Podcast appearances and mentions of edward seckerson

Edward Seckerson's personal choice of Shostakovich's 10th Symphony.

For this Musicals Magazine Podcast, Edward Seckerson talks to Jordan Luke Gage, currently starring in Titanique in the West End. In a pretty meteoric rise since leaving drama school, Gage has been raising a little hell with characters as diverse as Clyde Barrow in Bonnie and Clyde, JD in Heathers and Marilyn in Taboo. He's currently aboard HMS Titanic in a show whose French title quickly establishes that this is not the Maury Yeston version. During technical week he talks to Edward Seckerson about all this and more – not least how he and his Titanique co-star Rob Houchen have both now honed their Italian as Fabrizio in Adam Guettel's The Light in the Piazza. Titanique is currently docked at the Criterion Theatre, London – for information and tickets, visit https://london.titaniquemusical.com/ The musical excerpts featuring Jordan Luke Gage are taken from the Original London Cast Recording of & Juliet (2019) on MTM Musical LLC under exclusive license to Atlantic Recording Corporation for the United States and WEA International for the world outside the United States; the opening and closing musical excerpts featured in this podcast are from the Overture to Gypsy (film version), taken from Jule Styne's ‘Overtures Vol 2', courtesy of JAY Records

For this Musicals Magazine Podcast, Edward Seckerson talks to Bradley Jaden, possessor of one of the most recognisable baritones in Musical Theatre. Jaden has, in a relatively short space of time, established himself as the go-to heroic baritone of the UK's Musical Theatre scene. He's stormed the barricades of Boublil and Schonberg's Les Misérables, rising through the revolutionary ranks to assume his place as the darkest and swarthiest of Javerts now sharing the role with Michael Ball on the show's epic arena world tour. His forthcoming debut album for Westway Music was recorded live at London's Cadogan Hall and finds him carving a path through some of Musical Theatre's most iconic outsiders, from Shrek to Phantom. He talks to Edward Seckerson about the journey so far and the way ahead.

Join Edward Seckerson in an intimate conversation with celebrated actress and soprano Gina Beck, known for her powerhouse performances on stages from the West End to Broadway. Gina reflects on her journey, sharing insights into her roles in classic musicals like South Pacific and Les Misérables, as well as her acclaimed portrayal of Glinda in the US tour of Wicked. In this episode, Gina opens up about the artistry behind interpreting beloved characters along with the thrill of breathing life into Golden Age classics and bringing them to contemporary audiences.

For this Musicals Magazine Podcast, Edward Seckerson meets Julian Ovenden, universally acknowledged as possessing one of the most beautiful voices in Musical Theatre. Gearing up a rare solo concert with Broadway composer Scott Frankel (Grey Gardens, War Paint), Ovenden reflects on a career that has taken him from the Donmar's Merrily We Roll Along to TV's Bridgerton. His appearances with the John Wilson Orchestra highlighted his way with Golden Age Broadway scores, and Daniel Evans's recent Chichester/Sadler's Wells revival of Rodgers and Hammerstein's South Pacific afforded him his shining moment with arguably the two greatest ballads in the repertoire. The musical excerpts are taken from Carousel: World Premiere Complete Recording, by John Wilson and his Sinfonia of London, released on Chandos Records on 13 September 2024; and My Favorite Things: The Rodgers & Hammerstein 80th Anniversary Concert by The Rodgers & Hammerstein Concert Orchestra, conducted by Simon Lee, released on Concord Theatricals on 31 May 2024. The opening and closing musical excerpts featured in this podcast are from the Overture to Gypsy (film version), taken from Jule Styne's ‘Overtures Vol 2', courtesy of JAY Records.

Leonard Bernstein (1918-90) was perhaps the most ‘complete' classical musician of the last century, as composer (covering everything from Broadway musicals to serial orchestral works), conductor (one of the 20th century's most admired), teacher or pianist. Edward Seckerson interviewed Bernstein for Gramophone in December 1989, but his admiration went back much further, as he reveals to James Jolly in this next instalment in our occasional series focusing on major composers. The music is drawn from Bernstein's extensive CBS catalogue, now available from Sony Classical.

For this Musicals Magazine Podcast, Edward Seckerson meets Jac Yarrow, who didn't even have time to collect his diploma before he was plucked from drama school to star in Andrew Lloyd Webber's Joseph and his Amazing Technicolor Dreamcoat at the London Palladium. His progress since has been fast and furious, establishing him as one of the go-to younger leading men in the business. He talks about life during and after drama school, the instant stardom of Joseph, his brush with Pippin in a stunning concert staging, and being part of the glitziest ensemble in town for the Sondheim tribute Old Friends. Plus, he looks forward to taking the world by storm with Les Mis as we've never seen it before.

Edward Seckerson meets the fabulous Stephanie J Block, currently wowing London audiences as Lili Vanessi in Cole Porter's Kiss Me, Kate. Her astonishing career has taken her from a Broadway debut as the young Liza Minnelli in the Hugh Jackman vehicle The Boy From Oz to The Cher Show (wait till you hear her Cher voice in this interview!) and a long-overdue Tony Award. She and Seckerson talk of her life-changing journey with Elphaba – which she almost [ital] originated – in Wicked and Tony-nominated turns in Falsettos and The Mystery of Edwin Drood, plus the not-so-little matter of Boublil and Schoenberg's ill-fated The Pirate Queen. One song still resonates: her glorious account of ‘Woman', a performance for the ages.

Edward Seckerson chooses his favourite recording of Shostakovich's Symphony no.5.

For this Musicals Magazine Podcast, Edward Seckerson meets Melissa Errico, celebrated purveyor of the songs of Stephen Sondheim and Michel Legrand and a cabaret artist of extraordinary magnetism. Her theatre career on Broadway and beyond has embraced some classics like My Fair Lady, The Sound of Music and Camelot with excursions into Kurt Weill and Ogden Nash's One Touch of Venus and Michael Legrand and Jeremy Sam's Amour for which she was nominated for a Tony Award. But she thrives on the intimacy of the cabaret room and on disc she has garnered lavish praise for her two insightful and subtly jazz-inflected Sondheim collections.

Edward Seckerson meets the prolific Frank Wildhorn ahead of the West End opening of Your Lie in April, his latest venture (after Death Note) into the realms of Japanese Manga. From one huge Whitney Houston hit – ‘Where Do Broken Hearts Go' – to well over a thousand songs and countless musicals, his is quite a story. At one time in the late '90s he had three musicals running simultaneously on Broadway. One of them, Jekyll & Hyde, has become one of the most performed and most revered all over the globe, while ‘This is the Moment' can lay claim to being the most sung competition and audition choice ever. Then there's the cult following growing for Bonnie & Clyde and the little matter of an 11 o'clock number he penned for Julie Andrews…

For this Musicals Magazine Podcast, Edward Seckerson meets Christine Allado, fresh from lending her shining soprano to the Old Friends celebrating Stephen Sondheim at London's Gielgud Theatre. Some may remember her opposite Rob Houchen in the TV documentary The Making of a Classic, chronicling the genesis of West Side Story, but onstage the Filipino actress is best known as Peggy Schuyler and Maria Reynolds – and sometimes Eliza – in Hamilton, and Tzipporah in Prince of Egypt. She's about to give her Julie Jordan in a concert staging of one of the greatest musicals ever written – Carousel. 

For this Musicals Magazine Podcast, Edward Seckerson meets Jack Godfrey, one of the brightest and most engaging talents in the exciting renaissance of new writing, enlivening the West End and beyond. With 42 Balloons – for which he wrote book, music and lyrics – fresh from its inaugural production at the Lowry Manchester and Babies opening at The Other Palace, Godfrey's insidiously memorable hooks are ear-worming their way into all Musical Theatre enthusiasts' consciousness. Godfrey writes pop songs with heart, soul, and zing. Can anyone wait for what comes next? 

For this Musicals Magazine Podcast, Edward Seckerson meets Samantha Barks, who has travelled far since she and Rachel Tucker went head-to-head in a bid to win the role of Nancy in the reality TV show I'd Do Anything. Unforgettably, there was Jason Robert Brown's The Last Five Years where she and Jonathan Bailey lit up the then St James Theatre with their conspicuous talent. Then came Éponine in Les Misérables both onstage and onscreen, and a Broadway debut as the feisty Vivian in Pretty Woman. Edward Seckerson meets her in her dressing room at the Theatre Royal, Drury Lane where Queens Elsa is about to put the freeze on for a lot of adoring little girls. 

For this Musicals Magazine Podcast, Edward Seckerson meets Sam Tutty, one of the youngest ever Olivier Award winners for his deeply affecting performance in the London premiere of Pasek and Paul's Dear Evan Hansen. He journeyed with Evan across the great divide of the Covid pandemic, gathering a huge fan base as he did so. As he opens in the West End as the likeable and hyperactive Dougal in Two Strangers (Carry A Cake Across New York), he relives his journey so far – backstage at London's Criterion Theatre.  

For this Musicals Magazine Podcast, Edward Seckerson meets Zachary James, who's currently hotting up the Underworld on the other side of that wall in Hadestown. James, who originated the role of Lurch in the Andrew Lippa musicalisation of The Addams Family, is perhaps best known to date – indeed immortalised – as The Scribe/Amenhotep III in Philip Glass's Akhnaten in the jaw-dropping Phelim McDermott, Olivier Award-winning staging at English National Opera in 2016. His work has straddled the opera and Musical Theatre worlds in intriguing ways and as an actor-singer his work is nothing if not diverse. Plus his 6'6” frame makes him hard to miss.   Never miss an issue of Musicals magazine – subscribe today The opening and closing musical excerpts featured in this podcast are from the Overture to Gypsy (film version), taken from Jule Styne's ‘Overtures Vol 2', courtesy of JAY Records.

Edward Seckerson meets Evelyn Hoskins, forever associated with bringing Carrie White in from the cold in the invigorating 2015 Southwark Playhouse production of the ill-fated musical Carrie. They also talk Spring Awakening - which marked Hoskins's stage debut and is back for an original cast reunion; the loveable Dawn in Waitress where she shared the stage with the composer Sara Bareilles; and the stranger-than-fiction alchemy of 42 Balloons soon to be seen at the Lowry in Manchester.   Never miss an issue – subscribe to Musicals magazine today: https://www.magsubscriptions.com/musicals

EDWARD SECKERSON meets OLIVER TOMPSETT at London's Wonderville Bar & Café to chat over his ongoing journey from The Who's Tommy (title role) at Arts Ed and a veritable portfolio of rock/pop shows – Our House, Rock of Ages, We Will Rock You – to more legit fare like Fiyero in Wicked and his winning turn as Will Shakespeare in & Juliet. As we speak, he is preparing to launch a new show Wild About You (with a score by Broadway's Carole King, Chilina Kennedy) at London's Theatre, Royal Drury Lane, with a jaw-dropping cast including Eric McCormack and Rachel Tucker.

In the latest MUSICALS podcast EDWARD SECKERSON talks to playwright and book writer JOHN WEIDMAN who collaborated with the late, great Stephen Sondheim on three of his shows - Pacific Overtures, Assassins, and Road Show - and was in London for a long-awaited revival of the first of them. Chatting in the bar of the Menier Chocolate Factory the morning after the first preview he reminisces about an extraordinary working relationship where making good theatre was always front and centre of their objectives.  

Edward Seckerson drops in on Jenna Russell during the run of Richard Taylor/Rachel Wagstaff's Flowers for Mrs Harris at London's Riverside Studios. They compare notes on the show and on other movers and shakers who've been instrumental in pushing the envelope on musical theatre including Sondheim (with whom Olivier Award-winning Jenna enjoyed several career-defining encounters), Jeanine Tesori (Fun Home), and Jason Robert Brown (Bridges of Madison County). Recorded backstage at London's Riverside Studios in October 2023. The opening and closing musical excerpts featured in this podcast are from the Overture to Gypsy (film version), taken from Jule Styne's ‘Overtures Vol 2', courtesy of JAY Records. For more details on Musicals magazine, please visit MusicalsMagazine.com

The latest in our series of composer podcasts focusses on Dmitri Shostakovich. Edward Seckerson joins Gramophone Editor Martin Cullingford to share his insights with us into one of the greatest of 20th-century musical figures, with a particular focus on his extraordinary symphonies and what they reveal about his life. 

Jamie Muscato - the original Jason "J.D." Dean in the now cult hit Heathers and currently the lovelorn Christian in Moulin Rouge - sits down with Edward Seckerson to talk Once, Bend It Like Beckham, and being Kelsey Grammer's younger self in Big Fish. Recorded backstage at London's Piccadilly Theatre in August 2023. The opening and closing musical excerpts featured in this podcast are from the Overture to Gypsy (film version), taken from Jule Styne's ‘Overtures Vol 2', courtesy of JAY Records. For more details on Musicals magazine, please visit MusicalsMagazine.com

In this episode of the Musicals Podcast Edward Seckerson drops in on the two leading ladies of the current revival of Andrew Lloyd Webber's Aspects of Love - Laura Pitt-Pulford and Danielle de Niese - to compare notes on two fascinating women and re-evaluate the show itself 34 years on from its premiere. It's two hours before curtain up and Michael Ball's ears must have been burning… Recorded backstage at London's Lyric Theatre in June 2023. The opening and closing musical excerpts featured in this podcast are from the Overture to Gypsy (film version), taken from Jule Styne's ‘Overtures Vol 2', courtesy of JAY Records. For more details on Musicals magazine, please visit MusicalsMagazine.com

In this episode of the Musicals Podcast Edward Seckerson talks to the multi-award-winning Jamie Parker (The History Boys, Harry Potter - The Cursed Child) about his current project The Curious Case of Benjamin Button, a new musical by Jethro Compton and Darren Clark, and swinging like Sinatra with conductor John Wilson. Recorded backstage at the Southwark Playhouse Elephant in May 2023. The opening and closing musical excerpts featured in this podcast are from the Overture to Gypsy (film version), taken from Jule Styne's ‘Overtures Vol 2', courtesy of JAY Records. For more details on Musicals magazine, please visit MusicalsMagazine.com

In this episode of the Musicals Podcast, Edward Seckerson talks to Jon Robyns about his journey from singing in the National Youth Choir to playing Jean Valjean in Les Misérables and now the new Phantom in Phantom of the Opera.   The episode was recorded in May 2023 in Robyns's dressing room at His Majesty's Theatre.   The opening and closing musical excerpts featured in this podcast are from the Overture to Gypsy (film version), taken from Jule Styne's ‘Overtures Vol 2', courtesy of JAY Records. For more details on Musicals magazine, visit www.MusicalsMagazine.com

In this episode of the Musicals Magazine Podcast, Edward Seckerson talked to the Olivier-nominated Broadway and West End star Sierra Boggess in February 2023, while the soprano was in London for a one-off concert at Cadogan Hall, and prior to the run of The Secret Garden in Los Angeles (19 February – 26 March). The podcast includes a world-exclusive preview of the track ‘Many a New Day' from Oklahoma! by Rodgers and Hammerstein, sung by Boggess and taken from the forthcoming world-premiere recording of the complete original score by John Wilson and the Sinfonia of London, to be released on 15 September 2023, on Chandos Records. Also included in the podcast is an excerpt of Boggess singing A Quiet Thing from the album ‘Awakening – Live at 54 Below', courtesy of Broadway Records. The opening and closing musical excerpts are from the Overture to Gypsy (film version), taken from Jule Styne's ‘Overtures Vol 2', courtesy of JAY Records. For more details on Musicals magazine, please visit MusicalsMagazine.com

Welcome to the first episode of our regular Musicals Magazine Podcast hosted by Edward Seckerson. In this episode, our guest is Celinde Schoenmaker, currently starring as Sarah Brown in Nicholas Hytner's immersive production of Guys & Dolls at London's Bridge Theatre. The musical excerpts featured in this podcast are from the Overture of Gypsy (film version), taken from Jule Styne's Overtures Vol 2 courtesy of JAY Records. For more details on Musicals magazine, please visit MusicalsMagazine.com

Today's Gramophone Podcast takes us through the world of Stephen Sondheim in the company of Edward Seckerson and Sarah Kirkup. Exploring the power of newer musicals and how to be a successful musical theatre writer, the contemporary world of musical theatre comes alive through discussions, stories and musical excerpts, including Wicked, SIX and The Secret Garden. Gramophone's sister publication, Musicals, will become a bi-monthly publication from March.  

Edward Seckerson chooses his favourite recording of Mahler's Symphony No. 6 in A minor. More often than not, Mahler's symphonies end positively, whether in triumph, exaltation, joyful exuberance, quiet bliss, or resignation and acceptance. But the Sixth is unique in its tragic, minor-key conclusion and this Symphony as a whole is among his darkest music. Intriguingly, he wrote it during one of the happiest periods of his life, the summers of 1903 and 1904. Mahler was convinced that, in his music, he had the ability to foresee and even predict events and, painful though it might be, as an artist he could not avoid doing so. And in 1907, when he looked back on the Sixth Symphony's finale with its 'three hammer blows of fate' he could point to the death of his daughter Maria, the diagnosis of the severe heart disease which would kill him, and the bitter end of his decade as director of the Vienna Opera. Closer to our own times, some have suggested that, as well as tragic autobiography, Mahler was predicting the tragedies of a whole century.

Edward Seckerson joins the Gramophone Podcast to talk to Editor Martin Cullingford about the music, recordings and greatest interpreters of Mahler

Writer, broadcaster and podcaster Edward Seckerson in conversation with Music and Lyrics composer Douglas Hodge, discussing our brand new musical 101 Dalmatians. Enjoy a first listen of the show songs to get you ready for this classic story in the park. As only the second newly commissioned musical to be staged at Regent's Park Open Air Theatre, they discuss the inspiration and creative development of the musical and influences behind new compositions.

Edward Seckerson compares recordings of Rachmaninov's 2nd Symphony in E minor and chooses his favourite. Today, Rachmaninov's 2nd Symphony is one of the composer's most popular works. Rachmaninov composed it in Dresden, during a period of retirement from concert activities, and conducted its premiere in Saint Petersburg in January 1908, to great critical acclaim. In his 2nd symphony, Rachmaninov introduces a single motto at the beginning that appears and evolves in each of the four movements, a compositional idea that can also be seen in Tchaikovsky, who was a great early influence on him. The symphony is a large-scale work lasting an hour that begins with dark, brooding melodic lines and ends in a triumphant scherzo finale.

Edward Seckerson recommends a version of Shostakovich's Leningrad Symphony. Dmitri Shostakovich's Symphony No. 7 in C major was at first dedicated to Lenin. But eventually the composer dedicated it to the besieged city of Leningrad, where it was first played in 1942, during the siege by German and Finnish forces. It soon became popular in both the Soviet Union and the West as a symbol of resistance to fascism and totalitarianism. The work is still regarded as an important musical testament to the 27 million Soviet people who lost their lives in World War II.

Leonard Bernstein's exuberant Chichester Psalms was one of the composer's many strong connections with the UK, commissioned for the 1965 Southern Cathedrals Festival at Chichester Cathedral. Music journalist Edward Seckerson talks to Andrew about the background to the piece, whilst whittling down the available recordings to come up with the finest recording to buy, download or stream.

Writer, broadcaster and podcaster, and The Independent's former Chief Classical Music critic, Edward Seckerson in conversation with the Musical Supervisor and Orchestrator of our new production of Carousel, Tom Deering. In this wide-ranging discussion, they talk about the enduring appeal of Rodgers and Hammerstein's stunning score and the creative process and influences behind Tom's new orchestrations.

On this edition of A View On Access, Tim Calvert reflects on one of the 'Facing The Music' series of shows produced by Chichester Festival, and streamed from their website.Tim was able to catch Edward Seckerson's interview with Imelda Staunton, and there are plenty more shows and stars lined up for a chat, including Dame Shiela Hancock, Giles Terera, and Philip Quast. Be sure to check out https://www.cft.org.uk/ for more information, ticket details, and times.

In the final episode in our Composer Focus series, Chief Conductor of the BBC Symphony Orchestra Sakari Oramo talks to Edward Seckerson about his countryman, Finnish composer Jean Sibelius.Subscribe to Nothing Concrete on Acast, Spotify, iTunes or wherever you find your podcasts. See acast.com/privacy for privacy and opt-out information.

In this episode of Composer Focus, Richard Tognetti – violinist, composer and director of the Australian Chamber Orchestra speaks to Edward Seckerson about Wolfgang Amadeus Mozart.Subscribe to Nothing Concrete on Acast, Spotify, iTunes or wherever you find your podcasts. See acast.com/privacy for privacy and opt-out information.

We revisit our Composer Focus series from November 2018, when baritone Roderick Williams joined Edward Seckerson to talk about 20th-century composer Benjamin Britten.Subscribe to Nothing Concrete on Acast, Spotify, iTunes or wherever you find your podcasts. See acast.com/privacy for privacy and opt-out information.

We revisit our Composer Focus series from November 2018, as Edward Seckerson and countertenor Iestyn Davies delve into the life and music of composer George Frederic Handel.Subscribe to Nothing Concrete on Acast, Spotify, iTunes or wherever you find your podcasts. See acast.com/privacy for privacy and opt-out information.

Edward Seckerson recommends recordings of Tchaikovsky's ballet music, The Nutcracker

Dame Patricia Routledge trained not only as an actress but also as a singer and had considerable experience and success in musical theatre, both in this country and in the United States of America. Her many awards include a Tony for her Broadway performance in the Styne-Harburg musical “Darling of the Day” and a Laurence … [Read More]

Early in the development of Adam Guettel and Craig Lucas’ extraordinary The Light in the Piazza it was thought that Chicago Lyric Opera might be tendering a commission for the piece. It wasn’t to be. Broadway beckoned. But this most sophisticated of hybrids has a foot in both worlds and the presence of RENÉE FLEMING … [Read More]

Edward Seckerson recommends recordings of George Gershwin's Porgy and Bess

Edward Seckerson recommends a recorded version of Leonard Bernstein's musical Candide.

Edward Seckerson joins Andrew McGregor to assess recordings of Ives Symphony No. 2.

Edward Seckerson joins Andrew live to recommend a recording of Jerome Kern's Show Boat.

Edward Seckerson recommends a recording of Richard Rodgers' Carousel

With the final release in Vasily Petrenko’s much-lauded Shostakovich cycle on Naxos the young maestro talks to Edward Seckerson about a masterpiece the Soviet authorities tried but failed to sabotage at its first performances. YevgenyYevtushenko’s poem “Babi Yar” with its accusations of anti-Semitism was the flashpoint but social protest runs deep in the piece and … [Read More]

Humanitas Visiting Professor in Opera Studies Renée Fleming, in conversation with Edward Seckerson.

Humanitas Visiting Professor in Opera Studies Renée Fleming, in conversation with Edward Seckerson.

In the listening room of Grieg Hall, Bergen – a concert hall sometimes masquerading as a theatre and vice versa – Edward Seckerson talks to Mary Miller, Director of Bergen National Opera, and Andrew Litton, Music Director of the venerable Bergen Philharmonic Orchestra – about the genesis of opera in Bergen and the prospect of … [Read More]

On the day that the “chamber” version of his Tony Award winning show Titanic opens at London’s Southwark Playhouse the loquacious MAURY YESTON – composer of Nine and the “other” Phantom – chats to EDWARD SECKERSON about his journey in musical theatre. An undergraduate at Yale University, Yeston majored in music theory and has been … [Read More]

It comes as no surprise that international tenor Ian Bostridge plays a significant part in EMI and Virgin Classics‘ contribution to Britten 100. In this exclusive audio podcast talks to Edward Seckerson about the man, the music, the insecurities, the contradictions, the isolation that came with being a pacifist in time of war and a … [Read More]

The place is the elegant One Aldwych hotel and in a suite kindly provided by the management Broadway star Betty Buckley is in post workout mode chatting to Edward Seckerson about her return to the London stage in Jerry Herman’s charming but much-misunderstood show Dear World. Restored to an intimacy only previously imagined by … [Read More]

Edward Seckerson talks to Corinne Winters, Violetta in La traviata

A short preview of Edward Seckerson's interview with Corinne Winters (Violetta in La traviata)

Edward Seckerson interviews Richard Suart and Mary Bevan, who play Ko-Ko and Yum-Yum in ENO's 2012 revival of The Mikado.

Edward Seckerson interviews the director of Carmen, Calixto Bieito

ENO Talks: Edward Gardner and Edward Seckerson on Eugene Onegin by English National Opera

Edward Seckerson talks to Director Fiona Shaw about the challenge of approaching what might be Mozart's most perfect work.

Edward Seckerson explores Mieczyslaw Weinberg's The Passenger with Director David Pountney

ENO Talks: Edward Seckerson with Sarah Tynan by English National Opera

Originally recorded in 2010: Director, Jo Davies and Conductor, John Wilson talk to writer and broadcaster Edward Seckerson about cunning disguises, dastardly deeds, and an abundance of cracking good tunes, in Opera North's first G&S production for 20 years.

Listen to composer Nico Muhly and librettist Craig Lucas discuss their collaborative process with Edward Seckerson. This track can be downloaded.

Journalist Edward Seckerson talks with Brindley Sherratt as he prepares for the role of Jacopo Fiesco at ENO.