Podcasts about baglama

Conducido por Pablo Wasserman y Juan Ruocco.  Círculo Vicioso https://twitter.com/circulovicioso8 Sitio oficial: https://www.circulovicioso.club/ (0:00) INTRO (3:40) Comienza (6:40) Fundamentals (8:31) Borge Brende (12:26) Kilroy was here (14:43) Veteranos y PTSD (16:40) El lore de Kilroy (18:50) El hombre llegó a la luna? (23:31) ARAD 7 para reemplazar al FAL (25:17) Magaiba en 421 (27:55) Julito López (29:17) Six Feet Under y gor3 (37:59) Patricio Rey es el Inddio Solari (40:17) Colecta para Gimnasia (43:08) GELP y las finanzas en el fútbol (51:49) El fake Verón y prometheus (56:00) Circulo 100K (58:34) Michelo y su psyop (1:02:00) Carlos Corach (1:06:19) Lilia Lemoine y Numerone (1:08:05) Full chat (1:13:48) Kike (1:14:25) Drones con IA (1:17:40) Hachis (1:19:54) Juan en Córdoba (1:21:20) Figuretti y los pansubis (1:24:35) Baglama time (1:25:49) Michelo en el Helicoide (1:27:17) Corea del Norte (1:28:05) Grecia y parecido con Argentina (1:33:38) El scammer de Magaiba (1:35:20) Invitados y entrevistas (1:46:00) Santiago Motorizado (1:47:40) Invitados (1:53:10) El Papa vs los magos (1:56:15) La misa del diablo (1:57:46) Pagni y Trebucq anunakis (2:00:50) Helicoide y Venezuela (2:04:52) Cierre y final

Famed Bouzouki player Manolis Michalakis drops by Ouzo Talk to talk all things Rebetika and the instrument that has come to characterise the genre. Often referred to as 'the blues of Greece', Rebetika is an important part of Greece's musical and cultural heritage, in a marriage of instruments and styles that draw inspiration from ancient Greece, right through to Smyrna in the early 20th century. With the help of our resident Bouzouki expert, George Calopedos, the boys share a few drinks, play some songs and get to the bottom of this important genre.This episode is brought to you by,KST Buses https://www.kstbuses.com.au/The Greek Providorehttps://thegreekprovidore.com.au/?gad_source=1&gclid=EAIaIQobChMIjtOJ253VhgMVeG4PAh1aDg2nEAAYASAAEgIMuvD_BwESend us a Text Message.Support the Show.Email us at ouzotalk@outlook.comSubscribe to our Youtube: https://www.youtube.com/watch?v=R3n85GSdk5Q&t=6sFollow us on Facebook: https://www.facebook.com/OuzoTalkFollow us on Instagram: https://www.instagram.com/ouzo_talk/

Die Maus zum Hören - Lach- und Sachgeschichten. Heute: mit der Triangel als Instrument, Steinzeitmenschen und ihren Zähnen, Käpt`n Blaubär und dem Flötenfänger von Hameln, mit Nina und natürlich mit der Maus und dem Elefanten. Matti und die Triangel (05:14) Rate mal (13:39) Käpt´n Blaubär (18:18) Zeynep-Celal und Jiyan-Kani spielen Baglama (26:41) Klanglupe (34:37) Steelpan (39:27) Frage des Tages: Hatten die Steinzeitmenschen Zahnspangen? (47:11) Von Nina Heuser.

City Scenes is our weekly dive into the music scenes of different cities around the world. Each week we're moving through the alphabet and this week we find ourselves in Istanbul, Turkey. Istanbul is a city in Turkey with 16 million inhabitants. Istanbul holds a special significance in that in many ways it is the place where east meets west - in both geography and culture. Istanbul sits on the Bosphorus straight, a body of water that separates the continents of Europe and Asia and so the city and its residents are formed by this meeting and melting of European and Asian influences. It's also a city that is steeped in History. During the Roman period it was called Constantinople and stood as the capital of the eastern roman empire and then the ottoman empire. Due to its strategic location it has always been a hub for trade and transport attracting people, produce and cultures from across the world. All of this has given the city a hugely dense cultural identity which has undoubtedly affected the music that is made in Istanbul. For today's episode, we focus on Turkish Rock music and in particular, the genre of Anatolian rock or Turkish psych rock as it is also known which has played a hugely important role in Turkish popular music. In the 1970s musicians like Erkin Koray and Baris Manco started making music that fused elements of western rock music with Turkish folk and traditional pop music, blending the scales, structures and melodies of their native country with rock instrumentation and rhythms. Erkin Koray is often called the father of Turkish rock. He was the first person to add an electronic pick up to a traditional Turkish string instrument called the Baglama, thus creating a new instrument that was heavily responsible for the sound of Turkish Psych Rock. In the 1970s Istanbul had a buzzing music scene. Artists like Baris Manco Selda Bagcan and Cem Caraga along with a host of others were making this new and exciting music that blended their traditional routes with the influence of western rock music that they were hearing on the radio and in record stores. Like in any thriving music scene, they all played in each others bands, playing on multiple instruments and recording in different combinations, managing each other and promoting each others concerts around the city. Some of the bands from that period include Mogolar, kardashlar, kurtalan expres and Uc hurel. The musician who is probably most known around the world and adored in Turkey from this Period is Baris Manco. If Erkin koray was the father of Turkish Rock, there is no doubt that Baris Manco is the king of Turkish psych rock. He is a national hero in Turkey. So popular in fact that he once intended to run for president of turkey and if he had, there is a good chance he would have won, he's that celebrated by everyone in the country. As well as a celebrated rock star he became a much loved tv personality, watched by millions every week and you still hear his music everywhere you go in turkey to this day. In Baris Manco's track, Alla Beni Pulla Beni, you can easily hear the mixing of western rock music with turkish. This is a music where east meets west, just like the geographical location of Istanbul which separates Europe and Asia and - fun fact: Baris Manco named his two sons Doğukan and batikan which literally mean ruler of the west and ruler of the east so that tells you how much that cultural identity meant to him. The turkish psych rock sound that began in Istanbul in the 1970s with artists like Erkin Koray and Baris Manco is alive and well today thatnks to acts like Baba Zula and Elektro Hafiz who hark back to those Turkish psych routes but pushes things further in an electronic direction. If you want to dig further into the sounds of Turkish Psych Rock we would recommend listening to: Mogollar: https://spoti.fi/3iw1R1N Uc Hurel: https://spoti.fi/3W0g4BL Kurtalan Expres: https://spoti.fi/3CK3DTQ Selda Bagcan: https://spoti.fi/3GHM8VI

Una live con una dei migliori negozi di strumenti musicali arabi, turchi, persiani e indiani d'Italia, l'occasione perfetta per scoprire nuove suggestioni musicaliTrovate qui il loro sito: https://www.tapadum.com/-qui la loro pagina Facebook: https://www.facebook.com/tapadum.instruments-Instagram: https://www.instagram.com/tapadum/-e Youtube: https://www.youtube.com/c/TapadumTrovate qui tutte le info riguardo alla band Kara Güneş:-sito: http://www.en.karagunes.org/-Facebook: https://www.facebook.com/Kara.Gunes.II/-Youtube: https://www.youtube.com/karagunese Instagram: https://www.instagram.com/karagunesmusicband/Trovate tutti i link qui: https://linktr.ee/mediorientedintorni, ma, andando un po' nel dettaglio: -tutti gli aggiornamenti sulla pagina instagram @medioorienteedintorni -per articoli visitate il sito https://mediorientedintorni.com/ trovate anche la "versione articolo" di questo video. - podcast su tutte le principali piattaforme in Italia e del mondo-Vuoi tutte le uscite in tempo reale? Iscriviti al gruppo Telegram: https://t.me/mediorientedintorniOgni like, condivisione o supporto è ben accetto e mi aiuta a dedicarmi sempre di più alla mia passione: raccontare il Medio Oriente

„Kennst Du Michael Jackson?“ Die politisch aktive Multiinstrumentalistin Derya Yıldırım wuchs auf der Elbinsel Veddel auf - mit Hamburger Host Nisse schnackt sie darüber, wie der Ort ihrer Kindheit und die traditionelle anatolische Musik ihrer Familie sie geprägt haben und wie sie über die mediale Reduzierung ihrer Person und Musik auf eine „Quotentürkin“ oder die „Powerfrau von der Veddel“ denkt.

Kulturanthropologe Matthias Witt ist ein Fan von ALTIN GÜN. Er spielt Kontrabass und Baglama, koordiniert interkulturelle Musikprojekte an der Landesmusikakademie NRW. Warum er ALTIN GÜN so gerne hört, hat er mir erzählt.

Dyslexia makes up 80% of learning disabilities, yet often teachers aren't given instruction or PD on how to support these students (Degirmenci et al. 2020, p 31). Dr. Lauren is a Dyslexia Advocate with a doctorate in Education. Her experiences range from being a Special Education teacher to a Learning Specialist/Instructional Coach. Her insight into dyslexia was exactly what I was looking for in explaining dyslexia in simple terms and ideas on supporting students with dyslexia. I hope that through this conversation, you find simple solutions to implement in your virtual classrooms. Don't forget to head over to our social media pages to share any ideas you have to support dyslexia students! Episode InfoGuest: Dr. LaurenInstagram @think_dyslexiaTwitter: @think_dysleixaLinkedin: Dr. LaurenResources:Color Scheme most pleasant for your mind: www.irlen.comGamification Website: https://www.genial.ly/Orton-Gillingham: www.ortonacademy.orgJoin the conversation on our Instagram and Facebook!!Follow The Virtual Classroom on Instagram @thevirtualclassroomFacebook @thevirtualclassroompodYoutube @thevirtualclassroomFacebook Group: TheVT LoungeYour Host: Kimberly RingInstagram @Kimberly_ringFacebook @Kimberly.ringLinkedin: Kimberly RingSupport the ShowSubscribe todayShare with a friendLeave a reviewBuy from the storesRedbubbleTpTMusic for the show is "Journey to the Dream" by Alex StonerLicensed through TaketonesDisclaimer:This podcast is for encouragement, inspiration, or entertainment. This is not an advice show, coaching recommendations, and should not be taken as instruction.ReferencesDegirmenci, N., Baglama, B., & Yucesoy, Y. (2020). The Use of technology in dyslexia: An analysis of recent trends. International Journal of Emerging Technologies in Learning, 15(5), 30–39. https://doi.org/10.3991/ijet.v15i05.11921Fallon, K. A., & Katz, L. A. (2020). Structured literacy intervention for students with dyslexia: Focus on growing morphological skills. Language, Speech & Hearing Services in Schools, 51(2), 336–344. https://doi.org/10.1044/2019_LSHSS-19-00019Shaw, S. C. K., Hennessy, L. R., Okorie, M., & Anderson, J. L. (2019). Safe and effective prescribing with dyslexia. BMC Medical Education, 19(1), 1-6. https://doi.org/10.1186/s12909-019-1709-5  Support the show (http://paypal.me/thevcpod) --- Send in a voice message: https://anchor.fm/the-virtual-classroom/message Support this podcast: https://anchor.fm/the-virtual-classroom/support

Auf seiner Reise durch Aserbeidschan hat Audiotraveller Henry Barchet die Dörfer der Udinen besucht. Ein Volk, das heute noch seine eigene Jahrhunderte alte Sprache spricht. Er hat die stolzen Einwohner des abgeschiedenen Kaukasus Bergdorfs Lahıc getroffen und einen Aşık, einen traditionellen Liedermacher des Landes, der ihm Lieder voll Sehnsucht und Traurigkeit vorgesungen hat. 

Kaum ist sie von Hamburg nach Berlin zum Studieren gezogen, schon ergattert sie sich ein Platz in unserer Rubrik „Lokalmatador“. Zusammen mit ihrer Band Grup Şimşek weiß Derya Yildirim mit einem Mix aus modernem Funk, Pop, Jazz und traditioneller Folklore zu überzeugen. Ihre Musik beschreibt die Wahl-Berlinerin als „anatolischen Psych-Pop“, der aus Eigenkompositionen, aber auch neu arrangierten türkischen Volksliedern besteht. Das Herzstück des im Mai erschienen Debütalbums bildet Deryas kraftvolle Stimme und ihr Spiel auf der Baglama, einer Langhalslaute. Das Album wurde im eigenen Studio in den französischen Alpen aufgenommen und kombiniert die Virtuosität der Band mit Deryas Wurzeln. Seit Veröffentlichung touren sie nun durch Europa. Zur Halbzeit ihrer Tournee hatten wir heute Derya Yildirim bei uns zu Gast als Lokalmatadorin.

Derya Yildirim ist durch und durch eine Musikerin. Wie wird man aber eine Vollblutmusikerin? Ich glaube nicht so recht daran, dass Talente vom Himmel fallen und nichts weiter tun müssen für ihren Erfolg. Gerade die Rolle der Eltern ist meist entscheidend, was man als erwachsener Mensch aus dem eigenen Talent macht. Derya hat einen weiten Weg auf sich genommen und mich zuhause besucht. Hier haben wir nach einem Teller Pasta über ihren Werdegang und ihren Wurzeln gesprochen und welche Verbindung sie zu ihrem Instrument, der Baglama hat. Gemeinsam mit ihrer Band Grup Simsek fusioniert sie anatolischen Folk mit psychedelischen Funk. In dieser Ausgabe von "What's Your Story?" spreche ich mit Derya über ihre Entscheidung, als klassisch ausgebildete Musikerin mit Hang zur Pop-Musik, einen etwas außergewöhnlicheren Weg zu gehen.

Ankhara calls the falcon and the spirits of the desert with the Baglama, an instrument tied to European shamanism. Corazon Medicina joins with the didge, connecting the Earth with the Air. Learn more @ http://Journeying.ca

Here's Program 18!  Shimmy on! 1. MOHAMED ABDEL WAHAB Habibi Lasmar from the album Belly Dance - The Music of Mohamed Abdel Wahab Vol. 1, 1976 2. THE DERBECKI ENSEMBLE The Wheat Song from the album Dabkie - Exotic Dances of the Middle East, no date given 3. MOHAMMED EL-BAKKAR & HIS ORIENTAL ENSEMBLE Ya Salem (How Beautiful) from the album The Magic Carpet: Music of the Middle East Vol. 4, 1958 4. RAYMOND MIRIJANIAN Anatolian Medley from the album Ray Mirijanian's Music For Belly Dancing Vol. 1, no date given 5. ANESTOS ATHOUNASIOU & HIS ENSEMBLE Arapines (Arabian Girl) from the album Music For Belly Dancing - Instrumentals From the Near East, no date given 6. EDWARD MEKJIAN & HIS ENSEMBLE Undzee Ullah from the album Belly Dance Music From the Middle East Vol. 3, no date given 7. OMAR KHORSHID & HIS GUITAR Teletya Mahla Nourha from the album Rhythms From the Orient, 1974 (CD reissue, Umbrella Records; 2001) 8. SONNY LESTER & HIS ORCHESTRA Sultana's Dream from the album Little Egypt Presents: MORE How to Belly-Dance For Your Husband, no date given 9. THE SULTANS Dance Oriental Routine: Yollar Uzak, Yarim Kalan Ask, Yesillim, Taksim (Ney, Organ, Baglama), Rhythm Solo, Sallasana Mendilini from the album The Sultans Middle Eastern Band Vol. 1, 1981 10. BEL-SHA-ZAAR WITH TOMMY GENAPOPOLUIS & THE GRECIAN KNIGHTS Waist Movement from the album The Art of Belly Dancing, 1969 11. HANK MARDIGIAN SEXTET FEATURING GEORGE MGRDICHIAN ON THE OUD The Halleh from the album Oriental Delight, no date given 12. EDDIE "THE SHEIK" KOCHAK WITH HAKKI OBADIA Dance "Didi" - Beledi - 4/4 from the album Strictly Belly Dancing, The 5th Volume, 1977 13. THE "FLAMES OF ARABY" ORCHESTRA, FEATURING VOCALS BY GEORGE ABDO Shuty Ya Dini (Rains of Spring) from the album Belly Dance Music, no date given