Podcasts about jazz festivals

MINNESOTA — In this episode of the Echo Press News Minute, reporter Lisa Johnson talks about beating the winter blues with world-class blues and jazz, a peek at how the proposed new Douglas County Library could look, building demolition in preparation for a Kwik-Trip in western Alexandria, and a romantic article about how Alexandrians are bedazzled by romance books … and how they bedazzle the romance books right back. Those stories and more, this week on the Echo Press News Minute.   Check out the top headlines from February 11 and February 13  below: Here are the top stories in our Wednesday February 11 issue: Beat the Winter Blues and Jazz Festival showcased music by world-class blues and jazz artists SunOpta is being sold to Refresco in $1.1 billion deal All 11 fire departments in Douglas County may get new radios Proposed new Douglas County Library inches forward toward a referendum vote in November Van Zomeren inducted into MN FFA Hall of Fame Boys Swim and Dive: Alexandria captures Central Lakes Conference championship   Here are the top stories in our Friday, February 13 issue: 90 years ago: Alexandria's Congregational Church burns $19.9 million building bond referendum for Osakis Public Schools passes Buildings demolished to clear the way for Alexandria's second Kwik Trip Alexandria bedazzled by romance books Zion Lutheran boys basketball continuing to highlight consistent play as state approaches Opinion  

The 49th Annual Saratoga Jazz Festival, presented by GE Vernova, will return for a full two-day and two-stage weekend experience on Saturday, June 27 and Sunday, June 28 at Saratoga Performing Arts Center. Featuring a roster of 22 musical groups and 13 festival debuts, the 2026 line-up is headlined by R&B legend Patti LaBelle and multi-platinum, New Orleans rock collective The Revivalists.

Shayna Steele is a soul, jazz and blues singer extraordinaire. This woman has done it all. She has performed at major venues all over the world including the Monterey Jazz Festival, North Sea Jazz Festival and with a whole bunch of Symphony Orchestras including over 100 North American orchestras. She's performed with Chris Botti, Moby and Snarky Puppy to name just a few. She has sung on the soundtrack albums for Wicked, Bourne Identity and Sex and the City 2. She made a guest appearance on The Sopranos. She was in the hit musicals RENT and Jesus Christ Superstar, and she played an original roll in Hairspray. She's done background vocals for Bette Midler, Rihanna, and Kelly Clarkson. And she's released 4 hit albums.My featured song is my reimagined version of The Kinks' “You Really Got Me”, from the album The Queen's Carnival by my band Project Grand Slam. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH SHAYNA:www.shaynasteele.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Community News and Interviews for the Catskills & Northeast Pennsylvania

President Trump sends a team to Pacific Palisades, and the future of who controls rebuilding permits for fire survivors could be at stake. LA County approves a new homelessness budget, but not before making some major cuts. Renters affected by federal immigration raids are getting some help from LA County. Plus, more from Morning Edition. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.comSupport the show: https://laist.com

On this episode Ed joined with Jerry Jazzman to talk about the Orlando Jazz Festival. Before That Ed goes over the food and wine festival concerts at Busch Gardens. Later Ed goes over the wrestling news of the week. JAN 30, 2026 at the WPRK Studios in Winter Park, FL The post Ep. 498- Orlando Jazz Festival appeared first on Orlando Tourism Report .

Recap of the investigation into Highlands Charter School following vote to close school. Also, visit times at ERs in the Central Valley are twice the national standard. Finally, young musicans participate in day-long jazz workshops.

On this podcast we break down the huge victory that is the historic announcement of the first-ever Los Angeles Jazz Festival which will debut in summer of 2026. How a city-wide celebration of Black Music history, free community events, arts education and a giant beach jazz festival will bring a measure of justice to recreational access often denied to Black people and BIPOC folks is in the convo. And YOU are invited to the launch party and grand announcement at LA City Hall on Wednesday with music, elected and Dominique DiPrima as the emcee.https://www.eventbrite.com/e/press-announcement-los-angeles-jazz-festival-coming-to-la-this-summer-tickets-1981387452207?aff=oddtdtcreator https://www.instagram.com/diprimaradio/ https://saharahali.com/

Amy MacIver, in for CapeTalk’s Sara-Jayne Makwala King, is joined on Weekend Breakfast by Mark and Raffaella Goedvolk. Weekend Breakfast with Sara-Jayne Makwala King is the Weekend Breakfast show on CapeTalk. This 3-hour morning programme is the perfect (and perky!) way to kickstart your weekend. Author and journalist Sara-Jayne Makwala-King spends 3 hours interviewing a variety of guests about all things cultural and entertaining. The team keeps an eye on weekend news stories, but the focus remains on relaxation and restoration. Favourites include the weekly wellness check-in on Saturdays at 7:35am and heartfelt chats during the Sunday 9am profile interview. Listen live on Primedia+ Saturdays and Sundays between 07:00 and 10:00am (SA Time) to Weekend Breakfast with Sara-Jayne Makwala-King broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/AgPbZi9 or find all the catch-up podcasts here https://buff.ly/j1EhEkZ Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Bria Skonberg is a Canadian born, Juno award winning extraordinary trumpeter and vocalist. She's a 10x Downbeat Rising Star, a Jazz at Lincoln Center Swing! Awardee, and the recipient of the "Legend" Award by the Society for the Preservation of the Great American Songbook. She's been a featured artist at hundreds of festivals and stages all over the world, including the New Orleans, Monterey, Newport, and Montreal Jazz Festivals. My featured song is “Mi Cachimber”, my recent single. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH BRIA:www.briaskonberg.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Dans le cadre de l'Atlantique Jazz Festival, les étudiants de l'ISB (Image & Son Brest), la structure Plages Magnétiques et Radio U se sont associés pour enregistrer et diffuser plusieurs concerts. Dans ce quatrième et dernier rendez-vous, place à Noël Akchoté et Benoit Delbecq. Les deux musiciens se sont rencontrés il y a près de trente ans. En commun ils ont le besoin de jouer aujourd'hui, au présent, tout en restant solidement arrimés à l'histoire du jazz. Benoit Delbecq: pianiste Noël Akchoté: guitariste Enregistré le 17/10/2025 Production: Radio U, Brest ---------------------------------- L!VE CAMPUS, l'émission dédiée à la musique live ! La musique live, toutes les musiques lives ! " L!VE CAMPUS " , un nouveau programme musical live qui place en son centre la découverte de nouveaux talents. Partout sur le territoire, dans les studios radios, dans les salles, festivals et cafés concerts, les radios Campus captent les instants où les artistes musicien.ne.s présentent sur scène, parfois pour la première fois, le fruit de leur travail. Des performances et des moments enregistrés parfois fragiles mais toujours uniques et sensibles. Enregistrés, produits et diffusés sur les ondes de près de 30 radios Campus en France, ce programme offre à des projets musicaux émergents un changement d'échelle, permettant à des projet locaux de se faire connaitre en dehors de leur territoire d'origine. Enfin en arrière scène, ce sont des équipes radios, personnes bénévoles ou en formation, qui, avec la complicité de nos partenaires, s'essayent et manipulent les enregistreurs, consoles sons, câbles, micros et logiciels pour rendre possible ces captations sonores qui vous seront ensuite retransmises. Des défis techniques formateurs pour celles et ceux qui souhaitent se confirmer aux métiers du son. L!VE Campus, les jeunes talents à découvrir et a ré-écouter en podcast c'est ici et en FM/DAB+ sur vos radios Campus préférées. Avec le soutien du Centre National de la Musique. crédits visuels : Alice Marmond | IG @aliicetakespics

Dans le cadre de l'Atlantique Jazz Festival, les étudiants de l'ISB (Imaje & Son Brest), la structure Plages Magnétiques et Radio U se sont associés pour enregistrer et diffuser plusieurs concerts. Dans ce troisième rendez-vous, place au Quintette "The Bridge". Équilibres fragiles et aventureux. Cinq esprits libres, réunis sous un seul impératif: la prédisposition immédiate à explorer un territoire musical où tout est possible.Léonard Simpson: saxophone altoJeff Albert: trombonePaul Wacrenier: pianoChristian Dillingham: contrebasseNicolas Pointard: batterie.Enregistré le 17/10/2025Production : Radio U, Brest----------------------------------L!VE CAMPUS, l'émission dédiée à la musique live !La musique live, toutes les musiques lives ! " L!VE CAMPUS " , un nouveau programme musical live qui place en son centre la découverte de nouveaux talents.Partout sur le territoire, dans les studios radios, dans les salles, festivals et cafés concerts, les radios Campus captent les instants où les artistes musicien.ne.s présentent sur scène, parfois pour la première fois, le fruit de leur travail. Des performances et des moments enregistrés parfois fragiles mais toujours uniques et sensibles.Enregistrés, produits et diffusés sur les ondes de près de 30 radios Campus en France, ce programme offre à des projets musicaux émergents un changement d'échelle, permettant à des projet locaux de se faire connaitre en dehors de leur territoire d'origine.Enfin en arrière scène, ce sont des équipes radios, personnes bénévoles ou en formation, qui, avec la complicité de nos partenaires, s'essayent et manipulent les enregistreurs, consoles sons, câbles, micros et logiciels pour rendre possible ces captations sonores qui vous seront ensuite retransmises. Des défis techniques formateurs pour celles et ceux qui souhaitent se confirmer aux métiers du son.L!VE Campus, les jeunes talents à découvrir et a ré-écouter en podcast c'est ici et en FM/DAB+ sur vos radios Campus préférées.Avec le soutien du Centre National de la Musique.crédits visuels : Alice Marmond | IG @aliicetakespicsHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Dans le cadre de l'Atlantique Jazz Festival, les étudiants de l'ISB (Image & Son Brest), la structure Plages Magnétiques et Radio U se sont associés pour enregistrer et diffuser plusieurs concerts. Dans ce quatrième et dernier rendez-vous, place à Noël Akchoté et Benoit Delbecq. Les deux musiciens se sont rencontrés il y a près de trente ans. En commun ils ont le besoin de jouer aujourd'hui, au présent, tout en restant solidement arrimés à l'histoire du jazz.Benoit Delbecq: pianisteNoël Akchoté: guitariste Enregistré le 17/10/2025Production: Radio U, Brest ----------------------------------L!VE CAMPUS, l'émission dédiée à la musique live !La musique live, toutes les musiques lives ! " L!VE CAMPUS " , un nouveau programme musical live qui place en son centre la découverte de nouveaux talents.Partout sur le territoire, dans les studios radios, dans les salles, festivals et cafés concerts, les radios Campus captent les instants où les artistes musicien.ne.s présentent sur scène, parfois pour la première fois, le fruit de leur travail. Des performances et des moments enregistrés parfois fragiles mais toujours uniques et sensibles.Enregistrés, produits et diffusés sur les ondes de près de 30 radios Campus en France, ce programme offre à des projets musicaux émergents un changement d'échelle, permettant à des projet locaux de se faire connaitre en dehors de leur territoire d'origine.Enfin en arrière scène, ce sont des équipes radios, personnes bénévoles ou en formation, qui, avec la complicité de nos partenaires, s'essayent et manipulent les enregistreurs, consoles sons, câbles, micros et logiciels pour rendre possible ces captations sonores qui vous seront ensuite retransmises. Des défis techniques formateurs pour celles et ceux qui souhaitent se confirmer aux métiers du son.L!VE Campus, les jeunes talents à découvrir et a ré-écouter en podcast c'est ici et en FM/DAB+ sur vos radios Campus préférées.Avec le soutien du Centre National de la Musique.crédits visuels : Alice Marmond | IG @aliicetakespicsHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Dans le cadre de l'Atlantique Jazz Festival, les étudiants de l'ISB (Imaje & Son Brest), la structure Plages Magnétiques et Radio U se sont associés pour enregistrer et diffuser plusieurs concerts. Dans ce troisième rendez-vous, place au Quintette "The Bridge". Équilibres fragiles et aventureux. Cinq esprits libres, réunis sous un seul impératif: la prédisposition immédiate à explorer un territoire musical où tout est possible. Léonard Simpson: saxophone alto Jeff Albert: trombone Paul Wacrenier: piano Christian Dillingham: contrebasse Nicolas Pointard: batterie. Enregistré le 17/10/2025 Production : Radio U, Brest ---------------------------------- L!VE CAMPUS, l'émission dédiée à la musique live ! La musique live, toutes les musiques lives ! " L!VE CAMPUS " , un nouveau programme musical live qui place en son centre la découverte de nouveaux talents. Partout sur le territoire, dans les studios radios, dans les salles, festivals et cafés concerts, les radios Campus captent les instants où les artistes musicien.ne.s présentent sur scène, parfois pour la première fois, le fruit de leur travail. Des performances et des moments enregistrés parfois fragiles mais toujours uniques et sensibles. Enregistrés, produits et diffusés sur les ondes de près de 30 radios Campus en France, ce programme offre à des projets musicaux émergents un changement d'échelle, permettant à des projet locaux de se faire connaitre en dehors de leur territoire d'origine. Enfin en arrière scène, ce sont des équipes radios, personnes bénévoles ou en formation, qui, avec la complicité de nos partenaires, s'essayent et manipulent les enregistreurs, consoles sons, câbles, micros et logiciels pour rendre possible ces captations sonores qui vous seront ensuite retransmises. Des défis techniques formateurs pour celles et ceux qui souhaitent se confirmer aux métiers du son. L!VE Campus, les jeunes talents à découvrir et a ré-écouter en podcast c'est ici et en FM/DAB+ sur vos radios Campus préférées. Avec le soutien du Centre National de la Musique. crédits visuels : Alice Marmond | IG @aliicetakespics

L!VE Campus dans le cadre de l'Atlantique Jazz Festival, les étudiants de l'ISB (Imaje & Son Brest), la structure Plages Magnétiques et Radio U se sont associés pour enregistrer et diffuser plusieurs concerts. Dans ce deuxième rendez-vous des "Midis libres", Noël Akchoté (guitare) convie Solène Morelon au violon. Un moment suspendu, sur la pause midi !Enregistré le 17/10/2025Production : Radio U, Brest----------------------------------L!VE CAMPUS, l'émission dédiée à la musique live !La musique live, toutes les musiques lives ! " L!VE CAMPUS " , un nouveau programme musical live qui place en son centre la découverte de nouveaux talents.Partout sur le territoire, dans les studios radios, dans les salles, festivals et cafés concerts, les radios Campus captent les instants où les artistes musicien.ne.s présentent sur scène, parfois pour la première fois, le fruit de leur travail. Des performances et des moments enregistrés parfois fragiles mais toujours uniques et sensibles.Enregistrés, produits et diffusés sur les ondes de près de 30 radios Campus en France, ce programme offre à des projets musicaux émergents un changement d'échelle, permettant à des projet locaux de se faire connaitre en dehors de leur territoire d'origine.Enfin en arrière scène, ce sont des équipes radios, personnes bénévoles ou en formation, qui, avec la complicité de nos partenaires, s'essayent et manipulent les enregistreurs, consoles sons, câbles, micros et logiciels pour rendre possible ces captations sonores qui vous seront ensuite retransmises. Des défis techniques formateurs pour celles et ceux qui souhaitent se confirmer aux métiers du son.L!VE Campus, les jeunes talents à découvrir et a ré-écouter en podcast c'est ici et en FM/DAB+ sur vos radios Campus préférées.Avec le soutien du Centre National de la Musique.crédits visuels : Alice Marmond | IG @aliicetakespicsHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Dans le cadre de l'Atlantique Jazz Festival, les étudiants de l'ISB (Imaje & Son Brest), la structure Plages Magnétiques et Radio U se sont associés pour enregistrer et diffuser plusieurs concerts. Dans ce premier rendez-vous des "Midis libres", Noël Akchoté (guitare) convie Philippe Champion (trompette) et Yannick Le Bitter (trombonne). Un moment suspendu, sur la pause midi !Enregistré le 16/10/2025 Production : Radio U, Brest----------------------------------L!VE CAMPUS, l'émission dédiée à la musique live !La musique live, toutes les musiques lives ! " L!VE CAMPUS " est un nouveau programme commun qui place en son centre la découverte de nouveaux talents.Partout sur le territoire, dans les studios radios, dans les salles, festivals et cafés concerts, les radios Campus captent les instants où les artistes musicien.ne.s présentent sur scène, parfois pour la première fois, le fruit de leur travail. Des performances et des moments enregistrés parfois fragiles mais toujours uniques et sensibles.Enregistrés, produits et diffusés sur les ondes de près de 30 radios Campus en France, ce programme offre à des projets musicaux émergents un changement d'échelle, permettant à des projet locaux de se faire connaitre en dehors de leur territoire d'origine.Enfin en arrière scène, ce sont des équipes radios, personnes bénévoles ou en formation technique, qui, avec la complicité de nos partenaires, s'essayent et manipulent les enregistreurs, consoles sons, câbles, micros et logiciels de son pour rendre possible ces captations sonores qui vous seront ensuite retransmises. Des défis techniques formateurs pour celles et ceux qui souhaitent se confirmer aux métiers du son.L!VE Campus, les jeunes talents à découvrir et a ré-écouter en podcast c'est ici et en FM/DAB+ sur vos radios Campus préférées.Avec le soutien du Centre National de la Musique.crédits visuels : Alice Marmond | IG @aliicetakespicsHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

JazzOmania #135  par  Stéphane Kochoyan avec Canal 30, Stellar Média & Jazz70  La Rétrospective 2025!  2025 a vu le jazz se réinventer sans jamais trahir ses racines. De la voix blues et soul de China Moses et du swing de Dee Dee Bridgewater aux explorations poétiques de André Minvielle, morzartiennes et jarrettiennes de Thomas Enhco (son concert à l'opera d'Avignon ) du latin jazz de Cimafunk ( le concert des Jardins de La Fontaine au Nimes Métropole Jazz Festival) aux audaces de Ji Dru, Gabi Hartmann et Paolo Fresu (attendu au Foirail de Pau en 2026)  cette playlist rétro 2025 de jazzOmania capture un jazz à la fois vibrant, éclectique et universel. Entre tradition et modernité, l'année 2025 est une invitation à écouter le monde avec curiosité et émotion. 01 - China Moses - I can be happy (I can be blue) feat Marvin Sewell 02 - Dee Dee Bridgewater & Bill Charlap - Honeysuckle Rose 03 - Jon Batiste - Saint James Infirmary Blues 04 - Guillaume de Chassy, André Minvielle, Géraldine Laurent - Débit de l'eau, débit de lait 05 - Faby Medina - The Best 06 - Thomas Enhco - Don Giovanni Overture 07 - Cimafunk & Chucho Valdes - Mambo Influenciado 08 - Jose James - Rock With You 09 - Anne Paceo - Sedna 10 - Ji Dru & Sandra Nkaké  - Break the Rules 11 - Gabi Hartmann & Laurent Bardaine - Love High  12 - Kenny Barron - Calypso feat Tyreek McDole  13 - Paolo Fresu - MalaMiles 14 - Arnaud Dolmen, Jowee Omicil, Michel Alibo - Poets of Forest 15 - Chocho Cannelle - High Point 16 - Alune Wade - Watermelon Man 17 - Vincent Peirani feat Emile Parisien  - Physical Attraction #jazz #touslesjazz #podcast #retro #2025  

Man found dead of an apparent self-inflicted gunshot wound on top of Keystone Hill, Telluride Town Council appoints Marya Stark and approves bigger Jazz Festival crowds and additional summer concert, ski patrol contract negotiations continue, and gray wolf captured in New Mexico and returned to Colorado.

Dans le cadre de l'Atlantique Jazz Festival, les étudiants de l'ISB (Imaje & Son Brest), la structure Plages Magnétiques et Radio U se sont associés pour enregistrer et diffuser plusieurs concerts. Dans ce premier rendez-vous des "Midis libres", Noël Akchoté (guitare) convie Philippe Champion (trompette) et Yannick Le Bitter (trombonne). Un moment suspendu, sur la pause midi ! Enregistré le 16/10/2025 Production : Radio U, Brest ---------------------------------- L!VE CAMPUS, l'émission dédiée à la musique live ! La musique live, toutes les musiques lives ! " L!VE CAMPUS " est un nouveau programme commun qui place en son centre la découverte de nouveaux talents. Partout sur le territoire, dans les studios radios, dans les salles, festivals et cafés concerts, les radios Campus captent les instants où les artistes musicien.ne.s présentent sur scène, parfois pour la première fois, le fruit de leur travail. Des performances et des moments enregistrés parfois fragiles mais toujours uniques et sensibles. Enregistrés, produits et diffusés sur les ondes de près de 30 radios Campus en France, ce programme offre à des projets musicaux émergents un changement d'échelle, permettant à des projet locaux de se faire connaitre en dehors de leur territoire d'origine. Enfin en arrière scène, ce sont des équipes radios, personnes bénévoles ou en formation, qui, avec la complicité de nos partenaires, s'essayent et manipulent les enregistreurs, consoles sons, câbles, micros et logiciels pour rendre possible ces captations sonores qui vous seront ensuite retransmises. Des défis techniques formateurs pour celles et ceux qui souhaitent se confirmer aux métiers du son. L!VE Campus, les jeunes talents à découvrir et a ré-écouter en podcast c'est ici et en FM/DAB+ sur vos radios Campus préférées. Avec le soutien du Centre National de la Musique. crédits visuels : Alice Marmond | IG @aliicetakespics

Dans le cadre de l'Atlantique Jazz Festival, les étudiants de l'ISB (Imaje & Son Brest), la structure Plages Magnétiques et Radio U se sont associés pour enregistrer et diffuser plusieurs concerts. Dans ce deuxième rendez-vous des "Midis libres", Noël Akchoté (guitare) convie Solène Morelon au violon. Un moment suspendu, sur la pause midi ! Enregistré le 17/10/2025 Production : Radio U, Brest ---------------------------------- L!VE CAMPUS, l'émission dédiée à la musique live ! La musique live, toutes les musiques lives ! " L!VE CAMPUS " est un nouveau programme commun qui place en son centre la découverte de nouveaux talents. Partout sur le territoire, dans les studios radios, dans les salles, festivals et cafés concerts, les radios Campus captent les instants où les artistes musicien.ne.s présentent sur scène, parfois pour la première fois, le fruit de leur travail. Des performances et des moments enregistrés parfois fragiles mais toujours uniques et sensibles. Enregistrés, produits et diffusés sur les ondes de près de 30 radios Campus en France, ce programme offre à des projets musicaux émergents un changement d'échelle, permettant à des projet locaux de se faire connaitre en dehors de leur territoire d'origine. Enfin en arrière scène, ce sont des équipes radios, personnes bénévoles ou en formation, qui, avec la complicité de nos partenaires, s'essayent et manipulent les enregistreurs, consoles sons, câbles, micros et logiciels pour rendre possible ces captations sonores qui vous seront ensuite retransmises. Des défis techniques formateurs pour celles et ceux qui souhaitent se confirmer aux métiers du son. L!VE Campus, les jeunes talents à découvrir et a ré-écouter en podcast c'est ici et en FM/DAB+ sur vos radios Campus préférées. Avec le soutien du Centre National de la Musique. crédits visuels : Alice Marmond | IG @aliicetakespics

PDX Jazz Festival Jazz Master. He ran the Portland State University Jazz program for 27 years and produced generations of great musicians. //

-Doug the Neighbor- & -TK/Irsh- chat about a -JAZZ Festival- and -The Dallas Zoo- in Dallas Texas.

This week Kevin and PJ are coming to you live from The Spaniard in Kinsale for a special bonus episode brought to you by Guinness 0.0, celebrating the start of the Guinness Cork Jazz Festival. Surrounded by jazz-goers and good vibes, the lads chat about the origins of the festival, share their early memories of celebrating the Jazz and issue a gentle warning about the perils of dating a musician. They also read some listener stories from Cork Jazz weekends gone by including iconic tales involving a brass band on top of a bus and there's even an impromptu performance from a stunning jazz singer.Sign up to the I'm Grand Mam Patreon for more stunning content: https://www.patreon.com/imgrandmam ✨ Hosted on Acast. See acast.com/privacy for more information.

Escondido and San Diego's very own Gabrielle Cavassa, a renowned jazz vocalist recently signed by Blue Note Records, joins Drew Schlosberg, the Host, and Charles Parisi, the CEO of Cloudcast Media, to discuss her success, journey, and challenges, as well as her recent virtuoso performance at the San Diego Tijuana International Jazz Festival.  About Spotlight and Cloudcast Media  "Spotlight On The Community" is the longest running community podcast in the country, continuously hosted by Drew Schlosberg for 19 years.  "Spotlight" is part of Cloudcast Media's line-up of powerful local podcasts, telling the stories, highlighting the people, and celebrating the gravitational power of local.   For more information on Cloudcast and its shows and cities served, please visit www.cloudcastmedia.us. Cloudcast Media | the national leader in local podcasting.   About Mission Fed Credit Union  A community champion for over 60 years, Mission Fed Credit Union with over $6 billion in member assets, is the Sponsor of Spotlight On The Community, helping to curate connectivity, collaboration, and catalytic conversations.  For more information on the many services for San Diego residents, be sure to visit them at https://www.missionfed.com/

The Jazz Festival begins and we look at life behind the scenes in Roches and Dunnes Stores

Die Stad Windhoek maak gereed om die beroemde Windhoek Jazz Festival aan te bied. Dit gaan op 1 November by die Hage Geingob-stadion plaasvind. Die publiek word aangemoedig om so gou as moontlik hulle kaartjies te koop voordat alles uitverkoop is. Kosmos 94.1 Nuus het gepraat met Lydia Amutenya, Stad Windhoek se woordvoerder, wat meer inligting gee.

Talking mobile drug units and addiction services, the buzz of the Guinness Cork Jazz Festival, the Metropole's busiest weekend, a local school fighting to keep its teacher, Halloween in Shandon, and a magical trip aboard the Cobh Santa Express. Hosted on Acast. See acast.com/privacy for more information.

Fiona Collins from the Jazz Committee joins us as the 47th annual Guinness Cork Jazz Festival kicks off — celebrating five days of world-class music and Cork's vibrant spirit. Hosted on Acast. See acast.com/privacy for more information.

Larry Stabbins in conversation with David Eastaugh  https://www.larrystabbins.com/ Played in the cult pop group Weekend and started writing with its guitarist Simon Booth. This later evolved into Working Week, a band that took a mix of Latin, soul, jazz and funk into the pop charts. From the Latin Jazz Dance scene in London clubs, the band mixed jazz with Latin dance rhythms and vocals by singers such as Juliet Roberts, Julie Tippetts, Robert Wyatt and Tracy Thorn. The band toured extensively in Europe and Japan, performing at most of Europe's major Jazz Festivals and recording five albums for Virgin Records. Following the breakup of Working Week he formed 'QRZ?' a fusion of jazz and rap which also recorded for Virgin Records and for the German label Loud Minority.  

durée : 01:59:10 - Tyreek McDole en direct du 39e Tourcoing Jazz Festival - par : Nathalie Piolé, Nicolas Pommaret - En public et en direct depuis la Maison Folie Hospice d'Havré à Tourcoing dans le cadre de la 39e édition du Tourcoing Jazz Festival. ATTENTION ! Pour des raisons juridiques, ce concert ne sera pas proposé en téléchargement. - réalisé par : Fabien Fleurat Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The first set of this podcast reviews some of the music represented at the 2nd annual San Diego-Tijuana (SDTJ) International Jazz Festival. This unique festival features artists from both sides of the US Mexico boarder. We begin with a tribute to the late James Moody, a resident of San Diego, celebrating his 100th Centennial of his birth. Also featured is a young singer from Veracruz Mx, Lucia and pianist-composer Irving Flores with his brand new album. We keep to the Latin jazz theme with a reading of Tres Palabras from Charlie Haden. More music concludes with an extended selection from Dexter's homecoming concert. Playlist Artist ~ Name ~ Album James Moody ~ Darben, the Redd Foxx ~ 80 Years Young: Live at the Blue Note Lucía ~ Veracruz ~ Lucía Irving Flores ~ With Amanda in Favignana ~ Armando Mi Conga Charlie Haden ~ Tres Palabras ~ Nocturne Tony Davis ~ Trinkets From Mars ~ Jessamine Les McCann ~ Poo Pye McGoochie (And His Friends) ~ Invitation to Openness Dexter Gordon ~ In Case You Haven't Heard ~ Homecoming - Live At the Village Vanguard

The Hudson Jazz Festival is taking place this weekend in Hudson from October 3-5. Vibraphonist Joel Ross is performing at Hudson Hall Mainstage on October 5, and Ross brings his vibes in to perform live, preview the festival, and discuss his most recent album, nublues, from 2024.

Thursday marks the 2nd annual San Diego Tijuana International Jazz Festival, which brings jazz luminaries from both sides of the border together in a celebration of San Diego and Tijuana's rich jazz history.Thursday on Midday Edition, we hear about some of that history and tradition from two local jazz figures behind the festival.Plus, the play “All the Men Who've Frightened Me,” which is currently running at the La Jolla Playhouse, explores the fear, uncertainty and joy that can come with becoming a parent.And finally, KPBS arts reporter Julia Dixon Evans shares her top picks for arts and culture events, from an experimental bassoon concert to San Diego Museum Month.Guests:Dan Atkinson, jazz musician, executive director, San Diego Tijuana International Jazz FestivalJulian Placencia, jazz musician, festival organizer, San Diego Tijuana International Jazz FestivalKat Yen, theater director, “All the Men Who've Frightened Me”Joy Guidry, bassoonistJulia Dixon Evans, arts reporter and host of "The Finest," KPBS

10/2/25: ACLU of Mass Ex Dir Carol Rose: a glorious win for freedom of speech in Mass fed court. Atty Laura Pitter w/ civil rts atty Oren Sellstrom: sanctuary cities threatened with withholding of federal funds. Rep Jim McGovern: the shutdown, Trump unhinged, & the resistance. Nhmptn Jazz Festival Pres Ruth Griggs w/ piano giant Bill Charlap.

This year's Hudson Jazz Festival takes place October 3–5 at Hudson Hall and at venues and public spaces throughout Hudson, New York.Curated by creative producer Cat Henry and hosted by jazz media personality Keanna Faircloth, the festival invites audiences to experience fall in the Hudson Valley with a dynamic lineup of jazz's most exciting rising stars—including Joel Ross, Julius Rodriguez, Caity Gyorgy, and BIGYUKI.Cat Henry and Keanna Faircloth join us.

9/18/25: Immunologist Dr. Jonathan Bayuk: covid & flu shots & RFK, Jr. Gazette & Gfld Recorder Ex Ed Dan Crowlwy: covering elections & bullets in Belchertown. Rabbah Riqi Kosovske: Jewish High Holidays & the War in Gaza. Nhmptn Jazz Festival Pres Ruth Griggs w/ the extraordinary Zaccai Curtis.

Born and raised in Cincinnati, Ohio, Ave Pildas worked early in his career as a photo stringer for Downbeat Magazine in the Ohio Valley and Pennsylvania in the 1960's, and has been a successful photographer and educator for the past 40 years.    In 1971 Pildas began working as the Art Director at Capitol Records in Hollywood and designed and photographed album covers for the label's recording artists. He launched a career as a freelance photographer and designer soon after, specializing in architectural and corporate photography. His photographs have been exhibited in one man shows at the: Contemporary Arts Center, Cincinnati, Photographers Gallery, London, Janus Gallery, Los Angeles, Gallerie Diaframma, Milan, Cannon Gallery, Amsterdam, Gallerie 38, Zurich and numerous group shows. They have been featured in: The New York Times Magazine, 'ZOOM', 'PHOTO', 'CAMERA', 'photographic' and many publications both in the United States and abroad .    Photographs by Ave Pildas are included in the collections of the Museum of Modern Art, New York; the Bibliotheca National, Paris; the University of Arizona as well as numerous other public and private collections. He is a Professor Emeritus at Otis College of Design.    Pildas created intimate portraits of Jazz greats in live performance, at small clubs and Jazz Festivals in the Midwest, many have never been seen before. Ave currently lives in Santa Monica, CA in the solar powered, zero scaped home and studio he collaborated on with W3 Architects. He is digitally archiving his vintage work, and continues with new projects while inspiring, polishing and guiding young talent. http://www.avepildas.com https://deadbeatclubpress.com/products/ave-pildas-star-struck This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com APPLY NOW OR SOON: https://www.chicoreview.com/2026 https://www.homecomingbiennial.com/submit https://photowork.foundation/photowork-junior-fellowship/

The launch was last night and Opinion Line Producer Paul Byrne was there to see who he could meet Hosted on Acast. See acast.com/privacy for more information.

This week on Get Out There, we're looking at some of the not-to-miss shows at the 2025 DC Jazz Festival.

Jason Fraley interviews Grammy winner Marcus Miller, who performs this Saturday at the D.C. Jazz Festival, which runs Wednesday through Sunday at The Wharf in Washington D.C. They discuss his prolific career working with Miles Davis, Luther Vandross, Roberta Flack, Aretha Franklin, Whitney Houston, Mariah Carey and Beyonce, as well as TV shows like “Saturday Night Live” and movies like Spike Lee's “School Daze” where he co-wrote “Da Butt.” (Theme Music: Scott Buckley's "Clarion")

Stories WAMU is following this week include how residents of Wards 7 and 8 are reacting to President Trump's deployment of National Guard troops and federal law enforcement officers, the possible increased costs for families needing back to school shots, and a look at celebrating the DC JazzFest this weekend.

0:00 - Sean Payton had a list of 14 (or 17) things that bothered him about the preseason trip to play the Niners. He referenced a music festival across from the hotel that disturbed the Broncos at 2am. Our festival insider Jesse Trujillo offered some insight into the debacle.14:44 - Broncos CB Riley Moss sat down (in the hot seat) for an interview with Vic yesterday. Expectations for the Broncos defense, skinny jeans, coffee...nothing is off the table. 35:29 - Shedeur Sanders made his preseason debut with the Browns last weekend, and it shattered preseason viewing records. Has there ever been this much buzz for a 5th round QB (or 5th round player in general) in NFL history?

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists.   In this two-part series of Oakland Asian Cultural Center's “Let's Talk” podcast Eastside Arts Alliance is featured. Elena Serrano and Susanne Takehara, two of the founders of Eastside Arts Alliance, and staff member Aubrey Pandori will discuss the history that led to the formation of Eastside and their deep work around multi-racial solidarity.   Transcript: Let's Talk podcast episode 9  [00:00:00] Emma: My name is Emma Grover, and I am the program and communications coordinator at the Oakland Asian Cultural Center, known also as OACC. Today we are sharing the ninth episode of our Let's Talk Audio Series. Let's Talk is part of OACC'S Open Ears for Change Initiative, which was established in 2020. With this series, our goals are to address anti-Blackness in the APIA communities, discuss the effects of colorism and racism in a safe space, and highlight Black and Asian solidarity and community efforts specifically in the Oakland Chinatown area. Today's episode is a round table discussion with Elena Serrano, Susanne Takahara, and Aubrey Pandori of Eastside Arts Alliance.  [00:00:53] Aubrey: Hello everybody. This is Aubrey from Eastside Arts Alliance, and I am back here for the second part of our Let's Talk with Suzanne and Elena. We're gonna be talking about what else Eastside is doing right now in the community. The importance of art in activism, and the importance of Black and Asian solidarity in Oakland and beyond.  So I am the community archivist here at Eastside Arts Alliances. I run CARP, which stands for Community Archival Resource Project. It is a project brought on by one of our co-founders, Greg Morozumi. And it is primarily a large chunk of his own collection from over the years, but it is a Third World archive with many artifacts, journals, pens, newspapers from social movements in the Bay Area and beyond, international social movements from the 1960s forward. We do a few different programs through CARP. I sometimes have archival exhibitions. We do public engagement through panels, community archiving days. We collaborate with other community archives like the Bay Area Lesbian Archives and Freedom Archives here in Oakland and the Bay Area. And we are also working on opening up our Greg Morozumi Reading Room in May. So that is an opportunity for people to come in and relax, read books, host reading groups, or discussions with their community. We're also gonna be opening a lending system so people are able to check out books to take home and read. There'll be library cards coming soon for that and other fun things to come.  [00:02:44] So Suzanne, what are you working on at Eastside right now? [00:02:48] Susanne: Well, for the past like eight or nine years I've been working with Jose Ome Navarrete and Debbie Kajiyama of NAKA Dance Theater to produce Live Arts and Resistance (LAIR), which is a Dance Theater Performance series. We've included many artists who, some of them started out here at Eastside and then grew to international fame, such as Dohee Lee, and then Amara Tabor-Smith has graced our stages for several years with House Full of Black Women. This year we're working with Joti Singh on Ghadar Geet: Blood and Ink, a piece she choreographed, and shot in film and it's a multimedia kind of experience. We've worked with Cat Brooks and many emerging other artists who are emerging or from all over, mostly Oakland, but beyond. It's a place where people can just experiment and not worry about a lot of the regulations that bigger theaters have. Using the outside, the inside, the walls, the ceiling sometimes. It's been an exciting experience to work with so many different artists in our space.  [00:04:03] Elena: And I have been trying to just get the word out to as many different folks who can help sustain the organization as possible about the importance of the work we do here. So my main job with Eastside has been raising money. But what we're doing now is looking at cultural centers like Eastside, like Oakland Asian Cultural Center, like the Malonga Casquelord Center, like Black Cultural Zone, like the Fruitvale Plaza and CURJ's work. These really integral cultural hubs. In neighborhoods and how important those spaces are.  [00:04:42] So looking at, you know, what we bring to the table with the archives, which serve the artistic community, the organizing community. There's a big emphasis, and we had mentioned some of this in the first episode around knowing the history and context of how we got here so we can kind of maneuver our way out. And that's where books and movies and posters and artists who have been doing this work for so long before us come into play in the archives and then having it all manifest on the stage through programs like LAIR, where theater artists and dancers and musicians, and it's totally multimedia, and there's so much information like how to keep those types of places going is really critical.  [00:05:28] And especially now when public dollars have mostly been cut, like the City of Oakland hardly gave money to the arts anyway, and they tried to eliminate the entire thing. Then they're coming back with tiny bits of money. But we're trying to take the approach like, please, let's look at where our tax dollars go. What's important in a neighborhood? What has to stay and how can we all work together to make that happen?  [00:05:52] Susanne: And I want to say that our Cultural Center theater is a space that is rented out very affordably to not just artists, but also many organizations that are doing Movement work, such as Palestinian Youth Movement, Bala, Mujeres Unidas Y Activas, QT at Cafe Duo Refugees, United Haiti Action Committee, Freedom Archives, Oakland Sin Fronteras, Center for CPE, and many artists connected groups.  [00:06:22] Aubrey: Yeah, I mean, we do so much more than what's in the theater and Archive too, we do a lot of different youth programs such as Girl Project, Neighborhood Arts, where we do public murals. One of our collective members, Angie and Leslie, worked on Paint the Town this past year. We also have our gallery in between the Cultural Center and Bandung Books, our bookstore, which houses our archive. We are celebrating our 25th anniversary exhibition.  [00:06:54] Susanne: And one of the other exhibits we just wrapped up was Style Messengers, an exhibit of graffiti work from Dime, Spy and Surge, Bay Area artists and Surge is from New York City, kind of illustrating the history of graffiti and social commentary.  [00:07:30] Elena: We are in this studio here recording and this is the studio of our youth music program Beats Flows, and I love we're sitting here with this portrait of Amiri Baraka, who had a lot to say to us all the time. So it's so appropriate that when the young people are in the studio, they have this elder, magician, poet activist looking at him, and then when you look out the window, you see Sister Souljah, Public Enemy, and then a poster we did during, when Black Lives Matter came out, we produced these posters that said Black Power Matters, and we sent them all over the country to different sister cultural centers and I see them pop up somewhere sometimes and people's zooms when they're home all over the country. It's really amazing and it just really shows when you have a bunch of artists and poets and radical imagination, people sitting around, you know, what kind of things come out of it. [00:08:31] Aubrey: I had one of those Black Power Matters posters in my kitchen window when I lived in Chinatown before I worked here, or visited here actually. I don't even know how I acquired it, but it just ended up in my house somehow.  [00:08:45] Elena: That's perfect. I remember when we did, I mean we still do, Malcolm X Jazz Festival and it was a young Chicana student who put the Jazz Festival poster up and she was like, her parents were like, why is Malcolm X? What has that got to do with anything? And she was able to just tell the whole story about Malcolm believing that people, communities of color coming together  is a good thing. It's a powerful thing. And it was amazing how the festival and the youth and the posters can start those kind of conversations.  [00:09:15] Aubrey: Malcolm X has his famous quote that says “Culture is an indispensable weapon in the freedom struggle.” And Elena, we think a lot about Malcolm X and his message here at Eastside about culture, but also about the importance of art. Can we speak more about the importance of art in our activism?  [00:09:35] Elena: Well, that was some of the things we were touching on around radical imagination and the power of the arts. But where I am going again, is around this power of the art spaces, like the power of spaces like this, and to be sure that it's not just a community center, it's a cultural center, which means we invested in sound good, sound good lighting, sprung floors. You know, just like the dignity and respect that the artists and our audiences have, and that those things are expensive but critical. So I feel like that's, it's like to advocate for this type of space where, again, all those groups that we listed off that have come in here and there's countless more. They needed a space to reach constituencies, you know, and how important that is. It's like back in the civil rights organizing the Black church was that kind of space, very important space where those kind of things came together. People still go to church and there's still churches, but there's a space for cultural centers and to have that type of space where artists and activists can come together and be more powerful together.  [00:10:50] Aubrey: I think art is a really powerful way of reaching people. [00:10:54] Elena: You know, we're looking at this just because I, being in the development end, we put together a proposal for the Environmental Protection Agency before Donald (Trump) took it over. We were writing about how important popular education is, so working with an environmental justice organization who has tons of data about how impacted communities like East Oakland and West Oakland are suffering from all of this, lots of science. But what can we, as an arts group, how can we produce a popular education around those things? And you know, how can we say some of those same messages in murals and zines, in short films, in theater productions, you know, but kind of embracing that concept of popular education. So we're, you know, trying to counter some of the disinformation that's being put out there too with some real facts, but in a way that, you know, folks can grasp onto and, and get.  [00:11:53] Aubrey: We recently had a LAIR production called Sky Watchers, and it was a beautiful musical opera from people living in the Tenderloin, and it was very personal. You were able to hear about people's experiences with poverty, homelessness, and addiction in a way that was very powerful. How they were able to express what they were going through and what they've lost, what they've won, everything that has happened in their lives in a very moving way. So I think art, it's, it's also a way for people to tell their stories and we need to be hearing those stories. We don't need to be hearing, I think what a lot of Hollywood is kind of throwing out, which is very white, Eurocentric beauty standards and a lot of other things that doesn't reflect our neighborhood and doesn't reflect our community. So yeah, art is a good way for us to not only tell our stories, but to get the word out there, what we want to see changed.  So our last point that we wanna talk about today is the importance of Black and Asian solidarity in Oakland. How has that been a history in Eastside, Suzanne?  [00:13:09] Susanne: I feel like Eastside is all about Third World solidarity from the very beginning. And Yuri Kochiyama is one of our mentors through Greg Morozumi and she was all about that. So I feel like everything we do brings together Black, Asian and brown folks. [00:13:27] Aubrey: Black and Asian solidarity is especially important here at Eastside Arts Alliance. It is a part of our history. We have our bookstore called Bandung Books for a very specific reason, to give some history there. So the Bandung Conference happened in 1955 in Indonesia, and it was the first large-scale meeting of Asian and African countries. Most of which were newly independent from colonialism. They aimed to promote Afro-Asian cooperation and rejection of colonialism and imperialism in all nations. And it really set the stage for revolutionary solidarity between colonized and oppressed people, letting way for many Third Worlds movements internationally and within the United States.  [00:14:14] Eastside had an exhibition called Bandung to the Bay: Black and Asian Solidarity at Oakland Asian Cultural Center the past two years in 2022 and 2023 for their Lunar New Year and Black History Month celebrations. It highlighted the significance of that conference and also brought to light what was happening in the United States from the 1960s to present time that were creating and building solidarity between Black and Asian communities. The exhibition highlighted a number of pins, posters, and newspapers from the Black Liberation Movement and Asian American movement, as well as the broader Third World movement. The Black Panthers were important points of inspiration in Oakland, in the Bay Area in getting Asian and Pacific Islanders in the diaspora, and in their homelands organized.  [00:15:07] We had the adoption of the Black Panthers 10-point program to help shape revolutionary demands and principles for people's own communities like the Red Guard in San Francisco's Chinatown, IWK in New York's Chinatown and even the Polynesian Panthers in New Zealand. There were so many different organizations that came out of the Black Panther party right here in Oakland. And we honor that by having so many different 10-point programs up in our theater too. We have the Brown Berets, Red Guard Party, Black Panthers, of course, the American Indian Movement as well. So we're always thinking about that kind of organizing and movement building that has been tied here for many decades now.  [00:15:53] Elena: I heard that the term Third World came from the Bandung conference. [00:15:58] Aubrey: Yes, I believe that's true.  [00:16:01] Elena: I wanted to say particularly right now, the need for specifically Black Asian solidarity is just, there's so much misinformation around China coming up now, especially as China takes on a role of a superpower in the world. And it's really up to us to provide some background, some other information, some truth telling, so folks don't become susceptible to that kind of misinformation. And whatever happens when it comes from up high and we hate China, it reflects in Chinatown. And that's the kind of stereotyping that because we have been committed to Third World solidarity and truth telling for so long, that that's where we can step in and really, you know, make a difference, we hope. I think the main point is that we need to really listen to each other, know what folks are going through, know that we have more in common than we have separating us, especially in impacted Black, brown, Asian communities in Oakland. We have a lot to do.  [00:17:07] Aubrey: To keep in contact with Eastside Arts Alliance, you can find us at our website: eastside arts alliance.org, and our Instagrams at Eastside Cultural and at Bandung Books to stay connected with our bookstore and CArP, our archive, please come down to Eastside Arts Alliance and check out our many events coming up in the new year. We are always looking for donations and volunteers and just to meet new friends and family.  [00:17:36] Susanne: And with that, we're gonna go out with Jon Jang's “The Pledge of Black Asian Alliance,” produced in 2018.  [00:18:29] Emma: This was a round table discussion at the Eastside Arts Alliance Cultural Center with staff and guests: Elena, Suzanne and Aubrey.  Let's Talk Audio series is one of OACC'S Open Ears for Change projects and as part of the Stop the Hate Initiative with funds provided by the California Department of Social Services in consultation with the commission of Asian and Pacific Islander American Affairs to administer $110 million allocated over three years to community organizations. These organizations provide direct services to victims of hate and their families and offer prevention and intervention services to tackle hate in our communities. This episode is a production of the Oakland Asian Cultural Center with engineering, editing, and sound design by Thick Skin Media.  [00:19:18] A special thanks to Jon Jang for permission to use his original music. And thank you for listening.  [00:19:32] Music: Life is not what you alone make it. Life is the input of everyone who touched your life and every experience that entered it. We are all part of one another. Don't become too narrow, live fully, meet all kinds of people. You'll learn something from everyone. Follow what you feel in your heart. OACC Podcast [00:00:00] Emma: My name is Emma Grover, and I am the program and communications coordinator at the Oakland Asian Cultural Center, known also as OACC. Today we are sharing the eighth episode of our Let's Talk audio series. Let's talk as part of OACC's Open Ears for Change Initiative, which was established in 2020. With this series, our goals are to address anti-blackness in the APIA communities, discuss the effects of colorism and racism in a safe space, and highlight black and Asian solidarity and community efforts specifically in the Oakland Chinatown area.   [00:00:43] Today's guests are Elena Serrano and Suzanne Takahara, co-founders of Eastside Arts Alliance. Welcome Elena and Suzanne, thank you so much for joining today's episode. And so just to kick things off, wanna hear about how was Eastside Arts Alliance started?   [00:01:01] Susanne: Well, it was really Greg Morozumi who had a longstanding vision of creating a cultural center in East Oakland, raised in Oakland, an organizer in the Bay Area, LA, and then in New York City where he met Yuri Kochiyama, who became a lifelong mentor.   [00:01:17] Greg was planning with one of Yuri's daughters, Ichi Kochiyama to move her family to Oakland and help him open a cultural center here. I met Greg in the early nineties and got to know him during the January, 1993 “No Justice, No Peace” show at Pro Arts in Oakland. The first Bay Graffiti exhibition in the gallery. Greg organized what became a massive anti-police brutality graffiti installation created by the TDDK crew. Graffiti images and messages covered the walls and ceiling complete with police barricades. It was a response to the Rodney King protests. The power of street art busted indoors and blew apart the gallery with political messaging. After that, Greg recruited Mike Dream, Spy, and other TDK writers to help teach the free art classes for youth that Taller Sin Fronteras was running at the time.   [00:02:11] There were four artist groups that came together to start Eastside. Taller Sin Fronteras was an ad hoc group of printmakers and visual artists activists based in the East Bay. Their roots came out of the free community printmaking, actually poster making workshops that artists like Malaquias Montoya and David Bradford organized in Oakland in the early 70s and 80s.   [00:02:34] The Black Dot Collective of poets, writers, musicians, and visual artists started a popup version of the Black Dot Cafe. Marcel Diallo and Leticia Utafalo were instrumental and leaders of this project. 10 12 were young digital artists and activists led by Favianna Rodriguez and Jesus Barraza in Oakland. TDK is an Oakland based graffiti crew that includes Dream, Spie, Krash, Mute, Done Amend, Pak and many others evolving over time and still holding it down.   [00:03:07] Elena: That is a good history there. And I just wanted to say that me coming in and meeting Greg and knowing all those groups and coming into this particular neighborhood, the San Antonio district of Oakland, the third world aspect of who we all were and what communities we were all representing and being in this geographic location where those communities were all residing. So this neighborhood, San Antonio and East Oakland is very third world, Black, Asian, Latinx, indigenous, and it's one of those neighborhoods, like many neighborhoods of color that has been disinvested in for years. But rich, super rich in culture.   [00:03:50] So the idea of a cultural center was…let's draw on where our strengths are and all of those groups, TDKT, Taller Sin Fronters, Black artists, 10 – 12, these were all artists who were also very engaged in what was going on in the neighborhoods. So artists, organizers, activists, and how to use the arts as a way to lift up those stories tell them in different ways. Find some inspiration, ways to get out, ways to build solidarity between the groups, looking at our common struggles, our common victories, and building that strength in numbers.   [00:04:27] Emma: Thank you so much for sharing. Elena and Suzanne, what a rich and beautiful history for Eastside Arts Alliance.   [00:04:34] Were there any specific political and or artistic movements happening at that time that were integral to Eastside's start?   [00:04:41] Elena: You know, one of the movements that we took inspiration from, and this was not happening when Eastside got started, but for real was the Black Panther Party. So much so that the Panthers 10-point program was something that Greg xeroxed and made posters and put 'em up on the wall, showing how the 10-point program for the Panthers influenced that of the Young Lords and the Brown Berets and I Wor Kuen (IWK).   [00:05:07] So once again, it was that Third world solidarity. Looking at these different groups that were working towards similar things, it still hangs these four posters still hang in our cultural, in our theater space to show that we were all working on those same things. So even though we came in at the tail end of those movements, when we started Eastside, it was very much our inspiration and what we strove to still address; all of those points are still relevant right now.   [00:05:36] Susanne: So that was a time of Fight The Power, Kaos One and Public Enemy setting. The tone for public art murals, graphics, posters. So that was kind of the context for which art was being made and protests happened.   [00:05:54] Elena: There was a lot that needed to be done and still needs to be done. You know what? What the other thing we were coming on the tail end of and still having massive repercussions was crack. And crack came into East Oakland really hard, devastated generations, communities, everything, you know, so the arts were a way for some folks to still feel power and feel strong and feel like they have agency in the world, especially hip hop and, spray can, and being out there and having a voice and having a say, it was really important, especially in neighborhoods where things had just been so messed up for so long.   [00:06:31] Emma: I would love to know also what were the community needs Eastside was created to address, you know, in this environment where there's so many community needs, what was Eastside really honing in on at this time?   [00:06:41] Elena: It's interesting telling our story because we end up having to tell so many other stories before us, so things like the, Black Arts movement and the Chicano Arts Movement. Examples of artists like Amiri Baraka, Malaguias Montoya, Sonya Sanchez. Artists who had committed themselves to the struggles of their people and linking those two works. So we always wanted to have that. So the young people that we would have come into the studio and wanna be rappers, you know, it's like, what is your responsibility?   [00:07:15] You have a microphone, you amplify. What are some of the things you're saying? So it was on us. To provide that education and that backstory and where they came from and the footsteps we felt like they were in and that they needed to keep moving it forward. So a big part of the cultural center in the space are the archives and all of that information and history and context.   [00:07:37] Susanne: And we started the Malcolm X Jazz Arts Festival for that same reason coming out of the Bandung Conference. And then the Tri Continental, all of this is solidarity between people's movements.   [00:07:51] Emma: You've already talked about this a little bit, the role of the arts in Eastside's foundation and the work that you're doing, and I'd love to hear also maybe how the role of the arts continues to be important in the work that you're doing today as a cultural center.   [00:08:04] And so my next question to pose to you both is what is the role of the arts at Eastside?   [00:08:10] Elena: So a couple different things. One, I feel like, and I said a little bit of this before, but the arts can transmit messages so much more powerfully than other mediums. So if you see something acted out in a theater production or a song or a painting, you get that information transmitted in a different way.   [00:08:30] Then also this idea of the artists being able to tap into imagination and produce images and visions and dreams of the future. This kind of imagination I just recently read or heard because folks aren't reading anymore or hardly reading that they're losing their imagination. What happens when you cannot even imagine a way out of things?   [00:08:54] And then lastly, I just wanted to quote something that Favianna Rodriguez, one of our founders always says “cultural shift precedes political shift.” So if you're trying to shift things politically on any kind of policy, you know how much money goes to support the police or any of these issues. It's the cultural shift that needs to happen first. And that's where the cultural workers, the artists come in.   [00:09:22] Susanne: And another role of Eastside in supporting the arts to do just that is honoring the artists, providing a space where they can have affordable rehearsal space or space to create, or a place to come safely and just discuss things that's what we hope and have created for the Eastside Cultural Center and now the bookstore and the gallery. A place for them to see themselves and it's all um, LGBTA, BIPOC artists that we serve and honor in our cultural center. To that end, we, in the last, I don't know, 8, 9 years, we've worked with Jose Navarrete and Debbie Kajiyama of Naka Dance Theater to produce live arts and resistance, which gives a stage to emerging and experienced performance artists, mostly dancers, but also poets, writers, theater and actors and musicians.   [00:10:17] Emma: The last question I have for you both today is what is happening in the world that continues to call us to action as artists?   [00:10:27] Elena: Everything, everything is happening, you know, and I know things have always been happening, but it seems really particularly crazy right now on global issues to domestic issues. For a long time, Eastside was um, really focusing in on police stuff and immigration stuff because it was a way to bring Black and brown communities together because they were the same kind of police state force, different ways.   [00:10:54] Now we have it so many different ways, you know, and strategies need to be developed. Radical imagination needs to be deployed. Everyone needs to be on hand. A big part of our success and our strength is organizations that are not artistic organizations but are organizing around particular issues globally, locally come into our space and the artists get that information. The community gets that information. It's shared information, and it gives us all a way, hopefully, to navigate our way out of it.   [00:11:29] Susanne: The Cultural Center provides a venue for political education for our communities and our artists on Palestine, Haiti, Sudan, immigrant rights, prison abolition, police abolition, sex trafficking, and houselessness among other things.   [00:11:46] Elena: I wanted to say too, a big part of what's going on is this idea of public disinvestment. So housing, no such thing as public housing, hardly anymore. Healthcare, education, we're trying to say access to cultural centers. We're calling that the cultural infrastructure of neighborhoods. All of that must be continued to be supported and we can't have everything be privatized and run by corporations. So that idea of these are essential things in a neighborhood, schools, libraries, cultural spaces, and you know, and to make sure cultural spaces gets on those lists.   [00:12:26] Emma: I hear you. And you know, I think every category you brought up, actually just now I can think of one headline or one piece of news recently that is really showing how critically these are being challenged, these basic rights and needs of the community. And so thank you again for the work that you're doing and keeping people informed as well. I think sometimes with all the news, both globally and, and in our more local communities in the Bay Area or in Oakland. It can be so hard to know what actions to take, what tools are available. But again, that's the importance of having space for this type of education, for this type of activism. And so I am so grateful that Eastside exists and is continuing to serve our community in this way.   What is Eastside Arts Alliance up to today? Are there any ways we can support your collective, your organization, what's coming up?   [00:13:18] Elena: Well, this is our 25th anniversary. So the thing that got us really started by demonstrating to the community what a cultural center was, was the Malcolm X Jazz Arts Festival, and that this year will be our 25th anniversary festival happening on May 17th.   [00:13:34] It's always free. It's in San Antonio Park. It's an amazing day of organizing and art and music, multi-generational. It's beautiful. It's a beautiful day. Folks can find out. We have stuff going on every week. Every week at the cultural center on our website through our socials. Our website is Eastside Arts alliance.org, and all the socials are there and there's a lot of information from our archives that you can look up there. There's just just great information on our website, and we also send out a newsletter.   [00:14:07] Emma: Thank you both so much for sharing, and I love you bringing this idea, but I hear a lot of arts and activism organizations using this term radical imagination and how it's so needed for bringing forth the future that we want for ourselves and our future generations.   [00:14:24] And so I just think that's so beautiful that Eastside creates that space, cultivates a space where that radical imagination can take place through the arts, but also through community connections. Thank you so much Elena and Suzanne for joining us today.   [00:14:40] Susanne: Thank you for having us.   [00:15:32] Emma: Let's Talk Audio series is one of OACC'S Open Ears for Change projects and is part of the Stop the Hate Initiative with funds provided by the California Department of Social Services. In consultation with the commission of Asian and Pacific Islander American Affairs to administer $110 million allocated over three years to community organizations. These organizations provide direct services to victims of hate and their families, and offer prevention and intervention services to tackle hate in our communities.   This episode is a production of the Oakland Asian Cultural Center with engineering, editing, and sound design by Thick Skin Media. A special thanks to Jon Jang for permission to use his original music, and thank you for listening.   [00:16:34] Music: Life is not what you alone make it. Life is the input of everyone who touched your life and every experience that entered it. We are all part of one another. Don't become too narrow. Live fully, meet all kinds of people. You'll learn something from everyone. Follow what you feel in your heart. The post APEX Express – August 14, 2025 appeared first on KPFA.

Wow! Victim from Cincinnati Jazz Festival Attack Tells Foxnews what happened that night!

On this week's episode we're diving into the warning signs of Texas gerrymandering that Isaiah Martin highlighted in Town Hall meeting weeks prior. As concerned citizens, it's essential to stay informed about the actions of politicians like Greg Abbott and their impact on our democracy. Jolanda Jones, a Democrat, would likely agree that we need to hold our leaders accountable. In other news, the Corporation of Public Broadcasting, also known as CPB, is dealing with fallout from the Trump administration as funding for their programming has been CANCELED. And, on a lighter note, a a man claiming to be Colonel Sanders great nephew, 3 time over, has beef with KFC, the fried chicken food chain, and has released the *official* recipe on social media. All of this and SO MUCH MORE. Tune in! -------------------------------------------------------------------- TIMESTAMPS 0:00 - What Happened To Proper New Music Releases? 5:20 - Intro 5:53 - Where We've Been & Announcements 7:46 - What Can't You Wrap Your Head Around? 19:37 - The Texas Gerrymandering Issue/ Isaiah Martin's Warning 41:13 - The CPB is Shutting Down To, You Guessed It, Canceled Funding 52:09 - Smithsonian Make A Change In Trump's Impeachment Only To Change It Back 57:07 - Shannon Sharpe Loses 23 Million To An OnlyFans Model 1:09:22 - A Cincinnati Brawl After a Jazz Festival 1:13:39 - Colonel Sanders Great (3x) Nephew Has Beef w/ KFC 1:22:00 - End of Show -------------------------------------------------------------------- Please be sure to follow us on all our social media: Cashapp: $Headwrappod Bluesky: @headwrappod Instagram: @headwrapsandlipsticks TikTok: @headwrapsandlipsticks Facebook: Headwraps And Lipsticks: The Podcast Website: www.headwrapsandlipstick.com Email: hosts@headwrapsandlipsticks.com

Family of Cincinnati Jazz Festival brawl suspects Speaks Out!

✦ Atlanta is a city rife with creativity. One of the artistic endeavors that Atlanta, and Georgia for that matter, has seen hockey stick growth within is film making. Not to be forgotten, however, amongst the known stars, million-dollar budgets, and expensive studios are the indie-film makers. City Lights Collective co-host Jon Goode sat down with poet, indie-film maker, and Atlanta native Malik Salaam, director of the new film Cut, to discuss the movie, his journey, and Atlanta's indie-film scene. ✦ A speakeasy meets a night of jazz-opera fusion, R&B, and chill vibes this Saturday. WABE arts reporter Summer Evans shares more about "The Den on Queen" event. ✦ City Lights Collective member, podcaster, and self-proclaimed history nerd Victoria Lemos lives to research the stories behind Atlanta's treasures, and this week, she dives into the wild origin story of one of the city's most beloved institutions: Zoo Atlanta. It all started in Grant Park in the late 1800s, where an abandoned circus, a lumber magnate with a vision, and some very confused animals collided to create Atlanta's first permanent menagerie. In today's story from Lemos, you'll meet the city's first zookeeper, an "educated pig," and learn how a train car full of lions, monkeys, and even a dromedary led to what we now call Zoo Atlanta. We'll uncover how public parades, dime campaigns, and even elephants named Coca and Cola shaped the park's future—and why the city's love for the zoo never quite matched the funding behind it. ✦ You know as well as we do that there is always a plethora of things to do in Atlanta, and we have earned the title of "The Cultural Capital of the South." Mike Jordan, senior editor at the AJC, and Sammie Purcell, associate editor at Rough Draft Atlanta, know this well too. They join us weekly to share a few of their picks for your weekend entertainment. Today, their mix includes two separate food events – one for veggies and one for jollof, and a film festival in the suburbs. ✦ Award-winning photographer Jim Alexander has spent his life refining what he calls the art of documentary photography. A photojournalist, teacher, activist, media consultant, and entrepreneur, Alexander has amassed an impressive collection of images showcasing Black culture and human rights. He's also a dear friend of photographer Sue Ross, who has spent five decades telling the story of Black Atlanta through images of politicians, artists, literary greats, community leaders, and as she puts it, "just plain people." These two giants of photography have much in common, but it's their shared love for Music that is spotlighted in the exhibition, "We Are Music," currently on view at The Sun ATL. Both Alexander and Ross have seemingly endless collections of live concert photography. They've both been stage-side to capture images of some of Black Music's biggest names, including Dizzy Gillespie, Gladys Knight, Miles Davis, Run-DMC, Herbie Hancock, and India Arie - many of whom were photographed at Atlanta's annual Jazz Festival. City Lights Collective co-host Kim Drobes recently visited The Sun ATL to view the exhibition and was given a tour by the legendary photographers.See omnystudio.com/listener for privacy information.

Steve Gruber discusses news and headlines

In this episode, we sit down with Marko Marcinko, the artistic director of the Scranton Jazz Festival. Marko shares the history and details of the upcoming 20th-anniversary event that will take place on August 1st, 2nd, and 3rd in downtown Scranton. The festival features performances at over 20 venues, showcasing jazz, blues, and world beats from both local and international musicians. Marko also talks about the organization's nonprofit status, the coordination involved in hosting the festival, and the rich history of jazz in Scranton. Tune in and discover the vibrant world of the Scranton Jazz Festival!If you or someone you know wants to be featured in our next podcast, message us on Facebook!

This episode of The Other Side of the Bell, featuring rising trumpet star Alexandra Ridout, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Alexandra Ridout trumpet interview" About Alex Ridout: UK born multi award winner Alexandra Ridout is a trumpeter, bandleader, composer and educator based in Harlem NYC.   At only 26 years old, Alexandra is already one of the most talented young trumpet players on the international scene. Since winning the UK's prestigious BBC Young Jazz Musician in 2016, she has been catapulted into a busy high-profile career, captivating audiences ever since.   Her awards include the British Jazz Awards “Rising Star” 2018, Keep an Eye International Jazz Awards “Best Soloist” 2023, 2nd place at the esteemed Carmine Caruso International Jazz Trumpet competition 2023, and most recently the Next Jazz Legacy 2025 Award through New Music USA. Alexandra is a busy performer with her own outstanding bands of various sizes in leading venues in New York, London and beyond. She has performed at many jazz festivals worldwide including Montreux, North Sea, Unity at the Lincoln Centre, London, Love Supreme and was recently an artist in residence at the Guimarães Jazz Festival.   She was a showcased performer/composer in the International Festival of New Trumpet Music (FONT) with her trio in New York in 2022. The Festival is curated by world famous jazz trumpeter Dave Douglas, who she performed with in the FONT in 2024 and recorded an album with his new project 'Alloy' in 2025.   Alex's distinctive trumpet voice is sought out by numerous prominent musicians and she has toured and performed/recorded in the bands of Jochen Rueckert (Jochen Rueckert Quartet), Artemis (Renee Rosnes), Orlando Le Fleming (Romantic Funk band), Kit Downes, Dave Douglas (Alloy), Melissa Aldana, Dayna Stephens (Custom Deluxe band), Christine Jensen, Caroline Davis (Portals Band), Savannah Harris (Savannah Harris Trio), Pablo Held (‘Pablo Held Meets' series and touring as a guest with his trio), Alex Hitchcock (Alex Hitchcock Quintet), Yazz Ahmed (Yazz Ahmed Polyhymnia) and Zoe Rahman.   “Pretty much from the first note you know that you're dealing with an original voice” – Matt Penman   Episode Links:   Website: alexandraridoutmusic.squarespace.com Instagram: @alexandra.ridout YouTube: @alexandraridout6998 Facebook: @AlexandraRidoutMusic   Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Cover Art Photography - Alice Leggett Audio Engineer - Ted Cragg