Podcast appearances and mentions of alejandro cartagena

Alejandro Cartagena | Ground Rules Photographer, publisher, and curator Alejandro Cartagena joined me at the 2025 Chico Review. We talk about the many different ways in which Alejandro practices photography and how much he has embraced being and editor and curator for others. Alejandro also discusses his upcoming retrospective, Ground Rules, at SFMOMA, curated by Shana Lopes along with the accompanying book published by Aperture. The show opens in September and the book is scheduled for November. https://alejandrocartagena.com — https://www.instagram.com/alexcartagenamex/ This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com Alejandro Cartagena, Mexican (b. 1977, Santo Domingo, Dominican Republic) lives and works in Monterrey, Mexico. His projects employ landscape and portraiture as a means to examine social, urban, and environmental issues. Cartagena's work has been exhibited internationally in more than 50 group and individual exhibitions in spaces including the Fondation Cartier pour l'art contemporain in Paris and the CCCB in Barcelona, and his work is in the collections of several museums including the San Francisco MOMA, The J. Paul Getty Museum, The Museum of Contemporary Photography in Chicago, The MFAH in Houston, the Portland Museum of Art, The West Collection, the Coppel collection, the FEMSA Collection, Museum of Fine Arts in Houston, the George Eastman House and the Santa Barbara Museum of Art and among others. Cartagena has received several awards including the international Photolucida Critical Mass Book Award, the Street Photography Award in London Photo Festival, the Lente Latino Award in Chile, the Premio IILA-FotoGrafia Award in Rome and the Salon de la Fotografia of Fototeca de Nuevo Leon in Mexico among others. He has been named an International Discoveries of the FotoFest festival, a FOAM magazine TALENT and an Emerging photographer of PDN magazine. He has also been a finalist for the Aperture Portfolio Award and has been nominated for the Santa Fe Photography Prize, the Prix Pictet Prize, the Photoespaña Descubrimientos Award and the FOAM Paul Huff Award. His work has been published internationally in magazines and newspapers such as Newsweek, Nowness, Domus, the Financial Times, The New York Times, Le Monde, Stern, PDN, The New Yorker, and Wallpaper among others.

En este episodio, Jorge Diego Etienne conversa con el artista y gestor cultural Marco Treviño, en una charla íntima y profunda que aborda los dilemas contemporáneos de tener una práctica creativa en el norte de México. Desde su experiencia formativa en India y su paso por el CEDIM, hasta sus colaboraciones con espacios como Lugar Común, las Artes Monterrey y el Museo MARCO, Marco traza una línea clara entre lo personal y lo profesional, entre la pasión por el arte y los momentos de cuestionamiento profundo sobre su identidad creativa.Marco comparte cómo sus múltiples facetas —artista, gestor, padre, clase mediero y "persona dulce de Cumbres Altas"— se entrelazan en una práctica que abraza tanto la materialidad del arte como la crítica institucional. Este episodio es una exploración sobre lo que significa sostener una carrera creativa fuera de los centros tradicionales, sobre cómo el arte puede ser conversación, crítica, pedagogía y autoexploración.Escucha este episodio si estás:• Cuestionando tu identidad profesional como creativo• Explorando la relación entre arte y gestión cultural• Buscando nuevas formas de hacer obra fuera de los formatos clásicos• Interesado en el arte contemporáneo en Monterrey y el norte de México• Pensando en cómo conectar pedagogía, comunidad y práctica artísticaMarco Treviño es un artista visual originario de Monterrey cuya práctica híbrida navega entre la producción artística y la gestión cultural. Con formación en Artes Visuales por el CEDIM, su trayectoria abarca desde experiencias internacionales como estudiante en India, hasta su participación en iniciativas clave de la escena local como Lugar Común, La Compañía, las Artes Monterrey y el Museo MARCO. Su obra articula dispositivos escultóricos, instalaciones y objetos tipográficos que exploran la fragilidad del lenguaje, la crítica institucional y la relación entre imagen y texto. Actualmente desarrolla el proyecto Lip Sync, una serie que será presentada en la Sala de Arte Público Siqueiros en Ciudad de México.Puedes seguir a Marco Treviño en Instagram@marcotrevino_@proyectoparalelomxShow Notes y Links relacionados a este episodioUn consejo: Tengan cuidado si los campos profesionales aprietan demasiado. Acompañarse es esencial en contextos creativos solitarios y complejos. Aprox. 1:25:30Objeto favorito: Una máquina para masaje de pies. Aprox. 1:26:15Una recomendación:• Laescuela.art: archivo de pedagogías y pensamiento artístico latinoamericano.• Nuevo disco de Bon Iver.• Conocer mejor a los artistas locales: Alejandro Cartagena, Miriam Medrés, tercero un quinto, Tajani Lee, entre otros. Aprox. 1:26:45• Marco Treviño: https://www.marcotrevino.com/• Proyecto Paralelo: https://proyectoparalelo.art/• CEDIM: https://www.cedim.edu.mx/• Object Not Found (ONF) por Rubén Gutiérrez: https://objectnotfound.org/home• Tercerunquinto: https://www.proyectosmonclova.com/artists/tercerunquinto• Feria Material: https://material-fair.com/es/• Bienal FEMSA: https://bienalfemsa.com/• CONARTE: https://conarte.org.mx/• Lugar Común: https://pac.org.mx/apoyos/lugar-común• Las Artes Monterrey: https://lasartesmonterrey.com/• El programa de Arte Público de Las Artes Monterrey: https://lasartesmonterrey.com/programa-de-arte-publico-lartes/• Museo MARCO: https://www.marco.org.mx/No te pierdas nuestros episodios, publicamos todos los Martes.Síguenos en: Instagram https://www.instagram.com/designaholic.mxFacebook https://www.facebook.com/designaholicmx/Twitter https://twitter.com/designaholicmx Suscríbete a nuestro newsletter semanal “Las 5 de la Semana” aquí: https://link.jde.design/prf Hosted on Acast. See acast.com/privacy for more information.

The concept of being "too creative to ignore." I explore the origins of this phrase, share inspiring examples of artists who have successfully captured attention through their unique creativity, and discuss how we can leverage AI to enhance our social media presence. (00:00:08) Introduction to Being Too Creative to Ignore (00:00:21) What Does It Mean to Be Too Creative to Ignore? (00:01:13) The Origin of the Concept (00:02:48) Examples of Artists Who Are Too Creative to Ignore (00:02:59) Spotlight on Andrew Scott (00:04:44) Spotlight on Dave Pollitt (00:06:09) Spotlight on Alejandro Cartagena (00:07:55) The Impact of Being Too Creative to Ignore (00:08:05) The Role of AI in Enhancing Creativity (00:10:12) Early Days of AI Adoption (00:11:48) The Transformative Power of AI (00:12:09) Advocating for AI in Creative Businesses (00:13:01) Making Your Social Media Posts Too Creative to Ignore (00:14:05) Breaking Down the Concept for Action (00:15:30) Creating Engaging Carousel Posts (00:16:41) The Importance of Hooks in Social Media (00:20:27) Crafting Creative Captions with AI (00:24:09) Examples of Effective Social Media Posts (00:26:17) Encouragement to Experiment with Creativity (00:28:03) Conclusion and Call to Action (00:28:35) Listener Appreciation and Feedback Request Show NotesAndrew Scott on IGhttps://www.instagram.com/andrewscott_art Dave Pollot on IG https://www.instagram.com/davepollotart Alejandro Cartagena https://www.instagram.com/alexcartagenamex Video on how to execute this tactic https://www.instagram.com/p/DFYs0zhyCQQ/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA== Signup for a free account on ArtHelper and use my jazzy coupon code which is POD.  This will give you a free month of the Pro plan that has all the bells and whistles Hooks for the first carousel slide "The Last Person I Expected Just Critiqued My Art!" "You'll Never Guess Who Had Opinions About My Work!" "My Art Got Critiqued by Someone Unexpected—Here's What Happened" "I Couldn't Believe Who Shared Their Thoughts on My Art!" "When [Insert a Famous Person's Role/Name] Critiqued My Art, This Happened…" "Guess Who Had the Nerve to Critique My Art!" "This One Critique Changed Everything About My Art Journey" "Someone Shocking Gave Me Art Feedback—And It Was Brutal!" "My Art Was Critiqued by a Legend (Or So I Thought…)" "What [Surprising Person] Said About My Art Will Leave You Speechless!"  

For the second time in a row, PARIS PHOTO, the most important art photography fair, will feature a dedicated DIGITAL SECTOR curated by Nina Roehrs. To cover this event, which takes place from November 6th to November 10th, NFT Morning is hosting a special week focused on this Digital Sector.Today, in addition to Trevor presenting his new body of work titled “Evolved Hallucinations,” we had the opportunity to engage in a deeply insightful conversation between Alejandro Cartagena, founder of Fellowship, and Trevor Paglen. We highly encourage you to listen! To learn more, visit:• Paris Photo Digital Sector* Evolved Hallucinations on Daily.xyz This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

Welcome To The NFT Jungle is a podcast dedicated to NFTs as well as navigating the NFT space so that you can be equipped to make good decisions in this crazy world of NFTs! ❤️ Welcome To The NFT Jungle is the OFFICIAL podcast for “MetaJungle”. The MetaJungle team is developing platform tools to make your NFT experiences better. Join the MetaJungle Discord for free access to information, tools, and resources that will make your NFT collecting a success!

Welcome To The NFT Jungle is a podcast dedicated to NFTs as well as navigating the NFT space so that you can be equipped to make good decisions in this crazy world of NFTs! ❤️ Welcome To The NFT Jungle is the OFFICIAL podcast for “MetaJungle”. The MetaJungle team is developing platform tools to make your NFT experiences better. Join the MetaJungle Discord for free access to information, tools, and resources that will make your NFT collecting a success!

Photographer and visual artist, Alejandro Cartagena, lives and works in Monterrey, Mexico. His work explores social, urban, and environmental issues through landscape and portraiture, aiming to engage with a larger history of photography by reinterpreting or rethinking the ways these issues have been represented previously. His work has been featured internationally in over 50 group and individual exhibitions and is displayed in several museums. As a self-publisher and co-editor, Alejandro has created multiple award-winning titles and is the recipient of numerous awards, including the international Photolucida Critical Mass Book Award, the Street Photography Award at the London Photo Festival, and more.In this episode, Alejandro shares his thoughts on the current NFT environment, describing his experience of breaking into the space. He shares his optimism for the advancement of technology and the opportunities it can create for photographers. Alejandro reflects on leaving the Dominican Republic as a child and shares that he would find comfort looking through family photo albums. He explains how he now finds comfort in photography and sees it as a place where stories and feelings are encapsulated. He touches upon his photography today and explains why he focuses his work in Monterrey, Mexico and why themes of urbanization, suburban sprawl, and the environment run through his projects. He shares why he uses his photography to gain a greater understanding of who the people are around him, the city he is in, and the people who are changing that city. He explains the importance of understanding those aspects and much more!To find out more about Alejandro, visit: www.alejandrocartagena.com***This episode is brought to you by Kase Filters. I travel the world with my camera, and I can use any photography filters I like, and I've tried all of them, but in recent years I've landed on Kase Filters.Kase filters are made with premium materials, HD optical glass, shockproof, with zero color cast, round and square filter designs, magnetic systems, filter holders, adapters, step-up rings, and everything I need so I never miss a moment.And now, my listeners can get 10% off the Kase Filters Amazon page when they visit.beyondthelens.fm/kase and use coupon code BERNABE10Kase Filters, Capture with Confidence.

In this episode, Matthew and Brileigh are joined by Alejandro Cartagena, founding member of RAW DAO as well as the co-founder of Obscura and Fellowship Trust. Alejandro shares his story of becoming a photographer and paving the way for other artists through Fellowship and Obscura. We also discuss the Magnum Photos 75th anniversary NFT collection which he curated and five pieces of which were recently acquired by RAW DAO. As one of the most active members of the NFT photography community, Alejandro has lots to share about onboarding traditional artists to the NFT space, developing new models to sustainably fund artists, and his advice for new photographers trying to find success in the space. Topics Discussed: Obscura Fellowship RAW DAO Magnum Photos 75 Onboarding artists into web3 New models for funding artists Challenging expectations for artists in web3

Aaron Ferguson is an Ottawa-based photographer and scanographer living with colour blindness (colour vision deficiency) and type 1 diabetes. He holds a Bachelor of Computer Science from the University of New Brunswick and a Certificate in Photography Techniques from Algonquin College. Through minimalist still life imagery, portraiture and street photography, his work resists the conformity of popular media platforms to challenge ideas of perception and visual representation. Employing an analytic and methodical approach, his artistic practice seeks to redirect our thought processes that are often subconsciously manipulated by external forces, with a focus on dismantling the hegemony of media influence on our daily lives. Ferguson's work has been exhibited three times as part of the annual juried SPAO A+ Exhibition (2018, 2020-2021). In 2018, his image “That Empty Feeling” won the People's Choice Award. Limited-edition prints and NFTs (non-fungible tokens) of his work are part of many private collections around the world. In March of 2021, Aaron became one of the first scanography artists in the world to sell NFTs. Collectors of his artwork include artists Fernando Gallegos and Alejandro Cartagena, and American entrepreneur Mark Cuban. https://linktr.ee/aaronrferguson https://opensea.io/collection/aaronferguson-muted https://foundation.app/@aaronrferguson https://www.aaronferguson.ca --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/thewrongadvicepod/support

Techno Mix @ Prague by DJ Hetman (May 9, 2022). Enjoy! ► My website: https://djhetman.com ► My live sets on Youtube: https://www.youtube.com/playlist?list=PLO2ntzvuLO39P5tVQVfzCspPlMIV1ptXb ► Subscribe on iTunes: https://podcasts.apple.com/us/podcast/els/id1199406155?mt=2 © Cover photo by Alejandro Cartagena

Conversación con el fotógrafo Alejandro Cartagena acerca de los inicios de su carrera, de cómo encuentra historias para fotografiar, su relación con el psicoanálisis y la filosofía que impulsa su trabajo. Enlaces relevantes: - https://alejandrocartagena.com/ - Instagram de Alejandro Cartagena. Conoce las redes sociales de Encuentros de Mentes: - https://www.instagram.com/encuentrosdementes/ - https://www.facebook.com/encuentrosdementes - https://twitter.com/e_dementes Newsletter: - https://carlosarroyo.substack.com/ Blog: - https://www.carlosarroyoblog.com/

Second interview with Alejandro Cartagena - the first with live audio.  We get to hear what's new and exciting with one of the worlds top fine art photographers.

In this episode of Perfect Bound, we learn that Alejandro Cartagena still has the pen I lent him six years ago in the pocket of his winter coat. We also learn he has 35 book projects in mind to be developed and that he has been able to harness a personal, inner tension to inspire a life's work in photography.Dominican-born photographer Alejandro Cartagena moved to Mexico, his mother’s birthplace, in 1990, and since then, he has developed a dynamic body of work exploring social, urban, and environmental issues, largely through the lens of the contemporary Mexican experience. His photographs frankly document new urban growth and altered landscapes—namely the proliferation of serially built homes and their ensuing environmental impact—on the outskirts of the Monterrey Metropolitan Area.

Alejandro Cartagena was born in the Dominican Republic in 1977 and lives and works in Monterrey, Mexico. His projects employ landscape and portraiture as a means to examine social, urban and environmental issues. Alejandro’s work has been exhibited internationally in more than 50 group and individual exhibitions in spaces including the Cartier foundation in Paris and the CCCB in Barcelona, and his work is in the collections of several prestigious museums including the San Francisco MOMA, The J. Paul Getty Museum and The Museum of Contemporary Photography in Chicago, among others.Alejandro is a self-publisher and co-editor and has created several award wining titles including A Small Guide to Home Ownership, The Velvet Cell 2020, Carpoolers, Self-published with support of FONCA Grant, 2014, Suburbia Mexicana, Daylight/ Photolucida 2010. Some of his books are in the Yale University Library, the Tate Britain, and the 10×10 Photobooks/MFH Houston book collections among others.Alejandro has received several awards including the international Photolucida Critical Mass Book Award, the Street Photography Award at the London Photo Festival, the Lente Latino Award in Chile, the Premio IILA-FotoGrafia Award in Rome and the Salon de la Fotografia of Fototeca de Nuevo Leon in Mexico among others. His work has been published internationally in magazines and newspapers such as Newsweek, Nowness, Domus, the Financial Times, The New York Times, Le Monde, Stern, PDN, The New Yorker, and Wallpaper among others. On episode 150, Alejandro discusses, among other things:How divorce led him to StoicismParenthood being the ‘most difficult thing you can bear’.Living in multiple paradigmsHis current excitement over poetryWhy he started ‘vandalising’ archive imagesLearning about photography through working in an archiveBeing an outsider as a kidHis new book A Small Guide to Home OwnershipWanting to make some books that are pop songs, not symphonies Referenced:Depeche Mode, Blashphemous RumoursGuillermo KahloEugenio Espino Barros Website | Instagram | Facebook “There’s nothing new about documentary photography, you just take pictures of what’s there, you know, but the opportunity of making it poetic or lyrical is to confront ideas that weren’t meant to be seen with each other. And that’s what’s exciting for me sometimes.”

Alejandro Cartagena, Mexican (b. 1977, Santo Domingo, Dominican Republic) lives and works in Monterrey, Mexico. His projects employ landscape and portraiture as a means to examine social, urban and environmental issues.  Cartagena’s work has been exhibited internationally in more than 50 group and individual exhibitions in spaces including the the Fondation Cartier pour l’art contemporain in Paris and the CCCB in Barcelona, and his work is in the collections of several museums including the San Francisco MOMA, The J. Paul Getty Museum, The Museum of Contemporary Photography in Chicago, The MFAH in Houston, the Portland Museum of Art, The West Collection, the Coppel collection, the FEMSA collection, Museum of Fine Arts in Houston, the George Eastman House and the Santa Barbara Museum of Art and among others.   Websites Alejandro Cargagena Caroline Drake   Sponsor Charcoal Book Club - Sign up today   Education Resources: Momenta Photographic Workshops   Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Support the work we do at The Candid Frame by contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

"Like shooting in black and white it really is just trying to find a way to see all these tones of gray and to not see things so stark as good and bad or life and death…"   Jesse Lenz and I talk about his first monograph, The Locusts. It is a gorgeous book that explores childhood wonder and discovery, beauty and terror, and memory and imagination, as well as the notions of what is family and home. As you will hear in our conversation, the process of making this work was part of a turning point in Jesse's life about what home means to him.   Jesse Lenz is a self-taught photographer and multidisciplinary artist. As an illustrator he has created images for the most well-respected publications around the world, including TIME, The New York Times Magazine, Newsweek, Rolling Stone, and many others. He is the founder and director of Charcoal Book Club, Charcoal Press, and the Chico Hot Springs Portfolio Review. From 2011-2018 he also co-founded and published The Collective Quarterly and The Coyote Journal. He lives on a farm in rural Ohio.    https://www.jesselenz.com   This episode is sponsored by the Charcoal Book Club, a monthly subscription service for photobook enthusiasts. Working with the most respected names in contemporary photography, Charcoal selects and delivers essential photobooks to a worldwide community of collectors. Each month, members receive a signed, first-edition monograph and an exclusive print to add to their collections. www.charcoalbookclub.com   Call for Entries to the fifth annual Chico Hot Springs Portfolio Review and Publishing Prize are open until December 20th. The Chico Review is typically a seven day, photography retreat at Chico Hot Springs Resort, near Livingston Montana. Hosted by Charcoal Book Club to spark relationships between artists and industry professionals in an environment that fosters community and conversation. Due to uncertainty for travel and gatherings in March, the 2021 Chico Review has been restructured into a 2-week online masterclass and portfolio review.   Submit your work now for a chance to be one of 64 artists invited to participate with Sian Davey, Alejandro Cartagena, Tania Franco Klein, Ron Jude, Susan Lipper, Christian Patterson and 20 other respected photobook publishers and contemporary photography institutions. Participating artists receive ten formal reviews by speakers and reviewers over a two week period and take part in artist lectures, panel discussions, and peer reviews. At the end of the event, one grand prize winner will be announced and their project will be published and distributed as a monograph by Charcoal Book Club.    Additionally, this year, all participating attendees will have a selection of their work published and distributed in an opus catalog by Charcoal Book Club.   For more information and to apply, visit chicoreview.com

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Alejandro Cartagena, talk about finding motivation from within and not counting on the art world at large to propel or inspire your creative output. Alejandro talks about how his early work as an archivist has come back around to be a key part of his current practice and how he juggles multiple bodies of work at once. Alejandro's incredible passion for his craft, his good humor and high spirits keep this conversation moving at warp speed. https://alejandrocartagena.com Alejandro Cartagena, Mexican (b. 1977, Santo Domingo, Dominican Republic) lives and works in Monterrey, Mexico. His projects employ landscape and portraiture as a means to examine social, urban and environmental issues. Cartagena’s work has been exhibited internationally in more than 50 group and individual exhibitions in spaces including the the Fondation Cartier pour l’art contemporain in Paris and the CCCB in Barcelona, and his work is in the collections of several museums including the San Francisco MOMA, the Museum of Contemporary Photography in Chicago, the Portland Museum of Art, The West Collection, the Coppel collection, the FEMSA collection, Museum of Fine Arts in Houston, the George Eastman House and the Santa Barbara Museum of Art and among others. Alejandro is a self publisher and co-editor and has created several award wining titles including Santa Barbara Shame on US, Skinnerboox, 2017, A Guide to Infrastructure and Corruption, The velvet Cell, 2017, Rivers of Power, Newwer, 2016, Santa Barbara return Jobs to US, Skinnerboox, 2016, Headshots, Self-published, 2015, Before the War, Self-published, 2015, Carpoolers, Self-published with support of FONCA Grant, 2014, Suburbia Mexicana, Daylight/ Photolucida 2010. Some of his books are in the Yale University Library, the Tate Britain, and the 10×10 Photobooks/MFH Houston book collections among others. Cartagena has received several awards including the international Photolucida Critical Mass Book Award, the Street Photography Award in London Photo Festival, the Lente Latino Award in Chile, the Premio IILA-FotoGrafia Award in Rome and the Salon de la Fotografia of Fototeca de Nuevo Leon in Mexico among others. He has been named an International Discoveries of the FotoFest festival, a FOAM magazine TALENT and an Emerging photographer of PDN magazine. He has also been a finalist for the Aperture Portfolio Award and has been nominated for the Santa Fe Photography Prize, the Prix Pictet Prize, the Photoespaña Descubrimientos Award and the FOAM Paul Huff Award. His work has been published internationally in magazines and newspapers such as Newsweek, Nowness, Domus, the Financial Times, The New York Times, Le Monde, Stern, PDN, The New Yorker, and Wallpaper among others.

En este episodio nos vamos a la columna vertebral de esta ciudad, el Río Santa Catarina. Un espacio natural donde se disputa el poder humano y el natural. Escenario de flora, fauna, go-karts, el Papa y Rigo Tovar, acompáñanos a descubrir más de este fascinante lugar. Con Alejandro Cartagena, fotógrafo y artista local que documenta el entorno social y urbano de Monterrey. En su fotolibro “Rios de Poder”, crea una narrativa gráfica de los conflictos y choques históricos de este espacio natural.

En el episodio de hoy platicamos con Alejandro Cartagena acerca de trabajar en McDonalds, las ciencias de la felicidad, ser mejores humanos, y fotografiar una ciudad desmadrosa mientras tomamos unas cervezas Pacífico.   Playlist Alejandro: https://spoti.fi/3gCHTvy Contacto Rudy: rudy.podcast Alejandro: alexcartagenamex

Alejandro Cartagena: Why Clouds? by George Eastman Museum

Psicoanálisis y el proceso creativo: Análisis de la película "Inception/El origen" por los psicoterapeutas psicoanalíticos Héctor Mendoza y Cristina Kennington Programa semanal que busca compartir el diálogo entre el arte y el psicoanálisis y analizar la relación entre estas disciplinas. Con doble ambición: que por medio del psicoanálisis podremos comprender de manera más profunda al artista y su obra. Y que a través de las metáforas, ideas y cuestionamientos que nos regalan las producciones creativas y el arte nos lleve a comprendernos mejor y así pensar el psicoanálisis desde ese ángulo en particular. Conducción quincenal: Alejandro Cartagena y Héctor Mendoza Psicoterapia Psicoanalítica presencial y en línea. Contáctanos al: 01 800 00 MENTE, 81 83 42 00 00 www.psicologiapreventiva.com.mx https://www.instagram.com/psipre/, https://www.facebook.com/psicologiapreventiva/, www.youtube.com/psipre --- Send in a voice message: https://anchor.fm/psicologiapreventiva/message Support this podcast: https://anchor.fm/psicologiapreventiva/support

Psicoanálisis y el proceso creativo: "El artista y su mundo interno, (Frankestein)" por los psicoterapeutas psicoanalíticos Rogelio Rodríguez y Cristina Kennington Programa semanal que busca compartir el diálogo entre el arte y el psicoanálisis y analizar la relación entre estas disciplinas. Con doble ambición: que por medio del psicoanálisis podremos comprender de manera más profunda al artista y su obra. Y que a través de las metáforas, ideas y cuestionamientos que nos regalan las producciones creativas y el arte nos lleve a comprendernos mejor y así pensar el psicoanálisis desde ese ángulo en particular. Conducción quincenal: Alejandro Cartagena y Héctor Mendoza Psicoterapia Psicoanalítica presencial y en línea. Contáctanos al: 01 800 00 MENTE, 81 83 42 00 00 www.psicologiapreventiva.com.mx https://www.instagram.com/psipre/, https://www.facebook.com/psicologiapreventiva/, www.youtube.com/psipre --- Send in a voice message: https://anchor.fm/psicologiapreventiva/message Support this podcast: https://anchor.fm/psicologiapreventiva/support

Psicoanálisis y el proceso creativo: "Juego y creatividad" por los psicoterapeutas psicoanalíticos Rogelio Rodríguez y Cristina Kennington Programa semanal que busca compartir el diálogo entre el arte y el psicoanálisis y analizar la relación entre estas disciplinas. Con doble ambición: que por medio del psicoanálisis podremos comprender de manera más profunda al artista y su obra. Y que a través de las metáforas, ideas y cuestionamientos que nos regalan las producciones creativas y el arte nos lleve a comprendernos mejor y así pensar el psicoanálisis desde ese ángulo en particular. Conducción quincenal: Alejandro Cartagena y Héctor Mendoza Psicoterapia Psicoanalítica presencial y en línea. Contáctanos al: 01 800 00 MENTE, 81 83 42 00 00 www.psicologiapreventiva.com.mx https://www.instagram.com/psipre/, https://www.facebook.com/psicologiapreventiva/, www.youtube.com/psipre --- Send in a voice message: https://anchor.fm/psicologiapreventiva/message Support this podcast: https://anchor.fm/psicologiapreventiva/support

Psicoanálisis y el proceso creativo: "Psicoanálisis y arte" por los psicoterapeutas psicoanalíticos Rogelio Rodríguez y Cristina Kennington Programa semanal que busca compartir el diálogo entre el arte y el psicoanálisis y analizar la relación entre estas disciplinas. Con doble ambición: que por medio del psicoanálisis podremos comprender de manera más profunda al artista y su obra. Y que a través de las metáforas, ideas y cuestionamientos que nos regalan las producciones creativas y el arte nos lleve a comprendernos mejor y así pensar el psicoanálisis desde ese ángulo en particular. Conducción quincenal: Alejandro Cartagena y Héctor Mendoza Psicoterapia Psicoanalítica presencial y en línea. Contáctanos al: 01 800 00 MENTE, 81 83 42 00 00 www.psicologiapreventiva.com.mx https://www.instagram.com/psipre/, https://www.facebook.com/psicologiapreventiva/, www.youtube.com/psipre --- Send in a voice message: https://anchor.fm/psicologiapreventiva/message Support this podcast: https://anchor.fm/psicologiapreventiva/support

Para su obra más reciente, Alejandro Cartagena busca entre los basureros fotografías desechadas. Luego, con una navaja filosa, extirpa de las fotografías cuerpos, caras y otros detalles, reconfigurando la composición original ya sea, al desplazar los fragmentos recortados o retirarlos por completo. Las fotografías modificadas permanecen extrañamente completas y sorprendentemente familiares, obligando así al espectador a reflexionar sobre qué es lo que da significado a una fotografía. Su redistribución nos revela cómo los aspectos aparentemente cruciales de una fotografía —un rostro o un cuerpo— ocupan un lugar tanto central como accidental en nuestra capacidad para comprender las obras. Cartagena produjo obras de arte específicamente para esta exposición, dando a los visitantes del Eastman Museum la oportunidad de ver por primera vez las fotografías más nuevas de su más reciente obra. Escucha al artista hablar sobre su obra.

Para su obra más reciente, Alejandro Cartagena busca entre los basureros fotografías desechadas. Luego, con una navaja filosa, extirpa de las fotografías cuerpos, caras y otros detalles, reconfigurando la composición original ya sea, al desplazar los fragmentos recortados o retirarlos por completo. Las fotografías modificadas permanecen extrañamente completas y sorprendentemente familiares, obligando así al espectador a reflexionar sobre qué es lo que da significado a una fotografía. Su redistribución nos revela cómo los aspectos aparentemente cruciales de una fotografía —un rostro o un cuerpo— ocupan un lugar tanto central como accidental en nuestra capacidad para comprender las obras. Cartagena produjo obras de arte específicamente para esta exposición, dando a los visitantes del Eastman Museum la oportunidad de ver por primera vez las fotografías más nuevas de su más reciente obra. Escucha al artista hablar sobre su obra.

Para su obra más reciente, Alejandro Cartagena busca entre los basureros fotografías desechadas. Luego, con una navaja filosa, extirpa de las fotografías cuerpos, caras y otros detalles, reconfigurando la composición original ya sea, al desplazar los fragmentos recortados o retirarlos por completo. Las fotografías modificadas permanecen extrañamente completas y sorprendentemente familiares, obligando así al espectador a reflexionar sobre qué es lo que da significado a una fotografía. Su redistribución nos revela cómo los aspectos aparentemente cruciales de una fotografía —un rostro o un cuerpo— ocupan un lugar tanto central como accidental en nuestra capacidad para comprender las obras. Cartagena produjo obras de arte específicamente para esta exposición, dando a los visitantes del Eastman Museum la oportunidad de ver por primera vez las fotografías más nuevas de su más reciente obra. Escucha al artista hablar sobre su obra.

Para su obra más reciente, Alejandro Cartagena busca entre los basureros fotografías desechadas. Luego, con una navaja filosa, extirpa de las fotografías cuerpos, caras y otros detalles, reconfigurando la composición original ya sea, al desplazar los fragmentos recortados o retirarlos por completo. Las fotografías modificadas permanecen extrañamente completas y sorprendentemente familiares, obligando así al espectador a reflexionar sobre qué es lo que da significado a una fotografía. Su redistribución nos revela cómo los aspectos aparentemente cruciales de una fotografía —un rostro o un cuerpo— ocupan un lugar tanto central como accidental en nuestra capacidad para comprender las obras. Cartagena produjo obras de arte específicamente para esta exposición, dando a los visitantes del Eastman Museum la oportunidad de ver por primera vez las fotografías más nuevas de su más reciente obra. Escucha al artista hablar sobre su obra.

Para su obra más reciente, Alejandro Cartagena busca entre los basureros fotografías desechadas. Luego, con una navaja filosa, extirpa de las fotografías cuerpos, caras y otros detalles, reconfigurando la composición original ya sea, al desplazar los fragmentos recortados o retirarlos por completo. Las fotografías modificadas permanecen extrañamente completas y sorprendentemente familiares, obligando así al espectador a reflexionar sobre qué es lo que da significado a una fotografía. Su redistribución nos revela cómo los aspectos aparentemente cruciales de una fotografía —un rostro o un cuerpo— ocupan un lugar tanto central como accidental en nuestra capacidad para comprender las obras. Cartagena produjo obras de arte específicamente para esta exposición, dando a los visitantes del Eastman Museum la oportunidad de ver por primera vez las fotografías más nuevas de su más reciente obra. Escucha al artista hablar sobre su obra.

Para su obra más reciente, Alejandro Cartagena busca entre los basureros fotografías desechadas. Luego, con una navaja filosa, extirpa de las fotografías cuerpos, caras y otros detalles, reconfigurando la composición original ya sea, al desplazar los fragmentos recortados o retirarlos por completo. Las fotografías modificadas permanecen extrañamente completas y sorprendentemente familiares, obligando así al espectador a reflexionar sobre qué es lo que da significado a una fotografía. Su redistribución nos revela cómo los aspectos aparentemente cruciales de una fotografía —un rostro o un cuerpo— ocupan un lugar tanto central como accidental en nuestra capacidad para comprender las obras. Cartagena produjo obras de arte específicamente para esta exposición, dando a los visitantes del Eastman Museum la oportunidad de ver por primera vez las fotografías más nuevas de su más reciente obra. Escucha al artista hablar sobre su obra.

Para su obra más reciente, Alejandro Cartagena busca entre los basureros fotografías desechadas. Luego, con una navaja filosa, extirpa de las fotografías cuerpos, caras y otros detalles, reconfigurando la composición original ya sea, al desplazar los fragmentos recortados o retirarlos por completo. Las fotografías modificadas permanecen extrañamente completas y sorprendentemente familiares, obligando así al espectador a reflexionar sobre qué es lo que da significado a una fotografía. Su redistribución nos revela cómo los aspectos aparentemente cruciales de una fotografía —un rostro o un cuerpo— ocupan un lugar tanto central como accidental en nuestra capacidad para comprender las obras. Cartagena produjo obras de arte específicamente para esta exposición, dando a los visitantes del Eastman Museum la oportunidad de ver por primera vez las fotografías más nuevas de su más reciente obra. Escucha al artista hablar sobre su obra.

Para su obra más reciente, Alejandro Cartagena busca entre los basureros fotografías desechadas. Luego, con una navaja filosa, extirpa de las fotografías cuerpos, caras y otros detalles, reconfigurando la composición original ya sea, al desplazar los fragmentos recortados o retirarlos por completo. Las fotografías modificadas permanecen extrañamente completas y sorprendentemente familiares, obligando así al espectador a reflexionar sobre qué es lo que da significado a una fotografía. Su redistribución nos revela cómo los aspectos aparentemente cruciales de una fotografía —un rostro o un cuerpo— ocupan un lugar tanto central como accidental en nuestra capacidad para comprender las obras. Cartagena produjo obras de arte específicamente para esta exposición, dando a los visitantes del Eastman Museum la oportunidad de ver por primera vez las fotografías más nuevas de su más reciente obra. Escucha al artista hablar sobre su obra.

Para su obra más reciente, Alejandro Cartagena busca entre los basureros fotografías desechadas. Luego, con una navaja filosa, extirpa de las fotografías cuerpos, caras y otros detalles, reconfigurando la composición original ya sea, al desplazar los fragmentos recortados o retirarlos por completo. Las fotografías modificadas permanecen extrañamente completas y sorprendentemente familiares, obligando así al espectador a reflexionar sobre qué es lo que da significado a una fotografía. Su redistribución nos revela cómo los aspectos aparentemente cruciales de una fotografía —un rostro o un cuerpo— ocupan un lugar tanto central como accidental en nuestra capacidad para comprender las obras. Cartagena produjo obras de arte específicamente para esta exposición, dando a los visitantes del Eastman Museum la oportunidad de ver por primera vez las fotografías más nuevas de su más reciente obra. Escucha al artista hablar sobre su obra.

Para su obra más reciente, Alejandro Cartagena busca entre los basureros fotografías desechadas. Luego, con una navaja filosa, extirpa de las fotografías cuerpos, caras y otros detalles, reconfigurando la composición original ya sea, al desplazar los fragmentos recortados o retirarlos por completo. Las fotografías modificadas permanecen extrañamente completas y sorprendentemente familiares, obligando así al espectador a reflexionar sobre qué es lo que da significado a una fotografía. Su redistribución nos revela cómo los aspectos aparentemente cruciales de una fotografía —un rostro o un cuerpo— ocupan un lugar tanto central como accidental en nuestra capacidad para comprender las obras. Cartagena produjo obras de arte específicamente para esta exposición, dando a los visitantes del Eastman Museum la oportunidad de ver por primera vez las fotografías más nuevas de su más reciente obra. Escucha al artista hablar sobre su obra.

For his latest work, Alejandro Cartagena sifts through landfills for discarded photographs. Then, with a sharp blade, he excises figures, faces, or other details from the photographs, reconfiguring the original composition by either moving the cut fragments or removing them entirely. The altered photographs remain strangely whole and strikingly familiar, compelling the viewer to consider what gives a photograph meaning. His arrangements reveal that seemingly crucial aspects of an image are both central and incidental to our ability to understand the works. Hear the artist talk about his work.

For his latest work, Alejandro Cartagena sifts through landfills for discarded photographs. Then, with a sharp blade, he excises figures, faces, or other details from the photographs, reconfiguring the original composition by either moving the cut fragments or removing them entirely. The altered photographs remain strangely whole and strikingly familiar, compelling the viewer to consider what gives a photograph meaning. His arrangements reveal that seemingly crucial aspects of an image are both central and incidental to our ability to understand the works. Hear the artist talk about his work.

For his latest work, Alejandro Cartagena sifts through landfills for discarded photographs. Then, with a sharp blade, he excises figures, faces, or other details from the photographs, reconfiguring the original composition by either moving the cut fragments or removing them entirely. The altered photographs remain strangely whole and strikingly familiar, compelling the viewer to consider what gives a photograph meaning. His arrangements reveal that seemingly crucial aspects of an image are both central and incidental to our ability to understand the works. Hear the artist talk about his work.

For his latest work, Alejandro Cartagena sifts through landfills for discarded photographs. Then, with a sharp blade, he excises figures, faces, or other details from the photographs, reconfiguring the original composition by either moving the cut fragments or removing them entirely. The altered photographs remain strangely whole and strikingly familiar, compelling the viewer to consider what gives a photograph meaning. His arrangements reveal that seemingly crucial aspects of an image are both central and incidental to our ability to understand the works. Hear the artist talk about his work.

For his latest work, Alejandro Cartagena sifts through landfills for discarded photographs. Then, with a sharp blade, he excises figures, faces, or other details from the photographs, reconfiguring the original composition by either moving the cut fragments or removing them entirely. The altered photographs remain strangely whole and strikingly familiar, compelling the viewer to consider what gives a photograph meaning. His arrangements reveal that seemingly crucial aspects of an image are both central and incidental to our ability to understand the works. Hear the artist talk about his work.

For his latest work, Alejandro Cartagena sifts through landfills for discarded photographs. Then, with a sharp blade, he excises figures, faces, or other details from the photographs, reconfiguring the original composition by either moving the cut fragments or removing them entirely. The altered photographs remain strangely whole and strikingly familiar, compelling the viewer to consider what gives a photograph meaning. His arrangements reveal that seemingly crucial aspects of an image are both central and incidental to our ability to understand the works. Hear the artist talk about his work.

For his latest work, Alejandro Cartagena sifts through landfills for discarded photographs. Then, with a sharp blade, he excises figures, faces, or other details from the photographs, reconfiguring the original composition by either moving the cut fragments or removing them entirely. The altered photographs remain strangely whole and strikingly familiar, compelling the viewer to consider what gives a photograph meaning. His arrangements reveal that seemingly crucial aspects of an image are both central and incidental to our ability to understand the works. Hear the artist talk about his work.

For his latest work, Alejandro Cartagena sifts through landfills for discarded photographs. Then, with a sharp blade, he excises figures, faces, or other details from the photographs, reconfiguring the original composition by either moving the cut fragments or removing them entirely. The altered photographs remain strangely whole and strikingly familiar, compelling the viewer to consider what gives a photograph meaning. His arrangements reveal that seemingly crucial aspects of an image are both central and incidental to our ability to understand the works. Hear the artist talk about his work.

For his latest work, Alejandro Cartagena sifts through landfills for discarded photographs. Then, with a sharp blade, he excises figures, faces, or other details from the photographs, reconfiguring the original composition by either moving the cut fragments or removing them entirely. The altered photographs remain strangely whole and strikingly familiar, compelling the viewer to consider what gives a photograph meaning. His arrangements reveal that seemingly crucial aspects of an image are both central and incidental to our ability to understand the works. Hear the artist talk about his work.

For his latest work, Alejandro Cartagena sifts through landfills for discarded photographs. Then, with a sharp blade, he excises figures, faces, or other details from the photographs, reconfiguring the original composition by either moving the cut fragments or removing them entirely. The altered photographs remain strangely whole and strikingly familiar, compelling the viewer to consider what gives a photograph meaning. His arrangements reveal that seemingly crucial aspects of an image are both central and incidental to our ability to understand the works. Hear the artist talk about his work.

For his latest work, Alejandro Cartagena sifts through landfills for discarded photographs. Then, with a sharp blade, he excises figures, faces, or other details from the photographs, reconfiguring the original composition by either moving the cut fragments or removing them entirely. The altered photographs remain strangely whole and strikingly familiar, compelling the viewer to consider what gives a photograph meaning. His arrangements reveal that seemingly crucial aspects of an image are both central and incidental to our ability to understand the works. Hear the artist talk about his work.