Podcasts about hotel utah

The old Hotel Utah has a storied history of hospitality that is shadowed by the racial prejudice common throughout Utah right into the 1960s.

Plan experiences for Valentine's Day...maybe skip the cheesy gift. For example, massages, escape room, glass-blowing....how about 1000-piece puzzle made with a picture of the two of you? One suggestion from Ask.Men was a gym date....No. Gross.Scammers are getting more and more savvy. A woman gave a scammer $850,000 after he convinced her he was Brad Pitt. What kind of AI freaks you out? How about someone stealing a family member's voice to fake you out?Second Date Update: Kyle took Lindsay to see some live music at the Hotel Utah...what could have gone wrong?Is it harder now to make small talk with co-workers? Gen Z finds it incredibly hard.

Both Kyle and Lindsey love going to check out new bands. He took her to the Hotel Utah for some live music. He thought they had fun and was looking forward to seeing her again, but now she is gone.

The 301st Hangover Sessions features Mr Owen Roberts, an SF Bay Area/Berkeley CA musician, with whom DJ Webbles' often once crossed paths at the legendary Hotel Utah, SF open mic.Owen joins us 32 minutes into the show to talk about his new musical duo Romular and introduces us to his 6-track desert island disc music compilation, alongside some original tracks by Romular and a live performance of one of his very own songs!Follow Owen @owenrobertsmusic & @romularband on Instagram to find out all the latest from this treasured SF Bay Area gent/artist.

The music, sounds, and stories of composer Miguel Frasconi, known for work with instruments made from glass and also a master of analog electronic sound. Here are solos for glass, mbira, and a piece for the Jack String Quartet, all recorded in concert at Roulette, plus a 1995 electronic trio with J.A. Deane and Bob Ostertag recorded at the Hotel Utah in San Francisco.

Miguel Frasconi: Breaking Glass The music, sounds, and stories of composer Miguel Frasconi, known for work with instruments made from glass and also a master of analog electronic sound. Here are solos for glass, mbira, and a piece for the Jack String Quartet, all recorded in concert at Roulette, plus a 1995 electronic trio with J.A. Deane and Bob Ostertag recorded at the Hotel Utah in San Francisco. https://roulette.org/

Did you know that the Joseph Smith Memorial Building in Salt Lake used to be the world famous Hotel Utah? This week, Jordan will give us the history of this beautiful building and what once was including celebrity guests, clothing requirements, and why the Mormon's allowed a bar in the hotel.

Since she was a little girl, Aireene Espiritu has searched for a place where she felt she belonged. In this podcast, Aireene, who today is a musician, talks about her childhood in the Philippenes and on the East Coast. Her mom had to work three jobs to support her and her brother, and so Aireene came west to live with family in Milpitas. She eventually found her way to San Francisco, when she enrolled at SF State. A few years later, she started going to open mics, first in the Sunset, then later at Hotel Utah. After being inspired by some of the folks she saw get up and perform, Aireene soon started to play music herself. We recorded this podcast at Pinhole Coffee in Bernal Heights in March 2020. Photo by Jeff Hunt

It's our tenth episode and holiday special! The guys discuss the spooky tradition of telling ghost stories at Christmas; Jordan goes haunted bar hopping in San Francisco while Richard dives into the haunted history of Hollywood's legendary bar Boardner's.   

EPISODE 35 : Die Laughing Records Radio Podcast . . . Hosted by Rob Trisler • Die Laughing THEME song by Born Sick • Time Again by United Defiance • Icaro by Merry Widow • Triple Shot Of The Week!!! (Segment) • Kind Words (Radio Edit) by The Strikingly Originals • Radio Edit by Orphan Riot • No Future by Branle Bas 2 Combat • go go go girl MIX by Lord Prosser • NEWS with Dave Dalton • NEWS : The Unfortunate Bastard(s) • Borstal Boys by The Unfortunate Bastard • NEWS : Born Sick • Cigs N' Fuckin by Born Sick • Frequency Within Commercial • NEWS : Union 13 • The Locust by Union 13 • Maelstrom Minute w/ Curtis Smith • How To Submit You’re Music! • SHOUT OUTS (Segment) • Shout Outs : Ghosttown Hangmen • Ghosttown Hangmen - Elinor Rigby mashup at Hotel Utah (live recording) 5/24/19 • Jesus And The Dinosaurs / LadyKillers Commercial • What Is PR? w/ Rob Trisler & Curtis Smith (Segment) • Running In Circles by The Berlin Project • Flowers By The Door by TSOL • Coffee Shop by The Brie Face • Welcome To Our World by Rikkha • I'll See You When I Sleep by Kevin Seconds • Thank You! • Die Laughing / Radiovegas.rocks commercial, Podcast Intro by Lord Prosser // Die Laughing Records Radio Podcast Official Episode #35 . . . www.radiovegas.rocks www.facebook.com/DLRPodcast Podcast merch: https://www.zazzle.com/store/dlrpodcast/products . . . . www.dielaughingrecords.com Band & Label Merch: https://bit.ly/2DYyXQt . . . #bornsick #thestrikinglyoriginals #branlebas2combat #chelsearose #bite #union13 #kevinseconds #ghosttownhangmen #theunfortunatebastard #ladykillers #jesusandthedinosaurs #frequencywithin #theberlinproject #orphanriot #tsol #uniteddefiance #rikkha #thebrieface #merrywidow #davedalton #gogogogirl #jillianelizabeth #lordprosser #robtrisler #curtissmith #jasonmrhatmartinez #radio #podcast #dielaughingrecords #radiovegasrocks #newmusic #punk #alternative #artistinterviews --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Atlanta-based songwriter Anita Aysola infuses jazz and blues with classic rock and traditional Indian influences. Using lyrical wit, virtuosic piano runs, and a sultry-sweet voice , she seamlessly bridges worlds.  Her debut album More Than Maybe showcases her broad range of influences from Norah Jones to Tom Waits. Her focus goes beyond jazz into traditional Indian music, most apparent in "Long Way Home", a ballad channeling influences like Nusrat Fateh Ali Khan and Ravi Shankar.   Gina Chavez is a bilingual Latin-folk singer/songwriter who blends the sounds of the Americas with  cumbia, bossa nova, vintage pop, reggaeton, and folk combined with sharp social commentary. She is the 2014 John Lennon Songwriting Contest Grand Prize Winner , a eight-time Austin Music Award winner,she also won Musician of the Year, Album of the Year(Up.Rooted), Song of the Year , Best Latin Band , and the Esme Barrera Award for Music Activism and Education. She brings us her new personal EP, Lightbeam.  Karen Dezelle is a singer-songwriter based in Los Angeles, California whose acoustic indie folk songs played at SXSW and famed venues across the United States and UK, including the House of Blues, The Hotel Cafe, Hotel Utah, and The Bitter End. After the success of her 2013 and 2014 albums, Lost and Found and  Bloom, Unfold, Wither, Dezelle’s 2016 EP, Room For Two, pushed boundaries that are extremely personal and heartfelt even for her.   She will be talking about an upcoming event she is singing at, Create a Smile.

In our next episode with Dr. Matt Harris, we will talk about how President Kimball persuaded the apostles to lift the priesthood and temple ban on black church members.  It turns out the Brazil Temple was a key part of that, as well as Bruce R. McConkie's change of heart. https://youtu.be/BCluCf6bA5A Kimball knows the consequences of doing something unilaterally without quorum buy-in.  He sees that in church history, and he experiences it himself during the McKay administration.  So, President Kimball recognizes this is such a delicate task, and that if he is going to make this, arguably, probably the most momentous—not arguably.  In the 20th century, it is the most momentous decision in the church, second maybe only to plural marriage, giving black people the priesthood. So, he knows he has to have buy-in.  How do you get buy-in from people who have very, very deep-seated racial views? ... President Kimball announces the Brazil Temple.  This is a bulwark to help the brethren to come along with this.  He recognizes that you can't have temple in this heavily bi-racial nation, where the people who sacrificed and do so much to build the temple are shut off from it.  I mean he understands this. We will also get into more detail on Monroe Fleming's "almost" ordination in 1969! Matt:  The “loyal negro” at the Hotel Utah is Monroe Fleming.  He had been working there for years.  Church leaders all knew him.  Of course, it is a church-owned property.  He was a very faithful member.  I think he joins in the early ‘50s, so clearly he is a pioneer in the church.  He comes of age in the church before the priesthood revelation, so he understands the restriction.  But it is not clear if there is going to be an announcement; it's just that “We are going to ordain this loyal negro man.”  That's all it is.  I think Hugh B. Brown mentions Monroe Fleming in a different document, but the McKay document that I have, it's just “a loyal negro member at the Hotel Utah.” Pres. Kimball Announced a new temple in Brazil to get buy-in to help apostles understand why ban needed to be lifted. Check out our conversation!  Don't forget to listen to Matt describe how McKay almost ordained Monroe Fleming in 1969.

Despite several attempts to end the ban in the 1960s, Hugh B. Brown made one final attempt in 1969 and almost succeeded.  However, the attempt was nixed by Harold B. Lee. Dr. Matt Harris will give us more information on this, and I think you will hear some really amazing stuff in this next episode. https://www.youtube.com/watch?v=_k7cPGtZwHU&t Matt:  Anyway, the McKay sons and Brown, when Taggart's thesis comes out, they will use Taggart's research and say, “Look.  This is just a policy.  This is a policy, it is not a doctrine.  So, if it is just a policy, President McKay, then we can overturn this.”  President McKay agrees to ordain a black man named Monroe Fleming, a loyal member at the Hotel Utah.  This is in September of 1969. GT:  Wow. Matt:  Yes, yes.  So, he agrees to ordain Monroe Fleming to the priesthood.  It is interesting, the document that I have that talks about this.  It just says Monroe Fleming.  It doesn't say all persons of African ancestry.  But you can only imagine that if you allow Monroe Fleming the priesthood, based upon his worthiness of course, then that means that other worthy black members of the church can now hold the priesthood.  That's how I interpret that. ... [McKay] agrees to do it, and when Harold B. Lee and Joseph Fielding Smith, mostly Harold B. Lee, because Joseph Fielding Smith is now in his 90s, and his health is getting the best of him.  But when Harold B. Lee finds out about it, he puts an end to it and says, “This is not something that we can do, and if we do it, it has to have buy-in from the Quorum of the Twelve, the full quorum.” So, President McKay, and I'm going to paraphrase, he says, “I'm too old to fight him.  I'm not going to do it.  We will let President Lee worry about this problem.”  That's what he says, this “problem.” We will also talk briefly about some of the BYU protests where other teams were protesting the church's stance with blacks and the priesthood and temple ban. Matt:  President Brown wants to lift the ban to get the athletic protests off their back.  In November of '69 he tells Kenneth Pitzer the Stanford President.  He calls him up.  He said, “This is Hugh Brown of the Church of Jesus Christ of Latter-day Saints.  I just want you to know, we are going to lift the ban.” GT:  He calls the Stanford University president. Matt:  Yes, he calls the Stanford president and tells him we are going to lift the ban, and even writes him a letter. GT:  The reason why is because Stanford had just cancelled some sort of a series. Matt:  Correct. GT:  Was it football or basketball?  Do you remember? Matt:  Basketball, I think it was basketball.  It was that fall, they cancelled their contract with BYU basketball. Lee strongly rejected attempts for black ordination [paypal-donation] Check out our other conversations with Matt, like Brown's previous attempts to end the ban.  Check out our conversation….

In this podcast, Brian will play the first song he ever heard Mike Coykendall, with whom Brian collaborates on several musical projects, play. It was a show at Bottom of the Hill. Brian found the show in the Guardian, a now-defunct weekly here in San Francisco. Mike played that night with his band The Old Joe Clarks. The song is called "Built Right on the Ground." To wrap up Brian's three-part Storied: San Francisco episode, you'll hear a song he wrote after coming off a musical hiatus. He first played "Marie" at Hotel Utah. He ends the podcast talking about the need to support musicians and artists in San Francisco, a sentiment we at Storied: San Francisco agree with wholeheartedly. ​Also, Brian will play a record-release party on May 11 at Brick and Mortar. Tickets and other info here.

In late October I was enjoying craft beer at one of my favorite watering holes with some of my favorite people. This was at Kool Keg in Arlington Texas, next door to the very place that I met my wife of 23 years. Recent podcast guests Chris Raspante (episode 2) and Neil Schnell (episode 8) would be joining me. Chris and Neil did indeed join the party, accompanied by singer songwriter Lannie Flowers. The last time I'd seen Lannie was in 2013, when his Lannie Flowers Band performed at Hotel Utah in San Francisco for the International Pop Overthrow Festival. His band was an amazing wall of sound that night. I thought we were meeting for the first time that night, but quickly realized that we both grew up and played in the music ecosystem of Dallas-Fort Worth. We'd probably met years before. Lannie sees his music as just rock & roll with harmonies Lannie has been awarded 'Record of the Year', 'Rock Artist of the Year', 'Breakthrough Video of the Year', and 'Social Media Artist of the Year' by the LA Music Awards. He's helped keep the power pop genre alive in the process. We began our interview with Lannie's ties to the power pop and his thoughts on the state of the genre. He says it was all quite accidental that he ended up within the power pop genre, adding that these are simply the people who took to his music. Lannie sees his music as just rock & roll with harmonies, and recalls that it was his album The Same Old Story that power pop fans first bought. Lannie sites power pop as a very niche genre that comes with very loyal fans. He says it's particularly popular in Spain, Brazil and Japan. He finds this all a little surprising and even a little strange, but it's a reality that's clearly contributing to his success. It's also contributed to Lannie's bucket list accomplishments of performing the world famous Whiskey a Go Go in LA and the Cavern Club Liverpool. Lannie's career is a blend of songwriting, musicianship, and studio engineering. Lannie has been a career musician for most of his adult working life. He makes this work with a blend of songwriting, musicianship, and studio engineering skills. His longtime relationship with Spyder Pop Records has afforded him the opportunity to become part of the Spyder Pop recording studio team. Read more...

In late October I was enjoying craft beer at one of my favorite watering holes with some of my favorite people. This was at Kool Keg in Arlington Texas, next door to the very place that I met my wife of 23 years. Recent podcast guests Chris Raspante (episode 2) and Neil Schnell (episode 8) would be joining me. Chris and Neil did indeed join the party, accompanied by singer songwriter Lannie Flowers. The last time I'd seen Lannie was in 2013, when his Lannie Flowers Band performed at Hotel Utah in San Francisco for the International Pop Overthrow Festival. His band was an amazing wall of sound that night. I thought we were meeting for the first time that night, but quickly realized that we both grew up and played in the music ecosystem of Dallas-Fort Worth. We'd probably met years before. Lannie sees his music as just rock & roll with harmonies Lannie has been awarded 'Record of the Year', 'Rock Artist of the Year', 'Breakthrough Video of the Year', and 'Social Media Artist of the Year' by the LA Music Awards. He's helped keep the power pop genre alive in the process. We began our interview with Lannie's ties to the power pop and his thoughts on the state of the genre. He says it was all quite accidental that he ended up within the power pop genre, adding that these are simply the people who took to his music. Lannie sees his music as just rock & roll with harmonies, and recalls that it was his album The Same Old Story that power pop fans first bought. Lannie sites power pop as a very niche genre that comes with very loyal fans. He says it's particularly popular in Spain, Brazil and Japan. He finds this all a little surprising and even a little strange, but it's a reality that's clearly contributing to his success. It's also contributed to Lannie's bucket list accomplishments of performing the world famous Whiskey a Go Go in LA and the Cavern Club Liverpool. Lannie's career is a blend of songwriting, musicianship, and studio engineering. Lannie has been a career musician for most of his adult working life. He makes this work with a blend of songwriting, musicianship, and studio engineering skills. His longtime relationship with Spyder Pop Records has afforded him the opportunity to become part of the Spyder Pop recording studio team. Read more...

Boulevardier (https://en.wikipedia.org/wiki/Boulevardier_(cocktail)) on Wikipedia Boulevardier recipe (http://imbibemagazine.com/the-boulevardier-cocktail-recipe/) on Imbibe Boulevardier recipe (http://cooking.nytimes.com/recipes/1016009-boulevardier) on NYTimes Pune e Mes (http://www.carpano.com/en/products/punt-e-mes/?age-verified=3bff47231a) Hotel Utah (http://www.hotelutah.com) in San Francisco %ABV (http://www.abvsf.com) in San Francisco Union Lodge No. 1 (http://www.unionlodge1.com) in Denver Union Station (http://unionstationindenver.com) in Denver River North (http://www.rivernorthart.com) in Denver The Speakeasy (http://heritageradionetwork.org/series/the-speakeasy/) on Heritage Radio Grand Army Bar (http://www.grandarmybar.com) in NYC Amor y Amargo (http://amoryamargony.com) in NYC Bourbon & Branch (http://www.bourbonandbranch.com) in San Francisco Vintage Spirits and Forgotten Cocktails: From the Alamagoozlum to the Zombie 100 Rediscovered Recipes and the Stories Behind Them (https://www.amazon.com/Vintage-Spirits-Forgotten-Cocktails-Alamagoozlum/dp/1592535615) by Ted Haigh A Proper Drink: The Untold Story of How a Band of Bartenders Saved the Civilized Drinking World (https://www.amazon.com/Proper-Drink-Bartenders-Civilized-Drinking-ebook/dp/B01A4B1T9K) by Rober Simonson @tryElemental (https://twitter.com/tryElemental) on Twitter (iOS cocktail app) Shake. Stir. Sip.: More than 50 Effortless Cocktails Made in Equal Parts (https://www.amazon.com/Shake-Stir-Sip-Effortless-Cocktails/dp/1452152470) by Kara Newman Sother Teague (@CreativeDrunk (https://twitter.com/CreativeDrunk)) on Twitter Alternative Love Blueprint - A History of Alternative Music (http://www.wearedorothy.com/shop/alternative-love-blueprint-a-history-of-alternative-music) Four Pillars Gin (https://www.fourpillarsgin.com.au) Leopold's American Gins (http://www.leopoldbros.com/leopolds-gins) EXR (http://the-bitter-truth.com/liqueurs/exr/) from The Bitter Truth Basta (http://bastaboulder.com) in Boulder Almond (https://en.wikipedia.org/wiki/Almond) on Wikipedia Fortuna Chocolate (https://fortuna-chocolate.com) Saratoga cocktail (http://cocktails.about.com/od/brandyrecipes/r/saratoga_cocktail.htm) Last Word recipe (http://imbibemagazine.com/last-word/) on Imbibe Corpse Reviver #2 recipe (http://imbibemagazine.com/corpse-reviver-2-recipe/) on Imbibe Disco Ball recipe (http://cooking.nytimes.com/recipes/1018249-disco-ball) on NYTimes World's 50 best bars (http://www.eater.com/2016/10/7/13204414/worlds-50-best-bars-list) The Good Lion (http://www.goodlioncocktails.com) in Santa Barbara Little Bird (http://www.littlebirdbistro.com) in Portland

Karen Dezelle is a singer-songwriter based in Los Angeles, California who writes and sings acoustic indie folk songs that stand out from the crowd both musically and lyrically. She has played at SXSW music l and famed venues across the United States and UK, including the House of Blues, The Hotel Cafe, Hotel Utah, and The Bitter End. After the success of her 2013 and 2014 albums, Lost and Found and  Bloom, Unfold, Wither, Dezelle’s newest EP, Room For Two, pushes boundaries that are extremely personal and heartfelt even for her.  The result is superb music and we are delighted to have her back on the show (her last visit was 2014) and hear the new songs and the new successes. American music is Roddie Romero & the Hub City All Stars .  Born out of the Delta dirt, they are rising high off the levee of traditionalism and into the future of Louisiana Music. Roddie Romero & the Hub City All-Stars are a renowned, Grammy-nominated Louisiana band who have been performing worldwide at festivals and venues for over 20 years. It is the Louisiana band and it is celebrated not only for its infectious music and good times concerts, but for their authenticity in  performing or recording traditional Cajun and Creole indigenous music. The five guys who make up the band – Roddie, Eric Adcock. Chad Viator, Gary Usie and Chris French are all accomplished musicians, but they go beyond that to living and breathing the music of Louisiana. This is their first time on the show and it should be fun.  Hope you like the accordion!

Today we welcome The Deer all the way from Austin, Texas! They are on tour and had a bit of time before their show at Hotel Utah. We’ll get to learn about life on the road, their latest third album release “Tempest & Rapture”, and get to know them as human beings in general. Tim takes his co-hosting seat, and we’ll learn about his week running Doc’s Lab and reveal what surprise David had this weekend. Life is a rollercoaster, there are times where we have to hold on and sometimes we have to let go. Ride this baby out. Let’s get into it. We hope you enjoy this week’s Behind The Mynd.

Hey it must have been love but it’s over now. That song got into my head somehow. I spoke with an awesome original band from San Francisco called THE GO AHEAD. They play awesome music which you’ll hear on this show today, my friend. After the interview I walked ten miles around San Francisco. I ended up at the Hotel Utah eating a Sloppy Joe. I talked to a lovely twenty-something nurse from Texas for half an hour. I was entranced but she didn’t feel the love power. She disappeared with her girlfriends into the ladies room where I think several drugs were used. Oh well.

Hey it must have been love but it’s over now. That song got into my head somehow. I spoke with an awesome original band from San Francisco called THE GO AHEAD. They play awesome music which you’ll hear on this show today, my friend. After the interview I walked ten miles around San Francisco. I ended up at the Hotel Utah eating a Sloppy Joe. I talked to a lovely twenty-something nurse from Texas for half an hour. I was entranced but she didn’t feel the love power. She disappeared with her girlfriends into the ladies room where I think several drugs were used. Oh well.

Today it’s Benita, the Disgruntled Fiddle Player, and the Brewmaster. PLUS the return of the MUCH LOVED segment INTO AN INTERVIEW/MIKE ON MOBILE where I'll be speaking to the wonderful SAN FRANCISCO band THE GO AHEAD! Next show it's Madame Rootabega, Valentino, and Bison Bentley! Hey it must have been love but it's over now. That song got into my head somehow. I spoke with an awesome original band called THE GO AHEAD. They play awesome music which you'll hear on this show today, my friend. After the interview I walked ten miles around San Francisco. I ended up at the Hotel Utah eating a Sloppy Joe. I talked to lovely twenty-something nurse from Texas for half an hour. I was entranced but she didn't feel the love power. She disappeared with her girlfriends into the ladies room where I think several drugs were used. Oh well.

If fond memories of your childhood include a brightly colored xylophone, plastic saxophone or Fraggle Rock drum kit, then you'd probably enjoy Toychestra. The group began as a one-off performance in 1996 for a women's music festival at Hotel Utah, when they decided to abandon their regular instruments and play only toys. Their songs were a hit, and Toychestra was born. Since then, Toychestra has played for a diverse audience in various venues, including rock clubs, experimental music venues and classrooms. In addition to their original compositions, the group plays covers of such diverse artists ranging from Dvorak to Black Flag. They have made several recordings, including a collaborative effort with Dan Plonsey and Fred Frith called "Concerto for Guitar and Toy Orchestra."

If fond memories of your childhood include a brightly colored xylophone, plastic saxophone or Fraggle Rock drum kit, then you'd probably enjoy Toychestra. The group began as a one-off performance in 1996 for a women's music festival at Hotel Utah, when they decided to abandon their regular instruments and play only toys. Spark takes a listen. Original air date: April 2006.

Before his recent Dallas show, I had the chance to pull Red aside for an expansive interview and an impromptu recording session, which resulted in two single-mic performances of some of his most beloved songs, "Red Sun" from Peter and the Wolf and Adventure from MTV2's Wonder Showzen.Red Hunter isn't like most musicians I've talked with over the last year. Maybe that's because he's so willing to ponder, detail, even perform, his many diverse interests. He will tell you about playing shows in graveyards and dressing up like a Vet for a case study in audience reaction. He will tell you about jokingly suggesting he and a peer tour in a sailboat. He will cite Chomsky and address the perils of media propaganda and, in a twist, tie it all -- and convincingly so -- to independent music. He will offer perspectives, ideas, and insights that only hint at why he's one of the more compelling figures in underground music Peter and the Wolf - Red Sun (IndieInterviews) (mp3) Red Hunter - Adventure (Wonder Showzen cover) (Indie Interviews exclusive mp3) Upcoming Peter and the Wolf Dates7.06 San Diego, Scolari's Office7.07 Los Angeles, The Echo7.08 Los Angeles, Il Corral7.09 San Francisco, Hotel Utah 7.12 Portland, Towne Lounge 7.13 Seattle, S.S. Marie Antoinette7.14 Victoria BC, Orange Hall7.15 Vancouver BC Pat's Pub7.18 Seattle, live on KAOS at 9pm7.20 Salt Lake City, Vagabond7.21 Denver, Rhinoceropolis 7.22 Omaha, O'Leavers 7.23 Lincoln, Chatterbox 7.24 Ames, The Practice Space7.25 Iowa City, The Hall Mall7.26 Columbia, Ragtag7.27 Columbia, Live on KOPN at 3pm7.27 St. Louis, The Ground Floor7.28 Chicago, Logan Square7.31 Ypsilanti, Banana Tina8.02 Kutztown, GoodVibes8.03 Charlottesville, Tea Bazaar8.04 Baltimore, Talking Head8.05 Philly, Avant Gentlemen's Lodge8.09 Portsmouth, Chutney Flatz8.10 Portland, Strange Maine8.11 Montreal, Green Room8.12 Toronto, Tranzac8.13 Rochester, The Bug Jar8.14 Kingston, KMOCA8.15 Northampton, Gallery THINK8.17 Boston, P.A.'s Lounge8.18 NYC, Goodbye Blue Monday