Podcasts about White Satin

McAnally's Pubcast - A Dresden Files PodcastHere we discuss Chapter 7 which mostly turns out to be random stories from each of us and a very small amount about Harry's ritual prep.Proven Guilty Chapter 7 Summary:Harry prepares himself for his upcoming ritual but is disrupted by a phone call from Maggie Carpenter asking him to bail her out of jail.Find Us Elsewhere:Do you want to follow up with us for even more Dresden? We're all over the internet - you can email us at pubcast@freeflowrambling.com, or you can track us down at Facebook, Instagram, Discord, X (formerly known as Twitter), Reddit, our Dresden Files website, or our parent website. If you want hypnotic visuals with your podcast, you can find us at YouTube. Not enough? Why not show your support by clicking here and donating or joining us on our Patreon. Also, if you're in the market for some merch, you can click here. If you still aren't satisfied, click here and tell us all about it!

(S4 EP23) Moody Blues - “Days of Future Past” (Derem Records)Released November 17, 1967. Recorded May 9-Nov 3, 1967 Days of Future Passed (1967) by The Moody Blues is a landmark concept album that fused rock with orchestral music, marking a pivotal moment in the evolution of progressive rock. Initially commissioned by Decca Records to showcase stereo sound with a rock adaptation of Dvořák's New World Symphony, the band instead created an original work that follows a symbolic day from dawn to night. Featuring the London Festival Orchestra and pioneering use of the Mellotron by Mike Pinder, the album blends lush orchestration with introspective songwriting. Highlights include Justin Hayward's “Nights in White Satin” and “Tuesday Afternoon,” both emotionally resonant and enduringly popular. The album's innovative structure, poetic lyrics, and seamless integration of classical elements redefined the LP as an artistic format. Days of Future Passed remains a foundational piece in the history of progressive music, influencing bands like Genesis and Yes, while solidifying The Moody Blues' legacy as sonic visionaries.Signature Songs: "Dawn: Dawn is A Feeling", "The Afternoon: Forever Afternoon" "The Night: Nights In White Satin" Full Album: YouTube, Spotify Playlist: YouTube, Spotify

El amigo secreto y Máximo Pradera se atreven con los primeros acordes de una de las canciones de The Moody Blues más recordadas. Al ritmo de "Nights in White Satin (Casino)" empezamos la mañana.

Las versiones musicales del amigo secreto de Javier del Pino y (un poco menos) de Rafa Panadero.

Playlist: Uriah Heep - Salisbury/Lady in BlackMoody Blues - Tuesday Afternoon/Nights in White SatinRenaissance - Sounds of the SeaVangelis - Heaven and Hell SuitePeter Hammill - The Birds/CandleTim Buckley - Song to the Siren/Morning GloryBill Fay - Cosmic Concerto/City of DreamsEarth and Fire - Love QuiverOmega - Remembering/White Magic StoneCMU - Mystical Sounds/Open Spaces

The Sound Chaser Progressive Rock Podcast is on the air. On the show this time I have new music from Massimo Pieretti, a couple of In Memoriam segments for Mike Ratledge and Mike Visaggio, a wide variety of prog, the Symphonic Zone, and more. All that, plus news of tours and releases on Sound Chaser. Playlist1. This Winter Machine - Kites, from KitesIN MEMORIAM MIKE RATLEDGE2. Soft Machine - Slightly All the Time, from ThirdEND IN MEMORIAM3. Marillion - He Knows You Know, from The Thieving Magpie2. Novalis - Heute oder Nie, from Nach uns die Flut3. Kate Bush - Violin, from Never for Ever4. Ozric Tentacles - Dance of the Loomi, from Arborescence5. Abissi Infiniti - Nebbia Incantata, from Tunnel6. Isotope - Black Sand [2001 remix], from Deep End [See for Miles label]7. Massimo Pieretti - Growing Old, from Things to Live8. Il Balletto di Bronzo - La Tua Casa Comoda [cd bonus track], from Ys9. Anekdoten - Stardust and Sand, from A Time of DayTHE SYMPHONIC ZONEIN MEMORIAM MIKE VISAGGIO10. Kinetic Element - Vision of a New Dawn, from TravelogEND IN MEMORIAM11. Mitch Michelle - Foxtrot on the Glade, from Rift12. Renaissance - Dear Landseer, from Tuscany13. Transatlantic - Nights in White Satin, from Kaleidoscope [bonus disc]14. North Star - Colossus, from Tempest15. David Axelrod - The Smile, from Songs of Innocence16. Happy the Man - The Falcon, from "Better Late..."17. Logos - Sentiero nel Prato, Porta Nell'universo, from Logos18. Pär Lindh Project - Night on Bare Mountain (inc. The Black Stone), from Gothic Impressions19. Nexus - En las Manos de Dios, from MetanoiaLEAVING THE SYMPHONIC ZONE20. Caravan - The Fear and Loathing in Tollington Park Rag, from Cunning Stunts21. Trio of Doom - Dark Prince [live], from Trio of Doom22. Priam - Congruatic Blvd., from Diffraction23. Michael Garrison - Synthation Flow, from Images24. Earthstar - Splendored Skies and Angels, from French Skyline25. Anna Själv Tredje - Ankomster Utanför Tiden, from Tussilago Fanfara26. Thinking Plague - Warheads, from On Both Your Houses27. Nucleus - Arena (Part 2), from Labyrinth28. DFA - Pantera, from Work in Progress Live29. IQ - One Fatal Mistake [extended version], from Frequency Tour

Listen to an interview with John Lodge, bassist, songwriter, and vocalist for The Moody Blues. He'll be performing in Indiana on February 28. The Moody Blues rose to prominence in the late 1960s, with a series of psychedelic hit singles, like “Tuesday Afternoon”and “Nights in White Satin”. Lodge wrote some of the band's biggest hits, including “Ride My See-Saw”, “Isn't Life Strange” and “I'm Just a Singer (In a Rock and Roll Band)”. Lodge has been performing and recording with The Moody Blues for over five decades. In 2018 the band was inducted into the Rock and Roll Hall of Fame. Also, hear a conversation with the singer-songwriter, pianist, and disability activist Lachi. She'll be performing in Indiana on March 1. Lachi was born legally blind and her personal struggles with accessibility in the music industry inspired her to create RAMPD, Recording Artists and Music Professionals with Disabilities. RAMPD is an advocacy group dedicated to amplifying disability culture and promoting disability inclusion in the music industry. Lachi's work has been recognized the New York Times, Billboard, and USA Today, who named her one of 2024's women of the year. In addition to her work in music, Lachi is also the host of Renegades, a PBS series that explores the lives of little-known historical figures with disabilities.

In this one, Eddie and Jerry see if Jerry (for no good reason) can remember the poem at the end of Nights in White Satin, Mr. Football shows off his stuff to Eddie in college and a popular morning show, Eddie and Jerry give out a wishlist for the upcoming Captain America Brave New World movie and so much more... Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textOn this episode, Tom and Bert discuss and review the Top "Make Out Songs" from the decade of the 1970's!The 1970's were arguably the greatest decade for "make out" and "love songs".From the 1970's Jackson 5 Hit, "I'll Be There" (5:50); to The Chairmen of the Board's, "Give Me Just a Little More Time" (7:23); and The Carpenter's, "We've Only Just Begun" (8:30); to....John Denver's classic "Take Me Home Country Roads" (10:08); to Marvin Gaye's all time classic, "What's Going On" (11:50); to The Moody Blues' "Night's in White Satin" (17:00);And other great songs like Abba's "Dancing Queen" (26:55); Jimmy Buffett's "Margaritaville" (28:21); and Gloria Gaynor's all time Anthem, "I Will Survive" (35:00);Then the Guys close the show with a discussion about You Tube Video "Reactions" from some streamers discussing Songs that they heard for the first time and reacting to them and we wrap it up with our top "Honorable Mentions" Make out Songs ending Part 1. Enjoy the show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well.

A number of bands seem to turn a corner with their third album, and Master of Puppets is no exception.  Metallica's third album would achieve both critical and commercial success, crossing out of the new thrash metal sub-genre of hard rock to achieve multi-platinum recognition.  Lead singer and rhythm guitarist James Hetfield collaborated with drummer Lars Ulrich as the principal songwriters, creating riffs that were assembled and reassembled over time until they formed a song.  The band would then be called in to create a tile and topic for the song, at which point Hetfield would create the lyrics.Master of Puppets peaked at number 29 on the Billboard 200 albums chart.  Although glam metal was on the rise, the band avoided the over-produced, synth-laden sound popular in the era, and stuck to their signature thrash metal sound with political lyrics.  The resulting album would consolidate the thrash metal scene, and bring the sound into a more mainstream audience.Unfortunately, the album would also be the last one for which bassist Cliff Burton would be featured.  Burton died in September 1986 while the band was on tour in Sweden, and their bus was involved in an accident.Metallica would become a huge group from the late 80's onward, and this album shows the strength of the group in those years when they were just coming into the consciousness of the commercial world.Lynch brings us this highly influential thrash metal album.  Fans of the Show Julie Doran and son Zack join us in Wayne's absence for today's podcast. Welcome Home (Sanitarium)The song that concludes side 1 of the album was inspired by Ken Kesey's novel "One Flew Over the Cuckoo's Nest."  The lyrics portray the thoughts of a mental patient incorrectly institutionalized in an asylum.  The track starts slow and picks up steam as it goes.  BatteryThis title could be a reflection of the charge of assault and battery, or it could be inspired by the military hardware of an artillery battery.  There is also a connection to the original San Francisco thrash scene, centered on the Old Waldorf club on Battery Street.  Control of violent urges is a connection that runs through the piece regardless of the original inspiration.Master of PuppetsCocaine addiction is the master of puppets referenced in this title track.  Hetfield had friends experiencing drug addiction, and wrote this track from the perspective of the drug itself, taking over the lives of people.  This will be a familiar song to fans of "Stranger Things." ENTERTAINMENT TRACK:Loved By the Sun by Jon Anderson and Tangerine Dream (from the motion picture “Legend”)This fantasy film starring Tom Cruise and Mia Sara was in the theaters at this time. STAFF PICKS:Your Wildest Dreams by the Moody BluesRob starts off the staff picks with a song that singer and guitarist Justin Heyward wrote while thinking back on his first love.  It hit number 9 on the Billboard Hot 100, making this song the biggest commercial success for the Moody Blues since "Knights in White Satin."Mothers Talk by Tears for FearsBruce's staff pick was inspired by a mom telling her kids that when they make faces, they will freeze that way.  It is also inspired by an anti-nuclear cartoon called "When the Wind Blows" by Raymond Briggs.  The song was written by Roland Orzabal and Ian Stanley, and first performed in 1983.  It went to number 27 on the Billboard Hot 100. Kiss by Prince & the RevolutionJulie features a chart topping hit and lead single from Prince's eighth studio album, "Parade."  The song is more acoustic and stripped down than prior Prince hits, and Warner Bros. didn't want to release it as a single.  However, Prince insisted on both its inclusion on the album and its release as a single.Addicted to Love by Robert PalmerLynch closes out the staff picks with a song that may be more famous for its video featuring models pretending to play the instruments.  Palmer originally wanted to sing this song as a duet with Chaka Kahn, but was prevented from doing so by legal issues.   INSTRUMENTAL TRACK:Songbird by Kenny G.You just can't go wrong with a sax as we close out today's podcast.  Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

This week we dive head-first into the 4th LP from British indie darlings PALE WAVES: Smitten. Across our track-by-track, we discuss our long history with PW, the tenured quantity (and quality) of their output, and how this album stacks against their others. ALSO discussed: CHARLI XCX & TROYE SIVAN's Sweat Tour, MARINA's upcoming album (& new poetry book), and new music from CHAPPELL ROAN! At the SPA: JADE (Fantasy), ADDISON RAE (Aquamarine), OLLY ALEXANDER (Cupid's Bow), REBECCA BLACK (Trust!), ROSÈ & BRUNO MARS (APT.), BETTY WHO (Wings ft. e.l.f. Cosmetics), ARIA WOOD (Swimming), LADY GAGA (Disease), ADÈLA (Superstar) and SKYE RILEY & NAOMI SCOTT (Blood on White Satin). NEXT WEEK: We're off but when we return its time to celebrate 15 Years of The Fame Monster by LADY GAGA!

In this conversation, Nikita Taniparti interviews Dr. Carolyn Rouse, who gives us a preview of her forthcoming book. Based on almost a decade of fieldwork in Lake County, CA, her book looks at an economy of care as opposed to an economy of things, and how the relations that emerge through care work are linked to life expectancy and health outcomes. Dr. Rouse explains her interlocutor's search for freedom, and the narrative threads of hope that emerge to bind a community together. Today's guest is Dr. Carolyn Rouse. She is the Ritter Professor of Anthropology at Princeton University. Her work is wide-ranging and has focused on issues of race, religion, inequality, political and economic development, and more. Her first book, Engaged Surrender: African-American Women and Islam (2004), is an ethnography of African American Sunni muslim women in Los Angeles, CA – the book shows how the teachings of Islam give these women a sense of power and control over interpretations of gender, family, authority, and obligation. Her next book, Uncertain Suffering: Racial Health Care Disparities and Sickle Cell Disease (2009) provides an examination of what it means that black Americans are sicker and die earlier than white Americans and the implications for health care in the United States. This book provides important framing to our discussion today, which is about Professor Rouse's forthcoming book on declining life expectancies of white Americans. Her book Televised Redemption: Black Religious Media and Racial Empowerment, co-authored with John Jackson Jr and Marla Frederick and published in 2016, argues that African American religious media has long played a key role in humanizing perceptions of African Americans by claiming that they are endowed by God with the same gifts of goodness and reason as whites, if not more, thereby legitimizing black Americans' rights to citizenship in the United States. As a filmmaker, Prof. Rouse has also produced and directed numerous documentaries, including Chicks in White Satin (1994), Purification to Prozac: Teaching Mental Illness in Bali (1998), Listening as a Radical Act: World Anthropologies and the Decentering of Western Thought (2015), and more. She is dedicated to expanding forms of visual anthropology, a theme that we'll touch upon a bit later in this episode. Her forthcoming book builds on her decades of research on racial disparities in health and medicine, development and policy efforts, and ongoing political and economic shifts in the US. The book project began when she visited Lake Country in Northeast California in 2016 to investigate research claims being made at the time that showed that life expectancies for white Americans was declining. Today she'll talk about that ongoing research and how it is linked to the emergence of hope, trust, and community. Links: https://anthropology.princeton.edu/people/faculty/carolyn-rouse https://www.epicpeople.org/racist-by-design/ .player4979 .plyr__controls, .player4979 .StampAudioPlayerSkin{ border-radius: px; overflow: hidden; } .player4979{ margin: 0 auto; } .player4979 .plyr__controls .plyr__controls { border-radius: none; overflow: visible; } .skin_default .player4979 .plyr__controls { overflow: visible; } Your browser does not support the audio element.

References Front. Physiol. 2021. 02. June. Vol.12 Nature Aging 2021. volume 1, pages 60–72 Teleman, JF. 1723 . "Wassermusick" Concerti TWV 55:C3 https://open.spotify.com/album/7cbAYEr4FJf8fAG6upSFgL?si=E_gnKD4QRUuu7xqhSpt9fQ Hayward, J. 1967. "Nights in White Satin" Moody Blues. https://open.spotify.com/track/6L5BZEcZmD6RBJnimzlyKr?si=4d8a0d1e77494b98 --- Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

During Nick Painless' afternoon show on Monday 16th September, Garry Willis from local band White Satin came into the Vectis Radio studio for a chat  If you missed the original broadcast here is the podcasted version of the chat

Episode 148: There Were 37.... June 28, 2024 There were 37 episodes of Tales Vinyl Tells that I recorded and posted only on the StudioMillsWellness.com website from the first in December 2019 til March 2022. That's the month that I started doing a live weekly radio program at RadioFreeNashville. It was and remains today based on the great LPs of the 60s especially, many of which I had in my own library. When I started with RadioFreeNashville, I was confident that all royalty details were legit and I then got on Podbean.com who distributes my program to Apple, iHeart, Player FM, Spotify (they no longer use because of their pay structure to artists), and many other podcast services. This is a lot of what you probably don't really care about but there's a reason I tell you this. (Exhale) This episode and many in the future contain a lot of the music in those 37 episodes that didn't get much more play on TVT after #37 because I try to repeat as little as possible. I have no playlist but, oh yes, I do have favorites. One of them is the Doobie's Another Park Another Sunday. So there are a lot of great tunes I'm bringing into the light these days. Here we've got a Song in the Key of Life, one by a one-man band, two from a couple great musicians from the Atlanta area and played important roles in Atlanta Rhythm Section and Classics IV. Santana does a great Classics redux. And there's one about a little yellow pill that your momma took which kept her cool. Mine did not take those tranks. She should have. Anyway, hope you dig it. Next week is the 4th of July and we'll have our celebration for you then, but for now dig these tunes, man! AND, I almost forgot. The JIMJAM this time is Nights in White Satin. Join in! Listen live to Tales Vinyl Tells Wednesdays at 5 PM Central on RadioFreeNashville.org. Thank you, everybody, who donates monthly to me and Tales Vinyl Tells. It isn't free to make this program happen and your support is a really nice gift to me, I appreciate you! If you think this is a worthwhile venture into the great album cuts of the 60s & 70s, you can donate a little or a lot at Patron.podbean.com/talesvinyltellssupport. My deepest thanks to you!

TVC 650.6: Marc Cushman, author of Long Distance Voyagers: The Story of The Moody Blues, talks to Ed about the emergence of FM radio circa 1972 helped the Moody Blues surge in popularity (and, particularly, the success of “Nights in White Satin,” four years after its original release in 1968. Volumes 1 and 2 of Long Distance Voyagers: The Story of The Moody Blues are available now wherever books are sold through Jacobs Brown Media Group. Learn more about your ad choices. Visit podcastchoices.com/adchoices

TVC 650.1: Ed welcomes award-winning screenwriter, director, producer, and documentary maker Marc Cushman, author of These Are the Voyages, a three-volume history of Star Trek: The Original Series. Marc's latest book, Long Distance Voyagers: The Story of The Moody Blues is a two-volume, total-immersion experience in the six-decade career of The Moody Blues, the Rock and Roll Hall of Fame group that was the first rock group to champion the “concept album,” which they did with Days of Future Passed, In Search of the Lost Chord, On the Threshold of a Dream, To Our Children's Children's Children, A Question of Balance, Seventh Sojourn, Long Distance Voyager and Keys to the Kingdom. Volume 1 of Long Distance Voyagers covers the formation of The Moody Blues, their breakthrough in the 1960s, and their “classic seven” albums throughout the 1970s. Volume 2 begins with the release of the Long Voyager Album album in 1981, shortly after founding member Mike Pinterleft the group (to be replaced by former Yes keyboardist Patrick Moraz) and continues with the evolution of the Moody Blues over the next four decades. Topics this segment include why the Moody Blues were never nominated for a Grammy Award, despite having one of the biggest hits of 1972 with “Nights in White Satin,” and how the Moody Blues approached songwriting in much the same way as The Beatles. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Legendary bass player John Lodge, who will be going on tour across the U.S. this July is on The Adventures of PipemanTHE MOODY BLUES' JOHN LODGE RELEASES DAYS OF FUTURE PASSED – MY SOJOURN THROUGH DEKO ENTERTAINMENT ON LIMITED EDITION 180G PLATINUM VINYL AND CD IN NORTH AMERICA TO COINCIDE WITH RESCHEDULED JULY TOURThe recording tells the story of ‘a day in the life', and includes “Nights in White Satin”, “Tuesday Afternoon”, and “Peak Hour”, together with a very special recording of “Late Lament” by the late Graeme Edge and performances by Jon Davison of YES.John will be back on tour in July, with his rescheduled dates, where you will be taken back in time as you experience the album live, in its entirety, together with a set of Moody Blues classic hits.Aug 2 Seminole Casino Hotel, Immokalee, FL (on sale March 12th)Aug 3 Amaturo Theater, Fort Lauderdale, FL (on sale March 15th)He has been voted one of the “10 most influential bass players on the planet,” and has been the recipient of many awards, including ASCAP (American Society of Composers and Publishers), an Ivor Novello Award, a Lifetime Achievement Award from Prog Magazine.Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”. Check out our segment Positively Pipeman dedicated to Business, Motivation, Spiritual, and Health & Wellness. Check out our segment Pipeman in the Pit dedicated to Music, Artistry and Entertainment Subscribe to The Adventures of Pipeman at https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support Would you like to be a sponsor of the show?Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?Would you like to host your own Radio Show, Streaming TV Show, or Podcast? Contact the Pipeman:Phone/Text Contact – 561-506-4031Email Contact – dean@talk4media.com Follow @pipemanradio on all social media outletsVisit Pipeman Radio on the Web at linktr.ee/pipemanradio, theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.com. Download The Pipeman Radio APPThe Adventures of Pipeman is broadcast live Wednesdays at 1PM ET and Music & Positive Interviews daily at 8AM ET on W4CY Radio (www.w4cy.com) and replays on K4HD Radio (www.k4hd.com – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).The Adventures of Pipeman Podcast is also available on www.theadventuresofpipeman.com and www.pipemanradio.com, Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets. 

Legendary bass player John Lodge, who will be going on tour across the U.S. this July is on The Adventures of PipemanTHE MOODY BLUES' JOHN LODGE RELEASES DAYS OF FUTURE PASSED – MY SOJOURN THROUGH DEKO ENTERTAINMENT ON LIMITED EDITION 180G PLATINUM VINYL AND CD IN NORTH AMERICA TO COINCIDE WITH RESCHEDULED JULY TOURThe recording tells the story of ‘a day in the life', and includes “Nights in White Satin”, “Tuesday Afternoon”, and “Peak Hour”, together with a very special recording of “Late Lament” by the late Graeme Edge and performances by Jon Davison of YES.John will be back on tour in July, with his rescheduled dates, where you will be taken back in time as you experience the album live, in its entirety, together with a set of Moody Blues classic hits.Aug 2 Seminole Casino Hotel, Immokalee, FL (on sale March 12th)Aug 3 Amaturo Theater, Fort Lauderdale, FL (on sale March 15th)He has been voted one of the “10 most influential bass players on the planet,” and has been the recipient of many awards, including ASCAP (American Society of Composers and Publishers), an Ivor Novello Award, a Lifetime Achievement Award from Prog Magazine.Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”. Check out our segment Positively Pipeman dedicated to Business, Motivation, Spiritual, and Health & Wellness. Check out our segment Pipeman in the Pit dedicated to Music, Artistry and Entertainment Subscribe to The Adventures of Pipeman at https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support Would you like to be a sponsor of the show?Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?Would you like to host your own Radio Show, Streaming TV Show, or Podcast? Contact the Pipeman:Phone/Text Contact – 561-506-4031Email Contact – dean@talk4media.com Follow @pipemanradio on all social media outletsVisit Pipeman Radio on the Web at linktr.ee/pipemanradio, theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.com. Download The Pipeman Radio APPThe Adventures of Pipeman is broadcast live Wednesdays at 1PM ET and Music & Positive Interviews daily at 8AM ET on W4CY Radio (www.w4cy.com) and replays on K4HD Radio (www.k4hd.com – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).The Adventures of Pipeman Podcast is also available on www.theadventuresofpipeman.com and www.pipemanradio.com, Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.

Am 24. April 2024 ist der Musiker Mike Pinder im Alter von 82 Jahren verstorben. Er war Keyboarder und Gründungsmitglied der Moody Blues. Der Popexperte Udo Dahmen würdigt ihn und die Band am Beispiel des Songs „Evening" aus dem Jahr 1967 vom Album „Days of Future Passed“. Es gilt als frühes Konzeptalbum des Progressive Rock, denn die Band beschreibt hier einen Tagesverlauf vom Morgen bis in die Nacht. Moody Blues wurden vor allem durch den Song „Nights in White Satin“ berühmt, das vom gleichen Album stammt. Bemerkenswert für „Days of Future Passed“ ist grundsätzlich der Einsatz eines Sinfonieorchesters (London Festival Orchestra unter der Leitung von Peter Knight), das in „Evening" im Wechsel mit der Band spielt. Zudem wird der Sound des Albums stark geprägt durch das von Mike Pinder gespielte Mellotron, dessen Klänge er hier der Öffentlichkeit vorstellte. Als er seinem Freund John Lennon vom Mellotron erzählte, wurde es von den Beatles noch im gleichen Jahr für „Strawberry Fields Forever" benutzt. Mike Pinder gilt als Pionier und Entwickler orchestraler Sounds im Rockmusikkontext.

Mike Pinder's lyrics, philosophy, and vision of humanity and our place in the cosmos will touch generations to come.

Justin Hayward joined the Moody Blues in 1966 and wrote and sang most of the band's singles from “Nights in White Satin” and “Tuesday Afternoon” through such '80s hits as “The Voice” and “Your Wildest Dreams.” How much did the Moody Blues shape his songwriting, and how much did his songwriting shape the Moody Blues? Did he write to fit the albums' concepts? Did he especially enjoy writing songs with multiple parts and tempo changes? When he performs now, does he feel more emotionally connected to material from one era or another? Will he ever again perform with the surviving Moody Blues? He still has that golden voice, whether singing or discussing his days of future passed. (Photo by Joe Schaeffer.)

Happy Thanksgiving to all our listeners! We are celebrating by wondering why there is no Thanksgiving song, especially set to Knights in White Satin. Thank the Lord that Danny doesn't have covid after his New York trip. We talk about subway homeless, getting a bunch of shots and and the immigration situation around 90 Day Fiancee. Enjoy!

In this episode, Kirk and Paul talk more about the origins of emo, Kirk plays the laser round, and the music trivia quiz goes back to basics.

Burl put Lou Reed on the map!

Rock and Roll Hall of Famer Justin Hayward joins Nancy to talk about his recent visit to Windsor Castle where he received an OBE (Officer of the Order of the British Empire) for his contribution to the arts, sharing the day with his grandson, and the details and meaning of the investiture experience. Plus, Nancy and Justin discuss the 1972 Moody Blues hit “Nights in White Satin” (written and composed by Hayward) and its recent audio close-up in the 2023 Chanel campaign for its fragrance Bleu de Chanel starring actor Timothée Chalamet* and why the classic song continues to capture and intrigue listeners. Justin also shares his upcoming projects and plans for 2024 including hosting the On The Blue Cruise. *The Chanel campaign film directed by Martin Scorsese is slated for a fall release. Read Nancy's story about Justin Hayward via Forbes.com Hollywood & Entertainment Hollywood & Entertainment. Catch up with Justin Hayward here. Find out more about the On The Blue Cruise here. Check out more from the Moody Blues. Visit Nancy's website. Catch a laugh with segment sponsor Humoroutcasts.com.

It's the Season 2 penultimate episode and Sarah and Joseph say goodbye to one (two?) of the greatest characters The Sopranos has ever had! --- Send in a voice message: https://podcasters.spotify.com/pod/show/the-sibling-sitdown/message

Youtube: Good Earners (Reviewing The Sopranos) Podcast IG: Goodearnerpod_Sopranos Tik Tok: https://www.tiktok.com/@goodearnerpod_sopranos?lang=en Email: goodearnerpod@gmail.com Other Podcast: Another Week In The Books Music By: Jay Z, Mev The Renegade, DJ DNA Clip By: HBO & James Gandolfini WE DO NOT OWN THE RIGHTS TO THE MUSIC OR CLIPS USED TO PRODUCE THIS PODCAST Other Podcast: Another Week In The Books, OndeckTV and Culture Garden

This week on Classic Vinyl Podcast, Justin and Tyler review The Moody Blues second studio album Days of Future Passed. Considered one of the earliest concept albums with heavy orchestration, this is an album that produced to classic hits Nights in White Satin and Tuesday Afternoon. Give it a spin and let us know what you think. Classic Vinyl Podcast Website https://classicvinlylpodcast.podbean.com/ Support our podcast and buy us a beer https://www.buymeacoffee.com/classicvinylpod

"Breathe deep the gathering gloom, watch lights fall from every room..." CREDITS: Mike Painter as Bob McGovern Fabby Garza as KC Cardenas Iris Christianson as Haley Holst Tyberius Wilson as Maurice Bailey Luke Varner as The GM MUSIC BY MAXIE KNIGHTLEY EDITED BY MIKE PAINTER CONTENT WARNING: This episode contains descriptions of violent wounds.

Become a member of the Say You Love Satan Army today! Join us!www.patreon.com/sayyoulovesatanpodcastThis episode:- Poison for the Fairies (1986)- Swarm (2023)- Smoking Causing Coughing (2022)- Sisu (2023)*outro track "Nights in White Satin" by Gostwebsite: www.sayyoulovesatanpodcast.com email: sayyoulovesatanpodcast@gmail.comPlease rate, review, and subscribe on iTunes!instagram: sayyoulovesatanpodcastartwork: Sam HeimerSupport the show

"Never reaching the end..."CREDITS:Tyberius Wilson as Maurice BaileyMike Painter as Bob McGovernFabby Garza as KC CardenasIris Christianson as Haley HolstCONTENT WARNING: This episode contains bloody violence.

Show Notes Episode 402: Gene Gene the Dancing MACHINE This week Host Dave Bledsoe plops a brown paper bag over his head and tries to pass himself off as the unknown drunkard. (The bartender gonged him out of the bar. Again.) On the show this week we are talking about one of the most influential TV shows of all time. (For certain Gen X podcast hosts anyway): The Gong Show. Along the way we discover that Dave was not always the small, apathetic slacker he is now, he once had dreams. (Small, apathetic slacker dreams) Then we dive right into the creation of a talent show panel game show that broke barriers in the mid 1970's. (Admittedly the barriers were to good taste and decency.) We follow the show's inception as a fairly banal talent show into the pop culture phenomena that explains why large brass gongs are featured in every low rent talent show in America. (Talent shows are the largest single sales driver in the large brass gong market, after Nights in White Satin and Bohemian Rhapsody.) We talk about the secret ingredient that made the show click with TV audiences (raunchy humor) and why it eventually was kicked off daytime television. (raunchy humor and Jaye P Morgan's lovely breasts.) Finally, we wrestle with the complicated legacy of the show today. Also, Gene Gene the Dancing Machine! Our Sponsor this week is the St. Cyril & Methodius Roman Catholic Church of Boonton NJ annual Talent Night open audition call for the 36th largest Catholic talent show in northeastern New Jersey. We open with the trailer for the Gong Show Movie and close with the Gene, Gene the Dancing MACHINE!!!! Show Theme: Hypnostate Prelude to Common Sense The Show on Twitter: https://twitter.com/TheHell_Podcast The Show on Facebook: https://www.facebook.com/whatthehellpodcast/ The Show on Youtube: https://www.youtube.com/channel/UCjxP5ywpZ-O7qu_MFkLXQUQ www.whatthehellpodcast.com Give us your money on Patreon https://www.patreon.com/Whatthehellpodcast The Show Line: 347 687 9601 Closing Music:https://youtu.be/EnBEmdxE_LA We are a proud member of the Seltzer Kings Podcast Network! http://seltzerkings.com/ Citations Needed: Major Bowes Amateur Hour https://www.otrcat.com/p/major-bowes Wikipedia: The Gong Show https://en.wikipedia.org/wiki/The_Gong_Show 45 Years Ago: 'The Gong Show' Makes TV Crazy  https://ultimateclassicrock.com/gong-show/ The Inspired Insanity of The Gong Show https://www.vulture.com/2012/03/the-inspired-insanity-of-the-gong-show.html Jamie Farr discusses "The Gong Show" https://interviews.televisionacademy.com/interviews/jamie-farr Uncited Additional Reading: https://www.toomanythoughtsmedia.com/gong-show-oral-history/ http://www.tvparty.com/recgong.html https://www.dannylockin.com/death.htm https://en.wikipedia.org/wiki/Chuck_Barris https://www.metv.com/lists/11-gong-worthy-facts-about-the-gong-show Learn more about your ad choices. Visit podcastchoices.com/adchoices

New-Old Recordings Making it into the Archive.   Playlist Symphonic Electronic Rock Symphonic electronic is always a favorite of listeners of the podcast. I note these additions, including a scarce soundtrack recording of interest. Jeff Bruner, “Try To Escape,” “Night Saucer,” “Larry And Diane Go To Hell,” “On The Beach,” “The Investigator,” “Vic's Flashback,” “End” from (side 2) from Foes (Original Motion Picture Soundtrack) (1977 Not on Label). This interesting soundtrack combined electronic music with orchestral sounds for this little seen motion picture. Recorded and mixed at Santa Barbara Sound. Music composed and conducted by Jeff Bruner; electronic music production, Doug Scott; electronic music realized by Jeff Bruner and Doug Scott. I picked this up on a trip to Boston According to Jeff Bruner himself, this record was pressed for the movie staff only and there are less than 20 copies. “The music on this record is a perfect balance of rational sounds that you've heard before and even more rational sounds which because you've never heard them before seem quite irrational. 19:36 Claude Denjean, “Memories Of Moody Blues” from Moods (1976 London Records). A few years after the initial wave of albums produced using the Moog Modular synthesizer, Denjean returned to the instrument to make this collection of classic pop tunes in an electronic symphonic vein. This song seems to touch on every other note of the classic “Nights in White Satin” without actually causing any copyright issues, I imagine. This album is a new copy added to the archive. How could I resist? 4:09 Hugo Montenegro, “MacArthur Park (Allegro Part III)” from Moog Power (1969 RCA Victor). A rockin' album of symphonic pop tunes from the heyday of Moog Modular recordings. Montenegro had the magic touch for arranging such pop songs. He was aided by Moog programming by none other than Paul Beaver and playing by Mike Melvoin. This is an old copy from my collection that I unsealed just for this podcast. Only this one track has been played on this album. 3:21 Raymond Lefèvre Et Son Grand Orchestre, “Mille Colombes” from Love In Stereo Nº 1 (1978 Barclay). This German release of French album is one of many by keyboard player and arranger Lefèvre. This one features a variety of electronic music instruments used in conjunction with an orchestra. Bass, Dave Markee; Drums, Barry Morgan; Keyboards, Alan Hawkshaw; Percussion, Ray Cooper; Synthesizer players, Guy Boyer, Maurice Vander, Raymond Lefèvre. Synthesizers used: RMI Computer, Moog 3 P, Arp DGX, Omni Polyphonic, Korg 1000, Korg 2000, Ems/Arp Sequencer. Rhythm section recorded at Lansdowne Recording Studios, London. Strings recorded at Barclay Hoche, Paris. Synthesizers recorded at Studio Damiens. 3:10 Early Electronic Music Several recordings featuring vintage tape compositions and performances using the Moog Modular synthesizer were among our newest arrivals to the archive. Ralph Lundsten. “Snowstorm” (1967/68) from Shangri-La (1975 His Master's Voice). Swedish release of composer Lundsten music for Shangri-La, a commissioned work for Swedish Radio. However, the album also presents several early tape works, including Winter Music, a suite of works for the season of this which this one is a part. “Suddenly, a sleigh with lit-up torches emerges out of the whirling snowstorm. … Was it for real or just a dream?” 2:30 Jean Jacques Perrey, “The Alien Planet” from Musique Electronique Du Cosmos (Electronic Music From Outer Space) (1962 MusiCues). An earlier disc of Perrey, later known as the wizard of electronic pop sounds. He was using the Ondioline for this track, an early monophonic organ, and tape manipulation to provide effects. This was a recording of broadcast library sounds. 1:02 Jean Jacques Perrey, “Space Light” from Musique Electronique Du Cosmos (Electronic Music From Outer Space) (1962 MusiCues). Another early track from Perrey. 1:03 Jean Jacques Perrey, “Intercestial Tabulator” from Musique Electronique Du Cosmos (Electronic Music From Outer Space) (1962 MusiCues). Another early tape compositionfrom Perrey that might be his imagining what a future computer would sound like. 1:03 Jean Jacques Perrey, “Barnyard in Orbit” from Musique Electronique Du Cosmos (Electronic Music From Outer Space) (1962 MusiCues). Another early track from Perrey that shows his innate sense of humor that we would hear much more of in his music yet to come. 2:17 Jean Jacques Perrey, “Micro Cosmic PL 1” from Musique Electronique A Caractere Special Pour Illustrations Sonores Et Effets Speciaux (2017 Wah Wah Records). Spanish release of an original acetate disc of Perrey demonstration tracks and original compositions. I think these were made around 1967 after Perrey had begun using the Moog Modular synthesizer. 5:19 Doug McKechnie, “The First Exploration @ SF Radical Laboratories, 1968” (2020 VG+ Records). Recently released recordings of an original tapes made in 1968 from an early Moog composer and performer. McKechnie famously played a live Moog Modular set at the Altamont performance in 1969 by the Rolling Stones. He is ever-so briefly heard and seen the film Gimme Shelter (1970). In any event, McKechnie was a pioneer who used an instrument owned by one Bruce Hatch (not Bruce Haack). He worked with the instrument for about four years before Hatch sold it to Tangerine Dream around 1972. With that came the end of one musician's dreams and the beginning of someone else's. I am so happy that Doug was able to release this recording of his early work because so many of us have been curious to hear it. This track represents some clever droning with the sequencer and one can imagine this being performed in real-time. 8:30 Hydroelectric Streetcar, “I Realize” from The Cool-Aid Benefit Album Vol. 1 (1970 Arthfor Special Products). I was searching for this Canadian benefit disc for a long time so that I could add it to my collection of Moog Modular Synthesizer recordings. The Moog in this case was owned by my acquaintance Johns Mills Cockell who played in several rock bands and avant garde performance groups during this time. Remember Intersystems? In this case, he was playing as a sideman for Hydro Electric Streetcar, a folk-rock band to which he added synthesis. Bass, Vocals, Lee Stephens; Drums, Stan Tait; Guitar, Al Wiebe; Lead Vocals, Danny McInnes; Moog Modular Synthesizer, John Mills-Cockell. 3:48 Robots A few tracks in this batch of new arrivals worked around the theme of robots, machines, and synthesized voices. Skanfrom, “Mr. Robot Is Dead” from Split 12" (2000 A.D.S.R.). Now defunct electro synthpop label from Germany run by Skanfrom. Limited to 800 hand numbered copies. Mine is number 676. Skanfrom is Roger Semsroth. 3:25 I., “Gro Stadtleben” from Split 12" (2000 A.D.S.R.). Now defunct electro synthpop label from Germany run by Skanfrom. Limited to 800 hand numbered copies. Mine is number 676. B.I. (Bakterielle Infektion) was founded in Berlin in 1995, disbanded 2011. 2:34 Dee D. Jackson, “Automatic Lover” from Automatic Lover (1978 Jupiter Records). German release, 7” 45 RPM. Dee D. Jackson (Deirdre Elaine Cozier) is an English singer-songwriter, She was primarily a space disco/Italo disco concept artist, moving to Italy in the mid-1980s. The computer voice in this tune sounds like a person speaking monotone with some filtering. No artificial intelligence involved here. 3:54 Ralph Lundsten. “Robbie is Dancing the Waltz” (1975) from Shangri-La (1975 His Master's Voice). Swedish release of composer Lundsten music for Shangri-La, a commissioned work for Swedish Radio. It also includes his Heaven by Night suite from which this song comes. The robotic voice appears to be one that is amplitude modulated to provide a wavering tremolo effect. No vocoder here. 4:06 Odds and Ends Recordings that are becoming part of the archive as representative examples of the odd and curious in electronic sounds. The Marvelletes, “I Want a Guy” (1961 Tamla). Single featuring a Musitron played by Raynoma Liles Gordy (producer, arranger, musician and ex-wife of Motown executive Barry Gordy); Lead vocals by Wanda Young Rogers; background vocals by Gladys Horton, Georgeanna Tillman, Wyanetta "Juanita" Cowart, and Katherine Anderson; Other instrumentation by the Funk Brothers included Bass by James Jamerson, Drums by Benny Benjamin, Guitar by Eddie Willis, Piano by Marvin Gaye,Tenor saxophone by Hank Cosby, Baritone saxophone by Andrew "Mike" Terry. The Musitron was a modified, monophonic electric organ invented by Max Crook and featured on such well-known songs as Del Shannon's “Hats Off to Larry” and “Runaway.” Crook was the keyboard player in Del Shannon's band and they made that sound a key novelty in Shannon's songs beginning in 1961, the same year as “I Want a Guy.” 2:38 Living Shakespeare, “King Lear” excerpt from King Lear (1962 Living Shakespeare Inc.). US compilation release of various excerpts from the Living Shakespeare series. This was a series of recordings of the plays of William Shakespeare, adapted for recording and made in England. This series was available in various combinations of discs and usually featured some sort of incidental electronic music produced by a BBC Radiophonic-associated composer. I have a complete set of discs as packaged for the US market. But I came across this sampler disc and thought to include an example of the scene from King Lear where the King (as acted by Donald Wolfit) “calls down the rage of heaven in a violent thunderstorm,” with the storm sounds all being electronic. Text adapted by Fiona Bentley, Morys Aberdare; Directed by Sir Donald Wolfit; Musique Concrete and sound patterns composed by Desmond Leslie. 2:24 K-Tel, “Hit, Flop, Break Even” from K-Tel Super Star Chance-a-Tune (1973 K-Tel). 7” 45-rpm single. A triple-grooved record. (also known as 'Parallel', 'Mystery', or 'Trick-Track' record). Originally packaged as part of the board game "K-Tel Superstar Game.” The same tracks are pressed on both sides. “Players are rock stars” and collected gold records to win. Rolled the dice to move through the board. Squares had events for players to collect or lose money or release an album, which were subject to being a Hit, Flop, or Break-even by playing the disc. The game came with this Chance-A-Tune 45 RPM record which was played when a player landed on an album release square. The player drops the needle to see which of the tracks, and verdicts, comes up. The single only includes the three phrases I've edited here for the podcast. In reality, you could never tell which track would play with each drop of the needle. 0:29 Adams & Fleisner, “Surrounded In Mystery And Magic (Sounds Of The Inside)” from Space Effects Vol. 2 (1988 BCM). German recording of sound effects. I chose this one primarily because at 1:25 it was by far the longest track on this broadcast library record. 1:54 Yuri Rasovsky, “Interplanetary Adventurer” from The Chicago Language Tape And Other Aberations of El Fiendo In Glorious Mono (1979 Not on Label). A curious comedy record led by Yuri Rasovsky that consists primarily of sketches that are acted out and produced as would be a radio program. There is one piece of electronic music that might interest you: Hans Wurman, venerable Moog synthesist, contributed the opening music to this story that features the Moog Modular. I suspect that this was the last recorded Moog piece that Hans produced before laying down his golden patch cords. Musician, music by Hans Wurman; Voice Actor, Dick Simpson, Don Vogel, Gary Gears, Joan Lazzerini, John Hultman, Keneth Northcott, Mell Zellman, Michelle M. Faith, Yuri Rasovsky. I chose to reproduced only this musical segment, surrounded by some of the spoken parts for context. 1:46. Originals A few recordings are just unnecessarily difficult to categorize. Joakim, “Teenage Kiss (Dub)” from Transe / Teenage Kiss (2005 Kitsune). French, 12” maxi-single. Danceable, yet strange. Written by, Performed, and produced by Joakim Bouaziz. 4:58 Landscape, “From The Tea-Rooms Of Mars .... To The Hell-Holes Of Uranus” from From The Tea-Rooms Of Mars .... To The Hell-Holes Of Uranus (1981 RCA). English electro/pop/jazz band from London. This is the title track and features some electronic tunes in the dance styles of the beguine, mambo, and tango. Which seemed to go with the other dance related tracks I found in this batch of new-old records. Electronic trombone, Trombone, Vocals, Peter Thoms; Vocals, Keyboards, Grand Piano, Fender Rhodes, Christopher Heaton; Vocals, Programmed By, Electronic Drums, Electronic Percussion, Synthesizer, Drums, Richard James Burgess; Bass Guitar, Synthesizer Bass, Vocals, Andy Pask. 7:53 Ralph Lundsten. “Cosma Nova” (1975) from Shangri-La (1975 His Master's Voice). Another track from Mr. Lundsten, commissioned for Swedish Radio. From the Heaven by Night suite, this is a dreamy dance tune. 3:18 Allen Ravenstine, “Going Upriver,” “110 In The Underpass,” and “5@28” from Electron Music / Shore Leave (2020 Waveshaper). This recent Canadian release is a collection of Ravenstine”s work for electronic and instrumental media. Ravenstine was the electronics and synthesizer player in the original lineup of Pere Ubu. He has continued to make eclectic, highly original and thoughtful music over the years. 16:11 Don Voegeli, “A Piece Of Bubble Gum” from Instant Production Music/Volume 18: Fine (1980 University Of Wisconsin-Extension). This was the final disc Voegeli made in the Electrosonic Studio for NPR, saying, “Fine . . . used as the title for this record to signal another termination, the end of the CPB and NPR funded project which over the years has brought you a total of twenty-six records of special production music.” Intended for private use by and for public (non-commercial) radio and TV facilities, this was one of the many broadcast library records that Voegeli created in a well-equipped electronic music studio that included a Moog Modular III. 1:07 Don Voegeli, “Follow the Leader” from Instant Production Music/Volume 18: Fine (1980 University Of Wisconsin-Extension). Produced by the Electrosonic Studio. 1:52 Opening background music: Barton McLean, “Dimensions I For Single Instrument And Tape” (excerpt) from American Society Of University Composers (1979 Advance Recordings). Tape composition and recording engineer, Barton McLean; Violin, Stephen Clapp. Compositions From Volume VII Of The ASUC Journal Of Music Scores. Composed while McLean was director the Electronic Music Center at the University of Texas at Austin. 13:38 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation: For additional notes, please see my blog, Noise and Notations.

For more than 20 minutes of extra content, including our discussion of Amazing Adventures #15 - 16 (in which Ka-Zar trades the Savage Land for an urban jungle in a story that is just... yikes), support us at patreon.com/marvelbythemonth. Subscribers at the $4/month level get instant access to our bonus feed of content that contains over 70 extended and exclusive episodes — with more being added every week! Stories Covered in this Episode: "Knights and White Satin!" - Luke Cage, Hero for Hire #6, written by Steve Englehart and Gerry Conway, art by Billy Graham and Paul Reinman, letters by John Costanza, colors by Petra Goldberg, ©1972 Marvel Comics"A Traitor Stalks Among Us!" - Avengers #106, written by Steve Englehart, art by Rich Buckler, George Tuska, and Dave Cockrum, ©1972 Marvel Comics"The Master Plan of the Space Phantom!" - Avengers #107, written by Steve Englehart, art by Jim Starlin, George Tuska, and Dave Cockrum, ©1972 Marvel Comics"Check -- And Mate!" - Avengers #108, written by Steve Englehart, art by Don Heck, Dave Cockrum, and Joe Sinnott, letters by John Costanza, colors by Petra Goldberg, ©1972 Marvel Comics "Marvel by the Month" theme v. 3.0 by Robb Milne, sung by Barb Allen. All incidental music by Robb Milne.Visit us on internet at marvelbythemonth.com, follow us on Instagram at @marvelbythemonth and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information.

In the UK on this day in 1967, The Moody Blues released their iconic record, Days of Future Passed! Containing the now legendary single 'Nights in White Satin', the album has been cited as one of the earliest examples of a prog rock record. In today's episode you'll hear from Moody Blues legend John Lodge as he talks about the making of this release. if you want to hear the full interview with John where he talks more about the album, the writing and recording of Nights in White Satin, touring the US in the 60's, his friendship with Justin Heyward and the Rock & Roll Hall of Fame induction then please check out episode 46 of Vintage Rock Pod!

SPOOKY SEASON: THE WHITE SATIN EVENING GOWN

BETI A'I PHOBOL Karl Davies oedd gwestai Beti George yr wythnos hon. Mae Karl newydd ddod yn ôl i Gymru ar ôl bod yn dysgu Saesneg i oedolion am bedair blynedd yn China…a dyma fo'n sôn am hanes Cadi, y gath fach, wnaeth deithio mewn awyren yr holl ffordd o China i Gaerdydd...  Y gradures fach - Poor thing (lit: the little creature) Mabwysiadu - To adopt Erchyll - Dreadful Epaod - Apes TRYSTAN AC EMMA Mae Elsi Williams yn dod o Fethesda yng Ngwynedd yn wreiddiol ond yn byw yn Llandudno erbyn hyn. Mae hi'n mynd i nifer fawr o ddosbarthiadau ffitrwydd i gadw'n heini, fel cawn ni glywed yn y clip nesa ‘ma. Trïwch ddyfalu be ydy oedran Elsi wrth i chi wrando arni'n sôn am gadw'n heini – mi gewch chi'r ateb cyn diwedd y clip… Ddaru - Gwnaeth Coedwig - Wood Clychau'r gog - Bluebells Anhygoel - Incredible DEI TOMOS Roedd y Moody Blues yn fand poblogaidd iawn yn y chwedegau a'r saithdegau ac mae'n debyg mae Nights in White Satin oedd un o'u caneuon mwya enwog. Roedd un o aelodau'r band, Ray Thomas, yn perthyn i'r cyflwynydd, cerddor ac actor Ryland Teifi. Fo oedd gwestai Dei Tomos nos Fawrth a dyma fo'n rhoi ychydig o'r hanes... Cyflwynydd - Presenter Cerddor - Musician Yn enedigol o - A native of Yn fachan - Yn fachgen Dur - Steel Ar fy mhwys i - Wrth fy ymyl i Modrybedd - Aunties Roedd e'n dwlu ar - Roedd o'n dotio ar ALED HUGHES Mae'r cyflwynydd Bethan Elfyn wedi bod yn sal ers 2005 ac wedi bod yn aros am drawsblaniad ysgyfaint am flynyddoedd er mwyn iddi hi gael gwella. O'r diwedd mae hi wedi cael clywed ei bod ar y rhestr am drawsblaniad... Trawsblaniad ysgyfaint - Lung transplant Wedi cwympo - Has fallen Triniaeth - Treatment Dirywiad - Deterioration Celloedd - Cells Dinistrio - To destroy BORE COTHI Mi gafodd Shân Cothi sgwrs efo Martina Roberts sy'n dod o'r Weriniaeth Tsiec yn wreiddiol ond sydd nawr yn dysgu yn Sir Benfro. Dyma hi'n sôn am sut dechreuodd hi ddysgu Cymraeg... Y Weriniaeth Tsiec - The Czech Republic Ystyried - To consider Denu - To attract Gwella - To improve Almaeneg - German language GWNEUD BYWYD YN HAWS Mi fuodd Hanna Hopwood yn sgwrsio efo Branwen Llywelyn sydd wedi derbyn her 'Medi Ail Law', ond beth yn union ydy'r her ‘ma? Her - A challenge Mae'n hysbys - It's known Amgylchedd - Environment Diwydiant - Industry Hinsawdd - Climate Mynd i'r afael - To get to grips with Codi ymwybyddiaeth - To raise awareness Annog - To encourage Ar hap - Randomly Egwyddorion - Principles Annibynnol - Independent

One of the earliest examples of a prog rock record was Days of Future Passed, the second studio album by The Moody Blues. Originally a rhythm and blues band, The Moody Blues were in difficult financial straits when they convinced the record company to combine their music with orchestral elements and interludes in a single album.  The group recorded much of their sessions first, then provided these to conductor Peter Knight, who directed the London Festival Orchestra (the house orchestra for Decca Records) in arrangements and orchestral interludes.The Moody Blues for this album are Justin Hayward on guitar, piano, and vocals, John Lodge on bass and vocals, Mike Pinder on keyboards and vocals, Ray Thomas on flute, piano, and vocals, and Graeme Edge on drums and vocals.Days of Future Passed is created as a concept around a day in the life of "an everyday man."  It begins with a track appropriately entitled "The Day Begins," and concludes with a piece labeled "The Night," which we know as "Nights in White Satin," and "Late Lament."  The album was somewhat successful when first released, but would climb in popularity over a long period of time, particularly on the growing strength of "Nights in White Satin" on FM radio in the U.S.  It would eventually peak on the album charts at number 2 in the U.S. - in 1972!Brian takes us on this day trip. Dawn:  Dawn Is a FeelingKeyboardist Mike Pinder wrote this song, the first track sung after the Instrumental overture and spoken recitation.  As the name implies, it represents the start of the day.Lunch BreakBassist John Lodge sings lead on this song which he also wrote.  The fast pace is suggestive of the hectic period of lunch hour on a business day.  The song has an orchestral introduction which was recorded separately from the rest of the track.Tuesday Afternoon Also known as "Forever Afternoon" or "Forever Afternoon (Tuesday?)", the song was originally intended to be named "Tuesday Afternoon" but was changed for the album.  It was released as "Tuesday Afternoon" when released as a single.  Justin Hayward wrote the song in Lypiatt Park on a (you guessed it) Tuesday afternoon.Nights In White Satin/Late LamentHayward composed this hit at the age of 19 in Belgium, inspired by a gift of satin bedsheets given by his girlfriend.  The song is about a yearning love from afar.  The strength of this song would provide the success for both the album and The Moody Blues as a whole.  Late Lament was written by drummer Graeme Edge, and is recited by keyboardist Mike Pinder.  This is the only album track on which the band recorded with the London Festival Orchestra rather than separately. ENTERTAINMENT TRACK:Won't You Be My Neighbor? (the main theme to the children's series Mr. Rogers' Neighborhood)The television series starring Fred Rogers debuted nationally this month. STAFF PICKS:Tomorrow by Strawberry Alarm ClockBruce starts us off with a psychedelic and sunshine pop group out of Los Angeles.  This song is the first single off the group's second album, "Wake Up...It's Tomorrow."  It would hit number 23 on the Billboard Hot 100, and would be their second and final top 40 hit.  "But right now I am with you, and together we can make it through."Hey Baby (They're Playing Our Song)  by The BuckinghamsRob's staff pick continues in the sunshine pop genre with a band out of Chicago.  This is off their album "Portraits," and made it to number 12 on the charts.  "Sunshine Pop" is rooted in easy listening and "advertising jingles."  The Buckinghams got their name in an attempt to channel some of the success of the British Invasion.  They had 5 top 40 hits in 1967. Nobody But Me by the Human BeinzWayne brings us a well-known cover originally performed by The Isley Brothers.  There are over 100 "no's" in this song and 47 "nobody's," making it quite literally a quite negative song.  While this would be the only entry into the top 10, it would become a staple of Fraternity parties from then on.    Sunday Mornin' by Spanky & Our GangBrian  features Elaine "Spanky" McFarlane as lead woman for the band.  Spanky & Our Gang had a number of hits in the 60's.  This sunshine pop song peaked at number 30 as a single, and preceded the album by several months.     COMEDY TRACK:Here Come the Judge by Shorty LongThis funky novelty song was inspired by a skit on Rowan & Martin's "Laugh In," and was Long's biggest hit, rising to number 4 on the charts.

Travelers of the night, welcome to Paul and Arlo's latest MCUTV discussion. They join hands once again with Hollywood wonder boy Michael Holland, and together they summon Moon Knight. Oscar Isaac joins the Marvel Cinematic Universe as Marc Spector, the human avatar of Egyptian god Khonshu, and…well, is he Marc Spector? Is he Steven Grant? Or is he someone else entirely? The gang discusses how the show tackles Marc's dissociative identity disorder, the killer costume design, how the series pushes the MCU's boundaries, and more.   NEXT: on a new Geek Challenge, we are The One who is Everything Everywhere All at Once.     BREAKDOWN 00:01:17  -  Intro / Guest 00:11:00  -  Moon Knight 01:36:40  -  Outro / Next     LINKS   Holland Imaginarium - The Essentials       MUSIC “A Man Without Love” by Engelbert Humperdinck, A Man Without Love (1968) “Nights in White Satin” by The Moody Blues, Days of Future Passed (1967)     GOBBLEDYCARES Abortion Funds in Every State: https://bit.ly/AbortionFundsTwitter National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/  Support AAPI communities and those affected by anti-Asian violence: https://www.gofundme.com/c/act/stop-aapi-hate Support the AAPI Civic Engagement Fund: https://aapifund.org/ Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/ The Trevor Project provides information and support to LGBTQ youth: thetrevorproject.org Trans Lifeline: https://translifeline.org/  US (877) 565-8860 Canada (877) 330-6366 National Center for Transgender Equality: transequality.org Advocate for writers who might be owed money due to discontinuance of royalties: https://www.writersmustbepaid.org/  Help teachers and classrooms in need: https://www.donorschoose.org/ Do your part to remove the burden of medical debt for individuals, families, and veterans: https://ripmedicaldebt.org/ Register to vote: https://vote.gov/

The sands of Egypt are shifting in the moonlight tonight... or is it thousands of years ago? Maybe it's just Khonshu shifting the night sky to help the one and only Moon Knight dish out justice for the wrongs that they've committed. No matter how you slice it, an avatar's job is never done!The time has come to turn on Disney+ and check out the newest entry into the Marvel Cinematic Universe on the small screen. Pat and BeeJay have made a deal with the podcast gods to be their avatars while dishing about the (first) season of Moon Knight as Oscar Isaac brings the night traveler to the small screen. The show introduces the world to quirky Steven Grant, a mild mannered museum employee who doesn't want to fall asleep because he wakes up in the strangest places. He, and the viewers, then meet Marc Spector in the mirror and from there, Steven's world will never be the same. Clad in a white suit, Marc Spector/Moon Knight dishes out the justice of Khonshu, the Egyptian god of the night. This story takes a turn when Steven dons the Mr. Knight suit and even more twists and turns are in store with the addition of Layla and Arthur Harrow and a cast of gods including the banished Ammit and the SUPER ADORABLE Taweret. Will Marc and Steven be able to walk away from the Moon Knight "curse" or will a surprise character keep them tied to Khonshu? Find out all this and more in this episode!Sit back and get ready to FLAME ON!Support this show http://supporter.acast.com/flameon. See acast.com/privacy for privacy and opt-out information.

This week on Rockonteurs, Gary Kemp and Guy Pratt chat to the charming Justin Hayward. Justin is the singer and songwriter with the Moody Blues and has written some truly stunning records over the years. He is a multiple Ivor Novello award winner and with the Moody Blues has sold over 70 million albums. In this episode, he talks about auditioning for Marty Wilde, joining the Moody Blues and writing some of their incredible hit songs like ‘Nights in White Satin' and ‘Question'. He also reveals how he ended up recording ‘Forever Autumn' on the Jeff Wayne's War of The Worlds.Rockonteurs is produced by Ben Jones for Gimme Sugar Productions See acast.com/privacy for privacy and opt-out information.

VIN AND SORI GEAR www.teespring.com/stores/the-village-market PAYPAL vinandsorimerch@gmail.com Patreon https://www.patreon.com/Vinandsori MAIL US SOMETHING AT Vin and Sori P.O. Box 7024 Lewiston, Maine 04243 EMAIL US vinandsori@gmail.com MIDDLE AMERICA WITH VIN AND SORI https://www.youtube.com/channel/UCojH... Facebook https://www.facebook.com/VinAndSori/ Twitter https://twitter.com/VinAndSori Instagram https://www.instagram.com/vinsoriseven/ Website~ Vinandsori.com Patreon~ https://www.patreon.com/Vinandsori Facebook~ Facebook.com/vinandsori Twitter~ @vinandsori Instagram~ vinsoriseven --- Support this podcast: https://anchor.fm/conversations-with-vin-and-sori/support

VIN AND SORI GEAR www.teespring.com/stores/the-village-market PAYPAL vinandsorimerch@gmail.com Patreon https://www.patreon.com/Vinandsori MAIL US SOMETHING AT Vin and Sori P.O. Box 7024 Lewiston, Maine 04243 EMAIL US vinandsori@gmail.com MIDDLE AMERICA WITH VIN AND SORI https://www.youtube.com/channel/UCojH... Facebook https://www.facebook.com/VinAndSori/ Twitter https://twitter.com/VinAndSori Instagram https://www.instagram.com/vinsoriseven/ Website~ Vinandsori.com Patreon~ https://www.patreon.com/Vinandsori Facebook~ Facebook.com/vinandsori Twitter~ @vinandsori Instagram~ vinsoriseven --- Support this podcast: https://anchor.fm/conversations-with-vin-and-sori/support

John Lodge is a Rock & Roll Hall of Famer as part of the legendary British group, The Moody Blues. With sales of more than 70 million records worldwide 'The Moodies' broke new ground with their iconic "Days of Future Passed" album, one of the first successful concept albums.With big hits like 'Nights in White Satin', 'Ride My See-Saw', 'Your Wildest Dreams', 'Go Now' and 'I'm Just A Singer (In A Rock and Roll Band'), The Moody Blues remained at the forefront of the music scene well into the 80's, with 13 Platinum and Gold albums in the US alone!In this interview, John, talks about his new live album, recorded with special guests including YES lead singer Jon Davison, and about the wonderful days with the Moody Blues.To see wonderful video clips of legendary rock stars telling some of their great stories, please check out our YouTube channel www.youtube.com/vintagerockpod

John Lodge is a Rock & Roll Hall of Famer as part of the legendary British group, The Moody Blues. With sales of more than 70 million records worldwide 'The Moodies' broke new ground with their iconic "Days of Future Passed" album, one of the first successful concept albums.With big hits like 'Nights in White Satin', 'Ride My See-Saw', 'Your Wildest Dreams', 'Go Now' and 'I'm Just A Singer (In A Rock and Roll Band'), The Moody Blues remained at the forefront of the music scene well into the 80's, with 13 Platinum and Gold albums in the US alone!In this interview, John, talks about his new live album, recorded with special guests including YES lead singer Jon Davison, and about the wonderful days with the Moody Blues.To see wonderful video clips of legendary rock stars telling some of their great stories, please check out our YouTube channel www.youtube.com/vintagerockpodPart of Pantheon Podcasts

John Lodge is a Rock & Roll Hall of Famer as part of the legendary British group, The Moody Blues. With sales of more than 70 million records worldwide 'The Moodies' broke new ground with their iconic "Days of Future Passed" album, one of the first successful concept albums. With big hits like 'Nights in White Satin', 'Ride My See-Saw', 'Your Wildest Dreams', 'Go Now' and 'I'm Just A Singer (In A Rock and Roll Band'), The Moody Blues remained at the forefront of the music scene well into the 80's, with 13 Platinum and Gold albums in the US alone! In this interview, John, talks about his new live album, recorded with special guests including YES lead singer Jon Davison, and about the wonderful days with the Moody Blues. To see wonderful video clips of legendary rock stars telling some of their great stories, please check out our YouTube channel www.youtube.com/vintagerockpod Part of Pantheon Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

#214-212Intro/Outro: Ain't No Reason by Brett Dennen214. Boxer by The National (Fake Empire & Mistaken for Strangers & Green Gloves)213. Days of Future Passed by The Moody Blues (The Day Begins & Dawn: Dawn is a Feeling & The Afternoon & Nights in White Satin)212. Spirit by Jewel (Hands & Down So Long & Life Uncommon)Boxer album artDays of Future Passed album artSpirit album artVote on Today's Album ArtHave you voted on Week 2 Round 1 winners yet? If so, no further action needed. If not:Week 2 Round 1 Winners (episodes 306-310)Vote on Week 2 Round 2 Album Art

7-time NASCAR Champion Jimmie Johnson joins Dale Earnhardt Jr. for an exclusive reveal of a special tribute scheme to fellow 7-timers Richard Petty and Dale Earnhardt. The Darlington throwback paint scheme has Dale Jr. and co-host Mike Davis over the moon. Johnson goes deep on the impact of the scheme and other's who will be throwing back to honor him. Jimmie shocks the DJD gang with some more insight into his latest IndyCar test and his desire to run in the series in 2021. He also shares some insight into the challenges of his final season and if he will come back to drive in the NASCAR Cup Series.We also break the news of the scheme to Dale Earnhardt's legendary car owner Richard Childress. He shares a never-heard story of how the Intimidator's car nearly looked like a brake-box. Childress raps with Dale Jr. about the black Goodwrench scheme that Intimidated them all.The DJD brings "The King" Richard Petty on the podcast to surprise him with Jimmie Johnson's new scheme. The King shares his genuine feelings for Johnson as a racer and a person. He also talks about the upswing at Richard Petty Motorsports and invites Dale Jr. over for a special tour.Dale, Mike and Producer Matthew Dillner share their favorite racecar bodies of all-time in Valvoline Originals. The fans come at Dale Jr. with a tough question about the Daytona Road Course on Ask Jr. presented by Xfinity. Plus, we learn that Dale likes Nights in White Satin, why he's become a Twitch ghost and what makes Dillner's heart rate go up. Dale Jr. also receives some very special gifts on this fresh new episode of the Download. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices