Podcasts about Jule Styne

durée : 00:24:26 - "Funny Girl" avec Barbra Streisand (1964) - Funny Girl est une comédie musicale de Isobel Lennart, Bob Merrill et Jule Styne créée le 26 mars 1964 au Winter Garden Theatre de Broadway, avec Barbra Streisand dans le rôle principal. Elle fut adaptée au cinéma en 68 par William Wyler avec Barbra Streisand et Omar Sharif dans les rôles principaux

Book Vs. Movie: GypsyThe 1957 Memoir Vs. the 1962 Movie“Musicals in March!”The Margos celebrate another “Musicals in March” episode with Gypsy. Gypsy Rose Lee's 1957 memoir tells her real-life story of growing up in vaudeville and burlesque under the domineering influence of her mother, Rose Hovick. It paints a detailed picture of her childhood alongside her more naturally talented younger sister, June (later June Havoc), and how Gypsy (born Louise Hovick) eventually became the most famous burlesque performer of her time. The book is witty and self-deprecating and offers an unvarnished yet entertaining look at her complex relationship with her mother. The movie Gypsy is based on the successful 1959 Broadway musical by Jule Styne, Stephen Sondheim, and Arthur Laurents, rather than directly on the memoir. It follows the same structure as the stage show, focusing on Rose Hovick's relentless push to make her daughters stars, culminating in Gypsy's rise to fame. However, because it was a Hollywood film, it softened some of the grittier aspects of Gypsy's story. So, which version did we prefer? Have a listen to find out!In this ep, the Margos discuss:A look at the career of Gypsy Rose Lee The different Broadway productions over the yearsThe cast includes Rosalind Russell (Rose Hovick,) Natalie Wood (Louise Hovick/Gypsy Rose Lee,) Karl Malden (Herbie Sommers,) Paul Wallace (Tulsa,) Ann Jillian (Dainty June,) Morgan Brittany (Baby June,) Parley Bear (Mr. Kringelein,) Harry Shannon (Grandpa,) Betty Bruce (Tessie Tura,) Faith Dane (Mazeppa,) Roxanne Arlen (Electra,) and Jean Willes as Betty Cratchitt. Clips Featured:“Natalie Wood as Gypsy”Ethel Merman on the Perry Como show in 1960Gypsy (1962 trailer)“Dainty June & Her Boys”“Everything is Coming Up Roses” (Rosalind Russell)“Little Lamb” “Let Me Entertain You”Music by Jule Styne & Lyrics by Stephen SondheimFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: GypsyThe 1957 Memoir Vs. the 1962 Movie“Musicals in March!”The Margos celebrate another “Musicals in March” episode with Gypsy. Gypsy Rose Lee's 1957 memoir tells her real-life story of growing up in vaudeville and burlesque under the domineering influence of her mother, Rose Hovick. It paints a detailed picture of her childhood alongside her more naturally talented younger sister, June (later June Havoc), and how Gypsy (born Louise Hovick) eventually became the most famous burlesque performer of her time. The book is witty and self-deprecating and offers an unvarnished yet entertaining look at her complex relationship with her mother. The movie Gypsy is based on the successful 1959 Broadway musical by Jule Styne, Stephen Sondheim, and Arthur Laurents, rather than directly on the memoir. It follows the same structure as the stage show, focusing on Rose Hovick's relentless push to make her daughters stars, culminating in Gypsy's rise to fame. However, because it was a Hollywood film, it softened some of the grittier aspects of Gypsy's story. So, which version did we prefer? Have a listen to find out!In this ep, the Margos discuss:A look at the career of Gypsy Rose Lee The different Broadway productions over the yearsThe cast includes Rosalind Russell (Rose Hovick,) Natalie Wood (Louise Hovick/Gypsy Rose Lee,) Karl Malden (Herbie Sommers,) Paul Wallace (Tulsa,) Ann Jillian (Dainty June,) Morgan Brittany (Baby June,) Parley Bear (Mr. Kringelein,) Harry Shannon (Grandpa,) Betty Bruce (Tessie Tura,) Faith Dane (Mazeppa,) Roxanne Arlen (Electra,) and Jean Willes as Betty Cratchitt. Clips Featured:“Natalie Wood as Gypsy”Ethel Merman on the Perry Como show in 1960Gypsy (1962 trailer)“Dainty June & Her Boys”“Everything is Coming Up Roses” (Rosalind Russell)“Little Lamb” “Let Me Entertain You”Music by Jule Styne & Lyrics by Stephen SondheimFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

La Palme d'Or Paris, Texas est notamment mythique pour ses costumes qui ont marqué nos rétines : le cowboy moderne à la casquette rouge, la femme fatale en robe pull d'angora rose.Mais saviez-vous que cette robe était originalement blanche, jusqu'à ce qu'un lavage la réduise à la taille d'un timbre poste ? Et que la créatrice des costumes, Birgitta Bjerke, était avant sa carrière dans le cinéma la reine du crochet, et que ses créations étaient notamment portées par Eric Clapton ?Je suis Céleste Durante, et dans ce nouvel épisode de Profession : Costumière, je vous raconte l'histoire d'une des robes les plus iconiques de l'histoire du cinéma.

durée : 00:05:12 - Classic & Co - par : Anna Sigalevitch - .

Mickey-Jo recently travelled to New York to see the new Broadway revival of GYPSY, written by Arthur Laurents, Jule Styne, and Stephen Sondheim. Six-time Tony Award winner Audra McDonald stars as Rose, and is joined by Danny Burstein (Fiddler on the Roof, Moulin Rouge, Follies, Cabaret) as Herbie, Joy Woods (The Notebook, Six, Little Shop of Horrors) as Louise, and Jordan Tyson (The Notebook) as June. Further casting includes Lesli Margherita (Matilda, Dames at Sea, Zorro) as Tessie Tura, Lili Thomas (Chicago, Dear Evan Hansen) as Miss Mazeppa, and Mylinda Hull (42nd Street, Dirty Rotten Scoundrels, Mr Saturday Night) as Electra. Check out this full review for Mickey-Jo's thoughts on the new production at the Majestic Theatre, as well as its cast, and the show's material. Don't forget to comment below with your thoughts on the revival. • 00:00 | introduction 02:49 | the material 11:46 | Audra as Rose 19:44 | the production 30:18 | supporting cast • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 70,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, we explore the legacy of Dean Martin and his iconic rendition of "Let It Snow! Let It Snow! Let It Snow!" Artist Background:Dean Martin, born Dino Paul Crocetti on June 7, 1917, in Steubenville, Ohio, was not only a singer but also an actor, comedian, and a key member of the Rat Pack alongside Frank Sinatra and Sammy Davis Jr. Known for his smooth baritone voice and charismatic stage presence, Martin's work spanned across traditional pop, jazz, and country music, with his holiday albums becoming staples of festive celebrations.Song History:Penned by Sammy Cahn and Jule Styne during a Hollywood heatwave in 1945, "Let It Snow" was first recorded by Vaughn Monroe that same year, becoming an immediate Christmas hit. Dean Martin's versions, recorded in 1959 and 1966, are particularly celebrated for capturing his effortless, jovial style.Sales Milestones:Billboard Chart Success: The song saw a remarkable resurgence, entering the Hot 100 at No. 49 in December 2018 and peaking at No. 20 in January 2019, marking Martin's first Top 20 hit in nearly half a century.UK Chart Success: It has consistently appeared on the UK Singles Chart during the holiday season, underscoring its lasting appeal.Analytic Sales Facts:Physical vs. Digital Sales: While initially popular through physical sales, "Let It Snow" now enjoys significant digital sales and streaming boosts during the holiday period.Cover Versions Impact: Multiple covers by artists like Frank Sinatra and Rod Stewart have kept the song alive, with Stewart's version notably topping the Billboard Adult Contemporary chart in 2012.Media Exposure: The song's presence in films like "Die Hard 2" and "Lethal Weapon," as well as in TV shows like "The Simpsons," has perpetuated its cultural footprint.Christmas Album Sales: As a highlight of Dean Martin's holiday albums, it significantly drives album sales each Christmas season.Streaming Success: There's a notable increase in streams on platforms like Spotify and Apple Music during November and December.YouTube Impact: An official animated video released in 2019 has amassed millions of views, enhancing its digital presence.Cultural Staple: Played widely in public places like malls and on holiday radio, ensuring wide exposure.Licensing Revenue: Notable licensing events, such as Google's 2011 Easter Egg, contribute to its revenue stream.Chart Longevity: Its chart re-entries each year reflect a robust seasonal sales pattern.Global Appeal: Its international chart performance confirms its status as a global holiday anthem.Summary:Dean Martin's "Let It Snow" has seamlessly transitioned from a classic hit to a digital age favorite, maintaining relevance through chart success, media exposure, and streaming. Its enduring charm and commercial success illustrate its place as a holiday staple across generations. Join Analytic Dreamz in this segment to appreciate how this song has shaped holiday music traditions.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

For this Musicals Magazine Podcast, Edward Seckerson talks to Jordan Luke Gage, currently starring in Titanique in the West End. In a pretty meteoric rise since leaving drama school, Gage has been raising a little hell with characters as diverse as Clyde Barrow in Bonnie and Clyde, JD in Heathers and Marilyn in Taboo. He's currently aboard HMS Titanic in a show whose French title quickly establishes that this is not the Maury Yeston version. During technical week he talks to Edward Seckerson about all this and more – not least how he and his Titanique co-star Rob Houchen have both now honed their Italian as Fabrizio in Adam Guettel's The Light in the Piazza. Titanique is currently docked at the Criterion Theatre, London – for information and tickets, visit https://london.titaniquemusical.com/ The musical excerpts featuring Jordan Luke Gage are taken from the Original London Cast Recording of & Juliet (2019) on MTM Musical LLC under exclusive license to Atlantic Recording Corporation for the United States and WEA International for the world outside the United States; the opening and closing musical excerpts featured in this podcast are from the Overture to Gypsy (film version), taken from Jule Styne's ‘Overtures Vol 2', courtesy of JAY Records

“Gypsy,” a work by Stephen Sondheim, Jule Styne, and Arthur Laurents, is often called the greatest of American musicals; a new production on Broadway is a noteworthy event, especially when a star like Audra McDonald is cast in the lead role of Rose. McDonald has won six Tonys for her acting, in both plays and musicals. In the repertoire of musicals, race in casting is still very much an issue, and one columnist criticized her portrayal of Rose because of her race. “I have dealt with this my entire career,” McDonald tells Michael Schulman, recalling that in her breakout performance, in “Carousel,” some audiences “were upset with me that I was playing Carrie, saying, ‘She wouldn't have been Black.' There's a man who comes down from heaven with a star in his hand!” In a wide-ranging interview onstage at The New Yorker Festival, McDonald discusses how when she was a child theatre was initially intended to be a type of therapy for her, and the roles her parents wouldn't let her take. “Gypsy” is currently in previews on Broadway. 

Vinyl records play a significant role in Jay and Deon's lives. They're 100% obsessed with music. But how did this madness all start? Well, episode 40 of LLR examines their origin stories. Ten classic artists who helped shape the Lickers' sonic identities are discussed while another crackin' mixtape is curated, created, and (hopefully) cranked. God gave rock and roll to us, Goddamn it! Put it in your souls already. Sonic contributors to the fortieth episode of Lightnin' Licks Radio podcast include (in order of appearance): Brothers Johnson, dialogue from Peter Pan Records' "G.I. Joe: Escape From Adventure Team Headquarters" storybook, DJ Sanz, James Todd Smith, Boy Meets Girl, Berlin, Super Lover Cee & Casanova Rud, The Treacherous Three, T La Rock, Rick Rubin, Beastie Boys , NPR's A. Martinez - Kye Ryssdal - Leilah Fadel, Dolly Parton, Whitney Houston, Dr. Pascal Wallisch, Aretha Franklin, Otis Redding, Queen, Elvis, Tommy Durden, Wings, James Horner & Will Jennings, Celine Dion, Right Said Fred, Greta Van Fleet, Dave Brubeck, Mac Demarco, Moose Charlap & Jule Styne, Jerry Goldsmith, M.M. Knapps, library “space” music and read-along storybook dialogue, Arc of All, Jim Kirk, Casey Kasem, Van Halen, Dion DiMucci, Leif Garrett, Jeff Barry & Ellie Greenwich, Shawn Cassidy, Gregg Diamond, Andrea True Connection, Sir Reginald Kenneth Dwight*, Stevie Wonder, Bernie Taupin, Norman Whitfield & Barrett Strong, The Undisputed Truth, Perry-Perkins-Johnson, Honey Cone, TV adverts from Firestone Tires and Post cereal's Pink Panther Flakes, The Jackson Five, the Motown Players & the Funk Brothers, the King of Pop*, Cameron Crowe & Nancy Wilson, Still Water, Temple of the Dog, Sweet Water, The Dust Brothers, Afrika Bambaataa, Dudley Taft (brandishing his axe and ripping a bong), Black Sabbath, Dancefloor Destruction Crew, The Wrecking Crew, The Partridge Family, Wally Gold, Idris Muhammad, Led Zeppelin, Beastie Boys (again), Alice Cooper (band), Digable Planets with Wah Wah Watson, Michael Franti and Spearhead, Jimmy Buffett, Disposable Heroes of Hypocrisy, Three Dog Night, Hoyt Axton, Randy Newman, Paul Williams, Russ Ballard, America, Rainbow, Cheap Trick, Freda, Argent, Wilson Pickett, Wu-Tang's RZA, Pinback, Three Mile Pilot, Lou Reed, Goblin Cock, Fruer, Black Sabbath (again), Bachman-Turner Overdrive, Jethro fucking Tull, the Source of Light and Power, DJT, Eric B., Soul Coughing, The Clockers. Love at First Listen mixtape [SIDE 1] (1) Sweet Water – King of '79 (2) King of Pop - GTBT* (3) Spearhead – Positive (4) The Partridge Family – Lay it on the Line (5) Pinback – Loro [SIDE 2] (1) Alice Cooper – You Drive Me Nervous (2) #6 Pop Hit W.E. 04_FEB_1984* (3) Jethro Tull – Two Fingers (4) Beastie Boys – Live at P.J.'s (5) Three Dog Night - Liar Thanks for Listening. Autumn has fallen. Do your best to not jump into a ravine. Please shop for your music locally. We suggest ⁠Electric Kitsch⁠. Drink ⁠Blue Chair Bay⁠ flavored rums. Feeling like jumping into a ravine? There's ⁠help⁠ available. *some details have been changed

Clearly, vinyl records play a significant role in Jay and Deon's lives. But how did this all start? Well, episode 40 examines their origin stories. Ten classic artists who helped shape the Lickers' sonic identities are discussed and another crackin' mixtape is curated, created, and (hopefully) cranked. God gave rock and roll to us, Goddamn it. Put it in your soul already. Sonic contributors to the fortieth episode of Lightnin' Licks Radio podcast includes (in order of appearance): Brothers Johnson, Holland-Dozier-Holland, Derrick Harriott, Townes Van Zandt, James Todd Smith, Boy Meets Girl, Berlin, Super Lover Cee & Casanova Rud, The Treacherous Three, T La Rock, Rick Rubin, Beastie Boys , NPR's A. Martinez - Kye Ryssdal - Leilah Fadel, Dolly Parton, Whitney Houston, Dr. Pascal Wallisch, Aretha Franklin, Otis Redding, Queen, Elvis, Tommy Durden, Wings, James Horner & Will Jennings, Celine Dion, Right Said Fred, Greta Van Fleet, Dave Brubeck, Mac Demarco, Moose Charlap & Jule Styne, Jerry Goldsmith, M.M. Knapps, library “space” music and read-along storybook dialogue, Arc of All, Jim Kirk, Casey Kasem, Van Halen, Dion DiMucci, Leif Garrett, Jeff Barry & Ellie Greenwich, Shawn Cassidy, Gregg Diamond, Andrea True Connection, Elton John, Stevie Wonder, Bernie Taupin, Norman Whitfield & Barrett Strong, The Undisputed Truth, Perry-Perkins-Johnson, Honey Cone, TV adverts from Firestone Tires and Post cereal's Pink Panther Flakes, The Jackson Five, the Motown Players & the Funk Brothers, Michael Jackson, Cameron Crowe & Nancy Wilson, Still Water, Temple of the Dog, Sweet Water, The Dust Brothers, Afrika Bambaataa, Dudley Taft (brandishing his axe and ripping a bong), Black Sabbath, Dancefloor Destruction Crew, The Wrecking Crew, The Partridge Family, Wally Gold, Idris Muhammad, Led Zeppelin, Beastie Boys (again), Alice Cooper (band), Digable Planets with Wah Wah Watson, Michael Franti and Spearhead, Jimmy Buffett, Disposable Heroes of Hypocrisy, Three Dog Night, Hoyt Axton, Randy Newman, Paul Williams, Russ Ballard, America, Rainbow, Cheap Trick, Freda, Argent, Wilson Pickett, Wu-Tang's RZA, Pinback, Three Mile Pilot, Lou Reed, Goblin Cock, Fruer, Black Sabbath (again), Bachman-Turner Overdrive, Jethro fucking Tull, the Source of Light and Power, DJT, Eric B., Soul Coughing, The Clockers. Love at First Listen mixtape [SIDE 1] (1) Sweet Water – King of '79 (2) Michael Jackson – Got to be There (3) Spearhead – Positive (4) The Partridge Family – Lay it on the Line (5) Pinback – Loro [SIDE 2] (1) Alice Cooper – You Drive Me Nervous (2) Elton John – I Guess That's Why They Call it the Blues (3) Jethro Tull – Two Fingers (4) Beastie Boys – Live at P.J.'s (5) Three Dog Night - Liar Thanks for Listening. Autumn has fallen. Do your best to not jump into a ravine. Please shop for your music locally. We suggest Electric Kitsch. Drink Blue Chair Bay flavored rums. Feeling like jumping into a ravine? There's help available.

Curtain up on the 50th deep dive of KNOW THE SHOW as Anika and Michael delve into GYPSY, widely considered to be the greatest musical of all time.

This new Broadway season includes the revival of the classic musical GYPSY: A Musical Fable by Jule Styne, Stephen Sondheim and Arthur Laurents. This new revival stars Audra McDonald as the irrepressible Mama Rose,in this iconic show based on the memoirs of burlesque performer Gypsy Rose Lee.  To celebrate the revival and to take us back into the world of vaudeville and burlesque, listen favorite Don Spiro returns to the show to share the history of burlesque -- what it was and wasn't in the Gilded Age years --  and how it all developed into the dynamic new renaissance of the art we see today. 

For this Musicals Magazine Podcast, Edward Seckerson meets Julian Ovenden, universally acknowledged as possessing one of the most beautiful voices in Musical Theatre. Gearing up a rare solo concert with Broadway composer Scott Frankel (Grey Gardens, War Paint), Ovenden reflects on a career that has taken him from the Donmar's Merrily We Roll Along to TV's Bridgerton. His appearances with the John Wilson Orchestra highlighted his way with Golden Age Broadway scores, and Daniel Evans's recent Chichester/Sadler's Wells revival of Rodgers and Hammerstein's South Pacific afforded him his shining moment with arguably the two greatest ballads in the repertoire. The musical excerpts are taken from Carousel: World Premiere Complete Recording, by John Wilson and his Sinfonia of London, released on Chandos Records on 13 September 2024; and My Favorite Things: The Rodgers & Hammerstein 80th Anniversary Concert by The Rodgers & Hammerstein Concert Orchestra, conducted by Simon Lee, released on Concord Theatricals on 31 May 2024. The opening and closing musical excerpts featured in this podcast are from the Overture to Gypsy (film version), taken from Jule Styne's ‘Overtures Vol 2', courtesy of JAY Records.

Today, I'm thrilled to announce the second part of Backstage Babble's 200th episode celebration—a conversation with two of my favorite former guests, two friends, two mentors, two veteran performers, two Tony nominees--Lee Roy Reams and Brandon Maggart. Tune in to hear some of the stories of their parallel lives in the theater, including what it was like sharing a dressing room during APPLAUSE, the difference between Lauren Bacall and Carol Channing, their unusual experience arriving in Oklahoma City with LORELEI, how Tamara Long influenced the cast of that show and what made Jule Styne decide to keep her in it, what it was like for Lee Roy to teach Madeline Kahn the humor of HELLO, DOLLY!, how Susan Stroman convinced Brandon not to quit MUSICAL CHAIRS, how Lee Roy almost directed a revival of ANNIE 2, and Brandon's run-in with Howard Keel during South Pacific. Plus, they talk about Ron Field, Karen Morrow, Oric Bovar, and Jane Powell, and both of them answer the James Lipton questionnaire! You won't want to miss this episode with two super talents and very special people.

Today, I'm thrilled to announce my interview with legendary lyricist Susan Birkenhead. Tune in to hear the stories of her great career, including how Shirley Bernstein introduced her to Mary Rodgers, the song of hers that was cut from WORKING, the Patti LaBelle-led project that led to JELLY'S LAST JAM, the show she gets recognized for the most, the hardest role to cast in THE SECRET LIFE OF BEES, how she became involved in BOOP, the lyric that Frank Sinatra loved, how Jule Styne became her mentor, the advice she got from Stephen Sondheim, workshopping the music of Cole Porter with Carolee Carmello, why she ultimately pulled out of FANNY HACKABOUT JONES, the musical she initiated, how she ended up in Lehman Engel's workshop, adapting MOONSTRUCK, working with Cy Coleman on SWEET SMELL OF SUCCESS, and so much more. You won't want to miss this in-depth conversation with one of theater's most fascinating figures.

Robert Cutarella spent most of his childhood evenings burrowed under his pillows, a transistor radio speaker in his ear listening to the Dick Clark Show and other famous deejays. A passion for rhythm emerged during drumming sessions with wooden spoons borrowed from his aunt. At nine years-old Robert's parents took him to see drum icon Gene Krupa at the Metropole Club in midtown Manhattan. Krupa's physicality and deep passion for his craft made a lasting impression on this soon to be music industry giant. Bob had visions of owning his own company and following a career in the music industry. Robert developed an ear for rhythm, melody, and song structure through growing up in the rhythm and blues era, he earned the opportunity to play with “Do Wop” greats the Shirelle's, Dion and the Belmont's, among others. Robert then took a side road, he fell in love eventually marrying his childhood sweetheart, became a teacher, owned an antique store, sold clothes on the weekend, and played music at night. Music was pulling him to go all in, he accepted an ultimatum from his wife to make it in the music business within a year. Ten months later, Robert recorded his first album. We learn of Robert's devastating losses, heartbreaks, and betrayals, and priceless wisdom gained. Robert recalls humble beginnings, meeting clients at his first office at St. Patrick's Cathedral, returning calls on the New York City Public Library's phone booth.   During the last 40 years, this music producing mastermind has produced over 3,000 songs, 160 plus platinum records, including two Grammy awards, for the Les Paul and Friends Tribute Album. Robert discovered and launched careers for some of the most prolific performers of all time including, legendary blues guitarist Stevie Ray Vaughn, and pop singing megastar Celine Dion. This behind-the-scenes hit making genius has guided current recording giants John Legend and Lady Gaga through his songwriting mentorship programs. We are anxiously awaiting Robert's new book Mentor, we hope you glean valuable insight, and enjoy meeting this music industry superstar on this episode of Intrinsic Drive™. Intrinsic Drive™ is produced by Ellen Strickler and Phil Wharton and Andrew Hollingworth  is sound editor and engineer.Created for human beings by human beings.  NO GENERATIVE AI USE ALLOWED.Robert Cutarella artist bio and timeline: Robert began his career in the music industry as a producer and performer. He was employed by many major labels and performed with a variety of recording artists ranging from Joe Williams to Bruce Springsteen.  Here's a list of some of those artists; Chaka Khan, Michael Jackson, Sheena Easton, Air Supply, Melissa Manchester, Whitney Houston, Michael Henderson, Diana Ross, Deborah Allen, Dolly Parton, The Police, Elton John, REM, Culture Club, The Human League, ABC, Linda Ronstadt, and Frank Sinatra, Hall & Oates,The Bee Gees to Sammy Cahn, Benny Benjamin, Jule Styne, Stevie Ray Vaughan, The Fabulous Thunderbirds, Metallica, Raven, Gino Vannelli, Vanessa Williams, Patrick Simmons, Basia and others.Host note--If you are still listening at the 1:13:06 mark. I say "centurions" while meaning to say "centenarians", a mistake that you may find hilarious. 

My dear friend and colleague soprano Sarah Pillow introduces one of her favorite Countermelody programs, which I repost as the first of this month's Listeners' Favorites episodes. Since Sarah is herself an enormously eclectic singer, it's entirely fitting that she should choose to foreground Eileen Farrell. The American dramatic soprano Eileen Farrell (1920–2002) was one of the finest and most versatile singers the United States has ever produced. Her singing career lasted more than fifty years, and this episode covers the entire chronological range of that career, from her early work as a radio singer in the 1940s to her final pop albums in the 1990s. While the episode focuses on her crossover work (and includes work by, among others, Harold Arlen, Jule Styne, Alec Wilder, George Gershwin, Rodgers and Hart, as heard on two of her lesser-known pop albums with Percy Faith and the late André Previn), we also sample her opera and concert work, with examples from Verdi and Wagner to Debussy and Charpentier, to Barber and Menotti. A late reunion with her favorite conductor Leonard Bernstein caps the episode. In all her singing Farrell combines ease of delivery and a relaxed, insouciant response to the words and music with a vocal and interpretive precision that inevitably strikes a bullseye. Bow down to the Queen of Crossover, nay, the Queen of Song!

On Saturday, May 30, 1964, Bob Crane hosted a four-hour 8th anniversary special of his KNX-CBS radio program. For this special broadcast, he aired clips from many of the interviews he had conducted over the years at KNX. Part 2 of his 8th anniversary special is presented here. Celebrity guests include Jule Styne, Charlton Heston, Meredith and Rimi Wilson, Shelley Berman, Marilyn Monroe, Alexander King, Jayne Mansfield, and Arthur O'Connell. Advertising includes commercials for National Airlines, Bandini Fertilizer, DelMonte Tomato Sauce, Chrysler, Camel Cigarettes, and Delta Airlines.© Carol M Ford Productions, LLCAll rights reserved.Selected music is licensed through Epidemic Sound and used with permission.Bob Crane's 8th anniversary KNX special was provided to Bob Crane's official biographers by a former KNX employee who worked with Bob at the station and is used here with permission of Scott Crane.For more information about Bob Crane, visit https://vote4bobcrane.org/

Isn't it "people who DON'T need people are the luckiest people in the world?" It's the Gospel according to Barbra! Today we look at the role that made Barbara Streisand's early career: the role of Fanny Brice in Jule Styne & Bob Merrill's 1964 musical Funny Girl and the 1968 film directed by William Wyler.   We talk about: The Greatest Star: The phenomenon of the original Fanny Brice, how Barbra got involved in the project, and where the line between ego, strength, and vanity lies. The Audience: The sacred relationship between performer and audience and Barbra's theory of audience (or—in a religious context—a congregation) as a truth barometer. The Patriarchy: Nick Arnstein & Fanny Brice's relationship, Barbra & her male collaborators, the creep factor of "You are Woman," and the dangerous myth of romantic love (attention straight people: beware writing your own vows!) The Parade: Is "Don't Rain on My Parade" a feminist anthem? The People: What's the theology of people who need people? Is this just a hymn to extroversion, or does it channel Archbishop Desmond Tutu's theology of ubuntu?   You'll hear: – The 1968 Film Soundtrack: "I'm the Greatest Star," Omar Shariff and Barbra singing "You Are Woman, I am Man," "My Man," "Don't Rain on My Parade" and—of course—"People."   Continue the conversation with us on Instagram and The Platform Formerly Known as Twitter (@gospelofmt).  

Broadcast on Serenade Radio on 8th February, 2024 Name Artist Album Year Comments Everything's Coming Up Roses Michael Wooldridge Showtime Spectacular [Merlin Productions CD] 2003 3-19 Wurlitzer, Pollokshaws Burgh Hall, Glasgow (Scottish Cinema Organ Trust Clydebank Wurlitzer) Sunday Bob Heil Bob Heil At Home [HSL Productions 324] 2007 3-24 Lyn Larsen Allen I've Heard That Song Before Len Rawle The Sounds Of Tonawanda [Concert Recording CR-0082-T] 1970 4-24 Wurlitzer Opus 1968, Ex-Empire Theatre, Leicester Square, London; Rawle Residence, Chorleywood Hertfordshire It's Magic Dudley Savage A Touch Of Romance [DS 1] 1995 3-7 Compton plus Melotone & Solo Cello, Compton House (Ralf Krampen) Brey-am-Rhine, Germany; ex-Regal, Putney (3-6) Diamonds Are A Girl's Best Friend; Bye Bye Baby Tom Sheen Bringin' Down The House [Concert Recording CR-0098] 2-11 (mostly) Wurlitzer, Joe & Dee Spurr Residence, Lyons, IL (installed 1967); ex-Riviera Theatre, Chicago (1920) The Things We Did Last Summer Everett Nourse Memories Of The Fabulous Fox [Doric DO 1404] 4-36 Wurlitzer, Fox Theatre, San Francisco, CA I Met A Girl John Muri Volume 1 [Muri-cord S-1] 1970 3-11 Wurlitzer (Style 235), Six-Mile-Uptown Theatre, Highland Park, MI Just In Time John Seng Midnight Sessions 4-19 Howell-Wurlitzer, St. Mary of the Lake Seminary, Mundelein, IL Some People Jelani Eddington Get Happy [RJE Productions RJE-7050] 2014 3-66 Kimball, Dickinson High School, Wilmington, DE Don't Rain On My Parade Clark Wilson ATOS 2009 Cleveland [Western Reserve] Highlights 2009 4-32 Robert Morton, Ohio Theatre, Columbus, OH

Champian Fulton is simply one of the finest jazz pianists and vocalists around today. Her love of jazz goes as far back as she can remember and the happiness it brings her bubbles over to her fans and audiences. She has performed with some of the genre's greats like drummer Louis Hayes, vocalist Joe Williams, and trumpet player Clark Terry. Champian isn't solely a jazz artist, she's a devotee of the genre—she calls it being a "jazz nerd"—so she's also a huge fan and one of jazz's greatest advocates and ambassadors. Whether playing piano or singing, her style has been called sophisticated and distinct. We just call it extraordinary music made by one fantastic jazzer named Champian Fulton."Day's End" and "That's Not Your Donut" written and performed by Champian Fulton℗ 2017 Posi-Tone Records. Used with permission of Champian Fulton."The Things We Did Last Summer" performed by Champian Fulton, Scott Hamilton, Ignasi González, and Esteve Piwritten by Jule Styne℗ 2017 Blau Records. Used with permission of Champian Fulton."Too Marvelous For Words" performed by Champian Fultonwritten by Johnny Mercer and Richard Whiting℗ 2023 Champian Fulton. Used with permission of Champian Fulton."Happy Camper" written and performed by Champian Fulton℗ 2023 Champian Fulton. Used with permission of Champian Fulton."Evenin'" performed by Champian Fultonwritten by Count Basie℗ 2023 Champian Fulton. Used with permission of Champian Fulton.Support the showSupport the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions, Appleton, WI.Producer: Rob MarnochaRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie AngelThis podcast copyright ©2024 by Project X Productions. All rights reserved.

Welcome to Jazz Piano Skills; it's time to discover, learn, and play Jazz Piano!Every Jazz Piano Skills weekly podcast episode introduces aspiring jazz pianists to essential Jazz Piano Skills. Each Podcast episode explores a specific Jazz Piano Skill in depth. Today, you will discover, learn, and play  "Let It Snow" by Jule Styne and Sammy Cahn. In this Jazz Piano Lesson, you will:DiscoverA Christmas Classic "Let It Snow"LearnChords Changes, Harmonic Function, Melody, and Fingerings for "Let It Snow"PlayMultiple patterns extracted from "Let It Snow" for developing classic jazz language to use when improvisingUse the Jazz Piano Podcast Packets for this Jazz Piano Lesson for maximum musical growth. All three Podcast Packets are designed to help you gain insight and command of a specific Jazz Piano Skill. The Podcast Packets are invaluable educational tools to have at your fingertips while you discover, learn, and play Let It Snow.Open Podcast PacketsIllustrations(detailed graphics of the jazz piano skill)Lead Sheets(beautifully notated music lead sheets)Play Alongs(ensemble assistance and practice tips)Educational SupportCommunity ForumSpeakPipeEpisode OutlineIntroductionDiscover, Learn, PlayInvite to Join Jazz Piano SkillsLesson RationaleExploration of Jazz Piano SkillsConclusionClosing CommentsVisit Jazz Piano Skills for more educational resources that include a sequential curriculum with comprehensive Jazz Piano Courses, private and group online Jazz Piano Classes, a private jazz piano community hosting a variety of Jazz Piano Forums, an interactive Jazz Fake Book, plus unlimited professional educational jazz piano support.If you wish to donate to JazzPianoSkills, you can do so easily through the Jazz Piano Skills Paypal Account.Thank you for being a Jazz Piano Skills listener. I am pleased to help you discover, learn, and play jazz piano!Support the show

In this episode, writer Victoria Myers discusses Mary Rodgers, Marshall Barer, Jay Thompson, and Dean Fuller's 1959 musical Once Upon a Mattress, looking at the comedy in musical theater, female protagonists, and the upcoming Encores! production. We also talk about the song "Just in Time" from Jule Styne, Betty Comden, and Adolph Green's 1956 musical Bells are Ringing. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow on Instagram at @ScenetoSong, on X/Twitter at @SceneSong, and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. Contribute to the Patreon. The theme music is by Julia Meinwald. Music played in this episode: "Shy" from Once Upon a Mattress "The Swamps of Home" from Once Upon a Mattress "Happily Ever After" from Once Upon a Mattress "Just in Time" from Bells are Ringing

Today, I'm honored to announce my interview with Broadway and cabaret star Sally Mayes, whose show Now and Then is playing at the Green Room 42 on Saturday, December 2nd at 9:30. The ticket link is here: https://thegreenroom42.venuetix.com/show/details/AWB4i9Lu1RZsQiFDkPVw/1701570600000 Meanwhile, tune in today to hear some of the stories of her legendary career, including the experience of touring as Mae West, auditioning for Jule Styne, standing by for Delta Burke, the show she wished had had greater success, the role she almost lost to Andrea Martin, why she doesn't like auditioning, tackling the role of Mama Rose, and so much more. 

Welcome to episode 92 of Holly Jolly X'masu! In this special Christmas Podcasters Day episode, I talk about “Mr. Magoo's Christmas Carol,” from 1962. I can't tell you how much I love this special. It's one of those things from when I was kid that has really stood the test of time. Jule Styne and Bob Merrill's music is a big reason for that, as are the performances of Jim Backus, Jack Cassidy and the rest of the cast. I was really only able to scratch the surface about the special and the people involved. If you'd like to learn more, do yourself a favor and get yourself a copy of Darrell Van Citters exceptional book, “Mr. Magoo's Christmas Carol, The Making Of The First Animated Christmas Special.” Since this is Christmas Podcast Day, make sure to check out a few of the other podcasts out there. You can find us all at christmaspodcasts.com, but we'll also be posting links to each other's shoes throughout the day. Be sure to join me back here next month as I talk about the music of Japanese clarinetist Shoji Suzuki. Up first is the 1959 compilation, “X'mas All Star Jazz Parade.” After that, I'll be covering his 1963 album, “Merry Christmas.” Then join me on the 25th for “Swingin' Christmas” from 1961. It's one of the first Japanese Christmas albums I found online, and one that really got me hooked on finding more. All three are exceptional albums and you won't want to miss them. As always, any feedback on this episode would be appreciated. If have any suggestions, or if you'd like to recommend a song or album for a future episode, drop me a line and let me know. Remember, I've added a button to my Ko-fi page. If you'd like to support me one cup of coffee at a time, a donation is only $3. I've also opened a Redbubble store. I only have a couple designs up, but keep an eye on it as I'll be trying to add more. Half of any proceeds or donations received will be donated to support the people of Ukraine, while the rest will be used to purchase new Japanese Christmas music to review for future episodes. You can also find me on Facebook, Instagram and Twitter. And if you get a chance, leave me a review on iTunes. Thanks!

"Me enamoro demasiado fácilmente" es una canción de 1944 compuesta por Jule Styne con letra de Sammy Cahn. Fue introducida por Frank Sinatra en la película Anchors Aweigh de 1945. La película ganó un Premio de la Academia por su música; "I Fall in Love Too Easy" fue nominada a un Premio de la Academia a la Mejor Canción Original pero perdió ante "It Might As Well Be Spring" de Rodgers y Hammerstein. Las cantantes, piano, trompeta y alguna sorpresa están en el menú. Hosted on Acast. See acast.com/privacy for more information.

In this episode, actress, singer, writer, and producer Victoria Gordon discusses the character of Rose, or Mama Rose, in Jule Styne, Stephen Sondheim, and Arthur Laurents's 1959 musical Gypsy, looking at the many actors who have played the role. We also talk about the song "Babbette" from Cy Coleman, Betty Comden, and Adolph Green's 1978 musical On the Twentieth Century. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow on Instagram at @ScenetoSong, on X/Twitter at @SceneSong, and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. Contribute to the Patreon. The theme music is by Julia Meinwald. Music played in this episode: "Everything's Coming Up Roses" from Gypsy (1959 Original Cast Recording) "You'll Never Get Away from Me" from Gypsy (1959 Original Cast Recording) "Together" from Gypsy (1973 West End Cast Recording) "Rose's Turn" from Gypsy (2003 Cast Recording) "Babbette" from On the Twentieth Century (1978 Original Cast Recording) YouTube Clips Referenced: Angela Lansbury in Gypsy Linda Lavin doing "Rose's Turn"

I'm so happy to announce the release of my episode with theater writer Douglas J. Cohen, whose book How to Survive a Killer Musical just came out, and can be purchased at this link: Buy Here A studio recording of his musical The Big Time, starring Jackie Hoffman and Santino Fontana, is also out now. Tune in today to hear him tell the stories of his life and career, including his friendship with Frank Gilroy, adapting No Way to Treat a Lady for the Edinburgh Fringe Festival, the directors he'd like to collaborate with, receiving advice from Charles Strouse and Jule Styne, adapting the story of Rudolph Valentino into a musical, how No Way to Treat a Lady almost reached Broadway, his experiences teaching and mentoring, and more. You won't want to miss this fascinating book and conversation.

  NANCY DUSSAULT began attracting national attention at Northwestern University when her junior year photo as “Miss Student Body,” appeared in “Life” Magazine. While still at Northwestern, she performed as a guest soloist with The Chicago Symphony Orchestra, winning two Young Artist Awards from the American Society of Musicians. After graduation, Dussault appeared in N.Y. clubs like The Blue Angel and The Upstairs at the Downstairs. Dussault received sensational reviews and was warmly embraced by New York audiences for her Broadway debut in the Jule Styne, Comden & Green musical Do Re Mi. Critics responded to her voice, her versatility and her ability to confidently clown alongside established comedians and co-stars Phil Silvers and Nancy Walker. She earned her first Tony Award nomination, and was tapped to appear on America's most-watched TV program, “The Ed Sullivan Show,” where she was heralded as Broadway's brightest new star. She was only 19. The next year, she stepped into the role of Maria on Broadway in The Sound of Music. She followed with roles in Bajour, Side by Side by Sondheim and Into the Woods, receiving the Theatre World Award and multiple Tony nominations. 

Del nuevo disco de Pat Metheny, 'Dream Box', grabado solo con guitarras, las seis composiciones originales de Metheny ('The waves are not the ocean', 'From the mountains', 'Ole & Gard', 'Trust your angels', P.C. of Belgium' y 'Clouds can´t change the sky') y 'Never was love', de Russ Long, 'I fall in love too easily', de Jule Styne y Sammy Cahn, y 'Morning of carnival', de Luiz Bonfá y Antonio Maria. Escuchar audio

FUNNY GIRL  Music by Jule Styne | Lyrics by Bob Merrill | Book by Isabel Lennart from an original story by Miss Lennart Works Consulted & Reference :Funny Girl (Original Libretto) by  Isabel Lennart & Bob MerrillJule: The Story of Composer Jule Styne by Theodore TaylorMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Don't Rain on My Parade” from  Funny Girl (Original Broadway Cast Recording) | Music by Jule Styne | Lyrics by Bob Merrill |  Performed by Barbra Streisand"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

Director:  William Wyler Producer:  Ray Stark Screenplay:  Isobel Lennart Photography:  Harry Stradling Sr. Music:  Jule Styne, Walter Scharf Cast:  Barbra Streisand, Omar Sahrif, Kay Medford, Anne Francis, Walter Pidgeon Rotten Tomatoes:  Critics: 94%/Audience: 85%

Sammy Cahn earned the first of five consecutive Academy Award nominations in 1948, working with longtime collaborator Jule Styne for Doris Day's film debut Romance on the High Seas. Leo Robin, already an Academy Award winner, had two songs nominated that year, but the hot young songwriters Jay Livingston and Ray Evans were making a statement with a hit song for Bob Hope. Host Jeff Commings is ready to tell all the stories about these songwriters and the nominated songs they wrote on this episode of The Best Song Podcast.

A year ago, as I was preparing my memorial Countermelody episode dedicated to Maria Ewing I was struck anew at just how naturally she had mastered the often messy “crossover” genre. Perhaps that's because she never “crossed over” at all: this material formed part of her essence. I thought it would be a lovely thing to give a more complete picture of her work as a pop singer, using three primary sources: first, her 1990 studio pop album entitled “From this Moment On,” featuring arrangements by Richard Rodney Bennett; second, a rare release entitled “Simply Maria,” which comprises a live concert she gave at the Barbican Centre in London in 10 May 1997; and third, live and studio recordings that she made in in the early 2000s with the jazz combo Kymaera, led by guitarist Simon James. The range of material is dizzying, from Broadway classics by Rodgers and Hammerstein, Cole Porter, Jule Styne, Harold Arlen, Cy Coleman, Kurt Weill, and George and Ira Gershwin to jazz stylings by Tom Jobim, eden ahbez, and Billy Strayhorn, with more than a few surprises along the way, and her mastery of it all is exceptional, with all of the intense commitment she showed in her operatic portrayals (and none of the condescension or preciousness associated with certain other crossover artists). I'm so thrilled to share this less well-known side of one of the great operatic singing actors of our time. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Orlando Actors David Almeida & Matthew Arter re-watch another episode of “The Facts Of Life” — so you don't have to! This week we welcome back fabulous costume designer Diana Eden to talk about Jo's wedding dress, the bridesmaids' dresses, Jule Styne, “Fade Out Fade In” on Broadway, Clarence Gilyard, Lois Nettleton, Paul Provenza's bulge, and lots more!

In this episode, eight of this season's guests--Eric Matthew Richardson (Episode 72: Disney Parks Music as Musical Theater), Emel Greer (Episode 73: Evil Characters in Musical Theater), Tammy Tuckey (Episode 75: Marvin Hamlisch, David Zippel, and Neil Simon's The Goodbye Girl), David Armstrong (Episode 79: Marc Shaiman, Scott Wittman, Mark O'Donnell, and Thomas Meehan's Hairspray), Ilana Kresch (Episode 80: Jule Styne, Bob Merrill, and Isobel Lennart's Funny Girl), Orian Israelsohn (Episode 81: Andrew Lloyd Webber, Charles Hart, and Richard Stilgoe's The Phantom of the Opera), Marc Eliot Stein (Episode 82: John O'Hara, Lorenz Hart, and Richard Rodgers's Pal Joey), and Rose Ginsberg (Episode 84: Abolition in Musical Theater), as well as BethAnn Cohen--return to discuss the topics from the season and listener questions and comments. We also discuss the song "Inner White Girl" from the 2022 Michael R. Jackson musical A Strange Loop. This discussion was held live on Sunday, December 18th on Scene to Song's Facebook page, and was recorded for this podcast almost in its entirety. Scene to Song will be going on a brief hiatus to prepare for Season six and will return in early 2023. In the meantime, you can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow us on Instagram at @ScenetoSong, on Twitter at @SceneSong, and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.”  And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. Contribute to the new Patreon. The theme music you are hearing is by Julia Meinwald. Music played in this episode: "Inner White Girl" from A Strange Loop

THE 2022 HOLIDAY SHOW People who listen to “Broadway to Main Street” this Christmas Day are the luckiest people in the world. Our special guest is Julie Benko, currently the alternate greatest star in Funny Girl; songs include classics written by Jule Styne, among others, and performances by Benko, Streisand, Garland, Cantor and more.  

“Over the Rainbow”, “Get Happy”, “Come Rain or Come Shine”. These are the songs you have been singing your whole life, and now is your chance to learn about who wrote them! In this week's episode, travel somewhere over the rainbow into the singular mind of renowned composer Harold Arlen, a key contributor to the American Songbook whose hundreds of pop tunes became runaway hits during the 1930s, ‘40s, and ‘50s. Arlen collaborated with the greatest of the Tin Pan Alley lyricists, including E.Y. "Yip" Harburg, Johnny Mercer, Ted Koehler, Ira Gershwin, Dorothy Fields, and Truman Capote. While any number of Arlen's compositions assured his prominent place in musical history, the RIAA (Recording Industry Association of America) deemed “Over the Rainbow” to be the 20th century's greatest song. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“I Got Rhythm”, “Summertime”, “The Man I Love”. These are the songs you have been singing your whole life, and now is your chance to learn about who wrote them! In this week's episode, the men you love are at the forefront: George and Ira Gershwin, brothers who sometimes seemed to write their hits with four hands and one brain. George's gift for melody and Ira's ability to seamlessly blend lyrical sophistication with the American vernacular made for a plethora of immortal songs that both reflected and shaped the dynamic forces of American modernism during the Jazz Age. Hear directly from Michael Feinstein, Norm Lewis, and more, as they guide you through the astounding lives of these two geniuses, cut from the same cloth.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“You're the Top”, “I've Got You Under My Skin”, “Love for Sale”. These are the songs you have been singing your whole life, and now is your chance to learn about who wrote them! In this week's episode, you'll fall freely in love with Cole Porter, the master of melody and lyrics who changed the soundscape and language of American music - and America itself. Writing songs for over 30 stage and film musicals, his best work set standards of sophistication and wit seldom matched in the popular musical theater. And, as explained by pioneering songwriter Justin Tranter, Porter blazed the trail for generations of queer writers to come, pushing boundaries and challenging the status quo of the American musical form. Featuring key interviews from acclaimed writer Adam Gopnik and musical icon Elvis Costello, this episode illuminates the magic of Cole Porter.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We at What the Riff!?! hope that y'all have a great Christmas — we hope these songs make your season a little more merry and bright.“Deck the Halls” by Twisted SisterThis classic carol was probably not originally envisioned to be quite as rocking as this, but Dee Snyder and Twisted Sister took it up a notch!  This is the sixth and last Twisted Sister studio album they would produce, and we're sure they donned their gay apparel for this final outing.  “Skynyrd Family” by Lynyrd SkynyrdSome southern charm was put on this song that tells of Lynyrd Skynyrd finishing up their tour and headed home for Christmas.  It is off their eleventh studio album entitled “Christmas Time Again,” released in 2000.   “I Saw Mommy Kissing Santa Claus” by the Jackson 5John Lynch brings us a classic Christmas song as performed by the Jackson 5.  Michael Jackson recorded this song on his 12th birthday in 1970.“2000 Miles” by  the PretendersThis song was on “Learning to Crawl,” the breakout studio album by the Pretenders released in 1983.  Chrissie Hynde wrote the song for James Honeyman-Scott, the group's original guitarist who had passed away the year prior to this recording.“Mistress for Christmas” by AC/DCRob may find a lump of coal in his stocking for picking this song for the Christmas podcast!  Brian Johnson of AC/DC isn't looking for peace, love, and joy for Christmas…but for a little Christmas nookie.  We learned that this song was inspired by Donald Trump.“Joy to the World” by Michael BoltonWe don't get a lot of Michael Bolton on our podcasts, and John Lynch set out to rectify that.  Bolton voices this classic Christmas hymn in his unique Yacht Rock style.“Boogie Woogie Santa Claus” by the Brian Seltzer OrchestraBrian Seltzer of Stray Cats fame put this one out there in 2002.  The Brian Seltzer Orchestra formed in 1990 as a swing and jump blues band, and put out the album “Boogie Woogie Christmas” with this and other Christmas classics.  This is a cover of the song, which was originally released by Mabel Scott in 1954.“(There's No Place Like) Home for the Holidays” by Perry ComoPerry Como released this classic Christmas song in 1954.  It tells of the longing to be home at Christmas, and some of the travelers making their way home.“Rockin' Around the Christmas Tree” by Brenda LeeJohnny Marks, who wrote “Rudolph the Red Nosed Reindeer,” “A Holly Jolly Christmas,” and other Christmas songs wrote this one as well.  Brenda Lee recorded this in 1958 when she was 13 years old.  It is the fifth best selling Christmas single of all time according to Neilson SoundScan.  “Feliz Navidad”  by Jose FelicianoPuerto Rican musician Jose Feliciano wrote this in 1970. He recorded it in Los Angeles while feeling homesick at Christmas as his extended family was in New York.  “Feliz Navidad” means “Merry Christmas” in Spanish. “It's Gonna Be a Punk Rock Christmas” by the RaversWayne brings us a bit of PUNK for the Christmas season.  The Ravers released this back in 1977.  “It's the Most Wonderful Time of the Year” by Andy WilliamsWe decided to include more “non-rock singles” in this episode, and this classic holiday tune originated in 1963 on Williams' first Christmas album.  It tells of all the activities that surrounds the Christmas season.“Let it Snow! Let it Snow! Let it Snow!” by Dean MartinSammy Cahn and  Jule Styne wrote this in the summer of 1945 during a heat wave in Hollywood, California.  Dean Martin released a version in 1959, and re-recorded it in 1966.“Blue Christmas” by Seymour Swine and the SquealersThis novelty song was recorded in 1984 for a North Carolina radio station morning show.  Denny Brownlee is the comedian and impressionist who brought Seymour Swine to life - primarily to avoid copyright issues associated with ©Porky Pig.“O Come All Ye Grateful Dead Heads” by Bob RiversComedian Bob Rivers had this parody on his “Twisted Christmas” album in 1987.We hope y'all have a very Merry Christmas and a happy New Year!

“Wouldn't It Be Loverly”, “Get Me to the Church on Time”, “If Ever I Would Leave You”. These are the songs you have been singing your whole life, and now is your chance to learn about who wrote them! This week's episode is guaranteed to be “loverly”, as we dive headfirst into the life and times of Alan Jay Lerner & Frederick Loewe, one of the greatest songwriting teams in history responsible for the most stylish, sophisticated theater music of the 20th century. The Lerner-Loewe formula was to combine Loewe's lush, melodic music, redolent of Viennese waltz, with Lerner's witty, literate lyrics; this they did in some of the most popular and best-remembered musicals of the mid-20th Century, including My Fair Lady, Brigadoon, and Camelot. As told by scholars such as Laurence Maslon as well as Liza Lerner, Alan Lerner's daughter, the origin story of Lerner & Loewe illuminates how their disparate paths converged to form a dynamic duo that would define the future of American musical theater. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“Paper Moon”, “Brother, Can You Spare a Dime?”, “Over the Rainbow”. These are the songs you have been singing your whole life, and now is your chance to learn about who wrote them! In this week's episode, feast your ears on a wealth of knowledge as we pull back the curtain on Yip Harburg, “Broadway's social conscience” who was unique among his peers for always integrating his worldviews into his shows and songs. From articulating the struggles of the Great Depression to daring listeners to dream, Yip Harburg seamlessly weaved politics and prose together, and in doing so, crafted a musical fabric now embedded into the zeitgeist of American musical culture. Immerse yourself in the story of Harburg and his lasting legacy, as told by cultural icon Rufus Wainwright, Yip Harburg's son Ernie, and more!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“Moon River”, “Days of Wine and Roses”, “Hooray for Hollywood”. These are the songs you have been singing your whole life, and now is your chance to learn about who wrote them! In this week's episode, we say hooray and honor of the life of Johnny Mercer, preeminent songwriter whose poetic lyrics vividly captured the complexities of human experience. A four-time Oscar winner, Mercer was an incredibly versatile writer, with a catalog of songs stretching from tear-jerking ballads to comedic, character-driven numbers. Featuring stories recounted by Paul Scahill and Margaret Whiting, descendants of long-time Mercer collaborators Sadie Vimmerstedt and Robert Whiting respectively, this episode offers a lens through which to see the man whose words defined American popular culture of the mid-20th Century.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“People”, “Diamonds Are a Girl's Best Friend”, “Everything's Coming Up Roses”. These are the songs you have been singing your whole life, and now is your chance to learn about who wrote them! In this week's episode, everything's coming up Jule Styne, one of the undisputed architects of American musical theater. Fast-talking and a relentless hustler, he was a highly adaptable, brilliant musician, composing the scores for Broadway hits such as Gypsy and Funny Girl. Listen here for an in-depth journey into this musical icon's storied past, as told by renowned author James Kaplan and musical legend Alan Bergman.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“At Last”, “Lullaby of Broadway”, “That's Amore”. These are the songs you have been singing your whole life, and now is your chance to learn about who wrote them! In this week's episode, come along and listen as we take a deep dive into the life and times of Harry Warren, one of the most prolific composers and lyricists in American musical history. While others found fame and glory on Broadway, Warren worked primarily in motion pictures, writing over 300 songs for the silver screen and turning out hit after hit. Featuring exclusive interviews with Billy Corgan, Michael Feinstein, and Warren's granddaughter, Julia Riva, this episode will shine a new light on both Harry Warren's illustrious body of work and the personal history that shaped it. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

From housebound to pop superstar, Taylor Dayne is most well-known for her hit “Tell It to My Heart,” which made her an overnight sensation in 1987. Listen in as she tells Gabe that before her rise to stardom, she struggled with anxiety and agoraphobia so severe, she was often housebound. Taylor explains when her symptoms started, how she treated them, and how she is doing now. To learn more -- or read the transcript -- please visit the official episode page. Guest Bio Taylor Dayne is an American pop icon with a career spanning 3 decades. Taylor's groundbreaking debut single “Tell It To My Heart” turned her into an overnight star in 1987. She followed the smash hit with seventeen Top 20 singles over the course of her career. Taylor has sold over 75 million albums and singles worldwide, earned three Grammy nominations, an American Music Award, multiple New York Music Awards, received New York Music Hall of Fame honors, and ranked as the Number 18 Female Dance artist of all time by “Rolling Stone” magazine. She is one of the very few artists in musical history to successfully cross over into almost every musical genre and chart with hit singles in Pop, Dance, R&B, Adult Contemporary, and Rock. Taylor has appeared in film, TV and stage, from Broadway favorites like Elton John's award-winning production of “Aida,” and Mel Brooks' “Archie” and “Mehitable,” to working with legendary composer Jule Styne to reprise the role of Fanny Brice on Broadway. Taylor also appeared in movies including “Love Affair” with Warren Beatty and Annette Benning and co-starred in Denis Leary's TV drama “Rescue Me.” She also starred in the HBO film “STAG” and co-starred on Showtime's original series “Rude Awakening.” Her growth as an artist was enhanced by the birth of her twins in early 2002. Her voice became stronger and more meaningful as she took on single motherhood, empowerment, surrogacy, and parenthood head-on, becoming a voice and an advocate for working woman, same sex marriage, parenting and fertility. Her 2016 TEDWomen talk opened her career to more speaking engagements, inspirational and monumental moments, and paved the way to her memoir. This past summer she released a new single called “Please” and is working on anticipated new music. In addition, in September 2020, she competed in the Fox hit show “The Masked Singer” for the 4th season. She competed as PopCorn and made it to the semifinals. For updates and tour dates please visit www.taylordayne.com. Inside Mental Health Podcast Host Gabe Howard is an award-winning writer and speaker who lives with bipolar disorder. He is the author of the popular book, "Mental Illness is an Asshole and other Observations," available from Amazon; signed copies are also available directly from the author. Gabe makes his home in the suburbs of Columbus, Ohio. He lives with his supportive wife, Kendall, and a Miniature Schnauzer dog that he never wanted, but now can't imagine life without. To book Gabe for your next event or learn more about him, please visit gabehoward.com.

A new podcast from Warner Chappell Music, BANG and Audiation, Setting the Standard: Stories from the Great American Songbook, cordially invites you to listen along as we answer the question: “Who wrote these classic songs”? From Johnny Mercer to Cole Porter to the Gershwins, join us as we dive headfirst into the lives of America's musical greats and learn how their musicianship and storytelling would shape American culture for decades to come. Replete with key interviews from a bevy of cultural icons such as Billy Corgan, Michael Feinstein, and Alan Bergman, this podcast will grant you unparalleled access into the world of this formative era in American musical history.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Let me entertain you! Well, let Luisa and Kyle entertain you by discussing "If Momma Was Married" from Gypsy. What does it tell us about these characters, and why is it so catchy?Visit Luisa Lyons's amazing resource Filmed Live Musicals here: https://www.filmedlivemusicals.comYou can follow updates on Twitter: https://twitter.com/filmedliveMTYou can also follow Luisa on Twitter: https://twitter.com/luisalyonsIn this episode we mostly focus on the 2015 West End revival starring Imelda Staunton. The two performers in this song are Lara Pulver and Gemma Sutton.You can listen to it on YouTube: https://youtu.be/VXNkHxu7kQEYou can purchase Stephen Sondheim's first book of lyrics, Finishing the Hat, by going here: https://amzn.to/2LB9ZJoOur sponsors this week are: Taproot Publishing - https://taprootpublishing.ca/spotlight - a service that helps businesses and organizations pay attention to the people they serve. Pod Power - With Pod Power, our sponsors are making it possible for us to amplify the voices of Albertans and Alberta podcasters. This episode, Edmonton Community Foundation is helping us give a Pod Power shout out to YourForest - https://yourforestpodcast.com - healthy ecosystems are the bedrock of a vibrant society. This podcast exists to discover what that looks like and how we can achieve it.  Send feedback to puttingittogetherpodcast@gmail.comPutting It Together is a proud member of The Alberta Podcast Network: Locally grown. Community supported. Here's their link again: https://www.albertapodcastnetwork.comRecorded by Media Lab YYC. Media Lab is a production company. They help you tell your story. They do this by assisting in the creation of videos and podcasts. Find more information at: http://medialabyyc.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★