POPULARITY
Our penultimate Best New Artist Breakdown moves into the teens; we're talking about Amy Clonehouses, lost anthems of lady rage, gold-watch nominations, the Overton window of band-name ludicrosity, and much more. Grab those Kendrick Lamar seminar syllabi and have a listen! Intro and outro by Andrew Byrne; for more information/to become a patron of the show, visit patreon.com/mastas. SHOW NOTES Episode 107: Bond-Movie Songs, Ranked Duffy's return to social media after her ordeal Episode 166: Taylor Swift ft. The Dixie Chicks, "Soon You'll Get Better" Episode 182: The Stills, "Changes Are No Good" Episode 74: Four By Pink Pop Goes The Actor 4: '80s Movie Gents Episode 68: "Stay" Title Bout Episode 14: Bastille, "Pompeii"
Confusing band names, the MTV aura, and what happens if the comedy/tragedy masks and a keyboard mate: it's the 4th episode of our Best New Artist season, which brings us great winners, indefensible losers, and tracks that are more branding exercise than song. Does Mariah tie a whole Reagan-era room together? Listen now and find out! Intro and outro by Andrew Byrne; for more information/to become a patron of the show, visit patreon.com/mastas. SHOW NOTES The list of Best New Artist recipients, and nominees The Best New Artist Breakdown season premiere Best New Artist Breakdown 03: 1977-1984 Episode 242: Tracy Chapman, "Fast Car" SDB's review of Monsters Beats Around The Bush, Episode 05: The Mystery Of Tone Loc Episode 50: The Indigo Girls' "Indigo Girls," Ranked Beats Around The Bush, Episode 01: Hippie Hop Hooray Episode 164: Milli Vanilli, "Blame It On The Rain" Lisa Stansfield live at The Apollo
The Best New Artist Breakdown season has begun! Instead of pitting the 64 winners of the Grammys' Best New Artist category against each other, we're talking about each year's nominees and winner in the context of their time...and in today's sixties-spanning ep, we're trying to make sense of the 20th century's monocultures, how far in the past most votes had gotten stuck, the weird dominance of the ukelele in the Kennedy years, and the weird ambitions of Mr. Swingle. Ready to go Bach to the future? Listen now! Intro and outro by Andrew Byrne. For more information/to become a patron of the show, visit patreon.com/mastas. SHOW NOTES The list of Best New Artist recipients, and nominees The Record Of The Year Showdown season premiere Episode 145: Bobby Darin, "Mack The Knife" The Beat Generation box-set playlist on Spotify The Lost Songs Project on Timi Yuro Episode 62: "Ode To Billie Joe" And "Harper Valley PTA" The Lost Songs Project on Harpers Bizarre Life Magazine's cover story on the non-golden era of hijacking
This week's crop of actor-musician hyphenates got their thespian starts in films of the 1980s: Corey Feldman, Keanu Reeves (Dogstar), Kevin Bacon (the Bacon Brothers), and Kiefer Sutherland. Copyright-compliant Gin Blossoms tracks and workout-cooldown music prompted thoughts about perfectly good outdoor-restaurant entertainment, the artistic practice that capitalism tries to stifle, and whether pretty boys want to be told they're smart (and vice versa). Strange things are afoot at the Circle MASTAS, so grab one of Kiefer's hats and have a listen. Intro and outro by Andrew Byrne; special thanks to Amanda. For more information/to become a patron of the show, visit patreon.com/mastas. SHOW NOTES Harsh but fair, Discogs commenter TwoOneFive "Comeback King" by Corey Feldman '90s Soundtrack Flashback, Episode 04: Romeo + Juliet River's Edge
This episode is, we suppose, like a box of chocolates, because technically you don't know what you're going to get, but we can tell you we're talking about the ubiquitous Forrest Gump soundtrack. Remembering top-loader VCRs, #justiceforJenn, powering through overplay, how long sixties soul acts gave themselves to get drawers on the floor, and songs Muppets sing at you. What does it sound like when the Beach Boys sing a New Yorker article about pirates? Find out with our latest episode! Intro and outro by Andrew Byrne; interstitial music by Classics IV. For more information/to become a patron of the show, visit patreon.com/mastas! SHOW NOTES Where to watch Forrest Gump Record Of The Year Showdown, Episode 1: 1959-1974 John Fogerty not about certain pols' use of "Fortunate Son" Episode 45: Gladys Knight And The Pips, "Midnight Train To Georgia" Episode 195: Dolly Parton's Underrated Hits
Carefully Taught: Teaching Musical Theatre with Matty and Kikau
Jessica Humphrey is the President of the Musical Theater Educators' Alliance and an Assistant Professor at Texas Christian University. In this episode we discuss the Musical Theater Common Prescreen Criteria developed in partnership with MTEA, Accptd, and several Musical Theater programs across the country. We also discuss the upcoming MTEA conference in London at the Guilford School of Acting from July 23rd to July 25th, 2024. Her recommendations include: Something Wonderful: Rodgers and Hammerstein's Broadway Revolution by Todd S. Purdum and getting an “old-fashioned” planner! Jessica is a native of Dallas, Texas and attended Western Carolina University where she received a Bachelors of Music in Musical Theatre. This is where she first started working as a dance captain for Tony nominee Charlotte d'Amboise and assistant to Tony Award nominee Terrence Mann both on productions and at their summer intensive, Triple Arts. She has continued to assist the husband and wife team until she moved to TCU. Both Terrence and Charlotte directed Jessica in shows such as A Chorus Line (where she eventually took over the role of Cassie when Tony nominated actress Ariana DeBose suffered an injury), Sweeney Todd (Johanna) and Pirates of Penzance (Edith). Jessica went on to work as a dance captain for original Rent dance captain, Owen Johnston and spent two summers as the dance captain for Wild Adventures Theme Park. After graduating in 2011, she moved to New York City where she performed in several regional shows including the regional debut of The Boy from Oz, Cats (Rumpleteazer) and Into the Woods (Little Red). Some other favorite productions have included Dames at Sea (Joan), West Side Story (Anybodys) and Brigadoon (Bonnie Jean). Eventually she decided it was time to further her education and completed her Masters in Musical Theatre at San Diego State University where she received support from the Roscoe-Tiffany MFA Musical Theatre Scholarship and the Marion Ross Scholarship. The program is one of only a few in the nation with a terminal degree in musical theatre, and the only one that has a clear focus on both performance and academia. An important aspect of this program is working on developing new musical theatre works. Jessica worked with Dallas natives in developing the show “On the Eve” and with Tony Award Winner BD Wong and Wayne Barker on the show, “Mister Doctor”. Jessica went on to work with BD and Wayne again in New York, on a new musicalized version of Mister Holland's Opus. Jessica taught classes such as History of Musical Theatre, Acting I, and Musical Theatre performance. While completing her thesis on the evolution of rap in musical theatre, Jessica left California in order to perform in Alaska as Peter in Peter Pan. While flying every night, and completing her thesis, she also worked to choreograph numbers for the Aztec Follies, a cabaret of graduate students filmed for PBS. During her time in grad school, Jessica also worked at the famed La Jolla Playhouse, in the Development Department and the Musical Theatre Archive at SDSU, the largest Musical Theatre Archive west of the Mississippi. After moving back to New York City, where she resided until August 2018, Humphrey worked with organizations such as the Ziegfeld Society, Rosie's Theatre Kids, and Blue Lake Fine Arts Camp. She continues to study voice with the esteemed instructor Andrew Byrne and works as a performer both onstage and in voiceover.
It's an all-time training-montage banger vs. Weird Al's vision for Rocky XIII in today's episode, as we drop Wiki factoids, contemplate an all-depressing-follow-up-hits season, digress at length on Live's legal battles, and wonder when in Reagan's presidency the Me Decade became sentient. Greetings from the Sly Stallone industrial complex; get that sammich to go and listen to an all-new episode! Our intro is by Andrew Byrne, and our outro is by the Waitresses. For more information/to become a patron of the show and hear all episodes of this season, visit patreon.com/mastas. SHOW NOTES "What...is this thing?" Start at the beginning! The "Eye Of The Tiger" video The secret history of "Eye Of The Tiger" "Rye Or The Kaiser" on Weird Al's YT channel Collector's Call Live's unseemly death Weird Al vs. Everybody, Episode 14: "King Of Suede"
You can't always control what people do with your art once it's out in the world -- something Mark Knopfler of Dire Straits may have learned the hard way with both the original "Money For Nothing" AND Weird Al's re-imagining of the song via a dream sequence in UHF. Essential references versus essential songs, 20th-century TV's preoccupation with yokels, and resting Don Henley face...they're all in this episode, so finish up that microwave-oven install and listen. Our intro is by Andrew Byrne, and our outro is by the Allman Brothers Band. For more information/to become a patron of the show and hear all episodes of this season, visit patreon.com/mastas. SHOW NOTES "What...is this thing?" Start at the beginning! The "Money For Nothing" video Weird Al vs. Everybody Episode 9: "I Lost On Jeopardy" George's Beverly Hillbillies dream Knopfler and Harris in concert
On Episode 44 I am joined by Peter Crowe, Vincent Dowling, Andrew Byrne, Kevin Casey & PJ Doyle, to discuss the locality of Moone, Co. Kildare. We also discuss the utility of hunting, fishing and local sports in the modern world. This podcast was recorded in the High Cross Inn, Moone, Co. Kildare during Christmas 2023. Thanks to the all the staff for setting it up! All episodes are on Youtube and all podcast apps. Hosted by Anthony Casey. Music provided by Akira the Don https://linktr.ee/akirathedon
Derek is joined by Richard Collins, Gustavo Zoladz, Terry Flanagan, Cormac Breatnach, Éanna Ní Lamhna, Niall Hatch, Michele Browne, Andrew Byrne and Nick Coughlan. Topics for discussion include the original Christmas bird, an otter in Herbert Park and the Wren.
Andrew Byrne of BrayVet in Co. Wicklow highlights one gift that you should definitely not give: a pet
Cassie Okenka is a performing artist, teacher, and life enthusiast. She recently appeared on Broadway in SCHOOL OF ROCK after making her Broadway debut in BONNIE AND CLYDE. She has played to critical acclaim in the national tours of WICKED and THE WIZARD OF OZ. A Toledo native, Cassie earned a Bachelor of Music in Music Theatre from The Baldwin Wallace College – Conservatory of Music. TV audiences will recognize Cassie as a finalist on MTV's “Legally Blonde: The Search for Elle Woods”. She has been profiled and performed on “Good Morning America” and “The Martha Stewart Show”. Cassie guest starred with the Toledo Symphonic Band's Music Under the Stars and has sung “The Star-Spangled Banner” at numerous MLB stadiums. She has voiced music for the web series “Invaders” and has recorded with Ben Morss's band Onward Chariots In addition to her theatrical endeavors, Cassie shares her passion for the performing arts through master classes and private voice lessons. She is currently an Adjunct Voice Instructor at Marymount Manhattan College in their Musical Theatre department and a founding member of Theatre Horizon's 42nd to Main St. Concert Series. She resides in Brooklyn with her husband and her rescue dog, Bandit. https://www.cassieokenka.com Cassie Okenka Voice Studio https://voice.cassieokenka.com I was bitten by the Musical Theatre bug in 3rd grade. My first show was Annie Warbucks where I played the littlest orphan Molly. My voice education started in middle school with private voice lessons to enhance my musical theatre love. This blossomed into a Bachelor of Music in Music Theatre from Baldwin Wallace College-Conservatory of Music. I continued to specialize in Commercial Contemporary Music with the Voice Teacher Training Certification from New York Vocal Coaching while performing 8 shows a week in School of Rock on Broadway. Continuing the quest for knowledge, I hold a Certificate of Distinction in Vocal Pedagogy from Boston Conservatory at Berklee. Recently, I've attended levels I, II, and III Somatic Voicework™, The LoVetri Method. These programs gave me tools for vocal injury prevention and functional cross-training. As a member of the NATS, PAVA, MTEA, and The Lessac Institute, I've mentored with Bel Canto Can Belto's Mary Saunders-Barton, Complete Vocal Fitness' Claudia Friedlander, and Soul Ingredient's creator Trineice Robinson-Martin. My continuing education include masterclasses with Matt Edwards, Amanda Flynn, and The Singing Athlete's Andrew Byrne. But a voice without acting is just…boring! During repertoire work, I add in Laban techniques and Viewpoints to help singers create a fully realized piece. Outside of the Private Voice studio, I am an adjunct Voice Instructor at Marymount Manhattan College and University of Wisconsin- Parkside in their Musical Theatre departments. I also teach masterclasses for various NYC Broadway based organization's including Broadway Workshop, Broadway Classroom, and all over the country with local theatre programs. I made my directorial debut with the premiere of THE ADDAMS FAMILY Younger@Part Pilot Workshop. The Performing Arts School of Metropolitan Toledo Hanf Dance Studio Children's Theatre Workshop Toledo Opera Youth Choral Baldwin Wallace University Spotify: https://open.spotify.com/show/214M4OKBbWcDivndnc2MTu Apple Podcasts: https://podcasts.apple.com/us/podcast/stage-door-a-theatre-podcast-hosted-by-two-regular-guys/id1573865415
Whoooo's number ooooone? (BA BA BAAAAAA!) That's not a spoiler, by the way, so you'll have to listen to our First-Name Basis finale to find out which name song is the most iconic of all time -- and also what SDB's grandma called farts, differing sources of iconicity, listener testimony from an Eileen, which song has a reliable narrator, and when the "M" in "MILF" stands for "Monkee." Season picks crash and burn, we split babies and bemoan overalls...it's the usual chaos and kismet, and it's (sorry in advance) SO GOOD! SO GOOD! Our intro is [deep breath] Elliott Smith, Ben Folds, Andrew Byrne, Laura Barger, AND Jack Baldelli; interstitial music provided by the Police; and our outro is by Dover. SHOW NOTES For more information/to become a patron of the show, find us on Patreon ...or on Instagram ...or on Facebook Not sure what's going on here? Start at the beginning of the First-Name Basis season Your guide to Jersey rest stops Weird Al's first Emmy SDB's future Mary Mary dress Montclair's own Kreskin The first First-Name Basis Single
The rankings only get more challenging as the First-Name Basis season confronts its Top 20 -- as well as iconic pop numbers, Jersey "law," unholy mash-ups of finalist songs, the cease-and-desist letter SDB should expect any moment now from Laura Branigan's estate, and your co-hosts ranking themselves 21st at remembering to play all the clips. Liza, Yoda, "Cocaine," and avant-garde math: beat back those man-eating Casio vines and join us! Our intro is [deep breath] Elliott Smith, Ben Folds, Andrew Byrne, Laura Barger, AND Jack Baldelli, and our outro is Deee-Lite. SHOW NOTES For more information/to become a patron of the show, find us on Patreon ...or on Instagram ...or on Facebook Not sure what's going on here? Start at the beginning of the First-Name Basis season Laura Branigan vs. "The Power of Love" Laura Branigan vs. an accurate obit Liza, the Muppets, and Lola Rico Tony LLC Roxanne's "soundtracks" page at IMDb
The incredible Gemma Sugrue joins Alexa this week to take a deep dive into the world of mix voice and belt techniques. We're thrilled to explore this topic with Gemma, especially after our enlightening conversation with John Henney in episode 101. KEY TAKEAWAYS Gemma believes the belt is characterised by a thick vocal closure, a ratio of high pressure to air pressure, and a significant presence of upper partial activities in the harmonic spectrum frequencies. She sees belt as a way of singing that deviates from the norm and is recognisable by its specific vocal qualities. Mixing involves singing higher notes with power, control and balanced resonances. It requires effective vowel modification, smooth vocal transitions and proper management of air pressure and airflow. It is a coordinated and controlled technique that allows singers to achieve strength and skill in their higher ranges. When training singers, Gemma prioritises developing their listening skills. She believes it is crucial for singers to excel in perceiving sound before focusing on physical sensations. By enhancing their auditory intelligence and spectral hearing abilities, singers can naturally align their body parts to produce the desired sound. Gemma focuses on helping singers develop a strong and controlled mode one up to G4. This applies to both male voices with a more testosterone-driven quality and female voices with a more oestrogen-driven quality. It's essential for singers to be able to sing all the vowels and navigate through that octave effectively, maintaining a speech-like dominant sound. Gemma also emphasises the importance of accessing a full falsetto range as part of a singer's skillset. BEST MOMENTS‘I call it entering into the option area' ‘A mix is anything that's connected and still in mode one'‘I like to start with refining the engine first before adding the gas'‘As you sing, there's a different pressure quality to each note' ‘We want a larynx that's on the move' EPISODE RESOURCES Website: Pro Vocal Artist: https://www.provocalartist.com/ Social Media: Handle: @gemmasugrue Youtube: https://www.youtube.com/c/gemmasugrue Relevant Links & Mentions: Artists referenced: Sia; Jessie J; Whitney Houston; Beyonce Singing Teachers Talk Podcast: Ep. 46 How to Develop Lasting and Positive Habits with Gemma Sugrue Singing Teachers Talk Podcast: Ep. 101 How to Belt with John Henny John Henny: https://johnhenny.com/ The work of Johan Sundberg Voice Science Works (David Harris & Laurel Irene): https://www.voicescienceworks.org/ Kerrie Obert: https://obertvoicestudios.com/ Heidi Moss: https://www.heidimosserickson.com/ Ken Bozeman: http://www.kenbozeman.com/ Chris Johnson: https://www.chrisjohnsonvocalcoach.com/ Teach Voice: https://www.teachvoice.com/ Feldenkrais: https://feldenkrais.com/ Alexander Technique: https://alexandertechnique.com/ Andrew Byrne: https://www.andrewmbyrne.com/ Lisa Popeil: https://www.popeil.com/ 5 Things You Must Know About Belting with Lisa Popeil: YouTube.com/watch?v=eLHyVVwo2ek Ian Davidson: https://ianjdavidson.com/ Dave Stroud: https://davestroud.com/ ABOUT THE GUEST Gemma is an artist coach and the founder/director of Pro Vocal Artist, an online mentorship program for original music artists. Gemma also co-founded Voiceworks Studio, an Irish company that offers choir training and lessons for singers. Gemma's performance credits as a vocalist include working as a singer for hire for various TV shows (Dancing with the Stars, The Late Late Show) and for artists including Bon Iver, Damien Rice, Maverick Sabre, Rosin Murphy, the RTE Concert Orchestra, The RTE Symphony Orchestra and many more. Gemma is a sought after contemporary vocal coach and is currently working with artists including Cian Ducrot and Ryan Mack. She is a former board member of vocal coaching network, Vocology in Practice and artist consultant for LA based organisation VocalizeU. ABOUT THE PODCASTBAST Training is here to help singers gain the knowledge, skills and understanding required to be a great singing teacher. We can help you whether you are getting started or just have some knowledge gaps to fill through our courses and educational events.Website: basttraining.comGet updates to your inbox: Click here for updates from BAST TrainingLink to presenter's bios: basttraining.com/singing-teachers-talk-podcast-biosThis show was brought to you by Progressive Media
Welcome to the intermission of our First-Name Basis season -- in which we're contemplating important songs with more than one name in them, and ranking them, too! And while this ep is dropping in the middle of the season, we actually recorded it first, so if it seems like we're working through our metrics for what's iconic when it comes to name songs...we are! Time is a flat pop chart! We're also talking about disco murder ballads, the underrepresentation of men's names in this season, why John Cougar is like Erica Kane, Gap khakis, song prequels, and justice for Cotton-Eye Joe. Before you write your congressperson a letter about banishing the word "dump" from pop songs, listen to our latest episode! Our intro is [deep breath] Elliott Smith, Ben Folds, Andrew Byrne, Laura Barger, AND Jack Baldelli, and our outro is Billy Pilgrim. For more information/to become a patron of the show, visit patreon.com/mastas. SHOW NOTES Not sure what's going on here? Start at the beginning of the season America's Damp 40, Episode 1 Episode 146: John Cougar, "Pink Houses"
We're finishing out the Top 40 in our First-Name Basis season with an all-timer set of 10 songs: all three of the songs your co-hosts and their husbands picked to win the whole season, and the diabetic garbage that's been torturing SDB for decades. We're also discussing mall anchor restaurants, the peak period of cinema-storyline videos, enduring bobby-soxer cuteness, startlingly low chart performance, and whether "fap-fap-fap" is in fact an emotion. Tie down that swingset and join us for an all-new MASTAS! Our intro is [deep breath] Elliott Smith, Ben Folds, Andrew Byrne, Laura Barger, AND Jack Baldelli, and our outro is Jim Croce. For more information/to become a patron of the show, visit patreon.com/mastas. SHOW NOTES Not sure what's going on here? Start at the beginning of the season Record Of The Year Showdown, Episode 5: Round Of 32, '59-'90 The story of "Rosanna" The First-Name Basis "prequel" episode at Patreon Episode 64: Three By '80s Starship Episode 72: Fountains of Wayne, "Stacy's Mom" and "Red Dragon Tattoo"
"Mark and Sarah: why ya buggin'?" Why aren't we buggin' in the third ep of our First-Name Basis season: the weird fade-out during Barry Manilow's "Mandy"-ending glory note, "Mary"-song vote-splitting, SEO retitling, cheerleader moxie, the all-killer-no-filler pop charts of 1984, and Reality Bites as a crystal ball into adulthood. We're also craving Girl Scout cookies and honoring Wilson Pickett's narrative restraint as we continue crafting the season's Top 20, so call up your Aunt Khaleesi and tell her there's an all-new MASTAS! Our intro is [deep breath] Elliott Smith, Ben Folds, Andrew Byrne, Laura Barger, AND Jack Baldelli, and our outro is Weezer. For more information/to become a patron of the show, visit patreon.com/mastas. SHOW NOTES Not sure what's going on here? Start at the beginning of the season America's Damp 40, Episode 6: The Dirty 30 "Hello" Joe Reid on The Simpsons S05.E09, "The Last Temptation of Homer" Episode 9: Joplin Carlile LLC, "Get It While You Can" And "That Year" Bring It On's credits blooper reel What your Girl Scout cookie is called depends on which bakery produced it Record Of The Year Showdown, Episode 5: Round Of 32, '59-'90 Episode 85: Why Aren't These Songs Super-Famous, With Pam Ribon
The second batch of 10 songs is raising tough questions for our First-Name Basis season, like: Does difficult subject matter preclude a song from moving on? How can you tell if a songwriter has never lived in NYC...and how drunk WERE the Kingsmen? Would Rick Springfield REALLY just pine for some lady? We also fondly remember You Can't Do That On Television, pay tribute to Weird Al Yankovic, and save you from Succession finale spoilers, so if you can't hear the drums, turn up the volume on Episode 2. Our intro is [deep breath] Elliott Smith, Ben Folds, Andrew Byrne, Laura Barger, AND Jack Baldelli, and our outro is Sarah Vaughn. For more information/to become a patron of the show, visit patreon.com/mastas. SHOW NOTES Not sure what's going on here? Start at the beginning of the season Episode 125: ABBA-sode! Law & Order S07.E13, "Matrimony" "Eddie Vedder Is Still Learning to Live With Loss" "Yoda" Quaid In Full Episode 131: The Beatles' "Sgt. Pepper's Lonely Hearts Club Band," Ranked
Our First-Name Basis season is underway! Our mission: to identify the most iconic song associated with a first name. But how? It starts right here, as we look at the first 10 in our FNB Top 40 and decide which songs/names move on to the next round. Along the way, we make predictions, remember Just One Of The Guys and American Crime Story, stand too close to you with Chardonnay breath, re-scan upstate towns to fit into country songs, and pay tribute to the car trips and roller rinks of our youths. Come on, Eileens: it's an all-new MASTAS season! Our intro is [deep breath] Elliott Smith, Ben Folds, Andrew Byrne, Laura Barger, AND Jack Baldelli, and our outro is De La Soul. For more information/to become a patron of the show, visit patreon.com/mastas. SHOW NOTES Snopes fact-check on MB's assertion about people with the 867-5309 phone number: true! "Santa Jenny" King Killer Studios Episode 108: Elvis Costello and Duran Duran, "Watching The Detectives" ...These Are Their Stories SDB keeps getting Looking Glass and The Lovin' Spoonful confused Episode 220A: Simon & Garfunkel's "Bridge Over Troubled Water," Ranked Episode 76: George Michael, Elton John, and George Michael and Elton John The Lost Songs Project on Laura Branigan's "Solitaire"
We're thrilled to welcome first-time guest Kari Race to talk about Amazon's limited-series adaptation of Daisy Jones And The Six; we're less thrilled by the show, which is handsome to look at, but...knows that, and doesn't move fast enough. We also talk about bad wigs, resting dickface, "the Studio 60 rule," and the character whose story we really wanted to see instead. Later, we went Around The Dial with a MAFS micro-update, Cunk On Earth, the new Quantum Leap, and the rogue ampersand of Dick Wolf's Blood & Money. Then Kari served up a third-season episode of Bob's Burgers for the Canon. Toy cars won, Vanderpump stars lost, and we all thanked the Academy (meaning Seth) for an award-winning Game Time. Don't talk to Wig Cop without an attorney present; it's an all-new Extra Hot Great. GUESTS
More like the BITTER-sweet 16, the episode that forces hosts and listeners alike to make terrible choices, as well as rank things politically, salute album-cover pets of yore, choose which Adele hills to die on, pit Henry Mancini against Leonard Nimoy, mourn the consensus "blech," and dodge the ire of John Ramos whilst deploying Emilio Estevez fist-pumps. Is today a "Beat It" day, or is Sunny coming home to Mark Ronson's name on her mailbox? Lace up those skates, boo: it's Episode 7 of the Record Of The Year Showdown. Our intro is by Andrew Byrne with an assist by Whitney Houston, and our outro is by Officer Roseland. Dig Officer Roseland's chili on Bandcamp, and for more information/to become a patron of OUR show, visit patreon.com/mastas. SHOW NOTES Not sure what's going on? ROTYS Episode 1 A curated list of "Moon River" covers at the Cover Me blog
The Round Of 32: where the choices get tougher and the cheeses get lonelier. We're writing Back To The Future/Babybel fan-fic, analyzing palimpsest layers, appreciating Bobby Darin's interpretive skills (and apologizing to Jerry Orbach), and wondering who's going to do a better job of seducing Sarah, Mrs. Robinson or Toto. What song is a red-wine drunk? Who burned off their eyelashes in seventh grade? We're looking for answers -- and half of the ROTYS Sweet 16. Our intro is by Andrew Byrne, and our outro is by Harry Styles. For more information/to become a patron of the show, visit patreon.com/mastas. SHOW NOTES Not sure what's going on? ROTYS Episode 1 SDB meant Timothy B. Schmit and Bernie Leadon...and it turns out that solo is neither of them! Great work, no notes Sometimes When We Touch on Paramount+ Jerry Orbach on "Try To Remember"
Welcome to our Record Of The Year Showdown season! With listeners' help, we're going to find out which Grammy-winner for ROTY is the best of the 64 winners to date...or maybe just the least baffling and unconscionable. How are we doing this? It's sort of a bracket; we'll explain up top, and then we'll talk about cobwebby rocking chairs, how anyone managed to get laid during the Eisenhower presidency, rewarding artists who don't "take the pot," and songs we can't get all the way through. Grab a triple espresso for all those instrumentals: it's an all-new season of MASTAS! Our intro is Andrew Byrne, and our outro is Weird Al Yankovic. For more information/to become a patron of the show, visit patreon.com/mastas. SHOW NOTES Episode 145: Bobby Darin, "Mack The Knife" Mark's interrogation of A Summer Place for Tomato Nation Episode 98: Two "Moon River"s Episode 62: "Ode To Billie Joe" and "Harper Valley PTA" Episode 6: Jesus Christ Superstar, "I Don't Know How To Love Him" Episode 220A: "Bridge Over Troubled Water," Ranked
In this episode, we talk to the author of The Singing Athlete, Andrew Byrne, about the body and the voice connection. Andrew shares his extensive knowledge with us, and Heather tells us her tea-making routine that helps her voice :-)Find out more about Andrew Byrne: https://www.andrewmbyrne.com.Get Andrew's book: https://geni.us/andrewbyrneAbout IVAInterested in training to teach singing or attend Professional development webinars with leading voice experts through the Institute for Vocal Advancement: www.vocaladvancement.com (Use the code: “iva-podcast” to receive $5 off any upcoming webinar event)Watch Andrew Byrne's Masterclass “De-swell the Vocal Cords”, which is discussed in this episode: https://vocaladvancement.gumroad.com/l/andrew-bryne Hosted on Acast. See acast.com/privacy for more information.
Roving reporter and biologist Terry Flanagan speaks to vet Dr. Andrew Byrne, a long-standing friend of the programme, about the problems that fireworks pose for wild creatures and pets alike at this time each year, as well as ways to try to lessen their impact.
S2 Ep 5 ft. Kim Moller - Voice Trainer & Owner of Vocal Kinesthetics- Neuro-centric Training & Performance Anxiety Voice Trainer and Owner of Vocal Kinesthetics talks about her vocal training program, performance anxiety and her idea of the authentic voice. Episode Notes Bio: Kimberly Moller has toured as a soloist with The Boston Symphony Orchestra Pops under the direction of Keith Lockhart, and with Kristin Chenoweth at The Music Box in San Diego under the direction of Mary Mitchell Campbell. Kimberly has appeared as an actor or teaching artist at La Jolla Playhouse, The Old Globe San Diego, The Moonlight Amphitheater, San Diego Musical Theater, Off-Broadway Theater Company and many regional northeast theater and opera houses in Boston, Connecticut, and New York. Most recently, she has been in the recording studio for new musical demos and starred as “Belting Debbie” in the Oniros film festival award-winning musical short film Sharing the Love. Kimberly earned her MFA in Musical Theater from San Diego State University, an M.M. in Vocal Performance and a Graduate Performance Diploma in Voice Pedagogy from Boston University. Kimberly is on the Board of The National Association of Teachers of Singing in San Diego and a member of The Musical Theatre Educators Alliance. Her mentors include: Singing Athlete creator Andrew Byrne, Laurinda Nikkel (SDSU), Mary Saunders Barton (Penn State/Bel Canto can Belto method) and master Z-Health trainer Missy Bunch. Kimberly is Z-Health Essentials, R-Phase and I-Phase certified to assist with drills and mobility that impacts vocal production at the speed of the nervous system. Resources: Instagram: @vocalkinesthetics Facebook: https://www.facebook.com/groups/1477881079330687 Website: vocalkinesthetics.com Get a taste of the MVS Patreon After Show by visiting pateron.com/mcneilvoicestudio. The after-show is where my guests share a little extra wisdom and things get silly. See you there!! Instagram: @mcneilvoicestudio Facebook: mcneilvoicestudio Patreon: mcneilvoicestudio Website: mcneilvoicestudio.com Podcast Music: Brooke Galloway Podcast Sponsors: Christopher, Angela Jones-Coe, Martha Pratt, Scott McNeil, Sheryl Polk, Rebecca Loebe, Liz DeLuccia, Theresa Jean Kibby, Jade Ellis, Katie Volk, Jasmine, Tali Freed, Kasandra McNeil, Dan Tappan
Cassie Okenka is a performing artist, teacher, and life enthusiast. She recently appeared on Broadway in SCHOOL OF ROCK after making her Broadway debut in BONNIE AND CLYDE. She has played to critical acclaim in the national tours of WICKED and THE WIZARD OF OZ. A Toledo native, Cassie earned a Bachelor of Music in Music Theatre from The Baldwin Wallace College – Conservatory of Music. TV audiences will recognize Cassie as a finalist on MTV's “Legally Blonde: The Search for Elle Woods”. She has been profiled and performed on “Good Morning America” and “The Martha Stewart Show”. Cassie guest starred with the Toledo Symphonic Band's Music Under the Stars and has sung “The Star-Spangled Banner” at numerous MLB stadiums. She has voiced music for the web series “Invaders” and has recorded with Ben Morss's band Onward Chariots In addition to her theatrical endeavors, Cassie shares her passion for the performing arts through master classes and private voice lessons. She is currently an Adjunct Voice Instructor at Marymount Manhattan College in their Musical Theatre department and a founding member of Theatre Horizon's 42nd to Main St. Concert Series. She resides in Brooklyn with her husband and her rescue dog, Bandit. https://www.cassieokenka.com Cassie Okenka Voice Studio https://voice.cassieokenka.com I was bitten by the Musical Theatre bug in 3rd grade. My first show was Annie Warbucks where I played the littlest orphan Molly. My voice education started in middle school with private voice lessons to enhance my musical theatre love. This blossomed into a Bachelor of Music in Music Theatre from Baldwin Wallace College-Conservatory of Music. I continued to specialize in Commercial Contemporary Music with the Voice Teacher Training Certification from New York Vocal Coaching while performing 8 shows a week in School of Rock on Broadway. Continuing the quest for knowledge, I hold a Certificate of Distinction in Vocal Pedagogy from Boston Conservatory at Berklee. Recently, I've attended levels I, II, and III Somatic Voicework™, The LoVetri Method. These programs gave me tools for vocal injury prevention and functional cross-training. As a member of the NATS, PAVA, MTEA, and The Lessac Institute, I've mentored with Bel Canto Can Belto's Mary Saunders-Barton, Complete Vocal Fitness' Claudia Friedlander, and Soul Ingredient's creator Trineice Robinson-Martin. My continuing education include masterclasses with Matt Edwards, Amanda Flynn, and The Singing Athlete's Andrew Byrne. But a voice without acting is just…boring! During repertoire work, I add in Laban techniques and Viewpoints to help singers create a fully realized piece. Outside of the Private Voice studio, I am an adjunct Voice Instructor at Marymount Manhattan College and University of Wisconsin- Parkside in their Musical Theatre departments. I also teach masterclasses for various NYC Broadway based organization's including Broadway Workshop, Broadway Classroom, and all over the country with local theatre programs. I made my directorial debut with the premiere of THE ADDAMS FAMILY Younger@Part Pilot Workshop. The Performing Arts School of Metropolitan Toledo Hanf Dance Studio Children's Theatre Workshop Toledo Opera Youth Choral Baldwin Wallace University
Studying the Song - Audition & Music Preparation for Musical Theatre
Discover how training your brain and neurological system can instantly yield more freedom, control, and flexibility in your voice. You guys, I've seen Kimberly Moller's work first hand, and I have to say - it's like magic! In this episode, I ask Kim all my questions about how neurology (all things nerves and nervous system) affects our voice. How can we improve tone, resonance, and control so that we feel more freedom and ease as we sing. We also talk about how we can calm our nervous system and anxiety before auditioning and performing with simple physical exercises. Whether you're backstage before a gig or in the waiting room for an audition, you CAN improve your singing within just minutes of doing these drills. SPOILER: I've added these drills to my routine before I perform and before I record and am so happy with the results. Kimberly Moller is on the Board of The National Association of Teachers of Singing in San Diego and a member of The Musical Theatre Educators Alliance. Her mentors include: Singing Athlete creator Andrew Byrne, Laurinda Nikkel (SDSU), Mary Saunders Barton (Penn State/Bel Canto can Belto method) and master Z-Health trainer Missy Bunch. Kimberly is Z-Health Essentials, R-Phase and I-Phase certified to assist with drills and mobility that impacts vocal production at the speed of the nervous system. If you're looking for a new way to access freedom in your voice (something beyond breathing exercises and vocalises), then listen to this episode. Then go check out Kim at www.vocalkinesthetics.com Let's get into it! Xo, Korrie Check out www.korrieyamaoka.com to find info about FREE RESOURCES and AUDITION COACHING, and to sign up for my email list. Korrie's Email List - Sign up for weekly resources about auditioning, information on new offerings, and the latest news from Studying the Song. Did you enjoy today's episode? Please Rate, Review, and Subscribe today! Contact me at hello@korrieyamaoka.com.
Three quarters of the way through the America's Damp 40 countdown! Wading into the swamp this week are Nicolette Larson, Bread, Barry Manilow, Jim Croce, and the Garden State's own Dr. Hook, and as Mark fondly remembers a bank vestibule and conjures a mating dance involving a drink with grenadine in it, Sarah wonders if the titular Mandy has called the police. Foundational texts of moisture, dramaturgical research on pay phones, the Beverly Hills, 90210 Spring Dance, and the many sins of Shel Silverstein all come up for discussion during the ongoing reign of Dan terror we're calling Episode 06. Our intro is by Andrew Byrne, and our outro is by Karen Carpenter. Interstitial music provided by Lola Rico LLC. To contact us or buy our books, visit MarkAndSarahTalkAboutSongs.com. To become a patron of the show, visit patreon.com/mastas. SHOW NOTES The Damp 40 homepage The origin story of "Mandy"/"Brandy" (which does not involve a dog) "Barry Manilow: The Surprise Jingle Hitmaker" Ep 109 on Def Leppard's "Pour Some Sugar On Me" Check out our sponsor, Noom
We've reached the halfway point in our America's Damp 40 countdown, and with Steely Dan, Ambrosia, England Dan and John Ford Coley, Olivia Newton-John, and 10cc entering the chart, it's getting dark AND damp in here. The condescension of older boyfriends, saying the quiet part out loud, sexual grift, calling the Seals family onto the (shag) carpet, vicarious embarrassment, and that time Sandy from Grease had too much tempranillo at the Christmas party and awked out big-time. We're chipping away at the layers of Casio that form an emotional carapace for Seventies Man, so grab an avocado-colored hard hat and join us: it's Episode 04. Our intro is by Andrew Byrne, and our outro is by Sir Elton John. Interstitial music provided by ONJ. To contact us or buy our books, visit MarkAndSarahTalkAboutSongs.com. To become a patron of the show, visit patreon.com/mastas. SHOW NOTES The Damp 40 homepage Mr. Drake will now hear arguments Check out our sponsor, Noom
The next 5 songs join the America's Damp 40 countdown, so buckle up for Gerry Rafferty, the Eagles, Todd Rundgren, Sammy Johns, and our old friend Paul Davis as we settle our first top 10. Penthouse letters gone feloniously awry, Glenn Frye-colepsy, predicting saxophone sales, the one time Sarah will let herself use the word "iconic," and a side of toasted nuts: it's Episode 02! Our intro is by Andrew Byrne, and our outro is by Stealers Wheel. To contact us or buy our books, visit MarkAndSarahTalkAboutSongs.com. To become a patron of the show, visit patreon.com/mastas. SHOW NOTES The Damp 40 homepage More on "the 'Baker Street' phenomenon" Jon Miltimore breaks down "Baker Street"'s lyrics at Intellectual Takeout The making of "Best Of My Love" MASTAS Episode 142: Don Henley, "The End Of The Innocence" Episode 103: Meat Loaf, "Paradise By The Dashboard Light" Todd Rundgren named one of his children "Rebop," and other times he was a jackwagon 1977's The Van Episode 117 on the troubling sexual politics of Paul Davis Get 10% off from our sponsor, BetterHelp And check out our other sponsor, Noom
Welcome to America's Damp 40, our season dedicated to ranking the moistest soft rock hits of all time. In this episode, we explain the premise, discuss how our rankings will work, reveal the songs in contention, and talk about all the shag carpeting on which a person can make love. Our intro is by Andrew Byrne, and our outro is by The Association. To contact us or buy our books, visit MarkAndSarahTalkAboutSongs.com. To become a patron of the show, visit patreon.com/mastas. SHOW NOTES The Damp 40 homepage Check out Noom
In our most meta episode ever, we're ranking 13 songs with the word "song" in the title, which allows us to discuss everything from Weird Al to porpoises to the very best times to sound like Simon and Garfunkel. Our intro is by David Gregory Byrne, Andrew Byrne, Laura Barger, AND Jack Baldelli. (Truly!) Our outro is by Soykus Paynoot. To contact us or buy our books, visit MarkAndSarahTalkAboutSongs.com. To become a patron of the show, visit patreon.com/mastas.
The ostentatious awesomeness of Queen's “Don't Stop Me Now” gets us talking about songs you can't possibly sing along to and the various reasons Freddie Mercury is eternal. Our intro is by Andrew Byrne and our outro is by PJ Harvey. To contact us or buy our books, visit MarkAndSarahTalkAboutSongs.com. To become a patron of the show, visit patreon.com/mastas.
There are MANY songs about how hard it is to be famous, but which one is the best? In this ranking episode, we anoint the most valuable tune in the "I hate my rockstar life" canon.Our intro is by Andrew Byrne, and our outro is by Ray Charles. To contact us or buy our books, visit MarkAndSarahTalkAboutSongs.com. To become a patron of the show, visit patreon.com/mastas.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
We're going all the way back to Bon Jovi's first hit single, "Runaway" -- and we're digging into Journey keyboards, bad daddies, and lyrical choices that hit differently today than they did back then. Our intro is by Andrew Byrne, and our outro is by Joe Jackson. To contact us or buy our books, visit MarkAndSarahTalkAboutSongs.com. To become a patron of the show, visit patreon.com/mastas.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
We're ranking every song on the "Clueless" soundtrack, which means we're talking about '90s fashion, the essence of college rock, and the justice we want for No Doubt. Our intro is by Andrew Byrne, and our outro is by DJ Tei Towa. To contact us or buy our books, visit MarkAndSarahTalkAboutSongs.com. To become a patron of the show, visit patreon.com/mastas.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
We're discussing The Replacements' "Alex Chilton" with special guest Taylor Cole (The Great American Pop Culture Quiz Show). The conversation covers everything from the pop music history of the mandolin to the changing nature of selling out.Our intro is by Andrew Byrne and our outro is by The Queers. To contact us or buy our books, visit MarkAndSarahTalkAboutSongs.com. To become a patron of the show, visit patreon.com/mastas.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Have you noticed that "The Tracks of My Tears" is a perfect song? We dig into the excellence of Smokey Robinson and The Miracles' original version, the precision of the songcraft, and the narrative complexity of the background vocals. Plus, we've got a pop-chart astrology reading! Our intro is by Andrew Byrne and our outro is by The Hollies. To contact us or buy our books, visit MarkAndSarahTalkAboutSongs.com. To become a patron of the show, visit patreon.com/mastas.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Lyle Lovett's "If I Had a Boat" gets us talking about surreal lyrics, traditional country, and at least one great film starring Christina Ricci. Our intro is by Andrew Byrne, and our outro is by Band of Horses. To contact us or buy our books, visit MarkAndSarahTalkAboutSongs.com. To become a patron of the show, visit patreon.com/mastas.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
We're digging deep into Netflix's eight-part docuseries This Is Pop. Join us as we discuss women in country, the merits of AutoTune, and the value of taking silly songs quite seriously. Our intro is by Andrew Byrne, and our outro is by Kraftwerk. To contact us or buy our books, visit MarkAndSarahTalkAboutSongs.com. To become a patron of the show, visit patreon.com/mastas.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Is Lenny Kravitz undervalued? As we discuss "Are You Gonna Go My Way," we talk about his hot licks, his knack for controlling what consumes other artists, and his ability to make the phrase "rub-a-dub" sound sexy.Our intro is by Andrew Byrne, and our outro is by Jimi Hendrix. To contact us or buy our books, visit MarkAndSarahTalkAboutSongs.com. To become a patron of the show, visit patreon.com/mastas.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
A listener request has us discussing the (very long) (frequently inaccurate) history lesson in Gordon Lightfoot's "The Wreck of the Edmund Fitzgerald." We've also got a birthday chart reading about a massively popular novelty song.Our intro is by Andrew Byrne, and our outro is by Bob Dylan. To contact us or buy our books, visit MarkAndSarahTalkAboutSongs.com. To become a patron of the show, visit patreon.com/mastas.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Dua Lipa's "Levitating" makes it look easy to fill a song with killer hooks, and she's got us talking about words invented by pop stars, the surprising depth of dance anthems, and the way, inevitably, that Madonna is always there.Our intro is by Andrew Byrne, and our outro is by Gramatik. To contact us or buy our books, visit MarkAndSarahTalkAboutSongs.com. To become a patron of the show, visit patreon.com/mastas.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
As we talk about "Pleasant Valley Sunday" by The Monkees, we also talk about the long road to authenticity, the secret excellence of Micky Dolenz, and the various ways you could exist in the '60s. Our intro is by Andrew Byrne, and our outro is by The Soup Dragons. To contact us or buy our books, visit MarkAndSarahTalkAboutSongs.com. To become a patron of the show, visit patreon.com/mastas.SHOW NOTESEpisode 16 on the Monkees' "Circle Sky"See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Our Teen Idol Tournament reaches its legally binding conclusion as we discuss the championship match-up between The Monkees and Britney Spears. This live episode features analysis, predictions, and our wistful thoughts on NKOTB. Go vote at patreon.com/mastas. (You just need a free Patreon account to vote.) Our intro is by Andrew Byrne, and our outro is by Barenaked Ladies. To contact us or buy our books, visit MarkAndSarahTalkAboutSongs.com. To become a patron of the show, visit patreon.com/mastas.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
It's getting REAL as we reach the Final Four in our March MASTAS tournament to choose the all-time best teen idol. This live episode features analysis, predictions, Intro to Max Martin Theory, and the Monkees. Go vote at patreon.com/mastas. (You just need a free Patreon account to vote.) Our intro is by Andrew Byrne, and our outro is by Katy Perry. To contact us or buy our books, visit MarkAndSarahTalkAboutSongs.com. To become a patron of the show, visit patreon.com/mastas.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
It's the Elite 8 in our March MASTAS tournament to choose the all-time best teen idol. This live episode features analysis, predictions, and various ways to root for Boston bands. Go vote at patreon.com/mastas. (You just need a free Patreon account to vote.) Our intro is by Andrew Byrne, and our outro is by Britney Spears. To contact us or buy our books, visit MarkAndSarahTalkAboutSongs.com. To become a patron of the show, visit patreon.com/mastas.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
It's the Sweet 16 in our March MASTAS tournament to choose the all-time best teen idol. This live episode features analysis, predictions, and dancing to New Edition. Go vote at patreon.com/mastas. (You only need a free Patreon account to vote.) Our intro is by Andrew Byrne, and our outro is by The Partridge Family. To contact us or buy our books, visit MarkAndSarahTalkAboutSongs.com. To become a patron of the show, visit patreon.com/mastas.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.