Podcasts about days of future passed

Time Artist Title Duration Album Year 0:00:00 ProgPhonic 178 Intro 0:43 0:00:39 The Moody Blues Nights In White Satin 7:09 Days Of Future Passed 0:09:36 Delirium Villaggio 5:11 Lo Scemo e il Villaggio 1972 0:14:47 Blodwyn Pig Variations on Nainos 3:43 Getting to This 1970 0:18:30 Traffic Forty Thousand Headmen 3:11 Traffic 1968 0:24:40 Jethro […]

Nights In White Satin - 260 million streams on Spotify - is still the central plank in the set Justin Hayward's touring in October. He talks to us here about the first shows he ever saw and played, the ballroom circuit of the mid-'60s remembered in particularly vivid detail and involving the odd burst of song - “My kind of town, Great Yarmouth is …!”. Along with … … the appeal of “a Moody Blues crowd”. ... “Name Singer seeks guitar player”: the Melody Maker ad that got him into the Marty Wilde band, aged 17. … playing a summer season on the same bill as a water feature – aka the Waltzing Waters. … his early band All Things Bright and their Chuck Berry, Buddy Holly, Coasters setlist. … the “onerous” publishing deal he signed with Lonnie Donegan that siphoned off the profits of Nights In White Satin. … seeing Tommy Cooper at the Bournemouth Pavilion and the Barron Knights at the Locarno in Swindon. … “Terry the Pill” in Eric Burden's office. … toying with the idea of “a rock version of Dvorak”. … the uncertain fate of Nights In White Satin and the plugger who threatened to resign over it. … how Days Of Future Passed was the “Deramic Sound” demo record. … and the highpoint of the Moody Blues story and their Second Coming. Justin Hayward tickets here: https://justinhayward.com/pages/current-tour-dates https://justinhayward.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Nights In White Satin - 260 million streams on Spotify - is still the central plank in the set Justin Hayward's touring in October. He talks to us here about the first shows he ever saw and played, the ballroom circuit of the mid-'60s remembered in particularly vivid detail and involving the odd burst of song - “My kind of town, Great Yarmouth is …!”. Along with … … the appeal of “a Moody Blues crowd”. ... “Name Singer seeks guitar player”: the Melody Maker ad that got him into the Marty Wilde band, aged 17. … playing a summer season on the same bill as a water feature – aka the Waltzing Waters. … his early band All Things Bright and their Chuck Berry, Buddy Holly, Coasters setlist. … the “onerous” publishing deal he signed with Lonnie Donegan that siphoned off the profits of Nights In White Satin. … seeing Tommy Cooper at the Bournemouth Pavilion and the Barron Knights at the Locarno in Swindon. … “Terry the Pill” in Eric Burdon's office. … toying with the idea of “a rock version of Dvorak”. … the uncertain fate of Nights In White Satin and the plugger who threatened to resign over it. … how Days Of Future Passed was the “Deramic Sound” demo record. … and the highpoint of the Moody Blues story and their Second Coming. Justin Hayward tickets here: https://justinhayward.com/pages/current-tour-dates https://justinhayward.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Nights In White Satin - 260 million streams on Spotify - is still the central plank in the set Justin Hayward's touring in October. He talks to us here about the first shows he ever saw and played, the ballroom circuit of the mid-'60s remembered in particularly vivid detail and involving the odd burst of song - “My kind of town, Great Yarmouth is …!”. Along with … … the appeal of “a Moody Blues crowd”. ... “Name Singer seeks guitar player”: the Melody Maker ad that got him into the Marty Wilde band, aged 17. … playing a summer season on the same bill as a water feature – aka the Waltzing Waters. … his early band All Things Bright and their Chuck Berry, Buddy Holly, Coasters setlist. … the “onerous” publishing deal he signed with Lonnie Donegan that siphoned off the profits of Nights In White Satin. … seeing Tommy Cooper at the Bournemouth Pavilion and the Barron Knights at the Locarno in Swindon. … “Terry the Pill” in Eric Burdon's office. … toying with the idea of “a rock version of Dvorak”. … the uncertain fate of Nights In White Satin and the plugger who threatened to resign over it. … how Days Of Future Passed was the “Deramic Sound” demo record. … and the highpoint of the Moody Blues story and their Second Coming. Justin Hayward tickets here: https://justinhayward.com/pages/current-tour-dates https://justinhayward.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Legendary bass player John Lodge, who will be going on tour across the U.S. this July is on The Adventures of PipemanTHE MOODY BLUES' JOHN LODGE RELEASES DAYS OF FUTURE PASSED – MY SOJOURN THROUGH DEKO ENTERTAINMENT ON LIMITED EDITION 180G PLATINUM VINYL AND CD IN NORTH AMERICA TO COINCIDE WITH RESCHEDULED JULY TOURThe recording tells the story of ‘a day in the life', and includes “Nights in White Satin”, “Tuesday Afternoon”, and “Peak Hour”, together with a very special recording of “Late Lament” by the late Graeme Edge and performances by Jon Davison of YES.John will be back on tour in July, with his rescheduled dates, where you will be taken back in time as you experience the album live, in its entirety, together with a set of Moody Blues classic hits.Aug 2 Seminole Casino Hotel, Immokalee, FL (on sale March 12th)Aug 3 Amaturo Theater, Fort Lauderdale, FL (on sale March 15th)He has been voted one of the “10 most influential bass players on the planet,” and has been the recipient of many awards, including ASCAP (American Society of Composers and Publishers), an Ivor Novello Award, a Lifetime Achievement Award from Prog Magazine.Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”. Check out our segment Positively Pipeman dedicated to Business, Motivation, Spiritual, and Health & Wellness. Check out our segment Pipeman in the Pit dedicated to Music, Artistry and Entertainment Subscribe to The Adventures of Pipeman at https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support Would you like to be a sponsor of the show?Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?Would you like to host your own Radio Show, Streaming TV Show, or Podcast? Contact the Pipeman:Phone/Text Contact – 561-506-4031Email Contact – dean@talk4media.com Follow @pipemanradio on all social media outletsVisit Pipeman Radio on the Web at linktr.ee/pipemanradio, theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.com. Download The Pipeman Radio APPThe Adventures of Pipeman is broadcast live Wednesdays at 1PM ET and Music & Positive Interviews daily at 8AM ET on W4CY Radio (www.w4cy.com) and replays on K4HD Radio (www.k4hd.com – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).The Adventures of Pipeman Podcast is also available on www.theadventuresofpipeman.com and www.pipemanradio.com, Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets. 

Legendary bass player John Lodge, who will be going on tour across the U.S. this July is on The Adventures of PipemanTHE MOODY BLUES' JOHN LODGE RELEASES DAYS OF FUTURE PASSED – MY SOJOURN THROUGH DEKO ENTERTAINMENT ON LIMITED EDITION 180G PLATINUM VINYL AND CD IN NORTH AMERICA TO COINCIDE WITH RESCHEDULED JULY TOURThe recording tells the story of ‘a day in the life', and includes “Nights in White Satin”, “Tuesday Afternoon”, and “Peak Hour”, together with a very special recording of “Late Lament” by the late Graeme Edge and performances by Jon Davison of YES.John will be back on tour in July, with his rescheduled dates, where you will be taken back in time as you experience the album live, in its entirety, together with a set of Moody Blues classic hits.Aug 2 Seminole Casino Hotel, Immokalee, FL (on sale March 12th)Aug 3 Amaturo Theater, Fort Lauderdale, FL (on sale March 15th)He has been voted one of the “10 most influential bass players on the planet,” and has been the recipient of many awards, including ASCAP (American Society of Composers and Publishers), an Ivor Novello Award, a Lifetime Achievement Award from Prog Magazine.Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”. Check out our segment Positively Pipeman dedicated to Business, Motivation, Spiritual, and Health & Wellness. Check out our segment Pipeman in the Pit dedicated to Music, Artistry and Entertainment Subscribe to The Adventures of Pipeman at https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support Would you like to be a sponsor of the show?Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?Would you like to host your own Radio Show, Streaming TV Show, or Podcast? Contact the Pipeman:Phone/Text Contact – 561-506-4031Email Contact – dean@talk4media.com Follow @pipemanradio on all social media outletsVisit Pipeman Radio on the Web at linktr.ee/pipemanradio, theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.com. Download The Pipeman Radio APPThe Adventures of Pipeman is broadcast live Wednesdays at 1PM ET and Music & Positive Interviews daily at 8AM ET on W4CY Radio (www.w4cy.com) and replays on K4HD Radio (www.k4hd.com – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).The Adventures of Pipeman Podcast is also available on www.theadventuresofpipeman.com and www.pipemanradio.com, Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.

For our annual Moody Blues episode, we're traveling back to the beginning (sort of) and finally discussing Days of Future Passed. Although the band themselves dismissed this idea, this album is clearly one of the starting points of progressive rock, and it's certainly one of the earliest concept albums. It's unique not just in the Moody Blues' discography but in all of popular music, and we had a fantastic time discussing all the reasons why it's still so beautiful, moving, effective, and entertaining 57 years after it was first released.  Cohosts: Phil Maddox, Mike DeFabio, John McFerrin, Amanda RodgersComplete show notes: https://discordpod.com/listen/142-the-moody-blues-days-of-future-passed-1967Discord & Rhyme's merch store: http://tee.pub/lic/discordpodSupport the podcast! https://www.patreon.com/discordpod

THE MOODY BLUES DAYS OF FUTURE PASSED ARTISTS INCLUDE Graeme Connors, We Mavericks, Natalie Imbruglia, Suzette Herft, The Moody Blues, & Dusty Springfield. SENSATIONAL GUITARISTS INCLUDE Mike Holmes (IQ), Ian Moss (Cold Chisel), Brian May (Queen), Kirk Lorange (Richard Clapton Band), Eric Clapton, and Jack Bruce (Bass) (Cream). COPYCATS ARE COOL CATS! ORIGINAL VERSION— BOB DYLAN'S DREAM— BOB DYLAN COVER VERSION — TOMMY LEONARD. PRESENTED BY, James Gee as in, Gee, If laughter is the best medicine, my face must be curing the world! www.singersongwritersandsensationalguitarists.com  

In this Season 6 episode, I discuss The Moody Blues' hit album, Days of Future Passed, giving a quick history of how the album came together, a rundown of the songs, my own personal take and ranking of the songs, and my overall rating of the album. --- Support this podcast: https://podcasters.spotify.com/pod/show/dorneysvinyl/support

We are concluding this incredible series of Days of Future Passed – Law Practice in 2025 discussing meeting clients’ new demands of you and your practice including implementing: Efficiences Data Security KPIs Analytics Collaboration Sharing Embedding Outside Counsel If you are looking to build your presence with a serious marketing effort that is progressive, you'll […]Written by Susan Cartier Liebel

Breathe deep the gathering gloom. This episode I welcome back John Lodge of The Moody Blues to the show! John has recently released his re-working of The Moody Blues 1967 opus “Days Of Future Passed”. I think it's fair to wonder whether it's a good idea when artist take on projects like this, and I want to ask John about the possible disconnect between fan expectations and artist perspectives. I was also naturally curious about the current state of relationships between John and his former bandleader Justin Heywood. John was really good company and I had a great time talking with him. Hope you enjoy it too! Instagram: @sendingsignalspodcastX (Twitter): @signalspodcast

In 1967, the Moody Blues went into the studio and accidentally recorded one of Prog Rock's first concept albums. Join us for the orchestral rock masterpiece, Days of Future Passed.   IG: @progfrogpod helloprogfrog@gmail.com

Scoot talks to Moody Blues frontman John Lodge about his re-recording of the band's iconic "Days of Future Passed" album, and the challenge and delight of keeping their music alive

This week on Classic Vinyl Podcast, Justin and Tyler review The Moody Blues second studio album Days of Future Passed. Considered one of the earliest concept albums with heavy orchestration, this is an album that produced to classic hits Nights in White Satin and Tuesday Afternoon. Give it a spin and let us know what you think. Classic Vinyl Podcast Website https://classicvinlylpodcast.podbean.com/ Support our podcast and buy us a beer https://www.buymeacoffee.com/classicvinylpod

Legendary bassist, songwriter, vocalist, and Rock and Hall of Famer John Lodge joins The Greg and Dan Show during the weekly Music Monday with Marc segment to discuss his return to Peoria and performing The Moody Blues' iconic "Days of Future Passed" album in full. See omnystudio.com/listener for privacy information.

An interview with John Lodge of The Moody Blues about his 2023 tour with The 10,000 Lights Years Band, playing Moody Blues classics, and the entirety of their 1967 album "Days Of Future Passed."  He talks about if there was thought of how the songs could have been written differently, rediscovering parts of songs, Jon Davison's vocals, and more.See omnystudio.com/listener for privacy information.

In Part 5 of this great series, we will discuss what legal marketing will look like in the not too distant future. This will include: Paid Verification Video & Audio Content Short Form Content Virtual Reality Meta Verse(s) Community-Focused Networking Join us!Written by Susan Cartier Liebel

In part four we are going to look at trends in law firm ‘employees' and we use the term very broadly. Why broadly? Because we need to look at the role of non-lawyers, AI (Artificial Intelligence) as an ‘employee', Technology as an ‘employee'. Yes, we have to expand the term ‘employee' because the world is changing rapidly. So, join us. It will be informative as always. Written by Susan Cartier Liebel

We are coming to the end of the 2nd Wave of Legal Tech. Yes, I know. You've only just started embracing the first wave of legal tech! But it is happening fast and you need to catch up. We will be discussing what is and will be happening in front office technology, consolidation of software, 'behavior' automation and so much. Join us!Written by Susan Cartier Liebel

In Part 2 of our series, Days of Future Passed - Law Practice in 2025, we will discuss two critical topics; what will it mean to actually be a lawyer in 2025 and how will we price our services and collect on those fees. What are the clients' expectations of who we are and how they should value our services? It's a truly provocative and informative conversation. Join us!Written by Susan Cartier Liebel

Enjoy our New Series - Days of Future Passed - What Will Law Firms Look Like in 2025, Part 1 In this first installment we will discuss the law firm business structure in all its incarnations, how this impacts your employees, vendors and much more. Will we see the Amazon model of law firms? It is more in-depth and surprising than you might imagine including sales people, referral fees. Will we see the demise of the solo practitioner? This is info you will need which ever direction you may go. Listen and learn.Written by Susan Cartier Liebel

Former British R&B group The Moody Blues were commissioned by their record label to do a rock cover of Dvorak's 9th Symphony. Instead, they used this opportunity to reinvent themselves and create a pop/rock/classical amalgamation that after fifty years still sounds stunning. Let's talk about The Moodies' “Days of Future Passed”!

In the UK on this day in 1967, The Moody Blues released their iconic record, Days of Future Passed! Containing the now legendary single 'Nights in White Satin', the album has been cited as one of the earliest examples of a prog rock record. In today's episode you'll hear from Moody Blues legend John Lodge as he talks about the making of this release. if you want to hear the full interview with John where he talks more about the album, the writing and recording of Nights in White Satin, touring the US in the 60's, his friendship with Justin Heyward and the Rock & Roll Hall of Fame induction then please check out episode 46 of Vintage Rock Pod!

One of the earliest examples of a prog rock record was Days of Future Passed, the second studio album by The Moody Blues. Originally a rhythm and blues band, The Moody Blues were in difficult financial straits when they convinced the record company to combine their music with orchestral elements and interludes in a single album.  The group recorded much of their sessions first, then provided these to conductor Peter Knight, who directed the London Festival Orchestra (the house orchestra for Decca Records) in arrangements and orchestral interludes.The Moody Blues for this album are Justin Hayward on guitar, piano, and vocals, John Lodge on bass and vocals, Mike Pinder on keyboards and vocals, Ray Thomas on flute, piano, and vocals, and Graeme Edge on drums and vocals.Days of Future Passed is created as a concept around a day in the life of "an everyday man."  It begins with a track appropriately entitled "The Day Begins," and concludes with a piece labeled "The Night," which we know as "Nights in White Satin," and "Late Lament."  The album was somewhat successful when first released, but would climb in popularity over a long period of time, particularly on the growing strength of "Nights in White Satin" on FM radio in the U.S.  It would eventually peak on the album charts at number 2 in the U.S. - in 1972!Brian takes us on this day trip. Dawn:  Dawn Is a FeelingKeyboardist Mike Pinder wrote this song, the first track sung after the Instrumental overture and spoken recitation.  As the name implies, it represents the start of the day.Lunch BreakBassist John Lodge sings lead on this song which he also wrote.  The fast pace is suggestive of the hectic period of lunch hour on a business day.  The song has an orchestral introduction which was recorded separately from the rest of the track.Tuesday Afternoon Also known as "Forever Afternoon" or "Forever Afternoon (Tuesday?)", the song was originally intended to be named "Tuesday Afternoon" but was changed for the album.  It was released as "Tuesday Afternoon" when released as a single.  Justin Hayward wrote the song in Lypiatt Park on a (you guessed it) Tuesday afternoon.Nights In White Satin/Late LamentHayward composed this hit at the age of 19 in Belgium, inspired by a gift of satin bedsheets given by his girlfriend.  The song is about a yearning love from afar.  The strength of this song would provide the success for both the album and The Moody Blues as a whole.  Late Lament was written by drummer Graeme Edge, and is recited by keyboardist Mike Pinder.  This is the only album track on which the band recorded with the London Festival Orchestra rather than separately. ENTERTAINMENT TRACK:Won't You Be My Neighbor? (the main theme to the children's series Mr. Rogers' Neighborhood)The television series starring Fred Rogers debuted nationally this month. STAFF PICKS:Tomorrow by Strawberry Alarm ClockBruce starts us off with a psychedelic and sunshine pop group out of Los Angeles.  This song is the first single off the group's second album, "Wake Up...It's Tomorrow."  It would hit number 23 on the Billboard Hot 100, and would be their second and final top 40 hit.  "But right now I am with you, and together we can make it through."Hey Baby (They're Playing Our Song)  by The BuckinghamsRob's staff pick continues in the sunshine pop genre with a band out of Chicago.  This is off their album "Portraits," and made it to number 12 on the charts.  "Sunshine Pop" is rooted in easy listening and "advertising jingles."  The Buckinghams got their name in an attempt to channel some of the success of the British Invasion.  They had 5 top 40 hits in 1967. Nobody But Me by the Human BeinzWayne brings us a well-known cover originally performed by The Isley Brothers.  There are over 100 "no's" in this song and 47 "nobody's," making it quite literally a quite negative song.  While this would be the only entry into the top 10, it would become a staple of Fraternity parties from then on.    Sunday Mornin' by Spanky & Our GangBrian  features Elaine "Spanky" McFarlane as lead woman for the band.  Spanky & Our Gang had a number of hits in the 60's.  This sunshine pop song peaked at number 30 as a single, and preceded the album by several months.     COMEDY TRACK:Here Come the Judge by Shorty LongThis funky novelty song was inspired by a skit on Rowan & Martin's "Laugh In," and was Long's biggest hit, rising to number 4 on the charts.

The 20th episode! Here I will discussing Moody Blues - Days Of Future Passed   Please consider visiting the show Web site at www.churchofrockshow.com for bonus material on each episode. To interact with others on each episode visit our Facebook page @churchofrockshow where each episode will have a dedicated post where we can discuss the album and share our personal stories about the music. The Instagram page is @churchofrockshow here I will be sharing what I am currently listening to and posting cool pictures I come across.

Bizim için çok özel The Moody Blues'un Tuesday Afternoon şarkısının verdiği ilhamla kaydettiğimiz bölümüz ilerde yayınlayacağım Müzikal Yolculuklar serimiz için de bir fragman niteliğinde oldu.

In this episode, we look at the second album by the quintessential British band who were not so big in the native country, the Moody Blues' Days of Future Passed. This band and album has a pretty fascinating history and it makes prodigious use of a new electronic keyboard originally intended for use at parties: the Mellotron. Find out more about how this album was made and how a rhythm and blues band became an art rock pioneer in just a few months.

Alonso's Days of Future Passed EP: https://www.youtube.com/playlist?list=PLu17-46TMtN01wYrp5oeQ1tq2mUPGTdhgRyan's Days of Future Passed EP: https://www.youtube.com/playlist?list=PLu17-46TMtN3S0bp-53kraGpbceURuQDOJenny's Days of Future Passed EP: https://www.youtube.com/playlist?list=PLu17-46TMtN0kNOeEaU1QKQNhEibP05LEIntro: Spaghetti Western by StickfigureOutro: Western Firefight 2 by Cullah

For the 28th installment of Munch My Benson, the Randomizer forced Josh and Adam to watch an SVU that featured very little in the way of Law or Order but a whole lot of Mayhem. That's right folks, this episode, "Chasing Demons" (S19E14) brings SVU's favorite liability insurance pitchman, Dean Winters, back into the fold for 45 minutes of questionable acting choices. As ever, we digress. Does your mom's favorite SVU podcast feature spicy hot melon takes, comparative studies of European legal systems' wardrobes, or ruminations on the divine nature of the trinity? Didn't think so. Music: Divorcio Suave - “Munchy Business” 03:45 - Film Symphony Orchestra - "Game Of Thrones Theme" from Game Of Thrones (2009) 19:00 - Depeche Mode - "Personal Jesus" from Violator (1989) 32:30 - Moody Blues - "Late Lament" from Days Of Future Passed (1974) 39:07 - John Lurie - "Stink" from Get Shorty (1995) Next Week's Episode: Season 5, Episode 8 "Abomination"

El pasado martes moría el tejano de Lubbock Mac Davis. A partir de la mitad de los 60 se le empezó a reconocer como compositor, firmando temas como "Within My Memory" (Glen Campbell) o "Somethin's Burnin" (Kenny Rogers & The First Edition). Pero, además, fue el autor de "A Little Less Conversation" y sobre todo de "In The Ghetto" para el especial de televisión de Elvis Presley del 68. En un principio, Mac Davis tituló “In The Ghetto” como "The Vicious Circle" y se la presentó a Sammy Davis Jr. en un estudio junto a otros miembros de la comunidad negra. Su propio compositor la grabó de esta forma con la que hemos abierto hoy nuestro tiempo de radio después del tremendo éxito de Elvis en 1969. Sin embargo, la versión original no salió a la luz hasta aparecer en un recopilatorio de 1991 titulado Golden Throats, cuando el artista tejano ya tenía una seria consideración en el terreno del country. Mac Davis era un nativo de la tejana ciudad de Lubbock, que comenzó su carrera artística sin demasiado éxito a comienzos de los años 60. Pasaría después a ejercer de ejecutivo discográfico, un trabajo que le llevó a Los Angeles, donde comenzaría a ejercer de compositor. Como solista, dejó éxitos como "Baby Don't Get Hooked On Me", "Stop and Smell the Roses" y de manera muy especial "Texas In My Rear View Mirror", de tintes autobiográficos. Willie Nelson vuelve a dar ejemplo y recupera "Vote 'Em Out", una canción que exhorta a utilizar la herramienta más poderosa que cualquier ciudadano libre tiene a su disposición: el voto. Y como recuerda, es sagrado y pone el poder en manos de la gente. Está escrita junto a su viejo amigo Buddy Cannon y en ella se encuentra acompañado de Lukas y Micah, animando a sus conciudadanos a que ejerzan su derecho en el Election Day 2020 de Noviembre en Estados Unidos. El arma más grande que tenemos Se llama urna. Así que si no te gusta quién está ahí Vota para echarlo… Palabra de Willie. Terry McBride es de la tejana Austin, hijo de Dale McBride, en cuya banda estuvo tocando, y fue líder de McBride & the Ride, una excelente banda de la primera mitad de los 90 en el terreno del country. Tras disolverse, pasó a ser uno de los compositores más solicitados, especialmente por Brooks & Dunn. Ahora ha decidido grabar en solitario y dar continuidad al EP Hotels & Highways que publicó hace tres años inspirado por los honky-tonks y las salas de baile. Se trata del álbum Rebels & Angels, cuyo tema central lo ha compuesto junto a Chris Stapleton y ha contado, además, con la voz de Patty Loveless, a quien echamos de menos como protagonista de alguna nueva aventura sonora desde hace demasiado tiempo. Terry McBride fue el bajista de Delbert McClinton y, más tarde, trabajó con Lee Roy Parnell y Rosie Flores. Nunca se había puesto al frente de una banda hasta que llegó a Nashville. Su talento como cantante y compositor llamó la atención de Tony Brown, presidente de MCA Nashville y en Junio de 1989, durante la celebración de la desaparecida Fan Fair en Nashville, se creó McBride & The Ride como trío. Debutaron al año siguiente y con su segundo disco, Sacred Ground, del 92 lograron sus mayores éxitos, incluso el segundo puesto de las listas con la canción que les dio título. En TOMA UNO tenemos el compromiso no escrito de compartir pasado, presente y buena parte del futuro de la Americana. Esa es una de las razones por la que estamos anticipando The Highway Kind, el nuevo álbum de la Josh Abbott Band que saldrá al mercado a mediados de noviembre. Desde que se formaron en la Texas Tech University de Lubbock, han pasado a convertirse en una de los más sólidos pilares de la Red Dirt music gracias a canciones en las que su líder refleja situaciones reales y cotidianas que casi siempre tienen que ver con su propia vida. “The Highway Kind” como canción es una de las favoritas de las emisoras tejanas en estas fechas. The Band Of Heathens han sido una de las formaciones más activas en estos tiempos de pandemia. El resultado de su casi frenética actividad se resume ahora en Stranger, un último álbum que aborda el temor existencial de estos momentos con referencias a Albert Camus o a Robert Heinlein. Un tema tan sobresaliente como “Asheville Nashville Austin” ensalza la magia de la carretera en todo su esplendor a través de un tema de medio tiempo convertido casi en un himno sobre los espacios abiertos y los buenos tiempos. Otra de las bandas que ha aprovechado el aislamiento para crear nuevas propuestas sonoras es Drive-By Truckers, que publicará a mediados de diciembre por sorpresa un nuevo álbum, The New OK, aunque está ahora disponible para descarga digital. Una vez más la banda de Athens, en Georgia, ha canalizado sus frustraciones que ya manifestaban en su disco de enero, The Unraveling, y han hecho una selección de las canciones que habían grabado en Memphis los Sun Studios de Memphis en el otoño de 2018, añadiendo un par de temas recién compuesto por Patterson Hood y la inesperada versión de un tema de los Ramones como "The KKK Took My Baby Away", manteniendo esa postura desafiante ante la depresión. “Sarah’s Flame” es una de las deliciosas canciones que ha compuesto Mike Cooley y que nos recuerdan que pudimos haber visto a banda la pasada primavera en nuestro país, pero la Covid-19 lo impidió. Joachim Cooder es un californiano de Santa Monica que también debe soportar el “peso de la púrpura” al ser hijo del legendario Ry Cooder. Joachim, un multi-instrumentista centrado especialmente en la percusión tiene una larga andadura que le han encontrado con nombres de la talla de Mavis Staples, Buena Vista Social Club o Dr. John, entre otros. Ayer mismo, se publicó el tercero de sus discos en solitario, Over That Road I'm Bound: The Songs of Uncle Dave Macon, dedicado a las canciones de Uncle Dave Macon, una figura esencial en el desarrollo de la música de raíces norteamericana, a caballo entre el final del siglo XIX y los primeros años del XX. Uncle Dave Macon, conocido como "Dixie Dewdrop", era un banjista de Tennessee convertido en un pionero seminal, a la altura de Jimmie Rodgers. De hecho, cuando Ralph Peer realizó las famosas sesiones de Bristol, él ya había grabado más de 100 canciones. Fue la primera gran estrella del Grand Ole Opry y eso que comenzó su carrera profesional cuando ya tenía 50 años. Joachim Cooder ha utilizado las tonadas de Uncle Dave Macon como punto de partida, jugando con las letras y reelaborando melodías para su instrumento favorito, la mbira. Originalmente es un instrumento africano que los esclavos llevaron a América y que se suele considerar antecesor del piano. “Come Along Buddy” es una melodía creada por Uncle Dave Macon en 1930, descubierta medio siglo después por Stephen Wade en un acetato de prueba en casa de la familia Macon. Steve Earle compuso una canción como “Times Like These” hace cuatro años manifestando su ansiedad por los tiempos covulsos que se avecinaban, pero recordando que siempre puede haber esperanza a pesar de lo sombrío del presente. "Times Like These" se lanzó en principio como una pieza acústica, pero con motivo de la celebración del último Record Store Day se ha publicado una versión grabada durante las sesiones de su último álbum, Ghost Of West Virginia, realizadas en los Electric Ladyland Studios y en la que Steve Earle está acompañado por los Dukes. Se publicó en single de vinilo el 7 pulgadas siendo una edición limitada a 1300 copias. The Mastersons siguen creciendo como propuesta alternativa y respondiendo a la complejidad de la situación actual. A primeros de año publicaban No Time For Love Songs, un disco con el que volvían a poner el foco en sus propuestas como pareja, contando con la producción de su buen amigo Shooter Jennings. Algunas de las canciones grabadas por entonces quedaron fuera de aquel disco porque parecían precisar su propio espacio. La llegada de la pandemia cambió los planes de un calendario lleno de conciertos y aislados en su casa se motivaron para dedicarse a esos nuevos temas con mayor crudeza que su álbum anterior. El próximo 16 de este mes de octubre, se edita el nuevo EP de los Mastersons, Red, White & I Love You Too. Son cinco canciones que miran de frente al dilema moral sobre qué quiere ser Estados Unidos como nación. “Sensitive Souls” es un buen ejemplo de este Red, White & I Love You Too, que ha sido grabado en el estudio casero de la pareja con el apoyo de Jeff Hill, compañero en los Dukes, en las mezclas. Canciones como “A Change Is Gonna Come” pudieron costarle la vida a Sam Cooke. Fue uno de los primeros que se implicó en la industria musical, formando su propia editora y su sello discográfico Su activismo político se fue acentuando según iba ampliando su fama, no olvidando sus raíces. Su implicación en la defensa de los derechos sociales y en contra del racismo le ganó serios enemigos. “A Change Is Gonna Come” fue compuesta por Sam Cooke después de hablar para los manifestantes que habían protagonizado una sentada en Durham, en el estado de Carolina del Norte, en mayo de 1963. Es evidente que el artista de Clarksdale, en Mississippi, estaba influido por “Blowin' In The Wind” de Bob Dylan, una canción que le gustaba mucho y que, incluso, llegó a grabar. Siempre es reconfortante escuchar una canción como esta, que acaba de ser actualizada por Gary Clark Jr., Brandi Carlile y John Leventhal como un mensaje de esperanza para estos tiempos. Es evidente que la música es un nexo de unión entre distintas generaciones y las hermanas Rebecca y Megan Lovell, que forman Larkin Poe, lo dejan claro en su nueva apuesta sonora, Kindred Spirits, que se va a editar el 20 de noviembre a través de su propio sello Tricki-Woo Records. Se trata de un disco de versiones con guiños a Elton John, Neil Young, The Allman Brothers Band, e incluso los Moody Blues. Kindred Spirits expresa su admiración profunda y agradecimiento por artistas que marcaron el camino en épocas precedentes. De hecho, Larkin Poe, nativas de Calhoun, en Georgia, ya había iniciado hace cinco años una serie de YouTube dedicada a rendir homenaje a sus héroes musicales. "Nights In White Satin" es una de las canciones elegidas. Originalmente formó parte de un álbum coral y emblemático como fue Days Of Future Passed de los británicos Moody Blues. Escuchar audio

It's an oldie but a goodie on this week's episode of YNHT?! and we couldn't be more excited! We're talking Moody Blues, bringing U2's The Edge on to Maury to find out who his real father is, and really nailing it with our segway into an ad break! Aren't you excited?? Leave us a voice message at https://anchor.fm/neverheardpod/message, or send us an email at neverheardpod@gmail.com! The official YNHT?! playlist can be found at https://open.spotify.com/playlist/4Oc1FO463PQSjhivDuLca4?si=MQSp93NZT26hlPgBez96zg --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Episode # 79 - The Moody Blues John Lodge promotes New Single "In These Crazy Times (Isolation Mix) and much more!!

As the exchange-traded fund space continues to mature, it's important to occasionally take a look back and understand ETFs' early origins. As with all great innovations, ETFs continue to evolve in ways that deliver investors increased efficiency and access - and also with potential new risks for the uninitiated. Education remains the key to reaping the many potential benefits the world's fastest growing investment vehicle offers investors. Procure Holdings and ProcureAM ETFs President and long-time ETF industry veteran Robert Tull - who helped coin the term "ETF" - joins Let's Talk ETFs to discuss the past, present and future of this space. Show Notes 2:00 - The early history of ETFs and Bob's role in it - including coming up with the "exchange-traded funds" moniker 9:30 - Why were most of the initial ETFs (SPY) (QQQ) "40s act" Trusts as opposed to the current preference to launch nearly all ETFs as open-ended investment funds? 12:30 - In an environment like the current one, how can ETF investors avoid the impulse to trade emotionally based on the news of the day? 19:15 - Bob's latest enterprise: Difference between Procure Holdings and Procure AM; The Procure Space ETF (UFO)  22:30 - How does your active, non-transparent ETF model compare to other non-transparent models? 27:00 - Why does the world need additional non-transparent actively managed products now? Is this actually good for investors? 32:15 - Smart Beta everywhere: Bob's take on the proliferation of these products 36:30 - Days of future passed: Where's the ETF space headed?

Since their conception, The Moody Blues have sold over 55 million records. This is the unheard story of one of the most successful progressive rock bands in history.Experience the very best of the Moodies music right back to the genius of the 1964 classic album Days Of Future Passed. We take you inside the workings of some of the most adventurous recordings to date with the unparalleled insights of the men who worked with the band. These include Derek Varnals, the engineer who mixed all but one of the ‘Classic Seven’ Moody albums, Tony Clarke, producer of the Moody Blues between 1966-79 (as well as so many other bands) who takes us back in time through the money and the madness, and Keith Altham, who was possibly the world’s most successful independent rock agent - this man is unafraid to tell the whole truth and nothing but!

This time on Awakester we try as hard as possible to describe this album as anything other than 'moody' or 'bluesy'. That would be because we tackle The Moody Blues "Days of Future Passed". There was a lot more to this album than either of us expected, and we spin off topic about as much as usual! Thank you for listening after a bit of a break due to illness and a death in the family. ———————————————————— You can keep up-to-date with our weekly playlist This Week on Awakester on Spotify:
 [https://open.spotify.com/playlist/093WMTLe6xL4hyMdnKQ6bl](https://open.spotify.com/playlist/093WMTLe6xL4hyMdnKQ6bl) The Awakester Archive on Spotify: [https://open.spotify.com/playlist/5xZUntyrZYy3GVqbnSJHmG](https://open.spotify.com/playlist/5xZUntyrZYy3GVqbnSJHmG) ———————————————————— Our Patreon is: [https://www.patreon.com/awakester](https://www.patreon.com/awakester) You can find us on Twitter: [https://twitter.com/awakester](https://twitter.com/awakester)

This is episode six of Prog Notes! This episode we listen and talk about the progressive rock stepping stone, Days of Future Passed by The Moody Blues. Join our community! www.prognotespodcast.com/communitysignup Follow us on Instagram! www.instagram.com/prog_notes **Prog Notes is a podcast dedicated to the genre of progressive rock. Each episode Destin and Drew tackle an album and delve into the different musical compositions, lyrics, and concepts that make it prog rock. They discuss the history of the genre as well as its relevance in modern music. With each new episode, these two colorful characters demonstrate their passion by attempting to inspire more people to investigate this unique, sometimes forgotten genre of music and find an album or band they can enjoy.

Time Artist Title Length Album Year Composer Label Listeners IN MEMOMORY 11:01:14 The Moody Blues The Night: Nights In White Satin 7:32 Days Of Future Passed 1967 Decca 67 11:08:43 miwshowopen 1:10 68 Best Missed Album 11:15:11 Bullet Height Wild Words 3:47 No Atonement 2017 Superball 66 Best Album to Play D&D to 11:21:31 Anubis […]

Time Artist Title Length Album Year Composer Label Listeners IN MEMOMORY 11:01:14 The Moody Blues The Night: Nights In White Satin 7:32 Days Of Future Passed 1967 Decca 67 11:08:43 miwshowopen 1:10 68 Best Missed Album 11:15:11 Bullet Height Wild Words 3:47 No Atonement 2017 Superball 66 Best Album to Play D&D to 11:21:31 Anubis […]

Here's the eleventh episode of the Sound Good? podcast! This time we jammed the albums Flying Microtonal Banana by King Gizzard and the Lizard Wizard and Days of Future Passed by The Moody Blues. Both are pretty nuts in their own right, but KG&LZ are by far the nutsest. The KG album was recorded entirely on microtuned instruments which gave the overall sound a very interesting feel. Days of Future Passed is a very cinematic late 60's progressive rock album in the same vein as bands such as Yes. Check them both out! Follow King Gizzard and the Lizard Wizard on Twitter: https://twitter.com/kinggizzardband Follow the Moody Blues on Twitter: https://twitter.com/MoodyBluesToday Follow this dorky podcast on Twitter: https://twitter.com/itsoundsgoodpod  

November 1967: Love, Cream, Moody Blues, Buffalo Springfield, Jefferson Airplane, Beatles, Amboy Dukes, 13th Floor Elevators

This week, we are joined by our friend, Matthew "Squiggles McGee" Walton, to recap what happened on the two episodes that we lost due to a mishap by Petey. We discuss Moody Blues' opus "Days Of Future Passed" and Glassjaw's "Worship and Tribute".