Podcast appearances and mentions of Frank Wildhorn

The very busy actress, Laila Robins, was recently seen in Ryan Murphy's anthology series, American Horror Stories. She also has a recurring role as Colonel Grace Mallory on the hugely popular Amazon series, The Boys.  Laila starred opposite Amanda Seyfried in the Apple+ limited series, The Crowded Room and opposite Joshua Jackson and Alec Baldwin in the Hulu limited series, Dr. Death.  She also recurred memorably as Katarina Rostova on the hit NBC series The Blacklist, and she had a major arc playing Pamela Milton on the final season of AMC's The Walking Dead.  Among, Laila's many film appearances are: Eye in the Sky, Side Effects, Blumenthal, Concussion, The Good Shepherd, An Innocent Man, Welcome Home Roxy Carmichael, True Crime, and Planes, Trains, and Automobiles.  You may have also seen her in such TV series as: The Handmaid's Tale, Homeland, Deception, 30 Rock, So Help Me Todd, Bull, Person of Interest, Blue Bloods, Damages, In Treatment, The Sopranos, Law and Order, and the series lead in Gabriel's Fire opposite the late, legendary James Earl Jones. Laila's work on Broadway includes Heartbreak House, the Tony-nominated play Frozen, and The Real Thing, as well as Off-Broadway in: the quartet of Richard Nelson's Apple Family plays. She's also appeared around the U.S. in numerous stage performances in shows such as: The Lady from Dubuque, Antony and Cleopatra, A Midsummer's Night's Dream, Sore Throats, Tiny Alice, Mrs. Klein, The Merchant of Venice, and many productions at The Guthrie in her hometown of St. Paul/Minneapolis, including Hedda Gabler and The Lion in Winter.   Over the years, I've enjoyed quite a few of Laila's on-screen performances in shows of which I'm a big fan, including everything she did in The Walking Dead, Homeland, The Blacklist and The Boys. Laila never hits a false note even when the stories in which she's acting brilliantly defy reality.Of note: Laila also happens to be married to a favorite StoryBeat guest, and someone to whom I owe a great debt of gratitude, the phenomenal actor and singer, Robert Cuccioli, who originated the roles of Henry Jekyll and Edward Hyde in the musical I created with Frank Wildhorn, Jekyll & Hyde.

Get ready to raise a little hell—the infamous duo has hit the Granbury Opera House stage, and we've got your backstage pass!

Get ready to raise a little hell—the infamous duo has hit the Granbury Opera House stage, and we've got your backstage pass!

This is the moment, the greatest diva of them aaaaallll, Christiane Noll, joins our musical lab! (Say what?! *faints*)Making Valentine's Day 2025 extra special, the Queen of Broadway cuts into some Devilskin with their sophomore album, Be Like the River, before tapping into her evil side with Jekyll and Hyde.Plus, we chat Scene Partners, the Charlotte Black Memorial Foundation, Rebellious Teen Years, The Sound of Music Live!, Appeasing the Ghost of Gertrude Lawrence, and so much more in this wonderfully hilarious episode!--SOCIALS--Christiane: https://www.instagram.com/christiane.nollCharlotte Black Memorial Foundation: https://www.cmu.edu/engage/give/donor-recognition/andrew-carnegie-society/acs-insider/noll.html--Nerves by Divisions - https://distrokid.com/hyperfollow/divisions1/nerves--*****Juxtaposing Metal with Musicals - joined by iconic guests from the worlds of Music, Broadway, Hollywood, and more! https://www.thetonastontales.com/listen -- https://www.patreon.com/bloomingtheatricals - https://twitter.com/thrashntreasurehttps://linktr.ee/thrashntreasure*****Help support Thrash 'n Treasure and keep us on-air, PLUS go on a fantastical adventure at the same time!Grab your copy of The Tonaston Tales by AW, and use the code TNT20 when you check out for 20% off eBooks and Paperbacks!https://www.thetonastontales.com/bookstore - TNT20 *****   ★ Support this podcast on Patreon ★

At the beginning of this season, I spoke with writer and producer Steve Cuden about his early collaborations with composer Frank Wildhorn. He gives us the real story behind the creation of the Jekyll & Hyde musical, which differs from the way Wildhorn tells the tale. We also get into his other writings and how he transitioned into teaching and also podcasting. A few months after his interview with me, he brought me onto his own podcast called StoryBeat, where I discussed my own ups and downs in this career as well as how I approach auditions and performances. So today I'm sharing our conversation where the microphone and questions are turned around on me, and I share more my own story, giving you a behind the scenes look at my own and even this podcast. --- Support Why I'll Never Make It and find previous episodes by going to whyillnevermakeit.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The actor, singer, and podcaster, Patrick Oliver Jones has been in the performing arts, both onstage and onscreen, for more than 30 years. Originally from Birmingham Alabama, he brought his Southern charm to New York City in 2008 with dreams of Broadway.  And he's gotten close with roles in off-Broadway world premieres, touring nationally with The Addams Family and Evita, and the pre-Broadway cast of First Wives Club that never quite made it. Having collaborated with Tony-winning directors such as Jerry Zaks, Randy Skinner, and a favorite StoryBeat guest, Richard Maltby Jr., he's gotten to perform alongside Broadway talents like Joey Fatone, Alfonso Ribeiro, Faith Prince, and Andrea McArdle. And he has found regional theater acclaim with Henry and SALT Award nominations for standout performances in Fun Home and Crazy for You. On camera, there have been numerous national commercials, award-winning short films, and co-starring roles on TV shows like Blue Bloods, Law & Order: Criminal Intent, and Imposters. In 2022 he received the Communicator Award of Distinction from the Academy of Interactive and Visual Arts for his work in podcasting. He currently produces and hosts three performing arts podcasts: Why I'll Never Make It, which is in its eighth season, Closing Night, which focuses on Broadway history, and The Spotlight Series in which he talks with those making a difference in the arts and beyond. For the record, I've been a guest on Why I'll Never Make It discussing my career in show business and how I created Jekyll & Hyde, the Musical with Frank Wildhorn.  I've got to tell you, it was a lot of fun for me to do the show with Patrick, and I highly urge you to give it a listen.

Send us a Text Message.Hey everyone! In this thrilling episode of "The Music in Me," I'm diving headfirst into the electrifying world of "Bonnie and Clyde: The Musical." These legendary bank robbers have always been my favorite outlaws, and the musical brings their story to life in the most exciting way. We'll explore the dramatic tale of Bonnie and Clyde, from their daring heists to their tragic love story, all set to an unforgettable soundtrack. I'll also share some juicy behind-the-scenes details about the creators, Frank Wildhorn and Don Black, and the original cast that brought these characters to life. Get ready to hear about my personal connection to this musical, the standout songs that made me fall in love with it, and even a special verse from one of Bonnie Parker's poems. Plus, I'll give you the scoop on how you can watch the live recording of this spectacular show! So buckle up and join me on this wild musical journey. If you love true crime, musicals, or just a great story, you won't want to miss this episode! Don't forget to share this episode with your friends and fellow musical lovers. Let's keep the music alive!BONNIE AND CLYDE LIVE RENTALSONGE MENTIONED: Picture ShowThis World Will Remember MeYou're Going Back To JailHow 'Bout a DanceYou Can Do Better Than HimYou Love Who You LoveRaise a Little HellThis World Will Remember UsWhat Was Good Enough For YouDyin' Ain't So Bad Support the Show.Keep listening, keep grooving, and let the music in you continue to shine. Thank you, and see you soon!CONTACT TERI:Instagram: https://www.instagram.com/terirosborg/Facebook: https://www.facebook.com/teri.rosborgYouTube: The Music in MeTikTok: https://www.tiktok.com/@terirosborgPodcast Facebook Page: The Music in Me Podcast Facebook pageTHEME SONG BY: Hayley GremardINTRODUCTION BY: Gavin Bruno

Edward Seckerson meets the prolific Frank Wildhorn ahead of the West End opening of Your Lie in April, his latest venture (after Death Note) into the realms of Japanese Manga. From one huge Whitney Houston hit – ‘Where Do Broken Hearts Go' – to well over a thousand songs and countless musicals, his is quite a story. At one time in the late '90s he had three musicals running simultaneously on Broadway. One of them, Jekyll & Hyde, has become one of the most performed and most revered all over the globe, while ‘This is the Moment' can lay claim to being the most sung competition and audition choice ever. Then there's the cult following growing for Bonnie & Clyde and the little matter of an 11 o'clock number he penned for Julie Andrews…

After starting out in Pop Music in the 1980s-1990s, Frank Wildhorn made a transition to Musical Theatre with his first hit show being Jekyl & Hyde. Now nearly 30 years on, Frank has written over 40 musicals including Bonnie & Clyde, Carmen and Camille Claudel. In more recent years, Frank has also been exploring the manga genre with his show Death Note winning Best Musical in South Korea before a series of sold-out concerts in the West End last year. This year, he's returned with another exciting new show: Your Lie in April, another adaptation of a popular Manga series which sold out 2 concerts at the prestigious Theatre Royal, Drury Lane. The show is now due to return for a 12 week run at the Harold Pinter Theatre in the West End, with a cast led by Dean John Wilson and Zheng Xi Yong.In this brand new interview with Frank Wildhorn, he talks about the development of Your Lie in April and Death Note, and why it feels so exciting to bring these shows to London with majority Asian casts. He tells us about his fondness for Japan and South Korea, and his appreciation for audiences in those regions who have really welcomed and celebrated his work. He credits his son for being a major driver in his involvement with these shows. We also hear him look back over his career, making the move from pop music to musical theatre and how he's managed to not get pigeonholed as an artist with him most recently composing the Danube Symphony that was premiered by the Vienna Symphony Orchestra at the Musikverein. It's a fascinating discussion with one of the most prolific composers working today and it'll be exciting to see what Frank brings next to London as he continues to work on a variety of projects.Your Lie in April opens at Harold Pinter Theatre on 28th June and runs till 21st September.

Alex James-Hatton is currently starring as Clyde in the UK & Ireland tour of Bonnie & Clyde The Musical.The show features music by Frank Wildhorn, lyrics by Don Black and book by Ivan Menchell. Having opened on Broadway in 2011, Bonnie & Clyde received two West End runs ahead of this tour which marks the first time the musical has travelled across the UK & Ireland. Alex made his professional debut covering JD, Ram and Kurt in the original cast of Heathers (The Other Palace / Theatre Royal Haymarket). His other theatre credits include: cover Elder Price in The Book of Mormon (UK & International Tour / West End), Lewis in Pippin (Charing Cross Theatre), Oscar Delancey in the UK premiere of Newsies (Troubadour Wembley Park) and Stranger Things: The First Shadow (workshop).In this episode, Alex discusses raising a little hell as Clyde, landing his first principal contract, his path into theatre and lots more. Hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

Legendary is an understatement. Frank Wildhorn is a renowned composer of not just some of the most beloved and iconic musical theatre shows to ever hit the stage, but also of chart-topping hits for artists like Kenny Rogers, Hootie & the Blowfish, and Whitney Houston. You will surely know shows like Jeckyl & Hyde, The Scarlet Pimpernel, Bonnie & Clyde – which is about to go out on a UK tour, and the incredibly successful recent West End concerts for Death Note. Now he has a brand-new adaptation of the manga Your Lie in April, which is about to play three concerts at Theatre Royal Drury Lane on April 8th and 9th. In this episode, we discuss his shows, his approach to composition, and some of the musicals that have inspired him. For Your Lie in April tickets, visit: https://lwtheatres.co.uk/whats-on/your-lie-in-april/Follow Frank on twitter and instagram.Produced by Ian Bowkett (twitter: @ianbowkett) in association with https://musicaltheatrereview.com (twitter: @musicaltheatrer)Follow the podcast:Twitter: @MusicalMayorPodInstagram: @MusicalMayorPodTikTok: @MusicalMayorPodHosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

As an actor I fully appreciate and recognize that I couldn't do what I do without a writer doing what they do. Their words and characters are the basis for any work I've had in theater, television, or film. The writer's strike this past summer highlighted just how important they are, because without them there is no entertainment industry. In part one of my conversation with writer Steve Cuden, we talked about the process of creating the musical Jekyll & Hyde with Frank Wildhorn. For this second part of our discussion, we dive into his work in television, where he's written for shows like The Avengers, Biker Mice From Mars, Extreme Ghostbusters, and Pocket Dragon Adventures. Steve also gives us a crash course on what it takes to craft an engaging story that not only touches an audience but more importantly means something to the writer personally. Listen to StoryBeat with Steve Cuden and find his books here. Subscribe or Donate to WINMI Subscribing helps support this podcast, while also giving early access to extended conversations and other bonus content. Donating can be done on a one-time on ongoing basis. So whether you subscribe or donate, your financial contribution to this podcast is greatly appreciated! If you'd like to support WINMI but have limited funds to do so, then contact me directly for reduced-price or even free access to the bonus content.   Follow WINMI: Website | Instagram | Twitter | YouTube ---------- Why I'll Never Make It is an award-winning, Top Theater Podcast with actor and singer Patrick Oliver Jones and is a production of WINMI Media. Background music is by John Bartmann and Blue Dot Sessions is used under a Creative Commons Attribution-NonCommercial 4.0 International License. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the first guest of this season, I'm talking with writer Steve Cuden, who was a part of a musical and its beginning stages, but was eventually replaced right before it began to take off and become the hugely iconic Jekyll & Hyde musical we all know. In fact, it was Steve's first foray into writing with another unknown composer and writer at the time, Frank Wildhorn. And in part one of our conversation, Steve opens up about their personal and professional relationship in ways that he has not done so before publicly. A little backstory...Steve and I actually met last year when he reached out to me via email after listening to an episode of my other podcast Closing Night, which focuses on theater history. That began a series of emails back and forth that eventually led me to invite him onto this podcast to share his side of the story. A side of the story that Frank Wildhorn himself doesn't really talk about in his own interviews. The 1986 demo version of "Murder, Murder" featured in this episode can be found on Cuden's website. Subscribe or Donate to WINMI Subscribing helps support this podcast, while also giving early access to extended conversations and other bonus content. Donating can be done on a one-time on ongoing basis. So whether you subscribe or donate, your financial contribution to this podcast is greatly appreciated! If you'd like to support WINMI but have limited funds to do so, then contact me directly for reduced-price or even free access to the bonus content.   Follow WINMI: Website | Instagram | Twitter | YouTube ---------- Why I'll Never Make It is an award-winning, Top Theater Podcast with actor and singer Patrick Oliver Jones and is a production of WINMI Media. Background music is by John Bartmann and Blue Dot Sessions is used under a Creative Commons Attribution-NonCommercial 4.0 International License. Learn more about your ad choices. Visit megaphone.fm/adchoices

For Season 8, we're diving deep into the world of theater once agin with guests from Broadway, West End, and regional theaters near and far. From seasoned veterans to fresh faces on the scene, each episode is packed with candid conversations and inspiring stories about life in the performing arts industry.  Join me as I sit down with actors, directors, writers, and more to explore the highs and lows of chasing dreams in the spotlight. Subscribers will continue to get audition room horror stories as well as early access to every episode.  I'm also excited to bring back bonus episodes featuring the Final Five questions, where they share candid thoughts on life, love, and everything in between. These bite-sized episodes will follow each main interview, offering you even more insight into the personal lives and careers of our esteemed guests.  And just to give you a taste of what to expect this season, here are the final five questions I asked Lisa Howard last season (which was only available to subscribers). In these series of questions she opens up about the unpredictability of this industry and how embracing these challenges and uncertainties is so important as well as what “making it” means to her. Season 8 officially starts Feb 5th with the wonderful playwright and director Steve Cuden with a fascinating tale of how brought Jekyll & Hyde to life with Frank Wildhorn, yet it was another lyricist who actually took it to Broadway. It's a fascinating look behind the curtain of one the most iconic shows of the last 30 years. Subscribe or Donate to WINMI Producing this podcast is a rewarding experience, but it's also costly and time-consuming as I'm essentially a one-man operation. By subscribing you'll be supporting these podcasting efforts, and have access to extended conversations and other bonus content. Whether you subscribe or donate, your financial support of this podcast is greatly appreciated! Subscribe to get early access to full episodes and bonus content   Make a one-time Donation to support transcripts and podcast production If you'd like to support WINMI but have limited funds to do so, then contact me directly for reduced-price or even free access to the bonus content.   Follow WINMI: Website | Instagram | YouTube Learn more about your ad choices. Visit megaphone.fm/adchoices

Jessica Lee has had a whirlwind year, starring in Miss Saigon and Death Note.Jessica was cast as Kim in Robert Hastie and Anthony Lau's highly anticipated reimagined revival of Miss Saigon by Claude-Michel Schönberg, Alain Boublil and Richard Maltby Jnr at the Sheffield Crucible. Jessica received huge acclaim for her performance and won Best Performer in a Musical at The Stage Debut Awards. Fresh from Miss Saigon, Jessica was cast as Misa Amane in the English-language premiere of Frank Wildhorn's musical adaptation of Death Note, based on the bestselling Japanese manga series of the same name. Jessica played Misa during the musical's limited run at the Lyric Theatre, following its two sold-out shows at The London Palladium. Some of Jessica's other credits include: understudy Éponine in Les Misérables  (Sondheim Theatre), understudy Mistress in Jamie Lloyd's Evita (Regent's Park Open Air Theatre), High Fidelity (Turbine Theatre) and The Prince of Egypt (Dominion Theatre). Follow Jessica on Instagram: @itsjessicaleeeeHosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

Thirteen years after starring in Victor/Victoria across cinemas nationwide, Julie Andrews made a triumphant return to Broadway in this highly anticipated stage adaptation, directed by her husband Blake Edwards. Playing a female singer masquerading as a man pretending to be a woman, Andrews ended a 33-year hiatus with the show's opening at the Marquis Theatre. In this emotional episode, experience Andrews' heartfelt opening night of joy as she was joined by a stellar cast of 32 performers. They included Broadway veterans like Tony Roberts, Rachel York, and Gregory Jbara The show featured both original film tunes and new compositions by Henry Mancini and Leslie Bricusse, with some help by Frank Wildhorn. Despite setbacks, including changes to the creative team, the untimely death of a composer, critical reviews, and internal squabbles, Victor/Victoria signified a remarkable comeback for Julie Andrews. Join us as we delve into the journey from movie musical to Broadway spectacle, exploring the highs and lows that made Victor/Victoria a memorable chapter in Broadway history. Follow on Instagram and listen to Closing Night on your favorite podcast app. --- Closing Night is a production of WINMI Media with Patrick Oliver Jones as host and executive producer. Dan Delgado is the editor and co-producer, not only for this podcast but also for his own movie podcast called The Industry. Maria Clara Ribeiro is co-producer, and a big thank you goes to E. Clay Cornelious for sharing his experiences with the short-lived Jekyll & Hyde revival and its cast and creatives. Click here to find the transcript for this episode and a full list of links and resources used. Learn more about your ad choices. Visit megaphone.fm/adchoices

To take you further behind the scenes of Wonderland, I'm sharing my conversation with E. Clayton Cornelious, who played the part of Caterpillar and is also a Broadway producer himself of such shows as Ain't Too Proud, Chicken and Biscuits, and New York, New York. In the previous episode, we explored the musical world of Frank Wildhorn and two of his shows that graced the Marquis Theatre for only about a month each, and E. Clay was a big help in putting that episode together. Now, you'll get our full interview, full of anecdotes and tidbits I couldn't fit into the mail episode. You'll learn about how he was ultimately cast in Wonderland and even more about what was going backstage during rehearsals and performances. And being a producer as well, E. Clay also provides extra insight into what it means for a show to close so quickly. Follow Closing Night on Instagram and listen on your favorite podcast app. --- Closing Night is a production of WINMI Media with Patrick Oliver Jones as host and executive producer. Dan Delgado is the editor and co-producer, not only for this podcast but also for his own movie podcast called The Industry. Blake Stadnik composed the theme music, and Maria Clara Ribeiro is co-producer. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ever since he burst onto the Broadway scene in the 1990s, Frank Wildhorn has remained an intriguing figure in American Musical Theatre. But Wildhorn's journey is far from a conventional success story, nor was it a typical path to the Broadway stage. But among his seven Broadway musicals, three of them have appeared at the Marquis Theater: Victor/Victoria, Wonderland, and a 2013 revival production of Jekyll & Hyde. (In fact, the title of this episode comes from a New York Times review of that revival by Charles Isherwood.) Now, Victor/Victoria will actually get its own episode to close out the first season of this podcast, so this one is actually going to be a combo episode, covering the other two shows together. That's because they both share a lot in common: Wonderland and Jekyll & Hyde were both written by Wildhorn, both were based on famous literary stories, both were universally panned, and both of them ran for less than a month. Here are the stories of how and why that happened. Follow on Instagram and listen to Closing Night on your favorite podcast app. --- Closing Night is a production of WINMI Media with Patrick Oliver Jones as host and executive producer. Dan Delgado is the editor and co-producer, not only for this podcast but also for his own movie podcast called The Industry. Maria Clara Ribeiro is co-producer, and a big thank you goes to E. Clay Cornelious for sharing his experiences with the short-lived Jekyll & Hyde revival and its cast and creatives. Click here to find the transcript for this episode and a full list of links and resources used. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode we are joined by opera singer, Synagogue Cantor, and philanthropist Sharon Azrieli!  Sharon talks with us about life as an opera singer and cantor.  She also discusses her dreams on transitioning into working on Broadway, her albums including Frankly Sharon working with Frank Wildhorn and her newest album Secret Places.  She also discusses her work with her many wonderful foundations.  On October 20th The Azrieli Foundation will be having their 2022 Azrieli Music Prizes Gala Concert.  Visit azrielifoundation.org for more information and make sure to check out the gala!

"We are the pair that they'll discuss. Yes, this world will remember us." Um das berühmt berüchtigte Gaunerpärchen gibt es ein eigenes Musical! Nach einer viel zu kurzen Spielzeit am Broadway eroberten Bonnie und Clyde bis vor kurzem noch die Bühnen Londons. Vom selben Komponisten wie "Jekyll & Hyde" und "The Civil War" flasht uns auch dieses Stück von Frank Wildhorn mit Ohrwürmern, rockigen Balladen und sanften nachdenklichen Melodien. Nach Elisabeth und Hamilton ein weiteres Musical, das auf real existierenden historischen Persönlichkeiten basiert und somit ein wenig den Wind längst vergangener Zeiten ins Theater weht. Broadway Cast Recording Jazz Re-Arrangements mit Liedern vom Bonnie & Clyde Musical

Narada Interviews Frank Wildhorn,  an American composer of both musicals and popular songs. His musical Jekyll & Hyde ran for four years on Broadway. He also wrote the #1 International hit song "Where Do Broken Hearts Go" for Whitney Houston!Visit Narada at his website and socials and leave a comment, like and subscribe if you enjoyed the podcast!Website: https://www.naradamichaelwalden.com/allinpodcastInstagram: https://www.instagram.com/officialnaradaApple Music https://podcasts.apple.com/us/podcast/all-in-with-narada-michael-walden/id1470173526Spotify: https://open.spotify.com/show/5agWJLSreLNze8Sjxit4Na?si=928a8dd6316d4986

Tony and Olivier Award-winning musical theatre star — and two-time Disney Princess — Lea Salonga rose to international fame for originating the role of Kim in the stage musical Miss Saigon. She retraces her journey into the spotlight and struggles along the way. Also, voice and dialect coach Leith McPherson explains how she helps actors to find their character's voice and the prolific, 'critic-proof' composer Frank Wildhorn reflects on his long career and best-known work, including Jekyll and Hyde and Bonnie and Clyde.

Tony and Olivier Award-winning musical theatre star — and two-time Disney Princess — Lea Salonga rose to international fame for originating the role of Kim in the stage musical Miss Saigon. She retraces her journey into the spotlight and struggles along the way.Also, voice and dialect coach Leith McPherson explains how she helps actors to find their character's voice and the prolific, 'critic-proof' composer Frank Wildhorn reflects on his long career and best-known work, including Jekyll and Hyde and Bonnie and Clyde.

Tony and Olivier Award-winning musical theatre star — and two-time Disney Princess — Lea Salonga rose to international fame for originating the role of Kim in the stage musical Miss Saigon. She retraces her journey into the spotlight and struggles along the way. Also, voice and dialect coach Leith McPherson explains how she helps actors to find their character's voice and the prolific, 'critic-proof' composer Frank Wildhorn reflects on his long career and best-known work, including Jekyll and Hyde and Bonnie and Clyde.

Ana Flavia Zuim is a multi-award winning musical director and conductor, musician and associate director of vocal performance at NYU. Her credits include the likes of associate conductor and vocal coach for Billy Elliot tours in the USA and the rehearsal pianist for Hamilton on Broadway. Anna joins Alexa this week on Singing Teachers Talk to discuss her work as a researcher in the field of forensic voice analysis.    KEY TAKEAWAYS Anna's published paper on the voice started because she noticed there's not a lot of research on contemporary styles of vocalism that gives an indication of how much is too much. The original intent was to have both the measurements for an opera and a contemporary show and compare the two.  About 3 or 4 years ago Anna visited colleagues at Harvard and discussed the KayPENTAX APM 3200, a pretty rare device that they don't make anymore. They decided to let her borrow it to collect data for her study.  With this device they decided to measure the effect on three male identifying voices and three female identifying, this was made up of a major role, minor role, and ensemble for each. They measured separate phases of the show from learning lines to the show day.  From the study Anna and the team found that the distance dose, how many cycles the vocal folds go through but converted to distance, was different between males and females. Female identifying singers sang approximately 3.23 miles per day and the male identifying singers about 2.34 miles.  Anna believes we need to change the stigma around vocal injuries, singers feel like they need to push through and are reluctant to get help because of the culture in the theatre. Shows have physical therapists of masseuse for physical injuries, but don't have a vocal specialist.    BEST MOMENTS ‘It was fascinating because it gave us an idea on the demands on the voice of preparing for a show'  ‘I don't know if educating will change critics'  ‘The stimaga about voice and voice injury is real'    EPISODE RESOURCES  BAST Training    Guest Website: www.anaflaviazuim.com   Social Media: @anaflaviazuim   Relevant Links & Mentions:  Journal of Voice: www.jvoice.org Vocal Dose and Vocal Demands in Contemporary Musical Theatre by Ana Flavia Zuim, Celia F Stewart & Ingo R Titze: https://www.jvoice.org/article/S0892-1997(21)00278-2/ppt Studied Productions: The Magic Flute by Wolfgang Amadeus Mozart & Wonderland by Frank Wildhorn & Jack Murphy Maurice E Goodwin SLP Vocal Health Education  Example: Astonishing from Little Women by Sutton Foster  Ben Platt and Dear Evan Hansen Matt Edwards and the Asbury Park Press (Jon Bon Jovi vocal issues: What is going on and how can it be fixed?): https://eu.app.com/story/entertainment/music/2022/05/09/jon-bon-jovi-voice-vocal-issues-bad-singing/9661274002/ ABOUT THE GUEST  Ana Flavia Zuim is a multi award-winner musical director/conductor and an accomplished pianist, vocologist, electric bassist and expert witness. She serves as Associate Director of Vocal Performance at NYU, Steinhardt. Dr. Zuim holds a bachelor's degree in music from State University of Londrina (UEL), a master's in piano performance (Lynn University, 2006), a doctorate - Ph.D. in Fine and Performing Arts (Florida Atlantic University, 2012) and a Vocology certification (University of Utah, 2015). Prior to joining the NYU faculty, Dr. Zuim served as Director of Contemporary Voice at the Frost School of Music with a secondary appointment as Lecturer of Otolaryngology at the Miller School of Medicine, University of Miami.  She is an active researcher and has worked in several productions including the Broadway musical Hamilton (Rehearsal Pianist - since 2016), the Broadway Across America tours of Billy Elliot (Associate Conductor/Vocal Coach, 2012), Joseph and the Amazing Technicolour Dreamcoat (Keys, 2013), among others.  The knowledge of voice science and acoustics, combined with her passion for languages paved the way into forensic voice analysis. She has served as an expert witness for cases involving both singing and speech, including a death threat case, contributing within her scope of practice to furthering a more just legal system in which evidence is evaluated through evidence-based, data-driven science.  ABOUT THE PODCAST BAST Training is here to help singers gain the knowledge, skills and understanding required to be a great singing teacher. We can help you whether you are getting started or just have some knowledge gaps to fill through our courses and educational events. Website: basttraining.com Get updates to your inbox: Click here for updates from BAST Training Link to presenter's bios: basttraining.com/singing-teachers-talk-podcast-bios See omnystudio.com/listener for privacy information.

Steve Cuden was the co-creator of the hit Broadway musical "Jekyll & Hyde", writing the show's original book and lyrics. He's spent a lifetime in the Broadway theater world and has wonderful insights and experiences to share with people like John Houseman, Frank Wildhorn and Leslie Bricusse. He's also the host of the StoryBeat podcast featuring many creative types including Bryan Cranston, and even a recent interview with me. You will learn all the ins and outs of writing, producing and opening a hit Broadway show!My featured song in this episode is “The Night Was A Mystery” from Robert's solo album Summer Of Love (2020). Spotify link HERE.---------------------------------------In this episode, Steve and Robert discuss:His dream to be in the theaterJekyll & HydeWhat it takes to produce a Broadway showHis Storybeat podcast   If you enjoyed the show, please Subscribe, Rate, and Review. Just Click Here. “The Shakespeare Concert” is the new album by Robert's band, Project Grand Slam. It's been praised by famous musicians including Mark Farner of Grand Funk Railroad, Jim Peterik of the Ides Of March, Joey Dee of Peppermint Twist fame, legendary guitarist Elliott Randall, and celebrated British composer Sarah Class. The music reviewers have called it “Perfection!”, “5 Stars!”, “Thrilling!”, and “A Masterpiece!”. The album can be streamed on Spotify, Apple and all the other streaming services. You can watch the Highlight Reel HERE. And you can purchase a digital download or autographed CD of the album HERE.  Robert's “Follow Your Dream Handbook” is an Amazon #1 Bestseller. It's a combination memoir of his unique musical journey and a step by step how-to follow and succeed at your dream. Available on Amazon and wherever books are sold. Get your Complimentary DREAM ROADMAP with Robert's 5 steps to pursue and succeed at YOUR dream. Just click here: https://www.followyourdreampodcast.com/DreamRoadmap Connect with Steve at:http://www.storybeat.nethttp://www.stevecuden.comhttp://www.stevecuden.comhttps://www.youtube.com/channel/UCHma_-cNqkrYC6EsGyFmIeA/videos Connect with the Follow Your Dream Podcast:Website: www.followyourdreampodcast.comInstagram: https://www.instagram.com/fydpodcastFacebook: www.facebook.com/FollowYourDreamPodcastEmail Robert: robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website: https://www.projectgrandslam.comStore: https://www.thepgsstore.com/  YouTube: https://www.youtube.com/user/PGSjazzFacebook: https://www.facebook.com/projectgrandslam/Spotify: https://open.spotify.com/artist/04BdGdJszDD8WtAFXc9skWApple Music: https://music.apple.com/us/artist/project-grand-slam/274548453Email: pgs@projectgrandslam.com 

Olivier nominee Cleve September is preparing to star as Ted Hinton in the original West End production of Bonnie and Clyde. Directed by Nick Winston, this marks Bonnie and Clyde's West End premiere, ten years after the Broadway production. The show has music by Frank Wildhorn, lyrics by Don Black and book by Ivan Menchell.Cleve was nominated for an Olivier Award for his performance as Philip Hamilton/John Laurens in the West End premiere of Hamilton (Victoria Palace).His theatre credits also include: Sonny & understudy Usnavi in In The Heights (King's Cross Theatre), Dick Whittington (National Theatre), Hair (Norwich Theatre), Jesus Christ Superstar (Regent's Park Open Air Theatre), Tommy Keeler in Annie Get Your Gun (Crucible Theatre), Elaine Paige's 50th Anniversary Farewell Tour (Royal Albert Hall) and The Last Days of Troy (The Globe Theatre).Bonnie and Clyde opens at the Arts Theatre on 9th April 2022. Visit www.bonnieandclydemusical.com for info and tickets.Hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. 

After a hugely acclaimed 2 shows in the Bonnie & Clyde the Musical concert, George Maguire is preparing to return to the role of Buck Barrow in Frank Wildhorn's beloved show. Reuniting with Nick Winston, the director of the sell-out Theatre Royal, Drury Lane concerts, George will be reprising his role in the new limited run of Bonnie & Clyde at the Arts Theatre from 9 April. There is already much anticipation around this new production from musical theatre fans, especially after the success of the concert earlier in the year. The upcoming run will also see the return of Natalie McQueen as Blanche Barrow and Frances Mayli McCann as Bonnie Parker. West End star Jordan Luke Gage will also be joining the cast as the eponymous Clyde Barrow and musical theatre fans are preparing to be wowed once more by the show. In this special interview, George Maguire sat down to talk about his love for Frank Wildhorn and his intrigue from the story of Bonnie & Clyde. Fresh from his run in The Wicker Husband at the Watermill Theatre, George tells us about his excitement at returning to London's West End to bring this show to audiences for a full run. A veteran performer, George Maguire has starred in shows such as Thrill Me, Hair, Oliver and won the Olivier Award for his role as Dave Davies in Sunny Afternoon. He earned huge praise from audiences and critics for his portrayal of Buck Barrow and we  expect his performance to be another highlight of Nick Winston's production. In the interview, George also reflects candidly on the real life story of Bonnie & Clyde, acknowledging the victims of their crimes and reminds listeners that these characters aren't necessarily "heroes" either. Nevertheless, with the ongoing popularity of true crime stories, we expect this production to be a huge hit and can't wait see George Maguire's performance.Bonnie & Clyde runs at the Arts Theatre, London from 9 April - 10 July. Tickets are on sale now!

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Based in NYC since 2011, Adam came to New York by way of Houston, TX where he completed his Master's Degree at Rice University's Shepherd School of Music (2008). Adam grew up in Northeast Ohio where he attended Cleveland State University (2006). Formally studying classical percussion throughout his education, Adam also actively performed as a freelancer on drum set. His classical background combined with his drum set skills gave him a unique set of skills that turned out to be very well-suited for working in musical theater. After playing its out-of-town tryout at Houston's Alley Theatre, Adam was offered the drum set chair on Frank Wildhorn's WONDERLAND when it transferred to Broadway (Spring 2011). With his foot in the door from his first Broadway show, Adam set about the work of subbing and building a reputation in and around the city. Subbing on shows as diverse as RENT, EVITA, MATILDA the Musical, AVE Q, CATS, HELLO DOLLY, ANASTASIA, THE PROM, and many more, Adam routinely demonstrates a wide-ranging versatility. A unique hybrid player, Adam is equally at home playing drum set and percussion and excels in situations that demand both contemporary drum set styles and legit classical/orchestral sensibilities. Adam's most recent NYC chairs include 2017's BANDSTAND on Broadway (TONY Nomination for Best Orchestrations and TONY WINNER for Best Choreography), Jerry Springer the Opera, and CLUELESS the Musical.When not in the theater, Adam is often found in NYC recording studios playing for singer/songwriters and composers like Desi Oakley, The Jack Mosbacher Band, Michael Mott, and David Mallamud, playing at cabaret spots like Feinstein's 54 Below, and downtown concert venues such as Rockwood Music Hall, Piano's, or The Bitter End. Adam also maintains an active teaching practice at his studio in Midtown Manhattan and produces music and drum tracks from his at-home project studio. Connect with Adam on Facebook, Twitter & Instagram or use the contact form for bookings and any other inquiries. Thank you for reading Broadway Drumming 101. This post is public so feel free to share it.Broadway Drumming 101 is your one-stop shop for everything you'll need to know about playing drums for broadway musicals. When you subscribe to The Broadway 101 Newsletter, you'll learn about what it takes to be a successful pit musician with content delivered directly to your email inbox two to three times a week.For $5 a month, or $50 a year, you'll have a backstage pass to the world of a broadway drummer playing on a hit show. As a paying subscriber, you will receive behind-the-scenes access to the life of a musician who makes a living on Broadway. You'll also be able to read every post (not just the occasional free ones), you'll get access to all newsletter issues in the archives, and have the ability to participate in subscriber-only comments and events.The Broadway Drumming 101 Podcast is on Apple Podcasts, Spotify, or wherever you get your podcasts.The podcast features conversations with my colleagues who currently hold drums chairs showcases talks with broadway drumming legends, and highlights up-and-coming drummers breaking into the scene.There is a lot to learn. Subscribe now, so you don't miss out on the latest posts and podcasts!Clayton Craddock hosts the Broadway Drumming 101 Podcast and Newsletter. He has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud.The Broadway Drumming 101 Instagram page: InstagramThe Broadway Drumming 101 YouTube page: YouTubeFor more about Clayton, click HERE Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

A Death Note Musical? Sounds crazy, you know? Well, actually it slaps. Rachael and Ruth analyse Frank Wildhorn's rock musical of the manga franchise, which isn't anywhere near as well known as it deserves.

The Grammy, Tony and Emmy nominated composer of both musical theatre and popular songs on being reunited with Jeremy Jordan for Bonnie & Clyde at the Theatre Royal Drury Lane, writing Where Do Broken Hearts Go for the greatest voice of all time and the continuing joyous evolution of Jekyll & Hyde. Plus, we talk overcoming theatre snobs and what we can all expect from Frank and Friends which now comes to Cadogan Hall in London on Sunday 17th April. Host: William J Connolly Produced by: William J Connolly/Darren Bell fw-live.com Welcome to eleven. The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Follow eleven on social media via @elevenpodcast and via elevenpodcast.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

For Video Edition, Please Click and Subscribe Here: https://youtu.be/_j3JLZPWDF0 Patti D'Beck is a long-time veteran of Broadway and regional theatre. Her Broadway credits as Associate Choreographer, Supervisor, Dance Captain, and Actor include the original productions of Applause (Lauren Bacall), A Chorus Line, Seesaw, Pippin (Ben Vereen), Evita, The Will Rogers' Follies, My One and Only (Twiggy and Tommy Tune), The Best Little Whorehouse in Texas, and the Broadway revivals of Annie Get Your Gun (Bernadette Peters), Bells are Ringing (Faith Prince), and Grease! (Rosie O'Donnell, Lucy Lawless). In 2016 Ms. D'Beck collaborated with Jeff Calhoun on the world premiere of Frank Wildhorn's musical Mata Hari in Seoul, So. Korea. Patti also choreographed the opening number for the 1997 Tony Awards and served as assistant or associate choreographer to Tommy Tune and Graciela Daniele on many productions. She has directed and choreographed many stars including Bernadette Peters, Liza Minnelli, Brooke Shields, Lucy Arnaz, Reba McEntire, Keith Carradine, Sandy Duncan, Lucy Lawless and many, many more. This past fall she worked with American Dance Machine to recreate Will Rogers' Follies ‘Our Favorite Son', which she helped create on Broadway. She also was part of a panel for Dancers Over 40, honoring Tommy Tune and Kevin Winkler's new book. In 2022 she will be directing NUNSENSE, starring Sally Struthers at Riverside Center for the Performing Arts. In addition, she works at the VCU Center for Patient Safety and Human Simulation as a Standardized Patient (SP). As an SP, Patti portrays patient scenarios in order to instruct and train medical students, residents, and fellows in the art of critical thinking, patient safety, team interaction, decision making, clinical techniques and communication.  

Paul, Jill, and special guest Ali Fulmyk are heading down the rabbit hole in this week's look at 2011's Wonderland! This Christmas Carroll - no? wrong thing? oh well - was directed by Gregory Boyd with music by recurring composer, Frank Wildhorn. Oh, Frankie, we gotta stop meeting like this.Paul, Jill, and Ali flip upside down to ask the Caterpillar the big questions, like: can authors make a guest appearance in all their adaptations? Can Carlos Santana and Rob Thomas sue? And how are we going to fit this whole cast in Thirsty Jail?We got MERCH now y'all! Visit Spring to check out our mugs, t-shirts, hoodies and more!Twitter: @monkeyplaybillsInstagram: @monkeysandplaybillspodEmail: monkeysandplaybillspod@gmail.comPatreon: patreon.com/monkeysandplaybills Ko-Fi: https://ko-fi.com/monkeysandplaybills

Since 1972 Fee Waybill has been the lead singer of the legendary theatrical rock band The Tubes, and a driving force behind the classic rock hits “She's a Beauty,” “Talk to Ya Later,” “Don't Wanna Wait Anymore,” and “White Punks on Dope.”Fee just released his third solo album, “Fee Waybill Rides Again”. It debuted in the top 10 of Amazon's new rock releases. He dances, sings, and acts on the theatrical stage as a member of The Barn Theatre in Augusta MI, the oldest for-profit summer stock theater in the US, where he has reprised his role as Frank N Furter in The Rocky Horror Show six times, performed as King Arthur in Eric Idle's Spamalot and played a leading role Frank Wildhorn's operetta Civil War. In addition to his work with The Tubes, Waybill has written and worked with Richard Marx, Toto, Kenny Loggins, Steve Lukather, Vixen, Emerson Drive, and The Foo Fighters. He has released two previous solo albums, as well as recorded voice-overs and books on tape.He has appeared on the big screen in Bill and Ted's Excellent Adventure, Ladies and Gentlemen the Fabulous Stains, and Xanadu, and on the small screen as a guest on David Letterman, SCTV, Divorce Court, and Rock-N-America.He lives in Los Angeles, where he is working on his second book of poetry, and is an avid polo player.

It's one of Steve's favorite melodramatic musicals and it stars an actor whose acting style and face can both be described as "exceptionally hammy." This week we dive into our first musical dissection (that's not a porn parody) and discuss some of the hit songs from the 1990 Frank Wildhorn musical "Jekyll and Hyde," and specifically the 2001 performance starring Songtopsy alumni David Hasselhoff. Follow us! https://www.dapperdevilproductions.com/the-songtopsy-report  

"Embrace it", "there's always a tomorrow" as hosts Bobby and Kristina discuss 2004's Dracula, The Musical and 2006's Lestat on episode eighteen of My Favorite Flop.   ABOUT DRACULA, THE MUSICAL Based on the Victorian novel by Bram Stoker, Dracula, The Musical tells the story of the famed vampire as he lusts for new blood. Jonathan Harker and Mina Murray fall victim to Dracula's unnatural charm and, along with Doctor Van Helsing, must fight Dracula's supernatural powers. The musical features music by Frank Wildhorn and book and lyrics by Christopher Hampton and Don Black. Following a record-breaking run at the La Jolla Playhouse in 2001, the musical finally opened on Broadway to mostly negative reviews 3 years later in 2004. Though this production was intended as a serious, dramatic interpretation of the source material, critics complained of a complete lack of emotion in general, and of suspense and horror in particular. Also, while the plot of the musical hits all the major points of Stoker's novel, critics felt it did so in such an obtuse way that audience members unfamiliar with the story may find themselves unable to comprehend the action. Despite failing on Broadway, the musical has gone on to become extremely popular throughout Europe and Asia. The musical made its international debut at Theater St. Gallen, Switzerland in 2005, with notable productions following in the UK, Tokyo, and Seoul.   Original Broadway Cast Melissa Errico as Mina Murray Tom Hewitt as Dracula Stephen McKinley Henderson as Abraham Van Helsing Chris Hoch as Arthur Holmwood Kelli O'Hara as Lucy Westenra Darren Ritchie as Jonathan Harker Bart Shatto as Quincey Morris Don Stephenson as Renfield Shonn Wiley as Jack Seward Lena Hall as Second Vampire Melissa Fagan as Third Vampire Jenifer Foote as First Vampire Michael Herwitz as Child Pamela Jordan as Third Vampire (Alternate) Elizabeth Loyacano as Second Vampire (Alternate) Tracy Miller as First Vampire (Alternate) Matthew Nardozzi as Child (Alternate) Graham Rowat as Ensemble   ABOUT LESTAT Inspired by three of the novels in Anne Rice's The Vampire Chronicles, Lestat tells the story of a man who escapes the tyranny of his oppressive family only to have his life taken from him by the vampire, Magnus. The musical features music by Elton John, lyrics by Bernie Taupin, and a book by Linda Woolverton. Officially the highest-earning pre-Broadway play in San Francisco history (beating out Wicked AND Cats), Lestat finally opened on Broadway at the Palace Theater on March 25, 2006 after a series of drastic revisions. Reviews of the Broadway production were uniformly negative. Ben Brantley famously described the show as a "musical sleeping pill" and Peter Marks of the Washington Post remarked that apparently "a gay vampire with a two-octave range can be just as dull as a straight one." The musical closed on May 28, 2006, after 33 previews and 39 performances. An Original Broadway Cast Recording was recorded by Mercury Records a week earlier, however, after the show's closing, Elton John's management stated "there are no plans to release the recording..." Lestat has not been seen again (at least officially) since its original run.   Original Off-Broadway Cast Hugh Panaro as Lestat Carolee Carmello as Gabrielle Allison Fischer as Claudia Michael Genet as Marius Roderick Hill as Nicolas Drew Sarich as Armand Jim Stanek as Louis Rachel Coloff as Ensemble Nikki Renée Daniels as Eleni Joseph Dellger as Magnus Colleen Fitzpatrick as Ensemble Patrick Mellen as Ensemble Chris Peluso as Ensemble Dominique Plaisant as Ensemble Megan Reinking as Beautiful Woman Will Swenson as Marquis/Laurent Tommar Wilson as Ensemble

For our 50th episode, we welcome Broadway's Farah Alvin who breaks down her time as a "Hollywood" kid and her incredible Broadway journey! Little Me host and Broadway Workshop director, Marc Tumminelli sits down with his friend and collaborator Farah Alvin for a fantastic chat where they breakdown Farah's childhood performance career and so much more. Farah tells the Little Me audience about growing up in Hollywood and her very early days of playing nightclubs and gay bars, stopping the show with her amazing vocals! Farah shares backstage stories about performing for Bill Clinton at the Kennedy Center, recording the concept album of Frank Wildhorn's Jekyll and Hyde, being part of the MSG production of A Christmas Carol, making her Broadway debut in Grease!, working on I Love You Because, her upcoming album On Vinyl and her special connection to the iconic E.T. movie poster. Produced by Marc Tumminelli and The Broadway podcast Network Support Farah Alvin's upcoming album On Vinyl Follow Farah on Instagram FarahAlvin.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this podcast, parents Chocolate and Tomo share the geeky video games, films, TV shows, and anime they love with their teenaged daughter, Lil' Cinnamon (and occasionally the other way around).The gang dramatically eats potato chips this week while discussing all things Death Note!  We cover the original anime, live action Japanese movies, and the American Netflix version.  Listen as we become the gods of a new world or at least enjoy a couple of apples.Music:Opening theme: Free Range by Mona Wonderlick https://soundcloud.com/monawonderlickCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: http://bit.ly/-free-rangeMusic promoted by Audio Library https://youtu.be/XcqtbhIc1ZQMaximum the Hormone- "What's, up People!" (Death Note Anime OP 2)Death Note (anime) Original Soundtrach- "L's Theme" Composed by Hideki Taniuchi and Yoshihisa Hirano.Red Hot Chili Peppers- "Dani California."Death Note the Musical- "Hurricane."  Score by Frank Wildhorn,  lyrics by Jack Murphy and book by Ivan Menchell.  Performed by Jeremy Jordan.

We are joined by special guest Mike Seibert of the Mike Seibert Radio Podcast to discuss the first of many races, the utterly intolerable Bud Hansen, and creepy tentacles. Also Susan is temporarily replaced by a robot. Clips used are from: Transformers: Cybertron produced by Entertainment One and GONZO Galaxy Force soundtrack by Megumi Ohashi Among Us developed by InnerSloth Australian Robot Susan portrayed by ttsmp3.com's Nicole voice "Hush, Hush! Not a Word!" from The Pirates of Penzance by W.S. Gilbert and Arthur Sullivan "For He's Going to Marry Yum-Yum" from The Mikado by W.S. Gilbert and Arthur Sullivan "Hurricane" from Death Note the Musical, performed by Hong Kwang-Ho, music by Frank Wildhorn, English lyrics by Jack Murphy, Japanese lyrics by Ako Takahashi, Korean lyrics by Hee Joon Lee, script by Ivan Menchell, Japanese script by Kayoko Jo, Korean script by Hee Joon Lee, produced by CJES "Dangerous Game" from Jekyll & Hyde by Frank Wildhorn, Leslie Bricusse, and Steve Cuden "Where Is the Justice?" from Death Note the Musical, performed by Jeremy Jordan, music by Frank Wildhorn, lyrics by Jack Murphy "Epiphany" from Sweeney Todd: The Demon Barber of Fleet Street, music and lyrics by Stephen Sondheim

Landmine has depression, Bud does a reverse image search, and everyone makes fun of Scattorshot's Japanese name. Also, Trish and Susan are either going to marry or kill each other. Clips used are from: Transformers: Cybertron produced by Entertainment One and GONZO Galaxy Force soundtrack by Megumi Ohashi "Exit Music" from Jekyll & Hyde by Frank Wildhorn, Leslie Bricusse, and Steve Cuden "The Strange Case of Dr. Jiggle and Mr. Sly" from VeggieTales episode "A Snoodle's Tale," written by Phil Vischer and Mike Nawrocki, with music by Kurt Heinecke, produced by Big idea Entertainment "Backpack, Backpack" by Billy Straus from Dora the Explorer, produced by Nickelodeon Animation Studio Laverne and Shirley created by Garry Marshall, Lowell Ganz, and Mark Rothman, produced by Henderson Productions, Miller-Milkis Productions, Miller-Milkis-Boyett Productions, and Paramount Television "Finale/Reprise" by Danny Elfman, from The Nightmare Before Christmas, produced by Touchstone Pictures, Walt Disney Pictures, and Tim Burton "Baby Got Back" by Sir Mix-a-Lot "A Midsummer Night's Dream, Op. 61: Wedding March" by Felix Mendelssohn, arranged for organ by Douglas Major "Falling Slowly" by Glen Hansard and Markéta Irglová, from Once the Musical

Paul McDonald and Will Branner discuss how they met, how Will got into acting and filmmaking, and what stories Will loves to make (and watch). About Will Branner Will Branner is an award winning director/filmmaker based out of LA. As a former Broadway performer (Mean Girls, Bat Out of Hell), his work emphasizes collaboration with the artist and has been seen at numerous festivals across the globe. Films: SCHMIK (HollyShorts Film Festival, Amazon), Night Terror (Award for Best Thriller Indie Shorts, Best Horror Film Apex Film Festival, Paris International Shorts), Moment’s Silence (Experimental Music and Dance Festival). Commercial/Promotional: John Barrett Salon, Todd Sanfield, Bandstand Broadway, Frank Wildhorn’s 54 Below Series, Broadway at the W. Theatre: Gruesome Playground Injuries (University of Michigan), Rock of Ages (Pioneer Theatre Guild). Branner holds a BFA in Musical Theatre from the University of Michigan (Go Blue!). Instagram: @lordbranner Recommended watching Yeti Presents: Kekoa Taylor Sheridan: Sicario, Wind River, Hell or High Water The Outpost Will Branner’s work: Safe House(coming soon) Schmik(2018) Night Terror(2020) Southerly Change performed by Zane Dickinson, used under license from Shutterstock Audio quotes performed by Britt Mooney, Paul McDonald, and Tim Willard, taken from Epic (written by John Eldredge) and Song of Albion (written by Stephen Lawhead).

Today, I am honored to be joined once again by the luminous Christine Andreas. In Part 2 of our conversation, she discusses her much-lauded cabaret career as well as her stage performances in The Scarlet Pimpernel, Fields of Ambrosia, La Cage Aux Folles, and more. Hear her talk about why she didn’t trust Frank Wildhorn, overestimating the British, sharing a dressing room with Veanne Cox, embodying Judy Garland, how she crafts a cabaret show, the meaning behind “Raindrops Keep Falling on My Head,” plus stories about Terrence Mann, Kelsey Grammer, and her husband Martin Silvestri.

The Autobots utterly fail to blend in as cars dance, traffic lights talk, and Vector Prime sends pilots to Bermuda. Clips used are from: Transformers: Cybertron produced by Entertainment One and GONZO Galaxy Force soundtrack by Megumi Ohashi Death Note (2006-2007 anime) produced by Madhouse The Good Place created by Michael Schur, produced by NBCUniversal Television, Fremulon, and 3 Arts Entertainment "Agatha All Along" by Kristen Anderson-Lopez and Robert Lopez, from WandaVision produced by Disney+ and Marvel Studios Death Note the Musical 2015 Japanese cast recording, music by Frank Wildhorn, English lyrics by Jack Murphy, Japanese lyrics by Ako Takahashi, script by Ivan Menchell, Japanese script by Kayoko Jo, produced by HoriPro Steve Irwin (exact source unknown) "Angel" by Sarah McLachlan

The Autobots contemplate interior design, Vector Prime tortures children, and Optimus Prime hates the metric system. Do you have questions? The answer is catapults. Clips used are from: Transformers: Cybertron produced by Entertainment One and GONZO The Transformers episode "Prime Target" written by Flint Dille and Buzz Dixon, produced by Marvel Productions, Sunbow Productions, and Toei Animation Galaxy Force soundtrack by Megumi Ohashi Doctor Who (2005) soundtrack by Murray Gold "Cruella de Vil" by Mel Leven from Disney's 101 Dalmations, saxophone cover by Mom With a Hobby Death Note the Musical 2017 Japanese production featuring Kazutaka Ishii as Ryuk, music by Frank Wildhorn, English lyrics by Jack Murphy, Japanese lyrics by Ako Takahashi, script by Ivan Menchell, Japanese script by Kayoko Jo, produced by HoriPro

We begin our adventure, very logically, with the first and last episodes of Transformers: Cybertron. Or the first two episodes of Transformers: Galaxy Force. Vector Prime introduces a MacGuffin hunt, Bigfoot wears platform shoes, and everyone turns the sass up to eleven. Clips used are from: Transformers: Cybertron and Galaxy Force produced by Entertainment One and GONZO Transformers: Robots in Disguise (2015) produced by Hasbro Studios, Darby Pop Productions, and Polygon Pictures Galaxy Force soundtrack by Megumi Ohashi Death Note the Musical 2015 Japanese cast recording starring Hayato Kakizawa as Light, music by Frank Wildhorn, English lyrics by Jack Murphy, Japanese lyrics by Ako Takahashi, produced by HoriPro

Episode Summary Nikki Snelson in “Performer Spotlight” tells us what it was like auditioning for the original Broadway cast of Legally Blonde the Musical, where she created the role of Brooke Wyndham, as well as the revival cast of Annie Get Your Gun, where she starred opposite Bernadette Peters. “Thank you 5” is all about working with celebrities and what to look out for. In “Professor’s Corner” we have the incredible Darla Hayward, a casting director for Disney, to tell it like it is! Intro to this Episode In this Episode of “In The Holding Room” we are joined by performer Nikki Snelson, for “Performer Spotlight”. Nikki was a member of the original Broadway cast of Legally Blonde The Musical. In 2008, Nikki headlined the first national revival tour of A Chorus Line, starring in the iconic role of Cassie. Other credits on Broadway include starring with the original cast of the 1999 Tony and Grammy Award winning Broadway revival ofAnnie Get Your Gun, opposite Bernadette Peters. She also appeared in the Broadway revival of Sweet Charity starring Christina Applegate, the national tours of Tick, Tick... Boom! as Susan, Disney’s Beauty and the Beast, Hello Dolly! starring Carol Channing, and Showboat. In 2009 and 2010, she originated the role of the new, female, villainous Mad Hatter, in the Frank Wildhorn musical Wonderland: Alice’s New Musical Adventure, in its world premiere productions at the Straz Center for the Performing Arts in Tampa and Houston’s Alley Theatre. In “Thank you 5” this week, I talk about working with celebrities, what to look out for and what to consider. Darla Hayward in “Professor’s Corner” brings you a ton of information, as she spent years with Disney as a casting director. She has cast Equity and Non-Equity shows for Walt Disney World, Tokyo Disneyland, Tokyo Disney Sea and Disney Cruise Line. She sees 1000’s of performers a year and hires 100’s a year. So, believe me when I say she has seen it all. You will get some great insight from this amazing discussion. Resources For all your audition needs including sheet music, tracks, monologues advice and so much more visit: https://performerstuff.com/ Engage with the Show facebook.com/InTheHoldingRoom Nikki Snelson Musical Theater Mayhem https://www.facebook.com/MusicalTheatreMayhem Fan Page https://www.nikkisnelson.com/Nikki_Snelson.html Darla Hayward https://www.haywardentertainmentresources.com/

Episode Summary Nikki Snelson in “Performer Spotlight” tells us what it was like auditioning for the original Broadway cast of Legally Blonde the Musical, where she created the role of Brooke Wyndham, as well as the revival cast of Annie Get Your Gun, where she starred opposite Bernadette Peters. “Thank you 5” is all about working with celebrities and what to look out for. In “Professor’s Corner” we have the incredible Darla Hayward, a casting director for Disney, to tell it like it is! Intro to this Episode In this Episode of “In The Holding Room” we are joined by performer Nikki Snelson, for “Performer Spotlight”. Nikki was a member of the original Broadway cast of Legally Blonde The Musical. In 2008, Nikki headlined the first national revival tour of A Chorus Line, starring in the iconic role of Cassie. Other credits on Broadway include starring with the original cast of the 1999 Tony and Grammy Award winning Broadway revival ofAnnie Get Your Gun, opposite Bernadette Peters. She also appeared in the Broadway revival of Sweet Charity starring Christina Applegate, the national tours of Tick, Tick... Boom! as Susan, Disney’s Beauty and the Beast, Hello Dolly! starring Carol Channing, and Showboat. In 2009 and 2010, she originated the role of the new, female, villainous Mad Hatter, in the Frank Wildhorn musical Wonderland: Alice’s New Musical Adventure, in its world premiere productions at the Straz Center for the Performing Arts in Tampa and Houston’s Alley Theatre. In “Thank you 5” this week, I talk about working with celebrities, what to look out for and what to consider. Darla Hayward in “Professor’s Corner” brings you a ton of information, as she spent years with Disney as a casting director. She has cast Equity and Non-Equity shows for Walt Disney World, Tokyo Disneyland, Tokyo Disney Sea and Disney Cruise Line. She sees 1000’s of performers a year and hires 100’s a year. So, believe me when I say she has seen it all. You will get some great insight from this amazing discussion. Resources For all your audition needs including sheet music, tracks, monologues advice and so much more visit: https://performerstuff.com/ Engage with the Show facebook.com/InTheHoldingRoom Nikki Snelson Musical Theater Mayhem https://www.facebook.com/MusicalTheatreMayhem Fan Page https://www.nikkisnelson.com/Nikki_Snelson.html Darla Hayward https://www.haywardentertainmentresources.com/

Keith Nelson is a legendary bassist who has played for Adam Levine, Andrea Bocelli, Andy Grammar, Arianna Grande, Babyface, Bill Ross, Charice, Celo Green, Chaka Kahn, Charlie Puth, Chris Boti, David Cassidy, David Foster, Diana Ross, Dino, Donna Summer, Frank Wildhorn, Gladys Knight, Jacki Evancho, Jason Durelo, Josh Groban, Kenny G, Kenny Loggins, Little Anthony and the Imperials, Mary J. Blige, Melissa Manchaster, Michael Buble, Natalie Cole, Nell Carter, Neyo, Paul Anka, Peaches and Herb, PeBo Bryson, Peter Cetera, Phillip Bailey, Reba McEntire, Ricky Martin, Rod Stewart, Sarah Maclachlan, Seal, Shania Twain, Sheena Easton, Sting, Tory Kelly, Usher, Wayne Newton, and Will Downing.https://keithdnelson.com/@thecareermusician@nomadsplace

Viktor Devonne sits with dear friend Petra Fried, his partner in Wednesday Nights at Rockbar NYC. Petra is a drag queen who runs a full length cabaret revue as part of Petra Fried Presents. Petra has been featured on Mic.com, Mashable, and Thotyssey, been nominated for nightlife awards (Go Magazine, GLAM), and has won 2 Silver Tusk Awards from White Elephant Burlesque's audience and peers: 2017's Best Mug (makeup/look) and 2018's Chanteuse Supreme (best singer)... topics: consuming gay movies as a family, To Wong Foo vs Paris is Burning, in-line sexuality, the word queer, art and singing, Sir Studley and Mushnik, the middle of middle school, Clue and such, Jack Sharkey's The Murder Room, the stubborn Taurus, preparation of the material, skill sets and dayjobs, pop-up drag, scene changes, Jason Robert Brown, eleven o'clock numbers, sitting on a stool a lot, singing Gaga, Idina Menzel and the tango: Maureen, adults as kids, progressive tv in the 90s, Hey Arnold and Doug, sitcoms, wine, music theatre vocabulary lessons, Sweeney Todd, bleeding in front of Sherie Renee Scott, hesistant to be critical of contemporaries, a hug from Patti LuPone, the so-called bitches of Hollywood, Justin Timberlake at the Super Bowl, Taylor Swift, VH1 at 7 in the morning, Lauryn Hill, favorite musicals, Petra Fried doesn't like West Side Story or A Chorus Line, the musical theatre community, not auditoning for RuPaul's Drag Race, Petra's Snatch Game, Burlesque Big Brother, Petra's first show, the almost Brita Pitcher, classy-slutty, scared of a lot things all the time, #blessed, body image, childhood, the hideous church dresss, not being able to wear your mother's clothes, JNCO Jeans, drawing naked men, sexuality and fluidity, and the final version of ourselves... shoutouts: Ellie Favola, DJ TatMatt, Anja Keister, Gretchen Violetta, Dusty Ray Bottoms, Sasha Velour, Regina Stargazer, Essence Revealed, Bob the Drag Queen, Viva Vidalia, M'Lady Uppercust, Misty Meaner and Mocha Lite, Hazel Tart, Miss Fame, Brita Filter, Shequida Hall, Lillian Bustle, Lewd Alfred Douglas... recorded: February 18, 2018... You can see Petra Fried Presents, with Petra Fried and multiple guests throughout the month, Wednesdays at 7pm at Rockbar - 185 Christopher St in Manhattan. White Elephant Burlesque immediately follows. @petrafriedpresents.. Check out the Mashable article/video: https://mashable.com/2017/11/30/day-job-drag-queen/ ... footnotes: • the Cracked article Viktor mentions (at around the 42 minute mark) is available at: www.cracked.com/blog/why-every-80s-sitcom-decided-to-kill-off-mom/ • The Light in The Piazza, starring Matthew Morrison, was spring-summer 2005 (he left Hairspray in early 2004), and The Rocky Horror Show closed in January of 2002. • Frank Wildhorn did, in fact, write Dracula the Musical. Jim Steinman wrote Dance of the Vampires. • Ben Platt sang "Somewhere" at the Grammy Awards ... intro/outro music: "On A 45" This Way to the Egress (http://www.thiswaytotheegress.com) ... used with permission ... download it at: https://www.amazon.com/This-Delicious-Cabaret-Explicit-Egress/dp/B005D1GROO ... interlude music: "Carnivale Intrigue" "Sweeter Vermouth" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ ... Support us on

About This Episode:James Barbour was nominated for the Drama Desk, Drama League and Outer Critics Awards for Best Actor in a Musical for his portrayal of Sydney Carton in the Broadway musical version of A Tale of Two Cities, and won the Sarasota Magazine Best Actor Award for the Asolo Rep pre-Broadway production. He has starred on Broadway in such Tony-Award winning shows as Stephen Sondheim's Assassins, Disney's Beauty and the Beast as The Beast, Carousel as Billy Bigelow, Urinetown as Officer Lockstock and as Edward Rochester in Jane Eyre (Drama League Award nomination). He also appeared in the Broadway production of Cyrano and the national tour of The Secret Garden. His voice can be heard on the international recording of A Tale of Two Cities, the PS Classics recording of Assassins, the Sony Classical cast recording of Jane Eyre, The Gift on Geffen Records, the upcoming release of Frank Wildhorn's Dracula, as well as on the live CD recording of his self-produced stage show Broadway in Concert (for which he won an LA WEEKLY Garland Award). As an author and producer, James is responsible for creating three concert series, James Barbour: The Holiday Concert and Love Songs (both at New York City's famed Sardi's Restaurant) and Back From Broadway/Broadway in Concert. Mr. Barbour is considered one of the most sought-after performers on Broadway today.  Mr. Barbour has worked tirelessly in support of Broadway Cares/Equity Fights AIDS and is on the Artists' Committee of The Actors Fund.   Find out more about James at: http://jamesbarbour.com/ James as the Phantom of the Opera James on Facebook James on Instagram https://www.cr8conference.com/   See the Show Notes: www.jeremyryanslate.com/667   Sponsors: The Great Man Within Podcast: there's another podcast I think you should listen to. It's called The Great Man Within and the hosts tackle problems that men never talk about but secretly struggle with like sex, purpose, and success. After you're done with today's episode, search for and listen to The Great Man Within on Apple Podcasts or wherever you get podcasts.  Audible: Get a free 30 day free trial and 1 free audiobook from thousands of available books. Right now I'm reading "The Richest Man in Babylon" by George S. Clason. www.jeremyryanslate.com/book