A look at the 30 most impactful albums for the years 1964-1994. These years coincide with the Beatles led British Invasion to the death of Nirvana front man Kurt Cobain. The show is hosted by Jay Sweet, a musician, noted historian and Professor of Music at Monmouth University.
(S4 Ep22) Cream - Disreali Gears (Reaction Records) Released November 2, 1967, Recorded May 11-15 (1967) Released in November 1967, Disraeli Gears marked a pivotal moment in Cream's evolution from a blues-based trio to psychedelic rock pioneers. Recorded in just three and a half days at Atlantic Studios in New York, the album blends surreal lyrics, experimental sounds, and distorted guitar tones into a cohesive and groundbreaking work. Produced by Felix Pappalardi (from Mountain), the record features standout tracks like “Sunshine of Your Love,” with its iconic bass riff, and “Tales of Brave Ulysses,” one of the first songs to feature a wah-wah pedal. The album was a commercial breakthrough, reaching No. 5 in the UK and No. 4 in the U.S., eventually selling over 6.8 million copies worldwide. Its vibrant, psychedelic cover art by Martin Sharp became as iconic as the music itself. Tracks like “Dance the Night Away” and “SWLABR” highlighted the band's willingness to experiment, while “Outside Woman Blues” and “Take It Back” maintained their blues roots. The synergy of Eric Clapton's innovative guitar work, Jack Bruce's powerful vocals and bass, and Ginger Baker's inventive drumming made Disraeli Gears a defining album of the era. Its legacy is a cornerstone of psychedelic rock and a testament to Cream's lasting impact on modern music.Signature Song "Strange Brew." "Sunshine of Your Love," Tales of Brave UlyssesFull Album YouTube Spotify Playlist YouTube Playlist
(S4 EP 21) Wayne Shorter's -Apple Apple (Blue Note) Released October 1967 - Recorded February 3 and 24, 1966Wayne Shorter's Adam's Apple (1967) is a landmark post-bop album that captures the saxophonist at his creative peak. Recorded in 1966 at Van Gelder Studio, the album features Herbie Hancock (piano), Reggie Workman (bass), and Joe Chambers (drums)—a quartet that delivers both lyrical subtlety and rhythmic daring. The record blends blues, modal jazz, Latin grooves, and impressionistic balladry, showcasing Shorter's sophisticated yet accessible compositional voice. Tracks like the iconic “Footprints” and the soulful title track highlight his melodic clarity and harmonic depth. Hancock's intuitive comping and soloing add dimension throughout, while Workman and Chambers bring texture and flexibility. This was the first recorded version of “Footprints,” later made famous by Miles Davis. Produced by Alfred Lion for Blue Note, Adam's Apple is one of the finest examples of mid-'60s jazz, balancing structure and exploration. It remains a timeless, essential entry in Shorter's catalog and the post-bop era..Signature Song: "Adam's Apple," "El Gaucho, “"Footprints"Full Album: YouTube Spotify Playlist: YouTube
(S4 Ep 20) Love -Forever Changes (Electra)Released Nov 1967- Recorded June 9-Sept 25 1967 Love's Forever Changes, released in 1967, is a psychedelic rock masterpiece and one of the most hauntingly beautiful albums of its era. Fronted by Arthur Lee, Love was a groundbreaking, racially integrated band that fused folk-rock, orchestral pop, and surreal lyricism. Though not a commercial hit at the time, Forever Changes later earned acclaim for its lush arrangements, introspective themes, and emotional depth. Songs like “Alone Again Or” and “You Set the Scene” highlight the album's fusion of poetic melancholy and orchestral grandeur. Recorded during a period of personal turmoil and cultural upheaval, it captures both the hope and anxiety of the late 1960s. Internal conflicts and drug use soon fractured the band, but the album's legacy endured, eventually earning recognition from the Grammy Hall of Fame and the Library of Congress. Forever Changes stands as a timeless artistic statement and a high point of the psychedelic era.Signature Songs Alone Again Or “Maybe the People Would Be the Times or Between Clark and Hilldale”. Live and Let Live Full Album YouTube Spotify Playlist YouTube Spotify
Sam Sadigursky is widely recognized as one of the most talented clarinetists and reed doublers of his generation. He has released eleven acclaimed albums as a leader and appears on over sixty recordings as a sideman, including numerous Grammy-nominated and Grammy Award-winning projects. A member of the Philip Glass Ensemble, he has also toured and recorded with Brad Mehldau, David Byrne, Bruce Hornsby, Darcy James Argue's Secret Society, the Mingus Orchestra, and U.S. Poet Laureate Robert Pinsky. From 2017 to 2019, Sadigursky was the onstage clarinetist in the Grammy, Tony, and Emmy Award-winning Broadway production of The Band's Visit, and he has performed in over twenty other Broadway productions.Blending Jewish spiritual and Klezmer music with post-minimalist classical, jazz, and elements of American folk, Sadigursky and accordionist/multi-instrumentalist Nathan Koci recently released Volumes IV and V of The Solomon Diaries on Adhyaropa Records. This five-album series reflects on the Borscht Belt—the once-thriving Jewish resort region that helped shape 20th-century American culture—while also exploring contemporary experiences of immigration and Jewish identity.The Solomon Diaries Volume IV .https://open.spotify.com/album/6aueHALAzKJf0eDoo048ek?si=LVmkM3hhQiSBUJJBb1egAwThe Solomon Diaries Volume V https://open.spotify.com/album/6dkN03M2qai0xXNC38VTSa?si=bBjX0IVXQQyJO4J1hjKtVA
Buffalo Springfield -Again (Atco) Released October 30, 1967, and Recorded January 9-September 18 Buffalo Springfield Again is a landmark album that captures both the brilliance and dysfunction of one of rock's most influential short-lived bands. Recorded during a turbulent period marked by Neil Young's departures, Bruce Palmer's deportation, and rising tensions within the group, the album still delivers remarkable artistry. Each member shines: Stephen Stills' dynamic guitar work and songwriting drive tracks like “Bluebird,” Neil Young brings depth and experimentation with “Mr. Soul” and the ambitious “Broken Arrow.” At the same time, Richie Furay adds warmth and a country-rock flavor with “A Child's Claim to Fame” and “Sad Memory.” Despite its fragmented nature, the album's eclectic sound helped define the era. Though it only reached #44 on the charts, its critical reputation has grown over time. Following the release of the album, internal struggles led to the band's breakup, but its members went on to shape the folk and country rock genres through groups like CSNY and Poco. This record remains a vital, underrated piece of 1960s rock history.Signature Songs: "Mr Soul," "Bluebird" "Broken Arrow"Full Album YouTube, Spotify Playlist YouTube Spotify
(S4 Ep18) The Real McCoy (Blue Note) with guest Steve Myerson October 1967, Recorded April 21, 1967 The Real McCoy (1967) is a landmark album by jazz pianist McCoy Tyner, marking his first solo release after leaving John Coltrane's legendary quartet. With a stellar lineup featuring tenor saxophonist Joe Henderson, bassist Ron Carter, and drummer Elvin Jones, the album showcases Tyner's unique modal jazz style, blending African rhythmic influences and his signature wide interval voicings. The album's compositions, all written by Tyner wrote, demonstrate his incredible range as a pianist and composer, with tracks like "Passion Dance" and "Contemplation" now regarded as jazz standards. The interplay between the musicians is dynamic, with Henderson's fluid solos, Carter's solid bass work, and Jones's explosive drumming providing a perfect backdrop for Tyner's improvisations. The album balances uptempo tracks, like "Four by Five," with slower, more meditative pieces, such as "Search for Peace," highlighting Tyner's ability to navigate diverse moods and textures. The Real McCoy is widely praised for its deep emotional resonance and technical brilliance, solidifying McCoy Tyner as one of his generation's most influential jazz pianists.Signature Tracks: "Passion Dance", "Contemplation", "Four By Five" Full Album YouTube Spotify Playlist YouTube Spotify
Endea Owens is a jazz talent known for her unique bass playing, compositions, and dynamic performances. She has gained widespread recognition as a member of The Late Show with Stephen Colbert band, where her versatile bass playing has captivated a broad television audience. Her 2023 debut album, Feel Good Music, blends intricate arrangements with an accessible, feel-good vibe, appealing to casual listeners and jazz critics.Owens' roots in Detroit and her diverse musical background inform her distinct style, which blends jazz with other genres like house music and soul. She has collaborated with major artists such as Jon Batiste and Juicy J, and her work with Batiste's band earned her Grammy recognition.Beyond her musical success, Owens is also committed to philanthropy. In 2020, she founded the Community Cookout project, which provides meals and connects with underprivileged communities. Looking ahead, Owens will perform new material at venues like the South Orange Performing Arts Center, continuing to push the boundaries of jazz while deepening her community impact.
(S4 Ep 17) Nina Simone- Sings the Blues (RCA)Released 1967, Recorded December 19-January 5, 1967Nina Simone Sings the Blues is a powerful, emotionally raw album that marked a significant shift in Nina Simone's career. Her first release with RCA Victor showcases her deep connection to the blues tradition, drawing influence from legends like Bessie Smith and Billie Holiday. With tracks like "Do I Move You?" and "Backlash Blues," inspired by Langston Hughes, Simone's music captures the racial tensions and personal struggles of the 1960s. Although it didn't chart highly, the album's authenticity and emotional depth solidified her place as one of America's greatest musical voices. The album blends jazz, blues, gospel, and soul, with Simone's poignant piano work and powerful vocals leading the way. Tracks like "I Want a Little Sugar in My Bowl" and "Real Real” showcase her mastery of the genre and her unapologetic, bold musical style, influencing future artists like Amy Winehouse and Lauryn Hill.Signature Tracks: "My Man's Gone Now," "Backlash Blue," "I Want A Little Sugar In My Bowl." Full Albums YouTube Spotify Playlists YouTube Spotify
(S4-Ep16) Big Brother and Holding Company (Mainstream) Release August 23, 1967, and Recorded December 12-14, 1967 Big Brother and the Holding Company's debut album is a fascinating glimpse into the early rise of Janis Joplin as a powerhouse vocalist. Although the album initially received mixed reviews due to its cleaner, more restrained production than the band's psychedelic live performances, it remains an essential piece of the 1960s San Francisco music scene albums. Joplin's unique voice stands out, adding depth and emotion to tracks like “Down on Me” and “Women Is Losers,” though the album doesn't fully capture the wild energy of their live shows. Standout moments include “Intruder” and the experimental “All Is Loneliness,” showcasing the band's bluesy, psychedelic influences. Despite its lackluster commercial reception, the album helped establish Big Brother as a key figure in the psychedelic movement and introduced Joplin's legendary vocal talent. While it's not as polished as their next release, Cheap Thrills (1968), The album holds significant historical value, paving the way for their future success and marking the beginning of Joplin's short but remarkable career.Signature Tracks “Bye, Bye Baby," "Call on Me," "All Is Loneliness"Full Albums: YouTube, Spotify Playlist: YouTube, Spotify
Dan Pugach, an Israeli-born composer, drummer, and bandleader, is pushing the boundaries of big band jazz with his Grammy-winning album Bianca Reimagined: Music for Paws and Persistence. The album, inspired by Pugach and his wife Nicole Zuraitis' love for rescue animals, combines personal stories with a tribute to their late dog Bianca. Pugach's unique journey from rock drummer to big band leader has shaped his innovative style, which blends influences from jazz greats and rock music. His Grammy Award for Best Large Jazz Ensemble places him alongside legendary jazz figures, and his compositions reflect both personal and cultural narratives. Pugach's drumming and leadership in big band music reflect his deep understanding of rhythm and tradition. As he continues to write and perform, Pugach is dedicated to pushing the genre forward and staying connected with his audience, performing regularly in New York and worldwide with his big band and nonet.Website - https://www.danpugach.com/Dan Pugach Big Band: Bianca Reimagined: Music For Paws and Persistence - https://youtu.be/hGX65TdtkGQ?si=FHQKEO6s2tcQc4iB
(S4 Ep15) Pink Floyd-Pipers at The Gates of Dawn with guest Mark BlakeReleased August 4, 1967, Recorded February 21-May 2, 1967 (EMI) Piper at the Gates of Dawn (1967) is Pink Floyd's debut album, largely shaped by Syd Barrett's visionary, whimsical songwriting and experimental approach to psychedelia. Combining surreal lyrics with complex musical arrangements, the album became a defining work of the British psychedelic scene. Tracks like "Astronomy Domine" and "Interstellar Overdrive" showcase the band's innovative use of studio effects and improvisation. At the same time, songs such as "Lucifer Sam" and "Matilda Mother" blend folk influences with dreamy, eccentric storytelling. The album's experimental nature and Barrett's increasing mental instability, worsened by heavy drug use, marked the band's transition from a psychedelic force to something more expansive. Despite its initial mixed reception, Piper is now a cornerstone of rock history. It reveals the early creativity of a band destined for greatness but also foreshadows the tragic unraveling of Barrett's role, paving the way for Pink Floyd's future with David Gilmour. Signature Tracks: "Astronomy Domine," "Lucifer Sam," "Flaming"Full Album: YouTube, Spotify Playlist YouTube, Spotify
(S4 Ep14) The Temptations- With a Lot o' SoulReleased July 17, 1967, Recorded between 1966-1967 (Gordy)With a Lot o' Soul, The Temptations' fifth studio album for Motown, showcased the iconic lineup of David Ruffin, Eddie Kendricks, Paul Williams, Melvin Franklin, and Otis Williams. The album blends Motown's classic pop-soul with experimental arrangements, including lush strings, intricate horn sections, and emotional themes. The Temptations' trademark harmonies shine, with Ruffin dominating many tracks. At the same time, other members take lead on songs like Paul Williams on “No More Water in the Well” and Eddie Kendricks on “You're My Everything.” The album features four hit singles like “(I Know) I'm Losing You” and “All I Need” and solidified the group's place in soul music history. Produced by Norman Whitfield, the album marks the beginning of the Temptations' evolution toward psychedelic soul, setting the stage for future groundbreaking work. Signature Tracks: "I Know I'm Losing You," "All I Need," "You're My Everything" Full Album: YouTube, Spotify Playlist: YouTube , Spotify
(S4-Ep.13) Otis Redding -Live In Europe with guest Rob Bowman Released July 10, 1967 and Recorded March 1967 and Volt/Atco (Stax) Otis Redding's Live in Europe is a landmark live album that captures the soul legend at the peak of his powers. Recorded during his 1967 European tour, the album showcases Redding's incredible stage presence and raw emotional depth, bringing a vibrant energy to the tracks. The album features classic songs like "Try a Little Tenderness" and "I Can't Turn You Loose," with Redding's dynamic vocals and impassioned delivery shining through. The European audience provided a perfect backdrop for Redding's electrifying performance, emphasizing his ability to connect with listeners worldwide. The album also highlights his impeccable backing band, Booker T and M.G.'s, who play with precision and soul. Live in Europe became one of Redding's most cherished records, offering fans a glimpse into his legendary live shows and solidifying his place as one of the greatest soul performers ever.Signature Tracks: "Respect" "(I Can't Get No) Satisfaction" "Try A Little Tenderness" Full Album: YouTube, SpotifyPlaylist YouTube, Spotify
Stax Records and Special Guest Rob BowmanStax Records, founded in 1957 by Jim Stewart and Estelle Axton in Memphis, Tennessee, played a pivotal role in developing soul and R&B music. Originally called Satellite Records, it was rebranded in 1961, merging the founders' last names. Known for its deep, emotive sound, Stax produced timeless hits through iconic artists like Otis Redding, Isaac Hayes, Booker T. & the MG's, and Sam & Dave. The label's house band, Booker T. & the MG's, contributed immensely to its distinctive grooves. Stax also stood out for its progressive integration of black and white artists and staff, which was rare. After a split with Atlantic Records in 1968 and financial troubles, Stax ceased operations in 1975. Despite its short lifespan, Stax's influence endures. Rob Bowman, a renowned Stax historian, continues to highlight its enduring legacy in shaping soul, R&B, and pop music history. Rob Bowman's book Soulsville, U.S.A.The Story of Stax Records offers an in-depth look at the label's history, detailing its origins, rise, and eventual decline. The book also provides comprehensive biographies of the promoters, producers, and performers who contributed to the label's legacy. In addition to the book, there's an HBO Original four-part documentary series titled STAX: SOULSVILLE U.S.A. -the series delves into the rich history of Stax Records. It premiered on May 20, 2024, and is available for streaming on HBO Max.
(S4-Ep13) The Four Tops - Reach Out (Motown)Released July 1967 and Recorded between 1966-1967Reach Out is the Four Tops' best-selling studio album and a landmark Motown release. The album features their signature hit, “Reach Out I'll Be There,” It showcases Levi Stubbs' passionate vocals, dramatic orchestration, and the Funk Brothers' impeccable musicianship. Other standout tracks include “Standing in the Shadows of Love,” “Bernadette,” and “7-Rooms of Gloom,” all highlighting the group's dynamic intensity and James Jamerson's masterful bass playing. This was the last album the Four Tops recorded with the legendary Holland–Dozier–Holland team before they departed from Motown, marking the end of an era. To broaden the group's crossover appeal, Motown's Berry Gordy had them cover several contemporary pop hits, including The Left Banke's “Walk Away Renée,” Tim Hardin's “If I Were a Carpenter,” and two Monkees songs, “I'm a Believer” and “Last Train to Clarksville.” Though some of these covers felt somewhat forced, the album remains a defining moment in their career. Reach Out was a commercial success, reaching #11 on the Billboard Top LPs chart and #4 in the UK. Its legacy endures, earning a spot on Rolling Stone's 500 Greatest Albums of All Time and solidifying the Four Tops' place in Motown history.Signature Tracks: "Reach Out I'll Be There," "Standing In The Shadows Of Love,""Bernadette"Full Album: YouTube Spotify Playlists: YouTube Spotify
Tal Yahalom, a Brooklyn-based jazz guitarist and composer, is set to release his highly anticipated ensemble-focused album Mirror Image on March 21, 2025, following the singles Hymn for Tomorrow (Feb. 24) and Tri-Tonal (March 10). Known for his intricate compositions and virtuosity, Yahalom brings together a stellar group of musicians, including David Leon (alto saxophone and flute), Ledah Finck (violin), Irene Han (cello), and Rogerio Boccato (percussion), to create a blend of chamber music and jazz that defies traditional boundaries. For more on Mirror Image, check out its official release on Bandcamp, and catch Yahalom live at the album release show on April 10 at Jazz Gallery, NYC.https://www.talyahalom.com/
(S4-EP 12) Frank Zappa and The Mothers of Invention-Absolutely Free (Verve) (Special Guest Steve DeLuca) Released May 26, 1967 recorded November 15–18, 1966 March 6, 1967[Absolutely Free, the second album by The Mothers of Invention. Expanding on the experimental nature of their debut, Freak Out!, the album blends rock, jazz, and classical music with biting social and political satire. Structured as two conceptual suites—"Absolutely Free" and "The M.O.I. American Pageant"—the album critiques American culture, consumerism, and political corruption. Tracks like "Plastic People" and "Brown Shoes Don't Make It" mock conformity and hypocrisy, while the ambitious composition of "Brown Shoes" showcases Zappa's mastery of genre fusion. Recorded in just four days with a limited budget, Absolutely Free incorporates influences from Stravinsky, Holst, and Varèse, foreshadowing Zappa's later experimental works. Though controversial and facing censorship, the album reached #41 on the Billboard 200 and has since become a cult classic. It remains a landmark in avant-garde rock, cementing Zappa's reputation as a fearless musical innovator. Joining Jay on this extended episode is returning guest music historian and drummer Steve DeLuca. Signature Tracks "Plastic People," "Call Any Vegetables" "Brown Shoes Don't Make It" Playlist: You Tube Playlist Spotify Playlist Full Albums YouTube , Spotify Playlist
(S4-Ep10)The Beatles: Sgt. Peppers Lonely Heart's Club Band (Parlophone/Capitol) Released May 26, 1967, Recorded Between December 6, 1966 and April 21, 1967 Summary Sgt. Pepper's Lonely Hearts Club Band (1967), the Beatles' eighth studio album, revolutionized rock music and became a defining cultural moment. Combining psychedelic rock, art rock, and avant-garde techniques, it's often considered the first concept album. Created during intense studio experimentation, it marked the Beatles' shift from live performances to studio-bound artistry. The album's groundbreaking production featured innovative techniques like direct injection recording, backward sounds, and orchestration, setting new standards for the music industry. Its vivid, psychedelic cover art, designed by Peter Blake, became iconic, and the album's impact shaped the 1967 Summer of Love.Sgt. Pepper produced hits likeLucy in the Sky with Diamonds andA Day in the Life, blending influences such as Indian music and Western rock. Despite internal tensions, particularly with George Harrison and Ringo Starr feeling sidelined, the album received universal acclaim and won four Grammy Awards, including Album of the Year—the first rock album to do so. Its cultural influence is immeasurable, inspiring future generations of artists and solidifying the Beatles' legacy. For many,Sgt. Pepper's remains the pinnacle of rock music, reshaping the possibilities of popular music and continuing to captivate listeners with every play.Signature Tracks:A Little Help From Friends,Lucy In The Sky With Diamonds,A Day In The Life. Full Album:YouTube,Spotify Playlist: YouTube Playlist Spotify Playlist,
Steve Bryant is a fantastic jazz guitarist who lives and works near the New Jersey shore. His band, RED 123, showcases his masterful compositions and dynamic guitar playing. But beyond performing, Steve is also a dedicated educator, sharing his deep musical knowledge with the next generation. His journey began on French horn before discovering guitar in middle school—a passion that soon became an obsession. Jazz lessons with Vinny Corrao refined his technique, leading to six years in the Navy band. Then came rock and roll—tours, hotel rooms, and thousands of hours of dedication. All of these experiences—discipline, artistry, and life itself—have shaped Steve into the polished musician he is today. His music tells that story, blending skill with soul. Listen to RED 123's latest recordingNew Town, and you'll hear his mastery and journey.https://red123music.com/homeNew Townhttps://open.spotify.com/album/2nalE8WWE2xOjVk4hyihkP?si=T3lirZy-QH220-LGWaz6IA
(S4-Ep 9) The Jimi Hendrix Experience- Are You Experienced (Polydor in the U.K. and Reprise in the U.S.) Released May 12, 1967 Recorded October 23, 1966, to April 4, 1967 Are You Experienced, released on May 12, 1967, is regarded as one of rock history's most influential debut albums. With Jimi Hendrix at the forefront, the album blends blues, psychedelia, and experimental rock, introducing his signature guitar techniques that would reshape music. Songs like "Purple Haze," "Hey Joe," and "The Wind Cries Mary" are not just iconic tracks but also showcase Hendrix's revolutionary use of distortion, feedback, and other effects. The album's US and UK releases featured different tracklists. The Jimi Hendrix Experience—composed of Hendrix, Mitch Mitchell, and Noel Redding—provided a groundbreaking sound driven by Mitchell's jazz-infused drumming and Redding's bass playing. Produced by former Animals bassist Chas Chandler and engineered by Eddie Kramer, the album's innovative studio techniques set new standards in rock production. Are You Experienced became a commercial success and remains a cornerstone of rock music, establishing Hendrix as a true musical genius. Signature Tracks "Purple Haze," "Hey Joe," "Wind Cries Mary" Playlist YouTube Playlist Spotify Playlist Full Albums Full Album YouTube Full Album on Spotify
(S4-Ep8) The Velvet Underground and Nico (Verve Records) Released March 1967- Recorded April-May and November of 1966 (Verve Records) Despite its initial commercial failure, the Velvet Underground & Nico (1967) is one of the most influential albums in rock history. The album, produced by artist Andy Warhol, fused avant-garde art with raw, experimental rock, tackling taboo subjects like drug use and urban decay. Lou Reed's stark lyricism and John Cale's avant-garde instrumentation—particularly his electric viola—set the band apart from their contemporaries. Tracks like Heroin, Venus in Furs, and All Tomorrow's Parties showcased their uncompromising artistic vision. Though largely ignored upon release, the album became a blueprint for punk, noise rock, and indie music, influencing artists from David Bowie to Sonic Youth. The iconic banana cover, designed by Warhol, remains one of rock's most recognizable images. Over time, The Velvet Underground & Nico earned its place as a seminal work, proving that commercial success is not always a measure of artistic impact. Signature Tracks "Heroin," “Venus in Furs,” "All Tomorrow's Parties" Playlist YouTube Spotify Full Album YouTube Spotify
Dave Stryker is a renowned American jazz guitarist with over 25 albums as a leader and collaborations with jazz greats like Stanley Turrentine, Jack McDuff, and Kevin Mahogany. Raised in Omaha, Nebraska, Stryker began playing guitar at ten, initially inspired by The Beatles and later drawn to jazz . By 17, he was performing jazz locally. After moving to Los Angeles in 1978 and then began working with Jack McDuff, touring with him in 1984–1985. Stryker spent a decade with saxophonist Stanley Turrentine and formed bands with Steve Slagle and Jared Gold. He also worked extensively with singer Kevin Mahogany as a sideman and arranger, performing at Carnegie Hall and internationally. An experienced educator, Stryker has taught at Indiana University, Montclair State, William Paterson University, and Rutgers University, as well as online via ArtistWorks. For More On Dave Stryker go to: https://www.davestryker.com/ https://www.davestryker.com/
(S4 E7) Aretha Franklin -I Never Loved A Man The Way I Love You (Atlantic) Released March 10, 1967. Recorded January 10 – February 26, 1967 I Never Loved a Man the Way I Love You (1967) marked Aretha Franklin's breakthrough as the "Queen of Soul," blending gospel, blues, and R&B into a revolutionary sound. Released by Atlantic Records, the album featured iconic tracks like Otis Redding's reimagined “Respect,” which became a feminist and civil rights anthem, and the heartfelt title track, her first major hit. Recorded at Muscle Shoals and Atlantic Studios, the album showcased Franklin's commanding vocals, her piano playing, and the Muscle Shoals Rhythm Section's soulful backing. Its mix of original compositions and inspired covers, such as Sam Cooke's “A Change Is Gonna Come,” elevated it as a timeless masterpiece. Topping R&B charts and reaching No. 2 on the Billboard 200, the album cemented Franklin's legacy as a cultural icon. Its impact extended beyond music, symbolizing empowerment and resilience while inspiring generations of artists and shaping soul music's trajectory. Signature Tracks: "Respect," "I Never Loved A Man (The Way I Love You)," "Dr. Feel Good (Love is a Serious Business)" Playlist YouTube Playlist Spotify Playlist Full Albums Full Album on YouTube Full Album on Spotify
(S4 E6) Miles Davis - Miles Smiles (Columbia) Released February 16, 1967. Recorded October 24-25, 1966 Miles Smiles (Columbia) is a landmark album by Miles Davis' Second Great Quintet, featuring Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums). The album exemplifies post-bop innovation, blending modal jazz with freer rhythms and structures, referencing avant-garde without discarding form. The album's compositions highlight the quintet's collective improvisation and chemistry, with Shorter contributing standout tracks like "Orbits" and "Footprints." Davis's lyrical, introspective trumpet playing on "Circle" showcases his evolving style, while Hancock's minimalist, right-hand-centric approach adds depth. Carter's bass lines and Williams's dynamic, experimental drumming propel the group's sound. Tracks like "Footprints" and "Dolores" emphasize rhythmic complexity and harmonic exploration, solidifying the quintet's legacy as jazz innovators. Miles Smiles received critical acclaim for its groundbreaking sound, remaining a vital document of Davis's transition into more exploratory territories. Signature Tracks: "Footprints," "Freedom Jazz Dance," "Gingerbread Boy" Playlist YouTube Playlist Spotify Playlist Full Album Full Album on YouTube Full Album on Spotify
(S4-Ep5) Donovan Mellow Yellow (Epic Records (U.S.), Pye Records (UK) Released March 24, 1967- Recorded between September and October 1966, Mellow Yellow further highlights Donovan's transition from folk troubadour to an eclectic innovator, blending folk, jazz, pop, and psychedelia. Produced by Mickie Most and featuring notable collaborators like Paul McCartney and John Paul Jones, the album captures the whimsical, colorful era of the 1960s counterculture. Its title track became a cultural anthem, with playful lyrics and a jazzy groove, while reflective pieces like “Writer in the Sun” and “Sand and Foam” showcase Donovan's poetic lyricism and introspection. Tracks like “Sunny South Kensington” and “Hampstead Incident” illustrate his embrace of bohemian and psychedelic influences, creating a kaleidoscopic soundscape. With its genre-blurring innovation and artistic depth, Mellow Yellow solidified Donovan's status as a key figure in the psychedelic movement and a pioneer of blending folk with modern rock, leaving an enduring impact on 1960s music. Signature Tracks "Mellow Yellow," "Writer In The Sun," "Sand and Foam" Playlist YouTube Playlist Spotify Playlist Full Albums Full Album on YouTube Full Album on Spotify
(S4-Ep 5) The Byrds- Younger Than Yesterday (Columbia) Released February 6, 1967, Recorded between November 28-December 8, 1966 Younger Than Yesterday marks pivotal in The Byrds' evolution, blending folk-rock, psychedelia, and early country influences. While not as commercially successful as their earlier albums, it received critical acclaim for its musical innovation and experimental approach. The album features standout tracks like "So You Want to Be a Rock 'n' Roll Star," which critiques the commercialization of rock music, and "My Back Pages," a reworking of Bob Dylan's classic. The band's experimentation with studio techniques, intricate guitar work, and contributions from Chris Hillman and David Crosby pushed boundaries within the folk-rock genre. The Byrds also explored jazz and country influences. Despite internal tensions and lineup changes, Younger Than Yesterday remains a key work, influencing the development of psychedelic rock and paving the way for future musical experimentation in the 1960s. Signature Tracks "So You Want To Be a Rock and Roll Star," "Have You Seen Her Face," "My Back Pages" Playlists YouTube Playlist Spotify Playlist Full Albums Full Album on YouTube , Full Album on Spotify
S4-Ep. 4 Jefferson Airplane-Surrealistic Pillow (RCA) Released Feb 1, 1967, and Recorded between October 31-Nov 22, 1966 Surrealistic Pillow (1967) is a defining album of the 1960s psychedelic rock era, marking the debut of Grace Slick as Jefferson Airplane's lead vocalist. The album blends folk, rock, and experimental sounds, with standout tracks like “Somebody to Love” and “White Rabbit,” which became anthems of the counterculture. With contributions from multiple band members, the album offers diverse vocals and songwriting styles, including Grace Slick's powerful delivery, Marty Balin's emotive ballads, and Paul Kantner's folk-rock influences. The album's success helped propel the band into mainstream recognition, while its psychedelic experimentation captured the spirit of the San Francisco scene. Produced with help from Grateful Dead's Jerry Garcia, Surrealistic Pillow is considered a genre masterpiece, with its influence still felt today. The cover art further symbolized the album's surreal, rebellious vibe, marking a cultural milestone in rock history. Signature Tracks "Somebody to Love," "Today," "White Rabbit" Playlist YouTube Playlist, Spotify Playlist Full Album Full Album on YouTube Full Album on Spotify
Donald Vega, a celebrated jazz pianist and composer from Nicaragua, continues to captivate audiences with his musical brilliance. His latest album, As I Travel, has garnered a Grammy nomination for Best Latin Jazz Album, showcasing his original compositions. Vega's meticulous approach shines through, blending intricate grooves with masterful arrangements that offer structure and creative freedom to his ensemble, featuring John Patitucci, Lewis Nash, and Luisito Quintero. In addition, Vega recently released All Is Merry and Bright, a festive Christmas album recorded with Clovis Nicolas and Pete Van Nostrand. This project, born from spontaneity and inspired by jazz greats, highlights Vega's ability to reimagine timeless classics with fresh, vibrant interpretations.
S4-Ep.3 The Supremes Sing Holland–Dozier–Holland (Motown) Release Jan 23, 1967, and Recorded 1964-1966 The Supremes Sing Holland–Dozier–Holland is a standout album that showcases the magic between The Supremes and the iconic Motown songwriting and production team Holland-Dozier-Holland (HDH). Released at the peak of their popularity, the album features classic hits like "You Keep Me Hangin' On" and "Love Is Here and Now You're Gone," reaching No. 1 on the Billboard Hot 100. These tracks highlight Diana Ross's powerful vocals, backed by the impeccable musicianship of Motown's Funk Brothers. The album blends sophisticated pop with emotional storytelling, driven by HDH's signature sound—tight harmonies, lush orchestrations, and an infectious rhythm. While the album is more a collection of singles than a cohesive concept, its polished sound and universal appeal helped solidify The Supremes as pop and R&B icons. Despite internal group tensions, including Florence Ballard's eventual departure, their collaboration with HDH remains a cornerstone of Motown's legacy. Signature Track "You Keep Me Hangin' On," "Love is Here and Now You're Gone," "It's The Same Old Song" Playlist YouTube Playlist, Spotify Playlist Full Album Full Album on YouTube, Full Album on Spotify
S4-Ep.2 The Monkees-More of the Monkees (Colgems) Released January 9, 1967. Recorded June 25 – November 23, 1966 More of the Monkees is the second studio album by The Monkees, which features a mix of pop-rock and folk influences. The album showcases the group's emerging sounds, which had very little to do with the Monkees themselves. The manufactured group mainly performed songs by top songwriters as singers, while some of the most talented studio musicians handled the best. More of the Monkees captured the sounds of pop music of the era with its catchy melodies and upbeat tunes. The album's themes often revolve around love and relationships; the album's commercial success solidified The Monkees' place in pop culture and set the stage for the Monkees to have enough clout to demand more creative control. What you get with this album is some finely crafted songs written by talented songwriters and performed by skilled session musicians. Members sing the songs of the Monkees, and each has a distinct voice. Signature Track "Mary, Mary," ("I'm Not Your) Stepping "Stone, "I'm A Believer" Playlist YouTube Playlist, Spotify Playlist Full Album Full Album YouTube Full Album on Spotify
S4-Ep.1 The Doors-Self-Titled Release (Elektra) Released January 4, 1967, Recorded August of 1966 Elektra Records The Doors is a groundbreaking debut album that blends rock, blues, jazz, and psychedelia with a unique poetic sensibility, largely driven by Jim Morrison's dark, introspective lyrics. Recorded in just six days, the album features a distinctive sound, notably Ray Manzarek's Vox Continental organ, Robby Krieger's flamenco-inspired guitar work, and John Densmore's jazzy drum style. Key tracks like "Light My Fire," with its iconic organ riff and extended solos, and "Break On Through (To the Other Side)," with its rebellious energy, set the stage for the band's rise to fame. The album's fusion of musical styles, alongside Morrison's mysticism and philosophical themes, made it an instant classic, peaking at #2 on the U.S. charts. While not all tracks are equally memorable, The Doors established the band as one of rock music's most innovative and influential forces during the 1960s. Signature Tracks Discussed "Light My Fire," "Break On Through (To The Other Side)" "The End" Playlists: YouTube Playlist, Spotify Playlist
Naomi Moon Siegel Naomi Moon Siegel is an award-winning trombonist, improviser, composer, and educator committed to creating a positive, transformative music culture beyond conventional genre norms. Her original musical vocabulary draws on the richness of various global musical traditions. Siegel explores the trombone as a vehicle for sonic expression colored by breath, spit, and physicality. A longtime collaborator with Wayne Horvitz, Siegel has performed with such luminaries as Jessica Lurie, Matthew Golombisky, Carmen Staaf, March Fourth Marching Band, Allison Miller, Julian Priester, The California Honeydrops, Martha Scanlan, Stuart Dempster, Skerik, and Thione Diop. With saxophonist Kate Olson, Siegel formed the folk punk jazz duo Syrinx Effect, which has released four albums and performed around the United States. Siegel is a recipient of Chamber Music America's Performance Plus Grant, Jazz Journalists Association's Jazz Hero Award, Montana Art Council's Artist Innovation Award, and Earshot Jazz's Golden Ear Award for Emerging Artist of the Year. . Siegel is an adjunct professor of trombone at the University of Montana and a dedicated music educator. Siegel is also a staunch advocate for intersectional gender justice in jazz and music settings, leading workshops to build awareness and work towards positive systemic shifts in our music culture.
Warren Wolf's History of the Vibraphone pays tribute to 11 legendary vibe players, including Lionel Hampton, Gary Burton, and Dave Samuels, presenting a deep dive into the vibraphone's jazz legacy. Starting in classical music under his vibraphonist father's guidance, Wolf trained on vibraphone, marimba, xylophone, drums, and piano from a young age in Baltimore. Influenced by his dad's extensive jazz record collection and the local organ trio jazz scene, he eventually studied under Dave Samuels at Berklee, where he later taught. Wolf's rich blend of early classical rigor and exposure to jazz and R&B shaped his style, which now spans swing to fusion. In History of the Vibraphone, Wolf performs each track as an homage to original artists, joined by saxophonist Tim Green, pianist Alex Brown, bassist Vicente Archer, and drummer Carroll “CV” Dashiell III. Standout selections like Gary Burton's “Captain Señor Mouse” and Samuels's “Spring High” reflect Wolf's influences and his mission to celebrate lesser-known vibes players. Currently a professor at Peabody Conservatory, Wolf remains dedicated to jazz education. Baltimore's thriving scene is central to his work, with venues like Keystone Korner and An Die Musik hosting vibrant jam sessions. Wolf's upcoming tour hints at a possible sequel to this record, potentially honoring Red Norvo, Tito Puente, and Mike Mainieri. https://njjs.org/ https://www.warrenwolf.com/ History of the Vibraphone https://open.spotify.com/album/0raNJZzMHYyOr9R398NJ3E?si=CkIRJL2-Rm2iFwruCESL-Q
Charlie Burnham Interview Charlie Burnham is an accomplished American violinist, singer, and composer celebrated for his imaginative and eclectic style. Burnham traverses multiple genres, including bluegrass, folk, free jazz, blues, classical, and chamber jazz. His innovative use of the wah-wah pedal on the violin adds a distinctive flair to his performances. Burnham first gained prominence through his contributions to James "Blood" Ulmer's Odyssey album, highlighting his versatility and skill. The ensemble from that project later formed Odyssey the Band. Throughout his career, Burnham has been a pivotal member of several notable groups and artists, like Living Colour, Cassandra Wilson, String Trio of New York, 52nd Street Blues Project, Hidden City, We Free Strings, the Improvising Chamber Ensemble, and the Kropotkins. He has also recently recorded new music with Eureka Shoes, showcasing his continual evolution as a musician. Beginning as an informal gathering of friends and now blossoming into a fully-fledged collaborative band, Eureka Shoes' Beautalina (Adhyâropa ÂR00079) soars aloft on gorgeous 3-part harmonies, delicate acoustic textures, and world-class songcraft. Eureka Shoes features award-winning songwriter Jean Rohe, acoustic music stalwart Skye Soto Steele, and omni-genre multi-instrumentalist Charlie Burnham. Rounded out here by the virtuosic bass of Rashaan Carter, Beautalina is an enduring testament to the power of music to unite, communicate, and elevate. Eureka Shoes Beautalina https://open.spotify.com/album/1bH16X7J5KU6YNJgDbEVL2?si=t0YsU9C7RVehdGdwc6hpdg
Kurt Rosenwinkel, a Philadelphia-born jazz guitarist, is renowned for blending genres and using guitar effects innovatively in jazz. His latest release, The Next Step Band (Live at Smalls, 1996), revisits the music from his acclaimed 2001 album The Next Step and features longtime collaborators Mark Turner, Ben Street, and Jeff Ballard. In addition to his album, Rosenwinkel has published Kurt Rosenwinkel's Ultimate Book of Compositions, which includes scores, tabs, and commentary on his extensive work. He founded his label, Heartcore, in 2016 to release Caipi and take control of his career, likening the label's creation to playing a "record company" video game. His current projects include arranging for the Jazz at Lincoln Center Big Band, collaborating with Wynton Marsalis, and recording a Brahms interpretation following the success of The Chopin Project.
Summary Brian Bromberg, a virtuoso bassist, honors the legacy of Scott LaFaro with his latest album, LaFaro, and a series of live performances. LaFaro, who tragically died at 25, was a groundbreaking bassist with the Bill Evans Trio, inspiring Bromberg's tribute. Initially reluctant to take on the project due to the pressures of honoring a jazz legend, Bromberg eventually embraced it after realizing LaFaro's profound influence on his playing. Bromberg also shares personal connections to jazz greats like Stan Getz, with whom he played, and Bill Evans, a missed opportunity from his youth. His career spans collaborations with top artists and an eclectic solo catalog ranging from traditional jazz to contemporary styles. Known for his versatility on upright and electric bass, Bromberg defies genre boundaries, seeking to deliver heartfelt, high-quality musicianship in every project. His performances and music continue to celebrate innovation and jazz's rich history. https://njjs.org/magazine/
Mike Torres is a guitar student of host Jay Sweet and a Vietnam veteran (Air Force). In this discussion, Mike talks about the impact of music during the war and the songs that meant the most to him. Mike's List of Songs: 1. Sky Pilot The Animals 2. After the Gold Rush. Neil Young 3. Longer Boats. Cat Stevens (In memory of my good friend Tom Pat Widmer RIP) 4. Miles From Nowhere. Cat Stevens 5 Pride of Man. Quicksilver Messenger Service 6 Stairway to Heaven. Led Zeppelin 7. Easy Livin. Uriah Heep 8. Any Eagles or Pink Floyd 9. Money. Pink Floyd 10. Smoke on The Water -Deep Purple 11. We're an American Band. Grand Funk Railroad 12. As Long as I Can See The Light. CCR 13. Free Bird. Lynyrd Skynard 14. Radar Love. Golden Earring. (This was our shop's standard) 15. My Woman From Tokyo. Deep Purple
30- The Who -A Quick One (Reaction Records in the UK and Decca in the U.S ) Released December 9, 1966, Recorded August 30- November -1966 The Who's A Quick One (1966) is the band's second studio album and marks a significant step in their evolution. The album showcases the individual songwriting talents of each member: Pete Townshend, Roger Daltrey, John Entwistle, and Keith Moon, with Townshend emerging as the standout composer. The title track, "A Quick One, While He's Away," is a nine-minute mini-opera that foreshadows Townshend's later work on Tommy and is a clear highlight of the album. Known for its eclectic mix of styles, the album reached No. 4 on the UK Albums Chart but only No. 67 in the U.S. Despite not being universally considered their best work; the album was instrumental in solidifying The Who's reputation as one of the most innovative rock bands of the 1960s. The single "Happy Jack" also saw success, peaking at No. 3 in the UK and No. 24 in the US, marking the band's first significant American chart presence. A Quick One is significant for showcasing the growth of a band that would become one of the most celebrated in rock history. Curated Spotify Playlist https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=02cb54f0a19e4e3c Album on Spotify https://open.spotify.com/album/6f4mqM3RNAfO1t6XeeUa8P?si=hOzPkblNQOOI_qBFxhiXvw Album on YouTube https://youtube.com/playlist?list=PL47ACAF82B659E0AE&si=0i0zYZV_fSunEtx2
Buster Williams, a legendary jazz bassist, composer, and instructor, has played on numerous records with iconic musicians like Herbie Hancock, Chet Baker, Art Blakey, and Stan Getz, among others. Known for his work as both a sideman and a bandleader, Williams continues to inspire audiences with his performances and compositions. On September 28th, he will perform with his quartet at the Middlesex County Jazz Festival in New Brunswick. The quartet features Lenny White on drums, Steve Wilson on saxophone, and Brandon McCune on piano. The concert will showcase a repertoire primarily composed of Williams' original compositions. Interest in Williams grew after the 2019 documentary "Buster Williams: Bass to Infinity" highlighted his extensive career and personal journey. Now 82 years old, Williams remains dedicated to his craft, continually exploring the "infinite possibilities" of music. https://middlesexcountyjazzfestival.org/ https://busterwilliams.com/
(S3-#29) Cream- Fresh Cream (Reaction) Released December 9, 1966. Recorded July-November 1966 Cream, formed in 1966, was one of the first supergroups. It consisted of three highly regarded musicians from the British blues and rock scenes: Eric Clapton (guitar, vocals), Jack Bruce (bass, lead vocals), and Ginger Baker (drums). Their debut album, Fresh Cream, released on December 9, 1966, blends blues covers and original compositions, showcasing the band's blues roots and groundbreaking sound. Fresh Cream includes a mix of original songs and blues standards like "Spoonful," "Rollin' and Tumblin," and "I'm So Glad." The album succeeded commercially, reaching number 6 on the UK charts and 39 in the US. Notable tracks include "I Feel Free," featuring strong vocal harmonies, and "Toad," one of the earliest rock tracks to feature a drum solo. Following the album's release, Cream quickly became one of the most influential bands of the late 1960s, known for their virtuosic performances and innovative blend of blues, rock, and psychedelic music. Despite their success, internal tensions led to the band's breakup in 1968, after which each member pursued a successful solo career. Cream's legacy endures as a pioneering force in rock music history. Curated Spotify Playlist https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=0b46147790924bfb Album on Spotify https://open.spotify.com/album/6iyKqDoL9pRSHUsDBYemlB?si=w0brXwJpR7SYxs1uN2-NkA Album on YouTube https://youtu.be/tsrmxWcodd0?si=iFbTG0RAwPPcQ6d1
#28-Buffalo Springfield-Self-Titled Original Released October or December 1966? Without “For What It's Worth,” then Re-released in March 1967 - Recorded between July 18-September 11-1966 (ATCO) Buffalo Springfield's self-titled debut album, initially released by Atco Records in late 1966, introduced the world to the band's distinctive blend of folk, rock, country, and psychedelia. The original release, recorded between July and September 1966, lacked a major hit but gained significant attention after a March 1967 re-release added the protest anthem "For What It's Worth." Inspired by the Sunset Strip riots, this song became a defining track of the 1960s. The band was formed in Los Angeles in 1966 and featured Stephen Stills, Neil Young, Richie Furay, Bruce Palmer, and Dewey Martin. Their music was marked by rich harmonies, shifting lead vocals, and layered guitar work. The album's tracks explore themes of self-reflection and relationships, with standout songs like "Nowadays Clancy Can't Even Sing" and "For What It's Worth." Despite their brief existence, Buffalo Springfield made a lasting impact on music. Internal conflicts and lineup changes led to their breakup in 1968. Afterward, members pursued successful careers: Stills with Crosby, Stills & Nash, Young as a solo artist, and Furay with Poco. Their legacy remains as pioneers of a sound that influenced rock music for years. Full Album YouTube : https://youtu.be/1eD-8NTwP9I?si=omLhl8gszwcGg-hI Full Album Spotify: https://open.spotify.com/track/1qRA5BS78u3gME0loMl9AA?si=f5a282e8f75c4b46 Curated Playlist Spotify: https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=4559f6bc82dc47e3
The Kinks -Face to Face Released October 28, 1966.Recorded mainly from mid-April to June 1966, except “I'll Remember” (October 1965). (Pye Records in the UK and Reprise in the US) Face to Face (1966) by The Kinks marked a major shift in the band's style, moving from their earlier harder-driven sound to a more nuanced blend of baroque and pop music hall influences. This was the first album to feature only Ray Davies' compositions, showcasing his observational and satirical songwriting, which explored themes of English culture, social class, and personal struggles. Despite containing the hit single "Sunny Afternoon," the album initially received a lukewarm reception, particularly in the U.S. However, it has since gained critical acclaim and is now seen as pivotal in The Kinks' evolution. Notable tracks include "Party Line," "Dandy," “Little Miss Queen of Darkness,” and "Too Much on My Mind," with the album reflecting the band's growing maturity and experimentation. Face to Face is considered a milestone in 1960s rock, setting the stage for The Kinks' future successes. Spotify Link To Album https://open.spotify.com/album/1SbqioSVe6TgXudiKMKEaB?si=svhTQE_sSbSRoeUWb2Y7og YouTube Link to Album https://youtu.be/AhblfjqfF4c?si=1jo85drAPxAj80n4 Curated Playlist https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=3ca8897e2d7a43ff
Alvester Garnett Interview Alvester Garnett is a top-tier jazz drummer, celebrated for his swing, passion, and professionalism. His career began in Richmond, Virginia, where early influences included Ellis Marsalis and the jazz program at Virginia Commonwealth University. After moving to New York, Garnett quickly made a name for himself, working with legends like Betty Carter and Abbey Lincoln. He was the only drummer from the Thelonious Monk competition invited to Betty's Jazz Ahead program, which launched his career. Garnett has since collaborated with notable artists such as Pharoah Sanders, Dee Dee Bridgewater, and Benny Golson. He also became the regular drummer for violinist Regina Carter, who later became his wife. In September, Garnett will lead his band, The Artworks Ensemble, at the Central Jersey Jazz Festival in Somerville, NJ. The performance will feature original compositions and include special guest trombonist Papo Vázquez, alongside Bruce Williams, Charlie Sigler, Brandon McCune, and Santi Debriano. This performance highlights Garnett's ongoing commitment to jazz and his ability to blend leadership with collaboration. Alvester Garnett will lead his band, The Artworks Ensemble, at the Central Jersey Jazz Festival on September 15th in Somerville, NJ. The performance will feature original compositions and include special guest trombonist Papo Vázquez, alongside Bruce Williams, Charlie Sigler, Brandon McCune, and Santi Debriano. https://centraljerseyjazzfestival.com/
#S3-26 Simon and Garfunkel -Parsley, Sage, Rosemary, and Thyme Released October 24, 1966- Recorded Between December 1965 and August 1966 (Columbia Records) Parsley, Sage, Rosemary, and Thyme is Simon & Garfunkel's third studio album, showcasing a blend of folk-rock, acoustic, and introspective songs. It includes classic tracks like "Homeward Bound" and "Scarborough Fair," as well as the lesser-known hit "The Dangling Conversation." The album highlights Paul Simon's songwriting craftsmanship, thought-provoking lyrics, and innovative arrangements, perfectly complemented by the duo's harmonies. This record marked a significant evolution in their music. It expanded the possibilities of folk-based music, influencing future songwriters and reinforcing Simon & Garfunkel's enduring legacy in music history. YouTube Playlist https://youtu.be/V1IRDT8TInY?si=euk08ojJWSIo0qnX Spotify Playlist https://open.spotify.com/album/1sh32o99zA04PJIUJUpEj7?si=VXKahQuvRLacGUM34ge1Qw Curated Season Playlist https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=570634dc82084781 https://youtube.com/playlist?list=PLqkHb3duD6BTd4l7sJzo2RPeMTpYmqZqU&si=EJPbzwpx6tcGWk1_
(S3-25) The 13th Floor Elevators - The Psychedelic Sounds Of The 13th Floor Elevators (International Artists Label) Released October 17, 1966, Recorded between January 3rd and October 11, 1966 Formed in Austin, Texas, in December 1965, the 13th Floor Elevators were pivotal in the psychedelic rock movement. Their debut album, The Psychedelic Sounds of the 13th Floor Elevators (1966), is noted as one of the first to describe its music as "psychedelic." Featuring the hit single "You're Gonna Miss Me," the album blended raw garage rock with folk blues and surreal elements. Roky Erickson's gritty vocals, Stacy Sutherland's reverb-drenched guitar, and Tommy Hall's electric jug playing created a distinctive sound that influenced many future musicians. Despite commercial challenges and internal struggles, the band's innovative approach significantly impacted the evolution of rock music, helping shift it from pop roots to a more artistic expression. You Tube (Full Album) https://youtube.com/playlist?list=PLL-NbN8uTOiiWCx_-GC5xB7BH2z5nTJ8m&si=zRBAvq614zAvu_d6 Spotify (Full Album) https://open.spotify.com/album/2afQ7u8n1CzNBAHjl6OQCG?si=fDrFC4cZT-6e26bbeHRzSA Curated Playlist https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=ba8099bd98b548af
#24-The Monkees-Self-Titled (Colgems Record) Released October 10 and Recorded July 5-25 Formed in 1965 by television producers inspired by The Beatles' "A Hard Day's Night," The Monkees—Micky Dolenz, Michael Nesmith, Peter Tork, and Davy Jones—became a cultural phenomenon. Despite criticism for their prefabricated nature and reliance on studio musicians, their debut album, The Monkees, released on October 10, 1966, achieved commercial success. Featuring hits like "Last Train to Clarksville" and "(Theme From) The Monkees," the album showcased catchy pop-rock tunes that captivated a young audience. Blending humor and music, the Monkees' TV show further cemented their popularity. Despite internal tensions and the desire for creative control leading to changes and eventual disbandment in 1971, the group's legacy endured, with reunions and enduring fan appreciation. Notable tracks on the album include the folk-rock blend "Papa Gene's Blues" and the experimental "Sweet Young Thing."
#23- Otis Redding-Complete & Unbelievable: The Otis Redding Dictionary of Soul (Stax) Released October 1966, Recorded May-September 1966 Complete & Unbelievable: The Otis Redding Dictionary of Soul, recorded at Stax Recording Studios in Memphis, is a seminal work in Otis Redding's career and soul music. Produced by Jim Stewart, Isaac Hayes, and Booker T. Jones, the album features legendary Stax studio musicians like Steve Cropper, Donald "Duck" Dunn, Al Jackson Jr., Booker T. Jones, and the Memphis Horns. It includes standout tracks such as the iconic "Try a Little Tenderness," "Fa-Fa-Fa-Fa-Fa (Sad Song)," and "My Lover's Prayer." It covers like "Day Tripper" and "Tennessee Waltz," each showcasing Redding's dynamic vocal range and the band's tight, soulful arrangements. The album received critical acclaim, reaching No. 5 on the Billboard R&B chart and No. 73 on the Billboard 200, solidifying Redding's legacy as a master of soulful expression and musical innovation. Full Album on YouTube https://youtube.com/playlist?list=PLn1E4mv4x-I4oNQ0qlroeWXxa4lDD4Lj9&si=6SlxhnkIL8UdM3Ms Full Album on Spotify https://open.spotify.com/album/25uNcuL4dAoV62eKmr8Q0Y?si=hK3DknToSX2TkN_3ggWDiA Curated 1966 Playlist Spotify: https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=a07e4d1e27944d00
Mindi Abair Interview Mindi Abair is a Grammy-nominated saxophonist and vocalist renowned for her dynamic blend of contemporary jazz, rock, and blues. Raised in a musical family, her early influences included her saxophonist father and opera-singer grandmother. After studying at Berklee College of Music, she moved to Los Angeles, where she played with high-profile acts like the Backstreet Boys and Aerosmith before launching a successful solo career. Known for her energetic performances and collaborations with artists like Booker T, Greg Allman and Joe Perry, Abair also co-runs WineandJazz.com with her husband, combining her passions for music and wine through unique events. https://www.mindiabair.com/
(S3-EP.22)The Animals- Animalization (MGM) Released August 1966. Recorded Jan 9, 1966 -July 4, 1966 Animalization by The Animals is a seminal album that exemplifies their blend of blues rock and R&B. Released during the British Invasion, it features Eric Burdon's powerful vocals, Hilton Valentine's distinctive guitar work, and Dave Rowberry's skills on piano and keyboards. The album's raw sound and impactful tracks like "Don't Bring Me Down" and "Inside Looking Out" contributed to its commercial success, reaching number 20 on the U.S. Billboard 200 chart. Notably, the album saw lineup changes, with Barry Jenkins replacing John Steel on drums and producer Mickie Most giving way to Tom Wilson, known for his work with Bob Dylan and The Velvet Underground. Tracks like their rendition of "See See Rider" and the soulful "Gin House Blues" highlight the band's dynamic interpretations of blues classics. "Animalization" remains a testament to The Animals' significant role in shaping the era's rock music landscape with their electrifying performances and blues-infused style.
Don Braden Interview Don Braden, is a distinguished jazz saxophonist, flutist, composer, and educator. A Harvard graduate, Braden quickly became a sought-after sideman in New York, playing with legends like Betty Carter and Wynton Marsalis. As a bandleader, he has released numerous acclaimed albums, such as The Fire Within and Earth Wind and Wonder. Known for his rich tone and melodic inventiveness, Braden also excels as an educator, teaching at institutions like Harvard and the New Jersey Performing Arts Center, significantly contributing to the jazz world through both performance and education.
Guitarist James Popik brings a unique touch and repertoire to his music. From Acoustic Jazz to electrified Fusion Jams, classical Brazilian music and American songbook masters to reworked rock anthems, James has forged a unique voice. In this conversation James discusses his newest record Sourland Symphony and much more.
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