Podcasts about sf state

April is National Poetry Month and to celebrate in proper style Bay Poets has been exploring the Poetry Center at SF State's amazing archives. Today we wrap up the series and poetry month by talking about San Francisco's current Poet Laureate, Genny Lim.

Danny Glover is a legend of stage, screen, and the frontlines of social change. Tracing his family's roots back to his great-grandmother's experience as an emancipated slave, his grandparents' work as sharecroppers, and his parents as organizers within the post office, activism runs in Danny's blood. The 1968 student-led strike for Ethnic Studies at San Francisco State University led him to acting when the poet Amiri Baraka recruited him for revolutionary theatre. From working on the stage, he made the transition into films and became a certified star with the Lethal Weapon franchise. He has never stopped using his platform to raise awareness for human rights and he continues to live in San Francisco's Haight-Ashbury neighborhood where he grew up.--For promo opportunities on the podcast, contact info@historyofthebay.com --History of the Bay Spotify Playlist: https://open.spotify.com/playlist/3ZUM4rCv6xfNbvB4r8TVWU?si=9218659b5f4b43aaOnline Store: https://dregsone.myshopify.com Follow Dregs One:Spotify: https://open.spotify.com/artist/1UNuCcJlRb8ImMc5haZHXF?si=poJT0BYUS-qCfpEzAX7mlAInstagram: https://instagram.com/dregs_oneTikTok: https://tiktok.com/@dregs_oneTwitter: https://twitter.com/dregs_oneFacebook: https://facebook.com/dregsone41500:00 Growing up in SF07:57 Great-grandparents13:48 SF State student strike20:37 From theatre to films28:58 Danny's journey33:03 Sidney Portier & Harry Belafonte36:57 Last Black Man In San Francisco

00:008 — Katie Rodger is a Lecturer at UC Davis and President of UC-AFT. 00:20 — Max Flynt, a San Francisco State University student and member of the General Union of Palestine Students at SF State. 00:33 — Lori Wallach is the director of the Rethink Trade program at American Economic Liberties Project.  The post US EEOC Investigation of Alleged Antisemitism on UC Campuses; Plus, Thirteen University Student Groups Condemn Attacks on Pro-Palestinian Activists; And, What's Next After Trump's Global Tariffs? appeared first on KPFA.

It's been a while but we're back! And our next guest is teacher, lecturer and playwright Terry Boero. We learn about her upbringing her work at SF State, any new works she's working on now, and her future. Terry can be contacted directly via Instagram at @merriberriterri and on Bluesky: Terry-Boero.bsky.social Jameelah Rose has her own business selling healthy drinks - MelanA☥D is a black owned business that specializes in alkaline elixirs used to heal the mind and body. It's currently being sold at the Mandela Shopping Mart and you can find more info on MelanA☥D on this Facebook page: https://www.facebook.com/melanaid We also want to thank Charles Blades Barbershop for sponsoring The Yay! Charles Blades Barbershop is located at 180 Second Street in downtown Oakland. It's a very cool, relaxing place where you can get your cuts and they'll even serve you a complimentary drink. Charles is also selling men's hair products on his website https://cbbgroominingproducts.myshopify.com Hair Gels, Pomades, Shampoos and Conditioners. Hop online, give the products a try and support minority businesses like my man Charles Blades. Book an appointment online here: https://www.cbb.hair Erin Merritt (Episode 191) is a gifted actress and director – creator of Women's Will, the all-female Shakespeare group that ran from 1998-2009, who is suffering from ALS. She has been a blessing to the bay area theatre community and this is an opportunity to be a blessing for her. Her GoFundMe page link is below – please consider giving to help with her medical needs. Even a little bit counts. Erin Merritt's Go Fund Me site: https://gofund.me/e85e9f04 SHOWS: Exotic Deadly (SF Playhouse) Jan 30 – March 8 Nicole Tung (Episode 314) is in the show https://www.sfplayhouse.org/sfph/2024-2025-season/exotic-deadly-or-the-msg-play/ Froggy (Center Rep) LAST SHOW TOMORROW (March 2) Adam KuveNiemann (Episode 274) is in the show Jed Parsario (Episodes 63 & 186) is in the show https://www.centerrep.org Cuckoo Edible Magic (SF BATCO) Feb 13 – March 8 Julie Kuwabara (Episode 184) is in the show https://www.sfbatco.org City of Angels (Pinole Community Players) March 7 – 23 Bruce Kaplan (Episode 294) is in the show https://www.pinoleplayers.org/cityofangels Wild With Happy (NCTC) March 7 – April 6 ShawnJ West (Episode 146) is directing the show https://nctcsf.org Fat Ham (San Francisco Playhouse) March 20 – April 19 Margo Hall (Episode 166) is directing the show Khary Moye (Episode 45) is an understudy for the show https://www.sfplayhouse.org/sfph/2024-2025-season/fat-ham/ Simple Mexican Pleasures (NCTC) April 4 – May 11 https://nctcsf.org/event/simple-mexican-pleasures/ SF Fringe Festival (SF State) April 4-8 Terry Boero and Jeffrey Lo (Episode 153) is coordinating the event https://gateway.sfsu.edu/public/webcalendar/event/56218 Government Housing (Lower Bottom Playaz) April 4 – 29 Cat Brooks (Episode 283) is in the show Jeunee Simon (Episode 297) is in the show Dr. Ayodele Nzinga (Episode 257) wrote and directed the show https://www.lowerbottomplayaz.com Jersey Boys (Palo Alto Players) April 18 – May 4 Lauren Jiang & James Jones (Episode 245) are in the show Danny Martin (Episode 71) is in the show https://paplayers.org Pacific Overtures (Kunoichi Productions at Brava Theatre) May 30 – June 15 Eiko Moon Yamamoto (Episodes 120 & 225 is in the show) https://www.kunoichiproductions.org/pacific-overtures Follow us on Facebook and Bluesky (TheYayPodcast)

Dimitri and Khalid resume their dive into the deep history of the synthesizer and electronic music, this time covering the late 1960s-early 1970s explosion of the Moog and Buchla synths into popular consciousness. Topics include: More from Trevor Pinch's “Analog Days”, sus acid test graduations, the faux-apocalyptic “Awareness Festival” held amid race riots at SF State, B-52 bombers turning into butterflies, the Diggers Commune and the sounds of space aliens, the Grateful Dead's pivotal role in sound technology innovation, Moog's coming out party at the 1967 Monterey Pop Festival, heckin' Bernie Krause and the curious Scientologist swinger Paul Beaver selling Moogs in LA, UFO hunting around Mt. Shasta, George Harrison screwing over Bernie to make his shitty electronic album, the impact of Wendy Carlos' seminal “Switched On Bach” album, the question of gender and the synthesizer, the labor anxieties triggered by “Switched On Bach” and the Moog, Suzanne Ciani's long strange Buchla trip, synthesizing the sounds of corporate America throughout the 1970s, human-Buchla cathexis, the feminine approach to synthesis, and more. For access to premium SJ episodes, upcoming installments of DEMON FORCES, and the Grotto of Truth Discord, become a subscriber at patreon.com/subliminaljihad.

San Francisco has such a rich history of comedy. No one can argue against that. In this bonus episode, meet SF Sketchfest co-founder and co-director Cole Stratton. I chatted with Cole about: his early days in Michigan and his and his mom's move to Davis, CA going to SF State, moving to The City meeting folks (David Owen and Janet Varney) with whom he later helped create Sketchfest how his desire to act drove him to Los Angeles, where he lives today the sketch crew he was in, which lead to the festival the 2002 launch of SF Sketchfest this year's 18-day event, which kicks off tonight! Go to SFSketchfest.com for tickets and more info. We recorded this podcast on Zoom in January 2025.

Actor, editor and color grader Mark Anthony joins Jake and I as our next guest on The Yay. Mark is a graduate of SF State University and has been on many stages in the bay area like Town Hall Theatre, Theatre Rhinoceros and the Altarena, where Jake and Mark shared the stage. We talk about Mark's upbringing, studying at SF State, how theatre in the bay has treated him and where he sees himself in the future. You can contact Mark directly via Instagram: @markanthonythethespian You can learn more about Mark via his LinkTree page: https://linktr.ee/staringmarkanthony?fbclid=IwY2xjawHS7cxleHRuA2FlbQIxMAABHTuu4LxrpKkgS_q0zPzgyo4TAeM9sQLCpJTrAqYsEyxhHV-4LsXo776niw_aem_8YxutzQqEcpyl94QFlrq-A Jameelah Rose has her own business selling healthy drinks - MelanA☥D is a black owned business that specializes in alkaline elixirs used to heal the mind and body. It's currently being sold at the Mandela Shopping Mart and you can find more info on MelanA☥D on this Facebook page: https://www.facebook.com/melanaid We also want to thank Charles Blades Barbershop for sponsoring The Yay! Charles Blades Barbershop is located at 180 Second Street in downtown Oakland. It's a very cool, relaxing place where you can get your cuts and they'll even serve you a complimentary drink. Charles is also selling men's hair products on his website https://cbbgroominingproducts.myshopify.com Hair Gels, Pomades, Shampoos and Conditioners. Hop online, give the products a try and support minority businesses like my man Charles Blades. Book an appointment online here: https://www.cbb.hair Erin Merritt (Episode 191) is a gifted actress and director – creator of Women's Will, the all-female Shakespeare group that ran from 1998-2009, who is suffering from ALS. She has been a blessing to the bay area theatre community and this is an opportunity to be a blessing for her. Her GoFundMe page link is below – please consider giving to help with her medical needs. Even a little bit counts. Erin Merritt's Go Fund Me site: https://gofund.me/e85e9f04 SHOWS: A Christmas Carol (CenterREP) LAST SHOW DEC 22 Adam KuveNiemann (Episode 274) is in the show Terrance Smith (Episode 102) is in the show https://www.centerrep.org Thirty-Six (Shotgun Players) EXTENDED THROUGH JANUARY 4! Lauren Garcia (Episode 207) is in the show https://shotgunplayers.org/Online/default.asp Every Christmas Story Ever Told – And Then Some (Town Hall Theatre) LAST SHOW TONIGHT Cecilia Palmtag (Episode 34) is in the play https://www.townhalltheatre.com/every-christmas-story A NOH Christmas (Theatre Yugen) Dec 4 – 29 Eiko Moon-Yamamoto (Episodes 120 & 225) is in the show https://www.theatreofyugen.org The Oracle (The Lost Church SF) Jan 10 & 11 Diana Brown (Episode 242) is in the show https://thelostchurch.my.salesforce-sites.com/ticket#/ Waitress (SF Playhouse) Nov 21 – Jan 18, 2025 Tanika Baptiste (Episode 253) is in the show Dorian Lockett (Episode 230) is in the show Sharon Shao (Episode 176) is in the show https://www.sfplayhouse.org/sfph/2024-2025-season/waitress/ In Love and Warcraft (CityLights Theatre) Jan 16 – Feb 9, 2025 Miranda Liu (Episode 300) is in the show Kimberly Ridgeway (Episodes 155, 251 & 293) is directing the show https://cltc.org/event/warcraft/ Follow us on Facebook and Bluesky (TheYayPodcast)

The fastest moving human-built object ever, the Parker Solar Probe, will enter the sun's atmosphere on December 24th. It's the closest any artificial object will have gotten to the sun. We'll talk with astronomer Andrew Fraknoi about what the solar probe hopes to learn and other exciting developments in astronomy, such as the discovery of the hungriest black hole yet found – it consumes the mass of our sun daily. And as we approach the shortest day of the year, we'll contemplate how the ancients celebrated the winter solstice, and why we can thank a planet that crashed into Earth for our seasons. Guests: Andrew Fraknoi, astronomer and professor, Fromm Institute at the University of San Francisco and the OLLI Program at SF State; lead author of the most popular introductory astronomy textbook in North America; Website URL: www.fraknoi.com

  A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists.   In this episode of APEX Express, host Cheryl shares Part 1 of a powerful intergenerational conversation featuring the OG organizers of Chinese for Affirmative Action (CAA) and young leaders from Hmong Innovating Politics (HIP). The discussion highlights the challenges and inspirations that drove CAA's founders to join the Asian American Movement of the '60s and '70s, offering valuable lessons for sustaining activism across generations. Important Links: Chinese for Affirmative Action: Website  |  Instagram Hmong Innovating Politics: Website  |  Instagram Transcript   Cheryl Truong: good evening and welcome to tonight's episode of apex express. I'm your host, Cheryl Truong and tonight is an AACRE night. Now you might be wondering what is AACRE. AACRE stands for the Asian Americans for civil rights and Equality network, which is made up of 11 grassroots, social justice groups. Together leverage the power of our network to focus on longterm movement, building and support for Asian-Americans committed to social justice. And speaking of AACRE groups. APEX express is proud to be a part of the AACRE network.  For tonight's show, I'm thrilled to share a really special and intimate recording from a panel discussion we hosted here at the AACRE network that bridges generations of organizing. This panel brought together the OGs– originals– who helped build chinese for Affirmative Action or CAA into the esteemed 50 year old civil rights organization it is today. Alongside young organizers from Hmong Innovating Politics, also known as HIP, who are paving the way for Hmong Americans in Sacramento and Fresno. Both hip and CAA are vital groups within the AACRE network. The purpose of this exchange. To spark an intergenerational dialogue between seasoned CAA leaders and current hip staff and exploring how their roles in the movement have evolved over time.  Together, they delve into the strategies they've employed to sustain their impact over decades of organizing. However, this is only part one of what is and was a much longer conversation. So for tonight's episode, we'll focus on getting to know some of the CAA OGs. You'll hear them introduce themselves. Share some of the hardships they faced as pivotal organizers during the Asian-American movement of the tumultuous sixties and seventies. And reflect on what catalyze them to get involved in the movement. Through the stories we hope to uncover lessons from the past that can guide us in sustaining and evolving the fight for justice today. So stay tuned. It's going to be an inspiring and reflective journey into the heart of activism.  So I'm pleased to introduce. The panel facilitator, Miko Lee who is AACRE's director of programs. And CAA OGs Germaine Wong Henry Der Laureen Chew Stephen Owyang and Yvonne Yim-Hung Lee  Miko: Yvonne,  what was a kind of chrysalis moment for you in terms of social justice? Yvonne Yim-Hung Lee: First of all, when I got the email, I didn't know what O. G. was, so I said “Oh Geezer!” That's how I interpret it. I said “Oh, I'm there!” This is going to be a really honest and frank family gathering so thank you inviting me and I'm really excited to be here with my, peers and colleagues and more importantly to really hear from you, your experience. I am a first generation immigrant. My parents were very well to do business people in Hong Kong. They decided to immigrate to this country with three young kids. My father when he was young, he was the richest boy in his village. Overnight, people came and forced his father to give up 98 acres of their 99 acre farm. So from being the richest boy in town, in his village, to have to go to Hong Kong to live with this uncle. My mom was from a rich family in China also. Her father was one of the few merchants who came to the U.S. after the Chinese Exclusion Act, he went to New York, opened up a pastry shop, but he found his goal. He won second prize of a New York lotto. So he decided to go back to China because even though he was a merchant, he experienced a lot of discrimination. He never talked about his experience in America. But my mom was a little princess. You know, we used to call her , and her friends, the little Paris Hilton of the group, because that's what they did. They went to school as ABC's, never had to work a day in their life. But one thing, She and my father, because they were both from richest families in different villages, they were supposed to be matched up. But by the time they were at marriage age, he was already a poor kid. But my mom told the father, said, a promise is a promise.. So she married this poor guy, moved to Hong Kong, and he did quite well for himself. So we were brought up, ” money is not what should drive you in your life. You can lose it in one day. The most important thing is to have a good heart, to make sure that everything in this world, you have to make a difference. Whether it's to your family, or to others. You cannot be angry, because someone else is going to make you angry. When we came, it was a really tough time for him. You know, we lived really well in Hong Kong. Coming here to live in Chinatown back in the 60s really wasn't that pleasant. But, we made do based on the three principles. We came here for freedom. We came here for knowledge. And knowledge doesn't mean just college. So we were lucky. We never were forced to study certain fields so that we can make money because for him, it was always experience to really, really take in the nourishment for yourself, but give out whatever you have to others. So based on the guidance and that's how, that's my North Star. That's what's driven me. So I went to Davis. Yay Davis and the Cows! They're still there. What really got me to community activism was when I was 16, I was in the hospital. And They put this, at the time I thought she was elderly, but thinking back she was probably in her 30s. But when she was 16, anyway over 20 is elderly. And she could not speak English. And they could not communicate with her. And half of the hospital staff was making fun of her. And that was in, 70? 1970? It wasn't that long ago. It was still in my our lifetime. So, I was young but I acted as her translator. It was very difficult because she has women issues. And I didn't know her. And her husband was standing there. And she had to tell me her most intimate thing. And all the room of doctors, nurses and everything– they were very dismissive of her because of the fact that she did not speak their language. So because of that I felt that that's wrong. Because prior to that, even when we were living in Chinatown, I still felt I was privileged. You know, we weren't poor. We were still doing well. But after seeing that experience, it really taught me that even though we came to America for freedom, freedom is only for those who could really stand for themselves. And there are some who, if they cannot, send someone else in to fight with them. Not for them, but with them. So that's how I started my career, and I jumped from place to place. I'm not the CAA member, but I'm the honorary member of CAA because I had the privilege of working with Henry. All the meetings that we had back in the 70s, 80s, and 90s and everything with Ted and Steve on redistricting, immigration reform, census, welfare reform, everything that we today take granted. We don't even think about it. Came from here. This room. Before this room, it was another room. It was a little less, little place. We, we moved up by, by moving here in the 90s. So, thank you so much for this privilege and I look forward to our conversation. Miko: Thank you, Yvonne. And I just, OG, just so you know, does not mean OG. Does anybody want to explain what OG means? Hmong Innovating Politics (HIP) Staff: Old Gangster   Miko: It's actually a hip hop terminology for gangster, but it actually means the original. Who's the original, the source of the knowledge, the source of the power. So it's, we use it with love and honor.  Yvonne Yim-Hung Lee: Intergenerational communication.  Miko: I'm sorry I did  Henry Derr: I have to say, I never liked the term O. G. when I first heard it. Because I thought it meant an old guy, Even though I'm old, I didn't want to admit that I was old. , one thing I have to say straight away is, you all are happy about this weather, I'm very unhappy about this weather, because I, even though I'm a native of San Francisco, Chinatown, at the age of seven, my family moved into Stockton. I went through all my schooling till I graduated from Franklin High School on the east side of Highway 99. Some of you may have, your high schools may have competed against Franklin High School. When we moved into Stockton for the longest time, We could never figure out why in the hell our father moved us into Stockton, because we were the only one or two Chinese family on the east side of Stockton right there on Main Street. And then over time, and actually very recently when I think about it, there was, he probably had a good reason for moving us into Stockton. Because my father was actually quite clever in terms of circumventing the discriminatory impact of the Chinese Exclusion Act. As some of you may know, a lot of Chinese men who came here to the United States after the Exclusion Act had to lie about who they were. They would claim that they were sons of U. S. citizens in order to enter the United States. Well, it turned out that my father and my mother on paper had 17 children. And in our family, there were really only just eight of us who were born from our parents and my oldest brother who was adopted. The rest were actually paper sons. So my father moved the family into Stockton because I remember very clearly when I was less than five years old, my mom said to us, children, don't say anything about the family when you go out the streets and I could never understand why don't say anything about that. Well, it turned out that. There were a lot of immigration agents prowling around Chinatown during the fifties, during the confession program. So, I think my father made the right choice to move the family into Stockton. And we always longed about coming back to San Francisco. But also looking back at it, it was actually a blessing in disguise. Because I actually grew up, as some of you may know, from Fresno, Sacramento, Visalia, Ceres, Modesto, then, not now. It was actually, I lived in a very diverse neighborhood. There were blacks, there were Mexicans and there were whites and the whites were not rich. They were like the rest of us. They were poor from Oklahoma. So probably the first social, I would consider this first social justice consciousness that I developed during the 19 50s and 60s when I was growing up. In addition to following what was going on and unfolding with the Black Civil Rights Movement in the South, was that Stockton Unified was impacted by school desegregation and there was busing. So there was a lot of talk that kids from our high school in Franklin were going to be bused to Stagg High School. And at that time, in the 50s and 60s, Stagg was all white, they were all wealthy, and we basically protested, said, we are not going to go, that we're not, we don't need those rich white folks. We're okay by ourselves. So that kind of built a consciousness in me. And I would say the other big social justice consciousness was really actually during college, when many of us protested against the war in Vietnam. We marched to the Oakland Army Induction Center in Oakland. We had a sleep in, in the old student union on the college campus. We didn't get arrested like the kids are being arrested today who are protesting the atrocities in Gaza. During my last year in college, There wasn't anything known as Asian American Studies, but there were enough black students who wanted black studies on the campus. So, we just joined in and helped protest that there was an absence of black studies on the college campus. After I graduated from college, I knew that I was going to go into Peace Corps because I was inspired by President Kennedy. And it didn't make, truth be told, it made no difference what college I was going to go to. I knew I was going to go into Peace Corps, and that's what I did, because the last year I was in college, they offered Swahili, and I said, oh, that's perfect, I'm going to enroll in Swahili, and I end up going to Kenya for two years. And after two years of service in Kenya, you know, it kind of made sense for me to say, you know, if I can go halfway around the world to do public service work, I can certainly come back to Chinatown and do community work. And that's how I end up coming back to San Francisco in 1970. And then, The rest is whatever I did.  Female speaker: The rest is history.  Female Speaker 2: The rest is documented history.  Miko: We'll get into that a little bit more. Steve, what about you? What was your first kind of experience of recognizing social justice?  Stephen Owyang: Okay, so, Both sides of my family came to the U. S. a long time ago in the 1870s from Southern China. And they were in San Francisco until the big earthquake in 1906, after which point most of the family went into the Sacramento Valley. So I was born in Sacramento. I was raised in, down the river in the Delta. I'm really excited to meet you because my father had a small business back then and we went up and down Highway 99 all the time. So, Stockton, Lodi, Modesto, Merced, Kingsburg, Fresno, Hanford, Ripon, Visalia. And my father's business was basically delivering stuff to little mom and pop grocery stores run by Chinese families, mainly from one little county in Guangdong province. There was no I 5 back then, just 99, and you know, in the summer, as you know, it gets really hot. So it was a treat for me to go along with my father because I always got free sodas at every store, so I would go out with him and you know after six or seven sodas It was like, it was a great day. My first glimmers about social justice were just growing up in the Delta and I'll give you three stories.  It's the town of Walnut Grove, and the town of Walnut Grove on Highway 160 is one of the few delta towns that are on both sides of the river. There's a bridge that connects it. And on one side of the river, it's middle class and upper middle class and wealthy white families. Our side of the river, you had the folks from the Dust Bowl days, as Henry mentioned, people from Oklahoma and Texas who came out during the Depression. You also had a small Chinatown, a small J Town, a small Filipino area, a small Mexican area. And that just reflected the social conditions of California agriculture, because each one of those communities at one time was the main source of farm workers. And in fact, my own family, because of the alien land laws, they were farmers, but they couldn't own farmland, right? And so they were sharecroppers. Just, you hear about sharecropping happening in the South, but it also happened in California. So when I was growing up, three things. On the rich side of town, the white side of town, there's a swimming pool that was only open to white families. It was a private pool. You could only go there if you were a member. You could only be a member if you were white. The only way I could go there is if a friend who's a white, from a white family, who's a member, takes you there as a guest. So that's number one. Number two. My best friend was from one of these landed white families, and we were, we were very close. We were good students in elementary school. And then one day in the seventh grade, he, he takes me aside and he says, You know, I can't hang out with you anymore because my mom says I need to have more white friends. So he just cut it off like that. And I, that's the, that's, that's the truth. That's just how it happened. I guess the other thing that affected me back then was I used to go to a little American Baptist church and we had, I guess visits to black churches. And I remember going up to Sacramento on one of these visits and one of the kids there did Martin Luther King's, I have a dream speech from memory. And, it's like amazing oration. And I thought, wow, there's something. going on here that you sort of opened up my eyes to the situation in this country.  So basically until high school, I was a country kid, you know, but then we moved out to San Francisco and it was a big culture shock, big shock. So I was in, I basically came out for high school and this was in the late 60s and I remember it was 1968 when Laureen was on strike for, uh, Ethnic Studies and the Third World Strike in SF State. My high school was literally a few blocks away. I was at Lowell High. And students from SF State were coming over and leafleting us. I started reading that stuff and that's when I really got interested in what was going on at State and later on when I was at Berkeley, you know, in Ethnic Studies. So I think my grounding came from Ethnic Studies, the anti war movement, and, you know, I would love to talk to you about the whole thing about the Vietnam War because, You know, I'm guessing maybe your parents or grandparents were involved in the secret war in Laos, a war that the U. S. wouldn't even acknowledge happened even though we were bombing Laos. So it was ethnic studies, the civil rights movement, and the anti war movement that got me involved. In Berkeley, I was involved in some of the ethnic studies stuff. Even though I'm a fourth generation Chinese American, it's always been very important to me to try to learn the language so I was in the Cantonese working group. So I helped put together the curriculum stuff that was going on in Asian American Studies. I think before Germaine was there, or maybe around the same time. Yeah, I've known these folks for literally 50 years. It's kind of scary. So, um, I was inspired by what was going on at CAA, what Laureen was doing at SF State. So I joined CAA. Biggest mistake of my life. Because I saw this little ad in East West newspaper, used to be this community newspaper, and there was literally a coupon that you would clip out. And I sent in the coupon with a 5 check. It's like the most expensive 5 I've spent in my whole life. And then I went to law school, and I was involved in the law caucus and a number of other things, but my first job out of law school was Right here at CAA. Well, not here, but up on Stockton Street. Henry was my boss. You know, I feel like I would have been less burned out had we done some of this stuff. But we didn't do any of this. I remember my first desk had literally a door on top of like cardboard boxes. That was our office back then. And in one form or another, I've been involved in CAA ever since. I've been in a couple of organizations. Other organizations, but CAA is the one that's closest to my heart, and I'll tell you why. One, I met my wife here. And number two, I feel like the great thing about CAA is it's never lost its real community roots. I feel like other organizations do great work, don't get me wrong, but I feel like CAA has always maintained a real close connection to the community, and that's why everybody. I wrote that 5 check and, and several others. So yeah, that's, that's my story.  Miko: Thanks, Steve. Laureen, what about you?  Laureen Chew: Wow, this is amazing. Listening to everybody else's story, really. I guess I'll start pretty much how, my family was. My grandfather came in 1870s. I think I found out when I went to the roots program, which is only like five years ago, that was an adventure. so my parent, my father and his whole family was born here and born during Chinese exclusion. And so obviously they lived in Chinatown and nowhere else to go, even though they, my father and especially his, younger siblings. They all spoke English. Interestingly, his first two sisters were born here too. They didn't speak a lick of English because they never went to school. So what was really interesting for me, so I was born and raised in Chinatown. Okay. I wasn't born in Chinese Hospital. I was born in Children's Hospital, which everybody thinks is odd. But that's another story. My mother is actually an immigrant. She's a first generation, but she didn't come until 1947. So what's interesting is that I'm always kind of stuck between generations, like one and a half. But having a very strong mother who spoke only Chinese and my father's side, who's mostly English speaking. But a lot of them, my cousins or whatever, they were a lot older. They did speak Chinese also. But what's really stark to me is because growing up in Chinatown, you go to school with basically majority Chinese kids, right? And so you live in this community that on the one hand is very nurturing, very safe. Very intimate in a lot of ways. All my cousins and whatever are here. I mean, to show you how large my father's side was, when my aunt, the oldest aunt had her 50th anniversary wedding anniversary, she married when she was 14 because otherwise women, people forget. I I'm probably the first generation of women that either had a choice to not get married and I was still able to eat because I made my own money. Okay, my mother's generation, no, all her friends, no, you know, so don't take that one for granted either as women. So what was interesting was the fact that because she is very strong in being Chinese and then my father's side are total assimilationists, mainly, which was really interesting because many of them who grew up during Chinese exclusion. It was horrific, but you would never, I never heard one story. His family must have had over 300 people because his sister had 13 kids. Okay, then they had all had kids, one at 10, one of her daughter in law. So it was like huge. Growing up in this area, I just never felt I was different than anyone else because you don't come in contact with anyone that's really different until I went to high school. My mother is the immigrant. She wanted to send me to a school that was not a public school that a lot of the Chinatown kids went to, which was Galileo, because she somehow felt that I would be the kind of kid that would go not the straight and narrow, but more towards the the More naughty kids, to put it mildly, she knew that. So what she did was that she sent me to a Catholic school, okay, because she, God knows, oh yeah, she went to school for two years in Hong Kong. She's another story, she didn't have any money, and so she was given to an aunt to be raised. So she married to get out of Hong Kong because At twenty, she told me the only thing she told me was at twenty seven, I was considered an old maid. And then my father, who was, didn't have, there weren't very many women here because of Chinese exclusion, and he had to marry Chinese, actually saw my mom, and my mom's a picture bride, so they didn't even know each other when they got married. But she took over. My mom is like the queen of the family and the decision maker. And my father made the money and she spent it however little she had. Okay. And going to Catholic school was one thing that she felt that would help me become a good girl, except that I had never been to a where there were white kids. And so this school Was not only Catholic, but it was also a school that was considered kind of the, the best girls, Catholic high school. It was at the end of Chinatown. And that's the only reason why she wanted me to go there because I didn't have to take the bus. I can walk home. It's, it's a French school called Notre Dame de Victoire. So I went there and I thought I would have a really good time, just like all, all the high school. My problem was, was that. I was different, but never to know that you're different until you're in high school. Because you know, you know how mean girls can be in high school. And then they're all, it's an all girls school and it's a small school. And so my mom told me very clearly, you know, it's $150 a year. We really don't have that money, but. You know, we'll scrape and do whatever we can to send you through that. I said, Oh, okay, cool. Right. Except I had no friends. I mean, I was one of three Chinese girls in the school and I never knew how different I was until I got there because I used to get home perms, you know, permanence. And all the other girls had money. They were at least middle class, if not richer, and they all went to beauty parlors. My mom cut my hair and gave me the home perms, and she was into saving money, like I said, so she always kept the perm on longer than you should have it. I swore one year it came out like I had an afro, and I was so embarrassed. I made her cut it just to make it look straighter, but it was horrible. I don't have a picture. No, first of all, pictures aren't that common back then, you know, it costs money to have film and a camera. You didn't even have a camera. Yeah. So anyway, plus another thing is that because I wasn't the smartest Chinese girl either. Okay, the other two Chinese girls did pretty well. They were smart, and they were good in sports. I was neither. And I looked like a dork. Then what would made it even worse was that my mother spoke no English. My father did, but he might as well be absent because he slept during the day and worked at night. So we have things called mother daughter fashion shows. Mother, daughter breakfast. And I saw the way those mothers were dressed and I saw the way everybody acted and my way of dealing with it was I had no mom. I never brought her to the school. Any mother, daughter thing, I didn't go to. You didn't have to. I mean, that made me even less part of the school. And it was very painful because I didn't understand why I would be treated that way. Just because I looked, but I spoke English, it didn't matter. I did look a little weird, you know, so to this, I think it influenced me a couple of ways. One, whenever I had money, clothes was going to be my big deal. It still is, you know, it's kind of psychological. And then secondly, then that was a time that I figured out like, how come I don't, I hate myself and my family versus versus hating those girls. Right. I mean, that's how I dealt with it. It was, I call it a form of self hatred and it's, it's done by schooling. It's done by not only schooling in terms of omission about who we were as a people here, but omission about racism. Omission about discrimination and just about our histories here. But I didn't have a label for it in high school. I just, I really thought there was something wrong with me and my family. And that's the greatest danger about racism, is this form of internalizing it and not having a vehicle to deal with it. And there was nothing in our schools that dealt with it, you know, and I think what I came out of there realizing was that. Oh, another thing, I had mixed messages about what was happening because Martin Luther King was already on TV, and I was trying to watch it, and then I was still in high school, and my mom would, and my cousins, American boys, don't watch the black people. They're troublemakers. You know, all they do is make trouble, you know, they don't, they should be like us. We don't complain, right? We don't make trouble. And that's how you succeed. You succeed, I think, in my, what I was raised with, with the older generation of American born who had to go through this horrific history, you know, one, you don't get a job in Chinatown. You should get a job outside of Chinatown because it means that you're working for white folks and working for white folks is better than working for your own. So self hatred doesn't just run in yourself. It kind of permeates how we feel. feel as, as a group of people, right? And so, my whole thing was that I was looking for answers as to why, why I felt the way I did. And not only that, I wasn't the only one. That's what was interesting. And I didn't realize that until I went to San Francisco state, you know, because I was told, my mom said, you want to go to college, you're going to have to You know, find your way up to court because she, you know, she spent that on my fabulous high school education, which I came up miserable and, and I would tell her I want to go to Galileo. I want to go there. She said, no, you're not going to go. I said, she goes, what is wrong with you? Because I started crying certain times and she would just say, well, you're going to school to learn, not to make friends, so forget about it. I'm giving you the best with best intentions. But then when I went to college, this one girl who grew up in South City, similar experience because South City was all white back then. So she said to me one day, she was, she's Chinese too. And she says, you know, there's a meeting there that's huge. The people are talking about all this stuff. We talk about how we were mistreated in high school and how people are blah, blah. There's a name for it. It's called racism. I was called what racism. Okay. She goes, you want to go? I said, well, who's there? She said, black people. But I said, Oh, my mom would kill me. I mean, I was really worried because my mom doesn't even know what I do at state. So I went. I think that time we had some pretty interesting people. One time there was Eldridge Cleaver, who was the head of the Black Panther Party. Um, there were people like Carlton Goodlett, who was from the Bayview Hunters Point, who had certain people from the mission. They were all kind of leaders of different communities. There was Yuri Wada, who was a Japanese American. He was very prominent in dealing with civil rights. Chinatown, I, George Woo, George Woo is an infamous person also. He was the spokesperson for gang kids in Chinatown. He was very, very, very alive and took over in terms of the whole thing about the youth problems in Chinatown. So he was not part of this group, but just hearing the stories of these other ethnic groups that were very similar, not the same, but this whole thing of like just being dissed for the way you look, the way you speak, and supposedly your values. And my whole thing is that, that thing opened my eyes to the extent that helped me to release a lot of my anger towards something I didn't know who to be angry at, right? So you have to, I felt that the San Francisco State Strike, I mean, I was all in and with a small group of Chinese that were there, including Mason, all these people. And we had to really open our eyes to working with other people that were not like us. And what was more interesting for me to see was that every single group said that if we're ever going to have classes on ethnic studies, a key part of those classes should be why we are getting an education. And why we're getting an education primarily is to serve our communities. So there is a real strong component to ethnic studies that was community based. And because of that, during my college years, I actually came back, I mean came back, I was still living in Chinatown, but I actually placed myself in the Chinatown that I knew nothing about, which is our issues, our problems. And during my time, it was mainly about youth problems. We had a gang problem. We had girls that were on drugs. We had immigrant kids that didn't speak any English and just thrown into schools nilly willy without anybody helping them. So I was lucky enough for three years or four years during college that I worked as a house parent for runaway girls. I worked trying to tutor immigrant kids, you know, and I was trying to become a teacher. So those formative years, in terms of just having my feet in different things really showed me that, you know what, I don't want next generations of people who kind of look like me to have to go through the struggle of hating myself. Because of things that are my home, that are based home base, you know, this country, this is what I feel that very strongly about the United States, that I think people are losing sight of, especially now that we're all in very ethnic silos. This country is very different in the sense of just the whole fact of different groups mixing, you know, you go to China or whatever it's still basically you. you're Chinese, even in my north, south, pink, whatever direction you are. It's still basically Chinese, but in this country you can come from different areas and different places of the world and still have a vision that ties you together. That should be a singular vision, which is a democracy at this point. And then also this very simple statement of justice. And equality for all. We sometimes forget about the all, if we're just kind of in our little silos. But I think that's the reason why, from state on, and reacquainting to my community, it was life changing. Whatever job I took after that, whether I was a teacher, a faculty, associate dean, chair of the department. My main focus was that I'm here for the students and the people, quote unquote, who are here with me that have this similar vision, that we all have a place here. And in order to, for us to really respect others, we have to respect ourselves. And that includes what we're raised with in terms of our values and also our history here. Miko: Thanks, Laureen. Germaine?  Germaine Wong: Oh. well, my experience is similar to many of yours and a little bit different. I grew up in Oakland, Chinatown, and Went to a school that was only three blocks from where I live. And the school was Mexicans, blacks, as well as Chinese. Although I would say maybe half the school, at least half the school was Chinese. And I didn't, I didn't speak any English until I went to school, so I had that experience too. And then, my father was always very upwardly mobile, wanted to live the white middle class life. And I didn't know it at the time, but, he managed to buy property in Castro Valley, Southeast of Oakland. At the time, they wouldn't sell to Chinese. So he got somebody at work to buy the property for him. And then sold it to my father. That's how we got to move there. So I started high school in Castro Valley. I was the only non white in the whole school. The janitors, the cafeteria workers, everybody was white. I was the only one in that school who was not white. But I'm a little bit more dense than all of you, so I was not aware of whatever racism there was. At that time Castro Valley was really white. And also very affluent. So most of my classmates. It's unlike in Oakland, Chinatown, these classmates, they were children of doctors and lawyers and engineers and dentists and most of the people in my high school, they, the kids either had horses or cars. At that time, Castro Valley was not the suburb it is today. Our neighbors, for example, our next door neighbors had chickens and goats So it was really different. So it was all so different from Oakland Chinatown. And then I finally experienced some racism the following year when a black family moved in and somebody really literally did burn a cross in their front lawn. Wow. Yeah. And she was in the same grade I was in, one of the daughters. And then another Chinese girl moved in. And I recognized her, but we were never friends in Oakland Chinatown. And that's where I first experienced reverse discrimination. Because I met the stereotype of an Asian student, right? So I did well in math and all the classes. Well, she was definitely a C student and the teachers treated her as if she was an F student. Teachers just expect us to excel in our classes. So that was my first, really, where it hit home for me. And then in the 50s, in Oakland, Chinatown, I experienced what Henry did during the confession program. So my mother was going through all these things. These are your aunts and uncles and these are not your aunts and uncles. And so if any white person comes and starts asking you about your family, just remember these people are not related to you because all of us had paper names. Like I'm not really a Wong. My family's really a Kwan. But in my situation, I had a great grandfather who was here legitimately. And then the next generation, when they went back, they decided we're never coming back to the United States. So they sold their papers. So then when the next generation decided to come back, they had to buy papers. So my family went through that situation. I had jobs where I lived in, during college, I, I had live in jobs, I lived with a family first when I was going to UC Berkeley, and then later on when I transferred over to San Francisco State, I worked for an older white woman, and so I, I got to see what upper white middle class families lived like, and then with this older woman that I lived in with here in San Francisco, what the rich people lived like, so that was kind a different world. And then somebody asked me to work at the Chinatown YWCA here. And I got to experience San Francisco Chinatown then. I was assigned to work in a pilot program where I worked with third grade Chinatown girls. One group were immigrant girls who lived in the SROs here. They literally are eight by eight rooms with a whole family lives in them. And the kitchen and the bathrooms are down the hall. So that was the first time I had ever seen people living like that, in such crowded digits. And the other group of girls I worked with, again, were middle class, upper middle class Chinese girls whose parents were doctors and dentists and like that. And the woman who was the executive director was a Korean American woman named Hannah Sir. And this was all when I went to college when President Kennedy was assassinated and then Lyndon Johnson became president. And so it was during this time that this Korean American woman said to me, you have to apply for this program because right now, President Lyndon Johnson only thought about blacks and Hispanics who needed help. And we really need to get Asian Americans in. So she convinced me to apply for program and some miracle happened and I got into the program. After I went to that summer training program, I came back here to San Francisco and I was assigned to work in the Bayview, Hunters Point, and Fillmore areas of San Francisco working with black gang kids. That was a new experience for me too. Then from there, then I went to grad school, then when I came back, I got assigned to working here in Chinatown, where I worked mainly with immigrant adults looking for jobs as well as the gang kids, both English speaking as well as Chinese speaking. And, from there, I met people like Ling Chi Wong and Eileen Dong. who were already working in Chinatown before I was. And that's when we got together and Ling Chi was actually the organizer, the lead person. And, we started CAA. So all of us had other jobs. We had full time jobs and so we were doing this kind of on the side. I think Ling Chi was the only one who didn't have a job. He was a graduate student. And I want to tell you, he was a graduate student in Middle Eastern ancient languages. That's what he was studying at UC Berkeley at the time. And, uh, but all the rest of us had full time jobs. We started CAA as a volunteer organization. We had no office, no staff, no money. And that's how we started. And eventually I first met Laureen, who really helped us out with one of our first major projects. Teaching English on television, remember? You and Helen, yes. You and Helen Chin really helped us out. Laureen Chew: Okay, nice to know.  Germaine Wong: And then I remember meeting, and then when Henry came to Chinatown and his Swahili was better than his Cantonese. Wow. Yes. Wow. Anyway, and I met all of these good people and CAA continued to grow. And there still is. Yep. Amazing, amazing story.  And that wraps up part one of this incredible intergenerational conversation. Between the OGs of Chinese for affirmative action. And the young organizers of mung innovating politics. Tonight. We got a glimpse into the powerful stories of CAS.  Of CA's founders.  Their hardships resilience and what drove them to commit their lives to the movement. Their reflections, remind us that the fight for justice is not just about the moments of triumph and the victories, but also about the struggles, the sacrifices. And perhaps most importantly, the. Vital importance of being grounded in our communities and our values. Be sure to join us next time for part two, where we'll dive into the dialogue between. Seasoned OJI leaders and today's. Today's youth Changemakers from Monday innovating politics. Together, they'll explore strategies, how strategies have shifted over the decades and how we can sustain our work for social justice in the longterm. As always thank you for tuning into apex express. For more about Chinese for affirmative action and mung innovating politics.  Please do check them out on their websites, which will be linked in the show notes. At apex express. At kpfa.org/apex express. Until next time. Apex express is produced by Miko Lee, Paige Chung, Jalena Keane-Lee, Preeti Mangala Shekar. Shekar, Anuj Vaidya, Kiki Rivera, Swati Rayasam, Nate Tan, Hien Nguyen, Nikki Chan, and Cheryl Truong  Cheryl Truong: Tonight's show was produced by me, cheryl. Thanks to the team at KPFA for all of their support. And thank you for listening!  The post APEX Express – December 19, 2024 – Bridging Generations appeared first on KPFA.

Jake and I introduce Devon LaBelle as our next guest. Devon is a prop master and scenic designer who has worked with Crowded Fire, Shotgun Players and the Contra Costa Civic Theatre. She is a two time TBA award winning props designer for her work on Vanya, Sonya, Masha and Spike (CCCT) and Eurydice (Shotgun Players). We talk to her about her upbringing, her studies at SF State and where she sees herself in the future. Devon can be reached directly via Facebook and Tiktok: @madprops Jameelah Rose has her own business selling healthy drinks - MelanA☥D is a black owned business that specializes in alkaline elixirs used to heal the mind and body. It's currently being sold at the Mandela Shopping Mart and you can find more info on MelanA☥D on this Facebook page: https://www.facebook.com/melanaid We also want to thank Charles Blades Barbershop for sponsoring The Yay! Charles Blades Barbershop is located at 180 Second Street in downtown Oakland. It's a very cool, relaxing place where you can get your cuts and they'll even serve you a complimentary drink. Charles is also selling men's hair products on his website https://cbbgroominingproducts.myshopify.com Hair Gels, Pomades, Shampoos and Conditioners. Hop online, give the products a try and support minority businesses like my man Charles Blades. Book an appointment online here: https://www.cbb.hair Erin Merritt (Episode 191) is a gifted actress and director – creator of Women's Will, the all-female Shakespeare group that ran from 1998-2009, who is suffering from ALS. She has been a blessing to the bay area theatre community and this is an opportunity to be a blessing for her. Her GoFundMe page link is below – please consider giving to help with her medical needs. Even a little bit counts. Erin Merritt's Go Fund Me site: https://gofund.me/e85e9f04 SHOWS: A Christmas Carol (CenterREP) Dec 12 – 22 Adam KuveNiemann (Episode 274) is in the show Terrance Smith (Episode 102) is in the show https://www.centerrep.org Leili & Majnun (Central Stage) LAST SHOW TOMORROW Brandon DiPaola (Episode 306) is in the show Torange Yeghiazarian (Episode 167 & 286) wrote and is directing the show https://centralstage.org/leili-%26-majnun Thirty-Six (Shotgun Players) Nov 16 – Dec 22 Lauren Garcia (Episode 207) is in the show https://shotgunplayers.org/Online/default.asp Every Christmas Story Ever Told – And Then Some (Town Hall Theatre) Dec 7 – 21 Cecilia Palmtag (Episode 34) is in the play https://www.townhalltheatre.com/every-christmas-story A Sherlock Carol (San Jose Stage) LAST SHOW TOMORROW Li-Leng Au (Episode 189) is in the show Julian Lopez-Morillas (Episode 217) is in the show https://www.thestage.org A NOH Christmas (Theatre Yugen) Dec 4 – 29 Eiko Moon-Yamamoto (Episodes 120 & 225) is in the show https://www.theatreofyugen.org A Pickwick Christmas (Magic Theatre/Rainbow Zebra) Dec 9 Eiko Moon-Yamamoto (Episodes 120 & 225) is in the show Andrea Gordon (Episode 255) directs the show https://www.classy.org/event/reading-series-extravaganza/e590229 Waitress (SF Playhouse) Nov 21 – Jan 18, 2025 Tanika Baptiste (Episode 253) is in the show Dorian Lockett (Episode 230) is in the show Sharon Shao (Episode 176) is in the show https://www.sfplayhouse.org/sfph/2024-2025-season/waitress/ The Breakup – A Latina Queer Torch Song Dec 6 – 15 Tina D'Elia (Episode 268) wrote and is the star of her one woman show https://www.brava.org/all-events/thebreakup In Love and Warcraft (CityLights Theatre) Jan 16 – Feb 9, 2025 Miranda Liu (Episode 300) is in the show Kimberly Ridgeway (Episodes 155, 251 & 293) is directing the show https://cltc.org/event/warcraft/ Follow us on Facebook and Bluesky (TheYayPodcast)

In Part 2, we pick up where we left off in Part 1, with Nicole's move to New York. She didn't necessarily have a plan for this cross-country relocation, but she dove in head-first nonetheless.   Nicole of course turned to Craigslist to help her find a roommate. But she also hopped on FB Marketplace, which is where she eventually found someone. She moved in with an old friend from theater to an apartment in East Harlem on 125th Street.   She considers her time in NYC "epic." She learned a lot, she grew up, she did laundry in the snow ... character-building, all of it. She came to hate winter, being a California girl and all. But she auditioned, worked as a waitress and bartender, and had a few other jobs. She made it onto New Amsterdam and Law and Order. At this point in the recording, thanks to my dorking about Nicole being the first guest of this podcast to have also appeared on Law and Order, we talk about that long-running TV show.   There was also an "industrial sitcom" where Nicole played a lead character. Today, it is used to teach people around the world to speak English. Thanks to this and her own world travels, she gets recognized abroad.   After nearly 10 years, she returned to The Bay, around the time of the pandemic. Part of it was COVID, but also, she feels that the Hollywood myth had been demystified. Nicole arrived at a new perspective on the industry, one that felt exploitative. And so she came home.   Because Nicole and I recorded before Election Day, we go on a sidebar about what we thought might happen if you-know-who won. It's interesting to hear our chat about that from here. But I left it in for posterity, if for no other reason.   Nicole's husband got COVID while they were still in New York. It was early in the pandemic, and NYC got hit hard. He wasn't able to go to the hospital, and so Nicole masked the fuck up and took care of her partner. She avoided contracting the new disease. He recovered, but it made her think of what could happen if one of their parents got it. That informed their decision to return to California. They were able to get on one of the last flights out of New York in April 2020.   Once she got back home, she regrouped. It was still early during the shutdown and no one was shooting anything. She meditated, hiked, and cleaned her mom's house. In doing so, Nicole found a file cabinet full of her grandma's letters, including those from her time spent living in a San Francisco brothel. Her grandmother, Estrella Chavez, wrote about that time as well as her own ancestors, and Nicole was blown away.   She discovered that the California State Assembly had named her grandma the first Filipina-American to do activism and cultural work in San Francisco. She was also recognized by Willie Brown when he was mayor.   Around this time, she was also learning more about the uncle who gave her that camera—Patrick Salaver—and his work in the Civil Rights movement. Patrick was involved with the Third World Liberation Front that brought together many different ethnic student groups at SF State, including Filipinos.   Discovering all this family heritage made Nicole focus on her own legacy. She had gotten into producing events for the Filipino community in South of Market. She was rolling. But then, she got pregnant. With a kid on the way, Nicole realized she needed a job. And that's how she got work as program manager at Balay Kreative.   One idea she brought to her new job was starting a podcast to help amplify the stories of her community. Cultural Kultivators podcast serves to share Southeast Asian voices and stories and push the culture forward. Find it on Instagram and on all the podcast platforms.   Also, please follow Kindred Kapwa, Nicole's production company. Learn more about her "Patrick Salaver Project," the life story of her uncle.   We end the podcast with Nicole's take on this season's theme: Keep It Local.   Photography by Mason J.

In his marvelous new book, When Animals Dream: The Hidden World of Animal Consciousness (Princeton UP, 2023), David Peña-Guzmán (SF State as well as the lovely philosophical podcast Overthink) offers up something new in animal studies--"a philosophical interpretation of biological subjectivity." Although we share no linguistic schema with animals there is lots more evidence than just YouTube (octopuses, dogs, signing chimpanzees, brain scans of dreaming birds etc) to suggest oneiric behaviors and underlying mental states occur all over the animal kingdom. So, David discusses with John his interest in using dreaming as a window into consciousness. Here is what it means that we are not alone in our dreams... David details the "flattening and impoverishing effect on the natural sciences" wrought by 20th century behaviorist paradigms. He also expresses skepticism about the likelihood of AI ever achieving more than a "zombie" state; it now and perhaps always will profoundly differ from animals' varied experiences of our shared world. The biological commonality that most strikes David is the idea it is logically inconceivable that there might be a dreamer devoid of consciousness or sentience. Dreaming, he argues may be the key to acknowledging animal's "moral considerability"--the right to have their consciousness, sentience and in the deepest sense their standing taken into account. . Finally David admits to a feeling of tragedy in writing this book: he has had to engage with experimentation that crosses boundaries in animal treatment in order to make the case for those boundaries. He understands his decision as tragic because either way--to engage or to ignore the science--would be to lose something. Mentioned in the episode: New Wave of "inner space" SF authors who focus on the alien nature of humanity itself: J. G. Ballard, Philip K. Dick, and John's hero Ursula Le Guin. Recallable Books: Susana Monso, Playing Possum a newly translated book on the ways that animals mourn their beloveds. Charles Darwin, Descent of Man and The expression of the emotions in man and animals (both 1872) are two of the crucial 19th century texts begin to think of animals as complete subjects. Charles Darwin as an early theorist of biosemiosis who deserves, Jain and David agree, to be reactivated. Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In his marvelous new book, When Animals Dream: The Hidden World of Animal Consciousness (Princeton UP, 2023), David Peña-Guzmán (SF State as well as the lovely philosophical podcast Overthink) offers up something new in animal studies--"a philosophical interpretation of biological subjectivity." Although we share no linguistic schema with animals there is lots more evidence than just YouTube (octopuses, dogs, signing chimpanzees, brain scans of dreaming birds etc) to suggest oneiric behaviors and underlying mental states occur all over the animal kingdom. So, David discusses with John his interest in using dreaming as a window into consciousness. Here is what it means that we are not alone in our dreams... David details the "flattening and impoverishing effect on the natural sciences" wrought by 20th century behaviorist paradigms. He also expresses skepticism about the likelihood of AI ever achieving more than a "zombie" state; it now and perhaps always will profoundly differ from animals' varied experiences of our shared world. The biological commonality that most strikes David is the idea it is logically inconceivable that there might be a dreamer devoid of consciousness or sentience. Dreaming, he argues may be the key to acknowledging animal's "moral considerability"--the right to have their consciousness, sentience and in the deepest sense their standing taken into account. . Finally David admits to a feeling of tragedy in writing this book: he has had to engage with experimentation that crosses boundaries in animal treatment in order to make the case for those boundaries. He understands his decision as tragic because either way--to engage or to ignore the science--would be to lose something. Mentioned in the episode: New Wave of "inner space" SF authors who focus on the alien nature of humanity itself: J. G. Ballard, Philip K. Dick, and John's hero Ursula Le Guin. Recallable Books: Susana Monso, Playing Possum a newly translated book on the ways that animals mourn their beloveds. Charles Darwin, Descent of Man and The expression of the emotions in man and animals (both 1872) are two of the crucial 19th century texts begin to think of animals as complete subjects. That makes Darwin an early theorist of biosemiosis. Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his marvelous new book, When Animals Dream: The Hidden World of Animal Consciousness (Princeton UP, 2023), David Peña-Guzmán (SF State as well as the lovely philosophical podcast Overthink) offers up something new in animal studies--"a philosophical interpretation of biological subjectivity." Although we share no linguistic schema with animals there is lots more evidence than just YouTube (octopuses, dogs, signing chimpanzees, brain scans of dreaming birds etc) to suggest oneiric behaviors and underlying mental states occur all over the animal kingdom. So, David discusses with John his interest in using dreaming as a window into consciousness. Here is what it means that we are not alone in our dreams... David details the "flattening and impoverishing effect on the natural sciences" wrought by 20th century behaviorist paradigms. He also expresses skepticism about the likelihood of AI ever achieving more than a "zombie" state; it now and perhaps always will profoundly differ from animals' varied experiences of our shared world. The biological commonality that most strikes David is the idea it is logically inconceivable that there might be a dreamer devoid of consciousness or sentience. Dreaming, he argues may be the key to acknowledging animal's "moral considerability"--the right to have their consciousness, sentience and in the deepest sense their standing taken into account. . Finally David admits to a feeling of tragedy in writing this book: he has had to engage with experimentation that crosses boundaries in animal treatment in order to make the case for those boundaries. He understands his decision as tragic because either way--to engage or to ignore the science--would be to lose something. Mentioned in the episode: New Wave of "inner space" SF authors who focus on the alien nature of humanity itself: J. G. Ballard, Philip K. Dick, and John's hero Ursula Le Guin. Recallable Books: Susana Monso, Playing Possum a newly translated book on the ways that animals mourn their beloveds. Charles Darwin, Descent of Man and The expression of the emotions in man and animals (both 1872) are two of the crucial 19th century texts begin to think of animals as complete subjects. Charles Darwin as an early theorist of biosemiosis who deserves, Jain and David agree, to be reactivated. Listen and Read here.

In his marvelous new book, When Animals Dream: The Hidden World of Animal Consciousness (Princeton UP, 2023), David Peña-Guzmán (SF State as well as the lovely philosophical podcast Overthink) offers up something new in animal studies--"a philosophical interpretation of biological subjectivity." Although we share no linguistic schema with animals there is lots more evidence than just YouTube (octopuses, dogs, signing chimpanzees, brain scans of dreaming birds etc) to suggest oneiric behaviors and underlying mental states occur all over the animal kingdom. So, David discusses with John his interest in using dreaming as a window into consciousness. Here is what it means that we are not alone in our dreams... David details the "flattening and impoverishing effect on the natural sciences" wrought by 20th century behaviorist paradigms. He also expresses skepticism about the likelihood of AI ever achieving more than a "zombie" state; it now and perhaps always will profoundly differ from animals' varied experiences of our shared world. The biological commonality that most strikes David is the idea it is logically inconceivable that there might be a dreamer devoid of consciousness or sentience. Dreaming, he argues may be the key to acknowledging animal's "moral considerability"--the right to have their consciousness, sentience and in the deepest sense their standing taken into account. . Finally David admits to a feeling of tragedy in writing this book: he has had to engage with experimentation that crosses boundaries in animal treatment in order to make the case for those boundaries. He understands his decision as tragic because either way--to engage or to ignore the science--would be to lose something. Mentioned in the episode: New Wave of "inner space" SF authors who focus on the alien nature of humanity itself: J. G. Ballard, Philip K. Dick, and John's hero Ursula Le Guin. Recallable Books: Susana Monso, Playing Possum a newly translated book on the ways that animals mourn their beloveds. Charles Darwin, Descent of Man and The expression of the emotions in man and animals (both 1872) are two of the crucial 19th century texts begin to think of animals as complete subjects. Charles Darwin as an early theorist of biosemiosis who deserves, Jain and David agree, to be reactivated. Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/neuroscience

In his marvelous new book, When Animals Dream: The Hidden World of Animal Consciousness (Princeton UP, 2023), David Peña-Guzmán (SF State as well as the lovely philosophical podcast Overthink) offers up something new in animal studies--"a philosophical interpretation of biological subjectivity." Although we share no linguistic schema with animals there is lots more evidence than just YouTube (octopuses, dogs, signing chimpanzees, brain scans of dreaming birds etc) to suggest oneiric behaviors and underlying mental states occur all over the animal kingdom. So, David discusses with John his interest in using dreaming as a window into consciousness. Here is what it means that we are not alone in our dreams... David details the "flattening and impoverishing effect on the natural sciences" wrought by 20th century behaviorist paradigms. He also expresses skepticism about the likelihood of AI ever achieving more than a "zombie" state; it now and perhaps always will profoundly differ from animals' varied experiences of our shared world. The biological commonality that most strikes David is the idea it is logically inconceivable that there might be a dreamer devoid of consciousness or sentience. Dreaming, he argues may be the key to acknowledging animal's "moral considerability"--the right to have their consciousness, sentience and in the deepest sense their standing taken into account. . Finally David admits to a feeling of tragedy in writing this book: he has had to engage with experimentation that crosses boundaries in animal treatment in order to make the case for those boundaries. He understands his decision as tragic because either way--to engage or to ignore the science--would be to lose something. Mentioned in the episode: New Wave of "inner space" SF authors who focus on the alien nature of humanity itself: J. G. Ballard, Philip K. Dick, and John's hero Ursula Le Guin. Recallable Books: Susana Monso, Playing Possum a newly translated book on the ways that animals mourn their beloveds. Charles Darwin, Descent of Man and The expression of the emotions in man and animals (both 1872) are two of the crucial 19th century texts begin to think of animals as complete subjects. Charles Darwin as an early theorist of biosemiosis who deserves, Jain and David agree, to be reactivated. Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his marvelous new book, When Animals Dream: The Hidden World of Animal Consciousness (Princeton UP, 2023), David Peña-Guzmán (SF State as well as the lovely philosophical podcast Overthink) offers up something new in animal studies--"a philosophical interpretation of biological subjectivity." Although we share no linguistic schema with animals there is lots more evidence than just YouTube (octopuses, dogs, signing chimpanzees, brain scans of dreaming birds etc) to suggest oneiric behaviors and underlying mental states occur all over the animal kingdom. So, David discusses with John his interest in using dreaming as a window into consciousness. Here is what it means that we are not alone in our dreams... David details the "flattening and impoverishing effect on the natural sciences" wrought by 20th century behaviorist paradigms. He also expresses skepticism about the likelihood of AI ever achieving more than a "zombie" state; it now and perhaps always will profoundly differ from animals' varied experiences of our shared world. The biological commonality that most strikes David is the idea it is logically inconceivable that there might be a dreamer devoid of consciousness or sentience. Dreaming, he argues may be the key to acknowledging animal's "moral considerability"--the right to have their consciousness, sentience and in the deepest sense their standing taken into account. . Finally David admits to a feeling of tragedy in writing this book: he has had to engage with experimentation that crosses boundaries in animal treatment in order to make the case for those boundaries. He understands his decision as tragic because either way--to engage or to ignore the science--would be to lose something. Mentioned in the episode: New Wave of "inner space" SF authors who focus on the alien nature of humanity itself: J. G. Ballard, Philip K. Dick, and John's hero Ursula Le Guin. Recallable Books: Susana Monso, Playing Possum a newly translated book on the ways that animals mourn their beloveds. Charles Darwin, Descent of Man and The expression of the emotions in man and animals (both 1872) are two of the crucial 19th century texts begin to think of animals as complete subjects. Charles Darwin as an early theorist of biosemiosis who deserves, Jain and David agree, to be reactivated. Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/animal-studies

In Part 2, we pick up where we left off in Part 1.   Jackie considers it an honor to have worked for Lateefah Simon, who's running for Congress in the East Bay for the seat currently held by Barbara Lee. Jackie was tasked with writing memos, and she took that job and ran with it, digging deeply into the weeds of policy. What she found in the existing systems of that time piqued her curiosity around what it might mean if she herself were to enter the fray. Her life up to that point formed her world views, as these things tend to do. But the policies, she says, ticked her off.   She had been studying to take the LSAT, with the idea that she would go to law school ... all while volunteering for the campaign to get Lateefah Simon elected to the BART Board. But that November, in 2016, the 45th president was elected, and everything changed ... for a lot of us, but especially for Jackie.   It all threw Jackie for a loop. Standing Rock and protests against the Dakota Access Pipeline (DAP) were also happening, which further disillusioned her. She traveled east to join the resistance. She met folks and had deep conversations with her Native American brothers and sisters. She spent time in Minnesota doing more work with indigenous folks.  It all created a sense of hope despite the doom seemingly all around. She also noticed the protests in Seattle demanding Wall Street disinvestment.   In February 2017, Jackie was back home, full of "let's do it" energy, ready to tackle issues in The Bay. She had moved to The City and started digging further into the weeds of policy in San Francisco. In 2018, she decided that she wanted to make a difference here at home. She helped found the San Francisco Public Bank Coalition. She was tapped to lead the campaign against the Police Officers Association's use of force measure. For that, she worked with Democratic Socialists of America San Francisco and the ACLU of Northern California. She also worked on the No on H campaign, which succeeded.   Alicia Garza, cofounder of Black Lives Matter, asked Jackie to teach her class at SF State, and Jackie seized that opportunity. At State, she taught Race, Women, and Class, where she talked with students about DAP and indigenous rights, among other topics. While teaching, she also worked restaurant jobs, mostly on the Peninsula.   When 2019 came around, Jackie wasn't sure what to do. Looking back, she was experiencing undiagnosed ADHD. She had a nagging feeling that year, though, that she should run for office. Someone pointed out to her that State Sen. Scott Wiener was running for election unopposed. She thought of the successful ballot measure campaigns she'd been part of. She had spent time living in her van. She'd bounced around between apartments. She decided to go for it.   The Jackie Fielder for State Senate campaign was off to a good start. Then lockdown happened in March 2020. Everything about the campaign turned virutal—Zoom speeches and meetings, phone banking on another level, social media like never before. She centered issues like affordable housing, climate change, renters' rights, homelessness, education. She got the backing of teachers, iron workers, electricians, tenants' rights groups, affordable housing groups, and various progressive cultural affinity groups in SF.   Jackie didn't win that race, though.   She took a step back and got into therapy, where she learned about self-care and self-compassion. She got to a point where she could take better care of herself so that she could then take care of others.   Jackie also started a PAC in the time between the 2020 election and now. The Daybreak PAC's main purpose is to support candidates and ballot measures that reject corporate money. Also, Stop the Money Pipeline hired her to be its communications manager in 2021. Through that work, she was able to reconnect with many folks she met years earlier in her Dakota stays. By early 2023, Jackie was co-director of the organization. This summer, in 2024, she took an official leave to come home and campaign for supervisor.   Then the conversation shifts to District 9. Of all the places Jackie has lived in San Francisco, she's spent the most time in the district. She's queer and loves the embrace of her community in D9. She also notes that the American Indian Cultural District and Latino Cultural District, two groups that are a big part of her identity, are located in D9.   After our mutual love fest of the Mission, we shift to issues that Jackie hopes to address as the next D9 supervisor—public safety, how best to engage law enforcement, drug use, houselessness, housing, jobs, and more.   Please visit Jackie's website for more info, especially if you live in D9 (if you're not sure, look up your supervisorial district here).   We recorded this episode at Evil Eye in the Mission in September 2024.   Photography by Jeff Hunt

Aaron Peskin is incredibly easy to talk with. And his life story is one you have to hear to believe. In this podcast, Episode 1 of Season 7 of Storied: San Francisco, the multi-term D3 supervisor-slash-president of the Board of Supervisors-slash-current candidate for mayor of San Francisco shares his story, beginning with the tales of his parents and their families' migration to the United States. On Aaron's mom's side, the story goes back to Russia. His maternal grandfather was one of five boys born to a Jewish family in Saint Petersburg. Two of the boys stayed in Russia, one came to San Francisco, and the other two migrated across Russia amid revolutionary upheaval there to the Mediterranean and later, to Haifa in Palestine. Aaron's grandfather ended up in Tel Aviv. His mom was born there in 1940, when it was still Palestine. She migrated to the US in 1963 to visit her sister, who taught at a temple in Oakland. Aaron's mom ended up meeting his dad on that fateful trip, and the two were married five weeks later. On his dad's side, his grandparents came to the US from Poland before the Nazi invasion in 1939, arriving in New York City where they ran a candy store. Aaron's dad went to City College of New York, where he graduated and got into UC Berkeley grad school for psychology. On his bus ride west, though, the elder Peskin got drafted to serve the US Army in its war in Korea. After service, he finished his doctorate at Berkeley and got a job teaching at SF State, where he stayed for 40 years until he retired. Aaron goes on a sidebar about running into many of his dad's students from over the years, something that happens to him up to this day. His parents settled in Berkeley shortly after they got married, in 1963. They had Aaron in 1964. As a kid, in the 1970s, he remembers some of the goings on at SF State, when student-led protests and sit-ins were happening and the Ethnic Studies was founded. Back in the East Bay, Aaron attended the first fully integrated public school class in Berkeley. One of his classmates, from kindergarten through third, was none other than Kamala Harris. (See photos in the episode post on our website!) Aaron's younger brother is a professor at Arizona State University. Both his parents ended up in higher education. He calls himself the "black sheep" of his family in this regard, as he "only" ended up with a bachelor's degree. Both parents were also therapists, something they carried on amid their academic careers. Growing up in the 1970s, the family spent significant time in The City, coming over as often as possible from their home in Berkeley. Aaron rattles off a litany of activities his parents engaged him and his brother in when they were young. He says that his time in high school in the East Bay was idyllic. He went to Berkeley High, still the only high school in that city. He fell in with a group of four other boys who took weekend hiking and backpacking trips as much as possible. Also around this time, in his later teen/high school years, Aaron popped over to San Francisco to do things like see kung-fu movies in Chinatown or go to The Keystone to see The Cure and punk bands. He saw The Greg Kihn Band, Talking Heads, and other legendary groups at places like the Greek Theater and Mabuhay Gardens. He graduated Berkeley High in 1982, though he and a handful of friends got out a semester earlier than everyone else. They packed up a van, the five of them, and drove around the Western United States and Canada for 100 days. They ended their trip spending the night in the van in the Berkeley High parking lot. The friend group then scattered, predictably, with Aaron and a couple others heading down to UC Santa Cruz. In his freshman year, he and a friend took the spring semester off and rode their bikes from California to North Carolina and up to Washington, DC, as you do. Santa Cruz was different enough from home, but not too far away. The school provided a challenging academic environment for him, also. He ended up studying animal behavior, specifically the northern elephant seal. Through that program, he lived with a team in experimental housing on Año Nuevo Island off the San Mateo coast doing research. But physical chemistry precluded Aaron from going for a marine biology degree. He instead got into a liberal arts program called "Modern Society and Social Thought." While he was going to school in Santa Cruz, he experienced his first political awakening. Aaron was involved in the effort to make the banana slug become the school's official mascot. The student government wanted the slug, but the chancellor wanted the elephant seal. Aaron had the idea of putting the decision to a vote of the student body. They put ballot boxes all over campus, and the slug won overwhelmingly. But the chancellor rejected the results. News articles helped the students' cause, and they won in the end. During his college years, he travelled to Asia on money he'd saved from a job at a photo store. Neighbors in Berkeley had climbed the Himalayas several times, and it had an effect on Aaron. He and some friends went and travelled over parts of South Asia to do some climbing themselves. He was gone for a year and four months. Upon his return to the US, still working toward getting his bachelor's, Aaron ran into trouble getting student housing. And so he set up a tent in the woods above campus, slept there, went to class during the day, and then did it all again the next day. Check back next week for Part 2 and Aaron's life after college. Photography by Jeff Hunt We recorded this podcast at Aaron Peskin for Mayor HQ on Market Street in July 2024.

Part 2 begins with a chat about how, when we were both younger and just arriving in San Francisco, neither Brett nor I had any idea that we'd be here so long.   After living on Market, Brett moved back to the Mission, where he's lived ever since. His great aunt passed away and left him some money. It proved to be enough for a down payment on a space on Capp Street just off 16th. 65 Capp Street is the address of the original location of The Lost Church, and happens to be where Brett and his family live today.   Then Brett shares the story of meeting his wife, Lost Church co-owner Lizzy. In 1997, he went to Burning Man for his first time, an experience he relates in detail. He went back in 1999 and that's when he met his future wife. Despite her being eight years younger than him, Brett noticed that Lizzy was much more mature than he was. Days after Burning Man, she visited Brett in San Francisco from her home in Sacramento. They eloped in Tahoe two months later and have been together ever since.   Lizzy went through quite an adjustment in her new home on Capp Street. Brett then goes on a sidebar about his many musical adventures. He started a band with people he had met in his time at SF State in the Music program. They played out, most regularly at The Rite Spot. But they broke up and Brett got sick. He joined the stagehands' union to get health insurance. It was around this time that he and Lizzy decided to start their own band, this time with the explicit intention to tour.   They cut up the Capp Street spot into multiple studio spaces to rent out to others. Lizzy and Brett lived and played music in one of the small spaces they had created. Juanita and the Rabbit was born. And they toured ... for most of the next two years.   When they got back, Lizzy and Brett decided to try to have a kid. Around that same time, Brett had been having a not-so-good time with the stagehands' union. Lizzy was working as a stylist for photo shoots, making good money. This all allowed Brett to build out his own theater at the Capp Street space. The plan was to do "ridiculous" rock 'n' roll musicals.   Then we get into how they came up with the name "Lost Church," which Brett says isn't as good a story as many people want to hear. Brett had his own record label, was doing sound design for video games, and wanted to get into sound for movies. His website was split into the two halves: half record label, half his sound design work. For that site and to encompass all that he was doing at the time, he had a few names he was kicking around—The Last School, The Lost School, The Last Church, and The Lost Church. He liked them all because of their community vibes. He's never been a religious person, but for him, the idea of church meant more. He settled on "The Lost Church."   At first, though, it was just for his own creative endeavors. Visiting his website, you were directed to either "The Lost Church of Light and Sound" or "The Lost Church of Rock 'n' Roll." When he and Lizzy decided to turn their space into a theater, the name was already there.   Brett talks about their intentionality of creating a theater-like environment for musicians, one with seats for the audience and the bar in a separate room. Then he shares stories of some of the first performances of the newly minted Lost Church. He says he's not sure how people found him, but shortly after those early shows, musicians started emailing him wanting to play there. (Brian Belknap came in early and Brett hired him to host shows).   Then Brett dives into the story of why The Lost Church had to uproot from its original location. They survived for years without permits, mostly because they never envisioned it lasting long. Once the Entertainment Commission visited and pointed out all the shortcomings, they started to realize how much it would take to get the space up to code.   By the time COVID hit, Brett and Lizzy had already started thinking about a new spot. They had opened their second location up in Santa Rosa when they were forced to shut both down. Relief money started piling in and they hired their Santa Rosa point person. They also used that money to get the new SF location secured, running, and up to code.   It took Brett around nine months to find the new spot. So many criteria went into it that the task became difficult. It took a last-chance, random look at Craigslist to find what became The Lost Church San Francisco on Columbus on the northern edge of North Beach. The doors opened in September 2022 and they've never looked back.   We end the podcast with Brett responding to this season's theme—We're all in it.   Visit The Lost Church online at their website, thelostchurch.org. Follow them on Instagram @thelostchurchsf   Photography by Jeff Hunt

In Part 2, Mike, Paolo, and Rachel share the story of how TNT Traysikel came to be. We begin with Paolo, who describes the Mission art opening where he and Mike met. Besides having similar "falling in love with San Francisco" moments, they soon learned that back in the Philippines, their brothers had been friends. They hit it off pretty much right away.   Mike learned that Paolo worked on films, including his Handsome Asians Motorcycle Club series on YouTube. In 2017, the year after SOMA Pilipinas came into existence, Mike was invited to join the nonprofits' arts and cultural group. They were looking to do a placemaking project and wanted to connect with artists to do so.   At that time, Mike was already a professor at SF State. He ran the sculpture and expanded practice program there. He had done public art on his own before, and remembered Paolo and his motorcycle riding. Mike started thinking about jeepneys and the Philippines, which were relics left on the islands after years of war. These thoughts sparked the idea for a tricycle jeepney. And so Mike and Paolo applied for a grant. Originally, they planned to build it from scratch.   Before Paolo's web series, he had made some documentaries. His first thought about TNT was that it, too, would make a cool web series. He didn't think of it as political in the beginning. But these were the years of the previous presidential administration (just before COVID), and in hindsight, he now sees a clearer picture of what it meant from Day One. They got the grant on the idea that that the traysikel signaled the presence of Filipinos. They wanted to take older Filipinos (manongs and manangs) to buy groceries in SOMA. And they somehow wanted to make the vehicle a roving sculpture.   A friend of Mike's told them about a traysikel for sale in Modesto. They bought it, picked it up, and right away, realized that it needed a lot of work. Mike and Paolo took the whole thing apart, rewelded it, and added support. By the time the 2019 Parol Lantern Festival came around, it was ready to roll.   They showed up, just Paolo and Mike, and started playing Tagalog music from Paolo's iPhone around the traysikel. People came over and sang along, which gave them the idea for karaoke. Michelle Nguyen, a vintage scooterist friend of Paolo's, designed the look of and painted the TNT Traysikel for them.   Also at Parol 2019, Rachel learned about the project. As the karaoke was coming into being, Paolo and Michael thought, Rachel's an amazing singer—maybe she could be the karaoke host? She was in. And so they applied for a second grant, this time through the SF Arts Commission, to make a movie about the traysikel with a musical component. The three of them would become equal collaborators.   Mobile karaoke came to be in the early days of COVID, when people really wanted to release, to be out and free and with other people. They say that to them, TNT encapsulates joy, grief (the grief of what you leave behind when you emigrate), and storytelling. Their Sidenotes project focuses on one or two people sitting in the sidecar telling stories. The TNT crew collects and archives those stories. Through this work and everything else, they recently were rewarded with a Rainin Arts Fellowship to do another film. In summer 2025, they're taking TNT Traysikel on the road.   We end the podcast going around the room to hear Paolo, Mike, and Rachel's responses to this year's theme on the podcast—We're all in it.   Follow TNT Traysikel on Instagram @TNT_traysikel and on YouTube: TNT_Traysikel.   Photography by Jeff Hunt

In this episode, we meet the humans behind the artistic and cultural project that is the TNT Traysikel.   We start, in random order, with Mike Arceaga. Mike was born in the Philippines and moved to LA with his family when he was 10. He says that the transition from his homeland to LA was difficult. The family first landed in Highland Park, which Mike points out wasn't hip then. That's where he got started doing graffiti art.   In the mid-to-late-Eighties, they moved, first to the Eagle Rock neighborhood in LA, then Pomona, where, by the time he moved there, he'd become a full-fledged graffiti artist. He says it's what got him into art   In high school, Mike learned technical drawing. He went to junior college, had art school on his mind. He was in a hip-hop crew, tagged ramps, and was friends with skaters, but never skated himself. He also breakdanced, but says it never took.   After high school, he just wanted to get out of his parents house, and so he signed up to join the Army. But when Mike's dad found out about that, he cried and urged him to go to school instead.   And so he visited San Francisco to attend a summer program at the Academy of Art University. And he fell in love with The City almost immediately. He shares the moment of coming up the escalator at Powell BART and seeing the scene on the street as the moment SF got his heart.   He loved walking around the hills before art class, where he was starting to meet artists from all over. And slowly, he discovered the rest of The City by hopping on Academy shuttles. Soon after this summer program, Mike came back to visit the Art Institute. When he and a friend saw the view from the roof at SFAI, he decided to try to get into school there.   Next, we meet TNT Traysikel's Paolo Asuncion. Paolo came to the US from the Philippines when he was 14. Before that migration, he had found his first girlfriend as well as a friend group that wasn't bullying him. The move abroad disrupted that progress.   Paolo's family first came to Ontario, California, just outside of LA and not far from where Mike and his family were. His mom had met a family in church and she and her three kids lived with them. A family of four crammed into a single bedroom.   He went to high school all over LA, first in Echo Park (before it was hip), then in the Rampart District, and at Torrance High (think Fast Times at Ridgemont High). Then Paolo's mom put him in Marshall High in Las Feliz (think Grease).   Paolo's dad was a fairly famous actor back in the Philippines. But when he moved to the US to be with family, he ended up managing the apartment building where they lived and did door-to-door sales. His parents soon got divorced and his dad went back to his home country.   Paolo went to Diamond Bar High School his senior year (which he says was very Breakfast Club-ish). He started playing guitar, which he says got him in with the cool kids. He even formed a band, but after high school, he went back to the Philippines, where he got his girlfriend pregnant.   Then Paolo moved back to Glendale in Southern California. He was still on a tourist visa and tried to get jobs that would sponsor his work visa, which was difficult.   One day, his uncle in LA asked to help him move to SF and they left Glendale at 10 at night, drove up I-5 to 580, then crossed Bay Bridge at sunrise. Looking out the windshield at the scene in front of him, Paolo thought, WHAT IS THIS PLACE?   He spent a week here on that trip, during which time he had the same Powell escalator experience as Mike. Heloved it so much that he decided to move here. A friend of his uncle's got him a graphic design job and in 1996, he moved here.   Last but not least, we meet Rachel Lastimosa. Rachel was born and raised in San Diego, the kid of a Navy person, which is how her dad got his U.S. citizenship.   Members of Rachel's family have been in SF since the Forties, and when she was a kid, they visited here a lot from San Diego. Rachel's first memories of San Francisco involve mostly touristy things. From a young age, 12 or so, she knew she wanted to live here. Rachel says she loved the culture here and felt a friendliness from strangers unlike what she experienced back home in San Diego.   She grew up in a strict house and, because of that, was into extracurricular activities. Her parents expected her to cook and do laundry, but she escaped into music—playing, writing, and performing. Rachel wrote her first song when she was in first grade. Today, she plays piano, keyboards, and bass, and does vocals. And she produces and writes music.   Rachel says she always wanted to build community. She helped put together the first culture night at her high school. But as soon as she could, after graduation, she came to San Francisco. In fact, SF State was the only school she applied to.   Once here, she joined a band and majored in electronic music. This was the early 2000s and she's been here ever since. She writes scores for theater and films and has been in a few bands. A collaboration she did with the Filipino Center made her realize how art can bring communities together.   Check back next week for Part 2 with Rachel, Paolo, and Mike. In it, they'll share the origin story for TNT Traysikel—the part motorcyle/sidecar, part karaoke machine, part mobile Filipino cultural pride project.   We recorded this podcast at TNT HQ in South San Francisco in March 2024.   Photography by Jeff Hunt

In Part 2, we pick up where we left off in Part 1. After getting his credentials, Danny bounced around, teaching at a couple of San Francisco public schools before landing at Live Oak (a K–8 school in Potrero Hill). He stayed teaching kindergarten and first grade there for a total of 11 years.   We shift gears in the recording to talk about how Danny met his wife. Full disclosure: I've known Erin Feher since around 2004 when we were both in the Journalism program at SF State. Back in 2020, Erin reached out to me on behalf of her new orgranization—REPCO, or Represent Collaborative. Periodically, our podcasts run on REPCO and it's been an honor to collaborate with them. Check them out and donate if you're able.   Danny and Erin met around the time I lost touch with Erin (2005, when I graduated from State). He was DJing and the night Erin and some friends walked in, Danny broke one of his own rules by talking to a woman at a bar he was deejaying. Their first date involved riding bikes around SF.   Years later, they had their first kid. Erin had to go back to work before Danny did, so he was able to stay home and take care of their infant. But after a year, he was both itching to do something and needed to when his wife got laid off. And this is how Butterfly Joint was founded. It married his two passions—woodworking and teaching.   The first location was on Mission Street and lasted there for years. But when Danny and his wife moved their little family to the Outer Richmond and found a new-to-them community there, he decided to bring the shop with him.   Danny shares the story of opening the café and learning to make vegan donuts. These days, the café is open every day. Donuts are now his No. 1 seller. They focus on hyper-local goods and like to do pop-up events once a month.   Follow Butterfly Joint and Café on Instagram. Visit them at 4411 Cabrillo. For those with kids who are interested, go to their website.   Photography by Jeff Hunt

Kai and Lehua DeLeon talk all about their record breaking title and their experience on the softball team at SF State.

In this episode, meet and get to know Danny Montoya, who owns and operates Butterfly Joint and Café in the Outer Richmond.   Danny starts his story by letting us know that, growing up, he had family in The City and visited a lot from his various homes in Southern California. He was born in Burbank and grew up in Santa Clarita Valley, where some of his friends still live. He was immersed in punk and skate cultures from a young age, and once he had friends who were old enough to do so, they drove "everywhere" to skate.   His parents, both of whom are from Colombia and met in LA, divorced when Danny was 5. He and his older brother went to live most of the time with their mom in a trailer park. This was Danny's primary residence from age 5 to the beginning of ninth grade, and he says it shaped him deeply.   He started skating at the trailer park when he was 8. At this point, Danny and I go on a sidebar about what skating and skate culture did for us as people. He did a lot of street skating and was one of the younger kids in his crew. He's quick to point out that he was also way into basketball. He skated until he was 10 and didn't pick it up again until high school.   Thanks to a friend, he got into music when he was in junior high. His step dad and mom got married before Danny started high school, and he moved with them to Valencia, California. In his sophomore year, he started skating again and was going to hardcore shows in Hollywood and San Diego.   Danny was the first person in his family to go to college. He says it wasn't a question of whether he'd go, but more of where. It boiled down to SD State vs. SF State, and he chose (wisely, I might add) to come up to The Bay.   Danny's mom gave him and his brother lots of freedom, he says. They went on road trips up here unsupervised several times to visit a friend who lived in the dorms at SF State. And so by the time he entered college, at age 17, he already had friends here. He spent five years at SF State and graduated in 1994.   After earning his bachelor's in Education, Danny worked on getting his teaching credentials. He taught for a couple years at public schools in The City. After that, he did preschool observation at Tule Elk Park Early Education School. The young woman he was dating at the time worked at Live Oak, a private school, and got Danny an after-school job there. Soon, he started subbing at Live Oak while also doing work-study at SF State. He got his credentials and ended up teaching for about a decade.   Check back next week for Part 2 and Danny's story of leaving teaching to start his own woodworking and design studio for children grades kindergarten and up—The Butterfly Joint.   We recorded this podcast at The Butterfly Joint and Café in the Outer Richmond in March 2024.   Photography by Jeff Hunt

Part 2 picks up where we left off in Part 1, with Nate's arrival at SF State and his counselor's suggestion that he switch his major from Business to Art. Nathan graduated from State in 1994. With airbrushing becoming popular around that time, he and his buddy E had opened an airbrush store in the Bayview that did quite well. Nathan wasn't even 20 yet.   The store on Third stayed open about a year and a half, he says. At this point in the conversation, Nathan and I go on a sidetrack about how we both approach life and big decisions. He says he tries to stay open to opportunities, to seize them when appropriate.   He still lived with his parents after graduation and didn't have a job lined up. At this point, we cycle through many jobs, good and bad, that he had over the years—Atari (game tester), American Design Intelligence Group (graphic designer), Mervyn's (graphic designer), Gymboree (boys' clothing designer), Zutopia (clothing designer), and Duty Free Stores (product/souvenir designer).   He still worked at DFS when 9/11 happened. The months and years following that event saw a decline in sales for the company. He was on paternity leave following the birth of his first son when he got a phone call—he had been let go.   But whatever pain that might have brought—after all, Nathan had an infant and a mortgage—it proved to be the impetus for him to start what this year is celebrating its 20th anniversary. New Skool Clothing and Accessories is his line of SF-inspired clothing for all ages.   We end Part 2 with Nathan's response to this season's theme on the podcast—We're All In It. He mentions the mentoring he's been doing at Hunt and Gather Gallery in the Inner Sunset. And he says he's at a point in his life where he wants to help and give back.   Follow New Skool on social media @newskoolSF and Nathan's personal accounts @nate1design.   Photography by Jeff Hunt

Sage Steele and Riley Gaines (Outkick's Podcast Gaines for Girls) on gender equality in sports, women sharing a locker room with former dudes, having the b**ls to take a stand, leaning on faith in adversity, SF State and the hostage situation, the toll of advocacy on loved ones, how Riley is NOT in it for the clicks, how freeing it is to be shunned by the Left, her fight to pass legislation to make the playing field more level for women, and tons of other fun, interesting, and vital topics! Listen, share, like and comment (we read them). Learn more about your ad choices. Visit megaphone.fm/adchoices

Sage Steele and Riley Gaines (Outkick's Podcast Gaines for Girls) on gender equality in sports, women sharing a locker room with former dudes, having the b**ls to take a stand, leaning on faith in adversity, SF State and the hostage situation, the toll of advocacy on loved ones, how Riley is NOT in it for the clicks, how freeing it is to be shunned by the Left, her fight to pass legislation to make the playing field more level for women, and tons of other fun, interesting, and vital topics! Listen, share, like and comment (we read them). Check out Riley's Podcast: Gaines For Girls https://podcasts.apple.com/us/podcast/gaines-for-girls-with-riley-gaines/id1696360492 Learn more about your ad choices. Visit megaphone.fm/adchoices

In Part 1, meet and get to know Nathan, who today owns and operates New Skool Clothing and Accessories.   Nathan's parents are both from Myanmar, but fled their home country during years of political upheaval. They landed in England, where his mom's mom already lived and where Nathan was born in the early Seventies. He, his older sister, and their parents then moved to the Bay Area, where their dad had family, when Nathan was three.   He attended preschool in The City, but then his parents moved their young family to Daly City, where they could afford to buy a house. His dad started his own business, and his mom worked at a bank, and that was enough to enable them to buy a famed Doelger home just south of San Francisco.   Nathan went first to Peabody Elementary for one or two years, then to Westlake for second through sixth grades. After this, his parents enrolled him in a Catholic school to finish his junior high years. Around 1983, he started high school at St. Ignatius in The City and that ended up changing his life forever. He soon met Eustinove Smith, who was already a graffiti and hip-hop legend in SF. Nathan was just getting into hip-hop himself. He shares some insights on the genre's evolutions, from the East Coast to out West. Some kids were graffiti writers and DJs at his new school, and Nate (as he was starting to be known) started breakdancing and listening to the hip-hop.   Nate had dabbled in art as a young kid, but his art matured when he hit his teen years, especially after he met his new best friend, E (Eustinove). Nate imparts some wisdom about the evolution of graffiti-writing styles at this point. His buddy E got a crew together and they hit the streets.   The new crew called itself Master Piece Creators (MPC). Nathan became Nate1, E was Omen2, and their buddy Rodney was Orco. Spots around SF they hit up include several "hall of fames," which are spaces where people paint both legally and illegally. MPC ended up doing many "productions" all over town.   He says when he graduated high school, it was never a question of leaving The Bay. Nate got into SF State, where he majored in business at first. But it took a counselor's advice to get him to switch over to art.   Check back next week for Part 2 and the continuation of Nate's story.   Check out the goods over at New Skool.   We recorded this podcast at Nate's home and studio in the Sunset in February 2024.   Photography by Jeff Hunt

On Monday, a total eclipse will cut its way across a swath of North America. Millions are expected to flock to states along the eclipse's path, from Texas to Maine in hopes of capturing a glimpse (through eclipse glasses) of this celestial event. The last total solar eclipse in the U.S. was in 2017. The next one won't be until 2044. Although the Bay Area will not experience a total eclipse, there will still be opportunities to see part of one. We'll talk to experts about what to expect, hear from folks in the path of the totality, and answer your questions. Guests: Andrew Fraknoi, astronomer and professor, Fromm Institute at the University of San Francisco and the OLLI Program at SF State; author of many textbooks and popular books about astronomy Anna Huntsman, reporter, Ideastream Public Media, Cleveland's public radio station Polly Martin, resident of Buffalo, NY Rob Semper, chief learning officer, Exploratorium; member, National STEM Education Advisory Panel

Meet Justin Johnson, a redshirt senior on the men's baseball team. He hit 4 homeruns in consecutive appearances and has led the team to a very strong start. We will talk about his experience at SF State and his previous stints with Jackson State as well.

Huckleberry Youth, the non-profit providing care and housing for underserved youth, celebrated 50 years back in 2017. In Part 1 of this episode, we meet Huckleberry consultant/advisor Denise Coleman and the organization's CEO/executive director, Doug Styles.   Denise was born at what is now Kaiser's French Campus on Geary. Denise, who is Black, shares the story of the hospital making her dad pay cash for their labor and delivery services, while it was obvious that white folks were allowed to make installment payments.   Born and raised in the 1950s and Sixties, Denise and her family lived in the Haight/Ashbury neighborhood, as it was known then (now we call it Cole Valley) on Belvedere Street. She has three sisters and a brother, her dad worked two jobs usually, and her mom stayed home. She describes a childhood that was fun, filled with activities like roller skating, skateboarding, and homemade roller coasters.   Denise was a teenager during the Vietnam War and took part in protests. She describes a history of friction with her mom. When Denise was 16, one of her sisters OD'd on drugs. Still, despite the trauma that came with that, she graduated high school from St. Mary's in 1973. At this point in the podcast, Denise rattles off the San Francisco schools she went to.   After high school, she joined some of her cousins and attended the College of San Mateo. Denise never thought about or wanted to leave the Bay Area, she says. In an apartment on the Peninsula, she and her cousins had "the best time." After obtaining a two-year associate's degree, Denise says she wanted to go to SF State, but didn't connect with it, and so she started working instead. For two years, she flew as a flight attendant for the now-defunct Western Airlines. After that, she collected debt for a jewelry store, then worked as a credit authorizer for Levitz Furniture in South San Francisco.   Denise says she got hung up in the crack epidemic in the Eighties. She started with cocaine, and that led to crack. She was an addict for eight years. She got herself into a rehabilitation program at Delancey Street and stayed in the program for seven years. Her time started in SF, then took her to Santa Monica, North Carolina, and New York state.   In 1998, Denise decided to leave Delancey Street. She got a call from Mimi Silbert, the Delancey founder, with an offer to work at their new juvenile justice program in San Francisco. Denise said no at first, partly because she wanted to stay in North Carolina. But after some persistence from Silbert, in 1999, she said yes and came back to her hometown. After seven years away, The City had changed.   And so Denise helped to establish Delancey Street's Community Assessment and Referral Center (CARC). After its first year, the organization realized that they didn't have the capacity to run the program. Delancey Street asked Huckleberry Youth to take it over, and this is how Denise ended up at Huckleberry.   Doug Styles was born and raised in the Richmond District. He was too young to remember the 1960s and mostly grew up in the Seventies. Doug says he had a lot of fun as a kid, describing riding his bike to the beach and back by himself. He shares the story of going to a late movie in the Mission, so late that when he got out, there were no buses. And so he walked home through the Mission, through the Fillmore, to his home in the Richmond.   He also rattles off San Francisco schools he went to, including Lowell. Doug was in school when the SLA kidnapped Patty Hearst. He was at Everett Middle School when Dan White assassinated George Moscone and Harvey Milk. He speaks to tensions in The City around this time, and Denise joins in to talk about the day of the assassinations.   Doug graduated high school in 1983 and went to UC Santa Cruz, where he majored in theater. He moved to Massachusetts, where he found work in a theater. After a short time out east, he came back to San Francisco and tried unsuccessfully to get into grad school. So he enrolled in a masters program at CIIS for drama therapy. Following that degree, Doug went back east, this time to Connecticut to work at the VA's National Center for PTSD.   After another return to the Bay Area, he got his doctorate in clinical psychology. At the VA, Doug had worked with adults, but the jobs he found here had him working with youth. He had a job on the Peninsula for 10 years, during which time he became a father to two kids, which he says changed him more than anything else.   One day he saw that the Huckleberry Youth executive director was retiring. Doug applied and got the job, and has been with the non-profit ever since.   Check back next week for Part 2 and more on the history of Huckleberry Youth.   Photography by Jeff Hunt   We recorded this podcast in December 2023 at Huckleberry Youth's administrative offices on Geary.

We begin Part 2 where we left off in Part 1. Anita had been away from their Arkansas college town and missed Lester. Upon her return, she went to see him and they soon shared their first kiss.   Soon after that day, Anita had a pregnancy scare, and so Lester asked her, "Would you marry me if you are?" She said yes, but ended up not being pregnant. It didn't matter. They got married anyway. It was 1990 and they were both 22.   Lester had a semester to go in college, which meant that the young couple couldn't live together or he'd get kicked out of the Christian school.   He had started his first serious band—Cosmic Giggle Factory. Anita worked at Captain D's, a regional seafood chain fast-food joint, and then at a hotel. They moved to Little Rock a few years later. ​Eventually, she landed a job at Spectrum Weekly, an alternative paper in the Arkansas capital. Looking back, they say that they really loved their community there.   After four years in Little Rock, and after Bill Clinton got elected, they decided to leave before they would begin to hate it. Spectrum Weekly closed and Lester's band broke up. They took these as signs to leave.   Neither of them had ever been to San Francisco, but knew that they wanted to be in a city and many people they knew and trusted had good things to say about SF. Anita was working with an ESPN producer and through them met a person who lived here and offered them a place to live. So they packed up their Geo Prism, sold a lot of stuff, and maybe had $500 between them. It was November 1994.   Upon arriving in the Bay, Lester worked at Tower Records and Anita found work at a temp agency. She had "toyed" with art while living in Little Rock and picked that up again in SF. But she says she didn't take it too seriously until around 2015. She worked several academic and corporate jobs that she didn't like until around that time, when Annie at Mini Bar gave her a show there. She ended up being in a show at Mini Bar every year for the next four years.   One day in 2018 or so, Anita was at Fly Bar on Divisadero and learned that the owner needed someone to do art shows there. "I wanna do that!" she told them. Her first show at Fly was based on travel photography. Anita ended up curating shows at Fly until the pandemic, and had become involved in the Divisadero Art Walk. When COVID hit, the other Fly curator left town and Anita took over. She also did shows at Alamo Square Cafe, which stayed open during the pandemic. As other places started to open, she expanded her venues.   When Annie left Mini Bar and Erin Kehoe took over, Anita reached out and they decided to alternate curating art shows at the bar (where we worked with Erin to do Hungry Ghosts in summer 2023). Anita has since added even more venues, including Bean Bag Cafe, and says she has moved around $50K of art in five years.   This leads us to Anita's newest thing: KnownSF, which will officially launch later this year. For her shows, she likes to have one artist whose first show it is and one artist 50 or older. She says she wants to stick with the venues she's already showing at. Stay tuned and follow KnownSF on Instagram.   Then we get to Lester's band, The Pine Box Boys, who recently celebrated 20 years of existence.   When he first moved to The City, Lester had a hard time getting music going. He was dealing with confidence issues, which didn't make anything easier.   He enrolled at SF State, got a degree, went into a teaching credential program, and started meeting people. Through some of these new teacher-to-be friends, he started playing with a band that was already established. He says he was stoked to play a show in San Francisco, but that band fizzled out and broke up.   But Lester and another member kept playing together. It was a noisy, abstract band called Zag Men. As Lester tells us, the saying went, "If the Zagmen are playing, nobody's getting laid." He started creating soundtracks to silent films at ATA on Valencia. He was teaching and doing music on the side.   Pine Box Boys started in the same studio space at Fulton and McAllister that we recorded this podcast in. Lester showed his buddies some blue grass stuff he'd picked up when he was younger. And we learn that his mom used to sing him to sleep with old British murder ballads when he was a kid. So, Lester taught these friends some of those darker songs.   At first the band was a side project to his side project at ATA. But Lester points to the 2000 movie O Brother, Where Art Thou? which sparked a general societal interest in Americana and genres like blue grass. People began to want to hear Pine Box Boys more than Zag Men, so Lester went with it.   They played Cafe du Nord a lot and eventually started touring, both the US and Europe. Lester quit his teaching job and from 2006-2009, the band kept touring. They started to put out records (look for a new one, their sixth, soon). Eventually, he started teaching again, and when he got into school admin work, it ate into his music, but not so much that he had to quit.   During the pandemic, they did some streaming shows and online festivals. Eventually, when it was safe, they played a handful of parklet shows. He and Anita were regulars at Madrone already. Anita had an idea and asked Spike, who owns Madrone—what if Lester did a residency at the art bar? And so, the first Sunday of the month became "Apocalypse Sunday." November 2023 marked the two-year anniversary for the monthly show. Lester tries to always bring different genre bands in to play with his own. Mark your calendars! We've been to a few and they're a lot of fun!   We end with Anita and Lester responding to this season's theme on the podcast: "We're All in It." Anita points to wanting to see neighborhoods, which are thriving, mingle more and get to know each other. Lester ends with a rather choice quote about casseroles.   Photography by Jeff Hunt   We recorded this episode at Antia's art studio on Divisadero on a rainy day in January 2024.

Jim Finley--a recently retired English teacher living alone on the shifting edge of San Francisco--has been set, unwittingly, on the back porch of life. Trying to harmonize the voices in his head, he sits most days by his stack of "to-do" books until, one day, his daughter comes home with the worst news of her life. Everything changes. As his broken heart reengages, he steps back into a new world. He sees his ex-wife has launched into a larger life than the one they'd shared. He is surprised to find it easier to talk to his son's immigrant girlfriend, or even the remains of a Russian saint, than to the young man he's raised. He misconnects with Carol--his first date in decades--a woman he enjoys talking with but doesn't quite hear.  Set in the pre-tech calm before the turn of this century, Outer Sunset (U Iowa Press, 2023) is a deeply felt story about the intimate place where long-lasting growth occurs in our lives; how we revise, or live without, our dreams; how to love the flaws of those closest to you and watch a child grow away into someone better than you'd imagined; and how to be shaken by beauty amidst unimaginable loss and remain standing. Mark's work has won a Nelson Algren Short Story Award, been long-listed for the Pirates Alley/Faulkner — William Wisdom prize, and been published in the Chicago Tribune, LitHub, Santa Clara Review, Connotation Press, Kindle Singles, and elsewhere. Mark grew up in Western Massachusetts and New York's "North Country," earned a BA from St. John's College in Annapolis, and moved to San Francisco in 1987, where he earned an MFA from SF State. He worked nearly 30 years in nonprofit communications, including a wonderful spell with the California Council for the Humanities. He lives with his wife and kids in San Francisco. Recommended Books: Joy Williams, Harrow Jaime Cortez, Gordo Stuart O'Nan, Last Night at the Lobster  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim Finley--a recently retired English teacher living alone on the shifting edge of San Francisco--has been set, unwittingly, on the back porch of life. Trying to harmonize the voices in his head, he sits most days by his stack of "to-do" books until, one day, his daughter comes home with the worst news of her life. Everything changes. As his broken heart reengages, he steps back into a new world. He sees his ex-wife has launched into a larger life than the one they'd shared. He is surprised to find it easier to talk to his son's immigrant girlfriend, or even the remains of a Russian saint, than to the young man he's raised. He misconnects with Carol--his first date in decades--a woman he enjoys talking with but doesn't quite hear.  Set in the pre-tech calm before the turn of this century, Outer Sunset (U Iowa Press, 2023) is a deeply felt story about the intimate place where long-lasting growth occurs in our lives; how we revise, or live without, our dreams; how to love the flaws of those closest to you and watch a child grow away into someone better than you'd imagined; and how to be shaken by beauty amidst unimaginable loss and remain standing. Mark's work has won a Nelson Algren Short Story Award, been long-listed for the Pirates Alley/Faulkner — William Wisdom prize, and been published in the Chicago Tribune, LitHub, Santa Clara Review, Connotation Press, Kindle Singles, and elsewhere. Mark grew up in Western Massachusetts and New York's "North Country," earned a BA from St. John's College in Annapolis, and moved to San Francisco in 1987, where he earned an MFA from SF State. He worked nearly 30 years in nonprofit communications, including a wonderful spell with the California Council for the Humanities. He lives with his wife and kids in San Francisco. Recommended Books: Joy Williams, Harrow Jaime Cortez, Gordo Stuart O'Nan, Last Night at the Lobster  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Jim Finley--a recently retired English teacher living alone on the shifting edge of San Francisco--has been set, unwittingly, on the back porch of life. Trying to harmonize the voices in his head, he sits most days by his stack of "to-do" books until, one day, his daughter comes home with the worst news of her life. Everything changes. As his broken heart reengages, he steps back into a new world. He sees his ex-wife has launched into a larger life than the one they'd shared. He is surprised to find it easier to talk to his son's immigrant girlfriend, or even the remains of a Russian saint, than to the young man he's raised. He misconnects with Carol--his first date in decades--a woman he enjoys talking with but doesn't quite hear.  Set in the pre-tech calm before the turn of this century, Outer Sunset (U Iowa Press, 2023) is a deeply felt story about the intimate place where long-lasting growth occurs in our lives; how we revise, or live without, our dreams; how to love the flaws of those closest to you and watch a child grow away into someone better than you'd imagined; and how to be shaken by beauty amidst unimaginable loss and remain standing. Mark's work has won a Nelson Algren Short Story Award, been long-listed for the Pirates Alley/Faulkner — William Wisdom prize, and been published in the Chicago Tribune, LitHub, Santa Clara Review, Connotation Press, Kindle Singles, and elsewhere. Mark grew up in Western Massachusetts and New York's "North Country," earned a BA from St. John's College in Annapolis, and moved to San Francisco in 1987, where he earned an MFA from SF State. He worked nearly 30 years in nonprofit communications, including a wonderful spell with the California Council for the Humanities. He lives with his wife and kids in San Francisco. Recommended Books: Joy Williams, Harrow Jaime Cortez, Gordo Stuart O'Nan, Last Night at the Lobster  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Jim Finley--a recently retired English teacher living alone on the shifting edge of San Francisco--has been set, unwittingly, on the back porch of life. Trying to harmonize the voices in his head, he sits most days by his stack of "to-do" books until, one day, his daughter comes home with the worst news of her life. Everything changes. As his broken heart reengages, he steps back into a new world. He sees his ex-wife has launched into a larger life than the one they'd shared. He is surprised to find it easier to talk to his son's immigrant girlfriend, or even the remains of a Russian saint, than to the young man he's raised. He misconnects with Carol--his first date in decades--a woman he enjoys talking with but doesn't quite hear.  Set in the pre-tech calm before the turn of this century, Outer Sunset (U Iowa Press, 2023) is a deeply felt story about the intimate place where long-lasting growth occurs in our lives; how we revise, or live without, our dreams; how to love the flaws of those closest to you and watch a child grow away into someone better than you'd imagined; and how to be shaken by beauty amidst unimaginable loss and remain standing. Mark's work has won a Nelson Algren Short Story Award, been long-listed for the Pirates Alley/Faulkner — William Wisdom prize, and been published in the Chicago Tribune, LitHub, Santa Clara Review, Connotation Press, Kindle Singles, and elsewhere. Mark grew up in Western Massachusetts and New York's "North Country," earned a BA from St. John's College in Annapolis, and moved to San Francisco in 1987, where he earned an MFA from SF State. He worked nearly 30 years in nonprofit communications, including a wonderful spell with the California Council for the Humanities. He lives with his wife and kids in San Francisco. Recommended Books: Joy Williams, Harrow Jaime Cortez, Gordo Stuart O'Nan, Last Night at the Lobster  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

The California State University system is the largest public university system in the nation. This week, faculty at four campuses — Cal Poly Pomona, San Francisco State, Cal State Los Angeles, and Sacramento State — launched a series of 1-day strikes. KQED's Juan Carlos Lara takes us to Tuesday's strike at SF State, where faculty and staff say they're fed up with working conditions, low pay, and looming job cuts. Episode transcript This episode was produced by Ericka Cruz Guevarra and Maria Esquinca, and hosted by Ericka Cruz Guevarra.

Multi-instrumentalist, composer, arranger and educator Dr. John Calloway joins Rebecca to speak about the Cuban music scene in the Bay Area. Calloway has written for Grammy-nominated projects and recorded several of his own albums. He has spent 35 years as a music educator in San Francisco public schools and at San Francisco State University, founding the Latin Jazz Youth Ensemble and the Afro-Cuban Ensemble at SF State.Songs played:Aprovecha que me voy, John CallowayDime si te gusta, Jesús Díaz y Su QBAAsere Ko, John CallowayGeneraciones, Latin Jazz Youth Ensemble of San FranciscoSupport the showIf you like this podcast, please subscribe and give us a 5-star rating on Apple PodcastsFollow The Clave Chronicles on Twitter, Instagram, and Facebook @clavechronicleshttps://theclavechronicles.buzzsprout.comIntro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions

In Part 1, we meet and get to know a bit about Traci's past. She grew up in Modesto. Her dad's family is Puerto Rican and they arrived in the Central Valley from the East Bay. Traci's mom's mom came to California via Mexico and Spain, while her mom's dad is Native American, Cherokee to be exact. That man, Traci's grandpa, his mom had three sets of kids from three men, but grandpa didn't talk about that. Traci is an only child. She and her family visited the East Bay when she was a kid, but they didn't really come to San Francisco. Traci says her impression of the East Bay is that it was like Modesto, but more crowded and noisier. Sometime after the 1989 Loma Prieta earthquake, Traci came to The City to go to SF State, where she graduated from the school's BECA program around 4.5 years later. She says that the decision where to go to college ultimately came down to SF State or Sac State. But in the end, she wanted to be in SF. She and friends had been coming to The City to see shows and concerts. Here, she rattles off quite an impressive list of bands she saw back then, including Duran Duran at The Fillmore. At State, Traci lived in the dorms, which, after the quake, were showing  obvious signs of damage. To her young mind, it didn't matter. She was where she wanted to be. She had always loved the fog, most likely owing to the intense summer heat in Modesto.  While in school, she worked around town in cafes and restaurants. After graduation, she had saved up enough money to buy a one-way ticket to Madrid. She travelled around Europe a bit for a year, then came back to SF and worked various jobs. Then, a year later, Traci picked up again and went to Australia, this time on a round-trip ticket. We end Part 1 with some of Traci's fondest memories of New Zealand and the ways that that island nation compare to California. Photography by Michelle Kilfeather

In Part 3, we meet Vesuvio bartender Joanna Lioce. Originally from Newport, RI, where her dad was a rock critic, the family moved to LA when he got a job with the Times down there. They landed in Orange County, in fact, a place Joanna left as soon as she could. In fact, the day after she graduated high school, Joanna went to Europe. While she was away, her dad got a job at the San Jose Mercury News and her mom, a pediatric nurse, worked as a public-health official in Berkeley. Joanna was in Europe shortly before Sept. 11, and though she had planned to stay overseas longer, the event made her wonder … but mom said “don't come home.” On a family trip to Ireland when Joanna was 8, she had decided that she wanted to be a bartender. Now it was 2002, and she dropped her bag at a hostel and got a bartending job at O'Shay's Merchant, a pub across the street from the Brazen Head in Dublin. She stayed in Dublin until Christmas, then returned to SoCal, where she had fronted a Riot Grrrrl band called Julia Warhola. But by now, several band members had started doing heroin, so she quit the band and moved to the Bay Area where her family was. Joanna first went to school in the Peralta System in the East Bay, then she got into SF State, where she eventually got her degree. She also finished college at Cambridge in England to study Shakespeare. While going to SF State, she moved to the Mission, specifically 18th and Linda near the Women's Building. She found the place through a Craigslist ad and ending up with six roommates, none of whom she knew previously. Her room set her back only $400, but she wasn't feeling it. From the Mission, Joanna moved to Lower Haight. And 13 years ago, she settled in to her place on Nob Hill, where she lives today. She had a job, hosting then bartending, at Stinking Rose in North Beach. She liked it all right, but when her boss gave credit for a makeover of the bar that she had done to a male co-worker, she knew she had to leave. She gave her two weeks' notice and went for a drink at Vesuvio. While there, a bartender she had befriended offered her the job. She was 21. It was 2003. She's been working at Vesuvio ever since. Photography by Michelle Kilfeather

Solar eclipses happen roughly every six months, but they are rarely visible. This weekend, however, Bay Area residents will be able to see the moon pass in front of the sun in an annular eclipse. Another one, a total eclipse, is expected to cross our skies in April 2024. The celestial spectacles will be the last events to appear over the continental U.S. until 2045. We'll dig into the science of solar eclipses, how to safely view an eclipse and hear the latest in space exploration. Guests: Andrew Fraknoi, astronomer and professor, Fromm Institute at the University of San Francisco and the OLLI Program at SF State; author of many textbooks and popular books about astronomy Marina Koren, staff writer, The Atlantic. Koren covers space for the magazine

"This land is too valuable to let poor people park on it," said SF Redevelopment Agency head Justin Herman, about Asian and Black people living in Central San Francisco. Today many politicians are acting like it's the 1950s all over again. Niccolo Calderaro, professor of anthropology at SF State, speaks on resistance then and now. Niccolo Calderaro's article in Progressive City: "Community Mobilization against Eviction in 1970s San Francisco & the contribution of Chester Hartman": progressivecity.net/single-post/community-mobilization-against-eviction-in-1970s-san-francisco-the-contribution-of-chester-hartman  Niccolo's book, "An Ethnography of the Goodman Building: The Longest Rent Strike": link.springer.com/book/10.1007/978-3-030-12285-0 John Fossum, California Law Review, "Rent withholding and the improvement of substandard housing": sci-hub.ru/10.2307/3479098 "Oakland-Based Government Finance Director Pleads Guilty To Embezzling Public Funds": justice.gov/usao-ndca/pr/oakland-based-government-finance-director-pleads-guilty-embezzling-public-funds Curtis Choy's "Fall of the I-Hotel" (trailer): youtube.com/watch?v=lzrWwvI8JpI Chris Carlsson's essay "The Freeway Revolt," at FoundSF: foundsf.org/index.php?title=The_Freeway_Revolt  Bay Area Tenant and Neighborhood Councils: baytanc.com patreon.com/sadfrancisco

In Part 1 of our episode on the Bayview Opera House, we sit down with opera house Programming Manager Ashley Smiley, (who goes by "Smiley"). Smiley shares how her family ended up in San Francisco. Her mom was born and raised in SF, but her mom's mom, a mixed-race woman, came from Texas. Her family was run out of that state by the KKK. That family landed in the Hunter's Point area and ended up in the Fillmore. Her maternal grandfather came here from Haiti via boat. Upon his arrival, he bought property in San Francisco, as that was possible at the time. Smiley's grandparents met each other at Polytechnical High School. Her grandfather was a longshoreman, but also a musician and songwriter. Her mom went to Galileo, then SF State, and now works for The City. Smiley was born at a rather conspicuous time in history — just a week after the Loma Prieta earthquake in 1989. Her mom says that there was a 5.4 aftershock at the time of Smiley's birth. Smiley grew up in Ingleside mostly, and remembers going to the Bayview Opera House a lot early in life. Her family moved around The City, and she rattles off a list of the different schools she went to. It was at Lafayette Elementary that she did her first theater show — Pirates of Penzance. She mentions her "Jewish momma" from this time, an early mentor. After attending her first major theater production, she became something like obsessed with the production aspects of live performance. She'd played instruments and was a cheerleader, but she found her passion in performing arts. She carried that passion into her middle school days, where she started doing spoken word and poetry. Work she'd done at her church gave her a background in writing, and she used that to springboard to performing words on stage for people. In high school, when she went to Lowell, she started doing bigger and bigger productions. It was during this time that she was immersed in Black culture and identity, and she learned that it was something she needed to lean into. She says that it was "super empowering." On the flip side, these experiences contradicted what she had previously believed about the world, namely, that racism had more or less been solved. She had wondered why older Black folks were so upset. And so, at the same time that she was discovering her own confidence and pride of being a Black woman, she was starting to see the complexities of racism in the US and San Francisco. Lowell, she says, had a lot to do with this realization. We end Part 1 with Smiley confessing to how much time she spent away from her high school, the bulk of it at the Brava Theater in the Mission. She did spoken word and hip-hop with the Colored Ink group. Meeting and witnessing performances by so many of her inspirations left her thinking, I gotta be in this world. And now, she is. Please join us for Part 2 next week, when we learn more about the Bayview Opera House and Smiley's time there. We'll also meet two performers involved in opera house programs. We recorded this episode at Bayview Opera House/Ruth Williams Memorial Theatre in June 2023. Photography by Jeff Hunt

In this episode, the founder and former Director of San Francisco State University Postbac Programs and Accepted consultant since 2015 explains why the fastest way to medical school is slowly and carefully, and explores the advantages and disadvantages of applying to med school from a postbac program. [SHOW SUMMARY] Are you in a postbac program or specialized masters program? Are you wondering what are the nuances of applying to medical school from a postbac program?  You're in luck, because that's the topic of today's episode - along with a healthy dose of excellent med school admissions advice for any med school applicant. An interview with Dr. Barry S. Rothman, PhD, Emeritus Professor of Biology, founder of SFSU Postbac Programs, and Accepted consultant for 8 years. [Show Notes] Welcome to the 526th episode of Admission Straight Talk. Are you ready to apply to your dream medical schools? Are you competitive at your target programs? Accepted's med school admissions quiz can give you a quick reality check. Complete the quiz and you'll not only get an assessment, but tips on how to improve your chances of acceptance. Plus it's all free. Our guest today, Dr. Barry Rothman, is the former health professions advisor and director of San Francisco State University's pre-health profession certificate program which serves pre-med, pre-dental, pre-nursing, and other pre-healthcare students who are preparing themselves to apply to graduate programs in healthcare. This episode focuses on medical school applications, but since 2015, Dr. Rothman has helped Accepted's clients in all aspects of the application process to medical school and specifically those both applying to postbac programs and applying from postbac  programs.  Dr. Rothman, welcome to Admission Straight Talk. [1:54] Great, Linda, good to be here and good to have been part of the Accepted family for now eight years. Glad to have you as part of the Accepted family. How did you get involved in postbac programs and helping applicants from postbac programs apply successfully to medical school? [2:04] Wow, what a story. At San Francisco State, I've had three careers. Started out very research oriented, leading a postdoctoral fellowship at UC San Francisco, and then transitioning to SF State as a new faculty member and conducting lab research in a lab at SF State. Which I was quite successful at, but it didn't really make me super happy, and I decided to stop doing research and start teaching. I had quite a lot of experience teaching already, and so that made me happier. And then around 20 years into my time at SF State, my dean approached me and said, "How'd you like to be the health professions advisor?" And I thought, sure, it'll be an easy thing, no big deal. And so I naively said yes, and it took over my life. I just loved doing it. I loved working with the students. I actually had been teaching a molecular medicine class, so I was interested in medicine anyhow, and I just took it from there. The students were wonderful to deal with. We created a program that required a lot of political maneuvering through the academic senate, and after a whole year of processing we had a postbac program, a newly formed from zero postbac program. What are the different kinds of postbac programs, and whom are they for? [3:50] Sure. Well, actually there's a bunch of different kinds. First of all, you can do a do-it-yourself postbac program, or you can enter a structured postbac program. So in do-it-yourself, you figure out the classes you take. You could take them at one or more universities as long as it's a four-year university, and you need some kind of advising. And Accepted can provide that kind of advising for a do-it-yourself postbac program. As you might guess, a DIY postbac program is less expensive than a structured program. Structured programs as you might guess offer structure, and so there's a bunch of people who are running the program,

Against all odds we have a new episode! We went to the SF State, Cal, and Mills MFA shows! Plus Maysoun went to a dance performance at Fort Funston! Please forgive our audio nonsense as we transition into being better at making a podcast even though we've been doing this shit for almost 9 years.the music in this episode by FM-84 Hosted on Acast. See acast.com/privacy for more information.

Noteworthy news for today: “One of the most significant leaks of classified US documents in recent history,” according to the WSJ — a breach that has exposed top secret US intelligence, that is now in Russia's possession; ProPublica, a left-leaning website, issued a report that Justice Thomas has violated ethics rules as a Supreme Court Justice… now members of Congress calling for his resignation/impeachment; Riley Gaines, NCAA swimmer who competed against Lia Thomas, was assaulted by trans activists, including one man wearing a dress, while speaking at the “Save Women's Sports” event for the Turning Point USA chapter at SF State.  Please take our survey: https://lp.juliehartmanshow.com/survey/See omnystudio.com/listener for privacy information.

Guest David Friedlander returns to join Nicole and Arnold in the final part of their recounting of the 1968-1969 Third World Liberation Strike. SF State students and faculty went on strike to protest racism in both admissions and curriculum, resulting in the creation of the Departments of Black Studies and Ethnic Studies.

Guest David Friedlander returns to join Nicole and Arnold in part 2 of their recounting of the Third World Liberation Strike. SF State students and faculty went on strike in 1968-69 to protest racism in both admissions and curriculum, resulting in the creation of the Departments of Black Studies and Ethnic Studies.

Guest David Friedlander joins Nicole and Arnold to recount the Third World Liberation Strike. SF State students and faculty went on strike in 1968-69 to protest racism in both admissions and curriculum, resulting in the creation of the Departments of Black Studies and Ethnic Studies.