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This episode of the Social Change Career Podcast features a thoughtful and practical conversation between Craig Zelizer and Brad Smith, founder of Rootstock Philanthropy and the Philanthropy Network. Brad's entry into fundraising was unplanned—driven by financial necessity—but evolved into a decades-long career advising institutions like MIT, the Portland Museum of Art, Suffolk University, and the Partnership on AI. In this episode, Brad shares hard-earned lessons on how to build a meaningful and sustainable career in philanthropy, even amid burnout, changing donor landscapes, and rising ethical questions. What the episode covers: • How to enter the fundraising world without prior experience • Why early-career professionals should prioritize mentorship and learning environments • Behind-the-scenes lessons from major campaigns at institutions like MIT • How to assess nonprofit culture and avoid burnout • Building authentic donor relationships grounded in ethics and gratitude • Clarifying the roles of fundraising, development, and advancement • The limits of philanthropy without systemic public policy change • How AI and tech are shaping (and challenging) the future of fundraising Resources and links mentioned in the episode: • Rootstock Philanthropy – Brad's consultancy focused on campaign strategy, coaching, and organizational growth https://www.rootstockphilanthropy.org • The Philanthropy Network (LinkedIn Group) – A free global community of over 120,000 nonprofit and fundraising professionals https://www.linkedin.com/groups/13605390/ • The Soul of Money by Lynne Twist – A foundational book on aligning money with purpose and humanity https://soulofmoney.org/books/ • Wealth in Families by Charles Collier – A guide to values-based family giving and stewardship https://www.charlescollier.info/book • Winners Take All by Anand Giridharadas – A critique of how elite philanthropy often perpetuates inequality https://us.macmillan.com/books/9781101972670/winnerstakeall • Trust-Based Philanthropy Project – A resource hub for funders and nonprofits advancing equity and transparency https://www.trustbasedphilanthropy.org/ • AFP Global (Association of Fundraising Professionals) – The professional home for fundraisers, offering certifications, trainings, and ethical standards https://afpglobal.org/ • Philanthropy.Network – Brad's digital platform offering curated content and updates for fundraising leaders https://philanthropy.network • Philanthropy Network Academy – Online learning and cohort-based development for fundraisers and nonprofit professionals https://www.philanthropy.network/academy About Brad Smith Brad is the founder of Rootstock Philanthropy, a global fundraising and strategy consultancy working with mission-driven organizations. He also leads the Philanthropy Network, a 120,000+ member learning community. His clients include MIT, World Horse Welfare, the Portland Museum of Art, and the Partnership on AI. Whether you're new to fundraising, considering a career shift, or leading within a nonprofit—this episode delivers candid insights and practical tools for building a career with purpose. PCDN Resources Subscribe to the PCDN Career Digest Curated global jobs, funding, and resources for social impact careers https://pcdn.global/subscribe Listen to More Episodes Conversations with over 180 changemakers in 30+ countries https://pcdn.global/listen Subscribe to the AI for Impact Newsletter Tools, jobs, and insights at the intersection of AI and social good https://impactai.beehiiv.com
Today, it is my pleasure to speak with Anne Rappa & Alex Glauber. Anne is the fine art practice leader for Marsh McLennan. She provides risk management advice and assists clients by negotiating risk and insurance solutions related to fine art collections and transactions. Anne has 30 years' experience representing the interests of both individual and institutional collectors, institutions, art dealers, auction houses, art logistics companies and other fine art focused businesses. Anne, and her firm Marsh McLennan, are a valued Advisor member of the FOX community, and we are grateful to have their expertise and thought leadership in our membership community. Alex is an art advisor, curator, and educator based in New York. He is the founder and principal of AWG Art Advisory, where he works with private individuals, corporations, and institutions in the conceptualization, building, and management of fine art collections. Prior to founding AWG Art Advisory in 2009, Alex served as an assistant curator for the Lehman Brothers and Neuberger Berman art collections from 2006 to 2009. He has curated monographic and thematic group exhibitions at venues as varied as the Portland Museum of Art in Maine, Phillips auction house, and Bryant Park, New York, as well as at galleries such as Lisson Gallery, Andrew Kreps Gallery, Chapter NY, Dickinson, David Lewis Gallery, and Casey Kaplan. Art is an increasingly popular investment asset among enterprise families and family offices – both as a passion investment and an alternative asset in their diversified portfolios. Anne and Alex talk about what is going on today in the world of art investing and highlight the latest trends that have been shaping the space over the recent years. They also explain how art is different from other investment assets, describing the unique attributes and market structures that set art apart from other investments and even from other alternative assets. One practical piece of advice Anne and Alex have for our listeners is to consider and understand the role of a professional art advisor. They describe the role of the art advisor and share their views on why families and family offices should be working with one and what value they can extract from such a relationship. With the unique attributes and value of art come also some unique risks. Anne and Alex shed some light on the major risks art investors should be aware of and how family offices and their clients can manage and protect themselves against those risks. Don't miss this deeply instructional conversation with two of the leading experts and advisors in the world of art investing.
Alan Bray was born in Waterville, Maine, and grew up in Monson, a small slate-quarrying town set in the northern reaches of the Appalachians. Bray attended the Art Institute of Boston before graduating from the University of Southern Maine; he received his MFA in painting from the Villa Schifanoia in Florence, Italy. It was during this formative time in Florence that he was exposed to casein tempera on panel. Bray's work has been the subject of no less than 25 solo exhibitions and is included in the public collections of the Portland Museum of Art, ME; DeCordova Museum and Sculpture Park, MA; the Farnsworth Museum of Art, ME; Arnot Art Museum, Elmira, NY; Zillman Art Museum, ME; Leigh Yawkey Woodson Art Museum, WI; Lyman Allyn Museum of Arts, New London, CT; Maine Savings Bank Collection, Memphis Cancer Center, Kohlberg, Kravis, Roberts, Menlo Park, CA; among others. The artist lives and works in Sangerville, Maine. As both a naturalist and a painter, Bray is drawn to what often goes unnoticed. “I paint what is right around me,” he says. “Occasionally it's a big subject, but more often it's a bird's nest or a farm pond.” Like the subtle geometry of his compositions, Bray's preference for modest, unassuming subjects—backwater meanders over mountaintop vistas—is deliberate and quietly profound. He has become an expert observer of bogs and shorelines, rock slides and fallow fields, daybreaks and dusks, the shifting edges of seasons. In the overlooked landscapes of his native Maine, Bray uncovers a deep sense of spirituality that gives his work its quiet power—transformative in its presence, not merely descriptive. Bray paints in casein, a milk-based tempera that has virtually no drying time. Necessarily, his paintings are technically complex because they consist of thousands of tiny brush strokes, built up in layers, out of which the images – the vision – advance from the foundation of a mirror-smooth, absolute void of white ground. It is a method of painting that follows directly from his method of exploring his subjects. Alan Bray, Neighbors, 2025 Casein on panel, 11 x 14 in. Alan Bray A Whisper Breaks the Silence, 2024 Casein on panel, 15 x 20 in. Alan Bray Refuge, 2024 Casein on panel, 16 x 20 in
I am so excited to say that my guest on the GWA Podcast is the brilliant New York based painter, Katherine Bradford. Hailed for her luminous paintings of swimming pools and cosmic skies, ballet dancers and bicycle riders, Bradford takes us to imaginary worlds full of freedom, togetherness and wonder. Not usually specifying the figures in her work, instead she offers us a universal depiction of humanity – that any of us can apply ourselves or relate to – playing with scale and perspective, and getting us to think hard about our place on this earth. Born in 1942, and raised in Connecticut, Bradford didn't always start off as an artist. A woman of stifling 1960s America, she was married with twins in her 20s, but aged 37, swapped this life, bringing her kids along, to become an artist in New York City, and never looked back. Making her way by teaching from the 1980s to the 2010s, becoming the senior critic on the faculty of Yale School of Art and being awarded Pollock Krasner grants and Guggenheim Fellowships, Bradford – although painting for decades – has received major recognition in the past decade, such as her recent survey show at the Portland Museum of Art. And thank goodness she carried on painting, because especially at a time like this, of despair and uncertainty, we can look to Bradford's paintings for hope, visualisations of freedom that prioritise inclusiveness and community – as she has said: “It's important to me to make upbeat paintings. If anything, I'm making paintings about enchantment.” Looking at Bradford's painting is like being transported into another world, whether it be outer space or in cosmic waters, it's like they are lit with a glow akin to a blanket of stars. There is nothing artificial about them: they are spellbinding, and her canvases become a springboard for the most magical scenes, an “intentional place for imagination” as she says “as they convey a personal universe of my own making, populated with characters who explore who we are, how we fit together visually, and how we all stand next to each other.” -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield
Robert Monroe graduated with a B.A. in Theater Arts from the State University of New York/Oswego. For twelve years, he worked as a New York casting director and talent executive. His credits include projects with the Walt Disney Company, the John Houseman Theater, the Annual MDA Telethon, and the now-defunct United Paramount Network. At the beginning of the millennium, he moved to Portland, Maine, to pursue a career as a photographer. His exhibitions include the Biennial at the Portland Museum of Art, Photographing Maine: Ten Years Later at the Center for Maine Contemporary Art, and Return to Peyton Place: Photographs by Robert Monroe at the Mohawk Valley Center for the Arts. He is a founding member of the Bakery Photographic Collective.
Robert Monroe worked for more than a decade as a New York casting director and talent executive. His credits include projects with the Walt Disney Company, the John Houseman Theater, the Annual MDA Telethon, and the United Paramount Network. Robert won a Clio Award for casting the Best Performance for Children for a Dole Pre-Cut Vegetables commercial.Robert eventually moved to Portland, Maine to pursue a career as a photographer. Exhibitions of his work include the Biennial at the Portland Museum of Art, Photographing Maine: Ten Years Later at the Center for Maine Contemporary Art, and Return to Peyton Place: Photographs by Robert Monroe at the Mohawk Valley Center for the Arts. And he's a founding member of the Bakery Photographic Collective. Recently, Robert published his debut novel, Bungalow Terrace. I've read Bungalow Terrace and can tell you it's a beautifully written tale about four boys growing up to become a powerhouse rock ‘n roll group who endure all the breathtaking highs of success and harrowing challenges of the sex, drugs, and rock and roll fueled 50's, 60's, 70's and beyond. Bungalow Terrace reads like an insider's account of the lives of The Beatles, The Four Seasons, and The Beach Boys all rolled into one. I thoroughly enjoyed reading this book and highly recommend it to you.
In this episode, artists Meghann Riepenhoff and Penelope Umbrico chat with MoCP curator, Kristin Taylor. The two artists discuss their backgrounds and shared interests in experimenting and pushing the indexical qualities of photography, as well as the work of Alison Rossiter and Joanne Leonard.Meghann Riepenhoff is most well-known for her largescale cyanotype prints that she creates by collaborating with ocean waves, rain, ice, snow, and coastal shores. She places sheets of light-sensitized paper in these water elements, allowing nature to act as the composer of what we eventually see on the paper. As the wind driven waves crash or the ice melts, dripping across the surface of the coated paper, bits of earth sediment like sand and gravel also become inscribed on the surface. The sun is the final collaborator, with its UV rays developing the prints and reacting with the light sensitizing chemical on the paper to draw out the Prussian blue color. These camera-less works harness the light capturing properties of photographic processes, to translate, in her words, “the landscape, the sublime, time, and impermanence.” Rieppenhoff's work has been featured in exhibitions at the High Museum of Art, the Museum of Fine Arts Boston, the Denver Art Museum, the Portland Museum of Art, Crystal Bridges Museum of Art, among many others. Her work is held in the collections of the High Museum of Art, the Museum of Fine Arts Houston, Harvard Art Museum, Amon Carter Museum of American Art, and the San Francisco Museum of Modern Art. She has published two monographs: Littoral Drift + Ecotone and Ice with Radius Books and Yossi Milo Gallery. She was an artist in residence at the Banff Centre for the Arts and the John Michael Kohler Center for the Arts, was an Affiliate at the Headlands Center for the Arts, and was a 2018 Guggenheim Fellow.Penelope Umbrico examines the sheer volume and ubiquity of images in contemporary culture. She uses various forms of found imagery—from online picture sharing websites to photographs in books and mail order catalogs—and appropriates the pictures to construct large-scale installations. She states: "I take the sheer quantity of images online as a collective archive that represents us—a constantly changing auto-portrait." In the MoCP permanent collection is a piece titled 8,146,774 Suns From Flickr (Partial) 9/10/10. It is an assemblage of numerous pictures that she found on the then widely used image-sharing website, Flickr, by searching for one of its most popular search terms: sunset. She then cropped the found files and created her own 4x6 inch prints on a Kodak Easy Share printer. She clusters the prints into an enormous array to underscore the universal human attraction to capture the sun's essence. The title references the number of results she received from the search on the day she made the work: the first version of the piece created in 2007 produced 2,303,057 images while this version from only three years later in 2010 produced 8,146,774 images. Umbrico's work has been featured in exhibitions around the world, including MoMA PS1, NY; Museum of Modern Art, NY; MassMoCA, MA; San Francisco Museum of Modern Art, CA; Milwaukee Art Museum, WI; The Photographers' Gallery, London; Daegu Photography Biennale, Korea; Gallery of Modern Art, Brisbane Australia; among many others, and is represented in museum collections around the world. She has received numerous awards, including a Guggenheim Fellowship; Sharpe-Walentas Studio Grant; Smithsonian Artist Research Fellowship; New York Foundation of the Arts Fellowship; Anonymous Was a Woman Award. Her monographs have been published by Aperture NYC and RVB Books Paris. She is joining us today from her studio in Brooklyn, NY.
In this episode of The Boulos Beat, host Greg Boulos speaks with Bob Gould, a retired partner of Brown Brothers Harriman, about his extensive leadership roles in both commercial and nonprofit sectors. Bob currently holds positions as Principal at Spinnaker Trust, Trustee and Investment Committee Chair of the Pinkerton Foundation, and Co-Chair of the Board of Squash Haven. The two discuss Bob's family's history in Maine, his involvement in the Black Point Inn acquisition, and his role in the Portland Museum of Art's Winslow Homer Studio purchase. Bob also shares insights on the growth of the Pinkerton Foundation, the importance of mentorship, and his views on Portland's development and the future of Spinnaker Trust.
For this special episode of The Art Career we travel behind the scenes of SPRING/BREAK Art Show to speak with co-directors Ambre Kelly, Andrew Gori, in addition to chatting with artists, Dani Klebes about her installation this year. SPRING/BREAK Art Show is an internationally recognized exhibition platform using underused, atypical, and historic New York City exhibition spaces to activate and challenge the traditional cultural landscape of the art market, typically but not exclusively during Armory Arts Week New York and Frieze Week LA. The 12th Edition of SPRING/BREAK Art Show New York City will be held from September 6th - 11th, 2023, with details on their 5th LA Exhibition to come. Founded by Andrew Gori and Ambre Kelly in 2009, The They Co. creative supergroup has organized, curated, facilitated and produced events with the New Museum, Brooklyn College, Art Hamptons, Flux Factory, Collective Show, Nuit Blanche New York, Silvershed, The Metric System, The Underground Library, Gowanus Studio Space, and numerous other community-based arts organizations. In May of 2011 and 2013, the group organized the SCHOOL NITE exhibition event for the New Museum's Festival of Ideas for the New City, and in September 2011 intercepted the city's San Gennaro Festival with a 90-foot sculptural interpretation of the Roman oculus, created by SOFTlab. Under the gender-melding moniker BOYFRIENDGIRLFRIEND, Gori and Kelly have collaborated on several formal projects, most recently their ongoing SIGHTSEERS photographic series since 2016. In 2017, SPRING/BREAK launched it's biannual IMMERSIVE program, with large-scale sculptural installations at a mall for the BKYLN IMMERSIVE in May 2017, followed by TIMES SQUARE IMMERSIVE, a Times Square Plaza takeover with monumental sculptures created onsite in each public plaza of Times Square in March 2019, and UPSTATE IMMERSIVE in 2021 with ten unique sculptures to create a sculpture garden in Poughkeepsie, NY during Upstate Arts Weekend. And another OLD SCHOOL IMMERSIVE Secret Show during Frieze Week. Gori and Kelly have new projects forming in the film and tv landscape and in the published written word in 2024 with collaborations upcoming with The Portland Museum of Art & more. Danielle Klebes lives and works at Wassaic Project in Wassaic, NY. Danielle has exhibited in notable galleries and museums throughout the United States, Europe, and Canada. These include Keeping Company (2023), a solo show at NARS Foundation in Brooklyn, NY, Midnight Adventure Club (2022), a solo show at AVA Gallery in Lebanon, NH, House Fire House Party (2020), a solo show at Installation Space in North Adams, MA, Aimless Pilgrimage (2020), a solo show at L'Atelier Silex Gallery in Trois- Rivières, Quebec, Canada, Fifty (2022), a group show at MoCA Jacksonville, Jacksonville, FL, Summer (2022), a group show at Galleri Christoffer Egelund in Copenhagen, Denmark, Portraiture Today (2021), a group show at the Springfield Museums, Springfield, MA, and Confluence of Tongues (2021), a group show at Grove Collective in London, UK. Danielle's work has appeared on the cover of many publications including Cream City Review, Artscope Magazine, Studio Visit Magazine, Gertrude Press, and Prairie Schooner. Danielle received her MFA in Visual Arts from Lesley University College of Art and Design in Cambridge, MA, in 2017.
Episode No. 663 features artist Jeremy Frey and curator Sarah Humphreville. The Portland Museum of Art is presenting "Jeremy Frey: Woven," a twenty-year survey of Frey's basketry and printmaking. The exhibition features more than fifty baskets made from natural materials such as black ash and sweetgrass, as well as prints and video. The exhibition is in Maine through September 15, when it will travel to the Art Institute of Chicago. It was curated by Ramey Mize and Jaime DeSimone. The excellent catalogue was published by Rizzoli Electa in association with the PMA. Amazon and Bookshop offer it for $35-46. In 2011, Frey became the first basket-maker to win Best of Show at the Santa Fe Indian Market, in 2011, a feat he repeated in 2014. His work has been included in exhibitions at institutions such as The Renwick Gallery of the Smithsonian American Art Museum, Washington, and the deCordova Sculpture Park and Museum, Lincoln, Mass. Frey, a seventh-generation Passamaquoddy basket-maker, makes his baskets from ash trees, which are threatened by an invasive species called the emerald ash borer. The exhibition also presents this threat to Wabanaki cultural traditions and northeastern forests. Humphreville is the curator of "Eastman Johnson and Maine," at the Colby Museum of Art at Colby College. The show celebrates the bicentennial of Johnson's birth with a presentation of works Johnson made in Maine, his home state. It is accompanied by a gallery of works made by Johnson's peers. "Johnson and Maine" is on view through December 8. Instagram: Jeremy Frey, Sarah Humphreville, Tyler Green.
Gail Spaien lives in South Portland, Maine. She earned her B.F.A. from the University of Southern Maine and her M.F.A. from the San Francisco Art Institute. Spaien has received numerous fellowships including the Ucross Foundation; Varda Artist Residency Program; Millay Colony for the Arts; the Djerassi Foundation Resident Artists Program; and the Skowhegan School of Painting and Sculpture. Over four decades, Spaien's work has been exhibited nationwide and abroad, including Taymour Grahne Projects (London); Vardan Gallery (Los Angeles, CA); the DeCordova Sculpture Park and Museum (Lincoln, MA); Provincetown Art Association and Museum (Provincetown, MA); Crocker Art Museum (Sacramento, CA); the Portland Museum of Art (Portland, ME); Ogunquit Museum of American Art (Ogunquit, ME); and Colby College Museum of Art (Waterville, Maine). After thirty years as faculty at the Maine College of Art and Design she is now full-time in the studio. Turquoise Window, 2024, acrylic on linen, 48 x 45 inches Pearl with Boots and Pheasants, 2024, acrylic on linen, 34 x 36 inches The Season Called Locking, 2024, acrylic on linen, 48 x 48 inches
Melody is here to let you know what you should be reading, attending or listening to! Jesse will then introduce you to next week's guest, Mélissa Baril. Mélissa is the coordinator for Nous Detroit. We've talked about the Nous Foundation before, so we're excited to talk to Mélissa about the expansion and another journey to the Detroit area. Nous Foundation Website - https://www.nous-foundation.org/ Nous Foundation Instagram - https://www.instagram.com/nousfoundation Nous Foundation Twitter - https://twitter.com/nousfoundation Le Caribou à lunettes - https://cariboualunettes.com/ News Links - Franco Center in Lewiston, ME, threatened by closure: https://www.sunjournal.com/2024/06/03/franco-center-warns-that-without-more-money-it-might-close/ Franco Center donations – envelope challenge: https://envelopechallenge.org/francocenter/ Franco Center donations: https://francocenter.org/donate/ Capturing history at the Franco Center's new escape room: https://www.sunjournal.com/2024/06/02/capturing-history-at-the-franco-centers-new-escape-room Maine Franco-American Catholics and church history: https://francoamerican.bdnblogs.com/2024/05/31/franco-american-news-and-culture/maine-franco-american-catholics-and-church-history/ Events: June 13th, 4pm: Visit the Portland Museum of Arts in French with a bilingual tour with Alliance Francaise of Portland, Maine. Free for Alliance Francaise du Portland members. More info: afdume@gmail.com. June 22, 3pm - 7pm: Leominster French-Canadian Festival: https://fb.me/e/59AG4vcTL You can support Melody on Patreon - https://patreon.com/modernefrancos or Substack - https://modernefrancos.substack.com/
Trudy Benson Trudy Benson received her Master of Fine Arts from the Pratt Institute in 2010 and her Bachelor of Fine Arts from Virginia Commonwealth University in 2007. She has been the subject of recent solo exhibitions at Galerie Krinzinger, Vienna, Austria; Weber Fine Art, Greenwich, CT; SUNNY, New York; Massif Central, Brussels, Belgium; Miles McEnery Gallery, New York; and Ceysson & Bénétière, Saint-Étienne, France. Her work has been included in recent group exhibitions at Krinzinger Schottenfeld, Vienna, Austria; Eric Firestone Gallery, East Hampton, NY; m.simons, Amsterdam; Mother Gallery, Beacon, NY; Miles McEnery Gallery, New York; and Gaa Projects, Cologne, Germany. Benson's work may be found in the collections of the Aïshti Foundation, Beirut, Lebanon; Beth Rudin DeWoody Collection, New York; Hudson Valley MOCA, Peekskill, NY; Portland Museum of Art, ME; Saatchi Gallery, London; Schwartz Art Collection, Harvard Business School, Cambridge, MA; and the Susan and Michael Hort Collection, New York. The artist lives and works in Newburgh, NY. In a departure from her first exhibition with Miles McEnery Gallery in October 2021, Benson's compositions have turned to emphasize fine line work made with an airbrush. From afar, warped planes buzz with motion; when the viewer steps closer, densely-scribbled marks are revealed as the source rather than solid blocks of color. The paintings are rendered in color combinations from monochromatic palettes to power clashing hues, creating harmony in the unexpected. Trudy Benson, A Cross Across, 2023 Acrylic and oil on canvas 34 x 40 inches 86.4 x 101.6 cm Trudy Benson, Radiant Sky, 2023, Acrylic and oil on canvas, 60 1/4 x 80 inches, 152.4 x 203.2 cm Trudy Benson, Tests Her Limits, 2022, Acrylic and oil on canvas, 61 x 77 inches, 154.9 x 195.6 cm
Alex Katz talks to Ben Luke about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work. Katz, born in Brooklyn in 1927, is one of the most distinctive and influential painters of recent decades. Since he began making art in the 1940s, he has aimed to paint what he has called “the now”: to distil fleeting visual experiences into timeless art. It might be a spark of interaction between friends or family, the play of light across water, a field of grass or between the leaves of a tree, the movements of dancers, the electric illumination of an office building at night, or—more than anything else—stolen glances, everyday gestures and intimate exchanges with his wife Ada, who he has painted more than 1,000 times since they married in 1958. From the start, Katz has aimed to match what he calls the “muscularity” of the Abstract Expressionist artists that were dominant in New York when he emerged onto the art scene there in the 1950s, while never giving up on observed reality. He has said “the optical element is the most important thing to me”. He discusses the early influence of Paul Cezanne, the enduring power of his forebears, from Giotto to Rubens and Willem de Kooning, and his admiration for artists as diverse as Utamaro, Martha Diamond and Chantal Joffe. He reflects on the “emotional extension” of the poet Frank O'Hara and his interest in jazz maestros like Pres and Charlie Parker. Plus, he answers our usual questions, including the ultimate: what is art for?Alex Katz: Claire, Grass and Water, Fondazione Giorgio Cini, Venice, Italy, 17 April-29 September; Alex Katz: Wedding Dresses, Portland Museum of Art, Portland, Maine, US, until 2 June; Alex Katz: Collaborations with Poets, The Butler Institute of American Art, Youngstown, Ohio, 15 September-15 November. Hosted on Acast. See acast.com/privacy for more information.
Welcome to the Make Maine Your Home Team's YouTube channel! If you're looking for Must do Christmas activities in Portland Maine, you're in the right place. Join us as we explore the best ways to celebrate the season in this beautiful city.
Robert Del Bonta will share how Shiva's Many Dances and the celebrated ‘Nataraja' pose is a culmination of how the ultimate depiction of Shiva's essence evolves over time in a dynamic conception among the Hindu trinity of gods (the Trimürti). Del Bonta creates an engaging aspect of one of the Hindu trinity gods, reflecting on how the iconic image of Shiva Nataraja the "Lord of Dance" illustrates a creative and destructive power over eons of time. Shiva's nature as both male and female is also a constant theme. Shiva manifests many other forms suggestive of power and mythological stories of dance or in prayers. It's but a tiny introduction to a major dance visualization heritage. Teacher and curator Dr. Robert Del Bonta's work has been presented in exhibition venues such as San Francisco's Asian Art Museum, Berkeley Art Museum, University of Michigan Museum of Art, Mills College, Notre Dame de Namur University, Art Passages in San Francisco and New York City, Portland Museum of Art and the New Orleans Museum of Art. He has lectured widely at museums and institutions in the United States, and published numerous articles and exhibition catalogue contributions on South Asian art with thematic focus largely on Indian art of the Jainas. MLF ORGANIZER Anne W. Smith and George Hammond Learn more about your ad choices. Visit megaphone.fm/adchoices
Portland Press Herald Food and Books Editor Peggy Grodinsky sat down with Chelsea Conaboy to chat about her newest book, that draws on the latest neuroscience and social psychology and weaves it together with new reporting to tell a powerful new narrative of parenthood. Conaboy talks about the myth of maternal instinct, how parenthood changes the brain for the long haul, and what it all means for our social policies, our understanding of caregiving broadly and our sense of ourselves during a live "Maine Voices Live" at the Portland Museum of Art. Chelsea Conaboy is a health and science journalist. She was part of the Boston Globe's Pulitzer Prize–winning team for coverage of the Boston Marathon bombing, and she was features editor at the Portland Press Herald/Maine Sunday Telegram for three years. Her work has been published by The New York Times, The Guardian, Mother Jones, Politico, the Boston Globe Magazine, WBUR, The Philadelphia Inquirer and others. Her first book, Mother Brain: How Neuroscience Is Rewriting the Story of Parenthood, has been called “a game-changer” and is set to be published in 20 countries.
In this episode of Reshaping Culture, I am thrilled to be joined by Marcia Minter, the co-founder, and director of Indigo Arts Alliance, a remarkable non-profit organization located in Portland. Together with her husband, artist Daniel Minter, they established Indigo Arts Alliance to provide a platform for artists of color to connect, create, and exhibit their work. Prior to starting Indigo, Marcia held the position of VP of Creative Director at LL Bean for 16 years. She also serves as a Trustee of the Portland Museum of Art and Haystack Mountain School of Crafts, and is a respected member of the Maine Arts Commission. During this episode, Marcia delves into what it took to plan last summer's 2022 ReUnion Retreat at Haystack Artists Residency and then gives us a sneak peek into Indigo's big plans for this Spring and Summer season.Find more on Curious Story Lab:Website: Curiousstorylab.comTwitter: @curiousstorylabInstagram: @curiousstorylabEmail me: curiousstory21@gmail.comCredits:Creator & Host: Michele Y. WashingtonProducer: Alicia Ajayi @aliciaoajayiEditor: Angelina BrunoSound Engineer + Music: Roifield BrownFollow us on Spotify or Apple Podcast, or wherever you listen to your favorite podcastYou can check out Indigo Arts Alliance on Facebook, Instagram, Youtube, or Twitter. For more information on upcoming events, visit: Indigo Arts AllianceDavid C Driskoll FellowshipPrem Krishnamurthy:On LettersDept of TransformationSymposium information:How Can We Gather Now? Organized byWashington Projects for ArtsAsad Raza
LEVER Architecture principal, Chandra Robinson, joins the podcast to discuss the firm's expansion of the Portland Museum of Art in Maine, the role research plays in their practice, and how LEVER became the industry's leader in mass-timber design. CLAIM CEU CREDITS HERE!
Sculptor Benjamin Pochurek is highly attuned to the world in which he lives, and is unafraid to explore complex issues that deeply impact humanity. His poignant works articulate contrasting messages of vulnerability and pain; strength and hope. In 2022, Maine's Portland Museum of Art introduced the “Tidal Shift Award,” to recognize young artists whose creations reflect innovation and sustainability, while focusing on solutions for climate change. Benjamin was one of only three award recipients in the 14-18 age group. A junior at Portland's Waynflete School and resident of Freeport, Benjamin has been inspired by local artists Matt and Philip Barter, and recently joined them as a represented artist at the Portland Art Gallery. Join our conversation with Benjamin Pochurek today on Radio Maine. Every week, Dr. Lisa Belisle brings you an interview with a member of Maine's community, including artists, designers, and more. Subscribe to Radio Maine on YouTube, so you never miss an episode.
https://tallenlawson.com T. Allen Lawson is drawn to the quieter side of life. Over time he has developed a discipline of patiently observing and studying the often unnoticed rhythms and subtleties of his surroundings. In his paintings he strives to build layers and textures with pigment to create the abstraction and nuanced depth he feels in nature and the world around him. Tim studied drawing and portraiture at the American Academy of Art in Chicago. He furthered his formal studies attending the Lyme Academy College of Fine Arts in Old Lyme, Connecticut. A lifelong student, his dedication to and love of his profession is always evolving as his interests and influences continue to challenge him. T. Allen Lawson has won numerous awards which include: Founder's Prize, Lyme Academy College of Fine Arts; Golden Thunderbird Award, Maynard Dixon Country; Red Smith Memorial Award (twice), National Museum of Wildlife Art. At the Buffalo Bill Center of the West, he has won the Spirit of the West Award, the William Weiss Purchase Award, and the Juror's Choice Award. At the National Cowboy & Western Heritage Museum, he has won the Prix de West Purchase Award, the Robert Lougheed Memorial Artists' Choice Award (twice), the Directors' Choice for Outstanding Landscape and the Donald Teague Memorial Award. He was chosen by the President and First Lady to create the painting for the official White House Christmas card in 2008. His work is shown in public collections including the Smithsonian Institution, Denver Art Museum, Yale University Art Gallery, Portland Museum of Art, Farnsworth Art Museum, Brinton Museum, National Cowboy & Western Heritage Museum, Buffalo Bill Center of the West, Forbes Magazine Collection, Tia Collection, Wells Fargo.
https://tallenlawson.com T. Allen Lawson is drawn to the quieter side of life. Over time he has developed a discipline of patiently observing and studying the often unnoticed rhythms and subtleties of his surroundings. In his paintings he strives to build layers and textures with pigment to create the abstraction and nuanced depth he feels in nature and the world around him. Tim studied drawing and portraiture at the American Academy of Art in Chicago. He furthered his formal studies attending the Lyme Academy College of Fine Arts in Old Lyme, Connecticut. A lifelong student, his dedication to and love of his profession is always evolving as his interests and influences continue to challenge him. T. Allen Lawson has won numerous awards which include: Founder's Prize, Lyme Academy College of Fine Arts; Golden Thunderbird Award, Maynard Dixon Country; Red Smith Memorial Award (twice), National Museum of Wildlife Art. At the Buffalo Bill Center of the West, he has won the Spirit of the West Award, the William Weiss Purchase Award, and the Juror's Choice Award. At the National Cowboy & Western Heritage Museum, he has won the Prix de West Purchase Award, the Robert Lougheed Memorial Artists' Choice Award (twice), the Directors' Choice for Outstanding Landscape and the Donald Teague Memorial Award. He was chosen by the President and First Lady to create the painting for the official White House Christmas card in 2008. His work is shown in public collections including the Smithsonian Institution, Denver Art Museum, Yale University Art Gallery, Portland Museum of Art, Farnsworth Art Museum, Brinton Museum, National Cowboy & Western Heritage Museum, Buffalo Bill Center of the West, Forbes Magazine Collection, Tia Collection, Wells Fargo.
Julia Einstein's art is all about the details. She seeks “gestures” in her subjects - most often flowers from her garden, or the farm where she is currently an artist in residence - and takes great care to arrange and paint them at precisely the right time of day. Previously a resident of Kennebunk, Maine, Julia made use of her extensive art history background when she worked as an educator at the Portland Museum of Art. Now a resident of Raleigh, North Carolina, where she moved to be near her family, Julia maintains her connection to the Pine Tree State through her affiliation with the Portland Art Gallery. Join our conversation with Julia Einstein on this episode of Radio Maine.
Ep.111 features Darryl Westly. He received his BFA from the Cooper Union in 2014. Upon graduation Westly began an apprenticeship at the Jeff Koons studio, concluding in 2016 whereupon he participated in the Beirut Art Residency Program in Beirut, Lebanon. Solo presentations include A Dream Deferred at 1969 Gallery, Interior/Exterior at ParisTexasLA Gallery, LA. Group exhibitions include Everyday is Sunday at UTA Artists Space, Beverly Hills CA, Animal Kingdom at Alexander Berggruen Gallery, New York NY, Vanquishing Ocular curated by David Salle and Nicole Wittenberg ,Rental Gallery, East Hampton & Ways To Die by The Bruce High Quality Foundation. Collections include the Rema Hort Foundation, The Portland Museum of Art, The Fidelity Collection, among many others. Westly lives and works in New York, New York. Artist https://www.darrylwestly.com/ Kavi Gupta Kavi Gupta https://kavigupta.com/exhibitions/364-forthcoming-skin-masks-decolonizing-art-beyond-the-kavi-gupta-elizabeth-street/ Introspective Magazine https://www.1stdibs.com/introspective-magazine/black-artist-fund/ Creative Boom https://www.creativeboom.com/inspiration/darryl-westly/ Collater.al Darryl https://www.collater.al/en/darryl-westly-a-dream-deferred-painting Authority Magazine https://medium.com/authority-magazine/darryl-westly-5-things-i-wish-someone-told-me-when-i-first-became-an-artist-b93c858dd9a8 Medium https://medium.com/@kenyondunscomb/darryl-westly-paints-the-disorienting-experience-of-current-events-f592542b 1734 Booooooom https://www.booooooom.com/2021/12/16/artist-spotlight-darryl-westly/ Off-Kilter https://offkilter.co/contemporaryart/darryl-westly The BrooklynRail https://brooklynrail.org/2020/11/artseen/Interiors-hello-from-the-living-room White Hot Magazine https://whitehotmagazine.com/articles/interiors-at-1969-gallery/4779 The Brooklyn Circus https://thebkcircus.com/culture/digital-impressionism Office Magazine http://officemagazine.net/7x Q With Tom Power https://www.cbc.ca/radio/q/friday-june-5-2020-darryl-westly-brandy-and-more-1.5599743 Artnet https://news.artnet.com/art-world/artists-protests-george-floyd-testimonials-1876254 Whitewall https://whitewall.art/art/darryl-westly-painting-a-representational-abstract-world Interview Magazine https://www.interviewmagazine.com/culture/darryl-westly-vic-mensa-chicago-interior-exterior-paristexasla
In this week's episode we are going to talk about Famous Architecture in Maine. From modern museums to historic houses Maine has a rich history of beautiful architecture. First on our list is the Portland Museum of Art.The public face of the Museum is the Charles Shipman Payson designed by Harry Cobb of Pei Cobb Freed Architects. The museum however is three vastly different and architecturally significant buildings that showcase architecture in Maine through the years. Next on our list is the Victoria Mansion. This much loved Portland landmark has amazing seasonal activities and tours of the beautiful architecture. If you are in Kennebunk check out the Wedding Cake House. This house that looks very much like a wedding cake was built in 1852 by a shipbuilder. Or if you are going north stop in Augusta and check out the Blaine House in Maine's capital. Last but not least check out SabbathDay Lake Shaker Village, established in 1783 this active shaker village has 17 historic structures and plenty of activities. If you have any questions or want to learn more about other famous buildings in Maine leave a comment below and remember, If you Make Maine Your Home you don't have to do it alone! View the blog post on my website... XXXXX To checkout listings all over southern Maine visit: https://www.makemaineyourhome.realest... Check out our Facebook: www.Facebook.com/MakeMaineYourHome You can listen to the audio podcast on any podcast app. Just search for Make Maine Your Home. Be sure to subscribe, like, share and tell your friends. To contact Doug you can call or text to 207-838-5593, email to doug@makemaineyourhome.com or check out http://www.MakeMaineYourHome.com.
Subscribe Apple | Google | Spotify | Stitcher | iHeart Support The Daily Gardener Buy Me A Coffee Connect for FREE! The Friday Newsletter | Daily Gardener Community Historical Events 1715 Birth of Margaret Cavendish Bentinck, Duchess of Portland, British aristocrat, naturalist, plant lover, and botanist. Her family and friends called her Maria. She and William Bentinck had five children; one of their sons became prime minister twice. When William died after their 27th anniversary, Maria threw herself into her passion: collecting. As the wealthiest woman in England, she cultivated an enormous natural history collection. She hired two experts to personally attend each item: the naturalist Reverend John Lightfoot and the Swedish botanist Daniel Solander. There was so much activity at Maria's Buckinghamshire home; it was called the hive. Maria shared her collections in her Portland Museum. In 1800, Maria received a beautiful red rose dubbed The Portland Rose from Italy. Today, all Portland Roses are descended from the original rose gift. 1893 On this day, the territory of Oklahoma officially recognized Mistletoe as the State Flower. The decision was made fourteen years before Oklahoma officially became a state. A symbol of Christmas, Mistletoe grows throughout southern Oklahoma and can be found growing in the tops of hardwood trees. Since it can be challenging to reach, Mistletoe is often shot out of trees with a shotgun. Oklahoma was the first state in the country to adopt a State Flower. But over the years, Mistletoe became an increasingly controversial choice. The tiny flowers are almost invisible to the naked eye, and Mistletoe is actually a semi-parasitic subshrub. And so, after 111 years, Oklahoma selected the red Oklahoma rose, Rosa odorata, as its new State Flower in 2004. 1896 On this day, the Burlington Free Press in Vermont published an account of the winter meeting of the state botanical club. During the Meeting, the Reverend JA Bates gave a presentation. He began his speech by telling of a boy who wrote a paper titled The Snakes of Ireland. The piece began, There are no snakes in Ireland. As the Reverend began to speak, he bluntly pointed out the obvious: botany is not taught in schools. In 1896, Reverend Bates said that "only one in forty students have studied botany." Then he attempted to explain why botany was not taught: First, most of the teachers are poorly prepared for teaching botany. And second, botanists are conservative and conceal the charms of their study behind the long Latin names. Grow That Garden Library™ Book Recommendation William Morris's Flowers by Rowan Bain This book came out in 2019, and the author Rowan Bain is the senior curator at the William Morris Gallery. Born in 1834 to a wealthy family, William was the leading figure of the Arts and Crafts Movement. As a designer, William Morris remains popular, and his designs have a timeless quality in terms of their appeal. William grew up on the edge of Epping forest. He played and sketched in the family garden. At college, he became inspired by John Ruskin and the art and architecture of northern Europe, William ditched a plan to pursue life as a clergyman, and he started to pursue art. As industrialization was taking hold, Morris sought to counter the smoke and grime advancement with design and art that celebrated the beauty of medieval times. A singular talent, Morris collaborated with artisans, craftsmen, and people from many different trades. Today his carpet, fabric, and wallpaper patterns remain aesthetically captivating. The majority of Morris's work is based on nature and gardens. Trees, plants, and flowers figure prominently in his designs and patterns. In this book, Rowan guides us through Morris's floral designs and his inspiration, which includes his own gardens at the Red House in Kent; sixteenth- and seventeenth-century herbals; illuminated medieval manuscripts; late medieval and Renaissance tapestries; and a range of decorated objects - including artifacts from the Islamic world. This book is gorgeously illustrated with over one hundred color illustrations of Morris's centuries-old work and is sure to delight and inspire gardens still today. You can get a copy of William Morris's Flowers by Rowan Bain and support the show using the Amazon link in today's show notes for $15. Botanic Spark 1856 Birth of Eliza Calvert Hall (books about this person), American author, women's rights advocate, and suffragist from Bowling Green, Kentucky. In Aunt Jane of Kentucky, she wrote: Each of us has his own way of classifying humanity. To me, as a child, men and women fell naturally into two great divisions: those who had gardens and those who had only houses. ...The people who had gardens were happy Adams and Eves walking in a golden mist of sunshine and showers, with green leaves and blue sky overhead, and blossoms springing at their feet; while those others, dispossessed of life's springs, summers, and autumns, appeared darkly entombed in shops and parlors where the year might as well have been a perpetual winter. Thanks for listening to The Daily Gardener And remember: For a happy, healthy life, garden every day.
In this week's episode we are going to talk about the 5 best museums in Maine! There are so many museums to check out but here are some that we really love. Stop by the Portland Museum of Art or PMA, with an extensive permanent collection, sculpture garden, and various special exhibits there is always something to check out. Right down the road is the Maine Historical Society with the Longfellow House and rotating exhibits all revolving around Maine's History! Of course you need to stop by the International Cryptozoology Museum, where you can see cool exhibits about Bigfoot, Fiji mermaids, Cassy the Casco Bay sea monster, and all sorts of interesting cryptids! The Victoria Mansion is a beautiful estate located in Portland that has a permanent collection of and guided tours of the people who once lived there as well as seasonal events that are decorated for various holidays. We also talk about the Maine Narrow Gauge Railroad. Where you can take a ride and see the sites of Portland while sitting in antique trains! Last but not least make sure to check out the Children's Museum of Maine. Make sure to check out our video on things to do with kids in Portland Maine. So let me know what's your favorite museum in Portland Maine, and remember if you Make Maine Your Home, you don't have to do it alone! View the blog post on my website... https://www.makemaineyourhome.com/top-5-top-museums-in-portland-maine-must-see-attractions/ To checkout listings all over southern Maine visit: https://www.makemaineyourhome.realestate/ Check out our facebook: www.Facebook.com/MakeMaineYourHome You can listen to the audio podcast on any podcast app. Just search for Make Maine Your Home. Be sure to subscribe, like, share and tell your friends. To contact Doug you can call or text to 207-838-5593, email to doug@makemaineyourhome.com or check out http://www.MakeMaineYourHome.com.
Eleanor(she/her) is a New York-based artist, educator, and arts administrator. Her interdisciplinary practice explores the experience of the Black Diasporic female body in the united states of amerikkka through the examination and deconstruction of historical and contemporary narratives. She is interested in the public, private, and civic negotiations of race, gender, and class in addition to the effect and practice of violence, and surveillance on the body. This hybrid work exists as performance, video, and photography, poetry/spoken word, collaborative education, educational collaboration, installation, & writing but often draws on other methods such as social practice, and design. Eleanor is originally from Maine and has a BS in Video Production from the New England School of Communications (2007), an MFA from the University of Maine (2018), and attended the Skowhegan School of Painting and Sculpture in 2018. Current exhibitions include Are You Happy at the Portland Museum of Art as part of Untitled, 2020: Art From Maine in a ______ Time. She is also a Guest Curator with this year's Yellow Fish Durational Performance Festival. If you're lucky, you'll spot her at Camp El during your visit! eleanorkipping.com / @elfelicia
Tim Lawson is an exceptional contemporary American artist whose work is widely-recognized and on display in notable public collections like the Portland Museum of Art, Farnsworth Museum, Yale University Art Gallery, National Cowboy & Western Heritage Museum, and more. Tune in to learn more about his perspective on and lifelong experience with art. https://tallenlawson.com/
Do you think "Fish" when you think of business. You should. Peter Handy has turned his seafood company into a major entrepreneurial venture and has grown the business in the middle of a pandemic. While you might think supplying fish to restaurants would be problematic during the last 18 months, he expanded the business in other areas and has added revenue and staff. About Peter Handy Peter Handy is president & CEO of Bristol Seafood, a processor and distributor known for its uncompromising Maine standards. In addition to his role at Bristol, he serves on the boards of the Boys & Girls Clubs of Southern Maine, Maine Public Radio and Bigelow Laboratory for Ocean Sciences, and the investment committee of the Portland Museum of Art. Before joining Bristol, Peter co-founded BoxMyDorm.com, a national storage and shipping company for college students. In addition, he held financial services roles in New York at JPMorgan and Sanford Bernstein in roles ranging from asset management to institutional trading. Peter is a graduate of the Wharton School at the University of Pennsylvania and a Chartered Financial Analyst. He lives in Yarmouth, Maine with his wife Jocelyn and three daughters. About Bristol Seafood Bristol Seafood is on a mission to make seafood America's favorite protein. Since its founding in 1992 on the waterfront in Portland, Maine, the company built a nationwide following for its steadfast adherence to its Uncompromising Maine Standards. Bristol was named to the Top 25 Seafood Sustainability & Conservation list, the Top 25 Seafood Product Innovations, and is the first seafood company in the US to earn a Fair Trade certification. The company specializes in dry scallops, wild-caught haddock and cod, and ready to cook Seafood for the retail market under its My Fish Dish brand. See more at www.bristolseafood.com, or contact Iréne Moon VP – Marketing irenem@bristolseafood.com and 207-200-2561. https://thomsinger.com/podcast/bristol-seafood Learn more about your ad choices. Visit megaphone.fm/adchoices
Actor Phillip Cherry tells the story of Henrietta Helm, an educator of blacks in a one room schoolhouse in the Portland neighborhood in the 1800's. He also talked about her belongings that were on display at the Portland Museum (some of them seem to be missing), her mural downtown, other projects that are in the works to teach people about Henrietta Helm, and an upcoming Juneteenth observation...
Actor Phillip Cherry tells the story of Henrietta Helm, an educator of blacks in a one room schoolhouse in the Portland neighborhood in the 1800's. He also talked about her belongings that were on display at the Portland Museum (some of them seem to be missing), her mural downtown, other projects that are in the works to teach people about Henrietta Helm, and an upcoming Juneteenth observation...
Daniel and Marcia Minter are a Portland power couple in the arts, advertising, culture and history scenes. In 2019 they co-founded the Indigo Arts Alliance, a non-profit dedicated to the creative cultivation of artists of African descent. Daniel Minter is an internationally exhibited artist, visual storyteller and illustrator. His artwork reflects abiding themes of displacement and diaspora, ordinary and extraordinary blackness, spirituality in the Afro-Atlantic world, and the creation and recreation of meanings of home. He has illustrated over a dozen children’s books, was twice commissioned to create stamps for the U.S. Postal Service and co-founded the Portland Freedom Trail. He teaches at the Maine College of Art. Marcia Minter is a seasoned creative professional who has spent her career as an executive creative director for some of the world’s most iconic brands, including an extended time as Vice President Creative Director with L.L. Bean. Marcia is a dedicated arts advocate and community leader, deeply committed to social and cultural activism. Currently she serves on the Maine Arts Commission, the Board of Directors for Maine Media Workshops and College and Portland Ovations and is a Trustee of the Portland Museum of Art. Video of this conversation is available at: https://youtu.be/41-jsuE7CoY
Alejandro Cartagena, Mexican (b. 1977, Santo Domingo, Dominican Republic) lives and works in Monterrey, Mexico. His projects employ landscape and portraiture as a means to examine social, urban and environmental issues. Cartagena’s work has been exhibited internationally in more than 50 group and individual exhibitions in spaces including the the Fondation Cartier pour l’art contemporain in Paris and the CCCB in Barcelona, and his work is in the collections of several museums including the San Francisco MOMA, The J. Paul Getty Museum, The Museum of Contemporary Photography in Chicago, The MFAH in Houston, the Portland Museum of Art, The West Collection, the Coppel collection, the FEMSA collection, Museum of Fine Arts in Houston, the George Eastman House and the Santa Barbara Museum of Art and among others. Websites Alejandro Cargagena Caroline Drake Sponsor Charcoal Book Club - Sign up today Education Resources: Momenta Photographic Workshops Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Support the work we do at The Candid Frame by contributing to our Patreon effort. You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .
Today we celebrate a woman who was insatiable when it came to plants, and she is remembered forever with the Portland Rose. We'll also learn about a famous speech given at a Vermont botanical club about why botany wasn’t taught in schools - and the reasons were pretty spot on. We hear a story about a beautiful cherry tree found near the Osakabe ("sah-KAH-bay") Hotel. We Grow That Garden Library™ with a book about Darwin’s plants - in addition to his theory of evolution, Darwin experimented and observed plants extensively at his home in Kent. And then we’ll wrap things up by getting you ready for Valentine’s Day with a few of my favorite garden-inspired verses about love. Subscribe Apple | Google | Spotify | Stitcher | iHeart To listen to the show while you're at home, just ask Alexa or Google to “Play the latest episode of The Daily Gardener Podcast.” And she will. It's just that easy. The Daily Gardener Friday Newsletter Sign up for the FREE Friday Newsletter featuring: A personal update from me Garden-related items for your calendar The Grow That Garden Library™ featured books for the week Gardener gift ideas Garden-inspired recipes Exclusive updates regarding the show Plus, each week, one lucky subscriber wins a book from the Grow That Garden Library™ bookshelf. Gardener Greetings Send your garden pics, stories, birthday wishes, and so forth to Jennifer@theDailyGardener.org Curated News Gardening As A Salve For Stress And Anxiety: A Gardener's Personal Story | House & Garden | Charlie Harpur Facebook Group If you'd like to check out my curated news articles and original blog posts for yourself, you're in luck. I share all of it with the Listener Community in the Free Facebook Group - The Daily Gardener Community. So, there’s no need to take notes or search for links. The next time you're on Facebook, search for Daily Gardener Community, where you’d search for a friend... and request to join. I'd love to meet you in the group. Important Events February 11, 1715 Today is the birthday of the British aristocrat, naturalist, plant lover, and botanist Margaret Cavendish Bentinck, Duchess of Portland. Her family and friends called her Maria. Maria married when she was 19 years old. Together, she and William Bentinck had five children; one of their sons became prime minister twice. When William died after their 27th anniversary, Maria threw herself into her many passions. As the wealthiest woman in England, Maria could acquire virtually any treasure from the natural world - and she did. She cultivated an enormous collection of natural history, which was tended by two experts she hired to personally attend each item: the naturalist Reverend John Lightfoot and the Swedish botanist Daniel Solander. Maria's home in Buckinghamshire was referred to by society as the hive - it was a reference to the hub of activity for Solander and Lightfoot and the other people who helped process her acquisitions. At one point, Maria had reached out to Captain James Cook. James gave Maria some shells from his second expedition to Australia. Meanwhile, Daniel Solander was in charge cataloging Maria's massive shell collection, but, sadly, he left the work unfinished when he died in 1782. Maria had an enormous appetite for curation and collecting. In addition to her Botanic Garden on her property, Maria opened a zoo, kept rabbits, and had an aviary. A constant stream of scientists, explorers, socialites, and artists visited Maria to exchange ideas and inspect her collections. And, think about the limitless ambition she must have had as Lightfoot wrote that Maria wanted, "...every unknown species in the three kingdoms of nature described and published to the world." Now, Maria had a special love for collecting plants and flowers from far off places worldwide. She retained the botanist and the incomparable botanical illustrator Georg Dionysius Ehret as a drawing instructor. Struck by the luminescence of his work, Maria bought over 300 of Ehret's paintings. Maria also became friends with the botanical artist Mary Delaney. Mary made botanical paper mosaics, as she called them. Mary was essentially creating flower specimens out of tissue paper. And Mary was exacting - dissecting real flowers and then replicating what she saw with tissue paper. To gather more material for her work, Maria and Mary loved to go out into the fields and collect specimens together. As the Duchess of Portland, Maria shared her specimens with the public, and she displayed her various collections from around the globe in what she called her Portland Museum. Once, in 1800, Maria received a rose from Italy, which became known as the Portland Rose in her honor. The rose was a beautiful crimson scarlet with round petals - and it was a repeat bloomer. And, here's a fun fact: all Portland Roses were developed from that very first Portland Rose - the sweet gift to Margaret Cavendish Bentinck - Maria - the Duchess of Portland. February 11, 1896 It was on this day that the Burlington Free Press shared a story called Vermont’s Flora: Winter Meeting of the State Botanical Club. Generally speaking, these early botanical meetings can err on the side of rules and regulation, and they can be a little boring to read. However, the account of this meeting caught my eye. The meeting started as per usual with a discussion of nomenclature. Here the club decided to follow the lead of Harvard and the way they pronounced botanical names. But, then, things got interesting because the topic changed to "How Should Botany be Taught In Schools?" after an address given by Reverend JA Bates. Bates began his popular presentation by saying that he could begin his speech like the boy who wrote a paper about “The Snakes of Ireland.” The paper began, “There are no snakes in Ireland.” Reverend Bates found himself in the same situation for his speech, “How Should Botany be Taught in Schools?” Well, as Reverend Bates began to speak, he bluntly pointed out there is no botany taught in schools. Bear in mind this speech was made in 1896 when Reverend Bates said that, “only one in forty students has studied botany.” And I don’t think we’ve moved the dial that much on that statistic. Then Bates attempts to explain why botany is not taught - and this is what caught my attention. He said, “The chief reasons for [botany not being taught in schools] are twofold. First, most of the teachers are poorly prepared for teaching botany. And second, botanists are conservative and conceal the charms of their study behind the long Latin names.” Unearthed Words There, in a garden of a house near the Osakabe Hotel ("sah-KAH-bay"), towering above a tall wooden fence, stood a tree with narrow leaves and bunched clusters of double mauve-pink blossoms with close to 100 petals. Ingram's immediate reaction was to work out how to spirit cuttings of the tree to England. Fate was on his side. Nineteen years earlier, on his honeymoon, he had visited this very village while hunting birds, and he remembered meeting there, a one-legged war hero whose parents ran the Osakabe Hotel. That man, who had lost a limb during the Russo-Japanese war, was still alive, a villager told Ingram. Indeed he was now running the hotel. And his hobby was gardening! In typical Ingram fashion, he convinced the Innkeeper to send him scions from the tree in exchange for one yen to cover the postage. By 1929, a couple of sturdy offspring were growing in Benenden. — Naoko Abe, Japanese Journalist, author, and a 2016 Nihon Essayist Club Award winner, Cherry Ingram: The Englishman Who Saved Japan’s Blossoms, Saving the Sakura Grow That Garden Library Darwin's Most Wonderful Plants by Ken Thompson This book came out in 2019, and the subtitle is Darwin's Botany Today. In this book, Ken helps us understand Darwin as a botanist. After taking his famous voyage on The Beagle, Darwin experimented with and observed growing plants at his home in Kent. Carnivorous and climbing plants were a favorite of Darwin's; he was fascinated by their pollination and flower evolution. Thanks to Ken, we get to know Darwin as a pioneering botanist who was way ahead of his time. Darwin’s work seems totally in step with plant science today: plant movement, hunting, and intelligence. This book is 256 pages of a side of Darwin that most folks have never known: Darwin as a curious and intelligent botanist. You can get a copy of Darwin's Most Wonderful Plants by Ken Thompson and support the show using the Amazon Link in today's Show Notes for around $14 Today’s Botanic Spark Reviving the little botanic spark in your heart Today I thought I’d close the show by getting you ready for Valentine’s Day with a few of my favorite garden-inspired verses about love. Violet has the shortest wavelength of the spectrum. Behind it, the invisible ultraviolet. Roses are Red, Violets are Blue. Poor violet, violated for a rhyme. — Derek Jarman, gardener and poet If apples were pears And peaches were plums And the rose had a different name. If tigers were bears And fingers were thumbs I'd love you just the same. — Anonymous “So, timely you came, and well you chose, You came when most needed, my winter rose. From the snow I pluck you, and fondly press Your leaves 'twixt the leaves of my leaflessness.” — Alfred Austin, English poet Poet Laureate “Green fingers are the extension of a verdant heart.” — Russell Page, British gardener, garden designer, and architect Thanks for listening to The Daily Gardener. And remember: "For a happy, healthy life, garden every day."
Weekend highlights. If you had a red button on your desk like Trump's diet coke button what would it bring you?! (5TYNTK) RIP Larry King. Biden to add travel restrictions. Suspicious package outside of the Portland Museum of Art. Tom Brady back to the big game. (Dirty) Trey Songz arrested at AFC Championship game. Kourtney Kardashian and Travis Barker spend some time Palm Springs. Conor McGregor becomes a meme + gets trolled by Jake Paul. 2pac Verzuz Biggie. (Outro) No Budweiser ad during Super Bowl LV.
MEET RACHEL MYERS:Rachel has been creating work in front and behind the camera for over 20 years in the entertainment industry as a director, designer, and actor. She has collaborated in the creation of over 150 films, theatre, and television productions. From a pool of over 5,000 submissions, her film “Wendy’s Shabbat” premiered at both the 2018 Tribeca International and Palm Springs International Film Festivals and at over 50 other film festivals worldwide. “Wendy’s Shabbat” qualified for the 2019 Academy Awards and was broadcast on PBS, POV, and TOPIC. Rachel was awarded the first solo Shondaland Women’s Directing Mentorship to direct for Shonda Rhimes Television, nominated for the inaugural Lynn Shelton “Of a Certain Age” Grant, and selected for the Sundance Director’s Co-Lab. Rachel has directed films, 2 Black Boys, based on the poetry of Giovanni Adams on blackness and queer identity which premiered at OUTFEST, Cannes AVIFF, and Winner of Cadence Video Festival at the Northwest Film Forum. Rachel has directed for Disney Channel TV episode of Kim Possible and Mensajes (Messages) in Spanish about Mexican Artist Leobardo Huerta. She developed and originated “CONFIDENCE,” a short film and campaign series for women. Rachel directed and conceived, “Writing with Grace” live show, debuting to a 2,500 person live audience for VIDCON. Her work won Fullscreen and the AT&T Hello Lab a 2016 Streamy Award for Best Brand Campaign. Rachel co-created the series HOT SPOT which premiered at Seriesfest 2020. Her award-winning experiential company, 3 PENNY DESIGN has conceived and produced live events, brand activations, and interiors for “Crayola” in Times Square for “The Emmy’s,” “The Golden Globe Awards” and more. Her Production Design Film credits include, “Kim Possible” Disney, “Short Term 12,” winner of SXSW and Independent Spirit Awards, “Desperados” Netflix, “The Drowning,” “Search Party” “Identity Theft,” “Chronicles Simpson,” “Saving Lincoln” and “Liminal,” Winner of Best Art Direction - Barcelona International Film Festival, Punta del Este Festival and Action on Film Festival. Television design credits, HULU “East Los High, “Five Points” Facebook, "Sing It" YouTube Red, “Faking It” MTV, “Blue” LIFETIME nominee for ADG Award, “Paloma” and “Video Game High School” Lionsgate, Producers Guild Award and Streamy Award nominee for Best Production Design. Her commercial client list includes Crayola, ADIDAS, Ray-Ban, AT&T, ESPN, Volkswagon, Marriott, DAQRI, Hewlett Packard, Turbo Tax, Wrigley’s, Gevalia, CVS, Soul, Pampers, L’oreal, Schick, Taco Bell, Soap and Glory, Maccaroni Grill and Getty Images. Her regional theatre credits include BAM Brooklyn Academy of Music, Center Theatre Group, The Geffen Playhouse, The Old Globe, South Coast Repertory, The Shakespeare Theatre DC, The Getty Villa, Robert Wilson’s Watermill Center, and Williamstown Theatre Festival. Los Angeles Theatres- Rattlestick West, Los Angeles Ovation Awards, IAMA, Theatre at Boston Court, and Vs Theatre. Rachel’s work has also been featured in national and international publications and media, including the NY Times, LA Times, Cheddar, and Vice. She has appeared on The Today Show with Megan Kelly, Michelle Collins Show on Sirius XM and Tablet Unorthodox Podcast as well as Vice, Refinery 29, NY Daily News, Forward, Tablet, Variety, Broadway World, The Times of Israel, Women, and Hollywood, Movie Maker, Newsday, Daily Mail, ZEAL NYC, Desert Sun, IMDB, NY Bulletin and more. Her films have been exhibited at the Boston Museum of Fine Art and the NW Film Center at the Portland Museum of Art. Her designs have also been seen at BAM, The Brooklyn Academy of Music, The Watermill Center, and are part of the permanent collection of the Getty. Her work has won an Ovation Award and Broadway World and Streamy Award nominations. Rachel received her MFA from the Yale School of Drama and studied Theatre and Art at Pomona and Scripps Colleges and RADA the Royal Academy...
In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Alejandro Cartagena, talk about finding motivation from within and not counting on the art world at large to propel or inspire your creative output. Alejandro talks about how his early work as an archivist has come back around to be a key part of his current practice and how he juggles multiple bodies of work at once. Alejandro's incredible passion for his craft, his good humor and high spirits keep this conversation moving at warp speed. https://alejandrocartagena.com Alejandro Cartagena, Mexican (b. 1977, Santo Domingo, Dominican Republic) lives and works in Monterrey, Mexico. His projects employ landscape and portraiture as a means to examine social, urban and environmental issues. Cartagena’s work has been exhibited internationally in more than 50 group and individual exhibitions in spaces including the the Fondation Cartier pour l’art contemporain in Paris and the CCCB in Barcelona, and his work is in the collections of several museums including the San Francisco MOMA, the Museum of Contemporary Photography in Chicago, the Portland Museum of Art, The West Collection, the Coppel collection, the FEMSA collection, Museum of Fine Arts in Houston, the George Eastman House and the Santa Barbara Museum of Art and among others. Alejandro is a self publisher and co-editor and has created several award wining titles including Santa Barbara Shame on US, Skinnerboox, 2017, A Guide to Infrastructure and Corruption, The velvet Cell, 2017, Rivers of Power, Newwer, 2016, Santa Barbara return Jobs to US, Skinnerboox, 2016, Headshots, Self-published, 2015, Before the War, Self-published, 2015, Carpoolers, Self-published with support of FONCA Grant, 2014, Suburbia Mexicana, Daylight/ Photolucida 2010. Some of his books are in the Yale University Library, the Tate Britain, and the 10×10 Photobooks/MFH Houston book collections among others. Cartagena has received several awards including the international Photolucida Critical Mass Book Award, the Street Photography Award in London Photo Festival, the Lente Latino Award in Chile, the Premio IILA-FotoGrafia Award in Rome and the Salon de la Fotografia of Fototeca de Nuevo Leon in Mexico among others. He has been named an International Discoveries of the FotoFest festival, a FOAM magazine TALENT and an Emerging photographer of PDN magazine. He has also been a finalist for the Aperture Portfolio Award and has been nominated for the Santa Fe Photography Prize, the Prix Pictet Prize, the Photoespaña Descubrimientos Award and the FOAM Paul Huff Award. His work has been published internationally in magazines and newspapers such as Newsweek, Nowness, Domus, the Financial Times, The New York Times, Le Monde, Stern, PDN, The New Yorker, and Wallpaper among others.
This show is part of Maine Calling's ongoing coverage of topics relating to Maine's bicentennial. Marking the September 25th opening of a major exhibit on artists Winslow Homer and Frederic Remington at the Portland Museum of Art, we examine the significance of Homer's work and his time in Maine. The seminal period in Homer's career spent living and painting on Maine's rocky coast have produced some of the paintings that are considered masterpieces in American art--and defining images of Maine.
This show is part of Maine Calling's ongoing coverage of topics relating to Maine's bicentennial. Marking the September 25th opening of a major exhibit on artists Winslow Homer and Frederic Remington at the Portland Museum of Art, we examine the significance of Homer's work and his time in Maine. The seminal period in Homer's career spent living and painting on Maine's rocky coast have produced some of the paintings that are considered masterpieces in American art--and defining images of Maine.
Carrie Moyer. Photo credit: © Girl Ray, 2016 Carrie Moyer is an artist and writer known for her sumptuous paintings which explore and extend the legacy of American Abstraction, while paying homage to many of its groundbreaking female figures, among them Georgia O’Keeffe, Helen Frankenthaler and Elizabeth Murray. In equal measure abstract and representational, Moyer’s work proposes a kaleidoscopic worldview that embraces the sensual as much the rational. Playful logo-like silhouettes — vessels, towers, portals, meteorological phenomena, plant life, animal and human forms — demarcate arched prosceniums or abstract fields of color. These flattened archetypes and cheeky reference points often perform as compositional rigging around which flow cascades of paint, glitter and light. Whether invoking the natural or constructed world, inventive paint handling and succulent color seem to tempt all of the viewer’s senses, from sight to touch to taste (perhaps even sound!). The resulting spaces — lush and transporting — are uniquely Moyer’s own.Moyer’s work has been exhibited throughout the US and Europe. Her paintings were featured in the 2017 Whitney Biennial. Previous museum shows include a traveling survey, Carrie Moyer: Pirate Jenny, that originated at the Tang Museum, Saratoga Springs, NY; and Interstellar, at the Worcester Art Museum, MA (2012). Between 1991-2008, Moyer and photographer Sue Schaffner collaborated as Dyke Action Machine!, a public art project that humorously dissected mainstream advertising through the insertion of lesbian imagery. Moyer’s writing has appeared in periodicals such as Art in America, Artforum, the Brooklyn Rail and monographs on Louise Fishman and Nancy Grossman. She has received awards from the Guggenheim and Joan Mitchell Foundations, Anonymous Was a Woman, and Creative Capital among others. Moyer attended Pratt Institute (BFA), Milton Avery Graduate School of the Arts, Bard College (MFA) and the Skowhegan School of Art. She is of the Director of MFA Program in Studio Art at Hunter College. Moyer is represented by DC Moore Gallery in New York City. The collaborative exhibition mentioned in the interview can be explored through this link to the Portland Museum. Carrie Moyer, “Fan Dance at the Golden Nugget,” 2017. Acrylic, glitter on canvas. Collection of the Des Moines Art Center, Des Moines, IA Carrie Moyer, “The Crux,” 2006. Acrylic on canvas. Private collection
Episode Thirty features Nicole Awai. She earned her Master’s Degree in Multimedia Art from the University of South Florida in 1996. She attended the Skowhegan School of Painting and Sculpture residency in 1997 and was artist in residence at the Studio Museum in Harlem in 2000. Awai was a featured artist in the 2005 Initial Public Offerings series at the Whitney Museum of American Art and was awarded the Joan Mitchell Foundation Painters and Sculptors Grant in 2011 and an Art Matters Grant in 2012. Her work has been included in seminal museum exhibitions including Greater New York: New Art in New York Now, at P.S. 1/ MOMA (2000), the Biennale of Ceramic in Contemporary Art, Italy (2003), Open House: Working in Brooklyn (2004), Infinite Island: Contemporary Caribbean Art (2007) both at the Brooklyn Museum; the 2008 Busan Biennale in Korea; The Pacific Standard Time: LA/LA II, A Getty Initiative exhibitions Circles and Circuits I: History and Art of the Chinese Caribbean at the California African American Museum and Circles and Circuits II: Contemporary Art of the Chinese Caribbean at the Chinese American Museum, along with Relational Undercurrents: Contemporary Art of the Caribbean Archipelago at the Museum of Latin American Art and the High Line Network exhibition New Monuments for New Cities. Her work has also been exhibited at the Queens Museum, Kemper Museum of Contemporary, Portland Museum of Art, Delaware Art Museum, Philip Frost Art Museum FIU, the Vilcek Foundation and the Biennale of the Caribbean in Aruba(2013). Other recent exhibitions include Splotch at Sperone Westwater, NY. Figuring the Floral, Wave Hill, NY; Summer Affairs at Barbara Davis Gallery, Houston, TX and Nicole Awai: Envisioning the Liquid Land at Lesley Heller Gallery, NY. Awai was a Critic at the Yale School of Art in the Department of Painting and Printmaking from 2009-2015 and is currently faculty in the Department of Art and Art History at the University of Texas at Austin. Awai is represented by Barbara Davis Gallery in Houston, TX.
About the guest: Though not a New England native, Kat has become a Maine enthusiast since migrating from North Carolina four years ago. She is excited to use her ever-growing passion for the state to help serve the Maine Office of Tourism and other regional clients. With valuable experience in the advertising industry under her belt, she strives to showcase clients' unique values through strategic planning, social media marketing and copywriting. Kat's innate curiosity keeps her learning every day, whether that's listening to a new podcast or reading up on the latest social media trends. She finds creative inspiration from Maine's picturesque woods and waters and aspires to bring that joyful energy into her work. Committed to client satisfaction and stellar work, Kat seeks to embrace each day with optimism, inquisitiveness, and a strong work ethic. In the episode: 2:12 – At first, Kat thought she wanted to be a marine biologist and describes how her career path changed after her first semester of college. 4:55 – Nancy and Kat talk about their connection to U.S. Cellular. 7:03 – Kat talks about going through the interview process over Zoom during COVID-19. 9:54 – Based on her experience in digital marketing, advertising and journalism, Kat shares some of the skills she uses at Marshall Communications. 14:15 – Kat provides an example of a project she has found exciting to work on since she started at Marshall Communications. 17:23 – Nancy and Kat explain how their networks brought them together. 23:14 – Kat shares some of the things she likes to do in Maine, whether going to the beach or for a hike. 25:29 – Kat describes some resources she has found helpful to her career. 26:49 – Kat talks about how much she loved using Vine and some of her other favorite social media platforms. 28:37 – Kat encourages listeners to find a career path that they love. Quote “In your personal life, having that appetite for reading, listening to podcasts or going to museums, things seemingly unrelated to work, can evoke an inspirational mindset that can really help you in your work. It's very easy for me to get into my habits and routines. I love my habits routines, but there is a benefit to changing things up, seeking out new opportunities and it can impact your work in a positive way.” – Kat Child, account coordinator at Marshall Communications Links: Kat's Bio: https://www.marshallpr.com/who-we-are/our-team/kat-child/ Portland Museum of Art: https://www.portlandmuseum.org/ Farnsworth Museum: https://www.farnsworthmuseum.org/ Cruise Maine: https://www.cruisemaine.org/ Down East Magazine: https://downeast.com/ Maine by Foot: https://mainebyfoot.com/ Big Magic by Elizabeth Gilbert: https://www.amazon.com/Big-Magic-Creative-Living-Beyond/dp/1594634726 Activate the PR Maven® Flash Briefing on your Alexa Device. Join the PR Maven® Facebook group page. Looking to connect: Email: kchild@marshallpr.com LinkedIn: https://www.linkedin.com/in/kat-child-b144b285/
William J. Ryan, Jr. began his professional career as an attorney, practicing corporate law in Portland before embarking on his career in the sports business. Bill has worked as a sports marketing executive, owned the Oxford Plains Speedway and founded the Maine Red Claws. His current focus is on angel investing, principally in companies based in Maine. In addition to his business interests, he currently serves on the board of the Portland Museum of Art.
Leeann Leahy is CEO of The VIA Agency, a full-service advertising agency with national clients including Lowe's, L.L.Bean, Unilever (Klondike), Arm & Hammer, Perdue, and Golden Corral. Leeann joined VIA as President in 2012 and took over as CEO in 2015, bringing more than 20 years of experience in planning, agency management, and integrated marketing.As her leadership continues to facilitate growth at The VIA Agency, Leeann has bolstered their company's contributions to pro bono projects with organizations like the Maine Recovery Fund, the Indigo Arts Alliance and the Preble Street Homeless Resource Center. Leeann serves on the Board of Directors of the United Way of Greater Portland, Maine and sits on the Board of Trustees for the Portland Museum of Art.Prior to VIA, Leeann served as President of Translation, an NYC-based ad agency. Before that, she spent 9 years at Lowe Worldwide, moving from Global Planning Director to Chief Strategy Officer.Under Leeann's leadership, The VIA Agency has been recognized as a Top 10 Place to Work by Ad Age, a Best Workplace by Inc., and an Ad Age Small Agency of the Year. In 2013, Leeann was named one of Ad Age's Women to Watch.-------------------------------------------Mind of a Mentor is produced by Ossa, a women's podcast network on a mission to increase the visibility, influence and earning power of women in the podcast industry.Are you a woman in podcasting? Apply to join Ossa and get free access to podcast monetization opportunities with our in-house ad booking service. We also offer our members a community of women in podcasting, promotional opportunities, exclusive offers, and resources for podcast growth and development. To apply or for more information, visit joinossa.com.Is your business interested in podcast advertising opportunities? On Ossa's proprietary ad booking platform, you can find podcasts that fit your criteria and budget in just a few clicks. Ossa is uniquely positioned to help you reach the world's most powerful consumers: women. Visit joinossa.com to get started.For lots of great podcasting content, head to ossacollective.com.You can find more information on the guest featured in this episode and on every episode of Mind of a Mentor on ossacollective.com.Mind of a Mentor is hosted by Marla Isackson, Founder & CEO of Ossa. Connect with Marla on LinkedIn: https://bit.ly/2zq3W59Questions? Email support@ossacollective.com.Follow Ossa on Social Media:Facebook: @ossacollectivenetwork / https://bit.ly/2NEf9roInstagram: @ossacollective / https://bit.ly/30HozpETwitter: @ossacollective / https://bit.ly/34bradNLinkedIn: @ossa-collective / https://bit.ly/2ZGBACNEnjoying Mind of a Mentor? Please rate & review our show! https://apple.co/2Knky3wMind of a Mentor is an Ossa original show hosted by Marla Isackson, Founder and CEO of Ossa Collective women's podcast network. For more information about Ossa, visit: https://ossacollective.com/Follow Ossa on Socials- Instagram: https://www.instagram.com/ossaforpodcasters/LinkedIn: https://www.linkedin.com/company/ossa-collective/Facebook: https://www.facebook.com/ossacollectivenetwork
Leeann Leahy is CEO of The VIA Agency, a full-service advertising agency with national clients including Lowe’s, L.L.Bean, Unilever (Klondike), Arm & Hammer, Perdue, and Golden Corral. Leeann joined VIA as President in 2012 and took over as CEO in 2015, bringing more than 20 years of experience in planning, agency management, and integrated marketing. As her leadership continues to facilitate growth at The VIA Agency, Leeann has bolstered their company’s contributions to pro bono projects with organizations like the Maine Recovery Fund, the Indigo Arts Alliance and the Preble Street Homeless Resource Center. Leeann serves on the Board of Directors of the United Way of Greater Portland, Maine and sits on the Board of Trustees for the Portland Museum of Art. Prior to VIA, Leeann served as President of Translation, an NYC-based ad agency. Before that, she spent 9 years at Lowe Worldwide, moving from Global Planning Director to Chief Strategy Officer. Under Leeann’s leadership, The VIA Agency has been recognized as a Top 10 Place to Work by Ad Age, a Best Workplace by Inc., and an Ad Age Small Agency of the Year. In 2013, Leeann was named one of Ad Age’s Women to Watch. ------------------------------------------- Mind of a Mentor is produced by Ossa, a women’s podcast network on a mission to increase the visibility, influence and earning power of women in the podcast industry. Are you a woman in podcasting? Apply to join Ossa and get free access to podcast monetization opportunities with our in-house ad booking service. We also offer our members a community of women in podcasting, promotional opportunities, exclusive offers, and resources for podcast growth and development. To apply or for more information, visit joinossa.com. Is your business interested in podcast advertising opportunities? On Ossa’s proprietary ad booking platform, you can find podcasts that fit your criteria and budget in just a few clicks. Ossa is uniquely positioned to help you reach the world’s most powerful consumers: women. Visit joinossa.com to get started. For lots of great podcasting content, head to ossacollective.com. You can find more information on the guest featured in this episode and on every episode of Mind of a Mentor on ossacollective.com. Mind of a Mentor is hosted by Marla Isackson, Founder & CEO of Ossa. Connect with Marla on LinkedIn: https://bit.ly/2zq3W59 Questions? Email support@ossacollective.com. Follow Ossa on Social Media: Facebook: @ossacollectivenetwork / https://bit.ly/2NEf9ro Instagram: @ossacollective / https://bit.ly/30HozpE Twitter: @ossacollective / https://bit.ly/34bradN LinkedIn: @ossa-collective / https://bit.ly/2ZGBACN Enjoying Mind of a Mentor? Please rate & review our show! https://apple.co/2Knky3w
Today we celebrate a woman who was once the wealthiest woman in England, and she happily spent a fortune on plants. We also celebrate the man who transformed his family farm into a glorious garden. And, we'll learn about the Oxford professor who is remembered by a flower known as the "Jewel of the Desert." Today's Unearthed Words feature thoughts on winter. We Grow That Garden Library™ with a book that will help you develop a botanist's vocabulary. I'll talk about a garden item you can buy that I use all the time. And then, we'll wrap things up with some sweet February folklore. But first, let's catch up on a few recent events. Subscribe Apple | Google | Spotify | Stitcher | iHeart Curated Articles Penelope Hobhouse wins Lifetime Achievement Award | @TEGmagazine Bravo for Penelope Hobhouse - awarded the 2020 Society of Garden Designers (SGD) Lifetime Achievement Award! Past winners: Piet Oudolf, Beth Chatto & Christopher Bradley-Hole. The award recognizes her outstanding contribution to landscape & garden design. Get inspired & grow with her many books on garden design & garden history. Fertilizer Numbers: What They Mean and How to Use Them to Grow Better Excellent Comprehensive Post on Fertilizer @savvygardening @JessicaWalliser Know Your Numbers: What they mean and how to use them to grow better! NPK stands for "nitrogen, phosphorus, and potassium," the three nutrients that comprise complete fertilizers. The description of the fertilizer may not expressly say "NPK," but you will at least see a series of three numbers. How do plants use N, P, & K? Nitrogen promotes shoot & leaf growth. Adding it to a green, leafy vegetable plant, such as spinach or lettuce, makes sense. Phosphorous generates fruit, flower, & root production. It's great for root crops, like beets, carrots, and onions, as well as for encouraging flower and fruit production. Potassium affects a plant's heartiness and vigor. Now, if you'd like to check out these curated articles for yourself, you're in luck, because I share all of it with the Listener Community in the Free Facebook Group - The Daily Gardener Community. There's no need to take notes or search for links - the next time you're on Facebook, search for Daily Gardener Community and request to join. I'd love to meet you in the group. Important Events 1715 Today is the birthday of the British aristocrat, naturalist, plant lover, and botanist Margaret Cavendish Bentinck, Duchess of Portland. Her family and friends called her Maria. Maria married when she was 19 years old. Together, she and William Bentinck had five children; one of their sons became prime minister twice. When William died after their 27th anniversary, Maria threw herself into her many passions. As the wealthiest woman in England, Maria could acquire virtually any treasure from the natural world - and she did. She cultivated an enormous collection of natural history, which was tended by two experts she hired to personally attend each item: the naturalist Reverend John Lightfoot and the Swedish botanist Daniel Solander. Maria's home in Buckinghamshire was referred to by society as the hive - it was the Hub of activity for Solander and Lightfoot and the other people who helped process her acquisitions. At one point, Maria had reached out to Captain James Cook and had secured some shells from his second expedition to Australia. Daniel Solander was focused on cataloging Maria's massive shell collection but sadly left to the work unfinished when he died in 1782. Maria had an enormous appetite for curation and collecting. In addition to her Botanic Garden on her property, Maria opened a zoo, kept rabbits, and had an aviary. A constant stream of scientists, explorers, socialites, and artists visited her to exchange ideas and to inspect her collections. And, think about the limitless ambition she must have had as Lightfoot wrote that Maria wanted, "Every unknown species in the three kingdoms of nature described and published to the world." Now, Maria had a special love for collecting plants and flowers from far off places from around the world. She retained the botanist and the incomparable botanical illustrator Georg Dionysius Ehret as a drawing instructor. Struck by the luminescence of his work, Maria bought over 300 of his paintings. Maria also became friends with the botanical artist Mary Delaney. Mary made botanical paper mosaics, as she called them. Mary was essentially creating flower specimens out of tissue paper. Mary was exacting - dissecting real flowers and then replicating what she saw with tissue paper. To gather more material for her work, Maria and Mary loved to go out into the fields and collect specimens together. As the Duchess of Portland, Maria shared her specimens with the public, and she displayed her various collections from around the globe in what she called her Portland Museum. Once, in 1800, Maria received a rose from Italy, which became known as the Portland Rose in her honor. The rose was a beautiful crimson scarlet with round petals - and it was a repeat bloomer. And, here's a fun fact: all Portland Roses were developed from that first Portland Rose - the sweet gift to Margaret Cavendish Bentinck, the Duchess of Portland. 1763 Today is the anniversary of the death of poet and landscape gardener William Shenstone In the early 1740s, Shenstone inherited his family's dairy farm, which he transformed into the Leasowes (pronounced 'lezzoes'). The transfer of ownership lit a fire under Shenstone, and he immediately started changing the land into a wild landscape - something he referred to as an ornamented farm. Shenstone wisely bucked the trend of his time, which called for formal garden design (he didn't have the money to do that anyway.) Yet, what Shenstone accomplished was quite extraordinary. His picturesque natural landscape included water features like cascades and pools, as well as structures like temples and ruins. What I love most about Shenstone is that he was a consummate host. He considered the comfort and perspective of the garden from the standpoint of his visitors. When he created a walk around his estate, Shenstone wanted to control the experience. So, Shenstone added seating, every so often along the path, to cause folks to stop and admire the views that Shenstone found most appealing. Then, he incorporated signage with beautiful classical verses and poems - even adding some of his own - which elevated the Leasowes experience for guests. After his death, his garden, the Leasowes, became a popular destination - attracting the likes of William Pitt, Thomas Jefferson, and Benjamin Franklin. It was William Shenstone who said, "Grandeur and beauty are so very opposite, that you often diminish the one as you increase the other. Variety is most akin to the latter, simplicity to the former." 1795 Today is the birthday of the 19th-century professor of botany at Oxford University — as well as a chemist and geologist — Charles Daubeny (dow-Ben-EE). The herbarium at Oxford is named in his honor, as is the Daubenya genus (dow-Ben-ya) in the Hyacinth family. In 1835, the genus was described by the British botanist John Lindley. Lindley named it in honor of his peer, Charles Daubeny, in recognition for his experiments in vegetable chemistry, which improved our understanding of plant physiology. Native to South Africa, up until 2000, Daubenya was thought to have a single species, Daubenya aurea or Golden Daubenya. But then, it was expanded by John Manning and Peter Goldblatt to include additional genera ("jeh·nr·uh"). These Hyacinth varieties, with the common name "Jewel of the Desert," - Daubenya - grow flat on the ground and have a single large red or yellow bloom. Growing only on the Roggeveld ("Rog-veld" Afrikaans for "rye field") mountain range in South Africa, Daubenya blooms every September. Unearthed Words Here are some thoughts on winter: Winter is a time of promise because there is so little to do — or because you can now and then permit yourself the luxury of thinking so. —Stanley Crawford, A Garlic Testament: Seasons on a Small New Mexico Farm, 1992 There are two seasons in Scotland: June and Winter. — Billy Connolly, Scottish stand-up comedian A melancholy mantle rests Upon the land, the sea. The wind in tristful cadence moans A mournful threnody. There flits no gleeful insect, No blithesome bee nor bird; Over all the vast of Nature No joyful sound is heard. In garments sere and somber Each vine and tree is clad: It's dreary-hearted winter, And all the earth is sad. — Hazel Dell Crandall, Los Angeles poet, The Lilt of the Year Go to the winter woods: listen there, look, watch, and "the dead months" will give you a subtler secret than any you have yet found in the forest. — William Sharp (pseudonym Fiona Macleod), Scottish writer and poet, Where the Forest Murmurs Grow That Garden Library A Botanist's Vocabulary by Susan K. Pell and Bobbi Angell This book came out in May of 2015, and it describes and illustrates - which is so helpful - a whopping 1300 terms. Bobbi and Susan introduce their book this way: "We have attempted to define terms used by botanists, naturalists, and gardeners alike to describe plants. The included terms mostly refer to plant structures and come from the horticultural and botanical literature and practice. Many… terms are not easily defined or illustrated. If they were, the botanical kingdom would not be as rich and engaging as it is. With infinite variety, petals and sepals sometimes adhere to each other to attract pollinators or facilitate pollination; male and female reproductive parts may fuse to form intricate unified columns; fruits have peculiar, sometimes complicated, mechanisms of seed dispersal. There are terms that apply only to a particular group of plants, such as orchids, grasses, or irises. Some apply to whole plants or ecosystems, while others are visible only under a microscope. Please wander through the book to recognize the easily applied terms and learn a few unusual ones, but also use the book as a reference when you are stumped by a field guide or a strange-looking fruit. We hope your newfound knowledge helps you gain an even greater appreciation for the world of plants." You can get a used copy of A Botanist's Vocabulary by Susan K. Pell and Bobbi Angell and support the show, using the Amazon Link in today's Show Notes for under $14. Great Gifts for Gardeners KINGLAKE 328 Feet Natural Jute Twine Best Arts Crafts Gift Twine Christmas Twine Durable Packing String for Gardening Applications $5.99 String diameter:1 mm. 2 Ply Jute twine Packed on a coil and very convenient. Made of High-quality jute Fast Shipping From USA.100% Customer Satisfaction Guarantee and friendly customer service. Today's Botanic Spark February joined the calendar with January around 700 B.C. The etymology of the name February comes from the Latin "februa," which means "purification." February generally has 28 days, except in a leap year (like this year), in which it has 29 days. Sometimes sayings about February aren't very kind like the translation of this French saying: "February is the shortest month and by far the worst." February is National Cherry (Prunus spp.) month and National Grapefruit (Citrus × paradisi) month. Here's some folklore regarding the month of February : Married in February's sleety weather, Life you'll tread in tune together. It is better to see a troop of wolves than a fine February. If a hedgehog casts a shadow at noon, winter will return. If February gives much snow, A fine summer it doth foreshow. Fogs in February mean frosts in May. A wet February, a wet Spring.
I Like Your Work: Conversations with Artists, Curators & Collectors
I absolutely love the work of artist Carly Glovinski. From her use of color to her exploration of pattern, Carly's work plays with the idea of the decorative and utilitarian. Her work investigates patterns and organizing systems found in everyday life with reverence for the history and behaviors contained in objects and places. In this episode, we discuss living an authentic life and following our passions, from our work in the studio to DIY projects and restoring old homes. Carly received her BFA in painting from Boston University in 2003 and her work is represented by Morgan Lehman Gallery, NYC. Recent solo exhibitions include Currents 8: Carly Glovinski at the Colby Museum of Art, Waterville, Maine, How to Build a Fire at Morgan Lehman Gallery, NYC, Tread Lightly at iMOCA, Indianapolis, and Scout Land at Carroll and Sons, Boston, MA. Her work has been exhibited at numerous institutions including the deCordova Museum and Sculpture Park, Lincoln, MA, Center for Maine Contemporary Art, Rockland, Portland Museum of Art, Portland, ME, the Museum of Contemporary Art, Jacksonville,FL, The Visual Art Center of New Jersey, the Utah Museum of Contemporary Art, and Boston Center for the Arts. She was the 2016 recipient of the Piscataqua Region Artist Advancement Grant from the New Hampshire Charitable Foundation, and an Artist's Resource Trust (A.R.T.) grant from the Berkshire Taconic Community Foundation and has recently completed residencies at the Studios at MASS MoCA, North Adams, MA and Teton ArtLab in Jackson, Wyoming. Carly lives and works in seacoast New Hampshire. LINKS New York Times Article -Can a Woman Who is an Artist Ever Just Be an Artist: The Lives of Two Painters, Celia Pual and Cecily Brown tell very different stories about what it takes to thrive in a medium historically dominated by men https://nyti.ms/33qQWtE http://www.carlyglovinski.com/ http://sachikoakiyama.com/ https://www.sunlighttax.com/moneybootcamp https://www.ilikeyourworkpodcast.com/submitwork
Meghan Brady is a painter who lives and works in midcoast Maine. Using painting, printmaking, drawing, and ceramics, Brady explores the possibilities of an open process, including elements of the human form and abstraction. Brady shows with Mrs Gallery in NYC. She was featured by Mrs at NADA House on Govenors Island this past summer. She has been included in exhibitions at the Portland Museum of Art and recently had a solo exhibition at the University of Maine Museum of Art. She has been a resident at the MacDowell Colony, Hewnoaks, the Ellis-Beauregard Foundation and Tiger Strikes Asteroid in Brooklyn, NY. Brady is a graduate of Smith College and Boston University’s MFA program in Painting. Sound & Vision is sponsored by the fine folks at Golden Artist Colors.
Allyson discusses Myra Albert Wiggins's The Lacemaker (1899, Portland Museum of Art), workin' hard for the money, and types of labor that we might not see as labor. This one's for you, needleworkers!Continue ReadingEpisode 18: As Much Worker as Woman
Stella Johnson is a photographer and educator known for her passionate and honest documentary projects. She received a Core Fulbright Scholar Grant to photograph in Mexico in 2003, and Fulbright Senior Specialist grants to teach in Mexico in 2006 and in Colombia in 2018. The University of Maine Press published her monograph, Al Sol: Photographs from Mexico, Cameroon, and Nicaragua in 2008. Johnson’s photographs have been widely exhibited in the United States and internationally. A dedicated educator, Johnson holds teaching positions at Boston University and Lesley University College of Art and Design. She also teaches workshops in Greece, Cuba, and Mexico. She was a 2013 finalist for the Massachusetts Cultural Council Artist Fellowship, Photolucida Critical Mass Top 50, and a nominee for the Boston Foundation’s Brother Thomas Fellowship. Johnson’s work has received numerous honors including a New England Foundation for the Arts Cultural Collaborative Artist-in-Residence Grant and Julia Margaret Cameron Award. Johnson holds a BFA from The San Francisco Art Institute and an MS in journalism from Boston University. Her work is held in public collections including The DeCordova Museum and Sculpture Park, The Haggerty Museum of Art, The Museum of Fine Arts, Houston, The Portland Museum of Art, and The Southeast Museum of Photography, among others. Resources: Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Support the work we do at The Candid Frame with contributing to our Patreon effort. You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .
Leslie Wayne was born in 1953 in Landstül, Germany to American parents and grew up in Southern California. She studied painting at the College of Creative Studies, UC Santa Barbara for two years before moving to Paris for a year, followed by five years in Israel. In 1982 she moved to New York and received her BFA with Honors in Sculpture from Parsons School of Design. Her signature abstract paintings are known for their highly dimensional surfaces of oil paint with strong references to geology. She is the recipient of numerous awards, including a fellowship from the John Simon Guggenheim Memorial Foundation, a Joan Mitchell Foundation Grant, a Pollock-Krasner Foundation Grant, 2 New York Foundation for the Arts Fellowships in Painting, a New York State Council on the Arts Projects Residency Grant, a Yaddo Artists Fellowship, a Buhl Foundation Award for abstract photography and an Adolph and Esther Gottlieb Foundation Grant. She has exhibited widely throughout the United States and abroad and her work is in the public collections of the Birmingham Museum of Art, Birmingham, AL; la Coleccion Jumex, Mexico City; Collezione Maramotti, Reggio Emilia, Italy; the Corcoran Gallery of Art, Washington DC; le Fondation Cartier pour l’art contemporain, Paris; the Cooper Hewitt Design Museum Smithsonian Library, NYC; The Miami Museum of Contemporary Art, FL; the Portland Museum of Art, Portland, OR; the Davis Museum of Art, Wellesley, MA; and the Neuberger Museum of Art, Purchase, NY, among others. In 2017 the MTA Arts and Design program in New York City commissioned her to create a window for the Bay Parkway Station on the Culver (F) line in Brooklyn, NY. She is a member and serves on the Board of the National Academy of Design. Wayne is represented by Jack Shainman Gallery and lives and works in New York City.
Prior to photography, Donald Weber originally trained as an architect and worked with Rem Koolhaas’ Office for Metropolitan Architecture in Rotterdam, The Netherlands. He is a photographer whose work explores the infrastructures of power in conjunction with the shadow states of globalised violence: societal, cultural, and economic. Donald is the author of four books. His first, Bastard Eden, Our Chernobyl, won the Photo Lucida Book Prize and asked a simple question: what is daily life actually like, in a post-atomic world? Interrogations, about post-Soviet authority in Ukraine and Russia, has gone on to much acclaim; it was selected to be included in Martin Parr and Gerry Badger’s seminal The Photobook: A History, Volume III. Barricade: The EuroMaidan Revolt, is about the smoking language of revolution, made in collaboration with Ukrainian photographer Arthur Bondar. His latest, War Sand, tells the story of D-Day, from myth to micron. He is the recipient of numerous awards and fellowships, including a Guggenheim Fellowship, the Lange-Taylor Prize, the Duke and Duchess of York Prize, two World Press Photo awards and was a finalist for the prestigious Scotiabank Photography Prize. His diverse photography projects have been exhibited as installations, exhibitions and screenings at festivals and galleries worldwide including the United Nations, Museum of the Army at Les Invalides in Paris, the United States Holocaust Memorial Museum, the Portland Museum of Art, the Art Gallery of Ontario and the Royal Ontario Museum. Donald is noted for his teaching, public presentations and workshops. He has three times been named ‘master’ for World Press Photo’s Joop Swart Masterclass and chaired the Documentary category of the World Press Photo Awards in 2015. He is represented by Circuit Gallery in Toronto and is on the faculty of the Royal Academy of Art in The Hague, The Netherlands in the Fine Art and Photography departments. In episode 090, Donald discusses, among other things: The PhD he just started Being told by a teacher that he sucked at photography Getting a job with Rem Koolhaas Moving to Ukraine and working on Chernobyl book Interrogations War Sand The contributiuon of book editor Teun van der Heijden Whether photobooks need a ‘reset’. Photojournalism being at a point of transition Empathy and insecurity Referenced: Eyal Weizman Paul Fusco Shahidal Allam Larry Frolick Website | Facebook | Instagram | Twitter “I was thinking of going into a photojournalism programme and I had two options. So I asked my teacher, ‘should I go here or here?’ And he looked at me with profound disgust and said ‘Neither. You suck as a photographer. I reccommend you don’t even study this.’ So that day I put away my camera and didn’t touch it again for another eight years or so.”
Sean Alonzo Harris is an editorial, commercial, and fine art photographer concentrating on narrative and environmental portraiture. Over the past 25 years his work has been included in a range of national publications, advertising campaigns and exhibitions. In these varied contexts Harris’s work focuses on human experience and identity, and examines how individuals visualize themselves and how they are portrayed. His images bear witness to often invisible or overlooked members of our communities, and create portraits that provide a counterimage and narrative of self worth and personal agency. Harris has also received critical acclaim for his fine art work. Recently, he was awarded a Kindling Fund grant from Space Gallery and the Warhol Foundation for his project, Visual Tensions. This collaborative photographic project and community dialog pairs people of color with members of law enforcement. Harris will create photographic portraits as a means to confront and question cultural and racial assumptions, stereotypes and fears. He has also been selected for the 2018 Portland Museum of Art Biennial. https://www.themainemag.com/radio/radio-guests/sean-alonzo-harris/
For our latest installment of Curious Louisville, WFPL listener Ben Taylor came to us with this inquiry: “Why is Louisville located at this particular point on the Ohio River instead of somewhere else?” Submitted Curious question asker Ben Taylor. The answer lies mostly in the river — and the Falls of the Ohio. At the Portland Museum just west of downtown Louisville, Teresa Lee took me on a topographical tour of the Falls of the Ohio, past and present. Lee is the museum’s education and visitor services coordinator. For early navigators, the prehistoric rock ledge formations and rapids that once interrupted the flow of much of the Ohio River near Portland were an impediment. But they were integral to the development of Louisville. Lee said prior to construction and expansion of the Portland Canal in the 1800s and — much later — the McAlpine Locks and Dam, navigating the falls was dangerous work for pilots of Ohio River vessels. “You had to make a decision. There were times of year you had to stop and get out of the river and walk around,” she said. “So you’ve got Louisville on one end of the falls and Portland on the lower end.” And becoming a stopping point for travelers was a recipe for growth. Over half a century, Louisville expanded from a modest settlement established by George Rogers Clark in the late 1700s into a full-fledged commercial center. “John James Audubon, in the 1840s, he called it an overgrown city, so even by 1840 people were complaining about urban sprawl and things like that,” Lee said. Louisville became a bustling place for shipping, manufacturing and other business, including — infamously — the slave trade. And Lee said the site that would become Louisville appeared destined to be a significant location. The falls was already a strategic point long before European settlers got here, part of a vast Native American trading network. “No matter what time period you’re looking at, whoever controls the falls controls the flow of resources through this area,” said Lee. “Kentucky in general is geographically this transition zone between north and south and east and west.” That centrality was also key to Louisville’s development. The Ohio River has been altered over generations to accommodate commerce and safety, and remains part of the city’s lifeblood. “We’ve modified the river considerably,” said Lee. “It’s on average about five to seven feet wider and deeper than it used to be through damming upstream and dredging and things like that.” The Falls of the Ohio has been tamed, and today, boats and barges routinely pass through the locks. People can still explore what remains of the Falls of the Ohio. A conservation area, fossil beds and an interpretive center are on the banks of the river at Clarksville, Indiana. You can download this story, and be sure to subscribe to Curious Louisville wherever you get your podcasts. Submit your own question at curiouslouisville.org.
For our latest installment of Curious Louisville, WFPL listener Ben Taylor came to us with this inquiry: “Why is Louisville located at this particular point on the Ohio River instead of somewhere else?” Submitted Curious question asker Ben Taylor. The answer lies mostly in the river — and the Falls of the Ohio. At the Portland Museum just west of downtown Louisville, Teresa Lee took me on a topographical tour of the Falls of the Ohio, past and present. Lee is the museum’s education and visitor services coordinator. For early navigators, the prehistoric rock ledge formations and rapids that once interrupted the flow of much of the Ohio River near Portland were an impediment. But they were integral to the development of Louisville. Lee said prior to construction and expansion of the Portland Canal in the 1800s and — much later — the McAlpine Locks and Dam, navigating the falls was dangerous work for pilots of Ohio River vessels. “You had to make a decision. There were times of year you had to stop and get out of the river and walk around,” she said. “So you’ve got Louisville on one end of the falls and Portland on the lower end.” And becoming a stopping point for travelers was a recipe for growth. Over half a century, Louisville expanded from a modest settlement established by George Rogers Clark in the late 1700s into a full-fledged commercial center. “John James Audubon, in the 1840s, he called it an overgrown city, so even by 1840 people were complaining about urban sprawl and things like that,” Lee said. Louisville became a bustling place for shipping, manufacturing and other business, including — infamously — the slave trade. And Lee said the site that would become Louisville appeared destined to be a significant location. The falls was already a strategic point long before European settlers got here, part of a vast Native American trading network. “No matter what time period you’re looking at, whoever controls the falls controls the flow of resources through this area,” said Lee. “Kentucky in general is geographically this transition zone between north and south and east and west.” That centrality was also key to Louisville’s development. The Ohio River has been altered over generations to accommodate commerce and safety, and remains part of the city’s lifeblood. “We’ve modified the river considerably,” said Lee. “It’s on average about five to seven feet wider and deeper than it used to be through damming upstream and dredging and things like that.” The Falls of the Ohio has been tamed, and today, boats and barges routinely pass through the locks. People can still explore what remains of the Falls of the Ohio. A conservation area, fossil beds and an interpretive center are on the banks of the river at Clarksville, Indiana. You can download this story, and be sure to subscribe to Curious Louisville wherever you get your podcasts. Submit your own question at curiouslouisville.org.
Photo by Christina Wnek Photography David Driskell is an artist, curator, educator, and scholar who specializes in African-American art. He has contributed significantly to art history scholarship by examining the role of the Black artist in American society. He has authored six books, co-authored four other books, and published more than fifty catalogues for exhibitions he has curated. His articles and essays on African-American art have appeared in more than twenty major publications throughout the world. In 2000, President Clinton awarded Driskell the National Humanities Medal. In 2001, the University of Maryland established the David C. Driskell Center to continue the legacy he established in studying the visual arts and culture of African Americans and the African diaspora. The High Museum of Art in Atlanta established The David C. Driskell Prize in African-American Art and Art History in 2004, a $25,000 cash prize awarded to an artist, art historian, or curator working in the field of African American art. In 2012, the National Academy, an esteemed arts organization, awarded him a Lifetime Achievement Award for his significant contributions to American arts and education. His work is featured in the collections of several Maine institutions, including the Portland Museum of Art, Bowdoin College Museum of Art, Colby College Museum of Art, Farnsworth Art Museum, and Center for Maine Contemporary Art. https://www.themainemag.com/radio/radio-guests/david-driskell-artist/
Blake Rayne is an artist who was born in Delaware and lives and works in Brooklyn. After receiving his BFA at Cal Arts in the early nineties, he spent a short amount of time in Berlin before getting settled in Brooklyn. He’s had solo shows at Miguel Abreu Gallery, Campoli Press in Paris and London, 1301PE in LA, Sutton Lane in London, Greene Naftali in NY, to name a few from a long list. He’s also shown in group shows at Gavin Brown, the Whitney Museum, the Langen Foundation in Dusseldorf, the Sculpture Center in Long Island City, Matthew Marks in NYC and many more. His work has been covered in Artforum, the NYTimes, Time Out NY, Frieze, Artpapers, Art in America and several other publications. He’s taught at Columbia University and is in the collection of the Museum of Modern Art, the Whitney Museum, The Portland Museum of Art amongst others. Brian met up at Blake’s Navy Yard studio in Brooklyn for a pretty heady talk about his work, process, history and a little skateboarding talk on top.
Jennifer DePrizio is the director of learning and interpretation at the Portland Museum of Art. In this capacity, she strives to provide opportunities for all visitors to make meaningful connections with works of art. To achieve this goal, she focuses on developing opportunities that are learner centered, involve active and social interaction, tap into individual visitor’s motivation, and provide relevant context. Her particular interests are gallery teaching, effective training strategies, and finding ways in which experiences with works of art tap into core human values. Prior to joining the staff at the PMA in September 2014, Jenn was the director of visitor learning at the Isabella Stewart Gardner Museum in Boston for eight years. Previous museum positions include the Education Specialist for Public Teaching Programs at the J. Paul Getty Museum in Los Angeles, California, assistant curator of education at the Worcester Art Museum and director of education at the Vermont Historical Society. From 2008 to 2014 Jenn was an adjunct faculty member in Tufts University’s Museum Studies Graduate Program where she taught the foundation museum education course. She guest-edited and authored an article for the February 2106 issue of the Journal of Museum Education titled “Transforming Training: New Approaches for Engaging Adults.” She has also taught college level art history and museum studies courses, and is regularly invited to museums across New England assist in training gallery educators. She holds a B.A. in art history from the College of the Holy Cross and a M.A.T. in museum education from the George Washington University. Stephen Hayes is a physician with Maine Medical Partners. He practices general internal medicine in Westbrook and is actively involved with teaching residents and medical students at both his Westbrook practice site and at Maine Medical Center. He teaches in the Maine track program, a combined Medical School Program between Tufts University and Maine Medical Center. He has taught clinical reasoning to the second-year students since the inception of the program. For the last two years, he and Dr. Jo Linder have brought second-year medical students to the Portland Museum of Art as part of their introduction to clinical medicine. Dr. Hayes has also been involved with the Literature and Medicine Program at Maine Medical. This is a program originally developed by the Maine Humanities Council, which utilizes discussions of literature to explore issues faced members of the Maine Medical Center community in their work providing care. He serves on the Hospital Steering Committed for this program. He currently serves on the Board of Directors for the Maine Humanities Council. He did his medical school and residency training at the University of Rochester and served on the faculty of the University of Chicago prior to moving to Maine For the last two years, he and Dr. Jo Linder have brought second-year medical students to the Portland Museum of Art to work on visual thinking strategies with Jennifer DePrizio. https://www.themainemag.com/radio/radio-guests/jennifer-deprizio-stephen-hayes/
If you can't make it to the Portland Museum of Art 11/1/16 at 4pm (call 8741065 to RSVP) catch "The Reel Snow White" on YouTube: https://youtu.be/JE51X_4dni4
This weekend, Portland's Pioneer Courthouse Square transforms into a weekend-long art party. Libby Werbel of the Portland Museum of Modern Art (PMOMA) will take over the Square through a cool new residency series called Houseguest. She's also programming one night of The Works — that's the raucous nightly afterparty for PICA's Time Based Art Festival — with some of her Houseguest performers and a few choice Portland artists. Werbel grew up in Portland, but left after High School to study and work as an art handler in New York's Whitney Museum, the New Museum, and the storied exhibition space PS 1. Returning to Portland, she couldn't find work. Remember Portland's art scene was small, and insular. After a couple of years, she got a microscopic basement space in her friend's music shop, Mississippi Records. She decided to start a gallery that was an homage of sorts to some of the amazing contemporary institutions she'd explored. The result is a tiny space that wittily challenges ideas about the nature of museums and the art-watching experience. Take a listen to hear about the visual artists Werbel chose for her big stage, the thrill she got programming Fred and Toody Cole (Dead Moon/Pierced Arrows), and what she envisions next for PMOMA.
Oregon Playwright Shoots True With 'The Gun Show' - 1:15“The Gun Show” tells five stories about guns drawn from the life of the award-winning playwright E.M. Lewis. She grew up in rural Oregon, where she was surrounded by guns, and she learned to shoot on a date with her husband-to-be. But then she found herself on the other end of a barrel during a robbery, followed by two other deeply troubling experiences, one of which ended in the death of her husband. Suffice it to say, she knows firsthand the whole range of emotions guns elicit, and her one-man (yes, a man plays her) show is a powerful and provocative ride of humor and emotion. It stars Vin Shambry at Coho Theater through Oct. 1.Portland's Living Room Explodes With Art This Weekend - 11:45This weekend, Portland’s Pioneer Courthouse Square will transform into a three-day art party. Libby Werbel of the Portland Museum of Modern Art — or P-MOMA — will take over through the Square’s cool new residency series, Houseguest, bringing in visual artists and performers like Portland punk royalty Fred & Toody Cole and San Francisco dynamo Dynasty Handbag for all day entertainment from 11am to 7pm.Werbel's also programming the Works, the raucous nightly afterparty for PICA’s Time Based Art Festival, on Friday, Sept. 9 with some of her Houseguest performers and a few choice Portland artists like the Strange Babes DJ trio.Portland Musician Admits To Attempted Rape On Facebook - 22:37Last weekend, a Portland musician who plays in several bands made a shocking admission on his Facebook page. Joel Magid described in graphic terms how he’d tried to rape a woman, until, he says, a friend intervened. A torrent of responses exploded across social media, and the story got picked up from San Francisco to London. We spoke with some people in the Portland music scene who had strong thoughts on the post and on the broader music culture that is not always helpful to victims of sexual violence. A Jazz Life: Paul Knowles Remembers The Cotton Club - 32:20The music venue that set the rhythm of life for black Portlanders during the 1960s was the Cotton Club in Northeast Portland on Vancouver Avenue. And the man who made the Cotton Club happen has shared several stories with KMHD Jazz Radio’s oral history project, A Jazz Life. Today we’re bringing you one about the early days at the club.The Final Works Of NW Icon Rick Bartow - 35:40Rick Bartow, one of the region’s most accomplished artists, passed away in April. His boldly colorful, emotive, and idiosyncratic works refused to be contained by medium or style or even species. Inspired by his Native American heritage and travels to Mexico, Japan, and beyond, his works depicted beings that blended human and animal, creatures on the cusp of the material and the spiritual world. Bartow’s final months were his most productive, and Froelick Gallery is now showing them in an exhibition called “Sparrow Song.” We talked with gallerist Charles Froelick, a longtime friend of Bartow’s, in February, about Bartow's final months and his legacy.The Real Bob Ross: Meet The Man Behind Those Happy Trees - 43:49The hypnotic voice, the poofy hair, the beard: Bob Ross passed away more than 20 years ago, but apparently he’s as timeless as the happy trees he painted on his PBS show, “The Joy of Painting.” Time to get out those oil paints: Netflix is streaming episodes, which got NPR producer Danny Hajek thinking, what’s Bob’s story.
The Museum of Contemporary Craft is no stranger to changes in name and location. It was originally founded in 1937 as the Oregon Ceramics Studio on SW Corbett Avenue. It went through several titles before settling on its current name when it moved into the Pearl District in 2007. MOCC now bills itself as the oldest continuously-running craft institution in the United States, and along the way, it developed a national reputation for its thoughtful, innovative exhibitions.Now the museum will undergo perhaps its greatest change yet: dissolving entirely into a new Center for Contemporary Art & Culture within PNCA's main campus building."The collection from MOCC will come into PNCA to be combined with our existing programs at PNCA," says the college's interim president Casey Mills. "So it would span not only craft, but craft, art, design, and show that these are actually all interrelated and that they actually feed off one another."Read the full story: http://www.opb.org/news/article/pnca-to-close-the-museum-of-contemporary-craft-and-sell-its-pearl-space
Lou and Paul Ureneck have been part of the Maine community for several decades—in very different ways. Paul has worked in construction management, helping orchestrate projects such as the Portland Museum of Art's Winslow Homer home restoration and Thompson’s Point redevelopment. Lou is a writer and Boston University Professor who worked as the deputy managing editor at the Portland Press Herald for many years. In 2011, Lou wrote Cabin - Two Brothers, a Dream and Five Acres in Maine. https://www.themainemag.com/radio/2015/08/cabin-building-brotherly-love-207/
Susan Donnell and Harry W. Konkel Assistant Curator of European Art at the Portland Museum of Art Andrew Eschelbacher Tuesday, May 5, 2015
The creative process is necessarily an evolution. Artists, and the community in which they create, are continuously changing. Today we speak with architect Scott Simons and with Mark Bessire, director of the Portland Museum of Art, about designing updated spaces and programs that can absorb and celebrate change. You won't want to miss these intriguing conversations. https://www.themainemag.com/radio/2015/01/architecture-art-174/
An interview with Portland Museum of Art Director, Mark Bessire at Winslow Homer’s Studio, Prout’s Neck, Maine. Mark discusses the life that shaped Homer into the artist he became, his work and his time as America’s top studio painter …
Jean McGinnis of the Maine Center for Creativity, Mark Bessire of the Portland Museum of Art, and Willa Wirth, Silver Designer, give us insights into the creative brain and help us understand the importance of having a healthy mind as we strive to lead healthy lives. https://www.themainemag.com/radio/2012/04/creativity-31/
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