maybe that has, like, legs in terms of, like, talking about it. And, you know, if it—if—if it's irritating enough, like, the tension is still there—enough to, like, make people talk about it—it could actually affect the performance of that book. But also, um, one thing that I really love about this series—you have—what is the series title for the...?Tess GerritsenMartini—The Martini Club.Sarina BowenThe Martini Club, right? So The Martini Club is two books now. I inhaled the first one last summer, and I inhaled the second one this summer. And The Martini Club refers to this group of friends—these retired spies. And of course, there are two completely different mysteries in book one and book two. And I noticed a couple of things about the difference between those mysteries that was really fun. So in the first case—or in one of the two cases, let's see—in one of them, the thing that happens in their town is actually, like, related to them. And in the other one, it's kind of not. So to me, that felt like a boundary expansion of your world and your system. But also, I just love the way you leaned into the relationship of these people and their town in such a way. And how did you know to do that? Like, how—what does your toolbox say about how to get that expansiveness in your character set? Like, you know, to—to find all the limits of it?Tess GerritsenThat—you know, so much is like—it's like asking a pole-vaulter how they do it. They just—they have just—I guess its muscle memory. You don't really know how you're doing it, but what I did know was—with age, and because I love these characters so much—it really became about them and about what is going to deepen their friendship? What kind of a challenge is going to make them lean into each other—lean on each other? That's really what I was writing about, I think, was this circle of friends, and—and what you will do, how much you will sacrifice, to make sure your friends are safe. No, you're right—the second book is much more of a classic mystery. Yeah—a girl disappears. I mean, there was—there were—there were CIA undertones in that, because that becomes an important part of the book. But I think that what people are—when people say they love this book—they really talk about the characters and that friendship. And we all want friends like this, where we can go and—and—and have martinis together, and then if we—one of us needs to—we'll go help them bury a body.Multiple Speakers(All laughing)Tess GerritsenThat's—they all have shovels, and they're willing to do it. That's the kind of friendship—friends—we want.Jess LaheyWell, and that's funny you mention that—I had an entire question—it wasn't even a question, it was a statement—in here about friendships and being grateful to you for the reminder about the importance of relationships. And this entire podcast was born out of the fact that we were talking writing all the time, and we just wanted an official way to sit down once a week and actually talk about the work. And your work is suffused with just these incredible relationships—whether that's the Rizzoli and Isles—you know, in your first—in the one of your other series—and I'm just—I'm very grateful for that, because we—especially—I think I re—I really crave books about female relationships, especially about older female relationships. And I have been loving your books, and I've—like, as I may have mentioned to you in my initial email—I had—I'm so sorry—never read your books before. And I admitted in the introduction that there are lots of very, very famous authors whose books I have never read. And it's always so exciting to me to dive into someone's series and realize, oh, this person really touches on themes that mean a lot to me, and I can already tell that I'm going to be enjoying a lot of their books to come forward. So thank you for all of the great descriptions of relationships and how we do rely on each other for various aspects of just how we get through all of this stuff.Tess GerritsenYeah—get through life. But you know what's funny about it is that it didn't start that way. For instance, let's go back to Rizzoli and Isles. The very first time they both appear in a book is in The Apprentice. And they don't start off being friends. They start off being—they're so different. As the TV producer once said, “you've really written about Captain Kirk and Mr. Spock.” That's okay—they are—in the books. They are not natural friends. But like real-life friendships, sometimes—just kind of develop slowly, and—and they have their ups and downs. So there are times when—when Jane and Maura are barely speaking to each other because of conflicts they have. But by the time book twelve comes around—or maybe book seven comes around—you know that they would risk their lives for each other. So I think that if you're writing a series like Rizzoli and Isles, or like The Martini Club, it really helps to develop the friendship on the fly and see how they react to certain stresses. The next book, which I just turned in, called The Shadow Friends—it even put—pushes them even further, and it really—it really strains a marriage, because it's—it's more about Ingrid, and an old lover comes back into her life. She used to—they were both spies—and he is, like, hot, hot, hot—Antonio Banderas kind of guy. And here's Ingrid, married to Lloyd, you know, who's just a sweet analyst who cooks dinner for her every night. And I—when I was coming up with that story, I thought, I want to write a book about their marriage. So it wasn't—the plot wasn't about, oh, you know, international assassinations, even though that does occur in the book. It's really about the story of a marriage.Jess LaheyAnd it gives you, it gives you added unease. You know, if you have your two characters not speaking to each other, and you know your readers love those characters and crave those characters to be getting along at some point, then that's just another reason that we're following along. I was just thinking about, uh, Michael Connelly, uh, book the other day, because I really, really like the series he did with Renée Ballard and her relationship with the Bosch character, and how that series is totally about crime, but yet it's also very much about the relationship. And I think I follow—I continue to read those because of the relationship between those two human beings, and less so because of the murder mystery sort of stuff.Tess GerritsenI think it really becomes important if you're dealing also with Hollywood television series. I still remember what the producer first said when he called me up about Rizzoli and Isles. He said, "I love your girls, and I think they belong on TV.” He didn't say, I love your plots. He didn't say, I love your mysteries, you know, all your intricate ups and downs. It was really about the girls. So if you hope to sell to a television series, really, it's about characters again.Jess LaheyAbsolutely.Sarina BowenI was going to ask about longevity, because you have so many books, and you're so obviously still invigorated by the process, or there wouldn't be a book three that you just turned in. So how have you been able to avoid just being sick to death of—of writing suspense novel after suspense novel?Tess GerritsenI refused. That's what it is. You know, I—I don't—I guess I could say that I have a little bit of ADHD when it comes to—to the books I write. I cannot—after 13 books of Rizzoli and Isles, I just had a different idea. And it takes—it takes a certain amount of backbone to say no to your publisher, to your editor, to people who are going, well, when's the next one in this series coming out? And to be able to say, I need a break. I need to do something completely different. So over—how many years I've been a writer—almost 40 now—I've written science fiction and historicals and a ghost story and romantic suspense and spy novels and medical thrillers and crime novels. I've been all over the place, but each one of those books that took me out of what I was expected to do was so invigorating. It was a book that I needed to write. As an example, I wrote a book called Playing with Fire. Nobody wanted that book. Nobody expected that book. It was a historical about World War II, and about music—about the power of music—and having to do with the death camps. I remember my publisher going, "What are you doing?" And, you know, it's—it's true—they're—they—they are marketers, and they understood that that book would not sell as well, and it didn't. But it still remains one of my favorite books. And when you want to write a book, you need to write that book. That's all—even—even if nobody wants it.Jess LaheyI actually was—I'm so pleased that this came up, because that was actually going to be my question, because both you and Sarina have done this—done, you know, 90 degrees—whether it's out of, you know, one genre into another—and that, to me, requires an enormous amount of courage. Because you know you have people expecting things from you. And you in particular, Tess, have people saying, "No, I want the next one. I love this relationship. I want the next one." And—and dealing—you're not just dealing with the disappointment of whether it's an agent or an editor, but the disappointment of fans. And that's a pressure as well. So when I used to do journalism, I remember a question I asked of another journalist was, "How do you continue to write without fear of the comment section?" And essentially, for us, that's our—you know, those are our readers. So how do you find that thing within yourself to say, no, this really is the thing that I need to be writing now?Tess GerritsenWell, that is a really—it's a really tough decision to buck the trend or buck what everybody's expecting, because there's a thing in publishing called the death spiral. And if your book does not sell well, they will print fewer copies for the next one. And then that won't sell well. So you start—your career starts to go down the drain. And that is a danger every time you step out of your tried and true series and do something out of—you know, completely out of the ordinary. I think the reason I did it was that I really didn't give a damn. It was—it was like, Okay, maybe this will kill my career, but I've got to write this book. And it was always with the idea that if my publisher did not want that, I would just self-publish. I would just, you know, find another way to get it out there. And I—I was warned, rightly so, that your sales will not be good for this book, and that will—it will hurt the next contract. And I understood that. But it was the only way I could keep my career going. Once you get bored, and you're—you're trapped in a drawer, I think it shows up in your writing.Jess LaheyI had this very conversation with my agent. The—my first book did well. And so then, you know, the expectation is, I'll write like part two of that, or I'll write something for that exact same audience again. And when I told my agent—I said, "You know, this book on substance use prevention and kids—I—it's—I have to write it. And I'm going to write it even, you know, if I have to go out there and sell it out of the trunk of my car." And she said, "Okay, then I guess we're doing this." And yes...Tess Gerritsen(Laughing) They had their best wishes at heart.Jess LaheyAnd honestly, I love—I loved my book that did well. But The Addiction Inoculation is the book I'm most proud of. And, you know, that's—yeah, that's been very important to me.Tess GerritsenI often hear from writers that the book that sold the fewest copies was one that was—were their favorites. Those are the ones that they took a risk on, that they—I mean, they put their heart and soul into it. And maybe those hurt their careers, but those are the ones that we end up being proud of.Jess LaheyI like to remind Sarina of that, because I do remember we text each other constantly. We have a little group, the three of us, a little group text all day long. And there was—I remember when she first wrote a male-male romance, she was scared. She was really scared that this was going to be too different for her readers. And it ended up being, I think, my favorite book that she's ever written, and also a very important book for her in terms of her career development and growth, and what she loves about the work that she does. And so I like to remind her every once in a while, remember when you said that really scared you and you weren't sure how your readers were going to handle it?Sarina BowenRight? Well, I also did that in the middle of a series, and I went looking for confirmation that that is a thing that people did sometimes, and it was not findable. You know, that was...Jess LaheyWhat? Change things up in terms of—change things up in the middle of a series?Sarina BowenIn the middle of a series. And anyway, that book still sells.Tess GerritsenThat is a great act of courage, but it's also an act of confidence in yourself as a writer. There are ways to do it. I think some writers will just adopt a different pen name for something that's way out there.Jess LaheyIt's funny you should say... it's funny you should say that.Sarina BowenWell, no, and I never have done that, but, um—but anyway, yeah, that's hard. I, uh...Jess LaheyYeah.Sarina BowenIt's hard to know. Sometimes...Jess LaheyWe entertain it all the time. We do talk about that as an option all the time. Shouldn't we just pick up and do something completely different? One of the things that I also—I mentioned at the top of the podcast about, you know, you went off—not only have you done lots of different things in terms of your writing—but you went off and you did an entire documentary about pigs. I have—I have to ask you where on earth that came from and why. And it is a total delight, as I mentioned, and I have already recommended it to two people that I know also love the topic. But, you know, to go off—and especially when you usually, as some of us have experienced—our agents saying, so when am I going to see more pages? or when am I going to see the next book? And you say, I'm really sorry, but I have to go off and film this documentary about pigs.Tess GerritsenYes. Well, you know, I was an anthropology major in college, and I've always been interested in the pig taboo. You know, back then, everybody just assumed it was because, yeah, it was disease or they're dirty animals—that's why they're forbidden food. It never quite convinced me, because I'm Chinese-American. Asia—you know, Asia loves pork. Why aren't they worried about all that? So I was in Istanbul for a book tour once, and I remember I really wanted bacon, and, you know, I couldn't get bacon. And then I thought, okay, I really need to find out why pork is forbidden. This is a—this is a cultural and historical mystery that never made sense to me. The explanations just never made sense to me. It cannot be trichinosis. So I told my son that—my son is—he does—he's a filmmaker as well. And he just said, "Well, let's do it. Let's—we will pose it as a mystery," because it is a mystery. So it took us probably two years to go and—you know, we interviewed anthropologists and pet pig owners and archaeologists, actually, just to find out, what do they say? What is the answer to this? And to us, the answer really just came down to this cultural desire for every—every tribe—to define us versus them. You know, they eat pigs. They're not us, so therefore they're the enemy. And it was fascinating because we—we ended up finding out more about pigs than I was expecting, and also finding out that people who have pet pigs can sometimes be a little unusual.Jess LaheyAnd the people who purchase the clothes for the pigs are also crazy.Tess GerritsenYes. Sew outfits for their pigs and sleep with their pigs. And there was—there was one woman who had—she slept on the second floor of her house, so she had an elevator for her pig who couldn't make it up the stairs, and, you know, ramps to get up onto the bed because they've gotten so fat—they've been overfed. But it was—for me, at the heart of it was a mystery.Jess LaheyAs a nonfiction author whose whole entire reason for being is, "I don't know—let's find out," I think that's just the most delightful thing. And I loved your framing as, "I don't know, we have this question, let's go out there and just ask people about it and find the experts." And that's—oh, I could just live on that stuff. So...Tess GerritsenSo could I. You know, research is so enticing. It's enticing. It is—it can get you into trouble because you never write your book. Some of us just love to do the research.Jess LaheySarina actually has taken skating lessons, done glass blowing—what else have you done? Yoga classes and all—all kinds of things in the pursuit of knowledge for her characters. And I think that's a delight.Sarina BowenYes. If you can sign up for a class as part of your research, like, that is just the best day. Like, you know, oh, I must take these ice skating lessons twice a day for five months, because—yeah—or twice a week, but still.Tess GerritsenYou must be a good ice skater then.Sarina BowenI'm getting better.Tess GerritsenSo you never gave them up, I see.Jess LaheyWell, it's fun because she usually writes about hockey, but she has a figure skater coming up in this book that's coming out this fall. And she's like, "Well, I guess I'm just going to have to learn how to figure skate."Tess GerritsenYeah.Sarina BowenI also—one time I went to see Rebecca Skloot speak about her big nonfiction The Immortal Life of Henrietta Lacks.Tess GerritsenOh, okay.Sarina BowenAnd she said that all her best ideas had come from moments in her life when she went, "Wait, what?!"Tess GerritsenYes. Yep.Sarina BowenIncluding for The Immortal Life of Henrietta Lacks. Like, she learned about the cells in high school—she was in high school biology class—and the teacher said, like, "This woman died in the '60s, but we're still using her cells," and she said, "Wait, what?!" And that's—that's what you made me think of with the pigs. Like, I think...Jess LaheyWell, and also your folder of ideas. I mean, I immediately texted Sarina after listening to a podcast where I heard an ad, and the ad made me go, "Oh that could be creepy." And then I'm like, "Okay, this is—this is a plot. This is going in the folder somewhere." And so you have to just think about how those things could unfold over time. And I love the idea of—and even in journalism—there are articles that I've written where I said, this just isn't their time. And then, like, five years later, I'll hear something out there, and I'm like, okay, finally, it's the time for this thing. And there's a reason you put that article in your idea—in your paper—manila folder of ideas.Tess GerritsenWell, I think writers are—we have to be curious. We have to be engaged in what's going on around us, because the ideas are everywhere. And I have this—I like to say I have a formula. It's called "two plus two equals five." And what that means is, sometimes you'll have a—you'll have a piece of information that, you know, there's a book here, but you haven't figured out what to do with it. And you wait for another piece of information from some completely different source, and you put them together, and they end up being like nuclear fusion—bigger than the…Sarina BowenYes!Jess LaheyYes!Tess GerritsenSome of the parts.Sarina BowenMost every book I've ever written works like that. Like, I have one idea that I drag around for, like, five years, and then I have this other idea, and one day I'm like, oh, those two things go together.Tess GerritsenYep.Jess LaheyYeah, absolutely. I think Stephen King mentioned that about Carrie. I think it was like, telekinesis, and that usually starts about the time of menstruation, and it was like, boom, there was Carrie. You know, those two things came together. I love that so much. So you mentioned that you have just handed in your next book, and we don't—we do not, as a rule, ask about what's next for an author, because I find that to be an incredibly intimidating and horrifying question to be asked. But I would love to hear; you know, is this—is this series one that you hope to continue working on? The main series, mainly because we have quite fallen in love with your little town in Maine—in Purity, Maine. Fantastic name for your town, by the way. It's really lovely. It creates such a nice dichotomy for these people who have seen and heard things during their careers that maybe are quite dark, and then they retire to a place called Purity. Is this a place where we can hopefully spend a little bit of time?Tess GerritsenWell, I am thinking about book number four now. I have an idea. You know, it always starts with—it starts with an idea and doodling around and trying to figure out what—you know, you start with this horrible situation, and then you have to explain it. So that's where I am now. I have this horrible situation, I have to explain it. So, yeah, I'm thinking about book four. I don't know how—you never know how long a series is going to go. It's a little tough because I have my characters who are internationally based—I mean, they've been around the world—but then I can't leave behind my local cop who is also a part of this group as well. So I have to keep an eye out on Maine being the center of most of the action.Sarina BowenRight, because how many international plots can you give Purity, Maine?Tess GerritsenThat's right, exactly. Well, luckily…Jess LaheyLook, Murder, She Wrote—how many things happened to that woman in that small town?Tess GerritsenExactly, exactly. Well, luckily, because I have so many CIA retirees up here, the international world comes to us. Like the next book, The Shadow Friends, is about a global security conference where one of the speakers gets murdered. And it turns out we have a global security conference right here in our town that was started by CIA 40 years ago. So I'm just—I'm just piggybacking on reality here. And—not that the spies up here think that's very amusing.Sarina BowenThat is fantastic, because, you know, the essential problem of writing a suspense novel is that you have to ground it in a reality that everyone is super familiar with, and you have to bring in this explosive bit of action that is unlikely to happen near any of us. And those two things have to fit together correctly. So by, um, by putting your retired spies in this tiny town, you have sort of, like, gifted yourself with that, you know, precise problem solver.Tess GerritsenYeah, reminding us.Sarina BowenYeah.Tess GerritsenBut there's only so far I can take that. I'm not sure what the limits... I think book four is going to take them all overseas, because my local cop, Jo, she's never been out of the country—except for Canada—and it's time for her dad to drag her over to Italy and say, "Your dead mom wanted to come to Italy, so I'm taking you." And, of course, things go wrong in Italy for Jo.Jess LaheyOf course, of course. Well, we're going to keep just banging on about how much we love these books. I think we've already mentioned it in three podcast episodes so far in our “What have you been reading lately that you've really loved?” So we're—we're big fans. And thank you so much for sitting down to talk with us and to—you know, one of the whole points of our podcast is to flatten the learning curve for other authors, so we hope that that's done a little bit of that for our listeners. And again, thank you so much. Where can people find you and your work if they want to learn a little bit more about Tess Gerritsen—her work?Tess GerritsenYou can go to TessGerritsen.com, and I try to post as much information there as I can. But I'm also at Bluesky, @TessGerritsen, and what is now called “X”—a legacy person on X—@TessGerritsen, yes.Jess LaheyThank you so, so much again. And for everyone out there listening, keep your butt in the chair and your head in the game.The Hashtag AmWriting Podcast is produced by Andrew Perella. Our intro music—aptly titled Unemployed Monday—was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe
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A new MP3 sermon from Answers in Genesis Ministries is now available on SermonAudio with the following details: Title: It Was in Six Days! Subtitle: Answers with Ken Ham Speaker: Ken Ham Broadcaster: Answers in Genesis Ministries Event: Radio Broadcast Date: 8/20/2025 Length: 1 min.
A new MP3 sermon from Answers in Genesis Ministries is now available on SermonAudio with the following details: Title: It Was in Six Days! Subtitle: Answers with Ken Ham Speaker: Ken Ham Broadcaster: Answers in Genesis Ministries Event: Radio Broadcast Date: 8/20/2025 Length: 1 min.
There couldn't be a world before Adam because the Bible teaches that everything was created in just six days.
Mike and Charlie discussed the Saints' shortened practice on Tuesday afternoon. Chris Low, a senior college football writer for ESPN, joined Sports Talk. Low broke down the upcoming 2025 college football season, highlighting LSU's challenge vs. Clemson, the Tigers' offensive weapons, and their defensive line. Mike celebrated Bobby's birthday, and Bobby remembered that he shares a birthday with Pro Football Hall of Fame kicker Morten Andersen, his former teammate and friend.
Music from: Crossed Cannons, Sarah Marie Mullen, Storywrens, Tania Opland and Mike Freeman, Flying Fish Sailors, Dregs, The Jolly Rogers, Cheeks and Phoenix, Ye Banished Privateers, Court Revelers, Tania Opland, The Musical Blades, Molly and the Tinker, Turtle and the Hair, Luku the Mad Skald, The Fisticuffs, Circa Paleo, Curtis & Loretta, Fugli, The Jolly Rogers, Shakespeare Approves, Wicked Tinkers VISIT OUR SPONSORS Happy To Be Coloring Pages https://happytobecoloring.justonemore.website RESCU https://RESCU.org The 23 Patrons of the Podcast https://www.patreon.com/RenFestPodcast The Ren List http://www.therenlist.com SONGS Song 01: One for the Road[01] by Crossed Cannons from Reloading the Crossed Cannons www.facebook.com/crossedcannons/ Song 02: Two Rivers by Sarah Marie Mullen from The Wild Woods www.facebook.com/sarah.m.rua Song 03: Three Lads from Rosendaal by Storywrens from The Sailor and the Mermaid www.storywrens.com/ Song 04: Four Hundred Turns by Tania Opland and Mike Freeman from Sunset's Gold https://opland-freeman.com/social.htm Song 05: Five O'clock World by Flying Fish Sailors from Poke You in the Eye www.flyingfishsailors.com Song 06: Six Days on Land[01] by Dregs from Thank You Sir May I Have Another www.the-dregs.net Song 07: Seven Days to Paradise by The Jolly Rogers from Cutlass Cannon and Curves www.jollyrogerskc.com Song 08: 8 Bells[01] by Cheeks and Phoenix from Any Requests www.cheeksandphoenix.com/ Song 09: Cat o Nine by Ye Banished Privateers from Legend of Libertalia www.yebanishedprivateers.com/ Song 10: 10,000 Miles Away[01] by Court Revelers from Revelers On The Rocks https://www.courtrevelersmn.com Song 11: Twelvetide by Tania Opland from Winter's Time UNKNOW WEBSITE Song 12: Fourteen Years by The Musical Blades from Pieces of Eight www.musicalblades.com Song 13: Fifteen Years by Molly and the Tinker from Triumphs, Tears & Treasures - The Best Of Molly & The Tinker, Vol. 2 UNKNOW WEBSITE Song 14: Sixteen Tons[02] by Turtle and the Hair from On A Rampage UNKNOW WEBSITE Song 15: Covid-19 Age Dirt Bag by Luku the Mad Skald from Pissed Drunk and Pissed Off www.lukuthemad.com Song 16: 20 Years Gone by The Fisticuffs from Bruised but not Beaten UNKNOW WEBSITE Song 17: 30 Year Jig by Circa Paleo from Tideland www.circapaleo.com/ Song 18: I Had But Fifty Cents by Curtis & Loretta from Just My Heart For You www.curtisandloretta.com Song 19: Eighty-Eight by Fugli from Mythtakes www.povera.com Song 20: 100 Years Ago[01] by The Jolly Rogers from Midnight Buffet www.jollyrogerskc.com Song 21: 500 Poems (I'm Not a Stalker)[02] by Shakespeare Approves from Those Midsummer Nights: Shakespeare's Summertime Study Guide www.shakespeareapproves.com/ Song 22: Drunk a Thousand Times by Wicked Tinkers from Big Bottle of Bad Ideas UNKNOW WEBSITE Song 23: 10,000 Miles Away[03] by Pirates Inc from Drunk and Disorderly www.facebook.com/WeArePiratesInc/ Song 24: Million Chickens[01] by Dregs from Angelina Farewell Concert www.the-dregs.net HOW TO CONTACT US Please post it on Facebook https://www.facebook.com/renfestmusic Please email us at renfestpodcast@gmail.com OTHER CREDITS The Minion Song by Fugli www.povera.com Valediction by Marc Gunn https://marcgunn.com/ HOW TO LISTEN Patreon https://www.patreon.com/RenFestPodcast Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/
Rick "went on vacation in Belmont, MA" and spent six days at McLean Hospital, a renowned psychiatric care, research, and education facility. He talks about what led him to admit himself, and walks us through the whole experience from intake to discharge. Did Rick come out a better man? You decide!RICK'S MESSAGE TO LISTENERS - If you are suffering from depression and do not know where to begin recovery, please call 988. It is the mental health number for crisis support in the United States and is available 24/7 for anyone experiencing a mental health crisis. You can also reach out to the National Mental Health Hotline at 866-903-3787.
Ben Criddle talks BYU sports every weekday from 2 to 6 pm.Today's Co-Hosts: Ben Criddle (@criddlebenjamin)Subscribe to the Cougar Sports with Ben Criddle podcast:Apple Podcasts: https://itunes.apple.com/us/podcast/cougar-sports-with-ben-criddle/id99676
Dive into Three Days of the Condor with Spybrary. CIA conspiracies, moped escapes, and one of the best assassins in spy cinema. Redford stars in this slow-burn, cerebral classic that still resonates today. Join 4000 other spy fans, chatting spy movies, books and TV. https://www.spybrary.com/community Welcome to another edition of Section F on Spybrary, where spy film enthusiasts gather to dissect classic espionage cinema. In Episode 270, Shane is joined by Michael, Jonathan, and debut guest Pierce to delve deep into Three Days of the Condor (1975), directed by Sydney Pollack and starring Robert Redford. Episode Summary The team begins with a spoiler-free introduction to the film's plot and style, helping newcomers decide if it's their kind of spy movie. Then they dive into a rich, spoiler-heavy discussion covering historical context, casting choices, character analysis, plot structure, and the film's legacy in spy cinema. They also compare the movie to James Grady's novel Six Days of the Condor and debate the effectiveness of the movie's ambiguous ending.
In March 2025, 41-year-old Brieonna Cassell, a mother of three, embarked on what seemed like an ordinary drive in rural Newton County, Indiana. After falling asleep at the wheel, she veered off the road into a hidden ditch that concealed her vehicle from passersby.
How to write about the kaleidoscopic Sixties in the gloom of 2025? According to James Grady, author of the classic Six Days of the Condor and the new mid-century novel American Sky, the key is calibrating nostalgia with unflinching honesty about the past's complexities. "You can't just write about the past and not have a focus also on current times and really the future," Grady explains. The novelist's approach involves fictionalizing personal experiences while ensuring memories of traumatic events like the JFK or MLK assassinations connect with the painful realities of MAGA America. Rather than romanticizing the Sixties, Grady emphasizes the civil rights violence, the generational divide, and the "silent majority's" anxieties alongside the era's optimism. Grady's goal isn't to escape into nostalgia but to help readers understand how past dreams and failures shaped our present moment, making history a lens for understanding America's current challenges.1. Historical Fiction Must Connect Past to Present "You can't just write about the past and not have a focus also on current times and really the future. Otherwise it's like you're looking back at an old photograph of a horse and buggy. It's lovely, but it doesn't really speak to you."2. The Danger of Elite Liberal Condescension "Starting in about 1975 and 1976, I saw a new kind of, quote, liberal or left-winger come into the power circles of Washington, D.C. They were elite-educated, Ivy League, and they did their best to ignore any working class roots that they had. They started to look down on the labor unions."3. Fiction Can Reveal Truth Better Than Facts "So we can change the facts, but the facts are not necessarily necessary to reveal the truths... this is not a memoir where you have to be factual. This is fiction. And yet there's an echo of all of us."4. True Rebellion Requires Positive Vision "I always think of the great French philosopher Albert Camus who said a true rebel says yes to something better instead of just saying no and rejecting and fighting. You've got to have something to fight for."5. Literature Should Focus on Ordinary Americans "I think that a good author has to write about us, and you, almost more than they write about me... I want to know what's going on with someone in, you know, there's a town called Beaver Crossing, Nebraska, or, you know, Sonoma, California... Where real people are leading their lives and we learn from each other."Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe
SIX Days in to Texans Training Camp.. & there's been ONE CLEAR Stand-Out on the Field, & it's a Young HUNGRY Defensive Back in H-Town full 642 Wed, 30 Jul 2025 01:05:08 +0000 Xd5gr1zoOaUxn7rsnlxNN0TUkgMVWtVm nfl,afc,cj stroud,houston texans,nico collins,demeco ryans,afc south,nfl news,texans,texans news,stroud,caserio,texans defense,demeco,calen bullock,demecos defense,sports The Drive with Stoerner and Hughley nfl,afc,cj stroud,houston texans,nico collins,demeco ryans,afc south,nfl news,texans,texans news,stroud,caserio,texans defense,demeco,calen bullock,demecos defense,sports SIX Days in to Texans Training Camp.. & there's been ONE CLEAR Stand-Out on the Field, & it's a Young HUNGRY Defensive Back in H-Town 2-6PM M-F © 2025 Audacy, Inc. Sports
In March 2025, 41-year-old Brieonna Cassell, a mother of three, embarked on what seemed like an ordinary drive in rural Newton County, Indiana. After falling asleep at the wheel, she veered off the road into a hidden ditch that concealed her vehicle from passersby.
Send us a textMy guest today is Alka Joshi, author of four novels listed on Art In Fiction including Six Days in Bombay listed in the Visual Arts category.View the video on YouTube: https://youtu.be/eYPoIKk9pOkInspiration for Six Days of Bombay and its relationship to the real life story of artist Amrita Sher-Gil.Background on Amrita Sher-Gil and how her personality and sometimes shocking activities influenced the creation of Mira Novak in Six Days of Bombay.Why Alka chose to write a novel about a fictional version of Amrita, rather than about the real artist.How Alka chose to frame Mira's story by telling it through the eyes of Sona Falstaff, the nurse who cared for Mira during the last six days of her life in a private hospital in Bombay.Background on Anglo Indians as inspiration for the character of Sona who must navigate two worlds after her British father abandoned her and her mother.Mira as archetype for the independent woman of the 1930s, that there were more of them then we think.How Sona is most like Alka herself compared to the other characters she has written.The role of grief for a mother played in the novel.Europe in the 1930s and its parallels to India during the same period.Researching the novel in Paris, London, Prague, Florence, and Istanbul.Reading from Six Days in Bombay.One thing that Alka learned from writing this novel that she didn't realize before.Alka's next novel, due out in late 2026/early 2027 about a girl wanting to learned classical dance in India when its practice was forbidden.Read more about Alka Joshi on her website: https://www.alkajoshi.com/Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out Art In Fiction at https://www.artinfiction.com and explore 2300+ novels inspired by the arts in 11 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.
Send us a text message and tell us your thoughts. Thirty-five years ago on July 27, 1990, Trinidad and Tobago experienced a shocking violation of its democratic foundations when Yasin Abu Bakr and the Jamaat al-Muslimeen stormed Parliament and the national television station, holding the Prime Minister hostage and declaring the government overthrown. This episode delves into a Caribbean coup that rarely makes the history books but lives on in the memory of Trinidadians who witnessed it. Writer Esker David Johnson joins us to share his personal connection to the event. Together, we uncover the economic and social conditions that fertilized the ground for this uprising, from Trinidad's oil-dependent economy to the marginalization of Afro-Trinidadian communities that Abu Bakr claimed to champion.But the most fascinating aspect of this coup isn't just that it happened—it's what didn't happen afterward. Despite the violence, the hostage-taking, and approximately 30 deaths, the perpetrators walked free due to amnesty agreements signed under duress. This extraordinary lack of consequences created what Johnson describes as a "recalibration" of Trinidad's national identity, a wound in the country's relationship with justice that shapes crime and politics to this day. Through calypso, cultural memory, and comparative history, we trace the echoes of this event through Trinidad's later struggles and are reminded that memory, justice, and national identity are inextricably linked. Eskor David Johnson is a writer from Trinidad and Tobago and the United States. His debut novel Pay As You Go was a finalist for the Center for Fiction First Novel Prize as well as the the New York Public Library Young Lions Fiction Award. A professor of Fiction Writing at Stony Brook University, he lives in New York City. Also check out Johnson's recent piece on the coup, "Sisyphus in the Capital." Support the showConnect with Strictly Facts - Instagram | Facebook | Twitter | LinkedIn | YouTube | Website Looking to read more about the topics covered in this episode? Subscribe to the newsletter at www.strictlyfactspod.com to get the Strictly Facts Syllabus to your email!Want to Support Strictly Facts? Rate & Leave a Review on your favorite platform Share this episode with someone or online and tag us Send us a DM or voice note to have your thoughts featured on an upcoming episode Donate to help us continue empowering listeners with Caribbean history and education Produced by Breadfruit Media
Israel is a heroic country, Michael Oren believes—but he concedes that it is a flawed heroic country.Michael Oren—our 40th Israeli thinker—served as Israeli ambassador to the U.S. from 2009-2013 under Prime Minister Benjamin Netanyahu, while former U.S. President Barack Obama was in office. A diplomat, writer, historian, veteran, and political thinker, Michael worked extensively in all fields of defending the Jewish state. He is the bestselling and award-winning author of several fiction and non-fiction books, including Ally: My Journey Across the American-Israeli Divide and Six Days of War: June 1967 and the Making of the Modern Middle East. Michael is working on a book on October 7. Now, this unapologetic Israel advocate joins us to answer 18 questions on the war in Gaza, the IDF's morality, and satanic accusations against Jews.This interview was recorded on July 10.
Send us a textEver wondered how consultants generate significant revenue quickly without feeling salesy? The 6 to 6K Challenge reveals the exact framework I used to book $94,000 in contracts in just five days—and now I'm showing you how to adapt this method to earn $6,000 in six days.At the heart of this approach is the bridge offer (or gateway offer)—a high-value, low-cost service priced at $1,000 or less. This carefully crafted offering solves an immediate client problem while creating a natural pathway to your higher-priced services. In today's uncertain economic climate, when prospects hesitate to make large commitments, these bridge offers provide the perfect low-risk entry point that still delivers substantial value.The challenge follows a precise mathematical formula: identify 50 high-quality prospects, conduct strategic outreach, and aim to book 24 discovery calls. This pipeline typically converts to at least $6,000 in immediate revenue—but the real magic happens when clients experience your expertise and upgrade to premium services. Imagine selling six bridge offers and converting just half to a $10,000 main service. Suddenly, your six-day challenge has generated $36,000 in business!The most effective bridge offers follow a three-part structure: a thorough discovery interview, a documented deliverable (strategy, roadmap, or analysis), and crucially, a live review session where you can address questions, overcome objections, and naturally introduce your more comprehensive solutions. This approach transforms the traditional proposal process into a collaborative experience that dramatically increases conversion rates.Ready to implement this strategy yourself? Start by clarifying your revenue goals, designing your bridge offer, and identifying those critical 50 prospects in the niche communities where your ideal clients already gather. This foundation ensures that when you begin active outreach, you're positioned for success with a compelling offer and clear targets. Your $6,000 challenge could become the gateway to much more substantial, sustainable business growth.Join my events community for FREE monthly events.I offer free events each month to help you master your business's growth through marketing, sales, systems, and offer strategy. Join the community here! Are you tired of prospects ghosting you? With a Gateway Offer, that won't happen.Over the next Ten Days, we will launch and sell our Gateway Offers with the goal of reaching booked-out status!Join the challenge here.Support the showJoin the Tiny Marketing Club >>> Join the ClubCome tour my digital home :) >>>WebsiteWanna be friends? >>> LinkedInLet's chat every Tuesday! >>> NewsletterCatch the video podcast on YouTube >>>YouTube
Tom: In this segment of our program, we're beginning our discussions of Dave Hunt's new book Judgment Day! Islam, Israel, and the Nations, which has just rolled off the press. Dave, the title is certainly thought-provoking. Most folks wouldn't get the impression that it's a happy, feel-good-about-the-world-situation sort of book, so can you give us a synopsis of the book and tell us why you wrote it?Dave: Well, Tom, we have a lot of happy, feel-good books. That is mostly what is being written out there. We try to hide our heads in the sand; we don't want to face the problems that are in the world today. And probably the greatest challenge - the greatest danger to the entire world - is Islam. And the Bible is filled with very clear and frightening (really frightening) declarations by God of the judgment He is going to bring upon this world. Why is He going to do that? Well, that's what we talk about, and we give you the documentation from prophecy in the Bible, from history, and from the daily news, what is happening in our world. This world is ripening for God's judgment.
In today's program, Tom wraps-up a two-part series with guests Carl and Carl Jr. Kerby.Today and next week, we're going to talk about creation and evolution, and what most Christians think and believe about the issues. I say “think and believe” because many if not most who call themselves Christians haven't settled the issues in their minds, and therefore many are confused at least. So we're going to discuss what such confusion does to one's faith in the Scriptures, and consequently, the effect is has on a person's trust in the Lord.Here to discuss the subject with me is Jay Seegert. He is the cofounder of Creation Education Center and its principal lecturer. His degrees are in physics and engineering, yet you will hear his heart and mind are first and foremost in the Bible. Jay is the author of Creation and Evolution: Compatible or in Conflict? and has produced an excellent DVD titled Creation in Six Days: A Biblical and Scientific Analysis.
Benny Glaser wins back-to-back events at the 2025 World Series of Poker, earning his second bracelet of the summer and the seventh of his career. Ducky catches up with him after the win, and he and Donnie discuss the rest of the action from the Las Vegas Strip.Enter the PokerGO Podcast Dream Seat Giveaway: bit.ly/gleampod25.Enter the PokerGO/PGT Dream Seat Competitions: http://pgt.com/dream-seatFollow Donnie on Twitter: @Donnie_PetersFollow Tim on Twitter: @Tim__DuckworthFollow PokerGO on Twitter: @PokerGO Subscribe to PokerGO today to receive 24/7 access to the world's largest poker content library, including the WSOP, High Stakes Poker, No Gamble, No Future, and more. Use the promo code PODCAST to receive $20 off your first year of a new annual subscription. Join today at PokerGO.com.Play free poker against real players anytime, anywhere on PlayPokerGO. Build your path to poker mastery for free with Octopi Poker.Become a supporter of this podcast: https://www.spreaker.com/podcast/pokergo-podcast--5877082/support.
Many Christians believe they can add millions of years into the Bible. Usually the days of creation get stretched out to be millions of years long each.
Musicians like Emmylou Harris, Rosanne Cash, Guy Clark and others changed the scope of country music forever. Hosts Jim DeRogatis and Greg Kot talk with author Geoffrey Himes about the artists of the movement he calls “in-law country.” They also hear from some listeners.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Emmylou Harris, "Born to Run," Cimarron, Warner Bros. Nashville, 1981The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Rosanne Cash, "Seven Year Ache," Seven Year Ache, Columbia, 1981Rosanne Cash, "My Baby Thinks He's A Train," Seven Year Ache, Columbia, 1981The Flying Burrito Brothers, "Six Days on the Road," Last of the Red Hot Burritos, A&M, 1972Emmylou Harris, "Luxury Liner," Luxury Liner, Warner Bros. Nashville, 1976The Byrds, "You Ain't Goin' Nowhere," Sweetheart of the Rodeo, Columbia, 1968The Byrds, "Time Between," Younger Than Yesterday, Columbia, 1967Emmylou Harris, "If I Could Only Win Your Love," Pieces of the Sky, Reprise, 1975Rodney Crowell, "I Couldn't Leave You If I Tried," Diamonds & Dirt, Columbia, 1988Emmylou Harris, "Two More Bottles of Wine," Quarter Moon in a Ten Cent Town, Warner Bros. Nashville, 1978Emmylou Harris, "Pancho and Lefty," Luxury Liner, Warner Bros. Nashville, 1976Emmylou Harris, "Till I Gain Control Again," Elite Hotel, Reprise, 1975Ricky Skaggs, "Heartbroke," Highways & Heartaches, Epic, 1982Guy Clark, "L.A. Freeway," Old No. 1, RCA, 1975Liquid Mike, "Drinking and Driving," Paul Bunyan's Slingshot, Temporal, 2024TAE & The Neighborly, "We Can Be," Self Help, smooth bean, 2024David Grisman and Jerry Garcia, "Whiskey In the Jar," Shady Grove, Acoustic Disc, 1996Graham Nash, "Chicago / We Can Change the World," Songs for Beginners, Atlantic, 1971Bnny, "Good Stuff," One Million Love Songs, Fire Talk, 2024See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.