Podcasts about Cultural heritage

In this episode of Flavors Unknown, Emmanuel Laroche sits down with David Skinner, James Beard–recognized chef and founder of Ishtia, to explore the deep intersection of heritage, excellence, and emotional memory. David's story does not begin in a boardroom. It begins in his grandmother's kitchen—standing beside a pastry chef, breathing in the scent of cakes and cookies fresh from the oven. Those early sensory memories shaped not just his palate, but his philosophy: food is not performance. It is connection. At Ishtia, Skinner reinterprets Choctaw culinary traditions through a modern fine-dining lens. Corn, beans, squash—the foundational ingredients of Indigenous foodways—become vessels for storytelling. But this is not nostalgia. It is restoration. It is education. It is evolution without erasure. What you’ll learn from Chef David Skinner The emotional power of flavor and scent Why Native American cuisine deserves broader recognition The challenge of preserving authenticity while innovating His departure from food into finance—and what pulled him back The responsibility of telling Indigenous stories in contemporary spaces The science of smell and sensory immersion in dining The tension between creative freedom and operational reality What is the cost of excellence? Can fine dining become a vehicle for cultural restoration? How do you modernize tradition without diluting it? And what does it mean to return to your roots after building success elsewhere? Chapters 01:17 Exploring Early Memories of Flavors03:41 Cultural Heritage and Food Traditions06:49 The Concept Behind David’s Restaurant11:28 Creating Emotional Connections Through Food13:53 Interpreting Traditional Ingredients in Fine Dining19:02 The Coral Snake Soup Experience20:46 Storytelling Through Food23:26 A Culinary Journey Begins27:39 Transitioning to Finance and Back34:11 The Birth of Eculent38:59 Creating a Dynamic Dining Environment42:45 The Science of Smell in Dining44:04 Innovative Culinary Techniques46:13 Creating the Edible Forest48:39 Emotional Connections Through Food51:45 Global Culinary Experiences54:16 The Influence of Choctaw Cuisine56:32 Challenges in Sourcing Unique Ingredients01:00:59 Reflections on Culinary Freedom and Impact   Beyond the Mic: My Stories in Print A Taste of Madagascar: Culinary Riches of the Red Island invites readers to join me on his unforgettable journey across the island of Madagascar, where a vibrant culture and stunning ecosystem intertwine to create an extraordinary culinary experience. Explore the unique ingredients and traditions that define Madagascar and discover their profound impact on the global culinary landscape. Alongside the captivating stories, the book presents a collection of exciting recipes that showcase the incredible flavors and ingredients of Madagascar. Publication date: Tuesday, January 27, 2026 Pre-order the book here! “Conversations Behind the Kitchen Door” is my debut book, published in Fall 2022. It features insights from chefs and culinary leaders interviewed on the Flavors Unknown podcast, offering a behind-the-scenes look at creativity, culture, and the future of the hospitality industry. Get the book here! Links to most downloaded episodes (click on any picture to listen to the episode) Chef Sheldon Simeon Chef Andy Doubrava Chef Nina Compton Chef Jacques Pepin Social media Isthia Instagram Facebook Links mentioned in this episode Ishtia Restaurant SUBSCRIBE TO THE ‘FLAVORS UNKNOWN' NEWSLETTER

Navy veteran Dr. Theodore Roosevelt Johnson, his family name a legacy first chosen to honor the new possibilities for Black Americans many presidents ago, writes about a football game when he stood during the National Anthem and his son—on the field as a player—chose to kneel. Both, he argues, are acts of love of country. Ted's life, service and scholarship are a love letter to America—both when he confronts our failure and takes pride in our accomplishments. Now Ted leads New America's Us@250 initiative which "seeks to reimagine the American narrative with a focus on three themes: pride in the nation's progress, reckoning with historical and contemporary wrongs, and aspiration for a better future." Learn more about our guests and find the program online here. This program is part of the series in partnership with Florida Humanities — "UNUM: Democracy Reignited," a multi-year digital offering exploring the past, present and future of the American idea — as it exists on paper, in the hearts of our people, and as it manifests (or sometimes fails to manifest) in our lives. View the full series of programs online here. ———————————————————— The Village Square is a proud member of The Democracy Group, a network of podcasts that examines what's broken in our democracy and how we can work together to fix it. UNUM: Democracy Reignited is funded in part by Florida Humanities with support from Federation of State Humanities Councils and the Mellon Foundation. (Any views, findings, conclusions or recommendations expressed in this program do not necessarily represent those of our funders.) By the People: Conversations Beyond 250 is a series of community-driven programs created by humanities councils in collaboration with local partners. The initiative was developed by the Federation of State Humanities Councils and the Smithsonian Center for Folklife and Cultural Heritage.  

FHSMUN 47 - SOCHUM - Combatting the Impact of Armed Conflict on Cultural Heritage Sites by FHSMUN, Inc.

Featuring an Encore of 2025's Most Popular Episode #174 with Josef Tichy, Mel Hoover, Kurt Krueger, and Host Joy Gilfilen.We are bringing back this essential conversation for a special encore presentation on February 12th.Joseph shares reflections on growing up in Prague, while Mel discusses their diverse American roots. They tackle the impact of history, like the fall of communism, on personal freedom and responsibility.The panel calls for a NEW educational framework that nurtures holistic consciousness. Language and perception are key! They stress the need for innovative vocabulary to define humanity and connect with nature.America's "melting pot" identity is questioned, urging a reevaluation to embrace multicultural and multigenerational wisdom. Ultimately, they highlight the transformative power of IDEAS and the importance of CONSCIOUS efforts to drive societal change and envision new realities.

ANTHROPOLOGY REGENERATES CULTURE. Simone Verde is a museologist and art historian who was appointed Director of the Uffizi Galleries in Florence, Italy, in December 2023, replacing Eike Schmidt who moved to Capodimonte. From 2014 to 2016 Simone Verde was head of scientific research at the Louvre in Abu Dhabi, and from 2016 to 2023 he directed the Complesso Monumentale della Pilotta in Parma, Italy, whose total restoration and refurbishment he completed. Verde studied Theoretical Philosophy in Rome and Paris, has a doctorate in Anthropology of Cultural Heritage, and a degree in Museology and Art History at the École du Louvre. "The strength of art, of heritage, is its capacity to regenerate itself through centuries and time and cultures." "The icons of the museum are promoted by social media, and this is both an opportunity and a problem." "We have to be a universal museum in terms of audiences. That makes the work we do much more complicated."

Between the nineteenth century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States. Most of these artifacts were cataloged as ornamental art objects, which erased their intended functions, and the removal of these objects often had catastrophic consequences for the original structures. Africa's Buildings: Architecture and the Displacement of Cultural Heritage (Princeton UP, 2025) traces the history of the collection and distribution of African architectural fragments, documenting the brutality of the colonial regimes that looted Africa's buildings and addressing the ethical questions surrounding the display of these objects.Dr. Itohan Osayimwese ranges across the whole of Africa, from Egypt in the north to Zimbabwe in the south, and spanning the western, central, and eastern regions of the continent. She describes how collectors employed violent means to remove elements such as columns and door panels from buildings, and how these methods differentiated architectural collecting from conventional collecting. She shows how Western collectors mischaracterized building components as ornament, erasing their architectural character and concealing the evidence of their theft. Dr. Osayimwese discusses how the very act of displacing building parts like floor tiles and woven screen walls has resulted in a loss of knowledge about their original function and argues that because of these removals, scholars have yet to fully grasp the variety and character of African architecture.Richly illustrated, Africa's Buildings uncovers the vast scale of cultural displacement perpetrated by the West and proposes a new role for museums in this history, one in which they champion the repatriation of Africa's architectural heritage and restitution for African communities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Between the nineteenth century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States. Most of these artifacts were cataloged as ornamental art objects, which erased their intended functions, and the removal of these objects often had catastrophic consequences for the original structures. Africa's Buildings: Architecture and the Displacement of Cultural Heritage (Princeton UP, 2025) traces the history of the collection and distribution of African architectural fragments, documenting the brutality of the colonial regimes that looted Africa's buildings and addressing the ethical questions surrounding the display of these objects.Dr. Itohan Osayimwese ranges across the whole of Africa, from Egypt in the north to Zimbabwe in the south, and spanning the western, central, and eastern regions of the continent. She describes how collectors employed violent means to remove elements such as columns and door panels from buildings, and how these methods differentiated architectural collecting from conventional collecting. She shows how Western collectors mischaracterized building components as ornament, erasing their architectural character and concealing the evidence of their theft. Dr. Osayimwese discusses how the very act of displacing building parts like floor tiles and woven screen walls has resulted in a loss of knowledge about their original function and argues that because of these removals, scholars have yet to fully grasp the variety and character of African architecture.Richly illustrated, Africa's Buildings uncovers the vast scale of cultural displacement perpetrated by the West and proposes a new role for museums in this history, one in which they champion the repatriation of Africa's architectural heritage and restitution for African communities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Between the nineteenth century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States. Most of these artifacts were cataloged as ornamental art objects, which erased their intended functions, and the removal of these objects often had catastrophic consequences for the original structures. Africa's Buildings: Architecture and the Displacement of Cultural Heritage (Princeton UP, 2025) traces the history of the collection and distribution of African architectural fragments, documenting the brutality of the colonial regimes that looted Africa's buildings and addressing the ethical questions surrounding the display of these objects.Dr. Itohan Osayimwese ranges across the whole of Africa, from Egypt in the north to Zimbabwe in the south, and spanning the western, central, and eastern regions of the continent. She describes how collectors employed violent means to remove elements such as columns and door panels from buildings, and how these methods differentiated architectural collecting from conventional collecting. She shows how Western collectors mischaracterized building components as ornament, erasing their architectural character and concealing the evidence of their theft. Dr. Osayimwese discusses how the very act of displacing building parts like floor tiles and woven screen walls has resulted in a loss of knowledge about their original function and argues that because of these removals, scholars have yet to fully grasp the variety and character of African architecture.Richly illustrated, Africa's Buildings uncovers the vast scale of cultural displacement perpetrated by the West and proposes a new role for museums in this history, one in which they champion the repatriation of Africa's architectural heritage and restitution for African communities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Between the nineteenth century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States. Most of these artifacts were cataloged as ornamental art objects, which erased their intended functions, and the removal of these objects often had catastrophic consequences for the original structures. Africa's Buildings: Architecture and the Displacement of Cultural Heritage (Princeton UP, 2025) traces the history of the collection and distribution of African architectural fragments, documenting the brutality of the colonial regimes that looted Africa's buildings and addressing the ethical questions surrounding the display of these objects.Dr. Itohan Osayimwese ranges across the whole of Africa, from Egypt in the north to Zimbabwe in the south, and spanning the western, central, and eastern regions of the continent. She describes how collectors employed violent means to remove elements such as columns and door panels from buildings, and how these methods differentiated architectural collecting from conventional collecting. She shows how Western collectors mischaracterized building components as ornament, erasing their architectural character and concealing the evidence of their theft. Dr. Osayimwese discusses how the very act of displacing building parts like floor tiles and woven screen walls has resulted in a loss of knowledge about their original function and argues that because of these removals, scholars have yet to fully grasp the variety and character of African architecture.Richly illustrated, Africa's Buildings uncovers the vast scale of cultural displacement perpetrated by the West and proposes a new role for museums in this history, one in which they champion the repatriation of Africa's architectural heritage and restitution for African communities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Between the nineteenth century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States. Most of these artifacts were cataloged as ornamental art objects, which erased their intended functions, and the removal of these objects often had catastrophic consequences for the original structures. Africa's Buildings: Architecture and the Displacement of Cultural Heritage (Princeton UP, 2025) traces the history of the collection and distribution of African architectural fragments, documenting the brutality of the colonial regimes that looted Africa's buildings and addressing the ethical questions surrounding the display of these objects.Dr. Itohan Osayimwese ranges across the whole of Africa, from Egypt in the north to Zimbabwe in the south, and spanning the western, central, and eastern regions of the continent. She describes how collectors employed violent means to remove elements such as columns and door panels from buildings, and how these methods differentiated architectural collecting from conventional collecting. She shows how Western collectors mischaracterized building components as ornament, erasing their architectural character and concealing the evidence of their theft. Dr. Osayimwese discusses how the very act of displacing building parts like floor tiles and woven screen walls has resulted in a loss of knowledge about their original function and argues that because of these removals, scholars have yet to fully grasp the variety and character of African architecture.Richly illustrated, Africa's Buildings uncovers the vast scale of cultural displacement perpetrated by the West and proposes a new role for museums in this history, one in which they champion the repatriation of Africa's architectural heritage and restitution for African communities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Between the nineteenth century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States. Most of these artifacts were cataloged as ornamental art objects, which erased their intended functions, and the removal of these objects often had catastrophic consequences for the original structures. Africa's Buildings: Architecture and the Displacement of Cultural Heritage (Princeton UP, 2025) traces the history of the collection and distribution of African architectural fragments, documenting the brutality of the colonial regimes that looted Africa's buildings and addressing the ethical questions surrounding the display of these objects.Dr. Itohan Osayimwese ranges across the whole of Africa, from Egypt in the north to Zimbabwe in the south, and spanning the western, central, and eastern regions of the continent. She describes how collectors employed violent means to remove elements such as columns and door panels from buildings, and how these methods differentiated architectural collecting from conventional collecting. She shows how Western collectors mischaracterized building components as ornament, erasing their architectural character and concealing the evidence of their theft. Dr. Osayimwese discusses how the very act of displacing building parts like floor tiles and woven screen walls has resulted in a loss of knowledge about their original function and argues that because of these removals, scholars have yet to fully grasp the variety and character of African architecture.Richly illustrated, Africa's Buildings uncovers the vast scale of cultural displacement perpetrated by the West and proposes a new role for museums in this history, one in which they champion the repatriation of Africa's architectural heritage and restitution for African communities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Between the nineteenth century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States. Most of these artifacts were cataloged as ornamental art objects, which erased their intended functions, and the removal of these objects often had catastrophic consequences for the original structures. Africa's Buildings: Architecture and the Displacement of Cultural Heritage (Princeton UP, 2025) traces the history of the collection and distribution of African architectural fragments, documenting the brutality of the colonial regimes that looted Africa's buildings and addressing the ethical questions surrounding the display of these objects.Dr. Itohan Osayimwese ranges across the whole of Africa, from Egypt in the north to Zimbabwe in the south, and spanning the western, central, and eastern regions of the continent. She describes how collectors employed violent means to remove elements such as columns and door panels from buildings, and how these methods differentiated architectural collecting from conventional collecting. She shows how Western collectors mischaracterized building components as ornament, erasing their architectural character and concealing the evidence of their theft. Dr. Osayimwese discusses how the very act of displacing building parts like floor tiles and woven screen walls has resulted in a loss of knowledge about their original function and argues that because of these removals, scholars have yet to fully grasp the variety and character of African architecture.Richly illustrated, Africa's Buildings uncovers the vast scale of cultural displacement perpetrated by the West and proposes a new role for museums in this history, one in which they champion the repatriation of Africa's architectural heritage and restitution for African communities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Between the nineteenth century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States. Most of these artifacts were cataloged as ornamental art objects, which erased their intended functions, and the removal of these objects often had catastrophic consequences for the original structures. Africa's Buildings: Architecture and the Displacement of Cultural Heritage (Princeton UP, 2025) traces the history of the collection and distribution of African architectural fragments, documenting the brutality of the colonial regimes that looted Africa's buildings and addressing the ethical questions surrounding the display of these objects.Dr. Itohan Osayimwese ranges across the whole of Africa, from Egypt in the north to Zimbabwe in the south, and spanning the western, central, and eastern regions of the continent. She describes how collectors employed violent means to remove elements such as columns and door panels from buildings, and how these methods differentiated architectural collecting from conventional collecting. She shows how Western collectors mischaracterized building components as ornament, erasing their architectural character and concealing the evidence of their theft. Dr. Osayimwese discusses how the very act of displacing building parts like floor tiles and woven screen walls has resulted in a loss of knowledge about their original function and argues that because of these removals, scholars have yet to fully grasp the variety and character of African architecture.Richly illustrated, Africa's Buildings uncovers the vast scale of cultural displacement perpetrated by the West and proposes a new role for museums in this history, one in which they champion the repatriation of Africa's architectural heritage and restitution for African communities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Bongani Bingwa speaks to the Market Theatre as it celebrates its 50th anniversary, a milestone for one of South Africa’s most important cultural institutions. Bongami Bingwa speaks to Chief Operating Officer Lekgetho Makola about the theatre’s legacy of bold storytelling and its role in shaping South African culture. Bongami Bingwa speaks to the initiatives launched to support the next generation of creatives and how investing in the arts ultimately supports people, jobs, and a shared national identity. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702See omnystudio.com/listener for privacy information.

In this episode we talk with Thomas Flynn, a digital heritage specialist with deep experience in 3D digitisation, open access, and online publishing. Thomas has worked with UNESCO, Europeana, Oxford University, Creative Commons, and served as cultural heritage lead at Sketchfab, where he helped launch the British Museum's first open 3D collection. In this conversation, he explains how museums and cultural organisations think about 3D capture, what Gaussian splatting can and cannot do for heritage workflows, and why long term storage, metadata, and interoperability matter just as much as scanning quality. He breaks down real examples of 3D printing for visitor engagement, web based publishing options, VR use cases, and the growing challenge of managing massive data sets.Subscribe to XR AI Spotlight weekly newsletter

Abhay shares a chat with pioneering polar explorer Preet Chandi.  Born and raised in Derby in England, Preet is a British Army officer, a physiotherapist, and a record‑breaking adventure athlete who became the first woman of color to complete a solo expedition to the South Pole. She has since gone on to break multiple Guinness World Records for solo, unsupported Antarctic ski expeditions, using her journeys to challenge perceived norms about who belongs in extreme adventure environments and to inspire others to push their own boundaries. Preet shares her journey of adventure, the importance of discipline over motivation, and how her cultural heritage and community support fuel her expeditions. She discusses the challenges of preparation, facing fears, and the vulnerability that comes with pushing boundaries. Preet emphasizes the significance of learning from failures and the need for self-acceptance in achieving success. Preet encourages all of us to take our first steps in finding and realizing our own adventures, no matter how daunting they may seem.(0:00 - 2:34) Introduction(2:34) Part 1 - Everyday rituals and adventures, Training and resilience(13:02) Sponsor break: Travelopod(13:37) Part 2 - Dealing with miscues and fear, Ambition and humility,  Identity and Fundraising(29:45) Sponsor break: Timberdog(30:16) Part 3 - Fragility on a Polar Expedition, The meaning of Adventure and Exploring(38:35) ConclusionPlease help support Preet on her next journey to become the first woman to travel solo to the North Pole: https://www.gofundme.com/f/next-expeditionTRUST ME I KNOW WHAT I'M DOING is brought to you by TRAVELOPOD, with personalized travel support to help you explore the wonders of the world.  Start your next journey at vacation.travelopod.comThis episode is also sponsored by RuffRest® , the only dog bed you'll ever need.  Go to www.timberdog.com to learn more

Slippery language can lead to misunderstandings. When a brand owner talks about their distillery, their agaves, their producers … maybe they're just being sloppy. Maybe their claiming ownership. But what's the impact of those claims?Agave Road Trip is a critically acclaimed, award-winning podcast that helps gringx bartenders better understand agave, agave spirits, and rural Mexico. This episode is hosted by Lou Bank with special guest Shawn Miller of PKGD Group.Episode NotesYou can find Shawn's article that inspired this episode here: “I know everything about how to make Tequila but I don't know how to make Tequila.”Shout outs to Sergio Garnier and Mezcal Ultramundo, Lalo Angeles of Lalocura, and the Additive-Free Alliance!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Silvia Zanelli"Deleuze con Peirce"Un equivoco impossibileOrthotes Editricewww.orthotes.comDeleuze, con tutta probabilità, non lesse mai direttamente la sconfinata opera di Peirce ed ebbe accesso solo ad un “Peirce di seconda mano”, attraverso le antologie di Gérard Deledalle. Proporre di lavorare all'intersezione fra Deleuze e Peirce non può che configurarsi dunque come un equivoco, e nella fattispecie come un equivoco ermeneutico. Se quello tra Deleuze e Peirce è in linea di principio un incontro impossibile, è proprio a partire da questa radicale discontinuità che ci sarà occasione di evidenziare delle soglie di continuità. A nostro modo di vedere Deleuze non dispone di una semiotica di stampo peirceano. Porremo dunque sullo sfondo quello che Deleuze ha scritto su Peirce nei suoi testi sul cinema per attualizzare invece ciò che in riferimento a Peirce è rimasto impensato nella penna di Deleuze. Ci avventureremo così nella “libreria concettuale” del non pensato deleuziano per riattivarne alcuni nodi problematici, nell'alleanza con Peirce. Il tentativo è quello di tenere insieme l'aspirazione cosmologica con cui entrambi guardano al reale, nonché una nuova immagine del pensiero, che vive nel rapporto mutuale fra virtualità e attualità, ovvero fra generalità ed individuazione. Il testo è un gioco concettuale che senza prendere troppo sul serio cosa Deleuze e Peirce hanno effettivamente detto, si colloca nel mezzo fra i due pensatori, con l'obiettivo di mostrare fino a che punto questa doppia deformazione possa reggere, dandoci alcuni indizi su come abitare il nostro contemporaneo.Una delle linee minori che attraversa, come un azzardo teoretico, tanto il pensiero di Peirce quanto quello di Deleuze è la necessità di proporre una visione globale e al contempo aperta del reale, unita alla complementare urgenza di offrire il terreno per una tale apertura entro un quadro che sia quello di una cosmologia in atto, colta nel suo divenire e di cui è fondamentale il senso di illimitatezza e crescita.Il tema della cosmologia in filosofia trova spazio per antonomasia ai margini del pensiero moderno, come una mosca bianca, e rappresenta una tappa minore presso cui soggiornare: all'ombra della metafisica e ai bordi dell'ontologia, sovvertendo i cardini della prima ed espandendo i confini della seconda, la cosmologia rappresenta cioè un terreno del pensiero di cui è ancora necessario comprendere la potenza, in senso spinoziano.La cosmologia ha un'esistenza chimerica, un carattere ibrido e una vocazione paradossale per il tutto, l'intero e la sua costitutiva e contradditoria apertura. Essa pensa al limite e il limite del pensiero, nella sua illimitatezza. Pensare l'universo o la dimensione naturante della natura – compito in linea di principio impossibile – significa mapparne l'articolazione aperta ed evenemenziale, seguirne le tracce, gli sviluppi e l'evoluzione, nella consapevolezza che non sia possibile ridurre l'universo ad un inerte e cristallizzato oggetto (di studi).Silvia Zanelli (Milano 1995), PhD in filosofia, è attualmente assegnista di ricerca presso l'Università di Bologna nell'ambito del progetto “Cult-up. Upcycling and Cultural Heritage”. I suoi interessi di ricerca riguardano il pensiero di Gilles Deleuze, di Charles Sanders Peirce e di Gilbert Simondon, con particolare attenzione per il rapporto tra pre-individualità ed individuazione. Al tema ha dedicato la monografia Con-fini. Deleuze, Simondon e il problema dell'individuazione (Roma 2023) e vari articoli scientifici.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Gaza has been a place of terror, war and struggle, but also a place with a rich cultural and artistic history. Much of that has been damaged or destroyed the last two years. Senior arts correspondent Jeffrey Brown looks at the losses, but also at the hope some artists have for the future. It's part of our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Gaza has been a place of terror, war and struggle, but also a place with a rich cultural and artistic history. Much of that has been damaged or destroyed the last two years. Senior arts correspondent Jeffrey Brown looks at the losses, but also at the hope some artists have for the future. It's part of our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Gaza has been a place of terror, war and struggle, but also a place with a rich cultural and artistic history. Much of that has been damaged or destroyed the last two years. Senior arts correspondent Jeffrey Brown looks at the losses, but also at the hope some artists have for the future. It's part of our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

In this episode of the Foster Friendly Podcast, hosts Travis and Courtney, along with guest Bethany Hall, discuss the complexities of navigating the holidays for children in foster care. They explore the emotional challenges, the importance of managing expectations, and strategies for preparing both parents and extended family for the unique dynamics that arise during this time. The conversation emphasizes the need for trauma-informed approaches and the significance of creating supportive environments for children. This conversation delves into the complexities of navigating holidays for families involved in foster care. It highlights the emotional challenges faced by children, the importance of preparing them for new experiences, and the need for understanding from extended family members. The speakers share personal anecdotes and practical strategies for creating a supportive environment during the holidays, emphasizing the significance of cultural heritage and empowering birth families. The discussion also touches on the role of education in fostering awareness and compassion within the community.Visit Chosen.care to learn how Chosen's services and training can make a difference in your family's life.

Dr Connie Kelleher, senior archaeologist with the National Monuments Service in Ireland, on the country's ratification of the 2001 UNESCO Convention on the Protection of Underwater Cultural Heritage.

Derek Champagne talks with Rohit Agarwal, CEO of The Weather Company. Rohit Agarwal is the CEO of The Weather Company, the world's most accurate forecaster. In this role, Rohit is responsible for setting the strategic vision that spans the company's digital consumer properties, including The Weather Channel app and weather.com, as well as its enterprise business across media,advertising, aviation, defense, and a variety of other industries. He stands behind the belief that high-performing teams are critical to innovation, growth, and impact, and diverse backgrounds and thinking benefit the end customer.Prior to joining The Weather Company, Rohit was the chief product and revenue officer at SoundCloud, the world's largest online community of artists, bands, DJs, and audio creators, where he led the vision, strategic execution, and revenue. This included overseeing business and product strategy, delivery and operations, design, product marketing, and growth. Through Rohit's leadership, SoundCloud refactored the product, doubled its subscriber base, and meaningfully improved its ads business, leading the company to its first profitable year in its 16-year history.Rohit previously served as chief product and growth officer at CNN. Throughout his career, he has driven 2-3x user and revenue growth across leading companies in industries including music (Last.fm, CBS), media(CNN/WarnerMedia, The Economist, Bild), banking (HSBC), B2B SaaS (Trustpilot, Akamai), and consumer internet (AOL). Rohit is a frequent speaker at leading conferences (Google I/O, SXSW, CES, RISE, WebSummit, Product Summit), an active advisor and investor in startups, and launched his own startup in the past. He is also a committed supporter of diverse and inclusive education initiatives – both as a board member of the Smithsonian's Center for Folklife and Cultural Heritage and as a board member of Leap Year, a unique program based in metro Atlanta dedicated to improving college access and early adolescent reading skills to under-represented youth.Rohit lives in Atlanta with his wife and two daughters. An avid sports fan, he also enjoys playing soccer and tennis, painting, and cooking, and he acknowledges that his creative endeavors make him a better leader.Business Leadership Series Intro and Outro music provided by Just Off Turner: https://music.apple.com/za/album/the-long-walk-back/268386576

①Beijing to open new Great Wall section ②China's "Jiutian" large drone takes first flight, aims for versatile civil roles ③China steps up cultural heritage protection to keep its past alive for the future ④New China-Vietnam air route boosts links with ASEAN ⑤China's northernmost satellite data receiving station put into operation ⑥Canal-city universities unite to tackle global challenges

For the second time since its launch in 2023, the World Health Organization (WHO) Global Summit on Traditional Medicine took place in India, bringing attention to the role of natural and cultural remedies around the world, as well as the science behind them. On the sidelines of the summit in New Delhi, UN News's Anshu Sharma spoke with Sung Chol Kim of WHO's Traditional, Complementary and Integrative Medicine unit, about advances in the field.Mr. Kim outlined what traditional medicine is, the WHO's role in advancing evidence-based traditional medicine, and the progress made so far.He also explained how traditional medicine differs from biomedicine. Its focus on prevention is just one of those ways.  

Summary In this engaging conversation, Justin Townsend speaks with Nikhil Khanna and Shiven Singh, the duo behind 'Two Brown Guys Hunt.' They explore the intersection of hunting, cooking, and cultural heritage, emphasizing the importance of community and inclusivity in outdoor activities. The discussion covers their personal journeys into hunting, the significance of wild food, and their recent adventures in Africa, highlighting conservation efforts and culinary experiences. They also delve into their family spice blend, which reflects their South Asian roots, and share insights on cooking techniques for wild game. Overall, the conversation celebrates the joy of connecting with nature, food, and each other. - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Leave a Review of the Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy our Wild Fish and Game Spices⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Art of Venison Sausage Making ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Links: YouTube Instagram Facebook ⁠Spice Blend - Masala⁠ Two Brown Guys Hunt Website⁠ Chapters: 00:00 The Essence of Hunting and Cooking Wild Food 02:58 Two Brown Guys Hunt: Origins and Backgrounds 05:52 The Journey into Hunting and Fishing 08:58 Building Community in Hunting and Fishing 11:55 Creating an Inclusive Environment for Beginners 14:56 Merging Indian Cuisine with Wild Game 18:04 Exploring Bold Flavors in Wild Game Cooking 20:50 The Role of Spices in Wild Game Preparation 23:49 The Impact of Cultural Heritage on Cooking 27:00 The Adventure of Hunting in Africa 30:12 The Spice Blend: A Family Tradition 38:15 The African Adventure Begins 39:43 Skepticism to Enthusiasm: A Journey of Discovery 42:46 Cultural Perspectives on Hunting and Conservation 45:35 Understanding Wildlife Management in South Africa 48:46 Perceptions of Hunting: Reality vs. Marketing 50:17 The Challenges of Hunting in Africa 52:07 Culinary Experiences: Comparing Wild Game 55:41 The Joy of Sharing Harvested Food 01:00:01 Building Community Through Hunting and Fishing Takeaways: Hunting extends beyond the woods to the kitchen. Wild food is a blend of various cultural traditions. Two Brown Guys Hunt focuses on mindful harvesting and cooking. The journey into hunting often starts later in life. Community building is essential in hunting and fishing. Inclusivity is key to expanding the hunting culture. Bold flavors can enhance wild game dishes. Cooking techniques like sous vide can elevate wild game. The spice blend is rooted in family traditions. Experiences in Africa highlight conservation efforts. Keywords: Hunting, cooking, wild food, cultural heritage, community, inclusivity, flavors, conservation, African hunting, spice blend Learn more about your ad choices. Visit megaphone.fm/adchoices

Bongani Bingwa speaks to Minister of Tourism and GOOD Party leader Patricia De Lille about the peak holiday travel season and what it means for tourism in South Africa. They discuss favourite local getaway destinations, whether some places should remain best-kept secrets, and the must-see sites visitors cannot afford to miss when travelling across the country. The conversation also highlights the newly launched Smart Tourism Visitor Information Centre at OR Tambo International Airport, an interactive, paperless hub designed to provide real-time information on South Africa’s tourism offerings, culture, and heritage across all nine provinces, aimed at enhancing the visitor experience from the moment travellers arrive. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702See omnystudio.com/listener for privacy information.

Chelsea Rose visits with Dr. Chris Merritt to discuss his recent lobbying of Congress

In this “Timelines” episode, we connect three iconic sites built during the same era: Petra's stunning rock-cut city in Jordan, the mysterious Nazca Lines etched across Peru's desert, and the monumental Great Wall of China. Explore how the Nabataeans engineered Petra's hidden oasis, why the Nazca created massive geoglyphs only visible from above, and what drove dynasties to construct thousands of miles of wall across China. Discover the origins, uses, and enduring mysteries of these world wonders, and see how ancient ingenuity and ambition shaped civilizations across continents—all within a shared moment in history.LinksSegment 1: PetraBedal, L. W. (2003). The Petra Pool Complex: A Hellenistic Paradeisos in the Nabataean Capital. American Journal of Archaeology.Parr, P. J. (2013). “Petra.” In Encyclopedia of Ancient History. Wiley-Blackwell.Schmid, S. G. (2001). “The Nabataeans: Travellers Between Lifestyles.” In Aram Periodical.UNESCO World Heritage Centre – PetraAmerican Center of Research (ACOR) – Petra Archaeological ParkBienkowski, P. (1990). Petra. British Museum Press.Hammond, P. C. (1973). “The Nabataeans: Their History, Culture, and Archaeology.” Biblical Archaeologist.Smithsonian Magazine – Petra's Great TempleBurckhardt, J. L. (1822). Travels in Syria and the Holy Land (rediscovery account).Segment 2: Nazca LinesSilverman, H., & Proulx, D. A. (2002). The Nasca. Blackwell Publishers.Reindel, M., & Isla, J. (2001). “Nasca: Wunder der Wüste.” C.H. Beck.UNESCO World Heritage Centre – Lines and Geoglyphs of Nasca and PalpaAveni, A. F. (2000). Between the Lines: The Mystery of the Giant Ground Drawings of Ancient Nasca, Peru. University of Texas Press.National Geographic – Nazca Lines: Mystery on the DesertOrefici, G. (2012). “Cahuachi: Capital of the Nasca World.” Andean Past.Ancient History Encyclopedia – The Geoglyphs of Palpa, PeruSilverman, H. (1993). Cahuachi in the Ancient Nasca World. University of Iowa Press.Isla, J., & Reindel, M. (2016). “Nasca and the ‘Puquios': Water and Ritual in the Peruvian Desert.” Antiquity.Segment 3: Great Wall of ChinaWaldron, A. (1990). The Great Wall of China: From History to Myth. Cambridge University Press.Lovell, J. (2006). The Great Wall: China Against the World, 1000 BC–AD 2000. Grove Press.UNESCO World Heritage Centre – The Great WallMan, J. (2008). The Great Wall: The Extraordinary Story of China's Wonder of the World. Da Capo Press.Steinhardt, N. S. (1990). The Great Wall of China: Dynasties, Dragons, and Warriors. Oxford University Press.The China Guide – Famous Sections of the Great WallState Administration of Cultural Heritage, China. “Archaeological Discoveries Along the Great Wall.”Barfield, T. J. (1989). The Perilous Frontier: Nomadic Empires and China. Blackwell.Friends of the Great Wall – Research and PreservationContactChris Websterchris@archaeologypodcastnetwork.comRachel Rodenrachel@unraveleddesigns.comRachelUnraveled (Instagram)ArchPodNetAPN Website: https://www.archpodnet.comAPN Discord: https://discord.com/invite/CWBhb2T2edAPN on Facebook: https://www.facebook.com/archpodnetAPN on Twitter: https://www.twitter.com/archpodnetAPN on Instagram: https://www.instagram.com/archpodnetAPN ShopAffiliatesMotion Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this “Timelines” episode, we connect three iconic sites built during the same era: Petra's stunning rock-cut city in Jordan, the mysterious Nazca Lines etched across Peru's desert, and the monumental Great Wall of China. Explore how the Nabataeans engineered Petra's hidden oasis, why the Nazca created massive geoglyphs only visible from above, and what drove dynasties to construct thousands of miles of wall across China. Discover the origins, uses, and enduring mysteries of these world wonders, and see how ancient ingenuity and ambition shaped civilizations across continents—all within a shared moment in history.LinksSegment 1: PetraBedal, L. W. (2003). The Petra Pool Complex: A Hellenistic Paradeisos in the Nabataean Capital. American Journal of Archaeology.Parr, P. J. (2013). “Petra.” In Encyclopedia of Ancient History. Wiley-Blackwell.Schmid, S. G. (2001). “The Nabataeans: Travellers Between Lifestyles.” In Aram Periodical.UNESCO World Heritage Centre – PetraAmerican Center of Research (ACOR) – Petra Archaeological ParkBienkowski, P. (1990). Petra. British Museum Press.Hammond, P. C. (1973). “The Nabataeans: Their History, Culture, and Archaeology.” Biblical Archaeologist.Smithsonian Magazine – Petra's Great TempleBurckhardt, J. L. (1822). Travels in Syria and the Holy Land (rediscovery account).Segment 2: Nazca LinesSilverman, H., & Proulx, D. A. (2002). The Nasca. Blackwell Publishers.Reindel, M., & Isla, J. (2001). “Nasca: Wunder der Wüste.” C.H. Beck.UNESCO World Heritage Centre – Lines and Geoglyphs of Nasca and PalpaAveni, A. F. (2000). Between the Lines: The Mystery of the Giant Ground Drawings of Ancient Nasca, Peru. University of Texas Press.National Geographic – Nazca Lines: Mystery on the DesertOrefici, G. (2012). “Cahuachi: Capital of the Nasca World.” Andean Past.Ancient History Encyclopedia – The Geoglyphs of Palpa, PeruSilverman, H. (1993). Cahuachi in the Ancient Nasca World. University of Iowa Press.Isla, J., & Reindel, M. (2016). “Nasca and the ‘Puquios': Water and Ritual in the Peruvian Desert.” Antiquity.Segment 3: Great Wall of ChinaWaldron, A. (1990). The Great Wall of China: From History to Myth. Cambridge University Press.Lovell, J. (2006). The Great Wall: China Against the World, 1000 BC–AD 2000. Grove Press.UNESCO World Heritage Centre – The Great WallMan, J. (2008). The Great Wall: The Extraordinary Story of China's Wonder of the World. Da Capo Press.Steinhardt, N. S. (1990). The Great Wall of China: Dynasties, Dragons, and Warriors. Oxford University Press.The China Guide – Famous Sections of the Great WallState Administration of Cultural Heritage, China. “Archaeological Discoveries Along the Great Wall.”Barfield, T. J. (1989). The Perilous Frontier: Nomadic Empires and China. Blackwell.Friends of the Great Wall – Research and PreservationContactChris Websterchris@archaeologypodcastnetwork.comRachel Rodenrachel@unraveleddesigns.comRachelUnraveled (Instagram)ArchPodNetAPN Website: https://www.archpodnet.comAPN Discord: https://discord.com/invite/CWBhb2T2edAPN on Facebook: https://www.facebook.com/archpodnetAPN on Twitter: https://www.twitter.com/archpodnetAPN on Instagram: https://www.instagram.com/archpodnetAPN ShopAffiliatesMotion Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Picture this: the gods have come and gone, dynasties have risen and face-planted, cities have popped up and crumbled, tourists have come, posed, and posted a million thirst traps on Instagram… but the Sphinx is still just sitting there like, “Yeah, I'll wait.”Today we're heading to Giza to talk about the world's most famous stone cat with a people head: the Great Sphinx of Egypt. It's massive, it's mysterious, it's eroding faster than our faith in humanity, and it sits at the crossroads of legit science, wild speculation, and whatever the hell Edgar Cayce was doing.We're going to walk through what the Sphinx actually is, what we think we know about its history, how old it might be, why people keep insisting there's a secret Atlantean library under its paws, what modern tech like ground-penetrating radar and fancy satellite scans are actually showing under the Giza plateau, and why so many folks see Dr. Zahi Hawass as the final boss of “Nothing To See Here, Move Along.”Strap on the sunscreen, adjust your tinfoil nemes, and get ready for Hysteria 51.Special thanks to this week's research sources:Main References Mentioned in the EpisodeLehner, Mark.The Complete Pyramids: Solving the Ancient Mysteries.London: Thames & Hudson, 1997.Hawass, Zahi.The Secrets of the Sphinx: Restoration Past and Present.Cairo: American University in Cairo Press, 1998.Jordan, Paul.Riddles of the Sphinx.New York: New York University Press, 1998.Gauri, K. Lal, John J. Sinai, and Jayanta K. Bandyopadhyay.“Geologic Weathering and Its Implications on the Age of the Sphinx.”Geoarchaeology 10, no. 2 (1995): 119–133.Schoch, Robert M.Voices of the Rocks: A Scientist Looks at Catastrophes and Ancient Civilizations.New York: Harmony Books, 1999.Reader, Colin.“A Geomorphological Study of the Giza Necropolis, with Implications for the Development of the Site.”Archaeometry 43, no. 1 (2001): 149–159.Sharafeldin, S. M., K. S. Essa, M. A. S. Youssef, H. Karsli, Z. E. Diab, and N. Sayil.“Shallow Geophysical Techniques to Investigate the Groundwater Table at the Great Pyramids of Giza, Egypt.”Geoscientific Instrumentation, Methods and Data Systems 8 (2019): 29–43.https://doi.org/10.5194/gi-8-29-2019Biondi, Filippo, and Corrado Malanga.“Synthetic Aperture Radar Doppler Tomography Reveals Details of Undiscovered High-Resolution Internal Structure of the Great Pyramid of Giza.”Remote Sensing 14, no. 20 (2022): 5231.https://doi.org/10.3390/rs14205231Hancock, Graham, and Robert Bauval.The Message of the Sphinx: A Quest for the Hidden Legacy of Mankind.New York: Crown, 1996.Cayce, Edgar Evans, and Edgar Cayce.Edgar Cayce on Atlantis.New York: Hawthorn Books, 1968.Geology, Weathering & Age of the SphinxGauri, K. Lal.“Geologic Study of the Sphinx.”Newsletter of the American Research Center in Egypt 127 (1984): 24–43.Gauri, K. Lal.“Geologic Features and the Durability of Limestone at the Sphinx.”Environmental Geology and Water Science 16 (1990): 57–62.Chowdhury, A. N., A. R. Punuru, and K. L. Gauri.“Weathering of Limestone Beds at the Great Sphinx.”Environmental Geology and Water Science 15 (1990): 217–223.Harrell, James A.“The Sphinx Controversy: Another Look at the Geological Evidence.”KMT: A Modern Journal of Ancient Egypt 5, no. 3 (1994): 70–74.Matthusen, August.“A Rebuttal to Robert Schoch on the Weathering of the Great Sphinx.”(Online article, catchpenny.org, c. 1999.)Harrell, James A.“Comments on the Geological Evidence for the Sphinx's Age.”(Online article, Hall of Ma'at, 2000s.)Liritzis, Ioannis, and Asimina Vafiadou.“Surface Luminescence Dating of Some Egyptian Monuments.”Journal of Cultural Heritage 16, no. 2 (2015): 134–150.https://doi.org/10.1016/j.culher.2014.05.007Geophysics, Groundwater & Subsurface ScansSharafeldin, S. M., et al.“Shallow Geophysical Techniques to Investigate the Groundwater Table at the Great Pyramids of Giza, Egypt.”Geoscientific Instrumentation, Methods and Data Systems 8 (2019): 29–43.Sato, Motoyuki, et al.“GPR and ERT Exploration in the Western Cemetery in Giza, Egypt.”Archaeological Prospection (2024).(Ground-penetrating radar and electrical resistivity tomography survey west of the pyramids.)Biondi, Filippo, and Corrado Malanga.“Synthetic Aperture Radar Doppler Tomography…” (as above).(Satellite SAR micro-motion tomography on Khufu's pyramid.)Lehner, Mark.“ARCE Sphinx Project 1979–1983 Archive.”American Research Center in Egypt / OpenContext.(Field notes and geological collaboration with K. Lal Gauri and T. Aigner.)Alternative Chronologies, Orion / Leo & “As Above, So Below”West, John Anthony.Serpent in the Sky: The High Wisdom of Ancient Egypt.Wheaton, IL: Quest Books, 1993 (rev. ed.).Schoch, Robert M., and Robert Bauval.Origins of the Sphinx: Celestial Guardian of Pre-Pharaonic Civilization.Rochester, VT: Inner Traditions, 2017.Bauval, Robert, and Adrian Gilbert.The Orion Mystery: Unlocking the Secrets of the Pyramids.New York: Crown, 1994.Hancock, Graham, and Robert Bauval.The Message of the Sphinx (as above).Esoteric, Hall of Records & Atlantis MaterialCayce, Edgar Evans, and Edgar Cayce.Edgar Cayce on Atlantis.New York: Hawthorn Books, 1968.Todeschi, Kevin J.Edgar Cayce on the Akashic Records: The Book of Life.Virginia Beach: A.R.E. Press, 1998.Todeschi, Kevin J.Edgar Cayce's Atlantis.Charlottesville, VA: 4th Dimension Press, 2014.Blavatsky, Helena P.The Secret Doctrine: The Synthesis of Science, Religion, and Philosophy.London: Theosophical Publishing Company, 1888.Lewis, Harvey Spencer.Rosicrucian monographs and AMORC publications on hidden chambers at Giza (early 20th century).Zahi Hawass, Antiquities Politics & ControversiesHawass, Zahi.The Secrets of the Sphinx (as above).Murphy, Kim.“Getty Institute Probes Riddle of the Deteriorating Sphinx.”Los Angeles Times, May 16, 1990.Borger, Julian.“The Fall of Zahi Hawass.”Smithsonian Magazine, July 17, 2011.“Zahi Hawass Fired.”The History Blog, July 18, 2011.“History Catches Up to Famous Egyptologist Zahi Hawass.”The World (PRI), August 1, 2016.Egyptomania & Cultural ContextFritze, Ronald H.Egyptomania: A History of Fascination, Obsession and Fantasy.London: Reaktion Books, 2016.Email us your favorite WEIRD news stories:weird@hysteria51.comSupport the ShowGet exclusive content & perks as well as an ad and sponsor free experience at https://www.patreon.com/Hysteria51 from just $1ShopBe the Best Dressed at your Cult Meeting!https://www.teepublic.com/stores/hysteria51?ref_id=9022See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Cultural heritage, a challenging mentor and the bridge between free expression and disciplined practice. Regina Linke is an illustrator and writer dedicated to celebrating traditional Chinese art and philosophy in a modern way. Regina's childhood interest in drawing was initially stifled by rigid instruction, and she went on to study business in college followed by a career in international development. It wasn't until a move to Taiwan, her parents' homeland, that she reconnected with her artistic passion.In Taiwan, Regina immersed herself in traditional Chinese brush painting. Despite an initial struggle with the structured learning environment, she credits her critical teacher with pushing her to develop a unique artistic voice, one that blends her Western upbringing with Eastern aesthetics. This fusion led to the creation of The Oxherd Boy, an online comic that grew from her desire to explain complex philosophical concepts to her young son. Regina discusses the evolution of The Oxherd Boy into published books, and the challenges of adapting her deeply personal work for diverse audiences while staying true to the core message.In this episode Regina offers invaluable advice for aspiring creatives: find joy in the process, but also embrace the discipline of practice and the humility to learn, while illustrating how unexpected paths can lead to profound artistic expression.Key TakeawaysEmbrace structured learning to build foundational skills, even in creative fields, as it deepens your understanding and respect for the art form.A challenging or critical mentor can be instrumental in pushing you beyond your comfort zone to discover your unique artistic voice.Blending diverse cultural backgrounds and perspectives can lead to a richer, more distinctive creative style.Consistent creative practice is essential for growth, even when inspiration wanes; it keeps your skills sharp and fuels further development.Be open to the evolution of your work when collaborating with others, understanding that adaptation can broaden your reach and create new stepping stones for your message.Buy arts and crafts techniques books, plus books by some of my podcast guests, from the Creativity Found bookshop  Help me to keep making this podcast at buymeacoffee.com/creativityfoundSupport the showWant to be a guest on Creativity Found? Send me a message on PodMatch, here Podcast recorded with Riverside and hosted by Buzzsprout

As a new Mum, living in a new home, having just released a new book and fertilising the idea of reconnecting back to her Vietnamese heritage Tammy Huyhn is a light hearted joy.This lass knows a thing or two about plants - you may have seen her face on ABC's Gardening Australia and she runs her own hortucultural business Leaf an Impression which delivers garden talks and workshops...she has even been awarded horticulturist of the year! Todays conversation though, mostly asks "how does gardening bridge us back to our ancestral roots and remind us who we are".Post recording, Tammy thanked us for the unexpected therapy session - so its a short and sweet ep that still manages to dig beyond the top soil.We talked about:How Tammy's Vietnamese heritage influences her gardening practicesInitially pursuing a career in agriculture before transitioning to writingTroubleshooting plant care effectively.How Motherhood brings both joy and challenges, impacting identityThe crucial role of Community in sharing gardening knowledgeThe power of gardens to connect people across cultures & generationsStarting with one plant can enhance mental well-being.The value of rest and self acceptanceLoved this? Try another:Tim Pilgrim - Creating Wild Spaces; The Art Of Natural DesignPod Partners Rock: Australian Medicinal Herbs    Code: Future5Support the ShowCasual Support - Buy Me A CoffeeRegular Support - PatreonBuy the Book - Futuresteading - live like tomorrow matters, Huddle - creating a tomorrow of togethernessSupport the show

“You have to be able to go for it, and you never know what can come from it.” — Wayne Friedman In this episode of Better Call Daddy, Reena Friedman Watts and her dad, Wayne, sit down with Priscilla Mensah a creative visionary who transformed her career from web development to soap making, content creation, and TV pitching. Priscilla opens up about her bold journey to develop and pitch her dream travel show about global soap-making traditions, motherhood, and cultural storytelling. She shares how she turned a personal passion into a compelling TV concept blending craftsmanship, culture, community impact, and adventure.

Chelsea Rose visits with Dr. Chris Merritt to discuss his recent lobbying of Congress

Chelsea Rose visits with Dr. Chris Merritt to discuss his recent lobbying of Congress

The protection and restoration of cultural heritage is essential, especially in conflict and post-conflict zones. Armed conflicts frequently result in the destruction or collateral damage of cultural landmarks, artifacts, and traditions. In post-conflict recovery, preserving cultural heritage is not only a matter of historical conservation but helps heal society and national rebuilding. This complex process demands interdisciplinary collaboration, sensitive policy frameworks, and sustainable strategies to safeguard heritage under threat and to foster resilience in communities emerging from crisis. Cultural Heritage Protection and Restoration in Conflict and Post-Conflict Zones explores the need for cultural heritage protection. This book speaks out against the damage to cultural heritage during conflicts, because the damage caused to the cultural heritage of each nation is damage to the cultural heritage of all mankind, and each nation has its contribution to world culture. Covering topics such as heritage, culture, and restoration, this book is an excellent resource for scholars, professors, students and stakeholders. Emilia Alaverdov , Ph.D. in Political Science, professor, Faculty of Law and International Relations since 2011. Prof. Muhammad Waseem Bari , Educator, trainer, consultant, and researcher who prioritizes public education, scientific advancement, and students' engagement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The protection and restoration of cultural heritage is essential, especially in conflict and post-conflict zones. Armed conflicts frequently result in the destruction or collateral damage of cultural landmarks, artifacts, and traditions. In post-conflict recovery, preserving cultural heritage is not only a matter of historical conservation but helps heal society and national rebuilding. This complex process demands interdisciplinary collaboration, sensitive policy frameworks, and sustainable strategies to safeguard heritage under threat and to foster resilience in communities emerging from crisis. Cultural Heritage Protection and Restoration in Conflict and Post-Conflict Zones explores the need for cultural heritage protection. This book speaks out against the damage to cultural heritage during conflicts, because the damage caused to the cultural heritage of each nation is damage to the cultural heritage of all mankind, and each nation has its contribution to world culture. Covering topics such as heritage, culture, and restoration, this book is an excellent resource for scholars, professors, students and stakeholders. Emilia Alaverdov , Ph.D. in Political Science, professor, Faculty of Law and International Relations since 2011. Prof. Muhammad Waseem Bari , Educator, trainer, consultant, and researcher who prioritizes public education, scientific advancement, and students' engagement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

The protection and restoration of cultural heritage is essential, especially in conflict and post-conflict zones. Armed conflicts frequently result in the destruction or collateral damage of cultural landmarks, artifacts, and traditions. In post-conflict recovery, preserving cultural heritage is not only a matter of historical conservation but helps heal society and national rebuilding. This complex process demands interdisciplinary collaboration, sensitive policy frameworks, and sustainable strategies to safeguard heritage under threat and to foster resilience in communities emerging from crisis. Cultural Heritage Protection and Restoration in Conflict and Post-Conflict Zones explores the need for cultural heritage protection. This book speaks out against the damage to cultural heritage during conflicts, because the damage caused to the cultural heritage of each nation is damage to the cultural heritage of all mankind, and each nation has its contribution to world culture. Covering topics such as heritage, culture, and restoration, this book is an excellent resource for scholars, professors, students and stakeholders. Emilia Alaverdov , Ph.D. in Political Science, professor, Faculty of Law and International Relations since 2011. Prof. Muhammad Waseem Bari , Educator, trainer, consultant, and researcher who prioritizes public education, scientific advancement, and students' engagement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

The protection and restoration of cultural heritage is essential, especially in conflict and post-conflict zones. Armed conflicts frequently result in the destruction or collateral damage of cultural landmarks, artifacts, and traditions. In post-conflict recovery, preserving cultural heritage is not only a matter of historical conservation but helps heal society and national rebuilding. This complex process demands interdisciplinary collaboration, sensitive policy frameworks, and sustainable strategies to safeguard heritage under threat and to foster resilience in communities emerging from crisis. Cultural Heritage Protection and Restoration in Conflict and Post-Conflict Zones explores the need for cultural heritage protection. This book speaks out against the damage to cultural heritage during conflicts, because the damage caused to the cultural heritage of each nation is damage to the cultural heritage of all mankind, and each nation has its contribution to world culture. Covering topics such as heritage, culture, and restoration, this book is an excellent resource for scholars, professors, students and stakeholders. Emilia Alaverdov , Ph.D. in Political Science, professor, Faculty of Law and International Relations since 2011. Prof. Muhammad Waseem Bari , Educator, trainer, consultant, and researcher who prioritizes public education, scientific advancement, and students' engagement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Siham LahmineOwner & Cultural Curator, Morocco's First Local >> Woman-Owned Culinary & Luxury Heritage ToursMorocco Travel Organizerhttps://adventuretravelmarketing.com/guest/siham-lahmineSiham Lahmine is the mastermind behind Morocco Travel Organizer. Recognized for her talents in luxury bespoke travel experiences, she creates fully immersive tours showcasing Morocco's highlights, cultural richness, and culinary delights. As a local expert, she leaves no stone unturned when it comes to exploring the country's uniqueness.Siham Lamine is a leading Moroccan cuisine expert with over 10 years of experience leading culinary adventures across Morocco and Fes. She has a deep knowledge and understanding of the country's culinary heritage and traditions, allowing you to experience them through her in-depth and immersive tours. Additionally, Ms. Lahmine brings travelers on a historic food journey across the Medina's souks. Finally, she has hosted renowned Chef Ainsley Harriot known for his BBC cooking game shows Can't Cook, Won't Cook, and Ready, Steady, Cook among other famous names.summaryIn this episode, Jason Elkins speaks with Siham Lahmine, a cultural curator and owner of Morocco Travel Organizer. They discuss the unique challenges faced by women in the Moroccan tourism industry, the cultural significance of food in Moroccan society, and Siham's personal journey from a passion for food to establishing her own culinary tourism business. The conversation delves into the importance of community, family influence, and the stories behind Moroccan cuisine, as well as the realities of working in tourism and advice for aspiring professionals.takeawaysSiham is the owner of Morocco Travel Organizer, focusing on culinary and luxury heritage tours.Women in Morocco face unique challenges in the tourism industry, often dominated by men.Culinary experiences are a way to share Moroccan culture and heritage.Food is a central part of Moroccan identity and community bonding.Siham's passion for food was influenced by her family, especially her mother and grandmother.Travelers appreciate learning about food stories and cultural rituals during tours.Traditional Moroccan dishes require time and effort to prepare, reflecting love and care.Siham emphasizes the importance of personality over formal tourism education in the industry.The role of women in tourism is evolving, but cultural expectations still pose challenges.Siham encourages aspiring tourism professionals to experience the industry before committing to it. Learn more about Big World Made Small Adventure Travel Marketing and join our private community to get episode updates, special access to our guests, and exclusive adventure travel offers on our website.

Ellen Bradley is a skier, scientist, filmmaker, and proud member of the Tlingit Tribe who is redefining what it means to be an Indigenous leader in today's world. Through her work, Ellen blends tradition, technology, and storytelling to decolonize outdoor spaces and reconnect Indigenous communities to their ancestral lands. In this episode, Kara and Ellen dive into the meaning of being Indigenous in 2025, the significance of the LandBack movement, and how young Indigenous people are using social media to share their stories and spark change. You'll hear about Ellen's inspiring journey, including her film Let My People Go Skiing, and how she's building bridges between cultures through advocacy and art. This episode explores identity, justice, and the power of reclaiming space, both on the slopes and in society. Chapters: 00:00 Introduction to The Powerful Ladies Podcast 00:50 Meet Ellen Bradley: A Multifaceted Indigenous Leader 01:35 Ellen's Journey and Contributions 03:32 Cultural Heritage and Community Work 12:58 Navigating Activism and Partnerships 22:34 Challenges and Reflections on Capitalism 28:07 Challenges of Specialization in Western Science 28:58 Indigenous Knowledge and Systemic Thinking 29:50 The Importance of Holistic Approaches 32:11 One Person at a Time: Mentorship and Internships 34:16 Scaling Up: Mountain Access Program 35:36 Entrepreneurial Mindset for Social Good 37:49 Personal Reflections on Career Choices 40:30 Land Back: Reconnecting Indigenous People to Their Lands 46:08 Breaking Down Barriers in Outdoor Spaces 51:04 The Need for Nuanced Conversations 54:35 Upcoming Projects and How to Support 57:12 Conclusion and Final Thoughts The Powerful Ladies podcast, hosted by business coach and strategist Kara Duffy features candid conversations with entrepreneurs, creatives, athletes, chefs, writers, scientists, and more. Every Wednesday, new episodes explore what it means to lead with purpose, create with intention, and define success on your own terms. Whether you're growing a business, changing careers, or asking bigger questions, these stories remind you: you're not alone, and you're more powerful than you think. Explore more at thepowerfulladies.com and karaduffy.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

How can celebrating cultural traditions strengthen a community?In this episode, host Aaron Masliansky is joined by Diana Gran — Founder of Diana Gran Portraits and Director of Día de los Muertos (DDM) Week in Highland Park — to explore how honoring heritage can create unity, healing, and connection across generations and cultures.Diana shares her journey from Acapulco to Highland Park, how reclaiming her roots transformed her life and art, and why DDM Week has become a meaningful celebration for the North Shore community. We discuss the power of remembrance, the importance of cultural authenticity, and how local businesses, libraries, and community organizations have come together to support this growing annual tradition.Topics CoveredWhat Día de los Muertos truly representsDiana's journey of identity, immigration, and finding homeThe origins and mission of DDM Week in Highland ParkThe healing power of honoring ancestors and community storytellingHow local businesses and organizations are collaborating to keep culture aliveWhy “done is better than perfect” can change your life and creativityConnect with DianaWebsite: https://dianagranportraits.comDDM Week Instagram: @ddmweekhpDDM Week Information & Events: https://hpculturalarts.orgConnect with The Chicagoland GuideWebsite: https://thechicagolandguide.comInstagram: @thechicagolandguideYouTube: @TheChicagolandGuide Thank you for listening to The Chicagoland Guide!For more insights into the best places to live, work, and explore in Chicagoland, visit thechicagolandguide.com. Connect with us on social media for more updates and behind-the-scenes content. If you have any questions or want to share your own Chicagoland stories, feel free to reach out! Don't forget to subscribe and leave a review if you enjoyed this episode.

Today’s topic is an abandoned mansion, but it was once a gorgeous and luxurious home designed for a prominent citizen of northern Italy. It’s often described as haunted and as having a dark history, but there are some interesting contradictions regarding that story. Research: “Caravan Journal, the rediscovered manuscript. The Orient through the eyes of a forgotten Milanese patriot: Felice De Vecchi.” Arte.IT: The Map of Art in Italy. https://www.arte.it/calendario-arte/milano/mostra-giornale-di-carovana-il-manoscritto-ritrovato-l-oriente-attraverso-gli-occhi-di-un-patriota-milanese-dimenticato-felice-de-vecchi-4835 “Cesare Maria De Vecchi in Rhodes.” Palace of the Grand Master. https://grandmasterpalacerhodes.gr/cesare-maria-de-vecchi/ Claus, Patricia. “Mussolini's Old Villa on Rhodes Still on Real Estate Market.” Greek Reporter. July 17, 2020. https://greekreporter.com/2020/07/17/mussolinis-old-villa-on-rhodes-still-on-real-estate-market/ Britannica Editors. "Aleister Crowley". Encyclopedia Britannica, 11 Oct. 2025, https://www.britannica.com/biography/Aleister-Crowley Frigo, Marco. “Villa De Vecchi: the haunted mansion inhabited by ghosts not far from Milan with a mysterious, dramatic and fascinating past.” Milano Segreta. Oct. 6, 2025. https://milanosegreta.co/en/villa-de-vecchi-ghost-mansion/ Linstrom, Emily. “Villa de Vecchi.” Atlas Obscura. Lecco, Alberto, Foot, John. "Milan". Encyclopedia Britannica, 13 Oct. 2025, https://www.britannica.com/place/Milan-Italy Linstrom, Emily. “Villa de Vecchi.” Atlas Obscura. https://www.atlasobscura.com/places/villa-de-vecchi “History of Milan.” Civitatis Milan. https://www.introducingmilan.com/history Imam, Maham. “ATHENAEUM: Adaptive reuse of Villa De Vecchi into a public Library.” University of Management and Technology, Lahore. 2023. https://drive.google.com/file/d/1j3dhAHK8v4i-vV_IkAB8WXWMXpCEP_BQ/view?pli=1 Philip, Lizzie. “The Real Story Behind Northern Italy’s Abandoned ‘Ghost Mansion.’” Atlas Obscura. Oct. 17, 2018. https://www.atlasobscura.com/articles/ghost-mansion-in-northern-italy#:~:text=Place-,Villa%20de%20Vecchi,explore%20more%20Atlas%20Obscura%20videos. Pitzalis, Bruno. “Step Inside an Abandoned ‘Ghost Mansion’ of Northern Italy. Atlas Obscura. Oct. 9, 2018. https://www.youtube.com/watch?v=oTP2erZ7CBc&t=38s Santarelli, Enzo. “DE VECCHI, Cesare Maria.” Biographical Dictionary of Italians. https://www.treccani.it/enciclopedia/de-vecchi-cesare-maria_(Dizionario-Biografico)/ “Sidoli, Alessandro (1812-1855), Architekt, Maler und Graphiker.” Österreichisches Biographisches Lexikon. Austrian Center for Digital Humanities and Cultural Heritage. (Translated.) https://www.biographien.ac.at/oebl/oebl_S/Sidoli_Alessandro_1812_1855.xml Smee, Taryn. “The Red House – Italy’s Most Haunted Villa Which Lies Abandoned and Off Limits.” The Vintage News. Nov. 20, 2018. https://www.thevintagenews.com/2018/11/20/villa-de-vecchi/ “Villa De Vecchi, Italy: A Timeless Masterpiece of Architectural Splendor.” Rethinking the Future. https://www.re-thinkingthefuture.com/articles/villa-de-vecchi-italy See omnystudio.com/listener for privacy information.

Across the South, the word witch has been used to explain what people fear and cannot control. For generations, healers, midwives, conjurers and root workers carried knowledge their communities needed, yet often faced suspicion when tragedy struck. In this episode of Southern Mysteries, we explore the real lives and southern legends behind those branded as witches. From colonial courts to mountain cabins and coastal swamps, these stories reveal how the line between healing and haunting has always been thin and how fear can turn ordinary people into figures of folklore. Join the Community on Patreon: Want more Southern Mysteries? You can hear the Southern Mysteries show archive of 60+ episodes along with Patron exclusive podcast, Audacious: Tales of American Crime and more when you become a patron of the show. You can immediately access exclusive content now at patreon.com/southernmysteries

Sudan’s civil war has become a humanitarian catastrophe of staggering scale, marked by famine, ethnic cleansing and sexual violence. Over three years, an estimated 150,000 people have been killed, and nearly 13 million have been forced from their homes. But the destruction of Sudan’s cultural heritage has drawn far less attention. Jeffrey Brown reports for our art and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Click here to send us a topic idea or question for Weekend Wisdom.Question: We very recently brought home our second child through domestic infant adoption. We feel very fortunate, and our son is developing well; we are also settling into the new routine.  We matched with our Son's birth mother through a local agency, and unfortunately, she decided that she did not want to meet us. She gave no information about the biological father.  We know she was caucasian, but honestly, it is unclear whether our son is entirely caucasian or not. The pediatrician said it was a mystery, and he may be caucasian with a darker complexion, or biracial, some amount of Hispanic, black, or any other heritage. We want to do everything in our power to be informed, acknowledge, and celebrate any ethnic background that is presented, but short of doing a DNA ancestry service on a baby that is a few weeks old, I don't really know where to begin- I'd appreciate any guidance you have. Resources:Raising a Transracial or Multicultural ChildAdoptee VoicesEthical Issues in Genetic Testing in AdoptionGenetic Testing and Genealogy for AdopteesGenetic Testing for Adoptees – Is It Worth It?Support the showPlease leave us a rating or review. This podcast is produced by www.CreatingaFamily.org. We are a national non-profit with the mission to strengthen and inspire adoptive, foster & kinship parents and the professionals who support them.Creating a Family brings you the following trauma-informed, expert-based content: Weekly podcasts Weekly articles/blog posts Resource pages on all aspects of family building

- Charlie Kirk's Murder and Political Narrative (0:00) - Physics and Ballistics of the 30-06 Rifle Round (2:21) - Implications of the Narrative on U.S. Politics (7:57) - International Implications and Military Preparations (33:21) - Religious and Symbolic Aspects of the Narrative (37:09) - Technical and Forensic Analysis of the Shooting (59:14) - Conclusion and Call to Action (1:06:09) - Charlie's Shooting and Cover-Up Theories (1:06:27) - Evidence and Fabrication Claims (1:28:43) - Intelligence Agencies and Conspiracy Theories (1:32:35) - Historical and Modern Cognitive Decline (1:38:44) - AI and Human Knowledge (1:52:59) - Copper Craftsmanship and Health Benefits (2:03:59) - Copper Water Filters and Health Claims (2:19:24) - Craftsmanship and Family Business (2:29:18) - Copper's Industrial and Cultural Significance (2:29:34) - Copper's Multi-Harmonic Resonance and Spiritual Practices (2:30:06) - Gravity Water Systems and Filters (2:37:29) - Historical Use of Copper, Silver, and Gold in Art (2:46:01) - Ancient Civilizations and Knowledge Preservation (2:51:59) - Challenges and Opportunities in Artisanal Craftsmanship (3:00:10) - The Role of AI in Enhancing Craftsmanship (3:04:26) - The Future of Artisanal Crafts and AI Integration (3:05:15) - The Economic and Cultural Value of Craftsmanship (3:08:07) - The Importance of Cultural Heritage and Community (3:09:53) - The Role of AI in Preserving Cultural Knowledge (3:12:24) - The Future of Human Civilization and AI (3:14:07) For more updates, visit: http://www.brighteon.com/channel/hrreport  NaturalNews videos would not be possible without you, as always we remain passionately dedicated to our mission of educating people all over the world on the subject of natural healing remedies and personal liberty (food freedom, medical freedom, the freedom of speech, etc.). Together, we're helping create a better world, with more honest food labeling, reduced chemical contamination, the avoidance of toxic heavy metals and vastly increased scientific transparency. ▶️ Every dollar you spend at the Health Ranger Store goes toward helping us achieve important science and content goals for humanity: https://www.healthrangerstore.com/ ▶️ Sign Up For Our Newsletter: https://www.naturalnews.com/Readerregistration.html ▶️ Brighteon: https://www.brighteon.com/channels/hrreport ▶️ Join Our Social Network: https://brighteon.social/@HealthRanger ▶️ Check In Stock Products at: https://PrepWithMike.com