Podcast appearances and mentions of george porter jr

In this engaging episode restaurateur, music promoter, and local legend  Chris 'Shaggy' Davis welcomes Tales From The Green Room and  listeners to  Day 2 of the 10th annual NOLA Crawfish Festival, a celebration that marries New Orleans' rich musical heritage with its vibrant culinary culture held at The Broadside New Orleans. The episode features an interview with rising star keyboard player/vocalist/singer song-writer, and band leader, 15-year-old River Eckert and his father, Jake Eckert. Father and son reflect on their musical journeys, from River's early days learning jazz and blues to Jake's extensive experience with the Dirty Dozen Brass Band and his current gig with The New Orleans Suspects. The conversation, recorded after River's appearance at the NOLA Crawfish Festival and an hour before his next gig playing with George Porter, Jr., delves into the significance of familial legacy in New Orleans music, personal anecdotes about growing up around legendary musicians, and the impact of the city's supportive musical community. A special guest appearance by Luther Dickinson (North Mississippi All-Stars and Crawfish Fest stalwart) adds to the rich tapestry of stories, illustrating the unique cultural ecosystem of New Orleans, with Luther revealing the secret to his improvisational skills.  Additionally, Shaggy shares his personal history, from boiling crawfish in his backyard to founding Crawfish King (the episode's presenting sponsor along with Cochon King BBQ), and offers insight into the festival's evolution and his friendship with Dave Matthews.Episode Photo Gallery by Chris Applebaum Images – 4/29/25 at The Crawfish Festival, Including Photos from Episode 33 with The Rumble and an upcoming episode with Joe Marcinek and Rick King (NOLA Dead Funk Summit)HIGHLIGHTS To be honest, what I do, what I really get paid to do at the highest level and what I did with Phil Lesh, or what I did with the Black Crowes, or whatever, like high end, high octane stuff, fearless improvisation, I learned at The Maple Leaf. . Johnny (Vidacovich) and George (Porter) taught me how to roll…I'd show up with songs and set lists, but they didn't want that man. They didn't even want songs. They just wanted to improvise for two full sets. And it would scare me to death. But I learned how to do it, man. And that's the real juice.I have a huge debt to the  New Orleans culture.                                                                                                   -Luther Dickinson on his relationship with New Orleans It's not ever annoying to hang out with older people because they're the ones with the knowledge. I'm my age and my generation's the one who's learning in the present moment. So when I'm around all those guys, it's just I soak up any information that I can possibly get. -River Eckert on being 15 and hanging out with older guys in the music sceneThere's a lot of music in the family.My great-grandmother and great grandfather.My great grandmother was a well-known vaudeville musician, And they were really menstrual types and well known at the time, Goldie Green and Bart Green and that was way back, silent movies, you know. Every department store, every function. That was before sound and movies. So they kind of got going like that. I tracked my grandmother all around and learned that lifestyle. My grandmother said to me before she passed, she said, you know, you got the blessing and the curse!-Jake Eckert on growing up in a musical family.I started just having backyard boils outside of the fairgrounds. I was close with all the New Orleans musicians. I'm lucky to call 'em friends.  So I used to say, hey,come play in this backyard…do a cheap ticket, all you can eat, crawfish kind of thing. And we'd get anyone from Anders Osborne to George Porter. It was just always cool. Put food and music together. It's kind of my jam.-Chris “Shaggy” Davis on the origins of the NOLA Crawfish FestivalLINKShttps://www.rivereckert.com/River Eckert YouTube Playlisthttps://neworleanssuspects.com/https://www.facebook.com/nolacrawfishfestivalhttps://www.lutherdickinson.com/https://broadsidenola.com/https://www.mapleleafbar.com/MUSICStack-A-Lee | River Eckert - with George Porter Jr, Terence Higgins, and John FohlRiver Eckert Music YouTube ChannelThe Black Crowes LIVE: Luther Dickinson's 'Ozone Mama' Solo on a Dubreuille Classic livedownloads  YouTube Channel          Polytoxic w Jake Eckert "Do What You Gotta Do" 4/14/2012 @ Quixotes 400 Watt Room, DenverWspanicbrad YouTube ChannelSPONSOR LINKSNOLA Crawfish King – Seafood & CateringCochon King BBQSpecial thanks to Luther Dickinson, Nick Burlison & Chris Applebaum/Applebaum Images

Featured Songs: Daniel Donato Cosmic Country - 04-26-23 - Mystery Train - The Merry Widow - Mobile, AL Goose - 05-03-23 - Hot Tea - Daze Between Festival - New Orleans, LA* The Disco Biscuits - 05-05-23 - Lake Shore Drive - Mahalia Jackson Theater for The Performing Arts - New Orleans, LA Gov’t Mule - 05-05-23 - Sailing Shoes - Orpheum Theatre - New Orleans, LA** Holly Bowling - 05-05-23 - Brokedown Palace - Federal Way Performing Arts Center - Federal Way, WA * with Neal Francis, Josh Schwartz, Greg Sanderson and Chris Brouwers** with George Porter Jr. and Levee HornsSee omnystudio.com/listener for privacy information.

What makes New Orleans funk hit so different? In this episode, we dive into the swampy funk of The Meters, the iconic quartet that's left its mark on everything from Wu-Tang to Whitney Houston and beyond. We break down Leo Nocentelli's chicken-scratch guitar, Art Neville's genius riff comping, Zigaboo's “direct assault” on the high hat, and the thumping George Porter Jr. bass lines that defined their unique sound. And we explore how NOLA production legend Allen Toussaint provided the perfect roux to cook up The Meters' musical gumbo — simple yet complex, country yet urban, and 100% groovin'! Tune in for stories of Adam's funky DVD menu discoveries, Peter's Snug Harbor gig with Meters' royalty, and how the culture of the crescent city produced what may be the greatest funk band of all time.Spotify Playlist - https://open.spotify.com/playlist/1BqPtMqKaAiYlLvzplNDwOTry OS Membership today! → https://osjazz.link/aboutAll about YHIhttps://lnk.to/youllhearitYB

Mr. Christopher sits down with funk bass legend George Porter Jr., co-founder of The Meters to discuss his lifetime of work and a brand new album with his band The Running Pardners.

George Porter, Jr. is one of New Orleans' music royalty!  A Grammy Lifetime Achievement Award member, he was co-founder of the phenomenal Funk/Soul/R&B/Blues band The Meters.  You'll find him as an integral member of The Funky Meters, too!  Today George's legacy is continuing to be made heading up the Runnin' Pardners Band, whose latest album is Crying For Hope.  Multi-award winning program director Ray White caught up with George before taking the stage with his band in May of 2024 to talk about highlights of his esteemed career and his latest projects.  You'll find more from George on our Episode 57.  In our showcase segment, Lisa Davis highlights the latest from another legendary musician, Steve Cropper, who just released Friendlytown.  The show closes with a tour-de-force, The Fabulous Thunderbirds, who recently released their album Struck Down which is receiving rave reviews.  Getting to the heart of the matter, on this episode of the Coool CAT!!

The Acadiana Center for the Arts' Sam Oliver, Executive director, and Taylor Davis, Board President, join Discover Lafayette to discuss the AcA's 50th anniversary approaching, the superb programming they offer our community, and discuss upcoming events. The Acadiana Arts Council, the organization that later evolved into the Acadiana Center for the Arts (AcA), was established in 1975. It began as a regional arts organization focused on promoting and supporting the arts throughout Acadiana. Over the years, the Council expanded its vision and programming, eventually leading to the creation of the AcA as its permanent home on November 1, 2010. The AcA, at its core, is the Arts Council for the region, that offers Lafayette and the Acadiana region something you would expect in a larger metropolitan area: incredible performances from all over the world, high production quality shows, and the promotion of local and regional artists. It is a space for visual arts, performing arts, music, dance, and theatre. It is also a gathering place for social events, debates and forums for political occasions, and civic presentations that benefit the entire community. Sam has served as Executive Director for six years. You can hear our original interview with Sam here where we discussed his educational background and what led him to serve the AcA. Taylor has served on the board the past ten years and was first exposed to the AcA at its first show ever which brought Lyle Lovett to Lafayette. Taylor says his service is "a labor of love," and he and his wife, Yvette regularly go out to see and enjoy live music. The James Devin Moncus Theater offers a superb sound system that was upgraded this year, with a seating capacity of 304 seats, "and there is really not a bad seat in the house!"  It's a great time to join or renew your AcA membership as you receive early bird access to tickets for 2025's in-demand performances before they open for sale to the general public. Yearly memberships begin at $35 a year with higher levels for those who want to support the organization at a higher level. The AcA's 2025's Louisiana Crossroads series will showcase performers such as Steve Khan, Louis Michot, and C.J. Chenier celebrating the 100th birthday of Clifton Chenier. Scott Mulvahill, a Nashville based singer, songwriter and bass player, will be leading a full album length playthrough of Paul Simon's Graceland album, which featured Acadiana artists with Zydeco and accordion music. George Porter Jr. will round out the year. January 2025 will be kicked off with a two-night concert “The Roots of Fire Live,” bringing local Cajun and Creole together live on stage to perform, Other big name acts will include Lucinda Williams, Andrew Duhon, Ruthie Foster, and Kat Higgins, Several perks are being offered to enhance your AcA experience. Parking is always a challenge downtown, so the AcA is introducing free parking with a ticket at the parking lot across from Chase Tower on Jefferson Street. If you're planning dinner and drinks after a show, the AcA has partnered with downtown restaurants such as Vestal and Pop's Poboys who are doing pre-show discounts on meals. The Aca has also partnered with restaurants such as Pamplona and Ton's Downtown who will stay open later on show nights to offer post-show cocktails, In order to ensure a lineup of performances which pleases its patrons, the AcA put out a survey asking for the types of acts desired by the community.  Putting together a 50th anniversary season “had to be not just good, but something that our audience and our supporters really resonate with. We actually put out a survey where we said to members of ACA, tell us what you want to see”, Sam Oliver said. In honor of the upcoming 50th anniversary of AcA, on December 7, 2024, the Pelican Ball will honor five people who have made an impact over the course of its existence. One of the founders of the Acadiana Center for the Arts,

"From Steel Pulse to Wu-Tang: A Festival of Musical Diversity"Larry Mishkin discusses a review of various experiences and performances, starting with a cannabis event called "Miracle in Mundelein," which took place over the past weekend. The main focus of the review is a discussion of a Grateful Dead show from September 9, 1987, at the Providence Civic Center in Rhode Island. The show was notable for being the second night of a three-show run, marking the opening of the Grateful Dead's 1987 East Coast fall tour.Key highlights include:"Hey Pocky Way" Performance: This was the first time the Grateful Dead performed the song "Hey Pocky Way," which is originally by the Meters, a New Orleans funk band. The song became a fan favorite, primarily due to the influence of Brent Mydland, the band's keyboardist. However, the song fell out of rotation after Brent's death in 1990."Jack Straw" Performance: Another song featured was "Jack Straw," a Grateful Dead classic written by Bob Weir and Robert Hunter. It was originally performed in 1971 and became a staple in the band's setlists. The song was performed in the second spot of the setlist during the 1987 show, indicating the band's tendency to feature it early in their concerts.Music News Segment: The transcript also includes a segment on music news, which starts with a brief history of the band Cheap Trick, particularly their song "I Want You to Want Me."Review of the Miracle in Mundelein Festival: The review shifts to discussing the recent "Miracle in Mundelein" festival, where several acts performed:Steel Pulse: A roots reggae band from Birmingham, England, who delivered a lively and energetic performance.The Soul Rebels: A New Orleans brass band known for their energetic live shows and collaborations with major artists. Their set featured Raekwon and GZA from the Wu-Tang Clan, adding a strong hip-hop element to the performance.Wiz Khalifa: The headliner of the event, Wiz Khalifa, is praised for his stage presence and connection with the audience. The review notes his strong advocacy for cannabis and how his music resonated well with the crowd.Overall, the review captures the blend of nostalgia with the Grateful Dead's classic performances and the fresh, dynamic energy of the Miracle in Mundelein festival, highlighting both the music and the culture of cannabis.https://www.cheaptrick.com/ Grateful DeadSeptember 9, 1987 (37 years ago)Providence Civic CenterProvidence, Rhode IslandGrateful Dead Live at Providence Civic Center on 1987-09-09 : Free Borrow & Streaming : Internet Archive Second night of a three show run, the opening shows of 1987 East Cost fall tour.  INTRO:                                 Hey Pocky Way                                                Track #1                                                :35 – 2:03 First time ever played Hey Pocky Way was written by George Porter Jr., Leo Nocentelli, Art Neville & Joseph Modeliste, founding members of The Meters, an American funk band formed in 1965 in New Orleans by Modeliste (drums), Porter Jr. (bass), Nocentelli (guitar) and Neville (keyboards). The band performed and recorded their own music from the late 1960s until 1977 and played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, Dr. John, and Allen Toussaint. Song was released on Rejuvenation the band's fifth studio album in 1974. In 2003, the album was ranked number 138 on Rolling Stone magazine's list of the 500 greatest albums of all time,[6] and 139 in a 2012 revised list. Beginning with this show, the Dead began to feature Hey Pocky Way, usually as a show opener.  Sung by Brent who really got into it with both his keyboard playing and strong singing, it  became a fan favorite.  But as a Brent influenced tune, it died when he did. Played:  25 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast: July 22, 1990 at World Music Theatre, Tinley Park, IL, USA (Brent's second to last show)  SHOW No. 1:                    Jack Straw                                                Track #2                                                4:00 – 5:50 "Jack Straw"  written by Bob Weir and Robert Hunter. The track first appeared on the album Europe '72. The song was first performed in concert on October 19, 1971, in Minneapolis, Minnesota at new keyboardist Keith Godchaux's first appearance with the band. In the song's earliest performances (c. 1971–72), Weir sang all of the vocals. By the time the 'Europe 72' version was recorded, (at the Olympia Theater in Paris on 5-03-72), Weir and Jerry Garcia were switching up the vocals - as they had on April 26th when 'Hundred Year Hall' was recorded. The song appeared in both the first and second sets until the band's short hiatus in 1974-1975. After re-forming, the song almost exclusively appeared in the first set. After Brent Mydland joined the band in 1979, the song almost exclusively opened the band's first set. The band also often extended the jam after the second verse after Mydland's joining, often extending the song to over six minutes. Dead and Company have also further extended the song, often adding an abstract opening jam prior to the song's first verse.[1] Bob Weir stated in a 2004 interview that the song's lyrics were partly based on John Steinbeck's novel Of Mice and Men.[2] The song's themes include riding the rails, the Great Depression, and hobo (homeless) camps of the era. Jack Straw is also—perhaps coincidentally—the name of the original plantation owner, who lived controversially with his gay lover, Peter Ochello, in Tennessee Williams's play Cat on a Hot Tin Roof.[3] Always a great song to hear in concert, the fans loved it and it was always an omen of good things to come in the show. Played:  477 timesFirst:  October 19, 1971 at Northrop Auditorium, Minneapolis, MN, USALast:  July 8, 1995 at Soldier Field in Chicago MUSIC NEWS Miracle In Mundelein – second year of the festival in Mundelein a suburb northwest of Chicago.  Missed last year with JRAD but made it this year on Saturday with my sons Jonathan and Daniel, Jonathan's fiancé, Bella and Daniel's buddy AJ.  Different theme to this year's music focusing on hip hop and rap, not part of my regular music, but certainly a key genre for Daniel and AJ who filled me on details during the show. Acts:Steel Pulse - Steel Pulse are a roots reggae band from the Handsworth area of Birmingham, England. They originally formed at Handsworth Wood Boys School, and were composed of David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals), and Ronald McQueen (bass); along with Basil's brother Colin briefly on drums and Mykaell Riley (vocals, percussion). Steel Pulse were the first non-Jamaican act to win the Grammy Award for Best Reggae Album. They were initially refused live dates in Caribbean venues in Birmingham due to their Rastafarian beliefs. During the popularization of punk rock in the mid-1970's, Steel Pulse began to play punk venues such as the Hope and Anchor in London and The Electric Circus in Manchester in 1976.[1] Aligning themselves closely with the Rock Against Racism organization and featuring in its first music festival in early 1978, they chose to tour with sympathetic elements of the punk movement,[1] including the Stranglers and XTC. Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Fun set that was in progress when we arrived, great sound and lots of energy that kept the crowd moving. The Soul Rebels - The Soul Rebels (also Soul Rebels Brass Band, Soul Rebels or The Rebels) are an eight-piece New Orleans based brass ensemble that incorporate elements of soul, jazz, funk, hip-hop, rock and pop music within a contemporary brass band framework.  Starting out as a local New Orleans favorite, The Soul Rebels have evolved into collaborating live with major artists in all worlds of music including:Katy PerryNasMetallicaGreen DayTrombone ShortyProdigyString Cheese IncidentUmphrey's McGeeGalacticSuzanne VegaEurythmicsLettuceGov't Mule                                               And many more The band has built its career around an eclectic live show that harnesses the power of horns and percussion in a funky party-like atmosphere. The band routinely plays over 250 shows a year. They have been described by the Village Voice as "the missing link between Public Enemy and Louis Armstrong.  The Soul Rebels consist of percussionists and founding members Lumar LeBlanc and Derrick Moss, trumpet players Julian Gosin and Marcus Hubbard, trombonists Corey Peyton and Paul Robertson, saxophonist Erion Williams, and sousaphonist Manuel Perkins Jr.                                                 On Saturday, they featured Raekwon and GZA from Wu Tang Clan.                                      RAEKWON - Corey Woods[2] (born January 12, 1970),[3][4] better known by his stage name Raekwon (/reɪˈkwɒn/, ray-KWON), is an American rapper. He rose to prominence as a founding member of the hip-hop group Wu-Tang Clan, which achieved mainstream success following the release of their debut album, Enter the Wu-Tang (36 Chambers), in 1993. Raekwon would subsequently pursue a solo career, releasing his first solo album, entitled Only Built 4 Cuban Linx..., in 1995. The album received critical acclaim, and is regarded by many critics as one of the greatest hip-hop albums of all time, as well as a staple of 1990s rap.                                     Raekwon attributes the name Raekwon to the Five-Percent Nation, an offshoot of the Nation of Islam, when he was a "young kid."[11] He converted to Islam in 2009.                                     Growing up, he witnessed his mother being hit and abused by different men, an experience which he said "affected [him] a lot."[10] As a young man, his mother kicked him out of their Park Hill home when Raekwon got into an argument with her boyfriend and his mother sided with the boyfriend. During this time, he spiraled into a pattern of hopelessness and violent behavior.[8] He became addicted to cocaine and crack cocaine until he became aware of how the crack epidemic was affecting those around him, at which point "it was an automatic stop."[10]Raekwon and rap partner Ghostface Killah attended junior high school together on Staten Island.[14] Raekwon attended New Dorp High School, where he befriended rappers Remedy, Method Man and Inspectah Deck.[15]             Woods first rapped as Sha Raider. In 1992, he joined the Wu-Tang Clan, an originally nine-member rap group drawing mainly from the Staten Island but also from the Brooklyn boroughs of New York City. He rapped as Raekwon The Chef, and also used the aliases Lex Diamonds, Shallah Raekwon, and Louis Rich. After being caught in a crossfire and accidentally shot four times, Raekwon began rapping in earnest. He later described being shot as an "important eye opener." In September 2009, MTV ranked Raekwon tenth among "hottest" rappers. In December, HipHopDx's 2009 awards named Only Built For Cuban Linx... Pt. II album of the year, calling it "the Hip Hop equivalent to The Godfather 2, with Rae as revitalized as Marlon was". Raekwon won Emcee of the Year—the prior year, Nas won—while HipHopDX staff explained, Raekwon brought it back to lyrical, dope rap. He released an album that spoke to teens, twenty-somethings, thirty-somethings, and beyond. Without compromising, the Chef made an edgy Hip Hop record that refused to bastardize the catalog he laid down 15 years ago. On top of that, Rae (along with Ghostface) was a go-to for numerous rappers making albums, ranging from the Playaz Circle to Jadakiss to BK One. That's beyond real, as was a year filled with performing in arenas, clubs and even churches. When it came to mastering the ceremony, Rae had 'em all following the leader.[28]— HipHopDX GZA - Gary Eldridge Grice[2] (born August 22, 1966), better known by his stage names GZA (/ˈdʒɪzə/JIZ-ə) and The Genius,[3] is an American rapper. A founding member of the hip hop group Wu-Tang Clan, GZA is the group's "spiritual head", being both the first member in the group to receive a record deal and being the oldest member.[4] He has appeared on his fellow Wu-Tang members' solo projects, and has maintained a successful solo career starting with his second album Liquid Swords (1995). His lyrical style often dismisses typical rap story lines in favor of science and wide-ranging philosophies and has been characterized as "armed with sharp metaphors and a smooth flow".[5][6][7][8] An analysis of GZA's lyrics found that he has the second largest vocabulary in popular hip hop music.[9][10] He teamed up with an education group to promote science education in New York City through hip hop. In 1992, GZA joined the Wu-Tang Clan, a group of nine, formed by his cousin RZA. GZA had some high-profile appearances on the group's debut album, Enter the Wu-Tang (36 Chambers) (1993), including a solo track, "Clan in da Front".[22] This, combined with appearances on other Clan members' albums such as Return to the 36 Chambers: The Dirty Version (1995) and Only Built 4 Cuban Linx... (1995) brought him much recognition. According to Method Man, "we form like Voltron and GZA happens to be the head".                         The combination of the Soul Rebels beat and Raekwon's and GZA's rapping made for an exceptional set of music that caught me off guard but was worth the price of admission.  With lots of cannabis references scattered throughout their lyrics and stage talk, they were a perfect match for this festival. Wiz Khalifa - Cameron Jibril Thomaz (born September 8, 1987),[2] better known by his stage name Wiz Khalifa, is an American rapper from Pittsburgh, Pennsylvania. He signed with the local independent label Rostrum Records to release his debut studio album, Show and Prove (2006). His contract entered a short-lived joint venture with Warner Bros. Records the following year. His Eurodance-influenced 2008 single, "Say Yeah" received urban radio airplay and entered both the Rhythmic Top 40 and Hot Rap Songs charts, becoming his first minor hit.[3] Outside of music, Thomaz has delved into acting with television roles in Dickinson and The Eric Andre Show, the lead role alongside Snoop Dogg in the 2012 stoner comedy film Mac & Devin Go to High School, and voice roles in the animated series American Dad!, Duncanville, and Big City Greens. Thomaz founded the record label Taylor Gang Entertainment in 2008, through which he has signed artists including Juicy J, Ty Dolla Sign, and Berner. Known for his abundant usage of cannabis, Thomaz launched his own cannabis brand, Khalifa Kush, in 2016, which expanded for release in nationwide dispensaries in 2022. His stage name is derived from Khalifa, an Arabic word meaning "successor", and wisdom, which was shortened to Wiz when Khalifa was a young boy.[10] Khalifa stated to Spinner.com that the name also came from being called "young Wiz 'cause I was good at everything I did, and my granddad is Muslim, so he gave me that name; he felt like that's what I was doing with my music." He got a tattoo of his stage name on his 17th birthday.[11][12] By the age of 15, he was regularly recording his music at a local studio called I.D. Labs.[13] Impressed by the young teen's talent, E. Dan, the owner of the studio offered Khalifa an intern job at the studio in exchange for free recording time. Dan, being a veteran of the Pittsburgh hip-hop scene, would help develop and mentor the young artist early on in his career. He was the headliner and lived up to the billing.  Great tunes, great stage presence, great spokesperson for cannabis.  My first experience with his music and it was very positive. A great musical education for me with my tutors, Daniel and AJ. More in MJ News  Herbie Flowers  RIPJerry Miller  RIPGoose this week at the Salt Shed, Thursday and Friday   SHOW No. 2:                    Greatest Story Ever Told                                                Track #9                                                3:25 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #10                                                0:00 – 1:33 Greatest Story – written by Hunter/Bobby/Mickey, originally called “The Pump Song” on Mickey Hart's 1972 album Rolling Thunder.  As the opening tune of Ace, it is called Greatest Story Ever Told.  But this isn't about that song.  Here, it is the lead-in to a first set couple of “extras” thrown in for some fun. "Devil with a Blue Dress On" (also known as "Devil with the Blue Dress") is a song written by Shorty Long and William "Mickey" Stevenson, first performed by Long and released as a single in 1964. A later version recorded by Mitch Ryder and The Detroit Wheels in 1966 peaked at No. 4 on the U.S. Billboard Hot 100.  "Devil with the Blue Dress" was originally released as Shorty Long's debut single on Motown in 1964, but the single failed to chart. The song describes a femme fatale in a blue dress and not an actual devil.[2] Two years later, Mitch Ryder and The Detroit Wheels recorded the song at Bell Sound Studios in New York City[3] as a medley with an original arrangement of Little Richard's "Good Golly, Miss Molly". Their version, released on their album, “Breakout . . . . !”,  was notably more up-tempo than Long's more blues-influenced rendition.[2] Reaching No. 4 on the Hot 100, their version of the track would end up becoming their most well-known and highest charting hit in the United States. Rolling Stone Magazine ranked it No. 428 on their list of Top 500 Songs of All Time. Basically, another great cover to showcase Brent's singing and keyboard skills.  This was the first of 3 times the Dead covered the song.  Another fun diversion by the band that kept the Deadheads guessing and not wanting to ever miss a show. The transition out of Greatest Story is seamless and makes it so you can't hear the end of Greatest Story without hearing the signature beat of Devil making it a “natural” fit. Played – 3 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  SHOW No. 3:                    Good Golly Miss Molly                                                Track #11                                                0:00 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #12                                                0:00 – 0:51"Good Golly, Miss Molly" is a rock 'n' roll song first recorded in 1956 by American musician Little Richard and released in January 1958 as single on the Specialty label, and later on the album, Little Richard in July 1958.[1] The song, a jump blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by the Valiants, who imitated the fast first version recorded by Little Richard, not released at that time. Although the Valiants' version was released first (in 1957), Little Richard had the hit, reaching No. 4.[2] Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been recorded by hundreds of artists. The song is ranked No. 92 on the Rolling Stone magazine's list of the 500 Greatest Songs of All Time. Little Richard first heard the phrase "Good golly, Miss Molly" from a Southern DJ named Jimmy Pennick.[4] He modified the lyrics into the more suggestive "Good golly, Miss Molly/You sure like to ball." Little Richard himself later claimed that he took Ike Turner's piano intro from his influential 1951 rock and roll song "Rocket 88", and used it for "Good Golly, Miss Molly".[5] "I always liked that record," Richard recalled, "and I used to use the riff in my act, so when we were looking for a lead-in to 'Good Golly, Miss Molly', I did that and it fit." In 1966, Mitch Ryder and the Detroit Wheels incorporated "Good Golly Miss Molly" into their version of "Devil with a Blue Dress On". Their version scored a major hit, not only in Ryder's native Detroit, but nationwide, placing at No. 4 on the Billboard Top 100. As with Devil, a Brent thing.  Unfortunately, it was only around for a month.  Then vanished from the Dead's playlist thereafter.  Played:  3 times, makes senseFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  MJ NEWS:             Miracle in Mudelein – a great event sponsored by Rise Dispensaries and Rhythm cultivators.  Second year, featuring great music, excellent food and drink and too many booths for dabbing from various types of rigs including a Studenglass Gravity Bong – my first time using one and it is not your father's four foot Graffix bong!  Daniel and AJ were all over it and as it turned out, the wait in line was well worth the experience.  Rather than try to explain it to you, just Google Gravity Bong and see for yourself!  Great high.             Miracle is that Lake County, a more conservative leaning county, and Mundelein permitted the event.  Attendees can bring in their own flower or extracts (supposedly only if purchased at an Illinois dispensary), smoking accessories, etc.  Rise also was selling products at the show.             A wonderful thing to attend an event and not have to hide and smuggle in your cannabis.  People lighting up everywhere, offering to share, talking strains, etc.  Police were there to keep order and otherwise let it all go on.  Very professional.             Excellent mellow crowd (what else would you expect?).  Well run.  Shot joints out of a canon.  A wonderful day and experience for those who enjoy cannabis, especially not having to hide it or pretend you don't have any when everyone knows attendees are smuggling it in anyway.             A great way to promote cannabis and help normalize it within the community.  And a fun event to be able to share with my boys, Bella and AJ.  Fun had by all.  SHOW No. 4:                    Not Fade Away                                                Track #24 (NOTE – this song is listed as Track #23 AND #24, be sure to use #24)                                                0:00 – end "Not Fade Away" is a song credited to Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty (although Petty's co-writing credit is likely to have been a formality[3]) and first recorded by Holly and his band, the Crickets. Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded.[1] The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, "Not Fade Away" was originally released as the B-side of the hit single "Oh, Boy!" on 10.27.1957 and was included on the album The "Chirping" Crickets (1957). The Crickets' recording never charted as a single. In 2004, this song was ranked number 107 on Rolling Stone's list of "The 500 Greatest Songs of All Time". The song is closely associated with the Grateful Dead as one of their signature tunes—one which the band transformed from Holly's 1950s boy/girl romanticism to one reflecting the 1960s' more spiritual universal love. Their 1971 recording of the song is included on their second live album, Skull and Roses, paired with Going Down The Road Feeling Bad, a regular happening in the early ‘70's. Primarily a second set tune that used to show up in the second half of the second set after Drums-Space.  Beginning in 1983, the Dead began to play it as the second set closer, trailing off with “Love is real will not fade away” as they exited the stage.  A few years later, the Deadheads starting chanting the line as the Dead left the stage and in some cases, kept it up until the band reappeared for their encore, when the band would pick back up on the beat and play it for another minute or so before their encore tune, such as with this show.    Great example of the Deadheads making their mark on the show and the band being tuned in enough to play along with it.  Although sometimes if the Dead took too long to come out for the encore, the chanting would start to fade off.  And sometimes even when the chant made it all the way to the band's return on stage, the band would ignore it and just dive straight into their encore.  Fun when it all came together like this show. Played:  561 timesFirst:  February 19, 1969 at Fillmore West, San Francisco, CA, USALast:  July 5, 1995 at Riverport Amphitheatre in Maryland Heights, MO (St. Louis) OUTRO:                               The Mighty Quinn                                                Track #25                                                2:11 – 3:48 Bob Dylan wrote and first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years.  The song's first release was in January 1968 as "Mighty Quinn" in a version by the British band Manfred Mann, from their album Mighty Garvey, and became a great success. A demo of 14 of the 1967 Basement Tapes recordings, including the first of two takes of "Quinn the Eskimo (The Mighty Quinn)", was produced in 1968, but was not intended for release. Recordings taken from the demos began appearing on bootlegs, starting with Great White Wonder,[7] a double-album bootleg that came out in July 1969. The first official release of the song was in 1970 on Dylan's Self Portrait album,[14] a live recording from 1969's Isle of Wight Festival. The live version (titled "The Mighty Quinn (Quinn the Eskimo)") was also selected in 1971 for the second compilation of Dylan's career, Bob Dylan's Greatest Hits Vol. II. Covered by:  the Hollies, Leon Russell and Phish, among others. Although they never played the song with Bob Dylan, the Grateful Dead started playing "The Mighty Quinn" in concert in 1985. It became a favorite encore among the Grateful Dead's fans, and remained so to the end of their career. Last verses, end with, “when Quinn the Eskimo gets here, everybody's gonna want to doze” but the Deadheads heard it as “dose” and always gave it a big cheer. Played:  59 timesFirst:  December 30, 1985 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  Shoutouts: Lary Vinocur – birthdayElena Mishkin – birthday .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

This week Jonathan sits down with George Porter Jr., the legendary bassist from The Meters. He and Jonathan talk about all things Meters, and Funky Meters, as well as Porter's collaborations with so many—Dr. John, The Rolling Stones, Page McConnell, members of the Dead, and so many more. Please subscribe and give us a review wherever you get your podcasts.  The Jam is hosted and produced by Jonathan Shank. Produced by Matt Dwyer and RJ Bee of Osiris Media. Audio Production by Matt Dwyer. Recorded at Sony in Los Angeles. Music by Amar Sastry. Thanks for listening, and see you next time.

Are you listening to the gnomes? Al talked about recording in Iceland, studying Grateful Dead lyrics, finding Oteil's voice, band tracking setup, the importance of bleed, mono vs stereo, mixing templates, Aquarian Rescue Unit, and Michael Jackson. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Al Evans a multi-instrumentalist, engineer, producer, artist, and record label owner based in Western Massachusetts. Alan has been making music on stage and in the studio for over 30 years, most notably with his band Soulive as well as with artist like Oteil Burbridge, John Scofield, George Porter Jr., Karl Denson, Ivan Neville, and Reggie Watts.  Al has been a guest on the podcast previously for episode RSR183 and RSR339 to talk about recording at his studio Ironwax. And today we get to talk about his recent production for Oteil Burbridge “Lovely View Of Heaven” recorded in Iceland, and recording new material with his band Soulive. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/1F16ucxEvIBugOepkzsTkW?si=9fba70c2aa574145 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/440

Welcome to 2024! It is amazing that we are still on our podcast path. Special thanks to Rock Positano, Steve Carlis and Danielle Kessler for keeping the podcast flame alive. What a great historic visit we had with the great New Orleans bass player extraordinaire Geore Porter, Jr.. You have to listen to this man's story it is historic and entertaining and amazing and extremely authentic. From his early days as a young boy growing up in New Orleans, he takes us down the path of his incredible musical journey which is still going to this day!

We caught up with guitarist Chris Adkins on playing with many of New Orlean's greatest including Irma Thomas, Dr. John, Al "Carnival Time" Johnson, and Steve Masakowski and how he came to be one of George Porter Jr's Runnin Pardeners  Ep: 352 #ATJPod more: https://www.chrisadkinsmusic.com/ @allthatjampod on IG, FB, and Twitter - www.allthatjampod.com - Subscribe - leave a review - tell a friend. Merch: https://t.co/QgtAisVtbV All That Jam is brought to you by Executive Producers Amanda Cadran and Kevin Hogan. Produced and edited by Amanda Cadran and Kevin Hogan. Mixed and Mastered by Kevin Hogan. Original Music by Aaron Gaul. Art by Amanda Cadran. 

We caught up with New Orlean's guitarist and educator Chris Adkins about touring and recording with Maria Muldaur  Ep: 316 #ATJPod More: https://www.chrisadkinsmusic.com @allthatjampod on IG, FB, and Twitter - www.allthatjampod.com - Subscribe - leave a review - tell a friend. Merch: https://t.co/QgtAisVtbV All That Jam is brought to you by Executive Producers Amanda Cadran and Kevin Hogan. Produced and edited by Amanda Cadran and Kevin Hogan. Mixed and Mastered by Kevin Hogan. Original Music by Aaron Gaul. Art by Amanda Cadran. 

Welcome the great guitarist/singer/songwriter/producer PAPA MALI! Based in NOLA for the past dozen years, Papa Mali is a certified rock n' roll troubadour, having lived several musical lives in numerous locales across the past half-century. An artist for art's sake and rad to the core, Malcolm is an old-school bluesman, reggae devotee, soul/R&B aficionado - he's at home with funk, folk, and gutbucket piano joints too. The man is a living breathing chameleonic musicologist in our midst. A conversation brimming with detailed ruminations and colorful pointifications. In addition to the Crescent City, Papa Mali reflects on nascent days soaking up culture in his Shreveport childhood, before wandering onward to Little Rock, Kingston Jamaica, Austin, and eventually New Orleans, with a plethora of potent points between. The lifelong soundtrack to these travels, trials, and tribulations is a terrifically-tasty gumbo on the transistor radio station. Episode 070 starts with a short message from your host, a moment of reflection and prayer for peace. Followed by a brief tribute to the dearly departed NOLA drummer/icon RUSSELL BATISTE JR. Papa Mali begins our conversation with a lengthy, touching tribute to fallen friend and collaborator, an Austin legend, bassist BRAD HOUSER. 3:15 - a word from our sponsor iamavl 6:00 - a brief acknowledgement of current events 9:30 - The Upful Update 16:00 - Celebrating the life of Russell Batiste Jr. 21:30 - Russell Batiste Jr. talks about Frenchy 23:15 - introducing PAPA MALI  27:15 - INTERVIEW w/ Papa Mali (108 mins) 2:15:30 - afterglow & Vibe Junkie JAM Please check out our sponsor IAMAVL Papa Mali interview topics include: Remembering Brad Houser, discovering/absorbing music as a kid, Howlin' Wolf, Rolling Stones, Johnny Slim Campbell, a wide-eyed, shape-shifting 1977 sojourn to Kingston, Jamaica at the apex of political gangland warring, getting adopted by rastas in the bush, moving to Austin, acclaimed American reggae band Killer Bees, the death of co-founder Michael E. Johnson, coming back to reggae decades later with NOLA's Shantytown Underground, the connection between reggae/rocksteady and New Orleans R&B/soul, meeting/dosing with Bill Kreutzman of the Grateful Dead at Oregon Country Fair, embarking on 7 Walkers with Billy, George Porter Jr., and Matt Hubbard, writing with Robert Hunter, moving to NOLA and creating Music Is Love album, Reverend Goat Carson, making two LPs with Dan Prothero and Fog City Records, Papa Mali the record producer, and more!   Vibe Junkie JAM  “Flouride” Critters Buggin' (1998)   ECHT! Live mini-set 2023 Stanton Moore and Adam Deitch talk Russell Batiste Jr.   EMAIL the SHOW PLEASE LEAVE A REVIEW on Apple Podcasts Listen on Spotify Theme Song: "Mazel Tov"- CALVIN VALENTINE

In the vibrant music scene of New Orleans during the 1960s, a group of exceptional musicians came together to form a band that would redefine funk music. Bassist George Porter Jr. joined forces with Art Neville(keyboards), Joseph "Zigaboo" Modeliste (drums), and Leo Nocentelli (guitar) to create The Meters. The name itself hinted at their precision and rhythm. The Meters introduced a distinctive sound that blended funk, R&B, soul, and New Orleans grooves. Their music was characterised by tight and infectious instrumental grooves that quickly caught the attention of music enthusiasts. Hits like "Cissy Strut" and "Sophisticated Cissy" showcased their innovative approach to rhythm and melody, laying the foundation for the future of funk music. Their albums "The Meters" (1969), "Look-Ka Py Py" (1969), and "Struttin'" (1970) propelled them to prominence. While their initial success was felt mainly in their hometown of New Orleans, their influence spread far beyond. Despite not achieving mainstream commercial success, their impact on the music scene was undeniable. The Meters' music was more than just notes and beats; it was a source of inspiration for generations to come. Their rhythmic grooves became the foundation for hip-hop, with countless artists sampling their tracks. This influence solidified their legacy as pioneers of the funk genre. After the band's initial disbandment, George Porter Jr. pursued a solo career, showcasing his exceptional bass skills. The Meters experienced various reunions over the years, with special performances and tours celebrating their musical legacy. Their enduring popularity spoke volumes about their lasting impact. In 2018, The Meters received the Grammy Lifetime Achievement Award, a testament to their significant contributions to music. Their induction into the Rock and Roll Hall of Fame in the same year immortalized their place in music history. George Porter Jr. and The Meters revolutionized funk music with their unparalleled instrumental prowess and innovative grooves. Their journey from New Orleans to the global music stage left an indelible mark on the industry. Their legacy continues to live on through their timeless music and the artists they've inspired, solidifying their status as true legends of funk. Please join me this week as George Porter Jr shares his experiences and musical life with the legendary Meters. To learn more about George Porter Jr head to his website http://www.georgeporterjr.com/ To send me a message and to check out some of my back episodes go to my website https://abreathoffreshair.com.au/

This week Kevin and Amanda talk: Are Dead and Co a cover band Phish hits the road My Morning Jacket's Jim James Mental Health Note D&C at Barton Hall Raises 3.1M Archival ABB Interviews  Plus our interview with George Porter Jr on New Runnin' Pardners, The New Orleans sound and classic R&B, "How I spent my Covid," Allen Toussaint and The Meters, and touring.   Music Cares: https://musicares.org/ Cornell 2030 Project: https://climate.cornell.edu/ @allthatjampod on IG, FB, and Twitter - www.allthatjampod.com - Subscribe - leave a review - tell a friend. All That Jam is brought to you by Executive Producers Amanda Cadran and Kevin Hogan. Produced and edited by Amanda Cadran and Kevin Hogan. Mixed and Mastered by Kevin Hogan. Original Music by Aaron Gaul. Art by Amanda Cadran.  

Papa Mali caught up with us about 7 Walkers with Bill Kreutzmann and George Porter Jr. @papamali  @allthatjampod on IG, FB, and Twitter - www.allthatjampod.com - Subscribe - leave a review - tell a friend. All That Jam is brought to you by Executive Producers Amanda Cadran and Kevin Hogan. Produced and edited by Amanda Cadran and Kevin Hogan. Mixed and Mastered by Kevin Hogan. Original Music by Aaron Gaul. Art by Amanda Cadran.    

Ep. 112: George Porter Jr. of The Meters Weird Music Podcast features unforgettable interviews with legendary artists and entrepreneurs about being creative and finding success. In this episode, we are joined by the incredible George Porter Jr. of The Meters. The Meters have been honored with The Grammy's Lifetime Achievement Award as one of the greatest funk bands of all time. George Porter Jr. will be coming out with an album soon! Stay up-to-date on all of George Porter Jr.'s upcoming work and find him on socials through georgeporterjr.com ! And let us know if you'd like a handmade ice-dyed Weird Music Podcast t-shirt! — https://forms.gle/Ri5grzaMoC4QUXRU8 Weird Music Podcast is available on all streaming platforms! Spotify: https://spoti.fi/3jJT6ir Apple Podcasts: https://apple.co/3yJ7QT1 Stitcher: https://bit.ly/3n3CC6X Amazon Music: https://amzn.to/2WPIaHE Linktree: https://linktr.ee/weirdmusicpodcast Produced by: Katie Daly Sponsored by: Ticket Releaf ( https://ticketreleaf.org/ ) VooDoo Ranger ( https://www.newbelgium.com/beer/voodoo-ranger-ipa/ ) Thrax CBD & THC ( http://thrax.shop/ ) JNJ Distribution ( https://jnj-distribution.com/ )  We are very grateful for our generous listeners & sponsors! Feel free to give a tip on Venmo — @Cam_Elkins

  On the heels of a fantastic NOLA Jazz Fest 2023, please welcome New Orleans-based guitarist/vocalist ARI TEITEL (The Rumble) to Episode 067. I've been keepin' ears and eyes on Ari for the past few years as he continually makes waves in this country's greatest musical city. With numerous irons in the fire, as well as a laundry list of colossal collaborators, it was high time that I catch up with the young axe-slinger and hear all about his musical journey thus far. 2:30 - The Upful Update: Irmzie injury, NOLA Jazz Fest 2023 14:00 -  introducing ARI TEITEL 18:25 -  INTERVIEW w/ Ari Teitel (73 mins) 1:32:40   - aftermath/reflections 1:36:20   - Vibe Junkie JAM  1:44:30 - BONUS- Summer Concert Tours Preview w/ J.A. (50 mins). Please consider $upporting the Upful Life Podcast   Ari Teitel - Bio GRAMMY nominated Ari Teitel began his career at 11 years old on stage sitting in with Robert Randolph at the Michigan Theater in his hometown of Detroit. Leading a band in the Motor City by age 12, Ari immersed himself in the musical heritage of the city. Studying and adhering to the traditions with the deepest respect. After graduating from Michigan State in 2016, he made the pilgrimage to American-music mecca New Orleans, Louisiana. He earned a GRAMMY nomination as musical director of Mardi Gras Indian Funk band Cha Wa, and worked alongside contemporary groove gurus Eric “Benny” Bloom & Nigel Hall of Lettuce. In 2022, Teitel co-founded The Rumble, a new and improved take on the funk band steeped in NOLA's sacred masking traditions. Also last year, Ari dropped a phenomenal solo LP, I Got My Thing. Now a staple on the Crescent City scene, Teitel has recorded or performed with PJ Morton, Iggy Pop, Mononeon, Cyril Neville, Ivan Neville, the New Orleans Jazz Orchestra, George Porter Jr, Dee Dee Bridgewater, Nicholas Payton, Big Chief Monk Boudreaux, Davell Crawford, Herlin Riley, Papa Mali, Quiana Lynell, Roosevelt Collier, Bill Summers (Herbie Hancock), Erica Falls, Russ Liquid, Adam Deitch, Alvin Ford Jr (Pretty Lights),  and Jamison Ross (Snarky Puppy).  Ari Teitel - Instagram    Ari Teitel - website    Ari Teitel - Link Tree     Vibe Junkie JAM “Burn Rubber” The Nth Power & Friends (feat. members of Dumpstaphunk & more!) Tribute to The GAP Band. April 28th, 2023 late night. Toulouse Theater. NOLA Check out B.Getz's annual NOLA Jazz Fest wrap up on L4LM   BONUS: 2023 Summer Concert Tours Preview with very special guest, the return of J.A. from The Rock n' Wrestling Podcast, one of my hometown homies and oldest friends. His first Upful LIFE podcast appearance in about 2 years! Since this episode came in a couple weeks late due to life stuff, I wanted to throw in some bonus content for the people! So great to reconnect with Jason and talk about some of our favorite topics du jour including - but not limited to - The Phish from VT, the geopolitical lens b/o pro wrasslin', Erykah Badu, Metallica,  Billy K. leaving Dead & Co. just days before their "Final Tour", plus riffing on Taylor Swift-mania, Blink-182/Turnstile, The Cure, Motley Crue/Mick Mars drama, & some hearty laughs too.   EMAIL the SHOW PLEASE LEAVE A REVIEW on Apple Podcasts Listen on Spotify Theme Song: "Mazel Tov"- CALVIN VALENTINE

Bassist George Porter Jr. leads a trio augmented by guitarist Steve Kimock in performance at the Fur Peace Ranch recorded August 24, 2019.

Featured Songs: 00:38 - Daniel Donato Cosmic Country - 04-26-23 - Mystery Train - The Merry Widow - Mobile, AL 08:28 - Goose - 05-03-23 - Hot Tea - Daze Between Festival - New Orleans, LA* 25:42 - The Disco Biscuits - 05-05-23 - Lake Shore Drive - Mahalia Jackson Theater for The Performing Arts - New Orleans, LA  33:20 - Gov't Mule - 05-05-23 - Sailing Shoes - Orpheum Theatre - New Orleans, LA** 38:07 - Holly - 05-05-23 - Brokedown Palace - Federal Way Performing Arts Center - Federal Way, WA * with Neal Francis, Josh Schwartz, Greg Sanderson and Chris Brouwers** with George Porter Jr. and Levee HornsSee omnystudio.com/listener for privacy information.

We're celebrating James Browns 90th birthday, and got some fresh funk for y'all. 01- James Brown - Everybody Wanna Get Funky One More Time (Pt. 1) 02- Kurt Elling - Not Here / Not Now 03- Orgone - On The Road Again (feat. Phil Diamond) 04- John Michael Bradford - I'll Still Be the Man (feat. Dumpstaphunk) 05- The Burroughs - Harder To Believe 06- Eddie Roberts, George Porter Jr., & Floki Sessions - Boots In Place 07- Cory Wong - Flyers Direct (The Power Station Tour Live) 08- Octave Cat - Talk to Me 09- The Heavy Pets - Help Me Help You 10- The Mighty Mocambos - International Cypher 11- The Sure Fire Soul Ensemble - Aragon (Live) 12- Great Revivers - Seek & Destroy 13- Kerbside Collection - Fleet Streak 14- Silky Steps - Treasure 15- Durand Jones - See It Through 16- James Brown - Everybody Wanna Get Funky One More Time (Pt. 2)

We caught up with George Porter Jr on his plans for Jazz Fest 2023.  More info: http://www.georgeporterjr.com/tour @allthatjampod on IG, FB, and Twitter - Subscribe - leave a review - tell a friend. All That Jam is brought to you by Executive Producers Amanda Cadran and Kevin Hogan. Produced and edited by Amanda Cadran and Kevin Hogan. Mixed and Mastered by Kevin Hogan. Original Music by Aaron Gaul. Art by Amanda Cadran

We caught up with George Porter Jron the documentary about him that has been filming since Jazz Fest 22.  @allthatjampod on IG, FB, and Twitter - Subscribe - leave a review - tell a friend. All That Jam is brought to you by Executive Producers Amanda Cadran and Kevin Hogan. Produced and edited by Amanda Cadran and Kevin Hogan. Mixed and Mastered by Kevin Hogan. Original Music by Aaron Gaul. Art by Amanda Cadran.

Here's a "best of" of some of my favorite moments from the early season of Riff Raff. Listen to Dweezil Zappa talk about how Eddie Van Halen coached his jr. High school talent show band, John Scofield telling me about how he approaches playing "outside" the chord changes, George Porter Jr. of the Meters in what he looks for in a groove and Ratt's Warren DeMartini driving me around Hollywood, shows me where the early days of Ratt all went down and talks about life before the big time when he and Jake E. Lee were roommates. All in 20 min? Wow.RIFF RAFF T SHIRTS Click HERELe Combo! EP click HERETO SUPPORT /DONATE TO THE RIFF RAFF PODCASTCLICK HERETo become one of Shane's MOJO VIP MEMBERS - CLICK HERESupport this podcast at — https://redcircle.com/the-riff-raff-with-shane-theriot/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

David Northrup is a Nashville based touring, session drummer educator and international clinician who has recording and performance credits with a multitude of artists over varying genres. His versatile list of credits includes Rick Derringer, Boz Scaggs, John Waite, John Mellencamp, Les Dudek, The Disco Biscuits, Wynonna, Travis Tritt, John Michael Montgomery, The Oak Ridge Boys, T Graham Brown, Joe Diffie, Tanya Tucker, Jo-El Sonnier, Pam Tillis, Lee Greenwood, Doug Stone and Ty Herndon. He is currently on tour with country superstar Joe  Nichols.   In 2020 Northrup released his debut solo Instrumental CD “Shapes” Produced by Grammy winning Producer Shane Theriot the project includes performances from the legendary George Porter Jr of The Meters and Adam Nitti on bass. New Orleans jazz great David Torkonowsky and Pat Coli on keyboards. Shane Theriot (Neville Brothers, Hall and Oates) and Mike Miller (Gino Vannelli, Chick Corea Electric Band II) on Guitar with Eric Crystal and Mark Douthit on Saxophone. The project includes several Theriot compositions, a unique latin arrangement of the Miles Davis classic, All Blues! Slick and greasy, Heavy groove instrumental music inspired by his drumming influences Jeff Porcaro, Steve Gadd, David Garibaldi and Steve Jordan.    David Northrup Proudly Endorses: Gretsch Drums DW Pedals Paiste Cymbals Evans Drumheads Vater Drumsticks The Drum Dial Beier Snare Drums Pearl Hardware  AHEAD Drum Thrones     Things That Came Up:    3:30 Mutual friend Frank Briggs  6:00 album credits junkie and discovering Jeff Porcaro  7:20 Studying with John Dixon  7:40 The confidence needed from a drummer  9:00 Dads urging to study and potentially reach  10:00 Dave Handlin  10:20 Willie Fletcher  11:00 Move to Florida  15:30 heading the Jeff Porcaro influence  20:22 create your own cliques that rise together. Advice courtesy of Tommy Wells  21:50 16th Ave bar and grill  24:15 two kits Mike's up at his home studio  25:30 working with engineer Steve Cummings  27:00 lots of NO before getting a YES 28:30 Brian Hinchliffe set up Travis Tritt audition  29:55 finally being justified  31:61 Be careful about breaking your spirit. You only improve from failures  33:00 2nd Year with Joe Nichols 36:30 developing clinic career  39:00 dynamics, control, and subtly  40:40 Les Dudek and playing on “deeper shades of blues” along with Jeff Porcaro.  48:00 Bands HAD to get the track  51:20 Boz Scaggs always knew what he DIDN'T want.  53:38 Very low stage volume with Boz Scaggs  56:40 Subbing for Cactus Moser with Wynonna  59:30 aspen dental sound alike track with John Waite  65:50 Playing The Tonight Show with Travis Tritt and John Mellencamp. 67:30 Playing Jimmy Kimmel and meeting actor Tony Shaloub. 69:00 Teaching Private Lessons. 70:20 The magic of Muletown Digital website design.  71:10 The FAST FIVE!  73:00 Loving old movies.  74:30 Solo record “Shapes”was a labor of love and is available now on ITunes, Amazon, Ebay, Spotify. Get a physical copy directly from Dave.    Follow:  FB: Davidr IG: @davidnorthrupodrums     The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits!   Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at:   https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1   One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)!   Buy Rich's exact gear at www.lessonsquad.com/rich-redmond   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com       RICH REDMOND  Drummer, Speaker, Author, Host, Actor www.richredmond.com

we are back…with one of the most important tributes… to the founding fathers of funk, The Meters. They created a unique sound blending funk, blues with a New Orleans Cajun vibe. Their history dates back to 1965, when keyboardist Art Neville recruited bassist George Porter Jr., drummer Joseph 'Zigaboo' Modeliste and guitarist Leo Nocentelli to form The Meters. They became the house band for Allen Toussaint label, Sansu Enterprises. In ‘69 they released "Sophisticated Cissy" and "Cissy Strut", both major R&B chart hits. After twelve years and ten studio albums, they disbanded in ‘79…but continued to perform in the next decades with different line ups. I will dig wider in their portfolio…besides their songs, I will present their side projects, collaborations, cover-ups by other bands and some Meters inspired jams. So ease back, get your gumbo in order and enjoy the funk….

The affable guitarist, sound engineer, tour manager, and studio builder with Gatemouth Brown, George Porter Jr., Ultrasonic Studios, and Daniel Lanois’ Kingsway studio has been involved with every aspect of the New Orleans music scene for decades. As a Jazz Fest stage manager, he’s a friendly face you’re always happy to have on your side. Cool as a cucumber in any situation, his good humor is put to the test as he joins the Troubled Men for a going-over. Topics include Mel Gibson, Jason Ricci dodging a bullet, an ATM smash-and-grab, Krystal burgers, New Year’s Eve with Dolly, Miley, and David Byrne, “The Whale,” garbage popcorn, a sports fan, the Clements Brothers on acid, Luigi’s, the Playboy Club, the Golliwog, Charlie Blancq, Kerry Brown, the Warehouse, the Allman Brothers, LSU dorms, Leisure Landing, Julie Ebel, the Pearls, Gentilly, Tom Fitzpatrick, the Cars, Mighty Sam McLain, Wayne Bennett, the Colt 38, a vodka problem, Eugene Ross, Ray Charles, a John Lee Hooker session, the Ascona Jazz festival, the Harlem Allstars, Tribe Nunzio, the Song Dogs, the Egyptian Room, Zack Starkey, Omari Neville, the Shapeshifters, and much more. Intro music: "Just Keeps Raining" by Styler/Coman Break and Outro Music: "Blue Light" and "Holy Infidel" from "Bough" by Eric Schiller (produced by Dirk Billie and Ethan Allen) Support the podcast: Paypal or Venmo Join the Patreon page here. Shop for Troubled Men’s T-shirts & tanks here. Subscribe, review, and rate (5 stars) on Apple Podcasts or any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Troubled Men Podcast Facebook Troubled Men Podcast Instagram Iguanas Tour Dates René Coman Facebook GR8 ESCAPE BAKING COMPANY Promo Code:TROUBLED15 Dirk Billie Facebook

Kyle interviews bassist George Porter Jr., a founding member of the legendary New Orleans funk band The Meters. The Meters were formed in New Orleans during the mid-1960s. The band's unique sound played a large role in the evolution of funk music, and deeply influenced the sound of hip-hop during the 1990s. The Meters also had a significant impact on rock music. The band performed with Paul McCartney, toured with the Rolling Stones, and influenced Led Zeppelin.

Kyle interviews George Porter Junior, bassist for the legendary funk band The Meters.

This week, we dial into New Orleans for a fascinating talk with master funk-guitarist and songwriter Leo Nocentelli. Discerning listeners may known him as the chief groove-creator behind the legendary group The Meters with Art Neville on keyboard, George Porter Jr. on bass, Zigaboo Modeliste on drums. There is no mistaking his soulful dagger-sharp signature sound leading often-sampled treasures like “Sissy Strut” and “Hey Pocky A-Way” (The Beastie Boys were big fans) - or even his slinky masterful backing of Dr. John's classic Right Place, Wrong Time. But a new generation are learning of Nocentelli from last year's surprise release of his first and only solo record, the acoustic folk-driven Another Side, which was resurrected and marketed by Light In The Attic Records nearly fifty years after Leo first recorded it.  You don't usually put your first record out when you're zooming past your 75th birthday. The story of how Another Side still even exists is quite a yarn (one that Leo goes into great good-humored detail about in the taping) from the master tapes being lost in damage caused by Hurricane Katrina, to a master-copy being found almost impossibly after a storage-unit got foreclosed and the music was traded at a local swap-meet. Hearing him tell it, finding these songs from his younger days, was like finding an essential, lost piece of his soul. The record isn't polished, but the sense of youthful exploration shines through. He's searching for his voice in real time. You wouldn't think a rock-funk maven like Nocentelli would be inspired by songwriters like James Taylor or Elton John - but in many ways, it was the softer, more yearning, poetic side of rock-n-roll in the early 1970s that intrigued him most when he began writing songs like “Thinking Of The Day” in 1972, wondering if his place in the world, his “tomorrow would ever come.” Other standouts like “Riverfront” told the stories he couldn't tell while penning the Meters' funky (but often instrumental) dance anthems. With his Meters mates chugging beside him in the studio, he can tell darker, more personal tales about his hard-working friends, like Aaron Neville (who he grew up with in the 7th Ward) and used to haul bananas off the boats in New Orleans to get by.  Nocentelli has had his shares of ups and downs as a lifer who has rode the tempests of the ever-evolving music industry. It's a “brutal brutal business” he says at one point - and Leo shares that he had to sell some of his favorite guitars to keep going through the years. The song “Getting Nowhere” leans into the sense of helplessness and frustration many talented session players and touring side-men like him went through when royalties and fame and fortune passed them by as others rose to prominence. Some things really haven't changed in fifty years. But only a generational talent like Nocentelli could create sparkling guitar backdrops for artists as diverse as Dr. John, Otis Redding and even Jimmy Buffett, and keep his passion long enough to see new crowds packing houses on tours in 2022. It must be quite the feeling to finally be able to perform his own solo work - a half century after the songs first emerged and were almost lost forever.  Support this podcast at — https://redcircle.com/the-show-on-the-road-with-z-lupetin1106/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome back to the Rock 'n Roll Ghost Podcast. On this week's episode, the Ghost speaks with legendary New Orleans musician George Porter Jr. (The Meters, The funky Meters, Joyride, GP Jr. & the Runnin' Pardners) about his career, his current touring schedule and what it means to be a musician from New Orleans. Links: George Porter Jr. Official George Porter Jr. Instagram --- Support this podcast: https://anchor.fm/brett-hickman/support

New music and music news of June 2022 plus:- Rationing summer concerts to save for Alaska- Interviewing a Funk legend- Seeing recent guest of the show Jeremy Porter perform in Buffalo- Listening to a ton of Joyce Manor and 3LH- Running out of shirts really really fast- Other peoples podcasts- Dream vinyl presses of obscure Drive Thru Records releases & much more!Support the artists heard on this episode - Doki Doki - I Was Killing It Man (Single)https://asianmanrecords.bandcamp.com/track/i-was-killing-it-manThird Eye Blind - Acoustichttps://orcd.co/3ebunplugged?fbclid=IwAR3nrBt941R-SYWb7x3kbUWcAKriSeWWhH-LvT3pjlQscwOUGdnHFmHLGfQMikey Erg - Love At Leedshttps://mikeyerg.bandcamp.com/album/love-at-leedsCheck out the Power Chord Hour radio show every Friday night at 10 to midnight est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.powerchordhour@gmail.comInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs - https://www.paypal.com/paypalme/pchanthony

Director Martin Shore and musician/producer Ian Neville call in from New Orleans to talk about the second installment in the franchise of the award-winning TAKE ME TO THE RIVER. "Take Me to the River New Orleans" celebrates the rich musical history, the heritage, legacy, and influence of New Orleans and Louisiana. A true collaboration and melting pot of influences from around the World, that came together and formed one of the world's most unique cultural jewels. Our adventure shows the resiliency of surviving disaster to a formidable rebirth while pairing legacy musicians with stars of today, and how this unique cultural jewel came to exist. Featured in the film are: The Neville Brothers, Dr. John, Irma Thomas, Ledisi, G-Eazy, Snoop Dogg, WIlliam Bell, Galactic, Mannie Fresh, Preservation Hall Jazz Band, George Porter Jr., Christian Scott, Donald Harrison, Big Freeda, Ani DiFranco, PJ Morton of Maroon 5, Rebirth Brass Band, Dirty Dozen Brass Band, Soul Rebels, Voice of the Wetlands, The Givers, Dumpstaphunk, Cheeky Blakk, Lost Bayou Ramblers, Big Sam, Terence Higgins, Walter Wolfman Washington, Dee-1, Davell Crawford and many others. Narrated by John Goodman. takemetotheriver.org/new-orleans

Naughty Professor is an iconoclastic New Orleans-based jazz-funk sextet whose adventurous recordings and horn-charged, high-energy live performances have earned them an enthusiastic fan base, critical acclaim, and widespread attention from their musical peers. Their diligent roadwork has established Naughty Professor as a beloved live act. Weaving together with complex, inventive compositions and loose, organic improvisation, the band honors their hometown's jazz, R&B, and brass-band traditions while looking to the future. Where their first four releases showcased the group's knack for self-contained instrumental experimentation, their upcoming EP Good Things continues the trajectory of their 2017 album Identity by joining a trinity of explosive collaborators, whose instrumental and compositional contributions continue to expand the music into new territory. Naughty Professor has shared the stage with artists such as Soulive, Galactic, Snarky Puppy, Fitz, and the Tantrums, The Revivalists, Rebirth Brass Band, The Soul Rebels, Papadosio, George Porter Jr., Victor Wooten, and many more. In this episode, Sam and Noah share their background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

My guest today is Alan Evans a multi instrumentalist, engineer, producer, artist, studio and record label owner based in Western Massachusetts.  Alan has been making music on stage and in the studio for over 30 years, most notably with his band Soulive as well as with artist like Oteil Burbridge, John Scofield, George Porter Jr., Karl Denson, Ivan Neville and Reggie Watts.   These days, Alan has pulled back from touring to focus his time and energy at Iron Wax Studios, his recording facility in Erving Massachusetts where he works with artists from around the U.S and beyond.  Iron Wax is also the sound of Vintage League Music, the record label he runs with his London based partner Robert Fleming.  In the end, Alan's goal is to spread great music, love and positivity throughout the world which he hopes will inspire a new generation of creatives. Al has been a guest on the show before so if you want to hear his backstory with Soulive you should check out RSR183. Get access to FREE mixing mini-course: http://MixMasterBundle.com THANKS TO OUR SPONSORS! https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% https://samplyaudio.com Use code RSR20 to get 20% off for the first 3 months https://carltatzdesign.com/Mixroom-Mentor https://www.Spectra1964.com http://MacSales.com/Rockstars http://iZotope.com/Rockstars use code ROCK10 for 10% off http://www.thetoyboxstudio.com http://UltimateMixingMasterclass.com Hear guests discography on Spotify: https://open.spotify.com/playlist/1F16ucxEvIBugOepkzsTkW?si=3dc33dc192034984 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: http://RSRockstars.com/339

Mientras preparamos temas para otros podcasts vamos encontrando canciones que nos acompañan en los ratos muertos. En su mayor parte son sencillos sobre los que ponemos la oreja sin respirar, luego se convertirán en álbumes y quizás lo tratemos con más profundidad. Hoy os traigo unos cuantos de esos temas, alguna fumada enorme y discos ya completos. Lamentamos no haber entrado en la lista Forbes de los 50 mejores podcast en español, nos hemos quedado ahí, ahí... 😂 La playlist está compuesta por: The Kevin Finger Collective & Diane Ward - Why don’t you go home (rico sabor vintage de R&B) The Kevin Finger Collective - Cocktail de Medianoche (Boogaloo que no da ardor de estómago) Trombone Shorty - Come back (estamos en pleno Mardi Grass) Jackie Venson - I Surrender (versionándose a si misma) Marta Sanchez Quintet - Mariví (gloria bendita para una madrileña en NYC) The Love Light Orchestra - I Must Confess (vaya fiestón) The Love Light Orchestra - Time is fading fast (no pares, sigue, sigue) Oliver James - One and only (lo viejo nunca muere) Daytoner - Time (otro fiestón, pero british) TEMA SORPRESA James Taylor Quartet - More hustle less bustle (infartante) Sister Cookie - The sins of the father (menuda reina está hecha) Sister Cookie - Ain’t no good (But it’s good enough for me) Irma Thomas, Cyril Neville, George Porter Jr.- Carnival time (os he dicho que estamos en plano Mardi Grass???) JD McPherson - Lush for life (los tiene cuadrados JD) Eli Paperboy Reed - I’m bringing home good news (country sabe este monstruo) Junior McKenzie - The Slayer (ni el ataud de la portada me quita la alegría, por fin) Joe Tatton Trio & The Haggis Horns - Just don’t stop (próximamente más y mejor)

Today we continue with the unveiling of our top albums of the year & count down from 20 to 11.  Check em out!Kevin's Best of 2021 (part 2) 20.  Cha Wa – My People (Single Lock Records)19.  Brandi Carlile – In These Silent Days (Low Country Sound) 18.  Dirty Honey – Dirty Honey (Self-Released)17.  James McMurtry – The Horses & The Hounds (New West Records)16.  Kenny Garrett – Sounds From The Ancestors (Mac Avenue)15.  Bob Evans – Tomorrowland (Due Process)14.  Alice Cooper – Detroit Stories (Ear Music)13.  George Porter Jr & Runnin' Pardeners – Crying For Hope (Self Released)12.  Neal Francis – In Plain Sight (ATO Records)11.  Demi Lovato – Dancing With The Devil: The Art of Starting Over (Island Records) Craig's Best of 2021 (part 2)  20. GA-20 – GA-20 Does Hound Dog Taylor: Try It...You Might Like It! (Karma Chief / Alligator Records)19. Holy Hive – Holy Hive (Big Crown Records)18. Ty Segall – Harmonizer (Drag City)17. Amusement Parks On Fire – An Archaea (EGB Global)16. Failure – Wild Type Droid (Failure Records)15. Andy Shauf – Wilds (Anti-)14. Ducks Ltd – Modern Fiction (Carpark Records)13. Guided By Voices – Earth Man Blues (Guided By Voices Inc.)12. Matthew Sweet – Catspaw (Omnivore Records)11. Neal Francis – In Plain Sight (ATO Records)Support the show (https://www.patreon.com/SchizoMusic)

This week on Comes a Time, the one and only George Porter Jr. joins Oteil and Mike for an enriching conversation about his riveting life in music. You'll hear about why George is proud of the record that he made over quarantine and how the process of making it was different than what he's used to, George's indoctrination into the world of the Grateful Dead and why his version of “Eyes of the World” is Oteil's favorite, as well as what it was like to grow up as a musician in New Orleans. You'll also hear Oteil and George dive deep into the low end as they discuss pocket vs. chops for bassists, the story of how George got sober and never looked back, and why we have a donut shop and George's father to thank for his masterfully funky bass playing.  George Porter Jr. founded The Meters in 1965 alongside Art Neville, Leo Nocentelli, and Joseph Zigaboo Modeliste. Known as one of the progenitors of funk, The Meters carved their own place in history with syncopated polyrhythms and grooves inherited from New Orleans' deep African musical roots. They have influenced everyone from Led Zeppelin and Bob Marley to the Red Hot Chili Peppers and the Beastie Boys, with Porter's heavy pockets and fat notes creating the rubbery bass lines behind anthems like “Cissy Strut” and “Just Kissed My Baby.” George's reputation with The Meters made him a highly coveted session bassist, which has landed him in the studio with David Byrne, Jimmy Buffet, Taj Mahal, and many other legendary artists. Born and raised in the Crescent City, Porter will forever be New Orleans music royalty, and he calls the city home to this day. Check out George Porter Jr. and Runnin' Pardners new album, Crying For Hope, here. ----------- *DISCLAIMER: This podcast does NOT provide medical advice. The information contained in this podcast is for informational and entertainment purposes only. No material in this podcast is intended to be a substitute for professional medical advice, diagnosis or treatment. Always seek the advice of your physician or other qualified health care provider with any questions you may have regarding a medical condition or treatment and before undertaking a new health care regimen* ----------- This podcast is available on Apple Podcasts, Spotify, or wherever you get your podcasts. Please leave us a rating or review on iTunes! Comes A Time is brought to you by Osiris Media. Hosted and Produced by Oteil Burbridge and Mike Finoia. Executive Producers are Christina Collins and RJ Bee. Production, Editing and Mixing by Eric Limarenko and Matt Dwyer. Theme music by Oteil Burbridge. Production assistance by Matt Bavuso. To discover more podcasts that connect you more deeply to the music you love, check out osirispod.com ------- Visit SunsetlakeCBD.com and use the promo code TIME for 20% off premium CBD products Visit section119.com and use the promo code COMESATIME for for 15% off your next purchase of Grateful Dead apparel or accessories. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

 You've heard him on “Right Place, Wrong Time,” “Cissy Strut” “Lady Marmalade,” to cite a select few. If you build a Mt. Rushmore of bass players, get to work on George Porter Jr.'s profile! From a February 2021 interview  hosted by David C. Gross with Know Your Bass Player “honcho” Tom Semioli, this icon of the electric bass talks about his life, career, approach to the instrument, and favorite recordings among other topics. George Porter Jr Playlist 

Regarded as the musicians who helped pioneer Funk music, Ivan & George sit down with the Rock ‘N Talk crew to discuss their musical roots in New Orleans, and more. Ivan opens up about his recovery after a serious battle with coronavirus, and George shares an exclusive clip from his new track, “Crying For Hope”, on this heartwarming episode. #georgeporterjr #themeters #therockntalkshow #stephenperkins #norwoodfisher #scottpage #kennyolson #davidmoss #sheilaconlin STAY CONNECTED:  Facebook | @therockntalkshow YouTube | @therockntalkshow Twitter | @TheRockNTalkSh1 Instagram | @therockntalkshow Website | http://rockntalkshow.com Find The Rock ‘N Talk Show “Beyond Backstage” LIVE every other week on Facebook Live and YouTube at 5:30pm-6:30pm PST Learn more about your ad choices. Visit megaphone.fm/adchoices

Demi nonton konser Lady gaga, Dara pernah ngantri tiket dari malam sampai menginap, sambil pakai kostum lengkap. Demi ketemu Sheila on 7, Laila pernah pergi ke Yogyakarta dan keliling nyari Duta sendirian (tanpa internet!).Apa gestur cinta terbesarmu untuk idola? Seorang superfan Bollywood bercerita.---Song credit:"Papparazi" / Written by Stefani Germanotta, Rob Fusari / Performed by Lady Gaga / Streamline, KonLive, Cherrytree, Interscope, 2007"Feel Me Flow" / Written by Anthony Criss, Vincent Brown, Kier Gist, Ziggy Modeliste, Art Neville, Cyril Neville, Leo Nocentelli, George Porter Jr. / Performed by Naughty by Nature / Tommy Boy, 1995 "Nachde Ne Saare" / Written by Jasleen Royal, Aditya Sharma / Performed by Jasleen Royal, Harshdeep Kaur & Siddharth Mahadevan  / Zee Music Company, 2016"Kuch Kuch Hota Jai" / Written by Jatin-Lalit, Sameer, Jatin Pandit, Lalitraj Pandit, Sameer Anjaan / Performed by Udit Narayan, Alka Yagnik / Sony Music, 1998 

On this episode we sat down with Joe Marcinek of the Joe Marcinek Band. Our band Side Hustle had the luxury of backing up Joe for the Florida leg of his tour last October and got to become great friends with him. He's not only a genuine guy, but a great guitarists, keys player, and songwriter as well. Every tour Joe takes a different band on the road with him. Members of his band have included George Porter Jr., Melvin Seals, and Nikki Glaspie, and many more! On this episode we dive into his thought process behind the revolving band, being self booked and managed, as well getting into our influences musically. This episode was a lot of fun so we hope you enjoy!

ADAM DEITCH B-DAY EXTRAVAGANZA! Episode 032 of *The Upful LIFE Podcast* is proud to welcome the one & only ADAM DEITCH to the show! It's an honor & privilege for this esteemed gentleman to slide through for a proper powwow. To celebrate his 4/26 b-day, we dig into a pair of fresh records: Lettuce's new LP Resonate (5/8), & his own forthcoming solo electronic EP The Age of Imperfection, AND check-in with his fam. Literally! His wonderful parents BOBBY & DENISE DEITCH hop on the phone to discuss all things Deitch. Bobby Deitch Band  new album dropping 5/15, so we get the scoop on that, plus loving parental reflections on Adam & his boys. Ep.032 finishes strong with the great RYAN ZOIDIS (sax - Lettuce, AD4, BrkSci Live Band). Zoid has collab'd with Adam Deitch for nearly a quarter century, he's a world-class musician & vibrant conversationalist. This episode is a family affair. HAPPY BIRTHDAY ADAM! #DeitchBeatsDontQuit - ISOLATION STATION v.4 ADAM DEITCH intro - 6:00 BOBBY & DENISE DEITCH intro - 41:00  RYAN ZOIDIS intro - 1:17:30  Adam Deitch needs no introduction. He's steadily among the more celebrated drummers in the game for over two decades, laying the foundation for modern funk music. He pushes the art skyward, prolific in hip-hop, electronic, and jazz. He's been the iconic engine powering Lettuce ever since the future-funk cosmonauts first took flight, back in the mid-1990's at Berklee College of Music in Boston. Their collective trajectory has been astonishing, as has his own journey in music. In addition to slaying with LETT, Deitch has collaborated with everybody from John Scofield to Pretty Lights to Redman & beyond. The GRAMMY-nominated artist is dropping new music left & right, even on quarantine. Deitch stays perpetually in motion, getting busy with his electro-soul duo Break Science, plus his own soul-jazz group Adam Deitch Quartet (featuring Ep.024 guest Wil Blades, and Lettuce's Ryan Zoidis (interviewed later in this program) & Eric Benny Bloom (Ep.017).      Transmitting from Denver, CO., Adam brings us into the Resonate recording and mixing sessions with super-producer Russ Elevado, as well as the band's writing and studio processes. Deitch discusses how LETT creative vibes coalesce, a general modus operandi for the current squadron, and highlights Elevado's dutiful influence. The drummer teases some possible dream collabs, with insightful backstories of how & why they might just happen. Adam gets into the "Funkin from Home" project, then pivots into his own production concepts, ideas, and compositions with regard to new electronic EP The Age of Imperfection. The dude waxes philosophic about sampling traditions, newer trends in the culture, then shows love to some young gunners pioneering the wave in that lo-fi hip-hop space. He tickles the fans with some clues about a new Nigel Hall solo album in the works. Maybe more Break Science acoustic? Towards the end, AD reveals his thoughts on the myriad of emotional elements ever-present in his rhythms & compositions. Universal language inherent in so much that he studies & loves. Always humble, forever a student, yet effortlessly the teacher. Fantastic, fulfilling, & deeply informative Adam Deitch interview! Here's to another ring around the sun, shogun!  Bobby & Denise Deitch were kind enough to make time for the podcast from their home/studio in Nyack, NY, just outside the city. Topics include: how the duo is sheltering-at-home, forthcoming album from Bobby Deitch Band titled Work With Whatcha Got, due May 15. Bobby Deitch breaks down his band, process, collaborators, song ideas, themes and intentions in rolling out this new record, which features Michealangelo Carubba & Shira Elias from Turkuaz (both guests on this show in the past), in addition to living legend George Porter Jr., Lettuce's Nigel Hall, among other special guests. Denise frequently chimes in with some funny tidbits on their shared creative energy and how the couple carefully builds a song from scratch. Naturally, I asked Adam's parents for some reflections on their son, his bands, their brotherhood, and his ever-prolific output. Get the latest on Bobby & Denise Deitch music HERE                 ENTER THE ZOID VOID: The final conversation is a profound exchange with my dear friend RYAN ZOIDIS, whom I reached super late on 4/20 night at his home in Portland, ME.. Zoidis is another LETT co-founder, & part of Adam Deitch Quartet, Break Science Live Band, Soulive's Shady Horns, critically-acclaimed Rustic Overtones, & Royal Hammer (Portland roots-reggae crew). Zoid gets personal how the relationship with his young daughter has evolved and transformed during quarantine. How the virtuoso saxman has improved as both musician & teacher. We revisit Russ Elevado's Voodoo touch, how the venerable producer magically elevated the LETT sessions with poignant palette cleansing of the highest order. Zoidis pulls the curtain back on a couple of favorite Resonate joints, floats dreamy ideas for a psychedelic improv/instrumental LETT release, and how the band's recent jaunt through Europe brought the squad even closer, vibrations onstage and off. Zoid kicks knowledge & drops science on natural wines, & introduces his new 'natty-wine' distribution company Benny & Zoid Selections, with bandmate Eric Benny Bloom. Meanwhile, what's up with a rumored wild collab project with Tycoon & Jesus Coomes!? We wrap up this sesh with a string of enlightening topics, beginning with Ryan's beautiful recollections & ruminations on his relationship with the Deitch family. Zoid offers parting thoughts on Still Bill, and seminal dancehall DJ Toyan's timeless classic LP How the West Was Won. Large Up Ryan Zoidis! One of my favorite dudes on earth, hands down.  (Zoidis painting in thumbnail by Aaron Schwartz)  -Vibe Junkie JAMZ of the Week- Lettuce - 'HOUSE OF LETT' off their forthcoming LP Resonate, due May 8. Adam Deitch - 'SPACE DUST' off next EP The Age of Imperfection (date TBD) hidden track- "Judy"-WRD (Robert Walter, Eddie Roberts, Adam Deitch - Color Red Music)   EMAIL the SHOW! B.Getz@UpfulLIFE.com PLEASE LEAVE A REVIEW on iTunes! You Can Listen on Spotify!  Theme Song: Mazel Tov by CALVIN VALENTINE

Having inspired a generation of bass players to try and master Cissy Strut, George Porter Jr.'s bass playing remains as funky as ever.

Episode 019 of *The Upful LIFE Podcast* welcomes our good friend LUKE QUARANTA to the show for another long and winding discussion, the last interview I conducted over two weeks in NOLA during Jazz Fest 50. I first encountered Luke and his band TOUBAB KREWE at Bear Creek Music and Arts Festival, at Spirit of Suwannee Music Park, around 2008 or 2009. Ever since, I've been a big fan of his percussion magic, and of course the amazing Toubab Krewe, who released their latest LP Stylo in 2018. Toubab Krewe is always very active over Jazz Fest, and the members play in a lot of other bands as well, not the least of which is Luke himself. Nonetheless we were able to track him down at the end of our stay in NOLA, and he more than delivered with a fascinating interview that was at once informative and entertaining. LUKE QUARANTA Intro>Interview at 11 Mins Quaranta takes us on a lengthy journey of his inspiring career as a drummer, starting with his humble beginnings growing up in New Rochelle, NY and spending some time in the Bronx as a young adult. He discusses formative influences on him as a youth, and how he developed an interest in the different drums he employs when creating with Toubab Krewe. Originally and primarily based in Asheville, NC, Toubab Krewe members came together in organic fashion, shared a passion for West African instrumentation and it's music, and a strong curiosity to make it something new and evolved of it, yet still in tribute to the traditions. Over time, Luke began working with Djembe, Congas, Dundun, Sangban, and KenKeni drums, and he explains how he came in contact with these instruments and where he picked up knowledge and understanding of these ancient drums along the way. From there, Quaranta describes the context of these instruments, music from Mali, Guinea, and the Ivory Coast, and how he/his bandmates internalized it, and then repurposed it as their own creation, with permission and a blessing. Quaranta discusses mentors and friends from his travels in West Africa. I asked him how he was able to get together and study at length with master drummers in Africa and in the US, to such depth and understanding. He describes several trips to Africa to live with and make music among the people in Mali, Guinea and Ivory Coast. Quaranta explains how they received blessings from the master teachers to take this music to the West; they were invited to live with them and their families, spending a month a time, on more than one occasion, to get a proper orientation from the musicians who know it best. We talk a bit about Toubab Krewe in the early days, and Luke appears to have a fond time reminiscing on the start of this band and it's journey in the early 00's, he takes great detail in the narrative of how the music was instilled in them in Africa, how they hosted master drummers here in the States and traveled extensively with them and traditional dance groups too, and how it all tied together with the embryonic phase of Toubab Krewe.   Luke explains how Toubab carries echoes of African greats like Ali Farka Toure, Orchestra Baobab and Salif Keita, but are ambassadors of the music into the future, they are not bound by the same traditions, and the Krewe was encouraged to play this music from their own hearts.  From there, Quaranta explains the etymology of the name "Toubab Krewe", how it pertains to non-Africans AND is a nod to the heartbeat of jazz music, New Orleans, where our conversation was taking place. Which brings us to the discussion around current Toubab Krewe drummer Terrence Houston, who's been George Porter Jr's drummer for several years and is very admired in the local community and around the US. Quaranta explains how Houston came into the Toubab picture, and how his inclusion has informed the sound of the band in their modern era, most specifically with regard to the material found on STYLO. We finish up the conversation on Toubab with discussing their newest LP STYLO, including the writing and recording processes for both studio and live efforts past and present. After a lengthy powwow on all things Toubab, we take some time to talk about the incredible Weedie Braimah, who appeared on Episode 004 of *The Upful LIFE Podcast*, a master djembefola whom Luke has studied with, collaborated with, and befriended for many years. They both live and work in New Orleans, and the two have united for some amazing musical endeavors, not the least of which is Weedie Braimah & the Hands of Time. Quaranta takes a few minutes to flesh out the concept for this group and explain the nature of their music in a language everybody can easily understand. This is a powerful collection of world music masters and it was quite informative to hear about what goes into making the Hands of Time happen. A little bit about Jazz Fest, and the myriad of side bands that come to life in NOLA that Weedie, Luke, and collaborators include Raja Kassis (Antibalas), and Terence Higgins (Mad Skillet, Ani DiFranco). We touch on Luke's role in some of those bands, such as Pirate's Choice, Wahala Boys, FuFu All-Stars, and MEGAWATT, a project spearheaded by Kassis that include's musicians from outside of NOLA, such as Lettuce's Adam Deitch, Break Science's Borahm Lee, among others. Blake Quick/Rachel Murray (THE QUICKENING) Interview at 1hr 11mins  After Luke's chat, we pivot to a NOLA-based buzz-band I'm very fond of, The Quickening, with a sweet 22-minute interview with founder/guitarist/vocalist Blake Quick and vocalist Rachel Murray. Their 2018 LP Begin Again made Upful LIFE's Favorite 18 Albums of 2018, and we've had our eyes and ears on The Quickening for a couple years now. Enjoy a peak behind the scenes of a Crescent City band cutting their teeth in that great environment, and some perspective on the hard work and grueling efforts it takes to make or break a band in this crowded, vibrant, and often cut-throat music scene. Both Quick and Murray also shout out some of their favorite underground NOLA musicians. Vibe Junkie JAM of the Week   Garage-a-Trois debut EP, vinyl only, "Mysteryfunk". Fog City Records, 1999. I just let the whole 24mins EP ride out. 3 full songs and a minute-long outro. This features the original lineup of Stanton Moore, Charlie Hunter, and Skerik, Produced by Dan Prothero. You may think you know these guys as players, or even GAT, but you likely haven't heard them quite like this. Almost an electronic album, Moore unfurling boukou trip-hop breakbeats and drum & bass jungle riddims, underneath the kaleidoscopic eccentricities of Hunter and Skerik in full bloom. The Upful LIFE Podcast is available on iTunes! Theme Song: Mazel Tov by CALVIN VALENTINE

Episode 018 of *The Upful LIFE Podcast* returns with very special guest JON PHILLIPS, founder of Silverback Music, a management company based in Southern California. Jon is the former manager of Sublime- going back to the early 90's - and currently works with George Porter Jr., Fishbone, Dumpstaphunk, The Grouch and Eligh, Slightly Stoopid, among other successful contemporary artists. Jon and I have a little bit of a personal friendship and professional relationship over the past few years, but I don't really know him well at all. As such, it was like a class in session, as Jon took me back to the beginning of his long, strange trip in the music industry. Jon tells the tale of how he has carved his own lane in the game, doing so based on super-solid relationships, an ear for what's next, his penchant for putting the artist first, and he reflects on a humble and efficient approach to managing his eclectic roster at Silverback. Episode 018 begins with a short tribute to JamBase.com on the occasion of their 20th anniversary. Just wanted to take a few minutes to reflect on the impact that JamBase had on my life, my career, the culture, and so many other fantastic individuals who were crucial to La Costa Nostra for many moons. JamBase remains a crucial part of chronicling the culture and it was an absolute joy to celebrate their two decades of covering various jam scenes. JON PHILLIPS INTERVIEW STARTS AT 17:00 We begin with a bit about the city of New Orleans, and Jazz Fest, as that was where and when this interview was taking place. In addition to his personal history going to NOLA, Jon touches on the cosmic connection between Grateful Dead culture and New Orleans, from the Neville Brothers to getting busted on Bourbon and many points between. We also spoke a bit of the evolution of Jazz Fest as an event, and a culture unto itself. This was an interesting launching off point that connected our talk to Fest culture and NOLA funk, but allowed us to branch out as the conversation rolled on. We would return to NOLA a few times throughout the convo. Jon's experience in the music business had humble and serendipitous beginnings in SoCal, as he first connected with Bradley Nowell and Sublime. Jon was a major cog in the young band's operation as they rocketed towards success. He was personally asked by Bradley to be their manager, and he made it his personal mission to get Sublime signed, after much effort they made it happen at Gasoline Alley. Phillips was somebody who helped light the fuse for Sublime's meteoric rise to stardom, a gargantuan level of success, not just unprecedented but also something that Bradley sadly didn't live to enjoy. From the magic of the early days, to the special nature of his relationship with Nowell, to the warning signs and demon fears, when KROC first played “Date Rape” to Sublime trying to refuse to play the song at the KROC Weenie Roast, Jon takes us all down an emotional memory lane. Inevitably we discuss Bradley's tragic death from an overdose in May of 1996, and Jon is brutally honest about the way it all unfolded. Jon keeps it classy and places a focus on the triumph of the music that cannot and will not ever be denied. This is a powerful segment from someone who saw it all from the front lines. He pulls no punches yet at the same time shows such reverence for his fallen friend and his musical legacy. This is some of the realest shit this show has ever spoken. Rest in Power Bradley Nowell. From there he embarks on his life's work with Silverback Music, creating the company, signing the legendary Fishbone, and then setting out to develop another young band's career, this time with Slightly Stoopid, who came out of the Sublime diaspora. What Jon has overseen with the evolution of Stoopid is remarkable, and he explains a little bit of the grassroots nature of how the band built an empire, while the rest of the music industry chased it's tail in changing times. Stoopid has stayed ahead of the curve in developing their scene, their brand, and their culture, by staying true to themselves as fads come and go. Jon pulls back the curtain a little bit on how this band has set the bar for independent music, in so many creative ways.   We also discuss his NOLA clients like Dumpstaphunk, and his long-standing relationship with Ian and Ivan Neville. And of course we had to touch on George Porter Jr, who Jon has been working with for several years as well. Jon takes us through the blow-by-blow of how Foundation of Funk with Eric Krasno beckoned Phil Lesh to jam at the House of Blues in NOLA, and what Phil was like to hang with late night at Jazz Fest. Not to mention a bit about the Funk & Co LOCKN set that featured George, Zigaboo, Ivan and Cyril Neville. Finish strong with a quick reflection on his clients The Grouch & Eligh, a West Coast underground hip-hop institution. Large up to Jon Phillips of Silverback Music for the phenomenal history lesson and engaging storytelling.   SAM D'ARCANGELO of CANNABIS VOTER PROJECT : 1hr 11mins   From there we transition to SAM D'ARCANGELO, Director of the Cannabis Voter Project, an arm of Headcount.org. Sam is a journalist and activist, and a Masters student at University of Texas in Austin. Sam also is a Louisiana native, and spent many years of his life in and around NOLA. Sam and I discuss Austin and the Crescent City early in the convo, before transitioning to the political process, cannabis law, and of course cannabis politics. Sam breaks down Headcount's Participation Row, and his role in the Cannabis Voter Project, which is on the road with Dead & Co, and has worked with Lettuce, among others. He and I have a spirited discussion around legalization that doesn't go precisely how you'd think. Stoked to be able to offer a platform to people like Sam, and organizations like Headcount and Cannabis Voter Project.   *Vibe Junkie JAM of the Week* I received the news of Dr. John's passing just before this podcast went live. Scrapped the original Vibe Junkie JAM and instead we will have a tribute to Mac Rebennack, aka the Night Tripper. Please enjoy "Gris Gris" live from the Piknic Dutch Festival in Velsen, 1970. Condolences to Dr. John's family, friends, and millions of fans around the world. His music and legacy shall live on in the hearts and minds of all who were blessed to enjoy his myriad gifts.  Malcolm John Rebennack (November 20, 1941 – June 6, 2019)   Upful LIFE says *THANK YOU* to the great CITY OF NEW ORLEANS!   The Upful LIFE Podcast is available on iTunes! Theme Song: Mazel Tov by CALVIN VALENTINE  

  Episode 017 of *The Upful Life Podcast* gets Big Easy-busy with two crucial members of the Crescent City committee, as I sit down with NOLA-based rock n'roll troubadour Billy Iuso (BIRN) for a lengthy powwow, and chase that with 40 minutes of pure, uncut Eric Benny Bloom (of Lettuce.) Super stoked to continue riding high on N'awlinz and Jazz Fest with these two fascinating pals.   BILLY IUSO interview starts at 9min 30sec Billy Iuso is Ep 017's featured guest and we set up shop in his uptown NOLA backyard hang, for a lovely conversation. Early on, Billy touches on our shared love for the Grateful Dead, and how he found his way from touring with them to stepping on stage himself. We go back to late 90s jam scene in the NorthEast, his late friend Jaik Miller, and Iuso's path to New Orleans b/o Athens, Ga. Billy recalls how Deadheads were fairly few and far between upon his arrival, and how he was always labeled "a Dead guy" around this town, and somewhat still is. Nonetheless, since he planted the Iuso flag in the Crescent City, Billy has done plenty in NOLA to establish his own name and voice. This recognition didn't come easy, nor happen overnight, and not without the benevolence of some living legends. So I set out to have Billy Iuso tell his story. Billy pulls back the curtain on his amazing relationship with George Porter Jr., their shared history, and the ways that Billy has worked for/helped out/learned from GPJ. We also discuss Billy's time with Anders Osborne, before really delving into his life's work with BIRN aka Billy Iuso & Restless Natives. Every step of the way, Billy breaks down the band members and the music, all the while schooling us on the realities of being a working musician, making original music, based in New Orleans, in 2019. Kudos to Billy for keeping it 100 and doing so with dignity and respect. We close out with a powerful passage between Billy and I on addiction, kratom as medicine, and a new lease on life. Moving, engaging, powerful stuff from a super solid cat in Billy Iuso. Check out his website HERE.    ERIC BENNY BLOOM Interview Starts at 1hr 08mins    Down the road, Upful Life will have a full-length feature interview with Eric Benny Bloom, where he gets his own episode, however I just had to share this 40 minute gem that was recorded in mid-April in SF. On the heels of a heady AF wine-tasting AND an epic supper at Statebird Provisions, Benny and I retreat to the calm serenity of his posh hotel room for a brief, hilarious, and informative discussion: including John Scofield collaborating with Lettuce, obviously a quick-but-deep dive into NOLA- the music and the vibe of calling the Crescent City home. Benny expounds on why he supports Nick Payton's BAM mission, and how playing jazz is different than jamming funk, as evidenced in his solo project(s) which he briefly discusses. We delve into (still) being the "new guy(s)" in Lettuce, a little bit on the new LETT LP Elevate, dropping June 14. We geek out on why Russ Elevado is the secret weapon for the glorious sound of the new album. Plus staying inspired on the road, The Lettuce Horns (EBB and Ryan Zoidis) passion for natural wines, finishing up the convo with their exciting new business endeavor Sauvage Selections.   *Vibe Junkie JAM of the Week* “Sexual Healing”, “Grapevine > Heavy Love Affair”. The Nth Power & Friends- Marvin Gaye Tribute Time to Get it Together. Jazz Fest late night, One Eyed Jacks's, 4.27.19. Plus a few words from the host on this unforgettable performance, another instant classic from the OG squad and familia. LARGE UP Randy Bayers & Funk It Blog for the sound. #TheNthPowerLovesYou     Upful LIFE says *THANK YOU* to the great CITY OF NEW ORLEANS! The Upful LIFE Podcast is available on iTunes! Theme Song: Mazel Tov by CALVIN VALENTINE  

Bassist and singer George Porter, Jr. formed The Meters in 1965, who are recognized as one of the progenitors of funk music.  The band has been nominated 4 times for induction into the Rock & Roll Hall of Fame and was presented the Grammy Lifetime Achievement Award. Today they carry on the tradition as The Funky Meters.  Since 1990, George tours on a regular basis with his own band - The Runnin' Pardners, who've released a half-dozen or so albums throughout the years.  Award winning program director Ray White, caught up with George in July of 2012 to talk about highlights of his career and his Can't Beat The Funk CD.  His latest release is the EP, It's Time To Funk.  In our showcase segment, our "Hostess With The Mostest," Lisa Davis, features the legendary Buddy Guy.  His latest album The Blues Alive and Well, garnered a Grammy award for Best Traditional Blues Album at the 61st Grammy Awards ceremony. 

My guest today is Mr. George Porter Jr. George is best known for being the bassist for the “architects of funk” - The Meters, the funkiest band to ever come out of New Orleans and, for that matter, anywhere. His basslines get under your skin and won't let go. Along with Zigaboo Modeliste on drums, Art Neville on keys and Leo Nocentelli on guitar, The Meters invented a type of funk that has been widely copied (and sampled) for many years now.  The day this interview took place I was back in New Orleans recording on a couple of projects, and we just happened to be on one session together. I've known George for years and I mentioned how I started this podcast and wanted to interview him while I was in town for a few days. Knowing I was short on time, George graciously suggested that we do it that night after the session.  In the interview I ask George about his influences, what he looks for in a drummer, trivial questions on various Meters folklore, why Paul McCartney said George was his favorite bass player, Allen Toussaint sessions, the proper way to play “Cissy Strut”, unison guitar/bass lines,etc…OH…and we play a lot of stuff together. Hope you enjoy.  Recorded at the Parlor Studio, New Orleans, LA - Feb 2016. On a session- L to R- Shane Theriot (guitar), George Porter Jr. (bass), Johnny Vidacovich (drums) and Sonny Landreth (slide guitar) Support this podcast at — https://redcircle.com/the-riff-raff-with-shane-theriot/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Hey everyone, welcome to my new podcast- The Riff-Raff with Shane Theriot.   The Riff -Raff started as an idea I had a few years ago just to sit and chat with my friends whom I consider to be inspirational to me in some way- whether it be as a musician, artist or whatever the case may be…. over the years as a working musician I've been lucky to work with many amazing people and musicians and would like to share some of their stories with you.  Who am I? I'm a professional musician.  I like stories…. Luckily I get to work with some of the best in the business and they happen to have great stories. Anyway, I wanted to put these little anecdotes and insights into a format for people to enjoy…it's fun. (Some people like to garden, or take photos, or collect magnets for the fridge..etc..)…Me? I like to get these stories down for all to enjoy! So this is a podcast about the creative process and yes, being a guitar player we do occasionally talk shop, gear etc…but I'm not going to limit it to that as I get this thing going. Oh yeah,,, and we jam a bit too!  I've got some other great musicians coming up in the next month or so…John Scofield, Mike Stern, George Porter Jr. (from the Meters) and Johnny Vidacovich, Leni Stern and many others......so if you like this one- much more to come!!  FIRST UP ON THE LIST- Mr. John Oates   I decided to get The Riff-Raff off the ground right where I stood at that moment… which was on the road with Daryl Hall and John Oates- John Oates as you probably know already if you are listening to this…..is one half of the legendary duo Daryl Hall and John Oates- the biggest selling pop duo in history and a recent rock and roll hall of famer. He's done way more interviews in his life than I can imagine so he's a natural at it -and really easy to talk to. John is a great guitar player, something that I feel he doesn't get enough credit for… I met John after I got a call to play on his solo record Good Road to Follow which I strongly suggest you check out. I was also lucky enough to get to work on his live DVD called Another Good Road that you may have seen on Palladia or VH1- which is a really great showcase of John's songwriting and guitar playing abilities…. John is one of the good guys in the music biz and has become a close friend in the past 2 years.   this interview took place inside John's room at the Historic Hotel Bethlehem in Bethlehem PA. In it we talk Hall and Oates, inspiration, how he comes up with song ideas, guitars, pedals and some great stories from the road (wait til you hear about the giant star!) and yes, we even jam on a little ditty called Maneater. It's my first interview and I hope you enjoy it-  Support this podcast at — https://redcircle.com/the-riff-raff-with-shane-theriot/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy