Podcasts about Babi Yar

This podcast was recorded during the part of the year in which the holiest of Jewish holidays takes place. It seemed appropriate to take some time to remember those of us who were lost during the Holocaust, but a part of the Holocaust many of us know little about, This podcast contains a film by John Pollick: (From the film's web page - https://www,beyondbabiyarmovie.com) "Babi Yar, or Babyn Yar, is a ravine in Kyiv, Ukraine. On September 29th and 30th, 1941, Nazis forced 33,771 Jews into it and shot them. The Nazis continued their campaign of mass shootings of Jews well beyond Babi Yar, extending through Ukraine, Belarus and other parts of Eastern Europe. This is how the Holocaust began. Although Nazis later engaged in industrialized killing, mainly in death and concentration camps in occupied Poland, an estimated 2.4 million, or 40%, of the 6 million Jews killed in the Holocaust died by shooting. They lie in thousands of mass graves across Eastern Europe, most of which, to this day, are unmarked, unprotected and desecrated.    The mass shootings occurred primarily in Ukraine. In Ukraine alone, it is estimated that 1,500,000 to 2,100,000 Jews were shot at approximately 2,000 execution sites across the country. The majority of these sites are unmarked and neglected, and the names of nearly half of the victims in them are unknown.   John Pollick is a lawyer in Illinois. The families of his maternal grandparents, immigrants from what is now Ukraine, were among the shooting victims. In 2014, after decades of searching for the mass grave in his grandmother's hometown, he learned that an organization called Yahad-In Unum had located it. He also learned that it was one of five sites, among thousands, selected to be protected and memorialized through a project called "Protecting Memory". In 2015, he and his daughter attended the dedication of the memorial there. While there, he learned of the full extent of the mass shootings and the profound neglect of both the execution sites and the shooting victims themselves.   Returning home, Mr. Pollick found that, like himself before "Protecting Memory", Americans were not properly educated about the shooting victims and their neglected graves. In 2019, to address this void, he returned to Ukraine to make a film showing the reality of these forgotten victims and their graves, as well as the changing attitudes of Ukrainians regarding them. These changing attitudes include a growing willingness to remember and honor these marginalized victims, and bury them with dignity. The process of doing so, however, has barely begun. Hundreds, if not thousands, of execution sites across Ukraine and Eastern Europe will be forever forgotten, together with the Jewish victims in them, unless these efforts are greatly and immediately expanded.   The purpose of the film is to educate viewers about these forgotten Holocaust victims and their neglected graves, and inspire action regarding them. After 80 years, it is time to finally address this enormous historical and humanitarian injustice in an open and comprehensive way, and begin to restore to the millions of shooting victims the dignity and respect they have been so long denied." After the film, John and I talk about John's family's relationship to the killings, his involvement in making the film, and why he felt it was important to make the film. He also questions from members of the audience who viewed the film at Orchard Cove, a senior residence in the Boston area.

durée : 00:46:36 - Affaires sensibles - par : Fabrice Drouelle, Franck COGNARD - Aujourd'hui dans Affaires Sensibles, Babi Yar, histoire et mémoire d'un massacre nazi durant la Seconde guerre mondiale. - réalisé par : Helene Bizieau

Tucker Carlson is perhaps the country's most influential conservative commentator; his eponymous podcast is routinely among the most downloaded shows on the internet. Despite his endless fulminations against the mainstream media, Carlson has an impeccable mainstream media pedigree. He's hit for the cycle on cable news, having hosted shows on Fox, MSNBC, and CNN. After he was fired from Fox News in 2023, under circumstances that are still hotly disputed, Carlson quickly reconstituted his career on his own—free of corporate shackles, with no institutional guardrails, and with a professed willingness to explore topics that his former mainstream media colleagues wouldn't touch. Last week on his show, he did just that, airing an interview with a man most people in the mainstream won't touch: a podcaster named Darryl Cooper, who Carlson called “the most important historian in the United States.” In reality, Cooper is an amateur historian with no publishing record—no books, no academic articles. He produces a popular history podcast called Martyr Made, in which he does deep dives into subjects like the Israel-Palestine conflict, the cult of Reverend Jim Jones, and the trials of Jeffrey Epstein. He has previously described his personal politics as those of a “non-racist fascist.” On Carlson's show, Cooper demonstrated some of those fascist tendencies when he identified Winston Churchill—not Adolf Hitler—as the “chief villain” of World War II. He wasn't a hero at all, Cooper argued, but a “psychopath” who forced Nazi Germany into a war that it didn't want. And what of the Holocaust? Cooper doesn't speak of Jewish victims, but vaguely and airily of “prisoners of war. . . local political prisoners and so forth” who the Nazis “just threw. . . into camps, and millions of people ended up dead.”  In September 1941, a mere week after Nazi troops occupied the Ukrainian capital of Kiev, that city's Jews were ordered to congregate for “resettlement.” Under threat of severe punishment, they obliged. . . and were loaded into trucks to be transported a short distance to Babi Yar, a ravine just north of the city. In a two-day orgy of violence, 33,000 Jews ended up dead. Innocents, not prisoners of war; children forced to lie on top of those pushed into the pit before them, then executed with a bullet in the back of the head. This is how they ended up dead. Tucker Carlson, who has the ear of millions of conservatives, including Donald Trump, and who secured a prime time speaking spot at the Republican National Convention, said nothing in response to Cooper's revisionism. No pushback. Not an arched eyebrow. Just unalloyed praise for an extremist autodidact, America's “best” historian. Cooper defended himself on Twitter by assuring his critics that Hitler was indeed desperate to make peace and was also willing to “work with the other powers to reach an acceptable solution to the Jewish problem.” Jewish problem was not in quotes. When another user pointed this out, Cooper responded: “Was there not a problem involving the Jews in Europe at the time?” Hitler apologia and antisemitism packaged as brave historical inquiry is not new. We've heard versions of these arguments from cranks, extremists, and anti-Americans on the left and right, for decades. But why is there a sudden resurgence of these odious ideas on the American right?  Today, we talk to Victor Davis Hanson to help us answer this question. Hanson is a classicist and historian, the author of two dozen books, including the critically acclaimed The Second World Wars: How the First Global Conflict Was Fought and Won. And for years, Hanson was a weekly guest on Tucker Carlson's television show. We discuss his relationship with Carlson, the accuracy and derivation of Darryl Cooper's claims about the Second World War, and why so-called “anti-elitism” often drifts into antisemitism. The Free Press earns a commission from any purchases made through all book links in this article. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dmitri Shostakovich (1906 - 1975) - Sinfonia n. 13 in si bemolle minore "Babi Yar", op. 113per basso, coro maschile e orchestraTesto: Yevgeni Yevtushenko 1.       Babi Yar (Adagio)  2.       Humour (Allegretto)  17:113.       Al grande magazzino (Adagio)   25:334.       Paure (Largo)   38:185.       Una carriera (Allegretto)    50:13 Sergei Aleksashkin, bassoChoral Academy MoscowWDR Symphony Orchestra CologneRudolf Barshai, conductor About Sinfonia n. 13 in si bemolle minore "Babi Yar", op. 113

The holocaust that is underway in Gaza is being enabled by the US government and denied by the mainstream US press.

Découvrez l'abonnement "Au Coeur de l'Histoire +" et accédez à des heures de programmes, des archives inédites, des épisodes en avant-première et une sélection d'épisodes sur des grandes thématiques. Profitez de cette offre sur Apple Podcasts dès aujourd'hui ! Près d'un million et demi de Juifs d'Ukraine ont été assassinés lors de l'invasion de l'Union soviétique par l'Allemagne nazie. L'immense majorité est tombée sous les balles des Einsatzgruppen, des unités de tueries mobiles. Pour revenir sur l'histoire de ce massacre de masse, auquel renvoie l'expression de "Shoah par balles", Virginie Girod s'entretient avec Marie Moutier-Bitan, docteure en histoire contemporaine à l'EHESS et spécialiste de la Shoah en Union soviétique occupée.En 1939, l'URSS et l'Allemagne nazie ont signé un pacte de non-agression. Hitler, débarrassé de la crainte d'avoir à se battre sur deux fronts, fait basculer l'Europe dans la guerre. Il s'agit cependant d'une manœuvre temporaire. "Hitler souhaite détruire le communisme au pouvoir en Union Soviétique et lutter contre ce qu'il appelle le 'judéo-bolchevisme'. D'après lui, les populations juives sont les principaux soutiens des Bolchéviques. C'est une construction idéologique nazie", décrypte Marie Moutier-Bitan.Le 22 juin 1941, le IIIe Reich rompt le pacte de non-agression et envahit l'URSS. Cette invasion est à l'origine d'immenses massacres. Avec l'avancée des troupes allemandes, les pogroms se multiplient. "Ces pogroms n'ont rien de spontané", précise Marie Moutier-Bitan "ils sont organisés en amont avec les nationalistes locaux. Les Juifs sont pris pour cible par les soldats de la Wehrmacht et par la population locale, qui quand elle ne participe pas directement au massacre, pille les habitations des Juifs".Les Nazis vont cependant rationaliser l'extermination des Juifs. "Le pogrom est un événement très spectaculaire mais qui fait relativement peu de victimes pour les Nazis. Ils vont donc mettre en place des fusillades organisées et systématiques", retrace la spécialiste. "Les Nazis sont convaincus qu'ils mènent une guerre juste". Lors du massacre de Babi Yar, en septembre 1941, plus de 30.000 Juifs de Kiev sont assassinés pendant deux jours entiers.L'histoire de ces fusillades, largement documentées dans les archives soviétiques, ne sera connue du grand public qu'après l'ouverture de ces dernières à la chute de l'URSS. L'expression "Shoah par balles" est cependant peu utilisée par les universitaires "parce qu'elle exclut d'autres dispositifs de tuerie qui ont lieu sur ces territoires soviétiques occupés comme les pendaisons, les camions à gaz ou encore la famine dans les ghettos", rappelle Marie Moutier-Bitan.Thèmes abordés : Shoah, Juifs, Allemagne nazie, URSS, Seconde Guerre mondiale "Au cœur de l'histoire" est un podcast Europe 1 Studio- Présentation : Virginie Girod - Production : Nathan Laporte avec Camille Bichler et Caroline Garnier- Réalisation : Julien Tharaud- Composition de la musique originale : Julien Tharaud - Rédaction et Diffusion : Nathan Laporte- Communication : Kelly Decroix- Visuel : Sidonie Mangin

Symphony No. 2 in B Major, Op. 14 "To October"1. Largo2. Chorus "My schli, my prossili raboty i chleba"Symphony No. 3 in E-flat Major, Op. 20 "1st of May"3. Allegretto - Allegro4. Andante5. Allegro - Largo6. Moderato "The First of May"Symphony No. 12 in D minor, Op. 112 "The Year 1917"7. Revolutionary Petrograd8. Razliv9. Aurora10. The Dawn of HumanitySymphony No. 13 in B-flat minor, Op. 113 "Babi Yar"11. Babi Yar12. Humor13. In the Store14. Fears15. A Career

In this deeply tragic episode we will look at an often overlooked atrocity of World War II. The Massacre at the "Babi Yar" Ravine in Kiev, Ukraine was a huge and multicultural killing with many dirty details. 20 years after that two Russian artists, Poet Yevgeny Yevtushenko and Composer Dimitri Shostakovich, brought this tragedy back to lite and wished to expose the then Soviet Union's unwillingness to recognize the site as a Holocaust Site and Massacre of Jew, Ukranians, Russians and Romani's at the hands of Nazis during their German Occupation. Come join me for a look at just how surprisingly interconnected the two wars taking up the world stage right now are (Russia/Ukraine and Israel/Palestine) and how much some Russians were against all of the atrocities no matter who was killed and no matter what part of Russia they were from. #thirdeyeedifypodcast Get a copy of my very first book "World War YOU"PAPERBACK and KINDLE: https://a.co/d/5x5WwwKEBOOK: https://books2read.com/u/mBAx6OCheck out the Third Eye Edify Website:http://thirdeyeedify.comCheck out my Patreon to help support all of my EDIFYING future content:http://www.Patreon.com/ThirdEyeEdifyFind me on Rokfin and get a premium membership to support me PLUS get access to all of the other incredible content on their platform:https://www.rokfin.com/ThirdEyeEdifyJoin my Telegram group:https://t.me/ThirdEyeEdifyContact me for professional music lessons:https://jorgemesamusic.com/Check out my Linktree:https://linktr.ee/thirdeyeedifyPlease Like and Subscribe on Rokfin, Odysee and Bitchute:#thirdeyeedifypodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Taking great influence from Martin Scorsese's "The King of Comedy", Frank Whaley's underrated character portrait, "The Jimmy Show", was attacked by critics and filmgoers upon release, and is mostly forgotten now. In ArtiFact 48, critics Jessica Schneider, Ethan Pinch, Alex Sheremet, and Ezekiel Yu break down the film's strengths and weaknesses while putting it in the wider context of American comedy and stand-up routines. You can also watch this discussion on our YouTube channel: https://www.youtube.com/watch?v=D28Ib8L1BQk& If you'd like the B Side to this conversation on Martin Scorsese's The King of Comedy, become a YouTube member or join us on Patreon: https://www.patreon.com/automachination B Side topics: Alex hides & tricks everybody; soy tag vs. Brooklyn-style manhunt in the 1990s; Jessica and Alex indulge; one never stops cringing at Martin Scorsese's King of Comedy; Rupert Pupkin is the perfect name; Travis Bickle; Zeke watches King of Comedy for the first time; Rupert Pupkin vs. Jimmy; Robert DeNiro is intentionally made less sexy; Martin Scorsese's diversity as a filmmaker; unique imagery and symbolism in The King of Comedy; Rupert Pupkin is not less talented than those around him; “my name is Rupert: it may not mean a lot to you, but it means a lot to me”; leveraging fame; reality vs. fantasy/day-dream in the film's ending; comparing to Sidney Lumet's “Network”; the role of sexual grotesque in Scorsese, Woody Allen, & Robert Altman; why Rupert is animated in his renditions, but placid in his fantasies; is King of Comedy an artistic dead-end; comparing to Scorsese's “After Hours” & male sexual psychology; King of Comedy in the Scorsese pantheon; Scorsese's Shutter Island as a low point in his career; no point for Gangs of New York to exist; Bresson's style was forged from personal needs; Andrei Tarkovsky & Ingmar Bergman; Martin Scorsese's scriptwriters; & news, politics, Gaza, Israel, Hamas, Tony Blinken gets in trouble on Babi Yar, & much more… Jessica Schneider's review of Frank Whaley's The Jimmy Show: https://www.automachination.com/underrated-gem-frank-whaley-jimmy-show-2001/ We are working on a film on the late, great Minneapolis poet, Bruce Ario. Read more and contribute to the film here: https://www.gofundme.com/f/new-film-the-minneapolis-poet-bruce-ario Subscribe to the ArtiFact podcast on Spotify: https://spoti.fi/3xw2M4D Apple Podcasts: https://apple.co/3wLpqEV Google Podcasts: https://bit.ly/3dSQXxJ Amazon Music: https://amzn.to/2SVJIxB Podbean: https://bit.ly/3yzLuUo iHeartRadio: https://ihr.fm/3AK942L Read more from the automachination universe: https://automachination.com Read Alex Sheremet's (archived) essays: https://alexsheremet.com Follow us on Twitter: https://twitter.com/automachination Timestamps: 0:00 – introducing Frank Whaley's The Jimmy Show; links with Martin Scorsese's King of Comedy 2:40 – why Jessica wanted to review the film; fan expectations vs. artistic reality; portrait of a failure; even the descriptions of the film are wrong; Ray vs. Jimmy: who is the better person; Zeke on how Jimmy's character creates a ceiling for the film; Ethan Hawke 9:27 – Ethan expresses distrust for Realist Cinema; is The Jimmy Show a comedy or a portrait of a comic character; the dynamic between Jimmy and his grandmother; tender vs. unlikeable moments; why the film is neither satire nor tragedy; the importance of the film's title to its meaning; the Mike Leigh connection 19:10 – Alex on why Jimmy fails to read the room; how his classist humor gets him into trouble; failures of internalization; the Al Bundy / Married With Children connection; what makes the divorce scene so well-written; Jimmy's character arc sees her become decisive & firm, while Jimmy doesn't grow much 28:25 – Ethan: this is a very American film; fame for the sake of fame; Frank Whaley's use of time can be quite arresting; is Jimmy a worthwhile character; Ethan pushes back against our praise for the film 38:20 – Ethan: isn't EVERYTHING the Jimmy Show, the Alex Show, the Ethan Show?; the nature of motivated reasoning; people wish to be recognized, but for what?; the Milli Vanilli connection; Taylor Swift's blandness IS the point; why Eugene O' Neill didn't sell out; revisiting Mike Leigh films 49:34 – does the ending “serve Jimmy right”; the nature of comedy; Ethan on American-style standup comedy & machismo Tags: #films #review #comedy

This is another episode where I highly recommend listening to Part 1 from last week before listening to this episode! It was a great honor to speak with the critic and cultural historian Jeremy Eichler about his remarkable new book "Time's Echo." In today's episode, we speak about Richard Strauss' Metamorphosen, as well as the complicated and hotly debated questions about Strauss' activities during World War II. We also talk about Shostakovich and his 13th Symphony, entitled "Babi Yar," a piece of memorial for a place where no memorial had stood for decades. Finally, we speak about Benjamin Britten and his War Requiem. We talk about Britten's devout pacificism, about his visit to the Belsen Displaced Persons camp after World War II, and why his War Requiem seems to have more connection with World War I than with World War II. It was truly a joy to talk to Jeremy about all of these different great composers, as well as the memories they created with their works. Join us! 

Episode 85 boasts a special guest, Zhenya Yevtushenko, the great poet Yevgeny Yevtushenko's son, who talks about his dad, reads his poetry, and discusses his  legacy. and his life in Tulsa and points beyond.  The opening music snippet is from Shostakovich's Symphony No. 13 based on Yevtushenko's poem "Babi Yar," with Oleg Tsibulko conducting the Russian National Orchestra.

„Fotografia musi uderzyć, film musi wciągnąć”. O spójności formy i treści, budowaniu narracji i opowiadaniu o emocjach w filmie i fotografii Monika Szewczyk-Wittek rozmawia z Piotrem Jaxą, Weroniką Ławniczak i Tomaszem Wolskim.Kiedy i dlaczego fotografia im nie wystarcza? Czy film pozwala opowiedzieć historie lepiej niż zdjęcia? W najnowszym odcinku Podcastu Fotopolis poruszamy temat związków fotografii i filmu.  Nawiązujemy też do poruszających w formie i treści filmów prezentowanych podczas tegorocznej edycji festiwalu Millennium Docs Against Gravity. Do dyskusji zaprosiliśmy ludzi branży: operatora i fotografa Piotr Jaxę, artystkę wizualną Weronikę Ławniczak oraz reżysera, scenarzystę i montażystę Tomasza Wolskiego.Weronika ŁawniczakTworzy sztuki wizualne, fotografię i reżyseruje. Obok prac Weroniki nie sposób przejść obojętnie – mają w sobie ogromny ładunek emocjonalny, urok i zmuszają widza do refleksji. W centrum jej spojrzenia, znajduje się przede wszystkim człowiek. Artystka często porzuca rekwizyty, a nawet kolory, by uchwycić ludzkie piękno w czystej formie. Ma na swoim koncie liczne wystawy i sesje dla cenionych marek oraz magazynów. Od kilku lat reżyseruje reklamy i krótkie formy wideo.Tomasz WolskiReżyser, operator i montażysta kilkunastu filmów dokumentalnych (m.in. „W Ukrainie”, „1970”, „Zwyczajny kraj”, „Lekarze”, “Pałac”, „Szczęściarze”) nagradzanych m.in. na Krakowskim Festiwalu Filmowym, Visions du Réel , Nowe Horyzonty, Docs Against Gravity, Los Angeles Film Festival, Camerimage, Los Angeles Film Festival, Palm Spring Film Festival oraz wielu innych. Reżyser krótkich filmów fabularnych „Płot”, „Problem”oraz „Córka” – nagrodzonego na festiwalu Angers Premiers Plan oraz na Festiwalu Filmów Fabularnych w Gdyni. Montażysta filmów m.in. „Dziennik z podróży” i „21xNowy York” Piotra Stasika, „Krzyżoki” Anny Gawlity, a także współmontażysta „Babi Yar. Contex” oraz „The Kiev Trial” Sergeia Loznitsy. Członek Europejskiej Akademii Filmowej, Gildii Polskich Reżyserów Dokumentalnych oraz PolskiejAkademii Filmowej.Piotr JaxaOperator filmowy i fotograf. Absolwent Wydziału Operatorskiego PWSFTiTeatralnej w Łodzi. Ma w swoim dorobku kilkadziesiąt filmów dokumentalnych i fabularnych realizowanych na całym świecie – jego prace zdobywały nagrody m. in. na festiwalach w Cannes, Mannheim, Krakowie, Los Angeles i Berlinie. Prowadzi seminaria i warsztaty operatorskie. Równocześnie pracuje jako niezależny fotograf, specjalizujący się w fotografii z planu filmowego. Wieńcząc swoja współpracę fotograficzną z Krzysztofem Kieślowskim, przygotował wystawę zdjęć „Remembering Krzysztof”, która podróżuje po świecie od 1994 roku. Jest autorem kilku książek fotograficznych: „L'esprit de Genève” (1988), „Oh! Barcelone” (1992) oraz „Poschiavo, un mondo di valle” (1998). Od 1995 roku pracuje nad projektem książki i wystawy fotograficznej zatytułowanej „Cinematographers” – jest to kolekcja portretów operatorów filmowych z całego świata. Pierwszy tom ukazał się w grudniu 2021 roku. Drugi i trzeci tom są w opracowaniu. Jest stałym wspołpracownikmiem Polskiej Agencji Fotografów FORUM oraz członkiem ZPAF.

In Episode 169 of the CounterVortex podcast, Bill Weinberg discusses the move by the Kyiv City Council to name a street after Nazi collaborator Volodymyr Kubiyovych, who was instrumental in forming the SS Galizien Division. The plan was quashed by Kyiv's mayor following protests from the Israeli ambassador—but not before internet tankies exploited the affair to portray Ukraine as a "Nazi state." Ironically, this came the same week that President Volodymyr Zelensky honored victims of the Holocaust at the Babi Yar memorial in Kyiv. The unseemly nostalgia for Nazi collaborators who fought the Soviets in World War II is opposed by the leadership of Ukraine's Jewish community—who also vigorously repudiate efforts by Kremlin propagandists to launder Putin's war of aggression as "denazification." Russia's fascist pseudo-anti-fascism is likewise repudiated by Ukraine's own bona fide left-wing anti-fascists, in groups such as the Solidarity Collectives, who now support the Ukrainian war effort against the Russian aggression. Production by Chris Rywalt We ask listeners to donate just $1 per weekly podcast via Patreon—or $2 for our special offer! We now have 52 subscribers. If you appreciate our work, please become Number 53! https://www.patreon.com/countervortex

Au sommaire de cette rencontre avec Yohann Chanoir (agrégé et docteur en histoire, chargé de conférences à Sciences Po, chercheur associé au Centre de Recherches Historiques de l'EHESS et contributeur de PRIME CUT) : -Débat autour de trois films sortis chez Blaq Out, deux documentaires, BABI YAR. CONTEXTE (2021) de Sergei Loznitsa, MIZRAHIM, LES OUBLIES DE LA TERRE PROMISE (2021) de Michale Boganim, et une œuvre de fiction, EVOLUTION (2022) de Kornél Mundruczó ;-Évocation, à l'occasion de la sortie d'AMERICAN WARRIOR (1985) de Sam Firstenberg chez ESC, de la firme Cannon.. Bonne écoute à toutes et tous

Focus sur les angles morts de la couverture médiatique de la guerre en Ukraine, un an après le début de l'offensive russe. Les 12 000 journalistes accrédités pendant la guerre en Ukraine témoignent de la mobilisation des rédactions pour ce conflit qui a été le premier sujet couvert en France l'an dernier, avec 27% des titres à la Une, selon l'institut Onclusive. Et pourtant, il reste des angles morts. Si des massacres comme celui de Boutcha sont bien documentés, notamment par le New York Times qui y est resté huit mois pour pouvoir incriminer le 234e régiment de parachutistes russe, il est beaucoup plus difficile d'avoir une vue d'ensemble des pertes des deux côtés. L'état-major norvégien parle de 180 000 blessés et tués côté russe contre 100 000 Ukrainiens. Les Britanniques apportent les mêmes estimations côté russe en précisant qu'il y aurait eu entre 40 000 et 60 000 morts. Mais Kiev parle aussi de « 800 soldats russes tués par jour », ce qui amène Le Figaro à parler d'un « impossible décompte pour les deux camps ».Trolls et infox La propagande est aussi active. Du côté du Kremlin, l'invasion est d'abord euphémisée sous le terme « d'opération militaire spéciale » et justifiée par le mensonge de la « nazification de l'Ukraine ». Les usines à trolls d'Evgueni Prigojine prennent le relais pour fabriquer un récit à grand renfort d'images manipulées ou de contestation des crimes. Si la Russie se déploie dans les infox, l'Ukraine mise davantage sur la communication avec un chef d'État qui va sur le front et redonne courage. Zelensky se rend à Washington ou à Bruxelles et envoie des vidéos à Strasbourg, mais aussi à Cannes pour le festival de cinéma ou de la publicité. Cela n'empêche pas non plus la propagande, comme quand Kiev a faussement prétendu que le mémorial juif de Babi Yar avait été bombardé, au début de la guerre, ou qu'un missile russe était tombé en Pologne alors que c'était un tir de sa défense. Des accréditations retiréesDe plus, il est aujourd'hui difficile de voir la guerre côté russe. Les incursions de la presse occidentale sur la zone de front, même très encadrées, ne sont plus autorisées par Moscou depuis l'été. Dans le Donbass, un reporter de The Economist regrettait de ne pouvoir vérifier si les Ukrainiens bombardent des civils à Donetsk, comme le disent les pro-Russes. Et faute de correspondants en Russie, les jeux de pouvoir entre le Kremlin, l'état-major et la milice Wagner échappent aux médias occidentaux. Côté ukrainien, il arrive que des accréditations soient retirées quelques jours, comme ont pu le voir à Kherson les reporters de TF1, CNN et Skynews, jugés trop près des premières lignes. Bien sûr, il y a là aussi de la propagande, mais il ne faut jamais oublier qu'il y a un envahisseur et un envahi.► À écouter aussi : La falsification de l'histoire, socle de la mobilisation russe contre l'Ukraine

As the Nazi invasion of the Soviet Union swept over vast areas of Ukraine and Belorussia from the summer of 1941, over three million Jews were deliberately targeted for annihilation. Shot, hung, butchered, a million and a half Jewish souls were buried in vast pits in Babi Yar, Rumbula, Mariupol, Minsk, Kyiv and Riga. Many accounts began to flood into the Soviet Union where journalist and writer Ilya Ehrenburg began gathering testimonies of the mass murder. This became The Black Book, a chronicle of the Nazi extermination of Soviet Jews. Historian Catherine Merridale travels to Riga, Latvia and Yad Vashem, where the Black Book was smuggled, to uncover this complex story of loss, silence and rediscovery.

Synopsis It's strange to read the doubts Tchaikovsky expressed in letters about many of his greatest musical works, which he first would dismiss as failures, only to change his mind completely a few weeks later. Take, for example, his ballet The Nutcracker, which had its premiere performance on this day in 1892 at the Mariinsky Theater in St. Petersburg. Tchaikovsky described working on the ballet as a "dread-inspiring, feverish nightmare, so abominable that I don't think I have the strength to put it into words." At the time, Tchaikovsky was MUCH more optimistic about an opera he was writing titled Yolanta—only to abruptly changed his mind, writing "Now I think that the ballet is good and the opera nothing special." This time, Tchaikovsky got it right—although initially the opera DID prove more popular than the ballet. Another—and deliberately nightmarish—Russian composition had its first performance on this same day 70 years later. This was the Symphony No. 13 by Dmitri Shostakovich, subtitled Babi Yar, based on poems of Yevgeny Yevtushenko. This choral symphony was first heard on today's date in 1962 at the Moscow Conservatory, but was quickly banned by the Soviet authorities. Its title poem, Babi Yar, called attention to Soviet indifference to the Holocaust and persistent anti-Semitism in Soviet society. Yevtushenko later softened these lines so the symphony could be performed in the U.S.S.R. Music Played in Today's Program Peter Tchaikovsky (1840-1893) The Nutcracker Ballet, Op. 71 Kirov Orchestra; Valery Gergiev, cond. Philips 462 114 Dmitri Shostakovich (1906-1975) Symphony No. 13, Op. 113 (Babi Yar) Nicola Ghiuselev, bass; Choral Arts Society of Washington; National Symphony; Mstislav Rostropovich, cond. Erato 85529

Dmitri Shostakovich's Thirteenth Symphony was inspired by an unflinching poem about the ‘Holocaust of Bullets' at Babi Yar in Ukraine, one of the biggest massacres of World War Two. Lucy Ash pieces together the events leading up to the controversial first performance by speaking to people who witnessed it in a Moscow concert hall 60 years ago: the composer's son Maxim Shostakovich, the poet's sister, Elena Yevtushenko and the music critic Iosif Raiskin. One March day in 1962, the young Russian poet Yevgeny Yevtushenko got an unexpected phone call. Dmitri Shostakovich was on the line asking if he had permission to set one of his verses to music. The poem, Babi Yar, denounces the massacre of 34,000 Jews in a ravine near the Ukrainian capital, Kyiv. It condemned not only Nazi atrocities, but also the Soviet Union's state-sanctioned anti-Semitism. Officials responded by launching a vicious campaign against the poet and banning readings or new publications of his work. So, Yevtushenko was delighted by the famous composer's moral and artistic support. According to his sister Elena, he felt the music had “made the poem ten times stronger”. But, as Maxim Shostakovich explains, the Soviet authorities tried to prevent the symphony from ever reaching an audience. The composer's son recalls how his father was consumed with anxiety ahead of the premiere, still haunted by his narrow escape, decades earlier, from Stalin's secret police. Pauline Fairclough, author of a recent Shostakovich biography, says that, despite all the pressures, the composer never stopped experimenting with musical forms. Concert pianist Benjamin Goodman describes Shostakovich's ‘word painting' technique and the ways in which he conveys Yevtushenko's verse in music to create a sombre, chilling, but ultimately consoling choral symphony. At the Babyn Yar Memorial site in Kyiv, Lucy is shown fragments of a Russian rocket which hit a nearby apartment building last spring. In the midst of a new, 21st-century war, she reflects on the nature of artistic and political courage and parallels between the Khrushchev era and Russia under Putin today. Producer Tatyana Movshevich

POUTINE : FAUT-IL CRAINDRE L'OURS BLESSÉ ? – 12/10/22 JEAN-LOUIS BOURLANGES Président de la commission des Affaires étrangères à l'Assemblée nationale Député MoDem des Hauts-de-Seine ​La présidente de l'Assemblée nationale, Yaël Braun-Pivet, a conduit une importante délégation parlementaire dans les zones de reconstruction et où des réfugiés sont accueillis, à Varsovie et à Kiev, du 26 au 30 septembre. Des députés français étaient à ses côtés pour « témoigner de ce qui se passe là-bas », dont le président des affaires étrangères à l'Assemblée nationale, et député MoDem des Hauts-de-Seine, Jean-Louis Bourlanges. Lors du recueillement au mémorial de Babi Yar, les députés ont tous été frappés par le charisme de l'ancien acteur. « Poutine a sous-estimé l'extraordinaire capacité de communicant de Zelensky », observe Anne Genetet, députée LREM. « La solution n'est pas en vue et l'hiver sera très difficile car les Russes ne vont pas rester inertes », se désole de son côté Jean-Louis Bourlanges qui, à l'issue de ce rendez-vous, se disait « préoccupé ». ​Dans une interview donnée au Figaro, Jean-Louis Bourlanges expliquait que « la guerre d'Ukraine change indiscutablement le projet européen : elle lui impose de nouveaux enjeux, elle lui donne un nouvel espace, élargi mais surtout rééquilibré à l'Est. Le refus d'élargir l'Union à l'Ukraine serait incompréhensible alors que ce pays consent les plus grands sacrifices pour défendre nos valeurs et préserver notre indépendance avec la sienne » puis d'ajouter ce qui l'inquiète n'est pas « l'Union, ce sont les Européens eux-mêmes « Pour lui, « Zelensky ne peut pas se permettre d'avoir une attitude de négociation à ce stade » ​Jean-Louis Bourlanges reviendra sur son voyage en Ukraine et sur la politique de défense européenne.

durée : 00:54:12 - Le masque et la plume - par : Jérôme Garcin - Nos critiques s'affrontent autour de "Revoir Paris" d'Alice Winocour, "Chronique d'une liaison passagère"d'Emmanuel Mouret, "Le tigre et le président" de Jean-Marc Peyrefitte, "A propos de Joan" de Laurent Larivière, "Tout le monde aime Jeanne" de Céline Devaux, "Babi Yar. Context"... - réalisé par : Xavier PESTUGGIA

film aussi étonnant qu'essentiel dont je voudrais vous parler cette semaine à savoir le nouveau film du réalisateur ukrainien Sergueï Loznitsa Babi Yar. Contexte sur nos écrans depuis quelques jours.Babi Yar. Contexte c'est un film d'archives de deux heures, sans cartes, sans flashback ni voix off, dans lequel le réalisateur s'exprime à travers son montage et la sonorisation a posteriori d'images fixes ou filmées magnifiquement restaurées.

ESSENTIEL, le rendez-vous culture présenté par Sandrine Sebbane qui reçoit  Sergueï Loznitsa, réalisateur ukrainien pour la sortie de son film  « Babi Yar. Contexte » film sur le massacre de Babi Yar en 1941 en Ukraine À propos du film : « Babi Yar. Contexte» Les 29 et 30 septembre 1941, le Sonderkommando 4a du Einsatzgruppe C, avec l'aide de deux bataillons du Régiment de Police Sud et de la Police auxiliaire ukrainienne, a abattu, sans la moindre résistance de la part de la population locale, 33 771 Juifs dans le ravin de Babi Yar, situé au nord-ouest de Kiev. Le film reconstitue le contexte historique de cette tragédie à travers des images d'archives documentant l'occupation allemande et la décennie qui a suivi. Lorsque la mémoire s'efface, lorsque le passé projette son ombre sur le futur, le cinéma est la voix qui peut exprimer la vérité.

film aussi étonnant qu'essentiel dont je voudrais vous parler cette semaine à savoir le nouveau film du réalisateur ukrainien Sergueï Loznitsa Babi Yar. Contexte sur nos écrans depuis quelques jours.Babi Yar. Contexte c'est un film d'archives de deux heures, sans cartes, sans flashback ni voix off, dans lequel le réalisateur s'exprime à travers son montage et la sonorisation a posteriori d'images fixes ou filmées magnifiquement restaurées.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! LA BIBLIOTECA DE LA HISTORIA nos abre uno de sus archivos, que nos va a acercar a: "Los crímenes de guerra del Eje en la Segunda Guerra Mundial". A pesar de que son bien conocidas las grandes masacres cometidas por le régimen Nazi durante la Segunda Guerra Mundial, como son la matanza del barranco de Babi Yar en Ucrania, la masacre de Oradour-sur-Glane en Francia, o la masacre de Lídice en Checoslovaquia, hay muchas otras atrocidades cometidas por el Eje Alemania-Japón-Italia, y también por regímenes simpatizantes como los Ustachas croatas, que han quedado casi en el olvido. La sangre de gente inocente, vertida por los nazis y sus colaboradores en Europa, tuvo su culmen con el exterminio de más de seis millones de judíos, gitanos y otras minorías. Música bajo licencia Creative Commons License 3.0. Entrada: Epic Tv Theme by audionautix.com by Jason Shaw. Relato: Virtutes Instrumenti by incompetech.com by Kevin MacLeod. Imagen del audio: Soldados ustashi (Ustachas) decapitando a un prisionero con un serrucho en el campo de concentración de Jasenovac. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Episode #72: Mab about the boy Uploaded: July 9, 2022 Hector Berlioz: Roméo et Juliette, Symphonie dramatique, Op. 17 Part I: Introduction: Combats – Tumulte – Intervention du Prince Prologue: “D'anciennes haines endormies” Strophes: “Premiers transports que nul n'oublie! Récitatif: “Bientôt de Roméo la pale reverie” Scherzo: “Mab, la meesagère fluette et légère!” Part II: Roméo seul – Tristesse – Bruit lointain de bal et de concert – Grande fête chez Capulet Part III: Nuit sereine – Le Jardin de Capulet, silencieux ed desert – Les jeunes Capulets, sortant de la fête, passent en chantant des reminiscences de la musique du bal – “Ohe! Capulets, bonsoir” – Scène d'amour Part IV: La reine Mab, ou la fée des songes Part V: Convoi funébre de Juliette – “Jetez des fleurs pour la vierge expirée!” Part VI: Roméo au Tombeau des Capulets: Invocation – Réveil de Juliette – Joie délirante, désespoir, dernières angoisses et mort de deux amants Part VII: Final: Le foule accourt au cimetière – Récitatif et Air du Pére Laurence, “Quoi! Roméo et retour! Roméo! – Recitatif: “Je vais dévoiler le mystère” Air: “Pauvres enfants que je pleure” Rixe des Capulets et des Montaigus, “Mais notre sang rougit leure glaive!” – “Silence! malhereux!” Serment de reconciliation, “Jurez donc, par l'auguste symbole” Regina Resnik, contralto André Turp, tenor David Ward, bass London Symphony Chorus and Orchestra Pierre Monteux WESTMINSTER LEGACY 00289 479 2343 GB 40 Dmitri Shostakovich: Symphony No 13 in B-flat Minor, Op. 113, “Babi Yar”, after poems by Yevgeny Yevtushenko I. Babi Yar. Adagio II. Humour. Allegretto III. In the store. Adagio IV. Fears. Largo V. A Career. Allegretto Nicola Ghiuselev, bass Men of the Choral Arts Society of Washington National Symphony Orchestra Mstislav Rostropovich, conductor ERATO ECD 75529

Exploration of the second Rakatan temple lead Elo and Beegax into a malevolent maze of their own making. Show social & schedule - @RespectTheCrit Elo - Jamie Lee-Bonés @jamiemfbones Beegax Botano - Alex Herrera @aeherrera Host & GM - Ian Duncan @iduncs   Whatever the system, whether it's a miss or a hit, you always gotta respect the crit!   Original music provided with license or permissions by: "Solo Fan Made" - Luis Humanoide "Star Wars Epic Cover I" - Parademics Imperial March (Anakin's Suffering) | EPIC EMOTIONAL VERSION -  Samuel Kim   Music used with permission by the Cyro Chamber label: "Babi Yar" by Flowers for Bodysnatchers Find more dark ambient at cryochamber.bandcamp.com or on YouTube    Additional sound from Freesound.org Additional music and sound by TableTop Audio Additional music and sound by Syrinscape Additional music and sound by Pro Scores from Video Copilot Additional music and sound by Monument Studios

This episode is also available as a blog post: https://thecitylife.org/2022/06/16/nyc-parks-celebrates-the-reopening-of-babi-yar-triangle-after-1-48-million-reconstruction/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

TALMUD TORAH: Yona & Shushie Ehrenfeld in loving memory and l'zecher nishmas their grandfather, Yosef ben Shmuel Aron z'l. Benjamin and Elys Wohl of Netanya, Israel in honor and loving memory of our dear friend and mentor Moshe Chaim ben Tzvi Hirsch. Dr. Michael Gelfand, who deeply loved and supported torah and Israel, touched the lives of so many and inspired our family's spiritual growth. May his neshama be raised to the highest of heights. DAF YOMI: David & Malke Kramer l'zecher nishmas Larisa Kanayeva, who lived most of her life in the USSR but lived her last years with her husband as a proud Jew in Baltimore. When her husband passed away before her, she would have been eligible for chalitza if it was not for the fact that all of her husbands siblings were killed in Babi Yar. If you would like to sponsor a shiur, please contact our office at office@suburbanorthodox.org.

‘Ni droit, ni gauche': links noch rechts. Zo afficheren de Franse presidentskandidaten Emmanuel Macron en Marine Le Pen zich. Is de tijd van traditioneel links en rechts in de politiek echt voorbij? En zo ja, wat is er dan voor in de plaats gekomen: een tweedeling tussen het mondaine Frankrijk en dat van de vergeten Fransen in gele hesjes? Verder: de documentaire Babi Yar. Context, Ennio Morricone's verlangen naar erkenning, de ondergang van de Koersk, OVT 24-04-2022

Vanaf volgende week draait de film Babi Yar. Context in de Nederlandse bioscopen. Deze documentaire, gemaakt door de bekende Oekraïense filmmaker Sergej Loznitsa, gaat over de massamoord op Oekraïense Joden die in 1941 plaatsvond in Babi Jar, een ravijn vlakbij Kiev. In twee dagen tijd werden ruim 33 duizend Joden omgebracht in wat bekend werd als de ‘Holocaust door kogels'. Een geschiedenis die in Oekraïne lang onderbelicht bleef. Kan deze film bijdragen aan beter begrip van de Holocaust in Oekraïne? We bespreken het met Karel Berkhoff, historicus verbonden aan het NIOD.

We have the latest details in the ongoing Russian war in Ukraine. The Mariupol City Council says as many as 9,000 civilians could be buried in mass graves in the village of Manhush outside Mariupol. In a post on Telegram, the city council quoted Mariupol Mayor Vadym Boychenko calling the site ”the new Babi Yar.” We'll also tell you about why the battle for Mariupol's steel mill matters, and also how in a new poll, many say that President Biden is not tough enough on Russia. --- Support this podcast: https://anchor.fm/brandon-julien/support

The mayor of the besieged port city of Mariupol said Russian troops have buried as many as 9,000 civilians killed in the conflict in a nearby mass grave in order to cover up “military crimes.” “The greatest war crime of the 21st century has been committed in Mariupol. This is the new Babi Yar,” Mariupol Mayor Vadym Boychenko said, referring to the site of multiple Nazi massacres in which nearly 34,000 Ukrainian Jews were killed in 1941. Boychenko and the city council in Mariupol accused Russians of burying civilians killed in Manhush, about 12 miles west of Mariupol, in large trenches they had dug. He said “the bodies started disappearing from the streets of the city,” charging that the Russians were “hiding the trace of their crimes and using the mass grave as one of the instruments for that.” See omnystudio.com/listener for privacy information.

The mayor of the besieged port city of Mariupol said Russian troops have buried as many as 9,000 civilians killed in the conflict in a nearby mass grave in order to cover up “military crimes.” “The greatest war crime of the 21st century has been committed in Mariupol. This is the new Babi Yar,” Mariupol Mayor Vadym Boychenko said, referring to the site of multiple Nazi massacres in which nearly 34,000 Ukrainian Jews were killed in 1941. Boychenko and the city council in Mariupol accused Russians of burying civilians killed in Manhush, about 12 miles west of Mariupol, in large trenches they had dug. He said “the bodies started disappearing from the streets of the city,” charging that the Russians were “hiding the trace of their crimes and using the mass grave as one of the instruments for that.” See omnystudio.com/listener for privacy information.

In the month since Russia's invasion of Ukraine, Ukrainian President Volodymyr Zelensky has become a global icon. Zelensky, who was elected in 2019 and chose to remain in his country during the assault, is Ukraine's first Jewish president. His Jewishness, already notable given the nation's history of antisemitism, has taken on new symbolic importance in light of Russian President Vladimir Putin's claim that the assault is justified by its goal of “denazification.” Many Jews around the world, some of whose ancestors once lived in Ukraine, have come to identify with Zelensky, who embodies many of the contradictions of post-Soviet Jewishness, and whose attempts to lobby on behalf of his nation—including in a recent speech before the Israeli Knesset—have highlighted questions about the politics of post-Soviet Holocaust memory. On today's episode, Newsletter Editor David Klion speaks with a panel of writers and contributors to the new Soviet Issue of Jewish Currents—Julia Alekseyeva, Linda Kinstler, and Helen Betya Rubinstein—about Zelensky's Jewishness and the meaning of Jewish identity in post-Soviet Russia and Ukraine. Books, Articles, TV Shows, and Podcasts Mentioned: https://jewishcurrents.org/issue/winter-spring-2022 (The Soviet Issue of Jewish Currents) “https://jewishcurrents.org/travesty-show (Travesty Show: An Illustrated Correspondence)” by Nicholas Muellner and Helen Betya Rubinstein https://www.netflix.com/title/80119382 (Servant of the People) “https://jewishcurrents.org/our-oligarch (Our Oligarch)” by David Klion “https://jewishcurrents.org/the-many-oblivions-of-babi-yar (The Many Oblivions of Babi Yar)” by Linda Kinstler https://bookshop.org/a/1530/9781621069690 (Soviet Daughter: A Graphic Revolution) by Julia Alekseyeva https://thehistoryofrome.typepad.com/revolutions_podcast/ (Revolutions podcast) “https://www.timesofisrael.com/is-ukraines-top-presidential-candidate-jewish-even-his-spokesman-wont-comment/ (Is Ukraine's top presidential candidate Jewish? Even his spokesman won't comment)” by Julie Masis Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”

UKRAINE Do we Daven for their success or do we remember…. The massacres: The Cossacks ת"ח ות"ט , Massacre of Uman 1768, Odessa Pogrom 1821, 1851, 1871, 1905, Kiev pogrom 1881, 1905, Mass killing of Jews during Russian civil war 1918-1923. Collaboration of Ukrainians with the Nazis killing 900,000 Jews during World War II - Massacres and mass shootings of: Bila Tserkva, Odessa, Babi Yar, Dniepropetrovsk, Drobytsky Yar, Feodosiya, Ivano-Frankovsk, Kamenets-Podolskiy, Klevan, Lviv, Lwów professors, Mezhirichi, Mizoch, Nikolaev, Olyka, Pliskov, Terebovl, Zhytomyr GERMANY Would you buy a Mercedes or BMW? The Germans killed out half of the Jewish people… Are grandchildren accountable for their grandparents' sins? with Rabbi Binyomin Hamburger – Noted Mechaber Seforim on Minhagei Ashkenaz, historian – 15:28 with Rabbi Yechiel Goldhaber – Renowned Mechaber Seforim, historian – 30:51 Reb Chaim Kanievsky Zt"l: Hear personal stories from inside his house Rabbi Shai Graucher – Talmid muvhak of Reb Chaim Kanievsky Zt"l, translator of his Seforim to English, Household attendant – 49:20 מראי מקומות  

During World War Two, Ukraine was occupied by Nazi Germany and on 29th September 1941, the organised massacre of Ukrainian Jews began. In the capital Kyiv, most of the victims were taken to a ravine on the outskirts of the city called Babi Yar, and shot. In 2011, David Stern spoke to Raissa Maistrenko, who escaped the shooting as a three-year-old girl, and to Rabbi Alexander Dukhovny, whose mother survived the Holocaust outside the city. PHOTO: The memorial at the Babi Yar site near Kyiv (Getty Images)

Photo:  Soviet POWs covering a mass grave after the Babi Yar massacre, October 1, 1941.              Babi Yar or Babyn Yar is a ravine in the Ukrainian capital Kyiv and a site of massacres carried out by Nazi Germany's forces during its campaign against the Soviet Union in World War II. The first and best documented of the massacres took place on 29–30 September 1941, killing some 33,771 Jews. #Ukraine:  The Russian attack on Babyn Yar Holocaust Memorial Kyiv.    Ruslan Kavatsiuk   @DefenceU., #StandWithUkraine , deputy director of the Babyn Yar Holocaust Memorial Center.   Malcolm Hoenlein @Conf_of_pres @mhoenlein1   https://www.theguardian.com/world/2022/mar/16/uneasy-wait-in-kyiv-continues-as-russian-advance-appears-stalled https://www.reuters.com/world/europe/ukraine-aims-deliver-aid-mariupol-open-more-humanitarian-corridors-2022-03-15/ https://www.bbc.com/news/world-europe-60772331 https://www.ft.com/content/7b341e46-d375-4817-be67-802b7fa77ef1

Jason gives you a quick overview of Babi Yar.Read the essay here: https://historywiththeszilagyis.org/hwts086 Find us on Twitter:The Network: @UFPEarth. The Show: @SzilagyiHistory.Chrissie: @TheGoddessLivia. Jason: @JasonDarkElf.Join us in the Federation Council Chambers on Facebook. Send topic suggestions via Twitter or to hwts@ufp.earth. History with the Szilagyis is supported by our patrons: Susan Capuzzi-De ClerckEd ChinevereLaura DullKris HillPlease visit patreon.com/historywiththeszilagyis United Federation of Podcasts is brought to you by our listeners. Special thanks to these patrons on Patreon whose generous contributions help to produce this podcast and the many others on our network! Tim CooperDavid WillettJustin OserCasey PettittChrissie De Clerck-SzilagyiJim StoffelMahendran RadhakrishnanJim McMahonVictor GamboaVera BibleTom Van ScotterGreg MolumbyKevin ScharfAlexander GatesFit RogersTom ElliotThad HaitJoe MignoneAnn MarieJosh BrewingtonYou can join this illustrious list by becoming a patron here: https://www.patreon.com/ufpearth

durée : 00:53:25 - L'Heure bleue - par : Laure Adler, Céline Villegas - Entretien avec le cinéaste ukrainien Sergueï Loznitsa, a réalisé un documentaire sur la révolution de Maidan en 2014, une fiction sur le Donbass et vient de réaliser le documentaire "Babi Yar. Context" sur un autre pan de l'Histoire ukrainienne. - invités : Sergeï Loznitsa - Sergeï Loznitsa : Cinéaste ukrainien

Rock music combines with spoken word as I present sections of two poems, one by a Russian and the other by a Ukrainian. For more about this and other combinations of various words and original music go to frankhudson.org

Met vandaag: Covid cijfers; Bondskanselier Scholz in Israël; Bennett ontmoet in Israël gestrande jongeren uit Oekraïne; reactie Yad Vashem na bommen op Babi Yar; Triathlon kampioenschap in november in Tiberias; situatie in Oekraïne voor Joden nog gevaarlijker en veel meer nieuws.

KGO afternoon host, John Rothmann relates his visit, many years ago, to Ukraine with a powerful recollection of his experience at the site of the Babi Yar massacre.See omnystudio.com/listener for privacy information.

On Sunday, thousands of people in cities across Canada gathered in solidarity with Ukraine. The support may comfort Anatoliy Shengait—as the head of Kyiv's Jewish community, he's spent the past week fielding worried WhatsApp calls, keeping tabs on the war and trying to communicate with his own family, including his brother, who's trapped with no electricity or running water outside the capital city. Shengait's life and work is busy enough during peacetime. He coordinates events, liaises with the city's synagogues and Jewish schools and has been advocating for a better airport in Uman, where thousands of Hasidic Jews make an annual pilgrimage to the grave of Rabbi Nachman of Breslov. Russia's attacks have risked not only his life and the lives of his fellow Ukrainian Jews—about 200,000, by some estimates—but it's also created a humanitarian crisis that has led hundreds of thousands of refugees to flee the country. Shengait spoke with The CJN Daily podcast from his home in besieged Kyiv on Sunday night. He spells out what he hopes the world understands about the situation and what he fears might happen next—that this war could lead to another massacre like what happened at Babi Yar against Ukrainian Jews during the Holocaust. What we talked about: Read "Ukraine emergency appeals have been activated by Jewish federations across Canada" at thecjn.ca Read about Jewish Canada's partners at jewishcanada.org/home/partners Donate to Chabad's Ukraine Jewish Relief Fund at chabad.org Credits The CJN Daily is written and hosted by Ellin Bessner (@ebessner on Twitter). Victoria Redden is the producer. Michael Fraiman is the executive producer. Our theme music is by Dov Beck-Levine. Our title sponsor is Metropia. We're a member of The CJN Podcast Network; find more great Jewish podcasts at thecjn.ca.

Can we use the past to create a better world? We think so. As we begin to reflect on the past year, one anniversary stood out: 80 years since Babi Yar. This is their story. --- Support this podcast: https://anchor.fm/girlspeak/support

Rabbi David Wilfond, Babi Yar and Ukraine, reckoning with the Shoah in today's complex world

When western troops overthrew Saddam Hussein, the argument was that this would turn Iraq from a dictatorship into a democracy. And they have indeed held elections there; the latest vote for a new Iraqi parliament took place last Sunday. Yet when it comes to actually voting, tribal and religious affiliation appear to have trumped any ideological leanings, and with a heavy dose of apathy and disillusionment thrown in, says Lizzie Porter. As with Iraq, Japan also faces much disillusionment with democratic politics. The last election saw only a little over half the voting population turn out, and it's not hard to see why: in almost every single contest, the same party has won. Now, the Liberal Democrat Party has chosen a new leader, and he automatically became interim prime minister, pending a general election later this month. It is an election nobody expects him to lose, but was the country's new leader welcomed with great excitement and fanfare? Hardly, says Rupert Wingfield-Hayes: According to mythology, Rome was founded by a pair of twins who had been raised by wolves. But Romulus and Remus might have been surprised to know that in the early Twenty First Century, the “eternal city” would have wild wolves spotted near its airport. Meanwhile wild boars and other animals have been stalking the streets, feasting on the rubbish that sits uncollected. It's all just one sign of the extent to which Rome has not been particularly well run in recent years, maladministration and the mafia making easy bedfellows. Tomorrow, Romans will have the chance to choose a new mayor, hoping they save the city from this plight. Italian politics is, of course, often rather colourful, and the two remaining candidates in this contest are a radio star with links to the far right, and a former Economics Minister, who has attempted to seduce voters by serenading them with a bit of bosa nova guitar. Watching this spectacle is long-term Rome resident, Joanna Robertson. Someone once said that when it came to British politics, there had only been three issues in recent elections: Brexit, Brexit and Brexit. This was not a subject that other countries necessarily wanted to focus on, most governments having enough challenges of their own to think about. Yet, for the Republic of Ireland, the UK's rows over Europe were always going to make their mark; the country has so much trade with Britain, as well as an open border with Northern Ireland. Emma Vardy says that the latest developments in the Brexit saga, have left Irish people exasperated, and also rather sad. It was the writer William Faulkner who famously said “The past is never dead. It's not even past.” That's something which another writer, Colin Freeman, discovered, when he visited Ukraine this month. He was there to hear about a new memorial and museum for the “Babi Yar” massacre, an atrocity which took place in 1941. German Nazi occupiers shot dead more than thirty thousand Jews there, and later, would use the same site to kill gay people, prisoners of war, and the mentally ill - some of the worst mass shootings in human history. Plans for a new museum about the massacres have been underway for some time, but it's a development, which Colin Freeman say,s tells us much about present day Ukraine, as well as about the moment in history being commemorated.

Photo:  Notice dated 28 September 1941 in Russian, Ukrainian with German translation ordering all Kyivan Jews to assemble for supposed resettlement After eight decades, honoring those murdered in the Babi Yar "Holocaust of Bullets." Malcolm Hoenlein @Conf_of_pres @mhoenlein1 https://www.canberratimes.com.au/story/7459671/holocaust-centre-names-babi-yar-killers/

What happened in Babi Yar 80 years ago? (Hebrew)....Find out the history and the lessons...80 years since the terrible massacre at Babi Yar, near Kiev Ukraine during WW2.Over just two days in 1941 more than 33,000 Jews were shot to death at Babi Yar.

En este episodio: Partido de futbol en Panamá en el marco del primer aniversario de los Acuerdos de Abraham Nike cambia estrategia comercial y afecta a minoristas en Israel. Babi Yar, un nuevo museo del Holocausto. Premio Nobel de medicina a científico judío. ¿Te gustó este podcast? Compártelo con tus amigos: * Suscríbete a nuestro canal de YouTube aquí https://www.youtube.com/channel/UCYty... * Síguenos en Facebook https://www.facebook.com/diariojudio * Síguenos en Twitter https://twitter.com/diariojudio * Síguenos en Instagram https://www.instagram.com/diariojudio... * Síguenos en Spotify: https://open.spotify.com/show/61LHQrz... Si quieres SABER Y CONOCER MÁS de estos y otros interesantes temas de judaísmo, la comunidad judía del mundo, de México, y de Israel visita https://diariojudio.com/ Diario de la vida judía en México, Israel y el Mundo --- Send in a voice message: https://anchor.fm/diariojudio-mexico/message

SBS Jerusalem report: Peta Jones Pellach reports on commemorations of the Babi Yar massacre & Angela Merkel's farewell visitThe latest from Israel in English

Alex Ryvchin spoke to Nitza Lowenstein to mark 80 years since the terrible massacre at Babi Yar, near Kiev Ukraine during WW2.Ryvchin is the Co-CEO of the Executive Council of Australian JewryOver just two days in 1941 more than 33,000 Jews were shot to death at Babi Yar.Alex Ryvchin grandparents' home was nearby.Eighty year on, he will discuss his personal connection to the massacre and his reflections on its anniversary.Just to remind you that in 2014 a monument was erected in Waverley park, Bondi to the victims of Babi Yar. It was unveiled by former PM Malcolm Turnbull.

Welcome to The Times of Israel's Daily Briefing, your 15-minute audio update on what's happening in Israel, the Middle East, and the Jewish world, from Sunday through Thursday. Today's podcast guests are Times of Israel founding editor David Horovitz and Ops and Blogs Editor Miriam Herschlag, hosted by Jessica Steinberg. Horovitz discusses the decline in the latest coronavirus wave, along with comments made by Prime Minister Naftali Bennett at the UN regarding COVID-19 policies in Israel. Herschlag speaks about one of the site's top op-eds, with a strong take on what Israel's position should be regarding the US strategy on Iran. She also points out two other blogs leading the site, one by a Jerusalem mohel and another by a rabbi educator writing about loving one's children who leave religion. Horovitz also speaks about the ceremony in Kyiv commemorating the victims of the Babi Yar massacre. Finally, Steinberg, Horovitz and Herschlag discuss the Ophir Awards, and the kerfuffle regarding politics and the winning film, Eran Kolirin's "Let It Be Morning." Discussed articles include: Top health official says fourth COVID wave on the wane, could end soon Israel must actively oppose US return to the JCPOA At Babi Yar massacre site, Herzog decries years of silence, ongoing denial The New Yorker's botched circumcision article Thou shalt love your child who leaves religion Subscribe to The Times of Israel Daily Briefing on iTunes, Spotify, PlayerFM, Google Play, or wherever you get your podcasts. IMAGE: Eran Kolirin, director of the 2021 Ophir Award-winning film (Courtesy Tomer Neuberg/ Flash90) See omnystudio.com/listener for privacy information.

Photo:  Soviet POWs covering a mass grave after the Babi Yar massacre, October 1, 1941. Remembering Babi Yar. Malcolm Hoenlein @Conf_of_pres @mhoenlein1 https://www.algemeiner.com/2021/10/01/80-years-later-rare-photos-reveal-attempt-to-envision-babi-yar-massacre/ https://blog.nli.org.il/en/lbh-babi-yar/

PM Bennett says next challenge in fighting coronavirus is restoring routine to educational system. President Herzog travels to Ukraine on first official state trip in role, commemorates anniversary of Babi Yar massacre. US, Israeli national security advisers to meet. See omnystudio.com/listener for privacy information.

Gérard Unger évoquera le massacre de Babi Yar, plus grand massacre de la Shoah ukrainienne par balles, 33771 juifs assassinés, massacre mené par les Einsatzgruppen en URSS les 29 et 30 septembre 1941

BABI YAR - WE REMEMBERSupport the show (http://www.parkerdk.com/victory-hour)

El próximo miércoles, 29 de septiembre, se cumplirán 80 años del inicio de la masacre de Babi Yar, un enorme barranco ubicado al noroeste del centro de Kiev, capital de Ucrania, en el cual se desarrollo una matanza de más de 33.000 judíos entre los días 29 y 30 de septiembre de 1941, (el 8 y 9 de Tishrei 5752, en vísperas de Yom Kipur) --- Send in a voice message: https://anchor.fm/radiojai/message

You might remember the fanfare back in the fall of 2017, when Canada's Holocaust memorial opened in Ottawa, just west of Parliament Hill. Until then, Canada was the only Allied country without a national monument to victims of the Holocaust. The government paid $4 million for the Daniel Libeskind–designed project, while Canada's Jewish community raised the other $4.5 million. Later that year, a Hanukkah celebration was held at the newly minted site. But after that, only one other event was staged, in April 2019 to remember the Warsaw Ghetto uprising. The monument has since been somewhat forgotten. And while the pandemic can be partly blamed for that, it doesn't tell the whole story. That longstanding vacancy ended on Sept. 14, 2021, when two men organized a memorial for the victims of the Babi Yar massacre, which happened 80 years ago this week. During the two-day slaughter, Nazi soldiers shot and murdered more than 33,000 Jews in a ravine near Kiev, Ukraine, marking the first and largest mass murder of Jews in the the Holocaust. We're joined today by the two men who organized the event, Joel Diener and Lawrence Greenspon, who explain why they did it and how they hope their event will serve as a wake-up call for the Jewish community to take advantage of the Ottawa monument more often. What we talked about: Learn more about Canada's National Holocaust Monument at ncc-ccn.gc.ca Learn about the Babi Yar massacre at yadvashem.org Read an essay by Laura Grosman about spearheading Canada's Holocaust memorial at thecjn.ca Credits The CJN Daily is written and hosted by Ellin Bessner (@ebessner on Twitter). Victoria Redden is the producer. Michael Fraiman is the executive producer. Our theme music is by Dov Beck-Levine. Our title sponsor is Metropia. We're a member of The CJN Podcast Network; find more great Jewish podcasts at thecjn.ca.

Sergei Loznitsa, el director ucraniano de Funeral de Estado, acaba de presentar en Cannes 74 Babi Yar. Context. En este documental presentan imágenes de archivo del holocausto judío de Babi Yar en su Ucrania durante la Segunda Guerra Mundial. Loznitsa es un referente mundial en cuando al cine documental. Es una asiduo de festivales y un trabajador tremendo que llegó a Cannes 74 con este estreno.

Lunes, el séptimo día del festival de Cannes. El cansancio asoma. Las energías bajan; pero las ganas de ver películas pueden más. Sobre todo hoy que tenemos Wes Andersoncon The French Dispatch. A la Colombiana Amparo, de Simón Mesa Soto con el camarógrafo Juan Sarmiento. Y a Serguei Loznitsa con Babi Yar. Context

In 1961, a poem appeared by the young poet Yevgeny Yevtushenko, entitled Babi Yar. The first line of this poem is: “There are no monuments over Babi Yar.” In September of 1941 at least 33,771 Jews were murdered at the Babi Yar ravine in Ukraine; the largest single massacre of Jews to that point in WWII. Shostakovich, moved by the bravery of Yevtushenko's poem, set it and 4 other Yevtushenko poems and created his 13th symphony. This is one of those unforgettable pieces - join me to learn all about it.

Desta vez abrimos a janela para o Médio Oriente e olhamos para um dos conflitos mais longos do último século, que opõe israelitas a palestinianos. Sem soluções à vista, a violência intensifica-se nas ruas. A sinagoga de Babi Yar: https://www.youtube.com/watch?v=vHb4lsZHH5E (vídeo: EuroNews) A Rádio MARŠ (Eslovénia): http://www.radiomars.si/ Rua do Mundo é um programa de Sofia Lorena, Ana Santos Pinto, Susana Peralta e Rui Tavares, com produção e edição de Marco António e apoio técnico da 366 Ideias, imagem oficial da autoria de Vera Tavares e música de Somersault (André Rito e Filipe Barros). Pode contactar a equipa pelo e-mail podcastruadomundo@gmail.com

In this episode, I describe the background, timeline, and aftermath of one of the worst atrocities ever committed during the Holocaust, Babi Yar. Taking place in late September of 1941, this unfathomable massacre is just one of hundreds carried out by Nazi Germany during World War 2. Follow @the.historynerd on Instagram and TikTok and @MatthewMotes10 on twitter. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/the-history-nerd/message Support this podcast: https://anchor.fm/the-history-nerd/support

On September 28, 1941, a German edict was issued ordering the Jews of Kiev and of the surrounding area to gather some clothes and belongings, and report at an intersection not far from a local freight train station. Instead of being deported, however, they were marched to Babi Yar and shot over the course of two days. According to a contemporary report, the German forces on hand murdered 33,771 Jews. Dina Pronicheva is one of the very few to survive this horrific event. This is her story.Featured guest: Karel Berkhoff, Senior Researcher at the NIOD Institute for War, Holocaust and Genocide Studies in Amsterdam, Netherlands.

On September 28, 1941, a German edict was issued ordering the Jews of Kiev and of the surrounding area to gather some clothes and belongings, and report at an intersection not far from a local freight train station. Instead of being deported, however, they were marched to Babi Yar and shot over the course of two days. According to a contemporary report, the German forces on hand murdered 33,771 Jews. Dina Pronicheva is one of the very few to survive this horrific event. This is her story.Featured guest: Karel Berkhoff, Senior Researcher at the NIOD Institute for War, Holocaust and Genocide Studies in Amsterdam, Netherlands.

“Mi sembra d'essere io un figlio di Israele. Mi sembra di essere io Dreyfus. Mi sembra di essere io un bimbo di Bialystok. Mi sembra di essere io Anna Frank”. Esattamente 60 anni fa, con questi versi, il poeta russo Evgenij Evtushenko esprimeva il proprio sconvolgimento interiore per la scoperta di quanto avvenuto, tra il 29 e il 30 settembre 1941, a Babi Yar. Decine di migliaia gli ebrei ucraini uccisi in poche ore dalle SS con l'aiuto della polizia di Kiev, che attivamente partecipò al massacro. Una pagina d'orrore che proprio allora emergeva da un oblio che anche le forze d'occupazione sovietiche avrebbero contribuito, negli anni successivi, ad alimentare. In quegli stressi luoghi, a 80 anni dalla carneficina, e in occasione di Yom HaShoah, avverrà tra qualche ora qualcosa di molto significativo: l'inaugurazione di una sinagoga, realizzata dall'architetto di fama internazionale Manuel Herz e ispirata come modello alle tradizionali sinagoghe lignee dell'Est Europa risalenti al Sei-Settecento e in gran parte distrutte dai nazisti.

Dmitri Shostakovich’s Symphony No. 13 in B-flat minor (Op. 113), subtitled Babi Yar, was completed on July 20, 1962, and first performed in Moscow in December of that year. The hour-long work requires a bass soloist, men's chorus, and large orchestra and is laid out in five movements, each a setting of a Yevgeny Yevtushenko poem. This unusual form gives rise to various descriptions: choral symphony, song cycle, giant cantata. The five earthily vernacular poems denounce Soviet life one aspect at a time: brutality, cynicism, deprivation, anxiety, corruption. Kirill Kondrashin conducted the 1962 premiere after Yevgeny Mravinsky had declined the assignment under pressure; Vitaly Gromadsky sang the solo part alongside the combined choruses of the RSFSR State Academy and Gnessin Institute and the Moscow Philharmonic. Purchase the music (without talk) at: http://www.classicalsavings.com/store/p1221/Shostakovich%3A_Symphony_No._13_in_B-flat_minor%2C_Op._113_%22Babi_Yar%22.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

During a discussion on the massacres at Babi Yar during World War II, a philosophy professor made the following remark: the last words of the Lord’s Prayer are “deliver us from evil,” not “destroy evil,” because evil is within us. To destroy evil, we would have to destroy ourselves. I would have liked to offer that observation to Seriah and his guest, author Alex Tsakiris, whose latest book is “Why Evil Matters: How Science and Religion Fumbled a Big One.” Tsakiris is the creator of Skeptiko, podcasts that explore the science of human consciousness and spirituality. The name is derived from the philosopher Skeptikos, who sought “inquiry to perpetuate doubt.” As Seriah considers himself “a true skeptic, one who questions openly,” you would expect these two to agree on most points. In this interview, Alex and Seriah are well-matched sparring partners, covering topics such as: moral imperatives, dharma, evil as an objective reality or separate entity, near death experiences, reincarnation, past-life regression, lucid dreaming, hypnosis, satanism, and ritual abuse. A most provocative interview with no easy answers. - Recap by Patricia W. Outro Music is Lee TNB AKA Monkey Mind with Lights Over Phoenix Download

During a discussion on the massacres at Babi Yar during World War II, a philosophy professor made the following remark: the last words of the Lord's Prayer are “deliver us from evil,” not “destroy evil,” because evil is within us. To destroy evil, we would have to destroy ourselves. I would have liked to offer that observation to Seriah and his guest, author Alex Tsakiris, whose latest book is “Why Evil Matters: How Science and Religion Fumbled a Big One.” Tsakiris is the creator of Skeptiko, podcasts that explore the science of human consciousness and spirituality. The name is derived from the philosopher Skeptikos, who sought “inquiry to perpetuate doubt.” As Seriah considers himself “a true skeptic, one who questions openly,” you would expect these two to agree on most points. In this interview, Alex and Seriah are well-matched sparring partners, covering topics such as: moral imperatives, dharma, evil as an objective reality or separate entity, near death experiences, reincarnation, past-life regression, lucid dreaming, hypnosis, satanism, and ritual abuse. A most provocative interview with no easy answers. - Recap by Patricia W. Outro Music is Lee TNB AKA Monkey Mind with Lights Over Phoenix Download

Playlist: Musici de Montreal - Barber Adagio for Strings, Op. 11Chicago Symphony Orchestra - Shostakovich Symphony No. 13 "Babi Yar": 2 Allegretto "Humour"Royal Philharmonic Orchestra - Tchaikvsky Piano Concerto No. 1 in Bflat Minor, Op.23 TH 55 2nd and 3rd movRoyal Scottish National Orchestra - Walton Symphony No. 1: 3rd Mov Andante con Malincolia

Dmitri Shostakovich composed his Symphony No. 12 in D minor, Op. 112, subtitled The Year of 1917, in 1961, dedicating it to the memory of Vladimir Lenin, leader of the Bolshevik Revolution, as he did his Symphony No. 2. The symphony was premiered that October by the Leningrad Philharmonic Orchestra under conductor Yevgeny Mravinsky. This was the last Shostakovich symphony Mravinsky premiered; his refusal to give the first performance of the Thirteenth Symphony, Babi Yar, caused a permanent strain in their working relationship. Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Support us on Patreon https://www.patreon.com/user?u=4186107 staff@classicalmusicdiscoveries.com

The Executive Council of Australian Jewry commemorated the anniversary of the Nazi murder of nearly 34 thousand Jews at Babi Yar, north of Kiev, Ukraine, in late September 1941 and urged the Jewish community not to forget and to remind others of the terrible events of the Holocaust that took place there and in the many other places of the former Soviet Union during WWII.Former children of Jewish refugees from Germany and Austria and their descendants, who were interned as “enemy aliens” in the Tatura camp in Victoria, in 1940, after arriving here from Europe via Singapore, took part in an 80th anniversary internet link-up to remember and celebrate their ordeal, which ended in them becoming declared “friendly aliens” and their settling in Australia in 1942.

Esther talvez seja o nome da bisa que, em meio a ocupação nazista na Ucrânia, pergunta a um soldado alemão o caminho para Babi Yar esperando pegar um trem para longe, uma última e vã esperança. Mas naquele fim de setembro sombrio, não havia trem na ravina: havia apenas morte. Babi Yar foi palco de massacres na Segunda Guerra Mundial. Tentando recompor essa e toda a sua história familiar, Katja Petrowskaja parte numa busca em busca de memórias, invenções e mitos fragmentados, particionados em lugares muito específicos nas suas recordações e na própria Europa. A família, de origem judia e que atravessou países como Áustria, Polônia, Ucrânia, Rússia, EUA e agora a própria Alemanha, faz parte da odisseia de uma mulher para reconstruir o próprio passado marcado por armadilhas, silêncios e eventos dados como maiores que quaisquer famílias, definidores da Europa do século 20. Importante: Arte feita por Nátali Nuss (Instagram: @nuss.art). Para mais informações e outros episódios, acesse o nosso site www.centralredepoderosa.com.br. O podcast Rede Poderosa de Intrigas também está no Instagram e no Twitter como @poderosarede. Para sugestões de pauta, críticas, parcerias, anúncios e mais, nosso e-mail é redepoderosa@gmail.com. Esse episódio é uma produção da Central Rede Poderosa. Até a próxima!

Í þætti dagsins heyrum við sögu konu sem lifði af Helförina. Hún var ein af 15 sem lifðu Babi Yar fjöldamorðin af þar sem 33741 Gyðingur var myrtur. Dina á magnaða sögu og ótrúlegt er að henni hafi tekist að lifa þetta af. Endilega fylgjið Háska á Instagram haskipodcast og verið með í Háski Podcast hópnum á Facebook og svo er alltaf ljúft þegar þið hendið stjörnum og subscribe-ið þáttinn.    Ef þú vilt fá fleiri Háska þætti þá býð ég upp  á áskriftarleið þar sem þú færð 3 auka þætti fyrir 850 krónur á mánuði. www.patreon.com/haski

1. US To Release Peace Plan After Israeli Elections U.s. President Donald Trump strongly hinted Sunday that the likely roll-out of his long-awaited peace plan will follow Israel's up-coming September elections. 2. Omar; Tlaib Double Down Accusations Against Israel Marc Schulman, Columnist for Newsweek; Editor of Historycentral.com, Dr. Martin Sherman, Founder & Executive Director of the IISS and Ben-Dror Yemini, Israeli Journalist & Author of ‘Industry of Lies' speaking at ILTV studio about Israel's refusal of entry to US Congresswomen Omar and Tlaib. 3. Netanyahu Arrives In Kiev For Two-Day Visit Prime Minister Binyamin Netanyahu just landed in Kiev and is set to commemorate victims of Babi Yar & Holodomor tragedies. 4. Israeli PM Is Weighing Large Gaza Operation Israel's Prime Minister Benjamin Netanyahu has just hinted that the IDF may carry out an operation in Gaza. 5. Hezbollah Adopts Hamas' Arson Tactics A fire has just broken out along Israel's northern border with Lebanon and according to footage of the blaze, it appears that it was a Hezbollah-driven arson attack.  6. West Bank Car-Ramming Leaves 2 Israelis Injured Two Israeli teen siblings were seriously wounded Friday, in a car ramming attack outside of the Elazar settlement. And as of Sunday, at least one remains in serious condition after undergoing neuro-surgery.  7. PA Police Ban LGBT Rights NGO From Organizing The PA police on Saturday just banned the Al-Qaws Palestinian LGBT rights group from organizing. 8. Corephotonics Sues Apple; Again Israeli camera tech company Corephotonics Ltd is suing apple Inc over at least 10 counts of alleged patent infringement. 9. The Whiskey Museum At Sarona ILTV's host of Cruising Israel, Emanuelle Kadosh visits the famous Sarona market. See omnystudio.com/listener for privacy information.

This coffee break ventures back into the stressful world of music composition under the political oppression of Stalin's Soviet Union. We listen to Prokofiev's Zdravitsa (A Toast in Honour of Stalin's 60th Birthday), which rides the boundary between great music and political pandering. Shostakovitch gets out of the political doghouse by writing a tribute to reforestation in a Song About Trees. After Stalin died, Shostakovitch was able to tell the truth about the horrors of Babi Yar in his Symphony #13. We close the coffee break with the compositions of Georgi Sviridov who could seemed to be able to be true to his style throughout the regime. contact the show at yccb@mauriceriverpress.com

Revisionism expert Yisrael Medad just led a group from the Menachem Begin Center to Ukraine to learn about Zev Jabotinsky via sites in his early life. He and Eve discuss the intriguing personalities who helped shaped Israel, what Kiev and Odessa are like, Babi Yar, uncovering archives and many other things.

"If one function of art is to make us ponder difficult questions, there could not be a more potent example than Shostakovich's 13th" (The Guardian). Zell Music Director Riccardo Muti opens a season of reflection with Shostakovich's gripping setting of poetry by Yevgeny Yevtushenko condemning anti-Semitism and the barbarous acts that took place near Kiev in September 1941.

Schostakowitschs 13. Symphonie "Babi Yar" ist ein musikalisches Statement gegen den Antisemitismus in der Sowjetunion. Der kurzfristig für Yannick Nézet-Séguin eingesprungene John Axelrod hat einen starken persönlichen Bezug zu diesem Werk - wie er im BR-KLASSIK-Interview mit Annika Täuschel erzählt.

John Rothmann delivers the Yom Kippur afternoon service on Sept. 30, 2017.

Yelena Gorodetsky tells her story of being a survivor of Babi Yar in Kiev where 33,771 Jews were massacred on Sept 29-30 1941. Yevgeny Yevtushenko's poem Babi Yar called attention to this unacknowedged crime, prompting Shostakovich's Babi Yar Symphony #13, to be performed in Melbourne's Hamer Hall.

Yelena Gorodetsky tells her story of being a survivor of Babi Yar in Kiev where 33,771 Jews were massacred on Sept 29-30 1941. Yevgeny Yevtushenko's poem Babi Yar called attention to this unacknowedged crime, prompting Shostakovich's Babi Yar Symphony #13, to be performed in Melbourne's Hamer Hall.

Babi Yar, le ravin où la population juive de Kiev a péri massacrée au moment de l'invasion de l'URSS par les nazis, est pour nous un symbole de la Shoah par balles. Mais le symbole ne vaut pas uniformément partout. Démêler l’écheveau de la mémoire du Mal en ex-URSS est une tâche complexe : sur les « terres de sang » (Snyder) où la moitié du génocide juif a eu lieu, la mémoire de la Shoah, longtemps empêchée, s’est mêlée et superposée à d’autres strates mémorielles, au souvenir également empêché d’autres traumatismes collectifs, créant un effet de brouillage. La littérature peut-elle nous aider à y voir plus clair et à articuler la mémoire du génocide juif aux mémoires conflictuelles de l’ex-Union Soviétique ? Annie Epelboin, universitaire, est spécialiste de littérature soviétique. Elle a notamment publié (avec Assia Kovriguina) La Littérature des Ravins. Ecrire sur la Shoah en URSS (éd. Laffont, 2013), et édité en traduction française la version non-expurgée du roman-document Babi Yar d’Anatoli Kouznetsov (éd. Laffont, 2011). émission en deux parties. À propos du livre : «LA LITTÉRATURE DES RAVINS Écrire sur la Shoah en URSS » éditions Robert Laffont La moitié des victimes de la Shoah a été assassinée en territoire soviétique. Les meurtres de masse ont eu lieu le plus souvent dans des ravins, aux abords des villes, et les témoins ont été innombrables. N'aurait-on rien écrit là ou tout le monde a vu ou du moins entendu ? Qu'a-t-on tenté de dire contre l'oubli ? Des oeuvres ont été rédigées, souvent d'une force poignante : nombreux sont ceux qui, face aux ravins ou aux ruines des ghettos, ont voulu que l'extermination des Juifs par les nazis puisse rester en mémoire. Mais ces textes, manipulés ou étouffés par la censure, n'ont pas permis qu'advienne « l'ère du témoin » que connaît l'Occident. Ce livre éclaire les raisons qui ont amené les autorités soviétiques à les faire disparaître, comme ils ont fait disparaître les ravins, ou toute la population juive a été assassinée par les nazis. La mémoire de substitution, très vite imposée en URSS, gommant la spécificité de ce qu'ont enduré les Juifs pendant la Seconde Guerre mondiale, a effacé les traces du génocide une seconde fois. Les problèmes liés à la collaboration avec les nazis d'une partie de la population soviétique ont été refoulés et demeurent une gêne majeure. Pourtant, confrontés à l'assassinat sans pouvoir réagir, certains témoins avaient très tôt décidé d'écrire. Nombreux également ont été les soldats et correspondants de guerre, écrivains jeunes ou expérimentés comme Vassili Grossman ou Ilya Ehrenbourg qui, arrivés sur les lieux lors de la reconquête, n'ont pu se soustraire à la réalité des multiples charniers à ciel ouvert, bien avant de découvrir les camps d'extermination. Le livre révèle cette « littérature des ravins » qui devrait infléchir notre réflexion sur le témoignage, centrée jusque-là sur l'expérience occidentale de l'extermination dans les camps. Le paradigme du témoin rescapé, revenant à la fin de la guerre de lieux très éloignés, n'est plus désormais la seule référence. Écrites sous l'oppression soviétique, censurées, mutilées ou cachées, ces oeuvres sont un appel à la mémoire bafouée à deux reprises. Elles font entendre des voix qui, face à la menace et au désespoir, ont tenté au fil des décennies d'atteindre leur public. Leur rendre justice aujourd'hui, c'est aussi nous permettre de comprendre la Shoah dans toute son étendue. À propos du livre : «BABI YAR » éditions Robert Laffont Anatole KOUZNETSOV Préface de Annie EPELBOIN Traduit par Annie EPELBOIN M MENANT Paru en 1970, le grand livre-témoignage sur la Shoah à l'Est est publié aujourd'hui dans une version rendue conforme à l'original non censuré, et préfacé par Annie Epelboin qui nous éclaire sur ce que la censure soviétique voulait qu'on ignore des massacres, de la collaboration des Ukrainiens et de leurs causes. Emouvant et sincère hommage à la liberté de conscience, face aux tragédies du XXe siècle. Anatole Kouznetsov avait 12 ans lorsque l'armée allemande occupa Kiev en 1941. Il habitait un faubourg situé à proximité du ravin de Babi Yar, lieu sinistrement célèbre, ou des dizaines de milliers de personnes ont été massacrées par les nazis, dont une grande majorité de Juifs. Lorsqu'il put s'aventurer dans le ravin ou avaient eu lieu les fusillades, il ne trouva que des cendres et se jura de témoigner un jour de ce qu'il avait vu. Il consigna aussitôt dans un cahier d'écolier les souvenirs de ces années atroces et, durant vingt ans, l'augmenta de ses réflexions personnelles, en marge de l'histoire officielle qui taisait la vérité des massacres et des drames qui les ont précédés ou suivis, après la fin de la guerre. Il y intégra des documents authentiques et des témoignages recueillis auprès des survivants, mena son enquête et composa un " roman-document " ou s'entremêlent le fait historique, l'autobiographie et la méditation sur les dictatures du XXe siècle, sur la souffrance que l'homme est capable d'infliger à l'homme. Lorsqu'il fit publier son roman en 1966, il fut accablé de constater que la censure l'avait réduit d'un tiers, supprimant la part gênante de la version authentique des évènements : l'extermination des Juifs de Kiev, la collaboration de beaucoup d'Ukrainiens et ses raisons véritables. Ce texte amputé et rendu conformiste fut aussitôt traduit à l'étranger, en France notamment, mais Kouznetsov, décidé à publier un jour son roman dans son intégrité, continua d'y travailler et " choisit la liberté " en 1969, emportant sur lui à Londres les microfilms du manuscrit. Cette version a été publiée en 1970 en France, sans que son importance révélatrice soit perçue du public français. Elle est republiée aujourd'hui, dans une version rendue conforme à l'original, qui met à nu l'action de la censure et les raisons qui ont mené les autorités soviétiques à opérer ce déni de l'Histoire.

Babi Yar, le ravin où la population juive de Kiev a péri massacrée au moment de l'invasion de l'URSS par les nazis, est pour nous un symbole de la Shoah par balles. Mais le symbole ne vaut pas uniformément partout. Démêler l’écheveau de la mémoire du Mal en ex-URSS est une tâche complexe : sur les « terres de sang » (Snyder) où la moitié du génocide juif a eu lieu, la mémoire de la Shoah, longtemps empêchée, s’est mêlée et superposée à d’autres strates mémorielles, au souvenir également empêché d’autres traumatismes collectifs, créant un effet de brouillage. La littérature peut-elle nous aider à y voir plus clair et à articuler la mémoire du génocide juif aux mémoires conflictuelles de l’ex-Union Soviétique ? Annie Epelboin, universitaire, est spécialiste de littérature soviétique. Elle a notamment publié (avec Assia Kovriguina) La Littérature des Ravins. Ecrire sur la Shoah en URSS (éd. Laffont, 2013), et édité en traduction française la version non-expurgée du roman-document Babi Yar d’Anatoli Kouznetsov (éd. Laffont, 2011). émission en deux parties. À propos du livre : «LA LITTÉRATURE DES RAVINS Écrire sur la Shoah en URSS » éditions Robert Laffont La moitié des victimes de la Shoah a été assassinée en territoire soviétique. Les meurtres de masse ont eu lieu le plus souvent dans des ravins, aux abords des villes, et les témoins ont été innombrables. N'aurait-on rien écrit là ou tout le monde a vu ou du moins entendu ? Qu'a-t-on tenté de dire contre l'oubli ? Des oeuvres ont été rédigées, souvent d'une force poignante : nombreux sont ceux qui, face aux ravins ou aux ruines des ghettos, ont voulu que l'extermination des Juifs par les nazis puisse rester en mémoire. Mais ces textes, manipulés ou étouffés par la censure, n'ont pas permis qu'advienne « l'ère du témoin » que connaît l'Occident. Ce livre éclaire les raisons qui ont amené les autorités soviétiques à les faire disparaître, comme ils ont fait disparaître les ravins, ou toute la population juive a été assassinée par les nazis. La mémoire de substitution, très vite imposée en URSS, gommant la spécificité de ce qu'ont enduré les Juifs pendant la Seconde Guerre mondiale, a effacé les traces du génocide une seconde fois. Les problèmes liés à la collaboration avec les nazis d'une partie de la population soviétique ont été refoulés et demeurent une gêne majeure. Pourtant, confrontés à l'assassinat sans pouvoir réagir, certains témoins avaient très tôt décidé d'écrire. Nombreux également ont été les soldats et correspondants de guerre, écrivains jeunes ou expérimentés comme Vassili Grossman ou Ilya Ehrenbourg qui, arrivés sur les lieux lors de la reconquête, n'ont pu se soustraire à la réalité des multiples charniers à ciel ouvert, bien avant de découvrir les camps d'extermination. Le livre révèle cette « littérature des ravins » qui devrait infléchir notre réflexion sur le témoignage, centrée jusque-là sur l'expérience occidentale de l'extermination dans les camps. Le paradigme du témoin rescapé, revenant à la fin de la guerre de lieux très éloignés, n'est plus désormais la seule référence. Écrites sous l'oppression soviétique, censurées, mutilées ou cachées, ces oeuvres sont un appel à la mémoire bafouée à deux reprises. Elles font entendre des voix qui, face à la menace et au désespoir, ont tenté au fil des décennies d'atteindre leur public. Leur rendre justice aujourd'hui, c'est aussi nous permettre de comprendre la Shoah dans toute son étendue. À propos du livre : «BABI YAR » éditions Robert Laffont Anatole KOUZNETSOV Préface de Annie EPELBOIN Traduit par Annie EPELBOIN M MENANT Paru en 1970, le grand livre-témoignage sur la Shoah à l'Est est publié aujourd'hui dans une version rendue conforme à l'original non censuré, et préfacé par Annie Epelboin qui nous éclaire sur ce que la censure soviétique voulait qu'on ignore des massacres, de la collaboration des Ukrainiens et de leurs causes. Emouvant et sincère hommage à la liberté de conscience, face aux tragédies du XXe siècle. Anatole Kouznetsov avait 12 ans lorsque l'armée allemande occupa Kiev en 1941. Il habitait un faubourg situé à proximité du ravin de Babi Yar, lieu sinistrement célèbre, ou des dizaines de milliers de personnes ont été massacrées par les nazis, dont une grande majorité de Juifs. Lorsqu'il put s'aventurer dans le ravin ou avaient eu lieu les fusillades, il ne trouva que des cendres et se jura de témoigner un jour de ce qu'il avait vu. Il consigna aussitôt dans un cahier d'écolier les souvenirs de ces années atroces et, durant vingt ans, l'augmenta de ses réflexions personnelles, en marge de l'histoire officielle qui taisait la vérité des massacres et des drames qui les ont précédés ou suivis, après la fin de la guerre. Il y intégra des documents authentiques et des témoignages recueillis auprès des survivants, mena son enquête et composa un " roman-document " ou s'entremêlent le fait historique, l'autobiographie et la méditation sur les dictatures du XXe siècle, sur la souffrance que l'homme est capable d'infliger à l'homme. Lorsqu'il fit publier son roman en 1966, il fut accablé de constater que la censure l'avait réduit d'un tiers, supprimant la part gênante de la version authentique des évènements : l'extermination des Juifs de Kiev, la collaboration de beaucoup d'Ukrainiens et ses raisons véritables. Ce texte amputé et rendu conformiste fut aussitôt traduit à l'étranger, en France notamment, mais Kouznetsov, décidé à publier un jour son roman dans son intégrité, continua d'y travailler et " choisit la liberté " en 1969, emportant sur lui à Londres les microfilms du manuscrit. Cette version a été publiée en 1970 en France, sans que son importance révélatrice soit perçue du public français. Elle est republiée aujourd'hui, dans une version rendue conforme à l'original, qui met à nu l'action de la censure et les raisons qui ont mené les autorités soviétiques à opérer ce déni de l'Histoire.

The writer Viv Groskop reflects on the life of the Soviet-era poet Yevgeny Yevtushenko, best known for his epic work Babi Yar, who died at the weekend aged 84.The shortlist for the Baileys Women's Prize for Fiction is announced live by judge and novelist Aminatta Forna, who discusses the novels that made it though from the longlist of 16.Pulitzer Prize nominee Rajiv Joseph discusses the European premiere of his award-winning play Guards at the Taj. Taking as its starting point the legends surrounding the building of the Taj Mahal, Joseph's play examines the human price paid throughout history for the whims of those in power.The duelling Slovakian violinists, brothers Vladimir and Anton Jablokov, who have performed on the Last Night of the Proms, bring their instruments to the Front Row studio, and discuss the influence of their Russian grandfather on their choice of the music they perform.Presenter Samira Ahmed Producer Jerome Weatherald.

"El Xostak

With the final release in Vasily Petrenko’s much-lauded Shostakovich cycle on Naxos the young maestro talks to Edward Seckerson about a masterpiece the Soviet authorities tried but failed to sabotage at its first performances. YevgenyYevtushenko’s poem “Babi Yar” with its accusations of anti-Semitism was the flashpoint but social protest runs deep in the piece and … [Read More]

On 29 September 1941, the organised massacre of Ukrainian Jews began. In the capital Kiev, most of them were taken to a place called Babi Yar, and shot. Raissa Maistrenko escaped the shooting as a three-year-old girl. Rabbi Alexander, Dukhovny's mother survived the Holocaust outside the city. Photo: Hulton Archive/Getty Images

On 29 September 1941, the organised massacre of Ukrainian Jews began. In the capital Kiev, most of them were taken to a place called Babi Yar, and shot. Raissa Maistrenko escaped the shooting as a three-year-old girl. Rabbi Alexander, Dukhovny's mother survived the Holocaust outside the city. Photo: Hulton Archive/Getty Images

Babi Yar in Kiev is the site of the largest single German shooting of Jews in the Soviet Union and Ukraine’s largest mass grave of German victims. On September 29–30, 1941, 33,771 Jews were killed at Babi Yar. Drawing from newly available sources, at the 2011 J.B. and Maurice C. Shapiro Annual Lecture Dr. Karel Berkhoff discussed the process of mass murder, the response of the victims and others, and the treatment of the ravine since 1945.

Yevgeny Yevtushenko "Babi Yar" Concert: December 11, 2003 7:30 pm

Yevgeny Yevtushenko "Babi Yar" Concert: December 11, 2003 7:30 pm

Yevgeny Yevtuskenko reads his poem "Babi Yar";