Podcasts about you can't always get what you want

Пол Маккартни, Rolling Stones, Эд Ширан и еще полоторы тысячи британских музыкантов просят правительство о разрешении возобновить концертную деятельность. Сэр Пол Маккартни, The Rolling Stones, Род Стюарт и еще 1500 британских музыкантов направили открытое письмо министру культуры Великобритании Оливеру Даудену с просьбой спасти концертную индустрию страны. К именитым музыкантам присоединились Coldplay, Эд Ширан, Эрик Клэптон, Дуа Липа, Рита Ора, Сэм Смит, Лиам Гэллахер, Льюис Капальди и многие другие. В письме музыканты потребовали от министерства культуры составить график открытия концертных площадок без социального дистанцирования, предложить пакет мер поддержки шоу-бизнеса и освободить концертную отрасль от НДС с продажи билетов. - Живая музыка стала одним из крупнейших социальных, культурных и экономических достижений Великобритании за последнее десятилетие, -пишут музыканты в своем обращении. - Но без снятия в ближайшее время мер по социальному дистанцированию или финансовой поддержки со стороны правительства будущее концертов и фестивалей и сотен тысяч людей, работающих в этой сфере, выглядит безрадостным. До тех пор, пока эти предприятия не смогут снова работать, что, вероятно, случится не ранее 2021 года, государственная поддержка будет иметь решающее значение для предотвращения массовой несостоятельности и ликвидации этой ведущей в мире отрасли. Помимо музыкантов, письмо подписали представители 688 концертных залов и клубов, 147 кавер-шоу и комиков, а также 3,416 продюсерских и технических компаний. - Если правительство не активизируется и не поддержит британское искусство, мы можем навсегда потерять жизненно важные аспекты нашей культуры, - комментирует обращение организатор фестиваля Glastonbury Эмили Ивис. В соцсетях в поддержку музыкантов проходит флешмоб "Let The Music Play". По таким хэштегом музыканты, продюсеры, организаторы концертов, фестивальные площадки и залы будут выкладывать в сеть фотографии и видео с последних концертов. В прошлом месяце благотворительная организация The Music Venue Trust обратилась к правительству с призывом выделить 50 миллионов фунтов стерлингов для предотвращения "массового закрытия площадок" в ближайшие месяцы. Первыми из концертного карантина выходят Сахалин и Курилы: там разрешили мероприятия с неограниченным количеством участников. Первыми из концертного карантина выходят Сахалин и Курильские острова: власти разрешили проводить массовые мероприятия в закрытых помещениях с неограниченным числом участников. Об этом сообщается на сайте правительства региона. Посетителям концертов нужно будет соблюдать социальное дистанцирование и пользоваться средствами индивидуальной защиты — масками и респираторами. Ранее массовые мероприятия в Сахлинской области были ограничены пребыванием не более 50 человек в закрытых помещениях. Регион стал первым в России, где разрешены массовые мероприятия в закрытых помещениях. Участники Rolling Stones угрожают подать в суд на Дональда Трампа. Группа The Rolling Stones собирается подать в суд на президента США Дональда Трампа, если он не прекратит использовать ее песни в качестве саундтрека к своей предвыборной кампании. Как сообщили представители музыкантов, их адвокаты совместно с американской организацией по защите авторских прав Broadcast Music, Inc. (BMI) намерены не допустить незаконного использования песен. На прошлой неделе на предвыборном митинге президента в Талсе (штат Оклахома) звучал хит "You Can't Always Get What You Want". Ту же самую песню Трамп включал в 2016 году, и уже тогда участники группы заявили, что не поддерживают его политику, и потребовали не использовать их музыку для рекламы. В опубликованном в сети заявлении группы говорится о необходимости предпринять дальнейшие шаги, чтобы не допустить использования Трампом композиций Rolling Stones в ходе его кампании, "поскольку прежнее письменное предупреждение о нарушении авторских прав было проигнорировано". Авторское общество BMI официально предупредило предвыборный штаб Трампа, что использование композиций без разрешения означает нарушение лицензионного договора и повлечет за собой обращение в суд. Шведские рокеры Pain сыграют концерт в формате VR. Шведская группа Pain проведет бесплатный концерт формате 360°. Трансляция будет вестись из в студии Петера Тэгтгрена (Peter Tagtgren) The Abyss Studio 12 июня. В свое время именно в этой студии были записаны все альбомы группы. — Современные технологии даже в режиме мировои изоляции дают возможность не только увидеть онлаин-выступление любимои группы, но и получить индивидуальную экскурсию по легендарнои студии, где были созданы шедевры современнои тяжелои музыки, — сообщили музыканты в своем обращении. В формате VR зители смогут постоять рядом с музыкантами во время любимои песни, устроить экскурсию по студии, рассмотреть сувениры, золотые диски на стенах и многое другое. В ходе трансляции Петер Тэтгтрен и музыканты пообщаются с фанатами и ответят на их вопросы.

GLEE co-creator BRAD FALCHUK joins Jenna & Kevin to talk about his memories directing Sectionals - shooting YOU CAN'T ALWAYS GET WHAT YOU WANT - the collaborative process with RYAN MURPHY & IAN BRENNAN - AND whether or not they originally planned for Tina & Artie to get together!! Fill in the gaps in your diet with RITUAL - the obsessively-researched vitamin for women. Get 10% off during your first three months! Visit www.ritual.com/SHOWMANCE to start your ritual today! Download Best Fiends FREE on the Apple App Store or Google Play! Join the LaCroix community on Social @lacroixwater or learn more at www.lacroixwater.com

Solo banjo arrangement of the Rolling Stones classic You Can't Always Get What You Want

SONS.OF.GHOSTS............................... by tony justerini http://www.filefactory.com/file/4qiqf2wh6v95/PROJETO3.mp3 01. Max Richter – Infra 1, Infra, 2010 02. Iggy Pop, Carsten Nicolai &Tarwater- From Pent‐Up Aching Rivers, Leaves of Grass, 2016 03. Row Boat – Later That Day, In Between, 2014 04. The Stranglers – La Folie, La Folie, 1981 05. The Rolling Stones – Ruby Tuesday, Between The Buttons, 1967 06. Ryan Teague – Remote Outliers, Block Boundaries, 2014 07. King Creosote – Aurora Boring Alias, Love + Hate = Hate, 2008 08. Immanu El – Conquistador, In Passage, 2011 09. The Rolling Stones – You Can't Always Get What You Want, The Rolling Stones Rock and Roll Circus, 1996 10. A Dancing Beggar – Our Distant Memories, Our Idle Dreams, What We Left Behind, 2009 11. Belle Chase Hotel – Wrong Kind of Blues, Fossanova, 1998 12. EF – Sons Of Ghosts, Mourning Golden Morning, 2010 13. Efterklang – Mirador, Parades, 2007 14. Pink Floyd – In The Flesh, The Wall, 1979 15. Pink Floyd – Bring The Boys Back Home, The Wall, 1979 total time: 01:19:14 Photo By: Aris Messinis http://radioetiopia.phase108.net/ https://instagram.com/radioetiopia/ https://radiolisboa.pt/ www.radioetiopia.com

Bird Essay 10 October 2019 I wrote a verse in this specifically for Brian. He shares way more on our podcast than I'm comfortable with so I'll share this about my buddy and coproducer Brian Lutz. He's been going through a country song of a stretch in his life. These words are specifically for him: "Inside your crumbled world know you're not alone / Outside the insular lonely people roam / dreamers and malcontents and rebels scared to win." Nothing ever works out according to plan. That's what ol' Lennon was saying in "Beautiful Boy:" "Life is what happens to you while you're busy making other plans." Initially this song grew out of a piano jam we did in Forgotten Sons in the 80s. C major. That's a dead give away. It was always in the Big Opera and then when we set about digitizing that motherfucker it wasn't. I tend to fall into the dark side of my personality and sometimes write overtly positive songs. Maybe as a self pep talk? Maybe I'm trying to talk my way into a good mood. Ugh. I don't know. I'm in the cavernous abyss right now that's for sure. THIS version of this song, you see, uh. Who cares. Whatever, right? Fuck. I had a lot of fun tossing around the word "ennui." I like how it sounds. I like that it's French. The Gauls and the Goths were epic awesomeness, am I right? Yo check out my keyboard wizardry on this'n. The Hammond B3 at the end, I couldn't do the right and left hand parts at the same time! Hah! I really really like C-major. It's jaunty. It's the opposite of Nigel Tufnel's the saddest of all keys. Here's some examples of the vibe of C major. "You Can't Always Get What You Want" and "The Ballad Of Curtis Lowe." You know what else is in C-major? "Imagine." "The Card Cheat" off of LONDON CALLING is C major. Shit, yo. I'm spinning muh goddamn wheels! Tell you what, friends, the gears are most definitely engaged. C and F. Love them. LOVE EM! I have existential angst at the moment. I have it to the point where I feel as if I don't deserve it. As if I haven't EARNED mine own angst! I'll tell you what, folks. I had the opportunity to work with a bunch of men and women from the post Gen X generations. Here's the reality, fellow middle age dorks and dorkettes. We fucked everything up good for today's young-ins. We've poisoned the land. We've destroyed the ecosystem. We've modified the earth so that we are no longer a part of it. I say it constantly, right? Team Thanos every day and twice on Sunday. Our party was way more intense than that of the Baby Boomers. They were naive little sissy-pants jag-offs. We knew full well that the heart that beats in the center of the party is dark. It has consequences (*PLUG* check out the song "Consequence" from TRAVELOGUE IV!). We were fucking and getting fucked up in college. Today's youths are assuming mountains of debt. A good trend I've seen is that the next ones ain't to keen on breeding. I love that. There are far too many human beings on Earth. I'll tell you why there's the greatest wealth disparity in the US since the 1920s. It all started with my homeboy Ronald Reagan saying "more government can't solve the problem. Government IS the problem." He was right. Governmental bureaucracy was bloated and self sustaining. It was an AI. Scaling back was the right thing to do. But now we need another course correction. The 1950s was a pretty good era economically. We ruled the world through normal traditional war ways and through culture. This was when it crystalized for me. It was the stimulus package passed by our gubmint in 2017. All the tax cuts for rich folk and for mega businesses are forever whereas the ones for working stiffs are temporary. It pains me to say this but the Democrats are the more fiscally responsible party. How the fuck did that happen? They try to at least pay for a portion of what their abdicating. Not the Republicans. Dammit. I was 100% down with the GOP's obsession with fiscal responsibility during 44's presidency. And then they passed that stupid fucking tax cut and exploded the deficit. There's ANOTHER way we're fucking the next generations. There you go, guys. Have fun cleaning up our shitstorm! We fucking suck.

When I walked into Friendly River Music in Cornish, Maine (of all places!) I could hear angels singing...er, maybe it was a stack of Marshalls blowing a '50 amp fuse' as Mick sings in You Can't Always Get What You Want. I'd found guitar-lovers Nirvana, then promptly spent my savings on a Fender Strat and Princeton Reverb amp. John Barton, the shop's founder, owner, proprietor, rock historian, guitar lover/collector, Beatles freak, all 'round great guy, inspires you as he takes us on a tour. From a 1961 Gretsch Chet Atkins 6120 hollowbody to a handmade Steelcast made by James Trussart, this is not your ordinary neighborhood shop. John's story is inspiring, too. He grew this shop from a $500 investment, borne out of knowing he'd never survive a career as a teacher.I've posted photos of the guitars that John and I discuss in the episode, as well as many photos from his beautiful shop on my Facebook page (Thom Dharma Pollard) and my Instagram page @thom.dharma.pollard In Episode 11 I also discuss discernment, which one develops when they begin living their truths. When we have discernment we can be assured that our decisions are the right decisions. So, if we are endeavoring to achieve something, be it a short-term goal or lifechanging career move, we will be less fearful in moving forward. Suitably, music on the episode is from the surf sounds of The Vivisectors, found on the free music archives. Find them at vivisectors.bandcamp.com. Visit @friendlyrivermusic on Facebook, or check their website at friendlyrivermusic.com. Please share the podcast with friends and family. Baker Street can be found wherever you can listen to podcasts, as well as at bakerstreet.buzzsprout.com. My website is eyesopenproductions.com. Please stop by and say hi!

¿Alguna vez has sentido que ha llegado el momento de cambiar las cosas o de ayudar a los demás a que lo hagan y no has sabido cómo hacerlo? Ese es el tema principal del programa de esta semana, donde aprenderás cómo facilitar el cambio poniendo en práctica nuevos modelos de trabajo y desarrollarás un aprendizaje con sentido gracias a David Criado.David es facilitador, agente de cambio y el alma de Vorpalina, una red de profesionales con el objetivo de transformar la cultura de las organizaciones a través de las personas.Notas de programa(Las notas del programa están disponibles en http://kenso.es/episodio/26-david-criado-cambio)Índice de la entrevista:[0:00] Bienvenida a David y cómo llegó al mundo de la gestión del cambio[8:25] Un comienzo y lo que aprendió de las grandes consultoras[12:48] ¿Qué es la consultoría artesana?[18:08] ¿Cómo generar confianza al comenzar una relación profesional?[23:43] Aceptar la indeterminación[26:43] ¿Qué significa Vorpalina?[31:52] Los valores que transmite Vorpalina[35:50] El secreto para cambiar a las personas[44:22] ¿Cambiar de arriba hacia abajo o al revés?[45:32] El sentido de humor en las organizaciones[47:41] Los 3 primeros pasos para iniciar un cambio[55:45] Cuestionario KENSO[1:05:11] Resumen y despedidaRecursos mencionadosWeb: VorpalinaTwitter: @vorpalinaLibro: Meditaciones de Marco AurelioPelícula: E.T. de Steven SpielbergCanción: You Can't Always Get What You Want de The Rolling StonesWeb: Consultoría artesanaWeb: Lewis CarrollWeb: Eugenio MoliníWeb: Javier CansadoComparte tus sugerencias¿Qué te gustaría escuchar en futuros episodios del podcast?Déjanos tus sugerencias de personas a entrevistar o temas a tratar en los comentarios de las notas del programa.

Featuring: Liz (Your Fave Is Problematic), Mandy (Moms and Murder), and Rhett (The Braintrust Bros.)In honor of Father's Day, we're sharing the songs that remind us of our dads.This week's playlist:You Can't Always Get What You Want by The Rolling Stones (Josh)God Only Knows by Beach Boys (Liz)How I Go by Yellowcard (Rhett)Right By You by John Legend (Mandy)American Pie by Don McLean (Josh)Mr. Blue Sky by ELO (Liz)Blackbird by Alter Bridge (Rhett)Fly Me To The Moon by Frank Sinatra (Mandy)Listen to the playlist at our-americana.com/playlist

At long last, the Rolling Stones get MASTAS-ized. We're talking about the folksy wisdom and iconic backing vocals of "You Can't Always Get What You Want," not to mention the value of community music, the ways that chart peaks don't always reflect quality, and the hope that America can chill out for a second.   Our theme song is by Andrew Byrne, and our outro is by Gary Jules. Wanna be part of the fun? Email us at talkaboutsongs@gmail.com, Facebook us at facebook.com/mastas.podcast, and tweet us at @talksongs. And if you want to help us keep the lights on (AND get access to bonus content), become a patron at patreon.com/mastas.

Let it bleed. Mayormente grabado sin Brian Jones - quien murió unos meses antes de su lanzamiento (aunque él toca en dos pistas) y fue reemplazado por Mick Taylor (quien también toca en sólo dos canciones) - en el disco se extiende el rock y el blues que se sintió en el Beggars Banquet a un poco de más Hard Rock, y llegando a un territorio más demoniacamente sexual. Los Stones nunca fueron tan consistentes en un álbum como sus principales rivales, los Beatles, y Let It Bleed adolece de tener algunas pistas más superficiales, como "Monkey man" y una nueva versión country del clásico "Honky Tonk Woman" (aquí titulada "Country Honk "). Sin embargo, algunas de las canciones se encuentran entre lo mejor de la banda, sobre todo "Gimme Shelter", con sus líneas de guitarra brillantes y letras apocalípticas; la armónica impulsada por "Midnight Rambler"; el ambiente de fiesta de drogas de la pista del título; y la impresionante "You Can't Always Get What You Want", que fue el "Hey Jude" de los Stones, con su estructura épica, cornos, letras filosóficas, y la ambientación de voces corales. "You Got the Silver" (Keith Richards es primera voz principal) y "Love in Vain", de Robert Johnson por el contrario, estaban tan cerca de las raíces de los Blues acústicos tradicionales como los Stones nunca lo habían conseguido. Sticky fingers Armado a partir de tomas falsas y canciones sobre trabajadas, Sticky Fingers consigue tener un ambiente ligero desarticulado que se contradice tanto en sus orígenes y las corrientes oscuras de las canciones. Es un disco cansado, cargado con las drogas - más de la mitad de las canciones mencionan explícitamente el uso de drogas, mientras que las otras simplemente aluden a ella - que nunca se desvanecen, pero apenas se mantienen a flote. Además de la apertura de la clásica, "Brown Sugar" (una melodía alegre sobre la esclavitud, sexo interracial, y la virginidad perdida, no necesariamente en ese orden), el largo tratamiento de "Can't You Hear Me Knocking" y la media de espíritu "Bitch. "Sticky Fingers es un compendio de blues lento, con unos toques de country adicionados en una buena medida. El tono relajado del álbum da un amplio espacio para que el nuevo guitarrista Mick Taylor, se luzca, particularmente en la coda extendida de "Can't You Hear Me Knocking". Pero la clave para el álbum no es la interacción fundamental - aunque eso es fenomenal - es el cansancio absoluto de las canciones. "Wild Horses" es su primer intento no irónico de hacer una canción country, y es una hermosa obra de arte, de romper el corazón. Del mismo modo, "I Got the Blues" es un clásico clavado, una canción de ocaso que se encuentra entre sus mejores Blues. "Sister Morphine" es un cuento de sobredosis horrible, y "Moonlight Mile", con cuerdas impresionantes de Paul Buckmaster, es un cierre perfecto: triste, anhelante drogadicto y hermosa. Con su mezcla de improviso de la decadencia, la música de raíces, y la malevolencia pura y simple, Sticky Fingers establece el tono que prevalecería para el resto de la década de los Stones.

Bienvenidos a Mi Gato Dinamita, el podcast que ya tiene perfectamente planeado su propio funeral. Duración total: 1:15:50.0:00:01-0:01:59 - Susanette y Guille nos dan la bienvenida contando sus estrategias contra mosquitos y cortadoras de pasto.0:02:00-0:07:42 - Música: "Happy Birthday", por Stevie Wonder.0:07:43-0:08:27 - Delia, la mamá de Susanette, nos da la receta de su célebre pastel de papas.0:08:28-0:13:53 - Expresamos nuestra algarabía por el primer cumpleaños de Mi Gato Dinamita, musicalizando el momento con un juguete de Pipe, el hijito de Guille. Hablamos del sorteo de un premio entre nuestros oyentes y de nuestros no tan secretos planes literarios.0:13:54-0:17:28 - Música: "El Playboy", por Babasónicos.0:17:29-0:26:02 - En nuestro puchero mezclamos gatos victorianos, Silvio Soldán, canciones funerarias, las películas Alta Fidelidad y The Big Chill, los Rolling Stones y Marcela Tinayre.0:26:03-0:33:20 - Música: "You Can't Always Get What You Want", por The Rolling Stones.0:33:21-0:44:14 - Hablamos de todo un poco (pasteles de papas, Dustin Luke, zapatos, Delia) con nuestro amigo Charly García, que está de incógnito en algún lado. Charly acepta ceder su canción Influencia para el funeral de Guille y nos manda un saludo de cumpleaños.0:44:15-0:47:11 - Música: "The Best Things In Life Are Free", por Melbourne Ska Orchestra.0:47:12-0:51:28 - Nos enorgullecemos de nuestra participación en Tu Dial, la radio online mexicana. Contamos anécdotas que incluyen a luminarias como Antonio Carrizo y Valeria Gastaldi.0:51:29-0:55:27 - Música: "Doce Horas (En Vivo)", por Bandana.0:55:28-0:56:00 - Tenemos el honor de que Eduardo Calviño presente la pastilla de Entintado.0:56:01-0:59:36 - Entintado habla de sepelios para gatos, cementerios de mascotas y canciones funerarias.0:59:37-1:06:03 - Música: "Hallelujah" de Leonard Cohen, versionado por Jeff Buckley.1:06:04-1:10:12 - Nos despedimos con planes para una cena multiestelar y nuestro debut literario.1:10:13-1:15:50 - Música: "Influencia", por Charly García.Ilustramos este episodio, como siempre, con imágenes alusivas: Como siempre, podés disfrutar de este episodio online con el reproductor de acá arriba, bajártelo en formato .mp3 haciendo clic en donde dice "Download" o escucharlo en SoundCloud. Si querés suscribirte a este podcast con tu aplicación favorita, buscanos en iTunes o usá nuestro feed RSS.

Barry admits to a mistake. Everyone is sick and everything sucks. Let’s go to the emergency room! Not letting your baby look at electronic screens…except for when you do. Deep influences. Sesame Street vs. Children of the Corn. Limping along in your writing. Morgan gets real about being a working mom. Links: Samuel Johnson tries to save a life "What a drag it is getting old..." -- "Mother's Little Helper," The Rolling Stones Morgan’s blog post on returning to work full-time "if you try sometimes you might just find/You get what you need" -- "You Can't Always Get What You Want," The Rolling Stones David Lynch leaves Twin Peaks X-Files returns Children of the Corn Lennie Briscoe   Chicago Tribune: "Making time for kids? Study says quality trumps quantity" Narrowcasting TGIF Melissa Walker Those Girls by Lauren Saft | Amazon | BN.com | Indiebound The Good Lie by Robin Brande | Amazon | BN.com | Indiebound Rate us on iTunes

The final two nights of Playa contained many treats and amazing guest performances.The Jam out of Drums before Barstools that we open with in this podcast sounds to me like a new original instrumental.Enjoy!January 26, 2015Drums >Jam >Barstools and DreamersChristmas Katie,Mardi Gras in New Orleans(with Dirty Dozen Brass Band)January 27, 2015Time is FreeTurn on Your Lovelight(with Col. Bruce Hampton, George Porter, Jr. and Randall Bramblett)Red Hot Mama >Arlene,FishwaterVacation(with George Porter Jr., Grant Green Jr., Ivan Neville, Nikki Gillespie, Randall Bramblett)January 26, 2015You Can't Always Get What You WantEnd of the Show(with Bloodkin)DOWNLOAD the cast here(right click to save to hard drive):Everyday Companion Podcast 73Click here to subscribe through iTunes.

In this episode, I talk about my podcast being available on the Stitcher app, so you can have the show on the go. Please give a thumbs up to increase my ranking and visibility. Thanks for doing that.  It's another 45 year anniversary. This time it's "Beggar's Banquet". One time I was driving in Seattle in my old red pickup and a song came on the radio. I'd heard the Stones all my life, but just the singles. The Chevy started steering itself until I ended up at a CD store. The song was "You Can't Always Get What You Want", and I'd never listened to it closely. It made a big impression on me and started me on a journey.  I used to like a lot of thrash bands, then grunge. I like melodic music, but the Stones were off my radar. The journey was expensive, because I had to buy thirty albums. Same with Bowie. I was buying a CD almost every day and got obsessed with them and Bowie. "Beggar's Banquet" was probably the second album of theirs I got. It is very acoustic. The record cover is simple, white with script writing and said "RSVP". It was like a formal invitation to a nice dinner. The real album cover they wanted to use was refused by the record company but they re-released it with that in 2003 or so. It's a horrible bathroom like in "Trainspotting" and they use graffiti to great effect. It's a sepia toned picture with dirty porcelain. It looks like the Rolling Stones name is written in lipstick. It also says, "God rolls his own". There's an ankh and a peace sign and someone has taco thighs. There's a weird not to Bob Dylan. Inside joke, probably. Kilroy was here, and so was a naked woman. The back cover has the crediting of the musicians and the song titles, randomly written. Somewhere it says, "Where is Spanish Tony?" who was their drug dealer.  It was a transitional album, because the previous album was the strange answer to "Sgt. Pepper's" called "Their Satanic Majesties Request". They were messed up on drugs bigtime. "Beggar's" was a return to their roots, acoustic blues. "Sympathy for the Devil" is the first song, but doesn't fit with the rest, since "Sympathy" is an electric rocker.  Brian Jones had puffy eyes and a bowl haircut. He was always on drugs and fighting women. He couldn't play much because he was so messed up, but he would show up at the studio and want to play. Mick and Keith were pushing him out. Brian would derail their productivity in the studio because he didn't know the songs. So they kicked him out, which is real hard to do, trust me. Brian Jones drowned in his swimming pool about a month later.  About that time, Keef was making friends with Gram Parsons, who died tragically like many others around the Stones. He influenced Keef's country sound. Gram was from Georgia, Bakersfield, and Nashville. He showed Keef how to tune his guitar to an open tuning, which I don't want to explain. It became Keith's signature, and it's the reason I never learned how to play Stones songs because I didn't want to retune all the time. Crazy, since I have a Stones tattoo.  Mick was getting more comfortable as a singer and he sounds like a Chicago blues man. He doesn't get the credit he deserves.  The Stones had a mobile studio built in '68. Mick lived in a country house called "Stargroves". They were tired of being in the studio and wanted to record at their houses, so they made a mobile control unit. That studio recorded dozens of seminal albums by Lou Reed, Marley, Mac, Badco, Zep, etc., etc. They recorded Zep at Headley Grange and Stargroves. They drove the studio around on a flatbed. On the "Physical Graffiti" album, there's a song called "Black Country Woman" and Eddie Kramer was the engineer. A plane flew over and Robert Plant told him to leave it on the recording. The Stones were from the street, working class, and they never forgot that. At the height of their fame, Keef had rotten teef. I hope you liked this episode! My website is www.PaperbackRocker.com. You can find the podcast archives there. Find my books on Amazon by searching my name, Matt Syverson. Follow me on Twitter @PaperbackRocker. Email me at bowiefan1970@live.com. Thanks for listening!

In the debut episode of Jesus Cafe: Food For Thought, the hosts introduce themselves, who they are, where they come from, and what they want to be able to do with this show. In addition, they do a little Bible Trivia, which creates some moments of overall weirdness. They also tell stories and analyze "You Can't Always Get What You Want" by the Rolling Stones.

Starchaser "Broken Bird" (Starchaser Mix) Speaker Punks vs Jimi Hendrix "Foxy Lady" Cream vs The Hoxtons "Sunshine of Your Love" The Doors "Light My Fire" (Hot Rocks Club Mix) The Rolling Stones "Gimme Shelter" (Streetlab Remix) Boogie Pimps "Somebody to Love" (Saltshaker Remix) The Beatles "Paperback Writer" (DJ Tommy Who) The Rolling Stones "You Can't Always Get What You Want" (Soulwax Remix) EP38 "1960's Remixed" Recorded 04.11.11 Time 42:17